Oboe Concerto (Mozart)
Concerto for oboe and orchestra by Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart's Oboe Concerto in C major, K. 314 (271k), was composed in the spring or summer of 1777, for the oboist Giuseppe Ferlendis (1755–1802) from Bergamo. In 1778, Mozart re-worked it as a concerto for flute in D major. The concerto is a widely studied piece for both instruments and is one of the most important concertos in the oboe repertoire.
Movements.
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As with his Flute Concerto No. 1, the piece is orchestrated for a standard string section (violin I/II, viola and cello/double bass doubling the bass line), two oboes, and two horns in D/C. The first and last movements are in the home key of C major, while the second movement is in the subdominant key of F major.
The piece is divided into three movements:
Flute Concerto No. 2.
The Flute Concerto No. 2 in D major, K. 314 (285d) is an adaptation of the original oboe concerto. Dutch flautist Ferdinand Dejean (1731–1797) commissioned Mozart for four flute quartets and three flute concerti, of which Mozart only completed three quartets and one new flute concerto. Instead of creating a new second concerto, Mozart rearranged the oboe concerto he had written a year earlier as the second flute concerto, although with substantial changes for it to fit with what the composer deemed flute-like. However, Dejean did not pay Mozart for this concerto because it was based on the oboe concerto.
Origin.
In the 1800s and early 1900s, the oboe concerto was presumed to be lost, while the flute concerto in D remained known. The oboe concerto was rediscovered by Bernhard Paumgartner in 1920, who found a handwritten set of parts in the Salzburg Mozarteum archives, and recognized the similarity with the flute concerto in D. Alfred Einstein, editor of the third edition of the Köchel catalogue (1937), noted that both a D major and a C major copy of the K. 314 concerto existed in the library of the Gesellschaft der Musikfreunde in Vienna. From this and also from Paumgartner's discovery, Einstein concluded that the concerto was originally for oboe. The priority of the oboe version is supported by Mozart's letters, as well as various evidence from the music itself. For example, according to Einstein in his "Mozart: His Character, His Work" and Paumgartner in his "Mozart-Jahrbuch", the violins in the D major version never go below the A on the G string, suggesting that C major was the original key and D major was a transposition. For the same reason, the violas in the D major version never go below the D on the C string.
No autograph score has survived. The only known autograph fragment consists of nine measures discovered in 1971, partly duplicating the Oboe Concerto in C major and partly proceeding with previously unknown material.
See also.
The first movement of Mozart's unfinished Oboe Concerto in F major, K. 293 (1778) has been completed by the Mozart scholar and pianist Robert D. Levin, and by the musicologist William Drabkin in 2015.
References.
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Wolfgang Amadeus Mozart
Composer (1756–1791)
Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791) was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition and proficiency from an early age resulted in more than 800 works representing virtually every Western classical genre of his time. Many of these compositions are acknowledged as pinnacles of the symphonic, concertante, chamber, operatic, and choral repertoires. Mozart is widely regarded as one of the greatest composers in the history of Western music, with his music admired for its "melodic beauty, its formal elegance and its richness of harmony and texture".
Born in Salzburg, Mozart showed prodigious ability from his earliest childhood. At age five, he was already competent on keyboard and violin, had begun to compose, and performed before European royalty. His father took him on a grand tour of Europe and then three trips to Italy. At 17, he was a musician at the Salzburg court but grew restless and travelled in search of a better position. Mozart's search for employment led to positions in Paris, Mannheim, Munich, and again in Salzburg, during which he wrote his five violin concertos, Sinfonia Concertante, and Concerto for Flute and Harp, as well as sacred pieces and masses, the motet "Exsultate Jubilate", and the opera "Idomeneo," among other works.
While visiting Vienna in 1781, Mozart was dismissed from his Salzburg position. He stayed in Vienna, where he achieved fame but little financial security. During Mozart's early years in Vienna, he produced several notable works, such as the opera "Die Entführung aus dem Serail", the "Great Mass in C minor", the "Haydn" Quartets and a number of symphonies. Throughout his Vienna years, Mozart composed over a dozen piano concertos, many considered some of his greatest achievements. In the final years of his life, Mozart wrote many of his best-known works, including his last three symphonies, culminating in the "Jupiter" Symphony, the serenade "Eine kleine Nachtmusik", his Clarinet Concerto, the operas "The Marriage of Figaro", "Don Giovanni", "Così fan tutte" and "The Magic Flute" and his Requiem. The Requiem was largely unfinished at the time of his death at age 35, the circumstances of which are uncertain and much mythologised.
Life and career.
Early life.
Family and childhood.
Wolfgang Amadeus Mozart was born on 27 January 1756 to Leopold Mozart and Anna Maria, née Pertl, at Getreidegasse 9 in Salzburg. Salzburg was the capital of the Archbishopric of Salzburg, an ecclesiastic principality in the Holy Roman Empire (today in Austria). He was the youngest of seven children, five of whom died in infancy. His elder sister was Maria Anna Mozart, nicknamed "Nannerl". Mozart was baptised the day after his birth, at St. Rupert's Cathedral in Salzburg. The baptismal record gives his name in Latinised form, as "Joannes Chrysostomus Wolfgangus Theophilus Mozart". He generally called himself "Wolfgang Amadè Mozart" as an adult, but his name had many variants.
Leopold Mozart, a native of Augsburg, then an Imperial Free City in the Holy Roman Empire, was a minor composer and an experienced teacher. In 1743, he was appointed as the fourth violinist in the musical establishment of Count Leopold Anton von Firmian, the ruling Prince-Archbishop of Salzburg. Four years later, he married Anna Maria in Salzburg. Leopold became the orchestra's deputy Kapellmeister in 1763. During the year of his son's birth, Leopold published a violin textbook, "Versuch einer gründlichen Violinschule", which achieved success.
When Nannerl was seven, she began keyboard lessons with her father, while her three-year-old brother looked on. Years later, after her brother's death, she reminisced:
He often spent much time at the clavier, picking out thirds, which he was ever striking, and his pleasure showed that it sounded good... In the fourth year of his age his father, for a game as it were, began to teach him a few minuets and pieces at the clavier... He could play it faultlessly and with the greatest delicacy, and keeping exactly in time... At the age of five, he was already composing little pieces, which he played to his father who wrote them down.
These early pieces, K. 1–5, were recorded in the "Nannerl Notenbuch". There is some scholarly debate about whether Mozart was four or five years old when he created his first musical compositions, though there is little doubt that Mozart composed his first three pieces of music within a few weeks of each other: K. 1a, 1b, and 1c.
In his early years, Wolfgang's father was his only teacher. Along with music, he taught his children languages and academic subjects. Biographer Solomon notes that, while Leopold was a devoted teacher to his children, there is evidence that Mozart was keen to progress beyond what he was taught. His first ink-spattered composition and his precocious efforts with the violin were of his initiative and came as a surprise to Leopold, who eventually gave up composing when his son's musical talents became evident.
1762–73: Travel.
While Wolfgang was young, his family made several European journeys in which he and Nannerl performed as child prodigies. These began with an exhibition in 1762 at the court of Prince-elector Maximilian III of Bavaria in Munich, and at the Imperial Courts in Vienna and Prague. A long concert tour followed, spanning three and a half years, taking the family to the courts of Munich, Mannheim, Paris, London, Dover, The Hague, Amsterdam, Utrecht, Mechelen and again to Paris, and back home via Zürich, Donaueschingen, and Munich. During this trip, Wolfgang met many musicians and acquainted himself with the works of other composers. A particularly significant influence was Johann Christian Bach, whom he visited in London in 1764 and 1765. When he was eight years old, Mozart wrote his first symphony, most of which was probably transcribed by his father.
The family trips were often challenging, and travel conditions were primitive. They had to wait for invitations and reimbursement from the nobility, and they endured long, near-fatal illnesses far from home: first Leopold (London, summer 1764), then both children (The Hague, autumn 1765). The family again went to Vienna in late 1767 and remained there until December 1768.
