A beautifully soft sweater knit made with a blend of fine merino and virgin wool.
85% merino/ 15% virgin wool
Weight is 185 gsm
Width measures 140 cm
Prices are per half meter.
To order longer pieces, enter the quantity of 0.5 m increments you desire and the piece will be delivered to you as a whole, continuous piece.
Bears the highest level of the OEKO-TEX Standard 100 Certification. Oeko Tex insures the safest possible product is in your hands!
Hand wash only. Iron on low heat.


MBMMLLC: Complete Crushing Mill for Gold Hardrock Ore: Jaw .Feb 24, 2013 . Call Jason at 360-595-4445 or email mbmmllcgmail for more information, to order a complete ore processing system, or to buy any individual pieces of equipment for crushing or concentrating. Like us on Facebook to stay current with our equipment, pictures, and videos:hard rock gold crushing machines,Hard Rock Crushers & Mills for Sale - Mining Equipment | APTWe supply hard rock crushers & mills to the mining industry. Hard rock crushing is required when rock is larger than 3mm in size to liberate.
Rock Crushers - Gold Rush Trading PostRock Crushers - Rock Pulverizers - Manual Rock Crushers - Gas Powered Rock Crushers - Electric Rock Crushers - Heavy Duty Rock Crushers. . Tough machines built well and rigorously tested in the field means less work for you. Warranted . Electric or gas powered rock crushers for larger amounts of gold bearing rock.hard rock gold crushing machines,Global Mining Equipment - HOMEWe strive to keep gold mining and rock crushing accessible for small to medium size mining operations. Small to medium size miners know that affordable production equipment, such as jaw rock crushers, hammer mills, pulverizers, portable gold processing mills are incredibly difficult to find. Whether we are providing.John Frank
Small Gold Crushers, Wholesale Various High Quality Small Gold Crushers Products from Global Small Gold Crushers Suppliers and Small Gold Crushers Factory . Mini Small Scale Size Used Quartz Gravel Rock Salt Sand Gold Stone Make Crush Crusher Machine .. Shanghai Foxing Heavy Industry Machinery Co., Ltd.
Portable Rock Crusher - Gold Mining Equipment - - Amazon. . Back. Rock Crusher-Heavy Duty Solid Steel-Mad Mining-Rock-Gold-Glass . Simply break up some rock, pulverize, pan the crushed material and in minutes find out how much recoverable gold or other material you are looking for is in the rock in that area.
Giant Gold Machines - Hard Rock Mining . To reach these veins of gold-bearing quartz, hard rock miners tunneled and sank shafts deep into mountainsides. . Hard Rock Paltform Hard rock miners had to mill, or crush the quartz ore. They worked stamp mills to pulverize the ore to a powder. Early stamp mills had two to five.
Jun 8, 2000 . Since the costs can be high in the exploration and removal of gold from the hard rock mines, large companies are created in order to raise the money necessary for . to size in a grizzly, a device consisting of a series of spaced bars, rails, or pipes, above a forward moving conveyer belt to a crusher machine.
Savona Equipment is a new and used iron ore crushing equipment supplier for Portable Air Compressor Rock Crushing Equipment and Iron Ore Crushing . Our gold ball mill crushes Small Scale Hard Rock Crusher Plant (RDGK) Mobile Jaw Crusher Plant (JC25) Small Scale Hard Rock Grinder (Roc Smasha) Ball & Rod.
rock crusher gold ore impacts mills Want Gold? Gold mill impact machine ore quartz rock crushers. and turn them into this 300 mesh powder. rock crushers gold ore impact mills Get Gold! Gold mill impact machine ore quartz rock crushers. which releases this gold! These portable impact mill rock crushers that we produce.
For those prospectors out there who have dug up hardrock ore samples and want to test them for their gold content, there are a few different options that are . This is the simplest way to test your hard rock ore samples, but it is also one of the most expensive as well. Plus . Portable Rock Crusher - Gold Mining Equipment.
Hand Crushing and Processing Rich Ores. Large 7.5 ounce California gold nugget . Want to get all the gold out of your black sands? There is often some very small sized gold there and it can be a lot of work to get all the gold out. We work hard to capture the gold and we don't want to throw the fine gold away as it can be.
The hard rock gold and platinum mines in South Africa have seen little development . Voest Alpine and Lonmin Platinum and the initiation of an agreement to develop and trial a prototype hard rock narrow reef mining machine. Background. Voest Alpine . highly crushed rock material beneath the cutter tip prior to chipping.
Dec 21, 2015 . The most common types of mining equipment vary depending whether the work is being carried out above or below ground or mining for gold, metals, coal or . Crushing equipment is specially configured to break down the hard rock matter or gravel to a manageable size for transportation or conveying.
Ore was crushed in water to a fine slurry in large stamping batteries. . These large and very heavy machines were carried in to rugged and remote locations and driven by water power. Each of . Historically, hard-rock mining was a minor part of the gold mining industry in Otago because it is a very capital-intensive process.
hard rock gold mine mill tailings separation equipment. Advertising Related Post hard rock vs stone crushing hard rock gold mine mill tailings separation equipment how hard is line hard rock gold mining hard rock quarrying mining in india for ready mix concrete operating process.
You will get a gold heavy concentrate. Weathered rocks can be treated in a similar manner. You can also try crushing them if they are not small enough (like 0.2-0.5mm) followed by the above procedure. Hard rocks are the toughest of the lot. You need a jaw crusher, a grinding machine and then a knelson/centrifugal.
Oct 6, 2010 . Today, gold is extracted in hardrock mines that directly mine the source rock, or "lode" of gold, where it was originally deposited by geochemical processes. Most ore accessed this . Some modern commercial placer operations are quite large and utilize heavy equipment and river diversions. Placer mining.
The big rocks were caught in the sieve, the waste exited the lower end with the water, and the heavy gold fell to the bottom of the box and was caught on the riffles. quote …Mercury .. The first crushing equipment was the Mexican arrastra, a device that ground the ore between two stone slabs rotated by a mule or humans.
Jaw Crushers - Variable Sized Material. Deze pagina vertalen. MBMM jaw crushers are built in the USA provide . Hard rock Mining. The jaw crusher has been a staple of the hard . but small-scale hard rock mining industry is . Jaw Crusher: Mining Equipment . Deze pagina vertalen. Find great deals on for Jaw.
Whenever energy in any form penetrates rock, ore or mineral, wear will appear. There is of course a difference whether the minerals are hard or soft, small or large, abrasive or non-abrasive, wet or dry, but wear will always be around. Both machines and structures must be protected from wear using metals, polymers.
You'll find non-stop action with all of the slots and slot machine gaming options at Seminole Hard Rock Casino in Hollywood, Florida.
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BOG is a four-piece post-metal band from Vienna, Austria, founded by Tim Primbs as an emotional outlet to cope with several experiences with death. Narrative arcs follow the woven dynamics of the sound. Sonic leitmotifs, ambient layers, and authentic songwriting create an unmistakably unique sound.
Starting in 2011 when Johnstown, PA artist Jake Dryzal was only 12 years old, Blue Navy was conceived through his love of indie music and surrealism. Crafting fictional stories that dealt with relationship strife or dreamlike circumstances, Blue Navy released several demo EPs between 2011 and 2013. Jake took a hiatus from Blue Navy in 2014 to focus on his post-metal project, Pallor, and later returned to Blue Navy after the breakup with a girlfriend. Influenced by slowcore, dream pop, and shoegazing music, Jake released his debut album, "Mine" in early 2016 to critical acclaim. Another bout of unrequited love hit Jake in early 2017, resulting in the production of his newest album, "Ours," which was released that May.
"Ours" is Blue Navy's sophomore LP - another concept album that covers topics such as heartbreak, loss, and memories following the destruction of a meaningful relationship. Along with introspective, confessional lyrics, "Ours" contains balanced elements of stripped-down acoustic folk, as well as dense layers of lush, ethereal, and reverberated ambient soundscapes.
onj. is an instrumental post-rock band that has been playing in and around Asheville, NC for about 4 years now. The four members of onj. are Marklar Klepac and Joel Wolfe on guitar, bassist Sean McAusland, and drummer Dylan Webb. Their first EP, "Opposition," was released at the beginning of 2014.
Over the past 3 years, onj. have been working on material for the new album, "Alone." The album attempts to capture the various feelings of being left alone while dealing with depression, loss, and separation.
NAAL is the surrealist, drone/rock project of Chicago native Dave Mantel. Characterized by a sonic journey taken between more traditional instrumental post-rock, and the fringe elements of ambient, noise, drone, and field recordings, NAAL is a project that wanders freely between elements of all of those genres, while juxtaposing their individual elements to create a unique sonic palate.
Formed in 2013 with the release of the debut project titled Wilderlands, NAAL has released 4 EP's, with a debut full-length announced for a 2017 release. Each of the past three releases, 2014’s “Compass” and “Chaos Monsters,” and 2015’s “TIME” EP, charted as best-sellers on Bandcamp. Beyond his recordings, NAAL has begun to bring a live show audio/visual experience that focuses on the mellower side of the project. Long, texturally complex soundscapes are complimented by an ambient visual experience aimed at exploring dark, metaphysical and surrealist themes.
A703 is a slow, intricate walk through several years worth of dark, complicated emotional landscapes, compiled together to create a listening experience that will both relax and challenge the listener. The slow drones and complex textures give voice to both a deep sadness, and a deep hope. Of the new album, Mantel says, “There's an idea in Japanese that has captured me- 'mono no aware'- which is an awareness of the impermanence of everything. But, at the same time, not letting that overwhelm or immobilize you. It's a gentle sadness of things. But that idea of simple awareness is not where I want this story to end... That is the concept for the album.”
The first full length album from NAAL, A703’s soundscapes are charged with the weight of their author's own emotional darkness. This album is unlike NAAL's past releases in both the volume of work, and the compositional and instrumental restraint involved in the process. Leaving behind the more traditional post-rock vibe of the project's previous releases, A703 fully embraces the “drone” side of the so called “drone/rock” genre Mantel has coined.
The slow moving chord structures made up of layers of guitar and synthesizer textures, combined with bits of field recordings taken over the course of some of these aforementioned defining emotional moments, create ambient and droning atmospheres that are at once intricately complex and utterly benign. Although these 7 tracks are, for their author, ultimately about mortality and the fleetingness of the temporal, in the depth of the music, there seems to be a glimmer of light. In the end, Mantel says, the interpretation remains up to the listener, “That's the beautiful thing about making the kind of music I make. I can write something out of the deepest feelings of sadness and pain, and someone can listen to those same lines and feel hope in the middle of that. That's really all I want from this project. Yes, there is sadness, there is death. But I have to believe that there is also life.” A703 releases on June 30th, digitally everywhere and physically at NaalMusic.com
Mixtaped Monk is a DIY music project by Indian multi-instrumentalist and music producer, Arka Sengupta, who believes in making music that soothes the mind. This project was started as an outlet for his creative expressions.
Under the moniker of Mixtaped Monk, he not only expresses himself as a music producer but also as a writer and a visual artist. Being socially awkward since childhood, he always loved solitude. And, in his solitude, the thing which he liked to do the most is discovering music. Be it the cassette of Pink Floyd's “Dark Side of The Moon,” which he discovered, in his uncle's old room, during his early teenage, or the first mixtape that he made for a girl when he was a little bit older, music has always been his sole companion. Gradually, he picked up playing the keyboard and the guitar, started experimenting with music and realized that there is a whole world of possibilities for him to explore.
To date, Mixtaped Monk has released 4 full length albums, an EP and 5 singles.
Mixtaped Monk's debut album, "Urban Lonesome," is a very personal and emotional album to Arka. Through sounds, it talks about the different experiences a person has and what he feels when he finally comes back home after spending 5 years in various cities following his passion. The album tries to convey how the person feels when he finds out that the city, and the whole atmosphere around it has changed drastically. He feels like he is stranded in a deserted island; friendless, lonely and anxious.
The album is inspired by Arka's own experiences after he shifted to his hometown recently. Sonically, it borders around Atmospheric, Ambient, Post-Rock and Experimental music.
These Are Truly The Last Days is a musical project with a driven experimental twist. Their music blurs the lines between various genres, including ambient, electronica, glitch hop, and more. The project’s self-titled studio effort features 11 studio tracks.
Crafting a concept album is an incredibly difficult task. Tying together a cohesive narrative across a record’s worth of songs isn’t just daunting, it’s an endeavour that even some of the industry’s finest have failed to do memorably. This task, however, becomes notably more difficult when you’re dealing in the abstract via instrumental soundscapes. That is what Chronotope Project, the moniker of composer Jeffrey Ericson Allen, attempts to do with his latest project, ‘Ovum.’


