Add source rights-review skill and 2026-10 rights audit evidence

- .agents/skills/source-rights-review: agent-agnostic method (Agent Skills
format) for chain of title, per-item licences, NC/ND/AI-training terms,
PD claims under Polish law, sampling, fail-closed licence parsing and
what to record. References: worked examples, Polish law notes, templates.
- AGENTS.md: "Rights review" section, required before a source PR and a
release; explicit pointer to the skill for agents that don't auto-discover.
- artifacts/rights_audit_2026-10: REVIEW.html, per-group reports and the
scripts/samples behind them.

Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>

.agents/skills/source-rights-review/SKILL.md

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+---
+name: source-rights-review
+description: Copyright and licence review of a corpus source in polish-dynaword. Use before proposing or opening a PR for a new source, before cutting a release, when an upstream licence or terms page changes, when a source's licence label looks uniform or inherited from a platform, and when re-auditing existing sources. Covers chain of title, per-item licences, NC/ND and AI-training terms, public-domain claims under Polish law, official documents, sampling for third-party content, fail-closed licence parsing, and what to record. Not legal advice; it produces evidence and a verdict, and hands legal questions to a human.
+---
+
+# Source rights review
+
+Purpose: decide whether a source may be admitted, and leave evidence another agent can re-check.
+`european_hplt_v3_pl` was released in v0.2.3-v0.2.5 on a CC0 label that covered only the
+packaging of crawled web pages. It was removed after v0.2.5. The 2026-10 audit found the
+same structure in five more shipped sources. This skill is the method that audit used.
+
+Reference audit: `artifacts/rights_audit_2026-10/` (`REVIEW.html` + `reports/*.md`).
+It must be committed for this link to work; if the path is missing, ask the maintainer.
+
+Read as needed (do not load all up front):
+- `references/worked-examples.md` — one case per failure class, with source keys and numbers.
+- `references/polish-law.md` — life+70, Art. 4, Art. 29, Open Data Act, EU reuse, Wikimedia licence versions.
+- `references/templates.md` — fail-closed check, sampling and Wilson CI code, evidence/decision-record skeletons.
+
+## Core rules
+
+1. **A licence on the packaging, platform or compilation is not a licence on the works inside.**
+   Find who wrote the text and what *they* granted. (HPLT: CC0 on the dataset, nothing on the pages.)
+2. **Unverified = not admitted.** A source may merge with `release: None`. It must never be released
+   on an unverified basis. "Probably fine" is not a basis.
+3. **Read the full terms, not the badge.** The licence badge, footer or foreword can say CC BY while
+   another block of the same site says NonCommercial or bans LLM training.
+4. **Record what you did NOT check.** A review that lists only what passed reads as complete.
+5. **Label every claim V or I.** V = verified against a file, parquet, API field or live page (give
+   the date). I = inferred. Keep that marking in evidence files and decision records; never promote I to V.
+6. **A fetcher reads the licence from upstream; it does not assert it.** See "Fail-closed parsing".
+7. **"Not sampled" and "0 found in 40" are results, not clean bills.** 0/40 still allows up to ~9% (Wilson 95%).
+8. **Do not copy another source's review status.** SAOS copied sejm_api's evidence list and the two
+   read as equally reviewed when they were not.
+
+## When to run
+
+- **Before proposing or opening a source PR:** the full procedure below.
+- **Before a release:** for every source about to get a `release` value, confirm its record exists
+  (see "Done when"), re-open the upstream licence/terms page, and compare it with the evidence hash.
+  A changed page is a stop-and-review signal.
+- **When an upstream licence or terms page changes** (a vote, a new ToU, a new licence version).
+- **Re-audit:** split by source group. If you can run parallel workers, give each one group
+  (literary, government web, official documents, academic, wikis/user content, one per pending PR)
+  and one output file with V/I markers; merge afterwards. Otherwise work group by group.
+
+## Failure classes
+
+Test each one explicitly. One line each; cases are in `references/worked-examples.md`.
+
+| # | Class | Test | Case |
+|---|-------|------|------|
+| 1 | Packaging licence != content licence | Did the party that issued the licence write the text? | HPLT |
+| 2 | Compilation licence over third-party works | Does the compiler hold rights in each item, or only in the selection? | 1000_novels |
+| 3 | Uniform label over per-item licences | Does upstream carry a per-item rights field the label ignores? | wolne_lektury, biblioteka_nauki |
+| 4 | NC / ND / AI-training / TDM terms | Does any page of the site, not just the badge, restrict use? Grep the deny list. | openstax_pl |
+| 5 | Platform-asserted licence over imported text | Where did the platform's text come from before it was uploaded? | common_voice_pl |
+| 6 | Operator footer over independent tenants | Is the footer signed by the operator, or by each author? | samorzad_gov_pl |
+| 7 | Partner republications | Does the licence scope say "content created by us" and does the corpus hold partner items? | global_voices |
+| 8 | Quotation-right content presented as licensed | Is the text a quote of someone else's work? Art. 29 quotation is purpose-bound, not a licence. | wikiquote, wiktionary_examples, fandom_pl |
+| 9 | Intermediary snapshot breaks chain of title | Is the source a third party's copy (SpeakLeash, HF user snapshot, WikiTeam) with `license: unknown`? | wikipedia, sejm_api, saos |
+| 10 | Licence version drift | Does the licence version depend on the revision/edit date? | Wikimedia 3.0 to 4.0, plwikinews 2.5 to 4.0 |
+| 11 | Wrong public-domain claim | Did every author, translator and protected-edition editor die in 1955 or earlier (2026)? | wikisource |
+| 12 | Official-document basis stretched | Is every speaker/author an official acting officially, and is no third-party material quoted inside? | parliamentary, sejm_committee_transcripts |
+
+## Procedure
+
+### 1. Map the chain of title, hop by hop
+
+Write one row per hop: author -> publisher/platform -> intermediary(ies) -> this repo.
+
+| hop | party | licence statement (verbatim, short) | URL | retrieved | sha256 or Wayback URL |
+|-----|-------|-------------------------------------|-----|-----------|----------------------|
+
+- The grantor must be the rights holder. A redistributor's "public domain" (IPI PAN's PPC statement
+  for `parliamentary`) or a platform label (Common Voice CC0) is a claim, not a grant. Say so.
+- Name every intermediary: SpeakLeash, HF user snapshots (`PiotrSty/...`, `dawidmajewski/...`),
+  WikiTeam dumps. Record the intermediary's own licence field (`license: unknown` is a finding).
+- Prefer the official dump or API over a snapshot. If you use a snapshot, spot-check a sample against
+  the live upstream and record the match rate (SAOS: 20 of 20 matched; snapshot covered 54.9% of live).
+- Hash or archive the terms page (sha256 of its text, or a Wayback snapshot). If no historical copy
+  exists, say so and archive it now (open_agh_chemistry_pl had none).
+
+### 2. Read the full terms and the per-item fields
+
+- Fetch the complete terms-of-use / copyright / reuse page and every page that governs the content
+  (citation block, ToU, API docs, CMS). Fetch raw text; a summarising fetch is not a verbatim quote,
+  so re-fetch before quoting in a record.
+- Per-item rights fields: MediaWiki `api.php?action=query&meta=siteinfo&siprop=rightsinfo` (per wiki),
+  DSpace `dc.rights` and `dc.rights.uri`, TEI `availability`, Wolne Lektury `dc:rights`,
+  Bibliotekanauki API licence name and version.
+- Check for scraping or bulk-download bans, TDM and AI-training reservations, and
+  "all rights reserved" banners. Run the deny list (below) over what you fetched.
+- Page unreachable (timeout, CAPTCHA, login)? Do not guess. Record "not read" and why.
+
+### 3. Decide whether rights are per item
+
+If upstream licenses item by item, the corpus needs a per-row `license` (and author/title/URL where
+available), built from the upstream field. One label over mixed rights is a defect even when every
+individual licence is open (wolne_lektury: PD, FAL 1.3 and CC BY-SA 3.0 PL/4.0 under one label).
+A licence version is part of the licence: 3.0 to 4.0 is not a free upgrade.
+
+### 4. Public-domain claims
+
+Polish term is life + 70. In 2026 the author **and** translator (and the editor of a protected
+edition) must have died in 1955 or earlier: death year <= current year - 71. PD in the US is not PD in
+Poland. Cite where each death year comes from; hand-curated years are I. Details: `references/polish-law.md`.
+
+### 5. Official documents
+
+Art. 4 of the Copyright Act covers normative acts and official documents/materials. It does **not**
+clearly cover private guests' statements in committee transcripts, third-party material quoted inside an
+official document, or expert opinions. Open Data Act reuse conditions apply (Art. 15 "processed data"
+notice; art. 6(4)(4) excludes material where non-public entities hold copyright). EU documents go
+under the EU reuse policy (Decision 2011/833/EU for Commission documents, the EUR-Lex/TED legal notices
+otherwise), not Art. 4.
+
+### 6. Sample to measure residual third-party content
+
+Do this for every source where the basis covers "the operator's own content" but the corpus may hold
+others' text (wikis, fan wikis, news, government sites, court rulings, committee transcripts).
+
+- Fixed random seed, recorded. Stratify (wiki, namespace, subsite, document type, speaker role).
+- >= 40 documents per stratum; ~200 for a headline number.
+- Wilson 95% interval, not just a point estimate. Report **token/char share**, not only document share.
+- Classify each sampled item: own/licensed, public domain, in-copyright third party, mixed, unknown.
+- Save the sample IDs and the per-item classification next to the evidence (CSV/JSON).
+- Heuristic classifiers (regex, length thresholds) give I-level numbers; hand-labelled ones give V.
+- Code: `references/templates.md`.
+
+### 7. Decide
+
+| Outcome | When | What to do |
+|---------|------|------------|
+| Admit | Basis verified, residual third-party content negligible and documented | Register with `release: None`, record |
+| Admit with filter | A separable slice is bad (a wiki, a namespace, a speaker role, cited lines) | Put the filter in the committed fetch/clean script, add a test, regenerate stats and datasheet |
+| Relabel | Content is fine, label is wrong (version, per-row licence, basis) | Fix registry, datasheet and per-row field together |
+| Withdraw | Basis is unverified or contradicted and no filter can fix it | Withdrawal pattern below |
+
+Filters live in `src/fetch_<key>.py`/`clean_<key>.py`, never in a hand-edited parquet. Rows pulled from
+SpeakLeash with `file_key: None` have no script: write one before changing rows. Whether a residual
+share is acceptable is the maintainer's call; the audit used "exclude a wiki over 5% of tokens" as a working bar.
+
+### 8. Record
+
+See "What to write down".
+
+## Fail-closed parsing
+
+A fetcher must **read** the licence from the upstream page or field, compare it with an allowlist, and
+raise (not skip silently) when it cannot find it, when it differs, or when a deny pattern matches.
+The bug in `openstax_pl`, `nkjp1m` and `fandom_pl` was a hard-coded licence string.
+
+Minimal deny list (case-insensitive; extend per source language; matches mean stop and review):
+
+```
+niekomercyjn | non-?commercial | by-nc | by-nd | no-?derivatives? | bez utworów zależnych
+modeli językowych | trenowani | large language model | \bLLM\b | AI training | machine learning
+text and data mining | \bTDM\b | data mining
+wszelkie prawa zastrzeżone | all rights reserved | dozwolony użytek
+scrap(e|ing) | automated (access|means) | bulk download
+```
+
+- Allowlist beats denylist: accept only the exact expected licence id/URI (open_icm_pl, rock_pollub_pl do).
+- Fetch every page that can restate the licence (foreword, citation block, CMS field), not only the one
+  with the badge.
+- Add a test with the live page text as a fixture; it must fail on the known-bad text.
+- Store the hash of the licence text in `license-evidence.json`. A different hash on re-fetch fails the run.
+- Shared checks go in one place (`src/rights.py` today holds only `rights_ok`/`spdx` for Europeana
+  `edm:rights` URIs). Extend it; do not paste a copy into each fetcher.
+
+## What to write down
+
+1. **Datasheet** `data/<key>/<key>.md`, rights section: licence and version; where the statement lives
+   (link to the exact page, API field or provision); the chain of title; each intermediary and its
+   licence field; what was filtered and why; what was not checked. Generate per-document licence
+   tables from builder output; do not hand-type them.
+2. **`data/<key>/<key>.license-evidence.json`**: licence + SPDX, statement URL and verbatim quote,
+   retrieval date, sha256 or Wayback URL, per-hop chain, `status`, `review_scope`, `finding`, V/I marks,
+   and a `not_checked` list. Keys already used in `data/common_voice_pl/`, `data/sejm_api/`: `license`,
+   `spdx`, `status`, `review_scope`, `finding`.
+3. **`src/sources.py`**: `license`, `license_spdx`, `traceable` (why the licence holds), `provenance`
+   (name the intermediary), `upstream`, `legal_note` (caveats, the withdrawal reason), `release`.
+   Use `MIXED` plus a per-row field for mixed rights; `LicenseRef-...` for non-SPDX bases.
+4. **Decision record** `polish-dynaword-v2/repo_patch_suggestions/decisions/<key>.yaml`, schema
+   `decision-record.schema.yaml` (`status: admitted | excluded | held_for_review`; evidence
+   in `polish-dynaword-v2/evidence/`). Example: `1000_novels.yaml`. Put partial admission in `rationale`,
+   since `partial` is not in the enum. No sibling checkout: put the record text in the PR description and flag it.
+5. **Findings log** `artifacts/source_findings.md`: append an entry whether the answer is yes or no.
+
+### Done when
+
+- [ ] Chain of title written down, every hop with a statement, URL, date and hash/snapshot.
+- [ ] Full terms read; deny list run; per-item rights fields checked.
+- [ ] Rights per item? Then a per-row `license` exists and a test asserts none is empty.
+- [ ] Any filter is in the committed script, with a test; stats and datasheet regenerated.
+- [ ] Sample IDs, seed and classification saved; Wilson interval and token share reported.
+- [ ] `sources.py` fields and `legal_note` match the datasheet and the evidence file.
+- [ ] Decision record written (or flagged for the maintainer); findings-log entry added.
+- [ ] "Not checked" list present in the evidence file and the decision record.
+- [ ] `python3 -m pytest src/` passes; no hard-coded licence left in the fetcher.
+
+## Withdrawal pattern
+
+As done for HPLT (Hub commits 23e883a, 1802420, bade8e7):
+
+1. Remove `data/<key>/` data files from main.
+2. Keep the `SOURCES` entry for history; add a `legal_note` with the reason and the clause URL. Keep its old
+   `release` value (`european_hplt_v3_pl` still says `"0.2.3"`).
+3. Write a decision record (`status: excluded`, or `held_for_review` while a human decides).
+4. Run `python3 src/verify_paper_claims.py` (token and source counts).
+5. `make_docs.py` skips sources with no data, so regenerated release totals undercount; see AGENTS.md
+   "Known drift" before touching the README tables.
+
+Removing files from main does not purge git/LFS history (inferred). If history must be purged, hand it
+to the maintainer.
+
+## Human-only steps
+
+Prepare the draft or the evidence list, then hand back. Do not do these yourself:
+
+- Writing or sending to rights holders (IPI PAN, OpenStax Poland, KPRM/MC, UZP, SN, KIO).
+- Legal opinions (SAOS needs a formal Polish opinion before release).
+- Accepting terms, cookie/consent banners, creating accounts, OAuth grants.
+- CAPTCHA- or login-gated sites; do not bypass.
+- Downloads that need permission (NKJP1M tarball, large archives).
+- Approving allowlists, withdraw-vs-filter decisions, acceptable residual shares.
+
+## Record what was not checked
+
+Examples from the 2026-10 audit; write the same kind of line for your source:
+
+- 1000_novels: the CLARIN-PL licence page was not read (fetch timed out); death years in
+  `scripts/novels_rights_screen.py` are hand-curated.
+- fandom_pl: the Fandom Terms of Use primary page was not read (scraping ban known from web search only).
+- nkjp1m: per-text TEI `availability` headers not checked (needs the tarball download).
+- studia_bas: the live journal site is behind a CAPTCHA; its own licence statement was not re-read.
+- saos: ~140 of 1,014 lines of `src/fetch_saos.py` reviewed; SN and KIO terms not found.
+- wikipedia, wikivoyage: not sampled for pasted copyrighted text.

.agents/skills/source-rights-review/references/polish-law.md

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+# Polish and EU rules the review relies on
+
+Research aid, not legal advice. Everything here comes from the 2026-10 audit reports or the existing
+repo docs. Where a point is marked I (inferred) or "verify", the audit did not confirm it against a
+primary text. Read the statute on ISAP/ELI before quoting an article in a datasheet.
+
+## Term of protection (life + 70) and the death-year screen
+
+- Polish term is the author's life + 70 years. Rule of thumb used in the audit: a work is public domain in
+  Poland only if its author **and every translator** died in year <= current year - 71. In 2026: died in
+  1955 or earlier.
+- Check each contributor with an independent right: author, translator, and the editor of a protected
+  edition. Edition and critical-edition rights (Art. 99^1-99^2) were named in the 1000_novels decision
+  record but not assessed. Say so if you do not assess them.
+- Public domain in the US is not public domain in Poland. Wikisource footers state both:
+  "Prawa autorskie do tekstu wygasają: w 2045 roku w Polsce, w 2021 roku w USA" is a PD-US-only item
+  (`wikisource_1295016`). A year after the current year in the "w Polsce" slot means keep out.
+- Europeana's conservative US slice is records created/published before 1929 (`legal_note` in
+  `src/sources.py`); later records stay separately labelled or held pending legal review.
+- Death years need a cited source. Hand-curated years (`scripts/novels_rights_screen.py`) are I.
+
+## Art. 4 of the Copyright Act (official materials)
+
+- Art. 4 excludes from copyright normative acts and official documents/materials. Art. 4(1)-(2) is the
+  basis cited for `dziennik_ustaw`; Art. 4(2) for judgments and parliamentary records.
+- The majority of authors treat judgments and their reasons as official documents under Art. 4(2) (I:
+  Sobczak 2017, NSA 19.02.1997 I SA/Kr 1062/96; both acknowledge doubts; not re-verified).
+- Doctrine on "materiał urzędowy": SN 2001 IV CKN 458/00 reads it broadly, a narrower SN line from 2009
+  reads it restrictively; no source found addresses private experts' or guests' statements held by public
+  bodies (I; not checked against primary texts).
+- Where the basis is weakest: private guests in committee transcripts, third-party material quoted
+  inside an official document (party submissions, expert opinions, doctrine, lyrics), dissenting
+  opinions with individual authors (TK rows; ~450 TK documents carry one, I), constituents' letters quoted
+  in interpellations.
+- Sources whose basis is statutory (SAOS, sejm_*, uzp_orzeczenia_pl) are not HPLT-class, but they still
+  need per-record evidence and the third-party carve-out in the datasheet. Not signed off by a lawyer.
+
+## Open Data Act (reuse of public-sector information)
+
+Text: `https://eli.gov.pl/api/acts/DU/2023/1524/text.html` (per the audit reports).
+
+- Art. 6(4)(4): excludes material in which non-public entities hold copyright. So citing the Act does
+  not cure guest statements or quoted third-party text.
+- Art. 15(1): reuse of processed data requires a notice that the data was processed (TK's reuse page
+  requires attribution plus that notice and a liability disclaimer). Put the notice in `NOTICE.md` and
+  the datasheet. Whether our normalisation counts as "processed" is I; state the notice to be safe.
+- `api.sejm.gov.pl/sejm.html` states no licence or terms of use (V). Do not invent one.
+
+## Art. 29 (quotation)
+
+- Quotation is permitted for a purpose (criticism, teaching, scholarly work). It is a defence for the
+  quoting party, not a licence the quoted author gave to anyone downstream. Applies to wikiquote
+  (1,000-char quote cap per Wikiquote policy), wiktionary example citations, fan-wiki in-game text and
+  lyrics, and quoted spans in court rulings.
+- A dataset that copies those quotes in bulk is redistributing the quoted works. Filter them out or
+  withdraw; do not label them with the site's licence.
+
+## EU documents
+
+- EUR-Lex: CC BY 4.0 covers editorial content, summaries, consolidated texts. For legal documents the legal
+  notice says they can be re-used commercially or non-commercially "unless otherwise specified", with
+  exceptions for special conditions of use, third-party works and industrial property
+  (`https://eur-lex.europa.eu/content/legal-notice/legal-notice.html`).
+- Decision 2011/833/EU covers Commission documents only; its Art. 2(2) excludes items where third-party IP
+  prevents reuse. Other institutions fall under the general notice (I).
+- Art. 4 of the Polish Act does not apply to EU acts. Proposed registry label for eurlex:
+  `LicenseRef-EU-Reuse-Policy`, caveats for ECB (~4%), state-aid notices (~2.5%), EESC, ETSI citations.
+- TED: procurement notices "can be freely reused" unless noted; CC BY 4.0 for SIMAP editorial content, CC0 for
+  metadata; exceptions for third-party works and identifiable individuals. The notice does not
+  separately address text written by member-state authorities, so cite both TED terms and the Polish
+  public-body basis (`ted_pl`, `LicenseRef-TED-Notice-Reuse`).
+
+## Wikimedia licence versions
+
+- Wikimedia text was CC BY-SA 3.0 (and GFDL-dual before 2009) and is CC BY-SA 4.0 on the live sites today
+  (`rightsinfo`).
+- Audit helper rule: label a record CC-BY-SA-3.0 if its last revision is before 2023-06-01 (add GFDL if
+  before 2009), otherwise CC-BY-SA-4.0. **The 2023-06-01 cutoff is conservative. Verify the exact effective
+  date before relying on it.** If `src/` has no shared helper yet, write one and call it from every wiki
+  builder; do not hard-code a label per source.
+- Polish Wikinews: CC BY 2.5 until a 2024 community vote (2024-07-22 to 2024-08-20) moved it to 4.0. Its
+  own cutover date applies; confirm the effective date on the vote page. All 24,386 docs were labelled 2.5, which
+  is wrong for later edits. Label per revision date, not per source.
+- Wikisource policy admits in-copyright texts with consent shown on the talk page or via OTRS, licensed CC
+  BY-SA 4.0 or higher. The SpeakLeash-derived rows kept neither the consent nor the version.
+- Wikibooks GFDL-only text is incompatible with CC BY-SA unless dual-licensed or "or later" with an
+  eligible migration date.
+
+## Not analysed by the audit
+
+- Database right (Act of 27.07.2001): not analysed; inferred low risk for public-body sources.
+- Polish parody law for Nonsensopedia's Nonźródła, Gra and Forum content.
+- GDPR for named private persons in court rulings and interpellations (flagged as open in the datasheets;
+  NERGAL is the PII pass and a release gate wherever the card says so).

.agents/skills/source-rights-review/references/templates.md

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+# Templates
+
+Starting points, not a framework. Copy the shape; keep the logic in the committed fetch/clean script
+and in `src/rights.py` (one shared copy, not one per fetcher).
+
+## Fail-closed licence check + sampling helpers
+
+Self-checking sketch (`python3 file.py` prints `ok`). Feed `check_licence_text` the text of **every**
+page that can restate the licence (foreword, citation block, ToU, CMS/API field), not only the badge page.
+Add a fixture test that loads the saved live page text and asserts `LicenceRejected`.
+
+```python
+import hashlib, random, re
+from math import sqrt
+
+DENY = re.compile(
+    r"niekomercyjn|non-?commercial|by-nc|by-nd|no-?derivatives?|bez utworów zależnych"
+    r"|modeli językowych|trenowani|large language model|\bLLM\b|AI training|machine learning"
+    r"|text and data mining|\bTDM\b|data mining"
+    r"|wszelkie prawa zastrzeżone|all rights reserved|dozwolony użytek"
+    r"|scrap(?:e|ing)|automated (?:access|means)|bulk download",
+    re.I,
+)
+
+
+class LicenceRejected(Exception):
+    pass
+
+
+def check_licence_text(text: str, allowed: tuple[str, ...]) -> str:
+    """Return the matched allowed licence id, else raise. `text` = every page that restates the licence."""
+    m = DENY.search(text)
+    if m:
+        raise LicenceRejected(f"deny pattern {m.group(0)!r}: ...{text[max(0, m.start()-60):m.end()+60]}...")
+    found = [a for a in allowed if a.lower() in text.lower()]
+    if len(found) != 1:
+        raise LicenceRejected(f"expected exactly one of {allowed}, found {found}")
+    return found[0]
+
+
+def sha256_text(text: str) -> str:
+    return hashlib.sha256(text.encode("utf-8")).hexdigest()
+
+
+def wilson(k: int, n: int, z: float = 1.96) -> tuple[float, float]:
+    p = k / n
+    d = 1 + z * z / n
+    c = (p + z * z / (2 * n)) / d
+    h = z * sqrt(p * (1 - p) / n + z * z / (4 * n * n)) / d
+    return max(0.0, c - h), min(1.0, c + h)
+
+
+def sample_ids(ids: list[str], n: int, seed: int) -> list[str]:
+    return random.Random(seed).sample(sorted(ids), n)
+
+
+if __name__ == "__main__":
+    ok = "Licencja: CC BY 4.0. Możesz ponownie wykorzystywać materiał."
+    bad = ok + " Ten podręcznik nie może być wykorzystywany do trenowania dużych modeli językowych."
+    assert check_licence_text(ok, ("CC BY 4.0",)) == "CC BY 4.0"
+    for t in (bad, "CC BY 4.0 wyłącznie w celach niekomercyjnych"):
+        try:
+            check_licence_text(t, ("CC BY 4.0",)); raise SystemExit("should have failed")
+        except LicenceRejected:
+            pass
+    lo, hi = wilson(158, 200); assert round(lo * 100) == 73 and round(hi * 100) == 84
+    assert sample_ids(list("abcdefghij"), 3, 1) == sample_ids(list("jihgfedcba"), 3, 1)
+    print("ok")
+```
+
+The deny list is a starting set. A match means stop and read; it is not a verdict. Extend per source
+language and per site. Prefer the allowlist argument: pass the exact licence id or URI you expect.
+
+## Sampling protocol
+
+1. Choose strata (wiki, namespace, subsite, document type, speaker role). Record the stratum definition.
+2. `sample_ids(ids, n, seed)` with `n >= 40` per stratum, ~200 for a headline figure. Write the seed and the
+   sorted ID list to `artifacts/<audit>/<source>_sample.json`.
+3. Classify every item: `own_licensed | public_domain | third_party_in_copyright | mixed | unknown`.
+   Save `id, class, evidence_url_or_note` as CSV next to the IDs.
+4. Report `k/n`, the Wilson interval, **and** the token or char share (weight by length), per stratum.
+5. Mark the number V if hand-labelled, I if produced by a regex or heuristic classifier.
+
+## `data/<key>/<key>.license-evidence.json` (shape; reuse keys already in the repo)
+
+```json
+{
+  "license": "CC BY-SA 4.0",
+  "spdx": "CC-BY-SA-4.0",
+  "status": "documented-statutory-basis-review-needed",
+  "review_scope": "what was and was not reviewed, in one paragraph",
+  "finding": "one sentence verdict",
+  "chain_of_title": [
+    {"hop": "author -> publisher", "party": "...", "statement": "verbatim, short",
+     "url": "https://...", "retrieved": "YYYY-MM-DD", "sha256": "..." , "wayback": null, "mark": "V"}
+  ],
+  "intermediary": {"name": "HF user/dataset@revision", "license_field": "unknown"},
+  "per_item_rights_field": "dc.rights | siprop=rightsinfo | TEI availability | none",
+  "not_checked": ["CLARIN-PL licence page (timeout)", "..."]
+}
+```
+
+`status` values seen in the repo: `reviewed-open-official-materials`, `documented-statutory-basis-review-needed`.
+Never copy another source's `status`.
+
+## Decision record (`polish-dynaword-v2/repo_patch_suggestions/decisions/<key>.yaml`)
+
+Schema: `decision-record.schema.yaml` (same directory). Do not add fields it does not have.
+
+```yaml
+source_id: <key>
+status: admitted | excluded | held_for_review   # partial admission goes in rationale
+scope:
+  release: v0.2.6 | null
+  artifact_revision: <git sha> | null
+evidence:
+  upstream_url: https://...
+  license_evidence:
+    - "V: <licence statement, where it lives, retrieval date>"
+    - "I: <inferred point, marked as such>"
+  provenance_evidence:
+    - "<chain of title; intermediary and its licence field>"
+decision:
+  date: "YYYY-MM-DD"
+  rationale: "<admit / filter / relabel / withdraw, and why; what stays out of the release>"
+  supersedes: null
+verification:
+  artifact_sha256: <sha256 of the shard the decision applies to> | null
+  notes: "<what was NOT checked; hand-curated inputs; open human steps>"
+```
+
+Per-text evidence (screens, sample classifications) goes in `polish-dynaword-v2/evidence/`
+(example: `1000_novels_rights_screen.csv`). If you have no checkout of that repo, paste the record into the
+PR description and say so.
+
+## `legal_note` shape (`src/sources.py`)
+
+One short paragraph: the basis, the caveat, the withdrawal reason if any, the clause URL. A withdrawn
+source's note names the clause that blocks it and the audit date. Existing notes: `europeana` (US-status
+caveat) and `european_hplt_v3_pl` (written when it was admitted; it must be updated with the withdrawal reason).

.agents/skills/source-rights-review/references/worked-examples.md

@@ -0,0 +1,152 @@
+# Worked examples (2026-10 audit)
+
+One case per failure class: source key, the one fact that shows the point, and how to detect it.
+V = verified against a file, parquet, API field or live page. I = inferred.
+Full evidence: `artifacts/rights_audit_2026-10/reports/*.md` and `REVIEW.html`.
+Verdicts below are the audit's proposals for the maintainer, not decisions.
+
+## 1. Packaging licence != content licence
+
+- **HPLT** (`european_hplt_v3_pl`). CC0 on the dataset package. It says nothing about the crawled
+  pages. Removed after v0.2.5. Decision record: `hplt_v3_pl.yaml`. Detect: ask "who wrote the page, and
+  did they grant anything?" If the only answer is the packager's licence, stop.
+
+## 2. Compilation licence over third-party works
+
+- **1000_novels**. CLARIN-PL's CC BY 4.0 covers the compilation. Per-text screen: 830 PD by term,
+  10 PD per Wolne Lektury, 17 in copyright, 143 unverified (V). The 17 (2 by Dąbrowska, 12 translated by
+  Michał Friedman, 3 by Hōjun) are CC BY-SA 3.0 PL on Wolne Lektury, not CC BY. All 1,000 parquet rows
+  still said CC-BY-4.0 with empty `author` (V). Not checked: the CLARIN-PL licence page (timeout) (I).
+- **nkjp1m**. The rationale for releasing NKJP1M is that fragments are short (NKJP book ch. 5.3, V).
+  That is a quotation-style argument, not a grant from the rights holders. Sources conflict on the licence
+  (CC-BY, CC-BY 4.0, GPL v3). Detect: does the compiler say *why* it may redistribute, and is that a grant?
+
+## 3. Uniform label over per-item licences
+
+- **wolne_lektury**. 6,141 rows under one label. Matched 5,604 rows to WL `dc:rights`: ~3,800 PD,
+  ~1,340 FAL 1.3 (living poets' own grants), ~58 CC BY-SA 3.0 PL/4.0 (V). Share-alike on PD texts
+  overclaims; 3.0 PL to 4.0 is not a free upgrade. The SpeakLeash export had stripped the per-text footers.
+- **biblioteka_nauki**. 583 records checked against the live API: 0 licence-type mismatches (V). But the
+  version collapsed to 4.0: BY = 170 at 4.0, 101 at 3.0 PL, 27 at 3.0 Unported, 2 at 2.0. Three "PD"
+  records were living authors' works carrying a platform PD Mark label (a label, not a grant).
+  Detect: compare the stored label with the upstream field per record, version included.
+
+## 4. NC / ND / AI-training / TDM terms
+
+- **openstax_pl**. The foreword body says CC BY 4.0. The "Cytowanie i udostępnianie" block on all 8
+  `/pages/przedmowa` pages says the book may not be used to train large language models without
+  OpenStax Poland's written consent, and allows reuse only non-commercially (V). The OpenStax CMS
+  lists all 8 books as CC BY-NC-SA 4.0 (V). The clause predates the snapshot (Wayback: 2025-02-17,
+  2025-10-09) (V). `license_evidence()` read only the foreword and hard-coded CC-BY-4.0 (V).
+  Detect: grep every page of the site for the deny list; check the CMS or API licence field.
+  Lesson: the page with the badge is not the page with the terms.
+
+## 5. Platform-asserted licence over imported text
+
+- **common_voice_pl**. CC0 is a platform assertion. 45,043 sentences matched against the Common Voice
+  server data: 24,709 (54.9%) are in `selected-europarl-v7-pl.txt`, 18,569 (41.2%) in
+  `sentence-collector.txt`, 37 in both, 1,802 (4.0%) in neither (V). The EP legal notice allows reuse
+  "provided that the entire item is reproduced and the source is acknowledged": a single sentence is not
+  the entire item (V). `sentence_domain` is "unspecified" for 45,035 rows, so per-sentence origin is
+  not exported (V). Detect: find the platform's own text-intake rules and match the data to the
+  upstream files they list, using the same normalisation (NFKC, collapse whitespace, strip final punctuation).
+
+## 6. Operator footer over independent tenants
+
+- **samorzad_gov_pl**. The CC BY-SA 4.0 footer is a platform template run by KPRM/MC over 247 independent
+  tenants (72,472 docs). The tenant agreements are not published; the onboarding PDF mentions no licence
+  grant (V). The grant comes from the operator, not the authors. Third-party subsets: 69 poetry-series
+  docs, 9 IMGW notices ("podlega ochronie prawnej"), 112 pupil/participant works, 810 docs with "Źródło:"
+  lines (V, regex). A 200-doc sample (seed 7) had ~2-3% real third-party material (I).
+  Proposed: filter the subsets, relabel "operator-declared platform licence", ask KPRM/MC in writing (human step).
+
+## 7. Partner republications
+
+- **global_voices**. The CC BY covers "content created by Global Voices". 64 of 2,040 docs (3.1%) were
+  republished from partners under content-sharing agreements (17 PRI/The World, plus Metamorphosis,
+  Irrawaddy, Nepali Times, Premium Times, HKFP, 350.org) (V). They are selected by the outlet name in
+  the sidecar `author` field plus a regex for the agreement wording.
+- **govpl**. Footer says CC BY-SA 4.0 for all text, but gov.pl's copyright page carves out third-party
+  works. 764 docs have "Źródło:" lines, ~154 name PAP. A 200-doc sample (seed 42) had 0 clear
+  third-party reprints. The parquet has no URL or subsite field, so screening needs a re-fetch.
+
+## 8. Quotation-right content presented as licensed
+
+- **wikiquote**. CC BY-SA covers the contributors' selection, not the quotes. Random 200-doc sample
+  (seed 1): 158 in copyright (79%, Wilson 73-84%), 20 PD, 13 mixed, 7 translation-only, 2 unknown (V).
+  Typical page: `wikiquote_2429270` (Alice Sebold, b. 1963, modern translation).
+- **wiktionary_examples**. Live sample of 74 entries / 111 example lines: lines citing an external source
+  hold 34% of chars (23% of lines); NKJP alone 21% of chars (V). The fetcher strips `{{źródło}}` and
+  `<ref>` (lines 126-127), so the dataset cannot be screened afterwards. Lesson: decide per line,
+  before cleaning, and keep a sidecar.
+- **fandom_pl** (per wiki, 40-doc samples): dragonage 22/40 (CI 40-69%), elderscrolls 17/40
+  (29-58%), wiedzmin 11/40 (16-43%), gothic 0/40 (0-9%), harrypotter 0/40; naruto full song lyrics
+  (4.1-4.4% of tokens); pokemon structurally a translation of Bulbapedia (CC BY-NC-SA 2.5, I);
+  creepypasta: 135 of 153 English-titled translations absent from the English Creepypasta Wiki (I).
+  starwars, fallout, sims, gta were not sampled.
+- **nonsa**. Site licence fine (CC BY-SA 3.0 via `rightsinfo`). Namespace 100 "Cytaty" (287 docs, 2.6%
+  of tokens) quotes film/TV dialogue and lyrics; 12 `<poem>` docs carry lyrics (V). A namespace-level filter
+  fixes it, so carry the namespace into each record.
+- **saos** (court rulings): ~1.1% of chars in long quoted spans that are not statutory text (I, heuristic).
+  Art. 29 is a defence for the court's use, not a grant to the dataset.
+
+## 9. Intermediary snapshots
+
+- **wikipedia, wikisource, wolne_lektury, 1000_novels, eurlex, parliamentary** came through SpeakLeash, which
+  strips per-item footers and documents no selection. Rows have `file_key: None` and no fetch script.
+- **PiotrSty/** HF snapshots (sejm_api, sejm_api_2011_2022, uzp_orzeczenia_pl, fandom_pl, nonsa,
+  edukacja_medialna_pl, saos) and **dawidmajewski/** (samorzad_gov_pl). `sejm_api` is
+  `PiotrSty/sejm-speeches-corpus@124557799608`, not the live API; its `source_url` is a day-level endpoint.
+- **saos**. `PiotrSty/saos-polish-court-judgments@736cba4` is `license: unknown`. 20 of 20 IDs matched live
+  text after the PR's normalisation; the snapshot covers 54.9% of live SAOS (296,692 of 540,726).
+  SAOS publishes no licence (`/regulamin` returns 404) and disclaims content responsibility. TK requires
+  a "processed data" notice (Open Data Act Art. 15(1)); SN and KIO terms were not found.
+- **nonsa**: WikiTeam item `wiki-nonsa.pl-20251009` plus HF `PiotrSty/nonsa-pl`; 100 pages (0.8%) were
+  deleted live after the dump. Honour deletions.
+
+## 10. Licence version drift
+
+- **wikipedia, wikivoyage, wikibooks, wikisource, wiktionary_examples**: labelled CC-BY-SA-3.0 while live
+  `rightsinfo` says 4.0. Rule used in the audit: label a record 3.0 if its last revision is before
+  2023-06-01 (add GFDL before 2009), else 4.0. The 2023-06-01 cutoff is conservative; verify the exact
+  effective date before relying on it.
+- **plwiki_talk / plwiki_user_talk**: labelled 4.0 per record while `created` is the last-revision date;
+  42% of talk docs (25% of tokens) and 64% of user-talk docs (42% of tokens) were last edited before
+  2023-06-01, so their content is 3.0 (V, from the parquet).
+- **wikinews**: Polish Wikinews voted 2024-07-22 to 2024-08-20 to move from CC BY 2.5 to 4.0. All 24,386
+  docs were labelled 2.5. Confirm the effective date on `Wikinews:Głosowania/Zmiana licencji na CC:BY 4.0`.
+- **wikibooks**: 24 docs (0.4% of tokens) mention GFDL, e.g. `wikibooks_2419791`, `_2419792`. GFDL-only
+  text is incompatible with CC BY-SA unless dual-licensed or "or later".
+
+## 11. Wrong public-domain claim
+
+- **wikisource**. 632,005 rows, uniform CC-BY-SA-3.0, no title/author/page id (V). The card said "underlying
+  texts are public-domain works": false. `wikisource_1295016` is a Conrad translation by J. B. Rychliński
+  (d. 1974); the Wikisource footer says protected in Poland until 2045, in the US until 2021, i.e. PD-US only (V).
+  Others: post-war editions (`wikisource_1799959`, `_1182398`, `_1185399`, `_1265054`, `_1280295`),
+  `_1800344` ("Copyright by Jerzy Kuliński", 1995), `_1802332` (2016 translation under CC BY 2.5).
+  Policy admits in-copyright texts with consent under CC BY-SA 4.0, but the dataset kept neither the
+  consent nor the version. Share unquantified (I); a crude filter flags 372 rows (1.7% of chars).
+- **eltec_pol (clean contrast)**: 100 Polish originals, latest author death Makuszyński 1953, every TEI
+  header carries CC BY 4.0, no translators (V).
+
+## 12. Official-document basis stretched
+
+- **parliamentary**. Chain Sejm -> IPI PAN PPC -> SpeakLeash -> us; the only statement is IPI PAN's "public
+  domain". Committee sittings are ~59% of chars with speaker labels stripped, so guests cannot be filtered (V).
+  Registry said CC-BY-4.0, the card said public-domain (V).
+- **sejm_committee_transcripts**. Non-official speakers ~5% of chars (1.8% of turns): Konfederacja Lewiatan,
+  Grupa Azoty S.A., Greenpeace, ClientEarth, universities; 3,097 "Głos z sali" turns (I; known false
+  positives NBP, Wody Polskie, IPN). Fix: allowlist of official roles, log dropped speakers to a sidecar.
+- **uzp_orzeczenia_pl**: 250-ruling sample: 71% recite party arguments, 50% quote 300+ chars, 4.4% cite an
+  expert opinion (V). **eurlex**: Art. 4 basis in the card does not apply to EU acts.
+
+## Clean patterns to copy
+
+- **open_icm_pl**: 85/85 records match live DSpace `dc.rights` and `dc.rights.uri`, versions included; the
+  fetcher uses an allowlist, so NC/ND and "Dozwolony użytek" are rejected.
+- **rock_pollub_pl**: keeps an item only if both the facet and the PDF bitstream `dc.rights` say BY-SA 4.0;
+  8 of 8 retained match live.
+- **open_agh_chemistry_pl**: 4/4 rights pages match recorded SHA-256; no Wayback copy exists, so archive it.
+- **wiadomosci_statystyczne_pl**: a per-article licence line is required (315 of 460 carry it, 169 shipped,
+  2022+); 21/21 live pages match.

AGENTS.md

@@ -4,6 +4,9 @@ Guidance for agents and contributors adding a source and cutting a release.
 Read this before opening a PR. Source PRs and releases are separate: a source PR
 adds one source with `release: None`; the maintainer later cuts one release that
 bumps the version and docs for every source merged since the last one.
+**Every source needs a recorded rights review before its PR and before its release:
+open `.agents/skills/source-rights-review/SKILL.md` and follow it** (see "Rights
+review" below; agents that don't auto-discover skills must open it by path).
 
 ## How the docs are actually maintained
 
@@ -31,6 +34,31 @@ the rejected ones and *why*. Check it before spending a day on a source someone
 already found to be blocked — and append your own finding there whether the
 answer was yes or no.
 
