Green Inferno Blu-ray Review (originally published 2016)
New York college student Justine (Lorenza Izzo) meets student activist Alejandro (Ariel Levy) when he goes on a hunger strike on behalf of underpaid janitors. Smitten, she agrees to help Alejandro undertake his next project: rescuing an Amazon village from destruction by a greedy multinational corporation. But Justine soon comes to regret her decision when their plane crashes in the Peruvian jungle and the students realize they are not alone. No good deed goes unpunished as the well-meaning students are captured by the cannibalistic tribe they came to save. (From Universal’s official synopsis)
Eli Roth’s career as a would-be master of terror began with the unexpected theatrical release of his independently produced ‘70s horror homage, Cabin Fever (2002), followed by the more contemporary Hostel (2005), which went on to be a major hit for distributors Lionsgate and Screen Gems. Unfortunately, many viewers mistook Roth’s indictment of ‘bro’ culture as a celebration of it and, seemingly annoyed by his hyperactive horror nerd persona and appearances in Quentin Tarantino and Alexandre Aja movies, decided to label him the frat boy of modern horror. These misconceptions (2020 edit: something Roth unfortunately leaned into in the years since) and so-called ‘torture porn fatigue’ (possibly the least horror fan-like thing to ever happen to horror fandom) kept people away from Hostel Part II (2007), which is too bad, because it was one of the smartest and most beautifully shot horror movies of the ‘00s.
Roth’s exponential growth as a filmmaker between these three movies is comparable to Peter Jackson’s growth from Bad Taste (1987) to Braindead (aka: Dead Alive, 1992) and, as a fan, I was excited for Roth to make his Heavenly Creatures (arguably Jackson’s best movie, 1994). Sadly, Roth disappeared from the director’s chair for almost a decade. He kicked around an idea for a disaster movie entitled Endangered Species (as yet unmade), continued with those aforementioned acting roles (mostly bit parts), co-wrote/co-produced RZA’s The Man the Iron Fists (2012) and Nicolás López’ Aftershock, lent his name as producer to a couple of Last Exorcism movies (2010, 2013), and showed up on a number of Blu-ray special features for genre pictures. Then, his fourth film as writer/director, The Green Inferno, stalled due to a distribution crisis in 2013 and sat on the shelf until 2015, when it was released a couple of weeks before his fifth film, Knock Knock.
Hostel Part II was a love letter to Italian exploitation cinema of the ‘70s that wasn’t entangled in specific callbacks to earlier films. It was more of a tonal homage that non-fans could still appreciate for its more universal themes. The Green Inferno takes a slightly more direct approach. Instead of applying an overall Italian flavour to modern social anxieties, Roth is contextualizing those anxieties within the structure of one of the most tasteless, mean-spirited, and controversial Italian exploitation sub-genres of all – the cannibal film. This patently offensive cycle began when Italian filmmakers attempted to recreate Hollywood adventure movies (specifically Elliot Silverstein’s A Man Called Horse, 1970), but grew in popularity due to images of grueling violence, not swashbuckling exploits. In reaction, those filmmakers engaged in a competition to one-up each other with harrowing gore and callous sexual content, including the actual on-screen slaughter of exotic animals. The Green Inferno is very aware of its heritage, including a number of direct references to the films that inspired it (the end credits include a literal list of Italian cannibal movies), but, like Hostel II, it is insular enough to work for audiences that aren’t familiar with the tropes – though do note that no animals are killed over the course of the movie, on-screen or off (Roth is a card-carrying member of PETA, after all).
With The Green Inferno, Roth grips firmly to his roots telling stories about young, upper/upper-middle class, urban Americans and their ill-fated adventures outside the comforts and safety of modern civilization. When stacked end-to-end, this xenophobic tetralogy reveals an escalation in isolation. During Cabin Fever, a group of college students gather in a remote spot in the woods of rural America, where they are menaced by the locals and fall victim to a flesh-eating virus. During the Hostel movies, two different groups of college students leave their home country and travel to a near lawless Eastern European city, where they are sold to the highest bidder for slaughter. Here in The Green Inferno, yet another group of college students wander out of country and outside of every vestige of 21st Century civilization, where they are literally eaten by the native peoples, who mistake them for enemies. In a year of recycled formulas and populist nostalgia (assuming that we’re counting The Green Inferno as a 2015 release), Roth is, at the very least, trying to revamp his blueprint, based on different thematic needs and different kinds of nostalgia. He’s also firmly imprinting the formula with his own storytelling infatuations – heroic characters that betray their friends, lovable losers whose decency can’t save them from certain doom, sexual temptation leading into danger, and cruel, not to mention dangerous children.
The Green Inferno’s harshest critics have derided it for its apparently cynical view of social responsibility. Indeed, Roth and co-writer Guillermo Amoedo (co-writer of Aftershock and writer/director of The Stranger, 2014, which was produced by Roth) are satirizing the well-meaning upper class youth that take it upon themselves to defend political and environmental causes. But to assume that the filmmakers unilaterally distrust social activism, because they recognized a compelling connection between modern social activism and the Italian cannibal genre, is the same as assuming that all of the filmmakers behind slasher movies distrust promiscuous teens that smoke pot. Roth and Amoedo are sometimes making fun of a braggarty brand of smug activism, but they’re mostly revisiting the cruel, almost EC Comics-level irony Roth has enjoyed exploring since Cabin Fever. More importantly, most of the college activists mean well and are being deceived by a cynical leader that is the film definitively frames as the villain of the story. These characters – villains and protagonists – perfectly fit the Italian cannibal mould, specifically Cannibal Ferox, where a knowitall anthropologist drags her friends and colleagues into the Amazon basin in an effort to prove that modern cannibalism is a myth. Her hubris dooms her friends, but she survives the ordeal and, in an act of ultimate hypocrisy, she publishes her findings, claiming that she didn’t find any proof of modern cannibalism, despite witnessing the act first hand (not that I want to spoil the end of The Green Inferno…).
The more appropriate criticism is that Roth and Amoedo are approaching youth culture as outsiders this time and that he might not ‘get it’ anymore. The dialogue during the college-set sequences is abrasively contrived and unfunny, veering dangerously close to an old man’s mocking impression of ‘what the kids talk like these days.’ Moreover, the first-act tone leans too hard onto the satirical slant, which, in turn, devolves into something of an unsuccessful Zucker-Abrahams-Zucker-styled spoof. Alongside a number of dopey scatalogical jokes (certainly not a rarity in an Eli Roth movie) are a cadre of young characters that are utter parodies of various horror movie/teen comedy stereotypes. I understand that this was likely Roth and Amoedo’s intention, but the joke is so on-the-nose that it’s grating. Fortunately, the standardized set-up only takes about 30 minutes of screen time before the characters are established enough for KNB’s special effects techs to start tearing them apart.
In completely technical terms, The Green Inferno is a step back from the Hostel films. However, it’s hard to fault Roth for the lack of that indelible or elegant imagery, because the film’s goals don’t jibe with graceful camera moves and stoic framing. Most of Italy’s cannibal movies were shot from the hip using the most affordable and portable 35mm cameras available at the time. Roth’s modern equivalent is sort of dogmatic in its respect for the often necessary vérité style of those films and was shot using small, consumer grade-style digital cameras. It looks cheap, which, coincidentally, it was – on half the budget of Hostel II (not counting the significant inflation in production costs over the last decade). This lack of funding demands the benefit of the doubt in reference to bargain digital effects (the jaguar, the ant attack, and plane crash), but, as the film progresses and the danger increases, the immediacy of the footage does carry a certain power. Though Roth breaks the tension from time to time with the aforementioned poop comedy and miscalculated dialogue, the final half of the movie is a proper counterpart to the hellish spiralling horror of Ruggero Deodato’s über-cannibal opus, Cannibal Holocaust (1980). The final 45-or-so minutes of the film are basically a series of escape attempts and violent atrocities, some of which are never-before-seen in the cannibal exploitation pantheon. The violence pushes the R-rating, but not quite beyond its current ‘acceptable’ levels. Roth likely knew he wasn’t going to be able to release the film in theaters if he tried to match the jaw-dropping abhorrence of the movies he was mimicking.
And speaking of Cannibal Holocaust, I have to applaud Roth for not going with a found-footage aesthetic. Deodato’s film is famous for its sadism, sure, but it was also a progenitor of the found-footage/mockumentary genre. This, coupled with the fact that camera phones play a significant role in the story, means that Roth had multiple excuses to go with the format, yet he resisted it. Perhaps he knew he was beaten to the punch by Ti West’s The Sacrament (2013), in which Vice.com documentary filmmakers are murdered after intervening with a Jonestown Massacre situation in a similar looking jungle environment (fun fact: Lenzi’s second cannibal film, Eaten Alive!, revolves around a Jonestown-esque storyline). This would make sense, considering that Roth was co-producer on The Sacrament, but I actually get the feeling that he was simply interested in a ‘softer’ vérité approach.
Other critics have called Roth racist for exploiting the villagers and presenting a savage (though fictional) version of their culture. The Italian cannibal cycle was hugely racist in terms of content (they’d often waste energy discussing the brutal nature of civilized white people, while otherwise presenting the natives as degenerate and sub-human) and most of the filmmakers were accused of treating their native cast members with contempt. Based on what appears on film, it seems clear that the indigenous people in the film are having fun acting. Supporting players are seen cracking smiles, while the lead cannibals, especially the ‘Elder’ (established Peruvian actress Antonieta Pari), are chewing the scenery with relish (the commentary track is full of very happy behind-the-scenes stories). So, while it’s difficult to deny that the sentiment of The Green Inferno may be racist, I believe Roth’s version of this trope is more culturally sensitive than his ‘70s/’80s counterparts (he is, at the very least, more interested in the cannibals as people than Lenzi or Deodato) and that the filmmakers were probably not explicitly exploiting the native cast (I have no idea what the compensation was).
According to the specs on imbd.com, The Green Inferno was shot using Canon C300 digital HD cameras (during the commentary, Roth states that this is the first feature shot using these particular rigs). I believe this was the first time Roth used a digital format for something he was directing, but cinematographer Antonio Quercia had time to familiarize himself with similar Canon cameras while shooting Aftershock. Roth and Quercia use a lot of shallow focus and hand-held techniques, which keeps most of the backgrounds soft and fuzzy, but the foreground images on this 2.40:1, 1080p transfer are incredibly sharp, to the point that I considered turning down the sharpness on my TV to compensate for all of the enhancement effects. There are a number of bright white hotspots and a number of smoothing/ghosting artifacts, all of which are common for other Blu-ray transfers culled from Canon camera sources. I’m definitely not an expert in the field of digital cameras, but, given how often these ‘problems’ (certainly an issue of taste over objective quality) coincide with movies that claim to use Canon rigs, I think it’s safe to draw this conclusion. Color quality is vivid and, thankfully, pretty naturalistic (the filmmakers don’t employ a lot of digital grading, but the hues are eerily consistent) and black levels are strong. There’s a bit of blooming and occasional low level noise, but, other than the digital artifacts that I’m blaming on the cameras, I can’t see any real compression.
The Green Inferno is presented in DTS-HD Master Audio 5.1 sound. The aural stage is set during the opening credits, which begin over a black screen set to the bare sounds of the rain forest. It’s immersive and beautifully layered, but it also sounds very ‘produced’ and sort of synthetic. I assume that shooting in the elements made it difficult to get decent location sound and most of the environmental ambience had to be created in post. Still, dialogue is natural, even during the particularly noisy native chanting/cheering sequences. Artificial or not, the effects work is busy and directional movement is adequate. Manuel Riveiro’s original score is a mixed bag, including slightly annoying synthesized dramatic/spooky cues and more feature-appropriate tribal and Latin themes. The music has a nice stereo spread, a deep LFE response, and doesn’t overwhelm dialogue or effects.
Commentary with director Eli Roth, producer Nicolas Lopez, and cast members Lorenza Izzo, Aaron Burns (also SFX tech), Kirby Bliss Blanton, and Daryl Sabrara – Roth is always a good commentator and both he and Lopez come prepared to discuss the many blessings and hardships of the production. I was afraid that the actors would get in the way of the momentum of the commentary, but they actually have quite a bit to add, especially Lorenza, who is on screen for almost the entire film. That said, there’s a bit too much ‘this is my favorite shot’ talk and back-patting – both common side-effects of group commentaries. Roth acts as moderator and sometimes interviewer, though, disappointingly, he rarely discusses the Deodato and Lezi movies that inspired him.
The images on this page are NOT representative of the Blu-ray image quality.


