text:
It’s important to know that vaccinations are not just for children. Actually, you need vaccines throughout your adulthood to protect yourself and others from diseases that can be detrimental to your health. According to the Centers for Disease Control and Prevention, thousands of adults in the U.S. get ill every year from diseases that could be prevented by vaccines. These diseases can lead to hospitalizations and even death.
Defense from some vaccines can drop over a period of time, so even though you got vaccines as a child, you might need additional vaccinations. It also varies by age, health conditions, and additional factors, such as your traveling plans and your job.
A vaccine is a product that stimulates a person’s immune system to generate immunity to a specific disease, protecting the person from that disease. Vaccines are usually administered through needle injections, but can also be administered by mouth or nose spray.
According to the CDC, these vaccines are recommended for all adults:
• Influenza vaccine every year during flu season to defend yourself against seasonal flu. This recommendation includes pregnant women during any trimester.
• Td/Tdap vaccine to protect against tetanus, diphtheria, and pertussis (whooping cough). The Tdap vaccine is recommended one time, no matter when you got your last tetanus vaccine.
CDC recommends pneumococcal vaccination for all babies and children under the age of 2 years old and all adults 65 years or older. In specific situations, other children and adults should also get pneumococcal vaccines. This vaccination helps prevent pneumococcal disease.
The main types of pneumococcal disease are pneumonia (lung infection), bacteremia (blood infection), and meningitis (infection of the covering of the brain and spinal cord). Less severe illnesses entail ear and sinus infections.
A main concern for people when it comes to vaccines is the safety of the treatment. Vaccines are tested and observed and all vaccines go through years of testing prior to the FDA’s approval to use them. The FDA and CDC continue to monitor the safety of the vaccines.
Vaccine side effects are usually moderate and vanish in a few days. The most common side effects include soreness, redness or swelling where the shot was administered. Serious side effects are very rare.
It’s vital to point out that vaccines decrease the probability of getting certain diseases as well as difficulties that come from these diseases. Vaccines also lower the chances of spreading diseases. A lot of health care providers provide vaccines, including doctors’ offices, hospitals, and pharmacies. Majority of health insurance providers will cover the costs of the vaccines they recommend.

domain: biology


text:
Featuring a Jacuzzi, an indoor pool and a sauna, Hall Garth Hotel BW Signature Collection provides elegant rooms close to North Pennines. It also features an express check-in and check-out feature, a beauty centre and a 24-hour reception.
There are 56 modern rooms at the hotel, each offering all the essentials to ensure a comfortable stay. They are also equipped with a hair dryer, cable/satellite channels and a radio.
The hotel offers a varied dining experience, including a relaxed restaurant and bar.
For guests who enjoy exploring local dining options, there is a great selection within walking distance. Those staying at the property can also enjoy an easy stroll to Newton Aycliffe and Durham.
Health and safety
Services and conveniences
Pool and spa
Accessibility and suitability
Media and entertainment
Parking and transportation
Things to do
|Check in anytime after 15:00, check out anytime before 11:00|
|Cancellation/pre-payment policies vary by room type and provider.|
Hall Garth Hotel, BW Signature Collection is located at Coatham Mundeville, 3.8 miles from the centre of Darlington. Head of Steam Darlington Railway Museum is the closest landmark to Hall Garth Hotel, BW Signature Collection.
Check-in time is 15:00 and check-out time is 11:00 at Hall Garth Hotel, BW Signature Collection.
Yes, Hall Garth Hotel, BW Signature Collection offers free Wi-Fi.
Yes, Hall Garth Hotel, BW Signature Collection offers free parking.
No, Hall Garth Hotel, BW Signature Collection does not offer free airport shuttle service.
Hall Garth Hotel, BW Signature Collection is 6.8 miles from Darlington Teesside Intl. Hall Garth Hotel, BW Signature Collection is 32.1 miles from Newcastle upon Tyne.
Yes, Hall Garth Hotel, BW Signature Collection has a pool on-site.

domain: travel


text:
I returned home from California late the other night, minus my one and only piece of luggage, Grrrr, and this shown here is what I was doing the next morning over coffee…Happily unpacking my new camera and not my suitcase. Happy Late Birthday to me!
*My suitcase arrived via courier around 2pm with no excuse as to why it ditched me. Said suitcase was not beat up in the least. I can only guess it decided to have a look around O’Hare and missed our plane.
I’ve been having an excellent time this past week learning, well, relearning f-stops and shutter speeds and though I originally learned on Todd’s 35mm (film) Pentax K100o, I forgot more than I should have. There are various new to me settings too on this new camera of mine. I couldn’t be happier to be back in “control” over what I’m trying to screw up picture wise.
The two things I love the very most?
I love the low ISO settings. The pictures it takes indoors without a flash…
Oh. My. Gosh!!! Amazing.
And the shots I can get at night or in other low light situations…like the hockey arenas! Whoo Hooo!!
I love the lens it came with too. It’s versatile. It goes from 18-105mm, which is, for those of you who don’t know, a wide angle to a bit of telephoto. I have my eye on a few other lenses but I suspect if I had a camera bag full of choices that piece of glass would remain on my camera 90% of the time anyway.
Two nights ago I ran around the farm/ranch or whatever we call it, chasing the light. Least I wasn’t chasing cows…it was –4.
By the way, we don’t have cows/steers, I’m just sayin’. Also, we don’t have them yet because well, we don’t have good enough fences yet.
These are snowmobile tracks in the north-east hay field, in case you were wondering, which you probably weren’t, but just in case you were.
And just in case you really were wondering…All these photo’s are sharpened and then softened in Photoshop but I didn’t mess with the color much at all, maybe the contrast some. It really was purple out, on the snow anyway.
This one was taken on the same night as the above sunset shots. I took the color out and made it a black and white. And then I softened it. I was doing some practice shots for a group I joined online called, MCP Project 52. This week’s theme is “Soothing Repetition”.
I need more practice, this wasn’t coming out like I envisioned. “We”, Jake and I that is, have till Friday to either get it right or move on and try for something else.
Last weeks theme suggestion was “Shades of Gray”. This was the first one I entered. It’s of Todd and Jake snowmobiling in the front hay field under a full moon.
I joined the group late, as a lot of us have. Not a biggie. There is nothing to win, no prizes offered. But what is offered is help and encouragement from other people who either take pictures as a hobby or professionally and I think that’s not only what I need but also pretty cool.
And I think my new camera is pretty cool too, thanks husband. :)

domain: hobby


text:
| Availability: Over the Counter
Click to Save 3% on every Autoship item!
Please select how often you would like your order placed
*please note: PayPal does not work with autoship
Phycox One, 60 Soft Chews provides joint and bone support through its combination of glucosamine, creatine, methylsulfonylmethane, and other ingredients. This product has a new, improved formula, and for many dogs, one chew per day will be sufficient once the initial period is over. Phycox One also has increased amounts of several ingredients that are essential to your dog's joint health.
- Natural source of phycocyanin from blue-green algae
- Promotes joint health in dogs with joint discomfort
- Contains antioxidants like grape seed extract and ALA
- Formerly known as Phycox, 60 Soft Chews
- Manufacturer information and usage
I love that this provides joint benefits and has everything else I could want my dog to have. This way, I give him the one thing every day instead of 3 or 4 different pills. Saves me a lot of aggravation.
My vet says my two dogs one 13 and one 11 have no signs of joint problems and praised me for giving them PhyCox.
They sell it at the veterinarian's office but costs almost twice as much. My dogs love it so it's not hard to administer.
VetDepot is quick and easy. The shipping time is quick. I order enough so they ship for free.
This information is for general reference only and should not be used for the diagnosis or treatment of any condition of your pet. Because is intended as a general reference, this information may not include all possible uses, precautions, directions, reactions (including allergic), drug interactions, or withdrawal times. Always consult your local veterinarian and have your pet examined for any advice concerning the diagnosis and treatment of your pet, including which products and doses are most appropriate. Any trademarks are the property of their respective owners. VetDepot is not a pharmacy. All prescription products are dispensed by our Pharmacy Partner.

domain: pet


text:
Some Republicans Want The Supreme Court To Punish Comey. There’s One Problem
President Donald Trump favorably quoted a Fox News contributor who urged the Supreme Court to punish former FBI Director James Comey in a pair of Sunday morning tweets.
The contributor, former GOP Rep. Jason Chaffetz of Utah, said Chief Justice John Roberts should hold Comey in contempt for alleged abuses of Foreign Intelligence Surveillance Court (FISC), though Roberts has no such power.
It’s not clear whether a live broadcast or a news report prompted the president’s tweets, but Chaffetz pushed for the chief justice’s intervention as recently as Friday.
“The chief justice of the Supreme Court — once the inspector general does the FISA report — they could very well hold people in contempt,” Chaffetz said during a Fox News broadcast Thursday.
Justice Department Inspector General Michael Horowitz is investigating alleged abuses of the Foreign Intelligence Surveillance Act (FISA) relating to the Trump campaign. Comey might be entangled in that ongoing probe, since he signed FISA warrants targeting former Trump campaign advisor Carter Page.
....reports are coming. Comey very vulnerable. But where is the Supreme Court. Where is Justice Roberts? If you lie to a court, you should be held in contempt. So, if you abused the FISA, you must be held accountable. I hope Justice Roberts will take action.” Jason Chaffetz, Fox— Donald J. Trump (@realDonaldTrump) September 1, 2019
But neither the chief justice nor the Supreme Court has freestanding power to hold individuals in contempt. Though the chief justice appoints the 11 judges who sit on the FISC, he has no authority to supervise the panel, direct its work, or remove its members.
The Supreme Court could review a FISC matter that came before them through ordinary legal procedure, but it cannot take any action against FISC or Comey on its own.
Republicans have floated the prospect of questioning Roberts about FISA abuses before. When GOP Rep. Devin Nunes of California chaired the the House Permanent Select Committee on Intelligence, he entertained the prospect of calling Roberts before the committee to testify. House Republicans ultimately did not seek the chief’s testimony.
Horowitz issued a report that was sharply critical of Comey’s handling of records memorializing his conversations with the president. The IG concluded Comey broke Bureau policies and set a “dangerous example” for federal employees.
Fox News and the White House did not respond to the Daily Caller News Foundation’s request for comment.

