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Soil is one of the most important natural resources on our planet. It’s the foundation of the food chain, and it’s essential for plant growth. But for some people, soil isn’t just a vital part of the environment – it’s also a hobby.
People who dig soil as a hobby are known as “soil enthusiasts.” They enjoy exploring the different types of soil and learning about their properties. They also enjoy experimenting with different ways to improve the quality of their soil.
One of the things that makes soil so interesting is that it’s constantly changing. The properties of soil can vary depending on the climate, the type of vegetation, and the amount of rainfall. Soil enthusiasts spend a lot of time studying these different factors, and they often develop a deep understanding of the science behind soil.
Soil enthusiasts also enjoy working with plants. They often have large gardens where they grow different types of vegetables and flowers. They often experiment with different types of soil and fertilizers to see what works best.
Soil enthusiasts are a valuable resource for our planet. They help to protect our natural resources and promote sustainable agriculture. They also make our planet a more beautiful place to live.
Is digging a hobby?
Is digging a hobby?
There is no definitive answer to this question as it depends on the person. Some people may enjoy digging as a hobby, while others may not consider it to be one.
There are a few things to consider when determining whether or not digging is a hobby. First, what is the reason for digging? Is it for recreation or is there a specific goal in mind? Second, how much time is spent digging? And finally, is digging a passion or simply a means to an end?
Some people enjoy digging as a form of recreation. They may spend hours digging in their garden or at the beach, simply for the enjoyment of it. For others, digging may be a means to an end. They may use it to find fossils, minerals or treasures. Or they may use it to plant trees or shrubs.
How much time a person spends digging can be a determining factor in whether or not it is a hobby. If a person only spends a few minutes a day digging, it is unlikely that it would be considered a hobby. However, if a person spends several hours a day digging, then it is more likely that it would be considered one.
Finally, passion is an important factor in determining whether or not digging is a hobby. If a person enjoys digging and it is something they are passionate about, then it is more likely to be considered a hobby. If a person does not enjoy it, then it is less likely to be considered one.
In conclusion, whether or not digging is a hobby depends on the person. Some people may enjoy it as a form of recreation, while others may use it as a means to an end. It is also important to consider how much time is spent digging and whether or not it is a passion.
Why do people like digging?
People enjoy digging for a variety of reasons. Some people enjoy the physical activity of digging, while others enjoy the sense of satisfaction that comes from finding something valuable. Some people enjoy the sense of community that comes from digging with others, and others simply enjoy the feeling of being in the earth. No matter what the reason, there are a number of reasons why people enjoy digging.
One of the reasons people enjoy digging is because it is a physical activity. Digging is a great way to get exercise, and it can be a lot of fun too. When people are digging, they are getting a workout while they are also exploring something new. This can be a great way to enjoy nature and get some exercise at the same time.
Another reason people enjoy digging is because it can be a way to find treasure. People have been known to find all sorts of treasures while digging, from coins to jewelry to ancient artifacts. For some people, the thrill of finding something valuable is the main reason they enjoy digging.
Some people also enjoy the sense of community that comes from digging with others. Digging can be a great way to get to know new people and make friends. When people are digging together, they can share their tips and tricks, and they can also have a lot of fun.
Finally, some people simply enjoy the feeling of being in the earth. This may be because they enjoy the peace and quiet that comes from being in nature, or it may be because they find the earth to be comforting. Whatever the reason, there are people who simply enjoy being in the earth, and digging is a great way to do that.
What is hand tunneling?
What Is Hand Tunneling?
Hand tunneling is a construction technique that is used to excavate a tunnel in soft ground. This is done by a team of workers who use their hands to remove the earth. The advantage of hand tunneling is that it is very precise and can be used to create tunnels of any size.
How It Works
The process of hand tunneling begins with the construction of a vertical shaft. This shaft is used to provide access to the tunnel and to provide ventilation. The workers then use their hands to remove the earth from the tunnel. They use a variety of tools to do this, including shovels, picks, and spades. The workers must be very careful to avoid hitting any underground pipes or cables.
The process of hand tunneling can be very time consuming. It can take several months to excavate a tunnel that is a few meters long. The workers must be very careful and take their time to ensure that the tunnel is stable.
The main advantage of hand tunneling is that it is very precise. It can be used to create tunnels of any size, and it can be used in difficult ground conditions.
What do you mean tunnel?
What do you mean tunnel?
When someone says “tunnel,” they might be referring to a variety of different things. The word has a number of different meanings, depending on the context in which it’s used.
One common usage of the word is to describe a hole or passage that goes underneath something, such as a road or a body of water. This type of tunnel is often used for transportation, such as by cars or trains.
Another meaning of the word is an underground channel that is used to smuggle goods or people into a country illegally. This type of tunnel is often used by criminals or terrorists.
Finally, the word “tunnel” can also be used to describe a state of mind in which a person is completely focused on a single task. This type of tunnel vision can be helpful in certain situations, but it can also be dangerous if the person becomes too absorbed in what they’re doing.
Is digging a skill?
Is digging a skill?
In short, yes, digging is a skill. It’s something that can be learned and improved through practice.
Digging is an important skill for anyone who wants to garden. It’s also useful for anyone who wants to do some landscaping or just move some dirt around.
One of the best ways to learn how to dig is to watch someone who is good at it. Try to mimic their movements and techniques.
Another way to improve your digging skills is to practice in different types of soil. Some soils are harder to dig than others.
Be sure to use the right tools for the job. A shovel is a good tool for digging, but it’s not the only one. There are different types of shovels for different types of digging.
It’s also important to stay safe when digging. Be sure to wear gloves and eye protection, and to watch out for sharp objects or underground cables.
Digging is a skill that can be learned and improved through practice. Be sure to use the right tools and stay safe when digging.
What is digging behavior?
Digging behavior is an animal behavior where an animal digs into the ground to create a hole or a tunnel. This behavior is seen in a lot of animals, from rodents to large mammals.
There are a few different reasons why animals might dig. One reason is to create a nest or a den. Animals will often dig a hole in the ground to sleep in, or to hide from predators.
Another reason animals might dig is to search for food. Some animals, like rodents, will dig through the ground to find food that is buried underground. Other animals, like bears, will dig for food in the forest. They will dig up roots and insects to eat.
Lastly, animals will sometimes dig as a way of communicating. Dogs, for example, will sometimes dig a hole and bury a bone in it. This is a way for them to show other dogs that they have a good food source.
Is tunneling illegal?
Many people are curious about the legality of tunneling. In this article, we will explore the legality of tunneling and answer the question, is tunneling illegal?
Tunneling is the act of creating a passage underground that is typically used for transportation or storage. The legality of tunneling can be murky because there are many different types of tunnels and many different reasons for tunneling.
Some tunnels, such as tunnels created for transportation purposes, are typically legal. However, other types of tunnels, such as tunnels created for the purpose of circumventing security measures, may be illegal.
Tunneling is often illegal when it is done in order to circumvent security measures. For example, if you were to create a tunnel to sneak into a restricted area, that would be illegal. Similarly, if you were to create a tunnel to smuggle goods, that would be illegal.
There are a few exceptions to this rule. For example, if you are creating a tunnel for the purpose of escaping a natural disaster, that would be legal. Similarly, if you are creating a tunnel for the purpose of accessing a public area that is otherwise inaccessible, that would be legal.
Overall, the legality of tunneling can vary depending on the type of tunnel and the reason for tunneling. If you are unsure about the legality of a specific tunnel, it is best to speak with a lawyer.