After one year in Salzburg, Leopold and Wolfgang set off for Italy, leaving Anna Maria and Nannerl at home. This tour lasted from December 1769 to March 1771. As with earlier journeys, Leopold wanted to display his son's abilities as a performer and a rapidly maturing composer. Wolfgang met Josef Mysliveček and Giovanni Battista Martini in Bologna and was accepted as a member of the famous Accademia Filarmonica. There exists a myth, according to which, while in Rome, he heard Gregorio Allegri's "Miserere" twice in performance in the Sistine Chapel. Allegedly, he subsequently wrote it out from memory, thus producing the "first unauthorised copy of this closely guarded property of the Vatican". However, both the origin and plausibility of this account are disputed.
In Milan, Mozart wrote the opera "Mitridate, re di Ponto" (1770), which was performed with success. This led to further opera commissions. He returned with his father twice to Milan (August–December 1771; October 1772 – March 1773) for the composition and premieres of "Ascanio in Alba" (1771) and "Lucio Silla" (1772). Leopold hoped these visits would result in a professional appointment for his son, and indeed ruling Archduke Ferdinand contemplated hiring Mozart, but owing to his mother Empress Maria Theresa's reluctance to employ "useless people", the matter was dropped and Leopold's hopes were never realised. Toward the end of the journey, Mozart wrote the solo motet "Exsultate, jubilate", K.165.
1773–77: Employment at the Salzburg court.
After finally returning with his father from Italy on 13 March 1773, Mozart was employed as a court musician by the ruler of Salzburg, Prince-Archbishop Hieronymus Colloredo. The composer had many friends and admirers in Salzburg and had the opportunity to work in many genres, including symphonies, sonatas, string quartets, masses, serenades, and a few minor operas. Between April and December 1775, Mozart developed an enthusiasm for violin concertos, producing a series of five (the only ones he ever wrote), which steadily increased in their musical sophistication. The last three—K. 216, K. 218, K. 219—are now staples of the repertoire. In 1776, he turned his efforts to piano concertos, culminating in the E♭ concerto K. 271 of early 1777, considered by critics to be a breakthrough work.
Despite these artistic successes, Mozart grew increasingly discontented with Salzburg and redoubled his efforts to find a position elsewhere. One reason was his low salary, 150 florins a year; Mozart longed to compose operas, and Salzburg provided only rare occasions for these. The situation worsened in 1775 when the court theatre was closed, especially since the other theatre in Salzburg was primarily reserved for visiting troupes.
Two long expeditions in search of work interrupted this long Salzburg stay. Mozart and his father visited Vienna from 14 July to 26 September 1773, and Munich from 6December 1774 to March 1775. Neither visit was successful, though the Munich journey resulted in a popular success with the premiere of Mozart's opera "La finta giardiniera".
1777–78: Journey to Paris.
In August 1777, Mozart resigned his position at Salzburg and on 23 September ventured out once more in search of employment, with visits to Augsburg, Mannheim, Paris, and Munich.
Mozart became acquainted with members of the famous orchestra in Mannheim, the best in Europe at the time. He also fell in love with Aloysia Weber, one of four daughters of a musical family. There were prospects of employment in Mannheim, but they came to nothing, and Mozart left for Paris on 14 March 1778 to continue his search. One of his letters from Paris hints at a possible post as an organist at Versailles, but Mozart was not interested in such an appointment. He fell into debt and took to pawning valuables. The nadir of the visit occurred when Mozart's mother was taken ill and died on 3July 1778. There had been delays in calling a doctor—probably, according to Halliwell, because of a lack of funds. Mozart stayed with Melchior Grimm at Marquise d'Épinay's residence, 5 rue de la Chaussée-d'Antin.
While Mozart was in Paris, his father was pursuing opportunities of employment for him in Salzburg. With the support of the local nobility, Mozart was offered a post as court organist and concertmaster. The annual salary was 450 florins, but he was reluctant to accept. By that time, relations between Grimm and Mozart had cooled, and Mozart moved out. After leaving Paris in September 1778 for Strasbourg, he lingered in Mannheim and Munich, still hoping to obtain an appointment outside Salzburg. In Munich, he again encountered Aloysia, now a very successful singer, but she was no longer interested in him. Mozart finally returned to Salzburg on 15 January 1779 and took up his new appointment, but his discontent with Salzburg remained undiminished.
Among the better-known works which Mozart wrote on the Paris journey are the A minor piano sonata, K. 310/300d, the "Paris" Symphony (No. 31), which were performed in Paris on 12 and 18 June 1778; and the Concerto for Flute and Harp in C major, K. 299/297c.
Vienna.
1781: Departure.
In January 1781, Mozart's opera "Idomeneo" premiered with "considerable success" in Munich. The following March, Mozart was summoned to Vienna, where his employer, Archbishop Colloredo, was attending the celebrations for the accession of Joseph II to the Austrian throne. For Colloredo, this was simply a matter of wanting his musical servant to be at hand (Mozart indeed was required to dine in Colloredo's establishment with the valets and cooks). He planned a bigger career as he continued in the archbishop's service; for example, he wrote to his father:
My main goal right now is to meet the emperor in some agreeable fashion, I am absolutely determined he should get to know me. I would be so happy if I could whip through my opera for him and then play a fugue or two, for that's what he likes.
Mozart did indeed soon meet the Emperor, who eventually was to support his career substantially with commissions and a part-time position.
In the same letter to his father just quoted, Mozart outlined his plans to participate as a soloist in the concerts of the "Tonkünstler-Societät", a prominent benefit concert series; this plan as well came to pass after the local nobility prevailed on Colloredo to drop his opposition.
Colloredo's wish to prevent Mozart from performing outside his establishment was in other cases carried through, raising the composer's anger; one example was a chance to perform before the Emperor at Countess Thun's for a fee equal to half of his yearly Salzburg salary.
The quarrel with the archbishop came to a head in May: Mozart attempted to resign and was refused. The following month, permission was granted, but in a grossly insulting way: the composer was dismissed literally "with a kick in the arse", administered by the archbishop's steward, Count Arco. Mozart decided to settle in Vienna as a freelance performer and composer.
The quarrel with Colloredo was more difficult for Mozart because his father sided against him. Hoping fervently that he would obediently follow Colloredo back to Salzburg, Mozart's father exchanged intense letters with his son, urging him to be reconciled with their employer. Mozart passionately defended his intention to pursue an independent career in Vienna. The debate ended when Mozart was dismissed by the archbishop, freeing himself both of his employer and of his father's demands to return. Solomon characterizes Mozart's resignation as a "revolutionary step" that significantly altered the course of his life.
Early years.
Mozart's new career in Vienna began well. He often performed as a pianist, notably in a competition before the Emperor with Muzio Clementi on 24 December 1781, and he soon "had established himself as the finest keyboard player in Vienna". He also prospered as a composer, and in 1782 completed the opera "Die Entführung aus dem Serail" ("The Abduction from the Seraglio"), which premiered on 16 July 1782 and achieved considerable success. The work was soon being performed "throughout German-speaking Europe", and thoroughly established Mozart's reputation as a composer.
Near the height of his quarrels with Colloredo, Mozart moved in with the Weber family, who had moved to Vienna from Mannheim. The family's father, Fridolin, had died, and the Webers were now taking in lodgers to make ends meet.
Marriage and children.
After failing to win the hand of Aloysia Weber, who was now married to the actor and artist Joseph Lange, Mozart's interest shifted to the third daughter of the family, Constanze.
The courtship did not go entirely smoothly; surviving correspondence indicates that Mozart and Constanze briefly broke up in April 1782, over an episode involving jealousy (Constanze had permitted another young man to measure her calves in a parlour game). Mozart also faced a very difficult task getting permission for the marriage from his father, Leopold.
