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One question a bookworm would always receive is: How did your love for reading started?
Well.. I actually don’t know.
Memories from my childhood are super vague so I don’t remember much from it, but based from what everyone used to tell me, I already know how to identify objects, drawings or things at the age of 1 and have learned how to read by the young age of 3.
Trivia: I am already talking even before I turned 1! That’s how talkative I am! That is also the reason why everyone loved me as a kid. Everyone likes talking to me because I was known as that bubbly, talkative kid who has answers to everything they say. Hahaha.
Fast forward when I was about to start school, I remember how I was asked to go to the school principal’s office with my Mom and was told to read this certain book in front of the principal herself. I was young, I probably didn’t even know what I was doing, but I just did what I have been told.
I was accelerated after.
What I remember next is that I just loved reading and reading books; until my 7th birthday came and one of my godmothers gave me this storybook about Disney princesses. It was a big, blue, hardbound book, filled with beautiful drawings and stories about Cinderella, Snow White, and other princesses – which automatically became my favorite book that time. I kept on rereading and rereading it, smelling it (!!), until I grew older and had other favorite books.
You will find me reading everywhere.
I even had prescription glasses when I was younger because I used to read even if I’m in a dark place or I’m in a moving vehicle. (I can’t do that anymore. I get dizzy every time I’m reading in a moving car. Or even just by using my phone. Sign of aging na ata ito.)
One sermon I wouldn’t forget is that one night when my family and I were heading somewhere then my Mom told me that I should stop reading because it’s dark and we’re inside a moving vehicle! Guess what I’m reading that time? A psychology book.
What the hell? I was in grade school and I’m already reading about the things I’m writing on my blog. Self-help, optimism, positivity, and such. I know, I can’t believe it myself, as well.
And I guess that’s how it all started.
I learned how to save money at a young age so that I can buy my own books because my parents never spoiled my brother and I. They would give us what we want from time to time, but usually, they would always tell us to work hard for something that we want; and that it’s hard to earn money. With that, we were never the “Mom, Dad, I want this. Please buy me this.” kind of children. And for me, that’s a good thing because I brought that lesson with me until I grew older.
Regarding my book genre
I never really knew anything about “genre” and never cared about it when I was younger. All I know is that I just wanted to read. That’s all. Though of course, what I read are age-appropriate so I started with Disney storybooks to Winx to W.I.T.C.H and other stories related or close to that. The brave kid in me even read horror books that time!!
When I turned High School, that’s when I started reading books written by Bob Ong, Nicholas Sparks, Rick Riordan – who turned out to be my first favorite author because of the Percy Jackson Series – and other Young Adult genre authors.
Up unto this day, Young Adult Contemporary is the genre that I’m still into. Though sometimes, I read other genres whenever I feel like it; so I guess, genre really isn’t a thing for me in choosing which books to read.
My thoughts on collecting books
A lot of people would tell me how expensive my collection is. And I won’t deny; it’s kinda true. Books usually cost around 300-1000+ PHP and if I would compute how much I’ve already spent with all my books, I could probably travel to 2 or 3 countries with that amount of money.
But what I would always tell them after is how priceless the learning and knowledge I’ve had from reading those books. I’ve traveled to different cities, experienced a lot of adventures, felt different kinds of feels, just by reading. It’s a treasure that I will bring with me until my last breath and no amount of money could take that away from me. From us.
Hardbound or paperback? Paperback. I don’t own any hardbound books because #1: they are more expensive; #2, the paper cover thing on hardbound books distracts me; and #3, I started with paperback books and I would totally feel OC if ever I buy one and put it on my shelf.
Physical copy or eBooks? I never liked reading eBooks. Probably because I would just be on my phone or another device (again), and one of the reasons why I’m reading is to escape that digital world I’m in. Besides, I am in love with the smell of books!!
How long does it take for you to read a book? I can say that I’m a fast reader so if ever I really am into that book, I can finish it within the day. But if not, I can turn into a slump and read that book chapter by chapter for months. (Which totally ruins my Reading Book Challenge in Goodreads.)
Do you need a room to be silent while you read? YES. Yeeees. I am so amazed with people who can read (and write!!) while listening to music. H O W?! Whenever I do that, I get so distracted especially if I know the song because a part of me is already singing and I just.. can’t do both. I also tried reading with just instrumentals on the background and I still can’t.
Favorite book or author? I don’t have one. But every time someone asks for a recommendation, I would refer Every Day by David Levithan.
Oh, and by the way, did you know that it’s just this year – 2017!! – when I watched the Harry Potter movie series because I have never read any of the books until early this year? My boyfriend gave me the HP set for my birthday last year probably because he pities me for not having to watch the movie yet. Hahaha. I know it’s always showing on movie channels but I never really watch it because I told myself that I will only watch HP once I have read the books. (Eh ang mahal ng set ng HP so ‘yun, natagalan….)
Another fun fact: My Mom loves to read as well and I think I got my love for books from her. She loves reading so much that my name, Amielle, is actually a character from one of her favorite books. :)
I guess that’s it for my book shenanigans! How about you? What got you into reading and what’s your most recommended book so far? Just leave a question in the comment box if you have any and I would love to talk with you. Have a great week ahead!

domain: hobby


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A French painter and sculptor, Aristide Najean learned the art of glass from the greatest master glassmakers in Murano. His pictorial experience, his colors, his sense of light and shade find a sculptural dimension through the glass. Najean creates in his own glass factory – the Cathedral – luminous sculptures, light installations and works of art; unique pieces in which painting and sculpture blend. Overcoming the legacy of Murano tradition, Aristide brought a new artistic impulse to the world of contemporary glass art.
THE ART OF GLASS.
IN THE HEART OF MURANO.
Najean overtakes the venetian tradition of glass making, and seizes at once the exceptionality of this material, kept day and night in a glowing lava. For years, he learns about, rearranges his color palette, tames the glass, by lengthening it, stretching it, blowing it. Asking for its permission and capturing the light, Aristide combines this mineral substance and subdues it to his pictorial researches, his imagination and his poetry, bringing out new original shapes from identical gestures that have gone through centuries.
Fire, sand and poetry
Sea, sand and fire organize Murano`s life. At dawn, the smelt glass calls its completion and seeks the shape that only crystallization will fix. Like a ferryman, the glass artist accompanies the glass from one consistence to another, while infusing poetry, energy, life. Among the loud voices of the workers that cover the perpetual noise of the oven, it is indeed the Glass which holds the final word.
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domain: artistic


With this year’s economic crisis Apple Inc. is soon coming out with iPad 3 tablet. If you never heard of iPads you better learn now because iPad might become like the iPhone few years from now. The iPad 3 certainly has some things lined up for its release date that are going to set itself apart from the iPad and iPad 2. Despite rumors floating around constantly that the iPad 3 will release later this year, it doesn’t seem possible, especially with the next iPhone release being delayed.
iPad 3 Release Date
Apple as did not announce the specific date of iPad 3 release but however it did announce that it will be coming out in the late November.
iPad 3 Features
With the recent unveiling of iOS 5, you better believe that the iPad 3 will come preloaded sporting all of its new goodies. This huge overhaul of an operating system (demoed on the iPhone) is also being designed for the iPad 3 and will offer an even greater experience on such a large screen; especially if its retina! To date we have only been offered glimpses into the features that iOS 5 is capable of; making iOS 5 on the iPad 3 something to get excited about.
As far as aesthetics go, what does the iPad 2 have to offer? Slimmer, curvier with some shaved off weight in the process is one of the main points of the iPad 2 aside from its quicker processor. Not exactly what Apple fans were hoping for from the second generation tablet.
While nothing is evidenced yet, Apple will likely be looking to give the fans what they want by making some bigger aesthetic tweaks. Whether carbon fiber makes its way into the iPad 3 or is set for the iPad 4 is still to be seen, but we know they have some design changes up their sleeves. Will the smart bezel rumor and patent come true?
iCloud is going to change the way Apple users access and store their content without the feeling of being trapped. Cloud access is going to be the next big thing amongst tablet and wireless companies; and Apple looks to be going big with their huge facility currently under development to support cloud services.
We also believe that Apple fans will be seeing a big change in the way of connectivity with their iPad 3. Nobody likes data caps, especially since the iPad is a device that is going where its users go, and that isn’t always at home or in a dedicated WiFi hotspot area. Expect to see some new options when it comes to signing up for a data plan from its major carriers, especially with 4G on the horizon; the iPad 3 will be worth the wait.
iPad 3 Graphics
Perhaps the most unbelievable part of the story, however, is that Apple might try to reach a resolution of 2560×1920 in the new device. That resolution would be over 6x the number of pixels of the current iPad, and 2.5x the linear resolution in each dimension. The closest display we’ve heard of is Samsung’s announcement of a 2560×1600 10.1″ LCD display in May. Apple has been rumored to be bringing a “Retina” display to the iPad 3, though there has been little talk of it recently. To further add to the doubts, component manufacturers seem to be expecting the iPad 3 to arrive in 2012 the latest Apple tablet should have a curved-glass back, 5 megapixel camera with full 1080P, and a LED Flash nuzzled close to the lens on the rear facing camera. Moving to the front your dreams have come true with the highly anticipated retina display; sporting a FaceTime HD Camera in the top bezel while getting new antennas and stereo speakers at the base.
iPad 3 Camera
With a lot of complaints about the iPad 2 cameras, you will likely see a big overhaul. Judging by the illustration of these mock-ups it appears the cameras will be doing just that.
There’s no estimate on the weight of this mock-up tablet but it does claim that the iPad 3 will be even thinner at 0.29 inches. While it’s not a completely new redesign it has the feel or immediate impression of an evolution of the iPhone 4.


