title: ‘Without methods’: three female authors visiting the Western Front
abstract: This essay focuses on May Sinclair's A Journal of Impressions of Belgium (1915, London: MacMillan), Mary Roberts Rinehart's Kings, Queens and Pawns: An American Woman at the Front (1915, New York: George Doran Company) and Edith Wharton's Fighting France: From Dunkerque to Belfort (2010, London: Hesperus Press Limited), and examines how these writers reflected and negotiated in their writing their status as eyewitnesses to the First World War. In a male-dominated world, the presence of women wri
journal: First World War Studies