title: Шекспир в отечественном кинематографе и на телевидении: национальное и глобальное
abstract: The paper covers a special role of Shakespeare as a constant of Russian culture on national screen and television. The author examines a number of phenomena of contemporary Russian screen culture that somehow adapt and/or reference W. Shakespeare’s “Hamlet” and “Othello” in the late 20th and early 21st centuries. The author analyzes black comedy “Playing the Victim” (dir. K.S. Serebrennikov) with some obvious and cryptic allusions to “Hamlet”, a modern adaptation of the great Shakespearean trage
journal: Znanie Ponimanie Umenie