title: FORMATION PECULIARITY OF MUSICAL IMAGES AND THEIR SUBSEQUENT PERCEPTION IN SOUND RECORDING
abstract: The article considers the features of the formation of musical images and their subsequent perception in sound recordings. The research devoted to the process of recording music in the recording studio and considering it as a specific form of music-making has been described. Theodor W. Adorno’s the-ory and Meyer-Denkman’s one have been considered. The article will be use-ful for the sound engineers.
journal: Вестник Восточно-Сибирского государственного института культуры