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Cna Jobs Twin Falls Idaho
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Gordini's heart and eye for design lives in Italy, and the Arsenale Sofa is the perfect replication of Divani's extraordinary quality and craftmanship. This sofa pairs beautifully with any neutral space in the living room, while the textures and soft fabrics paired with the harmony of blue hues elevate and invigorate for extra appeal. Arsenale is a great addition to your home, and an even greater place to sit back, unwind, and relax at the end of each day.
Comes in a wide variety of finishes. Please speak to a design associate for more options.
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domain: artistic


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Today's announcement of the UK Government's decision to give the final go ahead to the delayed Hinkley nuclear power plant project is undoubtedly a significant one. However, the accompanying proposals to "impose significant new safeguards for future foreign investment in critical infrastructure" will raise concerns about the future alignment of the UK regulatory regime with the requirements of the EU internal energy market.
In announcing today that the UK Government will finally give the go ahead to the Hinkley project, Ministers stated that, "There will be reforms to the Government’s approach to the ownership and control of critical infrastructure to ensure that the full implications of foreign ownership are scrutinised for the purposes of national security. This will include a review of the public interest regime in the Enterprise Act 2002 and the introduction of a cross-cutting national security requirement for continuing Government approval of the ownership and control of critical infrastructure".
The announcement goes on to state that, "These changes will bring Britain’s policy framework for the ownership and control of critical infrastructure into line with other major economies. This will allow the UK Government to introduce a consistent approach to considering the national security implications of all significant investments in critical infrastructure, including nuclear energy, in the future. The changes mean that, while the UK will remain one of the most open economies in the world, the public can be confident that foreign direct investment works in the country’s best interests".
There is a long history of EU Member States seeking (often without success) to convince the EU Commission and European Court of their entitlement to place restrictions on the acquisition of control in 'strategic' industries, including those concerned with the ownership of critical infrastructure. The key objection to such measures is that they constitute restrictions on the free movement of capital contrary to EU law.
In 2012 the Court underlined that such restrictions - even if they do not, on their face, treat foreign and domestic investors differently - can only be invoked if there is a genuine and sufficiently serious threat to a fundamental interest of the society and if the circumstances in which intervention might take place are set out in sufficient detail to allow investors to assess in advance when grounds for intervention might exist.
Were restrictions of the sort described today to be imposed, then important questions would arise as to their compatibility with the EU internal market, whether under the broad free movement of capital regime or the more specific rules governing ownership of infrastructure (e.g. those applicable to gas and electricity transmission). To the extent those restrictions to purport to treat non-UK investors differently from UK investors (in particular where those non-UK investors are established in other EU Member States), then those questions would become even more challenging.

domain: politics


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The balcony overlooks an orchard, soon to be harvested, 20 miles down a dirt road east of Kabul. From Abdul Zohar’s daily view, he can see the workers change their job with the seasons. The flies don’t bother him and weather is still hot, so the cement under him is cool and refreshing.
For 10 years he has had severe brain damage left from an epileptic seizure. He is now 22, and says he wants to get married.
His caretaker is his older brother, Yasim, who also provides for his mother, his unmarried sister, his wife and six children by working two jobs and living sparsely on a village farm.
“He will die at any time,” Yasim said while shifting through a pile of medical records and brain scans on the floor. “He needs to go to Germany, there are no surgeons like this here in Afghanistan. But how can we afford that?”
For the many extreme cases like this in Afghanistan, most hospitals won’t let him through their doors. They know there is nothing they can do.

domain: news


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You've seen the iconic necklace over the years but you might be wondering, how much is the Bulgari Serpenti necklace? Ingrained in the world of luxury and glamour, the Bulgari Serpenti necklace is a mainstay in the style stakes. As part of a larger collection that encompasses everything from bags to earrings, the necklace is perhaps the most recognizable piece.
The History Of Bulgari
Sotirois Voulgaris founded Bulgari (stylized as BVLGARI) in 1884. Voulgaris had immigrated to Italy from his home country of Greece only four years prior to starting his brand. Upon his arrival, he had very little money but had left his hometown as a skilled silversmith. It wasn’t until 1905 that Bulgari began to create jewelry. Prior to this, Bulgari operated out of Rome crafting silverware and decorative designs.
Over the following years and decades, Bulgari became popular among nobility and socialites, particularly in Italy. You may have spotted Bulgari jewelry in movies such as Cleopatra and Roman Holiday. To this day, celebrities are seen wearing Bulgari jewelry, proving it is just as coveted as it was in the previous century.
Why Is The Brand Called Bulgari?
Bulgari is the phonetic pronunciation of Sotirois Voulgaris’s last name. It is typically written as 'BVLGARI', using the Latin alphabet for a stylized take on ‘Bulgari’. The founder paid homage to Roman history in his designs, by including references to Roman culture of the past. For example, these references included the use of mosaics and coins.
About The Bulgari Serpenti Collection
Serpents and snakes have long been a source of both fascination as well as fear. Often represented in mythology, they are symbolic of seduction and strength. Snakes are often seen as a motif in jewelry throughout history, as a symbol of the divine, or to ward off any threats. Queen Victoria’s serpent engagement ring gave prominence to the snake’s popularity in the Western world for years to follow. For Sotirois Voulgaris, it was only natural to look to his own heritage to inspire his collections. Snakes became intrinsic to Bulgari from early on, as a common motif in Greco-Roman design culture.
The serpent theme seen in Bulgari's collections, notably the Serpenti collection, has been a part of the brand since the 1940s. The Serpenti designs have gone through periods of metamorphosis. The necklaces have shifted from being more realistic in shape to a more geometric silhouette. The change in design can be put down to different trends at the time and what was favored. The Serpenti collection currently spans a wide range of different categories, including handbags and belts.
One of Bulgari's Serpenti highlights is when Elizabeth Taylor wore a cuff bracelet from the collection in the 1963 movie Cleopatra.
How Much Is The Bulgari Serpenti Necklace?
The price range for Bulgari Serpenti necklace styles ranges from $3,700 to $139,000 at retail. Comparatively, a rose gold Serpenti Viper necklace with diamonds sells for $47,300 at retail and $35,995 at resale.
The Bulgari Serpenti collection consists of different styles of necklaces, which vary not only by design. The more affordable styles typically consist of a chain necklace with a pendant. The more expensive, extravagant styles are the coiling designs, made up of sturdy links to echo the texture of snake scales. These styles are often embellished with pavé diamonds for a striking look.
What Is A Bulgari Serpenti Necklace?
You may have seen the Serpenti necklace from Bulgari take different shapes over the years. However, even today, the necklace has different skins. For example, the pendant necklace and the coiling necklace have an entirely different aesthetic. These options give wearers the option between a more casual, everyday style and a statement piece, most commonly associated with party or evening wear.
Is The Bulgari Serpenti Necklace Worth It?
Yes. Although different styles come and go, no matter which version of the Bulgari Serpenti necklace you choose, it is a highly recognizable design. Embedded in fashion and Hollywood history, the Serpenti necklace is an iconic piece which has stood the test of both time and trends. The Serpenti necklaces have such a high status in the jewelry world that they retain high value at resale.
Where Can I Buy A Bulgari Serpenti Necklace?
Now that you have the answer to: How much is the Bulgari Serpenti necklace? And, is it worth it? It's time to start the buying process.A Bulgari Serpenti necklace is your ticket to following in the footsteps of celebrities past and present (style wise, at the very least). The Serpenti necklace has assumed many forms since its inception, so deciding on the style that suits your wants best is the first step to making a purchase. myGemma stocks a variety of designer and luxury brands, including Bulgari. Check the website as it is regularly updated with new styles to choose from. Buying luxury resale from myGemma helps to promote a sustainable, circular economy
How To Sell A Bulgari Serpenti Necklace
Selling your luxury and designer jewelry has never been easier. myGemma buys the accessories you no longer love. From watches to sneakers, jewelry to handbags, you’ll get the very best price for your luxury goods. The process is not only secure and seamless, but the entire selling journey can take as little as 24 hours to complete. If you’ve got a Bulgari Serpenti necklace that you don’t find yourself reaching for, sell to myGemma and give your jewelry a new lease of life on the resale market. Simply fill out our online form to get a price quote from our luxury experts.

