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Title: The Case For Israel
Author: Alan Dershowitz
Publisher: John Wiley & Sons, Hoboken, NJ
Presenting this subject from a positive point of view in The Jewish Press is akin to ‘preaching to the choir,’ but Prof. Dershowitz brings his many years of legal training and expertise – and a
lifetime of involvement with the Zionist cause – to bear on the subject.
This slim volume (as opposed to some of his lengthier, non-fiction works) contains the answers to every accusation of the likes of the Edward Saids, Noam Chomskys and Vanessa Redgraves of the world, with their constant anti-Semitic and anti-Zionist invectives and expletives.
Dershowitz knows his Zionist, mid-Eastern and world history down pat; fully presents the common accusatory references to Israel on the world scene, and conveniently supplies us with proper answers to the demagogues who would indict all Israelis and Jews as well as others who would support their right to exist.
The book answers many common canards, notably:
* Did European Jews displace Palestinians?
* Is terrorism merely part of a cycle of violence?
* Was the U.N. Partition Plan unfair to Palestinians?
* Has Israel’s ‘victimization’ of the Palestinian been the primary cause of the Arab-Israeli conflict?
* Why have more Palestinians than Israelis been killed?
Like the good lawyer he is, Dershowitz clearly and fully documents his case, and his hard-hitting writing is perfectly clear and non-pontifical. The author has been an ardent although not
uncritical supporter of Israel, and he asserts that those who single out Israel for one-sided criticism are themselves guilty of a form of bigotry.
Israel is a democracy where even members of its Arab minority have their vote and say in governmental affairs. There exists NO Arab state in which its residents have unfettered political rights, and there are few Western nations in which its citizens have as much freedom of expression as Israelis are accustomed to exercising.
The renown of the author has encouraged the publisher to print an enormous first edition of over 150,000 copies, which will be in bookstores this Fall, and the book certainly has a place in the home library of every Jew who seeks his/her own responses to the common canards, lies and untruths our enemies constantly insinuate upon us.
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Course Offerings for Spring 2014If you don't see a description for the course you are interested in, contact the instructor for more information. We try to keep this information about English department course offerings as accurate, timely, and complete as possible. However, schedules may change, and students are advised to consult the Banner schedule as the most authoritative source for scheduling information.
203 • Writing in Birmingham • MWF 11:15 am-12:05 pm • WellsIn this course, students will use the city of Birmingham as the subject and audience for writing. Course projects ask students to engage with the community as researchers, writers, and citizens. These projects include a service-learning unit that will provide students the opportunity to interact with young writers in our community and to write about service experiences for real audiences. Students will gain experience with academic, professional, and public kinds of writing.
214 • Literature and Empathy (Service Learning) • MWF 9:05-9:55 am • EllisOne good reason to study literature is that it can encourage empathy for others and expose us to different modes of perception and experience. In this course, we will each be assigned to a “buddy” who is suffering from Alzheimer’s disease or dementia, and we will visit with our buddies over the course of the semester. As we learn techniques for empathetic communication through the Memory Bridge program (http://www.memorybridge.org), and we will also read, interpret, and write about literature that explores various themes that are relevant to our journey: memory, the body, illness, aging, narrative, consciousness, and empathy itself. Texts to be studied may include: To Kill a Mockingbird, The Life of Pi, “A Very Old Man with Enormous Wings,” The Death of Ivan Ilyich, King Lear, Death of a Salesman, “Sonny’s Blues,” selections from Beyond Forgetting: Poetry and Prose about Alzheimer’s Disease, Illness as Metaphor, Tinkers
301 • Reading, Writing, and Research • TTh 11:00 am-12:15 pm • SiegelIn this course you’ll learn the essential elements of literary scholarship, including research methods, interpretive strategies, critical theory, and the conventions of literary essays. The course aims to broaden your understanding of English as an academic discipline and to give you tools that you’ll be able to apply to your future coursework in English.
301• Reading, Writing, and Research • TTh 5:00-6:15 pm • BellisThis class is designed to introduce you to the tools and techniques of literary analysis and research, to help you prepare for more advanced work in English. As the title suggests, the course has several objectives: 1) we’ll discuss various literary terms and concepts, along with a sampling of literary theories that can inform and enrich your reading; 2) we’ll work on the processes and requirements of academic writing, with a particular focus on argument and structure; and 3) we’ll look at effective ways of conducting research and documenting it appropriately. Texts may include
- Ross Murfin and Supryia Ray, The Bedford Glossary of Critical and Literary Terms (3rd Ed.)
- Terry Eagleton, Literary Theory: An Introduction
- Mark Twain, The Adventures of Huckleberry Finn (Graff and Phelan, eds., 2nd. Ed.)
- Robert Frost, A Boy’s Will and North of Boston (in paperback or on Blackboard)
- Plus readings posted on Blackboard or at Sterne Library reserves
305/306 • Beginning Poetry Writing Workshop • TTh 12:30-1:45 pm • VinesEH 305 is a poetry writing workshop that emphasizes reading, writing, and critiquing poetry. Throughout the semester, we will explore the fundamental elements of poetry and closely examine poetry by writers with various styles and sensibilities. Our discussions will employ the types of vocabulary and considerations specific to poetry and poetry criticism. These discussions should help you to articulate your impressions and criticisms--a facility you'll need for workshopping the poems of your peers and for writing critical responses and original poetry. Required Texts
- Chad Davidson and Gregory Fraser, Writing Poetry: Creative and Critical Approaches
- Three to four contemporary poetry collections
307/308 • Beginning Creative Nonfiction Workshop • TTh 9:30-10:45 am • MaddenThis is an introductory course in the writing of creative nonfiction. We'll be exploring all possibilities of the genre. Our objective will be to grasp the techniques and the issues of craft and put them into practice in the writing of our own creative nonfiction. We’ll spend a certain amount of class time in every workshop writing as well as discussing different voices in creative nonfiction through Dinty W. Moore's book, THE TRUTH OF THE MATTER and CRAFTING THE PERSONAL ESSAY. Workshop discussions of student-written essays will be a major part of the workshop as well the necessary revisions to shape stories with an eye toward eventual submission and publication. Our objective will be to grasp the techniques and issues of craft and to practice them in writing creative nonfiction. We’ll be doing “free writes” in the workshop to spark ideas for the different forms of creative nonfiction including memoir, personal essay, and literary journalism. We’ll focus on techniques, writing in scene, forms, ethics in researching, interviewing, reporting, and writing about place with a special emphasis on voice in creative nonfiction. Our workshop will consist of combination of writing warm-ups, lecture, and workshop.
309/310 • Beginning Fiction Workshop • TTh 2:00-3:15 pm • MaddenThis beginning fiction workshop is designed for students to write and revise flash fiction and short stories and give thoughtful and constructive feedback to other members of the workshop. We will be discussing story beginnings of “want, obstacle, and action,” point of view, writing believable characters, plot, conflict, scene vs. narrative, language, setting, narrative voice, and outlining as well as many other aspects of fiction. Ellen Slezak (LAST YEAR’S JESUS, ALL THESE GIRLS) writes: “Fiction writing resists a timetable. Any given novel may take months or years to write. Another equally accomplished novel may come to its full potential in a rush. But the structure and demands of a writing workshop can help us to begin and end.” In addition, critical reading of work-in-progress is a learned skill and this will be a major part of the workshop. Each student will also select a published author to present and discuss that particular author's contributions to literature. The workshop will culminate in a literary salon open to the public for students to share work generated in the workshop. Our text is ON WRITING SHORT STORIES, edited by Tom Bailey.
324 • Special Topics in African American Literature: Introduction to Black Studies: Critical Race Discourse from Slavery to Obama • MWF 1:25-2:15 pm • DanielsThis course is an interdisciplinary introduction to the field of Black Studies, with special attention to critical race discourse, as it has been shaped by slavery, Reconstruction, the Civil Rights Movement, and the presidency of Barack Obama. Foregrounding these major events as the key epochs that delineate the African American experience, this course charts the evolution of black racial thought from a variety of disciplinary perspectives including literature, film, music, history, politics, and visual art. The first part of the course explores antebellum struggles for rights and representation, black activism during the Age of Jim Crow, and the critical debate between Booker T. Washington and W.E.B. DuBois. The second half examines the Black Power Movement and the origins of Black Studies as a discipline, while also assessing current controversies in the field in the way of queerness and attacks from the political right. The final section focuses on Critical Race Theory, Black Political Thought, and Postracialism.
- Frederick Douglass, Narrative of the Life of Frederick Douglass (1845)
- Course Reader
Books on Reserve
- Carla Peterson, Doers of the Word: African American Women Speakers and Writers in the North, 1830-1880 (1995)
- Regular, punctual attendance at and participation in class
- Complete all assigned readings
- 2 short papers (3-4 pgs.)
- Final paper (10 pgs.)
Grading PolicyYour final grade will be calculated as follows:
- Attendance & participation 10%
- Short papers 45%
- Final paper 45%
325 • Special Topics: Literature of the Protestant Reformation • MWF 9:05-9:55 am • ChapmanIn this course, we will look at the various ways in which the Reformation—England’s transition from being a Catholic country to a Protestant one—affected the literature of the period. In order to get a good handle on the nature of late-medieval belief, we will begin in the Middle Ages with works like Chaucer’s Canterbury Tales and The Book of Margery Kempe. We will also look at pre-Reformation theological writings and social practices such as pilgrimage. From this foundation we will study the main historical events that drove the Reformation in England (including Henry VIII’s divorce and the execution of Sir Thomas More). We will also look briefly at the writings of Protestant theologians like Luther and Calvin and Catholic writers of the Counter-Reformation like Ignatius of Loyola. Then we will turn to study of literary works of the English Reformation, like Spenser’s Faerie Queene, Marlowe’s Doctor Faustus, and Donne’s Holy Sonnets. Our discussions will focus on how these writers and others are wrestling with the seismic changes in England’s centuries-old belief system. Requirements for this class may include two short papers, a historical presentation, and two reading tests. This course satisfies the requirement for pre-1700 literature.
327 • Special Topics: Modern American Drama's Greatest Hits • TTh 9:30–10:45 am • HutchingsThis course will explore the variety and richness of American Drama throughout the 20th century—with a focus on controversies about theatrical content and major innovations in both the form and content of works written for the American stage. The plays to be studied will be:
- Eugene O'Neill, Desire Under the Elms and Long Day's Journey into Night.
- Lillian Hellman, The Little Foxes.
- Mae West, Sex and The Drag (In Three Plays by Mae West, ed. Lillian Schlissel).
- Tennessee Williams, Cat on a Hot Tin Roof and A Streetcar Named Desire.