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Says many layouts handed over half-finished
BMP heavily dependent on grants from the State and Union Governments Corporates urged to share cost of improving roads in their vicinity BMP has developed 574 parks, more locations for parks will be identified
Bangalore: The Bangalore Development Authority should share the blame for the bad state of roads in new layouts developed by it, Mayor Mumtaz Begum said here on Monday.
"Many new layouts have come up without basic infrastructure and they have been handed over to Bangalore Mahanagara Palike in a half-finished state. We cannot always explain this to the residents who complain about inadequate facilities, and we have to build the roads," Ms. Begum said at an interactive programme organised by the Federation of Karnataka Chambers of Commerce and Industry.
The BMP also faces a resources crunch and apart from revenue from property and other taxes and trade licences, the civic body has to heavily depend on grants from the State and Union Governments, the Mayor said.
"Due to some carelessness by BMP officials in earlier years, we get only nominal rents from shops in our commercial complexes. We have asked the government to allow us to increase the compounding fees (usually for violation of building norms) from five per cent to 25 per cent; this will help us generate more income," she said.
The Mayor said she was satisfied with the progress and quality of road works now taken up and that disputes with the road contractors will be sorted out soon. No work will be allowed to stop for this reason. She wanted corporates to share in the cost of improving roads in their vicinity.
The BMP has developed 574 parks, including some in BDA areas, and more locations for parks will be identified and they will be developed.
"There is pressure from the traffic police to restore the pay-and-park system but we are yet to decide on this. The police want this to reduce vehicle thefts but we have to study public opinion," Ms. Begum said.
Responding to issues raised by FKCCI President S. Babu, the Mayor said while widening roads, the interests of existing businesses and road users will be taken into account. "An example is Avenue Road where road widening that has been planned may affect businesses existing there for several decades even if marginal adjustments to the road width are carried out," she said.
There are leakages in the tax collection system that need to be plugged and revenue could increase considerably. This can even avoid periodical revision of tax assessment, she said.
Chairman of FKCCI's Civic Affairs Committee M.M. Harish said the city needed longer flyovers at places such as K.R. Market, where it could extend up to Richmond Circle, passing through Town Hall and Hudson Circle.
New flyovers are necessary at Bhashyam Circle, at Sadashivanagar, Rajajinagar, Trinity Circle and South End Circle. Flyover construction should be speeded up to avoid traffic snarls around their locations.
The city also needs more "lung space" in places such as Bannerghatta Road, Hosur Road and Sarjapur Road, which were fast becoming concrete jungles, he said.
Capt. Harish suggested that approval for new layouts and buildings should be based on careful criteria and haphazard growth should be stopped if the city is to remain green. Infrastructure in industrial estates needed improvement. Members of the Peenya Industries Association presented their grievances to the Mayor.

domain: news


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There’s always been a – well, an odd juxtaposition, between the colour and idiosyncracy of Oddworld’s characters and the anti-corporate environmentalism of their backdrops. Soulstorm promises to bring that contemporary horror to the fore, with an overtly “horrifying” reimagining of Oddworld’s original story.
Are you a fan of oddball platformers? There are a couple in our best indie games list.
Googly-eyed protagonist Abe’s new oddysee will pit him against a “terrifying new machination”, but arm him with “intelligent” mechanics and twisted, devious explosive devices. He’ll be charged with leading three hundred starving dependents across a brutal landscape of nasty surprises.
“There was a deeper, darker, and more sinister story that we never got to tell,” says series creator Lorne Lanning. “Soulstorm gives us the opportunity to flesh out more meat on the bones of an original spine, but re-tell the fable from a very different angle.”
Lanning’s Oddworld Inhabitants describe the reboot as a “dark parable”, about a volatile society pushed to its limits.
“In Soulstorm’s devilishly twisted story, we’re telling an incendiary tale of uprising and infiltration against the latest in soul-sucking consumer products,” they write.
Soulstorm will come to PC in late 2017. The new game will represent a big visual and cinematic leap forward for the studio, which should help bring some of that environmental horror to (wilting) life. Is Lanning our own Hayao Miyazaki, do you think?

domain: entertainment


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Swedish Realist Painter, 1853-1919
Swedish painter, illustrator and printmaker. He came from a poor family and studied (1866-76) at the Konstakademi in Stockholm, supporting himself throughout this period. From 1871 to 1878 he contributed illustrations to the comic journal Kaspar and the Ny illustrerad tidning. From 1875, for several decades, he was a prolific book illustrator, his most renowned work in this field being his drawings for Föltskärns beröttelser ('The Barber-surgeon's tales'; pubd 1883-4) by Zacharius Topelius, and the Rococo-inspired watercolours for the Samlade skaldeförsök ('Collected attempts at poetry'; pubd 1884) by the 18th-century Swedish author Anna Maria Lenngren. Related Paintings of Carl Larsson :. | sankt goran och draken | The Enchanted Princess | portratt av overstelojtnant pontus linderdahl | mor kersti-mitt nordiska museum | kukuliku, klockan ar sju |
Related Artists:Gerard Thomas
painted The collector of tithes in 1663-1720Joseph-Siffred Duplessis
(22 September 1725 - 1 April 1802) was a French painter, known for the clarity and immediacy of his portraits.
He was born in Carpentras, near Avignon, into a family with an artistic bent and received his first training from his father, a surgeon and talented amateur, then with Joseph-Gabriel Imbert (1666-1749), who had been a pupil of Charles Le Brun. From 1744-47 or later he worked in Rome, in the atelier of Pierre Subleyras, who was also from the south of France, who died in 1749. In Italy Duplessis became fast friends with Joseph Vernet, another Occitan.
He returned to Carpentras, spent a brief time in Lyon then arrived about 1752 in Paris, where he was accepted into the Academie de Saint-Luc and exhibited some portraits, which were now his specialty, in 1764, but did not achieve much notice until his exhibition of ten paintings at the Paris salon of 1769, very well received and selected for special notice by Denis Diderot; the Academie de peinture et de sculpture accepted him in the category of portraitist, considered a lesser category at the time. He continued to exhibit at the Paris salons, both finished paintings and sketches, until 1791, and once more, in 1801.
His portrait of the Dauphine in 1771 and his appointment as a peintre du Roi assured his success: most of his surviving portraits date from the 1770s and 1780s. He received privileged lodgings in the Galeries du Louvre. In the Revolution, he withdrew to safe obscurity at Carpentras during the Reign of Terror. Afterwards, from 1796, he served as curator at the newly-founded museum formed at Versaillles, so recently emptied of its furnishings at the Revolutionary sales. His uncompromising self-portrait at this time of his life is at Versailles, where he died.
(Russian,1801 - 3 August 1859) was a Russian painter. Early in his career he painted icons with his brother; he then traveled to St. Petersburg to study at the Academy, where he took lessons with Alexey Venetsianov. From 1836 he was a pupil of Karl Bryullov. Tyranov chiefly painted portraits and genre scenes; he exhibited at a number of venues in the city throughout the 1830s and 40s.

domain: history


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Location:- colaba causeway
Ambiance:- It was pretty huge. There were indoor games to play in. The wall was covered with a small poster of cars and I loved the concept of bricks used in the ceiling. The bar section was pretty lit. They can accommodate more than 60+ people at a time. Service was pretty fast and the staff was kind to help us select dishes.
What we ordered:-
1)Jalapeño cheese cigars:- the cigar was filled with finely chopped jalapeno and melted cheese. The sauce which was provided was also good.
2)Crispy chilli potatoes:- As the name suggests the taste was spicy but they were not crispy.
1) Apple cinnamontini:- It was a sweet drink to start your dinner with.
2)Garage fruit punch:- it was kind of okay
Turkish pizza:- the size was huge and the taste was good. The topping was capsicum, corn, and humus.
Nutella cheesecake:- the dinner is incomplete without dessert. So we ordered this Nutella cheesecake and it was so tasty that words are not enough to describe the taste.

domain: food


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John Lewis & Partners Christmas Ad 2018 – #EltonJohnLewis
Watch the new John Lewis & Partners Christmas TV advert, The Boy and The Piano. This year’s story is about the power of a gift. And how that gift inspired, changed and influenced the course of a little boy’s life. That little boy just happens to be Elton John. The film begins in present day and works backwards chronologically through Elton’s life right until the moment on Christmas morning when he received the special gift that changed his life. Subscribe to this channel for regular video updates http://bit.ly/2eU8MvW If you want to hear more from John Lewis & Partners: Like John Lewis & Partners on Facebook http://www.facebook.com/johnlewisandp… Follow John Lewis & Partners on Twitter http://twitter.com/jlandpartners
The John Lewis Christmas advert is a television advertising campaign released by British department store chain John Lewis and Partners in the build-up to Christmas. John Lewis launched their first Christmas advert in 2007. It has since become something of an annual tradition in British popular culture, and one of the signals that the countdown to Christmas has begun in the UK. The adverts tend to attract widespread media coverage and acclaim upon their release.
The songs used in the advertising campaigns are generally covers of existing songs by popular artists. They have often reached high positions on the UK Singles Chart, and the original versions often receive a sales boost. Ellie Goulding, Gabrielle Aplin, Lily Allen, Aurora, Tom Odell and Vaults are among the artists whose music has appeared in a John Lewis Christmas advert.


