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Shares of Invesque Inc (TSE:IVQ.U) hit a new 52-week low on Thursday . The company traded as low as C$6.09 and last traded at C$6.31, with a volume of 52491 shares changing hands. The stock had previously closed at C$6.92.
Separately, Canaccord Genuity reduced their target price on Invesque from C$8.00 to C$7.50 in a report on Thursday, May 16th.
The firm’s fifty day simple moving average is C$7.30. The firm has a market capitalization of $330.04 million and a PE ratio of -44.29. The company has a current ratio of 0.67, a quick ratio of 0.48 and a debt-to-equity ratio of 156.74.
About Invesque (TSE:IVQ.U)
Invesque Inc operates as a real estate investment company in Canada and the United States. The company invests in health care and senior living properties, such as post-acute transitional care, long-term care, memory care, assisted living, independent living, and medical office properties. As of December 31, 2018, it owns a portfolio of 98 health care and senior living properties.
Featured Article: What is Cost of Goods Sold (COGS)?
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Are You Left-Brained or Right-Brained … or Both? Duality is a Gift From Deep Space– Tap Into It!
Can we settle on a few points like what do capricorns like in bed?
The sun is a blazing ball of energy that fuels a lot of things on our world – our food and also ourselves. This is a fact.
Placing your feet on the ground can attach you back to Mother Planet and aid center you. Again, a reality.
Dark chocolate is superior to milk chocolate. Ehh … this may not be a reality depending on your tastebuds, yet we ‘d love to think that it holds true thinking about all the health benefits.
Yet seriously, one truth that we all recognize holds true is that we reside in a world of duality, indicating that there are always 2 sides to everything.
This reality can be proven with anything.
Believe about just how a plant expands: there’s the stunning growth that we see above ground, however additionally elaborately intertwined origins that grow below the ground.
Assume concerning the sun and the moon: one burns brightly in the daytime sky while the various other brightens our evening time.
Lastly, assume regarding exactly how you on your own exist in this world. You have two sides, as well.
There are both logical and emotional facets of your nature. You have actually left and ideal sides of your brain. And everyone has both manly and womanly energies.
Did you know that you even have a sunlight indication and a moon indicator astrologically?
Obtaining to understand both sides of yourself from a logical and psychological viewpoint can assist you to recognize how to materialize the life that you truly want to live.
As soon as you face these realities, the world goes to your fingertips!
Use Logic Making Use Of Old Scientific Tools Like Astrology
Believe it or not, astrology is based a lot more on scientific research that’s backed by facts as opposed to mysticism. what do capricorns like in bed
This is a lot so that a range of old cultures have utilized it’s sensible reasoning to in fact compute calendars, dictate massive decisions when it involved war approach, and even intended their plants around astrological dates.
Astrology uses a system that incorporates mathematics and astronomy to develop an intimate language that just a couple of understand on a really deep level.
Not just do astrologers formulate graphes (comparable to mathematical graphs), they additionally examine certain aspects and transportations that integrate degrees (these can look like geometric angles that you may have researched in mathematics class).
To become a skilled astrologist, you have to devote to both making use of science and math, yet likewise use your instinct!
Integrating Psychological Knowledge To Unlock Your Heart Path
When individuals talk of instinct, there’s this misconception that only those that are womanly or female have access to this superpower.
That’s just not true.
Everyone can connect with their instinct and should!
As long as our society shows us to stay clear of feelings (whether you’re male or women), we need to discover to unlearn these practices.
The emotions are essential to being familiar with on your own on a deeper, spiritual level. We would go so much as to claim that emotions are exactly how your spirit talks to you, but you have to train on your own to pay attention.
The feelings that all of us have access to is actually an assistance system. It’s important to actually experience each emotion so that you can be assisted to where you’re actually meant to be.
This is exactly how you use your intuition.
Yes, it’s excellent to feel angry sometimes. Yes, it’s good to feel disappointed often. Yes, it’s excellent to feel depressing occasionally. Yes, it’s outstanding to really feel enthusiastic, too!
These are all valid emotions that offer evidence and assistance regarding where your spirit would like you to go and where your soul would not like you to go.
When something makes you anxious, that is your soul talking to you, cautioning you that possibly that isn’t the course for you. While when something makes you excited and energetic, your spirit is exclaiming, “YES!” and urging you to move on.
Recognizing the emotions is a crucial step into entering your spiritual power and brightening your soul course.
Exactly how To Use Both Reasoning and Feeling to Materialize the Life Your Soul Absolutely Desires
what do capricorns like in bed, as we stated above, we stay in a realm that is double in many methods.
It is necessary to identify this to make sure that you can capitalize on the tools and resources that are around you along with use the all-natural abilities that you have within yourself.
Astrology is one the oldest, most relied on devices that humankind has had the ability to make use of to understand the soul’s objective by first evaluating the Sun indication. The sunlight indication is your personal zodiac indication that actually outlines your one-of-a-kind features and also highlights your psychological triggers and exclamations.
Not just can you use a clinical tool that’s loaded with logic, however while discovering your personal astrology, you can also exercise using your emotions.
How does the details provided to you make you really feel?
The answer is nearly constantly reassured and recharged to show up the life that your spirit is yearning for.
Read your Tailored Spirit Path Report right now.
You’ll be surprised at what you can achieve when you identify and honor your complicated, double nature.
The concern is, are you all set to take advantage of both your logic and feelings?
You’ve listened to of NLP?
It’s nearly cultish.
It means neuro-linguistic programming and it’s like someone had actually taken the very best out of all forms of psychiatric therapy, threw them in a mixer and created NLP.
If you do not get what I’m stating, NLP is 2 things.
It is a way of thinking. It’s a structure for exactly how to approach your life to be much more efficient. It’s like an approach of life based upon comprehending just how your brain functions.
Second, it is a psycho-therapy device. It’s made use of to treat fears and to transform ideas in clients. Some consider it as reliable as CBT (cognitive-behavioral therapy) and most say it’s a great deal faster than the Freudian institution of thought.
Mental health concept.Because at the core of NLP lies hypno-therapy. To be a lot more certain, the “behavioral changing” part of NLP is built on the trainings of Milton Erickson, one if not the most renowned hypnotherapists of all times.
It’s a gain access to, a hack, to your subconscious mind.
Allow me provide you this analogy. Visualize your mind resembling a computer system. Your conscious mind is accessing programs, turning it on and off and so on. what do capricorns like in bed, Regular user accessibility. Your subconscious mind resembles going right into the settings, installing applications, erasing them, adding brand-new users and more.
It’s the “engine” or the “back space” that manages every little thing. Well, NLP is like a cyberpunk that can break the password of your
subconscious mind and adjustment there. It enables you to transform beliefs and to change who you are, as an individual, to your core. It mosts likely to those deep thoughts and suggestions you do not even recognize you have and makes you act in a different way by tweaking your standard ideas of self.
It hijacks your subconscious mind, and it does it quite possibly.
And with the usage of NLP you can remove anxieties, you can change basic preferences (as not liking chocolate any longer) or you can even treat injuries from the past, as those from childhood. It works. It works well, and it’s supported by a few of the best-known authors worldwide. Tony Robbins built his occupation and success on NLP and if you run a study amongst effective people, you’ll see that much of them are NLP experts or masters.
You can’t mess with what works.
Why am I telling you this?
If NLP resembles a cyberpunk that modifies your subconscious mind so you can come to be the person you desire to be, if NLP resembles a style tool that enables you to revamp who you are, after that brainwave entrainment is a tool that makes it quicker and easier.
If NLP is the thief that damages the lock-pick, after that using brainwave entrainment with it is like having the very best lock-pick on the planet, making the process easily.
And what does this mean for you?
Use them both. Utilize the fantastic power of NLP to change ideas and self-identity principles and utilize the power of brainwave entrainment to assist your subconscious mind be receptive and open. Open up the door with brainwave syncing and change the furniture with NLP.
A straightforward means to understand this is songs.
Consider it and just how simple it has the power to change you. You listen to a song and you’re not also taking note of the lyrics. And
yet, if it’s a sad song, you end up being depressing. If it’s a lively song, it increases your power. If you listen it lot of times, you finish up thinking like in the track.
Songs is a great instance of a tool that accesses your subconscious mind without also recognizing. You switch on YouTube and via repeating and feeling, you finish up being one with the music.
Have you attempted reviewing a book you had no interest in analysis? Perhaps for university or work?
You checked out the words; they are verbalized in your mind however you wind up forgetting everything. They “get in one year and departure an additional”. This is since your subconscious mind is as closed as it gets and discovering can not occur in your aware dimension.
This is why I use NLP in all my devices.
Brainwave entrainment is impressive for assisting your mind run at that higher frequency. They’re like Vitamin C for your life, making whatever better. And if you use brainwave entrainment, this suffices to attract, to manifest advantages in your life due to the fact that you’ll be running at a higher level.
True, long lasting modification comes not by bring in points in our lives however by transforming that we are so those points become a natural order. It’s when we transform our beliefs and concepts so we change into individuals for whom success and happiness are 2 all-natural points.
And this is where NLP functions so well. It helps every little thing from treating phobias of spiders to obtaining past PTSD (post-traumatic anxiety problem) to configure you to be much more confident before a group or to be more assertive with your colleagues.
This is since while temporary wins are excellent– if you want a successful life, you must become the person that is naturally successful. And the only difference between you and a successful individual is that the other one created the beliefs and identity of such a person. If you create them too, there’s absolutely nothing stopping you from doing just.
I build my program “Symptom Magic” around NLP.
Each sound includes covert embedded commands that reprogram your subconscious mind. Like a good hacker, brainwave syncing is opening the path to your subconscious mind while NLP commands are transforming that you are into the very best variation you might ever be.
These are called “NLP patterns” and they’re made to be as easy to obtain by the subconscious mind as feasible. I do this through a mix of pacing, articulation and phrasing so your mind can accept them as commands, as fact, without obtaining defensive. It resembles songs, so far more powerful.
Generally, an NLP pattern is what a hypno-therapist would certainly inform you to put you into a trance. It is very suggestive language that bypasses your sensible filters to get to where it matters most, your subconscious mind.
NLP plus brainwave entrainment resembles having a hacker alter your mind. NLP alone can access your subconscious ideas yet when coupled with brainwave entrainment, the results are wonderful. You can see an actual change in days when all various other methods you’ve tried for a long time like therapy failed.
This is the secret behind “Manifestation Magic”.
This is why it functions. It functions because rather of just using brainwave entrainment to aid you run at a higher frequency, at a higher vibration, it additionally alters that you are at your core. The result is a complete individual change right into the person you have actually constantly desired to be yet never known exactly how.