+## Rights review (required before a source PR and before a release)
+
+**Follow `.agents/skills/source-rights-review/SKILL.md`** — method, failure classes,
+templates. Do not rely on auto-discovery: open the file. HPLT was released on a
+CC0 label that covered only the packaging of crawled pages and was removed after
+v0.2.5; the 2026-10 audit (`artifacts/rights_audit_2026-10/`) found the same flaw
+in five more shipped sources. Rules:
+
+1. A licence on a platform, package or compilation is not a licence on the works
+   inside. Find who wrote the text and what *they* granted.
+2. Unverified = not admitted. Merge with `release: None`; never release.
+3. Read the full terms, not the badge: NC/ND, AI-training and scraping bans,
+   per-item rights fields. A fetcher reads the licence from upstream and fails on
+   NC/ND or AI-use clauses; it never hard-codes it.
+4. Rights per item → per-row `license`, not one label. "Public domain" means every
+   author and translator died in 1955 or earlier (2026; life + 70).
+5. Sample for third-party content (seed recorded, ≥40 docs per stratum, Wilson
+   interval, token share). Filters go in the committed fetch/clean script, with a test.
+6. Name every intermediary (HF snapshot, SpeakLeash, dump) in the datasheet and
+   `provenance`, and write down what you did not check.
+7. Record it: `license`/`license_spdx`/`legal_note` in `src/sources.py`,
+   `data/<key>/<key>.license-evidence.json`, a decision record, a findings-log entry.
+8. Never write to rights holders, accept terms, create accounts or get past a
+   CAPTCHA — hand those to the maintainer.
+
 ## Add a source
 
 1. Produce the artifact under `data/<key>/`:
@@ -179,7 +207,8 @@ Two rules about all of the above:
 ## Cut the release (maintainer, one commit after the source PRs merge)
 
 0. In `src/sources.py`, set `release` on each merged source this release ships
-   (check its shard went through NERGAL first).
+   (check its shard went through NERGAL first). A source is not released until
+   its rights review is recorded (see "Rights review").
 1. In `src/make_docs.py`: bump `VERSION` and `RELEASE_DATE`. Add a row for the new
    version to the version table and a row for each new contributor to the
    Contributors table (both are literal rows in the template).

