title: Un misterio sin enigma: gótico, espacio urbano y exotismo en La luz argentina de César Aira
abstract: The aim of this paper is to analyze La luz argentina (1983), by César Aira, based on the verification that it constitutes the first urban-themed piece in the writer’s work. Our hypothesis is that the prolific series that makes up the urban cycle in Aira’s work, identified almost exclusively with the Flores cycle, is actually inaugurated with this novel. Although La luz argentina tells a story of interiors in which the city appears mostly indirectly, the characters’ refuge of intimacy does not co
journal: Catedral Tomada Revista de crítica literaria latinoamericana