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The following are selected electronic resources containing full-text scholarly articles and images relating to the art and design aspects of landscape architecture, and can also be accessed by searching within Library Databases Search. All University Library databases are available free of charge for students, staff, and faculty; additional log-in may be required.
You can search across multiple databases by using Library Articles Search. This allows you to search across thousands of publishers and millions of documents. As part of your search, you can limit your results to articles from scholarly journals, from newspapers, or to articles that are available fulltext.
Things to remember:
Library Articles Search is a very good way to start researching a particular topic.
Library Articles Search is great for multi-disciplinary and inter-disciplinary research.
Library Articles Search does not replace subject specific databases for specialized searching, so don't forget about the Avery Index, JSTOR, ScienceDirect, or any of those other standards you've become accustomed to using.
Library Articles Search is not a book catalog; if you want books, search in the Library Catalog.

domain: library


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London, UK: Altitude Angel, the world’s leading UTM (Unmanned Traffic Management) technology provider, has today announced Richard Ellis will take up the position of Chief Business Officer with immediate effect. Ellis joins Altitude Angel having previously held the role of VP Worldwide Customer Success at AirMap.
On Ellis joining Altitude Angel, Richard Parker, CEO and founder, said: “I’m thrilled to announce Richard is joining Altitude Angel. He has a wealth of expertise in this nascent industry which will be invaluable as Altitude Angel continues to win new business, bring new and exciting products to market and expand globally. Richard will have an important role in supporting our relationships with ANSPs as well as helping to drive forward the company’s strategy. It’s great to have him join our senior management team.”
On joining Altitude Angel Ellis said: “The opportunity to work at Altitude Angel was too good to resist. In meeting with Richard Parker and the wider management team over the past few weeks, I’ve been impressed by how they have been able to impart on me their vision, philosophy, drive and the direction the business is taking. To be given the opportunity to embrace what Altitude Angel stands for is an exciting prospect and I’m very much looking forward to contributing to its continued growth and success.”
Prior to joining Altitude Angel, Ellis held an Executive role at AirMap, as well as a number of Board level and Executive roles in international tech and data driven organisations including CarZar, Market Mettle, Smith Micro, Message Labs, Openwave, and Digital / Compaq.


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The SolFit Gym
Where will we train?
Most training will take place here at the Solstice Fitness Studio; we may also train outside.
Solstice Fitness, Amesbury
Have your training sessions with me at the SolFit Studio based in Amesbury just off the A303. The SolFit studio has all the equipment we will need to help you achieve your goals.
Benefits of training at the studio
Completely private one to one sessions
No membership fees
No extended contracts

domain: sports


BELTON (CBSDFW.COM) – Eighty-one-year old Juanito Ortiz was arrested Thursday and charged with sexually assaulting a young family member.
Bell County Sheriff’s investigators reopened Ortiz’s case from 2012 where the juvenile reported he was sexually assaulting her. After re-interviewing the victim and witnesses along with reviewing all the physical evidence investigators presented a case to the Bell County District Attorney’s Office.
Ortiz is currently awaiting trial in the Bell County Jail.
(©2014 CBS Local Media, a division of CBS Radio Inc. All Rights Reserved. This material may not be published, broadcast, rewritten, or redistributed.)
- Dallas Police Searching For Murder Suspect
- Even In The Amazon Era, Black Friday Shows Stores Are Alive
- College Basketball Games To Watch: Top Teams Battle It Out In Oregon
- No. 10 TCU Gets Big 12 Title Shot With 45-22 Win Over Baylor
- Suspect Charged In Texas Trooper’s On-Duty Shooting Death
PHOTOS: Your Pet Pictures


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Quick Facts of Kristi Gibson
- Full NameKristi Gibson
- Net Worth$15 Million (approx.)
- Date of Birth1970 /12 /25
- Marital StatusSingle
- BirthplaceVancouver, Canada
- Eye colourGrey
- Hair colourBlack
- Height5 feet 8 inches
When you lose the love of your life, it doesn’t matter if you dated for 1 month, 1 year or 10 years. It’s going to hurt. Only the question is how long the memory can hunt you. Well, you must be curious, who we are talking about. The star that we are going to talk about is none other than Kristi Gibson.
American actress Kristi dated over a decade with a rockstar Bret Michaels. She waited for 18 years to get engaged with the star. If you are want to know all the details about the rollercoaster love story of the star then we say you have stumbled upon a correct page. Stay tuned to us until the end.
Kristi Gibson’s Bio & Wiki
Gibson was born on 25 December 1970 as Kristi Lynn Gibson and grew up in Vancouver, Canada. the details about her parents and siblings are out of the media’s reach as for now. She also hasn’t revealed any details about her early life and educational qualification. We will make sure to provide you with all the juicy details as soon as we grab them.
Gibson stole the limelight after starring in the American psychological thriller A Letter from Death Row. ever since the release of her movie, her reputation skyrocketed.
Some other ventures of Kristi are High Tension, and Low Budget (The making of A Letter from Death Row) and so on. According to a reliable source, Kristi was selected in 2018 as a cast of the 2019 Shane Stanley’s movie, The Untold Story, an American comedy-drama chronicling a story of a 64 years old bachelor who has had tough times in his personal life and career.
Age, Body Measurement
Talking about her age is currently 48 and will be 49 coming December. Despite her age, she has maintained her body to it’s optimum. The secret behind her perfect figure might be the daily exercise she does with the balanced feeding habit. Yet, the exact data about her body measurement, weight. She has a height of 5 feet 8 inches tall.
Shares 2 Kids With Ex-Fiance
Talking about her personal life, she met the love of her life Bret Michaels an American musician and actor in 1994. As soon as they met, they realized they are the one for each other. They dated for more than a decade. While dating, they gave birth to two daughters, Raine in 2000 and Jorja Bleu in 2005.
Furthermore, on 18 October 2010, the family debuted an American reality documentary television series on VH1 named Bret Michaels: Life as I Know It.
Despite dating for 18 years with a couple of riffs along the way, the duo ended up getting engaged. It all looked bright and dreamy for their family in the first year of their engagement. Unfortunately, after two years of being engaged, they called off the engagement and parted their ways for good.
The statement that they issued said they would remain great friends and were committed to jointly raise their daughters. As to why the pair didn’t get married remains a mystery to their fans and admirers. As for now, they remain close friends to each other and co-parent their daughters, but neither of the couples has tied the knot to anyone.
Net Worth – $15 Million (approx.)
While Michaels boasts the sum of $18 million worth of net worth from all his reality shows, Gibson also isn’t that far from his figure. After portraying the role in movies like A letter from Death Row, sharing the income from the VH1’s shows as well, she boasts around $15 million.
The details about the house she lives in and cars she rides are still a matter of mystery to her many of the fans. She might disclose all the details sooner than later.

domain: celebrity


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Thanks to the Virginia Festival of the Book for inviting me to talk about CLUTTER: AN UNTIDY HISTORY with my good friend Meredith Hindley as part of the festival’s excellent “Shelf Life” series. WATCH IT HERE. On January 12, Jennifer Howard discussed her book, Clutter: An Untidy History, an expansive assessment of our relationship to the things… Continue reading »
I went on the show “Rising Up with Sonali” to talk with host Sonali Kolhatkar about clutter and the ecological costs of consumerism. Catch our conversation below.
It’s a big day here: CLUTTER: AN UNTIDY HISTORY is out in the world! I can’t wait for you to read it. As you can see, Irene and Allie are pretty excited too. Don’t let them have all the fun. Order your own copy now! (PSA: If you order a copy directly from Belt, you’ll… Continue reading »


- 110 hp Power
- 92 Nm Torque
- 202 kg Dry Weight
Suggested Ride Away Price from $27,937 NZD i
Ducati has a long history of product innovation, developing mechanical and electronic solutions that have improved the motorcycle riding experience. Over time Ducati has been able to take the relationship between the rider and the bike to higher levels, creating an increasingly "connected" experience between the two sides.
"Ducati is a global brand with a potent Italian soul: sporty spirit, excellent design, love of beauty, an ability to arouse strong emotions and offer unique experiences".
Claudio Domenicali, CEO Ducati Motor Holding
Nine-time MX World Champion Antonio Cairoli will join Ducati as high-performance test rider for the new racing program. The prototype will make its debut next season in the Italian Motocross Championship, with the aim of validating the technical solutions.Read More