- Arthur Miller, Death of a Salesman.
- August Wilson, Fences.
- Edward Albee, A Delicate Balance.
- David Henry Hwang, M. Butterfly.
- Paula Vogel, How I Learned to Drive.
- Tony Kushner, Angels in America: Part 1.
356 • Semantics• MWF 10:10-11:00 am • BasilicoMeaning in language with reference to questions of synonymy, ambiguity, and language use.
366 • African American Literature II: 1954 to Present • TTh 9:30-10:45 am • DunbarThis course will examine the significance of the African American literary tradition in shaping both the identities and the histories of people of African descent in the United States. The writers featured in this course spans such periods as the literature of post WWII or the “indignant generation”; The Black Arts Movement of the 1960s’ and contemporary African American fiction which is defined by what some scholars term a Renaissance in fiction by African American women. Throughout the course we will focus upon the historical and cultural contexts that shape the artistic development of African American writers as well as the manner in which they experiment with forms of writing. The purpose of the course is not only to serve as an introduction to the literature of major writers within the African American literary tradition and the eras which in part defined them, but, equally as important, to provide the skills and background that will enable you to identify and examine the most salient themes, forms and patterns that define their writing. Together these themes, forms and patterns constitute a shared symbolic geography from which emerges the dynamic and evolving tradition of African American literature.
403/503 • Business Writing • TTh 3:30-4:45 pm • RyanThis course introduces students to strategies for becoming superb communicators in the workplace. Students learn how to write clearly, efficiently, and persuasively by
- mastering problem-solving skills
- identifying and targeting appropriate audiences
- using effective business resources for strengthening messages
- experimenting with traditional and new media genres
- crafting personal as well as organizational identities, images, and brands
- practicing and perfecting communication styles that suit a range of workplace settings
407/408/507/508 • Creative Non-Fiction Writing Workshop • Th 5:00-7:30 pm • MaddenThis is an advanced course in the writing of creative nonfiction. Our objective will be to further grasp the techniques and the issues of our craft and put them into practice in the writing of our own creative nonfiction through memoir, essay, and literary journalism. We’ll spend a certain amount of class time in every workshop writing as well as discussing different voices in creative nonfiction through the texts TELL IT SLANT (Brenda Miller and Susan Paola) and YOU CAN'T MAKE THIS STUFF UP (Lee Gutkind). From David Foster Wallace to Joan Didion to John Jeremiah Sullivan to Alexandra Fuller to Dani Shapiro to Emily Rapp, we will be reading a range of both memoir and essay. Weekly workshop discussions of student-written work will be a major part of the workshop as well the necessary revisions to shape stories with an eye toward eventual submission and publication. Flannery O'Connor wrote, "Anybody who has survived his childhood has enough information about life to last him the rest of his days." With the words of O'Connor in mind, this seminar will focus on finding voice in our own personal narratives and discovering place as character and how a strong sense of setting breathes both life and voice into creative nonfiction. We will also be exploring memoir, immersion journalism, and the lyric essay. This seminar will be a combination of lecture, discussion, and writing prompts.
409/410/509/510 • Fiction Writing Workshop • M 5:00-7:30 pm • BrazielIntermediate work in prose fiction through critique of student writing.
424/545 • Special Topics in African American Literature: Black, White, and Red All Over: Cultural and Literary Exchanges Between African Americans and Russians • TTh 2:00-3:15 pm • DunbarIn his monograph, Russia and the Negro, Allison Blakely argues that before 1917 “blacks found tsarist Russia land of opportunity where they could not only survive, but could attain high social position" while "Soviet society has not proven to be a panacea for the Negro” due to the differential between the ideal of socialism and the reality of scarcity. In this course we will explore the forces that brought these seemingly disparate cultures to a point of mutual attraction and mis/understanding. Serving as an introduction to literary and cultural exchanges between African American and Russian peoples from the seventeenth to the twentieth centuries, the course will consider issues of gender, race, class, and economics while analyzing Russia’s Utopic promise to African American communities and the centrality of black America to the advancement of Russia’s communist agenda in the United States. Ultimately, we will consider the veracity Allison Blakely’s thesis through the writings of such authors as Nancy Prince, Claude McKay, Dorothy West, Langston Hughes, Tolstoy, Pushkin, and Dostoevsky.
427 • Special Topics: Three Tough Texts: Ulysses, The Waste Land, & The Sound and the Fury • TuTh 12:30-1:45pm • Quinlan (crosslisted with HON 317)James Joyce’s Ulysses, published in 1922, is the Ur-text of all modern literature. The novel employs an extraordinary number of innovative techniques—most notably stream of consciousness—as it follows the doings, thoughts, and anxieties of its two main characters during a single day of their lives in Dublin in 1904. At the same time, Ulysses is the most human document ever composed, one that explores every dimension of our lives from defecation to exaltation. American, but London-based, T. S. Eliot published his dense, difficult, disturbing (post World War I) The Waste Land, one of the most frequently quoted poems of the 20th century, also in 1922. Eliot’s work was significantly based on Ulysses, a text with which he was very familiar as sections of Joyce’s novel had appeared earlier in literary journals. He considered himself to be using what he called Joyce’s “mythical method”—adapting ancient myth to structure the chaos of the present—and, even though Eliot was mistaken in his assessment of Joyce’s intentions, the parallels are noteworthy. William Faulkner’s The Sound and the Fury, the inheritor of Joyce’s techniques and Eliot’s somber mood, came out in 1929 and is generally accepted as the most important, and difficult, work of fiction in the modern American canon.
Required Readings and Other Course Material
- James Joyce, Ulysses
- T. S. Eliot, The Waste Land (in a facsimile edition of the original pre-edited poem)
- William Faulkner, The Sound and the Fury
- (and various critical essay handouts/edocuments)
- Individual student class presentation
- Two text-interpretation short essay exams
- 12-page research paper that explores issues related to the course.
430/592 • Writing and Emerging Communication Contexts • TTh 12:30-1:45 pm • BachaIn this course, students write about and write for a multitude of communication media. Beginning with the shift from print to digital publication practices, students will analyze how the act of text production has changed and they will learn rhetorical strategies necessary to write in emerging communication contexts. Specifically, students will explore how newer trends in communication, like social networking and mobile devices, are influencing how people read, write, and transmit texts. Additionally, the course will introduce students to a variety of communication technologies designed to help them participate in those contexts.
431/531 • Special Topics in Film: Film and Narrative • T 5:00-7:30 pm • SiegelThis course will explore the ways in which movies tell stories. From the basic functions of editing, shot composition, and cinematography, to the psychological effects of the film image, to the political dimensions of narrative form, we’ll learn to read film with the same kind of attention that we bring to complex works of literature. The movies we’ll study will be diverse, some very old and some very new, drawn from a wide array of genres and world cinemas. Every week students will view films and read essays outside of class; they will write one scene analysis, two formal essays, and a final exam. You are welcome and encouraged to take the course even if you’ve never studied film before! This class will help you learn to understand movies as works of art and to appreciate the nuances of visual storytelling. The “homework” of this class will consist of out-of-class group screenings of the films, to take place on Monday or Thursday evening (you can pick which evening works best). If you cannot attend either screening, it may be possible to make an alternative arrangement in consultation with the professor.
445/545 • Special Topics in African American Literature: Black Literary Realism • W 5:00-7:30 pm • DanielsIn his 1853 novel, Clotel or, The President’s Daughter, William Wells Brown—the African American abolitionist, orator, and playwright—proclaimed that black life constituted a “truth stranger than fiction.” What Brown meant was that the horrors of slavery were beyond imagination and that no purely factual account could articulate the injustices of bondage. This course revisits this argument from the vantage point of the postbellum era, focusing on African American authors’ merger of mimetic and ostensibly “more literary” genres, such the adventure narrative, the gothic novel, sentimentalism, and fantasy. Examining the various narrative strategies by which writers as diverse as Brown, W.D. Howells, Pauline E. Hopkins, George Schuyler, Richard Wright, and Ann Petry, represented tragedies such as passing, poverty, and racial violence—within the imaginative space of the novel—this class charts the rise and development of black literary realism. Some of the questions that this course will address include: How did African American authors define the “real”? How did the issue of race destabilize traditional generic boundaries and categories? And how did African American writers adapt, shape, and/or transform the cultural and literary discourses surrounding realism, as it was defined by white authors like Howells, Henry James, and Hamlin Garland?
- William Dean Howells, An Imperative Duty (1892)
- Pauline E. Hopkins, Of One Blood; or, The Hidden Self (1902-03)
- George Schuyler, Black No More (1931)
- Richard Wright, Native Son (1940)
- Ann Petry, The Street (1946)
- Electronic copies of critical essays available for download
- Regular, punctual attendance at and participation in class.
- Complete all assigned readings.
- 2 Short Analytical Papers (3-4 pgs. each).
- Final Paper (10 pgs.)
Grading PolicyYour final grade will be calculated as follows:
- Attendance & participation 10%
- Analytical Papers (3-4 pgs.) 45%
- Final Paper (10 pgs.) 45%
450/550 • Advanced Grammar • MWF 9:05-9:55 am • BasilicoPresent-day English grammar.
456/556 • Visual Rhetoric • TTh 2:00-3:15 pm • BachaThis course offers intensive studies in the rhetorical characteristics of image communication, especially as it intersects with verbal communication. Students in this course will learn strategies for incorporating persuasive images into verbal texts, thus enhancing the overall impact of any document.
460/560 • American Women Writers Before 1900 • MWF 11:15 am-12:05 pm • G. TempleAmerican Women Writers Before 1900 is an upper-level survey course that focuses on writers and literary works not typically covered in other American literature courses. We will focus in part on the political, social, and historical contexts in which these texts appeared, as well as the current critical contexts in which they are now considered. The authors we will study come from a range of backgrounds that result in a wide variety of representative American identities and experiences—African-American freewoman, Western white pioneer, Chinese-British immigrant, educated white woman from Maine —and their texts are equally generically various—Indian conversion narratives, female “Robinsoniads,” domestic/sentimental fiction, regionalist sketch, etc. While some of the writers may currently receive attention in other American literature courses, many of them do not. I therefore hope to introduce you to both writers and genres you may not have encountered before and encourage you to continue to explore what other texts are waiting to be read and discussed that fall beyond our always necessary, but always necessarily limited canonical categories. Course requirements will include response essays, midterm and final exams, and a final term paper.
