title: ‘Kaleidoscopes of Changing Pictures’: Representing Nations in Toy Theatre
abstract: Toy theatre was an adjunct trade to London theatreland in the nineteenth century. Publishers produced miniature versions of popular productions on stage in contemporary playhouses. Consequently, toy theatre has typically been studied as a unique visual record of theatrical scenery and costumes. This article aims to question these assumptions, and to argue that these toys should be critically examined as performances in their own right. In 1854 the Lord Chamberlain’s Office licensed the ‘Grand Mi
journal: Journal of Victorian Culture