title: The Ambiguity of Amateur Photography in Modern Warfare
abstract: This article addresses a number of questions regarding the changing status and resultant interpretations of amateur photographs of war in the twentieth century. It reconsiders the photographs of the German army soldiers during World War II and the photographs taken in Abu Ghraib prison during the Iraq war with a view to finding a new approach to contemporary amateur photographs. This new approach shifts away from the study of the contents of the image to a focus on its ongoing reception and ideo
journal: New Literary History