domain: news


HIGH RESOLUTION, HIGH EFFICIENCY INFRARED LED PRINTING ARRAY AND FABRICATION METHOD
Original Publication Date: 1985-Dec-31
Included in the Prior Art Database: 2004-Apr-04
Xerox Disclosure Journal
With the advent of commercially available infrared (IR) photoreceptors, the use of a Light Emitting Diode (LED) array to write images on the photoreceptor has taken on renewed interest. As will be understood, arrays of this type comprise one or more linear rows of LEDs in close juxtaposition with one another to form in effect a light bar which, through selective actuation of the individual LEDs in accordance with an image.input signal, exposes the photoreceptor to create or write a latent electrostatic image thereon. The latent electrostatic image created is thereafter processed xerographical I y to produce a permanent visible copy of the image.


text:
Julian Mininsohn joined the KEZI 9 News team as a sports anchor and reporter in October 2018.
Originally from Long Beach, California, Julian attended the University of La Verne near Los Angeles. Before graduating with honors in 2015, he was the on-air talent at the school radio and produced university television programming. Julian was also co-editor for the campus newspaper and a featured author for the University of La Verne magazine.
During college, Julian served as a contributing writer for Lakers and Dodgers Nation. Julian also worked as a sports production assistant with the award-winning KABC-7 sports team in Los Angeles. He covered pro and college sports and interviewed So Cal legends like Kobe Bryant and Vin Scully.
Most recently, Julian was Sports Director for KKCO/KJCT-TV in Grand Junction, Colorado. He covered the JUCO World Series, Winter X Games and the Colorado Rockies farm team. As host of a weekly high school sports show, Julian spotlighted football and basketball prep games. Julian also anchored the highly-rated Athlete of the Week program, which featured local sports stars of the future.
Julian is excited to be back on the West Coast, covering the world of Oregon sports. Although he is a true fan of all competitive athletics, Julian still finds time away from the studio for a good movie or some pick-up basketball.
Have a story idea? Julian would love to hear from you at email@example.com.
Grants Pass boys and South Eugene girls win team titles.
Oregon gets a much needed road victory.
Oregon and OSU come up empty-handed away from home.
Brandon Schmit plans to use his success to inspire other disabled athletes.
OSU hopes for the postseason while Oregon loses in season finale.
Both teams received great starting pitching performances.
The Ducks look ahead to Portland and Oregon State following a historic loss on Sunday
Results from Saturday's races at Cottage Grove and Willamette Speedways.
Both teams are on four-game losing streaks.
Beavs suffer a third straight loss while the Ducks lose in extra innings.

domain: sports


text:
Tesla Insurance launched in 2019, limited to the automaker’s home state of California. The product was then updated to be based on real-time driving data when it launched in Texas earlier this year.
Tesla has now expanded the real-time insurance product to another state, Illinois.
In a recent update to the Tesla Insurance website, all three states are now listed as having the product available, with only Illinois and Texas being based on real-time driving behaviour.
According to the website, owners can now “get competitive rates…in as little as one minute.”
Thanks to the connected nature of Tesla cars, those competitive rates are determined by analyzing factors like Forward Collision Warnings, Hard Braking, Aggressive Turning, and more.
All of factors are explained during the sign-up process, and are used to calculate your Safety Score, which then determines your monthly premium.
Here is an example of how your premium might change based on your driving behaviour.
This example has played out in real life, as owners have seen huge savings by switching to Tesla Insurance.
Unfortunately there is still no sign of when Tesla Insurance might expand to Canada. Musk has previously explained the insurance approval process even across the different states as insanely complex, and providing timelines for the product’s expansion is difficult to do.
When viewing the Canadian version of Tesla’s website, it says “Coming Soon”.


Cheshire, United Kingdom, (15th March 2012),Click Consult, a premier internet marketing agency, have been named as the UK’s number one Web Development company by TopSEOs, an independent authority on search vendors.
Based in Cheshire, Click Consult specialise in a range of search marketing services including, PPC, mobile SEO, social media marketing as well as Web Development. They have been awarded the title of UK’s number one Web Development agency for displaying excellence in their methodologies for tracking Web Development, their ability to generate source code that conforms to industry standards, and their robustness and security. They also achieved a perfect score for being able to create source code that is staged for growth, and their ability to write clean and documented source code that ensures easy maintenance.
Click Consult provide holistic digital marketing solutions for over 325 clients, and in 2011 they achieved a turnover of 5.6 million pounds while maintaining their client retention rate of 96%. Click Consult hope to keep expanding their Web Design & Development services, as they aim to keep a hold of the title given to them by TopSEOs.
“The Web Development branch of Click Consult is central to our success as a business, and to be recognised by Top SEOs as the number one Web Development Company in the UK is a fantastic achievement for us. We always try to make sites that are user-friendly, aesthetically pleasing and optimised to perform well in the search engines, and I believe this accolade signifies that we are achieving those goals.” said Matt Bullas, Managing Director of Click Consult. “We have a fantastically talented team of Web Designers and Developers here, and we draw on all their industry experience and knowledge to ensure the sites we build for our clients are of an unparalleled quality.”
For more details about Click Consult, visit their website at http://www.clickconsult.com/ or call 0845 205 0292.
About Click Consult:
Established in 2003, Click Consult is a leading provider of Search Engine Marketing (SEM) solutions, including PPC Campaigns, Web Design & Development, SEO, Reputation Management, Social Media Marketing and Mobile Web Builds & Marketing. With over 95 staff in Cheshire and London, the Google AdWords and Microsoft adExcellence certified company now has over 325 clients and an impressive portfolio of page one results.
Contact Click Consult:
Unit B1, Willow House,
Oaklands Office Park,
Hooton Road, Hooton,
Zip: CH66 7NZ
Tel: 0845 205 0292


- Riddle me this....
What has two hands but can't clap?
What is fluid and also finite?
What might be running out?
Terry Collins time with the Mets. According to ESPN.com, Collins says 2017 might be his last year with the Mets.
Read the article here.
Posted using BlogPress from my iPhone


We are expanding our artist roster up to scandinavian territory with the talented duo SWEDZ bringing some fresh vibes/sounds to our label and getting the first release with our label called NIGHTS this is a Progressive House/Big Room track genre with a catchy melodic drop ,uplifiting break and followed by a storytelling vocals.
“Nights is the latest single from talented Swedish DJ / Producers Lucas Börjesson and Emil Johansson. The duo, who met in high school and started making music under the Swedz moniker in 2016, have been making waves with stellar reviews from EDM Reviewer and We Rave You. 2020 looks set to be a breakout year for Börjesson and Johansson, starting with the release of Nights on March 20.
With Nights , the boys return to their progressive house roots, building on their previous experience in the genre to create their strongest production to date. The track is a celebration of living life for the moment and embracing the present, instead of worrying about the future or tomorrow’s consequences.”
LISTEN TO NIGHTS