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Assessment of the Risks of Mixtures of Major Use Veterinary Antibiotics in European Surface Waters
- Guo, Jiahua, Selby, Katherine, Boxall, Alistair B. A.
- Environmental Science & Technology 2016 v.50 no.15 pp. 8282-8289
- Anabaena flos-aquae, algae, biogeochemical cycles, ecotoxicology, lincomycin, median effective concentration, models, prediction, primary productivity, risk, risk assessment, surface water, toxicity, trimethoprim, tylosin, veterinary drugs
- Effects of single veterinary antibiotics on a range of aquatic organisms have been explored in many studies. In reality, surface waters will be exposed to mixtures of these substances. In this study, we present an approach for establishing risks of antibiotic mixtures to surface waters and illustrate this by assessing risks of mixtures of three major use antibiotics (trimethoprim, tylosin, and lincomycin) to algal and cyanobacterial species in European surface waters. Ecotoxicity tests were initially performed to assess the combined effects of the antibiotics to the cyanobacteria Anabaena flos-aquae. The results were used to evaluate two mixture prediction models: concentration addition (CA) and independent action (IA). The CA model performed best at predicting the toxicity of the mixture with the experimental 96 h EC50 for the antibiotic mixture being 0.248 μmol/L compared to the CA predicted EC50 of 0.21 μmol/L. The CA model was therefore used alongside predictions of exposure for different European scenarios and estimations of hazards obtained from species sensitivity distributions to estimate risks of mixtures of the three antibiotics. Risk quotients for the different scenarios ranged from 0.066 to 385 indicating that the combination of three substances could be causing adverse impacts on algal communities in European surface waters. This could have important implications for primary production and nutrient cycling. Tylosin contributed most to the risk followed by lincomycin and trimethoprim. While we have explored only three antibiotics, the combined experimental and modeling approach could readily be applied to the wider range of antibiotics that are in use.

domain: chemistry


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domain: literature


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“Treating the Tear Trough and Nose Correction is for Experienced Cosmetic Clinicians”
The tear trough (under eye hollows) is one of most difficult areas in facial aesthetics to correct. Factors such as patient selection, injection techniques (combination treatments may also be required). The correct type and grade of product must be addressed to produce successful results. Before attending this workshop clinicians should complete the advanced botox and dermal filler course. During the advanced course you will learn to augment the malar and cheek area. When treating these indications you will also reduce the hollows under the eye.
Minor nose imperfections such as scars and asymmetry will also be covered with these products.
What products do we use for tear trough rejuvenation and nose correction?
The products used for hands on workshop are hyaluronic acid fillers such as JUVEDERM, BELOTERO and TEOSYAL. Candidates will be assessing, and injecting patients, supervised by their trainer.
The main cause for the appearance of under eyes hollows with regards to ageing is the descent of the malar fat pad. We discussed earlier the benefits of correcting the fat pad with a high viscosity dermal filler and the reduction in the tear troughs. Therefor the area can then be corrected with a lower viscosity filler to achieve the results. Product selection and techniques may vary depending on the cause of the hollow, depth and skin condition. The tear trough and nose augmentation training will teach you the theory and injection techniques to successfully treat these indications.
Tear Trough plus Nose Correction Course
Contact KT Training. All courses include practical injection workshops.

domain: health


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House Bill 169 is not a data-driven solution to gang violence prevention. Research shows such an approach does not reduce violent crime, could intensify gang activity and would likely disproportionately lead to the incarceration of persons of color for long periods of time.
Long Sentences Don’t Reduce Violent Crime or Gang Activity, and Can Make Things Worse
The vast majority of deterrence research — research on what actually prevents criminal activity from occurring — does not support claims that the harsh sentence enhancements like those in HB 169 will prevent criminal activity:
- Reviews of deterrence research conclude there is little credible evidence that changes in sanctions affect crime rates.
- The National Research Council’s well-regarded 2014 study found that mandatory minimum sentences and three strikes laws have little or no effect on crime rates.
Long sentences are more likely to increase criminal behavior rather than decrease it:
- Research has shown after serving a long sentence, it is more likely that a person will commit a more serious crime when released.
- Enhanced sentences for those associated with gangs can actually intensify gang activity as gang solidarity becomes an important strategy for surviving such long sentences in prison. There is some evidence of this happening in California and Chicago, for instance.
Disparate Racial Impact of Gang Legislation Seen in Other States
California passed the first legislation of this kind in 1988. Despite the increasing number of white gang members it was largely persons of color who received gang sentence enhancements (which did not result in a reduction in violent crime or gang activity) similar to those in HB 169.
- By 2003, close to half of young African American males in Los Angeles County were in the gang database, often for reasons such as a “suspicious” (to law enforcement) nickname. After Colorado passed gang legislation with a similarly broad definition of “gang,” African Americans accounted for more than half of names on the list of suspected gang members in Denver in 1993, where they were only five percent of the city’s population.
- Kentucky already disproportionately incarcerates African Americans, and state Department of Public Advocacy (DPA) data shows that African American juveniles are more likely to be tried as adults than white juveniles; DPA data also suggests adult African Americans may be more likely to be charged with more serious crimes such as drug trafficking rather than possession.
Unlike Longer Sentences, Intervention Programs for Young People Are Proven Approach
What actually has been shown to reduce gang activity and violence are approaches not in the bill such as prevention and intervention programs for youth.
- The state of New York was more effective at reducing violent crime than the rest of the country between 1999 and 2012 by implementing place-based, evidence-based interventions.
- The federal Office of Juvenile Justice and Delinquency Prevention endorses a number of evidence-based youth programs that include outreach and mentoring, among other strategies, that are effective in preventing gang involvement or intervening with gang-involved youth.
 Michael Tonry, “Learning From the Limitations of Deterrence Research,” Crime and Justice (2008), pp. 279-311. Daniel Nagin, “Deterrence in the Twenty-First Century: A Review of the Evidence,” Carnegie Mellon University, 2013.
 National Research Council, “The Growth of Incarceration in the United States: Exploring Causes and Consequences,” 2014, https://www.nap.edu/catalog/18613/the-growth-of-incarceration-in-the-united-states-exploring-causes.
 David Abrams, “Building Criminal Capital vs Specific Deterrence: The Effect of Incarceration Length on Recidivism,” 2011, https://www.law.upenn.edu/cf/faculty/dabrams/workingpapers/AbramsRecidivism.pdf.
 Sara Lynn Van Hofwegen, “Unjust and Ineffective: A Critical Look at California’s STEP Act,” Southern California Interdisciplinary Law Journal (2009), pp. 679–702. Judith Greene and Kevin Pranis, Gang Wars: The Failure of Enforcement Tactics and the Need for Effective Public Safety Strategies, Justice Policy Institute, July 2007, http://www.justicepolicy.org/research/1961.
 Van Hofwegen, “Unjust and Ineffective.”
 Dirk Johnson, “2 of 3 Young Black Men in Denver Listed by Police as Suspected Gangsters,” The New York Times, 1993, https://www.nytimes.com/1993/12/11/us/2-of-3-young-black-men-in-denver-listed-by-police-as-suspected-gangsters.html.
 Ashley Spalding, “Criminal Justice Reform and Racial Disparities in Kentucky,” Kentucky Center for Economic Policy, Sept. 8, 2016, https://kypolicy.org/criminal-justice-reform-and-racial-disparities-in-kentucky-2/.
 Greene and Pranis, Gang Wars.
Nazgol Ghandnoosh. “Fewer Prisoners, Less Crime: A Tale of Three States,” The Sentencing Project, 2015, https://sentencingproject.org//www/wp-content/uploads/2015/11/Fewer-Prisoners-Less-Crime-A-Tale-of-Three-States.pdf.

domain: sociology


text: This place is great. Where else can you find 30 pages of info on flashlights? The only problem is I've spent 5 hours on research. I was leaning towards the Xenno 06 or 03 but the post about the ultra low function got me thinking and now I think I'm going with the Quark 123. Also this was originally going to be a gift but now I'll have to buy 2!

domain: hobby


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The Queen Bat is a chiropteranoid creature native to the cave systems of Androzani Minor. Their life cycle spans three years and includes a stage spent concealed within a chrysalis. This chrysalis contains large quantities of brute spectrox; once described as the most valuable substance in the galaxy, which in its refined state has the properties to slow the ageing process to the point of doubling the length of one's life.
Unfortunately, exposure to its unrefined state can lead to the development of spectrox toxaemia; a lethal ailment to which humans and Time Lords are equally susceptible. The milk of the Queen Bat provides the only known cure for the disease, explaining how the bats themselves are unaffected by it.


