title: Saroyan’s “The Black Tartars”
abstract: This article offers an examination of William Saroyan’s stance on nationalism through the analysis of “The Black Tartars” (1936), a story built on the technique of embedding which shows, through the layering of stories, two distinct models: one based upon primordialist notions of race; the other resting on the principle of ethnolinguistic homogeneity and resulting in the birth of the modern nation-state. By examining the dialogicity implicit in the frame narrative, I propose to examine Karachi’s
journal: Journal of English Studies