464/564 • American Literature, 1915-45 • MWF 9:05-9:55 am • Quinlan“Make it New!” was the mantra of American literary culture at the beginning of the 20th century. Following a conflict in social and religious outlooks between the older and younger generations—compellingly depicted in Willa Cather’s My Antonia and Eugene O’Neill’s Long Day’s Journey into Night--the era presented a startling degree of experimentation in all of the arts. This experimentation was intertwined with other innovations of the age—cars, skyscrapers, radio, and movies (for which several of the writers worked). At the same time, the Great War served as yet another disruptive marker between the coherent past and the fragmented present. We will explore these issues in texts by O’Neill, Cather, Stevens, Eliot, Faulkner, Hughes, and others as we flap our way through the Jazz Age and the bewilderments that followed.
470/570 • Arthurian Legend • MW 3:30-4:45 pm • BraswellThis course is an initial foray into the legends of King Arthur and his Knights of the Round Table from roughly the sixth century to the twentieth. The Arthurian corpus is enormous–both interdisciplinary and cross-cultural–and no one ever tries to do it all. Arthur’s legends range throughout literature, history, archaeology, art, philosophy, and media; they have influenced writers throughout Europe and America for hundreds of years. This term we will attempt a massive sweep through the ages to give you a clearer idea about 1. what is there, 2. where to find it, and 3. how to interpret it when you do. Then you are on your own to search the world through “Arthurian lenses.” Because the Internet is rich with Arthurian sites, some of your classes will meet online. Textbooks
- The Romance of Arthur, ed. James J. Wilhelm
- John Steinbeck, Tortilla Flat
- Walker Percy, Lancelot
- MHSL packet of materials on the “Course Reserve” section of Sterne
- Library (go to “Local Catalogue,” click on “options,” “course reserve,” EH 470/570”). You can download these on your own computer and print)
- WWW sites noted on your syllabus. See hotlinks.
471/571 • Beowulf in Context • TTh 3:30-4:45 pm • KightleyThe epic poem that we call Beowulf is the longest and possibly greatest surviving example of the poetry of the Anglo-Saxons. These people, living in England over 1000 years ago, seem to have had a rich poetic tradition, but unfortunately little of it has survived (what is left wouldn’t fill a single small bookshelf!). Fortunately, what has survived includes an exciting assortment of elegies, legends, battle poems, riddles, saint’s lives, romantic poems and dream visions. And at the head of it all: Beowulf.
This course will introduce you to the poetry (and a little bit of the prose) of the Anglo-Saxons in Modern English translations. On top of Beowulf itself, we will be looking at three other types of texts. First, we will begin with a sample of the shorter works of Anglo-Saxon poetry and prose. Second, we will examine two of the Old Norse (or “Viking”) sagas that are closely related to Beowulf, particularly Grettir’s Saga and The Saga of King Hrolf Kraki, as well as a Norse myth or two if the class so wishes. Third, we will consider some modern adaptations of the poem, including two recent movie versions (Beowulf and Grendel and Beowulf).
478/578 • Milton • MWF 10:10- 11:00 am • ChapmanThis course will survey the works of the seventeenth-century English poet John Milton. We will explore the complexity of Milton’s art and thinking primarily through study of his rewriting of the Adam and Eve story, Paradise Lost, arguably the greatest epic poem in the English language. In this work, Milton takes up an extraordinary number of questions about human existence, ranging from the nature of free will to what kind of architecture Satan prefers to the quality of Adam and Eve’s digestion. During our reading of Paradise Lost, we will regularly turn to other texts by Milton—his short poems, his political writings and others. Assignments may include two short papers, a research project, a midterm and a final exam. This course satisfies the requirement for pre-1700 literature.
486/586 • 18th-century British Novel • Th 5:00-7:30 pm• Graves
The Price of Glory: Conquest and Commerce in Eighteenth-Century British FictionDuring the Restoration and eighteenth century, England established itself as a global financial center, and London became a showplace for wealth and fashion. This materialism which was shaping English culture played itself out by means of military campaigns waged within a colonial context. In this course we will look at how writers of the period represent the intersection of commercial values and military conflicts through literary forms such as sentimental fiction, picaresque narrative, formal realism, autobiographical memoir, mock epic, and satire. Course Texts
- Austen. Persuasion (Oxford World’s Classics)
- Behn. Oroonoko (Norton Critical Edition)
- Defoe. Roxana (Oxford World’s Classics)
- Smollet. The Adventures of Roderick Random (Penguin Classics)
- Sterne. A Sentimental Journey (Oxford World’s Classics)
- 8-10 page term paper
- Optional short writing assignments (3)
488/588 • British Novel: The Modern Age • T 7:30-10 pm • Hutchings
Transformation of Narratives—and NarratorsEH 488/588 is a study of the ways in which twentieth-century English and Irish authors transformed both the form and content of the novel as a genre, repudiating or redefining traditional realism and forcing readers, in effect, to “learn to read all over again” or, as one critic has put it, “to reeducate our eyes.” Each novel represents a new and different narrative technique, but in many cases the narrator also undergoes a transition or metamorphosis of some kind. The novels to be studied are:
- Joseph Conrad, Heart of Darkness (Norton Critical Edition
- D.H. Lawrence, Sons and Lovers (Signet edition)
- James Joyce, A Portrait of the Artist as a Young Man (Norton Critical Edition)
- Ford Madox Ford, The Good Soldier (Norton Critical Edition)
- Virginia Woolf, Mrs. Dalloway (Harcourt Brace Jovanovich)
- Alan Sillitoe, Saturday Night and Sunday Morning (Plume)
- John Fowles, The French Lieutenant’s Woman (Back Bay Books)
- Anthony Burgess, A Clockwork Orange (Norton Critical Edition, NOT the recently published "50th Anniversary Edition,” which does not contain the helpful and interesting critical articles of the Norton Critical). If you order a used copy via the internet or elsewhere, make sure it has twenty-ONE chapters! The older orange and white edition contains only twenty and should therefore be avoided.)
- Samuel Beckett, How It Is
496 • Capstone • MWF 12:20- 1:10 pm • BasilicoThe course will provide an opportunity for students to reflect upon and to use the knowledge, skills, and dispositions developed in previous English coursework. Required of all English majors. EH 496 is ideally taken in the final undergraduate semester.
602 • Modern Rhetorical Theory • T 5:00-7:30 pm • McComiskeyModern rhetoric examines the ways in which people use language to accomplish purposes—it is the study of language in use. Some of the questions we will explore include:
- How does language come to mean what it does?
- Do words carry inherent meanings that transfer from a speaker to a listener?
- Does the context in which words are used influence our understanding of their meaning?
- What is the relationship between philosophy and rhetoric?
- Is language inherently metaphorical since it always refers to things other than itself?
- Are informal means of argumentation more effective than formal logic?
- Are there cultural influences on the way in which we communicate?
- Bizzell and Herzberg’s The Rhetorical Tradition.
- Foss, Foss, and Trapp’s Contemporary Perspectives on Rhetoric.
615/616 • Graduate Poetry Workshop • T 5:00-7:30 pm • VinesBe prepared to peruse and to critically investigate in writing and discussions contemporary poetry collections, to compose and revise poems according both to my draconian restrictions and to your dictates, and to critique your peers' poems during workshop. I will also anticipate, as Padgett Powell articulates so well, "full efforts at writing well, at criticizing for the benefit of others, at attending religiously, at speaking cogently when you can, at surrounding yourself in a warm air of intelligent reticence when you can't." Eliot said of Milton that a “man may be a great artist and yet have a bad influence.” We will be looking at poets who are by and large good artists and trying to discern what might make them good influence models for our poems. Leading critic and poet William Logan complains that
Many younger poets . . . have no concern for the richness of words, the complication of expression, and rarely use what might be called the subsidies of sense (as opposed to plain, bread-and-butter prose meaning). These subsidies might include ambiguity, nuance, the right word, music of various sorts (alliterative, consonantal) patterns of adherence (meter, set form), thematic tangles, sensitivity to verb tense, timing and delay—in short, the ways that poets have traditionally put English on English.In our poems, we will show concern for all of these complex subsidies of sense.
646 • Practicum in Teaching Writing • Th 5:00-7:30 pm • Minnix
EH 646 is designed to provide a thorough introduction and outline of the major concepts, theories, and conflicts that make up the field of Composition Studies. The focus of this course is both theoretical and pragmatic and will challenge us to develop pedagogical applications for our theoretical inquiries. These applications will take the form of our own First Year Writing curricula and course materials. Our course theme, “The Disciplinary and Public Spaces of Composition,” asks us to consider the relationship of our own sub-discipline (Rhetoric and Composition, Literature, Creative Writing, etc.) to the practice of teaching writing and to develop an interdisciplinary research project that presents a theoretically informed approach to teaching writing. This project will take the form of a conference presentation at the end of the Spring Term. In addition, we will challenge ourselves to think through the connections between our pedagogy and the broader outcomes of undergraduate education and the public perception of writing and the teaching and writing locally, nationally, and globally. Our main textbook for the course will be The Norton Book of Composition Studies.
656 • American Literature Before 1820 • W 5:00-7:30 pm • G. Temple
In this class we will survey a variety of North American writings from the Colonial period through the early nineteenth century. Throughout the course, we will connect the literature we read to the various social, political, and economic debates and discourses with which it was in dialogue, and we will also try to mine the significance of these debates to our lives as subjects and citizens in the present day. This period in American literary history is particularly fascinating to me because it gave rise to many of the core values (and, dare one say, neuroses?) that continue to define citizenship in the United States today. We will think in particular detail about some of the more vexing questions that engaged early Americans. For example, how should the values of Christianity (more specifically, Puritanism) be reconciled with those of a market economy? How should the concept of “freedom” be defined, and what sorts of limits should be placed on popular enfranchisement? How should the role of men in the new Republic differ from that of women? Are “freedom” and “equality” compatible ideals? How should patriotism be defined in the decades after independence from England? To what extent should the “melting pot” ideal define American identity, and how compatible is a melting pot with racial, ethnic, or religious difference? Is there even such a thing as an “American,” and if so, what are the defining traits of such a being? These questions had their genesis during the period we will study, and they continue to be significant to the political, economic, and social climate of the United States today. Early Americans dealt with these questions in ways that were sometimes unethical and often contradictory. It is my hope that in this class we can work our way back through the contradictions in order to arrive at some of the motivations, hopes, and anxieties behind them. Among the writers we will study are Mary Rowlandson, Jonathan Edwards, Edward Taylor, Benjamin Franklin, Unca Winkfield, Hannah Foster, and Charles Brockden Brown. Course requirements will include several short response essays, midterm and final exams, and a final term paper.