The share of electric transport in Amsterdam is growing rapidly and will continue to increase in the coming years. To facilitate this growth and achieve Amsterdam’s ambitions for emission-free mobility in 2030, sufficient charging points are essential. The growth of charging points leads to additional pressure on the energy network, while available network capacity is becoming increasingly scarce. It is therefore important to have the fullest possible understanding of the impact of private charge points on the grid.
Most charge points are expected to be located on private land, such as in garages, at offices and in business parks. For the growth of charge points at businesses and publicly accessible buildings (such as stores, schools and hospitals), the City of Amsterdam has conducted a study to map the impact of charging demand at those locations on the electricity grid. Charging points at homes were not included. It also examined where smart charging solutions could be deployed to prevent too many cars charging at the same time. Finally, some possible follow-up actions by the municipality were drawn up to reduce the increasing peak demand from charging on private land.
A number of steps were followed for this study. First, we looked at where off-premises parking is occurring. Based on a WOZ database, private parking lots (excluding residential) were categorized, such as office, retail or industrial. A location category helps to roughly determine when and how long people park and with what type of vehicle (van, freight or passenger car).
A parking profile was used to calculate approximately when people charge (charging profile) and how much power the vehicles charge (charging demand). The charging profile is displayed per 24 hours to provide insight into the course of charging demand at a given location. This makes it possible to see at what time of day charging demand may be high or low. Through a combination of interviews, previous research and expert estimates, the charging demand was extrapolated for 2025 and 2030.
To find out to what extent the power grid can meet the charging demand, the charging demand was divided into the service areas of the 24 substations to which the companies are connected for their energy demand.
The study shows that the entire charging demand in 2030 in Amsterdam could provide an additional power peak of about 100 megawatts (or 100,000 kilowatts). By comparison, if the average power output of a wind turbine is about 3 MW, then 33 wind turbines for just the charging stations would have to be running at maximum power at the same time to meet the peak demand.
This increase in charging demand is expected in about 1,000 of a total of about 18,000 zip code areas. That is about 6% of the city area and thus very geographically concentrated.
Figure 1: The power profile during a weekday peak day in 2030. `Regular’ means normal charging demand of passenger cars, `fast’ means fast charging demand of passenger cars, `N1′ means vans and `N2/3′ means freight traffic. Behind it is the consumption profile of all inventoried buildings.
Reducing peak demand
To reduce the highest peak load demand, the effect of following solutions was investigated:
- Spreading the charging demand completely over a day (static solution);
- Accommodate the charging demand within the residual capacity of the buildings;
- Designate locations where the largest portion falls within the hours of solar generation;
- Identify locations where peak charging demand is so high that it can be temporarily met by batteries.
Figure 2: Peak demand for private charging aggregated to 24 substations in Amsterdam (2030)
The analysis shows a very high demand from a very small number of chargers. The fast chargers (approx. 550) and the logistics chargers (approx. 1,000) generate a much higher demand than the regular chargers (approx. 14,000).
The total peak charging demand can be significantly reduced at the substation level (30-40%) by applying smart charging techniques such as static and/or dynamic load balancing. These types of techniques reduce or even (briefly) stop the charging of the car in the event of a high load and therefore prevent excessive current peaks.
The analysis also shows that at some of the locations more than 33% of the charging demand falls within a time window of solar generation. These locations are particularly interesting for solar panel investments. Especially within the location categories office & education, distribution and hotels many locations meet this criterion.
Finally, it was calculated that a part of the locations benefit greatly from investments in (stationary) batteries. These locations are characterized by relatively high, short charging peaks, such as quick chargers at stores or depots. A battery could accommodate those short peaks. Again, this needs further specification and requires customization for each location.
Advice to the City of Amsterdam
The municipality of Amsterdam can respond to the increasing peak demand in several ways. Examples of actions the municipality can take are:
- Lobbying for new types of energy or grid contracts in order to make capacity available at the right times;
- In cooperation with grid operators, the municipality can take a pioneering role in pilots with innovative contract forms and demand aggregation from companies. In doing so, the municipality anticipates new legislation around contracts and regulation;
- Expansion of information and advice to companies on smart charging, alternatives to reinforcement and (pilots with) alternative contract forms through existing advisory channels;
- Taking the lead ourselves to further develop flex solutions and make them accessible to companies.


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Toronto rapper Drake donned a fake beard, horn-rimmed glasses and a wig on Jimmy Kimmel Live to grill unsuspecting Hollywood passersby for their opinions on, well, Drake.
The video, which amassed nearly 200,000 views in less than a day, centred on the 27-year-old’s being recently named host of the upcoming sports-focused ESPY Awards.
As is standard practice on Kimmel, Drake tricked some unsuspecting interviewees into offering their opinions about the awards show, even though it hasn’t happened yet.
One gentleman was asked by the Grammy winner: “How do you feel about rapper Drake refusing to acknowledge Caucasian athletes at the ESPYs?”
His interview subject responded that Drake’s supposed behaviour was “baloney” and that it would “probably impact his career a little bit too, in a negative way.”
The former Degrassi star gamely poked fun at his sensitive image, asking several walking the gaudy Hollywood strip outside Kimmel’s studio what they thought of his crying at the end of the ESPYs.
He asked another man for his opinion on the (fake) news story that a drunken Drake was caught urinating in a Baby Gap store.
Others readily offered negative opinions of the platinum-selling rapper, with one interviewee pointing out: “He said he came from the bottom which, most likely, he didn’t.”
“Very true,” the disguised Drake responded, before later prodding a guitar-wielding man to improvise a Drake diss track.
The clip ended with Drake actively trying to reveal his true identity to oblivious interviewees — other than one, who flipped out when the singer pulled off his disguise.
In a brief interview with Kimmel, Drake said the response to the news that he was hosting the ESPYs was mixed.
“I think there’s people that are really excited about it and there’s people that are skeptical,” he said of the July 16 bash.
“I’m excited for both groups to tune in.”

domain: news


As makeup sessions go, President Obama's short stroll across Lafayette Square Monday to address the U.S. Chamber of Commerce left ample room for progress on both sides. "I'm here in the interest of being more neighborly," Obama told the business lobby. "Maybe if we would have brought over a fruitcake when I first moved in, we would have gotten off to a better start."
Obama's visit with the chamber was the third stop in a tour of contrition that has brought him cheek-to-jowl with other, persistent former adversaries, including Sen. John McCain, R-Arizona, and Fox News personality Bill O'Reilly.
"We are not looking to re-fight the battles of the last two years," said White House press secretary Robert Gibbs. "We have a lot of work we have to do together."
Obama's troubles with the chamber go way back. The business group fought his health care and Wall Street reform initiatives, and the two sides battled ruthlessly during last year's midterm elections, when the chamber helped finance campaign ads against Democrats and Obama accused the chamber of spending Chinese money on the campaigns.
More recently, Obama is working to shift perceptions that he is anti-business, and hopes to bring persistent high unemployment down with policies encouraging the private sector to start hiring again.
Although Obama's speech was greeted mostly with polite silence and perfunctory applause, the chamber is sounding cautiously optimistic.
Chamber President and CEO Thomas Donohue told Obama the business community has an "absolute commitment to working with you and your administration to advancing our shared priorities."
The chamber still supports repealing health care reform. But both sides acknowledged there are bigger issues at stake. It's a dynamic that also is shaping Obama's outreach in other directions.
"He operated in a certain way for the first two years because he thought he could, then realized in version 2.0 that the ground had shifted under him," said Republican strategist Matt Mackowiak. "The first part of changing is realizing you have a problem."
The day before his chamber visit, Obama sat down with O'Reilly for an pre-Super Bowl interview.
O'Reilly is a strenuous critic of the Obama administration which, in turn, has questioned the credentials and veracity of Fox News. The president last year called the network "destructive" with "a point of view that I disagree with."
In their pregame matchup, O'Reilly told Obama that "a lot of Americans feel that you are a big-government liberal who wants to intrude on their personal freedom," and asked about the president's recent political shift toward center.
"I'm the same guy," Obama said, echoing the larger White House position that nothing has changed.
Last week, Obama invited McCain, his 2008 campaign rival, to the Oval Office. The one-time antagonists talked about areas where they could work together.
"He knows if he wants a chance to get re-elected, and also to be effective and get things done, he is going to have to present himself as more moderate and mend some fences," said Aubrey Jewett, a University of Central Florida political scientist.


