title: Murder, Myth, and Melodrama: The Theatrical Histories of Jack the Ripper
abstract: In 1888, several murders in the London boroughs of Whitechapel and Spitalfields became the first modern serial killings reported by mass-circulation daily media. These were identified with “Jack the Ripper,” a name that still resonates in popular culture and entertainment. This dissertation looks to the theatrical culture of London, arguing that theatre and drama provided models for the creation of this figure, which has the cultural status of a “myth” in the sense defined by Roland Barthes. Dra
journal: TSpace (University of Toronto)