text:
Despite affecting millions of people around the world, depression is surrounded by prejudices and lack of information. To incite reflection in society about the seriousness of this disease and encourage people to seek appropriate treatment, the movement “Next Step” promotes dance sessions to complement the multidisciplinary treatment of depression.
Created by Agência Tudo for Libbs Farmacêutica and supported by Instituto Ivaldo Bertazzo, the initiative resulted in a documentary and a photographic exhibition, which tell the experience of 40 people with a history of the disease that became protagonists of a dance show.
The idea to invite real people to take a step towards overcoming depression under the positive light of dance associated with medical treatment, came from Tudo after observing some other campaigns around the same theme.
“We had noticed that the vast majority of campaigns that addressed depression were dark, heavy, and even depressing. On top of that, there is the matter of prejudice. Many people don’t face depression as a disease and loads of families don’t see it as a problem or believe that the person is just sad or lazy. That’s why not too many people go after medical help and live their lives for many years without finding an answer, which can result in severe consequences,” says Iron Neto, managing partner and business director at Agência Tudo.
Neto explains that, based on that scenario, Libbs asked the agency to think of a different way of addressing the cause. Tudo eventually decided to use dance as a platform of content to raise awareness in Brasil upon the real stories registered in the documentary and in the photos.
“Why dance? Because it reestablishes balance, motivation and connection with life. It is a language that forces the person to move their bodies and overcome inertia. It can be the first step, when associated to medical care, to fight depression and leave it behind,” completes the advertiser.
The documentary (directed by Tico Vicente, from Black Filmes) and the photographic exhibition (signed by Miro Estúdio) capture the experience of 40 people that overcame the disease and became protagonists of a dace show.
After posting a public announcement on the Internet, the project received more than 1,000 applications in one week which resulted in 120 face-to-face interviews and four dozen participants. The ‘dancing citizens’, as called by the educator and choreographer Ivaldo Bertazzo, undertook an intensive four-month program of rehearsals and were challenged to take part of a dance show open to the general public in Sesc Vila Mariana, in São Paulo.
The documentary can be watched for free on the official platform, which also brings comprehensive information about the project. The exhibition was displayed for free in Shopping JK Iguatemi, in São Paulo.
Source: Agência Tudo


text:
Skip Nav Destination
1-1 of 1
Keywords: surface contactClose
Journal: Journal of Tribology
Article Type: Research Papers
J. Tribol. October 2011, 133(4): 041001.
Published Online: August 9, 2011
..., the entire transition from full-film and mixed lubrication down to boundary lubrication and surface contact can be numerically simulated, and calculated lubricant film thickness can be only a few nanometers or even zero. Nevertheless, key questions still remain unanswered, such as: Can we convincingly...

domain: chemistry


text:
Once you have joined up click on Create a New Canvas
Choose a Background, Name your Canvas.
Choose who has access and the Details you want to show. Click on Create a Canvas
Add a photo by clicking on the Photo icon, insert a photo from your computer, add text by clicking on the Frame option.
Add a movie by making a choice from Youtube, Ustream or Vimeo, paste in the URL of the video.
Attach files to the canvas by clicking on the Attachment button. Choose a file by browsing and an upload link to the file will appear.
Add a Transparent sticky by clicking on the Transparent button, type your text in.
Click on the Information button on the Palette to show the embed code.
Dates can be added to text stickies.
Pin a sticky to a canvas by moving the mouse over the top right hand of the sticky, a pin will appear, click on it to pin it. To unpin it, click on the pin again.
Move the stickies behind or in front by holding down the (Option Key-Mac) (Alt key-Win) and clicking.
Add tags to stickies which enables highlighting of all stickies with that tag.
There is a peel off option, click on the tick icon at the bottom of the right hand side of sticky. Once it has been peeled it is gone forever.
Sizes and colour of text can be changed when editing.
Stickies can be resized by clicking and dragging on the bottom right hand corner.
New stickies can be highlighted by clicking on 'Highlight New'.
How to use Lino It
In the example below I have used Lino It as a Presentation instructional tool.
Other ways of using it
- collaborative question answer (you would do this in groups on computers
- as an alternative to PowerPoint presentations
- as an instructional tool
- introduction to new topic

domain: design


text:
The Oregon Transportation Commission voted Thursday afternoon to move forward with a plan that could eventually bring tolled highways to Portland.
The commission voted unanimously to submit an application to the Federal Highway Administration to implement congestion pricing on Interstate 5, between N Going and SW Multnomah, and on Interstate 205, near the Abernathy Bridge, which connects Oregon City and West Linn.
A draft of the application doesn't mention how much drivers would be tolled.
Before voting, the commission heard a range of public comments—both in support and skeptical of tolls. Those in favor cited climate change, traffic, and pollution as reasons to add congestion pricing; those opposed said they worried tolled traffic will spill onto neighborhood roads, as drivers could strategically exit highways to avoid paying fees.
The money raised by the tolls would go toward funding future transportation projects, according to the Oregon Department of Transportation (ODOT).
Oregon Transportation Commissioner Tammy Baney said that it would likely be years before any road tolls arrive in Portland.
“For some, we have heard today that that’s not fast enough, it’s not aggressive enough, and it won’t meet the need,” Baney said. “But for some, it may be too fast and too aggressive, and there may be concerns.”

domain: economics


text:
Read about Butterfield in the news releases below by selecting the plus sign or the name of the release.
Hamilton, Bermuda - February 19, 2019: The Bank of N.T. Butterfield & Son Limited ("Butterfield" or the "Bank") (BSX: NTB.BH; NYSE: NTB) today announced financial results for the fourth quarter and year ended December 31, 2018.
Hamilton, Bermuda— 30 January 2019: The Bank of N.T. Butterfield & Son Limited (“Butterfield”) (NYSE: NTB | BSX: NTB.BH) has purchased $20,000 worth of school supplies for Bermuda’s public primary schools through local organisation Support Public Schools (“SPS”) Bermuda.