artifacts/rights_audit_2026-10/REVIEW.html

@@ -0,0 +1,845 @@
+<title>Dynaword Rights Audit</title>
+<link rel="preconnect" href="https://fonts.googleapis.com">
+<link rel="preconnect" href="https://fonts.gstatic.com" crossorigin>
+<link rel="stylesheet" href="https://fonts.googleapis.com/css2?family=IBM+Plex+Sans+Condensed:wght@500;600&family=IBM+Plex+Sans:ital,wght@0,400;0,600;1,400&family=IBM+Plex+Mono:wght@400;500&display=swap">
+<style>
+/* Layout: one reading column with a full-width register table; sources as ruled dossier entries grouped by tier. */
+:root{
+  --bg:#f6f7f8; --surface:#ffffff; --fg:#1b2129; --muted:#5b6573; --rule:#d9dee4; --accent:#1f5f8b;
+  --hplt:#a3261b; --hplt-bg:#fbe9e7; --part:#9a5b00; --part-bg:#fdf1dc; --minor:#2d5b88; --minor-bg:#e6eef7; --clean:#2a6b3f; --clean-bg:#e4f2e8;
+  --code-bg:#eef1f4;
+  --f-display:"IBM Plex Sans Condensed","Arial Narrow",system-ui,sans-serif;
+  --f-body:"IBM Plex Sans",system-ui,-apple-system,"Segoe UI",sans-serif;
+  --f-mono:"IBM Plex Mono",ui-monospace,SFMono-Regular,Menlo,monospace;
+}
+@media (prefers-color-scheme: dark){:root:not([data-theme="light"]){
+  --bg:#12161b; --surface:#1a2027; --fg:#e3e8ee; --muted:#9aa5b2; --rule:#2c3540; --accent:#7fb6dd;
+  --hplt:#f08a7e; --hplt-bg:#3a1d1a; --part:#e5b25a; --part-bg:#33270f; --minor:#8db7e3; --minor-bg:#1b2a3a; --clean:#7fcc96; --clean-bg:#173023;
+  --code-bg:#232b34; color-scheme:dark}}
+:root[data-theme="dark"]{
+  --bg:#12161b; --surface:#1a2027; --fg:#e3e8ee; --muted:#9aa5b2; --rule:#2c3540; --accent:#7fb6dd;
+  --hplt:#f08a7e; --hplt-bg:#3a1d1a; --part:#e5b25a; --part-bg:#33270f; --minor:#8db7e3; --minor-bg:#1b2a3a; --clean:#7fcc96; --clean-bg:#173023;
+  --code-bg:#232b34; color-scheme:dark}
+*{box-sizing:border-box}
+body{background:var(--bg);color:var(--fg);font:15px/1.6 var(--f-body);padding:0 16px}
+.wrap{max-width:980px;margin:0 auto;padding-block:40px 80px;display:flex;flex-direction:column;gap:40px}
+.prose{max-width:72ch}
+h1,h2,h3{font-family:var(--f-display);text-wrap:balance;line-height:1.2;margin:0}
+h1{font-size:2.1rem;font-weight:600}
+h2{font-size:1.45rem;font-weight:600;padding-bottom:6px;border-bottom:2px solid var(--fg)}
+h3{font-size:1.15rem;font-weight:600}
+h4{font:600 .72rem/1.3 var(--f-body);text-transform:uppercase;letter-spacing:.08em;color:var(--muted);margin:0 0 4px}
+p{margin:0}
+a{color:var(--accent)}
+a:focus-visible,summary:focus-visible{outline:2px solid var(--accent);outline-offset:2px}
+code,.mono{font-family:var(--f-mono);font-size:.86em}
+code{background:var(--code-bg);padding:1px 4px;border-radius:3px;overflow-wrap:anywhere}
+ul,ol{margin:0;padding-left:1.3em;display:flex;flex-direction:column;gap:4px}
+section{display:flex;flex-direction:column;gap:18px}
+.meta{display:flex;flex-wrap:wrap;gap:6px 20px;color:var(--muted);font-size:.88rem}
+.meta b{color:var(--fg);font-weight:600}
+.lede{font-size:1.05rem}
+blockquote{margin:0;padding:10px 14px;border-left:3px solid var(--hplt);background:var(--surface);font-style:italic}
+.pill{display:inline-block;font:600 .7rem/1 var(--f-body);letter-spacing:.06em;text-transform:uppercase;padding:4px 7px;border-radius:3px;white-space:nowrap}
+.p-hplt{color:var(--hplt);background:var(--hplt-bg)} .p-part{color:var(--part);background:var(--part-bg)}
+.p-minor{color:var(--minor);background:var(--minor-bg)} .p-clean{color:var(--clean);background:var(--clean-bg)}
+.rel{font:500 .72rem/1 var(--f-mono);padding:4px 6px;border:1px solid var(--fg);border-radius:3px;white-space:nowrap}
+.tag{font:600 .68rem/1 var(--f-mono);padding:2px 4px;border-radius:2px;border:1px solid var(--rule);color:var(--muted);vertical-align:1px}
+.tablewrap{overflow-x:auto;border:1px solid var(--rule);background:var(--surface)}
+table{border-collapse:collapse;width:100%;font-size:.88rem}
+th,td{text-align:left;vertical-align:top;padding:7px 10px;border-bottom:1px solid var(--rule)}
+th{font:600 .72rem/1.3 var(--f-body);text-transform:uppercase;letter-spacing:.06em;color:var(--muted);background:var(--bg)}
+td.num{font-variant-numeric:tabular-nums;text-align:right}
+tr.grp td{background:var(--bg);font-weight:600;font-family:var(--f-display)}
+.src{background:var(--surface);border:1px solid var(--rule);border-top:3px solid var(--rule);padding:18px 20px;display:flex;flex-direction:column;gap:14px;min-width:0}
+.src.hplt{border-top-color:var(--hplt)} .src.part{border-top-color:var(--part)} .src.minor{border-top-color:var(--minor)} .src.clean{border-top-color:var(--clean)}
+.src header{display:flex;flex-wrap:wrap;align-items:center;gap:8px 10px}
+.src header h3{font-family:var(--f-mono);font-size:1.05rem;font-weight:500;margin-right:4px}
+.reg{font-size:.82rem;color:var(--muted)}
+.grid{display:grid;grid-template-columns:1fr 1fr;gap:14px 24px}
+.grid>div{min-width:0}
+.full{grid-column:1/-1}
+.human{border-left:3px solid var(--part);padding-left:10px}
+.note{font-size:.88rem;color:var(--muted)}
+.cols{display:grid;grid-template-columns:repeat(auto-fit,minmax(280px,1fr));gap:14px}
+.box{background:var(--surface);border:1px solid var(--rule);padding:14px 16px;display:flex;flex-direction:column;gap:8px;min-width:0}
+.decide li{padding-left:2px}
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+@media (max-width:700px){.grid{grid-template-columns:1fr} h1{font-size:1.7rem}}
+@media (prefers-reduced-motion:reduce){*{scroll-behavior:auto}}
+</style>
+
+<div class="wrap">
+
+<header style="display:flex;flex-direction:column;gap:14px">
+  <h1>Polish Dynaword rights audit</h1>
+  <div class="meta">
+    <span><b>Audited</b> 2026-10-04</span>
+    <span><b>main</b> <span class="mono">a108c2e</span> (37 sources with data)</span>
+    <span><b>v0.2.5</b> tag <span class="mono">7ae4ac7</span> (20 sources)</span>
+    <span><b>PR #21</b> <span class="mono">bd16dda</span> (<span class="mono">saos</span>)</span>
+  </div>
+  <p class="lede prose">Every source on <code>main</code> and the pending SAOS PR, checked for the problem that removed HPLT: a licence that covers the packaging but not the underlying works. Each entry has the evidence, the fix, and a check that tells an agent when the fix is done.</p>
+</header>
+
+<section>
+  <h2>Why this audit</h2>
+  <div class="prose" style="display:flex;flex-direction:column;gap:12px">
+    <p>The paper (<code>polish-dynaword-v2/main.tex:46</code>) says:</p>
+    <blockquote>No source carries a NonCommercial licence, but the rights to HPLT's underlying web pages and to some 1000 Novels texts are unresolved</blockquote>
+    <p>That sentence is false for both <code>main</code> and v0.2.5. <code>openstax_pl</code> carries NonCommercial terms and an explicit ban on LLM training. Five sources already shipped in v0.2.5 have the HPLT problem: <code>wikisource</code>, <code>wikiquote</code>, <code>wiktionary_examples</code>, <code>1000_novels</code> and <code>nkjp1m</code>.</p>
+    <p><b>Failure classes tested.</b></p>
+    <ul>
+      <li>A packaging licence that doesn't cover the content (HPLT).</li>
+      <li>A compilation licence over third-party works (1000 Novels).</li>
+      <li>A uniform label over per-item licences.</li>
+      <li>NC/ND terms.</li>
+      <li>Intermediary snapshots with no chain of title.</li>
+      <li>Quotation-right content (Art. 29) presented as licensed.</li>
+      <li>Authors who died after 1955. Their works are still protected in Poland in 2026 (life + 70).</li>
+    </ul>
+    <p><span class="tag">V</span> verified against files, parquet or live upstream. <span class="tag">I</span> inferred. <span class="rel">v0.2.5</span> marks sources already in the published release.</p>
+  </div>
+</section>
+
+<section>
+  <h2>Decisions for the session</h2>
+  <p class="note">Ticks are local to your browser and not shared.</p>
+  <ol class="decide">
+    <li><label><input type="checkbox" id="d1">v0.2.5 ships five HPLT-class sources. Cut v0.2.6 without them, as was done for HPLT, or fix forward with rebuilds?</label></li>
+    <li><label><input type="checkbox" id="d2"><code>openstax_pl</code>: pull, or ask OpenStax Poland for written permission?</label></li>
+    <li><label><input type="checkbox" id="d3"><code>common_voice_pl</code>: withdraw, or keep the non-Europarl sentences?</label></li>
+    <li><label><input type="checkbox" id="d4"><code>nkjp1m</code>: remove, or write to IPI PAN first?</label></li>
+    <li><label><input type="checkbox" id="d5"><code>wikiquote</code>: drop, or screen per page by death year?</label></li>
+    <li><label><input type="checkbox" id="d6"><code>wikisource</code>, <code>wiktionary_examples</code>: withdraw now and re-add after the rebuild, or keep until the rebuild lands?</label></li>
+    <li><label><input type="checkbox" id="d7"><code>fandom_pl</code>: which wikis survive? Does the Fandom Terms of Use ban on scraping block the whole source?</label></li>
+    <li><label><input type="checkbox" id="d8"><code>parliamentary</code>: drop the committee docs or the whole source? The newer Sejm sources cover the same ground.</label></li>
+    <li><label><input type="checkbox" id="d9">SAOS PR #21: merge with <code>release: None</code> after the two notice fixes?</label></li>
+    <li><label><input type="checkbox" id="d10">Who writes to rights holders: IPI PAN, OpenStax Poland, KPRM/MC, UZP, SN and KIO? Agents can't send these.</label></li>
+    <li><label><input type="checkbox" id="d11">New wording for <code>main.tex:46</code> and the admission section.</label></li>
+  </ol>
+</section>
+
+<section>
+  <h2>Register</h2>
+  <div class="tablewrap">
+  <table>
+    <thead><tr><th>Source</th><th>v0.2.5</th><th>Registry licence</th><th>Proposed action</th></tr></thead>
+    <tbody>
+      <tr class="grp"><td colspan="4"><span class="pill p-hplt">HPLT-class</span>&nbsp; unresolved rights in the underlying works · 8</td></tr>
+      <tr><td><a href="#wikisource">wikisource</a></td><td>yes</td><td class="mono">CC-BY-SA-3.0</td><td>Rebuild from dump with death-year screen, or withdraw</td></tr>
+      <tr><td><a href="#wikiquote">wikiquote</a></td><td>yes</td><td class="mono">CC-BY-SA-3.0</td><td>Drop, or screen per page</td></tr>
+      <tr><td><a href="#wiktionary_examples">wiktionary_examples</a></td><td>yes</td><td class="mono">CC-BY-SA-3.0</td><td>Rebuild keeping uncited examples only</td></tr>
+      <tr><td><a href="#1000_novels">1000_novels</a></td><td>yes</td><td class="mono">CC-BY-4.0</td><td>Drop 17 + 143 rows, or relabel 17 and withhold 143</td></tr>
+      <tr><td><a href="#nkjp1m">nkjp1m</a></td><td>yes</td><td class="mono">CC-BY-4.0</td><td>Remove, or get written confirmation from IPI PAN</td></tr>
+      <tr><td><a href="#openstax_pl">openstax_pl</a></td><td>no</td><td class="mono">CC-BY-4.0</td><td>Pull: NonCommercial and LLM-training ban</td></tr>
+      <tr><td><a href="#common_voice_pl">common_voice_pl</a></td><td>no</td><td class="mono">CC0-1.0</td><td>Withdraw, or drop the 24,709 Europarl sentences</td></tr>
+      <tr><td><a href="#fandom_pl">fandom_pl</a></td><td>no</td><td class="mono">CC-BY-SA-3.0</td><td>Drop 6 wikis, sample 4, review Fandom ToU</td></tr>
+      <tr class="grp"><td colspan="4"><span class="pill p-part">Partial</span>&nbsp; remove a slice · 4</td></tr>
+      <tr><td><a href="#parliamentary">parliamentary</a></td><td>yes</td><td class="mono">CC-BY-4.0</td><td>Drop committee docs (59% of chars) or the source</td></tr>
+      <tr><td><a href="#samorzad_gov_pl">samorzad_gov_pl</a></td><td>yes</td><td class="mono">CC-BY-SA-4.0</td><td>Drop third-party subsets; get confirmation from KPRM/MC</td></tr>
+      <tr><td><a href="#sejm_committee_transcripts">sejm_committee_transcripts</a></td><td>no</td><td class="mono">LicenseRef-Polish-Official-Documents</td><td>Keep only official speakers</td></tr>
+      <tr><td><a href="#nonsa">nonsa</a></td><td>no</td><td class="mono">CC-BY-SA-3.0</td><td>Drop ns100 "Cytaty" and the <code>&lt;poem&gt;</code> docs</td></tr>
+      <tr class="grp"><td colspan="4"><span class="pill p-minor">Minor</span>&nbsp; labelling or provenance · 17</td></tr>
+      <tr><td><a href="#wikipedia">wikipedia</a></td><td>yes</td><td class="mono">CC-BY-SA-3.0</td><td>Rebuild from official dump; label 3.0/4.0</td></tr>
+      <tr><td><a href="#wikinews">wikinews</a></td><td>yes</td><td class="mono">CC-BY-2.5</td><td>Label 2.5/4.0 by edit date</td></tr>
+      <tr><td><a href="#wikivoyage">wikivoyage</a></td><td>yes</td><td class="mono">CC-BY-SA-3.0</td><td>Label 3.0/4.0 by revision date</td></tr>
+      <tr><td><a href="#wikibooks">wikibooks</a></td><td>yes</td><td class="mono">CC-BY-SA-3.0</td><td>Label 3.0/4.0; review 24 GFDL docs</td></tr>
+      <tr><td><a href="#plwiki_talk">plwiki_talk</a></td><td>no</td><td class="mono">CC-BY-SA-4.0</td><td>Label per record by revision date</td></tr>
+      <tr><td><a href="#plwiki_user_talk">plwiki_user_talk</a></td><td>no</td><td class="mono">CC-BY-SA-4.0</td><td>Label per record by revision date</td></tr>
+      <tr><td><a href="#wolne_lektury">wolne_lektury</a></td><td>yes</td><td class="mono">CC-BY-SA-4.0</td><td>Per-row licence from WL metadata</td></tr>
+      <tr><td><a href="#biblioteka_nauki">biblioteka_nauki</a></td><td>yes</td><td class="mono">MIXED</td><td>Keep licence versions; drop 3 "PD" records</td></tr>
+      <tr><td><a href="#eurlex">eurlex</a></td><td>yes</td><td class="mono">CC-BY-4.0</td><td>Relabel as EU reuse policy</td></tr>
+      <tr><td><a href="#govpl">govpl</a></td><td>yes</td><td class="mono">CC-BY-SA-4.0</td><td>Restore third-party carve-out; drop PAP docs; add URLs</td></tr>
+      <tr><td><a href="#global_voices">global_voices</a></td><td>yes</td><td class="mono">CC-BY-3.0</td><td>Drop 64 partner-republished docs</td></tr>
+      <tr><td><a href="#sejm_api">sejm_api</a></td><td>yes</td><td class="mono">LicenseRef-Polish-Official-Documents</td><td>State the intermediary snapshot</td></tr>
+      <tr><td><a href="#sejm_api_2011_2022">sejm_api_2011_2022</a></td><td>no</td><td class="mono">LicenseRef-Polish-Official-Documents</td><td>As sejm_api; dedup; NERGAL</td></tr>
+      <tr><td><a href="#sejm_interpellations">sejm_interpellations</a></td><td>no</td><td class="mono">LicenseRef-Polish-Official-Documents</td><td>Add evidence file; NERGAL</td></tr>
+      <tr><td><a href="#uzp_orzeczenia_pl">uzp_orzeczenia_pl</a></td><td>no</td><td class="mono">LicenseRef-Polish-Official-Documents</td><td>State review status; dedup with SAOS</td></tr>
+      <tr><td><a href="#ted_pl">ted_pl</a></td><td>no</td><td class="mono">LicenseRef-TED-Notice-Reuse</td><td>Cite both bases; full name/email scan</td></tr>
+      <tr><td><a href="#kultura_bez_barier_pl">kultura_bez_barier_pl</a></td><td>no</td><td class="mono">CC-BY-SA-3.0</td><td>Note version gap; PII in one PDF</td></tr>
+      <tr class="grp"><td colspan="4"><span class="pill p-clean">Clean</span>&nbsp; small notes only · 8</td></tr>
+      <tr><td><a href="#dziennik_ustaw">dziennik_ustaw</a></td><td>yes</td><td class="mono">CC0-1.0</td><td>Fix card date range</td></tr>
+      <tr><td><a href="#eltec_pol">eltec_pol</a></td><td>yes</td><td class="mono">CC-BY-4.0</td><td>Add authors to card; dedup vs wolne_lektury</td></tr>
+      <tr><td><a href="#studia_bas">studia_bas</a></td><td>no</td><td class="mono">CC-BY-3.0-PL</td><td>Check live site manually (CAPTCHA); resolve 3.0 vs 4.0</td></tr>
+      <tr><td><a href="#edukacja_medialna_pl">edukacja_medialna_pl</a></td><td>no</td><td class="mono">CC-BY-SA-3.0</td><td>Optionally drop 3 quotes</td></tr>
+      <tr><td><a href="#open_icm_pl">open_icm_pl</a></td><td>no</td><td class="mono">MIXED</td><td>None</td></tr>
+      <tr><td><a href="#open_agh_chemistry_pl">open_agh_chemistry_pl</a></td><td>no</td><td class="mono">CC-BY-SA-4.0</td><td>Archive the rights pages</td></tr>
+      <tr><td><a href="#rock_pollub_pl">rock_pollub_pl</a></td><td>no</td><td class="mono">CC-BY-SA-4.0</td><td>None</td></tr>
+      <tr><td><a href="#wiadomosci_statystyczne_pl">wiadomosci_statystyczne_pl</a></td><td>no</td><td class="mono">CC-BY-SA-4.0</td><td>None</td></tr>
+      <tr class="grp"><td colspan="4"><span class="pill p-minor">Pending PR</span>&nbsp; not on main</td></tr>
+      <tr><td><a href="#saos">saos</a> (PR #21)</td><td>no</td><td class="mono">LicenseRef-Polish-Official-Documents</td><td>Merge after 2 notice fixes; 7 pre-release items</td></tr>
+    </tbody>
+  </table>
+  </div>
+</section>
+
+<section>
+  <h2>For agents: how to work on this</h2>
+  <div class="cols">
+    <div class="box">
+      <h4>Where things live (repo <code>polish-dynaword</code>)</h4>
+      <ul>
+        <li><b>Registry:</b> <code>src/sources.py</code>. Edit the fields <code>license</code>, <code>license_spdx</code>, <code>traceable</code>, <code>provenance</code>, <code>upstream</code>, <code>legal_note</code> and <code>release</code>. <code>release: None</code> means the source is on main but unreleased.</li>
+        <li><b>Per source:</b> <code>data/&lt;src&gt;/&lt;src&gt;.md</code> (card), <code>NOTICE.md</code>, <code>&lt;src&gt;.license-evidence.json</code>, <code>&lt;src&gt;.attribution.jsonl</code>, <code>&lt;src&gt;.stats.json</code>, <code>qa.json</code>.</li>
+        <li><b>Decision records:</b> <code>polish-dynaword-v2/repo_patch_suggestions/decisions/&lt;src&gt;.yaml</code> (schema <code>decision-record.schema.yaml</code>). Per-text evidence goes in <code>polish-dynaword-v2/evidence/</code>.</li>
+        <li><b>Paper check:</b> <code>src/verify_paper_claims.py</code> checks token and source counts. Run it after any removal.</li>
+      </ul>
+    </div>
+    <div class="box">
+      <h4>Conventions</h4>
+      <ul>
+        <li><b>Withdrawal:</b> HPLT was removed by deleting the <code>data/&lt;src&gt;/</code> files on HF (commits <code>23e883a</code>, <code>1802420</code>, <code>bade8e7</code>). The registry entry stays for history. Do the same, and record the reason in <code>legal_note</code> and a decision record.</li>
+        <li><b>Rows with <code>file_key: None</code>:</b> these are SpeakLeash pulls with no fetch script: <code>wikipedia</code>, <code>wikisource</code>, <code>wolne_lektury</code>, <code>1000_novels</code>, <code>eurlex</code>, <code>parliamentary</code>. Any row-level fix needs a script, so write one; don't hand-edit the parquet.</li>
+        <li><b>Cards:</b> regenerate them; don't hand-edit the per-document licence tables.</li>
+        <li><b>PII:</b> NERGAL is the PII pass and a release gate wherever noted.</li>
+        <li><b>Tests:</b> every builder has a <code>src/test_*</code> contract. Update it whenever filtering changes.</li>
+      </ul>
+    </div>
+    <div class="box">
+      <h4>Evidence from this audit</h4>
+      <ul>
+        <li><code>artifacts/rights_audit_2026-10/</code> (untracked; commit or move): <code>reports/*.md</code> holds the six full audit reports.</li>
+        <li><code>literary/wl_map.json</code> maps each wolne_lektury row to its WL slugs.</li>
+        <li><code>wikis/nonsa_ns.json</code> maps nonsa page ids to namespaces.</li>
+        <li><code>wikis/wq_sample.json</code> and <code>wq_summ.txt</code> hold the 200-doc wikiquote sample.</li>
+        <li><code>wikis/wk_pages.json</code> is the wiktionary sample.</li>
+        <li><code>wikis/encpw_*.json</code> holds the English Creepypasta Wiki lookups.</li>
+        <li><code>official/committee_roles.csv</code> holds speaker-role shares.</li>
+        <li><code>official/ppc_classify.py</code> is the parliamentary document classifier.</li>
+        <li>Run the scripts from the repo root. Some read or write their JSON and pickle files relative to the working directory.</li>
+      </ul>
+    </div>
+  </div>
+  <div class="box">
+    <h4>Suggested workstreams</h4>
+    <p class="note">Each workstream can run as its own agent. H waits for the session decisions and the A–G results.</p>
+    <div class="tablewrap" style="border:0">
+    <table>
+      <thead><tr><th>WS</th><th>Sources</th><th>Shared work</th></tr></thead>
+      <tbody>
+        <tr><td>A</td><td>openstax_pl, common_voice_pl, nkjp1m</td><td>Withdrawal pattern, decision records, card notes</td></tr>
+        <tr><td>B</td><td>wikipedia, wikisource, wikiquote, wiktionary_examples, wikinews, wikivoyage, wikibooks, plwiki_talk, plwiki_user_talk</td><td>Extend <code>src/fetch_wikimedia.py</code> to plwiki and plwikisource from pinned dumps. Write one helper that labels the licence from the last-revision date, and reuse it in every wiki builder.</td></tr>
+        <tr><td>C</td><td>1000_novels, wolne_lektury, eltec_pol</td><td>Per-row licence column. Cross-source dedup of the same novels.</td></tr>
+        <tr><td>D</td><td>parliamentary, sejm_committee_transcripts, sejm_api, sejm_api_2011_2022, sejm_interpellations, uzp_orzeczenia_pl, saos, eurlex, ted_pl, dziennik_ustaw</td><td>Dedup set: sejm_api_2011_2022 vs parliamentary vs parlamint_pl, and saos KIO vs uzp_orzeczenia_pl. NERGAL runs.</td></tr>
+        <tr><td>E</td><td>govpl, samorzad_gov_pl, global_voices, kultura_bez_barier_pl, edukacja_medialna_pl</td><td>Third-party subset filters ("Źródło:", PAP, partner outlets)</td></tr>
+        <tr><td>F</td><td>fandom_pl, nonsa</td><td>Per-wiki and per-namespace filters; Fandom ToU decision</td></tr>
+        <tr><td>G</td><td>biblioteka_nauki, studia_bas</td><td>Record licence versions per row</td></tr>
+        <tr><td>H</td><td>Paper and registry</td><td>Fix <code>main.tex:46</code>, decision records, the <code>sources.py</code> docstring, and <code>verify_paper_claims.py</code>.</td></tr>
+      </tbody>
+    </table>
+    </div>
+  </div>
+</section>
+
+<!-- ============ HPLT-CLASS ============ -->
+<section>
+  <h2>HPLT-class: unresolved rights in the underlying works</h2>
+
+  <article class="src hplt" id="wikisource">
+    <header><h3>wikisource</h3><span class="pill p-hplt">HPLT-class</span><span class="rel">v0.2.5</span><span class="reg">release 0.2.0 · <code>CC-BY-SA-3.0</code> · SpeakLeash pull, no fetch script</span></header>
+    <div class="grid">
+      <div><h4>Problem</h4><p>632,005 rows (1.97G chars), all labelled <code>CC-BY-SA-3.0</code>. The rows have no title, author or page id, and mix single pages with whole books. Which pages were selected came from SpeakLeash and is undocumented. The card sentence "underlying texts are public-domain works" is false.</p></div>
+      <div><h4>Evidence</h4><ul>
+        <li><span class="tag">V</span> <code>wikisource_1295016</code>: a Conrad translation by J. B. Rychliński (d. 1974). The Wikisource footer says it is protected in Poland until 2045.</li>
+        <li><span class="tag">V</span> Post-war editions: <code>wikisource_1799959</code> (1962), <code>_1182398</code> and <code>_1185399</code> (1971–72), <code>_1265054</code> (1966), <code>_1280295</code> (1974), and the cluster <code>_1264778</code>–<code>_1265031</code>.</li>
+        <li><span class="tag">V</span> <code>_1800344</code> carries "Copyright by Jerzy Kuliński" (1995). <code>_1802332</code> is a 2016 translation under CC BY 2.5. 1990s press: <code>_1802484</code>, <code>_1241134</code>.</li>
+        <li><span class="tag">V</span> The <a href="https://pl.wikisource.org/wiki/Wikiźródła:Prawa_autorskie">policy</a> admits in-copyright texts with consent, under CC BY-SA 4.0. The dataset keeps neither the consent nor the version.</li>
+        <li><span class="tag">I</span> The share is unknown. A crude filter flags 372 rows (32.8M chars, 1.7%).</li>
+      </ul></div>
+      <div class="full"><h4>Fix</h4><ol>
+        <li>Add <code>plwikisource</code> to <code>src/fetch_wikimedia.py</code> from a pinned dump. Keep page id, title, URL and revision timestamp.</li>
+        <li>For each page, collect its authors and translators (from the <code>Autor:</code> pages and the page header templates) with their death years.</li>
+        <li>Keep a page only if all of them died in 1955 or earlier, or if it carries an explicit CC licence or consent template. Label the consent pages <code>CC-BY-SA-4.0</code>.</li>
+        <li>Drop PD-US-only pages. Their footer reads "Prawa autorskie do tekstu wygasają: w 20xx roku w Polsce" with a year after 2025.</li>
+        <li>Add a per-row <code>license</code> and the source URL. Regenerate the card and remove the false sentence.</li>
+      </ol></div>
+      <div><h4>Done when</h4><p>None of the IDs above survive. Every row has a page URL and a death-year basis or licence template. The rights-screen CSV is in <code>polish-dynaword-v2/evidence/</code>.</p></div>
+      <div class="human"><h4>Needs a human</h4><p>Decide whether to withdraw from v0.2.6 until the rebuild lands. Death years for translators may need manual curation.</p></div>
+    </div>
+  </article>
+
+  <article class="src hplt" id="wikiquote">
+    <header><h3>wikiquote</h3><span class="pill p-hplt">HPLT-class</span><span class="rel">v0.2.5</span><span class="reg">release 0.2.0 · <code>CC-BY-SA-3.0</code> · <code>fetch_wikimedia.py</code> (plwikiquote)</span></header>
+    <div class="grid">
+      <div><h4>Problem</h4><p>Most of the text is quotations of copyrighted works. CC BY-SA covers only the contributors' selection and framing. The quotes themselves rest on the quotation exception (Art. 29), which applies only for a purpose and is not a licence to us. Wikiquote caps each quote at 1,000 chars (<a href="https://pl.wikiquote.org/wiki/Wikicytaty:Maksymalna_długość_cytatu">policy</a>).</p></div>
+      <div><h4>Evidence</h4><ul>
+        <li><span class="tag">V</span> Random 200-doc sample (seed 1): 158 in copyright (79%, Wilson CI 73–84%), 20 PD, 13 mixed, 7 translation-only, 2 unknown.</li>
+        <li><span class="tag">V</span> A typical page is <code>wikiquote_2429270</code> (Alice Sebold, b. 1963, in a modern translation).</li>
+        <li>Sample: <code>artifacts/rights_audit_2026-10/wikis/wq_sample.json</code>, <code>wq_summ.txt</code>.</li>
+      </ul></div>
+      <div class="full"><h4>Fix</h4><ol>
+        <li>Recommended: withdraw the source.</li>
+        <li>Alternative: rebuild per page. Pages are mostly about one person. Keep a page only if the quoted author, and any credited translator ("tłum."), died in 1955 or earlier. Keep contributor-written intros. Drop everything else.</li>
+      </ol></div>
+      <div><h4>Done when</h4><p>The source is withdrawn, or a per-page screen CSV exists and a fresh 200-doc sample shows no in-copyright quotes.</p></div>
+      <div class="human"><h4>Needs a human</h4><p>Decide between dropping and screening. Screening keeps maybe 10–20% of the text.</p></div>
+    </div>
+  </article>
+
+  <article class="src hplt" id="wiktionary_examples">
+    <header><h3>wiktionary_examples</h3><span class="pill p-hplt">HPLT-class</span><span class="rel">v0.2.5</span><span class="reg">release 0.2.5 · <code>CC-BY-SA-3.0</code> · <code>src/fetch_wiktionary_examples.py</code></span></header>
+    <div class="grid">
+      <div><h4>Problem</h4><p>A large share of the example sentences are cited quotations from corpora and books (NKJP above all). The fetcher strips the citations, so the dataset can't be screened afterwards.</p></div>
+      <div><h4>Evidence</h4><ul>
+        <li><span class="tag">V</span> Live sample of 74 entries and 111 example lines. Lines citing an external source hold 34% of chars (23% of lines); NKJP alone is 21% of chars. 34% of entries have at least one cited example.</li>
+        <li><span class="tag">I</span> In 70 dataset lines checked by eye, about 55% look like in-copyright corpus quotes.</li>
+        <li><span class="tag">V</span> <code>clean()</code> strips <code>&lt;ref&gt;</code> (lines 126–127). <code>examples_and_citations()</code> (around line 150) moves <code>{{źródło}}</code> into a per-page citation list but still keeps the cited sentence. That sidecar isn't committed, and it can't be mapped back to individual lines.</li>
+        <li>Sample: <code>wikis/wk_pages.json</code>.</li>
+      </ul></div>
+      <div class="full"><h4>Fix</h4><ol>
+        <li>In <code>examples_and_citations()</code>, skip any example line whose raw text contains a <code>{{źródło</code> or <code>{{zrodlo</code> template or a <code>&lt;ref</code>. Decide this per line, before <code>clean()</code>.</li>
+        <li>Also skip lines that name NKJP or a bibliographic source in plain text. Collect the patterns from <code>wk_pages.json</code>.</li>
+        <li>Add a sidecar with the headword, page id and revision id. Label rows <code>CC-BY-SA-4.0</code> if the last revision is on or after 2023-06-01, otherwise <code>3.0</code>; use the WS-B helper.</li>
+        <li>Add a test with one cited and one uncited example.</li>
+      </ol></div>
+      <div><h4>Done when</h4><p>No output line comes from a line that had a citation. A 100-line sample has no corpus quotes. Card stats are regenerated.</p></div>
+      <div class="human"><h4>Needs a human</h4><p>None beyond the withdraw-or-rebuild timing.</p></div>
+    </div>
+  </article>
+
+  <article class="src hplt" id="1000_novels">
+    <header><h3>1000_novels</h3><span class="pill p-hplt">HPLT-class</span><span class="rel">v0.2.5</span><span class="reg">release 0.2.1 · <code>CC-BY-4.0</code> · SpeakLeash <code>1000_novels_corpus_CLARIN-PL</code></span></header>
+    <div class="grid">
+      <div><h4>Problem</h4><p>CLARIN-PL's CC BY 4.0 covers only the compilation. The card on main now has a rights note, but the parquet is unchanged: all 1,000 rows say <code>CC-BY-4.0</code> and author is empty.</p></div>
+      <div><h4>Evidence</h4><ul>
+        <li><span class="tag">V</span> Per-text screen <code>polish-dynaword-v2/evidence/1000_novels_rights_screen.csv</code>: 830 PD by term, 10 PD per Wolne Lektury, 17 in copyright, 143 unverified.</li>
+        <li><span class="tag">V</span> The 17 are 2 by Dąbrowska, 12 translated by Michał Friedman and 3 translated by Hōjun. Wolne Lektury publishes them under CC BY-SA 3.0 PL; 5 still carry that footer.</li>
+        <li><span class="tag">V</span> Row <em>i</em> of the parquet is the <em>i</em>-th file in the CLARIN listing, which is how rows map to the screen (decision record <code>1000_novels.yaml</code>).</li>
+        <li><span class="tag">I</span> The CLARIN-PL licence page wasn't read (timeout). Death years in <code>scripts/novels_rights_screen.py</code> are hand-curated.</li>
+      </ul></div>
+      <div class="full"><h4>Fix</h4><ol>
+        <li>Write a builder (there isn't one) that joins the parquet to the screen CSV by row index.</li>
+        <li>Drop the 143 unverified rows. Either drop the 17 or relabel them <code>CC-BY-SA-3.0</code> with Wolne Lektury attribution. That leaves 840 or 857 rows.</li>
+        <li>Add per-row author and title from the CLARIN file names.</li>
+        <li>Dedup against <code>wolne_lektury</code> and <code>eltec_pol</code> (same novels).</li>
+        <li>Update the decision record to <code>status: admitted (partial)</code> with the new <code>artifact_sha256</code>.</li>
+      </ol></div>
+      <div><h4>Done when</h4><p>The parquet has 840 or 857 rows with per-row licence and author. The card's per-document licence table matches.</p></div>
+      <div class="human"><h4>Needs a human</h4><p>Choose between dropping and relabelling the 17. Optionally research the 143 to recover some.</p></div>
+    </div>
+  </article>
+
+  <article class="src hplt" id="nkjp1m">
+    <header><h3>nkjp1m</h3><span class="pill p-hplt">HPLT-class</span><span class="rel">v0.2.5</span><span class="reg">release 0.2.3 · <code>CC-BY-4.0</code> · <code>src/fetch_njkp.py</code></span></header>
+    <div class="grid">
+      <div><h4>Problem</h4><p>18,381 rows of newspapers, books, web pages and transcripts. The licence statements conflict. The rationale for releasing the subcorpus is that its fragments are short, which is not a grant from the rights holders.</p></div>
+      <div><h4>Evidence</h4><ul>
+        <li><span class="tag">V</span> <code>fetch_njkp.py</code> hard-codes <code>CC-BY</code> with the comment "stated on the NKJP download page".</li>
+        <li><span class="tag">V</span> The sources disagree:
+          <ul>
+            <li>clip.ipipan.waw.pl says CC-BY.</li>
+            <li>nkjp.pl says CC-BY 4.0.</li>
+            <li>The old LRT page and the 2012 NKJP book say GPL v3.</li>
+          </ul>
+        </li>
+        <li><span class="tag">V</span> NKJP book, ch. 5.3: the full corpus can't be released for copyright reasons; the 1M subset is released because it consists of short fragments.</li>
+        <li><span class="tag">I</span> The per-text TEI <code>availability</code> headers were not checked, because that needs the tarball download.</li>
+      </ul></div>
+      <div class="full"><h4>Fix</h4><ol>
+        <li>Recommended: withdraw, using the HPLT pattern, and add <code>legal_note</code>.</li>
+        <li>Optionally, with approval, download the NKJP1M tarball and grep each <code>header.xml</code> for <code>availability</code>/<code>licence</code>. Attach the result to the decision record.</li>
+      </ol></div>
+      <div><h4>Done when</h4><p>The data is removed from the next release and the decision record is updated, or IPI PAN's written confirmation is filed in <code>evidence/</code>.</p></div>
+      <div class="human"><h4>Needs a human</h4><p>Write to IPI PAN (Zespół Inżynierii Lingwistycznej) asking whether CC BY applies to the texts themselves.</p></div>
+    </div>
+  </article>
+
+  <article class="src hplt" id="openstax_pl">
+    <header><h3>openstax_pl</h3><span class="pill p-hplt">HPLT-class</span><span class="reg">unreleased · <code>CC-BY-4.0</code> · <code>src/fetch_openstax_pl.py</code> · 1,422 docs, 4.6M tokens</span></header>
+    <div class="grid">
+      <div><h4>Problem</h4><p>The rights holder licenses the books NonCommercial and share-alike, and explicitly prohibits LLM training without written consent. Our label says CC BY 4.0. This alone falsifies "No source carries a NonCommercial licence".</p></div>
+      <div><h4>Evidence</h4><ul>
+        <li><span class="tag">V</span> All 8 live <code>/pages/przedmowa</code> pages, in the "Cytowanie i udostępnianie" block: "nie może być wykorzystywany do trenowania dużych modeli językowych … bez uprzedniej pisemnej zgody OpenStax Poland" and "wyłącznie w celach niekomercyjnych … na tej samej licencji".</li>
+        <li><span class="tag">V</span> The clause is older than our snapshot. Wayback shows it on Psychologia (2025-02-17) and Żywienie (2025-10-09).</li>
+        <li><span class="tag">V</span> The OpenStax CMS lists all 8 Polish books as CC BY-NC-SA 4.0.</li>
+        <li><span class="tag">V</span> <code>license_evidence()</code> reads only the foreword body, which says "CC BY 4.0", and hard-codes <code>CC-BY-4.0</code>.</li>
+        <li><span class="tag">I</span> An earlier CC BY grant may be irrevocable for text already released. That doesn't make shipping it defensible.</li>
+      </ul></div>
+      <div class="full"><h4>Fix</h4><ol>
+        <li>Remove <code>data/openstax_pl/</code> from what we publish (HPLT pattern) and set <code>legal_note</code> to the clause and its URL.</li>
+        <li>Harden the fetcher. Parse the "Cytowanie i udostępnianie" block and the CMS licence field, and fail closed on <code>niekomercyjn</code>, <code>modeli językowych</code> or any NC/ND licence. Add a fixture test from the live page.</li>
+        <li>Add the same fail-closed check to <code>src/rights.py</code> if other fetchers parse free-text licence lines.</li>
+      </ol></div>
+      <div><h4>Done when</h4><p>No openstax data is in the build. The fetcher test fails on the current live page text.</p></div>
+      <div class="human"><h4>Needs a human</h4><p>Optionally request permission through OpenStax Poland.</p></div>
+    </div>
+  </article>
+
+  <article class="src hplt" id="common_voice_pl">
+    <header><h3>common_voice_pl</h3><span class="pill p-hplt">HPLT-class</span><span class="reg">unreleased · <code>CC0-1.0</code> · <code>src/fetch_common_voice_pl.py</code></span></header>
+    <div class="grid">
+      <div><h4>Problem</h4><p>CC0 is a platform-level assertion. Most of the sentences come from Europarl, whose reuse terms require reproducing the entire item with attribution, which is not CC0. Most of the rest are Wolne Lektury excerpts whose translators were never checked.</p></div>
+      <div><h4>Evidence</h4><ul>
+        <li><span class="tag">V</span> 45,043 sentences matched against <code>common-voice/common-voice</code> <code>server/data/pl/</code> (main), after normalising text:
+          <ul>
+            <li>24,709 (54.9%) are in <code>selected-europarl-v7-pl.txt</code> (added 2021-04-14).</li>
+            <li>18,569 (41.2%) are in <code>sentence-collector.txt</code>.</li>
+            <li>37 are in both, and 1,802 (4.0%) in neither.</li>
+          </ul>
+        </li>
+        <li><span class="tag">V</span> The EP legal notice allows reuse "provided that the entire item is reproduced and the source is acknowledged". Europarl itself says only that it is "not aware of any copyright restrictions".</li>
+        <li><span class="tag">V</span> The card already offers withdrawal: no document reaches 200 chars, because sentences are single units.</li>
+        <li><span class="tag">I</span> <code>sentence_domain</code> is "unspecified" for 45,035 rows, so the source of each sentence isn't exported.</li>
+      </ul></div>
+      <div class="full"><h4>Fix</h4><ol>
+        <li>Recommended: withdraw, with <code>legal_note</code>, a decision record and an updated <code>test_common_voice_pl_contract.py</code>.</li>
+        <li>If kept: drop every sentence found in the Europarl file. Matching must use the same normalisation as the audit (NFKC, collapse whitespace, strip final punctuation).</li>
+      </ol></div>
+      <div><h4>Done when</h4><p>The source is withdrawn, or 0 Europarl matches remain and the card states the Sentence Collector caveat.</p></div>
+      <div class="human"><h4>Needs a human</h4><p>Withdraw or keep the partial set.</p></div>
+    </div>
+  </article>
+
+  <article class="src hplt" id="fandom_pl">
+    <header><h3>fandom_pl</h3><span class="pill p-hplt">HPLT-class (per wiki)</span><span class="reg">unreleased · <code>CC-BY-SA-3.0</code> · <code>src/build_fandom_pl.py</code> via snapshot <code>PiotrSty/fandom-pl</code></span></header>
+    <div class="grid">
+      <div><h4>Problem</h4><p>Several wikis consist mostly of verbatim game text, book text, song lyrics or translated third-party stories. Fandom's CC BY-SA can't license those. The Fandom Terms of Use reportedly bar automated scraping. The data comes through an intermediary snapshot.</p></div>
+      <div><h4>Evidence by wiki (40-doc samples)</h4>
+        <div class="tablewrap"><table>
+          <thead><tr><th>Wiki</th><th>Docs affected</th><th>Token share</th><th>What</th></tr></thead>
+          <tbody>
+            <tr><td>dragonage</td><td class="num">22/40 (40–69%)</td><td class="num">~52%</td><td>codex, letters, poems</td></tr>
+            <tr><td>elderscrolls</td><td class="num">17/40 (29–58%)</td><td class="num">14–22%</td><td>in-game books and notes, including English "Oryginał="</td></tr>
+            <tr><td>wiedzmin</td><td class="num">11/40 (16–43%)</td><td class="num">~14%</td><td>in-game documents, quest log</td></tr>
+            <tr><td>naruto</td><td>n/a</td><td class="num">4.1–4.4%</td><td>full song lyrics</td></tr>
+            <tr><td>pokemon</td><td>structural</td><td>n/a</td><td>translation of Bulbapedia, CC BY-NC-SA 2.5 <span class="tag">I</span></td></tr>
+            <tr><td>creepypasta</td><td class="num">240 strict / 301 broad</td><td class="num">~0.75M tok</td><td>labelled translations; 135 of 153 English-titled ones are not on the English Creepypasta Wiki, so they likely come from r/nosleep and similar</td></tr>
+            <tr><td>gothic</td><td class="num">0/40</td><td>n/a</td><td>clean in sample</td></tr>
+            <tr><td>harrypotter</td><td class="num">0/40</td><td class="num">0.055%</td><td>clean in sample</td></tr>
+            <tr><td>starwars, fallout, sims, gta</td><td colspan="3">not sampled</td></tr>
+          </tbody>
+        </table></div>
+      </div>
+      <div class="full"><h4>More evidence</h4><ul>
+        <li><span class="tag">V</span> <code>build_fandom_pl.py</code>: <code>OWN_REPO = "PiotrSty/fandom-pl"</code>. The licence URL is a Wayback copy of fandom.com/licensing. The siteinfo query asks only for <code>general|statistics</code>, so no per-wiki <code>rightsinfo</code> is recorded.</li>
+        <li><span class="tag">V</span> <code>qa.json</code> license gate: "third-party notices still require review". The card says pages "may quote or copy official game materials".</li>
+        <li><span class="tag">I</span> The Fandom ToU scraping ban comes from web search only; the primary page wasn't read. Only one creepypasta origin is confirmed (HiggsThunder, r/nosleep).</li>
+        <li>Lookups: <code>wikis/encpw_found.json</code>, <code>encpw_res.json</code>.</li>
+      </ul></div>
+      <div class="full"><h4>Fix</h4><ol>
+        <li>Exclude the creepypasta, pokemon, elderscrolls, dragonage, wiedzmin and naruto wikis in <code>build_fandom_pl.py</code>, filtering on the per-record <code>wiki</code> field. Add a test.</li>
+        <li>Sample starwars, fallout, sims and gta with the same 40-doc protocol: verbatim in-universe text, lyrics, translations. Exclude any over 5% of tokens.</li>
+        <li>Add <code>siprop=rightsinfo</code> to the siteinfo query and store the result per wiki in <code>license-evidence.json</code>.</li>
+        <li>Read the Fandom Terms of Use and record the clause in the decision record.</li>
+        <li>Update the card, <code>NOTICE.md</code>, <code>qa.json</code>, the registry <code>provenance</code> (12 wikis) and <code>overlap_audit.json</code>.</li>
+      </ol></div>
+      <div><h4>Done when</h4><p>Only cleared wikis remain. Per-wiki rightsinfo is recorded. The ToU decision is recorded.</p></div>
+      <div class="human"><h4>Needs a human</h4><p>Decide on the ToU: if it bans bulk reuse, drop the whole source.</p></div>
+    </div>
+  </article>
+</section>
+
+<!-- ============ PARTIAL ============ -->
+<section>
+  <h2>Partial: remove a slice</h2>
+
+  <article class="src part" id="parliamentary">
+    <header><h3>parliamentary</h3><span class="pill p-part">Partial</span><span class="rel">v0.2.5</span><span class="reg">release 0.2.0 · registry <code>CC-BY-4.0</code>, card <code>public-domain</code> · SpeakLeash <code>PPC_corpus</code></span></header>
+    <div class="grid">
+      <div><h4>Problem</h4><p>The chain is Sejm, then IPI PAN PPC, then SpeakLeash, then us. The only rights statement is IPI PAN's "public domain", which is a redistributor's claim. Committee sittings dominate the text and have speaker labels stripped, so guests can't be filtered out. The registry and the card disagree on the licence.</p></div>
+      <div><h4>Evidence</h4><ul>
+        <li><span class="tag">V</span> 324,622 docs, by heuristic classification:
+          <ul>
+            <li>Interpellations and replies: 79% of docs, 22% of chars.</li>
+            <li>Committee sittings: 11% of docs, ~59% of chars.</li>
+            <li>Plenary: ~14% of chars.</li>
+          </ul>
+        </li>
+        <li><span class="tag">V</span> Samples quote constituents by name. Some items predate 1991 and some have mojibake. There are no per-doc dates.</li>
+        <li>Classifier: <code>official/ppc_classify.py</code>.</li>
+      </ul></div>
+      <div class="full"><h4>Fix</h4><ol>
+        <li>Option A: withdraw. <code>sejm_api*</code>, <code>sejm_committee_transcripts</code> and <code>sejm_interpellations</code> cover the recent period with attribution.</li>
+        <li>Option B: write a builder that applies <code>ppc_classify.py</code> and drops committee docs. Dedup against <code>sejm_api_2011_2022</code> and <code>parlamint_pl</code>.</li>
+        <li>Either way, make the registry and card agree. Use "PPC public-domain statement (unverified)", not "official documents".</li>
+      </ol></div>
+      <div><h4>Done when</h4><p>No committee docs remain, the licence label matches across registry and card, and the dedup report is attached.</p></div>
+      <div class="human"><h4>Needs a human</h4><p>Choose A or B.</p></div>
+    </div>
+  </article>
+
+  <article class="src part" id="samorzad_gov_pl">
+    <header><h3>samorzad_gov_pl</h3><span class="pill p-part">Partial</span><span class="rel">v0.2.5</span><span class="reg">release 0.2.5 · <code>CC-BY-SA-4.0</code> · <code>src/clean_samorzad_gov_pl.py</code> via HF <code>dawidmajewski/samorzad-gov-pl-articles</code> v0.2</span></header>
+    <div class="grid">
+      <div><h4>Problem</h4><p>The CC BY-SA 4.0 footer is a platform template run by KPRM/MC over content written by 247 independent tenants. The tenant agreements aren't published. The grant comes from the operator, not the authors, which is the HPLT structure.</p></div>
+      <div><h4>Evidence</h4><ul>
+        <li><span class="tag">V</span> 72,472 docs. The footer script's sha256 <code>b36ec507…</code> is in <code>license-evidence.json</code>. The <a href="https://www.gov.pl/attachment/63b42fcd-6638-46d3-8dd5-83f085b2ecc1">onboarding PDF</a> mentions no licence grant.</li>
+        <li><span class="tag">V</span> Third-party subsets:
+          <ul>
+            <li>69 docs: the "Piątek z poezją" series (Powiat Sokołowski).</li>
+            <li>9 docs: IMGW notices ("podlega ochronie prawnej").</li>
+            <li>112 docs: pupil, participant and poem works.</li>
+            <li>810 docs (1.1%): "Źródło:" lines.</li>
+          </ul>
+        </li>
+        <li><span class="tag">I</span> A 200-doc sample (seed 7) has about 2–3% real third-party material.</li>
+        <li>Regexes: <code>govweb/s1.py</code>–<code>s5.py</code>. Publishers: <code>src/samorzad_gov_pl_publishers.json</code>.</li>
+      </ul></div>
+      <div class="full"><h4>Fix</h4><ol>
+        <li>In <code>clean_samorzad_gov_pl.py</code>, drop the poetry series, IMGW notices, contest and pupil entries, and "Źródło:" docs that name a non-governmental source.</li>
+        <li>Relabel the basis as "operator-declared platform licence". Add the carve-out from gov.pl's copyright page to the card.</li>
+        <li>Update <code>test_samorzad_gov_pl_contract.py</code>.</li>
+      </ol></div>
+      <div><h4>Done when</h4><p>All four subsets are 0. The card states the operator-declared basis.</p></div>
+      <div class="human"><h4>Needs a human</h4><p>Ask KPRM / Ministerstwo Cyfryzacji to confirm in writing that tenants authorise the footer licence.</p></div>
+    </div>
+  </article>
+
+  <article class="src part" id="sejm_committee_transcripts">
+    <header><h3>sejm_committee_transcripts</h3><span class="pill p-part">Partial</span><span class="reg">unreleased · <code>LicenseRef-Polish-Official-Documents</code> · <code>src/fetch_sejm_committee_transcripts.py</code></span></header>
+    <div class="grid">
+      <div><h4>Problem</h4><p>Art. 4(2) and the Open Data Act cover official speakers. Private guests (companies, NGOs, academics) are not clearly covered. Open Data Act art. 6(4)(4) excludes material in which non-public entities hold copyright.</p></div>
+      <div><h4>Evidence</h4><ul>
+        <li><span class="tag">I</span> 653,411 turns. By speaker:
+          <ul>
+            <li>Non-official speakers: ~5% of chars (1.8% of turns).</li>
+            <li>Unclassified: ~2.7%.</li>
+            <li>State bodies: ~18%.</li>
+            <li>MPs and the chair: ~70%.</li>
+          </ul>
+        </li>
+        <li><span class="tag">V</span> Non-official examples include Konfederacja Lewiatan, Grupa Azoty S.A., Greenpeace, ClientEarth, HFPC, Związek Miast Polskich and university professors. There are 3,097 "Głos z sali" (voice from the floor) turns.</li>
+        <li>Role shares: <code>official/committee_roles.csv</code>. Classifier: <code>committee_speakers.py</code>. Known false positives: NBP, Wody Polskie, IPN (all state bodies).</li>
+      </ul></div>
+      <div class="full"><h4>Fix</h4><ol>
+        <li>Filter turns on the <code>author</code> field with an allowlist: Poseł, Przewodniczący, Minister, Sekretarz/Podsekretarz stanu, Prezes [state body], Sejm and Senate staff (BAS, BEOS), and the named state agencies.</li>
+        <li>Drop "Głos z sali" and anything not on the allowlist. Re-assemble the documents. Log dropped speakers to a sidecar.</li>
+        <li>Add a test and regenerate stats.</li>
+      </ol></div>
+      <div><h4>Done when</h4><p>Non-official and "Głos z sali" turns are 0. The dropped-speaker list is reviewed for false negatives.</p></div>
+      <div class="human"><h4>Needs a human</h4><p>Approve the allowlist.</p></div>
+    </div>
+  </article>
+
+  <article class="src part" id="nonsa">
+    <header><h3>nonsa</h3><span class="pill p-part">Partial</span><span class="reg">unreleased · <code>CC-BY-SA-3.0</code> · <code>src/build_nonsa_pl.py</code> via WikiTeam <code>wiki-nonsa.pl-20251009</code> and HF <code>PiotrSty/nonsa-pl</code></span></header>
+    <div class="grid">
+      <div><h4>Problem</h4><p>The site licence is fine. One namespace and a few pages quote film and TV dialogue and song lyrics. The card itself says "Embedded third-party quotations have not been reviewed".</p></div>
+      <div><h4>Evidence</h4><ul>
+        <li><span class="tag">V</span> Live rightsinfo is CC BY-SA 3.0, and <code>Nonsensopedia:Prawa autorskie</code> requires contributors' own or compatible text. No NC licence applies to text.</li>
+        <li><span class="tag">V</span> 12,204 of 12,304 page ids resolved to a namespace (<code>wikis/nonsa_ns.json</code>).</li>
+        <li><span class="tag">V</span> ns100 "Cytaty": 287 docs, 2.6% of tokens. It quotes Miś, Rejs, Kiler, Wiedźmin 3 and Shrek, plus lyrics.</li>
+        <li><span class="tag">V</span> 12 docs with <code>&lt;poem&gt;</code> lyrics, 0.5% of tokens, e.g. <code>nonsa_202491</code> and <code>nonsa_221845</code>.</li>
+        <li><span class="tag">V</span> 100 docs were deleted live after the dump.</li>
+      </ul></div>
+      <div class="full"><h4>Fix</h4><ol>
+        <li>Carry <code>namespace</code> through <code>build_nonsa_pl.py</code> into each record and exclude ns100.</li>
+        <li>Exclude pages whose raw wikitext has <code>&lt;poem&gt;</code> blocks quoting third-party lyrics. To be safe, drop all of them.</li>
+        <li>Drop the 100 pages deleted live, so the dataset honours the deletions.</li>
+        <li>Run NERGAL. Update <code>test_build_nonsa_pl.py</code>.</li>
+      </ol></div>
+      <div><h4>Done when</h4><p>ns100 and <code>&lt;poem&gt;</code> docs are 0, a namespace field is present, and NERGAL has run.</p></div>
+      <div class="human"><h4>Needs a human</h4><p>Optional: check the Nonźródła, Gra and Forum parody content against Polish parody law (not done).</p></div>
+    </div>
+  </article>
+</section>
+
+<!-- ============ MINOR ============ -->
+<section>
+  <h2>Minor: labelling and provenance</h2>
+  <p class="note prose">One shared helper for WS-B: label a record <code>CC-BY-SA-3.0</code> if its last revision is before 2023-06-01 (adding GFDL if before 2009), otherwise <code>CC-BY-SA-4.0</code>. Wikinews uses its own cutover. Agents should use this helper in every wiki builder instead of hard-coding a licence per source.</p>
+
+  <article class="src minor" id="wikipedia">
+    <header><h3>wikipedia</h3><span class="pill p-minor">Minor</span><span class="rel">v0.2.5</span><span class="reg">release 0.2.0 · <code>CC-BY-SA-3.0</code> · SpeakLeash <code>plwiki</code></span></header>
+    <div class="grid">
+      <div><h4>Problem</h4><p>Live Wikipedia is CC BY-SA 4.0 (<a href="https://pl.wikipedia.org/w/api.php?action=query&amp;meta=siteinfo&amp;siprop=rightsinfo">rightsinfo</a>), but the label says 3.0. The card's upstream URL is dumps.wikimedia.org, but the data actually came through SpeakLeash.</p></div>
+      <div><h4>Fix</h4><ol>
+        <li>Add plwiki to <code>fetch_wikimedia.py</code> from a pinned dump.</li>
+        <li>Keep page id, title, URL and revision timestamp.</li>
+        <li>Apply the revision-date licence helper.</li>
+        <li>Replace the SpeakLeash provenance text.</li>
+      </ol></div>
+      <div class="full note">Not done: sampling for pasted copyrighted text.</div>
+    </div>
+  </article>
+
+  <article class="src minor" id="wikinews">
+    <header><h3>wikinews</h3><span class="pill p-minor">Minor</span><span class="rel">v0.2.5</span><span class="reg">release 0.2.0 · <code>CC-BY-2.5</code> · <code>fetch_wikimedia.py</code> (plwikinews)</span></header>
+    <div class="grid">
+      <div><h4>Problem</h4><p>Polish Wikinews voted between 2024-07-22 and 2024-08-20 to move from CC BY 2.5 to 4.0, and the live site is 4.0. All 24,386 docs are still labelled 2.5. <code>Wikinews:Prawa autorskie</code> bans copying agency text verbatim.</p></div>
+      <div><h4>Fix</h4><ol>
+        <li>Label each record by last-revision date: before the effective switch date it is <code>CC-BY-2.5</code>, after it <code>CC-BY-4.0</code>. Confirm the effective date on <code>Wikinews:Głosowania/Zmiana licencji na CC:BY 4.0</code>.</li>
+        <li>Review the 6 docs that mention e-Polityka.pl. The 2005 permission requires attribution, so keep it or drop the docs.</li>
+        <li>Sample 100 docs for unattributed press copying. A 30-doc check found none.</li>
+      </ol></div>
+    </div>
+  </article>
+
+  <article class="src minor" id="wikivoyage">
+    <header><h3>wikivoyage</h3><span class="pill p-minor">Minor</span><span class="rel">v0.2.5</span><span class="reg">release 0.2.0 · <code>CC-BY-SA-3.0</code> · <code>fetch_wikimedia.py</code> (plwikivoyage)</span></header>
+    <div class="grid">
+      <div><h4>Problem</h4><p>Labelled 3.0, but the live site is 4.0. One doc mentions Wikitravel.</p></div>
+      <div><h4>Fix</h4><p>Apply the revision-date helper. Optionally sample listings for pasted tourist-board or business text (not checked).</p></div>
+    </div>
+  </article>
+
+  <article class="src minor" id="wikibooks">
+    <header><h3>wikibooks</h3><span class="pill p-minor">Minor</span><span class="rel">v0.2.5</span><span class="reg">release 0.2.0 · <code>CC-BY-SA-3.0</code> · <code>fetch_wikimedia.py</code> (plwikibooks)</span></header>
+    <div class="grid">
+      <div><h4>Problem</h4><p>Same label issue. 24 docs (0.4% of tokens) mention GFDL, for example the "Dive into Python" translation (<code>wikibooks_2419791</code>, <code>wikibooks_2419792</code>). GFDL-only text is incompatible with CC BY-SA. <code>wikibooks_2423104</code> was imported "za zgodą twórców" (with the authors' consent) under an unknown original licence.</p></div>
+      <div><h4>Fix</h4><ol>
+        <li>Apply the revision-date helper.</li>
+        <li>For each of the 24 GFDL docs, keep it only if it is dual-licensed, or GFDL "or later" with an eligible migration date. Otherwise drop it.</li>
+        <li>Check <code>wikibooks_2423104</code>'s talk page for the consent terms.</li>
+      </ol></div>
+    </div>
+  </article>
+
+  <article class="src minor" id="plwiki_talk">
+    <header><h3>plwiki_talk</h3><span class="pill p-minor">Minor</span><span class="reg">unreleased · <code>CC-BY-SA-4.0</code> · <code>src/build_plwiki_talk_pl.py</code> (official dump)</span></header>
+    <div class="grid">
+      <div><h4>Problem</h4><p>Every record is labelled 4.0, but <code>created</code> is the last-revision date. 42% of docs (25% of tokens) were last edited before 2023-06-01, so their content is entirely 3.0.</p></div>
+      <div><h4>Fix</h4><p>Apply the revision-date helper per record. In a 1,500-doc sample, 10% of chars are long unsigned lines; about 3% or less of chars are likely pasted source text. That's acceptable. Keep the card's admission that it contains article quotes.</p></div>
+    </div>
+  </article>
+
+  <article class="src minor" id="plwiki_user_talk">
+    <header><h3>plwiki_user_talk</h3><span class="pill p-minor">Minor</span><span class="reg">unreleased · <code>CC-BY-SA-4.0</code> · <code>src/build_plwiki_usertalk_pl.py</code></span></header>
+    <div class="grid">
+      <div><h4>Problem</h4><p>64% of docs (42% of tokens) were last edited before 2023-06-01. Most flagged lines are welcome boilerplate or English Commons copyright notices.</p></div>
+      <div><h4>Fix</h4><p>Apply the revision-date helper per record. Optionally strip the templated Commons notices as boilerplate.</p></div>
+    </div>
+  </article>
+
+  <article class="src minor" id="wolne_lektury">
+    <header><h3>wolne_lektury</h3><span class="pill p-minor">Minor</span><span class="rel">v0.2.5</span><span class="reg">release 0.2.0 · <code>CC-BY-SA-4.0</code> (card: "/ Wolna Sztuka 1.3") · SpeakLeash, no fetch script</span></header>
+    <div class="grid">
+      <div><h4>Problem</h4><p>6,141 rows carry one label. The real licences are per text: public domain, Free Art Licence (FAL) 1.3, or CC BY-SA 3.0 PL/4.0. The label claims share-alike on PD texts, and 3.0 PL to 4.0 isn't a free upgrade. The SpeakLeash export stripped the licence footers.</p></div>
+      <div><h4>Evidence</h4><ul>
+        <li><span class="tag">V</span> 5,604 rows matched to WL XML <code>dc:rights</code>: ~3,800 PD, ~1,340 FAL 1.3 (living poets' own grants), ~58 CC BY-SA 3.0 PL/4.0.</li>
+        <li><span class="tag">V</span> 537 rows are unmatched; 398 of those are truncated parent-collection titles.</li>
+        <li><span class="tag">V</span> No PD-labelled row has an author or translator who died after 1955.</li>
+        <li>Mapping: <code>literary/wl_map.json</code> (row id to WL slugs) and <code>wl_cat.json</code>.</li>
+      </ul></div>
+      <div class="full"><h4>Fix</h4><ol>
+        <li>Write a builder: for each row, fetch the WL book API for its slug and store the licence (<code>dc:rights.license</code>, or PD) in a per-row <code>license</code> field.</li>
+        <li>Resolve the 537 unmatched rows, starting with the parent-collection prefix match.</li>
+        <li>Dedup against <code>1000_novels</code> and <code>eltec_pol</code>.</li>
+        <li>Set the registry to <code>MIXED</code>.</li>
+      </ol></div>
+    </div>
+  </article>
+
+  <article class="src minor" id="biblioteka_nauki">
+    <header><h3>biblioteka_nauki</h3><span class="pill p-minor">Minor</span><span class="rel">v0.2.5</span><span class="reg">release 0.2.4 · <code>MIXED</code> · <code>file_key biblioteka_nauki_pl_corpus</code></span></header>
+    <div class="grid">
+      <div><h4>Problem</h4><p>The licence type is right, but the version is collapsed to 4.0. Three "PD" records are really living authors' works with a platform label. Card and registry disagree on provenance.</p></div>
+      <div><h4>Evidence</h4><ul>
+        <li><span class="tag">V</span> 583 records checked against the live <code>bibliotekanauki.pl/api</code>: 0 licence-type mismatches, and no NC, ND or all-rights-reserved items.</li>
+        <li><span class="tag">V</span> Real versions:
+          <ul>
+            <li>BY: 170 are 4.0, 101 are 3.0 PL, 27 are 3.0 Unported, 2 are 2.0.</li>
+            <li>BY-SA: 213 are 4.0, 67 are 3.0 PL.</li>
+          </ul>
+        </li>
+        <li><span class="tag">V</span> <code>iconId</code> (the <code>CLEAN</code> set in <code>recover_licenses.py</code>) drops the version.</li>
+        <li><span class="tag">V</span> "PD" records: <code>books_2142716</code>, <code>books_2147851</code>, <code>articles_2097363</code>.</li>
+        <li><span class="tag">V</span> <code>licenses.jsonl</code> and <code>build_parquet.py</code> are not in the repo.</li>
+      </ul></div>
+      <div class="full"><h4>Fix</h4><ol>
+        <li>Rebuild the licence field from the API's full licence name and version.</li>
+        <li>Drop the 3 PD records.</li>
+        <li>Commit the build scripts.</li>
+        <li>Make the card say "direct rebuild" to match the registry.</li>
+      </ol></div>
+    </div>
+  </article>
+
+  <article class="src minor" id="eurlex">
+    <header><h3>eurlex</h3><span class="pill p-minor">Minor</span><span class="rel">v0.2.5</span><span class="reg">release 0.2.0 · <code>CC-BY-4.0</code> · SpeakLeash <code>eurlex_corpus</code></span></header>
+    <div class="grid">
+      <div><h4>Problem</h4><p>CC BY 4.0 covers EUR-Lex editorial content only. Legal documents fall under the general reuse notice, with exceptions for third-party works and special conditions. Decision 2011/833/EU covers Commission documents only. The card's Art. 4 basis doesn't apply to EU acts.</p></div>
+      <div><h4>Fix</h4><ol>
+        <li>Relabel as <code>LicenseRef-EU-Reuse-Policy</code>, citing the <a href="https://eur-lex.europa.eu/content/legal-notice/legal-notice.html">legal notice</a> and <a href="https://eur-lex.europa.eu/legal-content/EN/TXT/?uri=CELEX:32011D0833">2011/833/EU</a>.</li>
+        <li>Remove the Art. 4 basis from the card.</li>
+        <li>Add a caveat for third-party and "special conditions" items: ECB ~4%, state-aid notices ~2.5%, EESC, ETSI citations.</li>
+        <li>Note the chain via SpeakLeash.</li>
+      </ol></div>
+    </div>
+  </article>
+
+  <article class="src minor" id="govpl">
+    <header><h3>govpl</h3><span class="pill p-minor">Minor</span><span class="rel">v0.2.5</span><span class="reg">release 0.2.2 · <code>CC-BY-SA-4.0</code> · <code>src/fetch_govpl.py</code>, <code>govpl_subsites.json</code> (133)</span></header>
+    <div class="grid">
+      <div><h4>Problem</h4><p>The card says "All textual content … CC-BY-SA 4.0" and drops gov.pl's own carve-out for third-party works (<a href="https://www.gov.pl/web/gov/prawa-autorskie">prawa-autorskie</a>). The parquet has no URL or subsite field.</p></div>
+      <div><h4>Fix</h4><ol>
+        <li>Reword the card to include the carve-out.</li>
+        <li>Drop the ~154 docs that name PAP (mostly the MKiDN subsite) and "Źródło:" docs that name non-government sources (764 have "Źródło:").</li>
+        <li>Re-fetch to add a URL and subsite sidecar.</li>
+      </ol><p class="note">A 200-doc sample (seed 42) had 0 clear third-party reprints.</p></div>
+    </div>
+  </article>
+
+  <article class="src minor" id="global_voices">
+    <header><h3>global_voices</h3><span class="pill p-minor">Minor</span><span class="rel">v0.2.5</span><span class="reg">release 0.2.3 · <code>CC-BY-3.0</code></span></header>
+    <div class="grid">
+      <div><h4>Problem</h4><p>GV's CC BY covers "content created by Global Voices". 64 of 2,040 docs (3.1%) are republished from partners under content-sharing agreements: 17 from PRI/The World, plus Metamorphosis, Irrawaddy, Nepali Times, Premium Times, HKFP and 350.org.</p></div>
+      <div><h4>Fix</h4><p>Drop the 64 docs, selected by outlet names in the sidecar <code>author</code> field ("Autorzy oryginału: …") together with the regex for "content-sharing agreement"/partnership wording. After that the source is clean.</p></div>
+    </div>
+  </article>
+
+  <article class="src minor" id="sejm_api">
+    <header><h3>sejm_api</h3><span class="pill p-minor">Minor</span><span class="rel">v0.2.5</span><span class="reg">release 0.2.5 · <code>LicenseRef-Polish-Official-Documents</code> · <code>src/fetch_sejm_api.py</code></span></header>
+    <div class="grid">
+      <div><h4>Problem</h4><p>The data comes from the HF snapshot <code>PiotrSty/sejm-speeches-corpus@124557799608</code>, not the live API. <code>source_url</code> points only at a day-level <code>/videos/</code> endpoint. The API publishes no licence or terms. Content is MPs' and ministers' floor speeches: 38,812 rows from 1,149 authors.</p></div>
+      <div><h4>Fix</h4><p>Change provenance to "Sejm API data via contributor snapshot". Spot-check 20 rows against the live API. Use per-speech URLs if the API offers them.</p></div>
+    </div>
+  </article>
+
+  <article class="src minor" id="sejm_api_2011_2022">
+    <header><h3>sejm_api_2011_2022</h3><span class="pill p-minor">Minor</span><span class="reg">unreleased · <code>LicenseRef-Polish-Official-Documents</code> · <code>src/fetch_sejm_api_2011_2022.py</code></span></header>
+    <div class="grid">
+      <div><h4>Problem</h4><p>Same snapshot chain as <code>sejm_api</code>: 118,902 rows from 2,095 authors. NERGAL hasn't run. It overlaps <code>parliamentary</code> (2011–2019) and the registered <code>parlamint_pl</code>.</p></div>
+      <div><h4>Fix</h4><p>Apply the <code>sejm_api</code> fix. Dedup against <code>parliamentary</code> and <code>parlamint_pl</code> before release. Run NERGAL.</p></div>
+    </div>
+  </article>
+
+  <article class="src minor" id="sejm_interpellations">
+    <header><h3>sejm_interpellations</h3><span class="pill p-minor">Minor</span><span class="reg">unreleased · <code>LicenseRef-Polish-Official-Documents</code> · <code>src/fetch_sejm_interpellations.py</code></span></header>
+    <div class="grid">
+      <div><h4>Problem</h4><p>The source has no <code>license-evidence.json</code>. In a 3,900-doc sample:</p><ul>
+        <li>2.2% quote 400+ chars.</li>
+        <li>2.9% quote constituents.</li>
+        <li>About 4% match a "Pan/Pani Name" pattern.</li>
+      </ul><p>PDF-only replies are skipped.</p></div>
+      <div><h4>Fix</h4><p>Add <code>license-evidence.json</code> with a caveat about third-party quotations. Run NERGAL before release, as the card requires.</p></div>
+    </div>
+  </article>
+
+  <article class="src minor" id="uzp_orzeczenia_pl">
+    <header><h3>uzp_orzeczenia_pl</h3><span class="pill p-minor">Minor</span><span class="reg">unreleased · <code>LicenseRef-Polish-Official-Documents</code> · <code>src/build_uzp_orzeczenia_pl.py</code> via HF <code>PiotrSty/uzp-orzeczenia-pl</code></span></header>
+    <div class="grid">
+      <div><h4>Problem</h4><p>orzeczenia.uzp.gov.pl states no licence or terms. Of 34,715 rulings, 34,412 are KIO. In a 250-ruling sample:</p><ul>
+        <li>71% recite party arguments.</li>
+        <li>50% quote 300+ chars.</li>
+        <li>4.4% cite an expert opinion.</li>
+        <li>1.2% name natural persons.</li>
+      </ul></div>
+      <div><h4>Fix</h4><p>Reword the label to state the review status ("statutory basis, no formal legal review"). If SAOS merges, choose one canonical source for the 4,541 KIO duplicates. Optional: written confirmation from UZP.</p></div>
+    </div>
+  </article>
+
+  <article class="src minor" id="ted_pl">
+    <header><h3>ted_pl</h3><span class="pill p-minor">Minor</span><span class="reg">unreleased · <code>LicenseRef-TED-Notice-Reuse</code> · <code>src/build_ted_pl.py</code></span></header>
+    <div class="grid">
+      <div><h4>Problem</h4><p>The <a href="https://ted.europa.eu/en/legal-notice">TED notice</a> allows free reuse of notices, but doesn't separately address text written by member-state authorities. The exception review covered only 60 records. Over 15,544 notices: ~0.4% name a person, and 33 contain an email address.</p></div>
+      <div><h4>Fix</h4><p>Cite both the TED terms and the Polish public-body basis. Run a name and email scan, or NERGAL, over the full set.</p></div>
+    </div>
+  </article>
+
+  <article class="src minor" id="kultura_bez_barier_pl">
+    <header><h3>kultura_bez_barier_pl</h3><span class="pill p-minor">Minor</span><span class="reg">unreleased · <code>CC-BY-SA-3.0</code> · <code>src/build_kultura_bez_barier_pl.py</code></span></header>
+    <div class="grid">
+      <div><h4>Problem</h4><p>The licence is stated only at catalogue level ("CC BY-SA 3.0"). Only <code>jak_udostepniac_kulture</code> embeds a line, and it is unversioned ("CC BY-SA"). The other 8 PDFs have none. The two guides co-owned with NIMOZ are already dropped.</p></div>
+      <div><h4>Fix</h4><p>In the card, cite the embedded line and state the version gap. Handle the phone numbers in <code>podsumowanie_wizyt_studyjnych</code> separately as PII.</p></div>
+    </div>
+  </article>
+</section>
+
+<!-- ============ CLEAN ============ -->
+<section>
+  <h2>Clean: small notes only</h2>
+  <div class="cols">
+    <article class="src clean" id="dziennik_ustaw">
+      <header><h3>dziennik_ustaw</h3><span class="pill p-clean">Clean</span><span class="rel">v0.2.5</span></header>
+      <p>Fetched directly via the ELI API (<code>fetch_eli.py</code>); Art. 4(1)–(2) applies. 35,442 docs. There are 7 <code>©</code> hits, none a third-party work.</p>
+      <p><b>Fix:</b> the card gives 1918–2025, but the fetcher defaults to 1990–2025. Reconcile them.</p>
+    </article>
+    <article class="src clean" id="eltec_pol">
+      <header><h3>eltec_pol</h3><span class="pill p-clean">Clean</span><span class="rel">v0.2.5</span></header>
+      <p>100 Polish originals. The latest author death is Makuszyński (1953). Every TEI header carries CC BY 4.0.</p>
+      <p><b>Fix:</b> add authors to the card. Dedup against <code>wolne_lektury</code> (~40 shared texts) and <code>1000_novels</code>.</p>
+    </article>
+    <article class="src clean" id="studia_bas">
+      <header><h3>studia_bas</h3><span class="pill p-clean">Clean</span></header>
+      <p>112 records, all from issues 66–82 (2021 onward); the earlier "all rights reserved" issues are excluded. Wikipedia gives CC BY 3.0 from issue 2/2021, but DOAJ lists 4.0.</p>
+      <p><b>Fix:</b> someone with a normal browser should check the journal's site (it's behind a CAPTCHA) and settle 3.0 PL vs 4.0 in the registry.</p>
+    </article>
+    <article class="src clean" id="edukacja_medialna_pl">
+      <header><h3>edukacja_medialna_pl</h3><span class="pill p-clean">Clean</span></header>
+      <p>Each lesson page carries a CC BY-SA 3.0 line from the publisher, FNP. Third-party text is negligible.</p>
+      <p><b>Optional:</b> drop the 3 quote passages, e.g. the Michera quote in <code>montaz-materialu-filmowego</code>.</p>
+    </article>
+    <article class="src clean" id="open_icm_pl">
+      <header><h3>open_icm_pl</h3><span class="pill p-clean">Clean</span></header>
+      <p>85 of 85 records match live DSpace <code>dc.rights</code>, versions included. An allowlist rejects NC/ND. No action.</p>
+    </article>
+    <article class="src clean" id="open_agh_chemistry_pl">
+      <header><h3>open_agh_chemistry_pl</h3><span class="pill p-clean">Clean</span></header>
+      <p>4 of 4 EPUB rights pages match the recorded SHA-256 hashes and say BY-SA 4.0. The "3.0 PL" strings appear only in image captions, and images aren't included.</p>
+      <p><b>Fix:</b> archive the rights pages in Wayback, since no historical copy exists.</p>
+    </article>
+    <article class="src clean" id="rock_pollub_pl">
+      <header><h3>rock_pollub_pl</h3><span class="pill p-clean">Clean</span></header>
+      <p>The fetcher keeps only items that are BY-SA 4.0 in both the facet and the PDF <code>dc.rights</code>; 8 of 8 match live, and the colophons agree. No action.</p>
+    </article>
+    <article class="src clean" id="wiadomosci_statystyczne_pl">
+      <header><h3>wiadomosci_statystyczne_pl</h3><span class="pill p-clean">Clean</span></header>
+      <p>The licence is BY-SA 4.0 from 2022, granted by the authors. A per-article line is required, so 169 articles from 2022 onward are shipped, and 21 of 21 live pages match. No action.</p>
+    </article>
+  </div>
+</section>
+
+<!-- ============ SAOS ============ -->
+<section>
+  <h2>Pending: SAOS (PR #21)</h2>
+  <article class="src minor" id="saos">
+    <header><h3>saos</h3><span class="pill p-minor">Minor</span><span class="reg">PR head <code>bd16dda</code> · <code>release: None</code> · <code>src/fetch_saos.py</code> via HF <code>PiotrSty/saos-polish-court-judgments@736cba4</code> (<code>license: unknown</code>)</span></header>
+    <div class="grid">
+      <div><h4>Why it isn't HPLT-class</h4><p>The basis is a statutory exclusion: court judgments are not protected by copyright (Copyright Act Art. 4(2)). It is not a packaging licence. It still fails the per-record evidence bar in three places, and no lawyer has signed off.</p></div>
+      <div><h4>Evidence</h4><ul>
+        <li><span class="tag">V</span> 20 of 20 IDs match live SAOS after the PR's normalisation. The snapshot covers 54.9% of live SAOS (296,692 of 540,726).</li>
+        <li><span class="tag">V</span> SAOS publishes no licence or regulamin (<code>/regulamin</code> returns 404) and disclaims responsibility for content. TK requires a "processed data" notice (Open Data Act Art. 15(1)). SN and KIO terms weren't found.</li>
+        <li><span class="tag">I</span> About 450 TK documents carry dissenting opinions. About 1.1% of chars are quoted third-party material, and 2.3% of rows have a quoted span of 1,000+ chars.</li>
+        <li><span class="tag">V</span> 4,541 KIO rows duplicate <code>uzp_orzeczenia_pl</code>. <code>overlap_audit.json</code> on main ran with <code>saos_rows: 0</code>.</li>
+      </ul></div>
+      <div class="full"><h4>Before merge</h4><ol>
+        <li>Add the "processed data" notice and source/time attribution to <code>NOTICE.md</code> and the card.</li>
+        <li>State that SAOS publishes no licence and disclaims responsibility for content, and that the HF intermediary is <code>license: unknown</code>.</li>
+      </ol></div>
+      <div class="full"><h4>Before release</h4><ol>
+        <li>A formal Polish legal opinion covering reasons, dissents, KIO and TK, and quoted material.</li>
+        <li>Strip or exclude TK dissents.</li>
+        <li>Replace the regex-only PII scrub with NERGAL.</li>
+        <li>Dedup KIO against <code>uzp_orzeczenia_pl</code>.</li>
+        <li>Re-pull from the <a href="https://www.saos.org.pl/api/dump/judgments">SAOS dump API</a> and record the date.</li>
+        <li>Add a takedown path.</li>
+        <li>Obtain SN and KIO terms.</li>
+      </ol></div>
+      <div class="full note">Not reviewed: most of <code>src/fetch_saos.py</code> (only the first ~140 of 1,014 lines), <code>test_saos_contract.py</code> and <code>artifacts/saos_*</code>. <code>license-evidence.json</code> copies the Open Data Act list from sejm_api, so the two sources read as equally reviewed when they aren't.</div>
+    </div>
+  </article>
+</section>
+
+<section>
+  <h2>Cross-cutting</h2>
+  <ul class="prose">
+    <li><b>Paper:</b> <code>main.tex:46</code> must change. Either name the remaining unresolved sources, or remove them so the sentence becomes true. Also update the admission section and the source table, then run <code>verify_paper_claims.py</code>.</li>
+    <li><b>Registry hygiene:</b>
+      <ul>
+        <li><code>european_hplt_v3_pl</code> is still registered with <code>release: 0.2.3</code> but has no data. Keep it with a <code>legal_note</code>.</li>
+        <li><code>europeana</code> and <code>parlamint_pl</code> are registered with no data on main.</li>
+        <li>The <code>sources.py</code> docstring still says all data comes from SpeakLeash.</li>
+      </ul>
+    </li>
+    <li><b>Intermediary snapshots:</b> these sources have a chain of title through intermediaries, and each card should name the intermediary and its licence field:
+      <ul>
+        <li>PiotrSty: sejm_api, sejm_api_2011_2022, uzp_orzeczenia_pl, fandom_pl, nonsa, edukacja_medialna_pl, saos.</li>
+        <li>dawidmajewski: samorzad_gov_pl.</li>
+        <li>SpeakLeash: wikipedia, wikisource, wolne_lektury, 1000_novels, eurlex, parliamentary.</li>
+      </ul>
+    </li>
+    <li><b>Dedup sets:</b>
+      <ul>
+        <li>sejm_api_2011_2022, parliamentary and parlamint_pl.</li>
+        <li>saos KIO and uzp_orzeczenia_pl.</li>
+        <li>wolne_lektury, 1000_novels and eltec_pol.</li>
+      </ul>
+    </li>
+    <li><b>NERGAL pending:</b> sejm_api_2011_2022, sejm_interpellations, ted_pl, nonsa, saos.</li>
+    <li><b>Licence parsers:</b> fetchers that hard-code a licence (openstax, nkjp, fandom) should read it from the upstream page and fail closed on NC/ND or AI-use clauses.</li>
+  </ul>
+</section>
+
+</div>

