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Hey everyone, welcome to our recipe page. Today I’m gonna show you a way to prepare a distinctive dish, Cooked eggs w/toast. It is one of my favourite food recipe, this time i’am gonna make it a little bit tasty. This will be smell and look delicious.
Cooked eggs w/toast Recipe. Don't forget to add salt and pepper. Think about adding a little bit of cheese to make your eggs on toast that much more delicious.
You can have Cooked eggs w/toast using 5 ingredients and 7 steps. Here is how you achieve it.
Ingredients of Cooked eggs w/toast
- Make ready of eggs(1).
- Prepare of salt.
- You need of pepper.
- It’s of butter.
- You need of toast(any kind will do.
They're great on toast, sprinkled with salt, pepper, and hot sauce.Specifically, it cooked eggs into cylinder-shaped eggsicles on sticks, because, as the black-and-white horror-show demonstrated, no one has ever attempted to cook an egg any other way without eventually Yes, that is correct: You are cooking eggs in a pan by making toast in the toaster.Spread a thin layer of softened butter on both sides of the bread.Finish cooking the eggs to your preferred taste (sunny side up, over easy, over medium, etc. ).
Cooked eggs w/toast instructions
- First have butter melt in pan for as long as it needs to melt.
- Crack egg into pan.
- Put salt and pepper onto egg.
- Flip the egg whites into the yellow middle still connect.
- Let the egg cook until the yellow is mushy but not that hard.
- Put toast in for as long as u need.
- When the toast is ready and also the egg place the egg in the middle of the toast and have a nice breakfast.
This gets the egg white cooked while leaving the yolk runny.Our preferred method is the "six minute egg," which sounds way fancy.You can then daintily tap the top of the egg with a spoon and scoop out the insides.
The bread "centers" can be grilled also.Remove eggs from water, slice off tops and serve.It's a simple healthy protein-packed breakfast, snack or light This is the best method I've found for frying eggs that yields perfectly cooked egg whites with slightly undercooked egg yolks.Heat some butter (or olive oil).Shirred eggs, or oeufs en cocotte as they are known in France, accompanied by toast soldiers (thinly-sliced sections of toast) are one of the most Her previous books include Food with Friends and Cooking Up Trouble.


Apple just unveiled its latest smartwatch, the Apple Watch Series 4, and it has one impressive new medical feature: a built-in single-lead ECG (electrocardiograph).
The FDA has cleared it as a medical device, according to Apple, and we assume the clearance is for detecting certain cardiac arrhythmias, particularly atrial fibrillation.
Previously, the KardiaBand from AliveCor offered the same feature via a small attachment to the Apple Watch. We reviewed that product and were very much impressed by its performance. In principle, a great deal of people that have cardiac arrhythmias may be helped with such technology if only the random, infrequent, and erratic events can be spotted, recorded, and analyzed.
Here’s an Apple promo video for the Series 4 Apple Watch:
More from Apple: Apple Watch Series 4…


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Little Gold Men by Vanity Fair
Martin Amis's 2014 novel set at Auschwitz is very, very different from Jonathan Glazer's film adapted from it — but that doesn't mean they don't shed light on each other. Plus, Chris Murphy talks to P
The Emmy-nominated editor of The Bear shares how the surprise hit comedy came together in its first season, and how she and the series creators learned to break their own rules for season two.
Priscilla Beaulieu Presley met Elvis when she was 14, divorced him when she was 27, and was only a minor figure in last years blockbuster film about Elviss life. In Sofia Coppolas new film Priscill
The writer and director discusses his provocative new movie, the hurdle of its NC-17 rating, and how seeing 197 movies over the course of three months changes his life.
A dive into David Grann's 2017 nonfiction book that Martin Scorsese has adapted for his upcoming film. Plus, a look at the state of the strike and festival season, and a celebration of the new season
In a conversation recorded on the eve of the SAG-AFTRA strike, the Emmy nominee and Oscar winner reflects on what it took to get to this point in her career, and what she learned from the decade-plus
Lineups for two of the biggest fall film festivals have been announcedand they are stacked, despite the strike. This week's Little Gold Men takes a look at the films soon premiering at home and abroa
The always inspiring veteran actress, who just earned her second consecutive Emmy nomination for the hit ABC series, weighs in on the SAG-AFTRA strike. SAG-AFTRA members are currently on strike; as p
Nearly a week into the SAG-AFTRA strike, it remains entirely unclear how the Emmys, the fall festival season, and even the Oscars will be affected. That won't stop us from speculating! Plus, a discuss
The King Richard star has been incredibly busy since her Oscar nomination last year, and keeps surprising herself in the process.

domain: artistic


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By David from United States / Michigan / Detroit
25 July 2017
"No Doubt Inspired By Their Amazing Performance Earlier In The Day, Comes Out Swinging, And I Mean Like Muhammad Ali, Not Benny Goodman. Thi See Mores Is A Take-No-Prisoners Set."... From the very informative review above.
I have dug this one for many a year now, I still remember hearing side 1 for the first time, late night on the Jazz show on WDET in the 80,s. It really blew my mind and I saw the direct connection to the whole Progressive Rock and Funky stuff i was already into.. and for a kid really new to Jazz, the scales started to fall away from my eyes! Just another thing to thank Miles for!


TAMPA — Storm fans might want to bring boxing gloves to tonight's game — just in case.
Orlando receiver Bobby Sippio, who was involved in a skirmish in the stands during the July 31 game against the Storm at the St. Pete Times Forum, leads the Predators' return tonight as the teams tangle for the American Conference championship.
"It was an unfortunate incident that we are very disappointed about," Predators coach and former Storm quarterback Pat O'Hara said. "Those players are accountable for their actions."
Well, sort of.
Sippio and teammate Julius Wilson were suspended one and six games, respectively, by the Arena Football League. Wilson has said the incident occurred after he attempted to toss a football to his father, but the ball was knocked out of his hands by a Storm fan, prompting Wilson and Sippio to confront fans.
Wilson's suspension took effect immediately because it wasn't his first ejection this season (league rules call for a suspension after two). But Sippio filed for arbitration and will be on the field tonight with a trip to the ArenaBowl at stake.
"Yes, (the situation) is absurd," Storm coach Tim Marcum said. "I've never seen anything like it in 22 years of coaching this game."
AFL contracts stipulate that a player can appeal a suspension through the American Arbitration Association. Appeals are common in any sport, with the players remaining eligible until the process is completed. But the delay in hearing this case, especially with a postseason championship on the line, seems unusually lengthy.
Sippio played last week in the Predators' first-round playoff win against Jacksonville. And there's no doubt he's an asset to his team.
"(Sippio's) a guy with ability, and his size and speed make a difference," Marcum said.
Sippio would suit up in next week's ArenaBowl should the Predators win.
According to Orlando public relations director Adam Soucie, the league must notify the team 10 days before Sippio's hearing and since it hadn't by Wednesday, the case will not be heard before the ArenaBowl on Aug. 20.
So Sippio will not be disciplined this season.
"According to the labor laws you can request an appeal," O'Hara said. "He's able to do that legally. That's just the way it is."
But why is it taking this long to uphold the punishment?
League officials couldn't provide the answer. AFL manager of media services Linnea Coulter said the appeal had been "turned over to the AAA and was not being handled in-house."
Coulter said commissioner Jerry Kurz should be able to shed more light on the situation, but "he was traveling for the playoffs and couldn't be reached."
"It's not being rubbed in our face, it's being rubbed in the face of the AFL," Marcum said. "I mean, what's happened is a joke."


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The Campsbourne Food Growing Project is a community garden where local residents grow their own fruit and vegetables in raised beds.
It is a friendly space where anyone can come and have a go at growing their own – no matter what their gardening ability.
Grow your own tasty fruit and vegetables and join our friendly community.
The vegetable plots were built on the site of a car park by Homes for Haringey with the help of Groundwork, a charity that transforms lives through gardening. The project is now managed by the gardeners themselves, and has 26 plot holders. Meetings and social gatherings are held throughout the year.
Take a look at what we’ve been up to…
Why grow your own food?
Reap the benefits of cultivating your own fruit and veg
• Eat tasty, fresh, organic food.
• Meet other people and share growing tips.
• Enjoy the therapeutic benefits of being outdoors.
• Learn new horticultural skills.
• Enjoy an amazing sense of achievement.
• Cut down your carbon footprint.
Since the Campsbourne Food Growing Project began in 2011, we have grown many different vegetables, from salad crops to runner beans and tomatoes. We also have a raised herb bed (currently hosting oregano, thyme, dill, sage and lovage), two apple trees, a plum tree, a gooseberry and a blackcurrant bush. Recently, we have planted a couple of hops with a view to making our own beer. All our green waste is composted. We have plans to raise funds to build more plots and erect a polytunnel.
Want to get involved?
Email us at firstname.lastname@example.org
Where to find us
The Campsbourne Food Growing Project is located in Hornsey, North London, on Newland Road close to the entrance to Alexandra Palace and Park.

domain: hobby


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Though I learned to cook Peruvian food from my mom, there were 3 things my dad is responsible for: preparing home-made orange marmalade for breakfast, making the best hot-chocolate for our Xmas Panettone, and serving me my first Pisco sour when I was 10 years old. So it’s no surprise that when I was experimenting with using jams and marmalade to prepare Pisco cocktails, I thought of my dad.
First, I started out using a raspberry and pomegranate jam as the main ingredient, but doing some research on the subject lead me to a recipe from Tales of the Cocktail in New Orleans — a Pisco cocktail with orange marmalade. Inspired by what I found, I came up with my own version and used egg whites and Angostura bitters in addition to the orange marmalade and lemon juice.
Presenting, The Paddington Sour, named after Paddington Bear who journeyed to England from “deepest, darkest Peru” and always carried an orange marmalade sandwich in case of emergencies. While enjoying this very quaffable cocktail, I was delighted by all the connections: Pisco is from Peru, Paddington Bear is from Peru, marmalade was first made with oranges from Spain, Pisco was first made with grapes from Spain…
For the Pisco, I’ve used a Quebranta varietal but also really enjoy it with the Acholado by Campo de Encanto. For the orange marmalade, I was happy to find a jar with a wonderful history — orange marmalade made in the UK since the 18th century using Seville oranges. Now I have some orange marmalade left over to make a sandwich or another Paddington Pisco, in case of emergencies.
A special thanks to my dad for making that delicious orange marmalade many years ago and introducing me to the Pisco Sour, now I can celebrate those wonderful occasions by toasting with a Paddington Sour — ¡Salud!
- 2 oz. Pisco
- 1 oz. lemon juice
- 1 tablespoon orange marmalade
- 1 oz. egg white
- Angostura bitters
Mix the Pisco, lemon juice, egg white, and orange marmalade in a shaker. Add ice and shake vigorously for 1 minute. Serve strained in a champagne coupe and garnish with 3 drops of Angostura bitters.
1 very quaffable serving.
When squeezing the lemon juice, use a strainer to catch any seeds. Check the ingredients in the orange marmalade before using, some have grape juice or extra sweeteners that can alter the flavor profile, for that reason I recommend marmalade made with Seville oranges and sugar. Orange marmalade will have some bits of orange peel, and those will add extra flavor and texture to the cocktail.