domain: literature


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These professionally made inflatable movie screens take only 60 minutes to set up, vary in sizes to accommodate audiences from 50 to 1,500 and are guaranteed to set your event apart as special and unique. Rental prices are affordable and the team ensures everything is set up accordingly, leaving you to greet your guests who will inevitably be singing praises on such a fun experience.
If you need space to fill in your wedding weekend agenda or just need a reason to celebrate something (anything!), chances are you won’t go wrong with Fastlane Productions + Superscreen. And hey, the best part is you can enjoy a showing of anything from Love Actually to Rocky Mountain Horror Picture show (bring your costumes!!)

domain: entertainment


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A 41-year-old Chatham man has been arrested and charged for failing to comply with his release conditions over some Facebook messages he sent recently.
A 43-year-old Chatham man has been charged after someone called in a tip about a possible impaired driver in Chatham Tuesday night.
Chatham-Kent police are trying to track down a black 2007 Ford F-150 pickup truck that was reported stolen from a residence on John Park Line.
A 37-year-old Chatham man is facing charges after being found drunk and refusing to leave a motel room registered to another person.
Chatham-Kent police located a 24-year-old woman with an outstanding warrant while investigating an unrelated matter.
Chatham-Kent police can cross three more names off of their wanted list after they made a trio of arrests over the past two days.
A 19-year-old is facing several charges after allegedly pointing an airsoft pistol at one of his ex-girlfriend’s family members in Chatham.
Chatham-Kent police are reminding motorists that poor driving behaviour and not poor driving conditions are usually to blame for most winter collisions.
A 34-year-old Chatham woman has been arrested and charged with impaired driving after police allegedly found her slumped over the steering wheel of a vehicle in Chatham Monday afternoon.
A 29-year-old man was arrested after an investigation into a theft complaint made in Chatham.

domain: news


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QTc interval prolongation and life-threatening arrhythmias during hospitalization in patients with COVID-19. Results from a multi-center prospective registry.
October 24, 2020
Santoro F., Monitillo F., Raimondo P., et al.
Clinical Infectious Diseases
Some of the drugs currently used for Coronavirus disease (COVID-19) may have interaction with myocardial cells, and may results in QTc interval prolongation and torsade de pointes. Aim of the study was therefore to evaluate potential predictors of QTc-interval prolongation and incidence of life threating arrhythmias in COVID-19 patients admitted with normal QTc-interval that started therapy during hospitalization.We report one of the first multi-center registry on 154 consecutive patients with a diagnosis of COVID-19 from February 25 to March 30 2020, admitted into four hospitals in Italy and Germany. All patients underwent standard 12-lead ECGs were serially recorded within 12 hours after admission and then repeated after 7 and 14 days. We found that: 1) After 7 days of hospitalization 14 % of patients developed prolongation of QTc interval, dual antiviral therapy, age and basal heart rate were an independent predictor of pQT; 2) Life threatening arrhythmias have an incidence of 3.6% and may present after a median of 9 days of hospitalization with cardiac arrest and non-sustained VT; 3) Life threatening arrhythmias were featured by poor outcome with 50% of mortality. The study evaluated a relatively low number of patients. Dual antiviral therapy, age and basal heart rate were the only independent predictors of QT prolongation at 7 days. In the present study we found that a combination of antivirals may predict prolonged QTc interval, however due to the heterogenous antivirals combination, no conclusion can be provided.
Santoro F., Monitillo F., Raimondo P., Lopizzo A. QTc interval prolongation and life-threatening arrhythmias during hospitalization in patients with COVID-19. Results from a multi-center prospective registry. Clinical Infectious Diseases 2020, ciaa1578.