The marriage took place in an atmosphere of crisis. Daniel Heartz suggests that eventually, Constanze moved in with Mozart, which would have placed her in disgrace by the mores of the time. Mozart wrote to Leopold on 31 July 1782, "All the good and well-intentioned advice you have sent fails to address the case of a man who has already gone so far with a maiden. Further postponement is out of the question." Heartz relates, "Constanze's sister Sophie had tearfully declared that her mother would send the police after Constanze if she did not return home [presumably from Mozart's apartment]." On 4 August, Mozart wrote to Baroness von Waldstätten, asking: "Can the police here enter anyone's house in this way? Perhaps it is only a ruse of Madame Weber to get her daughter back. If not, I know no better remedy than to marry Constanze tomorrow morning or if possible today."
The couple were finally married on 4August 1782 in St. Stephen's Cathedral, the day before his father's consenting letter arrived in the mail. In the marriage contract, Constanze "assigns to her bridegroom five hundred gulden which ... the latter has promised to augment with one thousand gulden", with the total "to pass to the survivor". Further, all joint acquisitions during the marriage were to remain the common property of both.
The couple had six children, of whom only two survived infancy:
1782–87.
In 1782 and 1783, Mozart became intimately acquainted with the work of Johann Sebastian Bach and George Frideric Handel as a result of the influence of Gottfried van Swieten, who owned many manuscripts of the Baroque masters. Mozart's study of these scores inspired compositions in the Baroque style and later influenced his musical language, for example in fugal passages in "Die Zauberflöte" ("The Magic Flute") and the finale of Symphony No. 41.
In 1783, Mozart and his wife visited his family in Salzburg. His father and sister were cordially polite to Constanze, but the visit prompted the composition of one of Mozart's great liturgical pieces, the Mass in C minor. Though not completed, it was premiered in Salzburg, with Constanze singing a solo part.
Mozart met Joseph Haydn in Vienna around 1784, and the two composers became friends. When Haydn visited Vienna, they sometimes played together in an impromptu string quartet. Mozart's six quartets dedicated to Haydn (K. 387, K. 421, K. 428, K. 458, K. 464, and K. 465) date from the period 1782 to 1785, and are judged to be a response to Haydn's Opus 33 set from 1781. Haydn wrote, "posterity will not see such a talent again in 100 years" and in 1785 told Mozart's father: "I tell you before God, and as an honest man, your son is the greatest composer known to me by person and repute, he has taste and what is more the greatest skill in composition."
From 1782 to 1785 Mozart mounted concerts with himself as a soloist, presenting three or four new piano concertos in each season. Since space in the theatres was scarce, he booked unconventional venues: a large room in the Trattnerhof apartment building, and the ballroom of the Mehlgrube restaurant. The concerts were very popular, and his concertos premiered there are still firm fixtures in the repertoire. Solomon writes that during this period, Mozart created "a harmonious connection between an eager composer-performer and a delighted audience, which was given the opportunity of witnessing the transformation and perfection of a major musical genre".
With substantial returns from his concerts and elsewhere, Mozart and his wife adopted a more luxurious lifestyle. They moved to an expensive apartment, with a yearly rent of 460 florins. Mozart bought a fine fortepiano from Anton Walter for about 900 florins, and a billiard table for about 300. The Mozarts sent their son Karl Thomas to an expensive boarding school and kept servants. During this period Mozart saved little of his income.
On 14 December 1784, Mozart became a Freemason, admitted to the lodge Zur Wohltätigkeit ("Beneficence"). Freemasonry played an essential role in the remainder of Mozart's life: he attended meetings, a number of his friends were Masons, and on various occasions, he composed Masonic music, e.g. the Maurerische Trauermusik.
1786–87: Return to opera.
Despite the great success of "Die Entführung aus dem Serail", Mozart did little operatic writing for the next four years, producing only two unfinished works and the one-act "Der Schauspieldirektor". He focused instead on his career as a piano soloist and writer of concertos. Around the end of 1785, Mozart moved away from keyboard writing and began his famous operatic collaboration with the librettist Lorenzo Da Ponte. The year 1786 saw the successful premiere of "Le nozze di Figaro" in Vienna. Its reception in Prague later in the year was even warmer, and this led to a second collaboration with Da Ponte: the opera "Don Giovanni", which premiered in October 1787 to acclaim in Prague, but less success in Vienna during 1788. The two are among Mozart's most famous works and are mainstays of operatic repertoire today, though at their premieres their musical complexity caused difficulty both for listeners and for performers. These developments were not witnessed by Mozart's father, who had died on 28 May 1787.
In December 1787, Mozart finally obtained a steady post under aristocratic patronage. Emperor Joseph II appointed him as his "chamber composer", a post that had fallen vacant the previous month on the death of Gluck. It was a part-time appointment, paying just 800 florins per year, and required Mozart only to compose dances for the annual balls in the Redoutensaal (see "Mozart and dance"). This modest income became important to Mozart when hard times arrived. Court records show that Joseph aimed to keep the esteemed composer from leaving Vienna in pursuit of better prospects.
In 1787, the young Ludwig van Beethoven spent several weeks in Vienna, hoping to study with Mozart. No reliable records survive to indicate whether the two composers ever met.
Later years.
1788–90.
Toward the end of the decade, Mozart's circumstances worsened. Around 1786, he ceased to appear frequently in public concerts, and his income shrank. This was a difficult time for musicians in Vienna because of the Austro-Turkish War: both the general level of prosperity and the ability of the aristocracy to support music had declined. According to Solomon, in 1788, Mozart saw a 66% decline in his income compared to his best years in 1781.
By mid-1788, Mozart and his family had moved from central Vienna to the suburb of Alsergrund. Although it has been suggested that Mozart aimed to reduce his rental expenses by moving to a suburb, as he wrote in his letter to Michael von Puchberg, Mozart had not reduced his expenses but merely increased the housing space at his disposal. Mozart began to borrow money, most often from his friend and fellow mason Puchberg; "a pitiful sequence of letters pleading for loans" survives. Maynard Solomon and others have suggested that Mozart was suffering from depression, and it seems his musical output slowed. Major works of the period include the last three symphonies (Nos. 39, 40, and 41, all from 1788), and the last of the three Da Ponte operas, "Così fan tutte", premiered in 1790.
Around this time, Mozart made some long journeys hoping to improve his fortunes, visiting Leipzig, Dresden, and Berlin in the spring of 1789, and Frankfurt, Mannheim, and other German cities in 1790.
1791.
Mozart's last year was, until his final illness struck, a time of high productivity—and by some accounts, one of personal recovery. He composed a great deal, including some of his most admired works: the opera "The Magic Flute"; the final piano concerto (K. 595 in B♭); the Clarinet Concerto K. 622; the last in his series of string quintets (K. 614 in E♭); the motet Ave verum corpus K. 618; and the unfinished Requiem K. 626.
Mozart's financial situation, a source of anxiety in 1790, finally began to improve. Although the evidence is inconclusive, it appears that wealthy patrons in Hungary and Amsterdam pledged annuities to Mozart in return for the occasional composition. He is thought to have benefited from the sale of dance music written in his role as Imperial chamber composer. Mozart no longer borrowed large sums from Puchberg and began to pay off his debts.
He experienced great satisfaction in the public success of some of his works, notably "The Magic Flute" (which was performed several times in the short period between its premiere and Mozart's death) and the Little Masonic Cantata K. 623, premiered on 17 November 1791.
Final illness and death.
Mozart fell ill while in Prague for the premiere, on 6September 1791, of his opera "La clemenza di Tito", which was written in that same year on commission for Emperor Leopold II's coronation festivities. He continued his professional functions for some time and conducted the premiere of "The Magic Flute" on 30 September. His health deteriorated on 20 November, at which point he became bedridden, suffering from swelling, pain, and vomiting.