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domain: design


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|The cast of Steel Magnolias at Beaverton Civic Theatre|
Photos by Ammon Riley
By Tina Arth and Darrell Baker
Beaverton Civic Theatre’s second show of the season, Steel Magnolias, is further evidence that 2013 is going to be a great year for this company. The show is a community theater favorite, and for good reason – there are six great roles for strong women, and the set is minimal since the entire show takes place (over an 18-month period) in Truvy’s, a Louisiana beauty parlor catering to a select clientele of wealthy but eccentric local women (none of your “Kut and Kurl” Kwickies here!). Audiences come already somewhat familiar with the story, courtesy of the hit movie, and the actors get to deliver lots of snappy Southern humor but still have the opportunity to deal with serious dramatic themes. Director Tony Bump has taken the show’s potential and actualized it into a really solid dramedy that keeps the audience laughing where they should laugh, while bringing them close to tears in key scenes.
Truvy (Arleen Daugherty) anchors the show as the owner of “Truvy’s
Beauty” (slogan: “There is no such thing as natural beauty!”). More than a
beautician, she is confidante and hostess to a group of wealthy and eccentric
long-time friends who meet every Saturday to gossip while Truvy and her
assistant, Annelle (Rebecca Cline) cut, color, roll and tease them into shape
for the week to come. Daugherty walks a fine line – she manages to convey a
working-class background while still seeming socially equal to her
clientele/friends, and she delivers some of the evening’s best one-liners. The
role of white trash is left to Annelle, Truvy’s new assistant who stumbles into
the shop in search of a job to take the place of her lost husband and home.
Cline manages Annelle’s transition from naïve wallflower to born-again zealot
with comic aplomb, and her silent prayers in Act II provide some gentle humor.
|Rebecca Cline as Annelle|
April Hendricks and Jeneé Fahndrich portray mother M’Lynn Eatenton and her daughter, Shelby. The story revolves around
’s transition from fiancée to wife to
mother and beyond. Fahndrich plays Shelby
with a perfect mixture of strength and vulnerability as she refuses to bend to
her mother’s will and the physical limitations imposed by her debilitating
diabetic condition. Her Act I seizure and subsequent physical decline are
handled believably, without undue histrionics. Hendricks displays the widest emotional
range in the cast, displaying more than any other character the steely,
stiff-upper lip code of her cohort until the end, when for a few minutes she
lets down her façade of control and succumbs to the agony of losing her
Ouiser (Lauren Bronson) and Clairee (Jane Vogel) provide
constant comic relief, and it is their unwavering friendship that gives M’Lynn
a lifeline when she finally cracks. Both actresses have great timing and
delivery, and they get the lion’s share of the evening’s laughs.
|April Hendricks as M’Lynn Eatenton|
The set is effective – just elaborate and tacky enough to convey the ambience of a Southern beauty parlor. Costumes were appropriate to the characters’ personalities, and really enhanced the production. Opening night, scene changes in both acts were a bit awkward, possibly because of simultaneous costume changes. This minor glitch may be smoother in future performances, but in any case in no way diminished the full-house audience’s appreciation of the show.
Beaverton Civic Theatre is presenting Steel Magnolias through Sunday, May 12th at the Beaverton City Library Auditorium. Ticket and show information is available at www.BeavrtonCivicTheatre.org.
|The set of Steel Magnolias|

domain: artistic


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We reached our goal -- Let's keep going!
Dear colleagues, friends, and family,
WE DID IT! You helped us reach our funding goal of $1250. Thank you, thanks to all 26 of you for your incredible generosity and support of musical experiences!
It's not over yet. We still have till March 5th to encourage more involvement. The more we raise on kickstarter, the more music-making workshops we can provide for young musicians. We are of course more than thrilled to push on past our target. Help us spread the word to others!
In more news, Sara and I premiered the new duo last week in Appleton, WI. It was such a pleasure to share Asha's gorgeous composition with a very receptive, supportive, and intensely creative gathering at the SEAMUS Conference.
By the way, the piece has a name. Keerthanata. Asha will tell us more about it in the very near future.
Thank you all again, we are immensely delighted. We'll keep you posted on our project's progress.
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Above + Sara and Jesse will provide a saxophone concert featuring the newly commissioned piece along with additional music for two saxophones. For reasons of practicality, this option depends a bit on your location, but please contact us if you are interested. Plus, receive everything from all pledge levels.Estimated delivery:
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Closed ATM View - DNP-MPA-2122-022
Consultancy Services for the Ashmore Reef Marine Park Project
Show close time for other time zones
Canberra, Sydney, Melbourne, Adelaide, Perth, Brisbane, Darwin, Hobart
The Director of National Parks (DNP) manages Australian Marine Parks and seeks to establish an ecosystem level understanding of the island ecosystems and species interactions at Ashmore Reef Marine Park, and development of an ecosystem restoration plan to support future management. Ashmore Reef Marine Park was established in 1983 and is designated as a Sanctuary Zone (IUCN category Ia), with the objective of conserving ecosystems, habitats and native species in as natural and undisturbed a state as possible.
The respondent must exist as a legal entity. The respondents answer must be a Yes or No.
Site Inspection: Unless otherwise notified by an addendum, there are no site inspections for this ATM.
ATM Closing Date: Monday, 22 November 2021
ATM Closing Time: 3:00PM AEDT
Question Closing Date and Time: Questions will be permitted up until 5pm AEDT Wednesday, 17 November 2021.
Expected Contract Execution Date: Friday, 10 December 2021
Tender Validity Period: For a period of 6 months from the closing date and time mentioned above.
Contract Term: The Contract will remain in force for a period of 12 months from the date the Contract is entered into.
Contract Extension Option: The Contract will include the following extension option(s): up to 6 months, at the sole discretion of the Director of National Parks.
Tenders must be lodged electronically via the Australian Government Tender System, AusTender, at https://www.tenders.gov.au before the Closing Time and in accordance with the Tender lodgement procedures set out in the paragraph 3 of the RFQ and on AusTender.


Oysterponds school board to vote on superintendent, principal contract extensions
The Oysterponds school board is expected to vote on contract extensions for Superintendent Richard Malone and principal Joan Frisicano at Tuesday night’s regular meeting.
Mr. Malone’s contract is set to expire this summer. He was hired in July 2012 to replace Ms. Frisicano after she resigned as superintendent. About a year later, the district hired her again in June to replace outgoing principal Françoise Wittenburg.
If the extensions are approved, Mr. Malone’s contract will expire June 30, 2016 and Ms. Frisicano’s contract will end June 30, 2015, according to the meeting’s agenda. Both agreements carry an annual 1.5 percent salary increase.
Tuesday night’s meeting starts at 6 p.m. due to tonight’s inclement weather, according to the district’s website.
Scroll down to view the complete agenda. Check back for an update.
Oysterponds School board meeting agenda, Dec. 17, 2013