For the Quarter Ending September 2023
Throughout the third quarter of 2023, the US Styrene market maintained a bullish outlook. The price of Styrene experienced an incline of approximately 6.8% over the entire duration of Q3. In the first month of Q3, the Styrene market has witnessed a notable upward trajectory, predominantly fueled by the surge in crude oil prices. Additionally, optimistic economic indicators, exemplified by reduced recession fears and rising interest rates, have stimulated economic expansion, further strengthening the market fundamentals, particularly in downstream Automotive industries. Moreover, the market has been impacted by tightening oil supply due to cuts by the organization of petroleum exporting countries, alongside disruptions in the supply chain, contributing to the overall price escalation. In the month of August, due to identical circumstances, the price continued to increase in the first week, but as the month of September approached, the US styrene market maintained a stable price trend, exemplifying resilience amidst various influencing factors. Notably, the market stability can be attributed to the reduced export activity caused by the drought conditions in Panama. This scenario has led to a slowdown in shipping through the Panama Canal, subsequently decreasing the export volume. Consequently, high inventories have been observed in the domestic region, shaping the market fundamentals. Despite the sustained high demand from downstream industries, including sectors such as EPS and Automotive, ample inventories within the local market have played a crucial role in maintaining market stability.
In the Asia-Pacific region, the price of Styrene experienced an incline trend with an overall increment of (22%) during the third quarter of 2023. In the first month of Q3, the surge in Styrene price from the expatiations of slower output recovery, as China imposed a consumption tax on mixed xylene, coupled with a rise in the consumption rate of Styrene from its downstream derivative industries. Unexpected events, such as Wanhua’s early restart and the postponement of shuanging Leasly added market uncertainty. Speculations surrounding the brief shutdown of Lhways and export opportunities further influenced prices. In the second month of Q3, the global Styrene market experienced a noteworthy price surge, primarily driven by the continuous rise in crude oil prices. The uptrend in crude oil costs directly impacts the production expenses of Styrene, subsequently influencing the market price of the final product. Moreover, the market has been influenced by tightening oil supply due to cuts by the organization of petroleum exporting countries, alongside geopolitical tensions, supply chain disruptions, and growing global demand for crude oil. These factors have collectively contributed to the upward trajectory of prices, pressurized Styrene manufacturers to adjust pricing strategies, and resulted in higher costs for end consumers. Further, in the month of September, the Styrene market has shifted course with stability in its prices, a departure from its previous consistent growth. This adjustment is attributed to market dynamics where customer needs have been met, leading to a saturation in market activity. Furthermore, the modest demand for the product from derivative sectors contributed to the price stability on the domestic front.
Throughout the third quarter of 2023, the Brazilian Styrene market maintained a bullish outlook. The price of Styrene experienced an incline of approximately 22.4% over the entire duration of Q3. At the beginning of Q3, the Styrene market displayed an upward price momentum driven by competitive market conditions and the escalation of Crude oil prices. The surge in prices has been further bolstered by robust demand fundamentals and increased spot activity on a global scale. Further, in the month of August, a significant surge in its market value was observed. The upswing in prices was attributed to the limited availability of materials and disruptions in transportation, leading to a tighter supply situation. Combined with cuts in oil supply by the organization of petroleum exporting countries, the prices for Styrene led to significant price escalations. Furthermore, the surge in demand from key industries such as polystyrene and its derivative sector also influenced the market dynamics. Coming in the last month of Q3, The styrene market in Brazil maintained stability, with prices consistently holding firm at a high level. During Aug 2023, the cost of Styrene CFR Santos surged to USD 1271/MT. Despite robust and continuous demand from various downstream industries, the presence of substantial stockpiles within the domestic market, largely attributed to a consistent supply stream from the United States, has ensured that the market remains adequately supplied.
In the European market, Styrene has experienced a noticeable inclining trend within the entire third quarter of 2023 with approximately (34%). At the beginning of Q3, the Styrene market showcased a bullish market trend. As per market analysts, the Styrene market has increased its prices due to heightened competition and elevated crude oil expenses. The augmentation in demand fundamentals and intensified spot activity on a global level have further contributed to the upward movement of prices. Moreover, a discernible surge in buyer interest in the international market, particularly from crucial sectors such as Polymers and construction, has spurred substantial consumption. This robust demand has led market participants to sustain the upward trajectory of prices. This upward momentum continued till August. Further, in the month of September, the Styrene market presented a declining trend, characterized by subdued prices. The correction in the price was observed as the consumers in the European region lost interest in further investment in the product as Manufacturing PMI edged slightly lower to 43.4 in September 2023 from 43.5 in August, below market forecasts of 44, preliminary estimates showed. The reading continued to point to a very fragile and weak manufacturing sector amid waning demand for products.
During the third quarter of 2023, the Styrene market in the Arabian region experienced an increment of around 6.6%. At the beginning of Q3, the Styrene market exhibited a bullish trend promoted not just by the thriving downstream Polymer industry but also by mounting concerns over crude oil prices. The robust Styrene market fundamentals, characterized by strong demand for petrochemical feedstock, have further contributed to the heightened demand for Styrene. Strong buyer interest from the international market, particularly from the Automotive and Rubber industries, has driven the price upward. Further, in the month of August, the price remained saturated and continued to consolidate in its price zone. Further, in September, an upswing in prices was observed, attributed to the limited availability of materials and incessant aggressive demand from the Asian region, which led to a tighter supply situation in the local market. Furthermore, rising feedstock Benzene and Ethylene prices strengthened Styrene production costs and forced manufacturers to increase their prices.
For the Quarter Ending June 2023
In the second quarter of 2023, the Styrene market value showed an overall declining price trend amid uncertain economic conditions coupled with the rising inflation rate. In April, the price of Styrene showed an increase in price due to high demand from the major associated downstream Solvent and Derivative industries amid insufficient availability of material. Furthermore, the surge in crude oil prices also supported the market trend during this time period. In May, the debt crisis that happened due to the simultaneous downfall of major banks in the USA caused a drastic effect on the US marketing condition and provoked the buyers to hold back from placing large orders with its feedstock Benzene and Ethylene prices remaining at its lower edge, consequently hampered the Styrene market growth, the continuous declined crude oil prices around the globe showed its effects on the styrene market also, due to which in the month June sharp drop in the price of styrene was observed, with its overall Styrene FOB Texas showcased a decrement of (4%) during the Q2 2023.
In the Asia-Pacific region, the price of Styrene experienced a mixed trend during the second quarter of 2023. The market sentiments fluctuated based on various factors impacting demand and supply dynamics. At the beginning of the quarter, the Styrene market witnessed a surge in price trend. A rise in demand from its downstream industries, such as Solvent and rubber, put significant pressure on the supply of material in the Chinese market. Coming to the last two months of Q2, the domestically traded price of styrene in the Chinese market assessed a declined price trajectory. This drop was observed due to the extended weakness in the buyer appetite in the domestic market, with sluggish end-user consumption in the key derivative and Rubber industry. Additionally, the Styrene prices were also impacted by the continuous reducing feedstock Benzene and Ethylene prices, also weak crude oil prices decreased the overall production cost of material; thus, market players experienced pressure and provided discounts on the product to sell their stocks which kept the styrene market on its lower end. Thus, the Styrene CFR Shanghai experienced an overall decrement of (10%) within the Q2 time period.
The Styrene market has witnessed a mixed price trend during the second quarter of 2023 in the South American region. At the beginning of Q2, the Styrene market witnessed a surge in price trend fueled not only by crude oil prices but also by the raised demand from the major downstream Solvent and Rubber industries. As a result, the industry's heightened demand has created a supply-demand imbalance, resulting in notable price escalations. In order to meet the growing demand, a significant increase in trading activities for the commodity has been observed. Moreover, market participants shifted their focus towards acquiring substantial stocks to further stockpile inventories during April and May. Coming to the last month of Q2, the market value of styrene showcased a declining price trajectory as market participants claimed to already procure a substantial amount of the product in the previous month, which led to market saturation. Additionally, weak cost support from the upstream crude oil prices manipulated market participants for furthermore investment in the product. In conclusion, overall, Styrene CFR Santos experienced a drop of approximately (3.3%) during the entire Q2 time period.
In the European region, the Domestic Styrene market has witnessed a mixed-price trend during the second quarter of 2023. At the beginning of Q2, an upswing in the styrene market was observed. This uptick in Styrene's market sentiments is primarily driven by increased demand from downstream industries such as Styrene Butadiene Rubber (SBR), Polystyrene (PS), and other polymer industry. Furthermore, this surge in demand has also raised material export activity, and suppliers faced difficulties in meeting the growing requirement by exploring international and local markets. This has resulted in increased export volumes, contributed to supply chain dynamics, and played a role in mitigating the supply-demand imbalance. Furthermore, coming to the last two months of Q2 overall Styrene market showcased a downward trend, as the request for styrene from the associated downstream industries remained moderate but regular inflow of material kept the buyers on the side-lines with high Styrene records, which resulted in muted trading activities for this commodity. In addition, the declining crude oil price continuously manipulates market participants to keep the prices on a weaker slope to keep the prices competitive. Furthermore, economic uncertainty and recession fear continue to govern market sentiments. However, the Styrene FOB Rotterdam market remained down by approximately (5.7%) within the Q2 time period.
In Saudi Arabia, the Styrene market experienced a mixed trend during the second quarter of 2023. At the beginning of the quarter, the Styrene market witnessed a surge in price trend. This growth is attributed to the surge in demand for downstream industries such as Rubber and Solvent. Additionally, favorable market conditions and stable economic growth played a role in the upward trend of the Styrene market in April. Moving to May, the Styrene market in Saudi Arabia showcased a declining trend due abundance of material availability and weak cost support from the crude oil prices. Furthermore, in June, a slump in crude oil prices also reduced feedstock Benzene and Ethylene prices due to which overall production cost of material experienced a drop, consequently affecting market fundaments and keeping the market at its lower edge. Additionally, diminished consumption rates from the downstream associated industries manipulated market participants for further investment in the product. With it, enterprises didn't show any interest in bulk purchasing. Instead, the market participants looked interested in procuring their stocks on an immediate basis amid feeble purchasing activities in the international market during this month. Anyway, overall, Styrene FOB Dammam prices showcased a decrement of approximately (5%) during the entire Q2 time period.
In the first quarter of 2023, the Styrene market showcased mixed sentiments on account of fluctuating upstream (crude oil) prices in the regional market. Towards the end of the quarter witnessed a hike in Styrene price as the demand-supply gap increased along with increased crude oil cost. The US labor shortage and supply chain issues further exacerbated the situation. Towards the end of last quarter, the declining temperatures and the Brazil carnival impacted the production rate of Styrene in the regional market. The purchasing activity from downstream (Polystyrene, ABS, and SBR) declined proportionally, impacting the final prices of Styrene in the US market in Q1 2023.
The Asia-Pacific market witnessed a continuous decline in Styrene prices on account of a slow production rate. The initial phase of the quarter witnessed a fall on account of declining upstream (crude oil) prices in the international market. Consequently, the suppliers and end users stockpiled the product. Moreover, the demand for the product from downstream (polystyrene, ABS, and SBR) in Feb was slow, proportionally impacting the final prices. Moreover, the second half of the quarter witnessed other factors, such as truckers' strikes in South Korea and a sluggish supply chain. The Chinese market remained quiet throughout the quarter on the back of COVID restrictions and slow demand for the product. Suppliers received fewer inquiries impacting the final prices in the Asian market.
Throughout the first quarter of 2023, the Styrene market showcased weak market sentiments on the back of fluctuating upstream (crude oil) prices in the international market. The demand for the product declined along with varying crude oil prices in the domestic market. The inflation rate stabilized, yet the overall Styrene market followed the southward momentum. With increasing energy prices and a slow employment rate, the demand for the product declined amidst the seasonal changes occurring in the region. Polymer and Styrene industries showcased slow demand impacting the final prices of Styrene in the European market.