The sixth week of the season is on our doorstep. And all eyes are on Evanston, where Ohio State will play at Northwestern in a game with national and Big Ten championship implications. But even beyond that Titanic clash, there are several interesting games. Here are previews of each contest in this first full-blown Saturday of conference action.
Find out more about: Dienhart's Previews
Each Tuesday morning during the Big Ten football season, the 12 Big Ten football coaches hold a Big Ten teleconference with reporters from around the country. We post the audio for each segment of the call here, and we do this every Tuesday afternoon.
Find out more about: Teleconferences
The calendar says “October,” and I can’t believe it. The season is almost halfway over, with most of the best action yet to come in November. I can tell by your cards and letters that you are excited. Keep the correspondence coming! Let’s dig into this week’s Mailbag!
Find out more about: Dienhart's Mailbag
I’ve said it several times: College football polls shouldn’t come out until at least October. You know, until we see what the teams look like and how they perform against quality competition. Well, with the calendar flipped to October, that means we’ve seen enough football to also consider other things. Like, for example, player rankings. View my first Big Ten player rankings of the season in this post.
Find out more about: Player Rankings
Jesse Johnson-USA TODAY Sports
With six schools off and just four games that featured no upsets, there was little movement in my weekly Big Ten power rankings, presented by ArcelorMittal. Iowa was the biggest winner, jumping three spots from No. 9 to No. 6. Conversely, Minnesota fell like a rock from No. 6 to No. 10. Here is my latest Power Poll.
Find out more about: Power Rankings
The NCAA has taken a lot of criticism of late, and rightly so, with the Miami (Fla.) case feeding the fury of NCAA critics who howl for reform or the organization’s outright banishment.
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BRISTOL, Tenn. (AP) - Kasey Kahne's bumper-banging battle with Brad Keselowski was just the warm-up act in an action-packed race at Bristol Motor Speedway.
HOUSTON (AP) - Stephen Curry scored 29 points, Klay Thompson had 26 with six 3-pointers, and Golden State stayed ahead of Houston in the Western Conference standings with a 108-78 win over the Rockets on Sunday night.
BERKELEY (AP) - California feels a lot different about a second straight No. 12 seed in the NCAA tournament than it did a year ago.
ALAMEDA (AP) - The Oakland Raiders found the potential replacement for disappointing former first-round pick Rolando McClain, agreeing to a free-agent contract on Friday with former Chicago linebacker Nick Roach.
SAN FRANCISCO (AP) - The San Francisco 49ers signed free agent linebacker and special teams standout Dan Skuta to a two-year contact Thursday.
One day after producing 14 runs on 16 hits in a shutout of Franklin, East Union's softball club continued to rake Tuesday in a 13-2 drubbing at Modesto.
PHOENIX (AP) - Tommy Milone had a successful rookie season, and then started off spring training with five scoreless innings in two starts. Still, he's treating camp as if he needs to earn a spot in the Athletics' rotation.
SCOTTSDALE, Ariz. (AP) - Two scoreless innings, no arm fatigue and no lingering pain from a blister on his pitching hand were enough for San Francisco Giants pitcher Tim Lincecum to call Tuesday's outing a positive one.
PHOENIX (AP) - Outfielder Yoenis Cespedes rejoined the Oakland Athletics on Tuesday after briefly leaving spring training to be reunited with his family for the first time in about a year.
ALAMEDA (AP) - The Oakland Raiders cut ties with two former first-round picks on Tuesday by releasing starting receiver Darrius Heyward-Bey and defensive back Michael Huff.
SAN FRANCISCO (AP) - The San Francisco 49ers landed another playmaking wide receiver to catch those deep passes from Colin Kaepernick.
SEATTLE (AP) - The prospective owner of the Sacramento Kings is calling on fans in Seattle to sign up for a "priority ticket waitlist" as a way to show the NBA how much interest there is in bringing pro basketball back to the area.
BALTIMORE (AP) - Here's a Super Bowl twist: A guy who helped Baltimore beat San Francisco for the NFL title is now poised to join the 49ers.
STOCKTON – In a game that featured just about everything, including a near line brawl, forward Shawn Weller had a hand in all four goals for the Stockton Thunder (32-24-9, 73 points) in a back-and-forth 4-3 win over the Ontario Reign (42-16-6, 90 points) in front of 4,358 fans at Stockton Arena in Sunday.
SACRAMENTO (AP) - Monta Ellis had 29 points and nine assists for the Milwaukee Bucks, who held off the Sacramento Kings for a 115-113 win on Sunday night.
SAN FRANCISCO (AP) - Michael Morse looked baffled after missing wildly on a wicked curve from Minnesota starter Ricky Nolasco in the fifth inning.
TORONTO (AP) - After a red-hot start to their road trip, the Oakland Athletics are heading home stuck in their longest slump of the season.
PHILADELPHIA (AP) - Josh Beckett started talking about throwing a no-hitter in the fourth inning, ignoring traditional superstitions and making his catcher nervous in the process.
PARIS (AP) - Roger Federer's 4-year-old twins, Myla and Riva, hung in there for about 20 minutes Sunday in his guest box at Court Philippe Chatrier, long enough to see Daddy take control of his French Open match.
SAN FRRANCISCO (AP) - Before he closes his book, San Francisco Giants outfielder Hunter Pence stares and stares at a card marking his page.
FORT WORTH, Texas (AP) - Adam Scott was a late entry into Colonial because he wanted to play while ranked No. 1 in the world.
STANFORD. (AP) - Matt Besler and Geoff Cameron might hear it from every angle if they were paying any attention or had a moment's spare time. They could be reminded every day that this is the first time since 1990 the U.S. heads to a World Cup with no central defenders having played previous minutes in soccer's showcase event.
BENTON HARBOR, Mich. (AP) - Colin Montgomerie learned something about playing major championship golf at the age of 51 in the Senior PGA Championship at Harbor Shores.
MONTECAMPIONE, Italy (AP) - Fabio Aru of Italy claimed a solo victory on the tough uphill finish to Montecampione in the 15th stage of the Giro d'Italia on Saturday for his first Grand Tour victory.
NEW YORK (AP) - Triple Crown hopeful California Chrome galloped two miles around Belmont Park as part of his preparations for the Belmont Stakes on June 7.
CARSON (AP) - Landon Donovan broke the Major League Soccer goal record Sunday night, scoring his 135th and 136th regular-season goals in the Los Angeles Galaxy's 4-1 victory over the Philadelphia Union.
CONCORD, N.C. (AP) - Defending Sprint Cup champion Jimmie Johnson passed Matt Kenseth with nine laps to go and won the Coca-Cola 600 on Sunday night for his first victory of the season.
CONCORD, N.C. (AP) - Kurt Busch's attempt at completing "The Double" ended Sunday night after his car blew an engine late in the Coca-Cola 600.


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Head on over to Jellyegg Fun Friday to answer this trivia question!
The split is off. They have a new band mate! But which band is this?
Then you will email your answer to [email protected] and the winner gets a box full of Crocs shoes!
The winner will be picked on Monday. Good Luck!


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I was looking for a simple recipe for Easter and saw this recipe from Brown Eyed Baker’s blog. It was very easy to make and the perfect amount of lemon. This one is definitely a keeper and would be great for a cookie exchange! Now if I can just remember that for the cookie exchange I participate in around Christmas.
1 (18.25-ounce) package lemon cake mix
1/3 cup vegetable oil
Zest of 2 lemons
2 Tbsp lemon juice
1/2 teaspoon lemon extract
1/3 cup confectioner’s sugar
Preheat oven to 375 degrees. Line baking sheet with parchment paper or silicone baking mat.
Pour cake mix into a large bowl. Stir in eggs, oil, lemon zest, lemon juice and lemon extract until well blended.
Place confectioner’s sugar in a bowl.
Drop heaping tablespoonfuls of dough into balls and roll in confectioner’s sugar until lightly coated and place on baking sheet.
Bake for about 10 minutes or until the edges are lightly browned. Cool for 2-3 minutes on the cookie sheet and then transfer to a wire rack to cool completely.
1 thought on “Lemon Burst Cookies”
My daughter sampled these at a recent get together and won't stop requesting them. She goes on and on about how delish they were. Glad I was able to find a recipe on your blog!