domain: psychology


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- Record Label
- Woodford Halse
About this item
Irish witches and haunted places have always fascinated me. I wanted to create a project that evoked a strong sense of history, sadness and something that also had a sense of danger within the confines of somewhat static music. Using turntables, dubplates, guitars, organs and a cello, I wanted to make something that sounded both clear and hazy, warm and cold, new and old.
It started with recording each sample individually, and then stitching them together, overdubbing parts and making the composition flow. There is a dichotomy within the sounds but the overarching purpose of these compositions is evoke some sort of feeling or connection to our eldritch history...and perhaps to ward off the Bean Sí.
1. Cailleach 18:50
2. An Gaorthadh 19:46
3. The Ballad Of Bridget Cleary 20:20 Video

domain: artistic


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Green Leaf "Tortillas"
I love Mexican food but how can it be worked into one's diet? Just one medium tortilla alone can pack 130 calories. Add to that all the cheese, guacamole, sour cream, and fatty meats and a meal can become a unhealthy disaster. However, I'm d... Read more

domain: food


Review Elgato's previous EyeTV DTT Deluxe, which we reviewed in September 2008, was heralded as the world's smallest USB TV tuner. Just over a year on, and the company has launched a second record breaking tuner - one that's about half the size of its predecessor.
Elgato's EyeTV DTT Deluxe: ridiculously small
And there's another first: this is long-time Mac specialist Elgato's first product to ship with full support for Windows users, specifically Windows 7 drivers for out-of-the-box Media Center compatibility.
First, though, the hardware. The new DTT Deluxe takes up less room in the box than the wrapped pair of AAA batteries used to power the Freeview-friendly remote control Elgato ships with the tuner. The tuner is barely bigger than its USB connector and while it's not as tiny as the adaptors that come with many a wireless mouse, it's still very small indeed.
The Deluxe is decked out in matte black, though there's a sliver of gloss running around the side which is actually a window for the infrared remote. The IR signal is picked up whether the Deluxe is placed in a USB port on the left or right of your machine, though it doesn't work end on, so if your computer's USB ports are facing forward, you'll have to angle the remote sideways.
No, we mean it - it really is small
Being so small, the Deluxe won't impede adjacent USB ports. It fitted into our MacBook Air's port with ease and into the compact two-port hub we use.


Buick HiPer Strut suspension. Click image to enlarge
By Jim Kerr; images courtesy GM Canada
The world of automotive technology doesn’t always have to include whiz-bang electronic programs or multi-passenger video displays. Sometimes, new technology appears to be so simple you may ask, why hasn’t someone done this before? Sometimes they have, but the materials weren’t developed yet that would let it survive a driver’s use or abuse. Other times, it is simply that none of the great minds in the industry have thought of it before. There is always room for new ideas, and Buick’s HiPer Strut suspension is one of them.
The HiPer strut suspension design combines a McPherson strut design with some of the benefits of a short arm/long arm design. To understand Buick’s HiPer Strut design, we should first take a look at the other designs. McPherson struts are an economical, lightweight design perfectly suited to economy cars. The strut is a structural part of the suspension, with a shock absorber inside, a coil spring (typically around the shock) and a steering knuckle connected at the bottom end. A lower control arm holds the bottom of the strut in place. A McPherson strut supports the vehicle, holds the tire upright and rotates to allow the tires to steer. Some vehicles use struts at all four corners of the vehicle. They all do the same job of supporting the body, although the rear struts are fixed so they don’t allow the rear wheels to steer.
The Short arm/Long arm design, sometimes called SLA or Double Wishbone design, has a higher cost, higher weight, but has better adjustability and better control of tire angles. This design uses A-shaped upper and lower control arms with ball joints at the outer ends that connect to the steering knuckle. A spring, either coil or torsional, is connected to one control arm to support the vehicle. The control arms hold the tire upright in the correct position, while the knuckle can be rotated on the ball joints to steer the vehicle. The tasks keeping the tire upright and steering are separated.


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Crochet Pouch Facial Scrubby
We are adding the pattern to your Crochet Patterns.
The pattern was added to your Crochet Patterns.
"This small pouch design is meant to be used as a a scrubby/soap pouch but you can really get creative with it. There's no size or yarn limitations to worry about. It can be made with any yarn you have left over even. I do recommend natural fibers if you're using it for hygiene though. I used a #3 light/DK cotton yarn with a 5mm hook, but feel free to check out the pattern and get creative. "
Crochet HookH/8 or 5 mm hook
Yarn Weight(3) Light/DK (21-24 stitches to 4 inches)
Crochet Gauge16 hdc X 10 rows = 4″
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domain: hobby


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In the age below 8 years nearly every Kids loves to hear short Stories. Short Stories for Kids helps to improve Concentration. As a responsible parent never break your Kids interest towards Stories. Always present them inspirational moral Stories. During Childhood moral Short Stories for Kids helps to Teach your Kid easier. In this session we are presenting few interesting Short Stories for Kids. Read and Share them with your Kids.
The Jackal and the Tiger
A jackal and its family, once, occupied the den of a tiger. The tiger returned after his hunt. But, it noticed that some animals were inside its den. The wife jackal noticed the tiger and started asking out in a loud voice, “How many times have I asked you to bring some tiger meat for our hungry cubs?” the tiger mistook that there were some big creatures inside and ran away.
A fox saw the tiger running away and asked, “What happened?” the tiger told what he heard. The fox stealthily peeped into the den and then said, “No tiger, they are only a pack of jackals”.
Believing the words of the fox, the tiger and the fox returned back to the den. The wise wife-jackal again started, “Oh! Good heavens! You have brought a fox along with the tiger I asked for. “In its fear, the tiger kicked the fox and ran away. A monkey saw the tiger running and asked for its story. The repeated its story. The monkey also peeped and found the pack of jackal. It gave courage to the tiger and took it back to the den.
The wife-jackal shouted in a very big voice, “Why have you still not brought the tiger. My cubs are very hungry. They are going to eat anything they are going to see now. “The poor ran away permanently from the forest.
This is a well popular Short Stories for Kids.
Moral of the Story: Cleaver one can outwit less intelligent.
A hunter had spread his net in the forest to catch some wild animal. A cat get trapped in the net. The poor cat was not able to free itself. It so happened that the net was laid near a rat hole. The rat that was in the hole started to have fun with the cat. But, it saw a mongoose coming that way.
To save itself, the rat started playing very close to the cat. The mongoose was afraid to come that close to catch the rat. Another shock was there for the rat. An owl was perched on a near by tree. It was also ready to catch the rat. In the meantime, the rat saw the hunter coming. It cooked a plan. “Hey cat, I shall help you. Promise me that you will chase away the mongoose and the owl. The cat accepted.
The rat gnawed at the net and freed the cat. The cat chased away the mongoose and the owl. The rat went inside the hole. The cat came near the hole and said, “Come out dear rat, your enemies are gone. “The rat replied from inside, “I helped you only because I was also in danger. But, if I come out now you will be very happy to eat me. So, please leave the place.
Moral of the Story: Presence of mind saves a lot.
The elephant and the jackal
Once there was a big wild elephant. It attacked all the other animals and harmed them. The most affected were a pack of jackals. The jackals sat around and thought of a way to overcome the elephant. The sent a representative jackal to the elephant. The representative said, “Oh mighty elephant! we are very proud of you. We would be happy to crown you the king of the jungle.”
The proud elephant believed in the false word of the jackal and followed it. The jackal cunningly led the elephant to a place filled with quicksand in the forest. The elephant got caught in the quicksand. The jackal joined together and attacked the wild elephant and killed it.
Moral of the Story: Don’t give into false praise.
The Farmer and the Crane
It was a crop season and a farmer had cultivated his farm. He came to sow seeds. No sooner had the farmer sowed his seeds, birds flocked onto his field and pecked at them. The crops were thus destroyed. The farmer had a really hard time managing with this problem. He had lost almost all his seeds with the birds.
Finally the farmer spread some net all over his field in protection of his crops. The birds came flying as usual, but they all go caught in the net. A poor crane also got caught in the company of the birds. Although the crane pleaded with the farmer that it had nothing to so with the crops, the farmer replied, “You were found in the company of bad birds and you shall also be punished”.
Moral of the Story: Evil friendship leads to trouble.
The Lion and the Bear
Once, a lion was chasing a poor deer. The poor deer ran for its life. In the mean time a bear also started chasing the same deer. The deer could run no longer. The lion attacked it. So did the bear. Finally the deer died.
Now, there was a quarrel between the lion and the bear. The lion growled, “Leave it. The deer in mine.” The bear was in no mood to leave. It fought back, “No, the deer in mine”. The quarrel turned into a fight. The lion and the bear fought to their full limit. Soon, both feel tried. A wolf was seeing this scene from a distance.
When the lion and the bear fell down in tiredness, the wolf came in stealthily and pulled the corpse of the dead deer to a safe distance. While the lion and the bear were lying unable to move, the wolf had a nice meal. It are the deer in peace. As is completed its meal it heard the lion growl, and started leaving the place. When the lion and the bear finally got their strength back, it was too late. There was only a small leftover of the deer lying there.
Moral of the Story: If you are might you are right.
The blue Jackal
Once, a jackal was playing near a wash-men area. There were plenty of clothes hanging around. There were also some tanks filled with colour dyes. The jackal fell into a tank of blue colour dye by mistake. The blue jackal felt very strange to even itself. “I don’t know what the other animals in the forest are going to do on seeing me.” thought the jackal.
However, when the blue jackal entered into the forest, there was a great amount of surprise. All the animals were animals afraid of the new animal. “I have been sent to rule over you,” proudly said the jackal.
In the meantime a pack of jackals were hooting in a distance. They were enjoying a nice hunt. This poor blue jackal could not resist its temptation to howl. He also started to howl out loudly. Now all the animals knew what this blue animal really was.
They all joined together and chased this jackal out of the forest. It was never seen again in the forest.
Moral of the Story: By trying to fool others you only fool yourself.
The Camel and the Jackal
A jackal lived in a forest. There was a lush sugar cane farm on the opposite side. The jackal could not swim across. So, it cooked a plan. It lured a camel to carry it across the river. “Look at those beautiful sugar canes my friend. We can have a really nice meal, if you could take me across the river,” the jackal said. The camel also accepted.
The jackal sat on the camel’s back. Both of them entered into the farm and had a nice time eating the sweet sugar canes. After their meals, the jackal started to howl loudly in happiness. But, the farmers who were working in a nearby field also heard this howl. They came running. The jackal hid itself. The poor camel took all the beating.
On their way back the camel asked, “Why did you howl so loud? That is why I had to take the beatings.” “What can I do? this is my habit. I howl loud after a nice meal” the jackal replied.
When they were half way though the river the camel started to roll over. The poor jackal fell into the water. “Why are you rolling in the water?” the jackal asked. “This is my habit, my dear friend,” replied the camel and walked away. The jackal had a tough time crossing the water.
Moral of the Story: Every action has an opposite reaction.
Revenge of the Elephant from Tailor master
A temple elephant used to go to the nearby river for its bath. On its way to the river it crossed a tailor shop. The tailor was in the habit of giving something delicious for the elephant to eat. Once, the tailor thought something very awful. He wanted to prick the elephant’s trunk with a sewing needle and witness its reaction.
Accordingly, when the elephant came that day, the tailor took a long needle pricked the elephant hard in its trunk. But, the elephant did not even twitch. When the elephant reached the river’s it had its usual bath. Then, it collected some muddy water in its trunk.
As the elephant crossed the tailor’s shop, it sprayed the muddy water on the tailor. All the new dresses the tailor had stitched became muddy, and he had a bad time with his customers.
Moral of the Story: As you reap as you Sow.
The above “Short Stories for Kids” you can share with your Children during bedtime. Keep remember at the end of each Story share them the moral of Story.

