title: Examples of experimental art practice and international cultural collaborations during the 1960s and 1970s in the territory of the former Yugoslavia and socialist countries behind the Iron Curtain
abstract: This research is divided into two case studies.The first includes examples of radical neo-avant-garde artistic practice in Poland and former Czechoslovakia, which were banned for ideological reasons during the 1960s and 1970s.Its basis is the Marinko Sudac Collection.The aim is to contextualise the reality of experimental artists in these two countries, where governing structures controlled the domestic art scene and projects abroad.The second study looks at the Gallery of Contemporary Art and t