title: Curating the Crimea: The Cultural Afterlife of a Conflict
abstract: This interdisciplinary thesis explores how the Crimean War (1854-56) has registered in&#13;\nBritish consciousness since the conflict’s outbreak. It draws extensively on the National&#13;\nArmy Museum’s (NAM) rich collection of archives, paintings, prints, medals and&#13;\nobjects. The thesis situates NAM’s collection in a wider material context, by drawing&#13;\nupon collections held elsewhere. It therefore provides an important overview of the&#13;\nconflict’s material legacy in Britain. This 
journal: Figshare