title: Representation of British Royal Family in Mike Bartlett’s Play “King Charles III”
abstract: This article explores the stylistic eclecticism present in Mike Bartlett’s play “King Charles III” and the dramatic interpretation of the British royal family members. The relevance of contemporary themes on the evolution of existing political genres is emphasized. Employing methods such as close reading, stylistic and verbal analysis, as well as typological, historical, and sociological approaches, the study demonstrates that the play encompasses elements of political drama, political comedy, a
journal: Nauchnyi Dialog