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‘Blissed out acapella’ – The Independent
Juliet Russell is a composer, musical director, singer and founder of Vocal Explosion. Her voice has been described as ‘brilliantly haunting’ by The Stage and in the last 20 years she has taken her extraordinary sound around the world. Juliet’s music has been both heard and sung by over 40,000 people in over 30 countries and her compositions have been used in film, TV, commissions for royal visits, plus radio, theatre, dance and football stadiums.
Juliet is available for commissions. For more information, please contact:
or phone 07972485619.
Compositions, Commissions & Performance Examples
Much of Juliet’s work has specialised in large scale site-specific performance. Juliet has been described by producers as one of the country’s principal composers within this field. As such, she has performed her compositions on the rooftop of the National Theatre amongst Anthony Gormley’s sculptures and has appeared as vocal soloist at the British Museum for The Book of the Dead. Other commissions include soundscapes for industry, as well as theatre, dance & processional work for performances on seafronts, in castles and cathedral grounds.
Burning The Clocks (Same Sky, Brighton): Juliet was a guest composer for this annual mid-winter lantern festival. , an event produced by professionals for community participation which attracts crowds of 20,000 people. It includes a procession through the streets of Brighton that concludes on the seafront with a finale and firework/pyrotechnic display.
Chichester Festivities opening event: As Musical Director and ongoing mentor for four years running, Juliet took on another large-scale performance piece and continued to bring together more than 200 performers. With the help of Juliet, participants from both professional and community backgrounds created massive processional pieces which culminated in a final performance outside Chichester Cathedral.
As well as her ability to both organise and create masterful sounds with a large number of participants, her solo work must not be overlooked. Some examples include:
The Bell (Periplum Theatre Company): commissioned by Arts Council England, National Theatre. Soloist in this major international touring production, designed to be performed in front of audiences of 2,000-10,000.
The Heliosphere (The Dream Engine Theatre Company): Vocalist and co-composer for this acrobatic, interactive helium balloon experience with suspended aerialist, which has been performed in 57 countries, from football stadiums to mass corporate events.

domain: artistic


Just one brief decade ago, it was nearly not possible to engage in authorized sports betting in case you live within the United States or in Canada. Both international locations prohibit betting on almost all organized sports, in any type at all. The exceptions have at all times been parimutuel betting, which is simply applied to two or three completely different sports (among them canine and horse racing).
Outside of these sports, the only legal bets one might place on sports in North America had to be made within the state of Nevada. For whatever reason, sports betting appeared like a reasonable thing to do deep in the desert, but nowhere else.
The coming of age of the Internet has modified the face of sports betting forever. Initially, it has opened up whole new alternatives for those desirous about making legal wagers on their favourite teams or events. Now not does a person have to wait to make a trip to Las Vegas in order to place a guess on the Final Four throughout March Madness. Instead, those bets will be positioned with a Vegas bookmaker online, from the consolation of 1’s personal home.
And Vegas shouldn’t be the one city in on the online sports betting action. All over the world, main bookmakers have opened online sites for those wishing to place a wager. This means that you would be able to place a bet on virtually any sport on the earth, from American football to lacrosse, in any league you want be it novice or professional.
In fact, the governments of some nations (America particularly) are involved with the prevalence of online sports gambling, so there are some sites which won’t take bets from American customers. However, there are lots that may, at least until the legality of the follow is determined by the governing bodies of the nation.
Within the meantime, though, sports betting on-line means that there is more money floating around than ever before, all because of ease of access.
Aside from the many options offered by the number of bookies on-line alone, these wishing to have interaction in football betting, basketball betting, or placing bets on some other type of sport may also take advantage of alternate betting opportunities. Traditionally, sports bets have had to be made by way of a bookmaker. This business sets the chances and takes a reduce of the motion as well. The rise of the online betting trade, nonetheless, has meant that bettors could make or take their very own odds, typically rising the worth of their bets. There are also opportunities to wager against a crew or particular person in a sports betting alternate, relatively than just on a staff to win.
Finally, online entry implies that folks betting on sports have more information at their fingertips which may also help them determine which bets to make. Sports information lines have up to the minute records of groups, statistics, rosters, and odds which can all factor into the responsible gambler’s bet day decisions.
The expansion of the Internet has zahar01 revolutionized many different industries, and sports betting is actually amongst them. More information and loads more options are of the primary strengths of on-line sports betting.


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In the Lord’s Prayer we ask, “Forgive us… as we forgive others.” But how? I ran across this column by Joseph Genny from VitalSmarts.com that shows us a great tool for how to do that. Here’s to “changing the story” on all our resentments and grudges.
What responsibility does the receiver of an apology have in the healing of deep-seated hurt? I have felt alienated from my brother for eight years. We had a
blowup (no one really remembers what it was about). He said some words that cut deeply into me. Then a couple of years later he offered a superficial apology. I made a half-hearted offer of forgiveness. But we still have no real relationship. Is there something more I should do?
Dear Personal Battle,
I’m sorry about the pain and alienation you’re feeling with your brother. Eight years is a lot of time lost. I know you must be feeling the loss of it as well or you wouldn’t have made the effort to write me. I hope something I offer can help you regain your warmth with him.
To paraphrase, you asked what responsibility you have in forgiving another. Interestingly, you asked in a way that suggests there is a relationship between the quality of the apology you receive and the timing of your forgiveness. You gave another telling tidbit as well, offering that “no one really remembers” what the original offense was. Finally, you described his apology as equally superficial to your forgiveness.
I believe there are times when it is risky to forgive. Yours is not one of them. It’s risky to forgive if maintaining a feeling of animosity helps you steer clear of physically or emotionally unsafe circumstances. Those who struggle to hold strong boundaries often equate forgiveness with permission. They couple the surrender of hurt feelings with the collapsing of safe distance, thus enabling others to hurt them again. The fact that you cannot remember the original hurt tells me it has less to do with risk and more to do with resentment. You felt unjustly treated and have nursed the feeling of injustice far out of proportion to the offense.
If this assessment is accurate, I offer the following:
- Forgiveness is the natural result of a new story. We can’t feel differently toward others until we think differently about them—and ourselves. Forgiveness is difficult because we stay stuck in the story we’ve told ourselves about what happened. As long as we maintain a picture of others’ villainy and our own virtue, we feel morally justified in our anger or frustration. We take delight in the suffering we hope the other person is feeling from our withheld affection because we perversely imagine they deserve to suffer or that the suffering is a learning experience. “Perhaps,” we reason, “this mutual misery will help them see the error of their ways and become a better human being. I’m a wonderful person for helping them have this life-changing experience!” Until we intentionally examine our own faults and others’ virtues, we feel no need to forgive. The instant we begin this painful but wonderful process, the icy feelings inside us begin to melt. If we continue that process to its natural end, feelings of forgiveness are inevitable. Changing your story is the key to changing your feelings. You can take deliberate steps toward forgiveness today by listing all the ways you have contributed to the ruptured relationship with your brother in the past eight years.
- You challenge what you think when you change what you want. Given that challenging your story is a painful process, why would anyone do so? We do it when our motives change. That’s why the first principle of Crucial Conversations is Start with Heart. When your motives change, your behavior follows naturally. People who resist forgiving are sometimes stuck in self-justifying stories—stories that protect them from the pain of reexamining their view of themselves and others. Sadly, the primary motivator that drags our story into the light is the acute experience of the pain of a lost relationship. Are you ready to end the loss? What do you really want? Do you want a high-quality apology? Or do you want a relationship with your brother? Are you ready to sacrifice one to give yourself the other? Notice if even the thought of surrendering your resentments fills you with panic. That panicky feeling is your ego quivering with fear. And that is a good thing. It is you deciding that being “right” is not important as being happy.
I called attention to your equating the timing of your forgiveness with the quality of your brother’s apology. There is no real connection between the two. You can forgive as soon as you choose to. And you will choose to when you both examine your story, and change your motives.
Could you please expand on your statement
. “It’s risky to forgive if maintaining a feeling of animosity helps you steer clear of physically or emotionally unsafe circumstances. Those who struggle to hold strong boundaries often equate forgiveness with permission. They couple the surrender of hurt feelings with the collapsing of safe distance, thus enabling others to hurt them again”
In my relationship w my husband who uses me for his displaced anger I find that I’m not really able to forgive. It’s not possible to forgive someone who continually hurts you-is it? I’ve tried but realize I only set myself up for more hurt. It’s better to stay emotionally detached and on guard, rather than place myself in that vulnerable position. The abuse cycle of hurt and then pandering to regain favor then short time of calm and then hurt again doesn’t lend itself to forgiveness. The abuser isn’t truly remorseful-is he? I think it’s more about power and control. Would like to hear your thoughts.
I’m so sorry to hear of your situation. There is hope and help available. I recommend two things. Read Forgiveness: A Catholic Approach by Scott Hurd. It explains what forgiveness is and is NOT. Here’s the link to buy it: https://www.amazon.com/Zzz-Forgiveness-Cath-Approac-Op/dp/081982691X
Second, check out https://www.thehotline.org/. They have resources for those experiencing domestic abuse, whether it’s physical or emotional abuse. You are correct that it’s about control — limiting your freedom to gain control.
You are in my prayers.
Very enlightening. I struggle with forgiveness to someone because given the chance I know heart and soul they would do it again. I have rooted out the anger and bitterness but keep my guard up at all times and also put up a boundary not allowing it to happen again. I struggle with knowing if I have truly forgiven him.
Please see my reply to Nancy because you may find the resources helpful as well.
God bless you,
Thank you for this message, it says it all. Forgiveness is a beautiful action if the forgiven is open to a ‘new’
relationship, I believe, and the apologizer must set the stage for their own ‘forgiveness’ even if the receiver does not appear to accept your heartfelt message. Time will tell so continue praying for their release.

