title: Curatorial Strategies to Resist Gender Asymmetries in Portugal: Two Women-Only Landmark Exhibitions
abstract: This article adopts a comparative approach to two women-only landmark exhibitions in Portugal—Portuguese Women Artists (1977) and All I Want. Portuguese Women Artists from 1900 to 2020 (2021–2022)—to explore how curatorial strategies can function as tools of resistance to gender asymmetries in the art field. Spanning 45 years, these initiatives reflect distinct historical, institutional, and cultural contexts: the former emerged in a post-revolutionary country as a bold, politically charged inte
journal: Arts