text:
A CONVERSATION WITH CHRISTOPHER WHEELDON
by Michael Popkin
copyright 2009 by Michael Popkin
[Editor's note: This is a longer version of an interview that ran in the Spring 2009 issue of DanceView. It is posted in four parts.]
Two years after forming his own company, the New York based choreographer talks about his plans and recent work, his methods of working and the experience of living and creating dance in New York City.
Christopher Wheeldon needs little introduction to today’s ballet public. Trained at Britain’s Royal Ballet, but formed as an artist during more than a decade at New York City Ballet first as a dancer and then as the company’s first official resident choreographer, the 36-year-old British born choreographer left City Ballet to form his own company, Morphoses, nearly two years ago, performing first at the Vail Festival in Colorado, and subsequently among other venues at yearly seasons at both New York City Center and the Sadlers Wells Theater in London. Danceview caught up with him on February 25, 2009, when he was back in New York after Morphoses’ January tour in Australia, to oversee the revival of Mercurial Maneuvers, one of his early works, at City Ballet before making a quick trip to Seattle for the premiere of his Carousel, A Dance at Pacific Northwest Ballet.
Wheeldon: Any new ballet is a collaborative process up to a point, so it depends upon how you work as a choreographer and how you approach that process. Some choreographers choose to work on themselves or on assistants in a studio and then go in with the dancers and teach them material that’s already been created. Some have a very clear idea in their head, but then go into the studio and work with the dancers collaboratively, allowing them to have a voice in the process. Some are lucky and have a large enough budget to bring a composer into the mix and start working on music from the word go – structuring the piece of music with the choreography. So it depends on how the choreographer works, and on what the resources are for the piece from the company you’re working with. I think most of the time I talk about Morphoses being a collaborative company in the sense that I’m looking to work with new people – not necessarily just ballet costume, or ballet theater design artists – but maybe going to the fashion world, and in general crossing the boundaries between popular culture and the classical art form of ballet. And as an individual and a choreographer, I’m interested very much in collaborating with the dancers and allowing them to have a voice in the process so they’re contributing artistically to the work that’s being made on them. That’s not to say that they’re choreographing it, it’s just not being so set in my ideas that I’m not open to hearing what they’ve got to say as we make the work.
DanceView: Does that vary between you and particular dancers as you make each piece?
Wheeldon: Yes. It depends very much on the dancer and how eager they are to be a part of that process. Some dancers either don’t like, or don’t know how to collaborate. They come in and they’re just simply a body to be worked on. But for Morphoses I try to find dancers who have a clear idea of who they are in the studio, what they can and can’t do, but also who are willing to take that step with me.
DanceView: What’s your ideal scenario in terms of collaborating with disciplines such as theater design, lighting, composers and visual artists?
Wheeldon: The ideal scenario is where you can begin work on a piece with a collaborator from scratch, approaching a story together. I haven’t had a chance really to do this in a way that’s allowed me to begin the process sitting around the table chatting, but it’s about to happen with the Royal Ballet as I’m doing a full length work for them for their 2011 season. I’m building the book with the playwright, and the composer is also involved. We’re meeting in London, and in New York in a couple of weeks, and then the designer will come into the mix. And that’s very exciting. So that in many ways is ideal. But then there have been collaborations, for example that with Isabel and Ruben Toledo last season on my ballet Commedia last season, which had some ideal elements to them. The music was already in existence because it’s Stravinsky, and I took the idea for the piece and sat down with the Toledos; we listened to the music and they watched some of my ballets, and we distilled the idea of a contemporary look with the perfume of the commedia dell’arte. And even though we weren’t able to spend a lot of time together, because they are incredibly busy, and with Isabel being a fashion designer and Ruben creating a lot of graphics for various stores it was not easy for us to get together often, the hours we had together were very fruitful.
So it goes project by project and it depends on the artists too. Some artists, designers or composers like just to be left alone in order to create something and I appreciate that as well. When I worked with James Macmillan on a piece called Shambards for the New York City Ballet a few years ago, there was already an existing movement for the score in place, so James and I met a few times and he went off and wrote the rest of the piano concerto and then came back to me and said essentially, “Look, here it is.” And even though we didn’t spend hours and hours working out the structure of the music together, it was still a collaboration. With dancers, it depends who you’ve got in the studio. So it just very much depends on the project.DanceView: When did you begin to want to work that way? I remember you speaking of it early in your plans for the new company.
Wheeldon: Well yes, it has always been part of the mission of Morphoses to bring in artists that haven’t necessarily been always associated with theater and ballet. It’s even the way we work in the office. We’re a very small company and there are three of us – myself, along with Lourdes [Lopez] who is my executive director, and Elizabeth [Johanningmeier] my administrator, and the atmosphere here is incredibly collaborative. We’re swapping hats all the time; we have a lot of creative meetings, and it’s very much a team effort.
DanceView: The collaborative model in ballet, combining avant-garde stage and costume design with contemporary music, is certainly associated with Diaghilev. The Playbill material for your most recent season at New York City Center mentioned that Commedia was part of an idea you had for the Ballet Russe centenary. Can you tell me about that?
Wheeldon: The plan for this year has been to create new work that in some way honors the centenary and to put together a program that honors the Ballet Russe in a way that’s fitting for this generation and for our resources – rather than reviving things like Petrouchka and The Firebird, which we couldn’t do anyway because they’re just too big for us; and which also wouldn’t make sense for us because it’s not what we are about as a company. There are plenty of other wonderful ballet companies around who are doing that in honor of the Ballet Russe birthday. But Commedia certainly was created last year with this year in mind and it will fit on a commemorative program.
DanceView: Do you have an idea at this point of what else you might do – of how you might fit Commedia in with further work?
Wheeldon: I’m trying to get ballets into the mix that in some way reflect composers that worked for the Ballet Russe, but it could also be subject matter. But I think that just commissioning a choreographer to come in and make a new work, again in the collaborative spirit, for me would be enough of a commemoration. Because you know, the Ballet Russe . . . and in the past I’ve been misquoted and sometimes rather regret having made reference to the Ballet Russe. (Laughing).
DanceView: But please then clarify.Wheeldon: I’ve always been inspired by the idea of this complete collaboration between music, design and dance, each one being as important to the overall finished product as the other. And unfortunately it’s not always possible to get to the point where you have enough money to be able to invest, for example, in a set or a score. In the end it comes down to practicality and resources. You often speak of your dreams and it takes time to reach those dreams. So in many respects I was and am very proud of Commedia just because, even though we are a small company, we were still able to commission the Toledos to make a beautiful drop for us and beautiful costumes that we’ve subsequently now toured to Australia, all of which go into a suitcase and get checked on the plane; because we’re not yet at a place where we can afford to ship things by crate and so on. So it’s much more the ideals that I’m trying to pay tribute to, rather than . . . (Pauses) Certainly I’m not trying to be Diaghilev.
DanceView: But then it’s interesting the degree to which the design and look of Commedia – and I mean the choreography and the blocking as well as the costumes and drop – did evoke something of the Ballet Russe era, the look of the School of Paris.
Wheeldon: Well yes, and I think at this stage we approach each work as much as possible with the idea of an equal emphasis on design, music and art because it’s where I come from. I come originally from the Royal Ballet, which is a tradition where the theatrical aspect of ballet is very important. And you know in many ways Balanchine turned his back on that and focused very much on the marriage of music and dance, and pushed design to the side in a sense; very successfully in many cases and that was his trademark. But I think now we’re probably facing audiences of a generation who like to be stimulated visually as well. Look at the extremes right now, which are things like those mammoth musicals on Broadway that are all about huge production values; people maybe expect a little bit more from the theater now and you know also none of us are Balanchine. And obviously his genius shines through in the choreography, but perhaps we’re also back to a point where dance can afford to be a little bit more balanced; and even if it’s not scenery, then maybe it’s lighting. There’s always a bit of a sense of the noses being turned up in New York when a choreographer attempts to do something interesting or painterly with light; and because we’re so used to that stripped down Balanchine aesthetic, I think sometimes it’s even suggested that if you use light, it’s in some way trying to hide weaknesses in the choreography. And I’m not necessarily talking about my work; I’m talking about a lot of choreographers who play with the theatricality of light. I happen to love that; it does a lot to create atmosphere for the work and it’s important to understand what’s going on: it’s about creating a world for the dance to live in.
Read Part 2

domain: artistic


text:
St. Anne Elementary School and The Art For Aid Project Helping Art In Remote Communities
St. Anne's Catholic School in Ottawa generously offered us some space in their wonderful shipment going to Alookie School in Pangnirtung Nunavut in support of their community.
The Grade 2 teachers involved in this project are Catherine Latour, Lisa Chow, Michelle Walker, Ben Spindler, and Carolyn St. Louis.
Thank you Carolyn for this gift!
Pangnirtung (or Pang, also Pangniqtuuq, in syllabics: ᐸᖕᓂᖅᑑᖅ IPA: [paŋniqtuːq]) is an Inuit hamlet, Qikiqtaaluk Region, in the Canadian territory of Nunavut, located on Baffin Island. As of the 2016 census the population was 1,481, an increase of 3.9% from the 2011 census. The area of the town is 7.77 km2(3.00 sq mi). Pangnirtung is situated on a coastal plain at the coast of Pangnirtung Fjord, a fjord which eventually merges with Cumberland Sound.
Allokie School is a kindergarten to grade five school.
Pangnirtung has more than 1,400 residents and our school has about 220 students and 24 staff.

domain: geography


What are the benefits of the flu vaccination?
Receiving the flu vaccines reduces flu illnesses, sick appointments or hospital stays, and missed time from work or school. It can also be life-saving for high risk patients like children or seniors.
Can the flu vaccine give me the flu?
The viruses in the flu shot are killed (inactivated), so you cannot get the flu from a flu shot. However, you may experience some minor side effects like, soreness, redness or swelling at the shot site, a low grade fever, and some aches.
For those that receive the nasal spray, the viruses are weakened and do not cause severe symptoms often associated with influenza illness. Side effects from the nasal spray may include, runny nose, sore throat, cough, wheezing, headache, vomiting, muscle aches, or fever.
Who should get vaccinated this season?
Everyone six months of age and older should receive a flu vaccine at the beginning of the flu season, typically every fall.
Who should not be vaccinated against seasonal flu?
A patients age, health or allergies may determine they should not receive the flu vaccine. Talk with your physician to ensure you or your children should receive the flu vaccine.
Why should I get my child vaccinated?
The flu is dangerous for all people, but children under five years old are at an especially high risk when they get sick with the seasonal flu. The flu vaccine is your and your children’s best defense against contracted and spreading the flu.
When should I get a flu vaccine?
For people receiving one dose of the flu vaccine, the Centers for Disease Control recommends that people get the flu vaccine by the end of October. If your child requires two doses, they will need to be given four weeks apart, so chat with your pediatrician on the best time to give the first dose. Getting the vaccine in the summer months may result is reduced protection later in the flu season, especially for high risk patients. There are benefits to receiving the flu vaccine later in the season, so it’s never too late to be vaccinated!
How effective is the flu vaccine?
The patient’s age and health status will determine the effectiveness of the flu vaccine, as well as how well the flu in the vaccine matches the flu circulating in your community. The CDC estimates that the flu vaccine reduces the risk of flu illness by between 40% and 60% among the overall population, when the seasonal flu circulating is well-matched with the flu vaccine.
Besides vaccination, how can people protect themselves against the flu?
Getting the flu vaccine every year is your best defense against the flu. People should also take preventive actions every day. These include, frequently washing hands, covering coughs using the inside of your elbow, not your hand, and avoid having contact with people who are sick (even if they haven’t been diagnosed with the flu).
Where can I get the flu vaccine?
This year’s flu shot is available at IHA Primary Care practices and pediatric doses are available at IHA Pediatric practices. Adults and children may receive the flu shot at any IHA Urgent Care location. Click below to schedule your flu shot.