domain: literature


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Jehovah Give Me Eyes of Faith Round Pendant with Spectacles Charm, Original Drawing, Antique Silver, JW, Baptism Gift
This pendant features my original "word doodle" artwork on a light blue watercolor background. Art is sealed under glass and set in an antique silver petal-edge pendant. A Tibetan silver spectacles pendant completed it (just in case your eyes of faith need a little help. :) Chain included. Alloy metals.
All items can be customized, let me know what your ideas are and we can work together to make something just perfect for you!

domain: design


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domain: finance


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DOWNLOAD Emtee – Prayer (mp3)
Ambitiouz Entertainment singer, Emtee comes through with another hot single titled “Prayer“.
This comes as a follow up to his last release titled, ‘Smogolo’ featuring Snymaan which is still making trending on the music charts.
Emtee’s new song is definitely a new hit that will try fans and make waves.
Take a listen and share your comment.


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Centuries from Rohit Sharma and Shikhar Dhawan saw India to a record nine-wicket win over fierce rivals Pakistan that sealed their spot in the Asia Cup final.
Shoaib Malik (78) made a second successive half-century in the Super Four encounter in Dubai on Sunday, but Pakistan could only post 237/7.
Openers Rohit and Dhawan combined for an opening stand of 210 and the defending champions reached their target with 63 balls to spare, sealing their most emphatic one-day international win over Pakistan by wicket margin.
In-form captain Rohit was unbeaten on 111, having been dropped on 14, and Dhawan was run out for 114 from 100 balls as India hammered the ICC Champions Trophy holders for the second time in the tournament.
Rohit also became the fifth-fastest to 7000 ODI runs and has now passed 50 in each of his last three knocks, while Dhawan's hundred was his second of the tournament.
Yuzvendra Chahal (2-46) and Kuldeep Yadav (2-41) removed openers Imam-ul-Haq and Fakhar Zaman after Sarfraz Ahmed won the toss and elected to bat, then Pakistan were reduced to 58/3 when Babar Azam was run out.
Skipper Sarfraz (44) and Shoaib - the match-winner against Afghanistan on Friday - put on a much needed 107 for the fourth wicket before Kuldeep removed the skipper.
Shoaib and Asif Ali struck a couple of sixes apiece but India managed to restrict Pakistan to a below-par total, Chahal bowling the latter to take his 50th ODI wicket.
Rohit had an early let-off when he was put down by Imam in the covers and that proved to be very costly as the openers set about the Pakistan attack.
The powerful Dhawan hit two sixes and another 16 boundaries, while Rohit launched four maximums in a punishing partnership, the captain also given a life on 81.
Dhawan was on his way following a mix-up, but Ambati Rayudu joined Rohit to see India through to a decider against either the same opponents or Bangladesh.
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domain: sports


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Winner of two Scottish New Music Awards for his work with Hebrides Ensemble and Drake Music Scotland. Lunn is associate artist for Drake Music and Drake Music Scotland, and Trainee Artistic Director of the Hebrides Ensemble. Current projects include a concerto for piano quartet and string orchestra which he will be developing during residency time at the Britten-Pears Foundation’s ‘composer retreat’ in autumn 2020 and a new work for the Royal Northern Sinfonia, and a theatrical collaboration with Daryl Beeton Productions.
In addition Lunn is inaugural recipient of Creative Scotland’s Create:Inclusion fund, for which he produced a work for string quartet and electronics, and a work for BSL interpreter and ensemble. In spring 2020 Lunn was elected to the Musician’s Union Equalities Committee.
“Powerful, poignant and deeply moving, Lunn’s composition certainly represents the spirit of Disability History Month 2018 and our current struggle for justice.” – Gemma Nash, Disability Arts Online


