title: The Reconciliatory Potential of Objects in Stefan Chwin’s novel Death in Danzig
abstract: This article examines the artistic rendering of post-German objects in Stefan Chwin’s 1995 novel Hanemann [Death in Danzig] through the lens of new materialism theories. In his depiction of the historical transformation of Danzig/Gdansk from a German to a Polish city Chwin applies two strategies: he centers portions of the narrative on objects and human-object entanglements and employs an imaginative child’s perspective which tends to view reality in animistic terms. In utilizing these narrative
journal: Transit