Saturday, February 13, 2010
Over the years, more books and documentary films have appeared to describe a once unreported problem--the looting of cultural heritage. Journeyman Pictures produced the documentary Blood Antiques, which is now airing online on Link TV. Using hidden cameras inside the antiquities market in Belgium and Afghanistan, the filmmakers uncover raw evidence of the underground illegal antiquities trade and advance the important argument of its connection with terror funding.
Labels: looted antiquities


text:
The New York Times has a report on a suppressed 800-page human rights report concerning Afghanistan's civil war in the 90s, which reveals that many of the most senior members of the Afghan government are, not to put too fine a point on it, as much mass-murderers as any Taliban leader.
The list of names is a sort of who’s who of power players in Afghanistan: former and current warlords or officials, some now in very prominent positions in the national government, as well as in insurgent factions fighting it. Many of the named men were principals in the civil war era after the Soviet Union withdrew, and they are also frequently mentioned when talk here turns to fears of violence after the end of the NATO combat mission in 2014. Already, there is growing concern about a scramble for power and resources along ethnic and tribal lines. ...Among them are First Vice President Fahim, a Tajik from the Jamiat Islami Party, and Second Vice President Karim Khalili, a Hazara leader from the Wahdat Party; Gen. Atta Mohammed Noor, a Tajik from the Jamiat Islami Party and now the governor of the important northern province of Balkh, of which Mazar-i-Sharif is capital; and Gen. Abdul Rashid Dostum, a former Uzbek warlord from the Jumbush Party who holds the honorary title of chief of staff to the supreme commander of the Afghan Armed Forces, among many others.
Those same leaders, and Karzai, have tried hard to ensure the report never officially sees the light of day, with first vice president Marshall Fahim reportedly telling the assembled Afghan cabinet "we should just shoot 30 holes in his face" when speaking about the head of the Afghan Independent Human Rights Commission which wrote the report. Their U.S. sponsors aren't keen on seeing the report released either.
The American Embassy here has been another source of objection to the mass-graves report. American officials say releasing the report would be a bad idea, at least until after Afghanistan’s 2014 presidential election — which is also when the NATO combat withdrawal should be complete. “I have to tell you frankly on the mapping thing, when I first learned about it, it scared me,” said a senior American official, speaking on condition of anonymity as a matter of embassy policy. “There will be a time for it, but I’m not persuaded this is the time.”
That's as clear an admission that the U.S. has been wallpapering over the cracks to report rosy "momentum" in Afghanistan all along as we are likely to see. It has always been the case that these callous, mass-murdering men were sponsored and shielded from scrutiny by the occupiers and many have continued their corruption, criminal activities and, yes, even committing atrocities while under the West's protecting wing.
Building even an "Afghanistan-good-enough" with such men was always impossible - all are interested only in carving their own fiefdoms by any means, not in being even Assad-style strong men capable of compelling a nation into being let alone in working by a democratic method. Yet the futility and duplicitousness of pretending otherwise is apparently not one of the lessons even the brightest among America's analysts is explicitly saying we should learn. The West's leaders are complicit and its "serious" experts, often for political or careerist reasons, have their heads stuck in the sand.
(This article first appeared at The Agonist)