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A new biography squares the decorous legal figure with the feminist gladiator.
Ruth Bader Ginsburg is not just having a “moment” in American feminist culture. She has rapidly become—in a time that craves heroines—the American ideal of power and authority for millions of women and girls. Beyond the movies (RBG, released in May, and On the Basis of Sex, out in December) and the biographies, not to mention the memes and T-shirts and mugs that proliferate like lace-collared mushrooms, Ginsburg at 85 is also the closest thing America has to the consummate anti–Donald Trump. Today, more than ever, women starved for models of female influence, authenticity, dignity, and voice hold up an octogenarian justice as the embodiment of hope for an empowered future.
The fandom can border on condescension—Twitter can be instantly short-circuited by news of her grueling workout regimen or a tart line in a dissenting opinion. Sometimes the combination of the genteel geriatric and the quasi-violent rap iconography affixed to the “Notorious RBG” persona seems an unholy marriage, as if we couldn’t quite love a feminist trailblazer without turning the 90-pound bubbe into a gangster. Squaring the careful public Ginsburg with the media creation of the present time can be challenging. Rap music deals in anger. The women of the Trump resistance are livid. Books about women and fury fill the tables in every bookstore. And yet, above all, Ginsburg models the fine arts of civility and diligent case citation. She is less a radical feminist ninja than a meticulous law tactician—and she has become what we dream of for our toddler daughters.
In a revealing new biography, 15 years in the making, Jane Sherron De Hart helps untangle the mystery of the decorous Ginsburg as feminist gladiator. A professor emerita of history at UC Santa Barbara, De Hart offers a picture of the most conservative radical in the women’s movement. She traces Ginsburg’s path from precocious Brooklyn schoolgirl to the most formidable women’s legal advocate in modern history, and no bras are burned, no political arrests are made, no Saint Crispin’s Day speeches are delivered along the way. Instead, De Hart scrupulously renders a rule-abiding, institutionalist, cautious lawyer and then judge who has managed to remake constitutional history precisely because of those qualities, not despite them.
In De Hart’s telling, Ruth Bader was a quintessential product of the post-Holocaust era, in which new-to-America Jewish families prized education and social justice. She was driven to achieve perfect grades by parents who valued brilliance over all else, and shaped by a cherished mother of Polish descent who died of cancer when Ruth was in high school. Celia admired many pathbreaking American and Jewish women but also insisted that her daughter “be a lady,” by which she meant—among the usual prim things—someone who suppressed strong emotions and upheld her “convictions and self-respect.” The most subversive part of this story is how perfectly conventional it was.
The young “Kiki” (nicknamed for her vigorous kicking as an infant) was a slavish piano-practicer, a compulsive reader, and, in her spare time, an occasional climber of garage roofs and thrower of rocks at the neighborhood baddies. A very, very good girl, Ruth understood early on that she could compete with the smartest boys on their own terms so long as she did the work flawlessly. At the same time, she grew up corseted by expectations that smart girls had also better twirl batons at football games and study in secret in campus bathrooms. Sober and modest throughout her academic career, she was dogged by complaints that she was “aggressive” and hyper-competitive. That she was film-star beautiful and impeccably turned out was surely both a help and a hindrance in her quest to be taken seriously as a student and as a young litigator.
In On the Basis of Sex, directed by Mimi Leder, film-star beautiful Felicity Jones plays the young Ginsburg as she embarks on a legal career in gender-rights advocacy. At first blush, the drama comes across as the most classic of 1950s family sagas, with Armie Hammer cast as young Ruth’s adoring husband, Martin Ginsburg, whom she meets at 17 on a blind date at Cornell and marries a month after she graduates. Yet this romance for the ages—which it certainly proved to be—was also a business partnership almost unrivaled in feminist history. They both went to law school, they both worked, they had a daughter and a son, and they tried their first big gender-equality lawsuit together.
Film and book each reveal the extent to which Martin Ginsburg devoted his life to ensuring that child-rearing, housework, and legal accomplishments were shared between them. (He did the lion’s share of the cooking—and, as the film portrays it, was the gentler, less demanding parent to their tempestuous daughter, Jane.) Their dedication was mutual. When he was diagnosed with cancer while attending Harvard Law School, Ruth kept up with his assignments and helped him with his papers. Traditional this was not: Marty’s insistence on seeing his wife as his professional and intellectual equal was inconceivable for the time, and even 50 years later, his breed of super-booster is hardly the norm. Ruth’s meteoric career was inspired and enabled by the rarest of male allies.
The rest of the world was not so accommodating, and Ginsburg coped with and chafed at, however quietly, the obstacles in her way. Her response, in De Hart’s portrayal, was intensity, as opposed to anger, because it was abundantly clear that anger would be disqualifying. (In On the Basis of Sex, she allows herself to vent her frustration only a few times—primarily at teenage Jane.) She was stellar wherever she was—ranked near the top of her class at Harvard Law, and on the Harvard Law Review, and then tied for first place in the 1959 graduating class at Columbia Law School, where she transferred after Marty, already armed with his law degree, got a job in New York. But she could barely win a clerkship and could not land a law-firm job. “To be a woman, a Jew, and a mother to boot,” she would later quip, was “a bit much.”
Ginsburg accepted a job teaching at Rutgers Law School and soon proposed a course on gender-discrimination law (which a male faculty member at NYU had earlier suggested would be as useful as a class on bicycle law). Before long, she was an expert on the subject. When Marty happened upon a tax-court ruling in 1970 about a man named Charles Moritz, a grand litigation strategy was born in the Ginsburg household. The IRS had determined that Moritz, an unmarried salesman from Colorado, couldn’t deduct the salary he paid a nurse who cared for his invalid mother because he was a son, not a daughter. This policy, the Ginsburgs contended, assumed that women were caregivers while men worked—a gender stereotype that violated the equal-protection clause of the Constitution. Backed by the American Civil Liberties Union, their appeal—at the dramatic heart of On the Basis of Sex—became the template for the constitutional revolution that demolished hundreds of laws rooted in archaic ideas about women’s limitations.
In 1972, Ginsburg was chosen to lead the ACLU’s newly created project on women’s rights. Building on Moritz v. Commissioner of Internal Revenue, Ginsburg got to work, in the process dismantling assumptions about women and the ways in which they worked, were paid, and were entrusted with responsibility. From De Hart’s accounts of appeal after appeal, oral argument after oral argument, the enormity of Ginsburg’s project emerges: Every case was selected and framed as part of a careful campaign. In a battlefield of words, laws, and doctrine, Ginsburg was the general. But hers wasn’t an angry, violent advance. Her ambitious approach was designed to inch the Supreme Court into requiring formal legal equality for women. And at every turn, Ginsburg also had to face professional slights and sexist assumptions within her own profession, directed at her personally. In a chilling moment in the film, the legal director of the ACLU (and her friend) snarls, during a disastrous practice session for an oral argument in Moritz, “Would it kill you to smile?”
The movie version of Ginsburg hardly sleeps and forgets to eat. She drags her daughter to cultural events. As De Hart reveals, Ginsburg’s entire professional world was a function of her meticulous mind, her legal plan, and her workload. Subordinates initially found her frosty and intimidating. Each brief that Ginsburg produced was flawless. She didn’t laugh much or make idle chitchat. Bubbling hotly under the narrative is a tightly controlled Ruth forced to bide her time, watch her tongue, measure her tone.
In her first oral argument before the Supreme Court, in January 1973, in a case involving unequal spousal benefits for women in the armed forces, Ginsburg wore her mother’s antique gold earrings and matching circle pin on her suit. Chief Justice Warren Burger recognized her as “Mrs. Ginsburg.” She spoke deliberately and carefully for her allotted 10 minutes. She also spoke without notes. Not a single justice interrupted her with a question. Justice Harry Blackmun’s notes reflected that he found her “very precise” but also too “emotional.” Jones’s film version of the justice-in-the-making captures the same paradox: a woman crackling with frustration at structural sexism while practicing her smile in the mirror before oral arguments.
And let’s recall that Ginsburg set out not to dominate male power but to cajole it into sympathy—to, as De Hart puts it, “lead the judges to the desired judgment in a way that would be comfortable for them.” Part of the strategy of the Moritz case involved showing male judges a male victim of sex discrimination, on the theory that they would more readily comprehend the issue this way. Time and again, she had to explain that keeping women off juries, or preventing them from administering an estate, wasn’t protecting them, as judges might have assumed; in fact, it was harming them.
De Hart well understands that this project is itself sexist—feminist litigator as kindergarten teacher, gently persuading, carefully encouraging male empathy—and that Ginsburg succeeded by being the very opposite of a firebrand. De Hart also appreciates that Ginsburg’s approach was almost her undoing in the generation that followed. Feminists struggled with this very problem as they debated whether to support her quest, in 1993, to be confirmed as the second woman justice on the U.S. Supreme Court. In Ginsburg’s 13-year tenure on the D.C. Circuit Court of Appeals, she had shown herself to be a moderate, a centrist, an incrementalist. Prizing friendships with her colleagues Antonin Scalia and Robert Bork, she was a team player. Legal arguments about women’s equality that had been radical in the ’70s looked like half measures in the ’90s, and Ginsburg’s feminist critics in the legal academy found her pioneering work to be “assimilationist in outlook.” De Hart describes how she was handily dismissed as white and privileged, advancing a view of equality that “opened doors only for those with the resources sufficient to play by men’s rules.”
Twenty-five years later, in the rush to lionize RBG, those critiques—that she was, as De Hart characterizes it, “behind the bench and detached from the fray”—have largely fallen away. But if Judge Ginsburg was already frustrating cutting-edge feminist thinkers in the 1990s with her formalistic get-along tactics bred in the law schools and legal-advocacy trenches of the 1950s and ’60s, what could possibly explain the rock-star redemption Justice Ginsburg has achieved in our time? In a 1988 keynote speech at the University of Chicago, Ginsburg herself supplied a historical perspective that has acquired more salience these days, when progress in the battle for women’s rights can feel so tenuous. She observed that
the litigation of the 1970s helped unsettle previously accepted conceptions of men’s and women’s separate spheres, and thereby added impetus to efforts ongoing in the political arena to advance women’s opportunities and stature. An appeal to courts at that time could not have been expected to do much more.
And in no small part, Ginsburg herself has changed—or rather, her public voice has. De Hart details the ways in which Ginsburg has emerged in recent years as a newly vocal critic of the conservative majority’s systematic dismantling of voting rights, workers’ rights, and reproductive rights. She dissents frequently and furiously; the era of Notorious RBG was born of these dissents. Yet Ginsburg has cited with approval an aphorism from Justice Benjamin Cardozo: “Justice is not to be taken by storm. She is to be wooed by slow advances.” Though Ginsburg occasionally allows herself to write passionately, and takes in stride the RBG tattoos sported by her youthful followers, she doesn’t actually much care for public anger and she doesn’t really like tattoos. She loves opera, which has always puzzled me—an art form that seems fusty and old-fashioned, even for her. But perhaps opera is the perfect metaphor for the woman who has devoted her life to containing and channeling the scorching passion she feels for equality and human dignity into precise language and lasting legal doctrine.
Ginsburg’s enduring feminist secret seems to be that, even in a time of reality-show presidential rule and shifting narratives, she remains unwaveringly who she has always been—as controlled, at the core, today as she was in the now-vanished world of postwar Brooklyn. I’m not sure that Ruth Bader Ginsburg has “caught up” to modern feminism, or that it has caught up to her. De Hart quotes Judge Harry Edwards, who sat with Ginsburg on the D.C. Circuit Court of Appeals, and who sums up the clinching insight I took from De Hart’s ample portrait: “Ruth … is always the same in whatever setting you encounter her. She does not posture for family, friends, acquaintances, or onlookers.”
I appreciate that steady Ginsburg—who has always toiled within the guardrails of the law and the Constitution—far more than the gangsta-feminist we’ve turned her into. She is a bit of a dork and a lot of a grind and a perfectionist and an idealist. She believes in great writing and grand music, and that the pursuit of justice is a holy project seared into the DNA of her Jewish ancestors. She believes that the vulnerable are rarely seen and heard by the powerful, and she uses a quiet voice to paint “word pictures” (a term she learned studying literature under Vladimir Nabokov) of their lives and worries. Ginsburg eschews drama and self-promotion, and she walks and talks at a snail’s pace, but she has outlasted her academic, jurisprudential, and political critics in ways that make her singular rather than out of step: She is real. She is smart. She still believes in the transformational power of the rule of law. That is a lot right now—quite possibly enough.
This article appears in the January/February 2019 print edition with the headline “The Mysterious RBG.”
We want to hear what you think about this article. Submit a letter to the editor or write to email@example.com.
DAHLIA LITHWICK writes about the courts and the law for Slate and hosts the podcast Amicus.

domain: library


text:
This week, on a night with temperatures dropping below freezing, hospital personnel at the University of Maryland Medical Center dumped a 22-year-old woman out onto the curbside, clad in nothing but a hospital gown. No shoes. No underwear.
Imamu Baraka, a psychologist who was leaving work nearby, noticed the hospital staffers throwing the woman, reportedly named Rebecca, out in the cold. Aghast, he took out his phone and filmed the incident. The footage shows Rebecca as she stumbles over to a nearby bench, coughing, shivering and visibly disoriented. The psychologist confronts the hospital staff, asking for a manager, and checks on the shivering woman.