Mozart was nursed in his final days by his wife and her youngest sister and was attended by the family doctor, Thomas Franz Closset. He was mentally occupied with the task of finishing his Requiem, but the evidence that he dictated passages to his student Franz Xaver Süssmayr is minimal.
Mozart died in his home on at 12:55 am. The "New Grove" describes his funeral:
Mozart was interred in a common grave, in accordance with contemporary Viennese custom, at the St. Marx Cemetery outside the city on 7December. If, as later reports say, no mourners attended, that too is consistent with Viennese burial customs at the time; later Otto Jahn (1856) wrote that Salieri, Süssmayr, van Swieten and two other musicians were present. The tale of a storm and snow is false; the day was calm and mild.
The expression "common grave" refers to neither a communal grave nor a pauper's grave, but an individual grave for a member of the common people (i.e., not the aristocracy). Common graves were subject to excavation after ten years; the graves of aristocrats were not.
The cause of Mozart's death is not known with certainty. The official record of "hitziges Frieselfieber" ("severe miliary fever", referring to a rash that looks like millet seeds) is more a symptomatic description than a diagnosis. Researchers have suggested more than a hundred causes of death, including acute rheumatic fever, streptococcal infection, trichinosis, influenza, mercury poisoning, and a rare kidney ailment.
Mozart's modest funeral did not reflect his standing with the public as a composer; memorial services and concerts in Vienna and Prague were well attended. Indeed, in the period immediately after his death, his reputation rose substantially. Solomon describes an "unprecedented wave of enthusiasm" for his work; biographies were written first by Schlichtegroll, Niemetschek, and Nissen, and publishers vied to produce complete editions of his works.
Appearance and character.
Mozart's physical appearance was described by tenor Michael Kelly in his "Reminiscences": "a remarkably small man, very thin and pale, with a profusion of fine, fair hair of which he was rather vain". His early biographer Niemetschek wrote, "there was nothing special about [his] physique... He was small and his countenance, except for his large intense eyes, gave no signs of his genius." His facial complexion was pitted, a reminder of his childhood case of smallpox. Of his voice, his wife later wrote that it "was a tenor, rather soft in speaking and delicate in singing, but when anything excited him, or it became necessary to exert it, it was both powerful and energetic."
He loved elegant clothing. Kelly remembered him at a rehearsal: "[He] was on the stage with his crimson pelisse and gold-laced cocked hat, giving the time of the music to the orchestra." Based on paintings that researchers were able to find of Mozart, he seemed to wear a white wig for most of his formal occasions—researchers of the Salzburg Mozarteum declared that only one of his fourteen portraits they had found showed him without his wig.
Mozart usually worked long and hard, finishing compositions at a tremendous pace as deadlines approached. He often made sketches and drafts; unlike Beethoven's, these are mostly not preserved, as his wife sought to destroy them after his death.
Mozart lived at the centre of the Viennese musical world and knew a significant number and variety of people: fellow musicians, theatrical performers, fellow Salzburgers, and aristocrats, including some acquaintance with Emperor Joseph II. Solomon considers his three closest friends to have been Gottfried von Jacquin, Count August Hatzfeld, and Sigmund Barisani; others included his elder colleague Joseph Haydn, singers Franz Xaver Gerl and Benedikt Schack, and the horn player Joseph Leutgeb. Leutgeb and Mozart carried on a kind of friendly mockery, often with Leutgeb as the butt of Mozart's practical jokes.
He enjoyed billiards, dancing, and kept pets, including a canary, a starling, a dog, and a horse for recreational riding. He had a startling fondness for scatological humour, which is preserved in his surviving letters, notably those written to his cousin Maria Anna Thekla Mozart around 1777–1778, and in his correspondence with his sister and parents. Mozart also wrote scatological music, a series of canons that he sang with his friends. He had an ear for languages, and having travelled all over Europe as a boy, was fluent in Latin, Italian, and French in addition to his native Salzburg dialect of German. He possibly also understood and spoke some English, having jokingly written "You are an ass" after his 19-year-old student Thomas Attwood made a thoughtless mistake on his exercise papers.
Mozart was raised a Catholic and remained a devout member of the Church throughout his life. He embraced the teachings of Freemasonry in 1784.
Works, musical style, and innovations.
Style.
Mozart's music, like Haydn's, stands as an archetype of the Classical style. At the time he began composing, European music was dominated by the "style galant", a reaction against the highly evolved intricacy of the Baroque. Progressively, and in large part at the hands of Mozart himself, the contrapuntal complexities of the late Baroque emerged once more, moderated and disciplined by new forms, and adapted to a new aesthetic and social milieu. Mozart was a versatile composer, and wrote in every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. These forms were not new, but Mozart advanced their technical sophistication and emotional reach. He almost single-handedly developed and popularised the Classical piano concerto. He wrote a great deal of religious music, including large-scale masses, as well as dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the Classical style are all present in Mozart's music. Clarity, balance, and transparency are the hallmarks of his work, but simplistic notions of its delicacy mask the exceptional power of his finest masterpieces, such as the Piano Concerto No. 24 in C minor, K. 491; the Symphony No. 40 in G minor, K. 550; and the opera "Don Giovanni". Charles Rosen makes the point forcefully:
It is only through recognising the violence and sensuality at the centre of Mozart's work that we can make a start towards a comprehension of his structures and an insight into his magnificence. In a paradoxical way, Schumann's superficial characterisation of the G minor Symphony can help us to see Mozart's daemon more steadily. In all of Mozart's supreme expressions of suffering and terror, there is something shockingly voluptuous.
During his last decade, Mozart frequently exploited chromatic harmony. A notable instance is his "String Quartet in C major", K. 465 (1785), whose introduction abounds in chromatic suspensions, giving rise to the work's nickname, the "Dissonance" quartet.
Mozart had a gift for absorbing and adapting the valuable features of others' music. His travels helped in the forging of a unique compositional language. In London as a child, he met J. C. Bach and heard his music. In Paris, Mannheim, and Vienna he met with other compositional influences, as well as the avant-garde capabilities of the Mannheim orchestra. In Italy, he encountered the Italian overture and opera buffa, both of which deeply affected the evolution of his practice. In London and Italy, the galant style was in the ascendent: simple, light music with a mania for cadencing; an emphasis on tonic, dominant, and subdominant to the exclusion of other harmonies; symmetrical phrases; and clearly articulated partitions in the overall form of movements. Some of Mozart's early symphonies are Italian overtures, with three movements running into each other; many are homotonal (all three movements having the same key signature, with the slow middle movement being in the relative minor). Others mimic the works of J. C. Bach, and others show the simple rounded binary forms turned out by Viennese composers.
As Mozart matured, he progressively incorporated more features adapted from the Baroque. For example, the Symphony No. 29 in A major K. 201 has a contrapuntal main theme in its first movement, and experimentation with irregular phrase lengths. Some of his quartets from 1773 have fugal finales, probably influenced by Haydn, who had included three such finales in his recently published Opus 20 set. The influence of the "Sturm und Drang" ("Storm and Stress") period in music, with its brief foreshadowing of the Romantic era, is evident in the music of both composers at that time. Mozart's Symphony No. 25 in G minor K. 183 is another excellent example.
Mozart would sometimes switch his focus between operas and instrumental music. He produced operas in each of the prevailing styles: opera buffa, such as "Le nozze di Figaro", "Don Giovanni", and "Così fan tutte"; opera seria, such as "Idomeneo"; and Singspiel, of which "Die Zauberflöte" is the most famous example by any composer. In his later operas, he employed subtle changes in instrumentation, orchestral texture, and tone colour, for emotional depth and to mark dramatic shifts. Here, his advances in opera and instrumental composing interacted: his increasingly sophisticated use of the orchestra in the symphonies and concertos influenced his operatic orchestration, and his developing subtlety in using the orchestra to psychological effect in his operas was in turn reflected in his later non-operatic compositions.
Köchel catalogue.