artifacts/rights_audit_2026-10/academic/bn.py

@@ -0,0 +1,19 @@
+import json, sys, urllib.request, os, time
+UA="Mozilla/5.0 (Macintosh; Intel Mac OS X 10_15_7) AppleWebKit/537.36 Chrome/124 Safari/537.36"
+def get(typ,i):
+    fn=f"cache/{typ}_{i}.json"
+    os.makedirs("cache",exist_ok=True)
+    if os.path.exists(fn): return json.load(open(fn))
+    for a in range(3):
+        try:
+            r=urllib.request.Request(f"https://bibliotekanauki.pl/api/{typ}/{i}",headers={"User-Agent":UA,"Accept":"application/json","Referer":"https://bibliotekanauki.pl/"})
+            d=json.load(urllib.request.urlopen(r,timeout=30))
+            json.dump(d,open(fn,"w"),ensure_ascii=False); return d
+        except Exception as e:
+            err=e; time.sleep(2)
+    return {"_err":str(err)}
+if __name__=="__main__":
+    for a in sys.argv[1:]:
+        typ,i=a.split("/")
+        d=get(typ,i)
+        print(a, json.dumps(d.get("license"),ensure_ascii=False), "restricted=",d.get("restricted"), d.get("_err"))

artifacts/rights_audit_2026-10/academic/bn_sample.py

@@ -0,0 +1,19 @@
+import pandas as pd, json
+from concurrent.futures import ThreadPoolExecutor
+import bn
+df=pd.read_pickle('bn_meta2.pkl')
+s=pd.concat([
+ df[df.license=='cc-by'].sample(260,random_state=1),
+ df[df.license=='cc-by-sa'].sample(260,random_state=2),
+ df[df.license=='public-domain'],
+ df[(df.typ!='articles')].sample(60,random_state=3),
+]).drop_duplicates('id')
+def f(r):
+    d=bn.get(r.typ,r.num)
+    l=d.get('license') or {}
+    return dict(id=r.id,pq=r.license,lid=l.get('id'),icon=l.get('iconId'),name=l.get('nameEn'),restricted=d.get('restricted'),err=d.get('_err'),year=r.year, attr=r.attribution)
+with ThreadPoolExecutor(6) as ex: res=list(ex.map(f,s.itertuples()))
+out=pd.DataFrame(res); out.to_pickle('bn_sample_res.pkl')
+print(len(out)); print(out.err.notna().sum())
+print(out.groupby(['pq','lid','name'],dropna=False).size())
+print((out.pq!=out.icon).sum(), out.restricted.value_counts())

artifacts/rights_audit_2026-10/govweb/g1.py

@@ -0,0 +1,24 @@
+import pyarrow.parquet as pq, pandas as pd, re, random
+df=pq.read_table('data/govpl/govpl.parquet',columns=['id','text','created']).to_pandas()
+df.to_pickle('govpl.pkl')
+print(len(df), df.text.str.len().describe())
+pats={
+ 'PAP':r'\bPAP\b',
+ 'za:':r'(?m)^\s*(za|Za):',
+ 'Źródło':r'(?i)źród[łl]o\s*:',
+ 'wywiad':r'(?i)\bwywiad',
+ 'w rozmowie z':r'(?i)w rozmowie z',
+ '©':r'©',
+ 'licencja':r'(?i)licencj',
+ 'fot.':r'(?i)\bfot(o|\.)',
+ 'Autor:':r'(?m)^\s*(Autor|Autorzy|Tekst)\s*:',
+ 'CC BY':r'(?i)\bCC[ -]BY',
+ 'wszelkie prawa':r'(?i)wszelkie prawa',
+ 'prawa autorskie':r'(?i)prawa autorskie',
+ 'gazeta/rzeczpospolita':r'(?i)(rzeczpospolit|gazeta wyborcza|dziennik gazeta|onet|wp\.pl|polityka\b|newsweek|tvn24|polsat)',
+ 'felieton/opinia':r'(?i)(felieton|op-ed|komentarz eksperta|artyku[łl] (gościnny|autorski))',
+ 'tłumaczenie':r'(?i)(tłumaczenie|przekład)',
+}
+for k,p in pats.items():
+    c=df.text.str.contains(p,regex=True).sum()
+    print(f'{k:25s} {c:6d} {c/len(df):.3%}')

artifacts/rights_audit_2026-10/govweb/g2.py

@@ -0,0 +1,15 @@
+import pandas as pd, re, random
+df=pd.read_pickle('govpl.pkl')
+def ctx(p,n=8,w=200,seed=1):
+    m=df[df.text.str.contains(p,regex=True)]
+    print('###',p,len(m))
+    for _,r in m.sample(min(n,len(m)),random_state=seed).iterrows():
+        mm=re.search(p,r.text)
+        print(r.id,'|',r.text[:80].replace('\n',' '),'||',re.sub(r'\s+',' ',r.text[max(0,mm.start()-w):mm.end()+w]))
+        print()
+ctx(r'\bPAP\b')
+ctx(r'(?i)źród[łl]o\s*:')
+ctx(r'©')
+ctx(r'(?i)\bCC[ -]BY')
+ctx(r'(?i)wszelkie prawa')
+ctx(r'(?m)^\s*(Autor|Autorzy|Tekst)\s*:')

artifacts/rights_audit_2026-10/govweb/g3.py

@@ -0,0 +1,19 @@
+import pandas as pd, re, collections
+df=pd.read_pickle('govpl.pkl')
+src=re.compile(r'(?i)\bźr[óo]d[łl]o\s*:\s*/?\s*([^\n]{0,100})')
+c=collections.Counter(); rows=[]
+for i,t in zip(df.id,df.text):
+    ms=list(src.finditer(t))
+    if ms:
+        m=ms[-1]
+        v=re.sub(r'\s*Zdjęcia.*$','',m.group(1)).strip(' /')
+        c[v]+=1; rows.append((i,v))
+print(len(rows))
+for v,n in c.most_common(70): print(n,v)
+pap=[r for r in rows if re.search(r'(?i)\bPAP\b',r[1])]
+print('source-line PAP:',len(pap))
+# other media in source lines
+media=re.compile(r'(?i)(rzeczpospolit|gazeta|dziennik|onet|wp\b|polsat|tvn|tvp|radio|polskie radio|interia|money\.pl|forsal|business insider|reuters|afp|ap\b|bbc|polityka|newsweek|wprost|\.pl\b|\.com)')
+oth=[r for r in rows if media.search(r[1])]
+print('source-line media-ish:',len(oth))
+for r in oth[:40]: print(r)

artifacts/rights_audit_2026-10/govweb/g4.py

@@ -0,0 +1,6 @@
+import pandas as pd, re
+df=pd.read_pickle('govpl.pkl')
+s=df.sample(200,random_state=42)
+for _,r in s.iterrows():
+    t=r.text
+    print(r.id,'|',t[:70].replace('\n',' '),'...',re.sub(r'\s+',' ',t[-170:]))

artifacts/rights_audit_2026-10/govweb/g5.py

@@ -0,0 +1,16 @@
+import pandas as pd, re
+df=pd.read_pickle('govpl.pkl')
+s=df.sample(200,random_state=42)
+M={'PAP':r'\bPAP\b','src':r'(?i)\bźr[óo]d[łl]o\s*:','wywiad':r'(?i)\bwywiad','rozmowie':r'(?i)w rozmowie z','Tekst:':r'(?m)^\s*Tekst\s*:','©':'©','cytat/list':r'(?i)\b(list|apel|oświadczenie|komunikat)\b','tel':r'\btel\.'}
+n=0
+for _,r in s.iterrows():
+    t=r.text
+    f=[k for k,p in M.items() if re.search(p,t)]
+    f=[x for x in f if x not in('cytat/list','tel')]
+    if f:
+        n+=1
+        print(r.id,f,'|',t[:60].replace('\n',' '),'...',re.sub(r'\s+',' ',t[-120:]))
+print('flagged',n,'of 200')
+# Zdjęcia(N) sign: photo gallery presence
+print('has Zdjęcia(N):',s.text.str.contains(r'Zdjęcia \(\d+\)').sum())
+print('has photo credit "Fot.|Zdjęcia:|Foto":',s.text.str.contains(r'(?i)\b(fot\.|foto:|zdjęcia:|zdjęcie:)').sum())

artifacts/rights_audit_2026-10/govweb/g6.py

@@ -0,0 +1,15 @@
+import pandas as pd, re
+df=pd.read_pickle('govpl.pkl')
+T=df.set_index('id').text
+for i in ['govpl_25749','govpl_26309']:
+    print(i, len(T[i])); print(T[i][:1500]); print('....', T[i][-300:]); print('==========')
+cats={'srcline_PAP':r'(?i)\bźr[óo]d[łl]o\s*:\s*/?[^\n]{0,60}\bPAP\b',
+'rozmowie_z_PAP':r'(?i)(rozmow\w+|wywiad\w*|wypowied\w+|powiedział\w*|mówi\w*)[^\n]{0,60}\b(dla|z|w) (PAP|Polskiej Agencji Prasowej)',
+'Polska Agencja Prasowa':r'(?i)Polsk(a|iej|ą) Agencj\w+ Prasow',
+'Fot PAP':r'(?i)\bfot\w*\.?:?[^\n]{0,60}\bPAP\b',
+}
+for k,p in cats.items():
+    print(k, df.text.str.contains(p,regex=True).sum())
+any_pap = df.text.str.contains(cats['srcline_PAP'],regex=True)
+print('srcline PAP ids range:', df[any_pap].id.str.replace('govpl_','').astype(int).describe()[['min','25%','50%','75%','max']].tolist())
+print('chars in srcline PAP docs', df[any_pap].text.str.len().sum()/df.text.str.len().sum())

artifacts/rights_audit_2026-10/govweb/g7.py

@@ -0,0 +1,18 @@
+import json,re,subprocess,concurrent.futures as cf,html
+m=json.load(open('src/govpl_subsites.json'))['subsites']
+def get(s):
+    slug=s['slug']
+    r=subprocess.run(['curl','-sL','-m','30','-A','Mozilla/5.0',f'https://www.gov.pl/web/{slug}'],capture_output=True)
+    t=r.stdout.decode('utf8','ignore')
+    txt=html.unescape(re.sub(r'<[^>]+>',' ',t)); txt=re.sub(r'\s+',' ',txt)
+    return slug,len(t),'CC BY-SA 4.0' in txt,'CC BY-NC-ND' in txt,[x for x in re.findall(r'[^.]{0,150}(?:prawa autorskie|przedruk|licencj)[^.]{0,200}',txt)][:3]
+res=[]
+with cf.ThreadPoolExecutor(6) as ex:
+    for r in ex.map(get,m): res.append(r)
+json.dump(res,open('subsite_footers.json','w'),ensure_ascii=False)
+print(len(res),'with CC BY-SA 4.0 footer:',sum(r[2] for r in res))
+for r in res:
+    if not r[2]: print('NO FOOTER',r[:2])
+import collections
+c=collections.Counter(json.dumps(r[4],ensure_ascii=False)[:300] for r in res)
+for k,v in c.most_common(8): print(v,k)

artifacts/rights_audit_2026-10/govweb/g8.py

@@ -0,0 +1,12 @@
+import pandas as pd, re
+df=pd.read_pickle('govpl.pkl')
+df['title']=df.text.str.split('\n').str[0]
+p=r'(?i)(wywiad|rozmow[aęy]|w rozmowie|felieton|artykuł (ministra|wiceministra|premiera)|op-ed|dla (gazety|dziennika|tygodnika|radia|tvp|tvn|polsat|rzeczpospolit|onet|wp)|na łamach|w mediach|przegląd prasy|prasa o)'
+m=df[df.title.str.contains(p,regex=True)]
+print('title hits',len(m))
+for _,r in m.sample(40,random_state=3).iterrows(): print(r.id,r.title[:150])
+p2=r'(?i)(na łamach|w wywiadzie dla|artykuł (opublikowany|ukazał)|opublikowany (w|na) (dzienniku|gazecie|tygodniku|portalu)|wywiad (udzielony|dla)|za zgodą (redakcji|wydawcy|autora)|przedruk)'
+m2=df[df.text.str.contains(p2,regex=True)]
+print('body hits (reprint-ish)',len(m2))
+for _,r in m2.sample(25,random_state=3).iterrows():
+    mm=re.search(p2,r.text); print(r.id,'|',re.sub(r'\s+',' ',r.text[max(0,mm.start()-120):mm.end()+160]))

artifacts/rights_audit_2026-10/govweb/g9.py

@@ -0,0 +1,9 @@
+import pandas as pd, re
+df=pd.read_pickle('govpl.pkl'); df['title']=df.text.str.split('\n').str[0]
+T=df.set_index('id')
+for pat in [r'^Rozmowy z Ekspertami',r'^Prokuratorzy w mediach']:
+    m=df[df.title.str.contains(pat)]; print(pat,len(m))
+for i in ['govpl_46631','govpl_70231']:
+    print(i,len(T.text[i])); print(T.text[i][:900]); print('....',T.text[i][-300:]); print('=======')
+print(df[df.title.str.contains(r'(?i)^Wywiad')].shape, df[df.title.str.contains(r'(?i)wywiad')].shape)
+for _,r in df[df.title.str.contains(r'(?i)wywiad')].sample(15,random_state=1).iterrows(): print(r.id,r.title[:140])

artifacts/rights_audit_2026-10/govweb/s1.py

@@ -0,0 +1,9 @@
+import pyarrow.parquet as pq, pandas as pd, re, json, collections
+base='data/samorzad_gov_pl/'
+df=pq.read_table(base+'samorzad_gov_pl.parquet',columns=['id','text','author','created']).to_pandas()
+att=pd.read_json(base+'samorzad_gov_pl.attribution.jsonl',lines=True)[['id','title','tenant','publisher','publisher_type','source_url']]
+df=df.merge(att,on='id',how='left')
+df.to_pickle('samorzad.pkl')
+print(len(df)); print(df.publisher_type.value_counts().to_string())
+print(df.publisher.nunique())
+print(df.text.str.len().describe())

artifacts/rights_audit_2026-10/govweb/s2.py

@@ -0,0 +1,21 @@
+import pandas as pd, re, warnings; warnings.filterwarnings('ignore')
+df=pd.read_pickle('samorzad.pkl')
+pats={
+ 'PAP':r'\bPAP\b',
+ 'Źródło:':r'(?i)\bźr[óo]d[łl]o\s*:',
+ 'za:':r'(?m)^\s*za\s*:',
+ '©':'©',
+ 'Autor:':r'(?mi)^\s*(autor|autorka|autorzy|tekst|opracowanie|zdjęcia|foto|fot\.)\s*:',
+ 'wiersz/poezja':r'(?i)\b(wiersz|wierszy|poezj|poemat|opowiadani|fraszk)',
+ 'konkurs-prace':r'(?i)(praca konkursowa|prace konkursowe|nagrodzon\w+ prac|laureat\w* konkurs)',
+ 'regionalna prasa':r'(?i)(gazeta (wyborcza|krakowska|lubelska|współczesna)|dziennik (polski|zachodni|łódzki|bałtycki)|echo dnia|nowiny|tygodnik|kurier)',
+ 'wywiad':r'(?i)\bwywiad',
+ 'CC':r'(?i)\bCC[ -]BY',
+ 'licencja':r'(?i)\blicencj',
+ 'prawa autorskie':r'(?i)(prawa autorskie|prawami autorskimi|utwór chroniony)',
+ 'Facebook':r'(?i)(facebook|fb\.com)',
+ 'tłumaczenie':r'(?i)tłumaczeni',
+ 'cytat z książki':r'(?i)(fragment (książki|powieści|tomiku)|za:)',
+}
+for k,p in pats.items():
+    c=df.text.str.contains(p,regex=True).sum(); print(f'{k:20s} {c:6d} {c/len(df):.2%}')

artifacts/rights_audit_2026-10/govweb/s3.py

@@ -0,0 +1,12 @@
+import pandas as pd, re, warnings, collections; warnings.filterwarnings('ignore')
+df=pd.read_pickle('samorzad.pkl')
+def ctx(p,n=10,w=170,seed=2):
+    m=df[df.text.str.contains(p,regex=True)]
+    print('###',p,len(m))
+    for _,r in m.sample(min(n,len(m)),random_state=seed).iterrows():
+        mm=re.search(p,r.text)
+        print(r.publisher,'|',r.title[:60],'||',re.sub(r'\s+',' ',r.text[max(0,mm.start()-w):mm.end()+w]));print()
+ctx(r'(?i)\bźr[óo]d[łl]o\s*:',12)
+ctx(r'(?mi)^\s*(autor|autorka|autorzy)\s*:',10)
+ctx(r'(?i)(prawa autorskie|prawami autorskimi|utwór chroniony)',8)
+ctx(r'(?i)\blicencj',6)

artifacts/rights_audit_2026-10/govweb/s4.py

@@ -0,0 +1,30 @@
+import pandas as pd, re, warnings, collections; warnings.filterwarnings('ignore')
+df=pd.read_pickle('samorzad.pkl')
+T=lambda p: df.text.str.contains(p,regex=True)
+imgw=T(r'Opracowanie niniejsze i jego format')
+print('IMGW reserved-rights notice:',imgw.sum(), df[imgw].publisher.nunique(),'publishers; chars',df[imgw].text.str.len().sum())
+print(T(r'(?i)wszelkie prawa zastrzeżone').sum(),'wszelkie prawa zastrzeżone')
+print(T(r'(?i)(zakaz|zabronione|bez zgody (autora|redakcji|wydawcy))[^.]{0,60}(kopiowan|rozpowszechnian|powielan|przedruk)').sum(),'no-copy phrases')
+cyc=df.title.str.contains(r'(?i)cykl wierszy|piątek z poezj|wiersz')
+print('title wiersz/cykl:',cyc.sum()); print(df[cyc].publisher.value_counts().head(8).to_string())
+sok=df[df.title.str.contains(r'(?i)cykl wierszy')]
+print('Cykl wierszy docs',len(sok), sok.publisher.unique())
+print(sok.text.str.contains(r'(?i)wydawca|wydawnictwo|wydanie').sum(),'with publisher/Wydawnictwo mention')
+# poems in body: heuristic - many short lines
+def poemish(t):
+    ls=[l for l in t.split('\n') if l.strip()]
+    if len(ls)<8: return False
+    short=sum(1 for l in ls if len(l)<55)
+    return short/len(ls)>0.8
+pm=df.text.map(poemish)
+print('poem-ish (>=8 lines, >80% short lines):',pm.sum())
+print(df[pm].publisher.value_counts().head(8).to_string())
+for _,r in df[pm].sample(8,random_state=1).iterrows(): print(r.publisher,'|',r.title[:70])
+# source lines
+src=re.compile(r'(?im)\bźr[óo]d[łl]o\s*:\s*([^\n]{0,80})')
+c=collections.Counter(); n=0
+for t in df.text:
+    ms=list(src.finditer(t))
+    if ms: n+=1; c[ms[-1].group(1).strip()[:50]]+=1
+print('docs w/ Źródło:',n)
+for v,k in c.most_common(35): print(k,v)

artifacts/rights_audit_2026-10/govweb/s5.py

@@ -0,0 +1,12 @@
+import pandas as pd, re, warnings; warnings.filterwarnings('ignore')
+df=pd.read_pickle('samorzad.pkl')
+s=df.sample(200,random_state=7)
+pat=re.compile(r'(?i)(źródło:|autor:|autorstwa|fot\.|wiersz|PAP\b|Polska Agencja Prasowa|za\s+portalem|za\s+(?:gazet|tygodnik|dziennik)|cytat|wywiad|prawa autorskie|konkurs)')
+n=0
+for i,(_,r) in enumerate(s.iterrows()):
+    ms=[m for m in pat.finditer(r.text)]
+    if ms:
+        n+=1
+        kinds=sorted({m.group(1).lower() for m in ms})
+        print(i,r.publisher[:35],'|',r.title[:50],'|',kinds[:6])
+print('flagged',n,'/200')

artifacts/rights_audit_2026-10/literary/eltec_meta.tsv

@@ -0,0 +1,101 @@
+corpus-id	filename	xmlid	author-name	title	author-birth	author-death	author-gender	author-ids	reference-year	first-edition	digital-edition	print-edition	provenance	title-ids	language	numwords	subgenre	narrative-perspective	size-category	reprint-count	time-slot
+ELTeC-pol	POL0096_zmichowska_poganka	POL0096	Żmichowska, Narcyza	Poganka	1819	1876	F	http://viaf.org/viaf/19701612	1846	NA	NA	1846	NA	NA	pl	37362	NA	NA	short	low	T1
+ELTeC-pol	POL0095_zmichowska_ksiazka-pamiatek	POL0095	Żmichowska, Narcyza	Książka pamiątek	1819	1876	F	http://viaf.org/viaf/19701612	1848	NA	NA	1848	NA	NA	pl	65589	NA	NA	medium	low	T1
+ELTeC-pol	POL0034_korzeniowski_emeryt	POL0034	Korzeniowski, Józef	Emeryt	1797	1863	M	http://viaf.org/viaf/37042269	1851	NA	NA	1851	NA	NA	pl	87234	NA	NA	long	low	T1
+ELTeC-pol	POL0032_kaczkowski_murdelio	POL0032	Kaczkowski, Zygmunt	Murdelio	1825	1896	M	http://viaf.org/viaf/35309217	1853	NA	NA	1853	NA	NA	pl	131055	NA	NA	long	high	T1
+ELTeC-pol	POL0035_korzeniowski_garbaty	POL0035	Korzeniowski, Józef	Garbaty	1797	1863	M	http://viaf.org/viaf/37042269	1853	NA	NA	1853	NA	NA	pl	98233	NA	NA	long	low	T1
+ELTeC-pol	POL0036_korzeniowski_krewni	POL0036	Korzeniowski, Józef	Krewni	1797	1863	M	http://viaf.org/viaf/37042269	1857	NA	NA	1857	NA	NA	pl	176017	NA	NA	long	low	T1
+ELTeC-pol	POL0031_kaczkowski_grob-nieczui	POL0031	Kaczkowski, Zygmunt	Grób Nieczui	1825	1896	M	http://viaf.org/viaf/35309217	1857	NA	NA	1857	NA	NA	pl	193062	NA	NA	long	high	T1
+ELTeC-pol	POL0094_zmichowska_biala-roza	POL0094	Żmichowska, Narcyza	Biała róża	1819	1876	F	http://viaf.org/viaf/19701612	1858	NA	NA	1858	NA	NA	pl	50303	NA	NA	short	low	T1
+ELTeC-pol	POL0003_balucki_przebudzeni	POL0003	Bałucki, Michał	Przebudzeni	1837	1901	M	http://viaf.org/viaf/70005089	1864	NA	NA	1864	NA	NA	pl	49056	NA	NA	short	high	T2
+ELTeC-pol	POL0043_lozinski-wladyslaw_czarne-godziny	POL0043	Łoziński, Władysław	Czarne godziny	1843	1913	M	http://viaf.org/viaf/56900155	1869	NA	NA	1869	NA	NA	pl	81758	NA	NA	medium	low	T2
+ELTeC-pol	POL0046_marrene_bozek-miljon	POL0046	Marrené-Morzkowska, Waleria	Bożek Miljon	1832	1903	F	http://viaf.org/viaf/84265477	1871	NA	NA	1871	NA	NA	pl	50650	NA	NA	medium	low	T2
+ELTeC-pol	POL0048_marrene_roza	POL0048	Marrené-Morzkowska, Waleria	Róża	1832	1903	F	http://viaf.org/viaf/84265477	1872	NA	NA	1872	NA	NA	pl	65132	NA	NA	medium	low	T2
+ELTeC-pol	POL0055_orzeszkowa_marta	POL0055	Orzeszkowa, Eliza	Marta	1841	1910	F	http://viaf.org/viaf/44349228	1873	NA	NA	1873	NA	NA	pl	65886	NA	NA	medium	high	T2
+ELTeC-pol	POL0037_kraszewski_hrabina-cosel	POL0037	Kraszewski, Józef Ignacy	Hrabina Cosel	1812	1887	M	http://viaf.org/viaf/4965235	1873	NA	NA	1873	NA	NA	pl	54208	NA	NA	medium	high	T2
+ELTeC-pol	POL0047_marrene_mezowie-i-zony	POL0047	Marrené-Morzkowska, Waleria	Mężowie i żony	1832	1903	F	http://viaf.org/viaf/84265477	1874	NA	NA	1874	NA	NA	pl	69608	NA	NA	medium	low	T2
+ELTeC-pol	POL0001_balucki_bialy-murzyn	POL0001	Bałucki, Michał	Biały murzyn	1837	1901	M	http://viaf.org/viaf/70005089	1875	1875	NA	1876	Polona	NA	pl	66054	NA	NA	medium	high	T2
+ELTeC-pol	POL0039_kraszewski_stara-basn	POL0039	Kraszewski, Józef Ignacy	Stara baśń	1812	1887	M	http://viaf.org/viaf/4965235	1876	NA	NA	1876	NA	NA	pl	120959	NA	NA	long	high	T2
+ELTeC-pol	POL0056_orzeszkowa_meir-ezofowicz	POL0056	Orzeszkowa, Eliza	Meir Ezofowicz	1841	1910	F	http://viaf.org/viaf/44349228	1878	NA	NA	1878	NA	NA	pl	100694	NA	NA	long	high	T2
+ELTeC-pol	POL0012_deotyma_zwierciadlana-zagadka	POL0012	Łuszczewska, Jadwiga	Zwierciadlana zagadka	1834	1908	F	http://viaf.org/viaf/120728150	1879	NA	NA	1879	NA	NA	pl	47623	NA	NA	short	low	T2
+ELTeC-pol	POL0038_kraszewski_pogrobek	POL0038	Kraszewski, Józef Ignacy	Pogrobek	1812	1887	M	http://viaf.org/viaf/4965235	1880	NA	NA	1880	NA	NA	pl	70511	NA	NA	medium	high	T3
+ELTeC-pol	POL0059_papi_szlachetne-marzenia	POL0059	Papi, Jadwiga	Szlachetne marzenia	1843	1906	F	http://viaf.org/viaf/14351639	1883	NA	NA	1883	NA	NA	pl	21192	NA	NA	short	low	T3
+ELTeC-pol	POL0079_sygietynski_na-skalach-calvados	POL0079	Sygietyński, Antoni	Na skałach Calvados	1850	1923	M	http://viaf.org/viaf/54273263	1884	NA	NA	1884	NA	NA	pl	47523	NA	NA	short	low	T3
+ELTeC-pol	POL0070_sienkiewicz_ogniem-i-mieczem	POL0070	Sienkiewicz, Henryk	Ogniem i mieczem	1846	1916	M	http://viaf.org/viaf/24608122	1884	NA	NA	1884	NA	NA	pl	281837	NA	NA	long	high	T3
+ELTeC-pol	POL0024_dygasinski_wilk-psy-i-ludzie	POL0024	Dygasiński, Adolf	Wilk, psy i ludzie	1839	1902	M	http://viaf.org/viaf/8187131	1884	NA	NA	1884	NA	NA	pl	15086	NA	NA	short	low	T3
+ELTeC-pol	POL0054_morawska_wilcze-gniazdo	POL0054	Morawska, Zuzanna	Wilcze gniazdo	1840	1922	F	NA	1885	NA	NA	1885	NA	NA	pl	27412	NA	NA	short	low	T3
+ELTeC-pol	POL0044_lozinski-wladyslaw_hazardy	POL0044	Łoziński, Władysław	Hazardy	1843	1913	M	http://viaf.org/viaf/56900155	1887	NA	NA	1887	NA	NA	pl	64737	NA	NA	medium	low	T3
+ELTeC-pol	POL0002_balucki_pan-burmistrz	POL0002	Bałucki, Michał	Pan burmistrz z Pipidówki	1837	1901	M	http://viaf.org/viaf/70005089	1887	NA	NA	1887	NA	NA	pl	32595	NA	NA	short	high	T3
+ELTeC-pol	POL0057_orzeszkowa_nad-niemnem	POL0057	Orzeszkowa, Eliza	Nad Niemnem	1841	1910	F	http://viaf.org/viaf/44349228	1888	NA	NA	1888	NA	NA	pl	169047	NA	NA	long	high	T3
+ELTeC-pol	POL0088_zapolska_kaska-kariatyda	POL0088	Zapolska, Gabriela	Kaśka Kariatyda	1857	1921	F	http://viaf.org/viaf/36937720	1888	NA	NA	1888	NA	NA	pl	101834	NA	NA	long	high	T3
+ELTeC-pol	POL0010_deotyma_branki-w-jasyrze	POL0010	Łuszczewska, Jadwiga	Branki w jasyrze	1834	1908	F	http://viaf.org/viaf/120728150	1889	NA	NA	1889	NA	NA	pl	95601	NA	NA	long	low	T3
+ELTeC-pol	POL0033_kaczkowski_olbrachtowi-rycerze	POL0033	Kaczkowski, Zygmunt	Olbrachtowi rycerze	1825	1896	M	http://viaf.org/viaf/35309217	1889	NA	NA	1889	NA	NA	pl	265075	NA	NA	long	high	T3
+ELTeC-pol	POL0068_rodziewiczowna_miedzy-ustami-a-brzegiem-pucharu	POL0068	Rodziewiczówna, Maria	Między ustami a brzegiem pucharu	1864	1944	F	http://viaf.org/viaf/101739597	1889	NA	NA	1889	NA	NA	pl	59591	NA	NA	medium	high	T3
+ELTeC-pol	POL0063_prus_lalka	POL0063	Prus, Bolesław	Lalka	1847	1912	M	http://viaf.org/viaf/64016160	1890	NA	NA	1890	NA	NA	pl	263173	NA	NA	long	high	T3
+ELTeC-pol	POL0023_dygasinski_pan-jedrzej-piszczalski	POL0023	Dygasiński, Adolf	Pan Jędrzej Piszczalski	1839	1902	M	http://viaf.org/viaf/8187131	1890	NA	NA	1890	NA	NA	pl	86521	NA	NA	long	low	T3
+ELTeC-pol	POL0081_sygietynski_wysadzony-z-siodla	POL0081	Sygietyński, Antoni	Wysadzony z siodła	1850	1923	M	http://viaf.org/viaf/54273263	1891	NA	NA	1891	NA	NA	pl	54834	NA	NA	medium	low	T3
+ELTeC-pol	POL0011_deotyma_panienka-z-okienka	POL0011	Łuszczewska, Jadwiga	Panienka z okienka	1834	1908	F	http://viaf.org/viaf/120728150	1893	NA	NA	1893	NA	NA	pl	88493	NA	NA	long	low	T3
+ELTeC-pol	POL0061_prus_emancypantki	POL0061	Prus, Bolesław	Emancypantki	1847	1912	M	http://viaf.org/viaf/64016160	1894	NA	NA	1894	NA	NA	pl	129085	NA	NA	long	high	T3
+ELTeC-pol	POL0058_papi_ognisko-rodzinne	POL0058	Papi, Jadwiga	Ognisko rodzinne	1843	1906	F	http://viaf.org/viaf/14351639	1894	NA	NA	1894	NA	NA	pl	45609	NA	NA	short	low	T3
+ELTeC-pol	POL0072_sienkiewicz_rodzina-polanieckich	POL0072	Sienkiewicz, Henryk	Rodzina Połanieckich	1846	1916	M	http://viaf.org/viaf/24608122	1895	NA	NA	1895	NA	NA	pl	210389	NA	NA	long	high	T3
+ELTeC-pol	POL0027_godlewska-ludwika_po-zdrowie	POL0027	Godlewska, Ludwika	Po zdrowie	1863	1901	F	http://viaf.org/viaf/164716389	1896	NA	NA	1896	NA	NA	pl	54876	NA	NA	medium	low	T3
+ELTeC-pol	POL0065_reymont_komediantka	POL0065	Reymont, Władysław Stanisław	Komediantka	1867	1925	M	http://viaf.org/viaf/4935777	1896	NA	NA	1896	NA	NA	pl	83455	NA	NA	medium	high	T3
+ELTeC-pol	POL0077_swietochowski_tragokomedya-prawdy	POL0077	Świętochowski, Aleksander	Tragikomedya prawdy	1849	1938	M	http://viaf.org/viaf/22939255	1896	NA	NA	1896	NA	NA	pl	22604	NA	NA	short	low	T3
+ELTeC-pol	POL0071_sienkiewicz_quo-vadis	POL0071	Sienkiewicz, Henryk	Quo vadis	1846	1916	M	http://viaf.org/viaf/24608122	1896	NA	NA	1896	NA	NA	pl	174321	NA	NA	long	high	T3
+ELTeC-pol	POL0022_dygasinski_as	POL0022	Dygasiński, Adolf	As	1839	1902	M	http://viaf.org/viaf/8187131	1896	NA	NA	1896	NA	NA	pl	40650	NA	NA	short	high	T3
+ELTeC-pol	POL0004_beczkowska_co-bedzie	POL0004	Grot-Bęczkowska, Wanda	Co będzie z naszego chłopca?	1854	1925	F	http://viaf.org/viaf/187234530	1896	NA	NA	1896	NA	NA	pl	35609	NA	NA	short	low	T3
+ELTeC-pol	POL0062_prus_faraon	POL0062	Prus, Bolesław	Faraon	1847	1912	M	http://viaf.org/viaf/64016160	1897	NA	NA	1897	NA	NA	pl	198296	NA	NA	long	high	T3
+ELTeC-pol	POL0093_zeromski_syzyfowe-prace	POL0093	Żeromski, Stefan	Syzyfowe prace	1864	1925	M	http://viaf.org/viaf/189239633	1898	NA	NA	1898	NA	NA	pl	65554	NA	NA	medium	high	T3
+ELTeC-pol	POL0025_godlewska-ludwika_kato	POL0025	Godlewska, Ludwika	Kato	1863	1901	F	http://viaf.org/viaf/164716389	1898	NA	NA	1898	NA	NA	pl	90002	NA	NA	long	low	T3
+ELTeC-pol	POL0005_beczkowska_kedy-droga	POL0005	Grot-Bęczkowska, Wanda	Kędy droga?	1854	1925	F	http://viaf.org/viaf/187234530	1898	NA	NA	1898	NA	NA	pl	82956	NA	NA	medium	low	T3
+ELTeC-pol	POL0026_godlewska-ludwika_kwiat-aloesu	POL0026	Godlewska, Ludwika	Kwiat aloesu	1863	1901	F	http://viaf.org/viaf/164716389	1899	NA	NA	1899	NA	NA	pl	24414	NA	NA	short	low	T3
+ELTeC-pol	POL0066_reymont_ziemia-obiecana	POL0066	Reymont, Władysław Stanisław	Ziemia obiecana	1867	1925	M	http://viaf.org/viaf/4935777	1899	NA	NA	1899	NA	NA	pl	173882	NA	NA	long	high	T3
+ELTeC-pol	POL0006_beczkowska_w-mieszczanskim-gniezdzie	POL0006	Grot-Bęczkowska, Wanda	W mieszczańskim gnieździe	1854	1925	F	http://viaf.org/viaf/187234530	1899	NA	NA	1899	NA	NA	pl	53885	NA	NA	medium	low	T3
+ELTeC-pol	POL0069_rodziewiczowna_straszny-dziadunio	POL0069	Rodziewiczówna, Maria	Straszny dziadunio	1864	1944	F	http://viaf.org/viaf/101739597	1899	NA	NA	1899	NA	NA	pl	35761	NA	NA	short	high	T3
+ELTeC-pol	POL0045_lozinski-wladyslaw_oko-proroka	POL0045	Łoziński, Władysław	Oko proroka	1843	1913	M	http://viaf.org/viaf/56900155	1899	NA	NA	1899	NA	NA	pl	81758	NA	NA	medium	low	T3
+ELTeC-pol	POL0013_dmochowska_dwor-w-haliniszkach	POL0013	Dmochowska, Emma	Dwór w Haliniszkach	1864	1919	F	http://viaf.org/viaf/163971581	1903	NA	NA	1903	NA	NA	pl	132873	NA	NA	long	low	T4
+ELTeC-pol	POL0097_zulawski_na-srebrnym-globie	POL0097	Żuławski, Jerzy	Na srebrnym globie	1874	1915	M	http://viaf.org/viaf/20269297	1903	NA	NA	1903	NA	NA	pl	64507	NA	NA	medium	high	T4
+ELTeC-pol	POL0009_berent_prochno	POL0009	Berent, Wacław	Próchno	1873	1940	M	http://viaf.org/viaf/22203184	1903	NA	NA	1903	NA	NA	pl	80318	NA	NA	medium	low	T4
+ELTeC-pol	POL0090_zapolska_sezonowa-milosc	POL0090	Zapolska, Gabriela	Sezonowa miłość	1857	1921	F	http://viaf.org/viaf/36937720	1904	NA	NA	1904	NA	NA	pl	108195	NA	NA	long	low	T4
+ELTeC-pol	POL0060_papi_w-sloncu	POL0060	Papi, Jadwiga	W słońcu	1843	1906	F	http://viaf.org/viaf/14351639	1904	NA	NA	1904	NA	NA	pl	33836	NA	NA	short	low	T4
+ELTeC-pol	POL0083_weyssenhoff_narodziny-dzialacza	POL0083	Weyssenhoff, Józef	Narodziny działacza	1860	1932	M	http://viaf.org/viaf/39411801	1906	NA	NA	1906	NA	NA	pl	28240	NA	NA	short	low	T4
+ELTeC-pol	POL0015_dmochowska_obraczka	POL0015	Dmochowska, Emma	Obrączka	1864	1919	F	http://viaf.org/viaf/163971581	1907	NA	NA	1907	NA	NA	pl	58742	NA	NA	medium	low	T4
+ELTeC-pol	POL0091_zeromski_dzieje-grzechu	POL0091	Żeromski, Stefan	Dzieje grzechu	1864	1925	M	http://viaf.org/viaf/189239633	1908	NA	NA	1908	NA	NA	pl	151924	NA	NA	long	high	T4
+ELTeC-pol	POL0064_reymont_chlopi	POL0064	Reymont, Władysław Stanisław	Chłopi	1867	1925	M	http://viaf.org/viaf/4935777	1909	NA	NA	1909	NA	NA	pl	326603	NA	NA	long	high	T4
+ELTeC-pol	POL0051_mniszek_tredowata	POL0051	Mniszek, Helena	Trędowata	1878	1943	F	http://viaf.org/viaf/920864	1909	NA	NA	1909	NA	NA	pl	120753	NA	NA	long	high	T4
+ELTeC-pol	POL0021_domanska_paziowie-krola-zygmunta	POL0021	Domańska, Antonina	Paziowie króla Zygmunta	1853	1917	F	http://viaf.org/viaf/3522169	1910	NA	NA	1910	NA	NA	pl	43324	NA	NA	short	low	T4
+ELTeC-pol	POL0040_krzemieniecka_a-gdy-odejdzie	POL0040	Krzemieniecka, Hanna	A gdy odejdzie w przepaść wieczną	1866	1930	F	http://viaf.org/viaf/166400239	1910	NA	NA	1910	NA	NA	pl	54131	NA	NA	medium	low	T4
+ELTeC-pol	POL0099_zulawski_zwyciezca	POL0099	Żuławski, Jerzy	Zwycięzca	1874	1915	M	http://viaf.org/viaf/20269297	1910	NA	NA	1910	NA	NA	pl	84111	NA	NA	medium	high	T4
+ELTeC-pol	POL0073_strug_dzieje-jednego-pocisku	POL0073	Strug, Andrzej	Dzieje jednego pocisku	1871	1937	M	http://viaf.org/viaf/64041122	1910	NA	NA	1910	NA	NA	pl	64359	NA	NA	medium	low	T4
+ELTeC-pol	POL0050_mniszek_ordynat-michorowski	POL0050	Mniszek, Helena	Ordynat michorowski	1878	1943	F	http://viaf.org/viaf/920864	1910	NA	NA	1910	NA	NA	pl	48668	NA	NA	short	high	T4
+ELTeC-pol	POL0053_morawska_na-zgliszczach-zakonu	POL0053	Morawska, Zuzanna	Na zgliszczach Zakonu	1840	1922	F	NA	1911	NA	NA	1911	NA	NA	pl	38868	NA	NA	short	low	T4
+ELTeC-pol	POL0052_morawska_adiutant-nastepcy-tronu	POL0052	Morawska, Zuzanna	Adjutant następcy tronu	1840	1922	F	NA	1911	NA	NA	1911	NA	NA	pl	31605	NA	NA	short	low	T4
+ELTeC-pol	POL0008_berent_ozimina	POL0008	Berent, Wacław	Ozimina	1873	1940	M	http://viaf.org/viaf/22203184	1911	NA	NA	1911	NA	NA	pl	68502	NA	NA	medium	low	T4
+ELTeC-pol	POL0049_mniszek_gehenna	POL0049	Mniszek, Helena	Gehenna	1878	1943	F	http://viaf.org/viaf/920864	1912	NA	NA	1912	NA	NA	pl	170796	NA	NA	long	high	T4
+ELTeC-pol	POL0084_weyssenhoff_sobol-i-panna	POL0084	Weyssenhoff, Józef	Soból i panna	1860	1932	M	http://viaf.org/viaf/39411801	1912	NA	NA	1912	NA	NA	pl	63400	NA	NA	medium	low	T4
+ELTeC-pol	POL0019_domanska_historia-zoltej-cizemki	POL0019	Domańska, Antonina	Historia żółtej ciżemki	1853	1917	F	http://viaf.org/viaf/3522169	1913	NA	NA	1913	NA	NA	pl	62366	NA	NA	medium	low	T4
+ELTeC-pol	POL0089_zapolska_kobieta-bez-skazy	POL0089	Zapolska, Gabriela	Kobieta bez skazy	1857	1921	F	http://viaf.org/viaf/36937720	1913	NA	NA	1913	NA	NA	pl	70554	NA	NA	medium	low	T4
+ELTeC-pol	POL0082_weyssenhoff_gromada	POL0082	Weyssenhoff, Józef	Gromada	1860	1932	M	http://viaf.org/viaf/39411801	1913	NA	NA	1913	NA	NA	pl	59634	NA	NA	medium	low	T4
+ELTeC-pol	POL0020_domanska_krysia-bezimienna	POL0020	Domańska, Antonina	Krysia bezimienna	1853	1917	F	http://viaf.org/viaf/3522169	1914	NA	NA	1914	NA	NA	pl	34310	NA	NA	short	low	T4
+ELTeC-pol	POL0098_zulawski_powrot	POL0098	Żuławski, Jerzy	Powrót	1874	1915	M	http://viaf.org/viaf/20269297	1914	NA	NA	1914	NA	NA	pl	64507	NA	NA	medium	high	T4
+ELTeC-pol	POL0014_dmochowska_jak-odlamana-galaz	POL0014	Dmochowska, Emma	Jak odłamana gałąź	1864	1919	F	http://viaf.org/viaf/163971581	1914	NA	NA	1914	NA	NA	pl	50488	NA	NA	short	low	T4
+ELTeC-pol	POL0076_swietochowski_drygalowie	POL0076	Świętochowski, Aleksander	Drygałowie	1849	1938	M	http://viaf.org/viaf/22939255	1915	NA	NA	1915	NA	NA	pl	44297	NA	NA	short	low	T4
+ELTeC-pol	POL0080_sygietynski_swiety-ogien	POL0080	Sygietyński, Antoni	Święty ogień	1850	1923	M	http://viaf.org/viaf/54273263	1918	NA	NA	1918	NA	NA	pl	40324	NA	NA	short	low	T4
+ELTeC-pol	POL0067_rodziewiczowna_lato-lesnych-ludzi	POL0067	Rodziewiczówna, Maria	Lato leśnych ludzi	1864	1944	F	http://viaf.org/viaf/101739597	1920	NA	NA	1920	NA	NA	pl	45202	NA	NA	short	high	T4
+ELTeC-pol	POL0100_makuszynski_po-mlecznej-drodze	POL0100	Makuszyński, Kornel	Po mlecznej drodze	1884	1953	M	http://viaf.org/viaf/24615563	1920	1920	NA	NA	Computational Stylistics Group in Krakow	NA	pol	54705	NA	NA	medium	high	T4
+ELTeC-pol	POL0042_krzemieniecka_leca-wichry	POL0042	Krzemieniecka, Hanna	Lecą wichry!	1866	1930	F	http://viaf.org/viaf/166400239	1923	NA	NA	1923	NA	NA	pl	75740	NA	NA	medium	low	T4
+ELTeC-pol	POL0092_zeromski_przedwiosnie	POL0092	Żeromski, Stefan	Przedwiośnie	1864	1925	M	http://viaf.org/viaf/189239633	1924	NA	NA	1924	NA	NA	pl	87994	NA	NA	medium	high	T4
+ELTeC-pol	POL0029_grabinski_salamandra	POL0029	Grabiński, Stefan	Salamandra	1887	1936	M	http://viaf.org/viaf/8490048	1924	NA	NA	1924	NA	NA	pl	32079	NA	NA	short	low	T4
+ELTeC-pol	POL0074_strug_pokolenie-marka-swidy	POL0074	Strug, Andrzej	Pokolenie Marka Świdy	1871	1937	M	http://viaf.org/viaf/64041122	1925	NA	NA	1925	NA	NA	pl	89503	NA	NA	long	low	T4
+ELTeC-pol	POL0087_witkacy_pozegnanie-jesieni	POL0087	Witkiewicz, Stanisław Ignacy	Pożegnanie jesieni	1885	1939	M	http://viaf.org/viaf/88039095	1927	NA	NA	1927	NA	NA	pl	128659	NA	NA	long	low	T4
+ELTeC-pol	POL0041_krzemieniecka_fatum	POL0041	Krzemieniecka, Hanna	Fatum	1866	1930	F	http://viaf.org/viaf/166400239	1928	NA	NA	1928	NA	NA	pl	38078	NA	NA	short	low	T4
+ELTeC-pol	POL0086_witkacy_nienasycenie	POL0086	Witkiewicz, Stanisław Ignacy	Nienasycenie	1885	1939	M	http://viaf.org/viaf/88039095	1930	NA	NA	1930	NA	NA	pl	206917	NA	NA	long	low	T4
+ELTeC-pol	POL0028_grabinski_namietnosc	POL0028	Grabiński, Stefan	Namiętność	1887	1936	M	http://viaf.org/viaf/8490048	1930	NA	NA	1930	NA	NA	pl	12103	NA	NA	short	low	T4
+ELTeC-pol	POL0016_dolega-mostowicz_kariera-nikodema-dyzmy	POL0016	Dołęga, Tadeusz-Mostowicz	Kariera Nikodema Dyzmy	1898	1939	M	http://viaf.org/viaf/17325963	1932	NA	NA	1932	NA	NA	pl	85595	NA	NA	medium	high	T4
+ELTeC-pol	POL0075_strug_zolty-krzyz	POL0075	Strug, Andrzej	Żółty krzyż	1871	1937	M	http://viaf.org/viaf/64041122	1933	NA	NA	1933	NA	NA	pl	139338	NA	NA	long	low	T4
+ELTeC-pol	POL0085_witkacy_jedyne-wyjscie	POL0085	Witkiewicz, Stanisław Ignacy	Jedyne wyjście	1885	1939	M	http://viaf.org/viaf/88039095	1933	NA	NA	1933	NA	NA	pl	34812	NA	NA	short	low	T4
+ELTeC-pol	POL0078_swietochowski_twinko	POL0078	Świętochowski, Aleksander	Twinko	1849	1938	M	http://viaf.org/viaf/22939255	1936	NA	NA	1936	NA	NA	pl	45993	NA	NA	short	low	T4
+ELTeC-pol	POL0030_grabinski_wyspa-itongo	POL0030	Grabiński, Stefan	Wyspa Itongo	1887	1936	M	http://viaf.org/viaf/8490048	1936	NA	NA	1936	NA	NA	pl	47046	NA	NA	short	low	T4
+ELTeC-pol	POL0007_berent_diogenes-w-kontuszu	POL0007	Berent, Wacław	Diogenes w kontuszu	1873	1940	M	http://viaf.org/viaf/22203184	1937	NA	NA	1937	NA	NA	pl	38983	NA	NA	short	low	T4
+ELTeC-pol	POL0018_dolega-mostowicz_znachor	POL0018	Dołęga, Tadeusz-Mostowicz	Znachor	1898	1939	M	http://viaf.org/viaf/17325963	1938	NA	NA	1938	NA	NA	pl	80253	NA	NA	medium	high	T4
+ELTeC-pol	POL0017_dolega-mostowicz_pamietnik-pani-hanki	POL0017	Dołęga, Tadeusz-Mostowicz	Pamiętnik pani Hanki	1898	1939	M	http://viaf.org/viaf/17325963	1939	NA	NA	1939	NA	NA	pl	98286	NA	NA	long	high	T4