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setlist: Foxhunting/ While We Go Dancing/ Dinner Party/ Rudie Fails/ They Done Wrong / We Done Wrong/ Company I Keep/ The Plot/ Right Where They Left/ Midnight and I/ Lionesse/ Percussion Gun// The Lady Vanishes/ The Salesman (Tramp Life)
somehow my favorite album of 2009 turned into my favorite show of 2010.
During the summer months of '02, I spent a lot of time planning an amazing trip... for myself. I was traveling to Washington, DC and staying there for a week, doing whatever I friggin' wanted to do. Lots of hours were logged in walking all over town, bouncing from museum to museum, trying awesome food, and doing stuff that really interested me. This included going to a Caps game (pre-Ovechkin era, mind you) and a couple of shows @ the Black Cat. I thought I never had a problem with going solo to shows or sporting events... and this trip would certainly test that. It turns out that the entire trip went swimmingly well and it really was one of my favorite trips ever. I partially owe that to Mr. Ted Leo and his band of Pharmacists.
I'm perpetually interested in the unknown when it comes to live music. There were times during college when my friends and I would pick out some random bands and just go to the show and see what happens. The same philosophy was applied when I traveled to DC. Knowing that I was going to attend some shows while I was in the District, I did some searching of local venues and see if any bands I knew of were available during the week of my stay. It turns out that I could've seen some great bands either the week before or after my vacation (seems like that always happens!), but I wasn't particularly aware of who was playing during my stay there. One band my college roommates joked about well before this trip was a band called Ted Leo and the Pharmacists. Being a chemistry major and pharmacology student (the latter in high school), the name certainly piqued my interest, but we spent a little time poking fun @ that band because of the goofiness of the name... talking about how they were probably wearing lab coats during their set and such. Lame stuff.
When researching these venues, the only notable band that popped up was Ted Leo and the Pharmacists. I decided to take the gamble, not listen to any of the music beforehand, and get a ticket. My rationale behind this was also fueled by the fact that at the time Dave Grohl was a possible owner of the Black Cat and that added more curiosity. So I was sold on this show and it was one of the things I was immensely excited about before I went on the trip.
I didn't know any of the material, I didn't know anyone else @ the gig, and I had zero expectations. With all of that said, I couldn't believe how much the show paid off. It was probably one of my favorite concerts ever, from top to bottom.
The opening band was French Toast and blew my mind away right from the get-go. I had no idea that two people could generate so much cohesive noise and make it so strong. They played a short set that featured most (if not all) of their debut EP, Bugman, which I still proudly play from time to time.
Up next was the almighty Ted Leo and by the time he and his bandmates took to the stage, the Black Cat was packed. This was probably because he is somewhat of a local boy and really soaks up his time whenever @ the Black Cat, so there's always a vibrant energy when he's in town. He even went as far stating it in an interview with P*fork, as mentioned here (from '07):
I would probably have to say that the Black Cat in D.C. remains my favorite place, whether it's just because it's such a comfort zone for me, I'm not sure, but it really is just always a great stage to play on, and it's always a really welcoming place to play. And I also think it's a great place to see shows. To get specific, the sight lines around the room are amazing, and the sound system is good. (link)
I'm sure that some of the buzz factor was also related to the fact that this was a type of warm-up show for the band. A new record from the band was due in Feb '03 and this was a perfect showcase for most of that material. It's a shame that there aren't any setlists from either '02 or '03 floating around because I would love to have an idea of what I heard that nite, but I'm fairly certain that the set was heavy on tunes from the upcoming Hearts of Oak and a few faves from Tyranny of Distance.
What was clearly a memorable event during the show was during one of the new tracks. Apparently the band was used to being a four-piece (a evidenced on the cover of Hearts of Oak), but decided to beef up its sound a bit more by adding a second guitar player. With this new addition, it caused a few shake-ups during some songs, which added to the novelty factor of the show. However, during one new track, a string broke on one of the new guy's guitars. After a quick guitar change, it seemed as if all was back on track... then another string breaks on the new guitar. Lots of jokes were made and the crowd certainly didn't frown on the band because of the terrible mishaps. It was clear that the guitarist was fairly new to the band and to say that he was embarrassed would be an understatement. I'm not exactly sure what happened to that plan of sonic attack, but apparently the band wasn't feeling the five-piece setup and went back to a four-piece in '03 and is now currently a trio. I'd love to find it somewhere, but there's an interview that I think P*fork did around the time that Hearts of Oak (almost typed OKRA there instead... scary) was released and that gig was directly mentioned and Leo even acknowledged that the plans with the new guitar player didn't work out as well as he hoped and was rather humorous about it.
It just goes to show you that getting to shows early or taking a chance on something new and unfamiliar pays off in dividends. It's because of that show (and the killer tunes on it, as well) that Hearts of Oak is one of my favorite albums ever.
setlist: Hysteria/ New Born/ Butterflies & Hurricanes/ Thoughts of a Dying Atheist/ Citizen Erased (abandoned)
there are some things that you'll never let go... and this show is certainly one of them.
the stars were aligned on the evening of April 9th. UK rock sensations Muse were finally getting their chance in the American market after reaching massive successes overseas for years. Absolution was getting serious play on alternative radio and where-ever you went that spring, you could not escape the anthemic "Time Is Running Out". small shows (compared to the arenas they typically played in Europe) were booked, some in areas the band never explored previously.
you see, Muse had it all overseas. they had chart-topping albums, sold-out arena tours, fame, etc. in the early '00s, they started developing a cult following in the United States because of their inability to cross the ocean. most (including myself) thought they were a harder Radiohead, with Matthew Bellamy playing the role/voice of Thom Yorke almost naturally. some (including myself) knocked them for that and never gave them they chance they rightfully deserved. albums Showbiz and Origin of Symmetry have some ridiculously powerful tracks on them that I sadly cast aside due to my own stubborness.
so when a friend of mine (who introduced me to Muse when Showbiz was released) persisted with this new album of their's, I think my wall finally broke down. strong instrumentation, elaborate songwriting, power and fury along with some delicate simplicity - all of these contributed to why I finally started embracing Muse after all of these years. as a result, I dug into the records that I was missing and was getting it. take that musical epiphany, combined with a national tour of small venues for this high-octane band with a rabid following that finally got their moment to witness greatness - it was all set. a new obsession was about to take place and I was oh-so-willing to let it happen.
and then this happens:
all you really need in that video is the first 75 seconds or so to get the point. Muse were absolutely on fire that evening. they had it all in their court and they were running like mad. it was really unbelievable what we were taking in. those first four songs were probably the best four songs I ever saw live... perhaps. but to think that this show started off SO STRONG and SO INTENSE and ended so abruptly was disappointing beyond belief.
and there went my high point with Muse. after Matthew Bellamy busted his face to "Citizen Erased", I saw them later that month @ my first Coachella Festival trip and got into it as much as one could while dealing with 100+ degree California desert heat. and it was a festival set, so there was a sizable distance between myself and the band, something that was non-existent earlier in the month. my girlfriend and I attempted to see Muse months later when they returned to ATL and played the "bigger venue", the Tabernacle (the Cotton Club is more like the Tabernacle's basement). we decided to take in the show up in one of the balconies there and fandom just evaporated before our very eyes. we didn't understand the matching uniforms the band members had, thought some of the lights were cheesy, and we basically wrote off the entire experience.
it sure seems that that April evening didn't deter the band in North America as they are going stronger than ever and possibly headlining the next version of the Coachella Music and Arts Festival and releasing a couple of new albums in the years past to much fever and fervor. while I don't hold what happened that evening against Muse, it just happened @ a terrible time that could've changed a lot of feelings I had about the band.
indeed, Thrashers, make 'em say UGH.
possible setlist: No, Not Now/ Island of the Honest Man/ Change Change Change/ Get In or Get Out/ Dirty Mouth/ Talk to Me, Dance With Me/ Middle of Nowhere/ Le Le Low/ You Owe Me and IOU/ Jingle Jangle/ Oh, Goddamnit/ Naked In the City Again/ Elevator/ This Town/ Goodnight Goodnight/ Save Us S.O.S./ Bandages
my second time seeing Hot Hot Heat probably put the nail in the coffin w/ them. I saw them tour for their first record, Make Up the Breakdown, and was left a little unsatisfied. I was hoping to get a little more w/ a new live set and a new record. things didn't pan out that way, exactly. this show was more-or-less memorable b/c I spent the majority of it watching the crowd from the side of the venue @ the bar due to my girlfriend @ the time (now wife!). she recently had foot surgery and was accompanied w/ crutches and couldn't get into the crowd as much as we both would've preferred.
regardless of where we were for the show, I don't feel it would've mattered. we realized that maybe we were past the Robert Smith-esque whinings of Steven Bays and the teens there were in strong representation @ this all ages show. maybe we were a bit out of place in our liking of this band as it seemed we were missing something. HHH's first record was fun and possibly a novelty in a career that could've moved more towards darker, more full music. instead it appears that they chose to ride the wave of that first record and retread the same water that got them big enough to play venues like The Loft. I haven't followed the band since and I'm not even sure what they are up to these days... if they are still around, satiating the teens of the world.
setlist: Shiver/ Animals/ Don't Panic/ Spies/ Murder/ Everything's Not Lost/ We Never Change/ God Put a Smile Upon Your Face/ Yellow/ A Rush of Blood to the Head/ See You Soon// Trouble/// In My Place//// Georgia On My Mind [Carmichael/Gorrell]
before Coldplay played arenas, did iTunes commercials (YouTube it!), and wore schticky matching uniforms on stage for shows, a simpler band existed - a British four-piece that didn't need to spice up the stage show w/ cheesiness or other things that made their live sets excessive. the Coldplay that I know (and still appreciate) was back when Capitol Records heavily promoted them as "THE NEXT RADIOHEAD". before Chris Martin started dating (and subsequently marrying) Gwyneth Paltrow (and naming children after fruit), he was rather bashful. you see, Coldplay was actually a modest band once!