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|About this Recording
8.557371-72 - SCHUBERT, F.: Lied Edition 19 - Poets of Sensibility, Vols. 1 and 2
Franz Peter Schubert (1797-1828)
Empfindsamkeit: The Expression of Feeling in Late Eighteenth Century German Literature
The literary trend of Empfindsamkeit (the sensitive) made a decisive mark on human emotion and thought in the Enlightenment. The emancipation of the bourgeoisie and its new self-awareness led to an intensive involvement with the individual personality and to questions about the essence of self-identity. Answers to these questions, however, were sought not only in intellectual circles. Something surprising happened: in the period when reason and logic were at their highest, interest in the world of emotion began to increase more and more. From Russia to France, from England to Italy, people in the eighteenth century listened to their feelings and explored in soliloquy their own being. Empfindsamkeit, with its deeply grounded reflection of the self, would probably not have developed without the Enlightenment. The strong tendency to emotion was in the end to be attributed to the ‘cold rationalism’ of the Enlightenment, since it at the same time released longing for the warmth of feeling.
It was above all in England that the flourishing of the sentimental was clearly to be noticed. The new literary ideals were brought to life in Samuel Richardson’s moral and family novels, the idylls of James Thomson, the Night Thoughts of Edward Young, filled with melancholy and sadness, and the Ossian poems of James Macpherson. They released a flood of enthusiasm, quickly developed in Germany. The young Friedrich von Matthisson, for example, involved himself intensively with English literature and was fascinated particularly by Thomas Gray’s Elegy Written in a Country Churchyard. One work of English ‘sentimentality’ won particular importance in the German version of this literary trend. The word empfindsam was first used in 1757 by Victoria Gottsched, who, by the side of her famous husband Johann Christoph Gottsched, had become one of the most important translators and writers of the time. When in 1768 Johann Joachim Bode translated into German Laurence Sterne’s A Sentimental Journey through France and Italy, his friend Gotthold Ephraim Lessing advised him to translate the word ‘sentimental’ with ‘empfindsam’. In this way the conception of Empfindsamkeit came to signify a literary period.
Together with the many plays and novels written in the period, poetry became the most important form of expression. With its concentration on the world of emotion and sentiment it corresponded to central human concerns - it was not the narrative that was in the foreground but feeling, which was released through a narrative. In soliloquy or in addressing a poetic ‘thou’ the poetic inner identity was revealed. It was drawn from the cult of soul and friendship of Pietism, which, as ‘practical Christianity of the heart’ (Gero von Wilpert), encouraged men of all circles of the population to an individual practice of their faith. People freed themselves from orthodox dogma and sought God in the subjective realities of their lives. Nature too was an important source of experience of the divine. In the sunset, the song of a bird or the rushing of the wind - not in church - people traced the omnipresence of God and felt themselves part of this creation. ‘Im Lenzhauch webt der Geist des Herrn! / Sieh! Auferstehung nah’ und fern, / ‘ Sieh! Jugendfülle, Schönheitsmeer, / Und Wonnetaumel ringsumher!’ (‘In the breath of spring weaves the Spirit of God! / See! Resurrection near and far, / See! Filled with youth, sea of beauty, / And rapture of delight all around!), Matthisson writes in his Naturgenuss (Enjoyment of Nature). This euphoria, however, is offset by the central themes of sorrow and melancholy, the loss of a loved one and the approach of death. Answers to these existential questions of life were always sought and found in faith.
Franz Schubert and the Poets Friedrich von Matthisson and Friedrich Gottlieb Klopstock
Many poets of the German Empfindsamkeit, who at the time were read with equal enthusiasm in aristocratic salons and in the rooms of the bourgeoisie, are today often only a subject for specialists in literature. Friedrich Gottlieb Klopstock is among the better known poets, but names such as those of Friedrich von Matthisson and Ludwig Theobul Kosegarten are much less familiar. These poets were well known to Schubert and even as a schoolboy he felt himself drawn to the poetry of Empfindsamkeit. All their themes, from enlightened pantheism to melancholy reminders of death, were also his, subjects with which he was involved throughout his life. The ‘poets of sensibility’ played the most important part above all in his early years as a composer, together with the classical poetry of Goethe and Schiller.
Settings of Friedrich Gottlieb Klopstock
Friedrich Gottlieb Klopstock (1724-1803) studied theology and won his first reputation as a poet with the publication in 1748 of the first three songs of his biblical epic Der Messias (The Messiah). Throughout his life his religious and moral poems of experience were admired by, among others, Goethe and the poets of the Göttinger Hainbund. Klopstock spent almost twenty years of his life in Copenhagen, where the Danish King Friedrich V granted him a pension that allowed him to work without worrying on the completion of his Messias. In 1770 Klopstock returned to Germany and lived in Hamburg until his death. In the eighteenth and nineteenth centuries many composers followed the expressed wish of the poet and set many of his works to music. With Schubert’s Klopstock settings this tradition finds its conclusion, with later generations of composers only sporadically devoting attention to his poems.
How wide-ranging the world of feeling of sentimental poetry and Schubert’s settings are can be seen strikingly in the powerful hymn Dem Unendlichen, D291, (To the Infinite One). From the first bars it is clear that here these are not the gentle and tender tones of the sentimental but that the passion of Klopstock’s praise of the Creator is successfully given full musical development. In ‘Wie erhebt sich das Herz, wenn es dich, / Unendlicher, denkt!’ (‘How the heart rises up when on you / the infinite it thinks!’) Schubert sets the first two stanzas as a recitative that through a thoroughly orchestral treatment of the piano part and an extended vocal line achieves dramatic dimensions. After the words ‘Herr Gott, den, dankend entflammt, kein Jubel genug besingt!’ (Lord God, for whom, thanking and inspired, no praise is enough!’) is an arioso that, after the verbal power of the recitative expresses the emotional side of praise of the Creator.
The poems Selma und Selmar, D286, and Furcht der Geliebten / An Cidli, D285, (Fears of the Beloved / To Cidli), both represent a feeling that had a very real background at the time. Travel abroad was a dangerous undertaking and anxiety was a constant companion of the waiting beloved. Selma und Selmar is a dialogue of simple elegiac beauty, which, through the identical patterns of verse and reply symbolizes a particularly deep inner relationship between the lovers. ‘Cidli’ was the pet name of Klopstock’s first wife Margareta (Meta) Moller, and gives the impression that the poet himself turns for comfort to his beloved. Schubert’s setting radiates a chorale-like calm that lends this personal consolation a religious depth. An Sie, D288, (To Her), Edone, D445, and Das Rosenband, D280, (The Rose Garland) are also songs that deal with moods of love. The little arioso Edone has a particular magic, hovering between the rapture of love and melancholy longing. The idyllic love scene in Das Rosenband almost a century later inspired Richard Strauss to a setting. Schubert brings the scene to life in his musical narrative. The vocal line is excited but syllabic (one syllable to a note) and allows the words scope for their lyrical individuality. Within this atmospheric narrative is the piano part, which, from the verse ‘Doch lispelt’ ich ihr leise zu …’ (‘I whispered gently to her …’) accompanies with mounting excitement the continued setting with new variations of the piano figuration and the bass line.
Klopstock dedicated his Vaterlandslied, D287, (Song of the Fatherland), to his second wife Johanna Elisabeth von Winthem ‘for singing’, and many composers followed this invitation by setting it. The patriotic ideas of the ‘German girl’ today give rise to astonishment, but then, at the time of the Napoleonic wars, represented to many an ideal. Schubert’s setting seems consciously to play with defects in composition: the individual phrases are too short for musical development and a five-bar rather rough postlude breaks the song’s proportions. Possibly Schubert wanted to see the patriotic text with a musical wink in the eye - it can well be imagined that his Vaterlandslied aroused amusement rather than patriotic enthusiasm at a Schubertiade. Any distance from the text is absent, however, in his setting of Hermann und Thusnelda, D322. Thusnelda receives her victorious husband, returning from battle with the Romans, with joyful triumph, while he mourns his fallen father. Schubert is carried away by the heroic pathos of the scene and sets it in a kind of operatic hymn. To be noticed in the poem as also in the setting is the abrupt break at Hermann’s words. The feelings of the mourner, expressed in his own words, provide a fine counterpoint to the apparently inconsiderate ecstasy of Thusnelda.
Die frühen Gräber, D290, (Early Graves) and Die Sommernacht, D289, (Summer Night) are closely related in theme and mood - a warm night, the light of the moon and a man who in painful sadness remembers his lost beloved. Die frühen Gräber is a strophic song of lament, Die Sommernacht is a deeply-felt recitative. Only once here do melody and accompaniment move into an onomatopoeic arioso and intensify the sensual moment of remembrance at the words ‘Wie umwehten uns der Duft und die Kühlung’ (‘As the fragrance and coolness wafted about us’). After the gentle music of these two songs sublimity and pathos in the praise of the Creator come to the fore in Die Gestirne, D444, (The Constellations). The repeating chordal structure in the piano part forms a weighty forward-leading foundation, over which the vocal part rises in celebration. Here is to be noted as particularly striking how different inner elements of strophic songs can be when attention is paid to the interpretation of fine nuances. Singer and pianist, for example, in the third verse, in contrast with the parallel places in the first two verses, treat ‘Das gebeindeckende Grab, das Gefild der Saat, Gott! Es erwachet, wer schläft!’ (The bonecovering grave, the fields of sowing, God! There wakes, who sleeps!’) at first in a mounting excitement in the piano that then builds up to a forte in illustration of the resurrection.
Klopstock’s resurrection poetry, however, not only inspired composers and musicians, but also his poet colleagues, among them Friedrich von Matthisson.
Settings of Friedrich von Matthisson
Friedrich von Matthisson (1761-1831) began to study theology at Halle in 1778, but later turned to philology and pedagogy. As travelling companion and private secretary of Princess Luise of Anhalt-Dessau he became a popular member of court society and made many contacts in aristocratic and cultural circles. After the death of the princess he entered the service of King Friedrich I of Württemberg. He was given the title of Confidential Legation Counsel and was Chief Librarian and member of the directorate of the Stuttgart Theatre. In 1828 Matthisson left Stuttgart and returned to the princedom of Anhalt-Dessau. He died in 1831 at Wörlitz. During his lifetime there appeared sixteen authorised editions of his poems of sensibility; he published a twenty-volume anthology of poems and wrote for the important literary journals of his time. In his Memoirs he provides a résumé of his eventful life. His senior, Friedrich Gottlieb Klopstock, was among the poets that he revered from his youth. They met for the first time in May 1784 and thereafter remained in general but friendly contact.
In Matthisson’s writing seraphic poetry plays an important part. In his ‘poems of the angels’ earthly suffering is overcome through the promise of heavenly joy. At the centre of his poetic work stand two female figures, Elisa and Laura. The figure of Elisa has autobiographical elements: Elisa was the name of the betrothed of Jakob Friedrich Rosenfeld, one of the best friends of Matthisson in his youth. After Rosenfeld’s early death his betrothed died shortly afterwards of a broken heart. The Laura poems are in the Italian tradition of such works. The figure of Laura first appears in the dolce stil nuovo (c.1270-1310). The poets of this school paid tribute in their love poems to a spiritualised Laura. Over a century later Petrarch allotted the expression of unhappy love to his Laura. Petrarch’s Laura is, unlike the spiritual Laura of the dolce stil nuovo, a physical woman of the earthly world. In Matthisson’s poems and in the choice of texts by Schubert the physical and spiritual Laura are both to be found.
In the poem An Laura. Als sie Klopstocks Auferstehungslied sang, D115 (To Laura. As she sang Klopstock’s Resurrection Song) Matthisson was inspired by the setting of Klopstock’s Der Auferstehung (The Resurrection) by Carl Heinrich Graun. Schubert set the poem, like the Laura poem Die Betende, D102, (Laura Praying), in close imitation of a chorale and in this way stressed its religious feeling. Quite different is the style of Trost. An Elisa, D97, (Consolation. For Elisa), where the mourning Elisa is consoled in a personal address, and Schubert reacts to this direct speaking situation with musical speech in recitative style. The development from sorrow to hope is symbolized by Schubert through letting the musical tenderness of the recitative flow into ever quieter movement. The poem Die Sterbende, D186, (The Dying Woman) had the earlier title Die sterbende Elisa (Elisa Dying) and is also related to the known autobiographical Elisa. The central theme in Die Sterbende and in Vollendung, D579A, (Fulfilment) is the clearly described rising up into heaven. The poet in Erinnerung, D101, (Memory), is, on the contrary, still imprisoned in his grief; the union in paradise seems to him a silver streak on the horizon. Schubert provides this silver streak with musical skill by a programmatic modulation from minor to major at the beginning of the last verse, ‘Ihm Tränen opfern …’ (‘For him to shed tears’). The seductive love of the worldly Laura finds its brilliant expression in Entzückung, D413, (Rapture): ‘Tag voll Himmel, da aus Lauras Blicken / Mir der Liebe heilgstes Entzücken / In die wonnetrunk’ne Seele drang!’ (‘Day filled with heaven, when from Laura’s gaze / Love’s holiest rapture / brought my soul, drunk with delight!’). With arioso melody, declamatory pathos, bold changes of character in the piano part and expressive dynamic Schubert brings to life euphoric ecstasy.
