title: Curating national renewal : the significance of arts and crafts in the construction of Soviet identity at the 1925 Exposition internationale des arts d�coratifs et industriels modernes in Paris
abstract: At the Exposition internationale des arts d�coratifs et industriels modernes in Paris in 1925, the newly recognised Soviet Union was given a platform to present its ideology through art. It constructed an official narrative of national renewal through a sophisticated exhibition concept that complemented contemporary art (particularly constructivism) with arts and crafts. This article sheds light on why the Soviet officials chose this specific approach and how their strategy was rooted in the ear
journal: Art East Central