domain: food


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A Fresh Perspective on Hypoid Gearset Duty-Cycle Severity
ISSN: 0148-7191, e-ISSN: 2688-3627
To be published on April 06, 2021 by SAE International in United States
Event: SAE WCX Digital Summit
A new method is demonstrated for rating the “severity” of a hypoid gear set duty-cycle (revolutions at torque) using the intercept of T-N curve to support gearset selection and sizing decision across vehicle programs. Historically, it has been customary to compute a cumulative damage (using Miner's Rule) for a rotating component duty-cycle given a TN curve slope and intercept for the component and failure mode of interest. The slope and intercept of a T-N curve is often proprietary to the axle manufacturer and are not published. Therefore, for upfront sizing and selection purposes representative T-N properties are used to assess relative component duty cycle severity via cumulative damage (non-dimensional quantity). A similar duty-cycle “severity” rating can also be achieved by computing the intercept of the T-N curve instead of cumulative damage, which is the focus of this method. In this case, the TN intercept for a given vehicle duty-cycle provides a duty-cycle severity rating for that vehicle program and this rating can be generated for duty-cycles across all programs to provide a convenient means to match a duty-cycle with a hypoid gear set size.


text: Let’s mix it up! Come make your own custom instant hot cocoa mix. We’ve got jars, cocoa, and fixin’s, including sugar-free options. We’ll go through some different recipe options, then turn you loose so you can make your own. *Allergy alert: we will be working with powdered milk.


Creating learning experiences about the ocean is easy to do if you live near an ocean, can point to it, or lead students to an exhibit where they can see and touch marine life. But what do you do if the ocean is hundreds of miles away? How can you make the ocean relevant to students who may never see or hear waves crash against a rocky coastline?
Today we will address these questions with Captain Suzan Wallace.
Captain Suzan Wallace is a US Coast Guard licensed Captain, a science illustrator, and national board certified visual arts educator with 23 years in the public schools. She’s been teaching sailing and connecting young & old folks to the ocean in creative and exciting ways for over 30 years. Captain Wallace finds ways to integrate the arts into every environmental education program.
Please welcome Captain Suzan Wallace!
ARTPLANTAE: Captain Wallace, thank you for participating in this EE Week discussion about making Ocean Connections. What set in motion your passion for the ocean?
CAPTAIN WALLACE: Thank you for inviting me to share my passion for Environmental Education and the Maritime Arts.
First, I owe my love of water environments to my parents, who raised me on and around the Great Lakes. In between their busy lives as public school educator/coach and nurse, they found time to sail, dive and cruise with us five kids. It was on those precious summer voyages to distant islands that helped grow my love of the inland sea. However, I was also witness to the dramatic effect people and cities have on watersheds…and watching in horror as my hometown Cuyahoga River started on fire due to the amount of pollution the local industries were pouring into it. This single incident fueled my passion for protecting the environment from human carelessness. As a child, I wrote a letter to President Nixon, telling him of the incident and he wrote me back, asking that I become an environmental witness and watchdog for conservation issues. The sailing lifestyle allowed for this intimate relationship with the sea environment to grow within me…..and “we protect the things we love”.
AP: How long have you been working as a scientific illustrator? What type of marine illustration work have you created?
CAPT. WALLACE: I have always felt my science illustration skills grew from my habit of visualizing concepts within all my school reports and class assignments as a youngster. This filtered down into every job I had growing up. Working in a greenhouse gave me the opportunity to illustrate plant informational signage and conservation reports. Upon graduation from college, I started a Marine Graphics business, working with yacht owners, marina operators and folks in “green” industries. Eventually I noticed a steady decline in seafaring arts traditions and began focusing my efforts on more educational outlets. Revitalizing these traditions through the Maritime Art forms of Scrimshaw Graphics/Carving, Illustrated Captain’s Logs and Marlinspike, we were able to help preserve and inspire marine environmental issues in activities with schools, camps, festivals, university and museum venues.
AP: You have experiences with the ocean many teachers do not have. How do you draw from your experiences to teach your students about the ocean?
CAPT. WALLACE: Interestingly, all towns across America have water flowing through them….those “watersheds” all flow to the OCEAN. So whatever is happening to the water in your town, is also happening on a grander scale, to the OCEANS. Growing up inland in the midwest, “up a creek”, I was able to put together how water all flows down stream and eventually to the ocean. So the devastating effects on my river by industry, set an example for me on the human impact. Over the past 30 years I have lived on the Atlantic and Gulf coasts and have been witness to how humans make impact. When the children ask “real” questions, I can give them eyewitness accounts of what is happening, or refer them to fellow sailors across the world who are eyewitnesses to what is happening!
AP: Since many teachers cannot draw upon the same experiences that comes with spending years at sea, how can teachers create visual learning experiences for students that go beyond creating marine life out of construction paper and spending large amounts of money buying activities and visuals at a biological supply house?
CAPT. WALLACE: It is important as a natural science illustrator to document, understand and convey “real” knowledge about a species. The animal kingdom is a part of every school curriculum, and it only makes sense to seize the opportunity to investigate not just what an animal looks like, but to understand their habitat and how they interact within it. One particular project we do is called Tesselling Biomes, where the students have to create an animal sculpture (paper pulp clay) and place it within it’s natural habitat contained within a 3D box (poster board) created by tessellating shapes. Bringing home the metaphor of all things are connected….the web of life.
I also introduce the plight of the sea turtle by retelling an actual expedition experience we had on an island off the Carolina coast. As I tell the story, I am sculpting (modeling oil clay) a baby sea turtle in my hands, of course to size, and then place it in a tray of sand to represent a “boil”….then my students try it. The interesting part is that the story is really about a baby sea turtle whose shell had a rare deformity in the shape of a cashew and no matter how hard he tried to get to the water, his congenital deformity caused him to turn in circles in the sand…..even falling down into a ghost crab hole…(yes he did make it to the water)..of course for the little ones, this is a lesson on perseverance.
AP: You have excellent suggestions about how to create several layers of learning when teaching about the world’s oceans. Let’s say, though, a school lacks an Internet connection and cannot provide learning opportunities complete with sound and video. When ocean experiences can only revolve around books and posters, how can teachers create lively experiences without actually connecting live to outside resources?
CAPT. WALLACE: There are MANY wonderful books about sea life, and as more authors are becoming “green”, there are so many more options. The Environmental Education Week website has a wonderful list of resource books. The accessibility of multi-media downloads is absolutely wonderful today, but in years past, I have used both video, photography and film making to help re-tell the story. One aspect of Art Education 101, is the concept of motivation….we actively plan how to motivate our students. The Arts have a secret weapon….it’s called “emotional impact”. We use stories, poems, visuals, music, paintings, sculptures to help us evoke a sense of wonder and compassion.
But I cannot say how important actual experience will turn the tide in teaching about a subject like the OCEANS. When I first moved to the Carolinas 23 years ago, I lived inland in farmland. So I signed up for a summer staff development opportunity called OPERATION Pathfinder that was supported by Sea Grant. There are numerous workshops/grants that offer inland teachers these opportunities.
AP: The world has been watching events unfold in Japan as a result of the large earthquake and resulting tsunami. Have you ever experienced the effects of a tsunami during any of your travels? Is there anything the public should know about tsunamis that they have not yet been told? Or, is there anything about tsunamis that the public simply doesn’t get because of their limited experience with them?
CAPT. WALLACE: I have not actually been witness to a true tsunami, (have experienced many huge waves & hurricane tides). I take great interest in the comparison of those that use the ocean as a resource and those whose lives revolve around it. I am fascinated by documented maritime gypsy cultures that have an intuitive sense of the ocean and take action for safety well ahead of the tsunami’s impact. I believe, these cultures are “in touch” with the Oceans, and it saddens me that so many land-based cultures have lost this sensitivity.
In order to share the experience of a tsunami, I would have students build a sand castle (or other man-made material) structure and simulate a wave event in a sand box or pile.
AP: Recently I browsed through a sixth-grade earth science textbook. References to the ocean were made in discussions about plate tectonics, currents, water density, ecosystems, and food webs. There are no doubt an endless number of stories that could be told about our oceans. What do you think K-12 students should be learning about the ocean that they are not learning from standard classroom textbooks?
CAPT. WALLACE: We live on an Ocean Planet! Humans are so terrestrial, they forget that the majority of our planet and life is water. It is the cycles of recycled water, the flow of water, the cleansing of water, the refreshing of water, the replenishment of water and the water that is found within us that is all connected. The smallest micro-organism to the largest organism on the planet, cohabitate in water! When we contaminate the water with all forms of human waste and by-product, we contaminate ourselves. I have always believed that to study planet Earth, is to understand the fragile design of checks and balances, and purification process. Planet Earth is a giant ecological Recycling Center!
AP: What advice do you have for young student teachers writing their first lesson plans about the ocean environment?
CAPT. WALLACE: Spend time by the water and watch her flow. I am a firm believer in life-experience. As I always say to my sailing students, “You will not become a sailor until you get up out of your reading chair and get out on the water and into the wind. Then you will begin to understand Nature’s awesome power, and be humbled”.
AP: Thank you, Captain Wallace. Will you be available to respond to questions during this week?
CAPT. WALLACE: Sure, I welcome any questions on the issues of the arts & the sea environment.
Captain Wallace connects her young students with the ocean in many exciting ways. She utilizes technology to create a learning environment in her classroom that is live and in living color. This summer, she will make such a presentation to scientific illustrators to show them new ways they can explore, interpret, and illustrate the world’s oceans in the 21st century.
Update – September 22, 2013
Captain Wallace has set sail! Follow her and the voyages of the Sparrow on her by watching her video feeds at Ustream.tv.