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Recently rebuilt my motor installed 55 injectors, 6057 turbo champion irons. When i slam the gas the car will shut off, and not restart for at least 5-8 minutes. I am guessing it it is flooding...guys any idea
please give me phone number, as i am not completely sure which Weatherstripping it is.I would like to confirm that they are the ones that run up the pillars and all the way around the spot where the T-Top falls into. If so, i am prepared to make an offer
Deciding on a set of heads. What do guys recommend on a street use car, with a fresh .30 motor, 6262S turbo, 60 ibs inj, alky, front mount cooler, double pumper, 3" single shot exhaust
Also what type of Cam?
all suggestions much appreciated.
I am looking for the rear interior pieces if still available. Basically the interior panels around the rearseats...whatever they are called.
Also looking to get the computer case panel. the item the holds the ECM in the interior .
The radio dash plate
the sentinel sensor on the dash.
This is quite the inspiring project. I appreciate the drag set up but I am just imaging the look of the car if you went the pro touring route. With that space in the rear the rim tire size and amount of lowering that could be done. Man o man just a great project

domain: design


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If you’re seeking a hardy and efficient meat producer, look no further than the Kiko goat. Originating from New Zealand, these remarkable goats have gained popularity for their resilience, adaptability, and high-quality meat production. In this article, we’ll delve into the fascinating world of Kiko goats, exploring their history, characteristics, benefits, and why they have become a favored choice for meat production worldwide.
Kiko goats have gained widespread recognition for their ability to thrive in various environments, making them an excellent choice for meat production. Let’s explore the rich history and characteristics of these remarkable animals that have earned a place in the hearts of farmers and meat enthusiasts alike.
The Origin and History of Kiko Goats
Originating in New Zealand during the 1980s, Kiko goats were bred to adapt to the rugged landscapes of the country. The Maori word “kiko” translates to “flesh” or “meat,” reflecting the breed’s primary purpose. Developed by crossbreeding feral goats with established meat goat breeds, Kiko goats quickly gained a reputation for their robustness and resistance to harsh conditions.
Characteristics of Kiko Goats
Kiko goats typically possess a sturdy frame, well-defined muscles, and a distinctive coat. Their coat can vary in color and pattern, aiding in camouflage and protection from the elements.
Thanks to their feral goat ancestry, Kiko goats have a remarkable ability to adapt to different environments. They are known to thrive in both hot and cold climates, making them versatile candidates for meat production across the globe.
The Advantages of Choosing Kiko Goats for Meat Production
Kiko goats’ history of natural selection has endowed them with impressive disease resistance. This resilience reduces the need for extensive medical interventions, resulting in healthier and more sustainable farming practices.
Low Maintenance Requirements
Compared to some other meat goat breeds, Kiko goats are relatively low-maintenance. Their hardy nature means they can thrive on sparse forage, requiring less supplementary feeding and management.
Excellent Meat Quality
The meat of Kiko goats is renowned for its tenderness, flavor, and leanness. This meat quality is a result of the breed’s genetic makeup and active lifestyle.
Raising and Caring for Kiko Goats
Creating a suitable environment is crucial for the success of a Kiko goat farm. Providing ample grazing space, shelter from extreme weather, and secure fencing are essential elements.
While Kiko goats are resilient, proper nutrition is still vital. A balanced diet rich in fiber, minerals, and protein ensures healthy growth and high-quality meat production.
Selective breeding plays a significant role in maintaining the breed’s advantageous traits. Responsible breeding practices can further enhance disease resistance and meat quality.
Kiko Goat Farming Success Stories
Across the world, farmers have shared success stories of transitioning to Kiko goat farming. These stories highlight the breed’s potential to transform livelihoods through sustainable and efficient meat production.
Sustainability and Kiko Goat Farming
Kiko goat farming aligns with sustainable agricultural practices due to reduced reliance on medications and supplementary feed. This approach benefits both the environment and the consumers.
Kiko Goats vs. Traditional Meat Goat Breeds
Compared to traditional meat goat breeds, Kiko goats offer distinct advantages in terms of adaptability, disease resistance, and meat quality. This comparison underscores their value in modern farming.
The Global Demand for Kiko Goat Meat
As awareness of Kiko goat meat’s exceptional quality spreads, the demand for this premium meat is on the rise. Restaurants, markets, and discerning consumers seek out the unique flavors and health benefits it offers.
Challenges in Kiko Goat Farming
Genetics and Purity Concerns
Maintaining the genetic purity of Kiko goats can be challenging due to the risk of crossbreeding. Dilution of the breed’s unique traits poses a potential threat.
While demand is increasing, some regions may still lack awareness of Kiko goat meat. Education and marketing efforts are essential to fully capitalize on the breed’s potential.
The Future of Kiko Goat Farming
The future looks promising for Kiko goat farming. As sustainable and high-quality meat production practices gain traction, the breed is likely to play a pivotal role in meeting global protein demands.
In the world of meat production, Kiko goats stand out as a hardy and reliable option. Their adaptability, disease resistance, and exceptional meat quality make them a valuable asset to farmers and consumers alike. By embracing Kiko goat farming, we can not only satisfy our appetites but also contribute to a more sustainable and resilient agricultural future.
Frequently Asked Questions and Answers
Q1: Are Kiko goats suitable for beginners in goat farming?
A: Yes, Kiko goats’ hardiness and low maintenance make them a suitable choice for beginners.
Q2: How does Kiko goat meat compare to other meats?
A: Kiko goat meat is lean, tender, and boasts a unique flavor profile that sets it apart.
Q3: Can Kiko goats thrive in extreme weather conditions?
A: Yes, Kiko goats have a history of adapting well to both hot and cold climates.
Q4: Are Kiko goats raised mainly for meat?
A: Yes, Kiko goats were primarily bred for meat production due to their exceptional qualities.
Q5: How does Kiko goat farming benefit the environment?
A: Their low-maintenance needs reduce the use of artificial inputs and promote sustainability.
Kiko goat’s journey from the rugged terrains of New Zealand to becoming a global meat producer is a testament to its resilience and quality. Whether you’re a farmer seeking a robust livestock option or a consumer craving premium meat, Kiko goats offer a solution that’s both sustainable and satisfying.

domain: agronomy


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DRAPER The Harmons grocery store at Bangerter Crossing has earned a "certified organic" designation from the Utah Department of Agriculture and Food in the artisan bread bakery, produce department and part of its meat department.
"They've responded to a very clear call from the public for more organic products and have ensured a way to provide these products in a safe, monitored environment," Seth Winterton, deputy director of Utah's Own Utah Organic Program at the Agriculture Department in a prepared statement released Tuesday by Harmons.
To earn the certification, each participating department tracked each product to verify it was grown and processed without pesticides and fertilizers. For example, bakers tracked each ingredient in the bread, including flour, cheeses, nuts, olives and raisins.
Organic produce must be packaged and shipped in manners in which non-organic products don't touch, leak or drip on organics.
"Our plan is to eventually roll out the organic program into other stores and other departments," said Bob Harmon, a vice president at the Utah grocery store chain.