domain: literature


The topic of backup guns, or BUG guns, as they are often called, seems to have been relegated to the lore of years past. Sure, backup guns made sense in the 1980s when law enforcement officers were carrying revolvers, but what’s the point now? Does the average person really need more than one gun on their body while out and about? The answer is that it depends on the situation, but the idea of having a backup gun should never be totally off the table.
What is a backup gun?
Broadly speaking, backup guns are extra pistols you keep on your body to back up your main carry weapon. The concept of a backup gun seems to go through ups and downs as trends and capacity of carry guns change, but it will always be relevant on some level. After all, having a large capacity in your daily carry gun doesn’t do you much good if that gun fails or ends up pinned under your body so you cannot reach it.
A good backup gun shouldn’t be impossible to shoot well. No, you’re not likely to run that backup as smoothly or precisely as a larger model, but you should at least be able to handle it well. Rather than looking at full-size or compact gun models, you’ll be looking at sub-compacts, micros, and mouse guns for your second carry gun.
Your backup gun is the firearm you resort to when given no other choices. It’s the gun that’s there to save you if all else fails.
What kind of guns are backup guns?
There’s no one type of gun that’s ideal for use as a backup gun. Just as with all other methods of carry, backup guns are chosen according to the size and needs of the user. For example, one person might be able to conceal a sub-compact easily while others won’t be able to easily conceal anything larger than the tiniest of pistols. That’s because your backup gun is not usually carried on your waistband, so you’ll have to find out what guns you can hide elsewhere on your body.
Micros are popular among many as backups because they’re small, but not necessarily terrible to operate. The Kimber Micro 9 Rapide is 6.1 inches long and 4.07 inches tall with an empty weight of 15.6 ounces. It’s also important to note frame size references vary among manufacturers. In comparison to the Micro 9, the Ruger LCP II is considered a subcompact. It’s 5.17 inches long, 3.71 inches tall, and weighs 10.6 ounces, empty. If you think “subcompact” must mean a gun is bigger than a “micro,” you’d be mistaken. Check out the specifications of a gun before making assumptions about its size based on the label a manufacturer gives it.
A backup gun should be best for your body type and wardrobe for use as a deep concealment pistol. That means it should be small enough to be concealed in places that aren’t on your belt such as pockets, ankle holsters, and more.
How do you carry a backup gun?
Technically, you can carry a backup gun any way you want, as long as it’s safe and effective. Some gun owners do carry a second gun on their waistband, but in many ways that can negate the entire purpose of it being for backup.
When choosing how to add a second gun to your carry gear, stop and consider what you believe the most likely scenarios are where you might need it. Common reasons for a backup include concerns of the first gun having a catastrophic failure or falling or being pinned in a way that makes it impossible to reach that main carry weapon. Because of those concerns, many people choose to carry backups in their pockets or on their ankles. That doesn’t mean there aren’t other ways to do it, only that those two methods are the most common.
What holsters do you use for backup guns?
The holster you use to carry your backup guns depends on where on your body you’re carrying it. There’s a wide array of holsters available including:
- Pocket holsters
- Bra holsters
- Wallet holsters
- Cell phone holsters
- Ankle holsters
- Belly band holsters
- Should holsters
- Undershirt holsters
- Briefcase holsters
When choosing a holster for your backup gun, the same rules should apply that you use when selecting one for your daily carry. That means it should provide some degree of retention rather than being a shapeless sleeve, it needs to be designed to stay where you put it without shifting, and you should be able to draw the gun, and only the gun (the holster shouldn’t come with it). In addition, the holster should provide trigger protection and cover the muzzle of the gun. That might seem like a lot to ask from a pocket holster or some other secondary style, but there are fantastic holsters available if you just do some research.
Do backup guns have to have a long trigger pull?
This might seem like an odd question to ask, but you might have noticed the vast majority of pistols marketed as potential backups also have long trigger pulls, Many of them are double-action while others just have incredibly long, heavy pulls. Not many people purposefully seek out heavy triggers, but there is a reason for that feature. If the trigger is more difficult to pull, you’re far less likely to be carrying it in your pocket and have an object get into the trigger guard and pull it. That doesn’t absolve you from using a proper holster, because you absolutely should, but only to say there is a reason for those triggers on backup guns.
In short, no, all backup guns don’t have to have a long trigger pull. You can make any gun a backup gun. However, there are reasons those micros and sub-compacts are designed the way they are.
Should you carry a backup gun?
Whether or not you should carry a backup gun comes down to what you’re doing, where you’re going, and who you are. It’s true to say the average person is unlikely to ever need a backup gun. Add on to that the fact it’s difficult to convince most people to carry a gun on a daily basis, let alone two guns, and you can see why it isn’t pushed often. Using a backup gun can be smart and useful in certain scenarios.
Keep in mind the situations where you could find yourself wishing for a backup gun aren’t only those where your main carry gun fails. It’s entirely possible you’ll be caught in an attack where you could use a second handgun for your significant other or even a friend to defend themselves or others.
Bottom line? If you will be going somewhere or doing something where you can see a second gun coming in handy if an attack takes place, then take a backup gun. If you’d rather not, then don’t. This one’s a case of personal preference and a matter of considering whether or not it makes sense given your activities and lifestyle.
Do you carry a backup gun? Tell us in the comments section.


text:
Leonard Bernstein: Portrait
18. Mai 2018
Mitwirkende: Minnesota Orchestra, Edo de Waart, Paul Searle-Barnes, Paul Turner, Bournemouth Symphony Orchestra, Andrew Litton
Everybody's darling, a charismatic universal genius: Whether as pianist, conductor or composer, Leonard Bernstein took the world of music by storm. "Lenny" celebrated his first stunning success on Broadway with On the Town, and his West Side Story became a worldwide hit. A brilliant conductor who burst the bounds of musical convention, he thrilled audiences all over the globe. Wherever he appeared he was welcomed with affection and admiration, peerless in his ability to unite glamour and musical genius.

