title: Performative Contradiction and Revolution: Reconsidering Romania
abstract: This thesis discusses the Romanian Revolution of 1989 through the critiques of its authenticity that have emerged in the field of critical theory over the past twenty-five years. It applies a different theoretical model for interpretation, that of performative contradiction, and reconsiders accusations of inauthenticity through this lens. By introducing this new model, the objective is to liberate this specific political event, and also political events at large, from the burden of authenticity,
journal: Goldsmiths (University of London)