domain: news


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When they multiply, viruses can develop mutations, that is, errors leading to changes in the original genetic sequence, giving rise to variants. This is the case with SARS-CoV-2 like other viruses: it is an expected and common phenomenon.
Some errors have no consequences, others give it new adaptability. Some variants can become:
- more contagious;
- more virulent;
- less sensitive to the immunity acquired by an infection or a vaccination: we speak of“Immune escape”.
Variants are classified into three categories by the World Health Organization (WHO) and monitored in international databases, including that of the Global Initiative on Sharing Avian Influenza Data (Gisaid):
- variants of concern (or VOC for variant of concern) compared to the root virus. They are more virulent, more resistant to diagnostic tests, treatments or vaccines;
- variants under surveillance (or VOI variant of interest), whose impact on public health has not yet been determined but which is found in several cases of contamination or at the origin of areas of contamination (clusters) ;
- the variants under evaluation, whose consequences for public health are still undetermined.
According to Public health France, the worrisome variants currently circulating in France are the British, South African and Brazilian variants. The Indian variant is ” under surveillance “.
The British variant (B.1.1.7)
Also called “B.1.1.7”, it is reported in December 2020 by the United Kingdom, where it has become the main strain. Highly contagious, it is widespread in 139 countries and represents 83% of Covid-19 cases in France. “A virus capable of easily infecting humans will tend to multiply much faster. This is typically the case with the British variant ”, explains Vincent Maréchal, professor of virology at the University of the Sorbonne.
This increased transmissibility about + 43% to + 90% compared to the original virus is due to a mutation that affects the protein Spike, the main target of the immune response and through which the virus enters the cell. “This 501 mutation is associated, in the laboratory, with a greater affinity of the virus for its receptor on the surface of the cells it wants to infect”, explains Jean-Claude Manuguerra, head of the Biological Emergency Response Unit (CIBU) at the Institut Pasteur.
On the other hand, it is not considered as an “escape variant”, it does not have the genetic modification responsible for the resistance which is also found on the Spike protein and bears the name of E484K.
In his weekly epidemiological report, WHO believes that the vaccines are globally effective against the British variant, with the exception of that of AstraZeneca which may not sufficiently block the transmission of the virus. A conclusion qualified by the WHO which specifies that the study was carried out on a small sample of patients and that other experimental data are necessary.
In France, the High Authority for Health (HAS) recommended the use of the four available vaccines, for which she believes the data “Suggest that they remain active against the English variant”.
South African variant (B.1.351)
The B.1.351 variant appeared at the end of 2020, first in South Africa and is now circulating in 87 countries, according to the WHO. Today he represents 5% of cases in France, 35% in Moselle and the majority in Mayotte and Reunion.
Just like the British variant, it has a mutation at position 501 which makes it more contagious (+ 50%) but also has an additional mutation, E484K, which also makes it more resistant to certain vaccines and could be the cause reinfections. According to the scientific council, this variant is the one that “Presents the most risk [d’échappement] “.
A scientific note of the US Centers for Disease Control and Prevention (CDC), states that, “In all the studies, the reductions [de l’efficacité des vaccins] the most important were observed for B.1.351 [sud-africain], followed by P.1 [brésilien] “.
The French scientific council explains in its February 12 note that messenger RNA vaccines (mRNA, such as Pfizer or Moderna) have a 30% reduction in efficacy on this variant. The sensitivity to the Janssen vaccine is also preserved: of the order of 50% with an 85% protection against severe forms. The AstraZeneca vaccine “Is only 60% -65% effective”, he recalls, believing that“An efficiency of 30% [sur ce variant] wouldn’t be amazing ”.
The P1 variant was detected on January 2 in a Japanese tourist returning from Brazil. It has spread to over 54 countries and is responsible for 5% of cases of Covid-19. In Guyana, it has become the majority.
The Brazilian variant is more contagious (mutation in 501) and more resistant vaccines (E484K mutation) and could cause re-infection. A significant proportion of patients with a severe form of Covid-19 are under the age of 50 in Brazil, says the scientific council in its opinion delivered on April 16.
However, its resistance to vaccines remains lower than that of the South African variant. The scientific council reports that the effectiveness of vaccines on the Brazilian variant is “Preserved but reduced”. It remains only partially inhibited by antibodies from individuals infected with the original virus.
Given the strong presence of the Brazilian and South African variants in overseas territories, the HAS recommended “The continuation of the strategy already in place with the exclusive use of messenger RNA vaccines. “
The B.1.617 variant was first detected in India in October 2020 and, according to the WHO, it is now present in 17 countries. The organization adds that most of the detected cases come from India, the United Kingdom, the United States and Singapore. On April 29, three cases of contamination with the Indian variant were identified in mainland France.
It has fifteen mutations, two of which are common with other variants. It is classified as a variant under surveillance but approximates the variants of known concern, even though it does not have the 501 mutation. scientific Council precise : “The E484Q mutation is close to but different from the E484K mutation which facilitates partial escape from vaccines. We can therefore expect a conserved but reduced vaccine efficacy. “ However, no prediction about its drivetrain or exhaust potential can yet be made.
“The urgency remains to vaccinate, recalls Jean-Claude Manuguerra of the Institut Pasteur. It’s a race against time, there must be as many people as possible vaccinated before variants can take hold or be generated. “ And for good reason, the more a virus circulates, the more it multiplies, which increases the probability of obtaining beneficial mutations for the virus, making the battle against the latter more complex.
Our selection of articles on Covid-19
Find all our articles on SARS-CoV-2 and Covid-19 in our section
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At St Luke’s C of E Primary, we offer a variety of ways to help our children develop their spiritual, moral, social and cultural development, including understanding of British Values.
SMSC is promoted not only through all of the subjects in our curriculum, but also through our Christian vision, values and ethos which permeate all aspects of school life. We aim to provide opportunities for our children to form their own identity and sense of place and purpose; giving them the confidence to question and discover who they are in the world and face the exciting challenges that lie ahead. Alongside this we teach children to reflect on British Values, linked to our Christian Values.
Our children are actively involved in raising money for a variety of events throughout the year. This enables pupils to develop key skills to equip them to be courageous advocates for the common good, locally and globally.
The spiritual development of pupils is demonstrated by their:
- ability to be reflective about their own beliefs, religious or otherwise, that inform their perspective on life and their interest in and respect for different people’s faiths, feelings and values in the increasingly diverse world around them.
- sense of enjoyment and fascination in learning about themselves, others and the world around them.
- use of imagination and creativity in their learning.
- willingness to reflect on their experiences.
The moral development of pupils is demonstrated by their:
- ability to recognise the difference between right and wrong and to readily apply this understanding in their own lives, recognise legal boundaries and, in so doing, respect the civil and criminal law of England.
- understanding of the consequences of their behaviour and actions.
- curious about and interest in investigating and offering reasoned views about moral and ethical issues and ability to understand and appreciate the viewpoints of others on these issues.
The social development of pupils is shown by their:
- use of a range of social skills in different contexts, for example working and socialising with other pupils, including those from different religious, ethnic and socio-economic backgrounds.
- willingness to participate in a variety of communities and social settings, including by volunteering, cooperating well with others and being able to resolve conflicts effectively.
- acceptance and engagement with the fundamental British values of democracy, the rule of law, individual liberty and mutual respect and tolerance of those with different faiths and beliefs; they develop and demonstrate skills and attitudes that will allow them to participate fully in and contribute positively to life in modern Britain.
The cultural development of pupils is shown by their:
- understanding and appreciation of the wide range of cultural influences that have shaped their own heritage and those of others.
- understanding and appreciation of the range of different cultures within school and further afield as an essential element of their preparation for life in modern Britain.
- knowledge of Britain’s democratic parliamentary system and its central role in shaping our history and values, and in continuing to develop Britain.
- willingness to participate in and respond positively to artistic, musical, sporting and cultural opportunities.
- interest in exploring, improving understanding of and showing respect for different faiths and cultural diversity and the extent to which they understand, accept, respect and celebrate diversity, as shown by their tolerance and attitudes towards different religious, ethnic and socioeconomic groups in the local, national and global communities.
British values are embedded in the work of the school and they are defined as:
- the rule of law
- individual liberty
- mutual respect
- tolerance of those of different faiths and beliefs
At St Luke’s, British Values are promoted through our curriculum, but also through our Christian vision, values and ethos. We aim to provide opportunities for our children to develop the confidence to question and share their own opinions about the world around them. We believe in teaching our children to have sound values with an emphasis on respect for others, mutual understanding and a celebration of diversity.
The school values pupil voice and we ask the pupils about their learning, their concerns and for their ideas about how we can make things better for them. We do this by using pupil questionnaires and through our Pupil Ambassador teams. At the start of each year children vote for their class representatives through an election process. Through their class representatives children have the opportunity to have their voices heard.
The Rule of Law
The children understand the school rules and what happens if these rules are broken. During PSHE (Personal, Social, Health and Economic Education) lessons and assemblies children learn about the importance of having rules and how these relate to laws. We use a range of PSHE resources to promote moral, spiritual, social and cultural awareness among our pupils. Our children have a well-developed sense of justice. They understand and are able to discuss why there needs to be consequences for those who break the rules or laws. By being immersed in the ethos of the school, our children learn about their responsibility to be law abiding citizens.
Alongside rules and laws, we promote freedom of choice and the right to respectfully express views and beliefs. Through the provision of a safe, supportive environment and empowering education, we provide boundaries for our children to make choices safely; for example:
Choices about what learning challenge or activity to do.
Choices around the participation in extra-curricular activities.
Choices about lunchtime options, and so on.
Our behaviour policy is built on the principle that children are responsible for their own actions and choices and that these have consequences. The school sanctions system provides reflection time where pupils are able to think about the impact of their choices. During PSHE, e-Safety lessons and assemblies pupils are taught how to keep themselves safe whilst they exercise their rights and personal freedoms. Safeguarding is embedded in every aspect of life at the school.
Mutual Respect and Tolerance
Adults actively model respect with one another, and with the children, in how we speak and treat one another. Our school is a diverse community and, through our creative curriculum, we promote an awareness of different faiths and we encourage our pupils to recognise and understand these faiths. Our pupils naturally show tolerance for others and have a curiosity to find out and understand cultures and faiths that are different from their own.

domain: sociology


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domain: finance


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Rare blood clots delay another COVID-19 vaccine
Updated: Apr 14, 2021
Johnson & Johnson's vaccine has been paused in the US and its roll-out in Europe delayed as health authorities probe a potential link to rare blood clots.
The vaccine is not in use in Australia, though a woman in her 40s vaccinated in Perth contracted a blood clot after taking the AstraZeneca vaccine recently - the most widely relied upon vaccine in Australia to date.
Australian Therapeutic Goods Administration boss John Skerritt said on Tuesday that Australians had a higher chance of winning the lottery than getting blood clots as a side effect of vaccinations.
US health agencies have recommended pausing the use of Johnson & Johnson's COVID-19 vaccine as the company said it will delay its roll-out in Europe.
European regulators said last week they were reviewing rare blood clots in four recipients of the Johnson & Johnson (J&J) vaccine in the US.
South Africa suspended giving Johnson & Johnson vaccine shots on Tuesday as a "precautionary measure" and the company delayed its European vaccine rollout following an FDA decision to pause the jabs while very rare blood clot cases are examined.
South Africa has given more than 289,000 doses of the J&J vaccine to the country's health workers without any reports of rare blood clots, Health Minister Dr. Zweli Mkhize told reporters.
Acting US Food and Drug Administration Commissioner Janet Woodcock said on Tuesday the agency expected the pause - after six women under 50 developed rare blood clots after receiving the shot - to be a matter of days and was aimed at providing information to healthcare providers on how to diagnose and treat the clots.
The moves come after European regulators said earlier this month they had found a possible link between AstraZeneca's COVID-19 vaccine and a similar rare blood clotting problem that led to a small number of deaths.
Immunology experts echoed US officials in underscoring that the risk posed by the J&J vaccine appeared extremely low and it remained a valuable tool against the risks of COVID-19.
The FDA said there had been one reported death from the rare blood clotting condition among recipients of the J&J vaccine while another person was in a critical condition.
FDA official Peter Marks said it was "plainly obvious" the J&J cases were "very similar" to the AstraZeneca ones.
However, officials said there had been no similar blood clot cases reported among recipients of the Moderna or Pfizer-BioNTech vaccines, which use different technology.
The J&J and AstraZeneca vaccines both use an adenovirus vector - a harmless cold virus - to deliver instructions for human cells to produce a protein found on the surface of the coronavirus, spurring the immune system to recognise and attack the actual virus.
Among leading global COVID-19 vaccine developers, China's CanSino Biological and Russia's Gamaleya Institute with its Sputnik V vaccine also rely on this approach.
The Pfizer-BioNtech and Moderna vaccines use messenger RNA (mRNA) technology.
-- with AAP