text:
Health and Beauty are intently related. A single are unable to anticipate to be lovely without having working on maintaining very good overall health, and vice versa. Health indicates possessing a overall body that operates effectively and beauty is the outward manifestation of very good overall health. Poor overall health can be visible and consequently […]
Health and Beauty are intently related. A single are unable to anticipate to be lovely without having working on maintaining very good overall health, and vice versa. Health indicates possessing a overall body that operates effectively and beauty is the outward manifestation of very good overall health.
Poor overall health can be visible and consequently influences your beauty, or the way you appear to other individuals. Some apparent outward indicators of lousy overall health and beauty are darkish circles about the eyes, weight problems, acne breakouts, hair reduction and dry pores and skin. Some fewer apparent indicators are white fingernails or white dots on fingernails, creases involving the eyes, brittle hair and dandruff.
These indicators prove the partnership involving overall health and beauty. They could be indicating an underlying issue. For illustration, darkish circles underneath the eyes could indicate liver toxicity, thyroid or kidney difficulties. White bands in close proximity to the fingertips or white dots on fingernails could indicate lousy circulation, and even coronary heart disorders. Horizontal ridges on nails could indicate lousy absorption of proteins and nutritional vitamins. Incapacity to shed body weight could indicate improper feeding on behaviors, genetic backlinks and a host of healthcare circumstances.
Listed here are some overall health and beauty suggestions:
• Consuming a lot of drinking water for overall health and beauty is something that are unable to be underestimated. Although a common rule of thumb is consuming eight glasses of drinking water a working day, the amount differs from human being to human being.
• For fantastic overall health and beauty, you will have to incorporate 30 minutes of exercising 3 to five situations a week. A sedentary way of life can direct to weight problems.
• Your way of life and feeding on behaviors participate in a pretty critical role in maintaining overall health and beauty. Eat a healthier well balanced diet, and prevent cigarette smoking and much too considerably alcohol.
• Offer with worry. Investigation has revealed that audio aids you take it easy and ease worry.
• Health and beauty spas assist you take it easy and have an invigorating outcome physically and mentally.
Uncover a overall health expert in close proximity to you at www.hbconnection.com- the only overall health and beauty research engine!

domain: health


September 9, 1990 |
Pope John Paul II, in Kabgayi, Rwanda, called for a narrowing of the gap between Africa's urban elite and rural poor and urged peasants in this infertile nation to redouble efforts to improve the quality of their lives. The pontiff said Rwandan peasants, who make up more than 80% of the population of 7 million, have the right to demand the same health, social and administrative facilities, including credit banking, as their urban counterparts.
December 28, 2009 |
Poverty appears to trump smoking, obesity and education as a health burden, potentially causing a loss of 8.2 years of perfect health. In a new study, researchers looked at health and life expectancy data from the National Health Interview Surveys and the Medical Expenditure Panel Surveys and came up with various behavioral and social risk factors that affect quality of life, then used a formula to estimate the quality-adjusted years of life that...
October 19, 2012
Re "Poor go unheard in race," Column, Oct. 17 It took Steve Lopez to notice that for our presidential candidates and other politicians, poor people no longer exist. I remember when a war on poverty was a legitimate cause for people aspiring to be our leaders and for citizens hoping to see America make progress toward our ideals. Now, as Lopez states, a mere mention of social or economic progress for 46 million poor people is equated to socialism by the Republicans and feared by the Democrats.
May 23, 2013
Re "Poverty's new address is in suburbs," May 20 This eye-opening study, which shows that more poor people now live in suburbs than in urban areas, indirectly highlights one of the major failings of Gov. Jerry Brown's proposed school funding formula, which favors the urban poor. The impact of the last recession was so deep and broad, no place was unaffected. The number of homeless, hungry and uninsured schoolchildren has grown sharply in Orange County schools, even in districts like Irvine.
CALIFORNIA | LOCAL
May 24, 2012 |
After months searching for work and feeling increasingly discouraged, Natalie Cole caught a break — an offer of a part-time position at a Little Caesars Pizza shop in Compton. The manager scheduled her orientation and told her she had to pass a food safety test. She took the test — and failed. But rather than study and take it again, she shrugged it off. "I guess I am not working for a reason," she said. PHOTOS: A life spent battling poverty Cole isn't a victim of the struggling economy.
CALIFORNIA | LOCAL
November 6, 2010 |
Joanne Gilbert has seen the effects of our tanking economy close up. Her son with the physics degree couldn't find a job. Her friend's painting firm went belly up. Her husband, a Cal State Long Beach professor, has suffered through furloughs and salary cuts. But none of that prepared the Northridge nurse for what she encountered last weekend, when she went door-to-door in Pacoima, interviewing families who had applied for Christmas baskets from the charity MEND. They were living in garages, trailers, rented rooms; cooking on hot plates; sleeping on floors.


text:
N.S. Venkataraman 16/2/2018
The decisive victory of former President Mahinda Rajapaksa in the local government polls in Sri Lanka on 10th February has caused considerable surprise to the political observers around the world. Rajapaksa’s party, Sri Lanka People’s Front, won in 239 out of the 341 councils pushing his rivals far behind.
This victory has caused huge surprise since Rajapaksa was voted out of power only a few years back and he was accused of indulging in nepotism, corrupt practices and favoring his family members and providing them plump positions in the government. Many felt that Rajapaksa’s government just became a family affair. The defeat of Rajapaksa in the last Presidential poll was hailed as a vindication of people’s unhappiness about the quality of the governance that he provided and was considered as a rebuke for many unsavory happenings during his tenure.
Then, given this recent past scenario, how is it that Rajapaksa has come back with such decisive victory in the local government polls now?
The admirers of Rajapaksa inevitably argue that the President Maithripala Sirisena and Prime Minister Ranil Wickremesinghe who has been ruling the country together for the last few years could not meet the expectations of the people and could not give better governance than Rajapaksa. The disagreement between them on various matters relating to governance and their lack of personal equation left the people disappointed.
Independent, discerning observers may be of the view that what Rajapaksa secured in the local polls were negative votes caused due to the disappointment of the people about the government led by Sirisena and Ranil Wickremesinghe and cannot be considered as a positive endorsement for Mahinda Rajapaksa. Further, though both the President and Prime minister are together running the government, they chose to contest the local government polls without an alliance between them and as independent entities. The growing differences between the President and Prime Minister and the uneasy coalition have been too evident when the polls took place.
While such views may be there, one fact that cannot be ignored is that most of Sri Lankans still seem to have some level of admiration for Rajapaksa for the type of strong leadership that he provided when Sri Lanka was facing the grim problem of internal war with LTTE. Most Sri Lankans feel grateful to Rajapaksa for protecting the territorial integrity of the country by conclusively defeating LTTE. This aspect may have made many voters to give the benefit of doubt to Rajapaksa and voting for him.
While President Sirisena and Prime Minister Ranil Wickremesinghe have now met after the local government elections and have agreed to work together to end the uncertainty over the coalition government’s future after the recent poll debacle, many people may now seem to conclude that Rajapaksa’s march towards power is unstoppable.
In any case, it all depends on how Rajapaksa would conduct himself in the coming days and whether he would be able to talk the appropriate political language to win back the confidence of the people. Obviously, people’s annoyance about the corrupt dealings of family members of Rajapaksa would not go away that soon and therefore, hard efforts are required on Rajapaksa’s part.
The ultimate question is that will Rajapaksa’s return as President of Sri Lanka, if it were to would do good for Sri Lanka. One cannot be sure on this.
So far, Rajapaksa has not regretted the several acts of corruption in his government. He has not disowned his family members, and they all would march back into the government in various capacities if Rajapaksa were to return to power.
With Maithripala Sirisena and Ranil Wickremesinghe wasting time and opportunity given to them by the people now having little credibility to put a united front against Rajapaksa, Sri Lanka appears to be moving towards the crossroad.