domain: design


Vermont Faces $98 Million Shortfall From Irene Damage
the state chooses to deal with this financial nightmare remains to be
seen, but one thing is certain - the effects will be felt for decades to
By Dell Hill
“The State of Vermont
has released new estimates on the cost of damages from Tropical Storm
Irene and how much of it will have to be paid for by Vermont taxpayers.
now believe the flood waters from Irene caused up to 572-million
dollars in damage to state and local roads, bridges and other
infrastructure. And if all federal funding comes through that the state
could qualify for, state and local governments would have to cover
about 98-million dollars of that cost.”
The State Capital In Montpelier, Vermont
When you add in the millions in damage to private property, the final toll will be well over $1 billion dollars.
but not many, private property owners carry flood insurance simply
because floods of this magnitude seldom take place. Snow melt each
Spring brings high water and some low-land flooding, but that’s minor
compared to the devastation wrought by Irene.
this tiny state will offset the 98 million dollar balance falls in the
lap of the state legislature, which convenes in January, and local
governments who are already clamoring for more “state aid” to deal with
the State government is trying to deal with a deficit spending problem
of its own, so it will be no small task for the totally Democrat
controlled legislature to address.
a state where one in six residents is a food stamp recipient, and the
state debt per citizen is pegged at $7,563, it will be extremely
difficult to ask the 633,621 residents to accept major increases in such
things as gasoline taxes, which clobber the poor and middle class. The
current state gas tax is already astronomical.
number of “tax the rich” proposals have surfaced, as expected, from the
Progressives, but Vermont isn’t exactly overrun by millionaires, so
it’s difficult to imagine that higher taxation rates on the well-to-do
is going to make much of a dent in that 98 million dollar shortfall.
has put Vermont at a major crossroads. How the state chooses to deal
with this financial nightmare remains to be seen, but one thing is
certain - the effects will be felt for decades to come.


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Introducing the Adidas Kotohogi 30: The Official Match Ball of J League 2023
Hey there, fellow gamers and soccer enthusiasts! If you're a fan of eFootball Pro Evolution Soccer 2021, I've got some exciting news for you. Brace yourself for a game-changing experience on the virtual field with the brand new Adidas KOTOHOGI 30 Ball, custom-made by the talented muham_istau!
The Kotohogi 30 was designed specifically for the J League 2023 season, and it's going to be used exclusively as the official match ball for one month. Yup, you heard that right, only for a limited time!
The action kicks off on Friday, May 12th, with the J.League 30th Anniversary Match, and the Kotohogi 30 will be the star of the show until Sunday, June 11th. During this period, players will have the chance to experience the unique characteristics of this remarkable ball.
How to Install:
1. Extract the content of the zip file into the ball-server folder,
2. Add one of these lines into map_competitions.txt:
If you want to use the KOTOHOGI 30 for every J1-League match, use
Or if you want to use it occasionally, use (you need to pick it manually through the sider overlay)
Download "Adidas Kotohogi 30"
Please wait ...
If the download didn't start automatically, click here
This ball is made by Muham_istau using Adidas OCEAUNZ from Hawke ball-server pack as a template.
G. Leroy (pesmodding.com) / blog writer

domain: sports


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NEW YORK--(BUSINESS WIRE)--Pay Governance, a major board-level executive compensation advisory firm, has released a new study on Institutional Shareholder Services’ (ISS) change to its methodology for determining say on pay voting recommendations.
ISS recently changed the metric used in its secondary quantitative pay-for-performance (P4P) test and will now use economic value added (EVA) as the sole performance metric. This change suggests that ISS believes EVA is more closely correlated with total shareholder return (TSR) than other metrics and therefore the best financial metric for evaluating company performance.
Ira T. Kay, Managing Partner at Pay Governance, explained the reasoning behind the study. “We tested a simple theory — if ISS is correct, companies with positive or higher percentage growth in EVA should experience positive/superior levels of TSR. This is the basic premise of the ISS P4P test using EVA.”
Pay Governance found that other financial metrics have similar or better correlation to TSR than EVA based on an analysis of S&P 500 companies from 2016 to 2018. Specifically, EBITDA growth was more highly correlated with TSR than EVA growth. Most companies (71 percent) with negative EVA growth had positive TSR. This helps to explain why the correlation of EVA growth and TSR is not stronger. In theory, companies with negative EVA growth would be expected to have negative TSR.
“While EBITDA growth was more highly correlated than EVA growth, EVA works well as a performance evaluation/incentive metric for some companies,” said Pay Governance Principal Marizu Madu.
Pay Governance concluded that EVA should be strategically evaluated if selected as part of a portfolio of incentive metrics for executive motivation and shareholder-alignment purposes.
Pay Governance LLC is an independent consulting firm focused on delivering advisory services to compensation committees. The consultancy also advises the management of companies in situations in which the firm does not serve as the independent committee advisor. Pay Governance has locations throughout the United States in New York, Boston, Detroit, Philadelphia, Pittsburgh, Chicago, Dallas, Cleveland, Charlotte, St. Petersburg, San Francisco and Los Angeles. The firm also has strategic affiliate relationships with Pay Governance Japan and Pay Governance Korea. For more information, visit www.paygovernance.com.