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Room 6 – Standard Double
"Me and my partner booked the b&b for a weekend break. The room was beautiful, the owner Mark was lovely and welcoming and made sure who could help us with any of our needs. The breakfast was lovely (we had the fry up) although there was plenty of alternatives. The b&b was beautiful with seating available outside in the garden."

domain: travel


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Digital currency markets have seen a strong price spike on Friday, adding billions to the overall market capitalization of the entire cryptoconomy. The surprise upward trend shows a few of the top-performing cryptocurrencies have gained between 10-20% in the last 24 hours. Also read: FATF Starts Checking How Well Countries Implement Crypto Standards Cryptocurrency Prices […]
The post Market Update: Crypto Prices Spike Significantly In a Matter of Minutes appeared first on Bitcoin News.
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ref throwing flag • swiss flag throwing • throw the flag
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Williams CEO Jost Capito says the level of dejection within the team at not scoring points in Austria highlights the gains it has made in recent grands prix.
Williams has not classified within the top 10 of a grand prix in almost two years but showed an uplift in performance across the triple header.
George Russell finished 12th in France, in a race where all 20 starters were classified, and went on to qualify 11th in Styria, before retiring from the top 10 due to a power unit issue.
Russell started from eighth in Austria, having returned Williams to Q3 for the first time since 2018, and finished in 11th position, following a late battle against Alpine’s Fernando Alonso.
“[The team] is very disappointed and I am very happy that everyone is disappointed [as] four weeks ago everyone would have triumphed for 11th place,” said Capito.
“We said the 12th place in France was fantastic and now with being disappointed with 11th shows the fire of the team and the enthusiasm the team has now, that they want more.
“If we would have said before the triple header what we would achieve in these three races everybody would have said ‘you’re completely crazy, never ever’.
“And, now, we are even disappointed with these results, so I think that shows the way we are taking the team.”
Capito went on to praise the manner of Russell’s driving after the Briton attempted to preserve the final points-paying position against Alonso.
“It was fantastic, he could be sure he couldn’t keep him up to the end because the [Alpine] car is much quicker,” said Capito.
“You saw when he [Alonso] finally passed George how quickly he could open the gap, and the car is quicker than our car.
“George did a fantastic job, these two put a great show on for the spectators.”
Williams holds ninth in the standings, ahead of Haas on results countback.


Bail Set At $1 Million For Retired NYPD Officer Charged In Deadly Hit-And-Run
Our motor vehicle attorneys have learned that a retired NYPD officer has been charged with the hit and run death of a 13-year-old girl with Down syndrome in Levittown, New York.
CBS New York reports:
Bail for Michael Elardo, 48, of Syosset was set at $1 million during his arraignment in First District Court in Hempstead.
Elardo, who is a retired, disabled and decorated 13-year veteran of the NYPD, surrendered to police on Monday and was charged with leaving the scene of an accident, authorities said.
What Is The Police’s Side Of The Story?
Police said Elardo fled the scene after he blew a red light and hit 13-year-old Bryanna Soplin as she crossed Hempstead Turnpike early Sunday.
“There was impact, but he didn’t believe he hit anybody,” attorney Michael DerGarabedian said. “This is one of the most dangerous intersections in the United States. What he believed he hit was one of those construction cones.”
As CBS 2′s Carolyn Gusoff reported, Elardo claims that he received an emergency phone call from one of his children seconds before the crash. The call was cut off and Elardo said he looked back, and decided to rush home when he didn’t see anything.
Bryanna’s mother, Jennifer Curuchaga, said that’s no excuse.
“If it was a piece of garbage, if it was an animal, a raccoon, a dog, a person, you should have stopped,” Curuchaga said. “It doesn’t matter what you hit. Your car got damaged. Why would you not stop knowing that your front light came off or to see what the damage is. What happened?”
Curuchaga said Bryanna had been tucked into bed Saturday night, but just after midnight, she was discovered missing.
“I looked – she wasn’t there,” Curuchaga said.
What Is The Theory Behind Her Death?
Her parents said Bryanna likely went out a backdoor and was trying to walk to her grandparents house nearly two miles away when she was hit.
First responders performed CPR on Bryanna after she was struck, but to no avail, her mother said. The girl was taken to a hospital, where she died hours later, police said.
“She’s my life. She’s my oxygen. She’s my oxygen,” said Bryanna’s grandmother, Patricia Curuchaga. “I can’t believe it.”
Witnesses claimed they saw Bryanna knock on the door of a closing business, but she was turned away.
“They just closed the door and said, ‘We’re closed,’ and she turned around kept on walking,” Curuchaga said.
The cause of the crash remains under investigation. Traffic cameras may show the speed of Elardo’s vehicle and who had the right of way.
“We are waiting for the results of several more witness interviews and also, I’m waiting for results from of the cameras that are located at that intersection,” Nassau County Police Det. Lt. John Azzata said.
Police said other cars were stopped at the light, Gusoff reported.
Many of Elardo’s neighbors were shocked to learn that he had been charged in the crash. They described him as a nice guy who was very friendly.
“I feel bad for him,” one woman told WCBS 880′s Mike Xirinachs. “I feel very bad for him. I’m sure it was an accident.”
“He’s always done everything right, he always is there to help everyone. This is just a horrible accident,” said Elardo’s uncle, Robert Nicholetti.
The single father of four children faces up to five years in prison if convicted.
If you have any questions about an accident that happened to you or a loved one, please feel free to contact the Law Offices of Michael S. Lamonsoff, PPLC. Our attorneys are here to help you.
Contact us by e-mail or call one of our lawyers at 212-962-1020 (toll-free at 877-MSL-4LAW or 877-675-4529) to schedule a free initial consultation.


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Thrillingly Passionate Hit Musical
U. S. PREMIERE
Based on the Poem by Pushkin & the Opera by Tchaikovsky
By Amiel Gladstone and Veda Hille
Scenic Design Katy Monthei
Lighting Design Jeff Adelberg^
Costume Design Deirdre Gerrard
Sound Design John Stone
Properties Master Emme Shaw
Production Stage Manager Deirdre Benson*
Production Associate Shauwna Grillo
Sound Operator Zach Cadman
Assistant Director Stephen Zubricki IV†
Check out stars Sarah Pothier and Mark Linehan, and Director Weylin Symes on Podcasting with Dennis at Stoneham TV!
Music Direction by
Photos: Maggie Hall Photography.
Onegin. What did you call me?
The Canadian smash will be making its U.S. Premiere this March at Greater Boston Stage Company! Swipe right. We DARE you not to fall in love with Onegin. He’s moody, he’s Russian... and he’s irresistible.
Featuring a powerhouse cast, this show is filled with romance, betrayal, passion… and a good old-fashioned duel to top it off. Based on the early 19th century poem by Alexander Pushkin, this fresh new musical puts a spin on the timelessness of unrequited love. You’ll be stomping your foot to its contemporary rock score, while inhaling poetic lyrics such as, “Look around. Look around. Look around. Do you see someone worth dying for?”
Come join us and shake your winter blues away with a shot of Onegin.
There will be complimentary Pre-Show Vodka Tastings at 7:00pm before each of the Friday performances courtesy of Vodka Sponsor Deep Eddy Vodka.
Onegin runs approximately 2 hours including intermission.
Vodka Tastings are 21+ and for Friday night ticket-holders only.
Jared Bowen, WGBH
Jeanne Denizard, The Sleepless Critic
Kate House, Wicked Local
Michele Markarian, The Theater Mirror
Bobby Franklin, Boxing Over Broadway
Sheila Barth, Winthrop Sun Transcript
Alexandra Sourakov, The Tech
Susan Mulford, Boston and Beyond
$20 STUDENTS (with valid ID)
MEET THE CAST
There is a limited amount of on stage seating available for Onegin. Ticket holders on stage will be seated at cocktail tables in 2 seats on each side of the stage (4 total). For online purchase, these seats are available on the seating chart in Row AA.
Questions? Please contact the Box Office at 781-279-2200 or firstname.lastname@example.org.
Check out the songs from Onegin from the original recording sessions:
How do you pronounce a title like Onegin? The original Canadian cast is here to help:
* denotes member of Actors' Equity Association.
^Member of IATSE/USA.
†denotes GBSC Young Company alum.