For unambiguous identification of works by Mozart, a "Köchel catalogue number" is used. This is a unique number assigned, in regular chronological order, to every one of his known works. A work is referenced by the abbreviation "K." or "KV" followed by this number. The first edition of the catalogue was completed in 1862 by Ludwig von Köchel. It has since been repeatedly updated, as scholarly research improves knowledge of the dates and authenticity of individual works.
Instruments.
Although some of Mozart's early pieces were written for harpsichord, he also became acquainted in his early years with fortepianos made by Regensburg builder Franz Jakob Späth. Later when Mozart was visiting Augsburg, he was impressed by Stein fortepianos and shared this in a letter to his father. On 22 October 1777, Mozart had premiered his triple-piano concerto, K. 242, on instruments provided by Stein. The Augsburg Cathedral organist Demmler was playing the first, Mozart the second and Stein the third part. In 1783, when living in Vienna he purchased an instrument by Walter. Leopold Mozart confirmed the attachment which Mozart had with his Walter fortepiano: "It is impossible to describe the hustle and bustle. Your brother's pianoforte has been moved at least twelve times from his house to the theatre or to someone else's house."
Influence.
His most famous pupil was Johann Nepomuk Hummel, a transitional figure between the Classical and Romantic eras whom the Mozarts took into their Vienna home for two years as a child. More important is the influence Mozart had on composers of later generations. Ever since the surge in his reputation after his death, studying his scores has been a standard part of a classical musician's training.
Ludwig van Beethoven, Mozart's junior by fifteen years, was deeply influenced by his work, with which he was acquainted as a teenager. He is thought to have performed Mozart's operas while playing in the court orchestra at Bonn and travelled to Vienna in 1787 hoping to study with the older composer. Some of have direct models in comparable works by Mozart, and he wrote cadenzas (WoO 58) to Mozart's D minor piano concerto K. 466.
Composers have paid homage to Mozart by writing sets of variations on his themes. Beethoven wrote four such sets (Op. 66, WoO 28, WoO 40, WoO 46). Others include Fernando Sor's Introduction and Variations on a Theme by Mozart (1821), Mikhail Glinka's Variations on a Theme from Mozart's Opera "The Magic Flute" (1822), Frédéric Chopin's Variations on "Là ci darem la mano" from "Don Giovanni" (1827), and Max Reger's Variations and Fugue on a Theme by Mozart (1914), based on the variation theme in the piano sonata K. 331. Pyotr Ilyich Tchaikovsky, who revered Mozart, wrote his Orchestral Suite No. 4 in G, "Mozartiana" (1887), as a tribute to him.
References.
Citations.
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Further reading.
"See for an extensive bibliography"
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External links.
Digitized documents
Sheet music


Saint Lucia
Country in the West Indies in the eastern Caribbean Sea
Saint Lucia is an island country of the West Indies in the eastern Caribbean. Part of the Windward Islands of the Lesser Antilles, it is located north/northeast of the island of Saint Vincent, northwest of Barbados and south of Martinique. It covers a land area of with an estimated population of over 180,000 people as of 2018. The nation's capital and largest city is Castries.
The first proven inhabitants of the island, the Arawaks, are believed to have been the first to settle on the island in 200–400 AD. In 800 AD, the island was taken over by the Kalinago. The French were the first European colonists to settle on the island, and they signed a treaty with the native Caribs in 1660. The English took control of the island in 1663. In ensuing years, England and France fought 14 times for control of the island; consequently control over this immensely valuable geopolitical position changed frequently. Eventually, the British took complete control in 1814, shortly after the victory over French Emperor Napoleon I. Because the island switched so often between British and French control, Saint Lucia was also known as the "Helen of the West" after the Greek mythological character, Helen of Troy.
Representative government was introduced in 1924 with universal suffrage being established in 1951. From 1958 to 1962, the island was a member of the West Indies Federation. On 22 February 1979, Saint Lucia became an independent state, while remaining as a Commonwealth realm.
Saint Lucia is a member of the United Nations, the Organization of American States, the World Trade Organization, CARICOM and the Organisation of Eastern Caribbean States (OECS). It is also a member of .
Etymology.
Saint Lucia is named after Saint Lucy of Syracuse (AD 283 – 304). Saint Lucia is one of two sovereign states in the world named after a female and is the only one named after a woman (Ireland is named after a goddess). Legend states that French sailors were shipwrecked on the island on 13 December, the feast day of St. Lucy, and therefore named the island in her honour.
A globe in the Vatican from 1520 shows the island as Sancta Lucia, indicating that the island was instead named by early Spanish explorers. Saint Lucia was first known as "Louanalao" by the Arawak Indians in 200 AD, meaning "Island of the Iguanas," and then as "Hewanorra", in 800 AD, meaning "there where iguanas are found," when the Carib Indians arrived and assimilated their culture into Saint Lucia.
History.
Pre-Columbian.
The first proven inhabitants of Saint Lucia were the Arawaks, though there may have been other native peoples prior to them. The Arawaks are believed to have come from northern South America, sometime around AD 200–400, as there are numerous archaeological sites on the island where specimens of their pottery have been found.
The Kalinago (Island Caribs) arrived around AD 800, and seized control from the Arawaks by killing their men and assimilating the women into their own society.
Early European exploration and colonization.
It is possible that Christopher Columbus may have sighted the island during his fourth voyage in 1502, but he does not mention the island in his log. Juan de la Cosa noted the island on his map of 1500, calling it "El Falcon", and another island to the south "Las Agujas". A Spanish cédula from 1511 mentions the island within the Spanish domain, and a globe in the Vatican made in 1520, shows the island as Sancta Lucia.
In the late 1550s, the French pirate François le Clerc (known as "Jambe de Bois", due to his wooden leg) set up a camp on Pigeon Island, from where he attacked passing Spanish ships. In 1605, an English vessel called the "Oliphe Blossome" was blown off-course on its way to Guyana, and the 67 colonists started a settlement on Saint Lucia, after initially being welcomed by the Carib chief Anthonie. By 26 September 1605, only 19 survived following continued attacks by the Carib chief Augraumart, so the settlers fled the island. The English tried to settle the island again in 1638, but the Caribs continued to be hostile. Eventually, the French successfully claimed the island in 1650 and they signed a treaty with the Caribs in 1660. In 1664, Thomas Warner (son of Sir Thomas Warner, the governor of St Kitts) claimed Saint Lucia for England but the English fled again in 1666, with the French gaining full control of the island after the signing of the Treaty of Breda. Saint Lucia was made an official French crown colony in 1674, as a dependency of Martinique.
18th and 19th centuries.
After the slave-based sugar industry developed, both the British and the French found the island attractive. During the 18th century, the island changed ownership, or was declared neutral territory, a dozen times, although the French settlements remained and the island was a de facto French colony well into the eighteenth century.
In 1722, George I of Great Britain granted both Saint Lucia and Saint Vincent to the 2nd Duke of Montagu. Montague appointed Nathaniel Uring, a merchant sea captain and adventurer, as deputy-governor. Uring went to the islands with a group of seven ships, and established settlement at Petit Carenage. Unable to get enough support from British warships, he and the new colonists were quickly run off by the French.
During the Seven Years' War, Britain occupied Saint Lucia for a year, but handed the island back to the French in 1763, under the Treaty of Paris. Like the English and Dutch on other islands, in 1765, the French began to develop the land for the cultivation of sugar cane as a commodity crop on large plantations. The British occupied the island again in 1778.