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The procedure of having students loan is manufactured simpler if you have a co-signer to help you, but not every student has access to a dependable member of the family or buddy with a credit score high enough to be a cosigner. In case a parent has bad credit score can not get university loan. Other students have qualified people accessible, but do not wish to risk distress or awkwardness by acknowledging a significance of help. Different students just do not have the type of relationship with possible cosigners to inquire further for that sort of help.
If you should be students in any of these scenarios, then do not give up wish yet. You can find however alternatives out there for students without any cosigner. Getting a student loan with no cosigner is possible. This information will give you a couple of ideas you can follow and a few hyperlinks you are able to take a look at to assist you find students loan without a cosigner.
Odds are this is simply not the first time you’ve heard FAFSA mentioned. The FAFSA, or the Free Program For Scholar Assistance can be quite a actually large resource and help for students as you looking for a student loan without a cosigner. The FAFSA takes a while to fill out, which explains why several pupils desire to miss this step, but that would have been a mistake. The FAFSA may let you know what grants and scholarships are available to pupils in your particular situation. It may also open up new scholar loan opportunities- many of them being college loans that do not need cosigners http://daveramseyguru.com/how-do-i-freezethaw-my-credit/.
The FAFSA also can offer you important info about all the various financial aid possibilities which are offered to you want is really a scholar loan an sequel on credit, or just how many breaks do I want to get financial aid?
The other good thing about stuffing out your FAFSA is not only this it is free, but that there are probably persons used at your college to focus in that document. Many schools have scholar aid services where individuals are compensated to help students like everyone else complete the FAFSA precisely and have the financial help they have to be successful. Discover these people and take advantage of the amazing surprise your university has built available for you. Filling out the FAFSA is a great step towards locating a student loan with out a cosigner.
Subsidized Stafford Loan: That is the better government loan on the market for students. It is just a student loan with no cosigner. It is really a scholar loan with no credit check. It is really a student loan without large interest obligations because it has been subsidized. Apply for a Stafford Loan, and you’ll most likely qualify for students loan without a cosigner.
Unsubsidized Stafford Loan: That is exactly like the prior no cosigner student loan except that the interest is not subsidized, therefore you’ll spend more over the life of the loan than the subsidized loan.
Perkins Loan: These loans are great and simple to use for, but are not as popular as they’ve a top on the quantity they can give both per year, and overall. They’re a number credit always check student loan and students loan without cosigner- therefore positively anything to check into.
In the end- all of these loans may enable you to get the thing you need without a scholar loan cosigner and scholar loan number credit checks Europe or US, but most of these loan options can offer you more income when you yourself have a co-signer. If you have merely been scared to ask someone to have a chance on you, then you definitely would want to keep these things look into these loans since they are not as dangerous and the fascination costs are significantly less than the scholar loans you will discover at a bank.

domain: economics


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|Category||Vehicle type||Minimum age of driver|
|W||Work vehicles with or without a trailer, such as a land tractor or JCB||16 years|
Can a 14 year old drive a tractor in Ireland?
Children under the age of 14 must not be allowed to drive or operate tractors or mechanically propelled machines such as teleporters, jeeps, ATVs etc.
Can a 13 year old drive a tractor in Ireland?
Although it is not permitted to drive a tractor on the public road below the age of 16, from age 13 a person can drive a tractor (fitted with enclosed, approved safety cabs) during agricultural, horticulture and forestry FIELD operations.
Can you get a tractor licence at 14?
You can get a provisional licence for a tractor or specialist vehicle at 16, but you cannot practise driving them on the road until you’re 17. The only exception is when you’re driving to or from your practical driving test. You must be accompanied by a qualified driver if the vehicle was made with a passenger seat.
Can you get a tractor licence at 13?
From the age of 13 years you must obtain a certificate of competence in tractor driving to operate agricultural vehicles on the farm.
Can you drive a tractor on the road at 14?
Nobody under the age of 16 years is permitted to drive a vehicle on the road. However, between the ages of 13 and 16, a young person can legally drive a tractor during agricultural, horticultural or forestry field operations. Tractors must be fitted with an enclosed, approved safety cab.
Can you drive a tractor without a Licence?
Agricultural tractors require a category F licence to drive on the public road. … Other, non-tractor agricultural motor vehicles require a category B licence, and you must also be over 21 years old to drive these.
Can you drive at 15 in Ireland?
You need to be at least 17 years old to drive in Ireland.
Can a 16 year old drive a gator on the road?
Member. Yes most defiantly, but may be frowned apon when caught roaring round town as I’m sure it should be used for ag related work. We’ve got a Landy on ag license and red diesel, 16 year olds can drive that on the road, as long as within the ag restriction.
Do you have to insure a tractor?
Do You Need Tractor Insurance? Just as your car needs auto insurance before going out on the highway, your tractor needs to be properly insured before you even take it out for a spin. You’ll need tractor insurance to protect you and your family from costly repair bills.
How do I book a tractor test?
You can book online, by visiting the government website, where you can also find your nearest test centre. Alternatively, you can call the DSA booking line, 0300 200 1122.

domain: law


Norwegian Black Metallers NORDJEVEL have unleashed another song from their upcoming new album “Gnavhòl”!
You can check out the video clip for “Of Rats and Men” here:
the track is also available on all usual streaming platforms: https://orcd.co/ofratsandmen.
“Gnavhòl”, the band’s third full-length, will be released on September 23rd 2022 via Indie Recordings. It was produced by Fredrik Nordström.
Conceptually, NORDJEVEL further evolves and ventures into even more sinister territories. “Gnavhòl” is driven by war, destruction and hellish esoteric beliefs, and they have created an album that is even darker and more brutal than ever before.
Artwork by Khaos Design / Photo credit: Jørn Veberg
- I Djevelens Skygge
- Of Rats and Men
- Satans Manifest
- Within the Eyes (https://youtu.be/kYOiAErxk3Y)
- Gnavhòl (https://youtu.be/HSz6K4RugUE)
- Antichrist Flesh
- Spores of Gnosis (https://youtu.be/akKSW3DihX8)
- Gnawing the Bones
- Twisted Psychosis *
* Bonus track for Trifold vinyl/CD


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EvangellyfishWritten by Douglas Wilson Reviewed By Andrew David Naselli
So far this year I’ve read eight books by Douglas Wilson, and reading him usually evokes one of three responses:
- I strongly agree. Witty, pithy, insightful. I wish I would’ve written that.
- I strongly agree, but an improved tone could win others over. (Think Tim Keller.)
- I strongly disagree, and the tone is off-putting. (For example, in March 2012 he called the NIV a “gender bender” translation, asking, “Who wants a Bible translation with hormone shots and breast implants?”)
Evangellyfish evokes the first two responses but with a few caveats.
The book is unlike any other I’ve read by Wilson: it’s a novel, and it’s satire. Wilson’s other writings have doses of satire, but this is 228 pages of non-stop satire. I don’t want to give away the storyline, so I’ll be vague on those details. Basically, the book is a story of two pastors: (1) a sleazy, sex-crazed mega-church pastor and (2) a faithful, down-to-earth Reformed Baptist pastor with an MDiv from Westminster Theological Seminary. And there are lots of other colorful characters.
On the one hand, this book may not be for you. First, it’s preoccupied with sex. Though it contains nothing explicit, many (most?) scenes are suggestive. Second, it includes realistically coarse language when depicting what crude characters are thinking or saying: e.g., “Who the hell” (p. 21), “what the hell” (p. 99), and “damn” (pp. 24, 35, 111, 156, 179 [2x], 192, 209). Third, Wilson directs his satire almost exclusively at mega-churches in generic evangelicalism. Hardly any of the barbs hit close to home for conservative evangelicals who are robustly confessional. Even worse, the book may instill a prejudice in those readers and tempt them to look down on or be suspicious of all large churches in vanilla evangelicalism as being led by slick hypocrites and filled with superficial attenders.
On the other hand, Evangellyfish may be just what you’re looking for. Like almost everything Wilson writes, it’s witty, funny, and edifying. Especially edifying are the end of the story and how he portrays the Reformed Baptist pastor’s marriage and family. While this novel depicts sin, it doesn’t glorify it; sin is dark and has miserable consequences in this life.
Here are some examples of Wilson’s humorous verve:
- “Mitchell’s mother had always called church choirs the war department. Luther once said that when Satan fell, he fell into the choir loft” (p. 12).
- “[H]is pulpit ministrations had left the congregation in an exhausted frame of mind, and parishioners would go home after the message, recline on the sofa, and pant” (p. 67).
- “[S]he was one of those rare individuals whose wise and sagacious appearance was immediately contradicted as soon as she opened her mouth” (p. 74).
- “Johnny was not really a highly trained logician, and would simply go as he was directed, as long as the suggested direction did not conflict with the tangled bundle of platitudes, loosely tied with string, that made up his worldview” (p. 100).
- “Michelle was a smart woman, but it must also be said she had always been a ‘will that be on the test?’ kind of smart” (p. 105).
- “[T]he repercussions did not seriously affect Chad’s ministry at all. In fact, he got a book deal with Zondervan out of it— Walking With Christ Through Divorce” (p. 108).
- “[A]fter repeating several phrases unnecessarily (the sermonic equivalent of a blinking fuel gauge), John decided that he had to wrap up. He didn’t feel any better. He felt like he had just tried to give a tar baby a bath in vegetable oil. Lester didn’t look any cleaner, and John just felt gunked” (p. 140).
- “Pastoral snarls are like the mercies of God—they are new every morning” (p. 175).
- “[T]hat kind of anger is like manna. Even if it is good, it goes bad overnight if you try to keep it” (p. 224).
Wilson said in one interview, “I want this book to come across to intelligent readers as ‘funny, dark, and redemptive.’” By those criteria, he succeeded.
Andrew David Naselli
Andy Naselli is assistant professor of New Testament and Biblical Theology at Bethlehem College and Seminary in Minneapolis and administrator of Themelios.

