title: A morte nos filmes soviéticos e russos sobre a Segunda Guerra
abstract: The frequency and different depictions of death in Soviet and Russian World War II cinema have changed over time. Marc Ferro's cinematographic history allows us to identify the tensions that fueled them: different political groups, social memories and historical conjunctures produced monumental and demonumentalizing works (partial or total) in the USSR about the meaning of death. After its end, this tension was maintained by internal or external funding sources. We selected 54 war films produced
journal: LA Referencia (Red Federada de Repositorios Institucionales de Publicaciones Científicas)