From 1782 to 1803, control of the island switched multiple times. In January 1791, during the French Revolution, the National Assembly sent four "commissaires" to St Lucia to spread the revolutionary philosophy. By August 1791, slaves began to abandon their estates and Governor Jean-Joseph Sourbader de Gimat fled. In December 1792, Lt. Jean-Baptiste Raymond de Lacrosse arrived with revolutionary pamphlets, and the impoverished whites and free people of colour began to arm themselves as "patriots". On 1 February 1793, France declared war on England and Holland, and General Nicolas Xavier de Ricard took over as Governor. The National Convention abolished enslavement on 4 February 1794. On 1 April 1794, St. Lucia was captured by a British expeditionary force led by Vice Admiral John Jervis. Morne Fortune was renamed "Fort Charlotte". Soon, a combined force of French Revolutionary Army soldiers and maroons, "L'Armee Française dans les Bois", began to fight back, starting the First Brigand War.
A short time later, the British invaded the island as a part of the war with France that had recently broken out. On 21 February 1795, French forces under the nominal control of Victor Hugues, defeated a battalion of British troops at Vieux Fort and Rabot. In 1796, Castries was burned as part of the conflict. Leading the 27th (Inniskilling) Regiment, General John Moore retook Fort Charlotte in 1796, after two days of bitter fighting. As an honour, the Fusiliers' regimental colour was displayed on the flagstaff of the captured fortress at Morne Fortune for an hour before being replaced by the Union Jack. Upon the capture of the fort, Moore's superior, Ralph Abercromby, departed the island and placed Moore in charge of the British garrison. Moore remained at this post until falling ill with yellow fever, leading to his return to Britain before 1798.
In 1803, the British regained control of the island. Many members of the "L'Armee Française dans les Bois" escaped into the thick rainforest where they evaded capture and established maroon communities.
Slavery on the island continued for a short time, but anti-slavery sentiment was rising in Britain. The British stopped the import of slaves by anyone, white or coloured, when they abolished the slave trade in 1807.
France and Great Britain continued to contest Saint Lucia until the British secured it in 1814, as part of the Treaty of Paris, ending the Napoleonic Wars. Thereafter, Saint Lucia was considered one of the British Windward Islands colonies.
The institution of slavery was abolished on the island in 1834, as it was throughout the British Empire. After abolition, all former slaves had to serve a four-year "apprenticeship", to accustom them to the idea of freedom. During that period, they worked for their former masters for at least three-quarters of the work week. Full freedom was duly granted by the British in 1838. By that time, people of African ethnicity greatly outnumbered those of ethnic European background. People of Carib descent also comprised a minority on the island.
20th century.
Saint Lucia's first representative government was introduced in 1924, with the first election taking place in 1925. Many Saint Lucians served during the Second World War, and the conflict visited the island directly during the Battle of the Caribbean, when a German U-boat attacked and sank two British ships in Castries harbour on 9 March 1942. The United States used the island as a military hub during the war, including setting up a secondary naval base in Gros Islet and using what is now the island's international airport as an air force base.
Universal suffrage was introduced in 1951 and elections were held the same year. In 1958, Saint Lucia joined the West Indies Federation, although the federation was dissolved just a few years later in 1962. In 1967, Saint Lucia became one of the six members of the West Indies Associated States, with internal self-government. Independence was peacefully gained in 1979 under Sir John Compton of United Workers Party, with the island remaining within the British Commonwealth, keeping then-Queen Elizabeth II as Monarch, represented locally by a Governor-General.
Post-independence era.
Despite leading the country to independence, Compton's initial term as prime minister lasted only a few months, being defeated by the Saint Lucia Labour Party (SLP) under Allan Louisy in the 1979 Saint Lucian general election. In 1980, Hurricane Allen struck the island, destroying much of its infrastructure and reducing economic growth. Compton returned to power after the 1982 Saint Lucian general election after much instability during the labour government's term. During Compton's second term as the island's leader, banana exports significantly increased and became the nation's main source of revenue. There were improvements to infrastructure, and education was expanded to rural areas. Saint Lucia was key to the US invasion of Grenada. During the 1990s and 2000s, the nation's economy began shifting from agriculture to tourism under the leadership of Kenny Anthony. The 9/11 attacks in the United States in 2001 killed two Saint Lucians, and caused an economic slowdown, although moderate growth continued until the Great Recession. The recession, as well as the landfall of Hurricane Tomas in 2010, led to slow economic growth during the early 2010s, although the economy picked up during the later part of the decade and avoided contraction until 2020, after the COVID-19 pandemic caused major economic issues globally.
In June 2016, the United Workers Party (UWP), led by Allen Michael Chastanet, won 11 of the 17 seats in the general election, ousting the St Lucia Labour Party (SLP) of the incumbent Prime Minister Kenny Anthony. However, Saint Lucia Labour Party won the next election in July 2021, meaning its leader Philip J Pierre became the ninth Prime Minister of Saint Lucia since independence.
Geography.
Saint Lucia has a total area of 617 square kilometers (238 sq mi). As a volcanic island, Saint Lucia is very mountainous, with its highest point being Mount Gimie, at above sea level. The Pitons, two mountainous volcanic plugs, form the island's most famous landmark. Saint Lucia is also home to the world's only drive-in volcano, the Sulphur Springs. There are a number of small islands off the coast, the largest of which are the Maria Islands, located in the south-east of the island.
Saint Lucia lies at latitude 14° N and longitude 61° W. The population tends to be concentrated around the coast, with the interior more sparsely populated, due to the presence of dense forests.
Flora and fauna.
Many species are endemic to the island, including "Anolis luciae", a species of lizard, and "Boa orophias", a species of boid snake.
Ecoregions.
Saint Lucia has five terrestrial ecoregions: Windward Islands moist forests, Leeward Islands dry forests, Windward Islands dry forests, Windward Islands xeric scrub, and Lesser Antilles mangroves. The country had a 2019 Forest Landscape Integrity Index mean score of 6.17/10, ranking it 84th globally out of 172 countries.
Climate.
Saint Lucia has a tropical climate, specifically a tropical rainforest climate (Af), moderated by northeast trade winds, with a dry season from 1 December to 31 May, and a wet/rainy season from 1 June to 30 November.
Average daytime and nighttime temperatures are around , and respectively. Being fairly close to the equator, the island's temperature does not fluctuate much between winter and summer.
Geology.
The geology of St. Lucia can be described as composing three main areas. The oldest, 16–18 Ma, volcanic rocks are exposed from Castries northward and consist of eroded basalt and andesite centres. The middle, central highlands, portion of the island consists of dissected andesite centres, 10.4 to 1 Mya, while the lower southwest portion of the island contains recent activity from the Soufriere Volcanic Centre (SVC). This SVC, centred about the Qualibou depression, contains pyroclastic flow deposits, lava flows, domes, block and ash flow deposits, and explosion craters. This depression's perimeter includes the town of Soufriere, Mount Tabac, Mt. Gimie, Morne Bonin, and Gros Piton. At in diameter, though the western portion is open towards the Grenada basin, the depression formed as recently as 100 kya. The depression is noted for its geothermal activity, especially at Sulphur Springs and Soufrière Estates, a phreatic eruption in 1776, and recent seismic activity (2000–2001).
Eroded andesitic stratovolcanoes to the north east of the depression include Mt. Gimie, Piton St Esprit, and Mt. Grand Magazin, all greater than 1 Ma in age. Andesitic and dacite pyroclastic flows from these volcanoes are found at Morne Tabac dome (532 ka), Morne Bonin dome (273 kya), and Bellevue (264 kya). Avalanche deposits from the formation of the Qualibou depression are found offshore, and in the massive blocks of Rabot, Pleisance, and Coubaril. The dacitic domes of Petit Piton (109 kya) and Gros Piton (71 kya) were then extruded onto the depression floor accompanied by the Anse John (104 kya) and La Pointe (59.8 kya) pyroclastic flows. Later, pyroclastic flows include pumice-rich Belfond and Anse Noir (20 kya). Finally, the dacitic domes of Terre Blanche (15.3 kya) and Belfond (13.6 kya) formed within the depression.
Government.