domain: sociology


text:
The In-Prison Programs Attorney will develop, facilitate, and enhance R&R’s reentry legal education and reentry services for people in CA state prisons and jails preparing to return home–mitigating the issues that thousands of people face each year when released, through early and impactful support.
Organization Type: Provider
Lists: IOLTA Field Programs, IOLTA-Funded, LSC Grantees
LSNC and the ACLU have filed a federal civil rights lawsuit against the city of Sacramento, alleging that a panhandling ordinance adopted in November violates the free speech rights of citizens asking for handouts.
Other, Policy Advocate (Bay Area, California Statewide, Central Coast, Central Valley, Eastern California, Northern District, Sacramento Region, Southwestern California)
‘Being A Woman Is Not A Pre-Existing Condition’ – Class Action Suit Challenges Systemic Gender Discrimination in CA Workers’ CompJuly 6, 2016 | Public Counsel
Statewide system relies on outdated stereotypes about women's capacities and roles, contributing to the feminization of poverty in California and burdening women and families
SB 881 stops the automatic suspension of driver’s licenses for low-income people with minor traffic offenses who fail to appear in court or to pay initial fines that snowball into huge financial burdens.

domain: politics


text:
Art Class at the MUSE with Bohemia Art | Palette Class
Join us at The Museum for a night of art! Bohemia Boulder will be conducting an art class on April 14th from 5:30pm-7:30pm in The Lodge located on the second floor. The art class is all about Colorado Colors, attendees will be able to utilize magazines, fine papers and mod podge to make a beautiful piece inspired by Colorado.
The $55 ticket price includes all materials and encouraging instruction. Feel free to book online HERE or give Bohemia Boulder a ring at 303-709-8450.

domain: hobby


text:
Boris Punchik has completed his MD from Medical Academy, Samara, Russia, Family Medicine residence in 2002 (Beer Sheva, Israel), Health Systems Management (M.H.A.) in 2005 (Ben Gurion University of the Negev) and Geriatric Medicine residence in 2012 from Department of Geriatrics, Soroka University Medical Center, Beer-Sheva, Israel. He is a Geriatrician of Ambulatory Geriatric Services, Clalit Health Services, Beer Sheva, Israel. He has published more than 10 papers in reputed journals, co-authored a book chapter and active Lecturer of Ben Gurion University of the Negev, Beer Sheva, Israel.
Aim: To assess the effect of moving geriatric consultation from the primary care clinic to another setting, on the rate of implementation of geriatric recommendations by family physicians.
Methods: A retrospective review of the computerized medical records of elderly patients in four primary care clinics. The rate of implementation of geriatric recommendations was compared between clinics in which a geriatric consultant was physically present (control clinics) and a clinic where the consultation took place elsewhere (study clinic). In addition, the results of the
present study were compared to a previous study in which the geriatric consultation was carried out in the study clinic and the family doctor was an active participant.
Results: 127 computerized files were reviewed in the study clinic and 133 in the control clinics. The mean age of the patients was 81.1±6.3 years and 63.1% were women. The overall implementation of geriatric recommendations by family doctors in the study clinic was 55.9%, a statistically significant decrease compared to the previous study where the rate was 73.9% (p<0.0001). In contrast, there was no change in the implementation rate in the control clinics 65.0% in the present study and 59.9% in the previous one (p=0.205).
Conclusions: Direct, person-to-person contact between the geriatric consultant and the family doctor has a beneficial effect on the implementation of geriatric recommendations. This should be considered by healthcare policy makers when planning, geriatric services in the community.

domain: medical


text:
Winnipeg Free Press - ONLINE EDITION
Posted: 11/30/2012 5:24 PM | Comments: 0
A Winnipeg motorist claims it was "panic" which caused him to flee the scene after he struck and killed a cyclist — and says he will forever regret the cowardly choice he made.
Mike Haines, 27, pleaded guilty to a charge of careless driving under the Highway Traffic Act, and an additional count of leaving the scene of an accident under the Criminal Code. The Crown agreed to drop a more serious charge of criminal negligence causing death.
Haines was in court Friday for sentencing, where the Crown requested up to nine months behind bars. Defence lawyer Mike Cook argued that a hefty fine, probation and community service would be a better alternative. Provincial court Judge Ray Wyant has reserved his decision.
"There are no words I can express to let you know how sorry I am," Haines told the victim’s husband, two children and two grandchildren who were in court. "Who would know two to three seconds could change people’s lives forever?"
The 42-year-old victim, Linda Preston, was riding her bike in the early-morning hours of June 17, 2010, when she was struck by a vehicle near the intersection of Main Street and Sutherland Avenue. She was rushed to hospital but died of her injuries. An autopsy revealed Preston was intoxicated at the time with more than triple the maximum blood-alcohol level allowed to drive a vehicle. She was also wearing dark clothing and had no reflective lights on her bike.
However, Haines admits he took his eyes off the road for several seconds and never saw Preston in his path. Her body slammed against his windshield and flew nearly 10 metres through the air, court was told. That’s when Haines elected to drive away from the scene, albeit temporarily. He travelled several blocks, removed an unopened case of beer from his car and then returned to the area six minutes after the crash.
"He thought it would look bad to have a case of beer in his vehicle," Cook told court Friday. But he said his client hadn’t consumed a single sip of alcohol that night and was on his way home from working at a local hotel.
"Every day he’s going to look in the mirror and see the reflection of the person who killed Linda Preston. I don’t think he’s ever going to be able to shake this," said Cook.
Haines confessed to police, telling them he never saw the woman on the bicycle until it was too late. He admits to panicking and leaving the scene, only to return once he quickly cleared his head and realized he’d have to own up to his mistake.
"I was freaking out, I didn’t know what was going on. It was surreal. I can’t believe I took someone’s life away," Haines told officers at the scene.
Crown attorney Jeff Nichols said Friday a strong message must be sent to Haines, and other motorists, that this sort of conduct will have serious consequences.
"A punitive sanction that involves jail is necessary," he said.
Haines doesn’t come before the courts with clean hands. He was convicted in May 2010 of stealing more than $5,000 cash that a customer at his hotel had left behind in a room. He was given a 15-month suspended sentence with probation, which had just started when the tragedy happened a few weeks later.
Haines has been free on bail since the incident, has full-time employment and strong support from family and friends, court was told.
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Police auctioning off recovered bikes this weekend
Harper plans to hold on to his seats

domain: news


Software development teams exchange source code in shared repositories. These repositories are kept consistent by having developers follow a commit policy, such as "Program edits can be committed only if all available tests succeed." Such policies may
result in long intervals between commits, increasing the likelihood of duplicative development and merge conflicts. Furthermore, commit policies are generally not automatically enforceable.
We present a program analysis to identify committable changes that can be released early, without causing failures of existing tests, even in the presence of failing tests in a developer's
local workspace. The algorithm can support relaxed commit policies that allow early release of changes, reducing the potential for merge conflicts. In experiments using several versions of a non-trivial software system with failing tests, 3 newly enabled commit policies were shown to allow a significant percentage of changes to be committed.


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While 2022 may’ve been the year of the Great Resignation, it’s looking like there’s more and more evidence popping up that proves 2023 is the year of the Great Regret. A reported 80% of people who decided to leave their gigs in search of greener employment pastures have ultimately found themselves either hating their new employer, being laid off, or scrambling to secure a different position.
Tech CEO and TikToker Theresa Sue (@resasue) just posted an earnest video in which she begs individuals who are thinking of jumping ship at their current roles to pump the breaks.
In a viral clip that’s accrued over 670,000 views as of Thursday morning, Sue tells those looking for new work that now is not the time to do so, citing a stack of rejected job applications sitting on her desk from individuals who would otherwise be qualified.
In her video, Sue looks directly into the camera as she explains why she thinks folks should do whatever they can to stay in their current roles.
“I keep seeing videos about people telling people to quit their jobs,” she says. “Listen to me, the person who is hiring people, OK? My ‘no’ pile looks like people who are qualified for the job. People who are overqualified are applying for jobs that normally they would be overqualified for. The job market is not what it was three years ago.”
She then reiterates that she understands the urge to leave but suggests that workers remain at their positions unless they have a backup plan.
“Don’t do it to yourself unless you have a backup plan, a backup job, or money,” Sue says. “OK, I understand we all wanna change our happiness, but this is not the time because your happiness is not outside of your job right now.”
Folks watching hiring and layoff trends in the past year probably won’t think that Sue’s suggestions are exactly new data. According to Tech Crunch, the “running list” of tech layoffs in the United States for 2023 has ballooned to over 224,000. In January of the new year, Meta, Microsoft, Amazon, Google, and several other big tech companies announced thousands and tens of thousands of layoffs in their respective organizations.
Throngs of folks on social media have aired their woes in attempting to secure gainful employment, like this individual who said that they applied to some 300 jobs but only received one bite.
There have been folks who seem to have found a “hack” in getting companies to respond to their job applications, however. One individual suggests using artificial intelligence prompts to bolster her resume and cover letters. She says that she went from getting no replies to booking interviews with every single place she applied to upon implementing the wonders of ChatGPT into her work.
@resasue Yall gonna F around and find out. #jobmarket #startupceo #tezhlycourses #techtok ♬ original sound – Theresa Sue | Tech CEO
Still, Sue’s video ended up prompting a litany of different responses from other commenters on the platform. Some said that a person’s mental health matters more than any job, even if it means they won’t be able to support themselves or their family members because a job is too taxing on their psyche. “Mental health over everything,” one user wrote. “Don’t stay in any job if it is effecting you mentally, be smart, speak to HR, work via temp agencies. But don’t stay.”
This sentiment was echoed by someone else who wrote, “Quit your job my last day is on Friday. Happiness is always better bye girl.”
Others said that Sue’s advice influenced them to stay in their current jobs, no matter how sad they are. “I’m just gonna put away my typed-up resignation letter I wrote this morning. I’m just so damn depressed here,” one user wrote.
Another commenter echoed Sue’s suggestions. “Or if you do decide to quit, make sure your finances are in order,” they wrote.
The Daily Dot has reached out to Sue via email for further information.


