title: The Visual Divide Islam Vs. The West, Image Peception In Cross-cultural Contexts
abstract: Do two people, coming from different cultural backgrounds, see the same image the same way? Do we employ technologies of seeing that embed visuality within relentless cultural and ideological frames? And, if so, when does visual difference become a tool for inclusion and exclusion? When does it become an instrument of war? I argue that we‘re always implicated in visuality as a form of confirmation bias, and that what we see is shaped by preexisting socioideological frames that can only be libera
journal: Journal of International Crisis and Risk Communication Research