title: Catholicism in Italian cinema in the age of ‘the new secularisation’ (1958-1978)
abstract: This thesis explores the portrayal of Italian Catholicism in five feature films: E venne un uomo (A Man Named John, dir. Ermanno Olmi, 1965), Galileo (1968, dir. Liliana Cavani), Teorema (Theorem, 1968, dir. Pier Paolo Pasolini), Nel nome del padre (In the Name of the Father, 1972, dir. Marco Bellocchio) and Fratello sole, sorella luna (Brother Sun, Sister Moon, 1972, dir. Franco Zeffirelli). Challenging the notion of Italian Catholicism as a monolithic and unified system of thought, this invest
journal: WestminsterResearch (University of Westminster)