domain: entertainment


text:
In the summer of 2015, Weill Cornell Medical College and Cellectis, a French pharmaceutical company, announced a translational research collaboration for a new allogeneic chimeric antigen receptor T cell therapy called UCART123. This “off-the-shelf” product is a directed immunotherapy for patients with acute myeloid leukemia (AML), an aggressive blood cancer. T cells are harvested from healthy donors and engineered to target the CD123 antigen, which is found on AML blast and stem cells, as well as tumor cells in another aggressive malignancy, blastic plasmacytoid dendritic cell neoplasm (BPDCN).
The clinical trial of UCART123 in AML is being led by principal investigator Dr. Gail J. Roboz, Professor of Medicine and Director of the Leukemia Program at Weill Cornell Medicine and NewYork-Presbyterian. Translational scientific studies for the trial are being conducted in the laboratory of Dr. Monica Guzman, Associate Professor of Pharmacology in Medicine, also at Weill Cornell. Clinical research on UCART123 in BPDCN will be led by Dr. Naveen Pemmaraju and Dr. Hagop Kantarjian at the MD Anderson Cancer Center in Houston, Texas.
Stay tuned for more updates regarding the new phase 1 clinical trial for UCART123 to be initiated here at the Leukemia Program in the coming months.
Dr. Ellen Ritchie recently participated in an OncLive discussion on the latest modifications to the World Health Organization (WHO) classification of Myelodysplastic Syndromes (MDS). WHO classification is the standard diagnostic system utilized by medical institutions worldwide, including here at Weill Cornell Medicine. Recent advances in our understanding of the biological course of MDS have warranted revision to its WHO classification, which was last updated in 2008. In particular, mutational and cytogenetic analyses have to led to refinement of diagnostic terms for MDS. These modifications include a distinction between single versus multilineage dysplasia and elimination of the term “cytopenia.”
The OncLive discussion centered on implications of the new classification on the prognosis and treatment of MDS. While the WHO classification is just one of many factors to consider when evaluating the prognosis of the disorder, the panelists agree that the new modifications will make it easier to determine an appropriate course of treatment for their patients. To learn more, click here or watch the video below.
December is an exciting month here at the Leukemia Program, as each year, our doctors and researchers are invited to attend and present their work at the annual meeting of the American Society of Hematology (ASH). This important meeting provides the opportunity to network with thousands of hematology specialists from all over the world.
This year, the 58th ASH Annual Meeting & Exposition is being held December 3-6 in San Diego, California. We are very proud to play an integral role in research that is changing the way leukemia is diagnosed, tracked and treated. The below abstracts are being presented in oral or poster sessions by the Leukemia Program’s physicians, researchers, and collaborators.
#226. A Randomized Phase II Study of Low-Dose Decitabine Versus Azacitidine in Patients with Low- or Intermediate-1-Risk Myelodysplastic Syndromes: A Report on Behalf of the MDS Clinical Research Consortium
#902. Analysis of Efficacy By Age for Patients Aged 60–75 with Untreated Secondary Acute Myeloid Leukemia (AML) Treated with CPX-351 Liposome Injection Versus Conventional Cytarabine and Daunorubicin in a Phase III Trial Clinically Relevant Abstract
#904. Long Term Survival and Clinical Complete Responses of Various Prognostic Subgroups in 103 Relapsed/Refractory Acute Myeloid Leukemia (r/r AML) Patients Treated with Guadecitabine (SGI-110) in Phase 2 Studies
#906. Survival Following Allogeneic Hematopoietic Cell Transplantation in Older High-Risk Acute Myeloid Leukemia Patients Initially Treated with CPX-351 Liposome Injection Versus Standard Cytarabine and Daunorubicin: Subgroup Analysis of a Large Phase III Trial
#1063. The Use of Hypomethylating Agents (HMAs) in Patients with Relapsed and Refractory Acute Myeloid Leukemia (RR-AML): Clinical Outcomes and Their Predictors in a Large International Patient Cohort
#1070. Determination of IDH1 Mutational Burden and Clearance Via Next-Generation Sequencing in Patients with IDH1 Mutation-Positive Hematologic Malignancies Receiving AG-120, a First-in-Class Inhibitor of Mutant IDH1
#2816. Thioguanine Combined with Decitabine Can Overcome Resistance to Hypomethylating Agents: Final Results of a Phase I Trial of a Pharmacodynamically-Conceived Thioguanine/Decitabine Combination in Patients with Advanced Myeloid Malignancies
#3548. Current Diagnosis Patterns for Acute Myeloid Leukemia (AML) in Clinical Practice Compared with World Health Organization (WHO) 2008 Recommendations: Outcomes from the CONNECT® Myelodysplastic Syndromes (MDS) and AML Disease Registry
#1629. A Pediatric-Inspired Regimen Containing Multiple Doses of Intravenous Pegylated Asparaginase Appears Safe and Effective in Newly Diagnosed Adult Patients with Ph-Negative Acute Lymphoblastic Leukemia in Adults up to Age 60: Results of a Multi-Center Phase II Clinical Trial
#3090. ENESTgoal Treatment-Free Remission Study: Updated Preliminary Results and Digital Polymerase Chain Reaction Analysis in Patients with Chronic Myeloid Leukemia in Chronic Phase Who Switched from Imatinib to Nilotinib
#479. Interim Analysis of the Myeloproliferative Disorders Research Consortium (MPD-RC) 112 Global Phase III Trial of Front Line Pegylated Interferon Alpha-2a Vs. Hydroxyurea in High Risk Polycythemia Vera and Essential Thrombocythemia
#4271. Impact on MPN Symptoms and Quality of Life of Front Line Pegylated Interferon Alpha-2a Vs. Hydroxyurea in High Risk Polycythemia Vera and Essential Thrombocythemia: Interim Analysis Results of Myeloproliferative Disorders Research Consortium (MPD-RC) 112 Global Phase III Trial
#112. Frequency and Prognostic Significance of Cytogenetic Abnormalities in 1269 Patients with Therapy-Related Myelodysplastic Syndrome – a Study of the International Working Group (IWG-PM) for Myelodysplastic Syndromes
Earlier this week the U.S. News and World Report released their annual survey of “Best Hospitals”. NewYork-Presbyterian one of the country’s largest and most comprehensive hospitals was ranked New York’s No. 1 hospital for the 16th year in a row, and No. 6 ranked hospital in all of the United States. Dr. Augustine M.K. Choi, interim dean of Weill Cornell Medicine commented,
“Our esteemed physicians and scientists at Weill Cornell Medicine and NewYork-Presbyterian/Weill Cornell Medicine always put patients first, providing them with the finest, most comprehensive care so that they can live their healthiest lives. Together we create one of the top academic medical centers in the United States, motivated by a shared commitment: to drive excellence in healthcare and truly make a difference in New York and beyond.”
This commitment is shared by the physicians, researchers, and staff in the Leukemia Program.
Gail Roboz, MD from Weill Cornell Medicine discusses minimal residual disease (MRD) found in acute myeloid leukemia (AML) patients. According to Dr Roboz the biology of the remaining leukemia cells may not be similar to the bulk disease that was eliminated with initial therapy. Currently there are efforts to characterize and quantify the remaining cells, with the hopes to determine whether existing or novel treatments can be used to lower their number to below the threshold level required for stem cell transplants. Furthermore, stem cell transplants are dramatically less effective if there is minimal residual disease detected so any therapy to reduce these cells may confer an advantage. Recorded at the 2016 Annual Meeting of the British Society of Haematology (BSH) and International Society of Hematology (ISH), in Glasgow, Scotland.
Original story posted to Video Journal of Hematological Oncology [go]
In many ways, it’s a science success story: 8-year-old boy with a rare form of brain cancer is treated by one of the world’s leading experts in the disease, who collaborates with a pioneering precision medicine institute to sequence his cancer and create a first-of-its-kind tumor model replica in the lab, allowing for further analysis and treatment testing without risk of harm to the child.
Upon analysis, the physician-scientist discovers a mutation previously not known to be linked to that type of cancer — and it happens to be in the protein that his colleague has spent a career studying. He contacts the colleague to ask if there is a drug to target the protein, and it arrives the next day. Applied to the tumor model, the drug effectively kills 80-90 percent of the diseased cells.
If only the story ended there.
Unfortunately, although the drug has been approved by the FDA, it cannot be used on the young patient because it has never been tested in children, and the pharmaceutical company controlling the drug is not willing to take the risk.
“We now start the gymnastics of trying to get permission from the FDA based on compassionate use,” said Jeffrey Greenfield, M.D., Ph.D. “We’ve done it before, and it takes anywhere from 3-6 months. This boy doesn’t have 3-6 months.”
Greenfield, a neurosurgeon at Weill Cornell Medicine and NewYork-Presbyterian, shared the anecdote at a special event held at Weill Cornell Medicine on June 29, one of 270 across the United States convened by Vice President Joe Biden in tandem with a national summit at Howard University in Washington, DC
Biden invited regional participants to discuss the goals of the “Cancer Moonshot” mission, announced in January by President Barack Obama as a way to accelerate cancer research, foster data sharing and collaboration, and improve patient access to care — all on a five-year timeline.
Greenfield said his story summed up some of the challenges the nation will face in trying to achieve such an ambitious goal.
“The promise of precision medicine, which is enormous and which we have all bought into, doesn’t deliver in this case,” Greenfield said. “We’ve done all the work that we’ve promised to do, and we still have hurdles. The science is great, the medicine is great, but we’ve got to figure out a way to bridge the chasm between academia, pharma and clinic.”
The future is now
Greenfield was joined at the event by more than a dozen other distinguished researchers and physicians, as well as a standing-room only crowd of around 100.
Participants heard that in many ways, the future of medicine is already here. Silvia Formenti, M.D., discussed how she uses radiation therapy to turn patients’ own tumors into internal “vaccines,” and Ching Tung, Ph.D., director of the Molecular Imaging Innovations Institute described new ways of “seeing” cancer.
Neurosurgeon Mark Souweidane, M.D., spoke about the importance of developing new forms of drug delivery and working with industry to be able to integrate research and technology into the operating room. His colleagues Susan Pannullo, M.D., and Michael Kaplitt, M.D., Ph.D., explained stereotactic radiosurgery and the use of ultrasound technology to poke holes in the blood-brain barrier.
“These are ways we can use novel non-invasive technologies that will put us as surgeons out of business, unfortunately, but will help heal the world,” Kaplitt said.
“The idea isn’t new, “Roboz said. “What’s new is that we can actually do it, we are able to finally do things that were Jetsons level before.”
“In 2016, we are at an amazing inflection point in cancer therapy,” added neurosurgeon Rohan Ramakrishna, M.D. “It’s one thing to say you want to accomplish big change in five years, it’s another to be able to do that.”
But he added that the time it takes to get discoveries from bench to bedside is still too long. We need to innovate, Ramakrishna said, and we need to incentivize high-risk research.
To read the full story [go]

domain: medical


text:
The Shoshanna Shapiro of 'Girls' says, 'At times it has forced me to starve myself, to run extra miles, to abuse my body.'
Zosia Mamet, 26, opens up about eating disorder she has battled since she was a kid. The Shoshanna Shapiro depicter on "Girls" talked about her past struggle for the first time to public in her monthly column on Glamour for the magazine's September issue.
Calling herself "an addict in recovery," she said, "I've struggled with an eating disorder since I was a child. This struggle has been mostly a private one, a war nobody knew was raging inside me. I tried to fight it alone for a long time. And I nearly died."
"I was told I was fat for the first time when I was eight. I'm not fat; I've never been fat. But ever since then, there has been a monster in my brain that tells me I am - that convinces me my clothes don't fit or that I've eaten too much. At times it has forced me to starve myself, to run extra miles, to abuse my body," she added.
"As a teenager I used to stand in front of the refrigerator late at night staring into that white fluorescent light, debilitated by the war raging inside me: whether to give in to the pitted hunger in my stomach or close the door and go back to bed. I would stand there for hours, opening and closing the door, taking out a piece of food then putting it back in; taking it out, putting it in my mouth, and then spitting it into the garbage," she wrote. "I was only 17, living in misery, waiting to die."
Her father, famous playwright David Mamet, eventually helped her begin her treatment. "He came home one night from a party, took me by the shoulders, and said, 'You're not allowed to die,' " she remembered. "It was the first time I realized this wasn't all about me. I didn't care if I died, but my family did. That's the thing about these kinds of disorders: They're consuming; they make you egocentric; they're all you can see."
Zosia said she couldn't talk about "all of this without bringing up the world we live in." She explained, "Our culture delivers a real one-two punch: You want to control something, and then society says, 'Hey, how about controlling the way you look? Skinny is beautiful' Your obsession feels justified. It's no secret that we live in a country with a warped view of beauty. 'Skinny' sells us everything, from vacations to underwear, effectively."
"Today I'm at a healthy weight, though I realize that my obsession will always be with me in some way," she went on. "For years the voice inside me has gotten louder or quieter at times. It may never disappear completely, but hopefully one day it'll be so quiet, it'll only be a whisper and I'll wonder, Was that just the wind?"


