title: Onomastic Code in the Works of Dina Rubina “Napoleon Convoy” and “The White Dove of Cordoba”
abstract: The semantic and plot-generating functions of the onomastic paradigm in the works of Dina Rubina “Napoleon wagon train” and “The White Dove of Cordoba” is examined in the article. The relevance of the study is due to the fact that the trilogy “Napoleon’s Wagon Train” has not previously been subjected to scientific analysis, nor has the artistic techniques of this trilogy been compared with those of other works by Dina Rubina. The novelty of the research is seen in the fact that, based on the mat
journal: Nauchnyi Dialog