artifacts/rights_audit_2026-10/literary/wl_fetch.py

@@ -0,0 +1,14 @@
+import json, subprocess, concurrent.futures as cf, os, re, sys
+books=json.load(open('wl_books.json'))
+os.makedirs('wlxml',exist_ok=True)
+def get(b):
+    slug=b['slug']; out=f'wlxml/{slug}.xml'
+    if os.path.exists(out) and os.path.getsize(out)>200: return slug,True
+    for i in range(3):
+        r=subprocess.run(['curl','-sL','-m','60','-r','0-9999','-o',out,f'https://wolnelektury.pl/media/book/xml/{slug}.xml'])
+        if os.path.exists(out) and os.path.getsize(out)>200 and b'<utwor' in open(out,'rb').read(): return slug,True
+    return slug,False
+with cf.ThreadPoolExecutor(8) as ex:
+    res=list(ex.map(get,books))
+print('ok',sum(o for _,o in res),'of',len(res))
+json.dump([s for s,o in res if not o],open('wl_fail.json','w'))

artifacts/rights_audit_2026-10/literary/ws_scan.py

@@ -0,0 +1,30 @@
+import pyarrow.parquet as pq, re, collections, json
+pats={
+ 'copyright':re.compile(r'©|\(c\)\s*\d{4}|[Cc]opyright|[Pp]rawa autorskie zastrzeżone|[Aa]ll rights reserved'),
+ 'cc':re.compile(r'Creative Commons|CC[- ]BY|GFDL|licencj[aięą]'),
+ 'zgoda':re.compile(r'za zgodą (autora|wydawcy|właściciela)|OTRS|zgod[aąy] autora'),
+ 'year_pub':re.compile(r'\b(19[4-9]\d|20[0-2]\d)\b'),
+ 'wyd_post55':re.compile(r'(Wydawnictwo|Wyd\.|Warszawa|Kraków|Poznań|Wrocław|Łódź)[^\n]{0,30}\b(195[6-9]|19[6-9]\d|20[0-2]\d)\b'),
+ 'old_tem':re.compile(r'\b(tem|czem|jéj|niém|temże)\b'),
+ 'modern_tym':re.compile(r'\b(tym|czym|swoim|swojej)\b'),
+}
+f=pq.ParquetFile('wikisource.parquet')
+cnt=collections.Counter(); ex=collections.defaultdict(list); n=0
+for g in range(f.num_row_groups):
+    t=f.read_row_group(g,columns=['id','text']).to_pydict()
+    for i,x in zip(t['id'],t['text']):
+        n+=1
+        flags=set()
+        for k,p in pats.items():
+            m=p.search(x)
+            if m:
+                cnt[k]+=1; flags.add(k)
+                if len(ex[k])<6 and k in('copyright','cc','zgoda','wyd_post55'):
+                    s=max(0,m.start()-80); ex[k].append((i,x[s:m.end()+80].replace('\n',' | ')))
+        if 'old_tem' in flags: cnt['old']+=1
+        elif 'modern_tym' in flags: cnt['modern_only']+=1
+        else: cnt['neither']+=1
+print(n,dict(cnt))
+for k,v in ex.items():
+    print('==',k)
+    for e in v: print(e)

artifacts/rights_audit_2026-10/official/committee_roles.csv

@@ -0,0 +1,54 @@
+author,count,sum,pct_chars
+Poseł,224155,147970910,33.33211804867452
+Przewodniczący,237825,118948776,26.794554709282682
+Przewodnicząca,70421,42945934,9.674056487174305
+Sekretarz,29618,36574009,8.238708442769491
+Podsekretarz,16173,19849144,4.471243780099343
+Prezes,8317,16391115,3.69228370717866
+Dyrektor,10572,15179300,3.4193086972043716
+Legislator,34772,14374471,3.2380118785459153
+Ekspert,2397,6125389,1.3798130270473596
+Minister,3072,6056656,1.364330142811265
+Wiceprezes,2400,4565108,1.028342116439971
+Przedstawiciel,1866,2568814,0.5786543550559216
+Pełnomocnik,1683,2054225,0.4627373731670531
+Szef,999,1784442,0.4019657066041756
+Rzecznik,426,1519653,0.34231899492286955
+Doradca,514,932908,0.21014805940270864
+Naczelnik,1077,919860,0.20720885009258747
+Przedstawicielka,467,713156,0.1606464404329238
+Wicedyrektor,314,670861,0.15111901417820464
+Wicemarszałek,1386,605324,0.13635606502450962
+Głos,3098,468286,0.10548670838438176
+Komisarz,75,442305,0.09963419481247351
+Komendant,185,441084,0.09935915077755185
+Wiceprzewodniczący,285,405629,0.0913725117454897
+Prokurator,202,245474,0.05529578986761878
+Wiceprzewodnicząca,125,171687,0.03867443507256111
+Marszałek,154,151532,0.03413429377538969
+Minister-członek,465,138828,0.03127257434898108
+Profesor,48,132646,0.029880009055053332
+Sędzia,78,118510,0.026695715461562127
+Pracownik,97,110404,0.02486974744593963
+prezes,23,80187,0.018063027050175363
+Komendant-rektor,8,51191,0.011531350689332772
+Dyrektor-pełnomocnik,8,37081,0.008352913889377988
+ekspert,3,32931,0.007418079536450109
+Sprawozdawca,5,26287,0.005921443526606056
+płk,17,20141,0.0045369876391133475
+Mecenas,12,16740,0.003770873992292212
+"Minister,",34,15542,0.003501010967037369
+"Wiceprezes,",2,14575,0.00328318329974068
+pełnomocnik,6,13593,0.0030619767130960593
+Prezes-elekt,4,11452,0.002579692291501219
+Prezes-dyrektor,4,10935,0.002463232204642493
+Przedstawiciele,1,7186,0.001618727628949333
+komendant,1,4369,0.0009841665754076866
+Posłanka,1,2952,0.0006649713276730352
+dyrektor,1,2239,0.0005043600280013299
+Przewodniczącej,1,2006,0.0004518741474634514
+przedstawiciel,2,1514,0.0003410455928512789
+ppłk,1,701,0.00015790816419335965
+Poseł-elekt,9,372,8.379719982871581e-05
+"Sędzia,",1,351,7.90667127416109e-05
+przedstawiciela,1,130,2.9283967682078108e-05

artifacts/rights_audit_2026-10/official/committee_speakers.py

@@ -0,0 +1,20 @@
+import pyarrow.parquet as pq, re, collections, pandas as pd
+t=pq.read_table('sejm_committee_transcripts/sejm_committee_transcripts.parquet',columns=['author','text']).to_pandas()
+t['n']=t.text.str.len()
+MP=re.compile(r'^(Przewodnicząc\w*|Poseł|Posłanka|Wicemarszałek|Marszałek|Senator|Sprawozdawca|Wiceprzewodnicząc\w*|Poseł-elekt|Głos z sali|Głos)\b',re.I)
+SEJMSTAFF=re.compile(r'^(Legislator|Mecenas)\b|\bBAS\b|Biur\w+ Analiz Sejmowych|Biur\w+ Legislacyjn\w+|Kancelari\w+ Sejmu|Kancelari\w+ Senatu|Biur\w+ Ekspertyz',re.I)
+GOV=re.compile(r'^(Sekretarz stanu|Podsekretarz stanu|Minister|Wiceminister|Wicepremier|Premier|Prezes Rady|Wiceprezes RM|Komendant|Prokurator|Sędzia|Szef (KPRM|Kancelarii|Krajowego Biura|Urzędu|Agencji|Służby|Sztabu|Obrony)|Generał|gen\.|płk|ppłk|mjr|kpt|Rzecznik (praw obywatelskich|praw dziecka|praw pacjenta|małych|finansowy|Praw)|Wojewoda|Wicewojewoda|Marszałek województwa)|\b(NIK|Najwyższej Izby Kontroli|Najwyższ\w+ Izb\w+ Kontroli|UOKiK|Urzędu Ochrony Konkurencji|GUS|Głównego Urzędu|Narodowego Banku Polskiego|NBP|KRRiT|Krajowej Rady Radiofonii|Urzędu|urzędu|Prokuratur\w+|Policji|Straży|Sądu|Sądzie|Trybunału|Inspekcj\w+|Inspektor\w+|Agencj\w+ (Rynku|Restrukturyzacji|Bezpieczeństwa|Wywiadu)|Ministerstw\w+|ministerstw\w+|MSWiA|MI\b|MON|MRiRW|MKiŚ|MEN|MF\b|MZ\b|MS\b|MSZ|MRPiPS|MSiT|MKiDN|MC\b|MRiT|MNiSW|MSP|MAP|KPRM|KPRP|Kancelari\w+ Prezesa Rady|Kancelari\w+ Prezydenta|ZUS|KRUS|NFZ|PKW|KBW|Krajow\w+ Biur\w+ Wyborcz\w+|Państwow\w+|Rzecznik\w* Praw|Rzecznika Praw|Komisj\w+ (Nadzoru|Europejsk)|Regionaln\w+ Izb\w+ Obrachunkow\w+|Skarb\w+ Państwa|wojewod\w+|Wojewod\w+|Główn\w+ (Inspektor|Lekarz|Geodeta|Konserwator)|Starost\w+|starost\w+|Burmistrz|Wójt|Prezydent\w* Miasta|miasta|Gmin\w+|gmin\w+|Powiat\w+ )',re.I)
+PRIV=re.compile(r'Związk|Stowarzysz|Fundacj|Federacj|Konfederacj|Koalicj|Inicjatyw|strony społecznej|\bS\.?A\.?\b|sp\. ?z o\.?o|Uniwersytet|Politechnik|\bUW\b|\bUJ\b|\bUMK\b|\bUAM\b|prof\.|Profesor|Pracownik|naukow|Solidarno|NSZZ|Greenpeace|Pracodawc|Lewiatan|Ordo Iuris|Izb\w+ (Gospodarcz|Przemysł|Handl|Lekar|Aptekar|Adwokack|Radców|Notarial)|Izby|Instytut|Kościoł|Caritas|Fundusz|Towarzystw|Organizacj|Klaster|Spółk|Grup\w+|Group|Polska|Polskie|Polskiego|Polskiej|Rady Dialogu|przedsiębior|Business|Cyfrowa|ekspert|Ekspert|Przedstawiciel\w*|Lider|lider|Aktywist|Mieszkan|mieszkan|Obywatel|obywatel|Inicjator|Wnioskodaw|Autor|Petent|Skarżąc|Rodzic|Uczestni|Pełnomocnik zarządu',re.I)
+def cat(a):
+    if MP.search(a): return 'A_MP/chair/floor'
+    if SEJMSTAFF.search(a): return 'B_Sejm/Senate staff (legislator, BAS)'
+    if PRIV.search(a) and not re.search(r'\b(NIK|Najwyższej Izby Kontroli|ministra|Ministerstw|Sekretarz stanu|Podsekretarz stanu|MSWiA|MI\b|rządu|Rzecznik praw)\b',a): return 'D_probably_non_official'
+    if GOV.search(a): return 'C_official/state body'
+    return 'E_unclassified'
+t['cat']=t.author.map(cat)
+s=t.groupby('cat').n.agg(['count','sum']); s['pct_chars']=s['sum']/s['sum'].sum()*100; s['pct_turns']=s['count']/s['count'].sum()*100
+print(s.round(2).to_string())
+for c in ['D_probably_non_official','E_unclassified']:
+    x=t[t.cat==c].groupby('author').n.agg(['count','sum']).sort_values('sum',ascending=False)
+    print('==',c,len(x)); print(x.head(40).to_string())
+t.to_pickle('committee_cat.pkl')

artifacts/rights_audit_2026-10/official/ppc_classify.py

@@ -0,0 +1,19 @@
+import pyarrow.parquet as pq, re, collections, json
+f=pq.ParquetFile('data/parliamentary/parliamentary.parquet')
+R=lambda p:re.compile(p,re.I)
+committee=R(r'(Otwieram|Rozpoczynam|Witam)[^.\n]{0,160}(posiedzenie|posiedzeniu|Komisji)|posiedzenie (Komisji|Podkomisji)|^\(Początek posiedzenia|Posiedzeniu przewodniczy')
+plenary=R(r'^\((Wznowienie|Początek|Ciąg dalszy|Przerwa)[^)]*\)\s*\n?\(?(Posiedzeniu przewodnicz|Na posiedzeniu przewodnicz)|Wysoka Izbo|Wysoki Sejmie|Wysoki Senacie')
+reply=R(r'SPS-0\d\d|W odpowiedzi na (interpelacj|zapytani)|Odpowiadając na (interpelacj|zapytani)|odpowiedzi na (interpelacj|zapytani)|w związku z (interpelacj|zapytani)')
+interp=R(r'^(Szanown|Szanowni|Wielce Szanown|Panie Marszałku|Pani Marszałek|Panie Ministrze|Pani Minister|Panie Premierze|Pani Premier)|zwracam się (do Pana|do Pani)|interpelacj')
+cnt=collections.Counter(); chars=collections.Counter()
+for rg in range(f.metadata.num_row_groups):
+    t=f.read_row_group(rg,columns=['text']).to_pandas()
+    for tx in t.text:
+        h=tx[:2500]
+        if committee.search(h) and not reply.search(h): c='committee'
+        elif plenary.search(tx[:4000]) and not reply.search(h): c='plenary'
+        elif reply.search(h): c='interp_reply'
+        elif interp.search(h): c='interp_question'
+        else: c='other'
+        cnt[c]+=1; chars[c]+=len(tx)
+print(json.dumps({'n':cnt,'chars':chars},indent=1))

artifacts/rights_audit_2026-10/reports/academic.md

@@ -0,0 +1,47 @@
+**Overall.** One HPLT-class source (openstax_pl), one MINOR (biblioteka_nauki), five CLEAN. "V" = verified by me against live or archived upstream; "I" = inferred.
+
+**openstax_pl: HPLT-CLASS**
+- V: all 8 live `/pages/przedmowa` pages (fetched today) say: "Ten podręcznik nie może być wykorzystywany do trenowania dużych modeli językowych ... bez uprzedniej pisemnej zgody OpenStax Poland". The same block says the book is "CC BY ... możesz ponownie wykorzystywać i modyfikować materiał wyłącznie w celach niekomercyjnych".
+- V: the AI clause predates the snapshot. Wayback shows it on Psychologia (2025-02-17) and Żywienie (2025-10-09): "bez zgody OpenStax lub OpenStax Poland".
+- V: the OpenStax CMS lists the Polish books as CC BY-NC-SA 4.0 (8/8 earlier, Żywienie rechecked). The English originals were CC BY 4.0 in Wayback (marketing, 2024-06-16) and are NC-SA plus an AI clause today.
+- V: `fetch_openstax_pl.py::license_evidence()` reads only the foreword body, hard-codes CC-BY-4.0 and never reads the "Cytowanie i udostępnianie" block or the CMS. The forewords in `books.json` do not contain the AI clause. Card and NOTICE do not mention it.
+- I: the CC BY grant may be irrevocable for text already released as CC BY. The rightsholder's explicit LLM-training prohibition and NC wording still make "clean CC BY" indefensible.
+- Action: pull from the release or hold. Request written permission via OpenStax's reuse form, or at minimum disclose the clause in the card.
+
+**biblioteka_nauki: MINOR**
+- V: I checked 583 records (300 BY, 280 BY-SA, 3 PD) against the live `bibliotekanauki.pl/api`. 0 mismatches with the stored label, and no NC/ND/ARR. 0/585 cached records had `restricted`, `reprintPublication` or `translationPublication` set.
+- V: the version collapses. The card says BY 4.0 and BY-SA 4.0, but the API shows 4.0 for only 57% of BY and 76% of BY-SA. BY: 170 are 4.0, 101 are 3.0 PL, 27 are 3.0 Unported, 2 are 2.0. BY-SA: 213 are 4.0, 67 are 3.0 PL. `iconId` (`CLEAN` set in `recover_licenses.py`) drops the version.
+- V: the 3 PD records are living authors' 2019-2022 works carrying the platform's PD Mark label (a label, not a grant). Examples: `books_2142716`, `books_2147851`, `articles_2097363`.
+- V: the card names SpeakLeash as source, but `src/sources.py` says direct rebuild. `licenses.jsonl` and `build_parquet.py` are not in the repo.
+- Action: store the real per-record licence name and version. Drop the 3 PD records. Fix the provenance text.
+
+**open_icm_pl: CLEAN**
+- V: 85/85 records match live DSpace `dc.rights` and `dc.rights.uri`, labels and versions included (BY-3.0-PL 32, BY-SA-3.0-PL 38, BY-4.0 7, BY-SA-4.0 7, BY-SA-3.0 1). The fetcher uses an allowlist, so NC/ND and "Dozwolony użytek" are rejected.
+- I: the licence is depositor-asserted (class 3 residual), with no contrary evidence found.
+- Action: none.
+
+**open_agh_chemistry_pl: CLEAN**
+- V: I downloaded the 4 EPUB rights pages. SHA-256 matches the recorded hashes 4/4. Each says "Creative Commons Uznanie Autorstwa - Na tych samych warunkach 4.0" (https://epodreczniki.open.agh.edu.pl/rpc/preview/handbooks/{29,1394,37,1893}/epub/light).
+- V: the "3.0 PL" strings appear only in third-party image captions (Wikimedia, edutab). Media are omitted and 0/370 texts contain them.
+- I: no historical copy of the rights page exists in Wayback, so I could not rule out a later relabel. Generation dates are 2025-12 to 2026-04.
+- Action: none.
+
+**rock_pollub_pl: CLEAN**
+- V: the collection facet shows 747 BY-SA, 1 BY-NC and 26 Other of 774 items. The fetcher filters on `f.license=CC-BY-SA-4.0` and also requires CC-BY-SA 4.0 in the PDF bitstream `dc.rights`.
+- V: 8/8 retained items match the live API. The printed colophon in each PDF text states BY-SA 4.0.
+- Action: none. The 8 of 747 yield is a throughput matter, not rights.
+
+**studia_bas: CLEAN (live check blocked)**
+- V: the live journal site is behind a human-verification CAPTCHA, which I did not bypass. I could not re-read the journal's own statement.
+- V: the other upstream sources agree. pl.wikipedia says "Od nr 2/2021 ... CC-BY 3.0". DOAJ says CC BY, OA from 2021, `author_retains: false` (rights held by Kancelaria Sejmu), though it lists version 4.0.
+- V: all 112 records come from issues 66-82 (2021 and later). Issues 1-65 ("Wszelkie prawa zastrzeżone") are excluded.
+- I: the evidence file's quoted site wording and PDF notices are unverified live. The author contract grants the licence (quoted from the site in `.license-evidence.json`).
+- Action: recheck live with a human browser.
+
+**wiadomosci_statystyczne_pl: CLEAN**
+- V: https://nauka.stat.gov.pl/News/Info/60 says "Od 1 stycznia 2022 r. ... CC BY-SA 4.0" and that authors keep all copyright and grant the licence.
+- V: the gate requires a per-article line, and 2022+ only. 315 of 460 enumerated articles carry it (the other 145 are excluded, so it is not a site-wide footer). 169 are shipped, all 2022-2026.
+- V: 21/21 live landing pages have the exact line. That includes all 5 sampled from 2022-01 to 2022-03 and 2026 issues.
+- Action: none.
+
+Scripts and intermediate files are in `../academic/`.

artifacts/rights_audit_2026-10/reports/govweb.md

@@ -0,0 +1,41 @@
+**govpl: MINOR**
+- Verified: the footer on gov.pl says "Treści tekstowe publikowane w serwisie (z wyłączeniem treści audiowizualnych), są udostępniane na licencji ... (CC BY-SA 4.0)". All 133 subsites in `src/govpl_subsites.json` render the same footer.
+- Verified: the linked copyright page (https://www.gov.pl/web/gov/prawa-autorskie) carves out third-party works: "W serwisie zamieszczane są także utwory, co do których prawa autorskie przysługują osobom trzecim. Ich wykorzystanie ... wymaga zgody właścicieli". The card's "All textual content on gov.pl is published under CC-BY-SA 4.0" drops this carve-out.
+- Counts over all 88,190 docs: 764 (0.87%) carry "Źródło:" lines, and about 154 (0.17%) name PAP, mostly the MKiDN subsite. A random 200-row sample (seed 42) had 0 clear third-party reprints. The rest is ministry-authored or official material (inferred: art. 4 pr.aut. likely applies to much of it).
+- The parquet has no URL or subsite field, and the author is empty for every row. Screening needs a re-fetch.
+- Action: reword the card to say third-party works are excluded. Drop the PAP-sourced and non-governmental "Źródło:" docs, and add a URL sidecar.
+
+**samorzad_gov_pl: HPLT-CLASS (soft)**
+- Verified: the identical CC BY-SA 4.0 footer is a platform template run by KPRM/Ministry of Digital Affairs. The authors are 247 independent tenants (72,472 docs: municipalities, schools, counties). The footer script sha256 `b36ec507...` is in `.license-evidence.json`.
+- Verified: tenants sign a "Porozumienie ... KPRM" plus a data-processing agreement, but neither is published. The onboarding PDF (https://www.gov.pl/attachment/63b42fcd-6638-46d3-8dd5-83f085b2ecc1) mentions no licence grant. The GovPress manual has only a per-photo licence field. The platform's own copyright page carves out third-party works (same quote as above).
+- Counts over all docs (regex, so approximate): 810 (1.1%) have "Źródło:" lines. 69 docs are the Powiat Sokołowski "Piątek z poezją" series, with named local poets and 49 naming a book or publisher. 9 docs are IMGW warnings with an explicit copyright notice ("podlega ochronie prawnej"). 112 (0.15%) are pupil, participant or poem works.
+- A random 200-row sample (seed 7) had about 4 to 6 docs with real third-party material (about 2-3%). The rest is institutional news.
+- The upstream is the HF intermediary `dawidmajewski/samorzad-gov-pl-articles` v0.2. The sidecar `source_url` points to the platform pages.
+- Inferred: the practical risk is low, since the content is institutional public information. But the grantor is the operator, not the authors, which is the HPLT structure.
+- Action: obtain written confirmation from KPRM/MC that the footer licence is authorised by the tenants. Meanwhile drop the poem series, IMGW notices, non-URL "Źródło:" docs and contest-entry docs, and relabel the licence as "operator-declared". Otherwise withdraw.
+
+**global_voices: MINOR**
+- Verified: the site footer reads "licensed as Creative Commons Attribution 3.0". The Republishing Guidelines (https://globalvoices.org/about/global-voices-attribution-policy/) scope this: "Unless otherwise stated, all content created by Global Voices". The partnerships guide (https://community.globalvoices.org/guide/editorial-guides/partnerships/) lists "Glocal" editing, cross-posting, "conditional cross-posting" (GV asks permission to cross-post from PRI.org) and "One-way republishing ... We cannot republish their copyrighted content".
+- Verified in the 2,040 texts: 64 docs (3.1%) say they were republished under a "content-sharing agreement" or partnership. That is 17 PRI/The World, plus Metamorphosis, Irrawaddy, Nepali Times, Premium Times, HKFP, 350.org and others. The sidecar `author` field names the outlet ("Autorzy oryginału: PRI/PRX's The World").
+- Inferred: those 64 are not demonstrably CC BY. The remaining ~97% are GV-authored or GV-translated, which is clean under CC BY 3.0. The card already disclaims embedded photos and quotes.
+- Action: drop the 64 docs, selecting them by the sidecar outlet names plus the agreement regex. After that the source is CLEAN.
+
+**common_voice_pl: HPLT-CLASS**
+- Verified, by matching normalised text against `common-voice/common-voice` `server/data/pl/` (main): 24,709 of 45,043 (54.9%) match `selected-europarl-v7-pl.txt` (added 2021-04-14, "extracted from Europarl"). 18,569 (41.2%) match `sentence-collector.txt`. 37 are in both, and 1,802 (4.0%) are in neither.
+- Verified: Europarl's own statement is only "We are not aware of any copyright restrictions of the material" (https://www.statmt.org/europarl/). The EP legal notice allows reuse "provided that the entire item is reproduced and the source is acknowledged", with a "© European Union – Source: European Parliament" credit and a third-party exception. That is not CC0. Single-sentence excerpts do not meet "entire item", and there is no attribution in the shard.
+- Verified: the Common Voice playbook says "works subject to copyright cannot be added to Common Voice datasets" (https://common-voice.github.io/community-playbook/sub_pages/text.html). So the CC0 label is a platform-level assertion, as with HPLT.
+- Inferred: the Sentence Collector and unmatched sentences are largely literary. 25-sentence sample of the unmatched ones: mostly archaic prose (Prus, Sienkiewicz, a Polish translation of London). The Polish bulk source was about 2,700 Wolne Lektury works (https://discourse.mozilla.org/t/help-needed-in-processing-large-polish-text-base/40778). Public-domain status of modern translators' and editors' versions is unverified, and Common Voice's per-upload source field is not exported (`sentence_domain` is "unspecified" for 45,035 rows).
+- Action: withdraw. The card itself offers "(b) withdraw" because of the sentence-level unit mismatch, with 0 docs at 200 characters or more. At minimum, drop the 24,709 Europarl matches.
+
+**edukacja_medialna_pl: CLEAN**
+- Verified live: the lesson page says "Licencja: Creative Commons Uznanie autorstwa - Na tych samych warunkach 3.0", with credits "Tekst / Scenariusz / Konsultacja merytoryczna". The footer says "Jeśli nie oznaczono inaczej, wszystkie materiały na stronie są objęte wolną licencją ... 3.0". Fundacja Nowoczesna Polska is the publisher, and the project is MKiDN-funded.
+- Verified across 252 docs: embedded third-party text is negligible. There are 2-3 short quotes (e.g. the Michera course quote in `montaz-materialu-filmowego`) and one image credit with a CC BY-SA 2.0 licence. The 18 "Źródło" hits are mostly the pedagogic term, not citations.
+- Inferred: individual authors' licences to FNP are not published, but the per-lesson licence line is made by the publisher itself.
+- Action: none. Optionally remove the 3 quote passages.
+
+**kultura_bez_barier_pl: MINOR**
+- Verified live: the catalogue (https://kulturabezbarier.org/publikacje/) says "publikacje autorstwa Fundacji Kultury bez Barier ... Oddajemy je na licencji Creative Commons (CC BY-SA 3.0)". It is catalogue-level, as the card admits.
+- Verified in the text: `jak_udostepniac_kulture` carries "Publikacja jest dostępna na licencji CC BY-SA", which is unversioned. The other 8 PDFs have no embedded licence line.
+- The 2 NIMOZ co-owned guides are already dropped. A scan of the 9 retained PDFs found no © or third-party notices. The few third-party items are a Wikipedia definition and film titles.
+- Inferred: freelance authors (e.g. Matuszewska, Pawluczuk) assigned their rights to the foundation, but this is not documented.
+- Action: keep it. In the card, cite the one PDF with the embedded "CC BY-SA" and note the version gap. Handle the residual-PII (phone numbers) issue in `podsumowanie_wizyt_studyjnych` separately.

artifacts/rights_audit_2026-10/reports/literary.md

@@ -0,0 +1,41 @@
+VERDICTS: 1000_novels HPLT-CLASS | eltec_pol CLEAN | wolne_lektury MINOR | wikisource HPLT-CLASS (partial, share unquantified) | nkjp1m HPLT-CLASS. [V] = checked in files or upstream; [I] = inferred.
+
+1000_novels: HPLT-CLASS, unresolved on main
+- [V] The card on main (a108c2e) only adds a "Rights note (per-text screen, September 2026)" table: 830 pd_by_term / 10 pd_per_wolne_lektury / 17 in_copyright / 143 unverified. It says "Releases up to v0.2.5 label all 1,000 texts CC-BY-4.0" and that the 17 should be relabelled CC-BY-SA-3.0 or removed and the 143 withheld.
+- [V] The parquet is unchanged: 1000 rows, all `CC-BY-4.0`, author empty. So 160 rows (16%) still carry a licence nobody can substantiate. The 17 are CC BY-SA 3.0 PL per Wolne Lektury, not CC BY.
+- [I] The CLARIN-PL upstream licence text was not read (fetch timed out). The card and `1000_novels.yaml` were relied on instead.
+- Action: drop the 17 and the 143 (leaves 840), or relabel the 17 and withhold the 143. Do this before release, not after.
+
+eltec_pol: CLEAN
+- [V] The ELTeC metadata TSV shows 100 Polish originals, with the latest author death being Makuszyński in 1953. Every TEI header carries a CC BY 4.0 licence element. No translators, so no life+70 problem in 2026.
+- [V] Digital sources: about 40 Wolne Lektury, 45 Polona, 3 Wikisource, 1 CLARIN-PL, 1 scan, 1 Krakow stylometry group. 54.4M chars.
+- [I] Edition and critical-edition rights are not assessed. Low risk, since the text is body paragraphs only.
+- Action: none. At most, add author to the card.
+
+wolne_lektury: MINOR
+- [V] 6141 rows are labelled uniformly `CC-BY-SA-4.0 / Wolna Sztuka 1.3`. I matched 5604 rows to WL XML metadata (`dc:rights`, `dc:rights.license`). The matches split into about 3800 public domain, about 1340 FAL 1.3 and about 58 CC BY-SA 3.0 PL / 4.0. 537 rows are unmatched; 398 of them are truncated parent-collection titles, probably PD.
+- [V] The FAL 1.3 rows are living or recent poets whose authors licensed them on WL. WL states that "utwory ... w domenie publicznej lub na wolnej licencji" (https://wolnelektury.pl/info/zasady-wykorzystania/). That is a rights-holder grant, so it is not unresolved.
+- [V] No PD-labelled row showed an author or translator death after 1955.
+- Problem: the label overclaims share-alike on about 3800 PD texts and under-specifies the 3.0 PL rows (3.0 to 4.0 is not a free upgrade). The per-text licence footers were stripped by the SpeakLeash export.
+- Action: add a per-row licence from WL metadata (`wl_map.json` in my scratchpad is a starting point), or label the source "mixed PD / FAL 1.3 / CC BY-SA 3.0 PL and 4.0". Drop or relabel the roughly 58 CC BY-SA rows that also sit in 1000_novels.
+
+wikisource: HPLT-CLASS, partial
+- [V] 632,005 rows, uniform `CC-BY-SA-3.0`, author empty, no title or page id. The rows are a mixed granularity of pages and whole books (1.97G chars), so provenance cannot be recovered from the parquet.
+- [V] Policy (https://pl.wikisource.org/wiki/Wikiźródła:Prawa_autorskie) admits in-copyright texts if consent is shown on the talk page or via OTRS, under CC BY-SA 4.0 or higher. The dataset carries neither the consent nor the 4.0 / 3.0 distinction.
+- [V] Post-1955 material found in the parquet by text scan:
+  - `wikisource_1295016`: a Conrad translation by J. B. Rychliński (d. 1974), with a Wikisource footnote "Prawa autorskie do tekstu wygasają: w 2045 roku w Polsce, w 2021 roku w USA". This is a PD-US-only item.
+  - Post-war first editions: Pilot, Czytelnik 1962 (`wikisource_1799959`); PIW 1971 and 1972 (`wikisource_1182398`, `wikisource_1185399`); Czytelnik 1966 (`wikisource_1265054`); Wydawnictwo Literackie 1974 (`wikisource_1280295`); a 1960s criticism cluster, `wikisource_1264778` to `wikisource_1265031`.
+  - Kuliński 1995, "Copyright by Jerzy Kuliński" (`wikisource_1800344`, 0.6M chars).
+  - Pelka 2016 translation declaring "License: Creative Commons Attribution 2.5" (`wikisource_1802332`).
+  - 1990s press: `wikisource_1802484`, `wikisource_1241134`. Also a 2011 government document and a 2019 minister exposé, which are arguably public domain as official documents.
+- [I] The share is unquantified. A crude modern-vocabulary filter flags 372 rows and 32.8M chars (1.7%), but it is noisy. An old-spelling filter marks about 172k rows as pre-1936. The 1799xxx to 1803xxx id range holds many whole books, some post-war.
+- [I] Translators who died after 1955 are likely among the 1920s-30s translations, but I did not enumerate them. `fetch_wikimedia.py` does not cover wikisource at all (only plwikinews, plwikivoyage, plwikibooks, plwikiquote), so the page selection comes from SpeakLeash and is undocumented.
+- Action: rebuild from the Wikimedia dump with author and translator death year (the Autor: pages), keeping only works where both died by 1955, plus pages with explicit CC licence templates. Otherwise withdraw until that screen exists. At minimum, fix the card sentence "underlying texts are public-domain works", which is false.
+
+nkjp1m: HPLT-CLASS (small, 18,381 rows)
+- [V] `fetch_njkp.py` hard-codes `CC-BY` with the comment "stated on the NKJP download page". Upstream statements conflict: clip.ipipan.waw.pl says CC-BY, nkjp.pl says CC-BY 4.0, and the old LRT page and the 2012 NKJP book say GPL v3.
+- [V] The NKJP book (ch. 5.3) says the full corpus cannot be released for copyright reasons and that the 1M subcorpus is released because it consists of short fragments. That is a quotation-style rationale. It is not a grant from the rights holders of newspapers, books, web pages or transcripts, and it does not cover a CC-BY redistribution.
+- [I] The per-text TEI `availability` headers were not checked, because that would need the tarball download (not done without permission). Verify there before deciding.
+- Action: remove, or admit only after IPI PAN confirms in writing that CC-BY applies to the texts themselves. The corpus is small and the loss is minor.
+
+Scratch files are in .../scratchpad/agents/literary/ (`wl_map.json`, `wl_cat.json`, `ws_scan.py`, `eltec_meta.tsv`).

