title: Cyborgs vs. Vatniks: Hybridity, Weaponized Information, and Mediatized Reality in Recent Ukrainian War Films
abstract: Focusing on Akhtem Seitablaiev’s blockbuster Kiborhy: Heroi ne vmyraiut' (Cyborgs: Heroes Never Die, 2017) and Sergei Loznitsa’s auteur production Donbass (2018), this article argues that the latest cycle of Ukrainian war films merits critical attention as an astute record of conspicuous social transformations in today’s Ukraine and as a medium that presents an original perspective on the hybrid nature of modern war and its mediatization, the latter being a relatively new theme in war films broa
journal: East/West Journal of Ukrainian Studies