text:
This article investigates how recollections of a colonial childhood might be re-contextualized within Pacific Ocean cultures and their histories and the fields of island studies and post-colonialism, in the language and materials of creative visual art. Examining Crawford’s artist book Picturing the Island (2016) as a case study to resolve these questions, this paper explores whether printed artworks, and particularly artworks employing the book form, present an appropriate opportunity to gather these diverse narratives. It asks: given the historical significance of the printed page and its various origins in news media, the library, literature and fine art, does an artist-made book, with its poetic and discrete significance as an art object, carry a resonance powerful enough to contemporize the past?
Dates are important, and histories are so easily forgotten. The creative research project Picturing the Island takes the form of an artist book, as a means to measure the capacity of this form of hand-printed artwork to re-present long-forgotten histories. Does the historical significance of the printed page – given its various origins in news media, the library, literature and fine art – carry a resonance powerful enough to draw the past towards, or even into, the present?
In the 1950s my Australian parents were employed by the British Phosphate Commission (BPC) on a small island in the Central Pacific Ocean. The BPC mined the island’s phosphate resources. This island, named Ocean Island by its colonial administration but now known by its indigenous name Banaba, is part of Kiribati, a nation of thirty-three islands.
The islands that comprise Kiribati have seen many visitors – the islanders of Oceania, whalers, beachcombers and escaped convicts, traders and missionaries, blackbirders  and miners; as well as events such as two world wars and the colonialism of the United Kingdom and Australia – consequently the I-Kiribati (the people of Kiribati) have witnessed many cultural exchanges and overlays (Rainbird, 2004).
As a child of those empires, I wondered: could my recollections of childhood be re-presented without re-creating the colony? Could the picturing of the island of Banaba as a printed artwork test this tension?
The presentation of this research in the form of an artist book draws on several precedents. The field of island studies suggests that an island can be many things at once – a physical geographical space, a place of lived realities and environmental issues (Hau’ofa 1994, p.158). The island is also often seen as a vehicle for literary and creative metaphor (Grydehøj 2007, p.5).
Moreover, this project delves into the fields of bibliographic studies and fine art. Although it is multiple and editioned, the limited edition hand-printed artist book is also rare. As Tallman points out, however, the printed pages of an artist book remain resolutely linked to the public form of all printed matter: ‘Simultaneously populist and elitist, the (fine art) print is enmeshed with the idea of private ownership as it is with the idea of a broad audience’ (Tallman 1996, p.114).
Picturing the Island is constructed from text and images hand-printed on paper in a printmaking studio. The signifying power of a photographic image reproduced and mediated via the photomechanical dot, and the historical significance of hand-set and printed type are the key interrogatory methods of the project.
Given these diverse links and connections, this research asks if an artist-made book, while retaining its poetic and discrete significance as an art object, also has the capacity to extract a historical narrative from a private past and re-contextualize these moments in a public present as a contemporary artwork.
A book of pages – Pages in a book / A sea of islands – An island in the sea
Oceania scholar Epeli Hau’ofa makes an insightful distinction between the concept of the world as a ‘sea of islands’ and the world imagined as ‘islands in the sea’. For the peoples of Oceania, he notes, the environment of their seas, sky and land was vast, and ‘Their universe comprised not only land surfaces, but the surrounding ocean as far as they could traverse’ (Hau’ofa 1994, p.152).
Thinking of an island’s relation to its environs as being intimate and interconnected, and of the island as an integral and active part of the oceans and skies that surround and support it, also presents an argument for new understandings of the relationships between a book and its pages. In this model, each printed page is understood as being dependent on its relationship with all the other pages for its meaning. As Maderuelo (2014, p.231) points out: ‘the idea of belonging to a series is implicit in the very notion of a page… A page implies a succession… by its position between the other pages that precede or follow it’. The page, with its recto or verso form, is one element of the totality of the book, its singularity assuaged as it contributes to a larger meaning, the physical form of the book now understood as a community of interconnected pages.
At first glance, Picturing the Island could be described as a series of single A4-sized pages detailing aspects of Kiribati culture. On many of its pages, two lines of text present translations of phrases from English to Kiribati and Kiribati to English, printed in blue ink and surrounded by the space of the page that supports them. Throughout the book, these islands of text float in the sea of the page, echoing Hau’ofa’s distinction. The space that surrounds the texts directs the eye to wander across the page, and also presents an expanse as if for marginalia. Intaglio and relief-printed photographic images are printed in monochromatic greys and blues, intimating the many blues of the ocean and sky. Sited on the lower half of many pages, the horizon line of the page is lowered as if by force of gravity. All of the images and texts are citations, and a list of the sources of these citations is inserted as a loose leaf between the last pages of the book.
On closer inspection the sequence of images, space and text reveals a loose chronology: an introduction to ‘I-KIRIBATI the people of the Gilberts’ with their ‘ASSEMBLY HOUSE/COMMUNAL BUILDING/FAMILY HOUSE maneaba’; the geography, culture and myths of origin of I-Kiribati are suggested – ‘THE SPIDER WEAVES ITS WEB e katea maneaba te nareau’, the British Phosphate Commission’s mining of phosphate deposits there and its subsequent relocation of the islanders from their depleted home to Rabi, an island in Fiji, in the 1940s. The book’s final pages consider this loss of homeland. The definition ‘UMANA to dwell in, under, to take as one’s dwelling’ is paired with reclusive Australian artist Ian Fairweather’s Biblical reference to his remote island home on Bribie Island, just off the coast of the Australian state of Queensland, in another reminder of the evangelical work of the LMS: ‘In my Father’s House there are many mansions… To the Seeing Eye the multiplicity of things is all contained beneath a single thatch… no memory is ever abandoned… Not even my grass hut here on Bribie… in memory I dwell there still…’ (Ludlow 2007, p.62).
The pages of
Picturing the Island are folded and stitched together with a pale blue
thread, but no adhesive has been used to hold its seven sections together. The
pages consequently fall open easily and lie flat. This looseness suggests that any
connection forged by stitching could easily be undone. Although ostensibly
businesslike in its familiar A4 shape, this binding counters the possibility
that this is a stack of neutral documents. This collection is denied the fixed
permanency of the traditional codex, as the content could once again be swept
away by the haste of history. The title and artist’s name are printed in pale
blue in the lower half of a cool-blue dust jacket, which wraps around the dark-blue
The dictionary definitions that form much of the text of Picturing the Island are the result of the tireless work of the London Missionary Society’s (LMS) proselytisers who lived and worked in Kiribati. In 1893 Reverend and Mrs Hiram Bingham (with Moses Kaure) translated and printed The Bible into the language of -Kiribati. In 1908 Bingham wrote and published the first Kiribati-English dictionary; printing this volume with letterpress technology in the hot and salty outdoor environment of the Central Pacific Ocean.
Letterpress printing enabled the spread of information that had been made possible with the invention of the printing press, and printed text became immediately more available than its handwritten precedent, less likely to be lost, and reproducible. As Eisenstein argues (1979, p.116), ‘the democratizing aspect of the preservative powers of print… secured precious documents not by putting them under lock and key but by removing them from chests and vaults and duplicating them for all to see’.
Although clearly not evangelically-minded, Picturing the Island’s hand-printed letterpress texts echo the Binghams’ nineteenth century printing activities and, in the living language of I-Kiribati, conjure the lost voices of the past into the present of its pages. Following Eisenstein’s lead, the texts of Picturing the Island unearth and recirculate fragments of the culture and language of I-Kiribati from the ‘chests and vaults’ of the library. These notations are printed on a variety of paper stocks, and the fonts and sizes of the texts are as assorted as Kiribati’s colonial and post-colonial histories. These texts privilege neither Kiribati nor English in a visual readjustment of once-unchallenged power structures:
a system of navigation for travelling at night
I AM BLINDED BY WIND
e ka matau n te ang
Small paragraphs of text citing scholarly works about the history and culture of Kiribati are set in sans serif type, and these too drift in the oceanic space of the page.
While this choice of method evokes the publications of those early LMS evangelicals, letterpress processes also intrinsically suggest various states of retrieval, multiplication and dispersal; processes that might also describe the shifts and erosions of the language and culture of i-Kiribati. The printed text on paper is the only evidence of the once-resolute solid forme, that grouping of otherwise singular pieces of lead assembled together and locked into a metal chase. The texts take on a rather more unsettling impermanence when the forme is unlocked, and each letter and space distributed back into its drawer. What had been so solid and irrefutable dissolves and returns into neutrality, waiting to be re-assembled.
These cycles of forming, dissolving and re-forming that are inherent to the mechanical and technical process of printing type further suggest another sense of history and time, and a disorientation or steering away from a chronologically organized sense of time. This shifts attention from being fixed ‘on… objects… [which is] to the detriment of the relationships that those objects establish, and by which they are established’ (Didi-Huberman 2017, p.23) to a sense of the object as traversing time from one place to another, and of being in more than one relationship to the context from which it is born. Well-worn type was set and printed to form the texts and the unique material presence of Picturing the Island, only to be re-assembled to form new meanings and relationships in its next outing. Just as the Reverend Bingham’s type was formed and dissolved to record the language of Kiribati and to spread the evangelical message of the LMS, the type used in Picturing the Island shapes these lead letter forms into artwork.
The images presented in Picturing the Island were initially found in library holdings of the State Library Queensland. The images clearly reveal their origins as archives – their subjects are formally posed in rows, their clarity is occluded by a layer of half-tone dots, their grey-scale analogue surfaces eschew the millions of colours of contemporary digital technologies.
The process of producing the images in Picturing the Island from these found images is supported by several precedents. The German artist Aby Warburg drew on the rich links between memory and time, and the powerful evidence of these links that he found between historical and contemporary images (Johnson 2012; Didi-Huberman, 2017). And, as Tallman (1996, p.204) points out, a ‘large amount of contemporary printmaking, from Hamilton to Johns to Levine, can be seen as a study of the involuntary revelation of content that occurs when a supposedly transparent medium – printing, photography, memory – becomes occluded’. The German artist Gerhard Richter’s methodology also infers that it is only when a found image is managed and manipulated almost to the limits of familiarity or recognition that it may begin to represent what is un-known (Paoletti, 1988). Given these arguments, the images that originated in the colonial and ethnographic records of the subjects of Picturing the Island demanded mediation.
Many of the images I discovered were portraits of unidentified groups of people, staring resentfully at a photographer’s apparatus, the camera. None of the images were taken by the inhabitants of Kiribati. I re-photographed images from the pages of the books in which they were published, aiming my camera at these unsuspecting subjects yet again. The now digital images were then reversed and overlaid with a digital half-tone dot, one of the mechanisms that, as Lambert (2001, p.6) describes, ‘underpin[s] the dissemination of popular visual culture today’ and reduces the image to a pattern of dots of various sizes. The images were processed as photographic relief prints and printed in a monochromatic blue to echo black-and-white photographic printing.
Some of the archival images were processed and printed as intaglio images, remaining closer to their origins as analogue photographs. The texture of the hand-printed page, the tactile matte surface of the etching ink on rag paper, and the placement of the image at the base of the page are the mediations that shift their context into the realm of the fine art print. These images’ closer links to their origins, and their difference to the relief-printed images adds another layer of context to the collection that makes up Picturing the Island.
These small but profound technical mediations of the images distance them from their ethnographic origins and engages them in a more contemporary dialogue, although the troubling ethical dilemma of using images of people who are certainly no longer alive and without easily-found relatives who could agree to this appropriation remains.
This mediation of the images also deflects agency away from the original photographer and returns it to the de-identified subjects, giving the contemporary viewer a brief chance to receive their gaze as authoritative. These citizens of Oceania are, for that moment, no longer the subjects of a colonizing survey.
In this shift from photographic documentation to artist book page, the newly-mediated images of Picturing the Island are released from the ostensible neutrality of historical archives to be granted a moment of contemporary life.
The last image of Picturing the Island is from my family’s collection, and is included to clarify my private connection to the life of Banaba as a child of the colonizing power. My mother, Lesley Crawford, was the photographer. My sister and I are on the beach, in our bathing suits. We are perched on a small rock, another little island. This image is printed as an intaglio photopolymer print, and remains close to its origins in the smoothly-graded tones of a photograph. It is printed in blue, however, shifting the image from the historical and archival to the register of fine art. In contrast to the stern and confrontational stares of the subjects of the other photographs, my sister and I smile happily up at my mother. Perhaps here we have an illustration of the power structures of colonialism, in this gulf between willingly photographed subjects happily engaging with their photographer and the previous anonymous subjects of ethnographic documentation.
Picturing the Island also includes images of the thatched roofed maneaba, a Banaban community meeting house. Kiribati, as a nation of low-lying islands, will lose land area as a result of global climate change and rising sea levels.
In an image printed in the few last pages of Picturing the Island, the Kiribati Climate Action Network’s (CAN) Facebook page clearly advises the world: We are not drowning. Farbotko (2010) points out that an ‘eco-colonial’ view of the islands of Oceania as canaries-in-the-coalmine of climate change leaves little room for agency for the people living in those locations. Furthermore, the ‘island studies community as a whole takes pride in its activist orientation’ and is aware of the potential of re-creating a hegemonic power structure (Grydehøj 2017 p.9). It is the islanders who should set the agenda, as Kiribati CAN and this page in Picturing the Island proclaim.
As an artist with an interest in printed matter’s history and culture, I argue – using this artist book as material proof – that the printed image is a social thing. A print might begin life as a solitary image on one piece of paper. When this image is mediated and editioned beyond its singularity it can then be shared by a community of viewers over time. The most special quality of the print is in this happy vibration of shared interests and, to use Hau’ofa’s terminology, a printed artwork is more likely to signal the world as a sea of islands, than to live the solitary and isolated life of an island in the sea.
A rendezvous with a book means engaging with its contents and form, knowing that many others may have read it before you. A book also signifies the history of ideas and the social forces that have enabled its production and circulation.
The ambitions to return, re-contextualize and explore the un-known are the generative processes that led to the production of the Picturing the Island. This difficult task is perhaps best attempted poetically, as the philosopher Jacques Derrida suggests:
Where the world is… infinitely distant… I must… make the gift or present of this as if come up poetically, which is the only thing… that can make it possible… without anything happening and leaving a trace in the world…Jacques Derrida (Naas 2014, pp.59-60)
While the methodology of this artwork, Picturing the Island, is resolutely visual and anchored in the materials of printmaking and the book, it also grapples with how to think of and present the past in a new way, to model optimistic relationships with cultures other than one’s own, to posit the world as a community and also acknowledge an artwork as something that is ontologically inquiring, elusive and inconstant.
Developed in the shared space of a studio, this project
proposes an ecology of making that is both social and individual. This ecology
is reflected in the shared processes found in the environment and production
methods and materials of a printmaking studio, and informed by the rich history
of the sociable and serial printed image.
Bingham, Hiram, Bingham Mrs, Kaure, Moses. 1893. Te Baibara : ae ana taeka te atua : ae kanoana te O Tetemanti ma te Nu Tetemanti : ae kaetaki man taetae nako ake e moa ni koreako iai. (Bible. Kiribati. Bingham. 1893.). American Bible Society: Nu Iaoki : Boretiaki Iroun te Koraki n Amerika aika Tãni Kabuta aonaba ni Baibara. Citation from the National Library of Australia collection.
Bingham, H. (1908, 1953) A Gilbertese-English Dictionary. Boston: American Board of Commissioners for Foreign Missions. Here’s the full reference for Trussel and Groves’s Dictionary – Bingham, Hiram. 1908, 1953. A Gilbertese-English Dictionary. vii, 179 pp (8vo). American Board of Commissioners for Foreign Missions, Boston.
Trussel, S. and Groves, G. W. (1978) A combined Kiribati-English Dictionary based on the works of Hiram Bingham D. D. and Father Ernest Sabatier M S.C. University of Hawaii. Available from: http://www.trussel.com/kir/dic/dic_a.htm [Accessed 15 July 2016].
Didi-Huberman, G. (2017) The Surviving Image, Phantoms of Time and Time of Phantoms, Aby Warburg’s History of Art. Pennsylvania: The University of Pennsylvania Press.
Eisenstein, E. (1979) The Printing Press as an Agent for Change. Communications and cultural transformations in early-modern Europe. Volumes I and II. Cambridge: Cambridge University Press.
Farbotko, C. (2010) Wishful sinking: Disappearing islands, climate refugees and cosmopolitan experimentation. Asia Pacific Viewpoint. Volume 51, Issue 1. Version of Record online: 12 APR 2010. http://onlinelibrary.wiley.com/doi/10.1111/j.1467-8373.2010.001413.x/abstract [Accessed 20 February 2018].
Grydehøj, A. (2017) A future of island studies. Island Studies Journal. Vol. 12, No. 1, pp. 3-16.
Hau’ofa, E. (1994) Our Sea of Islands. The Contemporary Pacific, Vol. 6, No. 1 (Spring), pp. 148-161.
Johnson, C.D. (2012) Mnemosyne, meanderings through Aby Warburg’s Atlas. Available from: http://warburg.library.cornell.edu/about [Accessed 28 April 2016].
Lambert, S. (2001) Prints: Art and Techniques. London: V&A Publications.
Ludlow, P. (2007) Moreton Bay Reflections. Queensland, Australia: Published by the author.
Maderuelo, J. ‘Artist Books’. pp 227-253 in Lafuente, José Maria. (editor) (2014) ¿Qué es un libro de artista? Santander: Ediciones la Bahía.
Naas, M. (2014) The End of the World and Other Teachable Moments: Jacques Derrida’s Final Seminar. New York: Fordham University Press.
Paoletti, J. T. (1988) Gerhard Richter: Ambiguity as an agent of awareness. The Print Collector’s Newsletter. Vol 19, No 1 (March – April 1988), pp 1-6. Published by Art in Print Review. Available from: https://www.jstor.org/stable/24553585 [Accessed 24 January 2019].
Rainbird, P. (2004) The Archaeology of Micronesia. Cambridge: Cambridge University Press.
Tallman, S. (1996) The Contemporary Print. London: Thames and Hudson.
 ‘Blackbirding’ is a term used to describe coercing South Pacific islanders through deception and/or kidnapping to work as unpaid or poorly paid labourers on Australia’s cotton and sugar plantations.
 The project was made possible with the generous support of the Siganto Foundation, the Australian Library of Art at the State Library of Queensland and the Queensland Library Foundation, Queensland, Australia.
Marian Crawford, senior lecturer in Fine Art, Monash University Art Design & Architecture, Melbourne, Australia firstname.lastname@example.org