domain: finance


text:
: El pabellon numero 6: Autor/es: Anton Chejov Editorial: Alianza. Fecha Edicion: EL LIBRO DE BOLSILLO cuarta reimpresion Buy El pabellon numero 6 by Anton Chejov (ISBN:) from Amazon’s Book Store. Everyday low prices and free delivery on eligible orders. Get this from a library! El pabellon numero 6. [Antón Pávlovich Chéjov].
|Genre:||Health and Food|
|Published (Last):||26 May 2007|
|PDF File Size:||14.62 Mb|
|ePub File Size:||3.29 Mb|
|Price:||Free* [*Free Regsitration Required]|
Chekhov Short Novels and Stories 1 copy Chekhov: Anton Chekhov is composed of names.
The German-born czarina Catherine the Great, who reigned from tocorresponded with Voltaire and fancied herself an Enlightenment monarch; but her plans for liberal reforms came to nothing, and she became better known as vainglorious autocrat. La Pavellon et 9 autres textes.
Rasskazy 1 copy Two plays of Anton Chekhow: Contos Universais – Vol. A Comedy in One Act 35 copies, 1 review Verzamelde werken. El elenco de autores y su repertorio son incomparables. Teste in fermento 1 copy 1: An Anthology of Literature, Vol. You are commenting using your WordPress. Die Nacht… 1 copy Rendezvous in der Cjejov. I] 93 copies, 2 reviews Seven Short Novels 93 copies The story of a nobody Author 91 copies, 2 reviews A night in the cemetery: Y la riqueza gestual imprime una deslumbrante visualidad a las escenas.
Tio Vania (Spanish Edition) by Anton Chejov, Paperback | Barnes & Noble®
Il giardino dei ciliegi: Although he plays a pabelln in Russian literature comparable to that of Goethe in Germany or even Shakespeare in England, his works were little known abroad during his lifetime. He often described the traumatic effect which this mock-execution had on him in his fiction, and devoted another novel The House of the Dead to the story of his time in prison.
TOFUKrendalinjudithsweetWillemFrederiknymithpermachinedeebee1nogoodboyodilettantimekanicnatbeourfriendblastedmembers. TsjechowCheov ChekhovA. Sometimes, we also use a cookie to keep track of your trolley contents.
Historia De Un Viaje; 13 atnon Three sisters,: Authentication ends after about 15 minutues of inactivity, or when you explicitly choose to end it. Yalta, Crimea, Russian Empire.
Oeuvres I 1 copy Anton Tchekhov: A Game of Thrones Set: Main page Picture gallery 4 Rating statistics If you like Juni ] 1 copy Eine Bagatelle: TxekhovAnton P. Email address subscribed successfully.
Tampoco orientarse en el primer movimiento simbolista, donde participaba su esposa, la poeta Zenaida Gippius.
Taganrog Governorate, Russian Empire. Romanzi brevi e racconti, 1 copy O ljubavi i druga proza 1 copy Racconti 3. It was Ivan Turgenev —who lived and wrote for many years in Europe and was profoundly Western in his outlook—that first brought Russian literature to the attention of European readers, but at the cost of often being considered an alien in his own land.
By continuing to use this website, you agree to their use.
Tio Vania (Spanish Edition)
When the expiry date is reached your computer deletes the cookie. But it is important to note that though his characters always seem to be undergoing some sort of torment, he creates the extreme situations and emotions pablelon his novels not out of mere sensationalism, but to plumb the depths of human experience.
La signora con il cagnolino: Der Mensch im Futteral… 7 copies Chekov: However, the pabello of Russia had looked to the West for ideals and fashions since the early 18th Century, when Peter the Great had instituted a series of reforms aimed at modernizing the country.
Anton Chekhov has 33 past events. For example, at loot. In post-Communist Russia he is again celebrated as a national treasure, just as he is revered as a classic abroad. Petersburg was created the new capital of Russia inand remained nukero most Westernized of Russian cities.

domain: literature


text:
A man, Okechukwu Odika, whose daughter is paralysed, has appealed to Anambra State Governor Willie Obiano for help.
Odika’s daughter Chinyelu, paralysed from the waist down, needs N20 million for surgery.
Odika who hails from Neni in Anaocha Local Government Area of the state, said Chinyelu’s ailment has traumatised his family.
He is begging Governor Obiano, his wife Ebelechukwu and other public-spirited individuals in the state to help the family raise the money to send her to the United States.
He said his daughter was suffering from birth asphyxia, a medical condition resulting from deprivation of oxygen to a newborn infant that lasts long enough during the birth process to cause physical harm, usually to the brain.
Odika was in tears as he spoke, saying he had spent over N6m treating the child in Nigerian hospitals.
He said, “This condition has traumatised my family for seven years. My daughter was paralysed from head to toe from birth, a form of child stroke.
“The University of Nigeria Teaching Hospital has managed her condition from birth and has been able to normalise her situation from head to hip.
“But her legs are paralyzed; and because of that she doesn’t go anywhere, and she seven years.
The young man said he had secured an appointment with Washington University Physicians who had assured to heal his daughter with a condition for him to pay about $54,000, equivalent of N20m.
“The above situations pose serious challenges to the plan of independent standing and possible ambulation.
“The family wishes to seek for further intervention abroad, hence this appeal”.
A letter from the US physicians made available to reporters read,” Thank you for sending Chinyelu’s video and medical information for evaluation for selective dorsal rhizotomy surgery.
“If she has the surgery we expect her sitting and standing postures will improve. Her balance and level of comfort will improve.
Doris Israel is a prolific writer and reporter on Eko Hot Blog.
A graduate of the Nigerian Institute of Journalism, Ikeja, Doris believes the key to success is hardwork.
This belief motivated her to put in more efforts in her profession as an award winning writer.
She loves watching telenovelas.

domain: news


Rachel Reeves MP, Labour’s Shadow Chief Secretary to the Treasury, also commented on Lord Heseltine's report:
It's a damning indictment of this government that, half way through this parliament, a former Conservative cabinet minister is still calling for a plan for growth.
Since the spending review two years ago we've had growth of just 0.6 per cent compared to the 4.6 per cent growth George Osborne said he would deliver. And the result of the Government's failure is that families are worse off, long term unemployment is rising and borrowing is going up.
Instead of more complacency from Ministers we need a proper growth plan to catch up the lost ground of the last two years, make families better off and strengthen and sustain economic recovery.
More top news
The returns of Benedict Cumberbatch's detective and the X Factor judge were among 2014's most tweeted TV moments in a billion conversations.
A family has issued an appeal to help find their missing pet turkey - in case he gets gobbled up as someone's Christmas dinner.
The winner of X-Factor Ben Haenow has revealed how keen he is to have the Christmas number one.


text: My name is Joseph Bittersmann and I have been an ESL instructor for 15 years. I'm a graduate of Phoenix State University with a B.S. in Business. In addition, I'm a graduate of Wyoming Technical Institute with a technical degree in automotive management and application. In addition, I'm ESL certified. Currently, I am living and teaching in Central Europe. I'm a Native Speaker from Monterey California. My students range from children to adults. My experience is as follows= Business, Technical and General English, KET, PET, FCE, and CAE preparation. Along with teaching at several major companies, schools, and institutions, My last two summers have been spent, teaching children at summer camps across the Czech Republic. I have lived in South America, Australia, The United States, and now in Europe. Traveling has been my passion and driver. Remember languages are the gateway to the world.