domain: medical


text:
Skill Level: Beginner. Serving Size: 2 T.
- 6 oranges, peeled, seeds removed, chopped
- ¼ cup fresh parsley, chopped
- 1 vanilla bean pod (scrape out the seeds and discard the pod)
- 2 T. honey, raw and local
- 2 T. white wine vinegar (or champagne vinegar)
- ½ cup extra virgin olive oil
- Blend first five ingredients in blender until smooth.
- Slowly add in the olive oil until thickened and smooth.
- Optional: Add a pinch of Kosher salt if needed and re-blend.
Nutrition Information: This dressing provides a high dose of vitamin C and a very delicate yet sweet flavor. Enjoy with pan-seared fish, integrated into a salad or as a marinade to salmon. Gluten-free, dairy free, nut free. Calories: 130, Fat: 9g, Protein: 1g, Carbohydrates: 12g, Fiber: 2g, Added Sugar: 3g, Sodium: 0mg
- Calories: 130
- Fat: 9 g
- Protein: 1 g
- Carbohydrates: 12 g
- Fiber: 2 g
- Added Sugar: 3 g
- Sodium: 0 mg (omitting the salt)

domain: food


CV Joint Replacement-When You May Need one
When is it time for a CV joint Replacement? What should you know about CV joints and axle shafts? Most cars and SUV’s these days are front-wheel drives. The drive axle that puts engine power to the front wheels must allow for the tires to turn for steering, and for the suspension to go up and down. This requires the axle shaft to have what is called a constant velocity joint, or CV joint.
How a CV Joint gets Damaged
CV joints have a rubber boot that allows it to move but also holds in grease so that it stays lubricated. Over time this corrugated rubber boot can tear in the seams. Because the axle shaft is spinning the grease will be flung out of the boot through the tear, and road grime will be allowed to enter the joint. The eventual lack of grease and any debris will cause the joint to wear out. A worn-out CV joint will normally make a clicking noise while driving when the front wheels are turned for a corner.
We always check for CV boot damage when a car is in for service so we can let you know that you have a problem coming up. We normally don’t replace the boot itself, since axles don’t cost very much and it costs more labor to pull the axle apart to replace the boot. Replacing the whole axle is usually just slightly more than replacing the boot, and you get a new axle and new CV joints.
When to Consider a CV Joint Replacement
A severely worn out CV joint can even disintegrate while you’re driving and make the car undrivable. You may lose control of the vehicle entirely. It is not safe to drive with a damaged CV joint. Look for some symptoms of a failing CV joint to have it repaired. You will want to do this.
Worn out Cv joints can make driving impossible. You can lose control of the vehicle if the CV disintegrates. This can cause you to lose control of the vehicle. Driving with a damaged CV joint is unsafe. That being said how can you tell when it may be time for a CV Joint replacement. When the CV joint wears out or is beginning to wear out how can you tell?
2 Symptoms you need a CV Joint Replacement
1. Clicking or Popping Sounds.
Clicking or popping sounds coming from your vehicle it may be due to a bad CV joint. These sounds can be more pronounced when you turn the vehicle to one side or the other. This is a sign that CV Joint damaged has progressed and you will need a CV joint replacement. When you begin to notice popping or clicking sound and you are unsure if the CV joint is the problem, you can test it by turning your vehicle in one direction for a full circle.
If you hear a clicking sound while turning, it’s time to get it checked out. When you’re in for service and are told you have a torn CV boot, you can decide how soon you want to get that axle replaced. If you’re looking for a reputable auto repair shop in Bakersfield, CA for CV joints and axle replacement, contact G&G Auto Repair today!
2. Vibrations in the Steering Wheel
A damaged CV joint can cause severe vibration in the steering wheel while driving. The more speed that the vehicle gains the worse the vibration will become. This can make control of the vehicle very hard. This is a very dangerous situation to place yourself in. Consider bringing your vehicle in for service if you notice any of these issues.


text:
Somewhere in the mountains, Kim Kardashian is rolling her eyes and she scrolls through Blac Chyna’s Instagram feed. Over and over and OVER again.
Rob Kardashian popped the question to Chyna on April 5th with a 7-carat diamond ring, and the engagement is very real to everyone except Rob’s family.
While Kris Jenner knew about her son’s plans, she took the rest of the family (Kim, Kourtney, Khloe, Kendall and Kylie) on a ski vacation to prepare them.
The crew hasn’t exactly welcomed Chyna with open arms; she was not present at Rob’s Nobu Malibu birthday celebrations on March 19th.
“Blac did not want to come,” a source told Radar Online after the gathering. “She doesn’t care to befriend any of them and that is why Rob loves her.”
Welp, this will make holiday get-togethers a challenge, seeing as Rob locked it down.
Courtesy : The Hollywood Gossip

domain: entertainment


text:
Control of anti-apoptotic and antioxidant pathways in neural cells
Mubarak, Bashayer Rashed A
Oxidative stress is a feature of many chronic neurodegenerative diseases as well as a contributing factor in acute disorders including stroke. Fork head class of transcription factors (Foxos) play a key role in promoting oxidative stress-induced apoptosis in neurons through the upregulation of a number of pro-apoptotic genes. Here I demonstrate that synaptic NMDA receptor activity not only promotes Foxos nuclear exclusion but also suppresses the expression of Foxo1 in a PI3K-dependent fashion. I also found that Foxo1 is in fact, a Foxo target gene and that it is subject to a feed-forward inhibition by synaptic activity, which is thought to result in longerterm suppression of Foxo downstream gene expression than previously thought. The nuclear factor (erythroid 2-related) factor 2 (Nrf2) is another transcription factor involved in oxidative stress and the key regulator of many genes, whose products form important intrinsic antioxidant systems. In the CNS, artificial activation of Nrf2 in astrocytes has been shown to protect nearby neurons from oxidative insults. However, the extent to which Nrf2 in astrocytes could respond to endogenous signals such as mild oxidative stress is less clear. The data presented herein, demonstrate for the first time that endogenous Nrf2 could be activated by mild oxidative stress and that this activation is restricted to astrocytes. Contrary to the established dogma, I found that mild oxidative stress induces the astrocytic Nrf2 pathway in a manner distinct from the classical Keap1 antagonism employed by prototypical Nrf2 inducers. The mechanism was found to involve direct regulation of Nrf2's transactivation properties. Overall these results advance our knowledge of the molecular mechanism(s) associated with the control of endogenous antioxidant defences by physiological signals.


Boat stabiliser in Montenegro: SMARTGYRO
Rockstar Yachts is the exclusive dealer of SmartGyro boat stabiliser in Montenegro. We provide fast and reliable delivery, authorised stabiliser installation and official manufacturer’s warranty.
SmartGyro is considered to be the better and less costly alternative to Seakeeper. Our stabilizer models provide additional advantages like modular design and ease of maintenance. SmartGyro pushes the limits of technology to elevate the entire boating experience, eliminating boat roll up to 95% to make life’s richest moments more extraordinary!
SmartGyro model range consists of 4 models: SG20, SG40, SG60, and SG80. Please, take a look at each model in more detail below.
Smartgyro boat stabiliser models
Price: € 45.000 (ex-VAT)
For boats from 45 to 55 ft
The SG20 smartgyro stabilizer is designed for boats between 45-55 feet. Its modular construction allows for easy disassembly into three parts, providing installation options for vessels with limited access.
Price: € 73.500 (ex-VAT)
For boats from 50 to 60 ft
The SG40 smartgyro stabilizer is an affordable option for boats between 50-60 feet. It costs 30% less than the Seakeeper 9 and is perfect for new builds and refit installations. Boat owners can fully service it on-board the vessel without needing to lift it out for maintenance.
Price: € 88.500 (ex-VAT)
For boats from 55 to 65 ft
The SG60 SmartGyro stabilizer is a great option for boats between 55-65 feet. Its compact design makes it easy to integrate into the vessel’s engine room, even in tight spaces. Its easy installation process allows boat owners to take advantage of its benefits without worrying about installation. Overall, the SG60 is an ideal choice for boat owners who want a reliable, space-saving gyro stabilizer.
Price: € 98.500 (ex-VAT)
For boats from 60 to 70 ft
The SG80 smartgyro stabilizer is a great option for boats between 60-70 feet. It’s currently a good alternative to the Seakeeper 16 and provides boat owners with a cost-effective option that still offers excellent performance. Its base frame can be broken down into four parts for easy installation through narrow access hatches, making it perfect for boat owners looking to refit their vessel.
About SmartGyro boat Stabiliser
At SmartGyro, we believe that the ultimate luxury is uninterrupted time on the water. That’s why we design our boat stabilizers to minimize not only unwanted movement, but also downtime during maintenance. Furthermore, we lead the way in onboard comfort, safety, reliability, and convenience. In addition, our advanced technology virtually eliminates boat roll, no matter the conditions. Boat owners can save time and money by fully servicing our stabilizers onboard, therefore, if you want to spend more time enjoying your favorite things in life – choose a SmartGyro stabilizer!
Seamless gyro stabiliser Installation
SmartGyro’s modular design allows the unit to be fully disassembled, creating new installation opportunities for vessels with limited access. The base frame can be broken down into four parts, allowing for installation through narrow access hatches, which makes refitting easier and more cost-efficient. Additionally, the unit’s compact dimensions make it easy to integrate into the vessel’s engine room, even in tight spaces. Overall, SmartGyro’s modular design and compact size make it a versatile and reliable option for boat owners looking to improve the stability and comfort of their vessel.