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Canadian TikTok star and pop princess JESSIA continues to release some of the finest bops of the year.
‘First Call’ is another outstanding track that perfectly balances dreamy pop with a more melancholy edge.
Taken from the new EP ‘How Are You?’ which is out now.
A cheeky but punchy mix of electro-pop and rock from Vancouver-based artist JESSIA.
If you enjoyed this song then be sure to keep an eye out for the upcoming debut EP, which is set to be released in later in the summer.

domain: entertainment


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This Baklava Cheesecake is such a fun twist on the traditional Greek dessert. With all the flavors of cinnamon, honey and walnuts, it’s a fun way to mix together two delicious desserts into one!
good shit...good shit
Baklava Cheesecake Bars - We took everyone’s favorite buttery, honey-walnut treat and turned it into incredibly easy-but-impressive dessert bar mash-up.
Baklava Cheesecake - a receita aqui... http://www.sprinklebakes.com/2013/05/baklava-cheesecake.html
This baklava is flaky, crisp, tender and I love that it’s not overly sweet. No store-bought baklava can touch this! @natashaskitchen
Simple, easy to prepare, delicious, Baklava Cheesecake. Recipe at FigsAndFeta.com
Love the creativity with this Baklava Cheesecake
Jack's Birthday......Baklava Cheesecake recipe
Baby Baklava Cheesecakes |

domain: food


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It's a new year. New friends, new clients and of course returning ones. As with any start to a new year, one hopes to get off on the right foot and set the bar for the year. Dana & Josh's NYE wedding proved to be that and then some. A strategic first look, some awesomely fun wedding portraits in our local downtown and then onto a late night ceremony & wedding reception that went wayyyy past this photographer's normal bedtime lol...That's OK though - it was well worth it given the fun, the tears and of course the amazing images their special day/night produced.
Brides to be: Do you see the energy. The fun. The art. The emotion. All of it captured below. In case you're recently engaged, I have limited dates still available this year and already booking into 2017 already (Thanks Melinda & Tom!). Feel free to email, text or call if you'd like to chat about your day and I'll give you some awesome inside secrets on how to hire your wedding photographer. Cheers! -Steve (570) 815-6880 StevenSergePhoto@gmail.com

domain: artistic


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Hardwood floors, a fireplace, a floor plan perfect for entertaining and mature liquidambar trees that flush bright crimson and orange in autumn attracted James and Michele Toomey to their home, a sunny three-bedroom tract house that cost the young couple $229,000 five years ago.
They had looked in Santa Monica, where they had grown up and worked — he as a computer programmer and she at the community college — and wanted to live within biking or walking distance of their jobs. Their budget, however, forced them to look elsewhere.
"A primary concern was driving time, but even more so I hoped to be close to the beach because I grew up playing volleyball," said James, 36.
Living about four miles from the beach, Michele, 33, said, "we always get an ocean breeze since we're facing west. On a hot day, all we have to do is open that door."
Parks and rec
The village lies within walking distance of El Camino College, Alondra Golf Course and Alondra Park, which has a lake stocked with fish and is home to ducks and geese.
The Toomeys routinely take advantage of the nearby recreational facilities, including the golf course where James sometimes plays or hits balls.
They have attended plays and taken yoga classes at El Camino College. There James has watched volleyball, football, basketball, badminton, water polo and swimming competitions.
"Every week we run on their track," Michele said. "We can go at 4:30 in the morning, 5 in the morning, and feel totally safe. We hear ducks." And crickets.
The couple enjoys exploring the area, especially on foot. "James likes to take me on walks," Michele said.
A favorite route follows the meandering sidewalks along Cordary Avenue, where established trees form a canopy over the street.
Good news, bad news
The serene village is five minutes from the 405 Freeway but free of annoying cut-through traffic. It is bounded by busy Crenshaw Boulevard on the east; Prairie Avenue on the west; Manhattan Beach Boulevard on the south and Marine Avenue on the north.
The only drawback: Community college students park throughout the neighborhood Monday through Friday when classes are in session.
The neighborhood primarily has two- and three-bedroom tract houses built from about 1941 to the early 1950s, according to Warren Short, a real estate agent with Keller Williams. Homes typically range from 850 square feet to 1,500 square feet on lots averaging 5,000 to 6,000 square feet. "Plenty of room to add on," Short said.

domain: geography


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Please be careful, this recipe is designed for a specific device combination and is not compatible with other machines.
Most of our recipes are easy. Those that require a little more time or cooking skills are rated medium or advanced.
This is how much time you need to prepare this meal.
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- 2 garlic cloves
- 3 cm piece fresh ginger, peeled
- 80 g rice wine vinegar
- 70 g water
- 50 g olive oil
- 10 g sesame oil
- 110 g shiro (white) miso paste
- 150 g purple cabbage, cut into pieces (approx. 3 cm)
- 150 g green cabbage, cut into pieces (approx. 3 cm)
- 100 g carrots, cut into pieces (approx. 3 cm)
- 1 red capsicum, deseeded and cut into pieces (approx. 3 cm)
- 2 spring onions/shallots, trimmed and cut into thirds
- per 1 portion
- 307.5 kJ / 73.2 kcal
- 2.6 g
- 5.7 g
- 3.8 g
- Saturated fat
- 0.6 g
- 3.1 g
- 240.9 mg
Seeded sheet crackers (Toddlers and beyond)
Rosemary and sea salt crackers
Lemon and caper aioli
Asparagus and broad bean salad
Asian cucumber salad
Citrus quinoa salad with miso ginger dressing
White bean dip with chimichurri
Tandoori portobellos with creamy coconut raita
Kale, sprouts and red cabbage salad


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Watch this video to learn our exclusive sports betting prediction on the UEFA Euro 2020 football match between Italy and Switzerland!
Revenge (15) Director - Tony Scott. 03:00. Toys (12) EURO 2020 - Opening Live. 22:50.
Wales get their Euro 2020 campaign underway with a key game against Switzerland in Group B at the Olympic Stadium in Baku.
Updates Line-ups Stats Group Match info Switzerland's Euro 2020 campaign kicked off with a disappointing draw against Italy are set to play Switzerland at the Stadio Olimpico on Wednesday in the group stage of the UEFA Euro 2020. Italy come into this game on the back of a 3-0 win over Senol Gunes' Turkey on In the Group A Fixtures of the Euro 2021 Italy takes on Switzerland. As per Fixtures this Match 14 of the Italy vs Switzerland Euro Cup will be schedule to starts from the 21-00 Local time at Stadio Olimpico, Rome on 16th June 2021.
May 24, 2021 · UEFA EURO 2020 will take place between 11 June and 11 July 2021. The revised dates were approved by the UEFA Executive Committee on 17 June 2020, with the tournament now taking place from 11 June
UEFA EURO 2020 Live: Italy v Встречу в прямом эфире будет транслировать «Первый канал». Начало в 16 :15 мск. Права на видео принадлежат «Первому каналу». Euro 2020 - TSN and CTV Broadcast Schedule 2020.
Back. 6/16 2:30 PM. Italy vs. Switzerland (Group A) UEFA EURO 2020. ESPN/ESPN+ • UEFA European Championship. Live. · Italy will look to continue their strong Euro 2020 play on Wednesday as they lock horns with Switzerland at Stadio Olimpico in Rome.
Live. 01:00. Revenge (15) Director - Tony Scott. 03:00. Toys (12) EURO 2020 - Opening Live.
Switzerland (RMC) free online. UEFA Euro 2020/2021 live. Euro 2020 heats up this week as Italy vs Switzerland continues Group A. In this video I will give you a 5 minute preview of the match as the build up to kic Jan 28, 2021 · UEFA EURO 2020 - UEFA EURO 2020 Group A: Turkey, Italy, Wales, Switzerland - News UEFA EURO 2020 Group A: Turkey, Italy, Wales, Switzerland Thursday 28 January 2021 Jun 11, 2021 · Group A of the Euro 2020 tournament features Italy, Turkey, Wales and Switzerland. Group A begins play on Friday with Italy taking on Turkey in the opener. Wales then plays Switzerland on Saturday morning. For more on the Euro 2020 tournament, including fixtures, venues, format and how to watch, read our full Euro 2020 overview. Jun 04, 2021 · Stream Italy vs.
- 2020 euro tournament host netherlands vs. austria
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- Watch tsn live streaming netherlands vs. austria
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Modulation, SR and FEC changed from DVB-S 29900 kS/s 5/6 to DVB-S2 8PSK 33000 kS/s 3/5. 19 September 2020. Modulation and FEC changed from DVB-S2 8PSK 3/5 to DVB-S2 16APSK 3/4. 21 September 2020.