domain: finance


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The south branch of the Berkeley Public Library overflowed with holiday cheer on Saturday as around 50 celebrants came to mark Ujamaa, the fourth day of Kwanzaa.
Kwanzaa – Swahili for “first fruits” – is not a religious holiday but rather a cultural one that celebrates Pan-African culture. It was first celebrated in 1966, and is practiced by millions today.
The holiday was invented by Dr. Maulana Karenga, an academic, during the great period of social change in the 1960s.
“Some people look at that – that it’s an invented holiday – as implying something that’s not true,” said Paris Williams, the master of ceremonies at Saturday’s event.
So much was lost when Africans were brought to the Americas, Williams said – religion, family names and history. Critics of Kwanzaa sometimes suspect that because the holiday is invented, everything it celebrates is also made up.
Nothing could be further from the truth, Williams said.
“Kwanzaa is not a reinvention but a reaffirmation of our history,” she said.
Williams lit the red, black and green candles on the kinara, the ceremonial candleholder – one for each day of Kwanzaa leading up to Ujamaa.
Young Samora Piderhughes explained the symbolism of the candle-lighting ceremony, and later led the room in singing the Black National Anthem — “Lift Every Voice,” by James Weldon Johnson.
Later, storyteller Marijo entertained and educated children and adults alike with a spirited tale that illustrated the theme of the day – Ujamaa, or cooperative economics.
A Ghanaian youth, bored by pastoral life in his small, hardworking village, sets off for Accra – a shining city full of great wealth where he hopes to make his fortune.
The boy suffers a number of misadventures, and eventually realizes the error of his ways. He sees that his envy had blinded him to the values he learned in his village, and he returns to work together with his countrymen. Eventually, cooperative labor brings great wealth to their own village.
Today, New Year’s Eve, is also Kuumba, the sixth and last day of Kwanzaa. Kuumba means “creativity,” and Kwanzaa practitioners will spend the day reflecting on the legacy of African contributions to the arts and sciences.
As Kwanzaa is also a forward-looking holiday, though, they will also consider how to best use their own creativity to contribute to future generations.
Speaking of the first generations of Africans in America, whose suffering may seem so purposeless, Williams pointed out that it was their hard work, as well as their fight for freedom, that made everyone present possible.
“Who were they?” she asked. “They were the people who dreamed us, the lives we lead today.
“Now, it is our responsibility to dream the lives our children will lead tomorrow.”

domain: library


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| Sep 29, 2013
| 12:12 PM
In 1979, Tom Shea founded Florida’s first outplacement firm, which became one of the original units of Right Management. As CEO of Right’s Florida/Caribbean Region, he heads six offices statewide and in Puerto Rico. Now in over 50 countries,...
| Sep 30, 2013
| 6:30 AM
Parenting can be an assault on the senses, from the effluvia of the diaper pail to the torture of bare feet on a rug strewn with Legos. But nothing tortures a parent suffer more than the musical assault of the Childhood Industrial Complex.
When I was a...
| Nov 10, 2013
Michael McKenna is licking his chops, looking forward to free meals on Sunday and Monday in honor of Veterans Day.
"I'm planning on going to Denny's for breakfast, Olive Garden for lunch and either Applebee's or Golden Corral for dinner," the retired...
| Nov 13, 2013
| 9:23 AM
Thank you, Rob Ford.
Thank you for making American politicians look so good. It’s almost as though the mayor of Toronto was planted north of the border just to make the American citizenry think to itself: “Hey, we thought our guys were...
| Oct 1, 2013
| 6:16 PM
As the complex Affordable Care Act takes effect, many people are confused about what the law means for them.
Thanks to federal grants awarded to the United Way of Anchorage and the Alaska Native Tribal Health Consortium, "navigators" will help people...
| Nov 18, 2013
| 5:58 PM
Beginning Tuesday, radio and TV ads will encourage residents to call 211 and get health coverage under the Affordable Care Act.
With technical difficulties still frustrating efforts to enroll in health plans through online exchanges — and...
| Sep 11, 2013
| 7:48 AM
The Petoskey District Library is participating in the Michigan Reads!, an annual early literacy program focused on a featured book. For 2013, the book is "Woolbur" by Michigan author Leslie Helakoski.
The library will kick off its involvement with...
| Sep 12, 2013
The Hartford Financial Services Group endured a massive overhaul in the past year and a half that resulted in a smaller company with far fewer employees.
The remaining employees, however, say they enjoy working for a property-casualty and mutual funds...
| Sep 12, 2013
| 5:30 PM
Homeless and financial unstable individuals can receive dental care, housing information and identification cards at Project Homeless Connect, an event expected to draw more than a thousand to the Baltimore Convention Center on Thursday.
| Sep 11, 2013
| 3:15 PM
The local United Way has named a former CEO of Legg Mason Inc. to lead its effort to raise more than $24 million for programs to improve education, financial stability and health for central Marylanders.
Mark Fetting, who left his position at the...
| Sep 15, 2013
| 1:14 PM
Last week: A salute to State Sen. Jeremy Ring, who is championing a bill in the Florida Legislature to help career prosecutors and public defenders pay off student loans. Starting pay for such lawyers is around $40,000, but many young lawyers have law...


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- This event has passed.
ASEF Skier / Boarder X
Feb 28, 2015 @ 12:00 pm - 2:00 pm$10
Get your sticks waxed up and your aerodynamic outerwear ready for a fun Boarder/Skiercross event! This Boarder/Skier X is open to anyone interested and all funds raised will go to support our Appalachian Jr Race Team!
The course is planned to begin on the cat track to Appal Jam, and run through Appal Jam and into Candied Appal. The race course will consist of banked turns, rollers and more!
Head to head racing in flights of four with the top two finishers advancing to the next flight Medals awarded to the top three finishers in each final flight.
Separate ski and snowboard divisions.
Registration: 9-11 in the Alpine Ski Shop
Registration Fee: $10 per division entered with all proceeds going to support the Junior Race Team at Appalachian
Course inspection and warm up session 10-11:30
Competitor’s meeting 11:45 at the finish line
Competition: starts at Noon
Awards: On-Hill Immediately following Event.
Separate male and female flights.
6 & under, 7 & 8, 9 & 10, 11 & 12, 13 & 14, 15 & 16, 17 & 18, 19 & 20, U30, U40, U50, & Masters