domain: artistic


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Friday’s Nacogdoches Rodeo Produces Record Setting Mutton Bustin’ Ride
Friday proved to be an historic night for mutton bustin' at the Nacogdoches Pro Rodeo and Steer Show. A five-year-old cowboy from Garrison put up the best score for mutton bustin' in the history of the Nacogdoches Pro Rodeo.
Lynk Stokes' ride of 94 points not only was record-setting, but it places him in the overall lead after two nights of competition. Rylie Fuller, also of Garrison, was close behind with a great ride of 92 points. Lane Parker of Woden and Kamden Martin of Central Heights also scored high with rides of 88 and 87 points respectively.
Night number 3 of mutton bustin' and the Nacogdoches Pro Rodeo gets underway at 7:15 tonight as 15 more cowboys and cowgirls will try to make high marks in the mutton bustin' competition.

domain: history


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Statue of Liberty Lady Liberty Red White and Blue Vector Design Graphic, july 4th fourth of july patriotic independence day holiday america USA united states
This great product in sky from our department Women and Tank Top category can be printed just for you in the size and style you like. The design STATUE OF LIBERTY darr was created by missdarrian and uploaded to Spreadshirt for you to have printed on a Tank Top. Next to a host of other great designs, you can find this STATUE OF LIBERTY darr design in Spreadshirt’s July 4th category. If you are interested in topics like America or Independence Day, then you’ll love STATUE OF LIBERTY darr designs by missdarrian. Spreadshirt also offers a huge selection of t-shirts, hoodies and accessories for the category July 4th as well as top Patriotic clothing. missdarrian’s designs have already impressed many of our customers, so we are sure that we’ve got right stuff for you! Spreadshirt is your address for great designs of all kinds – whether it’s America, Independence Day or Patriotic. We are sure that you will find something nice in our shop, there are many amazing July 4th t-shirts, hoodies or accessories for you to find!Tags: Design ID: 10437476
This semi-sheer spaghetti strap tank for women has bound-on rib neck trim and straps. It is fully double-needle stitched and side seamed for a fitted silhouette. The fabric is made from 100% pre-shrunk combed, ring spun preshrunk cotton and has a fabric weight of 4.2 oz.
still to fill


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Not much changed with White House Christmas decorations in the year since Melania Trump hung her first ornament. There, again, is the expertly produced video that shows the First Lady surveying her feat of decor. There, again, is the impeccably dressed former model, still looking a bit like a J. Crew catalog come to life despite a lack of outfit changes this time. There, again, is the secular theme: last year, “Time-Honored Traditions”; this year, “American Treasures.”
And it wouldn’t be a Trump White House Christmas without, again, a menacing touch to what is otherwise a lavishly and beautifully wrought winter wonderland. Last year, shadowy white branches stretched above Trump as if she was our Christmas heroine making her way through an eerie tunnel of witch’s knuckles on her way to a candy-cane forest. This year, crimson red trees dotted a long hallway, dyed with what I assume is liberal blood a-boiling.
“This is a joyous time of year when we decorate the White House for the Christmas Season,” said the First Lady in the earnestly non-secular statement. “Our theme honors the heart and spirit of the American people. Thank you to the many volunteers and staff who worked hard to decorate the halls of the People’s House in Christmas cheer. On behalf of my family, we wish everyone a very Merry Christmas and a Happy New Year.”


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Welcome to the citizen survey, which examines the perceptions related to youth work in the municipality.
Responding to the survey is voluntary and anonymous.
At the beginning of the survey, you will choose the municipality you want to address. After that, there will be a few background questions about your role as a respondent. Finally, you will be presented with a series of statements about youth work in the municipality, to which you can respond according to your own perceptions.
The survey will be carried out in several municipalities around Finland.
The survey is part of the operations of the Centre of Expertise for Municipal Youth Work Kanuuna, funded by the Ministry of Education and Culture. The youth services of the city of Vaasa are involved in the survey and will use the answers in the development work of youth work. The City of Vaasa Youth Services is now surveying the perceptions related to youth work in the region. The survey is open to anyone who wishes to respond, and the answers will be used to develop the city’s youth work services.


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Fresh Goat Cheese and Sautéed Mushroom Pizza
An over-the-top take on the mushroom pizza with goat cheese, fresh basil and truffle oil. So good.
Pizza is just one of those comfort foods that makes everyone feel good. Here is a recipe for a fantastic mushroom and goat cheese pizza made on a Neapolitan dough. Cooking the mushrooms in advance and then refrigerating them helps protect them from the high heat of the pizza oven.
There are two pizza dough recipes on this website. One is for pizza made in a wood-fired oven and the other is for pizza made in a conventional oven. Both require overnight fermentation so plan accordingly. The difference between the two is the amount of water in the dough. Because a wood-fired oven cooks a pizza at 900˚F in 90 seconds, it needs less water in the dough. If you use the conventional oven dough with more water in a wood-fired oven, it will make a huge mess. The bottom of the dough will not dry out enough by the time the top has cooked and it will tear when you try to remove it from the oven.
Both pizza dough recipes are from the 24-48 Hour Pizza Dough recipe in the book The Elements of Pizza: Unlocking the Secrets to World-Class Pies at Home by Ken Forkish. It’s an outstanding book. If you love pizza, this is a must own.
This is a true Neopolitan pizza dough from Naples. I have tried every dough recipe in the book and like this one the best, it’s easy and hard to mess up. Form the dough into a disc by first gently pressing with your finger tips from the inside out. Then, hold it vertically and gently stretch the rim while letting gravity work and expand the pizza dough.
The pizza sauce is simple and fantastic. It is made from whole canned San Marzano tomatoes and a little sea salt, that’s it. If you have extra, doctor it up and make pasta sauce.
Most of my pizzas are made with a blend of four cheeses. This pizza is made with 50% low-fat mozzarella, 25% asiago and 25% fontina. Then a bit of parmesan or pecorino romano is added at the end. Mozzarella is, of course, on practically every pizza made. The asiago adds a little bit of a nutty flavor and the fontina is just creamy and good.
Cooking the mushrooms in advance and refrigerating them does two things. First, mushrooms have a lot of water. Better to have that evaporate by cooking them in advance rather than on the pizza. Second, by adding cold mushrooms to the pizza before cooking, they are far less likely to burn. The pizza oven is hot and mushrooms are delicate. Slice the mushrooms and sauté them in a little olive oil until soft. Add one clove of diced garlic and cook for another minute. Remove the mushrooms and garlic and place in a metal or glass bowl and refrigerate for an hour. The mushrooms will be cold and a little wet and that will help them not burn in the pizza oven.
Love at 900˚F
A wood-fired oven will cook a pizza in 90 seconds. With the coals pushed to the back of the oven, the part of the floor closest to the burning logs will be about to 950˚F. The area 20″ from the logs may be only 750˚F. Place the pizza about 6″ from the logs. Then, using a small metallic pizza peal, rotate the pizza ¼ turn every 20 seconds. This will cook FAST, there is NO time to go get a beer. After a full rotation check the bottom and the edge of the pizza. If there is an area on the edge that needs a little more heat, put it back in with that area closest to the fire 10 seconds at a time until done. The bottom of the crust should show some small dark areas particularly near the edge.
If using a conventional oven, place a pizza stone in the middle of the oven and set the oven to its highest setting, probably 500˚F. Let it warm up for about 30 minutes. Thick pizza stones (about ½″ thick) seem to hold heat better and cook more evenly. Place the pizza in the center of the stone and cook for 6 – 10 minutes, depending on your oven. There is no need to turn a pizza cooked in a conventional oven.
Remove the pizza from the oven and let it setup for a few minutes before slicing. Then, cut, serve and enjoy.
Try These Recipes
- Chicago Style Deep Dish Pizza
- Wood-Fired Oven Pan Pizza
- Margherita Pizza with Buffalo Mozzarella
- Wood-Fired Oven Pepperoni Pizza
- Chicken Calzone with Spinach and Artichoke Hearts
Mushroom & Goat Cheese Pizza
- Pizza stone or Pizza oven
- 3 balls pizza dough (See pizza dough recipe.)
- 28 oz tomatoes (whole) San Marzano
- 1.5 teaspoon fine sea salt
- 2 tablespoon olive oil (split)
- 8 oz sliced mushrooms
- 1 clove garlic (minced)
- 2 tablespoon goat cheese
- 1 tablespoon Parmesan or Pecorino Romano grated
- ½ cup freshly grated low-fat mozzarella
- 8 basil leaves (julienned)
- 1 teaspoon truffle oil
- See separate recipe for making the pizza dough. NOTE: There are TWO pizza dough recipes on this site. One for a wood-fired oven and one for a conventional oven. If you are baking this on a pizza stone in a conventional oven, then pre-bake the pizza dough, after it has been shaped, for two to three minutes.
- Add the San Marzano tomatoes and juices to a blender with fine sea salt. Pulse several times until the tomatoes break up and form a purée.
- Form the dough into a 12" round pizza (see pizza dough recipe). Brush the prepared pizza dough a good olive oil making sure to cover the crust. Spread a scant ¼ of the sauce on top of the olive oil to within ¾" of the edge. Sprinkle the Parmesan or Pecorino Romano on top of the sauce. Spread the mozzarella cheese on top. Liberally apply the mushrooms on top of the cheese.
- Bake for 90 seconds or so in a 900 degree wood-fired pizza oven, turning every 20 seconds (a bit longer on a pizza stone in a convention oven). Remove when the cheese has melted and the crust is golden brown. Let the pizza rest a few minutes to setup.

