title: Affective commoning: Collective curating in the post-socialist space
abstract: This thesis investigates the political, philosophical and aesthetic trajectories of collective curating in Southeast Europe. It is developed from a theoretical and philosophical standpoint that focuses on four key curatorial collectives and their interventionist reconfigurations of the region’s socialist past: Kiosk (Belgrade), Multidisciplinary Arts Movements (Tirana), Kontekst Collective (Belgrade), and Kooperacija (Skopje). Responding to a gap in previous literature and focusing on more under
journal: Goldsmiths (University of London)