domain: hobby


by Tom Gaylord
Writing as B.B. Pelletier
This report covers:
- The specs
- Calm shooting behavior
- Sling swivels
- Quattro trigger
- Texas airgun show
There was a time when I felt reporting on a breakbarrel spring piston airgun was downright boring — I did so many of them. But in case you haven’t noticed, it’s been a long time since I looked at a breakbarrel. I chose the Hatsan 85 Mossy Oak Break Up (that’s the MOBU) Sniper Combo. I chose it because it is what today would be defined as a medium-powered spring rifle. At a velocity of 1,000 f.p.s. in the .177 caliber I’m testing, this rifle isn’t over-powered. I am hoping to get smooth performance and some accuracy by not pushing the velocity to the max. This model is also available in .22 and .25 calibers for the hunters.
I am testing rifle number 1212 00037. That sounds like a low number to me.
Now, the combo does come with a bipod, which on a breakbarrel spring rifle is about as handy as a crutch in a marathon. I will try it for the diehards who just have to see what it does, but I don’t hold out a lot of hope. Expecting accuracy from a spring rifle on a bipod is like juggling jars of nitroglycern — not a recommended practice. Can you say Anti-Artillery Hold? But it’s there so I will try it. I have been wrong enough in the past to know better by now.
The bipod clamps onto the barrel after the rifle is cocked.
And here we go! The Hatsan 85 is a spring piston breakbarrel air rifle with a conventional coiled steel mainspring. The cocking effort is reported to be — well, it isn’t listed but I will guess it’s something north of 35 lbs. I know it’s a bit stout.
You grab the large silencer (yes, it does have baffled chambers) to cock the rifle. The barrel swings down and quietly compresses the mainspring, then on the return arc you discover that the pivot joint is really tight. That’s a good thing for accuracy and you can bet that it will break in. And better news — the joint is held by a locking pivot bolt! So you can always adjust the tension.
Calm shooting behavior
The recoil pad is thick and sculpted and is part of the reason the recoil isn’t felt that much. The Hatsan shock absorber system (SAS) removes most of the vibration from the rifle when it fires. I have only fired a couple test shots so far but I can attest that the action feels smooth and quick — no lingering vibration. All you really feel when the rifle fires is a forward recoil pulse.
Sling swivels come mounted on the rifle right out of the box. The rear swivel is under the butt in the conventional location, but the front swivel is located where the left stock screw goes. There is a sling packed with the rifle, so everything is ready to go when you get it.
The stock is a hollow synthetic with a Mossy Oak Break Up camouflage pattern on the outside. The pull is 13 inches, which is on the short side, but it doesn’t feel that bad.
The open sights are fully adjustable (yea!) and are also Truglo fiber optic (boo!). But the fiber rods are dark and I think you can use them as conventional sights for greater aiming precision. The sight picture looks pretty sharp, just holding the rifle to my shoulder.
This is a combo, so yes, there is a scope. It’s a 3-9X32 that looks pretty clear, and it comes with the rings already attached. I will mount and test it for you.
I also have a new Leapers 11mm to Weaver adaptor that I plan to test for you on this rifle. So I’m getting a lot of mileage from this test!
The rifle holds well. It feels compact, which I like in a breakbarrel, and the forearm is not too fat. The weight is definitely forward, so the rifle should be very stead with the artillery hold.
The trigger is Hatsan’s Quattro that is fully adjustable. In the past I haven’t liked the Quattro that much on a spring gun, but on this test rifle it feels crisp and positive. The blade is very curved and located close to the back of the triggerguard so your finger doesn’t have too much of a reach.
I am looking forward to testing this air rifle — just to get back in that familiar old groove. I guess I missed it!
Texas airgun show
The website is now live for the 2016 Texas airgun show. Download the brochure for detailed show information.
Tables are going very fast, so if you want one, reserve it now! Because this show is being held in the center of the Dallas/Fort Worth Metroplex, I think it is going to break all previous attendance records. The hotel and the club are both very easy to get to on freeways most of the way, so don’t worry about traffic.


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by Michael Rectenwald
Chick-Fil-A committed a grave error by ending donations to Christian groups dubbed “anti-LGBTQ” – not because the LGBTQ community “wins,” but because religious and other expression effectively loses.
Chick-Fil-A announced on Monday that it would reconfigure their donations beginning in 2020, leaving out three Christian charities: the Salvation Army, the Fellowship of Christian Athletes, and Paul Anderson Youth Home. All three have been dubbed “anti-LGTBQ” for their opposition to same-sex marriage, and Chick-Fil-A has faced intense pressure from activists over its support of them.
By abandoning charitable donations to organizations of their choice, and by giving in to the political pressure of LGTBQ activists and media scrutiny, the chicken company hasn’t merely “caved” politically. Far more importantly, they’ve allowed public pressure to effectively limit the rights of free speech and religious expression in the US.
Unsurprisingly, Chick-Fil-A’s announcement has failed to appease LGBTQ activists. In fact, their response to the news has been to demand more concessions. “If Chick-Fil-A is serious about their pledge to stop holding hands with divisive anti-LGBTQ activists, then further transparency is needed regarding their deep ties to organizations like Focus on the Family, which exist purely to harm LGBTQ people and families,” said Drew Anderson, GLAAD’s director of news & rapid response. Beck Bailey, the HRC Foundation director of equity, expressed similar dissatisfaction with Chick-Fil-A, this time for the company’s lack of “explicit sexual orientation and gender identity nondiscrimination protections” in workplace policies.
The problem with Chick-Fil-A’s surrender, however, is not that the chicken crossed the road – that the identity-politics left has won another battle in the culture wars. The real blow is more fundamental. Chickening out in the face of activists only emboldens those who demand control over religious and other expression. It emboldens those who aim to police all speech and religious expression, including that of individuals. This policing erects an echo-chamber furnished by authoritarians.
As we saw when the NBA reprimanded Houston Rockets General Manager Daryl Morey for a seven-word tweet in support of Hong Kong protesters, the policing of corporate expression – in this case China’s rebuke of the NBA – can effectively lead to the censorship of individuals. Facing political pressure, individuals are cowed into silence or forced to issue apologies for expressing their views. As such, authoritarians end up determining what can and can’t be said.
In his book ‘On Liberty,’ John Stuart Mill argued that it is not only governments that threaten individual liberty – so too does the “social tyranny” of public opinion. Mill suggested that society’s mandates were even “more formidable” than those of states. Likewise, he argued for social protection from social tyranny. “There needs protection also against the tyranny of the prevailing opinion and feeling; against the tendency of society to impose, by other means than civil penalties, its own ideas and practices as rules of conduct on those who dissent from them.”
The only defense against such social tyranny is for those who hold differing opinions to stand their ground in the face of public pressure. Such dissenters do a public service. Their views may not gain acceptance, but that’s not the fundamental point. The point is that expressing differing views guards against an effective ban against them, and likewise, against other “unacceptable” views.
By being chicken, Chick-Fil-A has done more than yielded ground to LGBTQ activists. The company has allowed social tyranny to score a partial victory against personal liberty.
First published in RT.

domain: sociology


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A visit at the Weekend market Phuket near Naka Temple is a must when you like shopping. Every Saturday and Sunday from 17:00 – 23:00 you find all kind of second hand stuff, cloth and everything else you can imagine plus the all kind of local street food.
- Naka Weekend Market
- Enjoy Sunset at Kata View Point & Cape Phromthep
- Dinner “Local Phuket Style” at Naka Night market!
- It’s Your Tour! So you can spend all the time you need.
Price in Thai Baht: 1-2 adults 4,900 | Extra Person 1,000
Kids under 5 go free. Children 5- 11 years Thai Baht 600 per child.
Phuket Sightseeing Tours include:
- Private transportation in licensed a/c minivan for 6 hours.
- Licensed English speaking Phuket Tour Guide.
- Water & soft drinks on board our mini van.
- Thai Local market food.
- Tax & Tour Accident insurance.
Price in Thai Baht: 1-2 person 3,200 | Extra Person 400
Kids under 5 go free. Children 5- 11 years Thai Baht 150 per child.
- Private a/c mini van with driver for 6 hours!
- Water & soft drinks on board our mini bus as long as the stock lasts!
- Tax & insurance!
- 16.30 – Your driver with private a/c minivan will pick up at your Phuket hotel.
- 17.00 -Visit Kata View Point, then move on to Promthep Cape, the extreme southern tip of Phuket Island or Big Buddha. View points with breathtaking sunsets.
- 18.30 – Arrive at Naka Night market and time to explore the local food stands to organize a local Phuket weekend market meal.
- 19.30 – Time to explore the famous Naka Market (Weekend Night Market) in Phuket Town. Explore all the interesting things from second hand ware, to brand new cloth, local thai wear, plus plenty of local street food.
- 22:00-22:30 – You will be back at your Phuket hotel.
NOTE – This tour is available only on Saturday and Sunday as the Naka Market (Night market) only operates on weekends.

