title: Boys, Herms, and the Objectification of Desire on Athenian Sympotic Vases
abstract: In depicting scenes of youths in the company of a herm, the painters of Athenian sympotic pottery ostensibly portray a scene of daily life. Some, however, construct these scenes for viewing through an erotic lens, drawing on the fact that the two key iconographic elements of the stone herm, the bearded male head and the erect phallus, recall the iconography of the ἐραστής, the older male lover in traditional Greek pederasty. Representing herms in the company of young males thus allows the artist
journal: Eugesta