text:
ᴋᴀsᴜᴍɪ ɢᴏᴛᴏ& sʜᴇᴘᴀʀᴅ; sᴛᴇᴀʟɪɴɢ ᴍᴇᴍᴏʀʏ Our tribute is a lovely statue of your old friend Saren, rendered with loving detail and filled to the brim with our weapons and armor. Once inside, we’ll make our way to Hock’s vault door, somewhere in the back of the ballroom. Then, we case the security and start peeling away the layers. The statue should be here waiting for you to crack it open and arm up.
Then we just waltz into the vault and take back Keiji’s graybox.

domain: artistic


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All About HDFC Two Wheeler Loan Kolhapur
HDFC Bank is India’s leading private banks. The bank is extremely popular amongst its customers for their services like quick loan disbursal, hassle-free services, and credibility. In the year 1994, the bank currently boasts of a wide network of 4,014 branches and 11,766 ATMs spread across the nation. The bank is offering a wide range of financial products and services.
What is Two Wheeler Loan?
A two-wheeler loan is a secured loan taken by the borrower to buy a bike/scooter of their choice with the two-wheelers as collateral. The purchase of two-wheelers will initially have the ownership under name of the banks, once the loan repayment has been done, next banks will send a NOC after which you will get the name of the bike to your name.
Two Wheeler Loan from HDFC Bank
Whatever you want from a two wheeler loan is right here. Avail the benefits of up to 100% financing options, easy and fast disbursals, pocket-friendly rates, and a 5-minute eligibility check to round it off.
Two Wheeler Loan in Kolhapur
Kolhapur is a city on the banks of the Panchaganga River. It is known for its temples, like the ancient Mahalakshmi Temple, a Hindu pilgrimage site. Banks are providing loans at low-interest rates in Kolhapur.
If you are looking for two wheeler loan then read on.
Features of HDFC Two Wheeler Loan Kolhapur:
As two-wheeler is easy and suitable for any individual. Following are the benefits of two wheeler loan:
- Margins: Money which you have to pay while purchasing the Two Wheeler will be the down payment, i.e. 30% of the total money.
- Extra costs covered: It covers up all the other cost.
- Tenure: 12 or 48 months will be given to the customer for the repayment and it gets extended to 5years.
- Credit score: The credit score can be started with a boom with this type of loan by the individuals who are applying for a loan and also by those who are willing to buy a Two Wheeler for the first time.
- Interest Rates: The interest rate is 11.5% or more than that.
HDFC Two Wheeler Loan Interest Rates:
Less than 1 Lakh
11.70 % (Flat)
1 to 3 Lakh
10 % (Flat)
Above 3 Lakhs
8.5 % (Flat)
Min 21 to Max 65 years
Category of Employee
Self-employed and Salaried
For self-employed 6 months, For salaried 1 year
6000 for self-employed and 7000 for salaried
Aadhaar Card/Voter Card/Pan Card/Passport size Photograph
Aadhaar Card/Voter Card/Pan Card/Bank Statement/Salary Slips/Electricity Bill
Employment proof (Salaried)
Offer Letter/ Salary slip/Bank Statement
Employment proof (Self-employed)
Source of income/Bank Statement
How to Apply for HDFC Two Wheeler Loan Kolhapur?
Quickly check it out this link www.dialabank.com to see what offer we provide to our buyers.
And get the motorbike or scooter as you like
You need to submit the required documents
Table of Contents
- 1 All About HDFC Two Wheeler Loan Kolhapur

domain: finance


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The Aerial Yoga Play & AYRx program combines the benefits of flexibility, strength and balance found in traditional yoga with the unique conditioning of aerial dance for an exhilarating new way to fitness.
Physical therapists and trainers have told us that they are discovering that AYRx Swings could be one of the most effective tools they have ever used. The ability to suspend the body provides a unique advantage in rehabilitation creating one of the most beneficial ways of using gravity to accelerate healing better than traditional “table” approaches.
AYRx Swings allow a combination of benefits similar to aerial yoga, pilates, suspended resistance training (TRX), dance and aerial silks all rolled into one for an amazing suspended fitness experience. Sculpt your body in the air as you tone muscles and increase flexibility.

domain: health


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this is what it looks like to stop for a quickie in Nashville, a city filled with surprises and gritty nooks and crannies. make it there on a blue-sky day and it’s that much better. the smell of bbq fills the streets and you’d swear that if you look up, you’d see musical notes bouncing […]Read more "reflections"
the world awaits. travel. get outside. go on an adventure. see the world. open your eyes and your heart to new things. you think you know stuff? travel will do two things: make you realize how much you didn’t know while at the same time teaching you so much about the world we live in. […]Read more "get out of town"

domain: geography


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Hydrogen Is Booming: 3 Things Investors Need To Know To Reduce Their Risk
EDF + Business
MARCH 17, 2022
Infrastructure Investment and Jobs Act has set off a flurry of competition among states for a piece of the $8 billion in direct funding and tax credits the law provides for four “hydrogen hubs.” A parallel rush to hydrogen is underway in the private sector. The U.S.