domain: literature


text:
Paper: Pereira, J.M., V.H. Paiva, and J.C. Xavier. 2017. Seabirds mapping the distribution of elusive pelagic cephalopod species. Marine Ecology Progress Series 567: 257-262. DOI: 10.3354/meps12020.
This week, we’re celebrating World Oceans Day! We learned about a number of areas of ocean science: restored wetlands, oceanic bioremediation (specifically oil spill cleanups using bacteria), and marine archaeology. Yesterday, Annie posted about World Oceans Day itself! Today, I’ll give a limited introduction to another area of research: open ocean marine biology. The open ocean is a challenging place to study: it’s remote, deep, and vast. Some scientists are dedicated to studying the creatures that live in it though, and they often have to innovate to do so.
Take a moment and think about what you know about squid. You may have come up with ideas such as “There are giant squid!,” “They can ink,” “Calamari sure tastes good!” or “Their skin can change color and textures.” All true and all interesting! Squid are cephalopods (like octopuses and cuttlefishes), and there are about 300 different species in the world. To best describe a species, there are some general pieces of information scientists like to have: physical description (especially any unique identifiers), where they live, what they eat, and what eats them, to name a few. Well, it turns out scientists don’t know exactly where some species of squid live. But they’re working on it! And they’re using knowledge of what eats them to do so.
Scientists especially lack information on the distribution of pelagic (or open ocean) squid that live in the Southern Ocean. Squid are fast swimming, live in a vast and remote open ocean habitat, including at its depths, and are rarely caught in scientific nets. But, while they’re not often caught by scientists, they are caught and eaten by predators, including seabirds such as wandering albatrosses.
A team of scientists took advantage of the wandering albatrosses who rear their chicks on Bird Island, South Georgia. These albatrosses forage over great areas, including the cold waters of the Antarctic but also the sub-Antarctic and subtropical regions. They mostly feed on fish and cephalopods. The scientists outfitted 17 of the large birds with a GPS logger, activity recorder, and stomach temperature probe; the equipment was deployed on the birds for a single, multi-day foraging journey and recovered afterwards to download data.
The combination of information they gleaned from these three loggers allowed them to piece together a story of the journey. The GPS showed locations and the activity logger registered time in flight versus in the water (the time of which could be matched to a GPS location). Overall, the stomach temperature probe is probably the coolest component of the outfit. When an albatross ingested prey, that prey item was colder than the normal body temperature of the bird causing the temperature logged to drop. Based on the frequency of the occurrence of various stomach temperatures, they determined that prey captures occurred when the stomach temperature dropped below 37°C, while small temperature drops in which they temperature remained above 37°C corresponded with water ingestion. They also checked this using the same set of equations they used to calculate the mass of the prey item ingested; the formulas used are based on the length of time it takes for the stomach to warm back up after ingestion and the substance ingested. How did they know what was ingested? They collected diet samples from each bird upon its return and then identified the components at a lab (which really just means picking through vomit for identifiable bits of fish, crabs, and cephalopods).
The scientists did face some challenges when interpreting their data. For example, some albatrosses had consumed body fragments that would indicate a prey item likely too large for them to have consumed in whole. They therefore made the assumption that the albatrosses must have scavenged squid over 500g. In addition, one of the squid species consumed is a common bait item used by fishermen in the region, so the researchers left that data out of their analysis completely as they couldn’t attribute the capture by the albatross to bait of a live squid inhabiting the area. Because of some of these challenges, the researchers would like to conduct follow-up studies in which they’d add an item to the technological outfit of the albatrosses: small cameras. The use of cameras would help identify prey items, show whether the prey are living or dead before ingestion by the seabird, and show size of the prey. Camera footage could also better identify false negatives, such as when a bird was thought to ingest water based on the temperature data but actually ingested a jellyfish. The scientists would also like to increase the number of seabirds used so as to cover more areas of the ocean. I, for one, look forward to seeing the results of such a study, and maybe even some of that foraging footage. Coming to theaters soon: “The Albatross versus the Squid”.
Until then, check out this video about wandering albatross!
I am a graduate of the University of Notre Dame (B.S.) and the University of Rhode Island (M.S.). I now work in southwest Florida, contributing to the management of an estuary. I am fascinated by the wonders of nature, the land-sea interface, ecology and human disturbance (and solutions!). On a personal level, I am a chocoholic, love to travel and be outside, and relax by reading or spending time with my emotionally needy dogs!

domain: biology


text:
Newcastle On Film, Newcastle upon Tyne
This is practically a civic duty for geordies: a new compilation, culled from the vaults of the North East Film Archive, piecing together a scrapbook of Newcastle life over the past century. There’s monumental change – from shipbuilding glories past to the more modern Metro system – and momentous events, like a 1909 suffragette demonstration and the Magpies’ 1950s FA Cup victories. But there are also scenes of everyday life in still-recognisable streets, markets, pubs and clubs.
Tyneside Cinema, Sun to Tue
Nordic Film Festival, London
Short winter days, biting cold: perfect conditions for a wallow in Nordic culture, indoors, somewhere warm. Some of the offerings in this mostly-documentary programme are very much “rather you than me”. Like Bear Island (Sat), for example, in which three Norwegian brothers take a chilly-looking camping/surfing/skinny-dipping trip to a remote Arctic outcrop. The rest of the selection is more culturally oriented, with subjects including Finnish design label Marimekko (Armi Alive!, Sat), teenage graffiti artists in suburban Stockholm (165 Hässelby, Mon), and UN strategies for coping with an alien invasion (Michael Madsen’s The Visit, Wed). Meanwhile, Danish drama In Your Arms (Sat) sees a nurse and a patient run away to Switzerland seeking an assisted suicide. In this part of the world, that counts as a feelgood story. The festival also visits Bristol, Glasgow and Nottingham in January.
Various venues, Sat to 13 Dec
On The Margins: Cartoonists, Satire And Democracy, Bristol
The Charlie Hebdo massacre brought home the fact that cartoonists are at the frontline – and they’d probably argue that’s where they’ve always been. Few more so than Ralph Steadman, whose messy work conceals a sharp political focus and who has skewered many a public figure with his pen over the years. This weekend event brings together the anarchic Johnny Depp-led Fear And Loathing In Las Vegas (Steadman illustrated the book, and designed the film’s titles) on Saturday, with 2012 doc For No Good Reason (Sun), in which Depp narrates a visit to Steadman’s studio. Meanwhile, prescient 2014 French documentary, Cartoonists: Foot Soldiers Of Democracy (Sun) takes a global view of the precarious profession.
Watershed, Sat & Sun
James Benning: People & Places, Manchester
Few film-makers have mastered the art of staying still like Benning. His work is as close to landscape painting as cinema gets, in that he carefully chooses a location, positions his camera, and records life passing by in long, unbroken takes. Few people can get away with it, but Benning’s films are often spoken of in terms of meditation, rather than mere movies. In the past he’s used 16mm but in a Dylan-going-electric conversion, he recently adopted digital film, and these are some of the results. Highlights include 2009’s Ruhr (Thu), documenting the German region in seven takes (one of which is an hour long), Twenty Cigarettes (which simply watches people smoke, 14 Dec), and Small Roads, which gives us 47 rural roadside spots (12 Dec).
HOME, Sun to 17 Dec


Britain Expels Gun-Toting Vietnamese Diplomat
Britain on Saturday ordered the immediate expulsion of a Vietnamese diplomat who pointed a gun at refugees during a demonstration outside the Vietnamese Embassy last Sunday, a Foreign Office spokesman said.
It was the first diplomatic dispute between the two nations since they re-established relations in 1974.
The spokesman said Foreign Office Minister Timothy Eggar told Vietnamese Ambassador Trang Van Hung that he viewed the offense so seriously that the diplomat, Third Secretary Khang Than Nhan, would not be accorded the usual period of notice to leave the country. The spokesman said Khang must leave by midnight tonight.
On Wednesday, Eggar gave the ambassador 24 hours to explain why Khang was pictured in London newspapers pointing a handgun at the Vietnamese refugees.
He was also told to surrender any weapons in possession of the embassy, and in a bizarre twist of diplomatic finesse, the ambassador returned to Eggar the next day and handed over a toy gun.
But he said he had heard there might be a real gun on the premises and would report back to the Foreign Office.
At their third meeting Saturday, he handed Eggar a real gun but said the Vietnamese government could not allow a waiver of diplomatic immunity to bring legal proceedings against Khang.
Diplomatic missions in Britain are not allowed to keep arms. The government has taken violations seriously since a gunman firing from the Libyan Embassy killed a London policewoman in 1984.