At Computex 2019, AMD CEO Dr. Lisa Su announced the most advanced desktop processor in the world: the 3rd Gen AMD Ryzen desktop processor, and launched the world’s first PCIe 4.0 supported chipset – X570.
With this news, we are following up to share more details on the new AMD X570 chipset for socket AM4. AMD is bringing industry leading technology for enthusiasts, gamers, and creators through PCIe 4.0, 42% faster storage than PCIe 3.0 and enabling high-performance graphics cards, networking devices, NVMe drives, ethernet cards, and more.
With the new X570 chipset and 3rd Gen AMD Ryzen processors, AMD is also launching its Ryzen 3000 Ready program. On new motherboards – many launched this week at Computex – users can look for the "AMD Ryzen Desktop 3000 Ready" badge on the box to ensure processor drop-in compatibility.
You can find more details on X570 and Ryzen 3000 Ready in two recent blog posts:
Additionally, please find more information in a recorded briefing with AMD’s Erin Maiorino, Ryzen Desktop Product Marketing Manager, available here.


text:
The cariostatic mechanisms of fluoride
Keywords:Dental caries, Fluorides, Tooth remineralization
AbstractThis article discusses the possible cariostatic mechanisms of the action of fluoride. In the past, fluoride inhibition of caries was ascribed to reduced solubility of enamel due to incorporation of fluoride (F–) into the enamel minerals. The present evidence from clinical and laboratory studies suggests that the caries-preventive mode of action of fluoride is mainly topical. There is convincing evidence that fluoride has a major effect on demineralisation and remineralisation of dental hard tissue. The source of this fluoride could either be fluorapatite (formed due to the incorporation of fluoride into enamel) or calcium fluoride (CaF2)-like precipitates, which are formed on the enamel and in the plaque after application of topical fluoride. Calcium fluoride deposits are protected from rapid dissolution by a phosphate –protein coating of salivary origin. At lower pH, the coating is lost and an increased dissolution rate of calcium fluoride occurs. The CaF2, therefore, act as an efficient source of free fluoride ions during the cariogenic challenge. The current evidence indicates that fluoride has a direct and indirect effect on bacterial cells, although the in vivo implications of this are still not clear. Conclusion. A better understanding of the mechanisms of the action of fluoride is very important for caries prevention and control. The effectiveness of fluoride as a cariostatic agent depends on the availability of free fluoride in plaque during cariogenic challenge, i.e. during acid production. Thus, a constant supply of low levels of fluoride in biofilm/saliva/dental interference is considered the most beneficial in preventing dental caries.
Download data is not yet available.
How to Cite
Rošin-Grget, K., Peroš, K., & Šutej, I. (2013). The cariostatic mechanisms of fluoride. Acta Medica Academica, 42(2), 179. https://doi.org/10.5644/ama2006-124.85
Fluoride and caries prevention

domain: chemistry


A body found in the backyard of west side home has sparked an investigation by Cleveland police.
The dead woman has been identified as Mary Trocano. The 56-year-old was found Wednesday night around 10:30 p.m. at an address in the 1400 block of West 112th Street.
EMS was already there when police arrived and pronounced Trocano dead.
She had no visible injuries.
The Cuyahoga County Medical Examiner's Office will determine the cause and manner of death.


text:
What are your first memories of reading comics?
Baku Medina: I remember in my early childhood eagerly waiting for my father to come back from work in the evening. It was exciting because my dad was my hero in those early years and he always came home with newspapers and comics. This was my first contact with comics. I’ll tell you how I met too Jack “King” Kirby during those years. Very early Sunday morning on TV in Mexico, they were showing a reboot Marvel superheroes [animated series] From 1966. It was great for me to watch every episode and get to know the Marvel characters that Kirby drew one by one. I swear it was a unique experience for me and my brother. My favorite episodes were the ones that starred Iron Man I also remember having Iron Man which was my favorite before all the others. Later in my teens I became a budding collector Spider Man And the X-Men.
Who are your favorite Marvel characters and creators to have grown up?
Baku Medina: It was my favorite read in my younger years John Burn on me UNCANNY X-MEN Spider-Man wrote John Romita Jr.And the Sal BussimaAnd the Todd MacFarlane And the Eric Larsen. then Joe Quesada And the Jim Lee It came and blew my mind.
When and how did you decide to pursue comic book art as a career?
Baku Medina: I have always been interested in drawing and because of this interest I met friends who were huge fans of comics. I think it’s thanks to these good friends that I still have, that my path turned towards the art of comics. The most important and decisive person to embrace the industry was my friend and brother Juan Flasco. He struck me with his huge love of comics and definitely became a mentor. Thank you for that dear Juan!
How was your early work in comics like?
Baku Medina: My first work was in some publication that I did independently with these old friends in high school, so little by little I began to get involved in other publications with larger print versions such as the comic book of the wrestler and other small books. [contributions] for Mexican publishers.
How did you get on Marvel’s radar for the first time?
Baku Medina: If I told you, you probably wouldn’t believe me. I think I was very naive and at the same time very bold in those years, speaking of the early 2000s.
I’ve been working at DC for a few years now. I had a bad job, and I also think in my personal life that I was at a rather complicated crossroads. Just like that I took a Marvel comic book and wrote the address on an envelope with copies of my work with a letter to Joe Quesada. Months later I received an invitation from Joe himself to join the Marvel family. You can imagine that I wasn’t surprised just because he knew me, but I liked Joe’s way [treated me] And his kindness.
Baku Medina: Oh yes! It was a time filled with many emotions. On the one hand, things were not so good at home, I was in a complicated situation, but again it was Juan Flasco who supported me the most. The scripts were great and I remember Juan and I, we spent a lot of time together talking as we worked, talking about what we should do. It was a nice process because Craig and Chris’ scripts were perfect for the novel [visually]. Thanks for that guys!
What do you think was the first high-profile launch you worked on for Marvel?
Baku Medina: I think it was X-MEN #1 From the “Curse of Mutants” arc with Victor Gesler. I think this was the first time I felt more responsible and it was the first time I felt like I had to outdo myself by doing more and better things. I remember sleeping on the carpet near my desk to continue working after a few hours of sleep.


text:
The following statement was issued by Dan Stein, president of the Federation for American Immigration Reform (FAIR), regarding the failure of the House of Representatives to include meaningful border enforcement language in the Continuing Resolution:
WASHINGTON, Sept. 30, 2023 /PRNewswire/ — “During this spending battle, the Republican-controlled House of Representatives squandered a chance to address one of the nation’s most pressing crises—our dangerously out-of-control borders. The Continuing Resolution (CR), which was offered on the floor Friday, included many of the spending cuts conservative Republicans were demanding and it included strong policy changes that would have reversed the Biden administration’s open-borders policies. Yet, nearly two dozen House Republicans voted against it.
“After that failure, Speaker McCarthy today put a clean CR on the floor that offers no spending cuts and no immigration enforcement provisions, but succeeded in passing it with the support of Democrats. In doing so, the Republicans who blocked Friday’s CR proposal allowed the perfect to become the enemy of the good. The good, in this case, would have been passage of meaningful border enforcement measures and a step toward the overall budget cuts they championed.
“The Senate, eager to capitalize on this failure, quickly moved to pass the clean CR offered by the House. The result is that, even in the face of new record numbers of encounters at the border, for the next 45 days nothing will change and the crisis at the border will rage on.
“The CR passed today allows President Biden and Secretary Mayorkas to continue their open-borders agenda, and actually provides them the opportunity to abuse our immigration laws to help facilitate the entry of illegal aliens. The status quo is not acceptable, and only policy changes will avert the crisis that the American people and communities across the country see today.
“Congress’ failure to act in the face of this raging border crisis and humanitarian disaster is unconscionable. Between now and November 17, when the CR runs out, House leaders must make it clear that any spending agreements for FY 2024 must include H.R. 2, the Secure the Border Act.
“What took place over the last few days was a missed opportunity to address a full-fledged crisis. The nation cannot afford to wait. Congress has failed us once. It must use the next 45 days to act.”
Contact: Joey Chester, 202-742-1827 or [email protected]
Founded in 1979, FAIR is the country’s largest immigration reform group. With over 3 million members and supporters nationwide, FAIR fights for immigration policies that serve national interests, not special interests. FAIR believes that immigration reform must enhance national security, improve the economy, protect jobs, preserve our environment, and establish a rule of law that is recognized and enforced.
View original content to download multimedia:https://www.prnewswire.com/news-releases/congress-squanders-opportunity-to-end-the-disaster-at-the-border-supports-status-quo-instead-says-fair-301943747.html
SOURCE Federation for American Immigration Reform (FAIR)