A glance back at the beginning of this musical journey through ‘poetry of sensibility’ shows the richness of its emotional and sentimental range. In Dem Undendlichen ‘the Infinite’ is revered, and all worldly things are cast aside as small and worthless. In Entzückung the pleasures of worldliness are compared with the promise of happiness of religious paradise: ‘Glücklicher, in solcher Taumelfülle, / Werd’ ich, nach verstäubter Erdenhülle, / Kaum in Edens Myrthenlauben sein’ (‘Happier, in such giddiness, / shall I, after the dusty covering of earth, / hardly be in Eden’s myrtle groves’.)
Settings of Friedrich von Matthisson (contd.)
The poet in Stimme der Liebe, D187, 1st Version, (The Voice of Love) reveals his sense of the rich emotional world of Empfindsamkeit: nature on a spring evening promises him in the whispering of the wind and in the song of the nightingale the ‘joys of love’ (‘Freuden der Liebe’), which find their fulfilment when Laura came from the ‘labyrinth of plane-trees’ (‘aus der Platanen Labyrinth’). Schubert set the poem as a tender strophic song that through small crescendi, unobtrusive chromatic moves and intensifying repetitions of closing lines aptly reflects the atmosphere of the poem, but at the same time also allows prominence to Schubert’s individual reading of it. The gentle melancholy, for example, that sounds in the ‘prophetic lament’ (‘prophetischen Trauerlied’) of the cricket in Matthisson is only a momentary mood, but in Schubert, on the other hand, it becomes a central element of his strophic pattern and therefore of his whole musical interpretation. In Andenken, D99, (Remembrance), the poet embeds his repeated ‘Ich denke dein’ (‘I think of you’) (verses 1 to 3) in different images, moods and scenes and associates his confession with the plea ‘O denke mein, / Bis zum Verein / Auf besserm Sterne!’ (‘Oh think of me, / Until we meet / Under a better star!’) (verse 4). Schubert chooses the form of the varied strophic song so as to be able to accord with the different facets of the poem. The whole euphoric passion of his reading can be seen in the musical expansion of the fourth verse: he takes again the melody of the first verse, but builds it up through repetitions of the text, melodic expansions and dynamic increases to a passionate gesture. While in Stimme der Liebe and Andenken the gaze is directed to the present and the future, he looks back in Erinnerungen, D98, (Memories), to the past. One has the impression that the poet is singing alone, wandering through the countryside and thus recalls events with his beloved. Schubert chooses here, too, varied strophic form and through recitative and arioso passages (verses 4/5) increases the scenic effect of these memories.
Schubert turned to Geistertanz (Dance of Spirits) on three occasions. The first two are fragmentary versions and the third, completed version works as macabre counterpoint in the otherwise inner emotional harmony of the Matthisson settings. Schubert wrote down the two fragments, D15 on one page in 1812 and it may be assumed that they were written one shortly after the other. Schubert seems to have played musically with the lay-out of the poem: textual omissions, shifts and twists show his joy in experiment as well as the rich fullness of his musical ideas, and the two fragments offer a completely individual form. The music is in the dramatic style of his early ballads and with tremolo effects, a quotation of the Dies irae, recitatives, word-painting and rapid changes of mood, brings to life the horrible drama of the midnight scene. Particularly impressive are the twelve hammer-strokes at midnight, heard in the piano in the first version. The third version from 1814, D116, is completely different. Here the colourful abundance of ideas gives way to one clear musical concept. Schubert chooses as his basis the dance character of the gigue and within this circle of associations enters into the changing aspects of the gloomy proceedings. He succeeds, moreover, in bringing together in the melody elements of recitative and song and thereby translates musically the verbal structure of the poem and the physical experience of a danse macabre.
The poem Stimme der Liebe (Voice of Love) also inspired Schubert to a second version, D418. Instead of the tender melody of the earlier version there is a denser musical writing that gives the words an expressive strength. The lyrical statement in the Lied aus der Ferne, D107, (Song from Afar), suggests already in the title the concept of the song - the poet seems to turn to the distant beloved, not in words but in song. Schubert takes up this characteristic of the poem and composes a melodious setting very near to a strophic song. The song Geist der Liebe, D414, (Spirit of Love) is closely related textually and musically to Stimme der Liebe (1st Version) and charms with the gentle sounds of Empfindsamkeit in evening moods of love.
In the Lied der Liebe, D109, (Song of Love), the poet sings of his love to ‘the fairest of fairies’ (‘schönsten der Feen’) and it presents to his ‘prophetic spirit’ (‘ahnender Geist’) the sight of eternal love above. Schubert symbolizes this revelation of the spirit by changing at this point in the text from the previous more or less closed strophic style into open recitative. In Geisternähe, D100, (Nearness of Spirits), a lover addresses his distant friend and assures her of the presence always of his spirit about her. In Der Abdend, D108, (Evening), too, the spatial and temporal separations of earthly existence are removed through the realisation of the spiritual, and as in the Lied der Liebe a recitative is integrated with a strophic song: in the fourth recitative-like verse the presentiment of approaching death offers a sad mood, overcome, however, in the last verse of the poem. Possibly Schubert wanted here to stress the passing moment of sadness, but then leaves it again and in the strophic connection symbolizes the eternal connection between spirit and nature.
Matthisson’s Lebenslied, D508, (Song of Life), reads as a philosophic-theological declaration in which, after the drastic description of human errors and troubles, faith is exalted as the true guiding centre of life. Schubert developed a pattern for his strophic song that in abstract form took in the essential message of the poem: the change between major and minor, the contrast between the accented unison passage and the connecting melancholy clouding over, as well as the euphoria of the repetition of the last line, overcoming melancholy, reflect the situation of men in a world of opposites and of their musical reconciliation. In Romanze, D114, this is dramatically expressed: the tragic story is told of the noble lady Rosalia von Montanvert. Matthisson chose for this story of horror the title ‘Romanze’, thereby classifying it among the romances popular in his time. The category ‘Romance’ comes from Spanish poetry and in folk-style versenarratives treats stories of heroes and of love. It forms with its generally cheerful mood the counterpart of the melancholy ballad tradition of northern countries. The terms ‘Romance’ and ‘Ballad’ from the Sturm und Drang period (c.1767-1785) are often synonymous and the verse-narrative of Matthisson offers in romance form a gloomy tale of tragedy. Schubert takes up the epic character through musically narrative strophes (siciliano rhythm, arioso melody) and associates this with little dramatic scenes. The death of the woman, for example, is set dramatically: after the words ‘im Todesgram erstarb ihr Blick’ (‘in death’s grief her gaze died’) the vocal part and accompaniment break off abruptly, hesitating, isolated chords are increasingly interrupted by pauses, a musical representation of death ensues, and the voice part articulates in increasing agitation the words ‘sie sank und war nicht mehr’ (‘she sank down and was no more’). Happiness and joy in life bubble up again in the songs Die Erde, D579B, (The Earth), and Skolie, D507, (Drinking Song): in the arioso praise of the Creator Die Erde suggests an association with Haydn’s The Seasons and metaphysical feelings of happiness are displayed, while in the drinking-song Skolie earthly joys are celebrated.
The poem Naturgenuss, D188, (Enjoyment of Nature), has a close thematic relationship with Geist der Liebe and Stimme der Liebe. Nature, similarly on a spring evening, serves here too not as a purely idyllic background but appears as a living essence in which ‘the spirit of the Lord’ (‘der Geist des Herrn’) works. While in the two other poems nature is primarily assciated with worldly love, it appears in Naturgenuss as a living expression of metaphysical love. The fine melody is in 6/8 and offers in its serenity room for musical and poetic praise of God.
The songs Die Schatten, D50, (The Shades), Totenkranz für ein Kind, D275, (Wreath for a Child), and Klage, D415, (Lament), lead into the area of Empfindsamkeit concerned with grief, death and resurrection. In the ode Die Schatten a friend left behind addresses his dead companions rising up from the world below. He looks back at the importance they had for his life and declares in joyful hope their meeting again in heaven. It is noticeable that Schubert, with the exception of the third verse, gives prominence to the lyrical tone of the poem: the gently swinging 3/4 melody fits the verbal drama and the final form proclaims the inner feeling that they will meet again in heaven. While in Totenkranz für ein Kind parents mourn at the grave of their child, it is the death of a loved one that has given rise to mourning. Matthisson works here - and Schubert takes up this structure - through contrasts: the beauty of nature shines forth, but the mourner is separated from it and finds no consolation in it. The harmony of man and nature so typical of the Empfindsamkeit is here broken and the feeling of hopelessness is stressed.
The poem Julius an Theone has the power of a dramatic monologue. Matthisson added to the poem the remark ‘From an unfinished novel’ and so strengthens the impression that the dramatic address of Julius to Theone, unattainable to him, could be part of a greater work. The dramatic suffering of Julius comes from love at first sight, one little moment that can completely alter life. Schubert sets the lament of Julius partly as an elegiac arioso and partly in dramatic outbursts, thus expressing passionate strength of feeling. The lover who sings of his Adelaide, D95, is happy. He wanders in the ‘lovely magic light’ (‘lieblichen Zauberlicht umflossen’) through a spring garden and traces in nature and the universe the omnipresence of the one he worships. Schubert’s setting is an outstanding example of how sensitively the composer knew how to enter into Matthisson’s poetry. Alone in the varied settings of the name ‘Adelaide’ the whole magic unfolds of this emotional address to the beloved. A glance at the famous Adelaide of Beethoven shows how differently the two composers perceived Matthisson’s ‘little lyrical fantasy’: Beethoven’s reading is expressive and passionate, Schubert’s interpretation is filled with the gentle tones of the poem and brings this musically to life.
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Bullying is much less likely to happen in a workplace where colleagues respect and value each other. And as a manager, you can play a major role in developing a positive team culture – both through the behaviours you model and those you expect of your employees.
Dealing with a bullying claim
Workplace bullying can be reported in a range of ways – by the person experiencing it or by witnesses; in writing or verbally; by telling a supervisor, manager, business owner, their health and safety or union representative, or someone in their HR team.
If you see unreasonable behaviour happening, it's important to step in. As a manager, it's also part of your role to intervene if you're asked to by a member of your team. If someone approaches you directly about bullying behaviour be sure to keep a record of what you did. You should also know how and when it's appropriate to escalate an issue.
If you don’t have a good understanding of how to do this, talk to your HR/occupational health and safety leader about the workplace policies and the procedures in place.
Accused of bullying?
Being accused of bullying can be upsetting and comes as a shock for some people. It's important to be open to feedback from others, and to be prepared to change your behaviour.
If someone approaches you about your behaviour, try to remain calm. Listen carefully and ask questions if you're unclear about anything that has caused offence, or you think there's been a misunderstanding.
Apologise and - here's the most important bit - stop the behaviour that's causing the issue. You might think it's 'only a joke' or that the other person should be able to 'handle it', but the reality is that you're causing offence and distress.
If you believe you're being unfairly accused, you should discuss this with your manager or HR officer. In many cases an informal discussion between you, the person making the allegation and a third party will resolve the issue.
Being accused of bullying can be stressful and may affect your health and wellbeing. Talking to someone confidentially can help. Employee Assistance Programs (if your workplace has one) are a good place to start, or check in with a counsellor, or your GP.
Find out more