text:
"The Obese" Book Review
Written by Gabino Iglesias
Published by Lazy Fascist Press
Written by Nick Antosca
2012, 108 pages, Fiction
Released on January 24th, 2012
I liked to think that zombies were the ideal vehicle for building a discussion about the human condition. The undead, with their brainless attitudes and consumption, always struck me as perfect tools for satire. Sadly, the explosion in popularity that pushed the genre to produce an unprecedented number of books, comics and television programming focused on the hungry, shuffling corpses, the zombie figure became diluted and the narratives either focused on the gory elements or told the stories of those that survived the apocalypse. Then along came Nick Antosca's The Obese, one of Lazy Fascist Press's latest releases, and I was able to believe in the undead as a medium for much more.
The Obese tells the story of Nina Gilten, a photo editor who works in the fashion industry and spends her days digitally chopping up the bodies of young, skinny models until they achieve perfect, impossible proportions. Her work appears in important magazines like Teen Vogue, Chic and Marie Claire and her life obeys the rigorous regimen dictated by the industry she works for. All is well in Nina's perfect world of high fashion, empty fridges and flat stomachs, except for the fact that her boyfriend left her. When a visiting friend from high school drops by and Nina is forced to let her crash on her sofa, a small comment will lead her visitor to concoct an email that will ruin the photo editor's career. Feeling unemployed and ostracized might sound like a lot, but soon things will get even uglier. As obese people begin to rampage around New York, Nina finds herself thrown together with her ex-boyfriend, his fiancé, a model she just started dating, a supermodel who went to high school with her and the vengeful guest who ruined her career. What follows is a humorous fight for survival unlike any other in the zombie genre.
Simply put, The Obese is a wet dream come true for horror fans who enjoy smart satire. Antosca skillfully dissects the fashion industry and then puts it back together in a way that's hilarious while still ringing true. As a bonus, his prose is a fantastic and seldom seen mixture of witty, eloquent, precise and real. In a way, the author created the perfect prose to carry his matchless, fast-paced story in a place as unique as New York.
Besides the way the fashion industry is deconstructed, everything from text messages to Facebook posts fall prey to the author's sharp critique and comical treatment. On one hand, The Obese offers a gory, grotesque tale of carnage at the chubby hands of fat people with a hunger for their skinny human counterparts. On the other hand, the book is both a razor-sharp critique of an industry that deserves more of it and an emotionally gritty account that explores shallowness, love, regret and grudges. The combination makes it a must-read and you should buy it today. When you do, you'll get a nice surprise: an extra story. Predator Bait finds Antosca once again turning a mirror on society. This time around, the author takes on the world of pedophiles and the shows that turn them from predator into prey. Sad, poignant and full of psychological turmoil, Predator Bait feels like a tasty dessert sprinkled with a touch of Edward Lee flavor. Finally, if none of the above appeals to you, then buy The Obese just for the fact that Anderson Cooper gets devoured by a rampaging horde of fat people.
This page includes affiliate links where Horror DNA may receive a small commission at no extra cost to you.

domain: library


text:
The New Mexico State Police and the Albuquerque Police Department have come under fire in recent years for unjustified use of excessive force and for police-involved shootings.
Incidents have occurred with enough frequency in the state to trigger a Department of Justice investigation that launched in 2012 and is still ongoing.
The state’s police forces have become infamous for shooting at minivans full of kids and for their penchant for Roswellian anal-probing of supsects.
Yet, the man who designs the training programs for the state’s police departments doesn’t see a problem. In fact, he has instituted a curriculum that puts LESS restraint on officers in deciding when to use deadly force.
Jack Jones is the director of the Law Enforcement Academy. The New Mexican reports that he has been granted full control over the design of the basic training program:
In September, the state’s eight-member Law Enforcement Academy Board, which is appointed by the governor and chaired by the attorney general, voted unanimously to change the New Mexico Administrative Code to give complete control over the curriculum to Jones.
Greg Williams, an Albuquerque attorney and president-elect of the New Mexico Foundation for Open Government, said before the board voted on the change, it had a process that included public involvement.
“What they did was to change the process so that the public could not be involved,” he said.
Some retired police officers and criminologists are questioning that change. They say having one person in charge of the curriculum isn’t a good idea. They also have concerns about some of the tactics Jones is teaching:
“It would be out of the ordinary for one person to write [the curriculum] without other people having input,” said Thomas J. Aveni, director of the Police Policy Studies Council, a New Hampshire-based group that studies use of force by law enforcement.
And Phillip Gallegos, a former academy instructor, called the rule change a “dangerous precedent.”
“Now you have one person that is making the selection, and who is to say that person knows what a curriculum is supposed to be like,” Gallegos said.
Last July, Gallegos was fired for insubordination after he refused to teach new cadets some of the firearms training Jones wanted to implement:
“The statement that he made to us [instructors] in a [January 2013] meeting was, ‘No, I want you guys teaching these guys how to make a car stop with a bullet.” Gallegos said, “This is the thing — why are you shooting at a car? You should be shooting at the individual that is shooting at you.”
Jones tried to justify that part of the training like this:
“We want them to see that if there’s a threat that’s inside a vehicle and they need to shoot at it, what happens to that round. They’re wearing a gun and a badge protecting you [the public] against the violence. Don’t you think they should be prepared for the most violent encounter that they can come up against?”
Say what? Way to skirt around the question, Jones!
Williams said that because of the high number of police shootings, the public deserves to know how officers are being trained. He added that the training documents can’t be lawfully withheld unless there is an ongoing criminal investigation or some other exception.
The New Mexican filed a request under the Inspection of Public Records Act for a copy of the academy’s new curriculum. Jones wasn’t having it. He said he doesn’t plan to release it because criminals could use the tactics taught to cadets against them.
“I’ll burn them before you get them,” he told The New Mexican.
Jones says officers need to be prepared for violence and justifies training officers to use more force because there are so many bad guys out there:
“Evil has come to the state of New Mexico, evil has come to the Southwest, evil has come to the United States.”
I agree with Jones’ opinion that evil has arrived in New Mexico, but I doubt we agree on the source.
Delivered by The Daily Sheeple
Contributed by Lily Dane of The Daily Sheeple.
Lily Dane is a staff writer for The Daily Sheeple. Her goal is to help people to “Wake the Flock Up!”
– See more at: http://www.thedailysheeple.com/warning-to-residents-of-new-mexico-your-police-force-is-being-taught-to-use-more-deadly-force_022014#sthash.5xBeFnJh.dpuf
One thought on “Warning to Residents of New Mexico: Your Police Are Being Taught to Use More Deadly Force”
“The New Mexican filed a request under the Inspection of Public Records Act for a copy of the academy’s new curriculum. Jones wasn’t having it. He said he doesn’t plan to release it because criminals could use the tactics taught to cadets against them.
“I’ll burn them before you get them,” he told The New Mexican.”
Wow! As despicable as this POS is, I’m surprised he hasn’t been offered a job here yet.
Fit right in, he would.

domain: law


text:
On the surface, Diablo isn’t exactly what most people would call comforting. It’s a series about exploring dark realms and fighting all manner of undead and demonic monsters. But there’s something about its formula of exploring dungeons, gathering loot, and steadily becoming immensely powerful that makes it easy to jump into, despite the dark subject matter. That feeling of comfort is even more pronounced when you take that formula and apply it to a familiar world, like, say, the Marvel universe. Now, the same can be said of Minecraft.
Minecraft Dungeons is exactly what it sounds like. It takes the bestselling series, strips away its two most iconic features (mining and crafting), and replaces them with a light, charming experience that’s perhaps the most approachable Diablo-like game yet made. Just like its inspiration, the story — a fairly standard “evil is invading the realm” tale — isn’t really important here. Instead, the crux of the experience is the loop: gearing up; venturing into new areas to explore, battle, and gather loot; and then using your new and improved skills and gear to venture into more challenging areas.
Dungeons doesn’t innovate too much here. Rather, it streamlines the experience. You choose dungeons from a map menu, for instance, instead of exploring a large world where it’s easy to get lost. Similarly, the gear system is very easy to grasp. I received plenty of good weapons and armor regularly, and for everything I didn’t need, I could easily dispose of it in exchange for cash. Each piece of gear — you’ll have a melee weapon, a ranged bow, and armor — also has a special ability, called an enchantment, which you can level up a few times as you gain experience. If you decide to move on to a new weapon, you can get all of those enchantments back to reinvest in something else. It takes what can often be an unwieldy and complex aspect of roleplaying games and boils it down to the essentials. At the same time, it gives you plenty of freedom to experiment.
The same could be said of the combat. Minecraft Dungeons is very much a hack and slash game; you’ll spend lots of time wailing on zombies with your sword and clearing away skeletons with well-placed arrows. But there’s just enough here to make it interesting, like special abilities that let you do things like sprint and leave a trail of fire in your wake or use an explosive firework in place of an arrow. You can only have a few of these at a time, so it’s never really overwhelming, but they add enough strategy to keep things interesting. Despite this simplicity, the game still has the core elements most people expect from the genre, like interesting areas to explore, huge bosses to take down, and inventive abilities to play around with. One of the best features is a scaling difficulty, where you can choose how hard you want the action to be before you hop into a dungeon.
What really makes it work, though, are the Minecraft trappings. Dungeons is a new way to explore an incredibly familiar setting. Yes, the gameplay is vastly different from the original, but there’s something satisfying about charging into a crowd of creepers while swinging a blocky sword and firing magic spells. It helps that the world is lovingly rendered and incredibly charming, from the beautiful landscapes — I especially love the desert areas — to the wonderful soundtrack. Even when you’re surrounded by pools of lava or giant gelatinous cubes, there’s something about the Minecraft aesthetic that makes it all very light and playful. Even the puzzles can be funny, like the dungeon keys that will run away when you’re attacked.
The most apt way to describe Minecraft Dungeons is “comfort food.” It takes two things many players probably already know well, mashes them together into a surprisingly cohesive whole, and then streamlines the experience so that almost anyone can pick it up and have some fun. It’s not especially deep or innovative. For the most part, it doesn’t do things that haven’t been seen before — but in the case of Minecraft Dungeons, that’s its biggest strength.
Minecraft Dungeons is available now on the Xbox One, PS4, PC, and Nintendo Switch.

domain: game


Sedimentary mechanisms and high-resolution stratigraphy of Upper Pleistocene deposits of the eastern coast of Tunisia (Hergla escarpment)
- Magentic susceptibility data: the analysis of magnetic susceptibility (MS) signal variations involved 43 samples from representative facies. Samples were packed into 10 cm3 cylindrical plastic (perspex) pots for MS analysis. The low-frequency magnetic susceptibility (MS) was measured by a Bartington MS2B probe at frequencies of 0.47 kHz. - the screen washings performed on marls showed that the fossil components were primarilycomposed of ostracods and benthic foraminifera. The micropaleontological determination of the different species using a Scanning Microscope. - Semi-quantitative analysis of allochems were performed on on 22 thin-sections that revealed various skeletal components. Results of bioclasts frequencies needed for the semi-quantitative analysis are summarized in the table below (Bioclast's frequencies data).
Steps to reproduce
The steps listed below have been carefully followed for magnetic susceptibility analysis: - Make sure that the environmental conditions are ideal for taking measurements; - Measure the magnetic susceptibility of the air before introducing the sample; - Introduce the sample and measure its magnetic susceptibility and its mass; - Measure the magnetic susceptibility of the air again after removing the sample; - Enter the sample ID and its mass; - Repeat the procedure 3 times; - Calculate the mean of the 3 values which corresponds to the value of the MS of the sample.


