title: A Well with a Gargoyle and the Principle of Hyperquotation in the Architecture of the Livadia Palace
abstract: The article is devoted to studying the circumstances that served as the basis for the quotation of the original composition installed during the restoration of the Vincigliata Castle near Florence (1860s) in the sculpture A Well with a Gargoyle in the Livadia Palace. A comparative analysis of the copy and the original leads to the problem of hyperquotation in the work on the project of the imperial residence in the Crimea (1909–1914). For the first time, the article publishes the photographs of 
journal: Art & Culture Studies