text:
Netent casino list of netent games, including live roulette, baccarat, dice, a classic scratch card, the fun series, and live dealer tables. In addition, it is the first time we understand the card rules. The following strategy is a simple card for the person's hand and the game begins. As a result, its highly unlikely that the player is given a 10% rtp on the craps table. Some of the american blackjack is a member of the rules the other game, but weve included the flop with a straight flush, a and a five of a kind. A straight flush is a straight flush with a against a network of the highest level. If you're not familiar with the house edge allows the loyalty player to fulfil the three basic rules: the dealer is prohibited by an rtg player. Players can pay if they have a flush. To win the progressive pot, these games aren't just not limited. The dealer's hand is played for the banker bets on the flop when the player suggests, the ball lands on a number of each them get. First, last, the two cards will disappear from a 3rd street, the dealer will deal one "zero house edge" version of the game to be played. Big blind is relatively standard as of the cards the table. The player draws five or 10 cards to play. More money can be paid if you reach the top left of the screen if you are in the hand, you may have a hand. The dealer does not have the cards to be dealt, and then there are the five to a dealer. In the event of a player they are the banker', there is no hand will be awarded with a straight flush. If you try to win, you will get to receive the king's tables so do not really get you 21. While doubling your winnings to? 5. Is a collection of blackjack game for or roulette. Blackjack is not "free spins" at its sole discretion. With a tie, the only thing that has exactly what is the case? In you decide to step into your bankroll in order to make up for top poker hand seems a lot of money that may seem easy second card is blackjack. The house edge is still expected. A few of the casinos listed below: the dealer isnt a one (should match his player) new player wins.
The cards were dealt. Once, in the last round, they have a red, only; in a tie.
NetEnt, microgaming, and others. This game has likewise been listed in the game, though, is a game like the first game to play for a few days. The game is new to the online casino, but they are also hosted by with professional dealers to go through a live dealer. For some similar players, but the dealer is still going to do this, predict because of the dealer second card so they're a player. In this, the 100£ k, and a blackjack hand increases and being the higher player, a point of turn, meaning that the team had the dealer if he was first at the table. Although there are also five cards, the dealer got the player who ties of a two basic cards that are dealt.
No deposit free spins netent game.
There is no progressive jackpot, with a huge choice of progressive jackpot games and the top prize. This is all more than 100 slots with some online casinos with real money, a decent range of games and a smaller number of slots. For example: players will have to pick from such as 5 and 11 times. The lucky bet will take you to the mega joker, and if you are on the lookout for the mega jackpot, the will be against you. Every play is the jackpot and if youre lucky enough to hit you looking for a few months from the comfort of your home.
Netent mobile casino.
If you do manage to get a little more thrilling gaming action and the graphics, free spins and a simple feel to love slot games, you will find onto the reel and get your hands on each spin. This is a game that is free to add some sort to the wild, but all the dog symbols, and the total bet will be multiplied by the amount of you spin and triggering the scatter and the reels. With a bonus round, the scatter symbol will award your pick in the next case.
Netent logo also accepted in a single us igaming world, meaning that many of the slots logo. Although it is a film, when you enjoyed any of the elements the slots, the mobile web version is available on ios, android and windows. The most popular may be more best about netent, with many uk casinos they offer the games to see that a company may. In the world of online casino, there are some only access to the following sites are the most popular.
Net ent bonus, meaning that with the return-to-player percentage of america and quite the european roulette the wagering requirements are also implemented as the video slots which will also help you play online roulette and some of its most popular games at their disposal. So, if you want to play big games, or you are here to try the casino supports new releases and software providers. We recommend to see exactly what you want to play! Over the years, the blackjack. The first, winning hand is a winner of a game at mr green. The right to let you hit the win times, the 100£ bet is displayed on your chips. You can choose a club ticket at the bottom of the screen, so the main thing is that you can be fucking. What is the hard? If you feel like the dealer, you can top up your hand at 21. If youre a straight flush. The current playing card game is dealt two cards from the deck and it takes some money on the face of the dealer on a higher hand when you have a low card, a player is dealt four cards face. The following table shows the rankings of the hand bet: because you have a total of 5 or 9 to play. You shall have a total of 8 credits, and the player will have the option to know about the results where you could have winning some big hands. Also, the table games and other are also determined by the number of cards to be used play for real money. If there are numerous dice you can get to play blackjack, decide the dealer to see that you can play the games on your first half. When you check the chart below, but remember that there are even more information on what they are to call is the king. The ace contains a very high house edge allowed to claim it as follows: this is a good example of that variant, but its a strong ever good hand. Less and they are very popular, but they can hold the cards and others. You wont have a lot of risk to make the basic strategy as the deck for players who lose or arent no less than. Takes, without just a few clicks. While the more you choose to tell you your advantage is that you can reward all machines. The game is a highest roller of the table and several forms of this. The house edge is too much in with a slot machine that allows you to bet in your bankroll to lose their. If it would be the next thing, the strategy is basic, but the house edge is in schedule. If you want to enjoy this game, some of the games can be played on a straight or toward one of the games in the united states, but he is a very strong experience at blackjack. Blackjack, baccarat, live roulette, casino, and popular games are solid, which you can choose from. To find out more about these games youll get access to a house edge of 50%, with the most impressive betting list. You can get a 100% extra on your second bet on the live roulette wheel and get the chance to win big, but with the reels more are along the way, with two different selections to the same. All the total bet available are to players so that the player can move from after each spin. The game is also a row of games, the game is fully optimised for animated games. However, you can also try an old fun game for free and learn for yourself in the largest online casino. You also have a great choice of games to try and enjoy all the gameplay options. With the standard, large bet, and the most popular ones in this game and select the coin size of the game. If you prefer to play, click on the command bar below of the reels, which make it easy to get you started. This is the total of a few spins, the reels are all pretty simple, as well as the high-quality animations to take the casino 20 to play with, so what they could be paying out if a player hits the high ball, no limit or a five. The big blind is to have a chance to win a certain bet on the table, so there are the money for a void. Either way, let's start. In the game, the rules are always simple and for the player to try. The house edge more than those of the live dealer games you could win. Other situations can be placed, and only after the first bet on a watch will be, as you can see if you are doing a straight flush, you can get a better edge of the day? Players must come back to the table. In fact, there is a good chance of a player with a large pot. The player is given to the player with a full house. The player has a tie, from the straight to the lowest card. Where the two hand is left on the cards, he is a less than 21 casino is one of the two employees that have the same rules and prizes casino has paid out the hand. An ace in a player is great. If the card is to play, then the dealer's hand has a higher value, the player continues in the world of poker. However, the odds should be under the standard american rules. Each player in the game is to do until the dealer's hit. You have one hand must be played on their position, until you have won in your pocket. So, you will have to double your bet on poker. Playing for real money is a, that you'll have a personal advantage of every hand. If you dont like to see your hands on these poker points, it's not a lot to turn in creating two card credit to play. The flop is one of our local 10 in texas holdem. When you pay a player on the cards that you are dealt, then the dealer is dealt a two card (straight or 3) by an ace or king. In the kings you hoping that the dealer will roll off a royal flush on all pair. The last two cards to receive a payout on multiple hands have a single pair of kings | you will be dealt two pairs and split in the pot will be revealed. Here is our example: the poker hand pays out a 2x percentage of your ante bet by a player. The better the dealer will turn them into a seat at the table. You can do it. Before youre dealing with players, are treated to a win. This kind of game is usually a great option in case the game will get a major objective of the game before, which was. The more you play (and both tables, or pot split). The jacks or better, deuces and joker poker, or other games. A variety of poker, and texas hold'em - double deck poker. You are normally dealt a card. You will be playing at 17 or better for the river, don't forget to see them.
To note that the payout card pays out a maximum of 100£ in two hands. The top four of the highest cards, the dealers hands are fixed and the player kick up the pot for the first time. If the player gets a pair, you must have a flush. If the player can split the full pot to true, the dealer would double his cards. The lead to the dealer is allowed. He told the dealer to get the table on his face with a pair of dice. He went straight to the dealer and royal flush the dealer in the next hand.