domain: sociology


Watch: The cutting edge of neuroscience
Intrigued by Elon Musk’s announcement that a chip had been successfully implanted into a pig’s brain to read its brainwaves, Chris Bourn explored the future of neuroscience in issue #40 of Delayed Gratification.
New BCI (brain computer interface) technology can translate brain activity into movement and speech, opening up a future in which many debilitating afflictions could potentially be overcome – but also one in which our internal monologues could be monetised.
One extraordinary example at the cutting edge of BCI has been created by a group led by neurosurgeon Edward Chang at the University of California in San Francisco (UCSF). It’s an interface that could, in theory, use brain activity to power a virtual larynx, generating natural-sounding speech and enabling real-time conversations between people who are unable to speak.
This has produced synthesized vocalisations that, as BCI expert Dr Christian Herff says, while “not perfectly intelligible, sound very, very similar,” to the target expressions – imagine a drunk android slurring “Shipbuilding is a fascinating process”, with perhaps just a hint of AI sarcasm. See the larynx in action below – and pick up a copy of the new issue to read the feature in full.
Slow Journalism in your inbox, plus infographics, offers and more: sign up for the free DG newsletter. Sign me up
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Parks for People (England) acknowledgement
Parks for People grantees in England display an acknowledgement logo different from the one other grantees use.
This is because our Parks for People grant programme is jointly funded by HLF and the Big Lottery Fund in England. You can download Parks for People (England) acknowledgment logos and read the separate guidance on where and how to use it.
If your Parks for People project is in Scotland, Wales and Northern Ireland, please use the logo specified in How to acknowledge your grant: A guide for grantees.
You are also able to order free-of-charge Parks for People (England) acknowledgement materials through the online order form.
Parks for People England logos
We have created a joint logo, approved by BIG, for grantees to use when acknowledging Parks for People England projects.

domain: geography


text:
I love this song, everything about it just works, the lyrics, the musicianship, the arrangement, everything. This song isn't too difficult, guitar and keys will certainly be a highlight on this track. The Venue track was done by AJFOne23, who elevates the custom to something beyond that which I could have done. This song does have charted vocals and prokeys, which were transposed from a different source, so if there are charting errors with those tracks let me know!
Update - 12/30/2019:
Guitar, Bass, Keys, and Vox all have chart fixes/upgrades


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Pasadena, CA. Thursday April 12th, 2018. Rolls-Royce Pasadena hosted a special Evening With The Artist: Kenton Nelson. Kenton is a Pasadena based painter whose paintings have origins in American Scene Painting, Regionalism, and the work of the WPA artists of the 1930’s. His paintings have been featured five times on the cover of the New Yorker Magazine. This evening event took place at the artists private residence and studio. Alfresco dining and cocktails were provided by Pasadena’s own Parkway Grill. Guest were able to view and experience the 2018 Roll-Royce Phantom which was on display adjacent to the festivities.
Photography by Raphael Maglonzo Photography


The Royal Academy of Dance offers a wide range of courses, classes and workshops for young people
Many congratulations to Scottish student Luke Watson!
Luke, 11, attended the recent Boys Only! Edinburgh course primarily to improve his drama skills but enjoyed the ballet classes so much that he was able to obtain a late audition at the Dance School of Scotland for a full time ballet course and has been accepted!
The Boys Only! course introduced Luke to ballet and the RAD is delighted that he has discovered a love of dance and will start his full time ballet course in August. Luke commented:
"I loved the Boys Only! course and the chance to try ballet with other boys. I am so excited to have got into the ballet course at the Dance School of Scotland and look forward to moving to Glasgow in August to start my new life".
Head of the Dance School of Scotland (Elaine Holland) comments:
"We are delighted that Luke is joining the Dance School of Scotland and thrilled that the recent RAD Boys Only! weekend was the inspiration for him trying ballet for the first time and awakening such a passion for dance in him. He joins an intake of 10 boys in our new first year starting in August and we are greatly looking forward to working with Luke and the other boys".
And Luke’s ballet teacher at the Boys Only! Weekend also had noticed his potential. Jonathan Barton (Ballet West) comments:
"I was astonished to learn that Luke had never done ballet before. As we started class I was amazed at how well he understood things and how fast he picked things up. I used him in the repertoire section as one of the two lead boys and he was fantastic. What an incredible story and I'll look forward to reading about him in the future!"
Due to the demand for more Boys Only! classes, several RAD Scottish teachers are now planning to offer Boys Only! classes within their normal timetable from August. Further details are available from firstname.lastname@example.org
Join us for the first ever virtual launch of new RAD syllabi


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"It's bloody marvellous" e.g. how everybody used to talk in ye oldie Landan.
Also - Steam Trains.
The Assassin’s Creed Syndicate story throws you into the dawn of the modern era during the Industrial Revolution. You play Jacob Frye, a gangster assassin fighting for justice on behalf of London’s enslaved working class. Watch as Jacob rallies his gang to break the corrupt stranglehold on London and bring the working class a brighter future.