domain: food


Develop your passion.
Raising Strings Academy online piano lessons offer you instant feedback from an experienced teacher, which is something you just can't get from videos on YouTube. The teacher can tailor their teaching style to your needs and will be able to work out a plan to improve your playing.
Are you into Classical Music, Jazz, Blues, or maybe Pop? We can offer different styles depending on your interest.
This course is available in the following languages: English, Norwegian and Bulgarian.
In this beginner classical piano program, learn the fundamentals of piano and play your first classical pieces! Designed for beginners, this program will teach you the basic elements of classical piano, such as proper hand position, note reading, and simple chords.
Reach the next level by taking this intermediate piano program! Improve your technique and learn to play the pieces you always wanted!
This program is geared towards experienced players. Our teachers share their experiences as classical schooled pianists and vision of music to help you develop your technique!


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By FolkDiva on March 22, 2013
"This came to me second hand, but I'm told it is the original recipe from "Let's Bake with Beulah Ledner", compiled by the daughter of the "Doberge Queen of New Orleans" after her death. And in case you are interested, the Louisianna pronunciation of "Doberge" is "Dough-bosh"...
This is an..."
Prep Time: 25 mins
Total Time: 1 hrs 50 mins


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California, known for its golden beaches, vibrant cities, and iconic landmarks, has inspired numerous slot games that capture the essence of this diverse state. If you’re a fan of the Californian lifestyle or simply want to experience the West Coast magic from the comfort of your home, look no further.
In this guide, we explore some of the best California-themed slot games that bring the spirit of the Golden State to your screen.
You’ll find some of these games featured on the best online platforms, like Royal Panda Ontario. See which one you like the most, then give it a spin!
California Gold by NextGen Gaming
Embark on a gold rush adventure with “California Gold” by NextGen Gaming. This slot game takes you back to the 19th century, when prospectors sought their fortune in the California hills. The reels are adorned with symbols like pickaxes, barrels of gold, and miners, all set against a backdrop of picturesque landscapes. With free spins, multipliers, and a thrilling bonus round, “California Gold” offers an immersive journey into the state’s rich history.
Venice Beach by MGA
Capturing the laid-back vibe of Southern California, “Venice Beach” by MGA brings the iconic beach experience to the reels. This slot game features symbols like surfboards, beach balls, and sunbathing characters against a backdrop of palm trees and sandy shores. With its vibrant graphics and lively soundtrack, “Venice Beach” is a delightful representation of the carefree spirit that permeates California’s famous beaches.
San Quentin by Nolimit City
For a grittier, urban experience, “San Quentin” by Nolimit City takes inspiration from the infamous prison located just outside San Francisco. The game’s intense atmosphere is complemented by razor wire, prison bars, and characters that exude a rebellious spirit. With its high volatility and innovative features, “San Quentin” provides an adrenaline-pumping journey through the edgier side of California.
California Dreamin’ by NetGaming
True to its name, “California Dreamin'” by NetGaming encapsulates the dreamy essence of the state. This slot game features symbols like palm trees, convertibles, and surfboards, set against a backdrop of a stunning Californian sunset. With its relaxing soundtrack and rewarding features, including free spins and multipliers, this game invites players to immerse themselves in the laid-back, sun-soaked ambiance of California.
L.A. Dreams by EvoPlay
The glitz and glamour of Los Angeles take center stage in “L.A. Dreams” by EvoPlay. This slot game captures the essence of Hollywood with symbols like movie reels, cameras, and luxury cars. The backdrop features the iconic Hollywood sign against a night sky filled with stars. With its engaging gameplay and generous bonuses, “L.A. Dreams” offers players a taste of the star-studded lifestyle synonymous with California’s entertainment capital.
Surfin’ Reels by Booming Games
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domain: hobby