domain: travel


Not that she saw it or anything, though. The CTRL songstress took a little break from the internet to let the Grammys buzz and her emotions die down some, but keeps her support for the Best New Artist winner alive in a new GQ interview.
SZA shared post-Grammys updates with the men’s magazine in an exclusive feature titled “The New Soul of SZA.” In it, she discusses being shut out of five Grammy nominations, a deplorable disappointment for her fans. So disappointing, in fact, that they whipped backlash at Alessia for succeeding in the Best New Artist category over SZA.
“The only time I ever heard about it was in person, when someone walked up to me and was like, ‘You were robbed’ or whatever the f**k,” she told GQ. “I was like, ‘I feel you.’ My home girl actually showed me Alessia [Cara]’s post and I thought, ‘This is really crazy.’”
The post she’s referring to can be found on Alessia’s Instagram where she addresses the critics who hampered her over the win. SZA never supported the backlash, though, despite admitting that she didn’t “want to say something that would reflect [her] being mad as hell.” She feels blessed more than anything now, however.
“If anything, I feel compelled to express that I really, really f**k with Alessia Cara,” she said. “She’s beautiful as f**k, her voice is like water, it’s like milk, I think she’s gorgeous. It has so much dimension, and she deserves every accolade that she gets. And people can’t be mad. I don’t give a f**k when her album came out! She sounds great right now!”
SZA encouraged everyone to move on in the meantime, acknowledging her blessings despite the Grammys loss.
Thankfully, the “Broken Clocks” songstress is setting the example by taking a higher road than some.
Read "The New Soul of SZA" here.


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- Beyonce may have cancelled her Coachella performance by ticket prices are still rising - TMZ
- Amber Rose is being sued by a strip club - Gossip Cop
- Louis Tomlinson talks One Direction reunion - Just Jared Jr
- Get the deets on The Bachelor fantasy suite dates - Wetpaint
- George and Amal Clooney made their first appearance since announcing their pregnancy - Lainey Gossip
- Connie Britton is opening up about her decision to leave Nashville - The Hollywood Reporter
Rosie Huntington-Whiteley & Julianne Hough: Halloween Party Beauties!
About Photo #2746084: Rosie Huntington-Whiteley dons a flowery headpiece while attending a Halloween party on Friday (October 26) in Beverly Hiils, Calif. The 25-year-old model turned… Read More Here

domain: celebrity


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Natural stone garden paths
Garden paths made of natural stone underline the original character of a garden and, thanks to their material diversity, open up design possibilities that range from classic to modern to extravagant. In addition, paths give the outdoor area an additional visual division and are an ideal complement to walls and stairs made of natural stone. Whether paving stones, small and large stone slabs or even a combination of both - natural stone is a versatile and robust material that inspires with its naturalness. From various types of travertine and precious travertine to hard limestone and sandstone to gneiss, granite or crystal marble, a large selection of natural stone is available for your garden paths.
Paving stones - great variety of colours and materials for your garden
Paving stones are very popular for the design of paths and surfaces, as they offer many possibilities due to their colour spectrum. Even in combination with larger paving stones, garden paths look appealing and very individual. Even decorative elements made of different coloured paving stones are possible. Many types of natural stone, such as gneiss or sandstone, can be used as paving stones. Gneiss is considered extremely resistant and resilient and is available in many colours. Sandstone is not only convincing because of its variety of colours, but also because of its rough surface, which provides sure-footedness with every step.
Fine Travertine Mandorla and Travertine Nocciole
The Mandorla precious travertine exudes a Mediterranean flair with its partly strong grey to beige-brown colours, yet remains restrained. The Nocciole travertine is the epitome of rustic and inspires in light beige to dark brown shades. The light, strong colours of the Nocciole travertine and the Mandorla precious travertine create a visual contrast to the lawn and garden area without visually drowning them out. On the contrary, the natural stone makes the green of the lawn stand out clearly and creates a harmonious overall picture.
Hard limestone Levante Crema
The Levante Crema hard limestone could certainly be called a bestseller, as it is one of our most popular stones. And there is a good reason for this: this natural stone is available in different variants - sandblasted, antique as well as pink antique - and convinces with its charisma and weather resistance. With its very light colouring, Levante Crema sandblasted is reminiscent of white sand stands and harmonises particularly well with green lawns or garden areas. Here, too, it is possible to combine paving stones with larger stone slabs in an attractive way. The sandblasted, light-coloured surface of Levante Crema is slip-resistant and remains cool even in strong sunlight. So you can walk on the natural stone safely and pleasantly at any time, even barefoot. The Levante Crema antique sets a Mediterranean accent with its original surface. The colouring in subtle shades of beige and brown conjures up a natural look that creates a wonderful transition from garden path to lawn. With creamy soft beige to rose tones, the Levante Crema comes in pink antique. Its unique colouring and antique surface are just as inspiring as its ability to be combined with the colours of the garden.
Crystal marble and granite
You can make a clear statement with crystal marble. This natural stone has a classic light grey base colour interspersed with white grains. This creates a slightly cloudy look that will also inspire on garden paths and in combination with lawn greenery. Granite is the best choice if you like it classic but classy. The resistant natural stone may be rather restrained in its consistent grey colouring, but it forms the perfect basis for a modern garden design.
We advise you!
Experience your natural stone with us in our stone exhibition! Our stone professionals will be happy to advise you on all aspects of natural stone garden paths.