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crazyvin (2026) - New York, USA - APR 23, 2011
3 AROMA 6/10 APPEARANCE 3/5 TASTE 6/10 PALATE 2/5 OVERALL 13/20
Poured a clear light brown color with a white head that faded quickly. Aroma had a toasted grain and caramel note to it. Flavor had a little more of bread like notes and some sweetness to it almost like brown sugar. Body seemed a little thin, but not enough to totally ruin the beer. Evenly balanced and smooth. A nice beer.
Trev (2023) - Lakeville, Minnesota, USA - MAY 26, 2012
1.8 AROMA 4/10 APPEARANCE 3/5 TASTE 4/10 PALATE 2/5 OVERALL 5/20
Dark gold pour with a thin foamy head.
Something might be off here.
Aroma is maly, grainy and slightly acetic/vinegary.
Flavour is tart, getting a fair amount of vinegar which shouldn't be...carbonation seems more effervescent than what I would consider normal.
Will consider a re-rate if I can find a single some time.
---Rated via Beer Buddy for iPhone
csaso (1961) - Missouri, USA - DEC 4, 2011
2.7 AROMA 5/10 APPEARANCE 4/5 TASTE 5/10 PALATE 2/5 OVERALL 11/20
Tap - small foamy head, medium amber color, very swet malty aroma and flavor
topherh (1919) - Kearney, Missouri, USA - JAN 30, 2010
2.6 AROMA 5/10 APPEARANCE 4/5 TASTE 5/10 PALATE 3/5 OVERALL 9/20
Pours golden with a white head. Aroma is bready malt and a little hop. Flavor is lightly bitter, with a sharp, biting quality in the middle, and a bit of citrus in the finish.
jjgmd (1909) - Coral Springs, Florida, USA - APR 23, 2013
1.5 AROMA 4/10 APPEARANCE 3/5 TASTE 2/10 PALATE 2/5 OVERALL 4/20
Pours a golden color with a large head. Nose is metallic and grainy. Taste is flat, tasteless and outright undrinkable. A selection from a craft club, unfinisihable.
zgaier (1842) - Coral Springs, Florida, USA - APR 23, 2013
1.2 AROMA 1/10 APPEARANCE 3/5 TASTE 2/10 PALATE 1/5 OVERALL 5/20
Pours a clear copper with a white head and metallic, grainy aroma. Taste is of grains and light malt, while watery and quite flavorless overall, pass
wxman (1688) - O’Fallon, Illinois, USA - APR 22, 2011
3.3 AROMA 7/10 APPEARANCE 3/5 TASTE 7/10 PALATE 3/5 OVERALL 13/20
Pours a clear bright gold/amber with an OK white head that laces the glass some. Sweet malt and hop bouquet. Taste is sweet pale malt, bisquits and a light hoppiness. Refreshing and quite good.
tnkw01 (1676) - Knoxville, Tennessee, USA - SEP 2, 2012
2.7 AROMA 5/10 APPEARANCE 3/5 TASTE 5/10 PALATE 3/5 OVERALL 11/20
Bottle. Deep golden color. Flavor is of good balance leaning to the malt side. Aroma is the usual lager aroma but a tad more pleasant. This is actually a better tasting the normal lager.
jb43 (1650) - Colorado Springs, Colorado, USA - SEP 8, 2011
3.2 AROMA 6/10 APPEARANCE 4/5 TASTE 6/10 PALATE 3/5 OVERALL 13/20
(draft 7/30/10). Clear gold color. Small white head. Light sweet grain aroma. Same flavor, with very light bitterness. Avg duration. Smooth finish. Thin texture. Moderate carbonation. Fair lacing.
zebra (1547) - Illinois, USA - APR 8, 2012
1.8 AROMA 2/10 APPEARANCE 1/5 TASTE 2/10 PALATE 1/5 OVERALL 12/20
mine tastes a little sour, too. i wonder what went wrong. hope they get this figured out.


Telcos have also written to the Department of Telecommunications (DoT) to announce a final decision on this issue
India’s telcos have urged the government to make its stance clear on whether operators should order 5G equipment from Chinese company Huawei or not, saying they can’t afford to take a risk with millions of dollars at stake.
Speaking at the third ET Telecom India MobileConclave on Tuesday, Bharti Enterprises vice chairman Akhil Gupta appealed the government of India to make it clear as soon as possible.
The industry understands that the Chinese firm is at the “cutting edge of 5G” technology but “we can’t take a risk” as telcos will need to invest heavily in 5G equipment, Gupta said.
Echoing the same thought, Rajan Mathews, director general of the Cellular Operators Association of India (COAI), also urged the government to inform operators beforehand if there are perceived security issues.
“…Today if they invest using Huawei products, then six months down the line, they do not want to be in a position where government requires them to remove the equipment,” he stated.
Telcos have also written to the Department of Telecommunications (DoT) to announce a final decision on this issue.
Huawei Security Concerns
Huawei is facing global scrutiny after the US raised security concerns regarding its 5G equipment over the former’s alleged proximity to the Chinese government.
The US has asked its allies to ban 5G gear from Huawei. Canada, Japan, New Zealand and Australia have so far agreed.
However, Huawei India CEO Jay Chen had rejected the allegations, saying that no country has been able to give any evidence of wrongdoing by the company.
Chen also said that Huawei is currently engaged with all telcos for 5G trials in the country.
(With inputs from ET)


SARASOTA, Fla. (WWSB) - Summer is officially upon us and with that comes plenty of traveling especially air travel.
SRQ is tallying up the numbers for the month of May and they are at an all-time high. Over 160,000 travelers made their way through the Suncoast airport.
Traffic for May was up nearly 40 percent more than this time last year. SRQ president, Rick Piccolo tells us he expects this trend to continue throughout the end of the year.
“Traffic’s been going crazy, been a very good year,” Piccolo said.
In addition to that, there are eight airlines proving non stop service to 29 destinations out of SRQ.


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domain: entertainment


text:
- Alaskan Mountain
Scenes from the Skagway Narrow- gauge Railway
Scenes of the Hubbard Glacier in Yakutat Bay
In August of 2000, I was gifted with an unparalleled opportunity to visit some of the most spectacular geography on the planet. A dear friend invited me to accompany her on a cruise to Alaska. She counts herself a fan, especially of my "Nature Poems," and wanted to expose me to, as they say, "something completely different." (and in this climate "expose" takes on a special meaning.) In these large latitudes, superlatives tend to become as ordinary as punctuation. These pieces are a microscopic slide of the immensity of the experience.

domain: geography


text:
Pieter Jansz Saenredam
Pieter Jansz Saenredam Gallery
Saenredam was the son of the print maker and draughtsman Jan Pietersz Saenredam (1565-1607), who was born in Zaandam or, in those days, Saenredam. In 1612 he moved to Haarlem, where he became a pupil of Frans de Grebber and lived the rest of his life.
A contemporary of Rembrandt, he is noted chiefly for his surprisingly modern paintings of churches. Saenredam achieved this modern look by meticulously measuring and making sketches of the churches he wanted to paint. He would make these sketches in pencil, pen, and chalk, then and add in water colors to help give the sketch texture and color. The sketches are very architectural in detail, they convey the interior atmosphere through the clever use of light and graduated shadows. Saenredam often deliberately left people out of his work, thus also focusing more attention on buildings and their architectural forms. Only after having made precise measurements, and precise sketches and drawings of the churches, he would take them to his studio where he started to create his paintings.
The Reformation led to a rise in Protestant art, of which Saenredam??s Interior of the St. Martin's Dom in Utrecht is an example. As a Catholic church the Dom had been built with adornments. Then, in the epoch of the Eighty Years War and with the church getting in Protestant hands, it was ??cleaned?? of Catholic influences. The altarpieces and statuary were removed, and the walls and ceiling were white washed. The painting shows the church not long after its make-over. The sparse interior with illuminated corridors reflect Protestant ideals, new for Saenredam's time.
Alternatively, the paintings of church interiors by Saenredam and other 17th century Dutch painters have been interpreted as having less to do with religion and more with the new-found interest in perspective and with the Dutch interpretation (known as Dutch Classicism) of Palladio??s theories of proportion, balance and symmetry.
In any case, Saenredam wanted to memorialize his country during this time of change by documenting many of the country??s buildings. Many artists before him had specialized in imaginary and fanciful architecture, but Saenredam was the first to focus on existing buildings. According to the J. Paul Getty Trust ??Saenredam??s church paintings??owe their poetry to his remarkable blend of fact and fiction. He began by making site drawings of buildings that record measurements and detail with archaeological thoroughness.?? This meticulous preparation helped him to create such accurate and enchanting paintings. The measurements aided him in using scientific linear perspective, just like Andrea Pozzo. He was able to use his measurements to create a realistic image with depth.
The Utrecht Archives houses a large number of Saenredam's drawings. In the season 2000-2001 the Centraal Museum at Utrecht held a major exhibition of his drawings and paintings. Perhaps his best known works are a pair of oil paintings both titled Interior of the Buurkerk, Utrecht. One hangs in London's National Gallery, the other in the Kimbell Art Museum in Fort Worth, Texas. In their simplicity and semi-abstract formalism, they foreshadow more modern works such as those of Mondrian and Feininger. Related Paintings of Pieter Jansz Saenredam :. | View of the ambulatory of the Grote or St. Bavokerk in Haarlem | Interior of the Choir of St Bavo at Haarlem | Interior of the Church of St Bavon at Haarlem (mk05) | The old town hall of Amsterdam. | Church Interior in Utreche (mk08) |
Related Artists:Casilear John William
American Hudson River School Painter, 1811-1893
was an American landscape artist belonging to the Hudson River School. Casilear was born in New York City. His first professional training was under prominent New York engraver Peter Maverick in the 1820s, then with Asher Durand, himself an engraver at the time. Casilear and Durand became friends, and both worked as engravers in New York through the 1830s. By the middle 1830s Durand had become interested in landscape painting through his friendship with Thomas Cole. Durand, in turn, drew Casilear's attention to painting. By 1840 Casilear's interest in art was sufficiently strong to accompany Durand, John Frederick Kensett, and artist Thomas P. Rossiter on a European trip during which they sketched scenes, visited art museums, and fostered their interest in painting. Casilear gradually developed his talent in landscape art, painting in the style that was later to become known as the Hudson River School. By the middle 1850s he had entirely ceased his engraving career in favor of painting full-time. He was elected a full member of the National Academy of Design in 1851, having been an associate member since 1831Amaldus Clarin Nielsen
(23 May 1838 - 10 December 1932) was a Norwegian painter.
He was born in Halse as a son of shipmaster and merchant Niels Clemetsen Nielsen (1795 - 1845) and his wife Andrea Marie Møller (1802 - 1866). He grew up in Mandal in Vest-Agder county, Norway. He lived most of his childhood and adolescence without a father. He received some tuition from a traveling drawing teacher and traveled to Copenhagen to study in 1854
painted The Forest in 1897