so, back in 2001, the band was attempting to rise to the fore-front of the entertainment industry. hits like "Yellow" and "Trouble" where EVERYWHERE. in order to really get their faces and tunes out to the masses, Capitol (or whoever was responsible for their mgmt) booked some of their first North American shows as festival appearances. in December 2000, their first two shows were in California for holiday-themed festivals for KROQ and KCRW. when they returned to the states nearly six months later in the spring of 2001, Coldplay played a headlining show in Chicago that was immediately followed by two festival shows in Boston and Washington, DC. oh, I also forgot to mention that Coldplay was a part of the traveling festival Big Day Out in Australia and New Zealand throughout January 2001, prior to coming stateside.
Coldplay were exhausted. they weren't sure they were prepared for this kind of lifestyle. for two years, they slowly built up a following in the UK and most of Europe. I think, at the time, they got much more than they bargained for when they were getting promotions in the United States. their world was blowing up too fast and they were @ the breaking point. also, w/ these festival bookings, Coldplay weren't always playing to their target audience. they were often thrown in the mix w/ harder and more aggressive bands, which often led to much heckling or audience straying.
all of a sudden, we arrive to May 30, 2001. before the jokes of, "You know how I know you're gay...," Coldplay already had a reputation of being too soft, too quiet, etc. I was even told by a friend @ the time that, "I can't believe you'd pay $25 to see a one-hit band." they had a lot going against them. no one was sure where Coldplay would end up after 2001. and I think that was taking a toll on the band, as well.
while I cannot remember the show vividly, I can remember that it seemed like it started off like any other recent headlining show they did. something that I alluded to earlier was mentioned and that was the recent festival appearances and how they were thrown on stage w/ bands like Metallica and how they weren't sure where their place was in the grand scheme of things. what shocked me the most was how energetic Will Champion was when he just killed his drum set to tracks like "Yellow" and "Shiver". Chris Martin was working out the kinks of his now-trademarked flailing about on stage, so this wasn't so noteworthy as of yet. what I also noticed was how absent Johnny Buckland and especially Guy Berryman were during the set. Johnny appeared to be mailing in solos and atmospheric guitar noodlings while Guy was just not present. you could tell that some in this band had more to offer while others weren't certain of their place.
obv they liked what us Georgians were giving back to the band b/c Chris was certainly feeding off it that. many new songs were peppered into the set, so there may have been a few times during the show that the crowd was a bit lost, but any off-course diversions were quickly corrected when "Yellow" was played... or "Trouble".
this show, @ the time, was freq cited by the band as "the one that got Coldplay back together". that statement would be strange, if it weren't for Chris Martin's impromptu solo cover of "Georgia on My Mind" as the last of three encores. I do recall this as being very special, w/ Chris on piano, the Parachutes globe perched atop the keys, and some members of the band standing backstage just watching. w/ such a big statement as, "Atlanta saved us as a band," it would normally be a stretch to believe, but that comment always resurfaced, whether it be in interviews in between their first and second records or their subsequent returns to Atlanta (that involved guest appearances from Sir Elton John and Michael Stipe, for example). you really got the feel that late spring gig changed things for the band, like it or not.
so here's something I've thought abt doing for some time now. whenever the mood strikes, I'll randomly pick out a ticket or whatever from this massive batch and go to town w/ it and write abt my experiences w/ that event. this project has the potential to be incredibly self-serving... but that's alright b/c this is my blog!
but seriously, if you have add'l things to add abt seeing a particular band live, a similar experience w/ another band, or something interesting from the same event (!), please feel free and contribute.
tomm nite, it's gonna be you and I, SDRE - you and I. all I really ask is for a four song set:
8/ Every Shining Time You Arrive/ In Circles// Flatland Spider
if I don't get any of those, I'm sure that all four members on stage in ATL would suffice!
and here's the lineup I drafted the other nite... IT IS MASSIVE!
ideally, I would've loved to have my two faves on the same team (Getslaf and Savard), but to have one in each league, I'm certainly not complaining. in the random league I just joined, I'm heavy w/ Thrashers and we'll see how that pans out... and that goalie situation, as well. and in all honesty, I'm thrilled w/ how the auto-draft worked out for the friendly league. I guess it pays to make a rankings list w/ about 60 players, exclude the obvious (i.e. Hossa, Gaborik [even these two worked marvels for me a few seasons back], Heatley, etc.) b/c I have a team that I'm completely satisfied w/.
I just love fantasy hockey! LESS THAN A WEEK FROM THE SEASON OMG OMG OMG!!!
Thrashers Training Camp 23:23
this AM I ventured to Duluth, the site of the Thrashers training facility to witness some fine fine fine hockey. it's this time of year that really gets me going, like every other hockey fan. right now, the sky is the limit - your team can do no wrong and they can probably win the Stanley Cup. but, you know, haters wanna hate and lovers wanna love. lots of critics (or uninformed, for that matter) are dogging the Thrashers b/c of their off-season moves, lack of hockey interest in the South, Ilya Kovalchuk leaving the ATL by season's end - just retarded rumormongering. and maybe some of those people are right, maybe some of those aspects are correct. but you know what? I DON'T CARE. this is my team and this is my sport. whether the Thrashers are a playoff team or not, it doesn't matter to me b/c I will love this team to the end (or when they relocate to some remote part of Saskatchewan, so quoth the critics north of the border). that's why I travel over an hour to see my team practice - it's invigorating, full of hope and promise, and it's the best sport in the world.
do I really think the Thrashers have what it takes to play in the early summer months of 2010? absolutely! do I feel that Ilya Kovalchuk will remain w/ the Thrashers following this season? why the hell not?! like I said - every Sept holds so much hope for the future, regardless of what may lie ahead. the Thrashers could be bottom-dwellers (they won't), but I'll continue to come back to the team that I love.
enough meandering abt my subjectivity here, let's get to the heart of the matter - today.
the Thrashers are an enigmatic bunch right now, let's face it. they made strides in the off-season to significantly add more talent to the roster. enter Nik Antropov and Pavel Kubina. let's keep in mind previous off-season additions - Ken Klee, Niko Kapanen, Glen Metropolit, Jason Williams, Mike Dunham (I shudder to even think of the name)... I could go on. personally, I'll take the two players we brought in for this season over any of the others any day of the week. but b/c of past conditioning, us Thrashers fans are skeptical of the adds b/c none of the other, uh, "experiments" worked out to our advantage. only time will tell how Antropov and Kubina will work out, but you have to think that they will contribute much more than the others I mentioned.
and then there's the Kovalchuk issue, which will plague the team until he resigns... or doesn't. based on my viewing this AM, he was all smiles on the ice, having fun and spending time w/ Russians (Kozlov, Antropov, Afinogenov). Kovy does not appear to be a man w/ one foot out the door, and all local commentary on the issue doesn't even hint in that direction. the same could not be said about the Marian Hossa issue from a few seasons back, where it seemed as if negotiations are nowhere (they were) and Hossa was mailing in his gameday performances (he was) until he was relocated elsewhere. however, there is no extension on Kovalchuk's contract as of this moment. as a result, the questions and doubts remain and they will until something happens.
after watching practice (and a scrimmage) today, I was thrilled @ the prospect of what this season could become. there's hope on the horizon. this off-season for the Thrashers was the most pro-active I've seen and it still continues to head in that direction, w/ the tryout invites extended to Maxim Afinogenov, Manny Legace, and Dan Fritsche. Max adds speed and experience to the lineup and Legace brings much-needed stability to the goalie position, something the Thrashers lacked b/c of Kari Lehtonen's previous bouts w/ injuries (actually, that's not so previous as Kari is currently working out a back injury) and Johan Hedberg's spontaneity that's been a win-lose situation ever since he's been w/ the team.
seeing players like Kovalchuk smile endlessly, like Slava Kozlov constantly giving Legacy a hard time (that often resulted in much laughter in both players), like 18 year-old Evander Kane try and try and try to push his limits higher and higher in hopes of cracking the squad next month, like Toby Enstrom and Zach Bogosian stepping up into roles that maybe they aren't accustomed to just yet (but they are more than willing to play the part) - it just makes me endlessly happy to know that this Sept is as hopeful as it is for the Atlanta Thrashers and I cannot wait to see what's next for the team as they will battle it out all season long for what really matters - playoff hockey in Atlanta.
dang it, my glass of Kool Aid is all out! :D
heavy rotations 20:32
I stumbled upon this one a couple of months back when I heard "Coast of Carolina" on XMU. thinking it was a semi-decent indie-pop-rocker, I basked in the glory of what the internets has to offer and did a downloading sample of the self-titled album (i.e. downloaded that mother like it was nothin'). what I found out was that it was a nice, poppy record w/ awesome tracks like "Foreign Room" and "Tokyo". there's nothing ridiculously dynamic about Telekinesis!, but it sure is a fun-as-hell record in the summer time.
after my initial exposure w/ Old World Underground... and appreciation for Live It Out, I was finally thoroughly waiting for a new Metric album, hoping that they would deliver the goods. I didn't know whether I should expect some masterpiece due to tension (Emily Haines drifted away for a while w/ her good solo stuff and apparently the band had trouble during the song-writing for this album) or some dancey good-times. seems that I got a nice mix of both w/ Fantasies. I love love love "Satellite Mind" and shake my tuches to "Gold Guns Girls". there are certainly some great parts of the album, and I really enjoy hearing what I imagine to be Metric playing these songs, back-to-back-to-back in a room, just having the time of their lives.
it's hard to say what I prefer more - the beginning tracks of Lost Souls or Kingdom of Rust. I always thought the first few tracks of their debut swept me off my feet and pulled me out into the ocean to just drift away. but I really am taking a liking to the four or five tracks of their latest effort, w/ the jaw-dropping "10:03" taking the cake. there's something abt this band that is so perfect and you know that they will always get just the right mix of soft and structured songs to complement the pounders. and, seriously now, does "Jetstream" NOT sound like a Depeche Mode Exciter-era b-side or something?!
I'll never claim to be a fan of the hype machine. as a matter of fact, as a pseudo-hipster, I think it's mandatory to flick off the hype machine. and while I'm finding more and more to appreciate about Veckatimest, it doesn't mean that I'm succumbing to the almighty hype machine. I cannot find any flaws w/ "Two Weeks"... and I really think it could be song of the year quality. believe me, it's hard to come to terms w/ something that I've detested so much and now I'm close to head-over-heels w/ this record. it's hard to get enough of this album, and it's very relieving to say that... esp w/ something that's been so... neglected... by me previously.