domain: sports


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One of the photos from assignment three I discussed with my tutor was the one of Black Friars Pub. His comments were that it looked a bit wonky.
This is the image:
I agree it is wonky. I had tried to correct it using the distort filter in photoshop. I decided to have another look at it and see if I could do a better job. When I went back to the original file here:
I had discarded this image in my previous selection because I didn't like the figure in the doorway. I thought it cluttered and distracting. I preferred the man stepping into the image. In concentrating on this aspect of the image I overlooked the more important factor of the wonky building.
Even though I realise that my perspective correction was over corrected and I had made more distortion rather than correcting the problem, the second image is actually better. By a slightly different composition, one that moved the edge of the building away from the edges of the frame when using a wide angle lens, the original has less distortion to correct.


text: Background Maternal depression in the postpartum period confers substantial morbidity and mortality, but the definition of postpartum depression remains controversial. We investigated the heterogeneity of symptoms with the aim of identifying clinical subtypes of postpartum depression. Methods Data were aggregated from the international perinatal psychiatry consortium Postpartum Depression: Action Towards Causes and Treatment, which represents 19 institutions in seven countries. 17 912 unique subject records with phenotypic data were submitted. We applied latent class analyses in a two-tiered approach to assess the validity of empirically defined subtypes of postpartum depression. Tier one assessed heterogeneity in women with complete data on the Edinburgh postnatal depression scale (EPDS) and tier two in those with postpartum depression case status. Findings 6556 individuals were assessed in tier one and 4245 in tier two. A final model with three latent classes was optimum for both tiers. The most striking characteristics associated with postpartum depression were severity, timing of onset, comorbid anxiety, and suicidal ideation. Women in class 1 had the least severe symptoms (mean EPDS score 10.5), followed by those in class 2 (mean EPDS score 14.8) and those in class 3 (mean EPDS score 20.1). The most severe symptoms of postpartum depression were significantly associated with poor mood (mean EPDS score 20.1), increased anxiety, onset of symptoms during pregnancy, obstetric complications, and suicidal ideation. In class 2, most women (62%) reported symptom onset within 4 weeks postpartum and had more pregnancy complications than in other two classes (69% vs 67% in class 1 and 29% in class 3). Interpretation PPD seems to have several distinct phenotypes. Further assessment of PPD heterogeneity to identify more precise phenotypes will be important for future biological and genetic investigations.

domain: biology


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Lemon Cream Cheese Cake
Lemon cake filled with cream cheese icing and iced in ombre yellow vanilla buttercream. Topped with our house-made lemon curd and candied lemon pieces.
Our shop flavor cakes are not customizable and come as pictured. You may add a piped message for us to write on top of your cake.
For custom orders please use the "Contact" form in the menu above or call us at (704)895-5800 to place a custom order.
If you need your order in less than 1 week, please call the store and speak to a staff member to discuss what we can do to accommodate your order.


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Background. Microwaves are part of the electromagnetic spectrum, with a frequency ranging between 300 MHz and 300 GHz. Although they encompass a wide range within the electromagnetic spectrum, industrial, medical, and scientific applications for microwaves generally are limited to specific frequencies between 915 MHz and 2.45 GHz (9).
Microwave heating occurs through the interaction between dielectric materials and electromagnetic waves. These interactions occur in two different ways: dipolar motion and ionic interaction. As a result, dielectric properties (i.e., dielectric constant and dielectric loss) play a crucial role in the interaction between materials and microwaves. If the dielectric properties are known for specific materials, the microwave baking process can be controlled. For example, because the dielectric constant indicates the ability of a material to store electrical energy, it can be used to estimate the ability of the material to convert electrical energy to heat (1).
In conventional heating processes, energy is transferred by three different mechanisms: convection, conduction, and radiation. In contrast, microwave energy is directly transferred to the food product through molecular interaction and motion under the electric field. In microwave heating processes, heating occurs due to the conversion of electromagnetic energy to thermal energy. Microwaves penetrate into the material, and heat is generated within the material volume. Thus, microwave heating is known as volumetric heating (16).
Advantages and Disadvantages. Conventional heating requires long processing times, which can negatively affect food quality and texture and degrade the nutritive value of the final product (3). Microwave baking offers several advantages over conventional methods, including a shorter start-up time, precise energy control, smaller space requirement, selective heating, higher nutritive value of the final product, and faster heating (12). One of the important drawbacks of microwave baking, however, is nonuniform heating throughout the sample. Nonuniform heating, which is especially dependent on product shape, dielectric properties, and size, results in hot and cold spots in baked products (3).
Other undesirable outcomes of microwave baking include dense crumb, gummy texture, hard texture, lack of color formation on crust, and high moisture loss. These outcomes are mainly the result of incomplete physicochemical changes and ingredient interactions. The short baking time associated with microwave baking does not provide an opportunity for formation of a solid porous structure, completion of starch gelatinization, denaturation of proteins, and Maillard reaction (12). To overcome these issues, microwave baking can be combined with other heating methods, such as hot air and infrared (IR) processes. Additionally, hydrocolloids can be added to formulations to improve the texture qualities of microwave baked products.
Gluten-free Baked Products: Microwave Versus Conventional Baking Methods
Celiac disease is caused by an intolerance to certain proteins found in wheat (gliadin), rye (secalin), and barley (hordein). These proteins cause damage in the mucosa of the small intestine that results in malabsorption of some nutrients. The only treatment for this disease is the strict removal of these proteins from the diet. Because wheat is the most widely consumed cereal globally and gluten plays a unique and critical role in the development of doughs and batters, removal of wheat from baked products is challenging (18).
Glutenins and gliadins are the two groups of storage proteins present in wheat gluten that are responsible for dough extension and strength. When mixed with water, these proteins begin to interact and form a new polymer network through disulfide bonds or other noncovalent bonds. These bonds provide wheat doughs with a unique viscoelasticity (4).
Rice is the cereal most frequently used to replace wheat in gluten-free products. However, baked products containing rice flour do not have the same characteristics as their wheat flour-based counterparts. To achieve desired properties in terms of dough or batter rheology and end-product quality, additives such as hydrocolloids and proteins are incorporated in formulations containing rice flour. Microwave-assisted baking is another tool that can be used to improve the quality of gluten-free baked products.
Several studies evaluating the quality characteristics of gluten-free rice cakes and breads baked using microwave-assisted or conventional methods have been reported in the literature (Table I). As listed in Table I, different types of hydrocolloids and proteins were added to the formulations to improve the quality of gluten-free cakes and breads. The primary aim of these formulation studies was to improve the viscoelastic properties of the doughs and batters, which promotes entrapment of gas bubbles, helping to achieve the desired end-product texture. In addition, because some gums have a high dielectric property, they can change the dielectric property of a batter or dough and improve microwave baking performance.
In these studies, the moisture loss, color formation, hardness, and volume of microwave and microwave-assisted (microwave–infrared [MW-IR], microwave–hot air) baked products were compared with those of conventionally baked products.
Moisture Loss. In general, moisture loss for products baked in a microwave oven was higher than for conventionally baked products. Microwave baking caused greater interior heating and pressure in products, which resulted in a higher quantity of water vapor being lost from the product (6).
To decrease moisture loss in gluten-free breads, microwaves were combined with hot air. Although hot air promoted crust formation, which acted as a barrier to water loss, breads baked in a combination hot air–microwave oven still had higher rates of moisture loss than did products baked with hot air alone (9).
Similar results were obtained for breads formulated with rice and chestnut flours (5). Although IR energy was focused on the top layer of the product and promoted crust formation, which slowed evaporation of water from the product, crust formation was not enough to decrease moisture loss. Moisture loss for cakes formulated with lentil, chickpea, and pea flours was similar to results for breads baked in an MW-IR oven. However, addition of legume flour did increase fiber content and decrease moisture loss compared with the control sample (8).
Addition of hydrocolloids (xanthan gum and guar gum) to cakes formulated with gluten-free carob bean flour significantly decreased moisture loss and bound water with ‑OH groups. These hydrocolloids have different water retention capacities and interact differently with other ingredients, which caused differences in final product quality (2).
Color Formation. One of the important quality issues encountered in baking with microwaves is the lack of crust formation and browning. In conventional baking, the air in the oven is heated, and the surface of the food is dehydrated. This accelerates formation of crust texture and color resulting from the Maillard browning reaction. However, in microwave baking, air in the oven is not heated; instead, heat is absorbed by the food, and the water inside the food evaporates. Because the air in the oven is cold, during the evaporation process water condenses on the surface of the food, which inhibits increases in surface temperature and, as a consequence, browning and crisping of the crust.
To overcome this challenge, susceptors were used by Sahin et al. (10) to promote color formation in microwave oven baking. Susceptors absorbed microwave energy and converted it to heat, increasing temperatures in localized areas to 200–260°C and promoting Maillard browning reactions. Color formation was enhanced when susceptors were used at the bottom of the bread during baking in a microwave oven. Increasing the power of the microwave oven increased absorbed heat and led to greater color formation (10).
A combination of IR energy and microwaves is another a promising technology for promoting color formation. In contrast to microwaves, IR energy heats the inside of the oven, and radiation is focused on the top of the product surface, resulting in decreased sogginess, greater dehydration of the surface, and an increase in temperature to a level at which browning reactions accelerate (14).
Color analysis of cakes formulated with lentil, chickpea, and pea flours showed that a combination MW-IR oven produced greater color formation than did a conventional oven due to the lower heat penetration of the halogen lamp (8).
Hardness. Cake quality is evaluated based on quality attributes such as high volume and uniform and soft crumb texture. To produce desirable characteristics, cake batter must be sufficiently viscous to entrap and stabilize gas bubbles until the end of the baking procedure. Starch gelatinization and protein denaturation are major changes that occur during baking, and starch gelatinization is key for development of a porous cake structure (7).
Due to short baking times in microwave ovens, gelatinization of starch may not be completed, and the cake structure may not set at an adequate degree. Combining microwave with IR heating may be a solution for improving completion of starch gelatinization. When cakes were baked in an MW-IR oven, the degree of starch gelatinization significantly improved from 55–78% in microwave baking to 70–90% in MW-IR baking (11).
In another study, cakes formulated with rice and carob bean flours were baked in both conventional and MW-IR ovens. MW-IR baked cakes had higher hardness, which could be explained by two factors. First, starch gelatinization was insufficient due to higher moisture loss and decreased water availability in MW-IR oven baking. Second, cakes with higher specific gravity, which meant a higher amount of air was incorporated in the formulations, had higher hardness when baked in an MW-IR oven due to the lower dielectric characteristic of air. Cake batters with lower dielectric property converted less microwave energy to heat, which inhibited development of the cake structure (19). In the same study, scanning electron microscopy (SEM) analysis of cakes was used to reveal the cause of higher hardness in cakes baked in an MW-IR oven. Images from MW-IR oven baked cakes showed a lack of starch swelling, which indicated starch gelatinization was insufficient.
In general, the hardness of products baked in microwave ovens was expected to be higher than the hardness of products baked in conventional ovens, mainly because of greater moisture loss. This idea was supported by a study of rice bread baked using different methods. Results showed that breads with higher hardness were baked in an MW-IR oven. Moisture loss for breads baked in an MW-IR or conventional oven was recorded as 13–14% and 5.7–8.0%, respectively (19).
Another study also related higher hardness of breads baked in an MW-IR oven with higher moisture loss. Although the degree of gelatinization was more similar for breads baked in a conventional oven (91.92 + 1.27% and 93.87 + 1.13%) and those baked in an MW-IR oven (84.28 + 1.29% to 88.39 + 0.98%), breads baked in a conventional oven had higher hardness due to the longer processing time (5).
Volume. Cake volume is key quality attribute for consumers, and baking method affects the specific volume of a cake. For example, due to internal heat generation and volume expansion during baking, cakes baked in a MW-IR oven had a higher volume than cakes baked using conventional methods (19).
Yildiz et al. (19) studied cakes formulated with carob bean flour that were baked in conventional and MW-IR ovens and found that the higher volume of cakes baked in an MW-IR oven was caused by internal heat generation, which inhibited crust formation due to water condensation on the top surface of the cake, promoting higher cake volume.
Demirkesen et al. (6) studied bread formulated with chestnut flour and baked using different methods. The study revealed that volume was lower for bread that did not contain chestnut flour. This was explained by a lack of fiber, which decreased the ability of the batter to entrap gas bubbles. In addition, increasing both baking time and IR heating promoted immediate crust formation and hindered volume expansion during baking.
Turabi et al. (17) investigated the effects of different hydrocolloid types and baking methods on the quality of rice cakes. Rice cakes formulated with xanthan gum and baked in an MW-IR oven had a higher volume than cakes baked using conventional methods. This result was attributed to the dielectric property of xanthan gum, which enhanced the ability of microwaves to heat the product, gelatinize starch, and promote structure formation. Cakes formulated with xanthan gum and an emulsifier had a higher volume and softer texture when baked in an MW-IR oven than when baked in a conventional oven. Based on this outcome, baking in an MW-IR oven was suggested as an alternative to conventional baking methods (17).
In another study, Turabi et al. (18), in an effort to improve the viscoelastic properties of gluten-free cake batter and baking properties, added different gums to a cake formulation. Cakes formulated with xanthan gum and a xanthan–guar gum blend had higher pore area fractions, higher volume, and increased porosity. These results were explained by the rheological properties of cakes because these gums improved the apparent viscosity of the batters. Adding these hydrocolloids enabled cake batter to easily entrap and stabilize gas bubbles, similar to gluten-containing batters. Further, cakes baked in an MW-IR oven had higher pore area fractions than did cakes baked in a conventional oven (18).
Although microwave baking methods have some advantages over conventional baking methods, they also have some disadvantages. The advantages for baked products include faster heating, time and energy conservation, and greater volume expansion. However, insufficient starch gelatinization during microwave baking and lack of color formation are major disadvantages. As discussed briefly, these handicaps can be minimized by combining microwaves with IR heating. MW-IR combination baking can be used to enhance the color formation and volume of gluten-free baked products and, therefore, can be considered a good alternative for baking gluten-free cakes and breads.