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Design, Fashion, Culture, 1925-1940
October 3, 2008 - February 22, 2009
Back to Past Exhibitions
Explore the artistic relationship between two world capitals from 1925 to 1940.
The 1920s and ‘30s witnessed a burst of creative energy in the fields of architecture, design, and fashion. In transatlantic networks, the era’s great architects and designers engaged in international dialogue and collaboration, linking capital cities—above all, Paris and New York—in artistic enterprise. Paris/New York: Design, Fashion, Culture, 1925-1940 explores not only emerging trends in architecture and design but also in film, fashion, and the performing arts. The exhibition, examining the work of legendary and obscure figures as well as a range of styles, including Art Deco and neo-romanticism, displays original drawings, furnishings, decorative objects, costumes, photographs, posters, and films.
Paris/New York: Design, Fashion, Culture, 1925-1940 is supported by a generous grant from the Florence Gould Foundation.
Major sponsorship is also provided by Van Cleef & Arpels.
Additional funding is provided by ELLE and ELLE DECOR Magazines, The Grand Marnier Foundation, OpenSkies, Mel Seiden and Janine Luke, The New York Design Center, New York State Council on the Arts, Mrs. Stephen M. Kellen, and NYSE Euronext. The exhibition is also made possible by American Society of the French Legion of Honor, Mr. and Mrs. Jeremy H. Biggs, Mr. and Mrs. Robert G. Goelet, Ronay and Richard Menschel, Pierre and Maria-Gaetana Matisse Charitable Foundation, Mary Ann and Bruno A. Quinson, Elizabeth Stribling, and many other generous donors.

domain: design


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I designed this Speed Puff Crochet Washcloth Pattern this week. I wanted something with texture, but not too much. This stitch pattern fit the bill and was quick to whip up.
It’s got a bit of nubbiness from the speed puffs and yet it is open enough to absorb water. The end product is something soft enough for a baby’s bath, but sturdy enough for the kitchen.
The speed puff stitch has a jaunty tilt that makes an interesting repetitive pattern; somewhere between a shell and a bobble. In the odd rows I used a simple filet technique across that opened up the pattern to allow for easy absorption of water.
I used an H hook with all-cotton yarn. The Speed Puff Crochet Washcloth Pattern was a fast and blissful project. My only problem is choosing which colors to use next. 🙂 Happy crocheting! – Laura
Whip up a bunch for yourself or someone you love. Download the Pattern here.


Ever marveled at the intriguing dance of a robot vacuum as it seamlessly glides around your living room, evading obstacles and leaving a trail of clean in its wake? These futuristic marvels of robotic cleaning technology, such as the Srhythm R1 Robot Vacuum Cleaner with WiFi/App, operate on a symphony of sophisticated sensors and smart algorithms. Let’s delve deep into their workings and understand how they detect and navigate around common household obstacles.
1. The Eyes of the Vacuum: Light Sensors and Wall Sensors
In today's technologically advanced world, robot vacuum cleaners have made a significant leap in terms of intelligent navigation within our homes. At the heart of this impressive functionality lie various types of sensors. Among these, light sensors and wall sensors play pivotal roles in enabling these devices to offer an intuitive and efficient cleaning experience.
Light Sensors: The Vacuum's Visionary Tool
Just as we humans heavily depend on our eyes to interact with our environment, robot vacuums employ light sensors as one of their primary navigation tools. These sensors, often complex in their design, are incredibly sensitive to varying levels of ambient light within a space.
Imagine walking into a dimly lit room; your eyes would automatically adjust to the low light to help you navigate better. In a similar fashion, light sensors provide robot vacuums with a sense of "vision." By detecting changes in light intensity, they can distinguish between open areas and those shadowed by furniture or other obstacles. This is particularly crucial for a robot vacuum to ensure it doesn't get stuck under a couch or a bed.
The Srhythm R1 Robot Vacuum Cleaner, a notable model in this domain, showcases the sophisticated use of these sensors. It not only detects ambient light but processes this information in real time. The result? A dynamic adjustment of its cleaning route, ensuring that it can seamlessly move from open areas to those under furniture and vice versa, optimizing its cleaning path for maximum coverage and efficiency.
Wall Sensors: Mastering the Art of Close Proximity Navigation
For those who've observed a robot vacuum in action, its ability to glide gracefully alongside walls without colliding into them can seem almost magical. This magic, however, is science in action, thanks to wall sensors.
Wall sensors are fundamentally different from light sensors. While the latter deals with light intensities, wall sensors are designed to detect physical proximities. Using infrared technology, these sensors emit beams that reflect upon hitting a surface, like a wall. By measuring the time taken for the reflection to return, the sensor can gauge how close or far the vacuum is from the wall.
The application of this technology is particularly evident when you see a robot vacuum like Srhythm R1 move in straight lines along your walls. It doesn't just avoid collision but maintains an optimal distance to ensure the side brushes can effectively pick up dirt and debris nestled close to wall edges. This is a prime example of how technology ensures thorough cleaning without any risk of damage to either the vacuum or the walls.
2. Advanced Mapping: Light Detection and Ranging (LiDAR) and simultaneous Localization and Mapping (SLAM)
As robotic cleaning technology continues to advance, the methods by which these machines perceive and understand their environment have grown in sophistication. Beyond the more fundamental sensors, mapping technologies like LiDAR and SLAM have emerged as revolutionary tools in the robot vacuum's navigational arsenal.
Light Detection and Ranging (LiDAR): Painting a Picture with Laser Beams
LiDAR, a technology initially developed for topographical mapping and atmospheric research, has found its way into the domain of robotic cleaning, greatly enhancing the efficiency and accuracy of these devices.
At its core, LiDAR is like echolocation, but with light. By emitting thousands of laser beams per second and then measuring the time it takes for them to return after reflecting off an object, LiDAR can generate a precise three-dimensional map of the environment. This doesn't just involve mapping static furniture but also potential moving obstacles, like pets or toys.
In robot vacuum cleaners, this technology ensures that the device always has a precise understanding of its location within the room, avoiding obstacles with remarkable efficiency and ensuring optimal coverage. It's akin to providing the vacuum cleaner with a real-time, highly accurate GPS of your home's interiors.
Simultaneous Localization and Mapping (SLAM): The Dynamic Duo of Mapping and Navigating
While LiDAR is impressive, the true magic happens when it's combined with SLAM technology. The name itself offers a hint—this technology isn't just about mapping an area; it's about understanding and navigating that area simultaneously.
Imagine trying to sketch a room's layout while walking around in it, updating your sketch as you move furniture or discover hidden corners. That's effectively what SLAM enables a robot vacuum to do. As the device moves, it continually updates its internal floor plan based on real-time data. This means that even if you shift a table or add a new piece of furniture, a SLAM-equipped robot vacuum, like the Srhythm R1, can adapt on the fly.
This dynamic adaptation ensures that the vacuum cleaner isn't just mindlessly following a pre-determined path. Instead, it's constantly thinking, recalculating, and optimizing its route based on the most recent data. It’s like having a smart cartographer inside your vacuum, meticulously charting and re-charting the space.
3. Detecting Furniture and Smaller Obstacles: Optical and Infrared Sensors
The landscape of a typical home is filled with diverse obstacles, from grand sofas to slender chair legs. To ensure a seamless cleaning session, it's imperative for robotic vacuums to be adept at detecting and navigating around these hindrances. This is where optical and infrared sensors come into play, acting as the discerning eyes of these machines.
Optical Sensors: The Robotic Visionary
Just as our eyes provide us with a detailed visual understanding of our surroundings, optical sensors grant robot vacuums a semblance of sight. They capture visual data from the environment, translating it into actionable information for the vacuum. This technology often works hand in hand with advanced mapping systems, giving the Robot vacuum a more holistic view of its environment.
For instance, imagine the cluttered floor of a child's playroom. Toys scattered around can pose a navigational challenge. Optical sensors allow the vacuum to identify these smaller obstacles, ensuring the machine can skillfully maneuver around them. By distinguishing between different objects – be it a toy truck, a bouncy ball, or the slender leg of a chair, vacuums equipped with optical sensors, like the Srhythm R1 Robot Vacuum Cleaner, can ensure comprehensive cleaning without getting stuck or causing disruptions.
Infrared Sensors: The Invisible Protectors
Infrared sensors introduce another layer of environmental perception for robot vacuums. Unlike optical sensors that rely on visual data, infrared sensors utilize infrared beams to detect obstacles. When an object interrupts or reflects these beams, it provides the vacuum with crucial information about its proximity to potential hindrances.
This mechanism plays a pivotal role in helping the robot vacuum detect larger furniture pieces like sofas, tables, or cabinets. It's not merely about preventing collisions; it's about ensuring the vacuum maintains an optimal distance from these obstacles, allowing it to clean right up to its edges without causing any damage. The real-time feedback from these sensors ensures that the robot vacuum can make split-second decisions, diverting its path when an obstacle is detected.
4. Cliff Detection and Battery Life Management
In the dynamic world of robotics, safety and efficiency are paramount. Robot vacuum cleaners, in particular, have been equipped with multiple sensors to ensure their operation remains both seamless and hazard-free. Two of the key technological features in this domain are cliff sensors and battery management systems. These systems not only prevent potential damage to the robot but also streamline its operation to be largely hands-free, elevating the user experience.
Cliff Sensors: The Guardian Angels of Robot Vacuums
We often place a great deal of trust in our robot vacuum cleaners, allowing them to roam our multi-level homes unsupervised. One of the major risks associated with this is the possibility of the robot tumbling down the stairs. This is where cliff sensors step in, acting as the robot's guardian angels.
These specialized sensors continuously monitor the distance between the vacuum and the floor. By using infrared or optical beams, they detect the proximity of the ground below. When the robot approaches a staircase or any edge where there's a sudden drop, these sensors register the lack of ground beneath and immediately send a signal to the vacuum to change direction, preventing any falls.
This advanced cliff detection system gives homeowners peace of mind, knowing that their investment is safe, even in multi-story homes or spaces with balconies and staircases.
Battery Life and Return to Base: The Heartbeat of Robotic Cleaning
In the age of smart devices, manual charging seems rather archaic. Modern robot vacuum cleaners have risen to this challenge by integrating intelligent battery management systems. Devices like the Srhythm R1 Robot Vacuum Cleaner continuously monitor their battery levels through built-in sensors.
These sensors are more than just passive observers; they play an active role in the robot's navigation. Once the battery level reaches a predefined threshold, the robot receives a signal to return to its charging base. This proactive approach ensures that the robot is always charged and ready for its next cleaning session.
Furthermore, this feature eliminates any guesswork for the user. Instead of wondering if the vacuum has enough charge for a cleaning session, the robot takes the initiative, making sure it's always charged and ready. This not only prolongs the lifespan of the battery but also enhances user convenience.
5. Bringing It All Together: Seamless Robotic Cleaning
The world of robotic cleaning is no longer about mere automation. It’s about orchestration. It's about harmoniously merging various technologies to create a device that not only cleans but anticipates, adapts, and ensures optimal performance in diverse environments. In the heart of this symphony lies products like the Srhythm R1 Robot Vacuum Cleaner with WiFi/App, a testament to how these technologies can revolutionize our daily cleaning routines.
A Symphony of Sensors and Mapping Technology
The key to the Srhythm R1's Vacuum efficacy is its multi-sensory approach. Light sensors, infrared sensors, optical sensors, and cliff sensors – each play a distinct yet interconnected role. While one detects ambient light conditions, another is busy mapping the room, while yet another ensures the device doesn't take a tumble down the stairs. This intricate dance of sensors allows the device to recognize, analyze, and adapt to its environment in real time, ensuring each cleaning session is as thorough as the last.
The Power of Real-Time Adaptation
Traditional cleaning methods often involved manual adjustment for different floor types or reconfiguring when obstacles were present. But with the advanced mapping technology like LiDAR and SLAM present in the Srhythm R1, combined with its array of sensors, the robot vacuum cleaner does all the thinking for you. It not only recognizes changes in its environment but also responds to them dynamically.
Spilled a box of cereal? The optical sensors might detect the larger debris, prompting the vacuum to adjust its suction power. Rearranged your living room furniture? The real-time mapping ensures the device recognizes this new layout, adjusting its cleaning path accordingly. And should it encounter a new obstacle, like a forgotten toy or a shoe, it smoothly navigates around it, minimizing disruptions to its cleaning session.
Connectivity and Integration: The Final Piece
Another crucial facet of the seamless cleaning experience offered by the Srhythm R1 is its integration with smart home systems through WiFi/App connectivity. This not only allows users to remotely control and monitor their device but also integrate it with other smart home products, creating a cohesive cleaning ecosystem.
For instance, if the vacuum detects its battery running low during a cleaning session, not only will it autonomously head back to its charging base, but it can also send a notification to your smartphone. This level of connectivity and real-time communication amplifies user convenience and control.
Robot vacuum cleaners, with their intricate array of sensors and smart technologies, are transforming how we perceive home cleaning. They are a testament to the convergence of robotics, artificial intelligence, and everyday convenience. The next time your Srhythm R1 or any other robot vacuum glides around your home, you'll have a newfound appreciation for the technological marvel that it truly is.