text:
The Greeting Farm. I used my Kaiser Kraft non traditional xmas papers from....I think like 2 years ago LOL I found them yesterday when I moved all my crafts into my new craft room :D!! heheh I was so excited finding papers I had forgot about...and a little embarrased by HOW MUCH stuff I have heheh lucky I have plenty of room in my new craft room. I have used my distress inks to colour Beanie Anya...I love playing with copics and prismas....But i REALLY love my distress inks.
Wanna see what my team mates have created this week?!
Want to play along? I bet Marit would just be tickled if you did! All you have to do is:
*CASE (copy and share everything) this card, changing up some elements but using the general layout/look as a 'sketch" of sorts. Be sure to use CA&F QUALIFYING stamps, please!
*Upload your card to TGF Galleria>CA&F>Contests/Challenges>Mystery Monday>
*You have until Sunday 5pm CST to enter your project and the winner will get their choice of rubber single from TGF!
Come back on Wednesday, its my turn for WTW again :)


text:
By Mollie McWilliams
By Mollie McWilliams
By Juan De Anda
By Mollie McWilliams
By Juan De Anda
By Mollie McWilliams
By Mollie McWilliams
By Mollie McWilliams
"2x4." Wallpaper is cool again. Design collective 2x4's first solo museum exhibit is plastered from floor to ceiling with vertical strips of the stuff, each documenting a different design project. Best known for collaborations with star-chitect Rem Koolhaas, 2x4's forte is the marriage of graphic design and three-dimensional environments. Its designs of wallpaper, signs, logos, and books are based on impeccable research and executed with eye-grabbing moxie. A case in point: the collective's schema for the interior of the Koolhaas-designed campus center at the Illinois Institute of Technology, which weaves history and present-day reality into one elegant, visual statement. The building is swathed in mural-size images of the grave faces of the institute's founders; on closer inspection, they dissolve into thousands of cheeky icons depicting student activities. Elsewhere, a series of custom wallpapers for Prada stores features strikingly anti-consumerist imagery: a stadium crowd holding up cards to form pictures of Maoist peasants; diagrams detailing the manifestly un-Prada-esque body measurements of the average American; and a patently fake, Edenic landscape populated by eerie, sexless, candy-colored mannequins. It's hardly the typical image of perfection that makes you want to buy, buy, buy, but then again, Prada shoppers might already be beyond all aspiration. The innovative exhibition design successfully embodies the collective's bold aesthetic and is fun to look at, but unfortunately, its small scale and close quarters make it difficult to absorb the details, which is where 2x4's true genius lies. Through Nov. 27 at the San Francisco Museum of Modern Art, 151 Third St. (at Mission), S.F. Admission is free-$12.50; call 357-4000 or visit www.sfmoma.org. (Sharon Mizota) Reviewed June 29.
"Beautiful Debris." Fast foodtype art really isn't so bad, especially for those of us whose attention spans preclude lengthy sprees around the esoterica of gallery walls. And it's nice to have something outrageous (and something that warrants a five-minute look-see) scream out at you. Sculptor David Hevel's It's Official ... Britney's Pregnant! is one of the brash, Baroque pieces in "Beautiful Debris," an exhibition that floridly covers the craft-making theatrics of three different artists who supply viewers with plenty of eye candy. Hevel's piece -- a 6-foot-tall deer squirting plastic milk from multiple breasts and gamboling through a verdant plot of flowers, ribbon, and rhinestones -- combines the kitschy sang-froid of Takashi Murakami's inflatable dolls with the uncultivated aesthetics of a 9-year-old girl. Cristina Lei Rodriguez's pieces are prettified doodads of liquid plastic, foam, and consumer objects that resemble foliage in sexy poses, while Tara Giannini glams it up with her mixed-media paintings, which suggestively project peacock feathers, glass beads, and voluptuous layers of paint. Call it what you will, but it's definitely a lesson in good old excess and pop fun. Through Aug. 20 at the Heather Marx Gallery, 77 Geary (at Grant), Second Floor, S.F. Admission is free; call 627-9111 or visit www.heathermarxgallery.com. (Nirmala Nataraj) Reviewed July 20.
"Flip Sides." In this age of mash-ups, remixes, and quick cuts, Lowell Darling's collages of found film seem almost quaint. Mining Hollywood dumpsters, he splices the casualties of the lab and the editing bay into mysterious combinations, then blows them up and digitally prints the results on long paper scrolls. Hollywood Archeology #1 is a column of film leaders -- the frames of numbers or text that precede the movie into the projector. Furiously etched with machine-made scratches, when enlarged they unexpectedly resemble the grand gestures of abstract expressionist painting. Other pieces remix pop culture: Frames from a child's alphabet primer segue into scenes of a woman's naked thigh; bottles of medication float atop a misty mountain landscape. Like artifacts from another era, these discarded moments seem both strange and familiar. Although they're the parts of the movie we never see, they still feel like touchstones in our popular subconscious. Darling's work reminds us that film is itself a kind of archaeology, stringing myriad separate moments into an eternal, seamless present. But in these days of hyperaccelerated pop-culture recycling, his seemingly random collisions leave us wanting more -- a hint of sarcasm, perhaps, or a clearer point of view. Through Aug. 26 at Gallery 16, 1616 16th St. (at Rhode Island), Third Floor, S.F. Admission is free; call 626-7495 or visit www.urbandigitalcolor.com. (Sharon Mizota) Reviewed July 27.
"Joto." This group exhibition of queer artists from Latino communities is intended to shock: The name "Joto" itself is the Spanish word for "faggot," and a featured piece, Who Would Jesus Torture? by Clinton Fein, displays a crucified George W. Bush near-nude on the cross sporting an erect "missile," flanked by Rumsfeld belting Hussein to an electric chair. Other artists take a milder approach, notably the self-taught Tony de Carlo, whose colorful portraits blend the spirituality of Mexican icon art with the soul of urban Los Angeles. Through July 31 at the Amaru Gallery, 510 Valencia (at 16th Street), S.F. Admission is free; call 552-3787 or visit www.amarugallery.com. (Michael Leaverton) Reviewed June 22.
"Looking for Ixtlan." Jose Alvarez's austerely beautiful installation turns out to be pretty heady stuff. His "paintings" and works on paper are made of shards of opalescent crystal and porcupine quills -- materials inspired by Carlos Castaneda's "objects of power" in his book Journey to Ixtlan (a dubious account of his search for enlightenment through hallucinogenic mushrooms and a Mexican shaman named Don Juan). Alvarez blends Castaneda's New Age tenets with the languages of space exploration and high art, arranging the quills in the installation's title piece to form a graph of a transmission from outer space, and layering flakes of crystal to simulate abstract paintings (purportedly "pure" art without reference to the outside world). His mixing of these disparate systems of thought -- neo-shamanism, outer space exploration, and abstract art -- reveals how all three are ways in which people seek transcendence. By comparing Castaneda's untrustworthy account with scientific and artistic pursuits, he casts doubt on the ways in which we understand truth, suggesting that the very notion is a fiction. Of course, you have to do a little reading (or talk with the artist, as I did) to get all of the subtleties, but Alvarez's works are beguiling enough on their own to inspire more questions. Through Aug. 21 at Ratio 3, 903 Guerrero (at 21st Street), S.F. Admission is free; call (646) 732-2767 or visit www.ratio3.org. (Sharon Mizota) Reviewed July 27.
Andrea Schwartz Gallery. "Mixed Messages": New drawings by Gwen Manfrin. Through July 29. "Homey": New work by Terry Hoff. Through July 29. 525 Second Street (South Park Street), 496-2090, www.asgallery.com.
ARTé Gallery. "Philippine Center Arts": Group show of work by contemporary Filipino artists. Daily. 447 Sutter (at Stockton), Fourth Fl., 650-274-2617.
Blue Gallery. "Here and Now": Group show of paintings and sculpture. Through July 31. 731 Polk (at Willow), 606-7170, www.bluegallerysf.com.
Blue Room Gallery. "California Art Metal Now!": Group show of metal art. Through Aug. 14. 2331 Mission (at 19th St.), 282-8411, www.blueroomgallery.org.
The Canvas Cafe and Gallery. "I Heart SF": San Franciscorelated group show featuring work by Nicole Frelier, Niana Liu, Adam Wier, Ursula Young, and others. Opening reception is July 28 at 7 p.m. July 28-Aug. 22. 1200 Ninth Ave. (at Lincoln), 504-0060, www.thecanvasgallery.com.
Chinese Historical Society of America. "Trading on Fear: Chinese Images in American Trade Cards": Exhibition of historical advertising trade cards common in the 19th century. Through July 31. 965 Clay (at Stockton), 391-1188.
Creative Growth Art Center Gallery. "Dialogues": Group show of collaborations between professional artists and the center's artists with disabilities. Through Aug. 26. 355 24th St. (at Broadway), Oakland, 510-836-2340, ext. 15.
Fraenkel Gallery. "John Guttman at 100": Paintings, drawings, and photographs from the artists' long career. Through Aug. 20. "Several Exceptionally Good Recently Acquired Photographs": A hodgepodge show including anything from historic treasures to flea market finds. Through Aug. 20. 49 Geary (at Kearny) (Fourth Fl.), 981-2661.
Future Primitive Sound. "Old Soul": Kelly Tunstall's whimsical, seductive paintings brings to life some of the most prominent female singers of soul music, like Billie Holiday and Aretha Franklin. Through Aug. 10. Free. 597 Haight (at Steiner), 551-2328, www.futureprimitivesound.com.
Gallery at Thoreau. "Ecovisions: WEAD at Thoreau": Group exhibit of work exploring sustainability from the Women Environmental Artists Directory. Through Aug. 12. 1016 Lincoln (at Torney), 561-7823, www.thoreau.org/gallery.html.
Gregory Lind Gallery. "Traumhaus": "ArchiSculpture" by Randy Dixon. Through Aug. 13. "It Takes Ice to Cut Ice": Gouache paintings by Will Yackulic. Through Aug. 13. 49 Geary (at Kearny), Fifth Fl., 296-9661, www.gregorylindgallery.com.
Hackett-Freedman Gallery. "Select Modern Works": Group show. Through July 30. "Still Lifes and Narratives": New paintings by Richard Ryan. Through July 30. 250 Sutter (at Kearny) (Fourth Fl.), 362-7152, www.hackettfreedmangallery.com.
Hang Annex. "Up & Coming": Mixed media exhibit featuring the work of emerging artists. Through Aug. 1. "Group Exhibition": Drawings, monoprints, and paintings on paper. Through July 31. 567 Sutter (at Mason), 544-0610.
Hang Gallery. "Jenny E. Balisle": New paintings. Opening reception is July 7 from 6 to 8 p.m. Through July 31. 556 Sutter (at Mason), 434-4264, www.hangart.com.
International Museum of GLBT History. "Sporting Life: GLBT Athletics and Cultural Change From the 1960s to Today": A multimedia exhibit chronicling the participation of gay and lesbian people in a wide variety of sports. Through Dec. 31. 657 Mission, No. 300 (at New Montgomery), www.glbthistory.org.
Jack Hanley Gallery. "Vicious": Group show of video art curated by Liz Mulholland featuring work by Virginia Kleker, Alex McQuilkin, Tracey Moffat, and Laurel Nakadate. Through Aug. 6. 395 Valencia (at 15th St.), 522-1623.
The Lab. "Bayennale Bay Area International Art Exhibition": Lowell Darling's answer to the Berlin and New York biennials brings together a wide range of local and international artists in different venues in San Francisco and the East Bay. Through Aug. 7. 510-635-6930. www.bayennale.com. 2948 16th St. (at Capp), 864-8855.
Madrone Lounge. "Tesseract": The seven female artists in the esoterically titled exhibition "Tesseract" explore childhood fantasy's creepy uncharted terrain (with detours through mythology, bondage, and fashion). Highlights include the eerie, diaphanous photography of Kimberly Verde and Summer-Jane Bell's whimsical mixed media sculptures. Through Aug. 31. free. 500 Divisadero (at Fell), 241-0202, www.madronelounge.com.
Meridian Gallery. "Stitches and Other Connections": Sewn and knittted work by Susan Field. Through Aug. 13. 545 Sutter (at Powell), 398-7229.
Mission Cultural Center for Latino Arts. "Imagine the Mission": Group show of both professional and community images of the Mission District over the past 35 years, presented as a celebration of local newspaper El Tecolote. Through Aug. 22. 2868 Mission (at 25th St.), 821-1155, www.missionculturalcenter.org.
Mission Dolores. "Ohlone Portraits": An exhibit that features life-size depictions of the Ohlone people, a Native American tribe. Through Oct. 1. $2-$3. 3321 16th St. (at Dolores), 621-8203.
Multiple locations. "Who Is an Outsider?": Work by four artists with disabilities, displayed in BART trains and stations. Through July 31. www.creativegrowth.org. Multiple addresses within San Francisco.
New Langton Arts. "Psyche Wall": New installation art by Jacob Hartman. Through Aug. 6. "Django Chapel": New installation art by Jarrett Mitchell and Mary Elizabeth Yarbrough. Through Aug. 6. 1246 Folsom (at Eighth St.), 626-5416, www.newlangtonarts.org.
Newmark Gallery. "Apparent Opposites": Contemporary abstract paintings by Ilan Laks, Theo den Boon, and Hans Vanhorck. Through July 30. 251 Post (at Stockton), No. 412, 392-3692, www.newmarkgallery.com.
Nob Hill Masonic Center. "The Universe Within: The Human Body Revealed": A science-educational exhibit featuring 200 former human bodies, preserved through the process of plastination. Daily. $10-$17. www.theuniversewithin.org. 1111 California (at Taylor), 776-4702.
Presidio Officers' Club. "From Above: A Robert Cameron Retrospective; A Life's Work in Aerial Photography": Exhibition of large-format photography. Through July 31. 50 Moraga (at Arguello), 561-5500, www.presidio.gov.
Red Ink Studios. Open Portfolio Night: Artists are welcome to sign up a week in advance of this first come, first served event. Last Thursday of every month. 1035 Market (at Sixth St.), 596-4810, www.redinkstudios.com.