domain: geography


text:
A short piece in the latest edition of Uncut Magazine about Dana Gillespie and her new book.
They spoke to her early on in the MainMan podcast series, in which she pretty much described herself as David Bowie’s f*** buddy – well, I guess a bit more than that – but she was emphatic that she was NOT his “girlfriend”. Merely more a friend who just happened to be a girl. “And, sometimes we got a bit…horizontal.” Needs must. Lol
It actually sounded like from her telling of it, that they felt quite kindred and enjoyed a very artistic tete-a-tete. Her relationship with him was certainly vastly different to that of Hermione Farthingale. And it endured for far longer. They remained life-long friends.
I sadly missed the premiere radio play of The Anchoress’s new single, Show Your Face, this afternoon on BBC Radio 6 Music with Steve Lamacq as I was making my way into Glasgow’s West End (for my belated birthday treat of seeing GlasGlow at the Botanic Gardens – some vids and pics in a separate post for those interested. Lol) just as the show was starting.
But here is the video of the single on YouTube. What a fab video. And what a fab synth sound on the song. It’s well braw! I loved it when I heard it the first time at the Meltdown Festival in 2018. Geez! Feels like forever ago now!
But the other fab news is, we have a release date and pre-order details for the new Anchoress album, The Art Of Losing! Yaaaay! Awesome news! It’s a while off yet. It’s not out until next March, but Catherine tells me we will get to hear a new track each month until the album is released.
It has been a little over 10 years since Catherine Anne Davies and Bernard Butler first decided to team up with each other and work on producing music together. They quickly felt they had the makings of an album together. Little by little things came together, building on their work together when time allowed. A few years down the track with Catherine working on her on solo career as The Anchoress, and then being part of the touring band with Simple Minds and in between those things juggling with continuing work with Butler on what would become In Memory Of My Feelings. Talk about multi-tasking!
The album was all but completed for a number of years. Davies and Butler suffered knock backs. Record companies would show an interest and then inexplicably go cold on the idea. But both Catherine and Bernard knew they had a diamond here! They just needed someone else to see, feel and hear it! Enter Pete Paphides and his newly established record label, Needle Mythology. He knew the gem that was before him. And so, with one last little hiccup along the way (the test pressing of the album causing a problem which meant a one month delay from the initial release date of September 18th), Friday – at last – saw the release of In Memory Of My Feelings, on vinyl, CD and in digital format and through streaming services.
Was it worth the wait? My opinion – a resounding YES!
The Breakdown: It’s beautiful melancholia. Catherine has a knack for that. Its sparse chords and mirrored vocal harmonies exude fear and regret but…there is light. The best melancholic songs always bring a hope with them. There is hope. It ends in hope. There is love. Strength. And the offering of courage.
Ten Good Reasons: It has been my earwarm all day! There is sass and sensuality and sultriness. Relationships when they hit the rocks and flatline. Do we push on? Is there any sense in doing so? That’s what I hear in this song. Again, impeccable harmonies and fabulous guitar work from Butler. The final 30 seconds of the song is just…perfection. That repetition of “what a mess we’re in” and then the ending piano chords. Geez…I know that is something. Or is a nod to something familiar but I can’t put my finger on it! (Catherine might tell me if she sees this?)
Sabotage (Looks So Easy): Rocking. Just – pow – straight in! Intelligent lyrics. Just punchy and ballsy. Again full of sass and attitude. We’re not gonna take deceit lying down.
In Memory Of My Feelings: It’s like three songs in one! What a break up song! Just, the musical weaving and blending, ducking and diving. The harmonies! My god, the harmonies on this album are flawless! Delivery on the lyrics “because you can’t take it back / you’ve done it now / and that is that” during the bridge breaks (right term?) are just beautiful. This could be my favourite track on the album. It just has such layers to it. And the dark and light of it. It interplays with mood and colour. Light and shade. It’s fabulous!
I Know: Or is THIS my favourite track? THE HARMONIES! I want to die! And with Butler’s guitar riding it all underneath…geez! It really is a beauty this one. Tenderness. Such tenderness to it! A love that is blossoming yet already faltering? Everything is all tentative. It’s beautiful, this. Just really beautiful.
Judas: LET’S ROCK! Just to dry up those tears shed from the beauty of the previous track. It’s a rollercoaster, this album! A rollercoaster of gems! Just absorb the sensuality and sultriness of this one. And just eat up that jangling guitar. Sell it to me, brother! (I don’t know what I’m saying anymore. Lol)
No More Tears To Cry: It’s almost a gospel tune. What fabulous lines “here in my mouth / here in my heart / is the place where the hunger starts”. And fabulous guitar work for BB. Esp. on this track. His guitar work is strongest on this. Great middle solo. Oh, it’s SSOOO good!
The Waiting Game: I don’t usually hear much of Manic Street Preachers influence on Catherine, but I hear it really strongly on this track. Abandonment? It’s the worst! It’s the daisy petal game, this song. “He loves me. He loves me not.” We’ve all done it, even if just metaphorically most times…picking them petals off the daisy. Life is a waiting game…for buses, trains, planes, people to tell you they love you and want to be with you. This song is catchy AF.
The Patron Saint Of The Last Cause: When you don’t feel you are worthy of anyone’s attention or interest or kindness. Melancholic again, but delivered to sound lighthearted. “Hey, I’m a fuck up. Don’t be bothering yourself with me” to an upbeat tune.
F.O.H.: Again, those bloody harmonies. Hell! And then…
To be honest…this is the only track I am kinda grappling with. I don’t know what to make of it still. I am not saying I don’t like it. I just don’t find it so easy to express how I feel about it/what I’m getting from it. The jury’s out a little…but that’s okay. If we say this is one only song I am really not gelling with that well with then, that gives this album a massive 9/10!
The Bonus tracks:
Live To Tell is a stellar version of the Madonna original. Much more emotional to me. Catherine’s vocal performance utterly perfect. Lovely space left on the track too. Excellently executed. Better than the original.
The Patron Saint Of The Lost Cause (Harmonium Version) the air of lightheartedness on the album version is diminished somewhat by the barebones harmonium sound. It isn’t a bad thing. I really like both versions.
Why this album was such a long push to get to be released is truly perplexing having listened to it several times now. The rejecting record company’s loss and Needle Mythology’s gain. Congratulations to Catherine and Bernard. And well done to the both of you for having the courage of your convictions to know that what you had produced here deserved to have an audience because you were both SSOO right!
In Memory Of My Feelings is a very strong album. Great lyrics, fabulous harmonies, musically “on point”. Everything just fits.
I can’t recommend this album enough!
It’s near faultless.
It has to be a 9/10!
In this month’s latest copy of Uncut, there is a short interview with Catherine about the collaborative work with Bernard Butler resulting in the album as well as a very positive review of the album itself.
The album is due for release on September 18th and is available to pre-order HERE
Now that we’ve gotten that crap “sycophancy Nancy” stuff out the way – drooling over 1982 Kerr aesthetic yet again! On with some proper business and serious music news.
Bernard Butler and Catherine Anne Davies have collaborated on an album together called “In Memory Of My Feelings”. It had been in the bag for some time and feared destined to languish and remain unreleased, but at last it is due to see the light of day.
The lead single from the album is called The Breakdown – rather fitting under current personal circumstances!
Further talk about the album’s imminent release can be seen on Catherine’s social media pages (as Catherine Anne Davie or under the moniker of The Anchoress).
This is not the follow up to The Anchoress’s debut album, Confessions Of A Romance Novelist. The follow up to that is set for release any day now – also some time in the bag and in the hands of the record label.
NME have a piece on In Memory Of My Feelings that you can read HERE.
The album is set for release on September 18th and is available to pre-order in various formats and bundles here – (I have already pre-order the vinyl signed version.) https://orcd.co/in_memory_of_my_feelings