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Goldman Fraser, J. and Casanueva, C. – 2013
Describes the Miami Child Well-Being Court (CWBC), which focuses on the well-being of infants and young children who are involved in the court and child welfare systems. The CWBC emphasizes the importance of utilizing evidence-based interventions to address child trauma associated with maltreatment. Provides information on specific evidence-based clinical interventions. Describes what clinicians who are involved with the court can expect at hearings. Summarizes basics about court and child welfare processes. Outlines CWBC clinical practice in areas such as: opening and closing cases, conducting parent-child assessments, engaging parents in treatment, protecting the therapeutic relationship, building a support system for parents, participating in hearings, and collaborating on the court team. Appendices include additional information on dependency court proceedings, training topics for CWBC-involved clinicians, choosing assessment measures, and a sample parent-child assessment.

domain: psychology


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Asia getting rapidly healthier, but older too
Life expectancy across the Asia-Pacific region is increasing at one of the fastest rates in the world, but millions are being denied access to affordable, quality care because of weak government investment in health.
Across Asia, average life expectancy reached 73.4 years in 2012 – a jump of seven years since 1990, outstripping an average gain of 5.3 years among developed countries over the same period, according to the Organisation for Economic Co-operation and Development (OECD).
The improvement was underpinned by a dramatic fall in infant mortality (which has halved in many countries since 1990) and big gains in maternal health – the average maternal mortality rate across Asian countries has plunged by 48 per cent.
As a result, a massive demographic shift is underway across the region. The population is rapidly ageing, so that by 2050 more than one in every four people will be 65 years or older.
But region-wide improvements disguise major disparities in health among individual countries, the joint OECD-World Health Organisation report, Health at a Glance Asia/Pacific 2014, shows.
While a baby born in Hong Kong or Japan in 2012 could, on average, expect to live for more than 86 years, (and more than 84 years in Australia), average life expectancy in Papua New Guinea was just 64.5 years, and 67 years in Myanmar.
The differences are reflected in wide discrepancies regarding infant mortality between countries in the region. While there was just one infant death per 1000 live births in Hong Kong in 2012 (and three per 1000 in Australia), in Pakistan the rate is a massive 69 deaths per 1000 live births, 54 in Laos and 48 in PNG.
The OECD said that, while the overall improvement in life expectancy and reduced infant and maternal mortality in the Asia-Pacific region was impressive, much more can and should be done in many countries to lift health standards.
“Countries in the Asia-Pacific region need to step up their efforts to give more people access to affordable, quality health care,” the OECD said. “Too many people, especially women, cannot get the medical treatment they need due to high costs, difficulties in getting permission to see a doctor, or a lack of health care providers in rural areas.”
Part of this comes down to inadequate investment in health, particularly by governments.
The report found that Asian countries spend an average $US730 per person on health (equivalent to 4.6 per cent of gross domestic product), compared with an OECD average of $US3510 (9.3 per cent of GDP).
The shortfall in public spending is even more marked – in Asia, less than half (48.1 per cent) of total health spending comes from the public purse, compared with the OECD average of 72.7 per cent.
The relative lack of investment is obvious in the paucity of health resources available, particularly in poorer rural areas.
Across the Asia-Pacific, there is an average of 1.2 doctors and 2.8 nurses for every 1000 people, well below the OECD average of 3.2 doctors and 8.7 nurses.
There are also fewer hospitals on hand. In Asia, there are 3.3 hospital beds for every 1000 people, while among developed countries the average is 4.8.
While spending on health in Asia is relatively low by developed country standards, individuals and governments have been outlaying more on health as economies have developed and millions have emerged from poverty.
Across Asia, per capita spending on health grew at an annual average of 5.6 per cent in real terms between 2000 and 2012, exceeding the average annual rate of economic expansion of 4.3 per cent.
The growth in spending has been particularly marked in China and Mongolia, where it has been virtually double that of the regional average.
These investments have had marked results in health outcomes.
In most Asia-Pacific countries, more than 90 per cent of one-year-olds now receive vaccination for measles, diphtheria, tetanus and pertussis – on par with global best practice.
These and other investments have helped contribute to sharp declines in infant and maternal mortality and improvements in life expectancy – both China and Mongolia registered a 71 and 70 per cent improvement, respectively, in infant mortality rates between 1990 and 2012, compared with an average gain of 55 per cent across Asian countries.

domain: medical


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Nessa is a single, 42 years old kindergarten teacher; she has a Master degree in education and is always getting more training and degrees in the educational area. When Nessa was 13 she wants to learn to swim. She and her family used to go to the beach all the time with the people from the neighborhood and the church, everybody know everybody and trust one another. One summer day, they had one of their usual trips to the beach; she used to spend most of the time in the beach playing with the sand and on the shore because she didn’t know how to swim. One of the neighbors came and asks her why she didn’t go on the water to play with the other kids and her answer was that she didn’t know how to swim. The men offer to teach her how to swim so she can enjoy playing in the water. The man was one of his father friends and knows her since she was a baby, so she agrees to go in the water with him. At that time most of the people of Nessa’s group have left to have lunch, including her family.
In the water the men took her deep in, were she could not stand by herself, told her that she was beautiful and start touching her. She resists, she screams and fights but every time she tries to go away she has to come back to his arms because she was afraid to drown. The men told her that if she did not make silent and stop fighting he would let her go and she would drown. She had to let the men kiss and touch her in her private parts until the people from her group start returning to the beach. The men took her to the shore and told her not to tell anybody or he would hurt her and her father.
Nessa feels guilty and ashamed about the attack. She wishes she never trust in that men. She stops going to the neighborhood trips and having male friends at school. She never goes to the water in the beach or even wear bathing suit, she likes to have the control in every situation. She always avoids being alone with men in close spaces and never had long romantic relationships because she cannot bear any kind of sexual contact. She had problems trusting and opening herself to other people, especially men. She is overweight and never wear dresses, make up or anything that she believes can arouse men.
With the years she has slowly withdraw herself from others, including her own family. She is constantly depress and is gradually refusing all contact with others. She likes to stay alone, reading and cleaning. Nessa never told anybody about the incident until she was 36 because she was ashamed to tell her parents and other people about it, she feels it was her fault because she wants to learn to swim and instead of asking to her family she trusts in somebody she shouldn’t. Nessa and her family are very religious and she decided open to her family about the incident and search for help went she start to have suicidal thoughts.
Unfortunately Nessa’s incident is a very common one, a child that has been molest and as a consequence of this traumatic event has deep emotional scars. Nessa has developed feelings of shame and guilt that had deeply affected her trust in others. She considered interactions with other people (especially men) potentially dangerous. Nessa experienced a threat to her physical integrity; during the water incident she felt powerless and horrified. She is traumatized and as consequences she suffers from depression; she never feel like doing anything else but study by herself and feels that the future does not hold anything for her. She shows traits typical of people who have eating disorders; she tries to make herself as unattractive as possible to men. She also has suicidal thoughts. It is necessary to pay particular attention to people who express suicidal feelings after a traumatic experience.
Nessa needs deep counseling and spiritual guide. She needs to realize that she is not guilty for what it happens to her and that she deserves to have joy, love and fun. That she can trust in