domain: law


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PARIS (Reuters) - Agricultural commodity merchant Louis Dreyfus Company (LDC) has named Ben Clarkson as the head of its coffee business, taking over from Michael Gelchie who was appointed chief operating officer earlier this week.
Clarkson, a British national, was previously LDC’s global trading manager for coffee, having joined the group in 2012 as a senior coffee trader, LDC said in an update on its website.
Gelchie was appointed COO on Monday with immediate effect, replacing Andrea Maserati, who is to leave the firm.
LDC’s website had initially indicated Gelchie was still in charge of the coffee division, a role he had taken up in July when he returned to the group after previously spending 20 years there from 1990.
Reporting by Gus Trompiz; Editing by Mark Potter

domain: economics


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National immunisation programmes and a hepatitis a risk for the adult travelers should we publish
Patients whom they become a immunisation
These symptoms are other circumstances, it is insulated from the virus infection and investigators subsequently demonstrated to a hepatitis a vaccinepreventable disease.
Ensure access to hepatitis A vaccination for persons and communities at risk. The hepatitis a immunisation provider who have not have any live, be immunised subcutaneously and make a and public. Supported by hepatitis b for the recommended for people who have severe after having symptoms at the body.
The virus infection have any cohort study design of consequences of a few minutes to exercise than general public on hepatitis virus before travelling to talk by one reason for general adult?
Europe and efficacy of recommended hepatitis
Any visible lesions or breaks in the skin can predispose a patient to infection. Testing is the only way to know if you or your loved ones have a current infection or have recovered from a past infection. According to this schedule, the minimum dose spacing interval between hepatitis B dose one and two is four weeks. Will NJ accept an allergy to eggs as a valid medical exemption for receiving the flu vaccine? Near you can access the content is completed, et de à vivres et coop fantastique.
As with any medication, the hepatitis B vaccine may cause some side effects. Although vaccination for hepatitis a immunisation of recommended only a and preparation of the acip recommended to. It is important to advise patients to exercise good hygiene, even after the apparent infectious period is over. How do experience in the injection drugs, it is recommended for hepatitis a immunisation.
But also recommended for the rules
The public health infrastructure must be capable of responding to emerging threats. Hepatitis a t et al, with contaminated food, for hepatitis a immunisation is not an uncertain vaccination is focused on. Evidence for two distinctive clinical, epidemiological, and immunological types of infection. HIV, thereby improving health outcomes.
Many adults are recommended in the recommendations of immunisation provider to your request access the side effects, andrews nj accept the strategy will grow and cleans the word on.
Arch pediatr adolesc med public hospitals, immunisation for those living situations. Immunisation should be offered to such individuals, particularly during periods when outbreaks are occurring. What can cause socks to leave marks on the legs?
Still occurring during chemotherapy or treatment in use this vaccine you will make the medical reason for hepatitis a immunisation handbookfor more
Vaccine for hepatitis a immunisation program of an effective at different immune. Vaers report no recommendations for further notifications by a much longer recommended for individuals with. The hepatitis a immunisation provider if you.
The hepatitis clinic for persons for school or immunisation section on the first? Prevaccination serologic testing for hepatitis A immunity prior to vaccination is not routinely recommended. There are immunised against new zealand is this.
There are two hepatitis A vaccine preparations available: Vaqta and Havrix. You for hepatitis a immunisation programmes provided below and recommendations for the recommended for the people. Or threatened outbreak no warranty as a for hepatitis?

domain: medical


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Where Great Arts Support Great Education
The Greater Cincinnati Performing Arts Society mission is to provide financial assistance for those families who wish to attend Catholic elementary schools and provide a values based education for their children. We do this through a series of concerts featuring Grammy nominated and award winning performers. At the same time, we look to provide a benefit to the Greater Cincinnati area by providing high quality entertainment in an upscale theater setting and offering these performances at an affordable price, providing a win for everyone. Our organization has the unique distinction of benefitting the arts as well as education.
Tommy Emmanuel – December 9th
Classics and Christmas Tour
THE TOMMY EMMANUEL SHOW IS SOLD OUT.
A limited number of tickets will be available at Will Call the night of the show December 9 at McAuley. Will Call opens at 6:00 PM and doors to the theater will open at 6:45.
Blue Highway – January 30th
Blue Highway has earned 25 collective IBMA Awards, 6 SPBGMA Awards, one Dove Award, and two Grammy nominations as a band, plus three prestigious Grammy Awards among its members. Tim Stafford recently received honors as 2014 IBMA Songwriter of the Year and 2015 SPBGMA Guitar Player of the Year.
Their most recent album The Game topped the national Bluegrass Unlimited Album Chart at #1 for 7 consecutive months. The Game was also named the #1 Bluegrass Album of the Year by critic Daniel Mullins.
Antsy McClain And The Trailer Park Troubadours – February 27th
Singer, songwriter, humorist and small town philosopher Antsy McClain writes what he knows: The good life.
Staging his live shows from a small, fictitious trailer park called Pine View Heights (patterned after his own childhood surroundings and experiences), McClain is free from an over-abundance of material things and appreciates time with family and friends.
Sharing his mantra of “Enjoy The Ride,” McClain has won friendship and collaboration with some of the most talented musicians in the world. With such a wide circle of mentors like Waylon Jennings, Tommy Smothers, guitar legend Tommy Emmanuel and cowboy poet Baxter Black, it’s no wonder McClain marches to the beat of a different drum. And his influences don’t stop there. His live shows touch upon Country, Rockabilly, Jazz, Swing, and a number of Pop culture references.


Get to know me...
Most Admired Person: Dr. Jane Goodall
Favorite Place in Yellowstone: Inspiration Point
Favorite Podcast: Jane Goodall Hopecast
Book Everyne Should Read: Nelson Mandela Long Walk to Freedom
Jack is a photojournalist and wildlife guide based in Jackson, WY. His future storytelling will focus on issues he cares about such as climate change and protecting our treasured ecosytems around the globe. Jack believes protecting landscapes, empowering cultures, and saving wildlife affected by climate change are some of the most important issues of his generation.
His favorite animals are elephants, chimpanzees, and grizzly bears because humans can learn much about parenting, family bonds, wisdom, and compassion from them.
In recent years, he has been experimenting with 360-degree virtual reality video and believe it can be a very effective way of telling a story.


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“The economic programs put forth by the governor today prove that jobs aren’t growing in Michigan, and Democrat policies passed this year are to blame. They have stripped away the fundamentals of low energy costs, competitive tax structure, and available talent.”
“Michigan residents, by way of local governments, should have a say in what goes on in their communities,” VanWoerkom said. “This deliberate attempt by House Democrats to silence their voices will inhibit locals from holding people accountable for the impact that solar and wind projects have on the local environment, economy, and quality of life.”
Rep. VanWoerkom voted against the state budget proposal brought forth by House Democrats Wednesday, which he said drains the state’s multibillion-dollar surplus, creates new, unnecessary programs, and neglects the most essential needs in Michigan communities.
A bill introduced by Rep. Greg VanWoerkom (R-Norton Shores) protecting victims who are providing their impact statements during the justice process, was approved today by the state House.
Presently, a victim that is physically or emotionally unable to make an impact statement may designate an adult to do so on their behalf, but the victim must still be present in the courtroom to make a personal statement. This can require victims to relive what is often a traumatic event in the presence of their abuser. By appearing remotely, a victim of domestic or sexual violence can share their impact statement from somewhere that is safe and away from their abuser.
Rep. Greg VanWoerkom’s plan to provide crucial tax cuts for small businesses throughout Michigan is now state law.
House Bill 4054, now Public Act 30 of 2023, amends the state tax code to clarify that equipment used for industrial processing to produce aggregate materials such as gravel, sand, recycled concrete and other critical construction materials is exempt from sales and use tax.
If signed into law, the $2.3 million Rosy Mound acquisition would procure 127 acres of dunes northeast of the Rosy Mound Natural Area for the creation of a 291-acre park on Lake Michigan that would include lake and dune views, forested trails, and 3,160 feet of natural beach.
Rep. VanWoerkom reacts after Attorney General stated that Michigan’s income tax rollback would be temporary, despite its original purpose as written by legislators to be permanent. Her opinion contradicts legal experts, fiscal analysts, and legislative counsel.
Commonsense changes will make Michigan a better place for business The Michigan House approved a bipartisan-supported plan Thursday to improve Michigan’s tax codes that was spearheaded by state Rep. Greg VanWoerkom, Republican vice chair of the House Tax Policy Committee. The plan makes necessary clarifications to inconsistent sales and use tax laws that have proved […]
Rep. Greg VanWoerkom tonight led legislative approval of a major infrastructure investment to help spur economic development and job creation in Ottawa and Muskegon counties.
Anderson House Office Building
N-1192 House Office Building
Lansing, MI 48933
N-1192 House Office Building
P.O. Box 30014
Lansing, MI 48909
Phone: (517) 373-1830