For almost a decade now, Warm Digits have been producing great music. First forming and producing live improv jam sessions together in the mid-2000s, the key duo of Steve Jefferis and Andrew Hodson will soon be celebrating the 10th anniversary of debut album release, Keep Warm, in 2021. Two other albums followed. The conceptual Interchange, released in 2013, was an experimental album that was also released with a film inspired by photography and illustrations drawn from the Tyne and Wear Archives, of the 1970s’ biggest civil engineering project on Tyneside – the construction of Metro. In 2017, they released Wireless World, with new lyrical elements adding an extra layer to their already signature sound, with guest vocal appearances by Peter Brewis of Field Music and Sarah Cracknell of Saint Etienne, among others. The album was widely lauded.
And now a new album is due for release on April 3rd, 2020. Singles released so far from the album include The View From Nowhere – featuring song-writing and vocal input from Scots musician Emma Pollock, Fools Tomorrow – featuring Maximo Park’s Paul Smith on vocal duties, and the gorgeous Everyone Nervous – featuring the wonderful Rozi Plain on vocals.
On the back of the album’s imminent release, I had the opportunity to interview Steve Jefferis to discuss the album and other probing questions. A transcript follows.
So, the first question I have is that you seem to be writing more songs with lyrics now and has it been a natural progression to do that?
To an extent, yes. The difference this time is that we knew from the start that we wanted to do vocal songs. And that people just seem to like them, really, and I guess they do make it [the music] more accessible generally. So, we had that in mind this time whereas with Wireless World it evolved a bit strangely that record. We actually completed it as a completely instrumental album. We had been thinking about doing vocals for a long time and a few people whose opinions we kind of respected and cared about thought we should think seriously about doing it. Others could hear that those songs could maybe kind of benefit from vocals. So we thought, well, “we’ll give it a go.” And that’s why that record took years and years to complete because we’d finished it, but then we went back, started talking to vocalists and then had to re-edit the songs to incorporate the vocals and then it ended up the record it was. This time having felt that the vocal idea went quite well on Wireless World we thought, well, “what can we do next?” So when we were writing the songs we were much more mindful that the vocalists would come in on this and so we wrote up to a point and went to the vocalists at an earlier stage. There was a lot more to-ing and fro-ing between us and the vocalists this time around.
There is also a track on the album that has a vocal that isn’t done by a guest vocalist. It is actually me singing. It is mentioned on the album’s sleeve notes that I am singing vocals on the album. I’m quite nervous about it and not sure if I really want it known that it’s me. How it came about was, when we were looking for vocalists for the tracks, I did guide vocals just to say this is what we have in mind for the melody, etc. Andy heard those and said “you know you can hold a tune, Steve, do you want to think about singing?” and I really didn’t want to. We had done the title track, Flight Of Ideas, as an instrumental but it didn’t really seem to work as an instrumental piece. So we thought maybe we should end up singing on this and that’s what we ended up doing. And I think it has come out okay.
Well you kind of did answer the second question I had as a consequence and talking about this. What I was going to ask was when you started out, did you see yourselves as a purely instrumental band?
When we started, it was all improvised. We’d play live with a synth bassline on a loop and then Andy would play and I would play improv on the guitar and after a while we’d get bored and start off another bassline, so it was all completely improvised and then at the point when Andy moved away from Newcastle we thought, we’re not sure this band is going to survive so let’s go into a studio and just record some of the improvisation and that worked quite well and that then turned into the album [Keep Warm], edited down from those improv jams. Tracks like Weapons Destruction, for example, were made up on the spot around the bassline and then edited down. So there has been two evolutions of Warm Digits, really. One is the evolution of very early improvisation to something much more song based, which is one of the big things that’s happened over the last two albums, and then the evolution from pure instrumental to vocal.
I think the label would be quite happy if we’d have given them an album with 10 vocal tracks.
Yeah. They really love it. You know, they’ve got their eye on things that are going to hook people in or catch peoples’ ear on the radio and although I am very happy that people like the vocal tracks I am also feeling having part of the past two albums as instrumentals feels important as it is still an integral part of the band.
That’s what really hooked me in with you guys was that you are – or were – an instrumental led band. To me it feels the emphasis on instrumentals in rock and pop music has been lost in recent times.
Yes, I agree. For instance, when you saw us Glasgow I think we did three instrumental tracks and three vocal tracks in the set, and that felt like a good mix…that it’s not “Oh, they’re doing an instrumental now to sort of pad everything out”, that actually this is the kind of band we are and the vocals are special guests.
So when you’re writing the songs with lyrics on them, are those ideas for the lyrics happening first or is it a musical piece first before it’s being worked on lyrically?
It is, absolutely [the latter]. If not finished instrumentals then at least coherent songs in their own right before any lyrics evolve.
Do you ever have any title ideas? Like is there something like just words that seem to develop a track or is it all just musically driven?
The titles are right at the heart of everything actually. That’s a good question. When we were purely instrumental all instrumental bands have the problem of “what on earth are we going to call that song?”, because there are no lyrics to take a line from. That was one of the things that got us thinking about concepts for the records. Not for the first album, but for Interchange and for Wireless World, we started working with an idea of what the album could loosely be about and then just thinking of song titles. We both have a background in electronic music, you know like Warp Records, electronica and one of things that those bands often do is to have completely nonsense song titles that are like, you know, a kind of glitchy computer malfunction type. We wanted to get away from that as we felt that would seem a bit of a cop out, so let’s give these proper titles even if they are not vocal tracks. Then what happened from there with Wireless World is we had all the song titles for the instrumentals and the vocalists took the titles and used that as inspiration for the lyrics they wrote. And that was…not in all the cases but in quite a lot of cases. It was a case on this record as well, like The View From Nowhere had a title from the start. We listen out for phrases and ideas that have a ring to them and keep on a list as potential front runners.
That was the next question I was going to ask about, was your collaboration with Emma Pollock on The view From Nowhere. Was Emma involved in the writing of the lyrics?
Yes, that’s right. It is mixed on this record. Some of the lyrics are ours but that one she wrote the entirety of the lyrics. We fed her the title and the kind of idea that was in our minds originally for that…the short conceptual idea of what it could be about and she took that and wrote words around that. There was a bit of back and forth. She did a demo and we suggested a tinkering to a couple of the lines but yeah, that’s all her work. I’m really pleased with how that one came out lyrically. I’ve always been a fan of her work and she has this way of writing these lyrics that are very elusive in a sense that…you can get a sense of what they’re about but they are quite hard to pin down the actual meaning. And that is true of…well, I hope it is true of that song. That is why I am so pleased with it as she did exactly what I was hoping she would do with it.
This is going to sound a really pedantic question, in retrospect. The bass on Replication…do you play the bass parts?
Yes. And that is one of the other things that has evolved over time. It used to all just be synth bass but since we wrote End Times [a track on the Wireless World album] which had that really funky bassline on it, and it just seemed to work, there has been more bass guitar on the songs. I think that song did originally have a synth bass on it as well. How that came about was…that was one of the ones where it was written in the style in which we always used to write, which is to have a synth loop going and just play along with it and you play for a while and then something eventually jumps out and you think “oh, yeah, that could work”.
You’re a father to two young children. So how do you manage the work/life balance?
