title: Seeing the Bigger Picture: Conspiratorial Revisions of World War II History in Recent Russian Cinema
abstract: This article analyzes revisions of World War II history in recent Russian cinema and television, including the feature film The Match (Andrei Maliukov, 2012), Spy (Aleksei Andrianov, 2012), and the television series Liquidation (Sergei Ursuliak, 2007). All these productions rely on the logic of conspiracy theory for their reimaginations of war history: pivotal developments during the war or its aftermath are presented as the result of subterranean manipulations by enemies or intelligence service
journal: Slavic Review