title: A Haymarket Khozhdenie na osliati: Raskolnikov’s Donkey Walk and the Failures of Iconic Performativity
abstract: In sixteenth- and seventeenth-century Moscow, Orthodox priests and celebrants reenacted Christ’s entry into Jerusalem on Palm Sunday in a ritual known as the Donkey Walk (Khozhdenie na osliati). Art historian Alexei Lidov has interpreted this reenactment as a “spatial icon,” in which city and inhabitants co-create a dynamic, living “Entry into Jerusalem” icon. This paper reexamines the final chapters of Dostoevsky’s Crime and Punishment within the context of this ritual, arguing that Raskolnikov
journal: Journal of Icon Studies