text: The International dance competition "Prague Dance Open" was held from October 31st to November 3rd, 2019 in the Czech Republic's capital - Prague. Festival was attended by around 1000 participants from the Czech Republic, Serbia, Germany, Hungary, Montenegro and Nepal. Organizers of the competition "Prague Dance Open 2019" informed also that they are proud that the large contest was great and it was attended by so many participants who came from different countries and presented high quality of dance performance. Their presentations were evaluated by the authoritative jury. "Despite that it was Dance competition, all groups went back to their homes very satisfied, which is fantastic.", said the organizer.

domain: geography


text:
Analysts and insiders-including Linus Torvalds-say they think that Microsoft's move to start a dialogue with the open-source community shows that the company is recognizing that open source has real, lasting value.
After a series of friendly moves towards open-source developers, Microsoft Corp. has talked with Michael Tiemann, president of the Open Source Initiative and vice president of open-source affairs at Linux vendor Red Hat Inc., about meeting with him to "begin a productive conversation" between proponents of open source and Microsoft.
What could Microsoft have to talk about with the open-source community?
Well, for one thing, Microsoft might be trying to cool off the high emotions flying between fans of open source and of Microsoft.
"It appears that Microsoft is attempting to change the environment from its currently highly charged, highly emotional state to something more constructive," said Dan Kusnetzky, IDC's system software vice president.
Linus Torvalds, primary creator of Linux, said he would welcome such a change.
"Hey, I'm all for being friendly," Torvalds said. "To me, Microsoft has never been the competition, and it's never been a Linux vs. Microsoft thing, despite that obviously having been how a lot of people end up slanting it."
Microsoft may also have developers within it that truly want to contribute to open source.
"Non-constructive executive rhetoric aside, there are substantial bodies of people within Microsoft that either already have or are ready to make good faith contributions to the open-source world," said Stephen O'Grady, a software analyst for RedMonk.
Tiemann of Red Hat even went so far as to suggest that the Microsoft Shared Source program represents "an attempt to quell an internal civil war" at Microsoft.
George Weiss, a Gartner Inc. vice president and distinguished analyst, said he doesn't buy this theory: "The people I know at Microsoft feel like they're part of an elite and they're proud of their work. Yes, some of them have interest in open source, but I don't see an internal divide with two camps warring with each other in Microsoft."
Instead, Weiss said he believes that Microsoft is trying diplomacy with the open-source community because the Redmond, Calif.-headquartered company has "recognized that they have to play in an eclectic world, which includes open source."
Now, this "doesn't change Microsoft's basic business premise or its position on intellectual property or its business model, but they realize that they have to play with the open-source world to be successful," Weiss said.
Yankee Group Research Inc. analyst Laura DiDio agrees.
Rest of the Story .


Digging into the Car Naming Business
Much like all names in existence and made up, car names can also run from bad to weird. Whoever came up with Buick Reatta or Pontiac Aztek might have thought it clever, but a majority of car owners thinks it’s hard to remember much less spell. But if the name goes something like Jaguar or Mustang, everyone just assumes without question that the vehicle would be powerful and amazing on the road.
While it’s so easy for people to poke fun at car names, very few know the lengths car companies go to just to develop a really rousing, interesting label. Ford Explorer and Dodge Ram may have had it easy as both names reflect the practical and utilitarian use of the working vehicles. The opposite is happening to Cadillac, however. This is because BMW got all the good names and trying to beat BMW 7-series with a CT1 is next to impossible.
This brings back to an all-important question, what’s in a name? Well, it can be the one thing that will make or break a car’s image. But let’s leave the marketing team to mull over their next move and look into how some of the popular car names were born.
Yes, this might seem like another attempt at a clever misspelling, but ALFA is an acronym that stands for Anonima Lombarda Fabbrica Automobili. Considering that the full name is a mouthful, ALFA is just fine. Now Romeo was just added when Nicola Romeo bought ALFA in 1915.
In Korean, Daewoo translates as ‘great house’ or ‘great universe’, which is what the company founder Kim Woo Chong called it. Well, anyone who’s driven a Daewoo is likely to agree that it’s a great ride overall. Majority of cars is named after their founder or owner, including Ferrari, Honda, Mercedes and Ford. But because every new model out in the market must be christened with its own unique identity, car naming would remain a challenging task for everyone involved.


text:
www.cafepress.com/laststopshop > Pure Fun & Recreation > Juggle It > Juggle It Oval Ornament
Juggle It Oval Ornament
Jugglers have awesome eye/hand coordination. They also have really skillful hands to be able to catch various things like they do. Amazing!! Want something else? Email me: firstname.lastname@example.org
Add a special and unique ornament to your tree this holiday. Our handmade oval ornament is made of high quality porcelain. It measures 2.3" x 3.25" with red ribbon included.
- High quality porcelain
- Oval 2.3" x 3.25"
- Ribbon for hanging included
Drag the square at the left to choose the part of your image you want to use. Tips: Click and drag any corner to resize; click and drag from the inside to move.
Click done if you're happy with the way it looks.


text:
The nine other 2013 Great Public Spaces are:
• Tony Knowles Coastal Trail, Anchorage, AK
• Grand Park, Los Angeles, Calif.
• The Broadwalk in Florida's Hollywood, Hollywood, Fla.
• Norman B. Leventhal Park at Post Office Square, Boston
• Mount Auburn Cemetery, Cambridge, Mass.
• Forest Park, St. Louis, Mo.
• Essex County Branch Brook Park, Newark, N.J.
• Grand Central Terminal, New York City
• Esther Short Park, Vancouver, Wash.
Source: American Planning Association
The historic Walnut Street Bridge, whose restoration was hailed as a example of government, civic and private partnership, earned designation as one of 10 Great Public Spaces for 2013 by the American Planning Association, the organization announced Friday.
In singling out the bridge for inclusion in this year's list, the association noted that the "pedestrian jewel" sparked the community's interest in its riverfront.
"The Walnut Street Bridge stands as a symbol of Downtown Chattanooga's rebirth and a visible reminder of how visionary planning can galvanize and revitalize a community," a news release stated.
The once-dilapidated bridge, destined for demolition, now is a focal point for community events and links the North Shore and the Bluff View Arts District, Hunter Museum of American Art, Tennessee Riverwalk and Tennessee Aquarium.
APA singled out the bridge, a unique linear park spanning the Tennessee River, for its history, amenities, connectivity and citizen support.
"The Walnut Street Bridge is not only a symbol of Hamilton County, both past and present, but also a daily reminder of what makes Hamilton County great -- the partnerships between the public and private sectors," Hamilton County Mayor Jim Coppinger said in the release.
Chattanooga Mayor Andy Berke said the bridge "strengthens our unique sense of place."
The oldest and largest surviving truss bridge in the South, the Walnut Street Bridge opened to vehicular traffic in 1891. The bridge was closed for safety reasons in 1978. But plans to dismantle the iconic structure galvanized citizens to find a creative way to save the structure and transform it into a pedestrian walkway.
Local attorney Hank Hill was involved in a group that sued to stop the demolition.
"The initial purpose was just to keep from tearing it down," Hill said Friday. "The pedestrian bridge [idea] was a way to compromise and give people a way to support it."
In 1990 the bridge was listed on the National Register of Historic Places. Residents, civic leaders and historic preservationists banded together, securing the $2.5 million in federal funds originally designated for demolition to transform the 2,376-foot-long bridge into a linear park, the planning association news release stated.
Volunteers sold 1,776 plaques to raise private funds for the two-year restoration, which ultimately cost $4.5 million.


text:
Late 50s/ Early 60s Marvella Faux Pearl Demi-Parure
This beautiful demi parure is a Marvella creation. It consists of a bracelet and matching clip on earrings. The double strand bracelet is made of several styles of faux pearls. The 2 strands come together with gorgeous open work gold-tone end bars. The bracelet measures approximately 7½” and closes with a fold over clasp. The clasp is marked MARVELLA, ©MARVELLA on both end bars, and has a hanging paper tag. The matching earrings are a flower pattern of pearls. The earrings have a large pearl center encircled by 6 smaller pearls. They measure approximately 1” in diameter and are signed MARVELLA© on the paddle back clips. This set is in excellent vintage condition.