artifacts/rights_audit_2026-10/reports/official.md

@@ -0,0 +1,54 @@
+V = verified (card, file, parquet or fetch). I = inferred. WebFetch summaries come from a small model, so treat the quotes below as faithful but not byte-checked.
+
+Cross-cutting (V): Open Data Act art. 6(4)(4) excludes material in which non-public entities hold copyright (https://eli.gov.pl/api/acts/DU/2023/1524/text.html). Art. 4(2) of the Copyright Act is narrow and contested for private experts and guests (I). Cards that cite the Open Data Act as the basis therefore do not cure guest statements. api.sejm.gov.pl/sejm.html states no licence or terms of use (V).
+
+**parliamentary: HPLT-CLASS (mild)**
+- Chain: Sejm -> IPI PAN PPC -> SpeakLeash `PPC_corpus` -> us (V). The only rights statement is IPI PAN's "The parliamentary data is public domain" (clip.ipipan.waw.pl/PPC). That is a redistributor's assertion, not the rights holder's. The card adds Art. 4 on top. `sources.py` says CC-BY-4.0 while the card says `public-domain (official documents)` (V).
+- Full pass, 324,622 docs, heuristic classifier: interpellations and replies 79% of docs, 22% of chars. Committee sittings: 11% of docs, ~59% of chars. Plenary: ~14% of chars. Committee text has speaker labels stripped (V), so guests cannot be filtered. Samples show constituents quoted by name in interpellations.
+- Pre-1991 items and mojibake appear in samples, but the dataset has no per-doc dates (I).
+- Action: drop the committee docs, or drop the source. sejm_api*, sejm_committee_transcripts and sejm_interpellations cover the recent period from better-attributed sources. If it is kept, relabel as "PPC public-domain statement, unverified", not "official documents".
+
+**sejm_committee_transcripts: HPLT-CLASS (partial, fixable)**
+- Direct from the Sejm API PDFs ("pełny zapis przebiegu posiedzenia"). The NOTICE says "No upstream Creative Commons grant is claimed". Basis is Art. 4(2) plus the Open Data Act (V).
+- 653,411 turns, speaker-attributed. My first-token heuristic puts non-official speakers at ~5% of chars (1.8% of turns), unclassified ~2.7%, state bodies ~18%, MPs/chair ~70% (I; false positives include NBP, Wody Polskie and IPN).
+- Examples of non-official speakers: Konfederacja Lewiatan, Grupa Azoty S.A., Greenpeace, ClientEarth, Helsińska Fundacja Praw Człowieka, Związek Miast Polskich, university professors, "Głos z sali" (3,097 turns).
+- Doctrine (I; not checked against primary texts): SN 2001 IV CKN 458/00 reads "materiał urzędowy" broadly; a narrower 2009 SN line reads it restrictively. No source I found addresses private experts' or guests' statements held by public bodies.
+- Action: keep only turns by MPs, ministers, state bodies and Sejm/Senate staff (BAS/BEOS), using the `author` field. Drop the non-official and "Głos z sali" turns.
+
+**sejm_api: MINOR**
+- Source is the HF snapshot `PiotrSty/sejm-speeches-corpus@124557799608`, not the live API (V). License evidence: `hf_source_license_name: polish-public-sector-open-statutory-reuse`, "no upstream Creative Commons grant is asserted". `source_url` is only a day-level `/videos/` endpoint.
+- Speakers (38,812 rows, 1,149 distinct authors) are MPs and ministers. The top speaker has 2.8% of rows, so single-person concentration is low (V). Floor speeches are the most squarely official content, but the intermediary is unverified.
+- Action: keep. Relabel to state "Sejm API data via a contributor snapshot". Optionally spot-check the snapshot against the API.
+
+**sejm_api_2011_2022: MINOR**
+- Same chain as sejm_api: 118,902 rows, 2,095 authors, "Marszałek" 1,011 rows. The card says NERGAL did not run. It overlaps parliamentary (2011-2019) and the registered `parlamint_pl` (V).
+- Action: as sejm_api, plus dedup against those two sources.
+
+**sejm_interpellations: MINOR**
+- Live API HTML bodies only. PDF-only replies are skipped, so attachments are mostly excluded (V). Authors are MPs and ministers.
+- Sample of 3,900 docs: 2.2% contain a quotation of 400+ chars. 2.9% quote constituents, and ~4% match a "Pan/Pani Name" pattern (V).
+- There is no evidence JSON, and NERGAL is a release gate (card).
+- Action: keep. Add `license-evidence.json` with a third-party-quotation caveat. Run NERGAL before release.
+
+**dziennik_ustaw: CLEAN**
+- Fetched directly from the ELI API (`src/fetch_eli.py`). Art. 4(1)-(2) applies. 35,442 docs.
+- Title-regex counts on the full parquet: ~1,410 TK judgments, 532 government statements, 277 treaty-type documents. 69 docs contain foreign-language treaty declarations by other states. `©` hits are 7, none a third-party work (V).
+- Action: none. Note that the card's date range (1918-2025) differs from the fetcher's default (1990-2025). That is a data-quality point, not a rights point.
+
+**uzp_orzeczenia_pl: MINOR**
+- The HF snapshot `PiotrSty/uzp-orzeczenia-pl` is derived from orzeczenia.uzp.gov.pl. That site states no licence or terms (V, fetch). The card says "no formal legal review has been performed". `qa.json` says "official-document status does not cover third-party material quoted inside rulings".
+- KIO 34,412 of 34,715 rulings. Sample of 250 (stratified, 1 row group): 71% recite party arguments, 50% contain a quotation of 300+ chars, 4.4% cite an expert opinion, 1.2% name natural persons. Only the ruling is included, not the parties' own submissions (V).
+- Court and chamber rulings are generally treated as official documents (I).
+- Action: keep. Reword the label to state the review status. Optionally obtain written UZP confirmation.
+
+**eurlex: MINOR**
+- Chain: EUR-Lex -> SpeakLeash `eurlex_corpus` -> us (V). The "CC-BY-4.0" label comes from the EUR-Lex notice, which licenses editorial content, summaries and consolidated texts under CC BY. For legal documents it says: "Unless otherwise specified, you can re-use the legal documents published in EUR-Lex for commercial or non-commercial purposes", with exceptions for "special conditions of use", third-party works and industrial-property material (https://eur-lex.europa.eu/content/legal-notice/legal-notice.html).
+- Decision 2011/833/EU is limited to Commission documents. Art. 2(2) excludes items where third-party IP prevents reuse (https://eur-lex.europa.eu/legal-content/EN/TXT/?uri=CELEX:32011D0833). Non-Commission institutions are covered only by the general notice (I).
+- Sample of 4,800 docs, by chars: consolidated texts 32%, OJ-L 16%, treaty/other pages 15%, OJ-C 10.5%, CJEU judgments 9%, COM docs 6%. EESC opinions, ECB acts (~4%), member-state state-aid notices (~2.5%) and ETSI standard citations in footnotes also appear.
+- The Art. 4 Copyright Act basis in the card does not apply to EU acts.
+- Action: change the basis to the EU reuse policy. Relabel as "EU reuse policy (CC BY 4.0 for editorial content)", not a blanket CC-BY-4.0 grant. Add a caveat on third-party and "special conditions" items.
+
+**ted_pl: MINOR (nearest to CLEAN)**
+- Direct from the TED Search API. The TED legal notice says: "Unless otherwise noted, the procurement notices published in the Supplement to the Official Journal of the European Union can be freely reused, for commercial or non-commercial purposes." CC BY 4.0 covers the SIMAP website editorial content and CC0 covers metadata. Exceptions: third-party works, identifiable individuals, industrial-property items. The notice does not separately address notices authored by member-state contracting authorities (V, https://ted.europa.eu/en/legal-notice).
+- The legal-exception review covered only 60 records (card). Full scan of 15,544 notices: ~0.4% name a person ("Pan/Pani Name"), 33 contain an email address. The "©" hits were false positives (V). That is a privacy issue, not a rights issue.
+- Action: keep. Cite both the TED terms and the Polish public-body basis. Run a name scan over the full set.

artifacts/rights_audit_2026-10/reports/saos_pr21.md

@@ -0,0 +1,60 @@
+VERDICTS
+- Merge with release: None: MINOR.
+- Inclusion in a release: MINOR, conditional. Not HPLT-class: the claim is a statutory exclusion (Copyright Act Art. 4(2)), not a packaging licence over unlicensed works. It still fails the paper's "per-record rights evidence" bar for three residual pools (Q3), and no lawyer has signed off.
+
+Q1 CHAIN OF TITLE (verified)
+- The intermediary `PiotrSty/saos-polish-court-judgments@736cba4` is `license: unknown`. It adds no CC grant, and evidence JSON says "no upstream Creative Commons grant is asserted". It is derived from the SAOS dump API (https://www.saos.org.pl/api/dump/judgments), so the intermediary adds no rights.
+- Alterations by the intermediary: HTML strip, dedup (1,608 dropped), PII placeholders, whitespace, and 113 records removed for benchmark overlap. The PR adds NFKC, quote/dash normalisation and a regex PII scrub.
+- Spot-check: 20 of 20 IDs (two batches of 10, spread over court types) match live SAOS text after applying the PR's normalisation. 19 were exact, 1 differed in whitespace only. My first attempt showed mismatches, but that was my error: I had not applied the TRANSLATION table.
+- The snapshot is only 54.9% of live SAOS (296,692 of 540,726). It is stale, not altered.
+- Recommendation: re-pull from the SAOS dump API directly, or at least record the dump date.
+
+Q2 PROVIDER TERMS (verified unless stated)
+- SAOS publishes no licence or regulamin. /regulamin returns 404. https://www.saos.org.pl/help/ states: "Odpowiedzialność za treści danych ... leży całkowicie po stronie wymienionych powyżej systemów źródłowych". SAOS aggregates the Portal Orzeczeń (Ministry of Justice), SN, TK and KIO (UZP).
+- Portal Orzeczeń: MS copyright footer, no reuse licence found.
+- TK, https://trybunal.gov.pl/informacja-publiczna-media/ponowne-wykorzystywanie: reuse is conditional on source attribution plus a notice that the data was processed, with a liability disclaimer. This matches Open Data Act Art. 15(1) (https://eli.gov.pl/api/acts/DU/2023/1524/text.html). `NOTICE.md` has attribution but no "processed" notice.
+- SN and KIO terms: not found.
+- Not verified: web-search summaries claiming "CC BY-SA 4.0" for the Portal Orzeczeń and an "open licence from ePanstwo" for SAOS. Direct HTML checks found no such notices, so treat them as unsupported.
+- Database right (Act of 27.07.2001): not analysed. Inferred low risk, since the courts and MS are public bodies.
+
+Q3 ART. 4 SCOPE
+- Doctrine (verified as sources, legal conclusion inferred): the majority treats judgments and their reasons as "urzędowe dokumenty" under Art. 4(2). Sources: Sobczak 2017 (https://wnus.usz.edu.pl/ais/pl/issue/592/article/9148/) and NSA 19.02.1997, I SA/Kr 1062/96 (via eporady24). Both acknowledge doubts.
+- Dissenting opinions are unaddressed in the PR and are present in TK rows. Inferred: about 450 TK documents (about 5% of 9,503) carry an appended dissent. Individual authorship makes their Art. 4 status the weakest point.
+- Embedded third-party material, from a stratified sample of n=949 rows with post-stratified weights:
+  - ≈1.1% of characters sit in long quoted spans that are not statutory text.
+  - ≈19% of rows have at least one such span.
+  - ≈2.3% of rows have a span of 1,000+ characters.
+  - ≈1.7% of rows are ≥10% quoted.
+  - Quoted doctrine or literature is at most about 1.6% of rows (an upper bound).
+  - These are heuristic estimates, not hand-labelled.
+- Quoted fragments keep their own protection, and the Art. 4(2) exclusion does not reach them. Quotation law (Art. 29) is a defence for the court's use, not a grant to the dataset.
+- Overlap with `uzp_orzeczenia_pl`: I checked KIO case numbers in the SAOS attribution against that source's signatures. 4,541 of 19,758 SAOS KIO rows match, against the PR's 4,536. `overlap_audit.json` on main was run with `saos_rows: 0` and `text_overlap: "not tested"`, so the two sources were never compared on main.
+- Both sources use the same label and basis. This is consistent with the other Art. 4 sources on main (dziennik_ustaw, sejm_api and others). Those cover statutes and parliamentary records, whose Art. 4 status is much firmer than court reasoning.
+
+Q4 OTHER RIGHTS ISSUES IN THE DIFF
+- `license-evidence.json` states `status: documented-statutory-basis-review-needed` and `formal_legal_review: not_performed`. That is honest. It copies the Open Data Act article list from sejm_api, which is `reviewed-open-official-materials`, so the two records read as equivalent when they are not.
+- The card's review addenda correctly flag third-party quoted material, GDPR for named private persons and the provider-terms check as open.
+- The 180 MB attribution sidecar has per-record URLs, court and case numbers and carries the chain of title properly. It also lists judges' names, which is public data but personal data.
+- Not reviewed: most of `src/fetch_saos.py` (only the first ~140 of 1,014 lines), `test_saos_contract.py` and `artifacts/saos_*`.
+
+Q5 NON-RIGHTS BLOCKERS
+- PII: the scrub is regex-only, not NERGAL. Residual phones, addresses and sole-trader names appeared in my ~600-row read. Parties' and judges' names remain.
+- KIO duplication: 4,541 rows are duplicates of `uzp_orzeczenia_pl`, as above. Dedup is needed before any release.
+- 113 benchmark-overlap records were already removed upstream.
+
+CONDITIONS
+Merge with release: None, no changes needed beyond:
+1. Add the "processed data" notice and source/time attribution to `NOTICE.md` and the card (Open Data Act Art. 15 and TK terms).
+2. State plainly that SAOS publishes no licence, that SAOS disclaims content responsibility, and that the HF intermediary is `license: unknown`.
+
+Before any release:
+3. Get a formal Polish legal opinion covering reasons, dissents, KIO and TK, and quoted third-party material.
+4. Strip or exclude TK dissent sections, or exclude those rows.
+5. Run the NERGAL PII pass.
+6. Dedup KIO against `uzp_orzeczenia_pl`.
+7. Re-pull from the SAOS dump API and record the date.
+8. Add a source-level takedown path.
+9. Obtain SN and KIO publication terms.
+
+SCRATCH
+`../saos/`

artifacts/rights_audit_2026-10/reports/wikis_ugc.md

@@ -0,0 +1,68 @@
+**wikiquote: HPLT-CLASS**
+- Random 200-doc sample (seed 1), my labels: 158 in-copyright (79%, Wilson 73-84%), 20 PD, 13 mixed, 7 translation-only, 2 unknown. Verified.
+- CC BY-SA covers only the contributors' selection and wording. Wikiquote caps each quote at 1000 characters (https://pl.wikiquote.org/wiki/Wikicytaty:Maksymalna_długość_cytatu), so the model is quotation right (Art. 29), which is purpose-bound. Inferred.
+- Action: drop, or screen per doc and keep only authors who died in 1955 or earlier plus contributor-written intros.
+
+**wiktionary_examples: HPLT-CLASS (per-item screening)**
+- Live pl.wiktionary sample (74 entries, 111 example lines). 34% of characters (23% of lines) sit in lines citing an external source. NKJP alone is 21% of characters. 34% of entries have at least one cited example. Verified.
+- Eyeballed 70 dataset lines: about 55% look like in-copyright corpus quotations. Inferred, rough.
+- `src/fetch_wiktionary_examples.py` lines 126-127 strip `{{źródło}}` and `<ref>`, and no citation sidecar exists in `data/`, so the dataset cannot be screened afterwards.
+- Action: rebuild keeping only uncited examples (inferred to be mostly editor-written), or drop.
+
+**fandom_pl: HPLT-CLASS (per-wiki)**
+- creepypasta: 240 strictly labelled translations (301 broad). Of 153 labelled English-titled ones, 135 (88%, CI 82-92) are absent from the English Creepypasta Wiki; 18 are present, 2 with a matching author nick. Origin is probably reddit r/nosleep or similar and author-owned. Only one origin is confirmed (HiggsThunder, r/nosleep); the rest is inferred. Unlabelled translations cannot be estimated reliably.
+- Verbatim in-game or copyrighted text (40-doc samples per wiki):
+
+| Wiki | Docs affected | Wilson CI | Tokens |
+|---|---|---|---|
+| dragonage | 22/40 (55%) | 40-69 | ~52% (heuristic) |
+| elderscrolls | 17/40 (43%) | 29-58 | 14-22% |
+| wiedzmin | 11/40 (28%) | 16-43 | ~14% |
+| gothic | 0/40 | 0-9 | – |
+| harrypotter | 0/40 | – | 0.055% in long quotes |
+
+- dragonage: codex, letters, poems.
+- elderscrolls: books and notes, including English "Oryginał=" originals.
+- wiedzmin: in-game documents and quest-log text.
+- naruto: full song lyrics, about 4.1-4.4% of tokens.
+- pokemon: structurally a translation of Bulbapedia, which is CC BY-NC-SA 2.5 (via web search; Cloudflare blocked a direct fetch). The NC/SA conflict is inferred, not proven per page.
+- starwars, fallout, sims and gta were not sampled.
+- The Fandom ToU bars automated scraping and bulk download without written permission (web search only, primary page not read). The source is the intermediary snapshot PiotrSty/fandom-pl.
+- Action: drop creepypasta, pokemon, elderscrolls, dragonage, wiedzmin and naruto. Keep gothic and harrypotter only after the card's per-wiki licence is verified and a notice review is done.
+
+**nonsa: MINOR overall, plus one HPLT-class slice (Cytaty)**
+- Verified: live rightsinfo is CC BY-SA 3.0 (https://nonsa.pl/api.php?action=query&meta=siteinfo&siprop=rightsinfo). `Nonsensopedia:Prawa autorskie` requires text to be the contributor's own or from a CC-compatible source. No NC licence found in text; the cc-by-nc-nd-2.0 template is image-only.
+- Mapping page ids to namespaces on live nonsa.pl (12,204 of 12,304 resolved):
+  - ns100 "Cytaty": 287 docs, 2.6% of tokens. Film, TV, game and cabaret dialogue (Miś, Rejs, Kiler, Chłopaki nie płaczą, Wiedźmin 3, Left 4 Dead, Shrek) and lyrics (Metallica, Acid Drinkers), plus statements by public figures. This is from a title scan of all 287 (inferred).
+  - 12 docs have `<poem>` blocks (0.5% of tokens). Examples are `nonsa_202491` (Guns N' Roses, Blind Guardian) and `nonsa_221845` (an English metal lyric).
+- The card itself says "Embedded third-party quotations have not been reviewed".
+- 100 docs (0.8%) were deleted live after the dump, via SDU votes rather than copyright.
+- Intermediaries (verified from `src/build_nonsa_pl.py`): WikiTeam archive.org item `wiki-nonsa.pl-20251009` and HF PiotrSty/nonsa-pl.
+- Nonźródła, Gra and Forum are mostly user-written parody and fiction. I did not check them against Polish parody law.
+- Action: drop ns100 and the `<poem>` docs; the rest is releasable on its licence once NERGAL has run.
+
+**wikipedia: MINOR**
+- The card says CC-BY-SA-3.0. Live rightsinfo is CC BY-SA 4.0 (https://pl.wikipedia.org/w/api.php?action=query&meta=siteinfo&siprop=rightsinfo), so the history is mixed 3.0/4.0. Verified.
+- The card's provenance is "SpeakLeash's public redistribution (key plwiki)" while its upstream URL points to dumps.wikimedia.org. That is an intermediary snapshot, disclosed but not the official dump. SpeakLeash's own licence terms were not found.
+- I did not sample for quoted copyrighted text.
+- Action: rebuild with `src/fetch_wikimedia.py` from a pinned official dump and relabel as 3.0/4.0 mixed.
+
+**wikinews: MINOR**
+- Live rightsinfo is CC BY 4.0. Polish Wikinews voted 22 Jul to 20 Aug 2024 to move from 2.5 to 4.0 (`Wikinews:Głosowania/Zmiana licencji na CC:BY 4.0`). The card labels all 24,386 docs CC-BY-2.5, which is wrong for later edits. Verified.
+- `Wikinews:Prawa autorskie` bans verbatim copying of agency or press text. 6 docs mention e-Polityka.pl; the 2005 offer there was permission to copy with attribution. A PAP MediaRoom proposal in November 2025 was met with doubts about licence compatibility; 0 docs contain "PAP MediaRoom".
+- A 30-doc eyeball showed own-word reports with source lists. Residual unattributed press copying is unquantified.
+- Action: relabel as 2.5 / 4.0 by edit date and keep.
+
+**plwiki_talk and plwiki_user_talk: MINOR**
+- The label is CC BY-SA 4.0 per record, but `created` is the last-revision date. 42% of talk docs (25% of tokens) and 64% of user-talk docs (42% of tokens) were last edited before 2023-06-01, so they are wholly 3.0 content (with a GFDL-dual layer before 2009). Verified from the parquet files.
+- In a 1,500-doc talk sample, 10% of characters sit in long lines with no signature. Of 12 eyeballed, about 3-4 are pasted source text, so third-party text is probably 3% of characters or less (inferred). The card admits quotes of article text.
+- Most flagged user-talk lines are welcome boilerplate and English Commons copyright notices.
+- Action: relabel per record from the revision date. No removal needed.
+
+**wikivoyage: MINOR**
+- Official dump per the card. The label is 3.0 against a live 4.0. Only 1 doc mentions Wikitravel. Not verified: pasted business or tourist-board listing text.
+
+**wikibooks: MINOR**
+- Same label issue. 24 docs (0.4% of tokens) mention GFDL, for example the "Dive into Python" translation (`wikibooks_2419791`, `wikibooks_2419792`). GFDL-only text is not compatible with CC BY-SA unless it was dual-licensed or "or later".
+- `wikibooks_2423104` says a textbook was moved in "za zgodą twórców" (with the creators' consent). The original's licence is unverified.
+- Action: relabel and optionally drop the GFDL docs.

artifacts/rights_audit_2026-10/saos/cats.py

@@ -0,0 +1,26 @@
+import pandas as pd,re,numpy as np
+d=pd.read_pickle('sample.pkl')
+POP={'COMMON':229370,'SUPREME':38058,'NATIONAL_APPEAL_CHAMBER':19758,'CONSTITUTIONAL_TRIBUNAL':9503}
+Q=re.compile(r'[„"«]([^„"«»”]{150,}?)["»”]',re.S)
+DOC=re.compile(r'(?i)\[w:|\(red\.|\bred\.\)|komentarz|podręcznik|monografi|wydawnictw|LexisNexis|Wolters Kluwer|Beck|\bs\.\s?\d{1,4}\b.{0,40}\b(?:19|20)\d\d|(?:19|20)\d\d,?\s+s\.\s?\d+|\bglos[ay]\b|[Pp]rzegląd Sądowy|Państwo i Prawo|Monitor Prawniczy|PiP\b|Palestra')
+CASELAW=re.compile(r'(?i)\b(?:wyrok|uchwał[aay]|postanowieni[ea]|orzeczeni[ea])\b[^.]{0,120}\b(?:SN|NSA|TK|Trybunału|Sądu Najwyższego|Sądu Apelacyjnego|WSA|SA)\b')
+EXPERT=re.compile(r'(?i)opini[aięj]+ biegł|biegły (?:sądowy )?(?:stwierdził|wskazał|podał|wyjaśnił)|w opinii biegł')
+PARTY=re.compile(r'(?i)\b(?:pozwie|apelacji|odwołaniu|skardze|zażaleniu|kasacji|wniosku|piśmie|pismem|odpowiedzi na odwołanie|odpowiedzi na pozew)\b[^.]{0,80}["„]')
+CONTRACT=re.compile(r'(?i)(?:umow[aąyiej]|§\s?\d+\s+umowy|regulamin|SIWZ|OPZ|specyfikacj\w+|ogłoszeni\w+|oświadczeni\w+|treści|brzmieniu)[^.\n]{0,60}[:]\s*["„]')
+IP=re.compile(r'(?i)(prawie autorskim|prawa autorskie|autorskich praw|utwór\b|utworu\b)')
+rows=[]
+for _,r in d.iterrows():
+    t=r.text; spans=list(Q.finditer(t)); n_doc=0; n_any=0
+    for m in spans:
+        s=m.group(1)
+        if re.search(r'(?i)\bart\.|§|\bust\.|\bDz\.\s*U\.',s): continue
+        n_any+=1
+        post=t[m.end():m.end()+140]
+        if re.search(r'\bs\.\s?\d+|\[w:|\(red\.|Legalis|LEX\b|Lex\b|Komentarz|op\. ?cit|tamże',post): n_doc+=1
+    rows.append(dict(doc_quote=n_doc>0, n_doc=n_doc, doc_ref=bool(DOC.search(t)), expert=bool(EXPERT.search(t)), ip=bool(IP.search(t)), contract=bool(CONTRACT.search(t)), party=bool(PARTY.search(t))))
+x=pd.concat([d[['id','court','uniform','jt']],pd.DataFrame(rows)],axis=1)
+x.to_pickle('cats.pkl')
+tot=sum(POP.values())
+for col in ['doc_quote','doc_ref','expert','ip','contract','party']:
+    per={c:x[x.court==c][col].mean() for c in POP}
+    print(col,{c[:6]:round(v,3) for c,v in per.items()},'weighted',round(sum(POP[c]*per[c] for c in POP)/tot,3))

artifacts/rights_audit_2026-10/saos/draw.py

@@ -0,0 +1,21 @@
+import pyarrow.parquet as pq, pandas as pd, numpy as np
+P='data/saos/'
+f=pq.ParquetFile(P+'saos.parquet'); a=pd.read_pickle('attr.pkl'); st=np.load('rgstart.npy')
+rng=np.random.default_rng(1)
+uni=rng.choice(len(a),600,replace=False)
+extra=[]
+for court,n in [('CONSTITUTIONAL_TRIBUNAL',150),('NATIONAL_APPEAL_CHAMBER',100),('SUPREME',100)]:
+    extra+=list(rng.choice(a.index[a.court==court],n,replace=False))
+idxs=sorted(set(uni)|set(extra))
+rgs=np.searchsorted(st,idxs,side='right')-1
+rows=[]
+from collections import defaultdict
+by=defaultdict(list)
+for i,r in zip(idxs,rgs): by[int(r)].append(int(i))
+for r,ii in sorted(by.items()):
+    t=f.read_row_group(r,columns=['id','text']).to_pandas()
+    for i in ii:
+        rows.append((i,t.iloc[i-st[r]].id,t.iloc[i-st[r]].text, i in set(uni)))
+d=pd.DataFrame(rows,columns=['idx','id','text','uniform'])
+d=d.merge(a[['id','court','jt','src','year']],on='id')
+d.to_pickle('sample.pkl'); print(len(d), d.uniform.sum(), d.court.value_counts().to_dict(), d.text.str.len().sum()/1e6)

artifacts/rights_audit_2026-10/saos/quotes.py

@@ -0,0 +1,28 @@
+import pandas as pd,re,numpy as np
+d=pd.read_pickle('sample.pkl')
+POP={'COMMON':229370,'SUPREME':38058,'NATIONAL_APPEAL_CHAMBER':19758,'CONSTITUTIONAL_TRIBUNAL':9503}
+Q=re.compile(r'[„"«]([^„"«»”]{200,}?)["»”]',re.S)
+STAT=re.compile(r'(?i)\bart\.|§|\bust\.|\bpkt\b|\bDz\.\s*U\.')
+def an(t):
+    spans=[m.group(1) for m in Q.finditer(t)]
+    long=[s for s in spans if len(s)>=200]
+    stat=[s for s in long if STAT.search(s)]
+    non=[s for s in long if not STAT.search(s)]
+    return dict(n=len(t),qchars=sum(map(len,long)),qstat=sum(map(len,stat)),qnon=sum(map(len,non)),nlong=len(long),nnon=len(non),
+        q1k=sum(len(s)>=1000 for s in non), max_non=max([len(s) for s in non],default=0))
+res=pd.DataFrame([an(t) for t in d.text]); d=pd.concat([d.drop(columns='text'),res],axis=1)
+d.to_pickle('quotes.pkl')
+def post(col,fn=lambda s:s.mean()):
+    # post-stratified population estimate of mean over all courts
+    tot=sum(POP.values()); return sum(POP[c]/tot*fn(d[d.court==c][col]) for c in POP)
+for c in POP:
+    s=d[d.court==c]; print(c,len(s),'share_chars_in_nonstat_long_quotes %.4f'%(s.qnon.sum()/s.n.sum()),'stat %.4f'%(s.qstat.sum()/s.n.sum()),
+       'rows>=1 nonstat long quote %.3f'%(s.nnon>0).mean(),'rows with >=1000ch non-stat quote %.3f'%(s.q1k>0).mean(),'rows >10%% of text quoted-nonstat %.3f'%((s.qnon/s.n)>0.1).mean())
+print('corpus-weighted (by doc): rows with non-stat long quote',round(post('nnon',lambda s:(s>0).mean()),3),' rows >=1000ch',round(post('q1k',lambda s:(s>0).mean()),3), ' >10%',round(post('qnon',lambda s:0) ,3))
+# char-weighted
+cw={c:d[d.court==c].n.mean() for c in POP}
+totc=sum(POP[c]*cw[c] for c in POP)
+q=sum(POP[c]*cw[c]*(d[d.court==c].qnon.sum()/d[d.court==c].n.sum()) for c in POP)/totc
+qs=sum(POP[c]*cw[c]*(d[d.court==c].qstat.sum()/d[d.court==c].n.sum()) for c in POP)/totc
+print('corpus char share in long (>=200ch) quoted non-statute spans: %.4f ; statute-ish %.4f'%(q,qs))
+print('est total chars', totc/1e9)

artifacts/rights_audit_2026-10/saos/sample.py

@@ -0,0 +1,14 @@
+import pyarrow.parquet as pq, json, random, pandas as pd
+P='data/saos/'
+f=pq.ParquetFile(P+'saos.parquet')
+ids=f.read(columns=['id']).column('id').to_pylist()
+print(len(ids), len(set(ids)))
+rows=[]
+with open(P+'saos.attribution.jsonl') as fh:
+    for l in fh:
+        d=json.loads(l); rows.append((d['id'],d['court_type'],d['judgment_type'],d['upstream_source_code'],d['judgment_date_raw'][:4]))
+a=pd.DataFrame(rows,columns=['id','court','jt','src','year'])
+a['rg']=[i//128 for i in range(len(a))]
+print(a.court.value_counts()); print(a.src.value_counts()); print(a.jt.value_counts())
+print((a.id.values==pd.Series(ids).values).all())
+a.to_pickle('attr.pkl')

artifacts/rights_audit_2026-10/saos/verify.py

@@ -0,0 +1,38 @@
+import pyarrow.parquet as pq, pandas as pd, random, re, json, html, unicodedata, difflib, subprocess, sys, time
+sys.path.insert(0,'src')
+P='data/saos/'
+f=pq.ParquetFile(P+'saos.parquet')
+a=pd.read_pickle('attr.pkl')
+random.seed(21)
+pick=[]
+for court,n in [('COMMON',3),('SUPREME',3),('NATIONAL_APPEAL_CHAMBER',2),('CONSTITUTIONAL_TRIBUNAL',2)]:
+    sub=a[a.court==court]
+    pick+= list(sub.sample(n,random_state=7).index)
+TR=str.maketrans({"\u00a0":" ","\u2007":" ","\u202f":" ","\u200b":"","\ufeff":"","\u00ad":"","\u2010":"-","\u2011":"-","\u2012":"-","\u2013":"-","\u2014":"-","\u2212":"-","\u2018":"'","\u2019":"'","\u201c":'"',"\u201d":'"',"\u2026":"..."})
+def norm(s):
+    s=unicodedata.normalize('NFKC',html.unescape(s)).translate(TR)
+    s=re.sub(r'\[(?:PII:)?(?:PHONE|EMAIL|PESEL|IDENTIFIER|ACCOUNT)\]','',s)
+    return re.sub(r'\s+',' ',s).strip()
+def strip_html(h):
+    h=re.sub(r'<br\s*/?>|</p>|</div>|</h\d>|</tr>|</li>','\n',h)
+    h=re.sub(r'<[^>]+>','',h)
+    return h
+out=[]
+for idx in pick:
+    import numpy as np
+    st=np.load('rgstart.npy'); rg=int(np.searchsorted(st,idx,side='right')-1)
+    t=f.read_row_group(rg,columns=['id','text']).to_pandas()
+    row=t.iloc[idx-st[rg]]
+    sid=row.id.replace('saos_','')
+    r=subprocess.run(['curl','-sL','-m','60',f'https://www.saos.org.pl/api/judgments/{sid}'],capture_output=True,text=True)
+    try: d=json.loads(r.stdout)['data']
+    except Exception as e: print(sid,'FETCH FAIL',r.stdout[:200]); continue
+    live=norm(strip_html(d['textContent'] or ''))
+    mine=norm(row.text)
+    sm=difflib.SequenceMatcher(None,live,mine,autojunk=False) if len(live)<70000 and len(mine)<70000 else None
+    ratio=sm.ratio() if sm else None
+    print(sid,a.court[idx],a.jt[idx],'len live',len(live),'len snap',len(mine),'equal',live==mine,'ratio',ratio, 'live_summary',bool(d.get('summary')),'decision',bool(d.get('decision')))
+    if live!=mine and sm:
+        for tag,i1,i2,j1,j2 in sm.get_opcodes():
+            if tag!='equal': print('   ',tag,repr(live[i1:i2][:80]),'->',repr(mine[j1:j2][:80]))
+    time.sleep(0.5)

