title: Spectacular malaise: Art and the end of history
abstract: Abstract This article makes two main claims: that Debord's concept of the 'integrated spectacle' is related to end of History narratives and that the related concept of 'disinformation' is manifested in new forms of media-driven warfare. These claims are substantiated through a comparative analysis between Debord's texts and contemporary politics, primarily as described by Adam Curtis and by the RETORT collective. The resulting understanding of our contemporary politics is a situation where subj
journal: Art & the Public Sphere