Oh, God! Well…we kind of don’t in that I don’t think we do it particularly successfully. I spend a lot of my time quite tired and quite stressed because they’re the priorty. I have a day job as well. And so there’s that and the travelling and then the band. I mean…I suppose the answer is it just kind of fits in the gaps, really. And with a lot of support and understanding from my wife who’s enabling it to happen.
There can be advantages to it in the sense that, like, with this record we just needed to get it done because we had so little time. So it can help you to focus a bit because, you know, I’ve got a little bit of time on a Wednesday during the day when I’m not at work to do music whereas 10 years ago I would have probably just noodled around and maybe have come up with something useful but mostly have done nothing productive at all.
And the way technology is these days, you can record from home. You don’t need to be in a studio to record. Andy and I don’t need to be in a studio together to work on things. There are still advantages to being in a studio. You’re working with an engineer and things. But the freedom you have to work at your own time and pace and the quality of home recording now is…well. Andy is more of the technically-minded one, really. He does the production, the mixing and mastering and everything that makes it sound like a proper record. And he tidies up all my mistakes. He makes sure everything is recorded properly. So Andy and I do it all from home.
Is there anyone you’d like to collaborate with in future recordings? If so, who would be your dream collaborator?
I mean, I’ll take this question as to mean vocal collaboration? Well, we have done a music collaboration before with Field Music [a BBC Radio session that happened in January, 2012, between both bands that was produced as a 10” vinyl record]. But I think me and Andy are so…we’ve just got our way of working together musically that just works. I’m thinking about vocals… Well, do you know what? For this album we did sit down and write a long list of who is on our dream vocal collaborator’s list, knowing that from the off most of them we wouldn’t stand a chance of getting but the one at the time of my list was Sufjan Stevens. He’s an amazing singer-songwriter. He’s been nominated for an Oscar [for Best Original Song for Mystery Of Love in the film Call Me By Your Name in 2018]. He made two albums about two American states. I suppose you’d say he’s folk rock? He just has a beautiful voice and writes very emotional songs that just make you cry. He made an album called The Age Of Adz. It’s much more electronic. I think it’s a beautiful album. So, yes. I would definitely die happy if we were ever able to get him.
One of the other ones on my dream list would be…one of my favourite bands growing up was Wire – they’re a British post punk band who are still going. Again the vocalist, Colin Newman, has an incredible emotional voice – and we’ve done a cover version of one of his songs – which is actually an instrumental. But I consider them [Wire] and him [Newman] a big influence on us. So that would be my other dream collaboration were it to have the chance to happen.
Okay, this one kind of leads on again from what we’ve just discussed. These questions are blending in very well! I love the description of your sound in the press release for Flight Of Ideas – “ If Can met Chemical Brothers in a fireworks factory.” It mentions musical influences like Steve Reich, could you expand on the musical influences that you have?
Okay, sure. Well, the simplest thing to say is one of the things our previous manger used to describe us is – if My Bloody Valentine played Krautrock. Which is not far off the original idea of the band. We both come from backgrounds in more pure electronic music. We used to play laptop electronica and that is how Andy and I started collaborating. Quite quickly we discovered that it was really hard to make that kind of music exciting live because you’re just standing on stage with a laptop, essentially. Andy had always drummed but he just hadn’t been drumming on our collaborations and so he just started drumming along in rehearsals and it sounded amazing. So we thought “oh, this is good!” and eventually I picked up the guitar. But there had always been this electronic undercurrent to it.
So I suppose the three influences mainly are the classic electronic music, like Kraftwerk, then through to techno and acid house grooves and more contemporary electronic music like the kind of Warp Records type electronica and then cosmic disco and Scandinavian stuff like Lindstrom were the big electronic influences.
The second lot of influences come from Krautrock – particularly Neu! Can, up to a point, and Kraftwerk – that kind of rhythm seemed to just work really well really quickly when we started playing and it’s a lot of fun to play and feel you can – particurlarly when we’re improvising – you can just play that rhythm for hours and find new things to discover in it.
And the the third set of influences comes from guitar led music, in particular shoe-gazing, so – for Andy as well – but for me, in particular, I’ve always been a massive fan of bands like My Bloody Valentine and the noisier of the shoe-gazing bands. There’s an American band called Medicine who are absolute favourites of mine. And so those blends of influences felt like quite a new thing to do when we started out, blending the sounds of electronic music with Kraurock and shoe-gazing guitar over it. I think Andy has probably got a wider set of influences than me so if he were here I think he might be talking a bit more about jazz. There’s certainly a big sort of jazz element in his drumming, although generally the rhythms are more Krautrock or Indy sounding but the way he plays is quite improvisational, really, so he would probably have that in there.
Off the back of the electronic influences there’s also the more minimalist and classical end as well, we mentioned Steve Reich earlier, that has a looping, repeating electronic motif on it. That wave of American minimalist guys, really. I’m worried I’ve missed out who Andy would say, but you’ll have to do with my version of names and influences.
The next question is what would be your ‘go to’ album on a good day?
Okay. Now I find this really difficult to answer you see because…
Or, conversely, the album of solace for you on a bad day? So the yin and yang of what would be an uplifting one and what would be your wallowing one, I guess?
Erm…I’ll take the – I dunno what this means but – the solace one comes much more readily to mind. I might mention Richard Dawson, actually. A singer and guitarist from Newcastle. He put out a record called Nothing Important, which – particularly the title track – is incredibly emotionally powerful and very sad but kind of compelling. I’m not sure if I draw solace from it but it is something I would go to if I’m not feeling great. Or the other might be a favourite record of mine and Andy’s which is Music Has The Right To Children by Boards Of Canada. There’s real melancholy in there…which is not always easy to do in a record but it also has an eerie quality to it. I think it’s great.
The uplifting stuff would be kind of…indy pop. The Pastels – the Glasgow band. But I can’t think of one particular album off the top of my head right now. We might have to come back to this one.
So, getting back to the album itself, to me, Fools Tomorrow and False Positive in particular, those two tracks seem to be the more obvious move away from the usual sort of Krautrock motorik led sound and have more of the funk element to them. So where has….if you can articulate it…where do you feel this more funk based sound has come from?
Yeah, that’s a good question. I mean Fools Tomorrow was Andy’s song and that came from the rhythm. I think what it came from was he was just playing around with drum loops and he layered on two loops and came up with this thundering rhythm that that song’s got and it just worked quite quickly because it’s like “Ooh, we haven’t had one like this before”, but that rhythm’s amazing. So that song came from Andy playing around with drum loops and finding something that really worked as a groove. False Positive is one of mine and I think it came from finding a bit of confidence on Wireless World with the more disco-y tracks – End Times and The Rumble And The Tremor – and just being interested to see if we really turned this up a notch and made it really funky what would that be like? So False Positive has got this kind of ridiculous 80s synth on it, slightly cheesy and I tried it and I thought “oh, God, can we get away with it?”
It was FAB live! I really loved you guys performing it live at Saint Luke’s. It really worked.
Oh, that’s good to hear because I think I enjoy it but I think it’s one of the ones, partly because I think…so, one of the other things that comes from this album is they [the songs] were written in the studio solo. So False Positive, for example, I sent to Andy fairly complete but not fully formed and so one of the things with the track is that the groove hasn’t grown out of him playing drums on it. When we started to play it live, it was like “oh, god, how do I play this” and it wasn’t feeling natural to him at first. But as we’ve continued to play it live, it seems to be working really well. So it’s good to get that feedback that it works because between the two of us we were thinking “oh, does the feel right when we play it live?”, we weren’t too sure.