artifacts/rights_audit_2026-10/wikis/encpw_found.json

@@ -0,0 +1 @@
+{"3 AM": "[[File:3-a.m..jpg|thumb]]\nHave you ever woken up, only to find there was someone staring at you? It happens to people all the time on trains, buses, planes, and in public places.\n\nIn fact, studies have shown that this instinctive response is a highly evolved defense mechanism of the subconscious mind; alerting your senses to the presence of a potential threat. Many other species in the animal kingdom possess similar traits which prove beneficial to survival.\n\nGiven this, you might want to consider quickly pulling your curtains closed and shutting your door the next time you instinctively wake up at 3 AM. That is, of course, if it\u2019s not already inside your room\u2026\n{{by-unknown|date=September 17th, 2012}}\n[[pl:3 AM]]\n[[Category:Historical Archive]]\n[[Category:Dreams/Sleep]]\n[[Category:Beings]]\n[[Category:Micropasta]]", "Creepypasta Wiki": "<mainpage-leftcolumn-start />\n\n{{Frontpageheader}}\n<inputbox>\ntype=create\nplaceholder=Title of pasta here\nbuttonlabel=Create\nbreak=no\n</inputbox>\n<br>\n\n{{Header TopBox|title=[[Creepypasta Wiki:Pasta of the Month|Pasta of the Month]]}}\n{{Adminpick}}\n\n{{Header TopBox|title='''[[:Category:Spotlighted_Pastas|Staff Pick]]'''}}<div style=\"font-size: 33px; text-align: center; margin-top: 0;\">[[Kane Nine]]</div> \n<center><i>by [[User:MakRalston|MakRalston]]</i></center> \n\n\nBilly McKean didn\u2019t murder his wife, so he says. Oh, he ''killed'' her, sure. But not murdered.\n\n\u201cI mean, c\u2019mon, how was I supposed to know it was her?\u201d\n\n\u201cYur wife?\u201d Detective Martin asked with a slanted brow, pen pressed to paper. Billy nodded, and the pudgy investigator returned the gesture, scribbling something illegible onto the pad and making a note not to drag the pen over that blot of mustard from ''Delroy\u2019s Deli'', the final remnants of a hard day\u2019s lunch.\n\n\u201cYea.\u201d Billy shrugged. \u201cI mean it was dark. Like\u2026 ''real'' dark. The hell was I supposed to do? I see someone walkin\u2019 through my place in the dark, I whack the motha\u2019fucka\u2014simple as that. Could\u2019a been a cat burglar or the Belmont Beast for Christ\u2019s sake. I didn\u2019t know it was my goddam\u2019 wife. You\u2019d think I\u2019d whack my own wife\u2014my ''pregnant'' wife\u2014pal?\u201d\n\nDetective Martin shook his head as he continued jotting. \u201cNever said that, Mr. McKean.\u201d But he certainly implied it. The way he saw it, the woman sprawled out face-down on the hallway carpet was a bit more than \u201cwhacked\u201d. In fact, the word they would\u2019ve used down at the station would\u2019ve been \u201cbludgeoned\u201d, or maybe those other two: \u201cblunt force\u201d.\n\n\u201cNow, uh, speakin\u2019 of the, uh\u2026 whackin\u2019 itself\u2026 what\u2019d you use to, uh\u2014 \"\n\n\u201cHammer,\u201d Billy said, about as bluntly as the object in question.\n\n<center>[[Kane Nine|''Read more...'']]</center> \n<div style=\"margin-bottom: 20;\"></div>\n\n\n{{Header TopBox|title=[[Project:Writers' Showcase|Writers' Showcase]]}}\nThese pages were recently posted to our [[Forum:Writers' Showcase|Writers' Showcase]], where users can post their stories in need of attention. Please consider reading through them and leaving some feedback.\n\n<dpl>\nnamespace=Forum\ncategory=Writers' Showcase\ncount=3\norder=descending\nordermethod=lastedit\nmode=userformat\ninclude={WS}\nallowcachedresults=true\n</dpl>\n\n[[Creepypasta Wiki:Writers' Showcase|More...]]\n{{Featured Subgenre}}\n\n<br>\n{{Header TopBox|title=[[Creepypasta Wiki:Genre Listing|Browse By Subgenre]]}}\n{{Genre Gallery}}\n\n{{Frontpagecontribute}}\n{{AltLang}}\n[[de:]][[es:]][[fr:]][[it:]][[pl:]][[ru:]][[zh:]]\n<mainpage-endcolumn />\n\n<mainpage-rightcolumn-start />\n{{Frontpageprimelinks}}\n<div style=\"margin-bottom: 10px;\">\n{{Header TopBox|title=[[Project:New Stories|New Stories]]}}</div>\n<div style=\"font-size: 15px;\">\n<dpl>\nnamespace=\ncount=24\norder=descending\nordermethod=firstedit\nallowcachedresults=true\nadduser=false\naddeditdate=false\n</dpl>\n</div>\n<div style=\"margin-bottom: 10px;\">\n{{Header TopBox|title=[[Special:RecentChanges|New", "Devolution": "Did I do good? He\u2019s not moving anymore. I bit him. Hard. Do I get a treat? A Pokeblock? A berry? A candy? Oh, good! You\u2019re reaching into your pocket! Wait. Master? Why are you bringing out that ball again? Oh, please don\u2019t put me back in! I\u2019m injured! It will hurt! Ow! MASTER, PLEASE!!\n\n[[Image:Hiding_fanart_by_cloudtheespeon-d3ceehi.jpg|thumb|290px]]\n\nOw! Ow\u2026 please! It\u2019s cold. And dark. I\u2019m so hungry. You haven\u2019t fed me in days. Do you not love me anymore? You loved me when I was smaller. That\u2019s it. Master hates me. He hates Mightyenas. I\u2019ll change back, master.\n\nPoochyenas don\u2019t have this awful black tail. Or this flowing mane. OW! It hurts! Of course\u2026 best to bear it. I can gnaw my muzzle off. My legs were shorter. But first I need to claw off these big ears.\n\nOh. It hurts so bad. I smell lots of blood...but I\u2019m small again. Cuter. Master will love me now. Huh? A light? Oh, master will be so pleased!\n\nMaster? Why are you screaming? Does red scare you?\n{{by-user|Furbearingbrick|date=August 2, 2012}}\n[[Category:Historical Archive]]\n[[Category:Pok\u00e9Mon]]\n[[Category:Micropasta]]", "Diary of Abigail": "[[File:6278671861_1ee33d1e74_b.jpg.cf.jpg|thumb]]\n\nEarlier in April of this year, I had moved into a new home in Gettysburg, Pennsylvania. It is clear to me that the old house is haunted. I had heard things like footsteps and tapping noises in the first couple of weeks that I\u2019d been living there. I lived there with my husband and two children. My husband is a very kind man but after two weeks of living in that home, he became agitated and angry. My children were afraid to sleep in their rooms, especially my daughter who had said that she saw a woman sitting at the end of her bed. I didn\u2019t believe her at first but when I found an old diary in the attic, there was no doubt in my mind that she saw somebody that night.\n\nI took the time to type the entries into my son\u2019s laptop so that I could share the shocking findings with everybody else. The diary belonged to a girl name Abigail and apparently, she started writing in the diary back in 1960, after her mother had died. Some of the words were misspelled but I took the time to proofread the entries and make changes where necessary. I\u2019m only posting the entries that were started the day that she moved into the house.\n\n'''April 17, 1962'''\n\nHello mother, this is the first night in my new home. I hate that I had to move and leave all of my friends, but father got a new job and so I had to. It\u2019s a big home and I really like my new room. Rebecca gave me a new pencil since I broke my other one last week. That\u2019s why I hadn\u2019t wrote in a while. She\u2019s so nice but not as much as you were. I miss you so mother. I start school tomorrow, so I should get some sleep. Goodnight mother.\n\n'''April 18, 1962'''\n\nI met a friend at school today. Her name is Jennifer but everyone calls her Jenny. She said that she likes my dress and I thought that was really nice. Father and Rebecca was arguing today. They haven\u2019t argued in so long. I don\u2019t know what they were arguing about but Father was really upset. I should go now, Father will probably be coming in to kiss me goodnight. I miss you ever so much. Goodnight mother.\n\n'''April 19, 1962'''\n\nI had fun at school today. Jenny and I played tag during recess and I was running so fast, she couldn\u2019t catch me. I saw you watching me, did you see me wave at you? Father didn\u2019t believe me when I told him that I saw you. He never believes me. I think he still misses you because he cries sometimes. I love you so much mother and I miss you too. Goodnight mother.\n\n'''April 20, 1962'''\n\nHello mother, I had another fun day at school today. I was looking for you but I didn\u2019t see you. That\u2019s okay though, I still love you ever so much. Rebecca is calling me for supper so I have to go now. Goodnight mother.\n\n'''April 22, 1962'''\n\nSorry that I couldn\u2019t write to you yesterday, mother. Jenny invited me over to her house for a sleep over and I had so much fun. We sung songs, read scary stories and we talked about boys. Jenny likes Jacob but I don\u2019t like boys. I think they\u2019re gross. I hear footsteps down", "Found": "If you venture far enough out of town, you'll find an old house.\n\nIf you decide to go up to the second floor, you'll find a room.\n\nIf you go into the room, you'll find a box.\n\nIf you decide to take a peek inside the box, you'll find nothing.\n\nI'll find ''you''.\n\n[[Category:Weird]]\n[[Category:Micropasta]]", "Life Is Short": "I was there, hanging back by the wall, when you were born.\n\nIn no time at all, you were off to your first day at school, and I watched you go to class while I stood at the top of the schoolhouse.\n\nEagerly, I saw you grow, change, experience life. You were special in your own ways, but from a distance, just the same as all the others.\n\nWhen your parent's videotaped your graduation ceremony, I was hiding in the corner. You looked so happy. The whole world in front of you... you thought we would be together forever. But I knew better. These things always end the same.\n\nI sat in utter boredom at the edge of your desk as you worked your life away. You completely disappointed me. Ignoring me, you were always thinking of \u201clater\u201d, like all those other fools.\n\n\u201cLater\u201d, we could travel. \u201cLater\u201d, we could sleep in all day. \u201cLater\u201d, you would appreciate me more, love me more, respect me more. You turned out to be one of the bad ones. I guess I should have felt sorry for you, but really, I am quite used to it.\n\nI silently breathed in the scent of your hair and watched the colour evaporate, leaving grey and white. You used to have a vibrant crown of colour. You blamed me for stealing it away. You could not feel it as I licked your skin, my corrosive saliva burning wrinkles into your flesh, once so smooth and healthy.\n\n\u201cLater\u201d came and went. When you finally retired, it was far too late for all your plans for me. And there was nothing I could do but what I've always done; wait and watch.\n\nA sad, empty vase rested beside me on the windowsill of your hospital room. I patiently gazed upon your withering form. I could tell that you missed me then, near the end. Like so many before you and so many to come, you wished you had appreciated me more. You wept to your family, crying out for me, but I just sat back and watched.\n\nI was the only one keeping vigil when you finally passed.\n\nWith a shrug, I closed that eye and opened another one. This one hanging on the back wall of that very same delivery room where you were born. It felt like mere moments ago to me. But then, your whole life was a blink of my eye.\n\nAs Time, I tend to see things differently from you mortals.\n\nMaybe this next one will appreciate me more.\n{{by-user|Dugarte|date=February 25th, 2012}}\n[[Category:Historical Archive]]\n[[Category:Gods]]\n[[Category:Reality]]", "Mary's Lamb": "You've probably heard of Mary Had a Little Lamb. But you have no idea where or how it originated, do you?\n\nNo, you don't. So, I'm here to tell you.\n\n----\n\nA long time ago, back in the 1800's, a girl named Mariane Rose, or Mary for short, was walking to her home. She wasn't very talkative, but she had things to say if she ever needed to.\n\nMary loved animals. No, not like you love dogs and cats. She loved to kill animals.\n\nTorture and brutality were her two main goals. She was, in a word, insane. She went to the woods to hang animal heads to dry so she could play with them. She was a terrible person, but that is not where this story is going. This story, tells about this girl, Mary, and her lamb.\n\nOne day, when Mary was grabbing knives to go out and torture helpless animals, she heard a strange, strange noise.\n\nShe grabbed a candle, lit it, and walked outside. It was very dark out, but the candle provided just enough light to see that it was a lamb. This lamb, though, was not regular. When she tried to grab it, it attacked her. She was very, very frustrated at this lamb and went to get her dead father's rifle.\n\nShe shot the lamb, and managed to somehow puncture the stomach.\n\n\"Sad,\" said Mary. \"I won't get to slowly kill this one.\"\n\nShe grabbed the lamb by the legs, and went to hide it. Of course, she didn't want to get in trouble, so she tied a chain to its neck and was dragging it to the lake, when she felt a sharp pain in her back. She whirled around to see a man with a rifle, shouting, \"You little shit, you killed my property! Go to HELL!\"\n\nThe man shot again, and this time he hit Mary in the head, killing her instantly.\n\nThree weeks later, the man had his lamb stuffed and hung its head on the wall. He was not proud of this, but he was not a wasteful person.\n\n\"Well, what about Mary?\" You are probably asking me.\n\nWhat happened to Mary? She was stuffed, too. This man, as I said, was not wasteful.\n\nHe turned her head into a puppet, and every night before sleep, he used it to sing to his dead lamb,\n\n\"Mary had you, little lamb, little lamb, little lamb,\n\nMary had you little lamb, but now Mary is dead.\"\n\nThis was later concealed, as people turned the song into a happier one, in order for it to be more comforting to young children.\n\nMary ''had'' a little lamb; its fleece ''was'' white as snow.\n[[Category:Mental Illness]]", "Mermaids Are Starving": "I walk at dawn by the avenue with a soft zigzag. It takes me a lot of effort so the alcohol doesn't make me stumble or lose my way back home. I can hear the motor of a faraway car, the buzz of electricity cables, the gurgling of a nearly dry fountain. And a song, a soft melodious murmur. \n\nI stop to observe the old fountain, one of so many embellishments the city doesn't care to maintain, with broken stone pieces, mold in every crack, all kinds of garbage floating in the water that was far from a clear and slippery bottom.\n\nSitting on the edge is a petite girl humming. I hadn\u2019t noticed her presence until now. I approach with slow steps to see her better. She looks so alone.\n\nHair falls over her face in a tangle of dreadlocks, combed awkwardly with a shell hair pin and what looks like fish bones. Something drives me to speak to her--the alcohol in my veins probably--because the girl doesn't have a captivating beauty. Slow, she turns her body in my direction, giving me a better glimpse of the slim body, covered only by a volatile sleeveless dress that barely reaches to cover her breasts. I run my eyes over the long uncovered legs and bare feet. Closer, her skin is greenish, and so thin--anorexic perhaps. Not receiving a response to my greeting I decide to ask her if she is lost, bending down to see her face.\n\nThe girl shakes her head and says nothing more, continuing to sing. It is so beautiful, I can't stop hearing it, weird something with such beauty to come out of dry and chapped lips. I try to talk to her again, I propose companionship. We could have fun together. Yes, she may be boney and have a battered appearance, but I am not the demanding type when it comes to pleasures of the flesh. If she'll sing for me, I\u00b4ll happily have her to warm my bed with her body.\n\nWithout a word, the girl raises her arms and puts them around my shoulders. One of the hands tangles between my hair giving me chills. She's so cold, but it doesn't matter. I want to kiss her mouth, her face, her body. The desire becomes so unbearable that her appearance ceases to annoy me. I am going to make her sing for me. \n\nI let myself be dragged, I can feel her bones against my chest. I raise her face and see sunken eyes accompanied by a crooked smile. She pulls and I stumble, taking us both to the interior of the fountain.\n\n''\"There's no more pirates on the wide sea. Sailors to charm.\"''\n\nWater hit wakes me, eyes open, disoriented. Still under the water, the girl turns and pushes me against the bottom without giving me a chance to breathe.\n\nMurky water surrounds me. I should be able to swim to the surface, the fountain isn't that deep. So why does the surface seem so far away? I kick, stroke, but can't get out. \n\n''\"No one hears our broken voices. Foolish men to drag to the deep.\"''\n\nMy lungs burn, my eyes sting. Bony arms surround my waist. And another pair, and another one. I'm soon surrounded. Between blinks I see them, faces deformed by hunger, sharp teeth, hair tangled with", "Mirror Image": "Elaine had just finished cleaning up the table after a leisurely breakfast when her daughter Martha came screeching into the kitchen.\n\n\"Mommy, Mommy,\" she cried.\n\n<nowiki> </nowiki>  \"Yes, love?\"\n\n<nowiki> </nowiki>  \"There are handprints in your bathroom mirror!\"\n\n\"Then wipe them off, pet. Mirrors still work, even if they're dirty.\"\n\n<nowiki> </nowiki> She said this last part with a chuckle to herself. She had expected much larger issues than routine washroom upkeep from her darling little fussbudget. After Martha's father walked out on them a year ago (apparently Elaine had become a totally different person than the big bosomed bird he'd married a decade prior), she fixated on the smallest things to distract herself. It seemed like Elaine's days were filled with a never-ending onslaught of requests from her little princess. She wouldn't have it any other way, though.\n\n\"No, Mommy! You aren't listening to me! They aren't ON the mirror, they're IN it! It's like they're on the other side! I saw something in there!\"\n<nowiki> </nowiki>\n\n\"Oh, darling, it's just an old dirty mirror!\"\n<nowiki> </nowiki>\n\n<nowiki> </nowiki>This statement was met with what can only be described as \"The Martha\". She just shut down completely. Elaine could tell that she wasn't going to make any headway until she resolved the issue. \n<nowiki> </nowiki>\n\n<nowiki> </nowiki>\"Fine! I will go check out the bathroom mirror, but there's nothing to worry about.\"\n<nowiki> </nowiki>\n\n<nowiki> </nowiki>To be quite honest, Elaine didn't really WANT to go check the bathroom out. Lately, it just felt... off in there. And she would never tell Martha this, but that old mirror gave Elaine the willies. She could never place her finger on it, but it just gave her a bad feeling in the pit of her stomach, like a storm about to hit.\n<nowiki> </nowiki>\n\n<nowiki> </nowiki>Elaine entered the room, cleaning products in tow, expecting to find some very Martha-shaped hand prints smudging the mirror. To her surprise, there were none. The only thing she saw was the tiny hairline fracture running down the center of the mirror that came from nowhere and seemed to be rapidly expanding as of late. A flash of something danced across the mirror, in the center of the fracture.\n<nowiki> </nowiki>\n\n<nowiki> </nowiki>It was the light in the bathroom, surely. That has to be it. She gave the mirror a parting wipe when the flash happened again, longer this time. It wasn't just the light that time, and she knew it. What in the world was she seeing? She started to pick at the crack when she heard a loud crash and crying coming from the kitchen.\n\n\"What in the world happened in here? Are you okay?\"\n<nowiki> </nowiki>\n\n<nowiki> </nowiki>\"Y-y-yeeeeeees. I f-f-feeeeell downnnnn and hit my h-h-heaaaaad,\" cried Martha between the childlike gasps of the truly terrified.\n<nowiki> </nowiki>\n\n<nowiki> </nowiki>\"There, there,\" Elaine cooed.\n<nowiki> </nowiki>\n\n<nowiki> </nowiki>She got Martha calm and told her to take it easy for ", "My Personal Hell": "Everyone has their own personal Hell, are the words that ran through my head 7 hundred thousand times as the tall, stocky prison guards escorted me to the execution room. My arms started to hurt as they were bent in an awkward position, held by the straight jacket; tightly strapped over my orange prison jumpsuit. I heard the various prisoners of D-Block shouting random shit out to me as I passed them. One of the inmates; Frank Morris went as far as stopping me; just to mock me.\n\n\u201cI bet tonight\u2019s show will be a real shocker \u2018uh pretty boy?\u201d\n\n\u201cI\u2019ll see you in Hell Morris, you piece of shit!\u201d\n\n\u201cMeh, if I can\u2019t escape this shithole ya\u2019 sure will buddy.\u201d\n\n\u201cWe were never buddies Frankie.\u201d He reached his long, skinny arms out to strangle me but failed as a guard smacked his calloused knuckles with his guard\u2019s baton.\n\nFrank flinched at this, stepping back while rubbing his hands and scowling the guard with bad looks.\n\n\u201cSure, sure kiddo; when ya\u2019 get there, tell Doc to fuck himself alright?\u201d\n\n\u201cWhy don\u2019t you do the same?\u201d\n\n\u201cThose are some fighting words Charles!\u201d A guard stepped in and pushed him back through the bars on his cell.\n\n\u201cIf you don\u2019t shut up, I will break both of your hands Frank.\u201d\n\nThat immediately made Morris walk back to his bunk bed and sit down slowly before waving to me a sad goodbye, I knew the asshole hated me as much as I hated him but he still felt sorry for me. I mean; I didn\u2019t have a choice, I did not provoke the guards or the warden to do this. Unlike Arthur \u2018Doc\u2019 Baker who was killed trying to break outta here a couple of years ago. I admit that I brought these life sentences upon myself, I am a fucking psychopath. Bat-shit crazy; but who isn\u2019t in a world like this? Another prisoner stopped me to send me his condolences\u2026sort of.\n\n\u201cDat\u2019s what ya get for bangin\u2019 my wife Kelly! You son of a-\" The other guard spoke up\n\n\u201cEnough sympathy for the dead-man. Let\u2019s go!\u201d He violently shoved me forward and a horrible look appeared on my pale face. We finally reached the heavy, armored, metal doors to the execution room. Warden James A. Johnston was standing there smirking at me, holding the keys to the huge doors. One of the guards beside me nodded and he unlocked the doors with a loud click before two more beefy guards walked up from behind me and forced the doors open with a loud squeak then creak. A guard behind me pushed me inside the room and forced me into the chair we called \u2018Old Sparky\u2019 before strapping a metal piece onto my head tightly and wrapping my limbs with leather straps.\n\n\u201cI\u2019ll see you in Hell too James!\u201d\n\n\u201cI\u2019m sure you will Charles..\u201d He laughed. \u201cI\u2019m sure you will.\u201d\n\nAs I embraced my horrible fate I peered into the bulletproof, spectating glass ahead of me that divided this now-empty room from the spectating room that contained the Warden, 5 guards and the families of all those I have abused, raped, murdered, etc\u2026 As I said; I\u2019m a fucking psychopath, '''''but in a world like this; who isn\u2019t?''''' I am proud to admit it, I w", "Nightmares": "The night was bitterly cold, near freezing. It had been far too cold to sleep in my little room on the third floor of the Musgrave Street police station barracks. I managed to rise, dress in my uniform, shave and assemble in the squad room in time for my Midnight shift. I hated that spike pointed RIC police helmet. It made my neck hurt and made me look far too much like the Hun. As I walked from Musgrave Street station to my beat on the docks, I was very thankful for the warmth of my thick coat and comforted by the heavy weight I had slipped in my coat pocket.  \n\nThe damp cold made my bones ache. I wanted a drink to warm my insides. Even more than that, I wanted a quiet night.   My throat was sore. I was tired. The barracks\u2019 breakfast tea was mop water that didn\u2019t wake me. The baked beans, boxty and crumbs of what they called white pudding didn\u2019t sit well either. I didn\u2019t want anything to happen during my shift that I couldn't ignore.\n\nThe fog across the River Lagan was thick, white and murky.  I patrolled my regular beat, trying the doors to check for burglars as I went.  I crossed the Queen\u2019s Bridge over the river and made it to the call box by the Custom House right at 2:00.  I continued along Donnegall Quay and rang at 2:15 from the call box by the old railroad bridge along the quay.  As I checked shop doors and walked towards the Harbour Commissioners for my 2:30 check-in, I felt something move.  I shined my torch around and saw a small man with a grey cap behind a crate.  \u201cYou there,\u201d I called.  \u201cCome on out.\u201d  He didn\u2019t come out.  He ducked down, pulled a small gun and fired at me.\n\nThe world around me instantly became blind and stupid. Everything moved so slowly.  I pulled the big revolver out of my coat pocket. I fired three times, but he kept shooting at me.\n\nI retreated, firing twice more to keep him down. My helmet tumbled off my head. I had no time to care.  He was IRA. He was there to ambush and kill me as if I were the Black and Tan that had murdered poor Father Michael Griffin. I ducked through an unlocked storm door. No time to reload. I had one last shot, one chance to live. He burst through the doorway. I slammed that heavy door on his gun arm and held it tight with all the might I had. He struggled and fired his gun.  I put my gun to his head. As I watched his eyes plead for mercy, I pulled the trigger, splattering blood and brains and bone all over me.\n\nHe dropped his gun.  I let go of the door and picked it up. He slumped to the ground. I could see the insides of his skull.  I could see his brain and the big hole I had put in it.  I had expected him to be dead, but his eyes followed me. He cried with a whimpering sound that I thought only a dying dog could make.\n\nI had killed during the war, but it was never like this, never where I could see in his eyes and smell his sweat and the cheap whiskey on his breath, not where I had to watch him die an inch at a time. I screamed and screamed.\n\nMy wife Judith was shaking my shoulder", "Office 7734": "Welcome to Hell, my friend. No, it\u2019s not what I expected when I first arrived, either, but it\u2019s true.\n\nHell is an office job.\n\nDoesn\u2019t seem too bad for Hell, does it? Practically a dream job, compared to lakes of fire and all that. I mean sure, it\u2019s not one of those hip offices with funky feng shui and trendy colors and organic juice bars. It\u2019s not even a cubicle farm, where at least you get a tiny scrap of privacy while you work.\n\nNo, it\u2019s just an office with an open floor plan. Nothing but desks, row upon row of gray metal desks beneath sickly fluorescent lighting. These people sitting at the desks are your new co-workers. You may hear an occasional cough or sniffle, but for the most part, we\u2019re all very quiet.\n\nWhy?\n\nBecause we\u2019re thinking, that\u2019s why. We are thinking very, very hard about the blank piece of paper on our desks.\n\nYou\u2019ve got one, too. It\u2019s a standard 3x5 index card, with one red line at the top and ten blue lines underneath. No fancy computers to work on here, just a plain, simple index card.\n\nBut it\u2019s a very important index card. You get a new one every day, and if you write something on it, then you might get the evening off.\n\nWhat\u2019s so great about an evening off?\n\nWell, a day in Hell may be like working in an office, but the nights are another thing entirely. At night, we could end up with fire ants poured into our ears, or dancing barefoot on broken glass. We\u2019ve had our eyes lanced, our tongues shredded, and our intestines unwound. And those were the easy nights. Normally it\u2019s much worse.\n\nThat\u2019s why these index cards are so important.\n\nDid you think devils and demons would be creative with their punishments? Try telling a bunch of humans that one of them will get the night off if they come up with the most inventive torture of the day. Demons can\u2019t even compete with our creativity.\n\nBut hey, it\u2019s almost quitting time. We\u2019ve got to drop our cards in the suggestion box before the 5:00 deadline. I\u2019d wish you good luck, but that would mean really bad luck for me, wouldn\u2019t it?\n\nOh wait, I see that look in your eyes. You\u2019re thinking about getting everyone to band together and write down easy tortures, like runny noses and stubbed toes, right?\n\nWell, forget about it. No matter what you do, there will always be that one guy, you know? Usually more than one, but there will always be at least one stupid, selfish, or just plain evil asshole who ruins things for everyone else. If you don\u2019t believe me, then you don\u2019t know your fellow humans very well.\n\nOr you never worked in an office.\n\nBut I wouldn\u2019t worry about it. After tonight, I\u2019m sure you\u2019ll fit right in.\n{{Cred|[https://www.reddit.com/user/IPostAtMidnight IPostAtMidnight]}}\n[[Category:Reddit Pastas]]\n[[Category:Demon/Devil]]\n[[Category:Dismemberment]]\n[[Category:Weird]]", "Pianist": "Deals with the devil always end up bad, no matter how hard you try to set up a fair bargain. I learned this the hard way, and now? Now I\u2019m a monster. Everything I love so dearly has slipped through my hands; nothing is how it was supposed to be. I was supposed to have HER. I was supposed to be happy with her. Now she\u2019s gone\u2026 and all I have left is this stupid piano. No matter how much I hate this stupid, stupid piano\u2026 I am compelled to play it for the rest of my goddamned life on this earth.\n\nI was a well off man. I had some money, a nice house, and a nice car also had charm, oh, the number of women I had seduced into my bed. I could have any woman in the world but I had my sights set on her, Alice. She was such a beautiful woman. Her rich brown locks, flowing down in curls and those amber eyes. I cannot describe her beauty with mere words. Though I was not her type of man. I swung from girl to girl while she preferred to stay in a steady relationship. I loved a life of luxury but yet she was content with living in a small urban apartment. I loved club music while she loved the sound of a classic piano. She didn\u2019t know of my existence, and that drew me to her. She was something I could not have and so I wanted her so badly.\n\nI decided the best way to get her attention was to learn how to play the piano. I know most people would have just tried talking to her or something but that just didn\u2019t seem right to me. I wanted her to admire me, idolize me. So I tried\u2026 but I ultimately failed. Apparently I didn\u2019t have the hands of a pianist, I had no musical talent at all. I decided to talk to my friends about this. Of course they laughed at me, telling me I was stupid for trying but I really wanted her and the only way I could ever get her was if I knew how to play that damned piano. Then my friend said something that made me think.\n\n\u201cDon\u2019t you know, all those people with \u2018talent\u2019 sell their souls to the devil?\u201d I know he was joking but what if? What if there was a chance that I could sell my soul for this musical talent. She\u2019d have to like me now right?\n\nI started to do as much research as possible in summoning the great demon lord himself. Of course there were loons telling me not to, bad things will happen and yaddah yaddah. I decided to hold the ritual at midnight, seemed like a good time and no one would interrupt me. After the numerous incantations nothing happened\u2026 well nothing seemed to appear at first glance. There was something there, it wasn\u2019t visible but I could tell it was there. So I asked to make a deal with it. It snickered and laughed but agreed. I would have musical talent and it would have my soul in exchange, all I had to do was sign the contract. Simple enough but that thing was huge, kind of like the terms and conditions I simply didn\u2019t read it and signed at the bottom.\n\nI\u2019d soon learn that I should have read it. Damn was I stupid. As the demon promised, I was amazing. I had so much talent, I could read and write music and it sounded", "The Backrooms": "[[File:1547684007214.jpg|thumb|284x284px|Originally posted [https://web.archive.org/web/20031025113227/http://www.hobbytownoshkosh.com/revolution%20raceway,%20020903.htm here].]]\n__NOEDITSECTION__\nThe Backrooms is a containment fiction horror concept involving a labyrinthine, seemingly endless maze of rooms and environments, credited with popularising the idea of liminal spaces in online horror culture.<ref>[https://en.wikipedia.org/wiki/The_Backrooms <span title=\"The Backrooms\">The Backrooms</span>] on Wikipedia</ref> Though the location has often been represented by branching aesthetic notions such as industrial areas and water-based architecture, its primary conveyance was through the adjacent image of a former furniture store, taken in 2002 but reposted to 4chan throughout the 2010s. One such upload in May 2019 came with a small text supplement, which would go on to become the first and most central piece of 'lore' surrounding the Backrooms:<ref>[https://knowyourmeme.com/memes/the-backrooms <span title=\"The Backrooms\">The Backrooms</span>] on Know Your Meme</ref>\n\n:''If you're not careful and you noclip out of reality in the wrong areas, you'll end up in the Backrooms, where it's nothing but the stink of old moist carpet, the madness of mono-yellow, the endless background noise of fluorescent lights at maximum hum-buzz, and approximately six hundred million square miles of randomly segmented empty rooms to be trapped in.''\n\n:''God save you if you hear something wandering around nearby, because it sure as hell has heard you.''\n\nSince its initial spark of interest, the Backrooms has garnered its own independent fanbase, providing additional aspects to the setting in the form of writing, fan-imagery, videogame adaptations, and even several film adaptations. [https://backrooms.fandom.com/wiki/Backrooms_Wiki The Backrooms Wiki] serves as a database for relevant side-projects and fan inventions.\n\nThe following narrative was also uploaded in May 2019, days after the photo received widespread attention and on the same day as the creation of the [https://www.reddit.com/r/backrooms/ r/backrooms] subreddit.\n\n==Narrativization==\n\nIt was approximately 12:15 when I entered the Johnson County Community Health Clinic. I was there for an appointment I had set up weeks ago, just a routine checkup. It wasn\u2019t a new place for me; I had been there a couple times before. However, the place had an odd nostalgic feel to it, as if it were a location from my childhood or something. I could never pinpoint exactly what this feeling was, or where it came from.\n\nAs I walked in, an overwhelming feeling of d\u00e9j\u00e0 vu swept over me. The hum of the flickering fluorescent lights, the white tile flooring, the muted beige paint that colored the walls. I noticed that there was a TV mounted in the corner, a smaller flat screen, that was playing a short PowerPoint slideshow on loop of ads and events that were being held by the clinic. I passed the empty waiting area \u2014 a small section o", "The Narrator": "Okay, so nothing has happened to me. At least I don\u2019t think it has. I\u2019m not even sure anymore. When I tell you about it you\u2019re going to think I\u2019m either insane, paranoid or I have some kind of anxiety disorder. Well, I guess they\u2019re all pretty much the same thing. I don\u2019t think I\u2019m crazy, sure I see things but who doesn\u2019t? Enough of that though, I\u2019m beginning to get ahead of myself. So I\u2019ll start again.\n\nIt happened about a year ago, sometime in the summer of 2012. I didn\u2019t really have anything to do; my girlfriend had just broken up with me so I didn\u2019t feel like seeing the few friends I had. I was just sort of there, alone, tired and not really feeling anything.\n\nTo pass the time, I would often log onto my computer and do the usual. I would watch porn, browse eBay and scroll aimlessly on social networking sites, looking at everyone\u2019s bullshit statuses and laughing at them. It happened on a day like this, just a normal day for me. Scrolling up and down, laughing at others. It was on this day I saw someone had posted a link, it wasn\u2019t some dodgy website or from someone I didn\u2019t know. It was from this guy called Michael who attended my college, not that it's important- well maybe it is but I don\u2019t know, I\u2019m going off topic again.\n\nThe link was just to a YouTube video of a guy reading some kind of short horror story. I was going to click straight off it; I\u2019ve never really been fond of things like that but I saw how many likes it had and the positive feedback it had been getting. I started watching. The video was called \u2018A Memory\u2019 and it had a picture of a little boy sitting on what looked like a bed. The background was very low key, dark and I thought I saw outlines within the darkness. I don\u2019t know exactly what they were but I felt uneasy looking at them.\n\nThe most disturbing thing was the expression on the boy's face; he was permanently smiling. I say permanently because from what I could see his \u2018smile\u2019 was carved in his face.  He also had empty sockets where his eyes should've been. It wasn\u2019t terrifying; just unsettling, to say the least. The narrator of the video began to speak. His voice was kind of- I don\u2019t really know how put this- but I guess you could say it was unnerving yet comforting at the same time. Perhaps I should have stopped there.\n\nOf course, my curiosity and boredom got the better of me. The story was okay, nothing outstanding yet still pretty creepy. If I had just stumbled upon this and read it for myself I doubt I would\u2019ve ended up in the condition I am now. It was due to the atmosphere the narrator had created. His voice accompanied by that unsettling picture along with the music playing in the background \u2013 I forgot to mention the music! This really drew me in, I... As soon as I heard it I just felt so hopeless and so full of dread, it was really just the icing on the cake. It was all just perfect... it was disturbing. Then I saw he had other videos. I began watching them one after another, listening to his every word, and ev", "They're Everywhere": "\"I can't help it, doctor. They're fucking everywhere. Nobody knows but me.\"\n\n\"Knows what, Larry?\"\n\n\"About the demons! They're everywhere!\"\n\n\"Tell me about the demons, Larry. What do they look like?\"\n\n\"Leathery, shiny black skin. Spindly limbs with single claws for feet. Wings like reaper's cloth. And the eyes!\" The man on the couch shudders.\n\n\"What's wrong with their eyes, Larry?\"\n\n\"They're huge. They take up half of the face. They don't even look like eyes, they're like a million eyes clumped together. And they're red!\"\n\n\"Okay, enough about what they look like. What makes them so terrifying to you personally? Do the demons have an attraction to you? What is it you don\u00b4t like about them?\"\n\n\"Well, I know all kinds of things about them. They go into graveyards and crawl into the earth and feast on the flesh of corpses at night. They get into food and poison it with their own vomit. They eat rotting carcasses of animals right off the side of the roads. They float around people who don't notice them, and they pop their claws into their flesh and inject them with disease and rot and all of the pain of all the corpses they've fed on before. They're disgusting, loathsome, creatures, and-\"\n\n\"Okay, Larry. Now tell me where you see these demons.\"\n\n\"Everywhere! In the park, they hover in the air behind families, and the people don't even see them. Then they pop their claws into their flesh, and they inject disease and-\"\n\n\"Okay, Larry. You've said that before. Now I'll need to see you twice a week from now on. Are Wednesdays and Fridays good for you?\"\n\nLarry nods as he is led out the door by two escorts in white. When it opens again, the psychiatrist's secretary walks in.\n\n\"Did you find out why that schizophrenic won't eat anything?\"\n\n\"Yes. I'm afraid he'll have to be force-fed for awhile longer, though. He thinks demons are everywhere, poisoning food. We're going to have to find a way to get rid of his pteronarcophobia.\"\n\n\"Ptero...what?\"\n\n\"The fear of flies.\"\n\n{{by-unknown|date=August 8th, 2010}}\n[[Category:Historical Archive]]\n[[Category:PotM]]\n[[Category:Mental Illness]]\n[[Category:Reality]]", "Where Bad Kids Go": "I must have been six or seven when I lived in Lebanon. The country was ravaged by war at the time, and murders were common and frequent. I remember during a particularly vicious era, when the bombings rarely stopped, I would stay at home sitting in front of my television watching a very, very strange show.\n\nIt was a kids' show that lasted about 30 minutes and contained strange and sinister images. To this day, I believe it was a thinly veiled attempt on the part of the media to use scare tactics to keep kids in place, because the moral of every episode revolved around very uptight ideologies: stuff like, \u201cbad kids stay up late,\u201d \u201cbad kids have their hands under the covers when they sleep,\u201d and \u201cbad kids steal food from the fridge at night.\u201d It was really weird, and in Arabic to top it off. I didn't understand much of it, but for the most part, the images were very graphic and comprehensive.\n\nThe thing that stuck with me the most, however, was the closing scene. It remained much the same in every episode. The camera would zoom in on an old, rusted, closed door. As it got closer to the door, strange and sometimes even agonizing screams would become more audible. It was extremely frightening, especially for children's programming. Then, text would appear onscreen in Arabic reading: \u201cThat's where bad kids go.\u201d Eventually, both the image and the sound would fade out, and that would be the end of the episode.\n\nAbout 15 or 16 years later, I became a journalistic photographer. That show had been in my mind all my life, popping up in my thoughts sporadically. Eventually, I'd had enough, and decided to do some research. I finally managed to uncover the location of the studio where much of that channel's programming had been recorded. Upon further research, and eventually traveling onsite, I found out it was now desolate, and had been abandoned after the war ended. \n\nI entered the building with my camera. It was burnt out from the inside. Either a fire had broken out or someone had wanted to incinerate all of the wooden furniture. After a few hours of cautiously making my way into the studio and snapping pictures, I found an isolated, out-of-the-way room. After having to break through a few old locks and managing to get the heavy door open, I remained frozen in the doorway for several long minutes. Traces of blood, feces, and tiny bone fragments lay scattered across the floor. It was a small room, and an extremely morbid scene.\n\nWhat truly frightened me, though, what made me turn away and never want to come back, was the bolted, caged microphone hanging from the ceiling in the middle of the room...\n{{by-unknown|date=March 23rd, 2011}}\n[[Category:Historical Archive]]\n[[Category:Television]]\n[[Category:Places]]\n[[Category:Dismemberment]]", "Who Are You Running From?": "The Gameboy Camera was seen as a revolutionary piece of technology when it first hit shelves in 1998. The idea that you could take real pictures with your Gameboy (and print them, no less) was ''unthinkable'' at the time. Tons of kids rushed to stores to buy the \u201cWorld's Smallest Digital Camera\u201d to go with their Gameboy Color, blissfully unaware of what to expect from the game that came with it.\n\nThe game came with several minigames aside from the typically simple picture editing software. You could even play a Space Invaders-type mode with your picture as the final boss. The main menu interface included the options \"Shoot\", \"View\", and \"Play\". If the player chose to \u201cShoot\u201d, he/she would be greeted by a screen that resembled some sort of strange JRPG. More options would appear on this screen, such as \"Shoot\", \"Items\", \"Magic\", \"Check\", and \"Run\".\n\n[[File:Gbprintercreepy.jpg|thumb|175px]]\n\nIf the \u201cRun\u201d option was selected, a strangely distorted face would appear on the screen. The face appears to have been \u201cdoodled\u201d on, with fake hair, lips, eyebrows, and eyes crudely drawn over a male's face. A black star is seen to be imprinted on the face's forehead. The man in the photo seems to be posing with one finger over\u00a0his mouth, as if telling someone to shush. The picture comes with a caption as well, which reads: \u201cWho are you running from?\u201d\n\n[[File:Whoareyourunningfrom2.png|thumb|175px]]\n\nIn the American version of the game/accessory, two other faces can randomly appear throughout the\u00a0game. One seems to be of a man whose face has also been drawn on. He had been given female hair, and a bizarre \u201cwave\u201d symbol had been drawn on his forehead.\n\n[[File:Whoareyourunningfrom3.png|thumb|175px]]\n\nThe other face was obviously female, with artificial eyes and drawn pigtails. This face had the\u00a0same \u201cwave\u201d symbol drawn onto her forehead. These faces were occasionally accompanied by the same eerie inquiry: \u201cWho are you running from?\u201d\n\n[[File:Whoareyourunningfrom4.png|thumb|175px]]\n\nThe Japanese version of the game had two additional faces that would pop up at random intervals while playing. The first face seemed to be a male, with scribbled eyes and an unnerving smile. It is unclear whether or not the hair on this face is real, as the resolution is extremely low. The face also had waves drawn onto its forehead.\n\n[[File:Whoareyourunningfrom5.png|thumb|175px]]\n\nThe final face is seemingly of a man with a drawn scowl and cartoonishly long hair. The eyes of this face are also doodled, as well as most of the other features. This face is the only one without a symbol on its forehead, and is also the only face without a devilish synthetic smile. Another more subtle difference is that this picture seems to have been taken in a different location than all the others. The previous faces all have nothing but a white backdrop, but this one appears to have some sort of object in the background.\n\nIt is believed that these pictures are the result of a kidnapping done by a strange"}

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Green", 886, "absent"], ["fandom_pl_creepypasta_130472", "The Dead Never Forget.-Reddit", "", 721, "absent"], ["fandom_pl_creepypasta_143233", "fyeahpokemoncreepypasta.tumblr.com", "", 3326, "absent"], ["fandom_pl_creepypasta_79264", "My daughter died on her sixth birthday", "", 2816, "absent"], ["fandom_pl_creepypasta_134460", "My sister never cired", "aloneinthefray", 625, "absent"], ["fandom_pl_creepypasta_131749", "My Personal Hell", "gurtejgps", 676, "present-nick-nomatch"], ["fandom_pl_creepypasta_139506", "My Bed", "EvantheNerd83", 349, "absent"], ["fandom_pl_creepypasta_135773", "The Ant Hill", "TheOldStag", 1200, "absent"], ["fandom_pl_creepypasta_134021", "We need to talk", "dvmdv8", 360, "absent"], ["fandom_pl_creepypasta_139318", "My Brother", "ExtraChaos", 1053, "absent"], ["fandom_pl_creepypasta_136111", "My roommate works night shifts", "kibblestheclown", 401, "absent"], ["fandom_pl_creepypasta_142301", "most amazing weight loss treatment EVER!!!", "missmia33", 2143, "absent"], ["fandom_pl_creepypasta_132600", "A mother's worst fear", "fabedougou", 304, "absent"], ["fandom_pl_creepypasta_135927", "The Fairest of them All", "PattyMcWagon", 383, "absent"], ["fandom_pl_creepypasta_135684", "The Prettiest Girl in School", "AQbL5494", 925, "absent"], ["fandom_pl_creepypasta_140948", "The Narrator", "SimpleSam", 3207, "present-nick-match"], ["fandom_pl_creepypasta_131766", "I am not a cannibal", "meberoxanne", 679, "absent"], ["fandom_pl_creepypasta_134713", "I Don't Have a Gay Son", "GuyAwks", 749, "absent"], ["fandom_pl_creepypasta_131676", "You Can't Take Back Your Sins", "Painshifter", 1054, "absent"], ["fandom_pl_creepypasta_132519", "Nie szukajcie mnie!", "marcinov123", 1022, "absent"], ["fandom_pl_creepypasta_134996", "I hate it when my brother Charlie has to go away", "horrorinpureform", 582, "absent"], ["fandom_pl_creepypasta_136515", "Restless", "t0rvahl", 248, "absent"], ["fandom_pl_creepypasta_131780", "Having a blind wife is a challange", "IamHowardMoxley", 224, "absent"], ["fandom_pl_creepypasta_138175", "The Annoying Thing My Dog Does", "bits-and-bites", 377, "absent"], ["fandom_pl_creepypasta_133984", "She Never Lost the Ring", "GuyAwks", 847, "absent"], ["fandom_pl_creepypasta_145472", "No One Noticed", "Middlenameredundant", 814, "absent"], ["fandom_pl_creepypasta_135998", "A Memo To Disney Cast Members", "TheRabidFangirl", 639, "absent"], ["fandom_pl_creepypasta_137524", "New therapist", "catteallinna", 438, "absent"], ["fandom_pl_creepypasta_136506", "Survive", "Zchxz", 464, "absent"], ["fandom_pl_creepypasta_139337", "Im a search and rescue officer for the us forest 4", "", 9317, "absent"], ["fandom_pl_creepypasta_140371", "Im a search and rescue officer for the us forest V", "", 6414, "absent"], ["fandom_pl_creepypasta_141750", "I am a search and rescue officer for the us forest", "", 4808, "absent"], ["fandom_pl_creepypasta_142692", "Im a search and rescue officer for the us forest", "", 6865, "absent"], ["fandom_pl_creepypasta_145218", "Im a search and rescue officer for the us forest", "", 2517, "absent"], ["fandom_pl_creepypasta_134090", "Schr\u00f6dinger's patient", "ecrowe", 1074, "absent"], ["fandom_pl_creepypasta_130480", "Pappy always said...-Reddit", "", 458, "absent"], ["fandom_pl_creepypasta_129364", "Parowanie.- Straszne-historie.pl", "", 3414, "absent"], ["fandom_pl_creepypasta_131595", "Look At Me", "TeamShadowWind", 839, "absent"], ["fandom_pl_creepypasta_144850", "Pianist", "jill0mccloud", 2220, "present-nick-match"], ["fandom_pl_creepypasta_129878", "Reddit Short Horror Stories", "Zenryhao", 667, "absent"], ["fandom_pl_creepypasta_136078", "First Day of School", "BradDracV", 638, "absent"], ["fandom_pl_creepypasta_37913", "Upiorne.pl", "", 3503, "absent"], ["fandom_pl_creepypasta_129535", "Pola. - Straszne-historie.pl", "", 1547, "absent"], ["fandom_pl_creepypasta_135371", "Can you tell what's wrong with this picture?", "Jaksim", 1019, "absent"], ["fandom_pl_creepypasta_44011", "paranormalne.pl", "", 1973, "absent"], ["fandom_pl_creepypasta_140840", "Repeat... Repeat... Repeat...", "MaadV", 1089, "absent"], ["fandom_pl_creepypasta_21216", "Through the Trees", "", 1338, "absent"], ["fandom_pl_creepypasta_133261", "READ THE NOTE ON THE TABLE", "PureSmoulder", 350, "absent"], ["fandom_pl_creepypasta_131998", "Who Are You Running From?", "", 1059, "present-nick-nomatch"], ["fandom_pl_creepypasta_26170", "Straszne-Historie.pl", "", 1638, "absent"], ["fandom_pl_creepypasta_136982", "You get what you pay for", "Orantham", 698, "absent"], ["fandom_pl_creepypasta_133062", "F23 (Wersja oryginalna, nieocenzurowana)", "", 3508, "absent"], ["fandom_pl_creepypasta_140914", "Experience using sleep as android app", "", 1758, "absent"], ["fandom_pl_creepypasta_141385", "The Sad, Strange Tale of Abigail Thatcher", "TheOldStag", 481, "absent"], ["fandom_pl_creepypasta_43936", "scaryforkids.com", "", 1040, "absent"], ["fandom_pl_creepypasta_131495", "link", "", 1733, "absent"], ["fandom_pl_creepypasta_134401", "This new old house", "BatoutofHell821", 498, "absent"], ["fandom_pl_creepypasta_133923", "Lost my job today", "theycanhearyou", 204, "absent"], ["fandom_pl_creepypasta_142094", "Straszne historie z duchami", "", 2485, "absent"], ["fandom_pl_creepypasta_129176", "Mermaids Are Starving", "", 1814, "present-nick-nomatch"], ["fandom_pl_creepypasta_136836", "Randy Raccoon Teaches About Sharing", "StoneCliff", 675, "absent"], ["fandom_pl_creepypasta_136914", "EMERGENCY BROADCAST WARNING", "dannylandulf", 271, "absent"], ["fandom_pl_creepypasta_136043", "This Story Does Not Have a Twist", "Mrmrlol", 262, "absent"], ["fandom_pl_creepypasta_141222", "Teratophobia", "", 2177, "absent"], ["fandom_pl_creepypasta_131062", "The Crayons - Creepypasta Wiki", "", 794, "absent"], ["fandom_pl_creepypasta_135083", "paranormalne.pl", "", 1692, "absent"], ["fandom_pl_creepypasta_133484", "3 Wishes", "Crowpocalyps", 652, "absent"], ["fandom_pl_creepypasta_138280", "A Three Year-Old Committed Suicide Today", "TheAntlerHag", 1139, "absent"], ["fandom_pl_creepypasta_136536", "The Face of God", "CommanderSection", 1105, "absent"], ["fandom_pl_creepypasta_134132", "Watch Out for Pet Thieves", "GuyAwks", 947, "absent"], ["fandom_pl_creepypasta_45669", "Reddit", "blue_tidal", 2027, "absent"], ["fandom_pl_creepypasta_134748", "I saw the devil", "Dastories", 633, "absent"], ["fandom_pl_creepypasta_131655", "link", "", 1929, "absent"], ["fandom_pl_creepypasta_45193", "creepypasta.wikia.com", "", 274, "absent"], ["fandom_pl_creepypasta_137256", "The Accident", "minnboy", 618, "absent"], ["fandom_pl_creepypasta_141582", "Fun With 911", "ByfelsDisciple", 1295, "absent"], ["fandom_pl_creepypasta_138472", "I killed my sister", "cwsunderland", 630, "absent"], ["fandom_pl_creepypasta_135298", "The Killer Awoke Before Dawn", "IPostAtMidnight", 1207, "absent"], ["fandom_pl_creepypasta_9375", "The Missing Village", "", 810, "absent"], ["fandom_pl_creepypasta_136408", "link", "", 1617, "absent"], ["fandom_pl_creepypasta_147866", "The Backrooms", "", 1527, "present-nick-nomatch"], ["fandom_pl_creepypasta_136333", "Making Friends", "YKGem", 477, "absent"], ["fandom_pl_creepypasta_134929", "So I lost my phone...", "Lynxx", 233, "absent"], ["fandom_pl_creepypasta_130099", "Green means safe right?", "jaredc48", 486, "absent"], ["fandom_pl_creepypasta_137498", "I found a boy inside my walls", "nraelie44", 1163, "absent"], ["fandom_pl_creepypasta_135591", "Found", "BensTerribleFate", 837, "present-nick-nomatch"], ["fandom_pl_creepypasta_86419", "Sailor without two coins", "AMD", 795, "absent"], ["fandom_pl_creepypasta_142543", "Munch", "maiorano84", 604, "absent"], ["fandom_pl_creepypasta_9374", "Life Is Short", "", 934, "present-nick-nomatch"]]

artifacts/rights_audit_2026-10/wikis/wgp.py

@@ -0,0 +1,9 @@
+import sys,json,subprocess,urllib.parse
+wiki=sys.argv[1]; n=int(sys.argv[3]) if len(sys.argv)>3 else 3000
+t=sys.argv[2]
+u=f'https://{wiki}/w/api.php?action=query&titles={urllib.parse.quote(t)}&prop=revisions&rvprop=content&rvslots=main&format=json&redirects=1'
+r=subprocess.run(['curl','-s','-m','30','-A','rights-audit/0.1',u],capture_output=True,text=True).stdout
+p=list(json.loads(r)['query']['pages'].values())[0]
+if 'missing' in p: print('MISSING',t)
+else:
+    c=p['revisions'][0]['slots']['main']['*']; print('###',t,len(c)); print(c[:n])