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NAME: URBAN MORPHOLOGY AND REPRESENTATION NETWORK
||Dr Fei ChenDepartment of Architecture, University of Liverpool|
|Dr Raymond LucasDepartment of Architecture, University of Edinburgh20 Chambers Street, Edinburgh, EH1 1JZUnited KingdomEmail: Raymond.firstname.lastname@example.orgTel: +44 (0)131 650 2306Fax: +44 (0)131 650 8019|
|Dr Ombretta RomiceDepartment of Architecture, University of Strathclyde131 Rottenrow, Glasgow, G4 0NGUnited KingdomEmail: email@example.comTel: +44 (0)141 548 3006Fax: +44 (0)141 552 3997Web:http://www.strath.ac.uk/architecture/staff/romiceombrettadr/|
MAIN AIMS/MISSION STATEMENT
The IAPS Urban Morphology and Representation Network is an interdisciplinary forum dedicated to advancing knowledge, practice, and education in relation to the form of the urban environment. It studies in particular urban space over time (from an evolutionary perspective and a perceptual one) and focuses on innovative representational techniques and technologies as means to better understand space. Given that designers engage with the urban environment through a variety of inscriptive and form-generating practices, there is a need for these techniques to respond to the field of people-environment studies. The network aims to promote and facilitate the following activities:
- Develop urban morphological studies in combination to People-Environment Studies;
- Develop methods for the representation of urban spaces based on alternative modalities from the more traditional ones, such as psychological, non-visual sensory modalities, social patterns and more;
- Research the connection between urban morphological studies and design practices and management;
- Research the connection between sensory representation and design practices;
- Open discussion of theoretical and methodological issues;
- Consolidation, dissemination, and application of knowledge;
- Innovation in research methods and environmental design practice;
- Collaboration among researchers, planning authorities, designers, local residents and other interested practitioners from both Europe and Eastern Asia;
- Education of new researchers and practitioners.
TOPICS FOR DISCUSSION among network members include the following:
- The effects of aspects of inscriptive practices (drawing, sketching, notation, figure-ground representations) on the design of space;
- The effects of temporal transformation of morphology on place-making;
- The identification of types and typological processes of urban forms and their utility in design and planning policy;
- The relationship between morphology and the experience of the environment;
- The contribution of various morphological and phenomenological techniques (typology, drawing, notation, diagram, mapping, simulation) to environmental sustainability;
- Visualising the invisible: representing the whole experience of space and place;
- The utility of alternative forms of inscription in the design and research process;
- The utility of morphological studies in the design process with user participation in particular;
- Further understanding of traditional inscriptive practices;
- Relationships between description and design;
- Drawing as a collaborative practice, drawing as engagement, drawing as communication;
Members of the network are welcome from several academic disciplines and professions, including architecture (history, digital), urban design, psychology (architectural, community, conservation, environmental), urban planning, geography (particularly GIS and human geography) and environmental management.
The network will enhance opportunities for joint publication and research funding by facilitating better exploration of inter-disciplinary themes. Intended outcomes of the network are a reader on Morphological and Representational Studies; monographs on the application of morphological theories to both design practice and policy making in an Asian context; a Pattern Book of sensory notations on a number of contrasting cities: Tokyo, Boston, Rome, Jakarta and Nanjing.
A particular aim of this network will be to enhance the connection between research on urban morphology and space representation and practices in environmental design disciplines, in particular, architecture and urban design and to generate a wider set of design tools by encouraging the development of morphological analysis and representational practices in conjunction with researchers in social, psychological, and geographical disciplines.
MEMBERS LIST and AFFILIATIONS
|Dr Fei ChenDepartment of Architecture, University of Liverpool||Dr Ray LucasDepartment of Architecture, University of Edinburgh20 Chambers Street, Edinburgh, EH1 1JZUnited KingdomEmail: Raymond.firstname.lastname@example.orgTel: +44 (0)131 650 2306Fax: +44 (0)131 650 8019|
|Dr Ombretta RomiceDepartment of Architecture, University of Strathclyde131 Rottenrow, Glasgow, G4 0NGUnited KingdomEmail: email@example.comTel: +44 (0)141 548 3006Fax: +44 (0)141 552 3997Web:http://www.strath.ac.uk/architecture/staff/romiceombrettadr/
|Dr Sergio PortaDepartment of Architecture, University of Strathclyde131 Rottenrow, Glasgow, G4 0NGUnited KingdomEmail: Sergio.firstname.lastname@example.orgTel: +44 (0)141 548 3006Fax: +44 (0)141 552 3997Web: http://www.humanspacelab.com/|
|Dr. Wolfgang SonneTechnische Universität Dortmund, Fakultät Architektur, Städtebau und Bauingenieurwesen, Lehrstuhl Geschichte und Theorie der Architektur (GTA), August-Schmidt-Strasse 6, D-44221 Dortmund
Tel.: 0049-231-755 4197
Fax: 0049-231-755 4196
KEY DISCUSSION TOPICS
- The relationship between urban morphology, representation and design;
- Relationships between morphology and experiences of space with reference to a particular culture and history
- The utility of morphological analysis and depicting the visual and non-visual experience of space;
- Representing Temporality, resistant space, and the alternatives of score-based notations;
- Methodological approaches relevant to the maintenance of cultural continuity, enhancing the sense of place, and the creation of human-friendly spaces.
Lucas, R. & Mair, G. (Eds.). 2008. Sensory Urbanism Conference Proceedings 2008. Edinburgh: Flâneur Press.
Lucas, R & Romice, O. 2008. Representing Sensory Experience in Urban Design in Design Principles and Practices: an International Journal. 2, 83-94.
Chen, F. 2008. Typomorphology and the Crisis of Chinese Cities, in Urban Morphology, 12, 45-7
Lucas, R. 2009. The Sensory Experience of Sacred Space: Senso-Ji and Meiji-Jingu, Tokyo in MONU: Magazine on Urbanism. 10, 46-55.
Chen, F. & Romice, O. (2009) Perserving the Cultural Identity of Chinese Cities in Urban Design through a Typomorphological Approach, in Urban Design International, 14, 36-54
Lucas, R. 2009. Designing a Notation for the Senses in Architectural Theory Review Special Issue: Sensory Urbanism, Spring 2009 Issue. Forthcoming.
Lucas, R. & Chen, F. 2009. Sensory Notation Handbook. Edinburgh: Flâneur Press. Forthcoming.
Lucas, R. & Romice, O. 2009. Assessing the Multi-Sensory Qualities of Urban Space in Medio Ambiente y Comportamiento Humano (MACH) Special Issue: Urban environment and Human Behaviour. Forthcoming.
Lucas R with Mair, G & Romice, O. 2009. Making Sense of the City: Representing Multi-Modality in Urban Space in Inns, T (Ed.), Designing for the 21st Century – Volume 2, Gower Publications. Forthcoming,
LINKS and RESOURCES
ANNOUNCEMENTS and NOTICES
The Sixteenth International Seminar on Urban Form (ISUF 2009), 4-7 September 2009, Guangzhou, China http://www.urbanform.org/sem/sem2009.html
IAPS 2010 Urban Morphology and Representation Network symposium, 2010
CURRENT RESEARCH ACTIVITY
- ‘Multimodal Representation of Urban Space’. The research project was funded by the UK Art & Humanities Research Council and the Environmental & Physical Sciences Research Council under their ‘Designing for the 21st Century’ scheme. The aim of the project was to look into the visual bias of existing urban design practices, and to consider the entire sensory experience of such environments as a key element in representation and design. Outcome of the work was a representational system for understanding and recording the sensory data of urban space with an eye towards the design process itself
- Community participation in urban regeneration, urban design education, urban morphology, identity in the built environment, and other topics part of the Urban Design Research Unit at the University of Strathclyde.
- ‘Cultures of Legibility’. This research project is funded by the UK Arts & Humanities Research Council, and is a detailed study of the legibility and illegibility of Jakarta. The project is a collaboration between the departments of Geography and Architecture at the University of Edinburgh, in partnership with the University of Indonesia. Researchers in Jakarta have collected 100 video interviews with mental maps, and a further 1000 questionnaires detailing the everyday experience of this complex, spontaneously urbanising region. The transect we are working with exposes the complexity of this emergent city, with gated communities, traditional markets, golf clubs, rice paddies, and theme parks all occupying the same
territory. The narrative and interview data is being used to produce Kevin Lynch style maps as a critique of this form of mapping, with new dynamic forms of representation posited as the solution to mapping Jakarta.
URBAN MORPHOLOGY and REPRESENTATION GALLERY
Figure 1: A contemporary residential compound in Nanjing, China
Figure 2: A traditional residential compound (dating back to the 18th C) in Suzhou, China
Figure 3: The skyline of Nanjing perceived from the bank of Xuanwu Lake to the north of the city
Figure 4: Three sample notation diagrams on Pantheon, Rome
FORTHCOMING CONFERENCES and SEMINARS
IAPS 2010 Urban Morphology and Representation Network symposium, 2010
NOTES FROM PREVIOUS MEETINGS