In the Canadian debate over Indigenous cultural appropriation, the position of the Canada Council for the Arts (CCA) is cited as an authoritative argument. In turn, the CCA relies on the authority of the Truth and Reconciliation Commission’s (TRC) report and the United Declaration on the Rights of Indigenous Peoples. This does not withstand closer scrutiny.
The CCA issued a statement in September 2017 titled “Supporting Indigenous Art in the Spirit of Cultural Self-determination and Opposing Appropriation.” In it the national arts funding agency took a step in the direction of systematically excluding noncollaborative projects by saying it “considers it normal to ask the artists and organizations applying for grants for projects that address, deal with, incorporate, comment on, interpret or depict unique aspects of the First Nations, Inuit or Métis culture, to show that they have respect and true regard for Indigenous art and culture in their endeavours. Without dictating a specific or mandatory way to go about it, it can be expected that authentic and respectful efforts have been made to engage with artists or other members of the Indigenous communities whose culture or protocols are addressed by the project for which the Canada Council’s support is sought.”
This pronouncement suggests that it’s not only the artistic quality of projected works that influences granting decisions. The CCA would, in addition, require some parallel evidence of applicants’ “respect and true regard” for a “culture” they intend to deal with, as well as efforts to “engage” with members of “communities” that own that culture.
A Disingenuous Discourse
When the statement was released, the CCA told Le Devoir that it does not stipulate “criteria to meet” or any “mandatory process,” but simply “initiates a dialogue.” A year later, the Ex Machina company’s Kanata, a play about settler-Indigenous relations, was cancelled following complaints that no Indigenous person or organization played or had taken part in the production. The work had been considered but not recommended for a grant, and the CCA released an “information update,” saying, “The issue of appropriation of Indigenous culture by non-Indigenous artists is not included in the Canada Council’s eligibility or funding criteria, but continues to be a topic of discussion in many peer assessment committees, as it has been for many years.”
The CCA blows hot and cold on the freedom of artistic creation; its various communications on the role that the idea of “cultural appropriation” plays in its funding decisions are thoroughly unclear. On the one hand, it says in its 2017 statement that it “has, and will always maintain its support of free expression and artistic independence for cultural creators and producers.” On the other hand, the statement says “these freedoms are only actualized when they come with responsibility, reciprocity and respect.” So there is the language of continuity, and then there is the language of change: “The Canada Council is taking responsibility and choosing change,” wrote CEO Simon Brault and Steven Loft, director of an Indigenous arts program at the CCA, in the Globe and Mail when the statement was issued. There are two commitments, they said: one to freedom of artistic creation and one to respect for Indigenous histories and cultures, which “are not mutually exclusive.” Yet, in the CCA’s actual policy and practice, the integration of the two ideas is never achieved.
Brault and Loft wrote that the CCA “recognizes that both the traditional and contemporary cultural and artistic practices of Indigenous peoples are their property.” And in its statement, the CCA quotes with approval an Indigenous artist who claims that not only artworks but “Indigenous stories” and “ways of being” are “the property of Indigenous people.”
The CCA’s first argument is to vaguely refer to the TRC. The problem is that, although the TRC did “call upon the Canada Council for the Arts to establish, as a funding priority, a strategy for Indigenous and non-Indigenous artists to undertake collaborative projects and produce works that contribute to the reconciliation process,” it never said that non-Indigenous artists addressing Indigenous peoples, cultures or history in any way should always consult with Indigenous artists or “members” of the culture in order to be eligible for funding.
The idea of giving priority to collaborative projects did not necessarily imply imposing such a strain on artistic freedom. The TRC focused its recommendation on supporting Indigenous artists, not on adding a distinct moral or political criterion to artistic value, as a reasonable, workable, and sustainable means to make art contribute to reconciliation. Moreover, in its final report (both in the Summary and in Volume 6, Reconciliation), the TRC mentioned “cultural appropriation” only once, quoting a statement by the National Centre for Truth and Reconciliation about the spirit of its support services. Insofar as the arts are concerned, the TRC’s report is about Indigenous peoples’ right of self-expression. The TRC acknowledges that artistic intercultural dialogue can be healing and yet that art “does not always cross this cultural divide, and neither does it have to in order to have a high impact.” It also recognizes that Indigenous artists may “choose to keep their residential school experiences private or share them only with other Aboriginal people.” But the right to keep one’s traumatic experience “private” in the context of artistic expression does not, and neither should it, entail the idea that Indigenous people have a monopoly on any artistic approach, in one way or another, to Indigenous subjects.
The CCA’s second argument consists in relying on the United Nations Declaration on the Rights of Indigenous Peoples, of which it even ventures to quote specific provisions: 11.1, 31.1 and 31.2. But nothing in these sections supports the idea that Indigenous peoples should be recognized as having a monopoly over their experiences as a main or incidental theme for fiction or creative art. Granted, the idea of Indigenous peoples’ right to control their cultural heritage is compatible with that of a monopoly of those peoples on artistic treatment of “unique aspects” of their “culture(s).” Yet, things cannot be as simple as the CAC assumes.
Although 31.1 of the UN Declaration provides that Indigenous peoples “also have” cultural self-determination rights in the form of intellectual property (IP), a collective monopoly over a “culture” is unworkable outside IP law and without IP law reform. Who will control the culture? How to safeguard the individual rights of artistic freedom of its members, the rights and interests of other Indigenous peoples, and the rights of the rest of the population? These are questions that would need to be answered in order to strike the right balance.
It is seldom a valid argument to cite just a few provisions out of their context, as the CCA has done, or even to consider a single legal instrument. In international law, the rights of Indigenous peoples are derived from human rights, which they are meant to reinforce and never to neutralize. Moreover, the Declaration, which is a resolution of the UN’s General Assembly, is not a treaty or any other binding instrument, but, at best, a contextualized interpretation of human rights contained in binding instruments.
True, 35 of the Declaration states that “Indigenous peoples have the right to determine the responsibilities of individuals to their communities.” But this self-determination interpretation principle is limited by the human rights of those individuals. It even stems from the Declaration itself, whose first article states that “Indigenous peoples have the right to the full enjoyment, as a collective or as individuals, of all human rights and fundamental freedoms as recognized in the Charter of the United Nations, the Universal Declaration of Human Rights and international human rights law.” Again, 46.2 specifies that “[i]n the exercise of the rights enunciated in the present Declaration, human rights and fundamental freedoms of all shall be respected.”
The same exercise, leading to the same conclusion, can be done with the UNESCO 2005 Convention on the Protection and Promotion of the Diversity of Cultural Expressions, to which Canada is one out of 146 parties. With this Convention, the parties intend to recognize “the importance of traditional knowledge as a source of intangible and material wealth, and in particular the knowledge systems of indigenous peoples, and its positive contribution to sustainable development, as well as the need for its adequate protection and promotion.” But, being aware that “cultural diversity is strengthened by the free flow of ideas, and that it is nurtured by constant exchanges and interaction between cultures,” they also mean to reaffirm that “freedom of thought, expression and information, as well as diversity of the media, enable cultural expressions to flourish within societies.” According to article 1(b), one of their objectives is “to create the conditions for cultures to flourish and to freely interact in a mutually beneficial manner.” Through 2.1 and 2.7, for instance, they agree on guiding principles of respect for human rights and fundamental freedoms and “equitable access to a rich and diversified range of cultural expressions from all over the world,” respectively.
IP law reform for a better protection of Indigenous traditional knowledge and cultural expressions is serious business.
As the World Intellectual Property Organization (WIPO) explains, there are two angles to the protection of traditional knowledge and cultural expressions, defensive and positive. Defensive protection “aims to stop people outside the community from acquiring intellectual property rights over traditional knowledge (and cultural expressions), whereas positive protection “is the granting and exercise of rights that empower communities to promote their traditional knowledge, control its uses and benefit from its commercial exploitation.” Defensive protection can be secured by existing IP systems. Traditional cultural expressions, for instance, can be protected by copyright (and related rights), trademarks, designs, and geographical indications: “For example, contemporary adaptations of folklore may be copyrightable, while performances of traditional music, dance or theater may come under the WIPO Performances and Phonograms Treaty or the Beijing Treaty on Audiovisual Performances. Trademarks can be used to identify authentic indigenous arts, as the Maori Arts Board in New Zealand, Te Waka Toi, has done. Some countries also have special legislation for the protection of folklore. Panama has established a registration system for traditional cultural expressions, while the Pacific Regional Framework for the Protection of Traditional Knowledge and Expressions of Culture gives “traditional owners” the right to authorize or prevent use of folklore and receive a share of the benefits from commercial exploitation.”
Yet the existing international IP system does not fully protect traditional knowledge and cultural expressions; hence the current discussions for a possible international instrument providing sui generis protection. Clearly, “[t]he text of the legal instrument will have to draw the line between legitimate borrowing and unauthorized appropriation.”
These international efforts must not overshadow the crucial need for national strategies in that regard. In any event, as WIPO stresses in another background brief, it is important “to clarify what the TK (traditional knowledge) and TCEs (traditional cultural expressions) are to be protected against, and what forms of behavior should be considered unacceptable or illegal.” Very few reform proposals were made in Canada, and not much scholarly work has been published (see Gaudreault-DesBiens’ 1999 paper).
In other words, questions must be answered, diverse interests and rights must be taken into account, including those of heterodox Indigenous artists, a balance must be struck, and clear rules must be set. The CCA goes way too far even if it does not clarify anything by actually drawing the line; rather, it fuels ambiguity. The CCA’s sketchy and hypocritical “statement,” rather than contributing to a solution, adds to the problem.
A new need for legal strictures
In its information update on Ex Machina’s Kanata, the CCA makes a flawed use of its institutional independence in an attempt to justify its approach to Indigenous cultural appropriation.
CCA prides itself in being a “Crown corporation” that “develops policies and programs and make funding decisions free from any political interference or influence.” This is a misappropriation (no pun intended) of the meaning of the word “political” in the context of institutional independence from the executive branch of government, which is by no means determinative of the issue of whether or not the Council is increasingly influenced by political ideology.
Moreover, no administrative entity, not even an independent one, is above enabling legislation. It is just that Parliament trusted the CCA when it enacted the Canada Council for the Arts Act, since it did not really define its mandate, but basically contented itself with the following statement: “The objects of the Council are to foster and promote the study and enjoyment of, and the production of works in, the arts (…)” (para 8(1)). The CCA has been proving that this trust was misplaced.
The CCA’s self-justification on cultural appropriation points out that its peer committees “assess grant applications according to the Council’s Funding Principles.” Alongside “outstanding ability and artistic merit” and “freedom of thought and expression,” these include, not only “cultural self-determination of Indigenous peoples,” but “respectful workplaces” and “equity and diversity.” But we already have labour and human rights commissions and tribunals in Canada. The CCA’s policies amount to a certain agenda for the political moralization of the arts, and, as its enabling act allows it, it feels free to change the way it conceives of itself and its mission (see Brault in Le Devoir).
“We believe that the artists of our country do not want to perpetuate darkness,” write Brault and Loft in their Globe and Mail op-ed. The trouble is, moral-political criteria for public funding of the arts are darkness.
Une réflexion sur « Canada Council for the Arts’ bewildering “statement” on Indigenous cultural appropriation »