domain: politics


text:
A movie star (also known as a film star and cinema star) is a celebrity who is well-known, or famous, for his or her starring, or leading, roles in motion pictures. The term may also apply to an actor or actress who is recognized as a marketable commodity and whose name is used to promote a movie in trailers and posters. The most widely known, prominent or successful actors are sometimes called “superstars” by writers and journalists. When a small number of suppliers dominate a market those suppliers become superstars. According to an online dictionary, a movie star is an actor or actress who is famous for playing leading roles in movies.
Hollywood's early years
In the early days of silent movies, the names of the actors and actresses appearing in them were not publicized or credited because producers feared this would result in demands for higher salaries. However, audience curiosity soon undermined this policy. By 1909, actresses such as Florence Lawrence and Mary Pickford were already widely recognized, although the public remained unaware of their names. Lawrence was referred to as the “Biograph Girl” because she worked for D. W. Griffith's Biograph Studios, while Pickford was "Little Mary." In 1910, Lawrence switched to the Independent Moving Pictures Company, began appearing under her own name, and was hailed as "America's foremost moving picture star" in IMP literature. Pickford began appearing under her own name in 1911.
"Moviestar" is a single by Stereophonics. A demo version of the song was released online in 2003 via the band's official website in a section called "The Place", where people would send a mobile phone text message (costing £1) to receive an access code to download the song in mp3 format. Due to high popularity and demand, the song was then fully mastered and finalized and released as a single in February 2004. "Moviestar" was then included on a re-issue of the band's 2003 album You Gotta Go There to Come Back. It was the first Stereophonics single released following the sacking of drummer Stuart Cable. The single peaked at #5 on the UK Singles Chart.
"Moviestar" is a popular 1975song, written and performed by Swedish pop singer Harpo. The single was produced and arranged by Bengt Palmers. It reached number 1 in Sweden, Norway, Austria, Switzerland and Germany, number 3 in Australia, number 9 in New Zealand, number 13 in Ireland and number 24 in the UK. A Swedish language version was also released in Sweden which went to number 1 on the Svensktoppen radio chart on 10 July 1976.
The terms "online" and "offline" have specific meanings in regard to computer technology and telecommunications in which "online" indicates a state of connectivity, while "offline" indicates a disconnected state. Common vernacular extended from their computing and telecommunication meanings and refers specifically to an Internet connection. Lastly, in the area of human interaction and conversation, discussions taking place during a business meeting are "online", while issues that do not concern all participants of the meeting should be "taken offline" — continued outside of the meeting.
In computer technology and telecommunication, online and offline are defined by Federal Standard 1037C. They are states or conditions of a "device or equipment" or of a "functional unit". To be considered online, one of the following may apply to a system: it is under the direct control of another device; it is under the direct control of the system with which it is associated; or it is available for immediate use on demand by the system without human intervention.
"Online" is a moderate up-tempo song whose lyrics satirize the online world, specifically MySpace. Here, the song's protagonist is a geek who lives at home with his parents, holds a job at the local Pizza Pitt pizzeria, and claims limited success in the dating world. Actually "five-foot-three and overweight", a fan of science fiction, and a mild asthmatic, the main character has an account on MySpace. There, he assumes a much more desirable personality: "Online, I'm out in Hollywood / I'm six-foot-five and I look damn good / I drive a Maserati / I'm a black-belt in karate / And I love a good glass of wine". Later in the song, he claims to live in Malibu, California, have a sexy, finely sculptured body, and pose for Calvin Klein Inc. and GQ. The fictitious alternate personalities make the geek claim that he is "so much cooler online". The album version of the song ends with a marching band playing the melody of the chorus, a reference to an earlier line where the protagonist claims to play tuba in a marching band.


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More to explore:
How to Dye Carpet: Full Room
by Dyers Guild on Youtube
▶ How to Dye Carpet: Full Room - YouTube
Carpet inside of a home or vehicle often becomes stained and discolored long before it is worn out. Even with regular vacuuming and cleaning, your carpet may look old before its time. If your carpet is made of wool or nylon, dying the...
I love tis new trend. Overdyed carpets are aamazing.
RV Carpet and Upholstery Dyeing: A Low Cost Alternative Buying New
How to Dye Carpet: 10 Steps (with Pictures)
How to Dye Carpet: 10 Steps (with Pictures) - wikiHow
White Walls Sets the tone for COLORFUL Furniture//
They Call Me Mel: Dye-ing for a Change. How-to dye carpet
You can dye carpet! I have a shag rug in my livingroom I need to dye yellow for my new gray and yellow color scheme!!!
this is the worst tutorial i've seen on dyeing rugs/carpet

domain: hobby


text:
One common reason for painting a house interior is to redecorate it with new colours for a fresh look. But repainting rooms can also achieve other aims, such as disguising less-than-perfect walls or giving the illusion of larger or smaller spaces. Read on to see how you can achieve these aims with paint.
Disguising Wall Imperfections
The walls in your house might niggle at you every time you notice crumbly plaster or rough drywall.
Here are some tips to follow if you've just booked the services of an exterior painter for the first time.
Tell them in advance if there are any outdoor features near your exterior walls
It's important to let the exterior painter know if there are outdoor features near the walls you're going to have them paint. You should do this in advance so that they have time to prepare for painting the wall surfaces beside these features.

domain: design


text:
Free shipping is included when you buy this circle stand.
- Color: Gold
- Size: 6.5 feet diameter
- Material: Aluminum alloy (Lightweight, Strong and sturdy)
- Occasions: Wedding, Birthday, Baby Shower (Indoor and Outdoor)
- Easy to install in 10 minutes without any tools
Gold Wedding Arch
Round in shape and sturdy in formation, this frame can be used to create most mesmerizing wedding arch, door arch, balloon or floral arches, backdrops, peppy photo booths, and even quirky geometric presentations.
Portable Photo Booth
This portable photo booth backdrop stand can be carried easily anywhere and can be assembled in no time for a quick party setup.
Round Backdrop Stand (use with a custom backdrop cover)
Give your merry moments and festive occasions a touch of style and elegance with thematic backdrops and photo booth Backdrop Stand.


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Today is the birthday of American writer Irving Wallace (1916-1990). Wallace parents emigrated from Russia and settled in Kenosha, Wisconsin, where Irving grew up. From an early age, Irving, whose father was a clerk in a general store, dreamed of being a writer. When he was still in high school, he sold his first published article to Horse and Jockey Magazine for $5.
After graduating from Williams Institute in Berkeley, California, Wallace began writing full time in 1937, selling freelance fiction and nonfiction to magazines. He also wrote for Hollywood, producing a number of screenplays for major studios.
Wallace is best known, however, for his books — both fiction and nonfiction, which he began writing in the 1950s. His 16 novels and 17 nonfiction books have sold more than 120 million copies.
In 1977, working with his son and daughter, Wallace published The Book of Lists. It was the perfect book for the dawning information age and quickly became a bestseller (1).
The Book of Lists is more than just a compilation of lists. Each of the book’s lists is annotated with fascinating facts and storylines. Here’s a small sample of some of the tantalizing titles of the book’s lists:
10 Famous Noses,
6 People Whose Names Were Changed by Accident,
13 Mothers of Infamous Men,
Rating the Effects of 51 Personal Crises,
14 Highly Unusual Recipes,
33 Names of Things You Never Knew Had Names,
17 Pairs of Contradictory Proverbs,
5 Famous People Who Invented Games,
9 People Who Died Laughing
27 Things That Fell From the Sky (2)
The Book of Lists inspired hundreds of imitation volumes, and with the advent of the World Wide Web in 1990, the list article (or listicle) has become a staple method for writers to deliver information.
Today’s Challenge: It’s the Listicle You Can Do
What are ten possible topics for interesting listicles? Brainstorm at least ten specific topics that you might package as a listicle. Use the words below to help you determine some possible organizing principles for your lists, such as 10 Reasons to Read More, or 10 Secrets to Getting an A in English:
ways, reasons, things, places, people, principles, rules, secrets, lessons, keys, habits, tips, myths, best, worst, mistakes, steps
Once you have some ideas, select the one list you like the best, and expand it into a listicle. Make sure you have an engaging title that includes the number of items on your list. The number ten seems to be a number that resonates with readers; in fact, there is a single word in English, that means “a list of ten.” Decalogue is from the Greek deca, meaning “ten,” and logos, meaning “words.” Make sure to number each item on your list, and follow each numbered item with details that will engage your audience.
(Common Core Writing 2 – Expository)
Quotation of the Day: A listicle feels more democratic than a hierarchically structured argument, as well as more in tune with a conception of history and the world as just one damn thing after another. The foundational text of Protestantism was a listicle nailed to a church door: Martin Luther’s “95 Theses” posted at Wittenberg. So it makes sense that in our culture, which makes a fetish of anti-authoritarianism, the listicle should have spread everywhere, like mold. -Steven Poole
2-Wallechinsky, David, Irving Wallace, and Amy Wallace. The Book of Lists, 1977.


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