domain: geography


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Deputy President William Ruto has claimed that the government could have made huge strides in the delivery of the Big Four Agenda if he was not sidelined from the government. In a clear vote of no confidence against the President and top officials in his administration, Ruto said Jubilee’s second term performance is dismal.
According to Ruto, President Uhuru Kenyatta has much concentrated on the handshake and the Building Bridges Initiative at the expense of development. Ruto went further stated that he was the centre of Jubilee`s remarkable performance in the first term.
His statement is a contradiction of the President who had two weeks ago declared that he has been able to perform better in his second term because of his decision to ignore “politicking”.
According to the DP, he engineered the classification of roads that Jubilee used to roll out what he termed a “robust road network in Kenya”. He also said the government is yet to deliver on what it promised Kenyans —affordable housing, food security, universal health care and manufacturing.


An 8-2 run after the game was tied at 48 proved to be fatal for the Hillsdale College women's basketball team Saturday afternoon.
The Chargers lost a 59-52 decision to Ohio Dominican in Columbus. Hillsdale is now 5-9 overall and 2-5 in the Great Midwest Athletic Conference.
Senior Julia Wacker popped in a jump shot with 7:51 to go in the fourth that put Hillsdale on top 48-46. To that point, the game had been very tightly played, with neither team able to build a significant lead on the other. But the one big run in the game occured shortly thereafter, and was put on by the Panthers, who would score 10 of the game's next 12 points to get the lead for good.
Missed shots and turnovers plagued Hillsdale over the game's next five minutes, during which ODU upped its lead to 56-50 with 1:29 to go. Wacker ended the drought with a layup to make it a four-point game, but at that point, just 41 seconds remained, not enough time for the Chargers to get enough possessions to climb back into the lead.
The first and third quarters were good ones for the Chargers, who took a three-point lead after the first and led by one after three. But the second and fourth quarters were controlled by the Panthers, who erased their one-point deficit going into the fourth quarter with a 17-9 scoring edge over the game's final 10 minutes.
Sophomore guard Grace Touchette played a strong game, finishing with 18 points, 4 rebounds and 2 assists. Wacker and Lauren Daffenberg each added 7 points for the Hillsdale offense in the loss. Freshman forward Sydney Mills was strong on the glass with a team-high 11 rebounds.
PHOTO: Jim Drews


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A collaboration piece with Sarah Beth Morgan (@wonderfall)Read More
As the year moves forward, I've been getting more and more editorial requests. I love the challenge of coming up with ideas based on an article and creating artwork in a very quick-paced environment. I'd like to share my process for this piece. Below are the sketches I sent the client which were also accompanied by descriptions of the concept:
We ended up going with option "A" which I then took to the iPad to add color and detail. I'm still trying to figure out a process I like. For time's sake, I started on the iPad, I think in the future I may play with starting in Adobe Illustrator depending on time. Below is the final piece and HERE you can find the article.
Hi y'all! Hope your month is going well. I haven't posted a process in a while and figured I would get back on that sharing train. Above you will see ideas sketched out and then the final. I'm super happy with how the illustration turned out and am very thankful for Dr. Martens for hiring me! HERE you can find the blog post that goes along with the piece I made for their Pride 1460 Boot.
We ended up going with the one in the middle, a self-portrait. I first built the artwork in Adobe Illustrator and then worked into Adobe Photoshop using my iPad (connected with the Astropad App) to push a little further. I like both the simple (left) and the final pushed version (right).
Check out the full post on my site HERE.
I'm obsessed with vintage sports memorabilia. Towards the end of last year, I was sitting at an art festival selling banners for my side project (Of Our Youth) and started thinking about how it would be fun to draw Hogwarts houses as old sports teams. I am a proud Hufflepuff, so of course I started with the Badgers. Here is my sketch:
I then came into Adobe Illustrator and started off working with the pen tool and stroke weight. The illustration began to lose some of its vintage charm. I decided it would make more sense to go in with the pen tool and draw all of the shapes as shapes.
After letting it sit over night, I looked at the "H" and wanted to try again. This time around, I stuck to a more modern, but still vintage-inspired look to the illustration all together. I'm happy with how the Badger of Hufflepuff turned out. I'm going to push myself to try another one of the houses and eventually put them all up on my Society6 page.
Today has been busy with client work, in a good way. I am always super thankful to have something to work on! Lauren decided to press play on a few Rick and Morty episodes. While taking a break, I started sketching what it would be like if they were combined somehow. See sketch below:
I decided to not just make this a sketchbook thing. I went to Adobe Illustrator and took it digital which turned into this:
It's pretty different from what I normally make, but I'm super happy with how it turned out! The most important parts to take away from playing around while busy with client work: I had fun AND felt a creative refresh.
Back in April, I launched a project with my friend Maz. I had posted a self-portrait I made for some personal branding and he reached out to me to commission an avatar. Below is part of the process. He sent me an amazing mood board that helped me stay on track (not pictured).
We talked over the phone a few times to go over the sketches and a final sketch was agreed upon.
Then I took that sketch to Adobe Illustrator to make it come to life even more than it already had!
It's hard convincing a client that a sketch can become even more than what it is at its most simple state. I'm hoping to have this blog be a place of process to show how a project can transform from sketch to final and beyond.Read More
I guess the only way to start is to actually start.Read More


