title: Verbal and Visual Witnessing: Tony Harrison’s Euripides
abstract: This chapter explores the theme of witnessing in Harrison’s later theatre works, especially the contrast between photographic and poetic records and accounts of trauma. It argues that Harrison’s choice of ancient plays to adapt and translate (Hippolytus, Medea, Hecuba, Iphigenia in Tauris, Trojan Women), and the central topics discussed in his original play FRAM, are closely related to his experience of the ancient Greek tragedian Euripides, especially to his messenger speeches, and above all to
journal: British Academy eBooks