Richmond Art Center. Add Your Voice to "Richmond Stories": Contribute to this ongoing art and oral history project by e-mailing answers to the following questions to firstname.lastname@example.org: How did you or your family come to Richmond in the first place? What are your happiest memories here? What have you liked most about your community? What historic events stand out most in your memory and your family stories? What stories seem to capture Richmond's essence? What issues and challenges have you faced here? What are your dreams for Richmond's next 100 years? Daily. 22540 Barrett (Civic Center Plaza), Richmond, 510-620-6772.
San Francisco Center for the Book. "Swiss Impressions: Romano Hänni and the Art of Metal Type": Letterpress work by the Basel-based designer. Through Aug. 5. 300 De Haro (at 16th St.), 565-0545, www.sfcb.org.
Steel Gallery. "Summer Reading II": Group exhibition featuring work by Sofia Harrison, Wendy Robushi, and Judith Williams. Through July 30. 3524 Sacramento (at Laurel), 885-1655, www.steelgalleryinc.com.
Valencia Street (between 20th and 22nd Sts.). "Double Take: A Billboard Project": Art billboards by Felipe Dulzaides in various locations. Daily. 626-5416. www.newlangtonarts.org. Valencia Street between 20th and 22nd Sts.
Weinstein Gallery/Geary Street. "The Great Spaces of the Mind": Solo exhibtion of paintings by Gordon Onslow Ford. Daily. 383 Geary (at Mason), 362-8151.
Yerba Buena Center for the Arts. "Bay Area Now": A group show of challenging and experimental work by local artists. Through Nov. 6. "Bay Area Now 4: The Film/Video Program": Commissioned new work by Sam Green, Ellen Bruno, Bill Daniel, and Caveh Zahedi. Through Sept. 25, 3 p.m. Free-$6. 701 Mission (at Third St.), 978-2787, www.ybca.org.
Museums Asian Art Museum. "Tibet: Treasures From the Roof of the World": More than 200 Buddhist art pieces, including sculptures, paintings, and jewelry used by the Dalai Lamas and their courts. Through Sept. 11. Free with museum admission. "In a New Light: The Asian Art Museum Collection": A display of more than 2,500 objects from the museum's permanent collection explores the major cultures of Asia. Daily. Free with museum admission. "Shadows, Masks and Music: Aspects of the Performing Arts in Asia": The museum displays a diverse collection of musical instruments, set designs, costumes, and masks that are used in Asian performances. Tuesdays-Sundays. Free with museum admission. Gallery Tours: Trained museum docents offer both general introductions to the museum's collections as well as tours that highlight special exhibitions. Tuesdays-Sundays, 11, 11:30 a.m., 1 & 2 p.m. Free with museum admission. Architectural Tours: Learn about the transformation of the old San Francisco main public library into the Asian Art Museum's new quarters with this regular tour. Tuesdays, Wednesdays, Fridays-Sundays, 12 & 2:30 p.m.; Thursdays, 12, 2:30 & 6:30 p.m. Free with museum admission. Asian Art Museum Storytelling: Each weekend the museum leads a family-oriented tour through a particular exhibit, followed up by a retelling of stories related to the exhibits. Sundays, 1 p.m.; First Saturday of every month, 1 p.m. Free with museum admission. "Family Art Encounter": Drop in to make arts and crafts pieces related to the museum's current exhibits. First Saturday of every month, 1 p.m.; First Tuesday of every month, 11 a.m. Free with museum admission. Target Tuesday Family Program: Each month this special family program presents an activity connected with Asian art and customs. First Tuesday of every month, 11 a.m. Free with museum admission. 200 Larkin (at McAllister), 581-3500, www.asianart.org.
Bay Area Discovery Museum. "Think Tank": Subtitled "an enigmatic exhibition," the fun features interactive hands-on exhibits such as brain games, mind teasers, and puzzles. Through Sept. 15. Free-$8.50. 339-3900. 557 McReynolds (at Murray), Sausalito, 339-3944, www.baykidsmuseum.org.
Berkeley Art Museum. First Impressions: Free First Thursdays: Check out a world of art and film with free entry to the Berkeley Art Museum/Pacific Film Archive each month. Thursdays, 11 a.m. Free. 2626 Bancroft (at Telegraph), Berkeley, 510-642-0808.
Cable Car Museum. Permanent Exhibit: Located in a historic cable car powerhouse, the museum displays a variety of cable car gear, historic photographs, installations explaining how the cars work, and several antique vehicles. Daily. Free. 1201 Mason (at Washington), 474-1887.
California Academy of Sciences. "Astrobiology: Life in the Extreme": A permanent exhibition that explores the types of environments in the universe that could support life. Daily. 875 Howard (at Fifth St.), 750-7145, www.calacademy.org.
California Historical Society Museum. "Eadweard Muybridge: San Francisco in Panorama": The photographer famous for motion studies also made panoramic images; here, see a room-sized picture of the city circa 1877. Through Oct. 8. free-$3. 678 Mission (at Third St.), 357-1848.
Cartoon Art Museum. "Garfield: Meow and Then": A look back at 27 years' worth of comics about the fat, lazy, cynical orange cat. Through Sept. 25. Free-$6. "Play Ball": Over 40 baseball cartoons from 1945-1965 by legendary cartoonist Willard Mullin. Through Oct. 30. Monthly Cartooning Classes for Adults: An intensive monthly workshop for aspiring comic artists, writers, and fans of the medium, taught by a professional cartoonist focusing on an area of his or her expertise. Fourth Saturday of every month, 1 p.m. $40-$50. 655 Mission (at New Montgomery), 227-8666, www.cartoonart.org.
Chabot Space & Science Center. "One Giant Leap: A Moon Odyssey": Take a simulated moonwalk, try on a space helmet, climb into a space capsule, and virtually land a lunar module in this exhibit. Daily. Free with museum admission, $9-$13. "Astronomy in California 1850-1950: Telescope Makers, Telescopes, and Artifacts": Take a look at California's rich history in astronomy with this display of telescopes, astronomy history documents, and other ephemera. Daily. Free with museum admission, $9-$13. "Skywise -- Astronomy Cartoon Exhibit": Help your child understand that vastness and majesty of space with this exhibit of astronomy comic strips. Daily. Free with museum admission, $9-$13. "Destination Universe": Take a virtual journey from the sun to the end of the cosmos with exhibits on nebulae, space travel, black holes, and moving galaxies. Daily. Free with museum admission, $9-$13. "Mars Encounter": The National Aeuronautics and Space Administration sponsors this exhibit on travel to Mars, which includes data on current and past missions, a giant tactile Mars globe, and Martian meteorites. Daily. Free with museum admission, $9-$13. 10000 Skyline (at Joaquin Miller, in Joaquin Miller Park), Oakland, 510-336-7300.
Contemporary Jewish Museum. "Scents of Purpose": The museum showcases more than 90 artists' interpretations on the spice box, an item that's used in the havdalah, a Sabbath prayer service. Through Sept. 5. Free-$5. 344-8800. 121 Steuart (at Mission), 591-8800, www.thecjm.org.
Exploratorium. "Sculptural Information": Sculptural works spotlighting the icons of the information age -- books, print, X-rays, and typewriters. Through Sept. 11. Free with museum admission. "The Nobel Prize: 100 Years of Creativity": The multimedia exhibit "The Nobel Prize: 100 Years of Creativity" offers a historic overview of the prize and the personal stories of 50 Laureates, including artifacts such as Alexander Fleming's penicillin petri dish, Ernest Hemingway's library ticket, and Linus Pauling's paper cutouts of molecules. Through Oct. 2. free-$12. "Traits of Life": A major exhibition area with 30 biology exhibits and demonstrations that help visitors understand the fundamental elements common to all living things from humans to amoebas. Daily. Free with museum admission. 3601 Lyon (at Marina), 397-5673, www.exploratorium.edu.
The Holocaust Center of Northern California. "Holocaust Center of Northern California": The newly opened center's first exhibit showcases its facilities, including a library with more than 15,000 historical volumes, a reading room for screening documentaries and holding educational talks, and ongoing displays of the center's thousands of photographs and artifacts. Tuesdays, Thursdays, 1-6 p.m.; Mondays, Wednesdays, 10 a.m.-4 p.m. Free. 121 Steuart (at Mission), 777-9060, www.holocaust-sf.org.
Lawrence Hall of Science. "Forces That Shape the Bay": The museum's permanent science park exhibit explores new ways to understand the bay. Daily. "Prove It -- A ChemMystery": Kids and adults attempt to solve crimes using the basic forensic skills they learn step-by-step at the exhibit. Daily. Free with admission, free-$8.50. Centennial & Grizzly Peak, Berkeley, 510-642-5132.
Legion of Honor. "Artwear: Fashion and Anti-Fashion": A retrospective of wearable art spanning 35 years and more than 100 pieces. The show begins its study with crocheted garments worn by 1960s fashionistas and moves through the decades to modern-day haute couture. Through Oct. 30. $2-$12. 750-3614. www.legionofhonor.org. "Big Kids/Little Kids": Children aged 3 1/2 to 6 years and their parents take a gallery tour and then participate in a related hands-on art activity. Saturdays, 10:30 a.m. Free with museum admission, free-$8. "Doing and Viewing Art": Kids aged 7-12 and their families tour the Legion of Honor's galleries before taking part in a hands-on creative workshop led by a professional artist. Saturdays, 10:30 a.m. Free with museum entrance fee, free-$8. Ford Free Tuesdays: Get in free to the Legion of Honor every Tuesday thanks to a grant from the Ford Motor Company. Tuesdays. Free. 100 34th Ave. (at Clement), 863-3330.
Mills College Art Museum. "Improving the Bow Tie": The art of African-American quiltmakers based on the popular bow-tie pattern. Through Aug. 7. free. "Second to the Gods": Three exhibitions of African art: "Royal Regalia of the Yoruba," "The Seat of Power," and "Fertility." Through Aug. 7. Free. "Oakland Picture Lady: Traci Bartlow": Bartlow creates an installation with photographs of the 98th Avenue area of East Oakland. Through Aug. 7. 5000 MacArthur (at Buell), Oakland, 510-430-2164, www.mills.edu/MCAM.
Museum of Craft & Folk Art. "Convergence: Crossing the Divide": An exhibition of studio furniture by artists from Tasmania and America. Through Sept. 25. Fort Mason, Bldg. A (Marina & Buchanan), 775-0991.
Oakland Museum of California. "Sculpture by Bruce Beasley: A 45-Year Retrospective": Work by Bay Area abstract sculptor. Through July 31. 1000 Oak (at 10th St.), Oakland, 510-238-2200, www.museumca.org.
Oakland Museum of California Sculpture Court. "The Chess Set": A mythologically inspired exhibition by sculptor Jane Grimm. Through Aug. 10. 1111 Broadway (at 11th St.), Oakland, 510-238-2200.
Pier 45. "Amusing America": The evolution of modern amusement parks and their effects on the American cultural landscape are examined in this conglomeration of photographs, penny-arcade machines, and other ephemera. Daily, 10 a.m. Free. Fisherman's Wharf (Taylor & Jefferson), 552-1266.
Randall Museum. "Endless Energy: Power for a Small Planet": An interactive exhibition exploring renewable energy options. Through Oct. 22. "Drop-In Art and Science Workshops": Each week kids and parents can participate in artistic activities that illuminate some aspect of science. Saturdays, 1 p.m. $3 per person. "Saturdays Are Special": Ongoing weekly drop-in, hands-on art and science workshops. Saturdays, 1 p.m. Free-$3. 199 Museum (at Roosevelt), 554-9600.
San Francisco Fire Museum. "Permanent Exhibits": Included among the items on display at this museum are antique fire extinguishers, old uniforms, cast-iron replicas of historic fire engines, hooks, ladders, and other ephemera. Daily. Free. 655 Presidio Avenue (at Bush), 563-4630.
San Francisco Maritime National Historical Park. "Sparks, Waves, & Wizards: Communication at Sea": The permanent exhibit presents artifacts exploring the means of maritime communications. Daily. Free-$6. Fort Mason Building E (Marina & Buchanan), 561-7000.
San Francisco Performing Arts Library & Museum. "150 Years of Dance in California": The exhibit spotlights over a century of dance in the Golden State with photographs and programs. Daily. "Maestro!: Photographic Portraits by Tom Zimberoff": The artist captures a generation of national and international conductors in his portraits. Daily. 401 Van Ness (at McAllister), 255-4800, www.sfpalm.org.
San Jose Museum of Art. "Inside Out: Selections From the Permanent Collection": Highlights of the museum's 35th-anniversary exhibition include Mildred Howard's Abode: Sanctuary for the Familia(r), a chamber built of blue glass bottles, and Brian Goggin's Desire for the Other, a couch stuffed with household appliances. Daily. Free. 110 South Market (at San Fernando), San Jose, 408-271-6840.
SF Maritime Museum. Permanent Collection of Ship Models: A big collection of figureheads, maritime paintings, photos, and artifacts. Daily. free-$3. Fisherman's Wharf (at Polk), 556-3002.
SF Museum of Modern Art. "Architecture & Design Permanent Collection": An ongoing presentation featuring more than 100 works illustrating concepts in design and architecture. Daily. "The Art of Design": A permanent exhibition of works in the museum's architecture and design collection, including works of graphic and industrial design (such as the famous Fillmore rock posters by Bonnie MacLean, Victor Moscoso, and Stanley Mouse). Daily. "Matisse and Beyond: The Painting and Sculpture Collection": Magnificent works of painting and sculpture culled from SFMOMA's own collections provide a quick tour of modern art from Fauvism to Minimalism. Daily. "Between Art and Life: The Contemporary Painting and Sculpture Collection": The ongoing exhibition presents works from SFMOMA's own collections, with special installations on artists such as Louise Bourgeois, Robert Gober, Eva Hesse, Anish Kapoor, Sherrie Levine, Brice Marden, Gordon Matta-Clark, Barry McGee, Bruce Nauman, Robert Rauschenberg, and Kara Walker. Daily. "2x4/design series 3": Works from the New Yorkbased graphic design firm 2x4 for clientele including Prada, the Brooklyn Museum, KnollTextiles, Princeton School of Architecture, and Swiss furniture manufacturer Vitra. Through Sept. 25. "Taking Place": Photographs from the Prentice and Paul Sack Collection. Through Sept. 6. "Picturing Modernity: Selections From the SFMOMA Collection": An exhibition of photographs from SFMOMA's own collection that illustrate a wide range of photographic styles. Daily. "The Art of Richard Tuttle": More than 300 works comprise this retrospective exhibit. Through Oct. 16. 151 Third St. (at Mission), 357-4000, www.sfmoma.org.
Zeum. "Toyz": Hands-on activities teach kids about the latest in tech toys. Daily. Free with museum admission, free-$7. 221 Fourth St. (at Howard), 777-2800.