domain: sociology


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Do you enjoy decadent treats that help ease the effects of a hangover? Italian Hangover Cake is the only thing you need. Due to its capacity to sate desires and uplift mood, this rich and savory delicacy has become a favorite among dessert fans. We’ll look at the history, recipes, alterations, baking advice, serving ideas, and more for this delectable Italian treat in this comprehensive guide. Prepare to set off on a delicious adventure as you discover everything there is to know about the amazing Italian Hangover Cake.
What is Italian Hangover Cake?
Torta di Rinfresco, sometimes referred to as Italian Hangover Cake, is a decadent dessert that is a product of the country’s rich culinary heritage. This cake is known for its soft and rich texture and flavorful infusions that entice the palate. It is sometimes used as a post-celebration treat to aid in healing from the affects of an exuberant night of celebration. The cake’s unusual moniker derives from the notion that its filling components might lessen the pain of a hangover, making it the ideal mate for morning coffee or afternoon tea.
History of Italian Hangover Cake
Italian Hangover Cake was first made for festive occasions and gatherings in the gorgeous area of Tuscany, where it has its roots. As time went on, it gained a following across Italy and beyond, winning the hearts of those who enjoy dessert. Although the cake’s precise beginnings are a mystery, its appearance on important occasions and its standing as a reviving treat haven’t altered.
Traditional Italian Hangover Cake Recipe
There are a few necessary items needed to make an authentic Italian hangover cake. To help you reproduce this culinary wonder in your own home, here is a traditional recipe:
- 2 cups all-purpose flour
- 1 ½ cups granulated sugar
- 1 cup unsalted butter, softened
- 4 large eggs
- 1 cup whole milk
- 1 teaspoon vanilla extract
- 1 teaspoon baking powder
- ½ teaspoon baking soda
- ¼ teaspoon salt
- Prepare a circular cake pan with greasing and preheat the oven to 350°F (175°C).
- The softened butter and sugar should be creamed together until light and fluffy in a large mixing basin.
- One at a time, add the eggs, beating well after each addition.
- Add the vanilla essence and stir.
- Mix the flour, baking soda, baking powder, and salt in a another basin.
- Alternately add the milk and dry ingredients to the butter mixture as you gradually add each.
- After smoothing the top, pour the mixture into the prepared cake pan.
- 30 to 35 minutes of baking time, or until a toothpick inserted in the middle of the cake comes out clean.
- The cake should cool in the pan for ten minutes before being moved to a wire rack to finish cooling.
- You may choose to frost the top with your preferred frosting or optionally sprinkle it with powdered sugar when it has cooled.
Variations of Italian Hangover Cake
Although the classic recipe is unquestionably delicious, there are a number of intriguing versions of Italian hangover cake to try. Here are some well-known examples:
- Cocoa powder or melted chocolate may be added to the batter to give it a decadent chocolate flavor.
- Citrus Zest Delight: To give the cake a zesty citrus taste, add the zest of lemons, oranges, or both.
- Nutty Sensation: To add crunch and nutty flavor, mix in chopped nuts like walnuts or almonds.
- Luscious Berry Burst: To generate bursts of delicious pleasure with each mouthful, layer the cake with fresh berries like raspberries or strawberries.
You are welcome to experiment with various components and mixtures to find your own preferred version of this wonderful dessert.
Tips for Baking Italian Hangover Cake
It takes careful planning and a few pro tricks to make the ideal Italian hangover cake. To make your cake moist, tasty, and tempting, follow these tips:
- Using components at room temperature: Before baking, let your milk, butter, and eggs come to room temperature to create a smoother batter and better overall texture.
- Avoid making a thick, hefty cake by just mixing the ingredients until they are barely blended. Gluten formation as a consequence of overmixing may provide a harsh texture.
- When in doubt, ask: Check to see whether the cake is done by inserting a toothpick into the middle. If so, your cake is prepared!
- Await cooling Allow your cake to cool completely before frosting or slicing. This stops the crumbling and enables the flavors to completely emerge.
These suggestions will help you make an outstanding Italian hangover cake that will have everyone begging for more.
Serving and Pairing Suggestions
It’s possible to enjoy Italian hangover cake in a variety of ways. For serving and matching ideas that can enhance your experience, see below:
- Serve it warm: For a wonderful dessert, gently reheat a piece of Italian hangover cake and serve it with a dollop of freshly whipped cream or a scoop of vanilla gelato.
- Enjoy a piece of Italian Hangover Cake with your morning mug of coffee or tea for a delicious breakfast treat. The tastes and richness of the cake go wonderfully with the fragrant drinks.
- centerpiece for a celebration To make the cake into a striking centerpiece for special events, add colorful fruits, edible flowers, or a light sprinkling of powdered sugar.
Keep in mind that there are many options for presenting and complementing this delicious dessert. Be creative and enjoy every moment as it comes.
Where to Find Italian Hangover Cake
You might look into nearby bakeries, pastry stores, or Italian restaurants if you’re not in the mood to bake or just want to sample a professionally baked Italian hangover cake. Additionally, a lot of internet stores provide gourmet desserts, so you may purchase one and have it delivered right to your house. You may find a range of solutions to sate your appetites with a short search.
Frequently Asked Questions
Q: How far in advance can I prepare an Italian hangover cake?
Definitely! When cooked a day ahead, Italian hangover cake actually tends to taste better since the flavors have had time to mingle. Simply keep it at room temperature in an airtight container.
Q: Can Italian Hangover Cake be frozen?
Italian Hangover Cake may be frozen. Before freezing, make sure it is well-wrapped in plastic wrap or put in an airtight container. Before serving, let it defrost in the refrigerator.
Q: Can I make substitutions in the recipe?
You should stick to the recipe as closely as possible for accurate results, but you may experiment with ingredient swaps to satisfy any dietary preferences or constraints. But be aware that it could change the final cake’s taste and texture.
Q: What is the shelf life of Italian hangover cake?
Italian hangover cake may last up to 3–4 days when properly kept in an airtight container at room temperature.
Q: Can I make Italian Hangover Cake without gluten?
A gluten-free Italian hangover cake may be made using gluten-free flour in place of all-purpose flour. Just make sure the other components are likewise free of gluten.
Richness, taste, and history are all there in every mouthful of the delectable dessert known as Italian Hangover Cake. This cake will wow whether you’re looking for a cure for a hangover or just want to indulge in a delicious treat. It is hardly surprising that this Italian delicacy has become so well-known given its moist texture, adaptable varieties, and serving options. So collect your supplies, according to the recipe’s instructions, and start baking to make your own Italian hangover cake. Enjoy the moment, indulge in the sweetness, and let this culinary masterpiece to mesmerize your taste senses.


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The lettings franchise marked the day with a flurry of Northern-inspired activity including a flat cap decorating contest and plenty of Yorkshire Tea. The festivities raised more money for the Macmillan Cancer Support Charity, which Belvoir has raised over £25,000 for in the past two years.
The startlingly original idea was the brainchild of Premises Coordinator, Emma Greenfield, who almost embarrassingly forgot that August 1 is traditionally Yorkshire Day. However she was able to put together Belvoir’s celebrations in time for a ‘right good day’.
She said: “Something as simple as an office tea party can be a perfect way for an office to add funds to the Belvoir charity pot. In this case it was Belvoir’s charity tea pot.”
National Yorkshire Day may be all over for another year, but those feeling the back-to-work blues needn’t worry – National Button Day is just around the corner on November 16.
Published: 14 August 2013
Back to news

domain: news


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Jack Doohan has won this mornings F2 Sprint Race in Hungary, leading for the majority of the race after starting from pole position. Finishing behind the Australia was Juri Vips, with Enzo Fittipaldi rounding out the podium places.
The Australian lead the majority of the race bar the first two corners, after a fast starting Fittipaldi took the lead off the start before running wide into Turn 3, allowing Doohan and Vips to pass.
Liam Lawson was the best placed New Zealander with a respectable sixth place, one spot ahead of Marcus Armstrong. Both Kiwi’s benefitted from a Lap 1 incident between Dennis Hauger and Logan Sargeant, which eliminated both drivers from the race and forced seventh place sitter Theo Pourchaire to take evasive action, dropping him to 16th.
Doohan caught the field napping at the safety car restart, building a quick lead over Vips and Fittipaldi which he never relinquished.
Armstrong sat the better placed of the New Zealander’s in seventh, challenging Jehan Daruvala for sixth over the majority of early proceedings. Just was the case last week in France, twice, Armstrong was hit whilst managing an overtake on Lap 19, with Daruvala awarded a 10-second time penalty for causing an incident. There was no damage for Armstrong, however, who only lost one spot to Lawson following the drama.
That was how things remained, with Lawson finishing 13 seconds behind championship leader Felipe Drugovich who came in fifth place. Frederick Vesti was the fourth best driver of the day, finishing nine seconds outside the podium.
Armstrong will start on the front row in tonights Feature Race, which begins at 9.35pm and is live on Spark Sport.

domain: sports


The purpose of ART’s List is to assist in placing animals in a better environment than the shelter can provide.
Please email email@example.com make an appointment for rescue pickup. For rescue pick-up requests outside hours of normal operations, please emailAnimalServices@garlandtx.gov. Due to limited staff after normal hours of operations, we will attempt to accommodate after-hours pick up if possible. Rescue communication should still be conducted through email.
If you would like to become an approved rescue partner with the Garland Animal Shelter & Adoption Center please download and complete the rescue application and carefully review and sign the rescue guidelines. Once completed, please email them to firstname.lastname@example.org. Your partnership and support will greatly contribute to the well-being of animals in need.


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1 whole eggplant, peeled and cubed (1″ pieces)
2 – 3 tablespoons olive oil
1 medium tomato, diced
1 cup chickpeas
1 teaspoon lemon zest
1/4 cup fresh lemon juice
1 teaspoon garlic clove, small diced
1/4 teaspoon cayenne pepper
1 teaspoon kosher salt
1/2 cup chopped parsley
Whisk together all the dressing ingredients.
Preheat oven to 400°F.
On a baking sheet, fitted with parchment paper, toss eggplant with salt, pepper and olive oil, until evenly coated. Bake about 30-40 minutes, turning once, until eggplant is evenly roasted.
Remove from oven and let cool.
Place eggplant, tomatoes and chickpeas in a medium size bowl.
Toss with some of the dressing. Taste to check seasonings.
Serve with warm pita and/or Greek yogurt.