Wednesday, 23 May 2012
Clean Energy Finance Corporation Bill 2012; Second Reading
That this bill be now read a second time.
The Gillard government has passed historic reforms to build a clean energy future which will strengthen the economy and protect our environment.
The Clean Energy Finance Corporation is a key part of the government's plan. It will encourage private investment and help overcome financial barriers to commercialising and deploying cleaner energy technologies.
There is global recognition of the importance of moving to cleaner energy sources. Due to its endowment and use of low-cost fossil fuels, Australia is a late starter in the transformation to clean technology.
The clean energy future plan, along with the Renewable Energy Target, will cut carbon pollution and drive investment and innovation in clean energy technologies. This will ensure our economy and industries remain competitive in a world that is becoming carbon constrained.
The transformation of our economy will be most evident in the electricity sector. It is expected that the sector will over time move away from coal fired generation to more renewable generation, with renewable energy growing from 10 per cent to 40 per cent of the generation mix by 2050, and conventional coal fired generation falling from 70 per cent to below 10 per cent; however, this will be a gradual transition.
The Clean Energy Finance Corporation will facilitate increased flows of finance into the clean energy sector to support this transformation, removing barriers that would otherwise prevent the financing of projects.
Several factors can inhibit the financing of clean energy projects, including the current global financial conditions, the complex nature of Australia ' s electricity markets, the cost of renewable energy, the preference of investment institutions for listed assets and a limited track record of returns.
Given the complexities involved, the Gillard government appointed an expert review panel to design the $10 billion Clean Energy Finance Corporation. The review was chaired by Ms Jillian Broadbent, an eminent Australian with extensive experience in the financial sector.
The review recommended a framework for how the corporation should operate. The government is implementing the recommendations through this bill.
The Clean Energy Finance Corporation will be independent from government, with no ability for the government to direct the c orporation in relation to specific projects for investment. This will ensure an independent decision - making process.
The corporation will operate based on three principles.
Firstly, th e c orporation is a mechanism to help mobilise private investment in renewable energy, low-emission s and energy efficiency projects and technologies in this country. The c orporation will also invest in manufacturing businesses that provide inputs to the clean energy sector.
The c orporation will focus on catalysing private finance into Australia ' s clean energy sector. It will provide financial products and structures that address the financial barriers currently inhibiting private investment. Such facilitation is critical in transitioning the Australian energy market.
To ensure the effectiveness of this capital mobilisation the c orporation is expected to require private co-investment in projects. It is unlikely ever t o be a sole financier. This approach will build investor experience and confidence in the clean energy sector.
The c orporation will invest at least half of its funds in renewable energy technologies. The other half will be available to fund energy efficiency and low-emissions technologies.
Secondly, t he c orporation will apply a commercial filter when making its investment decisions. It will focus on projects and technologies at the later stages of development, consistent with the r eport of the expert review panel.
The commercial filter will apply priva te- sector skills and disciplines to investment selection. Having a public policy purpose, the c orporation has different financial risk and return requirements and values any positive externalities from investments. For a given financial return, the c orporation may take on higher risk and, for a given level of risk, due to positive externalities, may accept a lower financial return.
Thirdly, the corporation has the capacity to offer concessional finance and directly influence financial barriers that inhibit the financing of this sector. The individuality of each project necessitates a case-by-case approach.
The corporation can tailor concessionality in each case and apply it through availability, tenor or cost of finance. In setting the terms, the corporation will provide only the least generous terms required for a proposal to go ahead.
The funding that the corporation will receive for making investments is set out in this bill. This will provide long-term support and continuity to the clean energy sector.
The corporation will receive $2 billion per year for five years from 2013-14 through the special appropriation in this bill. The corporation will also be provided three years of funding through the annual appropriation bills to assist with the establishment and operations of the corporation.
The corporation is intended to be self-sustaining once mature—that is, it will not require further assistance from the budget. Rather, the corporation's profits and funds returned from its investments will be available for reinvestment.
To allow the corporation to focus on its primary function of investing in the clean energy sector, a special account is being created to manage surplus funds and limit the corporation's need to undertake a cash management function.
This b ill establishes mechanisms for flows of payments between the special account and the c orporation that guarantees access to funds as needed to undertake its investment function.
This bill establishes the Clean Energy Finance Corporation as a Commonwealth authority under the Commonwealth Authorities and Companies Act 1997.
The c orporation will be managed by an independent board comprised of experts in areas such as banking, finance, economics and energy markets to ensure a robust and rigorous organisation.
The board will be appointed by the g overnment and will be responsible for the management, operational and investment decisions of the c orporation.
The board will be responsible for appointing the chief executive officer, who will take on the day-to-day administration of the corporation under the directions of the board.
The staff of the corporation will be well experienced to provide the necessary support to the board and CEO to determine the best investments and manage taxpayers' money appropriately.
The g overnment will also provide the b oard with an investment mandate that, when combined with the legislation, will set the parameters for its management of investments. This allows the b oard to develop its own investment strategy, in line with the g overnment ' s broad directions. S imilar to the Future Fund, this b ill ensures the b oard is consulted on the investment mandate and its response tabled in parliament.
The government expects the corporation to apply a commercial filter when making its investment decisions. Investments will focus on projects beyond the research and development stage, have a positive rate of return and have the capacity to repay capital. This approach will ensure the corporation invests responsibly and manages risk to achieve a targeted rate of return and ultimately be financially self-sufficient.
Technologies with a track record have generally had fewer problems accessing finance as the financial market has experience with their risk/return metrics. As such the corporation is not expected to fund these projects. One example of this would be conventional gas which may technically be eligible for funding as a low-emissions technology.
The g overnment also intends on requiring the c orporation to apply Australian industry participation plans through the investment mandate. Industry participation plans ensure Australian industry is afforded full, fair and reasonable opportunity to participate in projects.
As a part of the clean energy future plan, the Clean Energy Finance Corporation will complement other Australian g overnment policies and programs. This includes the Renewable Energy Target, the Australian Renewable Energy Agency (ARENA), the Clean Technology Investment Program and the Clean Technology Innovation Program.
It will be particularly important for the corporation and the Australian Renewable Energy Agency (ARENA) to maintain an active ongoing dialogue as projects funded by ARENA provide a potential pipeline of projects for the corporation.
The Clean Energy Finance Corporation will bring to bear the utmost rigour in assessing its investments, but will also give effect to its important public policy objectives by facilitating transactions where financial barriers are inhibiting the mobilisation of private sector funds.
Passing the legislation in this sitting will enable the c orporation to undertake the necessary preparations to commence its investment operations from 1 July 2013.
I commend the b ill to the House.


Cabbage White Host Plant
I was out in my back yard yesterday and to my surprise, saw what I think was a cabbage white butterfly laying eggs on arugula in my garden. However, when I looked at the butterfly host plant site that I know of, arugula was not listed as a host plant for the cabbage white (or any other butterfly for that matter). So, two questions for everyone. First, does anyone else know of cabbage whites using arugula as a host plant? And second, has anyone raised cabbage white caterpillars?


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text:
Angie Rossner, Fred Fussel, and Doris Shavers Interviews, 24 July 1990
No requestable containers
Scope and Contents of the Collection
The Uprising of '34 Collection demonstrates how communities can be impacted in contemporary ways by history and memory, decades after a series of events occur. Veterans of the events of 1934 and their descendants-black, white, mill worker, manager, union, and non-union- were interviewed about mill village life, work conditions, southern contemporaneous culture as well as the strike itself. This finding aid describes the digitized oral history-style interviews available in Georiga State University Library's Digital Collections.
- Creation: 24 July 1990
Restrictions on Access
All of the interviews are available online in GSU's Digital Collections.
Angie Rossner was a textile worker and a union organizer for ACTWU. Doris Shavers was a spinner in textile mills in Columbus, Ga. Fred Fussel worked for a museum in Columbus, Ga.
1 item(s) (video (30:49 duration))
Language of Materials
From the Collection: English
Rossner discusses her work as a weaver. Shavers discusses the textile workers' strike of 1934. Fussel discusses the creation of the exhibit Chattahoochee Legacy and shows the exhibit to several textile workers.

domain: library


December 28, 2012
Easy Install Made Difficult
As others have stated, this is an easy install, and a great addition to your car. However, I suggest that you don’t take on this simple install right after a 6 hour drive after returning from a family Christmas gathering.
All started out right. I gathered my 8mm and 10mm sockets, socket wrench, and fender protector so that I didn’t scratch the Mystichrome paint on my 2004 SVT Cobra. First I discovered that on my car you really need a 10mm deep socket, since the threaded portion of the hood bolts protruded too far for a shallow socket. Of course, my 10mm deep socket was the only one missing from my deep socket set. So, I proceeded with a 10mm open end wrench until the shallow socket would work. I installed both hood brackets being sure that the attachment for the strut was facing outward. Then it was on to the fender brackets. It was easy to remove the first 8mm bolt, but it wasn’t easy to get it threaded in when the bracket was in place. I tried by hand and with the socket to no avail...then plop! The bolt fell out of the socket, and into the engine compartment. 30 minutes later i gave up using my magnet, and removed a similar bolt further down the line towards the battery and used that one. I discovered a small wire in the way of the bolt hole, and removed that with a pick. Then the bolt went in without trouble. After doing the same operation on the other side, I popped on the struts and lowered the hood carefully to make sure there were no interferences...all was good. I called out my wife to show her the Cobra’s Xmas gilt...she liked it. Then I attempted to close the hood, and clunk. It was 2 inches short of going down. It was then that my wife took an analytical look at my install, and informed me that I had installed the hood brackets on the wrong sides. So I swapped them, and presto the hood closed. You need to mount the hood brackets so that the short side is on the outer edge of the hood and the wide flange to the inside of the car...DUH! Sure glad I have a wife who usually thinks before she acts, instead of just plowing ahead like me. Now that all worked properly there was the issue of the missing bolt. We both came to the conclusion that the bolt would have either had to fall directly to the ground, which it didn't, or fall into an opening that would put it into the wheel well. So, out came the jack and a jack stand. I slid under, removed one push pin holding the wheel well liner, and out fell the bolt! Success...a 15 minute project completed in 1.5 hours!
In summary...cover your engine compartment, and possibly plan on using a 10mm deep socket...maybe have your wife nearby also. 5 Stars for the product...2 Stars for the mechanic!