title: The Politics of Musical Standardization in Nineteenth-Century France and Britain
abstract: Abstract This article examines mid-nineteenth-century Anglo-French relations through the prism of musical standardization. Bringing together perspectives from musicology, history of science, and political history, it demonstrates the holistic value of musical practices for the study of processes of political integration. In 1859, Napoléon III's government determined a national pitch to which musicians should tune their instruments. The following year, Britain's Society of Arts attempted to emula
journal: Past & Present