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Le Rameur is a beautiful town house for long term rent set in the heart of the coastal town of Argeles-sur-Mer, in Southern France. Argeles-sur-Mer is situated close to Perpignan on the Mediterranean coast, near the Spanish border.
The house is situated in the most photographed street in this famous Catalan town, popular for its many shades of Bougainvillea plants. The house is available for rentals from November to April from €1,100 per month + bills.
Le Rameur boasts a lovely roof top terrace and has been fully renovated to a very high standard. The house has three double bedrooms, 2 bathrooms, two new kitchens, air conditioning and WiFi Internet. The house also comes equipped with 3 mountain bikes, body surf boards, snorkel and masks.
The house is laid out over 4 floors and comes with exposed stone walls and original beams. The house is fitted with reversible air conditioning, as well as electric radiators and a feature fireplace:
The stairs up to the top floor are steep, but there is a solid handrail for support.
The house is available for long term rentals between November to April. The rental prices do not include the utility bills (there is a monthly provision of €200 towards the electricity, water, Wi-Fi and communal taxes). Minimum stay is 3 months.
Long term rentals (Oct to May): from €1100 per month + bills
Take a virtual tour of this Argeles-sur-Mer long term rental house in South France:
Rotate the view by placing your finger or mouse on the video. You can progress to the next scene by either clicking on the arrows at the side of the screen or clicking on flashing circles.
The house provides very comfortable accommodation for a house hunting trip or on an extended holiday. Argeles-sur-Mer is a great location for a long term rental by the coast in Southern France. The beach is just 2-3 mins drive and the town comes with all the facilities and services that you will need (including a local train station with services to Perpignan and along the Mediterranean coast to Collioure and Port Vendres).
This house for long term rent in France is located close to the beach in Argeles sur Mer. Argeles has some of the best beaches in the South of France, with 7 kms of coastline and 3 kms of small coves. The resort that has been granted the blue flag award for its beaches and harbour. It has two nature reserves: Mas Larrieu nature reserve by the sea and La Massane forest in the heart of the Albères.
Argelès-sur-Mer itself is a typical coastal town, with a warren of narrow streets, colourful buildings and a lovely 14th century Church. The town is just 20 kilometres from Perpignan. There is a local train station with services to Perpignan and down the coast to Collioure and Port Vendres. At the back of the town, there are a number of paths which take you up into the mountains.
There is a local train station in Argeles-sur-Mer (quite near the house) which provides local trains to Collioure and up to Perpignan. From Perpignan you can access the mainline TGV trains to Paris, Barcelona, Montpellier, Toulouse, etc.
To reach this Argeles-sur-Mer house for long term rent in Southern France, you can fly to:
Perpignan: 30 mins
Girona, Spain: 1 hour
Carcassonne: 1 hour
Montpellier: 1 hour 30 mins
Barcelona, Spain: 2 hours
Argeles-sur-Mer is located 20 mins South of Perpignan and just 15 mins to the Spanish border. The town is located just off the D914 road, which provides quick access to Perpignan and the coastal towns along the Mediterranean coast.
One month deposit to be paid at time of reservation (this will become the security deposit for your stay). Rent to be paid in advance on the first day of the month (for rentals of 3 months or less, the rent is to be paid in full prior to arrival). The utility bills are to be paid in addition to the monthly rent. There is a monthly provision of €175 towards the utility bills. References may be required. Minimum stay is normally 3 months.
Long Term Rentals in France provides the largest selection of long term lets across the South of France, Dordogne and Northern France. Our properties are all personally inspected and available for rentals of between 3 to 12 months.
Long Term Rentals in France
68bis Avenue de Pezenas
34320, Roujan, France.
Tel: +33 (0)6 95 00 28 44
Email: Long Term Rentals

domain: geography