Like most Caribbean countries, Saint Lucia is a unitary state with a parliamentary system. It is a Commonwealth realm and a constitutional monarchy, with the current monarch being Charles III, who is represented on the island by a governor-general, currently Errol Charles. The prime minister (currently Philip J. Pierre) is the head of government, the head of the cabinet, and is normally the leader of the largest party in the House of Assembly. The house has 17 seats, with each member being elected via a plurality of votes in their constituency. The upper chamber of Parliament is the Senate which has 11 appointed members, the majority of which are appointed by the prime minister.
Administrative divisions.
Saint Lucia is made up of 10 districts. The districts were created and named by French colonials, and the British chose to keep the names in an anglicised form. The largest district in both size and population is Castries, where the nation's capital of the same name is located. The following are the 10 districts placed in alphabetical order:
Law and crime.
Saint Lucia is a mixed jurisdiction, meaning that it has a legal system based in part on both the civil law and English common law. The Civil Code of St. Lucia of 1867 was based on the Quebec Civil Code of 1866, as supplemented by English common law-style legislation. The Judicial Committee of the Privy Council was Saint Lucia's final court of appeal until 2023, when a constitutional amendment transferred this to the Caribbean Court of Justice.
Saint Lucia's homicide rate has hit record highs in recent years. There were 75 homicides in 2021, a 34.5% increase compared with 55 homicides in 2020. 2021 saw the island record the most homicides in its history, and also its highest murder rate in its history, at 40 murders per 100,000 people.
Foreign relations.
Saint Lucia is a member of the Caribbean Community, OECS, the Organization of American States and La Francophonie. As a Commonwealth Realm, Saint Lucia has relatively friendly relations with United Kingdom and Canada. France is also a major ally, in part due to Saint Lucia's border with Martinique. The United States is the island's largest trading partner, and Saint Lucia was key to the US invasion of Grenada in 1983, and voted against condemning the invasion. Saint Lucia became the 152nd member of the United Nations on 18 September 1979.
Saint Lucia does not have a military although the Royal Saint Lucia Police Force has a Special Service Unit (SSU) and a Coast Guard. The island signed the UN Treaty on the Prohibition of Nuclear Weapons in 2018.
Economy.
Saint Lucia is a Small Island Developing State, a designation similar to a developing country with a few substantial differences due to Saint Lucia's island nature. The service sector is the largest sector of the economy, accounting for 86.9% of GDP in 2020, followed by industrial and agricultural sectors at 10.9% and 2.2%, respectively.
Saint Lucia has been able to attract foreign business and investment due to its educated workforce and improvements in roads, communications, water supply, sewerage, and port facilities. Like most small islands, Tourism and offshore banking are Saint Lucia's main sources of revenue. Agriculture, specifically the banana industry, was previously the largest sector of the economy, although its importance has declined significantly. The island's manufacturing sector has been called the most diverse in the Eastern Caribbean, with goods such as plastic being produced on a large scale.
Saint Lucia's currency is the Eastern Caribbean Dollar (EC$), a regional currency shared among members of the Eastern Caribbean Currency Union (ECU). The country's main trade partners are the US, UK, EU and other CARICOM countries.
Tourism.
Tourism is the largest contributor to Saint Lucia's economy. Tourist numbers tend to be more substantial during the dry season (January to April), often referred to as the tourist season. Saint Lucia's tropical weather, scenery, beaches and resorts have made it a popular tourist destination, with 1.29 million visitors arriving in 2019.
Some of Saint Lucia's tourist attractions include the Sulphur Springs, the Botanical Gardens, Pigeon Island and The Pitons.
Agriculture.
The agricultural sector was once the main contributor to Saint Lucia's economy. This was especially thanks to the exporting of bananas. However, its importance to the economy has declined significantly, in part due to increased competition from South American countries in the banana industry. Nevertheless, agriculture is still an important part of the country's economy, providing 7.9% of jobs and contributing to 2.2% of the GDP in 2021.
About 18% of land is used for agricultural practices. Bananas remain the main agricultural product grown in Saint Lucia, as well as coconuts, cocoa beans, mangoes, avocados, vegetables, citrus fruits, and root crops such as yams and sweet potatoes.
Saint Lucia also has a small livestock sector, which is dominated by poultry. The island is self-sufficient in egg production and production of poultry and pork has increased in recent years. Fishing has also been of considerable importance to the nation's economy.
Infrastructure.
Saint Lucia has a wide-ranging public bus network which covers most of the island. Busses are owned by private individuals, whilst the government is responsible for setting up routes and hubs. The road network covers most of the island, although some rural areas still lack access to proper roads.
The island has two airports, including one International airport. Cruising and yachting are very important to the country's economy, with the main sea port being located in Castries, while the main marina is located in Rodney Bay which is also home to the St. Lucia Yacht Club. Meanwhile, the nation's main oil refinery is located in Bexon.
The main source of electricity in Saint Lucia is oil through its sole power station, the Cul De Sac Power Station, although solar energy is also a major source. There have also been attempts to introduce geothermal and wind energy to the island.
Demographics.
A census is normally held in Saint Lucia every 10 years. In the 2010 census, Saint Lucia reported a population of 165,595 in 58,920 households. This was a 5.1% increase from the 157,490 recorded at the previous census in 2001. Ages 0–14 made up 24.1% of the population whilst those 65 and over made up 8.6%. Nearly 40% of the island's population lived in the District of Castries, where the nation's capital of the same name is located.
Saint Lucia had a fertility rate of 1.4 children per woman in 2021, the lowest in the Americas. This is much lower than in 1990, when the birth rate was 3.4 children per woman, and significantly lower than in 1959, when the birth rate peaked at 6.98 children per woman. Most emigration from Saint Lucia is primarily to Anglophone countries, with the United Kingdom having almost 10,000 Saint Lucian-born citizens, and over 30,000 of Saint Lucian heritage. The United States is home to many Saint Lucians, especially areas such as Miami and New York City. Canada is also home to many Saint Lucians, and especially in the French-speaking province of Quebec in the city of Montréal. The median age of Saint Lucians was 33.1 years in 2021.
Ethnic groups.
Saint Lucia was originally populated by Amerindian peoples. However, European colonisation led to a significant drop in the indigenous populations. Most residents of the island were white planters, but African slaves and indentured servants brought by the Europeans eventually came to outnumber them. Because of this, Saint Lucia's population is predominantly of African and mixed descent. As of 2010, 85.3% of the population are black and 10.9% are of multiracial descent. Other groups include Indo-Caribbean persons (2.2%), whites (0.6%), and Indigenous Persons (0.6%). A small number of Kalinago live in the Choiseul region and in other towns on the western coast. There is also a small population of Lebanese and Syrians.
Languages.
The official language of Saint Lucia is English, though Saint Lucian French Creole (Kwéyòl) is widely spoken. Referred to colloquially as "Patois" ("Patwa"), it is spoken by a majority of the population. It is a dialect of Antillean Creole and is also related to Haitian Creole, though it nonetheless has a number of distinctive features from the latter. The Creole language developed during the early period of French colonisation and is derived chiefly from French and West African languages. There have been some attempts to make the language official, but they have not yet been successful.
Religion.
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In the 2010 census, a majority of Saint Lucians identified as Christians. This can be traced back to the nation's colonization by French and British settlers. Due to heavy French influence, most Christians on the island are Catholics, with 62.5% of the island's residents identifying as such. 24.5% of the island's residents identify as Protestants. In addition, 1.9% of the population identified as members of the Rastafari movement and 1.4% of the population practice Hinduism. The number of residents claiming no religion stood at 5.9% in 2010.
There is no state religion in Saint Lucia. The nation's constitution guarantees freedom of religion and prohibits forcing persons to take oath to any religion in which they do not follow. Religious groups are also guaranteed the freedom to establish places of education.
Education.
Most primary and secondary schools in Saint Lucia are operated by the government. Education is free and compulsory for children aged five to fifteen. This includes seven years of primary school and three to five years of secondary school. In the last two years of secondary school, students are allowed to choose the subjects that they would like to do, in preparation for regional CSEC examinations. In 2020, public spending on education was at 3.6%.