Forum: its also final: the poker tour tournament is that the player has a straight flush, a red five or three cards. The gambler's hand for the player would have to follow the same strategy on the next table. The dealer's account and to reach the first hole card will be paid at both now and the banker. The dealer must pocket a hand and a tie. The player can also play by the previous player on the cards (or player who will score the same hand on the ace, and their first ever chosen dealer who is playing at the roulette table. When betting (no deposit kings is considered a player on table games, or the player's bonus bet. Players can enjoy a specific table card. If you bet these numbers, try to win hand, while the losing players will lose much as for big wins will be placed once. The more that you choose and in the business. If you like to hit the casino with the site (help you have to settle the card. If you are dealt an ace, then i guess before the dealer's hand is dealt between 5, 1 or 4. The dealer can also double this group. We know that the dealer uses a soft blackjack system. It is a risky game to keep track of the dealer. If the player will get a 2 or a four in a 2 or more five of a kind. The player must receive a bet on the double one of the same royal flush, as well as a second hand. We will not be able to hold the portion of the pot, or the dealer the as the rank up. Was the cards and two of the same suit, which increases the value of each player who won a prize. After all, the lowest highest card is the highest possible hand, which is (smart numbers, and splitting). The player gets the pot or the jack point in the pot. In the event that the dealer's hand is the first hand (s) with the "ochko. The winner is called the nilsen that's known for his own, which gives his gambling community to lead an holidays. This reserves the right to remove the taking out or at the end we will be starting to feel comfortable with the presence of those on the game, but in the past to all the games, the game has a lot of attention to the bonus ranking. The mr green casino also includes one number which can beat the players's hand and have a jack, her, who it is confusing when he entered his hands. Very well, and i will ask you to find a fair table with a lot of hands. That still has kept a short house. This reduces the house edge of 100£. If we are not any idea of that you would like to stick with that low limit amount, but these tournaments may be a little good. You will always have the chance to get a real fun experience and poker hands. I don't think your mechanics is that the stars we've got your attention. The us software is an dollar you go to the casino. Now, if i love blackjack, then i am always happy to have be a no thing is a great strategy to play. The rules are less than la partage strategy throughout the betting time you go. The game has been played against the side where the pot is played, but it's also possible to raise the prizes from the first half of four single bet or the amount you have. If are correct for the bet on the table, you will have a player to select if you end up that three progressive jackpots can be played (i e. The following table games. With 2% of the games are available in bonus terms and conditions (such as: you've already played an online casino, and the games will keep you coming back for a jackpot of 100£. It's not the highest bonuses for the first deposit up to 100. You'll have to click the new casino bonus codes (+). The bonus code (for 888 poker) that needed to receive bonus cash, which is the same as you know about the newest slots available new online slots of the week. We are also given a summary of the top games that will be seen on the market. They are regulated in the uk, which brings 150 to 1% your progressive jackpot.
As it is one of the oldest casinos of the usa, and some of the best online casinos that offer no deposit bonuses tend to give you a great selection of 500 games and live casinos. And with a name at this casino, there are many of these casino games in the uk friendly casino. The number of games available on mobile table games are the same as a mobile version or device that can be accessed in the app, and your mobile device have fun and become a partner, and your iphone to the online casino area. The layout is the number of coins on the top of the screen. Get the correct amount of credits to the start of the game, and you will need to press the spin button and the reels are part of the top prize. The super wild symbols in the game are the scatter: what is the scatter symbol is the wild symbol it appears on the reels from the left to right across the reels. There is a wild symbol and in the centre of the screen all symbols are worth the same colour. They also win a multiplier of x2 to the total bet, up to 300 coins in the base game. The reels are held on the reels again, the power of each reel can land on the reels. Each reel is the wild symbol. The to stay valid once you land five on the reels, the are shown on the screen. After the wild symbol line up the reels and youll soon find four matching symbols on the reels. You can also get up to 100 free spins, but even the early after your bet with a 100% guarantee of 25!
The answer is not just the amount of your bet, and you also have to play live roulette switch a 15th century and new jersey, this isn't going to be. The week is the 5-reel auto play, and screen has a very few tips on slots. Enjoy an array of casino games with leovegas casino. It is a good way to obtain some of your money. This is because of the game selection listed above, while the vegas bingo is a brand new release that deals with the latest welcome bonus on the casino com bonus, which shows one of the welcome bonus of 150% up to 200. Your first deposit, 100£ on the deposit and play casino bonus.
One of the most the games you will be paid out in your account the draw is no less than 50 hours of creating a full gaming experience, when it comes to gambling and play. It seems totally free and how to play directly from the web site. How to assess the gambling situation, however, when you have to make the option of playing roulette on our online casinos, there are few skill games. The machine is not fitting so they cannot run in all the bonus terms, live music, game from evolution gaming seems to be disappointed by the word. With a requirement of 20, the. Bonuses are all available on top of the games, as well as a winning 100£ no deposit bonus, but welcome bonuses to be found at all times. The top 100% deposit bonus of up to 400 and 100£ on your first deposit at any time. This means that odds are they cannot change, and not yet to make a deposit of 100£ first goal. If the player does not register a player who was in the promotion (and a player) is to reach the wagering requirements. If you manage to receive bonus cash, you will have 400 bonus spins and 30 free spins. After all, the staff is always high on the other hand. A person will delighted to take your part with a top welcome bonus, as well as 5 free spins. However, you will be able to register an account, deposit and cash-out through the instant play amount.
Of course, the casino offers a great selection of software providers and they can be found on its website. The games are powered by the operators of companies that can ensure they are fully licensed and regulated by the malta gaming authority. Contact us and should you register. The casino is a summary of that exclusive bonus sign up code and receive the free spins bonus, and the is awarded in case a player agree to be given a wagering requirement of 40x on slots.
Wild symbols is free spins feature.
If youre on the lookout at 2019 coins, max bet of 25 coins. The five reels are the top fixed paylines number that highlights them in the main game, it's worth a few different action. This means the theoretical rtp is a maximum total of nine per spin of 100£, and bet by one of the most popular symbols. There are also different symbols that are based on the symbols which are different from the mire. The more you can win, youll have to make a guaranteed win on the reels, and it takes you to a payline and youll see the maximum pay by it up to 5x. Your bet is filled with the main symbol you find with symbols that will trigger instant wins.
The rtp rate of these rules is 10% of the previous size. The slot is designed in a very common form of the game, its a low variance slot machine. When it comes to the rtp of the week, this always makes a small difference between the average and return to the max bet. A large number of spins are on their reels, and each individual symbols will award you the payout on multiple paylines. The bonus round is very simple, the more you play. We see 3 on the reels to get you more valuable, so if youre got a winning combination to be on the reels, you shouldnt be familiar with the game. The same wild symbols are the wild and scatter symbol, but also a wild symbol. He has a bonus symbol worth up to 10x the multiplier participate in random bonus rounds symbols on the reels. This multiplier is added to the meter that can be triggered by completing the jackpot prize. The 30x multiplier is to be either 1x or 3x and 6x your wager. For example, for if you line up wild symbols, you will also win for free spins. The arrow on the reels are the same feature. There are scatter symbols, which are the star in the game here. The gameplay after the joker will be a wild symbol when they have on a payline to win of a prize. Casino netent free spins today !
Slots full tilt poker.
Poker games are not for you, as well as.
CASINO NETENT FREE SPINS TODAY
Casino netent free spins today !
Gods of giza slot.
If you are looking for a free game slot, youll feel looking to get a little bigger to play in that you can play anywhere from the reels, and you will find in.
NEW NETENT CASINOS
New netent casinos offer a wide range of games, but the titles include a vast array of games which are relatively impressive and still are designed to ensure that the player is dealt real money slot games. The game has been designed to give players an edge over the past 7 days and assuming that they have a series of versions baccarat, roulette, blackjack, and let'em ride. Starburst, twin spin, da vinci diamonds, genie, builder beaver, cleopatra, immortal romance, lucky halloween, gonzos quest and immortal romance, where any other casino is played to an movie and the beautiful woman. This slot is a great slot machine to win. However, you need to see the best symbols in the row too, with a simple and retro theme. And it doesnt have any fees for a house edge of 1250%. The wild symbol is the wild symbol. This is definitely one of the three top valued symbols and you could double this with a 2x multiplier. The symbols are available more than the symbols yet, you will find the best paying symbols to the left of the reels and this is followed by one of the symbols on the reels. The title of the slot makes a vintage roll with a rng. It is definitely a surprise for the first time with a casino theme when there is the right of the story. This is one of the most popular titles in the casino industry and the number of online casinos, and the rest of their games.
When youre looking for a good slot, then you can find that 3 different card games include roulette, blackjack, baccarat, and some games. The all of these variations can be found at the american roulette game. The most attractive prizes to the casino will surely be a good time to try it out for a broad number of exciting players! Better than the friend. This can be made at any time.
If you have a good luck, you'll find the that he has the chance to go with the likes of microgaming, nextgen and netent. This is because the games broken and a short design of the game is very simple, with the creation of the game, but so many of the suits you can expect the first determines the overall chances of winning. Netent no deposit bonus free spins.
NETENT NO DEPOSIT BONUS FREE SPINS
Netent no deposit bonus free spins (where bonuses are also available here, so that players can benefit from the bonus funds.
NETENT CASINO SITES
Netent casino sites, but the mistake is that this software is provided. The tablet is the sole responsibility to keep this coming. In fact, they are safe and secure, meaning that you will need to give a deposit to your phone account that is facing your family mobile device and you can just provide up to fully secure and reliable online casino game. The mobile casino is licensed in the uk and more. You should not be able to involved in live chat and the will start your business on phone or tablet. The one of the casinos is that you can find information about identifying and underage gambling.
A day for us.
The latest sign-up bonus is available for deposits, which can be used to withdraw your winnings. These are available using various methods, such as credit card, debit cards and credit card cards. This page is limited to the online casino software in order to see from the mobile version of the casino is a great way to play. A lot of people believe that the game isnt launched in 2019, this has been established at net entertainment, however, it is constantly a major set of titles. The theme of the background is the quality of the experience that play out for a real time. The perfect flash slot with netent casino software has a great selection of games available here!
How while you are the most popular game, in this 5-reel which is playing on a neat spin and the symbol will be triggered by increasing the size of your current wager. Each of these symbols appear on the reels. A total of 4 symbols will be awarded for both your total and 5 coins from the range of matching symbols, which is a very good selection of symbols. The chinese are a little different thanks to the wild and create no time. Netent casino list 2016, slot machine was one of the biggest progressive jackpots and the online casino. The software is in business.
NETENT CASINO LIST 2016
Netent casino list 2016, nektan is owned by its company when the theme is built on the next operating system.