artifacts/rights_audit_2026-10/wikis/wk_fetch.py

@@ -0,0 +1,12 @@
+import requests, json, re, time
+S=requests.Session(); S.headers['User-Agent']='rights-audit/0.1 (read-only research; ppuzio1103@gmail.com)'
+pages={}
+for k in range(40):
+    r=S.get('https://pl.wiktionary.org/w/api.php',params=dict(action='query',generator='random',grnamespace=0,grnlimit=50,prop='revisions',rvprop='content',rvslots='main',format='json',formatversion=2),timeout=60).json()
+    for p in r['query']['pages']:
+        c=p['revisions'][0]['slots']['main']['content']
+        if '({{język polski}})' in c and '{{przykłady}}' in c: pages[p['title']]=c
+    if len(pages)>=160: break
+    time.sleep(0.3)
+json.dump(pages,open('wk_pages.json','w'),ensure_ascii=False)
+print(len(pages))

artifacts/rights_audit_2026-10/wikis/wq_summ.txt

@@ -0,0 +1,200 @@
+[0] 891 | Alice Sebold (ur. 1963) – amerykańska pisarka współczesna. || Źródło: Córeczka, tłum. Zofia Uhrynowska-Hanasz
+[1] 2583 | John Milton (1608–1674) – angielski poeta. || Źródło: księga III
+[2] 964 | António Guterres (ur. 1949) – portugalski polityk, w latach 2005–2015 wysoki komisarz Narodów Zjednoczonych do spraw uchodźców, od || Źródło: „Polityka”, 2006
+[3] 6736 | Pozwólcie nam krzyczeć – powieść autorstwa Stanisławy Fleszarowej-Muskat. || 
+[4] 4938 | Luiz Inácio Lula da Silva (ur. 1945) – brazylijski polityk, prezydent Brazylii w latach 2003–2010 i ponownie od 2023. || Źródło: Maciej Stasiński, Lula. To jest gość!, „Gazeta Wyborcza”, 24–2
+[5] 802 | Emmanuel Todd (ur. 1951) – francuski politolog, socjolog, historyk i demograf. || Źródło: Dlaczego USA są tak agresywne? „To postawa imperium w fazie sc
+[6] 5007 | Niepełnosprawność – długotrwały stan występowania pewnych ograniczeń w prawidłowym funkcjonowaniu człowieka. || Autor: Jędrzej Śniadecki
+[7] 1120 | Michael Brooks (ur. 1970) – brytyjski dziennikarz i autor książek. || 
+[8] 497 | Chore miasta (ang. Sick cities) – książka popularnonaukowa Gordona Mitchella, wydana w 1970 roku. || 
+[9] 845 | Death Note (jap. デスノート Desu Nōto) – manga autorstwa Tsugumi Ōby i Takeshiego Obaty oraz serial anime w reżyserii Tetsura Arakiego  || Źródło: anime, odc. 1
+[10] 314 | Czodrak Gjamco (1454–1506) – inkarnowany lama szkoły Karma Kagju buddyzmu tybetańskiego, siódmy Karmapa. || Źródło: diamentowadroga.pl
+[11] 689 | Thomas Joseph McCarthy (ur. 1969) – amerykański aktor, reżyser i scenarzysta. || Źródło: Thomas McCarthy o filmie „Spotkanie”, „ITI Cinema”, 14 styczni
+[12] 5734 | Rudolf Reder (1881–1968) – polski Żyd, przedsiębiorca, jedna z dwóch osób, którym udało się ocaleć z obozu zagłady w Bełżcu, po wo || Źródło: s. 49.
+[13] 686 | Ludwik Hieronim Morstin (1886–1966) – polski hrabia, dyplomata, redaktor, poeta, major piechoty Wojska Polskiego. || Źródło: Antologia poezji głupich i mądrych Polaków, wybór Ludwik Stomm
+[14] 1209 | Lucjan Feliks Malinowski (1839–1898) – polski językoznawca, badacz dialektów śląskich, podróżnik, profesor Uniwersytetu Jagiellońs || Źródło: „Ateneum”
+[15] 5239 | Ksenofobia – niechęć, wrogość, lęk wobec obcych, przesadne wyrażanie niechęci wobec cudzoziemców. || Autor: Władysław Pasikowski
+[16] 4067 | Steven Runciman (właśc. Sir James Cochran Stevenson Runciman; 1903–2000) – brytyjski historyk mediewista i bizantynolog. || Źródło: Dzieje wypraw krzyżowych, t. III: Królestwo Akki i późniejsze 
+[17] 1856 | Helena Wolińska (1919–2008) – polska prokurator wojskowa, podpułkownik Ludowego Wojska Polskiego, funkcjonariuszka stalinowskiego  || Źródło: Wolińska dla „Guardiana”: Jestem kozłem ofiarnym, tvn24.pl, 21
+[18] 1445 | Sandra Oh (ur. 1971) – kanadyjska aktorka. Była żona Alexandra Payne’a. || Źródło: Magdalena Lankosz-Michalska, Sandra Oh dla WP: Nie mam ambicji
+[19] 2680 | Lech Nawrocki (ur. 1950) – polski aforysta, poeta, kompozytor. || Źródło: s. 276.
+[20] 4289 | Świętość – coś, co stanowi obiekt szacunku, czci, kultu (zwłaszcza religijnego). || Autor: Jerzy Andrzej Masłowski, Et in Arcadia Ego – wiersze i piosenki
+[21] 413 | Józef Krupiński (1930–1998) – polski poeta, górnik. || Źródło: Odpoczynek z Białą Topolą
+[22] 982 | Kazimierz Adam Naruszewicz (1730–1803) – polski jezuita, pedagog, wykładowca i rektor Collegium Nobilium jezuitów w Wilnie. || Autor: Adam Naruszewicz, Do Kazimierza Naruszewicza, Rektora Coll. Nob
+[23] 3960 | Dorota Kędzierzawska (ur. 1957) – polska reżyser, scenarzystka. || Źródło: wywiad, 2007
+[24] 547 | Max Gallo (1932–2017) – francuski historyk, powieściopisarz i polityk. || Źródło: „Forum”, 14 maja 2007
+[25] 773 | Jerzy Leszczyński (1931–2019) – polski pisarz, autor fraszek i aforyzmów. || Źródło: Aforyzmy Polskie. Antologia, wybór Danuta i Włodzimierz Masłow
+[26] 2218 | Karol Ryszkowski – postać fikcyjna, bohater serialu Czas honoru. W jego rolę wciela się Łukasz Konopka. || Źródło: odcinek 30, Zdrajcy
+[27] 1810 | Rafał Bartek (ur. 1977) – polski nauczyciel, samorządowiec, działacz mniejszości niemieckiej, przewodniczący Sejmiku Opolskiego. || Źródło: Tomasz Otocki, Rafał Bartek: Państwo polskie wysyła zły sygnał
+[28] 682 | Piotr Bukartyk (ur. 1964) – polski kompozytor, tekściarz, artysta kabaretowy, konferansjer; wykonawca poezji śpiewanej. || Źródło: Kobiety jak kwiaty
+[29] 410 | Komenda inaczej rozkaz – polecenie bezwarunkowego wykonania bądź zaniechania określonej czynności bądź innego zachowania. || Autor: Wincenty Pol, Mohort, VI
+[30] 551 | Ania Szlagowska (ur. 2000) – polska piosenkarka. || Źródło: Zabić drozda
+[31] 1697 | Ludwik Hass (1918–2008) – polski historyk, marksista-trockista, działacz IV Międzynarodówki, współpracownik pism: „Rzeczywistość”  || Źródło: I Zjazd Lewicy ZSMP, Uniwersytet Warszawski, kwiecień 1989.
+[32] 3960 | Tadeusz Fijewski (1911–1978) – polski aktor teatralny, filmowy i telewizyjny oraz radiowy. || Autor: Erwin Axer, culture.pl
+[33] 6987 | Zofia Stankiewicz-Burska – postać fikcyjna, jedna z głównych bohaterek serialu Na dobre i na złe, anestezjolog, żona Jakuba. W rol || Źródło: odcinek 277, Jesienna burza
+[34] 627 | Alzacja – kraina historyczna i region administracyjny we Francji, położony w północno-wschodniej części kraju nad Renem; przez pew || Źródło: „Roczniki Towarzystwa Przyjaciół Nauk na Śląsku”, Tom 5, wyd. 
+[35] 1991 | Źródło – naturalny, skoncentrowany, samoczynny wypływ wody podziemnej na powierzchnię ziemi, przenośnie – początek czegoś. || Źródło – naturalny, skoncentrowany, samoczynny wypływ wody podziemnej 
+[36] 4546 | Aleksy Awdiejew (znany jako Alosza Awdiejew; ur. 1940) – polski aktor, piosenkarz, językoznawca (prof. dr hab. nauk filologicznych || Źródło: Mówię o sobie „błazen”, wywiad
+[37] 1469 | Maksymilian Kasiewicz (ur. 1991) – polski poeta, prozaik. || Źródło: Pamięci Wisławy Szymborskiej
+[38] 3104 | Krzysztof Jerzy Wielicki (ur. 1950) – polski wspinacz, taternik, alpinista i himalaista. || Źródło: Leszek Cichy, Krzysztof Wielicki, Jacek Żakowski, Rozmowy o Ev
+[39] 545 | Doug Scott (właśc. Douglas Keith Scott; 1941–2020) – angielski wspinacz i eksplorator, pierwszy Anglik który zdobył Mount Everest  || Źródło: Doug Scott, drytooling.com.pl, 12 kwietnia 2011
+[40] 5871 | Andrzej Romocki ps. „Morro” (1923–1944) – instruktor harcerski, harcmistrz, żołnierz Szarych Szeregów, kapitan Armii Krajowej, dow || Źródło: "Pokochałem to miasto właśnie za jego historię, za jego wewnęt
+[41] 1949 | Ciotka Julia i skryba (hiszp. La tia Julia y el escribidor) – powieść z wątkiem autobiograficznym Mario Vargasa Llosy. Tłumaczenie || 
+[42] 880 | Yach Paszkiewicz (1958–2017) – polski reżyser. || Źródło: Anna Michalska, Legenda polskiego wideoklipu, portalfilmowy.pl
+[43] 28726 | Włodzimierz Lenin (właśc. Władimir Iljicz Uljanow; 1870–1924) – rosyjski polityk, rewolucjonista, filozof marksistowski, teoretyk  || Źródło: s. 8
+[44] 1022 | Philippe Blain (ur. 1960) – francuski siatkarz, reprezentant kraju, trener. || Źródło: Polska – Brazylia 3:1. Philippe Blain dla Sport.pl: Ta drużyna
+[45] 326 | Ratko Perić (ur. 1944) – bośniacki duchowny katolicki, biskup mostarsko-duvnijski w latach 1993–2020, administrator apostolski die || Źródło: Bp Perić: „Matka Boża nie objawiła się w Medjugorje”, stacja7.
+[46] 2595 | Ryszard Mieczysław Bonda (ur. 1960) – polski polityk, przedsiębiorca, rolnik, poseł na Sejm IV kadencji. || Źródło: Wywrotka posła Bondy, polityka.pl, 13 września 2003
+[47] 10137 | Piotr Duda (ur. 1962) – polski działacz związkowy, przewodniczący NSZZ „Solidarność”. || Źródło: rozmowa Marty Piątkowskiej, Polski pracownik już jest tani, wy
+[48] 382 | Andrzej Słowaczyński (1807–1847) – polski geograf, pisarz, poeta i powstaniec. || Źródło: Marsz na Litwę
+[49] 1046 | Lodospad – stroma część lodowca pocięta szczelinami. Występuje zwykle kiedy lodowiec pokonuje stromy odcinek doliny albo próg karu || Autor: Krzysztof Wielicki
+[50] 764 | Ana Maria de Jesus Ribeiro di Garibaldi (1821–1849) – Brazylijka znana jako żona włoskiego przywódcy narodowowyzwoleńczego Giusepp || Autor: Raisa Gorbaczowa, …mam nadzieję!, tłum. Józef Rzeszut, Wydawnic
+[51] 499 | Jan Młodożeniec (1929–2000) – polski plakacista, malarz i grafik, syn Stanisława, ojciec Piotra. || Źródło: culture.pl
+[52] 307 | Michèle Alliot-Marie (ur. 1946) – francuska działaczka polityczna. || Źródło: „Forum”, 4 grudnia 2006
+[53] 452 | Josseph de la Vega (1650–1692) – hiszpański kupiec, poeta i filantrop pochodzenia żydowskiego działający w Amsterdamie. || Źródło: Do Jana III, tłum. Julian Ejsmond
+[54] 371 | Oswald Gracias (ur. 1944) – indyjski duchowny katolicki, kardynał, arcybiskup Bombaju. || Źródło: Kościół o etycznym aspekcie kryzysu, Radiovaticana.org, 2 list
+[55] 5792 | Agnieszka Dziemianowicz-Bąk (ur. 1984) – polska działaczka społeczna i polityczka, do 2019 roku członkini Partii Razem, posłanka n || Źródło: „Czarny protest” przed Sejmem w obronie prawa kobiet do aborcj
+[56] 1790 | Jerzy Lipman (1922–1983) – polski operator filmowy żydowskiego pochodzenia. || Źródło: wywiad Alicji Iskierko, „Ekran” 1/1968
+[57] 702 | W czym mamy problem? (ang. Serial Mom) – amerykańska czarna komedia kryminalna z 1994 roku w reżyserii Johna Watersa i z jego scen || 
+[58] 546 | Bogdan Hussakowski (1941–2010) – polski reżyser, aktor, scenarzysta. || Źródło: „Trybuna Odrzańska”, 26 sierpnia 1979, cyt. za: culture.pl
+[59] 3757 | Olivia Addams (ur. 1996) – rumuńska piosenkarka i autorka tekstów. || Źródło: Kamil Mroziński, Olivia Addams: „Jestem jak puzzle z tysiąca e
+[60] 543 | Barbara Falender (ur. 1947) – polska rzeźbiarka, rysowniczka i fotografka. || Źródło: wywiad Wiesławy Wierzchowskiej, cyt. za: culture.pl
+[61] 2098 | Muzeum – instytucja powołana do gromadzenia, badania oraz opieki nad obiektami posiadającymi pewną wartość historyczną bądź artyst || Autor: Pablo Picasso
+[62] 227 | William Fung (ur. 1949) – chiński przedsiębiorca. || Źródło: Robyn Meredith, Chiny i Indie – supermocarstwa XXI wieku, Wars
+[63] 1204 | Pius VIII (1761–1830) – papież w latach od 1829 do 1830. || Źródło: encyklika Tradidi humilati nostrae.
+[64] 32617 | Joanna Senyszyn (ur. 1949) – polska działaczka polityczna i posłanka. || Źródło: program Zmiana premiera, TVN24
+[65] 1515 | Piotr Amsterdamski (1955–2008) – polski astronom, tłumacz i alpinista. Bratanek Stefana Amsterdamskiego. || Autor: Stanisław Bajtlik
+[66] 717 | Robert Rodríguez (ur. 1968) – amerykańsko-meksykański scenarzysta i reżyser filmowy. || Źródło: film.wp.pl
+[67] 286 | Richard Francis Burton (1821–1890) – angielski podróżnik i dyplomata. || 
+[68] 1393 | Duch – w filozofii i religii: niematerialna siła rozumna, umysł, osnowa bytu, podmiot historii, samoświadoma idea, emanacja absolu || Autor: anonim
+[69] 2864 | Ryszard Schnepf (ur. 1951) – polski dyplomata, historyk, iberysta i urzędnik państwowy, ambasador RP w Urugwaju, Paragwaju, Kostar || Źródło: Jak mnie wypluła dobra zmiana, wyborcza.pl, 13 stycznia 2017.
+[70] 17797 | Portret Doriana Graya (ang. The Picture of Dorian Gray) – jedyna powieść autorstwa Oscara Wilde’a, wyd. 1891. Tłumaczenie – Maria  || Źródło: rozdział 1
+[71] 1609 | Dariusz Libionka (ur. 1963) – polski historyk, doktor habilitowany nauk społecznych, profesor nadzwyczajny w Instytucie Filozofii  || Źródło: Zagłada Żydów w Generalnym Gubernatorstwie, Państwowe Muzeum n
+[72] 448 | Cyrus Reza Pahlawi (ur. 1960) – najstarszy syn Mohammada Rezy Pahlawiego, dziedzic tronu, działacz monarchistyczny. || Źródło: Tadeusz Pasierbiński, Monarchie świata. Poczet rodów królewski
+[73] 2357 | Gerd Lüdemann (ur. 1946) – niemiecki profesor teologii, specjalizujący się w badaniach Nowego Testamentu, obecnie wykładowca na un || Źródło: wywiad dla „Literaturen”, za: „Forum”, 20 grudnia 2010.
+[74] 2234 | Kochaj bliźniego – powieść niemieckiego pisarza Ericha Marii Remarque’a z 1941 r. Polskie tłumaczenie Erwin Wolf. || 
+[75] 614 | Buczer (właśc. Paweł Buczkowski; ur. 1983) – polski raper. || Źródło: Bujam się powoli
+[76] 1485 | Fakt – wydarzenie, które zdarzyło się w określonym miejscu i czasie. || Autor: Stephen King, Bastion
+[77] 1042 | Myszka Miki – fikcyjna postać z filmów animowanych i komiksów, stworzona w studiu Walta Disneya, po odebraniu wytwórni Disneya pra || Autor: Walt Disney
+[78] 935 | Tasmania – wyspa u południowo-wschodnich wybrzeży kontynentu australijskiego, a zarazem najmniejszy stan Australii. || Autor: Krzysztof Birkenmajer, Lodospady szmaragdowe, Wydawnictwo Liter
+[79] 928 | Michał Radomił Wiśniewski (ur. 1979) – polski pisarz, publicysta, popularyzator mangi, anime i fantastyki w Polsce, autor komiksów || Źródło: Wywiad z MRW, blog Wojciecha Orlińskiego, 28 września 2025.
+[80] 1640 | Tłumacz – ktoś, kto dokonuje przekładu z jednego języka na inny. || Autor jest tłumaczem życia, tłumaczem uczuć własnego i drugich serc.
+[81] 567 | Lee Marvin (1924–1987) – amerykański aktor. || Źródło: Nieprzyjemne prawdy. Aforyzmy naszych czasów, KAW, 1987, wybór
+[82] 291 | Morawski Waglewski Nowicki Hołdys (MWNH) – polski zespół rockowy. || Źródło: utwór Najmniejszy oddział świata z albumu Świnie
+[83] 3302 | Dekameron (wł. Il Decameron) – włoski film fabularny z 1971 roku w reżyserii i na podstawie scenariusza Piera Paola Pasoliniego. O || 
+[84] 347 | Laureano Márquez (ur. 1963) – wenezuelski dziennikarz i satyryk. || Źródło: Artur Domosławski, Boliwariańska Republika Hybrydowa, „Polityk
+[85] 1379 | Henryk VII (1457–1509) – król Anglii od 1485 do śmierci; założyciel dynastii Tudorów. || Autorzy: Nigel Blundell, Susan Blackhall, Upadek domu Windsorów, Wydaw
+[86] 1467 | XXI wiek – obecny wiek naszej ery, pierwszy wiek trzeciego tysiąclecia według kalendarza gregoriańskiego. || Autor: Andrzej Tokarczyk, Tamten świat, Młodzieżowa Agencja Wydawnicza
+[87] 5314 | Wino – napój alkoholowy uzyskiwany w wyniku fermentacji soku z winogron. || Autor: Salomon Rysiński, 1618
+[88] 1422 | thumb|Krystyna Skarbek, 1945 || Autor: sir Owen O’Malley
+[89] 588 | Jan Andrzej Domarski (ur. 1946) – polski piłkarz. || Źródło: wyborcza.pl, 22 maja 2020
+[90] 343 | Odylon z Cluny (962–1049) – francuski duchowny katolicki, benedyktyn, święty Kościoła katolickiego. || Źródło: Maria Simma, Moje przeżycia z duszami czyśćowymi, Promic, Wars
+[91] 492 | Xianfeng (1831–1861) – cesarz Chin od 1850 do śmierci z dynastii Qing; mąż Cixi, zastąpiony przez ich syna Tongzhi. || Źródło: księżniczka Te-ling, Two Years in the Forbidden City, Mofatt, 
+[92] 4072 | Danielle Steel (właśc. Danielle Fernande Dominique Schuelein-Steel; ur. 1947) – amerykańska pisarka. || Źródło: Okup
+[93] 1123 | Clement Attlee (1883–1967) – polityk brytyjski, premier Wielkiej Brytanii. || Źródło: przemówienie z 12 grudnia 1945
+[94] 6371 | Antygona w Nowym Jorku – sztuka teatralna Janusza Głowackiego, tragifarsa, polski dramat współczesny w dwóch aktach, szesnastu sce || Autor: Janusz Głowacki
+[95] 24520 | Ryszard Czarnecki (ur. 1963) – polski polityk, historyk, dziennikarz, eurodeputowany do Parlamentu Europejskiego, prezes ZChN, dzi || Źródło: onet.pl
+[96] 608 | Szams (Chams) Pahlawi (1917–1996) – irańska księżniczka, starsza siostra byłego szacha Iranu, Mohammada Rezy Pahlawiego, była prez || Autor: Sorajja Esfandijari Bachtijari
+[97] 2081 | Muhammad el-Baradei (ur. 1942) – egipski polityk, prawnik, dyrektor generalny Międzynarodowej Agencji Energii Atomowej, laureat Po || Źródło: wywiad Dietera Bednarza, „Der Spiegel”, za: „Forum”, 31 styczn
+[98] 1878 | Niebanalna więź (oryg. Affinity) – powieść Sary Waters z 1999 roku; tłum. Magdalena Gawlik-Małkowska. || 
+[99] 526 | Imperium akadyjskie – semickie państwo założone przez Sargona Wielkiego, istniejące w latach 2334–2193 p.n.e., na terenie środkowe || Źródło: Józef Musioł, Ślązacy, Śląski Instytut Nauk., 1987, s. 70.
+[100] 396 | thumb| || Źródło: Walery Pisarek, Wstęp do nauki o komunikowaniu, Wydawnictwa Ak
+[101] 2010 | Stella Wingfield – postać fikcyjna, bohaterka serialu Gotowe na wszystko, matka Lynette Scavo. Zagrała ją Polly Bergen. || Źródło: sez. V, odc. 12
+[102] 516 | Prąd morski – duże i niemal niezmienne ruchy wody w oceanach wywołane różnicami temperatur, ruchem obrotowym Ziemi, występowaniem  || Autor: Walter Heinrich Munk, „National Geographic Polska”, maj 2011
+[103] 387 | Dionísios Solomós (1798–1857) – grecki poeta, autor słów hymnu narodowego Grecji. || Źródło: Adam Krzemiński, W zorzy i w morzu, „Polityka” nr 33 (2971), 1
+[104] 2666 | Grand Theft Auto: San Andreas – gra komputerowa wydana przez Rockstar Games w 2004 roku. || 
+[105] 1070 | Jan Ordyński (ur. 1953) – polski dziennikarz, publicysta. || Źródło: se.pl, 4 sierpnia 2010
+[106] 9387 | Krakowskie baśnie i legendy: O Kraku, knieziu Łakocie i skarbach Jakuszka – zbiór opowiadań autorstwa Zdzisława Nowaka, po raz pie || 
+[107] 9379 | Agresja ZSRR na Polskę – zbrojna napaść dokonana 17 września 1939 przez ZSRR (bez określonego w prawie międzynarodowym wypowiedzen || Autor: Władysław Sikorski
+[108] 437 | Gustaw Daniłowski (pseud. Władysław Orwid; 1871–1927) – polski pisarz, publicysta, działacz socjalistyczny i niepodległościowy. || Źródło: Okna w: Poezje I (1902)
+[109] 711 | Anna A. Tomaszewska (ur. 1968) – polska poetka. || Źródło: Mapa
+[110] 2941 | Ludwika Wujec (1941–2024) – polska polityk, fizyczka, urzędniczka samorządowa, działaczka opozycji demokratycznej w PRL, współprac || Źródło: rozmowa Grzegorza Sroczyńskiego, Przyjaciele z KOR-u. Dlaczego
+[111] 780 | Aleksander Gribojedow (1795–1829) – dramatopisarz rosyjski okresu romantyzmu, dyplomata. || Źródło: 4, 6
+[112] 12632 | Franciscus Bernardus Maria de Waal (1948–2024) – holenderski prymatolog i etolog. || Źródło: s. 103-104.
+[113] 913 | Giuseppe Prisco (1921–2001) – wieloletni prezydent klubu piłkarskiego Inter Mediolan. || 
+[114] 3124 | Paweł Strzelecki (ur. 1963) – polski matematyk i publicysta. || Źródło: Matematyka czyni mistrza, wyborcza.pl, 4 kwietnia 2014
+[115] 552 | Wioletta Maria Kulpa (ur. 1974) – polska polityk, księgowa i działaczka samorządowa, posłanka na Sejm X kadencji. || Źródło: Wypowiedzi na posiedzeniach Sejmu. Posiedzenie nr 31 w dniu 20
+[116] 896 | Filip Jícha (ur. 1982) – czeski piłkarz ręczny, reprezentant kraju. || Źródło: Wywiad, 2010
+[117] 904 | Benjamín Mendoza y Amor Flores (1933–2004) – boliwijski malarz surrealistyczny cierpiący na zaburzenia psychiczne, który 27 listop || Źródło: rozmowa z Ronem Laytnerem, Benjamin Mendoza – Edit Internation
+[118] 597 | Krakowski Festiwal Filmowy – festiwal filmowy poświęcony filmom krótkometrażowym i dokumentalnym, odbywa się na przełomie maja i c || Autor: Krzysztof Gierat
+[119] 6076 | Przysłowia polskie || Źródło: Samuel Adalberg, Księga przysłów, przypowieści i wyrażeń przys
+[120] 8730 | Jürgen Roth (1945–2017) – niemiecki publicysta, dziennikarz śledczy, reportażysta. || Źródło: s. 58–59
+[121] 493 | Anita Clara Rée (1885–1933) – niemiecka malarka żydowskiego pochodzenia, przedstawicielka kierunku Nowa Rzeczowość. || Źródło: list do przyjaciółki, cyt. za: Kronika kobiet pod red. Mariana
+[122] 906 | Bogdan Basałaj (ur. 1961) – polski działacz sportowy, dyrektor zarządzający Ekstraklasy SA. || Źródło: Ekstraklasa SA, 27 lipca 2007
+[123] 522 | Nathan Hale (1755–1776) – amerykański oficer, uczestnik walk o niepodległość Stanów Zjednoczonych. || Źródło: Terry Crowdy, Historia szpiegostwa i agentury, wyd. Bellona, 2
+[124] 313 | Javon „Donkey” Francis (ur. 1994) – jamajski sprinter. || Źródło: Czarne błyskawice (na podst. „El País”), „Forum” nr 16, 7–20 s
+[125] 1233 | Ursula Andress (ur. 1936) – szwajcarska aktorka, modelka. || Źródło: Leszek C. Strzeszewski, Elvis, PWM, Kraków 1986, s. 109.
+[126] 1021 | Charles Kenneth Williams (1936–2015) – amerykański poeta. || Źródło: Sąsiadka, tłum. Magda Heydel
+[127] 1276 | thumb|Logo „Faktu” || Autor: Cezary Michalski, krytykapolityczna.pl
+[128] 262 | Alexander Hamilton (ur. 1755 lub 1757, zm. 1804) – amerykański polityk. || 
+[129] 692 | Tymon Grabowski (ps. Zbigniew Łomnik; ur. 1980) – polski dziennikarz motoryzacyjny i influencer YouTube. || Źródło: Stany Zmiętoszone, czyli Ameryka w rozsypce, Wydawnictwo Złomn
+[130] 532 | Robert Owen (1771–1858) – walijski socjalista utopijny i pionier ruchu spółdzielczego. || Źródło: Wojciech Orliński, Prawo do majówki. Święto Pracy wczoraj i dz
+[131] 6793 | Jerzy Czerwiński (1960–2024) – polski polityk, nauczyciel, poseł na Sejm, radny Sejmiku województwa opolskiego. || Źródło: wystąpienie na posiedzeniu Sejmu, 15 lutego 2002
+[132] 7476 | Protestantyzm – jedna z głównych gałęzi chrześcijaństwa, obok katolicyzmu i prawosławia, na którą składają się wyznania religijne  || Autor: Piotr Skarga, Żywoty świętych, Obrok duchowny do żywota ś. Ludg
+[133] 1635 | Julie Delpy (ur. 1969) – francuska aktorka, reżyser, scenarzystka, montażystka filmowa, kompozytor. || Źródło: wywiad, 2004
+[134] 647 | Formacja Nieżywych Schabuff – polski popowy zespół muzyczny założony w 1982 w Częstochowie. || Autor: Wojciech Płocharski
+[135] 9686 | Psy 2. Ostatnia krew – polski film sensacyjny z 1994 roku, w reżyserii Władysława Pasikowskiego i z jego scenariuszem, kontynuacja || 
+[136] 3386 | Między piekłem a niebem (ang. What dreams may come) – nowozelandzko-amerykański film z 1998 roku w reżyserii Vincenta Warda. Scena || 
+[137] 3996 | Londyńczycy – polski serial obyczajowy o polskich emigrantach żyjących w Londynie. Autorami scenariusza są Ewa Popiołek (seria I i || Źródło: odcinek 1
+[138] 1059 | Dariusz Brzozowski (pseud. Daray; ur. 1980) – polski perkusista rockowy i heavymetalowy. || Źródło: Tomek Kolanowski, Huntera „Trumian Show” premierowo w Stodole,
+[139] 216 | Kabaret Pirania – polski kabaret. || Źródło: Kawały o bacy i nie tylko
+[140] 4237 | Armia Polska na Wschodzie – związek operacyjny Polskich Sił Zbrojnych na Zachodzie w latach 1942–1947. || Autor: Maciej Szczurowski
+[141] 295 | Jean-Yves Leloup (ur. 1968) – francuski DJ, dziennikarz muzyczny i krytyk. || Źródło: Jean-Yves Leloup, culturecongress.eu
+[142] 2109 | Erich Ludendorff (1865–1937) – niemiecki wojskowy, czołowy dowódca w czasie I wojny światowej. || Źródło: Nigel Cawthorne, Dowódcy i generałowie. Prawdziwe historie, Gr
+[143] 296 | Goodluck Jonathan (ur. 1957) – nigeryjski polityk, prezydent Nigerii w latach 2010–2015. || Źródło: Buhari na Boko Haram?, „Polityka” nr 15 (3004), 8–14 kwietnia 
+[144] 3926 | Lapidaria – zapiski i notatki Ryszarda Kapuścińskiego ogłaszane drukiem w kilku częściach. || Źródło: Część I, Z Meksyku 1972, s. 13.
+[145] 504 | Artrosis – polski zespół muzyczny powstały w marcu 1995 roku w Zielonej Górze, początkowo grający gothic metal wraz z rozwojem gru || Autor: Magdalena Dobosz, Ukryty wymiar
+[146] 759 | Kasia Klich (właśc. Katarzyna Klich; ur. 1973) – polska wokalistka popowa. || Źródło: utwór Lepszy model
+[147] 1549 | Ala Makota. Na fali sukcesu – powieść Małgorzaty Budzyńskiej dla młodzieży. || 
+[148] 345 | Zdzisław Piernik (ur. 1937) – polski muzyk, wirtuoz tuby. || Źródło: audycja „Five o’clock” ze Zdzisławem Piernikiem, polskieradio.
+[149] 2151 | Jan Andrzej Morsztyn (1620–1693) – podskarbi wielki koronny, starosta tucholski, polski dyplomata i poeta epoki baroku. || Źródło: Do jednej
+[150] 1848 | Papier – cienki, płaski materiał, wytwarzany poprzez sprasowanie włókien. || Autor: Johann Bernard von Rechberg
+[151] 6737 | Carlo Gnocchi (1902–1956) – włoski duchowny katolicki, kapelan strzelców alpejskich, członek antyfaszystowskiego ruchu oporu, opie || Źródło: s. 92–93.
+[152] 483 | Elizabeth LeCompte (ur. 1944) – amerykańska reżyserka teatralna. Założycielka eksperymentalnej grupy teatralnej The Wooster Group. || Źródło: Aneta Mancewicz, Powrót do obrazów, „Didaskalia”, 20 kwietnia 
+[153] 1632 | Spełnienie – zaspokojenie swoich pragnień. || Autor: Keira Knightley
+[154] 457 | Siemion Konstantinowicz Timoszenko (1895–1970) – radziecki dowódca wojskowy, marszałek Związku Radzieckiego. || Źródło: Howard J. Langer, Księga najważniejszych postaci II wojny świa
+[155] 1333 | Na na – album zespołu Lady Pank wydany w 1994 roku. || Autor: Bogdan Olewicz, Na na
+[156] 302 | René van der Linden (ur. 1943) – holenderski polityk, przewodniczący Zgromadzenia Parlamentarnego Rady Europy. || Źródło: „Polityka”, 2006
+[157] 5292 | Edward Prus (1931–2007) – polski historyk, politolog, działacz i aktywista narodowy. Żołnierz NKWD, działacz stowarzyszenia PAX i  || Źródło: s. 16
+[158] 5223 | Seks i inne przykrości – powieść młodzieżowa Joanny Fabickiej, trzecia część opowieści o nastolatku Rudolfie Gąbczaku. || 
+[159] 304 | Joy Fielding (ur. 1945) – amerykańska pisarka. || Źródło: Laleczka, tłum. Bożena Krzyżanowska
+[160] 3887 | Królestwo niebieskie (ang. Kingdom of Heaven) – dramat historyczny z 2005 roku w reżyserii Ridleya Scotta (prod. Hiszpania, Maroko || 
+[161] 1071 | Andronik I Komnen (1118?/1123?–1185) – cesarz Cesarstwa Bizantyjskiego od 1183 do śmierci. || Autor: Simon Sebag Montefiore, Potwory. Historia zbrodni i okrucieństw
+[162] 612 | Jerzy Fryckowski (ur. 1957) – polski poeta, krytyk literacki. || Źródło: Spacer dębnickim cmentarzem, cyt. za: Miastu i regionowi: wier
+[163] 1351 | Przedwiośnie – polski film niemy z 1928 w reżyserii Henryka Szary, będący pierwszą, lecz zaginioną ekranizacją powieści Przedwiośn || Autorzy: Barbara i Leszek Armatysowie, Film fabularny w latach 1930-19
+[164] 5451 | Dubbing (dublaż) – tworzenie ścieżki dialogowej filmu, serialu lub gry, polegające na podłożeniu ścieżki z lokalną wersją językową || Autor: Piotr Adamczyk, wywiad, wrzesień 2005
+[165] 570 | Piotr Wiaziemski (ros. Пётр Андреевич Вяземский; 1792–1878) – rosyjski książę, poeta, i krytyk literacki. || Źródło: Kwesta na kościół, tłum. Antoni Edward Odyniec
+[166] 574 | Nikołaj Karłowicz Swanidze (ros. Никола́й Ка́рлович Свани́дзе; ur. 1955) – rosyjski historyk i dziennikarz telewizyjny, profesor U || Źródło: Tomasz Kizny, 750 tysięcy strzałów w tył głowy, „Gazeta Wyborc
+[167] 514 | Jacek Sawaszkiewicz (1947–1999) – polski pisarz fantastyki naukowej i satyryk. || 
+[168] 526 | Nieobecność – nieprzebywanie w jakimś miejscu o określonej porze; absencja. || Autor: Luis Buñuel
+[169] 8732 | Kasia Kowalska (ur. 1973) – polska piosenkarka, kompozytorka i autorka tekstów. || Źródło: „Uroda”, styczeń 1998
+[170] 627 | Leo Calvin Rosten (1908–1997) – amerykański nauczyciel, pisarz humorysta. || Źródło: Franzy Fleck, What Successful Principals Do!, Eye on Education
+[171] 15383 | Ursula K. Le Guin (1929–2018) – amerykańska pisarka fantastyki naukowej i fantasy. || Źródło: Życie bez prawa. Wprowadzenie do anarchizmu, 2013, s. 4
+[172] 820 | Julius Dusin Gitom (ur. 1957) – malezyjski duchowny katolicki. || Źródło: ASIA/MALAYSIA - The Bishop in Sabah: „Christ's mission continu
+[173] 622 | Giuseppe Pizzardo (1877–1970) – włoski biskup rzymskokatolicki, wysoki urzędnik Kurii Rzymskiej, kardynał. || Autor: Yves Congar
+[174] 427 | Jaworzyna – często spotykana nazwa, nadawana szczytom w polskich Karpatach. Etymologia pochodzi od nazwy drzewa – jaworu. || Autor: Jerzy Reiser, Jaworzyna
+[175] 1016 | Robert Kasprzycki (ur. 1969) – polski poeta, pieśniarz i kompozytor. Okazjonalny tłumacz, felietonista, recenzent, autor tekstów k || Źródło: Zapiszę śniegiem w kominie
+[176] 994 | Eduard Wirths (1909–1945) – zbrodniarz hitlerowski, doktor medycyny, lekarz SS w obozach koncentracyjnych Dachau, Neuengamme, Ausc || Autor: Rudolf Höß, Autobiografia Rudolfa Hössa komendanta Auschwitz, t
+[177] 8742 | Tańcz, tańcz, tańcz (jap. Dansu, dansu, dansu) – powieść Haruki Murakami. Tłumaczenie – Anna Zielińska-Elliott. || 
+[178] 2080 | Nieświadomość – brak znajomości, świadomości lub wiedzy o czymś. || Autor: Marek Aureliusz, Rozmyślania
+[179] 453 | Aleksandra Ochmańska (ur. 1980) – polska poetka, z wykształcenia germanistka. || Źródło: Choroba, „Sekrety ŻAR-u” 2006, nr 3
+[180] 5793 | Blondynka – polski serial obyczajowy w reżyserii Mirosława Gronowskiego, emitowany od 7 marca do 6 czerwca 2010 i ponownie od 1 wr || Źródło: odcinek 1, Zatrzasnąć za sobą drzwi
+[181] 1371 | Egon Gustaf Martin Wiberg (1901–1976) – niemiecki profesor chemii. || Źródło: Przemysław Słowiński, Sławni ludzie w anegdocie
+[182] 1491 | Palestyna (łac. Syria Palæstina) – kraina w Azji, we wschodniej części basenu Morza Śródziemnego. || Autor: Mahmud Ahmadineżad, „Forum”, 25 czerwca 2007.
+[183] 2114 | Ezop (VI w. p.n.e.) – grecki bajkopisarz. || Źródło: Leksykon złotych myśli, wyboru dokonał Krzysztof Nowak, Warsza
+[184] 403 | Casimir Pierre Périer (1777–1832) – francuski polityk. || Źródło: F. Rittiez, Histoire du règne de Louis-Philippe 1er, 1830 à 18
+[185] 1089 | Przeciwieństwo – zaprzeczenie czegoś, kontrast; coś, co ma całkowicie odwrotne cechy, właściwości. || Autor: Anthony de Mello, Przebudzenie
+[186] 3021 | Thomas Smith (znany także jako Sir Thomas Smythe, 1558–1625) – angielski kupiec, polityk i urzędnik kolonialny, pierwszy gubernato || Źródło: Journals od the House of Burgesses of Virgina (1619)
+[187] 603 | Radosław Nowakowski (ur. 1955) – polski pisarz, podróżnik, tłumacz i muzyk zespołu Osjan. || Źródło: „Pogranicza” nr 05/2010
+[188] 617 | Lukrecja (VI w. p.n.e.) – legendarna postać z mitologii rzymskiej, rzymska patrycjuszka, która popełniła samobójstwo po gwałcie do || Źródło: Liwiusz, Dzieje Rzymu od założenia miasta, ks. 1–6, tłum. A. K
+[189] 5892 | Tomasz Szlendak (ur. 1974) – polski socjolog, antropolog i prozaik. || Źródło: Dziesięć przedmiotów popkultury, „Kultura Popularna” 3(9)/2004
+[190] 518 | William Henry Harrison (1773–1841) – amerykański wojskowy i polityk, 9. prezydent Stanów Zjednoczonych. || Źródło: Longin Pastusiak, Prezydenci. Stany Zjednoczone od Jerzego Was
+[191] 6059 | Luis Buñuel (1900–1983) – hiszpański reżyser. || Źródło: tytuł filmu z 1972
+[192] 1231 | James Hadley Chase (właśc. Rene Brabazon Raymond; 1906–1985) – amerykański pisarz, autor powieści i opowiadań kryminalnych. || 
+[193] 478 | Aleksandr Walterowicz Litwinienko (ros. Александр Вальтерович Литвиненко, 1962–2006) – były podpułkownik KGB/FSB, emigrant rosyjsk || Źródło: Aleksander Litwinienko, wyborcza.pl, 30 października 2007
+[194] 5290 | Andrzej Bobola Czuma (ur. 1938) – polski polityk, prawnik, poseł na Sejm RP, przewodniczący „Komisji śledczej ds. nacisków”. || Źródło: Niesiołowski wcale nie sypał, tvn24.pl, 4 grudnia 2008
+[195] 300 | Trubadurzy – francuscy poeci i muzycy działający w XII i XIII wieku. || Autor: Denis de Rougemont, Miłość a świat kultury zachodniej, wyd. 195
+[196] 9912 | Fethullah Gülen (1941–2024) – turecki uczony muzułmański, myśliciel, pisarz, poeta, działacz na rzecz pokoju, moralista, przewodni || Źródło: Perły mądrości
+[197] 6019 | Las Pigmejów (hiszp. El Bosque de los Pigmeios) – powieść Isabel Allende. || 
+[198] 2189 | Frankowicze – potoczna nazwa grupy osób w Polsce, które w latach 90. XX wieku i później zaciągnęły kredyty (głównie mieszkaniowe,  || Autor: Maciej Pawlicki, Maciej Pawlicki: Jestem ofiarą pułapki „na fra
+[199] 3384 | Beata Sawicka (ur. 1964) – polska polityk, posłanka na Sejm. || Źródło: „PiS: Platforma realizuje plan Sawickiej”, „Rzeczpospolita”, 1