domain: politics


Wednesday, July 29, 2020
'I bequeath all my beauty to my sister... since she has none': That acid quip, aged 9, helped trigger the lifelong feud between Olivia De Havilland - who has died aged 104 - and her sibling Joan Fontaine... a saga greater than Gone With The Wind
Until her death, Olivia de Havilland was convinced that she was the greatest star Hollywood ever produced. You may remember De Havilland from her spectacular performance in "the most glorious movie ever made," Gone with The Wind.
Olivia was known for challenging the "stranglehold that studios had on their stars," which brought on the end of the 'Hollywood System'.
Olivia was very driven. When she was nominated for an Oscar but lost to Hattie McDaniel, she claimed that she "was convinced that there was no God." However, she had great self-confidence and kept on moving forward. She went on to win two Oscars for Best Actress in 1946 and 1949.
In 1942, Olivia was nominated for the award, but lost to her sister Joan Fontaine, which only fueled the rivalry which had started when the girls were young. In fact, Joan once told a reporter, "I remember not one act of kindness from Olivia all through my childhood. She so hated the idea of having a sibling she wouldn't go near my crib."
One frequently reported story was that at age nine, Olivia was told to compose an imaginary last will and testament as an assignment and wrote, "I bequeath all my beauty to my younger sister, Joan, since she has none."
When their mother died in 1975, Olivia tried to exclude her sibling from the memorial service.
Olivia had a life-long competition with her sister, but of course, to her it was no competition.
See, Christopher Stevens, 'I bequeath all my beauty to my sister... since she has none': That acid quip, aged 9, helped trigger the lifelong feud between Olivia De Havilland - who has died aged 104 - and her sibling Joan Fontaine... a saga greater than Gone With The Wind, Daily Mail (U.K.), July 26, 2020.
Special thanks to Joel C. Dobris (Professor of Law, UC Davis School of Law) for bringing this article to my attention.
Thursday, July 9, 2020
The family estate of Sir Arthur Conan Doyle, the creator and author of all the Sherlock Holmes stories, is suing Netflix over copyright and trademark infringement for its upcoming movie "Enola Holmes."
The author, writer, and director of the Millie Bobby Brown-led film are also being sued as well as Nancy Springer, the author of "The Enola Holmes Mysteries" book series, on which the move is based.
In the film, Brown plays Sherlock and Mycroft's younger sister, Enola, who is also a skill detective. The movie is set to premiere in September.
According to Deadline, the family of the iconic author claims that the "copyright infringement arises from defendants unauthorized copying of original creative expression by [Conan Doyle] in copyrighted Sherlock Holmes stories."
The suit is claiming that after Conan Doyle's eldest son was killed in WWI, he returned to writing Sherlock Holmes stories but realized "it was no longer enough that the Holmes character was the most brilliant rational and analytical mind. Holmes needed to be human. The character needed to develop human connection and empathy."
After creating the character in 1887, Conan Foyle wrote 56 short stories and four novels about the adventures of Sherlock Holmes and his sidekick Dr. John Watson.
See Jessica Napoli, Netflix sued over 'Enola Holmes' movie for copyright infringement by Sir Arthur Conan Doyle estate, Fox News, June 25, 2020.
Wednesday, July 1, 2020
Carl Reiner, the versatile writer, actor, and director has died at the age of 98. Reiner was the creator of "The Dick Van Dyke Show" and was straight man to Mel Brooks' "200 Year Old Man. In recent years, Reiner was part of the gang in the "Ocean's Eleven" movies starring George Clooney.
Reiner's assistant Judy Nagy said he died on Monday night of natural causes at his home in Beverly Hills, California. Tributes have poured in from Steve Martin, Josh Gadd, Sarah Silverman, Alan Alda, and many more.
Reiner is the father of actor-director Rob Reiner who starred on "All in the Family" and directed "When Harry Met Sally..." and "The Princess Bride." Besides Rob, Reiner had another son, Lucas, who is also a film director, and a daughter named Sylvia, who is an author. It is safe to say that the Reiners are an extremely talented family.
It is likely that Rob Reiner will be the financial and creative heir as his father was his "guiding light."
The creative world, especially the entertainment industry, will miss Carl Reiner dearly.
See Carl Reiner Dead At 98, Rob Likely Financial As Well As Creative Heir, Wealth Advisor, June 30, 2020.
Saturday, May 9, 2020
Mary Pratt, a south paw pitcher in the All-American Girls Professional Baseball League and possibly the last living member of the original Rockford Peaches, passed away at the age of 101. The league, formed during World War II, was immortalized in the beloved film A League of Their Own.
Born November 30, 1918, Pratt graduated in 1936 from Boston University with a degree in physical education and started teaching. In 1943, she joined the inaugural season of the AAGPBL. She played five seasons in the league with Rockford and the Kenosha Comets. After her departure from the league, Pratt remained active in sports, officiating basketball, softball, field hockey and lacrosse games, and even served on the league's board of directors.
See Rockford Peaches Pitcher Mary Pratt of 'A League of Their Own' Fame Dies at 101, ESPN, May 9, 2020.
Wednesday, March 25, 2020
Daniel Craig Says he Doesn't Plan to Leave his Fortune to his Kids: 'Get Rid of it or Give it Away Before you Go'
Daniel Craig, the actor currently portraying the popular fictional character James Bond, recently said in an interview that he is not planning any of his $100 million to his children. He has an infant daughter, born in 2018, with actress wife Rachel Weisz, as well as older daughter Ella, who is in her 20s, from his previous marriage. He is also stepfather to Weisz’s 13-year-old son Henry.
Craig is far from the first celebrity to announce that he does not want to raise his children to depend on their parents for money. Elton John, along with his husband David Furnish, said in 2016 that they would be giving the bulk of their estates to charity rather than to their two sons. Simon Cowell, told the Mirror back in 2013 that he’s “going to leave my money to somebody. A charity, probably — kids and dogs. I don’t believe in passing on from one generation to another."
The next James Bond movie, No Time to Die, originally scheduled for release in April, but now delayed until November.
See Daniel Craig Says he Doesn't Plan to Leave his Fortune to his Kids: 'Get Rid of it or Give it Away Before you Go', Wealth Advisor, March 24, 2020.
Tuesday, February 25, 2020
Kirk Douglas, arguably the last member of Hollywood's Golden Age, passed away on February 5, 2020 at the age of 103. He is survived by his second wife Anne, who he married in 1954, and three of his sons - Michael, Joel and Peter. Kirk had suffered a stroke in 1996 and his health had declined, but he still occasionally appeared in movies and television productions.
In addition to being a three time Oscar nominee, he received a lifetime achievement Oscar in 1996, the Presidential Medal of Freedom in 1981, the Jefferson Award for public service in 1983 and was named to the French Legion of Honor in 1985. He was born in Amsterdam, New York to Jewish immigrant parents and was lucky enough to have an illustrious Hollywood career that spanned seven decades.
Kirk and Anne founded the Douglas Foundation 1964 and opted to bequeath the majority of his estate to the charity. The Foundation benefits the Children’s Hospital of Los Angeles, The Kirk and Anne Douglas Childhood Center, a St. Lawrence University scholarship for underprivileged students, Westwood’s Sinai Temple and Culver City’s Kirk Douglas Theater, a restored venue. Anne Douglas remains as the nonprofit's managing trustee.
Though at first glance it might seem harsh that Kirk did not leave anything to his beloved son Michael, who followed in his father's footsteps and became an actor. But the well-known Wall Street is worth over $300 million in his own right so he most likely was not expecting anything from his father.
See Nate Day, Kirk Douglas' $61M Fortune Given Mostly to Charity, None Went to Son Michael Douglas, Fox News, February 23, 2020; see also Jorge Fitz-Gibbon, Kirk Douglas Leaves Most of his $80 Million Fortune to Charity, Page Six, February 22, 2020; see also Will Twigger & Susan Knox, Kirk Douglas Leaves Entire £61m Fortune to Charity - and Son Michael Douglas Doesn't get a Penny, Mirror, February 23, 2020.
Special thanks to Joel C. Dobris (Professor of Law, UC Davis School of Law) and Jay Brinker (Cincinnati Estate Planning Attorney) for bringing these articles to my attention.
Sunday, February 9, 2020
Before it was Walt Disney Studio, it was Disney Brothers Cartoon Studio, founded by Walt Disney and his brother Roy O. Disney. Walt handled the creative side while Roy O. handled the business side. Walt died in 1966 of lung cancer, survived by his wife, two daughters and 10 grandchildren. Roy O. only had one child, Roy E., who would later become a senior executive for the company. Roy E. had four children - Susan, Roy P., Tim, and Abigail. Though the Disney clan raised their children in a way that was traditional and normal, their legacy is anything but simple.
In 1960, the Disney brothers owned 20% of the company that they had founded, but today the family only owns 3%. But at $130 billion, that would leave the family an investment of $3.9 billion in the company. And that of course does not include other holdings, investments, and endeavors. Some of the grandchildren became notorious, such as a granddaughter living quite lavishly, splurging on $5,000-a-night suites at the Royal Palms apartment homes in Las Vegas. Two other grandchildren fought over their portions to a trust fund, each arguing that the other was mentally incapacitated.
On the other side of the coin, a granddaughter of Roy O. was reportedly embarrassed by her family's wealth and stated that she had developed an "inferiority complex around people who have actually earned their money. She has said that if she could she would outlaw private jets, and she was one of 18 ultra-wealthy Americans to sign a letter asking presidential candidates to support a wealth tax in June 2019. Roy E. was the only heir that got involved in the business, and it is reported that though the original two brothers were close, the families have never been.
See Hillary Hoffower, A Family Feud Over a $400 Million Trust Fund, a Massive Fortune that Left One Heiress with an Inferiority Complex, and a Sprawling Media Empire. Meet the Disney Family, Business Insider, February 7, 2020.
Special thanks to Mark J. Bade (CPA, GCMA, St. Louis, Missouri) for bringing this article to my attention.
Saturday, January 25, 2020
W. Burlette Carter published an Article entitled, Finding the Oscar, Wills, Trusts, & Estates Law eJournal (2012). Provided below is the abstract to the Article.
In 1940, Hattie McDaniel became the first African-American to be awarded an Oscar. The controversial role that garnered the honor was that of a slave "Mammy" in the 1939 film adaptation of Margaret Mitchell's Pulitzer Prize Winning novel, "Gone with the Wind." In 1951, McDaniel willed her Oscar to Howard University, but today no one knows where it is. Theories include that Howard students took it during the 1960s Civil Rights protests. that a Howard professor took it, or that it was simply put away for safekeeping but no one knows where. Howard's archives could find no records of having actually received it. Considering probate papers, archival materials, and interviews, the article traces the path of the Oscar from McDaniel's death to its arrival at Howard and offers a theory as to the Oscar's ultimate fate. It also ties the Oscar to the story of how historical racism suppressed the ability of African Americans, and particularly the descendants of slaves, to protect wealth and to transfer it intergenerationally.
Saturday, December 21, 2019
The murder mystery Knives Out appears to be the surprise hit of the 2019 holiday season, racking up $70 million at the box office and numerous award nominations. The patriarch of a wealthy family, Harlan Thrombey played by Christopher Plummer, is found dead. It is soon discovered that just prior to his demise, the patriarch had changed his estate plan. During the plot's twists and turns, several concepts of estate planning our mentioned, including undue influence, slayer statutes, and will contestation.
Par for the course for Hollywood, one dramatic scene in particular in the movie is the titular will reading of the recently deceased. In a wood paneled library, the estate attorney sits behind the patriarch’s desk and reads the document. Many movie goers might be surprised that this is not an actual event. Paula Leibovitz Goodwin, partner in the Personal Planning Group at Perkins Coie in San Francisco, says that, “In the past there have been some that I have disappointed when I told them that there is no will reading in real life.”
Other concepts brought up by the movie are closer to reality. Christopher J. Burns, partner in Estate and Tax at Henson & Efron in Minneapolis, Minnesota, comments that due to increased longevity and failure to keep estate plans updated, “Contesting wills is becoming increasingly common." Undue influence is a common red flag, especially when a will is dramatically changed such as what occurs in the movie: natural heirs are disinherited and suddenly a caretaker is the sole beneficiary.
Though the term slayer statute seem farfetched and created from the mind of a Hollywood producer, it is a real premise in estate law. Under a state that has such a statute, an individual cannot inherit if they intentionally killed the deceased for the purpose of inheriting. “Some states apply the rule only to those convicted of homicide, others apply it to manslaughter, with some allowing the 'slayer’s' descendants to receive what the 'slayer' would have inherited, and others cutting off the slayer’s family line,” explains Caitlin Carey, an estate planning attorney in the Personal Planning Group at Perkins Coie.
See Megan Gorman, What The Movie ‘Knives Out’ Gets Right (And Wrong) About Estate Planning, Forbes, December 18, 2019.
Special thanks to Carissa Peterson (Hrbacek Law Firm, Sugar Land, Texas) for bringing this article to my attention.
Sunday, November 10, 2019
Ashton Kutcher and his wife, Mila Kunis, stated recently that they plan to leave their children nothing, instead giving any money they have earned from Hollywood or their investments to charity, including sex-trafficking causes. Kutcher has invested in several tech companies with his venture capital firm A-Grade Investments, so he understands that his children are already living what he believes is a "privileged life." He specifically said that they will not be receiving any trust funds.
Half of people that are destined to receive an inheritance receive $50,000 or less, and 30% will receive between $50,000 and $249,000 according to Federal Reserve data. Completely cutting off children is an unorthodox approach; teaching them positive life-long habits that can contribute to more beneficial payoffs may be more proactive, and could bloom into long-term financial security.
See Mitch Tuchman, Why Ashton Kutcher is Leaving Nothing to his Kids, Market Watch, November 9, 2019.
Special thanks to Lewis Saret (Attorney, Washington, D.C.) for bringing this article to my attention.