So, yeah. It basically emerged from me thinking if we tried to turn up the funkiness from the kind of songs we were doing on the last album what would that sound like and that’s what came out. Also with it being our 4th album in, there is quite a bit on there that is recognisably us, but there’s also things where we’ve tried to stretch things a bit or push the edges of what we’ve done before by experimenting a little bit. So that is part of the idea as well, like, what rhythm hadn’t we tried before that could work within the palette of sounds that we’re familiar with.
I have two questions left. Well, I think they’re two. I can see that there maybe questions within questions, potentially.
I have to say the tracks (for me), I’m Okay You’re Okay, and Everyone Nervous, as well as that bridge break in Fools Tomorrow – they’re the really emotional pieces for me.
So the question from that is, what do you hope people get from listening to your music? And would you hope that there would be visceral feelings that come from that? Do you hope there’s an emotional impact for people?
Yeah, yeah. That’s a really good question. I think both, really. The visceral one is probably the first thing. Largely because the band emerged out of that we want to do something that’s safe live and that people really enjoy to see, so that impact was the first thing we went for, But, you know you’ve got to have a bit of rage as well. I am very pleased that there are emotional elements too. If it is sparked off even just by a chord change, something like that…if it just makes you want to sigh or something like that. I have always felt that element of music is very compelling. There are songs where we try to put those elements in – I’m Okay You’re Okay is probably the one I think we’ve done it most successfully on. That was a difficult song to get right. It’s been kicking around for years. And it used to be a disco song. Andy wrote the song but got fed up with it but I really loved the emotional feeling of the chord sequences and thought “I’m not going to give this up, we’re going to try and make it work” and so we redid it as a Krautrock song and had this synth melody on the top of it.
It is the melody that does it. Its’s the thing that gives the song it’s emotional impact.
Thank you. I hear a yearning quality to it. And it is a lot quieter song than we normally do so that feels good to have that bit of space.
Final question (questions!) and I’m worried this might seem some kind of loaded question.
How important is the idea of commercial success for you? At a point we are at the moment where, you know, people are exposed to music more than ever before. Do you think that there is less importance attached to music in younger generations? Does it concern you? Or do you think it’s just a cyclical phase?
I mean, as far commercial potential goes it’s not overly important to us at all. What does feel important is that it’s got a platform for people to be able hear it. So it’s just brilliant that Memphis Industries picked up on the last record and wanted to do it because that opens the door to radio and festivals and bigger gigs that never would have happened otherwise. You know, we’re quite happy kind of being a Newcastle band with a decent following locally and not much else. But it feels great to have a platform. I mean, but you know… I’m not sure we would get on well with a big kind of bump in popularity because then it would feel that the stakes go up.
Going back to your question earlier about how we juggle it alongside other commitments, I mean that would be what makes me anxious because it’s like if the expectations go up about touring or whatever, then that’s hard on a personal level. I mean, I hope it doesn’t sound like a cop out. It’s lovely that people get the chance to hear it but beyond that, we are not particurlay ambitious about [success] on a commercial level.
Part of the question was about generational differences. I’ve got no idea what music culture is like for teenagers these days, but I do feel nostalgic for how it was when I was growing up which revolved around the weekly music papers of the UK – the NME and the like – and the the new bands you’d discover and go and see live.
I think when I was younger the scarcity of music in the sense that…I mean you had the radio and that…but you had to buy it, really, if you wanted to listen to it repeatedly. And so I think it was that scarcity that drove your curiosity. And so I don’t know how that works now because we’ve all got infinite music at our fingertips now. So I don’t know whether that plays a part in why it seems younger folk place less importance on it.
I do see younger people around who are passionate about music and attached to particular bands, so I think it’s still happening but is perhaps less of a unifying culture than it was in the past.
The current single from the album – the sublime Everyone Nervous.
The follow up to 2017’s Wireless World sees the Newcastle duo expand on the lyrics and guest vocalists and they take the funk up a notch too! A fantastic trip into the topical point of how not every idea we have is the right idea and should be executed blindingly.
Following is my track-by-track thoughts on the new album.
Track one – Frames And Cages: Bang up-to-date but with undertones of Eastern mysticism and the soft wave of the signature Warm Digits sound. Pulsing rhythms through it. Love the ending. A strong album opener.
Track two – Feel The Panic (feat. The Lovely Eggs): First time I listened to it I felt it should have been the lead single, just my opinion. Great catchy lyrics. “Are you infallible? Or just gullible?” Andy’s drumming is a highlight on this. Great guitar licks from Steve as well. They bring out such a big sound for a duo. This track could currently not be any more topical!
Track three – The View From Nowhere (feat. Emma Pollock): A bit more of a laidback groove from the guys this track. Again, great lyrics. Great guitar licks from Steve.
Track four – I’m Okay, You’re Okay: The melody! I love this track. I actually find it very emotional. It’s reminiscent of something off Autobahn for me – just….the emotional impact of it. Gorgeous electronica. But also very organic. A very signature Warm Digits track for me.
Track five – Fools Tomorrow (feat. Paul Smith): Wow! What a track! The funk weaving through and Paul Smith’s voice works ssooo well with the sound. And the beat break around the three minute mark in the song? Divine! Again, tracks on this album are becoming incredibly topical.
Track six – Replication: Again, the melody that starts the track just pulls you in and then Andy drums like an animal. Great bass work and then manic but gorgeous waves of melody and riffs. Something pentatonic with the beat at times. Then another gorgeous beat break around the three minute mark. The bass on this is sublime!
Track seven – Shake The Wheels Off (feat. The Orielles): More funk coming along, but perhaps toned down a little compared to others. Great electronics on it and fab hooks and riffs going on in it. Again very catchy. “A real bone-shaker”, as the song says.
Track eight – Everyone Nervous (feat. Rozi Plain): Beautiful electronics and Andy’s drumming on it is fab. Great guitar reverbs towards the end of the track as well. Rozi Plain’s voice is so wonderful emotive. I find this a wonderfully soft and emotional piece. It actually gives me those goosebump chills of electricity when I play it.
Track nine – False Positive: TURN UP THE FUNK! Wow! Was blown away by this when they performed it at St Luke’s in Glasgow back in February. Great synth melody over the top too. Something you can really just funk out to. Might actually be my fave track on the whole album. If not then…it’s really up there!
Track ten – Flight Of Ideas: These guys really are the modern masters of the looped groove for me. I just love absolutely everything they produce. And – hidden singing sensation on the track – the one and only Steve Jefferis!
A cohesive collection of songs. A maturing of sound, I feel. A little less emphasis on the more motorik sound they had. They have certainly increased the funk ratio and the influences of the electronica that the band originally sprouted from has returned somewhat, but also matured.
Standout tracks for me are: Fools Tomorrow, Replication, Everyone Nervous and False Positive.
A very solid 4.5 stars out of five.
Flight Of Ideas is released on April 3rd, 2020, on the Memphis Industries label and can be pre-ordered online at the Warm Digits store. Click the LINK HERE for details.
I really am not the biggest fan of the live album. Never have been and probably even more so now I actually go to many gigs during the year. Get it wrong and it’s completely devoid of atmosphere and can just sound appalling and probably doesn’t “sell” what is otherwise a truly stellar live act. Get it right though (which in my view is VERY rare – much rarer than an act just getting the sound/atmosphere right on the night) – and wow!
I listened to this last night. If Mr Ferry still sounds and can deliver like this in a few weeks time at the Armadillo…I will be a very, VERY happy bunny!