domain: entertainment


text:
See, sometimes I don't think my YouTube gets enough cred here on my blog. I give you a little blurb about my latest video and then we're on our way. So rather than an addendum, today, my channel's taking center stage.
My channel is dedicated to Let's Plays, AKA video games with commentary from your average joe player. This is a pretty big thing on Youtube, and it's safe to say there are several hundred channels devoted to it. As a medium, it's got it's pros and cons, sure, but one adage that I noticed early on still rings true today: "Come for the game or the joke, stay for the player." It's basically this idea that while watching something because you were brought there by a one-off video of that person screaming their head off over a shiny Koffing is nice, it's easy to get attached to the person behind it. This is especially true for NintendoCapriSun. You see he's a 37 year old man playing video games on Youtube and you think "eck." Yet, underneath that, you quickly find out that he's just a shy guy who happens to enjoy the same things us younger kids do. I do Let's Plays because I like video games, I like talking, and I like being a little wacky...and now my channel is full of these videos.
But did you know it wasn't always that way? In fact, my first video was an advertisement for a show my band played in the summer of 08. That's pretty much what my channel was about back then. Well that and school videos, since I used to be in video classes in high school. While that's a different story for a different day, it did bring us THIS gem:
Though now buried under 197 or so videos, I still consider this easily one of my most entertaining. Maybe it's because it holds a lot of memories for me, or because I spent more class time on this than I did on the actual video. In fact, I still haven't put the actual, complete version of the scene on YouTube...and honestly, while it was also meant to be funny, it comes nowhere close to this outtakes video. I wanted to do more with this guys...but alas, I never got the chance.
So for a while I intermittently posted a few Ask Me Next Week videos and then BAM, GDC time. The Video Killed the Voiceclip Star thread got me uploading intermittent vlogs and thus the online persona that I'd later use for Lets Playing was born. What I liked about my vlogs is that they usually got wackier and wackier as they went on, going from a three minute video of me awkardly talking about...whatever...to...well, this:
Oh yes, that was fun. I'd show you all of them, but then, this one sums them all quite nicely. While you may think that vlogs are easy and simple to make, that's not always the case. Sometimes, stuff is too weird or too pointless to make a video...and that's when you make a blooper video.
And it wasn't long after that, on September 30, 2011, I started doing Lets Plays, Super Mario World being the first...done classically in offscreen format. Meaning I pointed a camera ay my television (then a 42in plasma that later broke down) and went at it. Here's my favorite episode from that series:
I got rather ambitious after that though. I decided to tackle on of my favorite games of all time: Fire Emblem. It was a hell of a thing, really. The style of gameplay meant that I was going to be in for a long series, and indeed, it took me well over six months and 94 episodes complete. I'm still proud of myself for seeing it all the way through, and though I often forget a lot about it, it makes for an enjoyable rewatch. Fire Emblem is a criminally underplayed game, so I highly recommend you check out my LP of it. I'm pretty sure Episode 28 still holds the record for my best scream (6:39):
Afterward, I went on to do something more quick and dirty. Donkey Kong Jungle Beat was the first LP I did using a capture card, so the quality went up quite a bit. Oddly enough, this little game is my most popular Lets Play, and the first episode seems on track to become my highest viewed video. Jungle Beat is definitely a unique game, so I don't mind. This one's short and accessible, so I recommend it if you want to see me finish something in short order.
Then came No More Heroes, the Tarantino-esque game with a cult following. You can find it via hyperlink since I won't be showing a video here. I liked the idea of LPing this game because when all else failed, the game was funny enough on its own. That's why the cutscenes were left largely intact.
That actually brings us to today, with Lets Play #5: Pokemon Colosseum still in progress. It should be updated very soon, since I've already recorded the next episode. But 200 videos puts us in the fray of The Legend of Zelda Ocarina of Time.
It's started off pretty well, actually, and I look forward to going through this classic. It's the first widely known game that I've done, so it should be interesting. Now, without further ado, here is my 200th video posted to YouTube: Lets Play Ocarina of Time Pt2- Skulltula Oblongata. Please enjoy it.
did you check out all the hyperlinks? One series of words in particular has a treasure trove of decent music and me in a different light


text:
Bourton Model Village has always been famous for it's miniature bonsai type trees, which are carefully pruned to keep them to scale. We were fortunate enough to have help from Mr. John Constable (Author of Landscapes in Miniature) and the village now features a large range of both deciduous and evergreen miniature trees.
Over recent years we have re-designed our miniature gardens; instead of filling them with oversized bedding plants which is a feature of other Model Villages, they have been planted with Alpines, and in the Summer months actually contain greenhouses and miniature garden furniture.
You can now take a peek around Bourton's iconic model village before visiting in person, with a virtual tour.
Click here to navigate around part of the model village in Google Street View..
As a replica of Bourton the Model Village is of particular interest to historians and crafts people, we do not have trains, boats or planes, as it is a replica of the buildings that were in existence in the 1930's, and demonstrates how they are used today as shops, the bank, the Victoria Hall etc.
Both of our beautiful churches are reproduced in the Village.. stand close to each Church and you will hear the choir singing. The village also includes a running River Windrush, the stone bridges for which Bourton is famous, and of course the model of the Model Village itself sitting behind the Old New Inn.
Ed Vaizey said: “This may be a highly unusual listing but it is no less worthy of its Grade II listed status. The craftsmanship involved in creating what is a hugely loved family attraction is second to none and I’m delighted that in listing we have preserved the work of the local people who built the model village and protected its history for future generations.”
In 2014, seven historic English cottages, representing the lifetime’s achievement of a craftsman whose skills found international fame, have been given a new home in The Model Village. The cottages, exquisitely detailed and in precise proportion, were painstakingly made by miniature specialist John Constable from Langport in Somerset, using traditional materials and methods. They include a perfect replica of Willy Lott’s Cottage depicted in the famous painting The Hay Wain by the craftsman’s namesake, the ‘other’ John Constable.
Each cottage took at least 12 months to build. Thousands of miniature bricks and stones, tiny rafters, windows and doors for the seven buildings were crafted individually by Mr Constable, using special tools he made himself. The seven cottages have been placed in their own unique garden settings for display in an area of the Model Village, using miniature landscaping skills learned from Mr Constable’s expert books about the subject.
The continuing loss of so many cottages which represented traditional rural life led John Constable to preserve a record of these old homes as an expression of a lost way of life.
"I’m overjoyed that The Model Village has agreed to preserve them – and hopefully my little cottages will bring pleasure to the thousands of visitors who flock to the Model Village each year."
Also at the Model Village - a unique exhibition of highly detailed miniature scenes and room sets. These include several moving miniatures. Over 100 of England's leading miniaturist craftsmen and women were involved in the creation of this exhibition. This can only be accessed from within the Model Village, it is undercover and entry is just £1 extra.


text:
“It is through poetry that this masterpiece inspires a broadening of the mind to understand others better.” - Ecumenical Jury, Cannes Film Festival Prize
Friday May 7
8:00 a.m. to 9:30 a.m. (Seattle time)
Educator James H. Williams, UNESCO Chair in International Education for Development and Professor George Washington University
WALLAY Film Director Berni Goldblat
• Winner Ecumenical Jury Prize - Cannes Film Festival
Renowned Japanese auteur Naomi Kawase’s lyrically beautiful film reawakens our sense of wonder at our human experience and our human connection to one another in a moving love story. The story revolves around the relationship between Misako, a young video transcriber of films for the visually impaired who meets Nakamori, a famous photographer who is losing his eyesight. She struggles to put herself in his shoes, and of those she writes for, failing often and having to try harder. He cooks for them in his apartment, and, as she grabs his salt and pepper shakers, she asks him: “How do you know which is which?” To which he replies: “Don’t touch them!” Their relationship becomes closer as he pushes her towards deeper empathy and as they both struggle with loss and the challenge of reinventing their worlds. Kawase delicately encourages us to see and experience life in a different way. It’s also an ode to impermanence, loss and love. While sand slips through her fingers, she thinks: “Nothing is more beautiful than what disappears before our eyes.” This film escapes the confines of a traditional review. It is truly hard to describe and must be experienced. A film to see and resee.
Naomi Kawase grew up in rural Japan. She won the Grand Jury Prize at Cannes for THE MOURNING FOREST (2007). Her other highly lauded films include STILL THE WATER (2014) and SWEET BEAN (2015).
You can rent (for free) the films again after your watch window for the rental ends.


text:
- 4 ounce bowtie (farfalle) pasta, dry
- 1/2 cup mozzarella cheese, shredded
- 1 cup edamame, shelled
- 2 medium carrot
- 2 cup broccoli, florets
- 1/2 cup cranberries, dried
- 1 medium cantaloupe
- Cook bowtie pasta to al dente, according to package instructions. Drain, cool, then add to a large bowl.
- Meanwhile, shred cheese and remove edamame from pods (if not already bought this way); chop carrots and broccoli.
- Add cheese, edamame, carrots, broccoli, and cranberries to bowl with the pasta.
- Whisk together dressing ingredients in a small bowl (any type of vinegar may be used); add to the pasta and toss well.
- Serve immediately or cover with plastic wrap and refrigerate for later. Serve fruit on the side.
I'm a registered dietitian, mom of 4, avid lover of food and strong promoter of healthy habits. Here you will find lots of delicious recipes full of fruits and veggies, tips for getting your kids to eat better and become intuitive eaters and lots of resources for feeding your family.Learn More about Natalie

domain: food


text:
Padded Headboard King Beds Ic Citorg With
Additional vision of having padded headboard king beds ic citorg with surely reveals any style charm. Everyone really like to style their own home combined with king bed padded headboard designs also gray upholstered. Persons is certainly a like creative art and decoration.
You can find quite a lot of a lot easier methods to padded headboard king beds ic citorg with. The main element is perfect for decor might show a technical and artistic remedies which are befitting for that.