text:
Problem Gambling Week Heightens Awareness
The release of public service announcements (PSAs) to promote Missouri's problem-gambling help line, 1-888-BETSOFF (1-888-238-7633), and participation in awareness events will highlight Missouriís efforts in the fifth annual National Problem Gambling Awareness Week, March 5-11.
The radio and television PSAs are being provided by the Missouri Alliance to Curb Problem Gambling (Alliance), which is comprised by the Missouri Division of Alcohol and Drug Abuse, the Missouri Lottery, the Missouri Gaming Commission, the Missouri Council on Problem Gambling Inc., the Missouri Gaming Association and the Port Authority of Kansas City.
"During the national awareness week, communities nationwide are working to raise awareness of the consequences of problem gambling and the resources available for individuals whose gambling is causing disruption in their lives.
In Missouri, in addition to releasing the PSAs, members of the Missouri Alliance will be providing educational displays at various statewide conferences throughout the month including the Partners in Prevention Meeting of the Minds Conference for college students, faculty and administrators and the Pathways to Student Success conference for school administrators and educators of at-risk students.
"National Problem Gambling Awareness Week is an effort to raise awareness of problem-gambling issues and the availability of treatment throughout the country," said Keith Spare, chairman of the Alliance and president of the Missouri Council on Problem Gambling Concerns Inc.
"Throughout the year, the Alliance promotes the availability of free treatment, but participating in the national effort this week provides us with an opportunity to further educate Missouri residents about problem-gambling issues and that help is just a phone call away," he said.
Free problem gambling treatment for disordered gambling is available in Missouri to problem gamblers and their loved ones. Information about treatment options in Missouri is available through the 24-hour toll-free problem gambling help line, 1-888-BETSOFF.
| Help Is Available
If you feel you or someone you know has a gambling problem, call
Your toll-free call to 1-888-BETSOFF can put you in touch
with people who understand your situation and can refer
you to free treatment in your area.
Compulsive gambling is a behavior disorder in which an individual has an uncontrollable
preoccupation and urge to gamble. This results in excessive gambling, the outcome of
which is loss of time and money.
The gambling reaches the point at which it compromises, disrupts or destroys the
gambler's personal life, family relationships or vocational pursuits. The key
signs are emotional dependence on gambling, loss of control and interference with


text:
Question : Who's offering the cheapest round-trip flight to Hong Kong International Airport (HKG) over the coming months?
Answer : United Airlines is your best bet for finding that coveted low fare. They're offering fares as low as $944, while prices for other flights are as high as $6,067.
Question : What price range should you expect when booking from Fort Myers (RSW) to Hong Kong (HKG)?
Answer : Ranging anywhere from $944 to $6,067, prices for RSW to HKG do fluctuate much more than most routes from the United States. Prices tend to be lower the further out you book.
Question : If your plans are flexible, have you considered changing your departure day?
Answer : The lowest-cost day to fly in July is Saturday. Flexibility is paramount when booking travel plans in order to keep travel costs down.
Question : How many days should you spend in Hong Kong?
Answer : Over the next two months, travelers from RSW to HKG are planning on staying for nine days on average.
Question : In the next four weeks, what day should you book your trip?
Answer : As of Jun 26th, the best day for deals to Hong Kong (HKG) is Jul 14th. It costs $1,682, which is 55% below the average price to book the same route.


text:
He’s got a Twitter account. Whattaya know?
Today’s pic brings us around once again to Peeper (1975), the amiable homage to 1940s detective yarns directed by Peter Hyams and written by Keith Laumer and W.D. Richter. Bad guys Sid and Rosie (Don Calfa) take care of some business while Ellen Prendergast (Natalie Wood) looks on and another fellow just hangs around.
I had an ulterior motive for choosing a pic from Peeper – it’s Don Calfa’s birthday today! Two summers ago he shared some fabulous memories of working with Timothy in this film with Romeo Carey and I. Stay tuned! And happy birthday, Calfa.
It’s way past time we took another gander at Sid, the hulking torpedo of Peter Hyams‘ genial homage to the hard-boiled detective flicks of the 1940s, Peeper (1976). Here he oversees his sidekick Rosie (Don Calfa) working over our hero, Leslie Tucker (Michael Caine).
Let’s kick off the week with another look at Sid, the irascible hit man of Peter Hyams‘ Peeper (1976). Here’s our first glimpse of him, playing innocent. He’s anything but.
I honestly can’t think of anything different or witty to say about this one that I haven’t already. It’s a neat little homage to 1940s private eye flicks, readily available on video, so check it out if you haven’t done yourself that favor as of the moment you are reading this. Trust me.
Today being the 81st birthday anniversary of the great Michael Caine, it follows that our pic of the day is from Peter Hyams‘ Peeper (1976). Private eye Leslie Tucker (Caine) faces down bad guy Sid, while an only slightly concerned Ellen Prendergast (Natalie Wood) looks on.
It’s great to see Caine still working steadily in films, as he has been since the late 1950s. He’s always a delight to watch on-screen, and the interplay between himself and Tim in this film, however brief, is a gem. With at least five films currently in production, he’s unstoppable. Happy birthday, Sir Michael!
Timothy Carey and Dan [sic] Calfa, whose faces are more readily recognisable than their names, portray “heavy heavies” as [producer Irwin] Winkler describes them, whose deathly chores are only temporarily interrupted by excursions through Beverly Hills to view the homes of Veronica Lake and other favourites of the era.
– John Austin, “On the Hollywood Set: Caine – a ‘Bogey Man’ in FAT CHANCE [PEEPER]”, Photoplay Film Monthly, January 1975 (Vol. 26 No. 1)
It’s been barely a month since the last Peeper pic, but as today is my dear husband’s birthday, he gets to choose today’s pic. And he decided he wants to see Timothy all snazzy and stylish in a suit and fedora, so how could we not turn to Peeper (1976) once again? Bumbling torpedoes Sid and Rosie (the great Don Calfa) prepare to interrogate a hapless ship steward, in a scene filmed aboard the majestic Queen Mary.
I truly lucked out in the husband department. Happy birthday anniversary, sweetie!
We here at the TCE are thrilled to wish a very happy 74th birthday anniversary to the great Don Calfa! Romeo Carey and I had the honor and pleasure of interviewing him last summer, at his memorabilia-packed home deep in the California desert. He shared some amazing memories of working with Timothy in Peeper (1975), and of his friendship with Tim in general. Here are the two of them in a scene filmed aboard the Queen Mary.
Calfa is very much like Tim in that he brings his unique presence and flair to every role, no matter how large or how small. He’s a big part of what makes it so much fun to go to the movies. Happy birthday, Don!
Today our pic takes another look at Peter Hyams‘ Peeper (1975), the amiable tribute to private eye flicks of the 1940s. Even after a bit of brightness/contrast tweaking, it’s still pretty dark. But trust me, Timothy and Don Calfa are in a bit of a Mexican standoff with Michael Caine and a worried-looking Natalie Wood.
Calfa told us during our interview with him last summer that after each take in which Tim had to man-handle Natalie, such as this one, he would wash his hands. Always the perfect gentleman!
Well, it’s been an amazing trip so far. Saturday night Romeo Carey, my husband and I headed out to the desert and met up with the splendiferous Don Calfa, who showed us through his memorabilia-packed double-wide trailer and happily shared his memories of working with Timothy in Peeper (1975) and their subsequent friendship. He is a card and a character, and I’m happy to now be able to call him my friend.
Sunday afternoon brought us together with the delightful Joey Sinko, who generously assisted Romeo in filming our interview with the legendary Seymour Cassel. I am happy to lay at least one oft-told rumor to rest: There was no animosity between he and Timothy during the Minnie and Moskowitz (1971) and The Killing of a Chinese Bookie (1976) shoots. They were simply two inveterate scene-stealers who sometimes got on each other’s nerves. It happens even in the best of families. “I loved Timothy. He was wonderful,” said Seymour. And I’ve made another friend.
Monday my husband and I attended the Stanley Kubrick exhibit at the Los Angeles County Museum of Art. Utterly amazing in every way! There wasn’t a whole lot there in the way of Tim, but what was there was choice. I was especially intrigued by a page from the original script of The Killing (1956) that featured a scene with Tim’s character, Nikki Arcane, that did not appear in the finished film. I wonder if this was actually filmed and then not used, or if it ever even got filmed?
Tonight we are heading down to El Monte to visit Tim’s studio, so stay tuned for more reports as they come! This is Tweet’s Lady of Pasadena signing off for now. Toodle-oo!


Just got some more P226/229 series SRT kits in. This is a must have feature for anyone who shoots SIG SAUER classic pistols in competition shooting, reduce reset travel by 60%. Faster trigger reset for faster follow-up shot.
NRA certified RSO, Pistol/Rifle/Personal Protection Inside The Home instructor, Certified SIG/Glock pistol armorer. Any question, please feel free to sent e-mail to firstname.lastname@example.org
or visit our forum on Calguns under vendor section!