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Memphis, TN (Sports Network) - Defending champion Jurgen Melzer came up an
opening-round loser Tuesday at the $1.212 million U.S. National Indoor Tennis
The veteran Austrian left-hander succumbed to Dutchman Igor Sijsling 6-4, 7-6
(7-3) at The Racquet Club of Memphis. Sijsling is rewarded with a second-round
match against top-seeded Marin Cilic.
Melzer beat Canadian slugger Milos Raonic in last year's finale here.
This week's second seed is last week's San Jose winner Raonic, who has been
the runner-up in Memphis the last two years.
Also on Tuesday, American journeyman and lucky loser Michael Russell topped
Russian qualifier Alex Bogomolov Jr. 6-2, 6-4.
The 2013 Memphis champ will claim $291,800.
The Sports Network


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I was given a copy of this book in exchange for an honest review.
Detective Chief Inspector Galbraith is called to the home of Lord Penrith when the lord’s body is found dead. The strangeness of the death is that the body has been drained of all its blood but the room is not covered in blood.
The investigation begins and soon, DCI Galbraith is joined by a mysterious visitor from Section S—a section no one in the precinct has heard of before. This mysterious officer is John Pole and he explains his section deals with issues of national security and the investigation of the death of Penrith flagged in their office.
They team up to try to figure out who killed the lord and how. DCI Galbraith learns some things about an unknown group who operate in the dark in London. There are some scenes of the past that are intriguing and enjoyable to read.
I enjoyed this book and it seems there may be additional stories involving this crime solving duo in the future. Both have good qualities and seem to have a great working relationship. The way they deal with the crime is clever and a bit surprising. I, for one, am hoping for more adventures with these characters. I give this one 4 stars.

