title: Female image of memory-centric happiness of first-wave Russian emigration
abstract: In the article, the starting point of the study is the changes in the semantic aspects of the work by Russian emigrant writers of the first wave. These writers bring conceptually significant topics to the pages of their works, thus highlighting the scale of the global catastrophe. It is argued that, under these conditions, an objective pattern is a change in genre preferences, in particular, the emigrant writers’ turn to memoir genres as the most relevant in the context of emigration, which in t
journal: SHS Web of Conferences