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This response was submitted by Jim Johnson, one of our AYC members. Thank you!
“The Hudson River at AYC has several factors to consider when docking at your slip.
The river has two currents with a tide change of about five feet at AYC. The South current at tide coming back in can also have waves, including those that can push and try to go over the stern if you have a low one. If you have a low one while docked, you should be aware of this and check your boat often.
The North current in the spring with winter thaw can be as many as nine knots, so you may have this depending on the South or North slip that will push your boat.
Westerly winds also blow from the Albany side of the river. This wind, in combination with the current, can push your boat around.
Also, there is no reason to rush into your slip. Take your time. Slow and easy win the race.
If docking is a little rough, don’t yell at your wife !!!!!
If there is a north current and you approach from the South, tie off your bow first, and the current will keep you to your dock.
Similar is the case for the South current and North approach backing in. You would secure your Stern first.
All boats are required to have a bow facing north in all slips.
If you have a north-end slip, you approach from the river, bow north, and steer south. This can be tricky. Get out to the north in front of the boats in the north slips. Let the westerly winds drift you in front and back into your slip.”
I am new to boating. Is there a reason all boats on the river have to be docked bow north? I am just curious.
Copyright 2024 - Albany Yacht Club, 75 Broadway, Rensselaer, NY 12144


text:
Look at them. They’ve never met anyone like you before, that granite face, wisdom and integrity etched into every line. The eloquence, the conviction…they don’t know what hit them.
—Dr. Altan Inigo Soong
Soong’s criticizadmiration of Picard might as well have been the pitch for Star Trek: Picard, and as it turns out, we’ve needed every minute of it. What started out as a tough year has pivoted into a global crisis, and if ever we needed the strong, wise, honest, eloquent, passionate voice of Jean-Luc Picard, it’s now.
But as particular as early 2020 might be, that sentence will always be true: we need that voice. We need his words of wisdom and conviction. We need that certainty. And seeing Jean-Luc get that back, seeing him rise up from his failure and become the Captain we all remember again, has been a particular thrill. Cathartic, even, on a surprising level. Truly, I don’t know what hit me.
Now we’re here, though; and in the first part of the season finale, we get the season’s thesis writ large across the narrative. It’s been the question of Picard’s life since the Romulan rescue, a Kobayashi Maru with dire consequences. What if he can’t save these people—again? Soong even brings it up in an attempt to prod old insecurities: what if nobody will listen to him? But the big question itself is actually spoken by Soji, as she tries to make sense of Jurati’s actions a few episodes ago.
Soji: I guess I’m just trying to understand the logic of sacrifice.
Picard: “The logic of sacrifice?” Hmm…I don’t like the sound of that.
Soji: So you think there is no logic? No calculus of life and death?
Picard: I think it depends on if you’re the person holding the knife.
The Girl with the Enamel Eyes
“Et In Arcadia Ego” is packed to the synthetic gills with symbolism. The title refers to a 17th-century Baroque painting and means “even in paradise, death is there;” the orchids which disable the battling starships over the synth’s home planet of Ghulion IV represent purity and perfection defeating fallible organics; the names of the synths in the settlement are all tightly-wound with meaning and reference.
But perhaps the most obscure reference is the name of the settlement itself: Coppelius Station. The location takes its name from a mad scientist in the 19th-century French ballet Coppélia: The Girl with the Enamel Eyes. In it, Dr. Coppélius builds a room full of life-sized dancing dolls, including a particularly lifelike and beautiful one named Coppélia. When local boy Franz falls in love with the doll, the mad scientist decides to sacrifice Franz in order to bring Coppélia to life.
Taking a life for the sake of another.
This isn’t far-fetched at all, and it’s not science fiction. We talk about it all the time in philosophical problems like the Trolley Problem; we make decisions while driving that could end up harming others; we must decide between our comfort and the good of others. As quarantine and self-isolation continue, it’s even come up in discussions about how long we leave our economy on hold. It’s rarely so direct and immediate for us; usually our decisions and the consequences aren’t immediately connected.
For Soong, as well as Soji, Sutra, and the rest of the dancing dolls at Coppelius Station, the question is existential: 218 Romulan Warbirds are coming to “rain fire” on the planet, and they must either try to survive and live a life on the run, or use the Admonition to end the organic life that brought them into being.
Live in fear? Or sacrifice others so that the doll may live?
Fear and the Logic of Sacrifice
These decisions, as Picard notes, are only easy when you’re the one “holding the knife.” And when your own survival depends on killing someone else…the words of fear make it feel like it’s the only option.
Picard: Did she think she was right? Or did she simply believe she had no choice?
Soji: Maybe there’s no logic in it at all. Maybe all rationales for killing just boil down to fear—the opposite of logic. But what if killing is the only way to survive?
The Admonition—and the higher synthetic power who sent it, as well as its representative at Coppelius Station, Sutra—inject fear into the minds of those who hear it, promising that there is no way to survive without bloodshed. To organics, it speaks only madness. But to synthetics, the Admonishers say, “you will die unless we save you; and the only price is to sacrifice those who made you.”
Words of fear do a booming business, and it overtakes our minds in ways subtle and gross. We make decisions for ourselves and our families, sacrificing the needs of others. We try to figure out ways to use other people for our benefit. We all become desperate for some semblance of control.
It’s easy to see in a crisis, when empty toilet paper aisles can attest to the brain-breaking power of fear; but what about in times of plenty or calm? It’s not like fear isn’t present then, too; it’s just more abstract. Our fallen nature tells us, “you will die unless you give into fear; and the only price is to sacrifice everyone but yourself.”
And when the words of fear break in, we don’t listen to the words of our Creator. We don’t hear the truth He exudes with His very being. We ignore His reassurances of peace and protection. Back in the Garden of Eden, it was listening to the words of fear—that God was holding out on us—that caused sin in the first place.
So it has been ever since, the words of fear pushing out the words of God, making us sacrifice others. What we need are words of hope.
Hope and the Calculus of Life
Hope and the odds make poor bedfellows.
It’s interesting to me what a beacon of hope Raffi has been in this season; she’s supposed to be the paranoid one, the woman who sees Romulans around every corner, the one who warns of homicidal fungi and angry reptiloids. She doesn’t believe that anyone could’ve survived the crash of the Artifact. But she’s also been a driving force behind getting both Jurati and Rios back on their feet after crippling despair. She even gives Picard a nudge here and there. She’s the anti-Sutra, spreading hope instead of fear.
I’ve been trying to figure out how she’s done this; how such a person could be both extremes at once, and the only answer I can come up with is in the nature of hope itself: it’s not something we can excite in our own hearts, it has to come from outside. Like words of fear poison our hearts, words of truth and love can bring hope; and Jean-Luc Picard is a prime exporter of truth in the Federation.
Raffi spends enough time around Picard that her heart is full of truth and words of hope; and even though she goes through hard times, those words of hope are what come out when people need her help.
There is no fear in love, but perfect love casts out fear.
—1 John 4:18, ESV
In our hearts, that hope also blasts away the fear that drives us to hurt others. Words of hope refute the words of fear that make us care only about ourselves.
That doesn’t mean there’s no place for sacrifice. Indeed, for us to have hope at all, we need sacrifice; our hope comes at the hands of another. But while we benefit from the sacrifice, Jesus holds the knife that takes His own life; and when He bleeds, truth comes out.
Because, while the Admonishers speak words of death and fear to sentient synths, God speaks words of life and hope. While they call the mad scientist’s dancing dolls to take their life at knifepoint, Jesus sacrificed Himself to save others. And like Raffi and JL, when you spend enough time around His truth, it fills you up.

domain: literature


text: Welcome back, folks! Tonight we’re proud to share another audio drama series – Black Jack Justice, as produced by Decoder Ring Theatre. This Noir-styled series follows Justice, a hard-boiled private detective and his partner, Trixie Dixon, as they solve the cases of the clients that hire them. Alongside this we also have the rest of The Voice tonight, and a reboot of the last episode of the Blast-Off Patrol from Two-Minute Danger Theater. A ‘Night of Noir’ indeed!

domain: law