domain: literature


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A texas native turf grass it is rugged plant common in arid. Between the two west.
Growing Bermuda Grass And Rye Grass In Phoenix Arizona
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When to plant grass seed in west virginia. Prepare your soil and plant grass seed. Any local nursery should be able to help you with grass seed.
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Karl Rove doesn’t have enough hair left to pull – at this point I expect he’ll have to start flaying himself. Because . . . Wayne LaPierre is off the leash again.
I am beginning to fear for the man – with such a dystopian vision of his future, he must live in utter terror. No wonder the guy always looks crazed.
After Hurricane Sandy, we saw the hellish world that the gun prohibitionists see as their utopia. Looters ran wild in south Brooklyn. There was no food, water or electricity. And if you wanted to walk several miles to get supplies, you better get back before dark, or you might not get home at all . . .
Meanwhile, President Obama is leading this country to financial ruin, borrowing over a trillion dollars a year for phony “stimulus” spending and other payoffs for his political cronies. Nobody knows if or when the fiscal collapse will come, but if the country is broke, there likely won’t be enough money to pay for police protection. And the American people know it. . . .
Hurricanes. Tornadoes. Riots. Terrorists. Gangs. Lone criminals. These are perils we are sure to face—not just maybe. It’s not paranoia to buy a gun. It’s survival. It’s responsible behavior, and it’s time we encourage law-abiding Americans to do just that.
And employing the most bizarre meme appropriation of all time, he says:
We [the NRA] are the largest civil rights organization in the world.
People listen to this thug, this creature who has never been anything but a professional lobbyist, never done any other kind of work. Just a mouthpiece. Pay him da money, he’ll sing da song. And they heed his words and they call him Patriot.
So you can pull on the leather jacket and get up on the water skiis if you want Wayne, but at this point it’d be just a formality. Shark. Jumped.
3 Killed in shooting at Texas A&M
(CNN) — A Texas constable and two others were killed Monday in a shooting near Texas A&M University, police said.
Rhonda Seaton, a spokeswoman with the College Station police department, told CNN that the three people killed were the constable, the man authorities say exchanged gunfire with law enforcement officers and an unidentified civilian.
A few minutes earlier, Asst. Chief Scott McCollum, from the same police department, told reporters that multiple people had been shot in the incident, which occurred around noon just a few blocks from the Texas A&M campus.
The dead included Brian Bachmann, a constable in Brazos County, according to McCollum. According to his Facebook campaign page, Bachmann was a 41-year-old Republican from College Station who had been a Brazos County sheriff’s deputy since 1993.
So lottsa folks shot. Three killed. Yawn.
That’s it. Back to unbloggy.
As everyone knows, political conventioneers are the most decorous of visitors, which is why my Gov was quite annoyed yesterday when he indignantly denied a request from the Mayor of Tampa, host city to the upcoming RNC nominating convention. The Mayor had asked Scott to suspend concealed carry laws – only in the downtown area and only for the duration of the convention.
That was too much for Scott: it would infringe on “sacred constitutional traditions” he said. Sacred. The ‘carry law’ is a precious’ right he said. Precious.
And, as any right thinking patriot knows, four days without the right to carry weapons anywhere that charged, partisan political folk gather, many of whom themselves will be carrying and many of whom will be falling down drunk (ever been to a political convention?) – why that would simply destroy our liberties and subject us forever to the whims of freedom-hating somethingorothers.
The head of the Brady Campaign said “nothing Florida does ever surprises me”. Ditto.


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Thursday, March 10, 2011
Can't touch this
The image above is the solicited cover for Fear Itself: Deadpool #1 and I have been staring at it for 20 minutes.
I was trying to think of what to write about for my blog post and while I was surfing the interwebs. And then I found that.
And I couldn’t do anything but look at it.
I’m not a Deadpool fan. I mean, unlike the other wet blankets here on this blog, I don’t HATE him. I can appreciate the appeal of a character that combines breaking the 4th wall with ultra violence, but I don’t love him. I usually check his stuff out based on what the creative team is. And Christopher Hastings, the author of the fantastic Dr. McNinja webcomic, is certainly good enough to get me to sit up and take notice of any book with his name on it.
But that wasn’t it. Look at how ridiculous that image is. I mean, even by Deadpool standards. That jewel encrusted hammer. The back up dancers. That jacket. Those glasses. Glittering, shining parachute pants.
I couldn’t take my eyes off it. Deadpool as MC Hammer as part of a major crossover. It’s like the pop culture snake is eating its own tail.
Keep in mind, this is going to be a comic written by a guy who once wrote a story about a ninja in space suit punching Dracula on the moon and riding a robot as a surfboard back onto the planet earth. And we’re already getting Deadpool dressed as MC Hammer before we even open the book.
I think we have an early contender for book of the year.


HMMH collaborated with C&S Companies to prepare an update to the City of Phoenix Aviation Department’s Sustainability Management Plan (SMP) for Phoenix Sky Harbor International Airport. HMMH assisted C&S to assess the performance and progress made on implementation of initiatives identified in the original SMP. HMMH provided guidance and feedback based on current and planned energy initiatives of the Airport, and assisted with preparation for on-site stakeholder interviews.
HMMH provided input and guidance on preliminary focus areas for the SMP update (including for example, electric vehicles and climate resiliency), taking into account progress to date, existing City and Airport commitments, and opportunities for new goals and targets. HMMH prepared presentation materials related to renewable energy, federal funding opportunities and industry best practices for several stakeholder Working Group meetings. HMMH lead the working group discussion on climate resiliency, and provided significant support for the electric vehicle Working Group.
The success of the climate resiliency Working Group led to a follow-up climate risk assessment as part of the project. HMMH worked with Airport staff to conduct a virtual risk assessment and led a multi-stakeholder group discussion on the criticality and vulnerability of Airport assets and operations. This provided the airport with a tool to help prioritize infrastructure improvements.


text: Hugh "Huey" Morgan (b. 8 August 1968 in New York City as Hugh Thomas ├üngel Munger D├¡az Morgan) is the frontman of the British-based, of New York origin, rock/hip hop group Fun Lovin'' Criminals. He is a guitarist and applies his rock abilities in combination with hip hop music, jazz, rock music, reggae, and funk. Morgan is half-Puerto Rican and half-Irish. In his youth he got into trouble with the law. A judge finally gave him the choice between going to jail or joining the Marines. He chose to join the Marines. This is mentioned in the song "The Grave And The Constant. In 1993, Morgan formed the Fun Lovin'' Criminals with Brian Leiser and Steve Borgovini. Huey wrote a regular wine column for the British magazine Mondo from 1999 to 2000. On TV, Morgan has appeared on the UK comedy music quiz show Never Mind The Buzzcocks, twice as a guest panelist and once as a presenter. He also participated in the BBC''s The Underdog Show, where eight celebrities trained and rehabilitated rescued dogs. He currently hosts ''Slips'' on the music channel VIVA.

domain: celebrity


That sounds interesting! Tell me more.
The Federal Government is responsible for jointly funding Australia’s public hospitals, which are owned and operated by the State and Territory Governments. Health Funding Facts shows how much hospital, Medicare and medicines funding your local hospital network and electorate receive from the Australian Government – think of it as a one-stop-shop!
So how does the website work?
- Hospital funding – enter your postcode or your local public hospital from the menu to reveal the Australian Government’s funding
- Medicare funding – enter your postcode or Federal electorate to find out how much Medicare funding was received between 2012-13 and 2017-18
- PBS funding – reveals how much was received in PBS benefits by people in your area between 2012-13 and 2017-18
Hit me with the facts!
Under the next National Health Reform Agreement, from 1 July 2020 to 30 June 2025, the Federal Government will contribute $130 billion in funding to Australia’s public hospitals
Nationwide, the Federal Government’s funding to all States and Territories for public hospital services is growing from $13.3 billion in 2012-13 to an estimated $28.7 billion in 2024-25
KEY INSIGHT: Currently in Australia, close to nine out of every ten GP services are bulk-billed, meaning that Aussie patients do not have any out-of-pocket costs when they visit their local GP.


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Restaurant | Nederlands | Français
The tavern of the Orangery is open daily from 11:00 to 18:00 till 28th October, and offers a choice of sandwiches, drinks and ice cream.
Every Sunday in the winter the Orangery winter terrace will be open for business form 14h till 16h. On any other moment you will find our delicious homebrand coffee, a hot cocoa or a drink at the Garden Shop
You are welcome to picnic on the terraces of the Orangery but also at het 'Pachthof' near the Garden Shop where we provided tables and a vending machine. In the Garden Shop you can taste our unique Botanic Garden Coffee!
Did you know ?
The Orangery was built around 1818 to over-winter tender plants, like orange trees. Since 1959 it is used as a restaurant for the visitors of the Botanic Garden.
View Horeca near the Botanic Garden on a larger map


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Tame Impala (photo by Neil Krug, PR)
The Slow Rush
Tame Impala is a one-man powerhouse in the studio, driven by Australian multi-instrumentalist Kevin Parker. Over the past decade, starting with a self-titled 2008 EP and a 2010 debut album, Innerspeaker, Parker has boldly embodied a dense, gorgeously layered, psychedelic dream pop. But with 2012's Lonerism, and 2015's Currents, Parker's music organically grew, warmly embracing a dancier, sweetened pop side. After a five-year break, Parker has finally released his fourth album, The Slow Rush.
Parker’s rising star hasn't just been about chart success, sales and streams, festival headliners and high-profile gigs (like "Saturday Night Live"). He's also become an in-demand collaborator, producing and writing for artists like Lady Gaga, A$AP Rocky, Kanye West, Mark Ronson, SZA and more. As a result, Parker stepped into the writing of The Slow Rush with invaluable experience and confidence from those collaborations — and a different idea about what he wanted to do moving forward.
But while Tame Impala's global popularity and musical palette have flourished, the Perth and Los Angeles-based Parker adheres to his perfectionism, mostly writing, recording and producing his music entirely on his own. That stringent level of excellence that Parker has set for himself delayed the release of The Slow Rush, but the wait was worth it for both Parker and his fans.
Parker writes music meant for both headphones and the dance floor. Dance beats and oceans of reverb are front and center on The Slow Rush and Parker creates a technicolor mood with “One More Year," a lush album opener with heavily synthesized, swirling voices and an infectious beat.
A healthy dose of disco pulses throughout “Is It True” and “Glimmer” is pure dance floor ecstasy. One of the album's catchiest grooves comes via “Breathe Deeper,” which shimmers for six sunny minutes before slipping to the equally dazzling “Tomorrow’s Dust.” The smooth and sweet “On Track” keeps the soulful vibe afloat.
But The Slow Rush isn’t all mind-bending synths and grooves. Parker leaves space to take stock with very personal songs, as on “Lost In Yesterday,” a rolling funk number framed by a nostalgia that dots the album. Perhaps the best example of Parker’s reminiscences is heard in “Posthumous Forgiveness" which delves into the tumultuous relationship the musician had with his late father.
Tame Impala creates movement with a message: celestial sonics, euphoric beats, and surreal images and sentiments. Parker's mastery of the hazy psychedelia of his past has led to a futuristic pop. The Slow Rush is a deeply satisfying, kaleidoscopic journey — music for the mind and the body.
Tame Impala's The Slow Rush is release on Friday, February 14.