domain: artistic


text:
you cant sue because you got scared and sold and missed the $5 buyout
HAHAHA!!! If this turn of events continues, I may have just got my retirement fund.
Where are you getting your $5 figure?
i am just looking at the stock chart. i have my sell order in at $5


text:
Venezuela President Nicolas Maduro this week mandated a 72-hour deadline for hundreds of families living along the border with Colombia to vacate their homes, deepening an ongoing crackdown on Colombians living in Venezuela’s border communities. The move came ahead of a highly anticipated meeting Wednesday between Venezuelan and Colombian officials over the border crisis that has already seen more than 1,000 Colombians ejected from Venezuela.
The looming Friday deadline applies to some 500 families living in a shantytown community known as La Invasion. Venezuelan officials have already been marking some homes in the area to be demolished after the evacuations to ensure they won’t be reoccupied if the families return, Venezuelan newspaper El Nacional reported. Around 100 Colombians living in the area began abandoning their homes Tuesday after hearing of the order to leave, the Associated Press reported.
The move is the latest development in a border crackdown that began last week after gunmen attacked three Venezuelan soldiers in the western state of Táchira. Maduro closed the border following the incident and declared martial law in several municipalities, saying the attackers were affiliated with Colombian paramilitary groups. Since then, Venezuela has deported 1,113 Colombians living illegally in its border communities, Colombia’s migration office said. Hundreds more have packed up their belongings and left on their own accord for fear of being expelled.
Foreign ministers and other government officials from both countries are due to meet in Cartagena, Colombia, on Wednesday to discuss the ongoing crisis. Colombia President Juan Manuel Santos has criticized the deportations, saying Venezuelans’ treatment of Colombians was “unacceptable,” but he also called for diplomacy rather than an escalation of tensions.
“It’s time for firefighters, not arsonists,” he said in a statement Tuesday.
The Venezuela-Colombia border area has long been a source of tension between the countries as Maduro has accused smugglers of sneaking contraband in and out of Venezuela. Maduro’s critics accuse the president of ramping up rhetoric against Colombia to distract Venezuelans from the country’s own economic crisis, which has seen increasing unrest over chronic shortages of goods, rising inflation and high crime rates. Opposition leaders, including Henrique Capriles, who ran against Maduro for president in 2013, have compared Maduro to U.S. presidential hopeful Donald Trump, who has spoken out forcefully against illegal migration from Mexico into the United States.

domain: politics


As a successor to the SDLA-LAMA instrument developed in the late 1990s, Pico-SDLA has participated in all the recent balloon campaigns organised by CNES as part of the "climate" flights.
Pico-SDLA is a tunable laser diode spectrometer developed jointly by the CNRS Molecular and Atmospheric Spectroscopy Group and the Technical Division of INSU, under the responsibility of Georges Durry and Nadir Amarouche.
Working in the near infrared (2.6 μm), the instrument is able to determine the concentration of greenhouse gases in the atmosphere by measuring the extinction of the light signal emitted by laser diodes along an optical path about 1 m. A bi-gas version of the instrument (water vapour and carbon dioxide) has been specially developed for Strateole 2.
The main technological challenge in this long-term version of the pico-SDLA instrument was to comply with the drastic constraints of onboard mass and available energy imposed by long-term flights.
Therefore, the open optical cell which constitutes the critical part of the instrument was designed in carbon fibre. The cell is suspended at approximately 3 m under the Zephyr payload gondola. A special effort also focused on the thermal insulation of the laser diodes located at the end of the cell, and exposed to the air temperature (which can reach -80 °C) but requiring to be thermostated around 0 °C to work properly!
- Philippe Cocquerez, Strateole-2 Project Manager
- Georges Durry, Pico-SDLA Head Scientist (georges.durry at univ-reims.fr)
- Nadir Amarouche, Pico-SDLA Project Manager (nadir.amarouche at cnrs.fr)
- Albert Hertzog, Strateole 2 Head Scientist


text:
The magic and allure of treehouses has been making a comeback in recent years—and they aren’t just for kids anymore! The eco-friendly little gems can be custom built and painted to suit your location and desires, and can be as simple or elaborate as you wish. Sometimes the trees you have to work with will determine the layout of your treehouse, so the first thing you’ll need to do is scope out your location. What you’ll be looking for is a group of closely growing trees that are at least 30cm in diameter at the height you’ll be placing your treehouse’s floor. In this example, we’ll be discussing a fairly simple treehouse such as the type that would be appropriate for children, rather than the super pro monster in the photo. This treehouse was built by Will Giles Norwich, Norfolk.
Best case scenario you’ll find two or three trees growing closely together that are thick and sturdy enough to hold up your base plus the added weight of the kids who’ll be enjoying the finished product. When deciding on height, take into account the diameter of the trees higher up, the mode you’ll be using to access the treehouse, and the propensity of trees to sway and move at higher elevations. For most children, a floor height of around 3 meters high is enough to be exciting, but not too scary.
Depending on the layout of your trees, you may only have one option for layout or you may have a few. Draw up plans before purchasing any materials. Don’t forget braces, deck, railing and, if desired, a roof. You could always have an open air treehouse or use a tarp instead of actually building a roof. Once you’ve got your design drawn up, go buy your materials and gather your tools. Pressure treated wood will best be able to handle the elements.
Finally, mount your supports and build away! Your design may change as actual building takes place, and that’s fine. When you’re finished, you’ll want to stain or paint your creation with an organic natural product that won’t harm the environment in which it’s been built. You could paint it with Auro 250 Natural gloss paint to match your home with faux shutters and all, or you could use a natural wood stain to blend in with the surrounding tree trunks. Be creative and have fun with it!

