title: “Enemy Number One” in the Soviet and American Movies Suring the Cold War
abstract: Enemy number One" in the Symbolic Politics of the Cinematographies of the USSR and the USA during the Cold War".In this regard, the authors of the book thinks that Soviet and American cinematic images of "enemy number one" had many similarities, and the book noted parallelism in various aspects of creating these images.There were also significant differences: 1) in the United States, the opposition to the USSR was more rigid; 2) the policy of macropolitical identity pursued by the cinematographe
journal: Mediaobrazovanie