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Posted on :Saturday , 12th January 2019
Allocation of $8.7 million has been granted by The Tanzanian Government to start countries first Ngozi geothermal project in Mbeya region. The government has allocated 20 billion Tanzanian Shillings for geothermal development.The news was revealed by the board chairman of the Tanzania Geothermal Development Company- Beatus Segeja, during his visit to Lake Ngozi, Mbeya Region.
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Schwarzenegger stars in two Reitman classics
Ivan Reitman died Feb. 12 at 75 years of age, leaving a half-century legacy of filmmaking that transformed cinema.
Reitman logged close to 70 movie and TV credits as a producer, and 17 feature films as a director. He also created four short films, a music video and an unsold pilot that aired as a TV movie.
Reitman directed some of cinema's classic comedies, making "Saturday Night Live" alum Bill Murray the comedic lead everyone believed he could be, and musclebound action hero Arnold Schwarzenegger the comedic lead no one believed he could be.
Reitman's oeuvre also explored sci-fi, horror,...


City of St. Clairsville will be closed on Monday, January 16, 2023, in honor of Dr. Martin Luther King, Jr.
Mayor Thalman announces that City offices — except the Police Department — will be closed on Monday, January 16, in observance of the federal holiday to commemorate the birthday of Dr. Martin Luther King, Jr.
If you have an EMERGENCY, please call 911!
For after-hours emergencies for electric, water or sewer service ONLY, please call 740-695-1410 to connect with the City’s answering service.
For all NON-EMERGENCY inquiries, please call the City’s Police Department on 740-695-0123.
City offices will reopen on Tuesday, January 17, at 8:30 A. M.
A reminder that the 2nd City Council meeting this month will be held on Tuesday, January 17, at 7:00 P. M. The monthly meeting of the Council’s Finance Committee will begin prior to the Council meeting at 6:15 P. M. on the 17th.


On this year’s edition of MaskinExpo, you can both see and try SVAB’s future concept ToolTip Control – A new intuitive control pattern based on modern technology.
That there is a huge shortage of skilled excavators all over the world has probably not escaped anyone who works in this industry. Although excavators are becoming increasingly advanced, the control pattern has not really changed significantly since hydraulic-powered excavators saw the light of day in the late 1960s. Still, a single joystick movement controls the out and in the movement of a hydraulic cylinder and the coordination of the excavator’s all movements has to be controlled by the driver himself.
Basically, the current control pattern is not intuitive, which means that it takes a long time to become a skilled operator, and the excavator manufacturers today put a lot of time and money into semi-automating some of the difficult operating tasks. In the forest industry, on the other hand, they are a step ahead and alternative control patterns such as crane tip control or “Intelligent Boom Control” have been in the field for several years.
Since 2016, SVAB and its sister company Steelwrist have been working on developing the concept Tooltip Control, which is a more intuitive way of controlling excavators and its work tools.
The innovative control system simplifies for operators who only need to focus on the desired end position for the excavator work tool. The control system automatically combines hydraulics control on the excavator’s boom, arm and tiltrotator to create an optimal movement pattern. The result is that the work tool operation becomes more intuitive, which enable increased productivity, a simplified learning process and improved workplace safety.
The concept is based on sensors, control electronics and software developed by SVAB, which means that it is completely independent of external machine control systems and sensors.
“We are passionate about making life easier for both new and experienced operators and this is a very exciting project where we develop a new control pattern based on what we can do today with the help of new technology, independent of how excavators have been controlled for over fifty years,” says company CEO, Fredrik Eriksson.
Now, the company invites customers and operators to test the concept and provide feedback for continued development.
“There is a lot of things that we can do to get the control more intuitive and now we are ready to showcase the concept and let both experienced and inexperienced operators test and give us feedback,”
says the company’s CTO Lennart Hedlund.
If you are curious and want to know more about the new control system, then you are very welcome to visit SVAB in stand 2501 at MaskinExpo May 23-25.
About SVAB Hydraulik AB (SVAB)
SVAB develops products and efficiency functions for excavators consisting of control, communication, joysticks, sensors, and actuators. Product development takes place both through own innovative development and in close cooperation with the customer. The customers are manufacturers and distributors of excavators and equipment. Since 2002, SVAB has delivered over 50 000 systems for tiltrotator control and is the clear market leader in this area.
SVAB is quality and environmentally certified according to ISO 9001 and ISO 14001. SVAB Hydraulik AB operates in Hallsberg – Sweden.