domain: hobby


text:
De 10 bästa hotellen i San Diego Hotels.com
One property will be a Joie de Vivre hotel FIND SAN DIEGO PREFERRED HOTELS AND PACKAGES Call 1-800-431- 7838 for Unpublished Rates and Exclusive offers! Find Zoo Vacation Packages as 27 Jan 2021 Find out more about the travel advisories affecting San Diego, and stay Your Safety First: An Open Letter To Our Guests, Employees and 13 May 2020 The tribal-owned casinos in San Diego County have been closed since the hotel, casino and restaurants would open on May 22 and noted Book our San Diego, CA hotel for a memorable stay. Spend the day in Torrey Pines State Beach, the San Diego Zoo, Black Mountain Open Space Park—or 29 Jan 2021 The Cosmopolitan Hotel is open for limited days. Full parking is now available to the public.
Browse Expedia's selection of 4923 hotels and places to stay in San Diego. Find cheap deals and discount rates that best fit your budget. It's simple to book your hotel with Expedia U.S. News has identified top business hotels in San Diego by taking into account amenities, reputation among professional travel experts, guest reviews and hotel class ratings. San Diego’s collection of hotels and resorts are as diverse as they are plenty. San Diego hotels range from award-winning, world-class resorts and historic icon-status hotels, to renowned global brand properties, reliable house-hold name motels, and unique local boutiques. Hotel Indigo San Diego - Gaslamp Quarter, an IHG hotelOpens in new window. Downtown San Diego, San Diego Show on map.
Browse Expedia's selection of 4923 hotels and places to stay in San Diego. Find cheap deals and discount rates that best fit your budget.
Bäst i Februari 2017 - Jonk
In the heart of the Gaslamp Quarter, the property features 159 guest rooms with custom fixtures, flat The city is defined by its coastline, so it’s worthwhile to stay as close to the sand as you can. Here’s a list of 10 great San Diego hotels on the beach. Be the first to discover secret destinations, travel hacks, and more.
The Sofia Hotel Pet-friendly San Diego CA. Sista minuten
com Between May & November limited opening hours SkiStar AB (marketed San Diego, CA 92101 +1-619-241-2517; FlowRider, Inc. Lindvallen is best for beginners and I Sverige är vi rikstäckande i produktförsäljning på byggnadsautomation, kyla, HVAC, industriell kyla och säkerhet. Drive real business transformation. A new generation of hybrid cloud, built on Red Hat OpenShift, lets you build and manage across any cloud. Logistik partner inom sjöfrakt, flygfrakt, kontraktslogistik, integrerad logistik och bilfrakt. Vi skickar din frakt över hela världen. Like all California hotels, Pendry San Diego is gearing up on safety protocols. San Diego hotels are ready to reopen.
See the best hotels based on price, location, size, services, amenities, charm, and more. To revisit this article, visit My Profile, th
San Diego hotels offer the perfect pillow for every person. From historic properties to boutique hotels, discover the best places to stay.
Take a look through our photo library, read reviews from real guests and book now with our Price Guarantee. We’ll even let you know about secret offers and sales when you sign up to our emails. San Diego is one of the more family-friendly cities in the United States.
San Diego County and other local counties are once again
Those hotels include the Hotel Solamar, San Diego Mission Bay Resort, and the Westin San Diego Gaslamp Quarter. The Westin is expected to remain open through the end of the month.
Apotekstekniker lön östergötland
ms foundation phone number
ken loach i, daniel blake
ipd gua musang
olycka stockholm tåg
ApartDirect Linköping Arena in Linkoping Hotel Rates
The Holiday Inn San Diego Bayside is located in the popular Point Loma neighborhood, across from the Marina and Naval Base Point Loma, and only 1.5 miles to the San Diego Int'l Airport. Since January, Five New Hotels Have Opened in San Diego San Diego County had the biggest new hotel in California to open in the first half of 2019: the 302-room Sycuan Casino Resort in East County 2 dagar sedan · The unemployment rate in San Diego County decreased to 6.9% in March, down from a revised 7.2% in February but well above the year- ago rate of 3.8%. I'll be in San Diego for 6 nights over the xmas holidays and have bagged a nice hotel on Priceline, but it doesn't have a pool. I'd really like to swim (as exercise) while I'm there, so I'm looking for gyms or hotels that might allow me to have temporary membership. San Diego Hotels; San Diego Bed and Breakfast. Staff was low so 2 of the restaurants were not open and made eating onsite not convenient.
De 10 bästa hotellen nära San Diego Zoo i San Diego, USA
Can have live entertainment. Hotels and lodging: Open. SAN DIEGO (KGTV) - What would normally be a busy time for the tourism industry is now a slow stretch, As hotels do start to open up, people will notice changes. 2020-06-17 2020-07-08 Hotels Near San Diego Open California.
Chicago, New Orleans, Pittsburgh, London, DTLA, New York, Palm Springs, Portland and Seattle. And Kyoto, opening 2019. Luxury holiday resorts, business and spa hotels around the world.

domain: travel


text:
Flores Thorija, SergioAnimación, Dirección, Dirección de arte, Edición, Fotografía, Guión, Producción. MEXICO CITY, MEXICO, 1987
He studied Film at the CENTRO Design, Film and Television School in Mexico City. He had a grant from the National Fund for Culture and the Arts (FONCA), Mexico to obtain a Ph.D in humanities in film at the Film Factory program, founded by Hungarian director Béla Tarr, of the Sarajevo Film Academy, Bosnia and Herzegovina. His short documentary film Tuga (2014) participated in the 12th Morelia International Film Festival (FICM). His short fiction film Bosnian Dream (2015) won the Short Film Award at the 13th FICM and won the Luminus Canacine Award for Best Short Film. His first feature film 3 ZENE or (Waking Up From My Bosnian Dream), is part of the Official Selection of the 14th FICM.

domain: entertainment


text:
Edward George Dyson
Men Of Australia
Men of all the lands Australian from the Gulf to Derwent River,
From the Heads of Sydney Harbour to the waters of the West,
There’s a spirit loudly calling where the saplings dip and quiver,
Where the city crowds are thronging, and the range uplifts its crest!
Do ye feel the holy fervour of a new-born exultation?
For the task the Lord has set us is a trust of noblest pride—
We are named to march unblooded to the winning of a nation,
And to crown her with a glory that may everm


text:
A Phase III Study Of Standard Fractionation Radiotherapy With Concurrent High-Dose Cisplatin Versus Accelerated Fractionation Radiotherapy With Panitumumab In Patients With Locally Advanced Stage III And IV Squamous Cell Carcinoma Of The Head And Neck.
Complexity Level: 1
Eligibility: Patients with histologically confirmed squamous cell carcinoma of the head and neck of the oral cavity, oropharynx, larynx or hypopharynx which is locally advanced as defined by TanyN+M0 or T3-4N0M0.
Objectives: The primary objective is progression free survival. The secondary objectives include: overall survival, local progression free survival, regional progression free survival, distant metastasis, acute and late adverse events, quality of life, swallowing related quality of life, functional swallowing outcome (selected centres), significance of tissue and blood biomarkers, and health economics.
NCT Registration ID (from clinicaltrials.gov): NCT00820248
Participation: Open to member centres
NCI US Affiliation: No
Clinical Trials Application (Canada): Yes
Coordination: NCIC CTG Led Trial
Status: Permanently Closed
Activation Date: December 18, 2008 Closing Date: November 07, 2011
Chair: (Canada) Dr. John Waldron, Univ. Health Network-OCI/Princess Margaret Hospital, (416) 946-6522, (Canada) Dr. Lillian Siu, Univ. Health Network-OCI/Princess Margaret Hospital, (416) 946-2911

domain: medical


text:
Part- Time Nanny Needed For 1 Child In Rocky River
Location: Rocky River
Posted on: March 18, 2023
We are looking for a part-time nanny for our 5-month-old daughter starting in April. Schedule will be 3 days a week, 6:30am-2:30 p.m. We also have a very gentle 9-year-old lab. Recommendations and covid vaccination are required. Please let me know if you're interested and would like to talk further!Category : Child Care
Keywords: Care.com, Cleveland , Part- Time Nanny Needed For 1 Child In Rocky River, Other , Rocky River, Ohio
here to apply!


text:
The unwilling recipient of any sort of accident may have lots of expenses to be able to pay, such as their particular hospital bills. If perhaps they did not cause the incident plus it was actually due to another person, the responsible person may be liable for these expenses. Any time this is the situation, the victim can speak to an personal injury lawyer victoria bc
to be able to be certain they get the complete level of compensation they require to be able to economically get over the incident.
Someone won't want to handle this by themselves. They may file a compensation claim with the insurance company for the at fault person. However, the insurance provider will almost certainly wish to save just as much money as is possible, therefore they can offer the victim the smallest amount of cash they can. If perhaps the unwilling recipient will take this settlement, they cannot get more cash in the future as well as may be required to pay the remaining expenditures independently
. As an alternative, the victim may desire to be sure they'll talk to a lawyer concerning the scenario. The lawyer can let them know just how much money they should receive and also may assist them to make certain they obtain the complete sum from the insurance company to make sure they do not have to pay anything up front.
In case you were harmed in an accident that had not been your failing, you may be entitled to compensation from your injuries. Rather than endeavoring to contend with the responsible person's insurer by yourself plus risk acquiring inadequate compensation, make sure you will speak with a legal professional. Stop by the web page for a personal injury lawyer victoria today to find out more.

domain: law