title: THE BODY (RE)PUBLIC: WOMEN ON/AS THE LANDSCAPE OF MODERNITY, FROM ZOLA’S AU BONHEUR DES DAMES TO VARDA’S CLÉO DE 5 À 7
abstract: This dissertation explores the ways in which questions of gender, space and mobility intersect in a selection of fin-de-siècle French novels and 1960s French New Wave films in an effort to discern how the representational interplay of these three elements gives allegorical form to the sociopolitical anxieties of the times in which the works were produced. Using the Paris Commune of 1871 and the protests of May ’68 as anchoring points for the two periodizations underlying my inquiry, I examine ho
journal: Scholarworks (University of Massachusetts Amherst)