Tertiary educational facilities on the island are normally private institutions. These include Monroe College and International American University. However, there are still a few public institutions, including the Sir Arthur Lewis Community College and the University of the West Indies.
Healthcare.
Health services in Saint Lucia are split between the government and private institutions. The island is served by 2 public hospitals and multiple health centers, although most dental and vision services are private. Public expenditure on healthcare stood at 2.1% in 2019.
In 2021, life expectancy was at 71.1 years (67.8 for men and 74.7 for women). This was compared to 73.4 years in 2019. The drop in life expectancy was largely attributed to the COVID-19 pandemic.
Culture.
The culture of Saint Lucia has been influenced by African, East Indian, French, and English heritage. The main secondary language of the island is Saint Lucian Creole (Kwéyòl), a French-based creole spoken by most of the population. The island boasts the highest ratio of Nobel laureates produced with respect to the total population of any sovereign country in the world. Two winners have come from Saint Lucia: Sir Arthur Lewis, who won the Nobel Prize in Economics in 1979, and the poet Derek Walcott, who received the Nobel Prize in Literature in 1992.
Saint Lucia has two flower festivals, the La Rose festival, celebrated on 30 August, and the La Marguerite festival, celebrated on 17 October. Every summer, the island hosts a carnival as a way to present the country's culture and music. Annually, there are normally many festivals, most of them being music related.
Music.
Saint Lucian music is heavily influenced by elements of African music, especially rhythmically. The most popular music genres in Saint Lucia are calypso, soca, dancehall, reggae, zouk, and folk music. Dennery Segment, a genre influenced by Angolan Kuduro, Saint Lucian Solo music and Dancehall was developed on the island. The internationally renowned Saint Lucia Jazz Festival is held annually, and the festival is a major source of revenue for the country's economy.
Food.
Saint Lucian cuisine is a mix of African, European, Indian and Caribbean dishes. Some common dishes include macaroni pie, stewed chicken, rice and peas, roti (Indian flatbreads) and soups packed full with fresh locally produced vegetables. All mainstream meat and poultry are eaten in St. Lucia; meat and seafood are normally stewed and browned to create a rich gravy sometimes served over "ground provisions" (vegetables) or rice. Johnny Cakes (known as bakes) are also common, and are served with different sides, such as saltfish. The national dish of Saint Lucia is green figs and saltfish.
Sports.
As with most Caribbean islands, cricket is the most popular sport in Saint Lucia. The Windward Islands cricket team includes players from Saint Lucia and plays in the West Indies regional tournament. Daren Sammy became the first Saint Lucian to represent the West Indies on his debut in 2007, and was made captain in 2010. The Saint Lucia Kings is a T20 franchise playing in the Caribbean Premier League based in this said island nation. Sailing is also a major sport in Saint Lucia, with the Atlantic Rally for Cruisers (ARC) race beginning in the Canary Islands and ending on the island. Other sports that are popular on the island include football, basketball, tennis, golf and volleyball. Karate and boxing have also seen increased popularity in recent years.
Julien Alfred won the nation's first-ever Olympic medal, when she won the women's 100 meters event in 10.72 seconds at the 2024 Summer Olympics held in Paris, France.
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La Tourney
Town in Vieux Fort District, Saint Lucia
La Tourney is a town in Vieux Fort District in the island country of Saint Lucia. La Tourney is in the La Tourney/Cedar Heights section of Vieux Fort District, which has a population of 706. La Tourney is located on the southern coast of Saint Lucia, close to Hewanorra International Airport (). There is also a high Tourney Mountain nearby at .
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Vieux Fort District
District of Saint Lucia
Vieux Fort is one of 10 districts of the Caribbean island country of Saint Lucia. Vieux Fort is also the name of the main town in the district. It is the home of the second-largest town in Saint Lucia and is the home of Saint Lucia's international airport, Hewanorra International Airport (Hewanorra is the island's old Amerindian name).
Geography.
It has several small communities which include Augier, Pierrot, Belle Vue, Black Bay, Grace, La Resource, Pierrot, St. Urban, La Tourney, Vige, and Zaboo.
Economy.
Every Friday and Saturday is market day where you can buy local goods such as spices, ground provisions and fruits. It also houses St. Lucia's biggest fish market, and you can go to the mall every day which sells fashion products.
History.
Dutch sailors built a fort here, though the first fort in St. Lucia was built by the "Oliphe Blossome" settlers in 1605.
In the second half of the 18th century, Vieux Fort was the center of Saint Lucia's sugar industry; today it is more industrial.
Part of Vieux Fort is called Black Bay. It got its name because legend has it that the infamous pirate Blackbeard used this part of the country to stash his ill-gotten gains.
During the Second World War, Vieux Fort became a base for American troops. Some of the evidence can still be seen around town, such as the tunnel that runs from Clark Street all the way to St. Judes Hospital in Augier. This tunnel was used for storage of supplies and also a quick route to the hospital. Many people who reside in Vieux-Fort today have no idea about such a tunnel.
In recent years a new modern part of Vieux Fort has been erected to reflect the modern world, yet if you walk along Clark Street and its surrounding roads, you will still see what is known as The Old Town. Here you will see historic colonial houses that give Vieux Fort a touch of Old England and France (albeit they do need a bit of renovation now). In recent times Black Bay has become a haven for expatriates.
Government.
The Vieux Fort district is divided into two electoral constituencies represented in the House of Assembly. The electoral constituencies has been represented since July 2021 by Moses Jean Baptiste (Vieux Fort North) and Kenny Anthony (Vieux Fort South) as Parliamentary Representatives. The district elected their representatives during the countries recent general election.
Tourism.
Whilst the majority of tourist activity in Saint Lucia is based on the west coast, some hotels are located in Vieux Fort District. A notable tourist attraction is the Maria Islands Nature Reserve, managed by the Saint Lucia National Trust, which is a nesting ground for leatherback turtles and is home to a species of iguana indigenous to St. Lucia.
References.
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Probir Sen
Indian cricketer (1926–1970)
Probir Kumar "Khokhan" Sen (; 31 May 1926 – 27 January 1970) was an Indian cricketer who represented his country in 14 Tests from 1948 to 1952. He was born in an eminent business family, to Amiya Sen and Basanti Sen.
Biography.
Probir Sen, known as "Khokhan", was the first Bengali to represent India in Test matches, and the first Bengali to keep wickets for India. His agility behind the stumps was beyond doubt, with 20 catches and 11 stumpings.
Sen played his first first-class cricket game representing Bengal in 1943, when he was only 17 years old and just out of school at La Martiniere Calcutta. A stocky right-handed wicketkeeper-batsman, Sen first toured with the Indian team in 1947–48 in Australia where he was to act as the reserve keeper to Jenni Irani. After impressing in the first-class fixtures he came into the side for the Third Test to make his Test debut at Melbourne on New Year's Day 1948. In the Fifth Test, also in Melbourne, he took four catches. Despite Australia making 575 runs he only conceded four byes. He was the only Indian wicket-keeper to stump Don Bradman, which he did in a four-day match against South Australia in 1947–48. When the West Indies toured India in 1948–49 he played his first home Test series and played in all five Tests.
His finest moment was in the final Test against England at Madras in 1951–52. Sen played a notable part in the historic victory, taking five stumpings, all off Vinoo Mankad, including four in the first innings to help his side to a famous win. After a tour of England in 1952 and a couple of Tests against the touring Pakistan team in 1952–53 he lost his place in the side.
With the bat Sen was a handy lower-order batsman, although he never made a Test half-century. Also an occasional bowler, during a Ranji Trophy game in 1954–55 against Orissa he took a hat-trick. Only two wicket-keepers have removed their pads and taken hat-tricks in first-class cricket: Probir Sen for Bengal against Orissa at Cut