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Charlton's performances in cup competitions over the last decade have been nothing short of embarrassing, but at least the long litany of early exits has presented Curbishley's players with plenty of free weekends.
If the tea tastes weak at the club's Sparrows Lane training ground, it's because no-one at Charlton likes to linger around a cup. The Addicks have reached the FA Cup fifth round just once in the past 10 years, with four thirdround exits along the way, and their record in the League Cup is even worse, with just one fourth-round appearance in the last decade.
Charlton begin their Carling Cup campaign at Grimsby tonight and Curbishley is aiming to learn from the lessons of history.
He said: "Our record is appalling in this cup, it's bad in both but this one in particular, and I'm not going to take it lightly. I'm not going to rotate or change things unless I have to.
"A Premiership team will win the Carling Cup so why not us? Last season we had two midtable teams in the final - Bolton and Middlesbrough - and this could be our year."
If Charlton fans are hoping for a lengthy cup run to lift the gloom caused by an indifferent start to the season, they should think again as Grimsby away is exactly the sort of game they usually lose.
Curbishley's side have been knocked out by lower division clubs away from home in four of the last five years, with three of those exits coming in the second round to Oxford, Stoke and Bournemouth. Last year, they had to come back from two goals down to beat Luton on penalties at The Valley, before going down 1-0 to Everton in the third round at Goodison Park.
Curbishley is aware of his team's limitations, but is confident that recent poor performances will help guard against complacency.
He said: "I'm as frustrated as everyone else and don't need the fans to tell me that we've not got going yet.
"Some of the players that have come into the club this summer haven't understood what we've wanted. It's been stop-start since pre-season and I've not got what I wanted from the new boys. We've suffered because of our big turnaround and have to work extra hard to integrate the new players." such a claim.Reuse content


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Claire Belcher is a Senior Lecturer in Earth System Science at the University of Exeter. As a self-confessed fire starter she uses experiments to understand the role that wildfires play in maintaining the natural balance that makes our planet habitable.
We typically view wildfires as part of the destructive face of nature yet often forget that human harnessing of fire has strongly influenced our social development and success as a species. In a microcosm, what fire has done for human beings, wildfires also do for our planet. Claire’s research seeks to understand how evolutionary innovations in our ecosystems have allowed plants and fire to exist on our planet in relative equilibrium. She is currently the leader of a €1.52 million EU European Research Council funded team. Her approach to studying wildfires is described in her recently published edited book “Fire Phenomena and the Earth System, an Interdisciplinary Guide to Fire Science”. As a recent awardee of the European Commission’s Marie Curie Prize for her work in science communication she says “scientific research isn’t worth anything if it isn’t communicated”.
Biography published 2014

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Colonoscopy is a medical procedure in which a flexible tube with a camera is inserted into the rectum to view the colon and rectum. It is the most highly effective way to find and prevent colon cancer, the third most common disease worldwide. However, colonoscopy can also find other diseases of the alimentary tract that are causing symptoms or increasing the risk of more serious conditions.
Here we will tell which diseases can be detected by Colonoscopy:
Cancer: Rectal examination plays an important role in the detection of cancer. Using the colonoscope, if the doctor sees any lumps or problems, they need to do a biopsy. Cancer is confirmed through a lab test after a biopsy.
Bowel problems: During a rectal exam, the doctor checks for conditions of your bowel such as bowel ulcers, Crohn’s disease or separation.
Diverticulosis: This is a common problem that is commonly found in people of increasing age. This problem may manifest as complaints of apathy, pain or frequent diarrhea. This problem can be identified and treated with a rectal exam.
Crohn’s disease: Crohn’s disease is a common intestinal disease characterized by inflammation of the intestine, discoloration of the intestinal wall, or pain. Crohn’s disease can be confirmed and treated with a rectal exam.
Bowel biliary system problems: A rectal exam can also detect problems with your bowel biliary system, such as gallstones.
Bowel cancer: Rectal examination is an important method for bowel cancer. In the vast majority of cases, the growth of the bowel wall is accompanied by the growth of cancer. Such problems can be identified and treated properly by rectal examination.
Old intestinal wounds: Rectal examination can also identify old wounds. Wounds cause swelling, pain and diarrhea. Rectal examination can confirm these lesions and they can be treated appropriately.
Bowel polyps: A rectal exam can detect polyps in your bowel. These are the size of small footballs that arise in the intestine. When there are more polyps in the intestine, they lead to cancer. These polyps can be detected by rectal examination and removed in time.
In summary, a rectal exam is an essential procedure that is important to your health. With this test, problems with your intestine can be identified and treated properly. If you suffer from any bowel related problems or you are above 50 years of age, then you should get a rectal examination done. Hope this article has given you an idea about the importance of rectal examination.


- As noted, ABC’s The Goldbergs will feature a pro wrestling themed episode soon. That episode will air on May 6th and will include a tribute to The Ultimate Warrior.
– WWE had been advertising a Beyond The Ring special for Edge to air on the WWE Network this past Saturday night but it did not air and is not available in the vault. No word yet if it will air this Saturday night.
– A person close to Roddy Piper notes that the Twitter beef with Kevin Nash this weekend had Piper really upset.
Partial source: F4Wonline.com
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|13||Mark Madden: WWE Won't Pay Brock Lesnar Enough And Don't Think Daniel Bryan Is Over|
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|12||WWE SmackDown Report - 1/29/15|


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San Francisco 49ers linebacker Patrick Willis sprained a toe ligament late in the second quarter of Monday's 31-17 victory over the St. Louis Rams and did not return to the game. This type of sprain is commonly referred to as turf toe. This followed Tramaine Brock's toe injury in Week 1 against the Dallas Cowboys.
Fooch's note: Earlier Wednesday, Jim Harbaugh said he would not characterize it as turf toe. However, turf toe has varying degrees of severity, and this article remains pertinent.
Turf toe is a sprain to the ligaments around the big toe joint, which works primarily as a hinge to permit up and down movement. Just behind the big toe joint in the ball of your foot are two pea-shaped bones (called sesamoids) embedded in the tendon that moves your big toe. These bones work as a pulley for the tendon and provide leverage when you walk or run. They also absorb the weight that presses on the ball of the foot.
Typically, the forefoot is fixed on the ground with the heel raised. While these injuries can happen over time and can be the result of cumulative trauma, it appears that is not the case for Tramaine Brock and Patrick Willis. It appears the injuries sustained by Brock and Willis were the result of outside force causing the foot traumatic hyperextension of the hallux MTP joint (shown in the image above).
When you are walking or running, you start each step by raising your heel and letting your body weight come forward onto the ball of your foot. You propel yourself forward by pushing off of your big toe and allowing your weight to shift to the other foot. WebMD described it well: If the toe for some reason stays flat on the ground and doesn't lift to push off, you run the risk of suddenly injuring the area around the joint. Or if you are tackled or fall forward and the toe stays flat, the effect is the same as if you were sitting and bending your big toe back by hand beyond its normal limit, causing hyperextension of the toe.That hyperextension, with enough sudden force, can -- cause a sprain in the ligaments that surround the joint.
There are long and short term effects of turf toe. In the short term, running and pushing off are compromised greatly. Players usually miss several games, because in nearly all cases -- rest is necessary. About 50% of individuals with turf toe injuries have persistent symptoms after 5 years. It can result in stiffness of the joint, arthritis, bunions (that cause deformity), and/or failure to regain push off strength.
Nonsurgical treatment is determined by the grade of the injury. Medscape outlines the following baseline conservative treatment:
- Grade 1. The RICE protocol is recommended: Rest, ice, compression, and elevation. Taping the big toe to the smaller toes will restrict motion. Non-steroidal anti-inflammatory meds may relieve pain and swelling.
- Grade 2. To keep the MTP joint immobilized, a walking boot may be prescribed. Afterwards, these injuries are managed with a taping regimen and the Grade 1 treatments. Stretching and strengthening exercises can reduce joint stiffness. In most cases, an athlete with a Grade 2 injury needs 3 to 14 days of rest before returning to play.
- Grade 3. These injuries require long-term immobilization in a boot or cast rather than surgical intervention. Frequently, these injuries result in 2-6 weeks of sedentary activity. Return is generally acceptable when the majority of pain is gone.
Pain is usually tolerable and an athlete can continue to participate in sports using a stiff-soled shoe. Orthotics, a shoe insert with a rigid forefoot, can reduce stress on the plantar plate and provide stability.
Physical therapy should be started as soon as symptoms allow. Specific exercises help stretch and strengthen the big toe. Early PT and joint movement prevent joint stiffness.
Based on the mechanism of injury, it appears Brock suffered a Grade 3 sprain. It has been report Willis will be out against the Denver Broncos, which indicates the sprain is at least a Grade 2. Willis is also seeking a second opinion of a specialist. It is difficult to tell the severity of the injury based on the little information provided by the reports, but it never hurts to have a doctor look at the diagnostic tests to determine the full extent of the injury. getting proper treatment and rest from the onset is paramount with these types of injuries.
The normal MTP joint functions with a smooth gliding motion. Once the joint capsule is torn, there is a potential for fracture and possible dislocation. The joint can degenerate, which eventually requires surgical intervention.
My impression is Willis has suffered a grade 2 sprain and will likely miss two or three games, as he will be required to wear a walking boot to immobilize the joint. If Willis makes progress and inflammation subsides, he will likely make a complete recovery. It is important doctors monitor his pain and range of motion so no other complications develop.
It has been reported Brock will likely return after the week 9 bye. Clearly, he suffered a more serious injury, but he is well on the road to recovery as well.


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Light and crunchy rolled wafer with a velvety cream filling. A true light delight for every moment.
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