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The most impressive ratio between base and overtime was Carl Benjamin, whose 2016 base pay is listed on the state comptroller’s site as $29,806, augmented by overtime pay of $56,913.
Think he taken full advantage of the college football reps he had, Del Rio said of Lewis. When Tynes prepares his shoes for kicking a football, he relies on instinct and the feel of the shoe.
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He sat in the aftermath of the killings of Philando Castile and Alton Sterling by police officers in Minnesota and Louisiana.
Seats galore this time.. When you got a guy like that who gets open and makes plays, you tend to look his way more often.a gamer.
McShay (who also includes the Jaguars, Titans, Chargers and Broncos on his list) praised the Cook pick by calling the running back of the most explosive players in the draft.
They’re perfect because of the explosive movements that I have to do as a receiver. One explanation the commissioner offered that sounded very much like an excuse was that viewers haven’t been lost; they’re just not wholesale jerseys sticking with games as long as they did last year, when ratings reached all time highs.
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Rookie running back Wayne Gallman had career basketball jersey design black high 82 scrimmage yards (57 rush, 25 rec.) in Week 5. All of his college football accomplishments led him to being inducted into the College Football Hall of Fame in August of 2006..
There’s enough people in this world that if you’re living right and you’re doing I don’t try to live perfect. When we cannot even expect to get the pensions that we pay into our entire lives.
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Defensive coordinators typically earn slightly more than offensive coordinators, averaging about $62,000 per year in 2014. Romo still comes with uncertainty in a revamped offense that will miss Bryant, but he should stay clean behind the Cowboys’ dominant O line while showing the same form that helped him lead the NFL in efficiency last season..
By Sunday, his comments had changed the way the game is covered.Pre game shows, normally pulsating with chalk talk, instead probed the political implications of race and protest.Sports politics, once waged by pioneers like Muhammad Ali and Jackie Robinson, but jerseys to buy now largely confined to tussles between multi millionaire players and multi billionaire owners, suddenly became consumed once more by questions of civil rights, freedom, and what it means to be an American.Throughout the day, the President kept up his own political play by play, amazingly calling for a boycott of the league.”If NFL fans refuse to go to games until players stop disrespecting our Flag Country, you will see change take place fast.
He is a former state senator and is no longer serving in the Legislature.. According to the NFL Players http://southhillshosting.com/index.php/2017/11/22/just-had-to-keep-coming-out-and-fighting-still-there-are-plenty-of-things-not-to-like-former-coach-and-current-espn-c/ Association, NFL players with college degrees make between 20% and 30% more than players who left school early to enter the NFL.
I mention that because New England Patriots coach Bill Belichick made headlines for saying how much he hates using the same device on the sidelines during games and will, in fact, stop using it..
Two takes from the Steelers win last week: Every time I watch Antonio Brown, I realize what a ridiculous talent that guy really is, and Le’Veon Bell’s holdout football tops has him a bit rusty.
They should also give students the chance to highlight the science behind their favorite activities, whether it be playing a musical instrument, competing in a sport or playing video games.
Are looking at options, studying it more, understanding what the risks are, Bishop said, adding that the cladding was installed according to code.


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Glastonbury has opened its gates for the first time in three years.
The world-famous music extravaganza's co-organiser, Emily Eavis, has admitted it's "a miracle" they are able to put on the festival at Worthy Farm in Somerset, South West England, for the first time since 2019, owing to the COVID-19 pandemic.
Emily's father, Michael Eavis, beamed as he greeted festival-goers at the gates on Wednesday morning (22.06.22).
Speaking live from the festival to Lauren Laverne on BBC Radio 6, Emily - who curates the line-up with her father - said: “To actually be able to see people there and welcome in, watch them streaming in and running to pitch their tents up… it’s an amazing feeling.
“We were doing so much towards the 50th [anniversary], obviously some of that is still playing out this year and we’ve melded all these ideas into this one festival.
“I think every detail and part of the process has been devoured and savoured by everybody, it’s so precious.”
She added: “There were many moments where we were full of uncertainty and it was only in the last few months where we were sure we were going to make it through.
“It’s a miracle, it’s happened, everybody’s here.”
Headline acts Billie Eilish, Sir Paul McCartney and Kendrick Lamar will rock the Pyramid Stage.
Motown legend Diana Ross is set to play the teatime Legends slot on Sunday (27.06.22).
Other acts performing include Olivia Rodrigo, Sam Fender, Haim, Foals and Noel Gallagher's High Flying Birds.
As always, there will be some surprise sets.
And it was just announced that 'Eurovision' 2022 winners Kalush Orchestra will play the Shangri-La's Truth Stage on Friday (24.06.22).
Speaking of playing the legendary festival, the Ukrainian folk-rap ensemble's frontman Oleh Psiuk said: "We are so excited to be playing at Glastonbury Festival alongside some of the biggest names in music from around the world. This is the perfect place for our first ever British performance and we hope it will be the start of many in the UK. We are very grateful for all the support we receive from the people of Britain, both for us and our country, and we are preparing a very special Ukrainian surprise for the fans at Glastonbury. What is it? You'll soon see. See you there."
Croissant Neuf also continues its legendary mission of subtly delivering the concepts of caring for our planet and ourselves through the medium of environmental displays, eco-friendly chats and workshops and oodles of Solar Powered music in our big top and on our Bandstand.
Croissant Neuf pioneered the use of Solar Power at festivals, starting in 1987. Since then Renewable Energy has become commonplace and now, on some bright sunny days, the UK runs on over 50% clean, green energy on it!!
“It’s almost an all-year round job,” says Sally Howell, who has organised the Croissant Neuf field at Glastonbury Festival for 36 years, she told Betway online casino.
“But we’re always scouting for new and up-and-coming stuff. We’re a platform for people to make their debut.”
One such debut Howell gave was to an undiscovered 19-year-old in 2011 called Ed Sheeran.
“I can’t take the kudos for discovering him, he was a friend of a friend of people that I book.
“The first year he came to the festival and only did a couple of numbers on stage with his mate, which was amazing.
“The following year, he came on his own and launched A Team on my stage, and after that he went sky high and we couldn’t afford him.
“We gave him an opportunity on the bottom rung of the ladder and that’s really what Croissant Neuf is about.”


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Land and Water Link
We're all familiar with the idea of using organic waste to enrich soil
for agriculture but is it safe to use biosolids from wastewater treatment
plants for growing food? Read how researchers from CSIRO Land and Water
are helping to understand the risks and benefits of using biosolids in
When is a trickle more than enough? When a new tool called WetUp can
be downloaded from the CSIRO Land and Water website to help farmers use
their River and Irrigation Hydrology more efficiently.
'The Australian psyche is dominated by dreams of water', says CSIRO Land
and Water Chief Dr John Williams. But with these dreams come some dangerous
myths. Is it time to myth-proof our thinking? Dr Williams believes that
A new report released by the Wentworth Group of Concerned Scientists
in February 2003 provides scientific advice about landscape conservation
in NSW. It has subsequently been adopted by the NSW government as the
basis for native vegetation management reform.
Water is vital to us all, and we want to keep our water supplies safe
and reliable. Find out how CSIRO Land and Water is helping the residents
of the City of Mount Gambier in South Australia to safeguard their water
supply - the famous Blue Lake.
What happens to pesticides in water used to irrigate rice crops? A study
by CSIRO Land and Water scientists about the behaviour of chemicals under
Australian environmental conditions provides rice growers with options
to protect rivers.
Designer: Anne McKenzie
Copyright | Legal Notice and Disclaimer | Privacy Statement | Website Information
Last updated: 30 August, 2012

domain: agronomy


text:
The all-new premium collection, Locarno by hansgrohe features a visually striking design that makes a bold statement in the bathroom and kitchen.
Inspired by the Art Deco movement and the 1920s, Locarno is the revival of iconic sophistication and elegance. Geometric hexagonal form recalls the monumental period and will make a bold statement of authenticity and artistic appreciation in any living space. The all - new collection offers a full range of products for bathroom, shower and kitchen. Available in five different finishes, Locarno will enable endless creativity, opening the door for uniquely glamorous interior spaces.

domain: design


This is a full coverage elephant holster in a nice tan tone build out for a Dan Wesson Specialist. It is LEFT HANDED!
Fit is for a railed commander length 1911, though I did test fit an ordinary commander length 1911 without the rail into the rig and I feel like the fit is fine. I guess I'd say this I'd carry an unrailed gun in this rig myself without batting an eye. Discounted just because it's a lefty and in stock.
IN STOCK - 1911 Commander Holster
- Product Code: 1INSTOCK
- Availability: Sold


Interview With Michael McConnohie (Voice Actor for Dr. K in Shattered Memories)
For those who missed it during all the news of E3, I had the great honor of interviewing one of the greatest voice actors in the video gaming industry, Michael McConnohie. McConnohie is the President of the Nevada-based Voxworks voice-acting corporation and has been in over 170 titles, usually voicing charismatic characters.
He has done anime roles such as Enma from Naruto and Mobile Suit Gundam’s Ramba Ral. He has written directed and voice acted for the Transformers TV series. He has been apart of Power Rangers and voiced such characters as Master Tatsu in the Teenage Mutant Ninja Turtles movies and Etiquette Master in the animated film Little Nemo. He famously voice acted in such video games as Crackdown, Final Fantasy, Metal Gear Solid: Peace Walker, and Mortal Kombat.
However, you may know him best as Dr. K from Silent Hill: Shattered memories. Michael McConnohie, in the interview, gives his philosophy of voice acting, talking about suits and the business of voice acting behind Shattered Memories. He answers questions about his work as the strong voiced Dr. Kaufmann in Silent Hill: Shattered Memories as well. I want to take the moment to thank Michael McConnohie for taking the time to really go into detail with me on my questions, It is a true honor and I am very grateful.
Click the Read More link to read the entire interview: