We continued assembly of the wing fixture or jig, which holds the wing parts in position while the wing is bonded and bolted together. Checking accuracy took some time, as we want the jig to be correct so we don’t introduce error into the future wing building, as well as our prototype wings. The jig will be used in our assembly line into the future. Above, Sam Bousfield is bolting up the brackets that ensure proper alignment of the wing swing mechanism and its connection. Below, those brackets now completed. Below that, Sam is shaping an attachment that needed additional work.
The testing of the Garnet Tread tires occurred several weeks ago, but I don’t think we showed you any video of that event. This doesn’t quite do it justice, as it looks quite different from the driver’s point of view. The whole course is eight hundred feet, with cones every hundred feet. Our speed increased by two miles per hour using the Garnet Tread tires and by tightening up the steering response.
Composite Approach in Bend, Oregon, is doing the plugs (solid forms/shapes from which we will make multiple molds) for the front of the vehicle. The nose is being done first, followed by the main cabin area. Another group is doing the rear of the vehicle, as we are working on this simultaneously to reduce the time spent on this process. A plug is used, as it takes considerable time to make a shape, whether as a mold or a plug. Making a plug can speed up the process of making future molds, and is used by most manufacturers to reduce the cost of replacing molds when they wear out. Even expensive production molds will only last so long, but the plug may last for a decade of use. The plug is made from high-density structural foam, and then has a tough coating placed over it. The resulting shape is then machined again to close tolerance to final shape. Some handwork is necessary to produce the Class A (paintable) surface of the plug, but in the end you have a durable and accurate shape with which to make multiple molds.


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On our site you will be able to find all the Roblox music codes that you can use to activate songs within games. On thi page you will find all the The Chordettes Roblox music codes. For this artist we have 6 music codes thus far. If you have other codes you would like to add for The Chordettes, you can do so by signing up. By submiting artists/songs and upvoting or downvoting song codes you get extra points and show up on our leaderboards.
|Lollipop - The Chordettes
|Mr Sandman by the Chordettes but it gets creepier
|mr. sandman (racecarbed remix) - the chordettes
|Mr. Sandman by the Chordettes
|The Chordettes - Hello, my baby
|The Chordettes - Mr. Sandman (Trap Remix)
Leaderboard of the top contributers of bloxids.
List of latest songs and codes

domain: artistic


text:
by Shane Laing
In: Nature, Plants, Water
Water breaks and splashes against the limestone rocks along the banks of Lake Ontario in Bath.
Tags: bank, blue, brown, bubbles, dark, embankment, green, lake, leaves, light, limestone, nature, outdoors, plants, rock, roots, shore, splash, stone, summer, sunlight, water, wet, wood, yellow
I really like your crashing and splashing Bath-waters, Shane. Lots of energy there–which usefully and excitingly fends off the temptations of pure pictorialism. Roughness is best, I feel certain.
Thanks Gary, I appreciate the comment. Yes, I too enjoy the energy captured and frozen in time, indeed roughness IS best!
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Recently, I found this ’55 Chevrolet Bel Air Hardtop Coupe
If a tree dances in the forest and there’s no
A Red-winged Blackbird sings his mating song amongst the yellow
I'll take it! Where do I sign? Gary Michael Dault »
Hi Gary, Thank-you, glad you like the Picton Stream. Yes, it certainly... »
Hi Shane, Your remarkable "Picton Stream" seems infinitely more adventurous, photographically speaking,... »
Recently, I found this ’55 Chevrolet Bel Air Hardtop Coupe parked serenely at the edge of
If a tree dances in the forest and there’s no one around to see it, did
Copyright Shane Laing 2012. All Rights Reserved.

domain: geography


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The procession, which will begin at approximately 6:30 a.m. on Thursday, October 12, will depart from the Guadalajara Cathedral and end at the Basilica of Zapopan
Derived from the fulfillment of the 2023 Pilgrimage, Starting tomorrow night, Wednesday, various road closures will be held in Guadalajara and Zapopan, where citizens should consider.
For this reason, and to protect the safety of the participants, in addition to speeding up traffic on alternative routes and implementing the corresponding road closures for the safe passage of patrons, The Secretariat of State Security (SSE) will deploy an operation, through the Road Police Station and the State Police.
The procession, which beginning at approximately 6:30 a.m. on Thursday, October 12, It will start from the Guadalajara Cathedral and end at the Zapopan Basilica, taking the following route:
- Guadalajara Cathedral – Paseo Alcalde south – Juárez/Vallarta avenue – Unión/Américas avenue – Prol. November 20 – Basilica of Zapopan.
Due to the aforementioned, the closure of the roads that are part of The Pilgrimage route starts at 11:00 pm on Wednesday, October 11 Until the end of the event, however, traffic reductions are also considered in the Central area of Zapopan, from the evening of Tuesday, October 10 to the evening of Friday, October 13:
Tuesday, October 10:
Closing from 11:00 pm at:
- Av. Hidalgo, from Juan Pablo II to 16 de Septiembre Street
- Aurelio Ortega Avenue, from Juan Pablo II to Juan Manuel Street
- Matamoros Street, from Av. Hidalgo to Gómez Farías street
Wednesday October 11
Closing from 9:00 pm at:
- Av. Ávila Camacho, from av. Patria to av. John Paul II
- Av. Americas, from av. Birth of John Paul II
- Av. John Paul II/Laurels, from Avila Camacho to Pino Suarez Street
- Javier Mina, Eva Briseño, 5 de Mayo, 28 de Enero and Sofía Camarena streets
Thursday October 13
The closure remains until 11:00 pm:
- Av. Hidalgo, from Vicente Guerrero to av. John Paul II
ALTERNATE ROUTES ZAPOPAN
- Av. Patria, between av. Aqueduct and Alberta
- Acueducto Avenues, Santa Margarita, Tesistán, Parres Arias, Venustiano Carranza, San Jorge
- Sarcófago/Epigmenio Preciado, Industria/Paulino Navarro, Lake Geneva and Lake Constance streets
CLOSING OF GUADALAJARA CENTER
Wednesday, October 11:
Closing from 11:00 pm at:
- Quadrant enclosed by av. Juárez, Ocampo, Donato Guerra, Independence and Degollado
- Av. Javier Mina/Juárez, from av. Belisario Domínguez to Paseo Alcalde
ALTERNATE ROUTE GUADALAJARA
“The Road Police Station call to consider the closure of other roads It can be presented according to the influx of people who participate in the Pilgrimage, so you are encouraged to follow the instructions of the authorities along the route, as well as anticipate your transfers if you are a regular user of the streets use. on the occasion of a religious event,” the Security Secretariat indicated in a statement.


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These Keto Biscuits are flaky, delicate, and furthermore absolutely plant-based! Made the exemplary Southern way, these are ideal for bread rolls and sauce and breakfast sandwiches!
These Keto Biscuits are supported by our companions at Bob’s Red Mill.
Assuming there’s one food that is precious to both mine and Alex’s hearts, it’s rolls. Our common love for rolls stems back to our experiences growing up where we both revered the occasion custom (on my part), and the end of the week custom on Alex’s, of our grandmas making hand crafted southern bread rolls covered in smooth frankfurter sauce. It’s amusing, I feel like as I progress in years, these customary Appalachian recipes are pulling at my heart to be shared. I feel like I’ve seen this pattern among my friends in the culinary world too. It appears we as a whole will quite often arrive at a point at some point passed our twenties where we go back to our legacy. It’s something we might have been attempting to move away from as we were more youthful and attempting to discover some way on the planet without the shame of our singular societies and customs. At the point when I was more youthful I felt like I needed to grow my sense of taste and that Appalachian food wasn’t sufficiently tasteful or “culinary” enough, whatever that implies. As I progress in years, I’ve felt the draw to make my own variants of the southern works of art I experienced childhood with. Chow, creamy fruit spread, collard greens, hand pies, pickles, and indeed, in particular – rolls. Presently, we have a Keto Biscuit that thoroughly makes up for the shortcoming while at the same time eating lower carb.
Back mid 2021 after close to 12 months of covering ourselves away from the world, I chose to seek after a few alumni classes at UCLA in Food Studies. While I understood a couple of brief months after the fact that an advanced education wasn’t right up my alley right now, I still gigantically delighted in more deeply studying food equity as well as the humanities of food. I began to see Southern cooking in a completely new light, one not overwhelmed by huge measures of spread (taking a gander at you Paula Dean) and sugar and the disgrace of not being “tasteful” enough. It likewise helped that a couple of months earlier Alex and I had settled on the choice to go plant-based and I began to reproduce a portion of those recipes with plant-based entire food fixings and furthermore some of the time low-carb ones as well. I likewise want to recover my legacy is a basic however significant approach to likewise guarantee back my character past youth injury that mists a great deal of my recollections from growing up. Recalling the great parts, which can we just be look at things objectively for a minute – for the most part spun around food, some way or another relax the edges of the injuries and permits my internal identity the memorable opportunity where I came from and my past without such a lot of tension. Food genuinely is mending in such countless a bigger number of ways than one.
Honestly, I culminated my not low-carb, sans gluten and veggie lover rolls way before these Keto ones. These Keto Biscuits are genuinely incredible however my ordinary rolls? Those are what lies under the surface for dreams. Making the surface I needed in a low-carb form demonstrated troublesome, particularly since I needed to keep them plant-based without utilizing eggs yet additionally needed to make that flaky surface and pillowy inside that a genuine roll ought to have. The key was a combination of all my go-to Bob’s Red Mill staples. I wound up with a blend of their Super-Fine Almond Flour, Organic Coconut Flour, Organic Golden Flaxseed Meal, and their Xanthan Gum. The outcome is a tall, fleecy, flaky, and delicate roll that is ideally suited for covering in sauce, making breakfast sandwiches with, or in any event, adding a little sugar to the rolls and afterward finishing off for certain macerated berries and coconut whip. Really flexible, genuinely a staple. How about we get to some more top to bottom direction on the most proficient method to make the best Keto Biscuit!
Priorities straight, indeed, you can avoid the coconut flour
After I nailed this recipe, my most memorable idea was that I expected to test it once more without the coconut flour. Whenever something has coconut flour in it we field a lot of remarks and messages requesting trade choices. Two things:
We’re utilizing next to no coconut flour in this recipe, basically for surface and mass, and keeping in mind that the coconut flavor gets through a little, it’s not so overpowering as a 100 percent coconut flour prepared great. On the off chance that you’re not energetically gone against to coconut flour, attempt the recipes with no guarantees and see your thought process. By and by, I love the combo of almond flour and coconut flour and view the surface as the nearest similarity to regular flour there is in the low-carb world.
Indeed, I have tried this recipe without coconut flour and it works. The outcome is somewhat more brittle yet I trust it’s a decent compromise for you parents who would prefer not to utilize coconut flour by any means. To nix the coconut flour, I utilized 3 cups of almond flour + 3 flax eggs rather than 2, in addition to an additional a teaspoon of thickener bringing the all out thickener to a tablespoon. I’ve noticed the choice in the recipe card also. Let cool totally prior to serving.
Assuming you wind up attempting the two different ways, we’d very much want to hear your considerations and inclinations in the remark area!
Indeed, you truly need to utilize frozen margarine
Past the fixing combo, one of my reliable stunts for guaranteeing the ideal surface is by utilizing frozen margarine that has been ground into little shreds then, at that point, basically mixed into the flour, not mushing the two along with your hands. These little frozen spread pockets assist with making that madly breezy surface. Is you utilize simply cool margarine, the spread is going to smush into the flour and be warm and softened when you heat, this will prompt a thick not delicate bread roll and that’s what nobody needs. I generally keep to a block or two of spread in the cooler so I can make bread rolls instantly.
A note on the sorts of spread. This recipe has just been tried with Miyoko’s Creamery plant-based spread as it’s what I use only. Palm shortening would be my next go-to however there are other without dairy spread choices, simply make certain to utilize a block or stick kind and not a mellowed tub like choice. Clearly, in the event that you’re not sans dairy, essentially utilize standard margarine, once more, simply not the relaxed tub kind.
Indeed, you truly need to filter the dry fixings
Try not to have an exemplary flour sifter? I basically utilize a fine cross section sifter, brings about the ideal result. See the video at the lower part of the recipe card to see it in real life.
No, a cast-iron sheet-container isn’t required.
Like every single recipe on Cast Iron Keto, these Keto Biscuits can be prepared on a sheet container, broiler safe skillet, or baking dish. We just love the lifetime legacy nature of solid metal, its in any event, cooking, and its eco-accommodating + non-harmful advantages. Have a hardened steel sheet container or clay baking dish? Go ahead and use them!
No, you can’t utilize eggs
As this recipe hasn’t been tried with eggs, I can’t say for certain if trading the flax “eggs” for genuine eggs would work. Since the flax is likewise giving some textural component separated from restricting, I don’t figure this recipe would work by any means with that trade and it would turn out to be something else entirely with various measures of flours. Exemplary rolls never contain eggs so when you see them remembered for most keto bread rolls, it’s generally so the bread rolls rise, a hack of sorts. Since we’re slicing the bread rolls to the level we need them, we’re ready to keep to the conventional way that rolls are made and keep these plant-based. It’s a mutual benefit!
Indeed, these Keto Biscuits can be frozen!
🎉 🙌 😁 Indeed, yes I know. This is GREAT information. I love to make a twofold or triple group of rolls and freeze them for future mornings where my stomach is needing a bread roll yet my psyche is wanting a break from cooking. I just freeze the cut out bread roll batter on a sheet search for gold hours then, at that point, thud the frozen bread rolls in a cooler safe holder.
To cook from frozen, you’ll need to add an extra 5-7 minutes to the all out baking time.
Step by step instructions to Store and warm a cooked Keto Biscuits
To store: let the bread rolls cool totally then move to a lidded holder and store at room temperature for as long as 3 days.
To warm: enclose the bread roll by a spotless tea towel and microwave for 15-30 seconds until delicate and hot.
These Keto Biscuits are flaky delicate flawlessness and furthermore absolutely plant-based! Made the customary Southern way without eggs. Yields 4 huge or 6 little bsicuits. Nourishing data depends on a yield of 4 and is per roll.
Catchphrase: keto baking, low carb roll, southern rolls
Planning Time: 10 minutes
Cook Time: 35 minutes
Chilling + Resting: 60 minutes
All out Time: 1 hour 45 minutes
In an enormous bowl, filter together the almond flour, coconut flour, thickener, and ocean salt.
Utilize a case grater on the enormous grinding side to shred the frozen spread into little pieces. Utilizing a fork, mix the frozen spread into the filtered flour trying to not overprocess.
Make a well in the focal point of the bowl and include the flax “egg” and the almond milk. Mix well and until consolidated.
Dust a perfect surface with a touch of almond flour and dump the batter onto the surface massaging a couple of times until the mixture meets up. Smooth the mixture into a 2″ tall plate and utilize a bread roll shaper or tall-sided apportioning cup to cut (while squeezing straight down and not winding) 4 enormous bread rolls or 6 more modest ones relying upon the size of your shaper.
Put the rolls on a sheet skillet and spot in the cooler for 30 minutes. Preheat the broiler to 425° F.
Move the sheet container to the broiler and prepare for 30-35 minutes or until the bread rolls are brilliant brown. Eliminate from the stove and let cool for 30 minutes prior to serving.
Step by step instructions to make without coconut flour
Assuming you might want to nix the coconut flour, utilize 3 cups of almond flour, 3 flax “eggs” (3 tablespoons fl

domain: food


text:
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Ice cream eating contest slims down during street construction
ARLINGTON In spite on ongoing street construction on Olympic Avenue, the Local Scoop kicked off its sixth-annual ice cream eating contest, barely an hour before French Avenue was cleared for the first cars, marchers and floats at 5 p.m.
However, without the crowds who usually gather on Olympic Avenue for the parade, this years contest only attracted enough competitors to fill up one of its three age groups.
Dawn Williams, owner of the Local Scoop, nonetheless set out paper plates of Neapolitan ice cream for the 10-years-old and younger participants, dishing out a half-gallon for each child. She promised the first-place winner a T-shirt, a Frisbee and a $20 gift certificate to the Local Scoop.
Its a serious competition, said Williams, who added that each years proceeds go toward the Arlington Food Bank. They have to eat a half-gallon of ice cream each, with no hands and no utensils. If youre going to do it, its a good idea to diet beforehand and start the day of the contest with an Advil for the headache you will get.
This years ice cream eating contest was the first for 10-year-old Blake Hathaway and sisters Hannah and Emme Calvert. Both Hathaway and eight-year-old Emme claimed they never suffer brain freeze from eating ice cream too fast, while Hathaway explained that hed prepared for the event by eating ice cream three nights in a row.
Hathaways mother Julie and the Calvert sisters father Audie agreed that all their children were obsessed with ice cream. Audie ceded the edge in the contest to Emme, even though shes two years younger than her sister.
Audie Calverts prediction was not far off, since Emme ate 4.5 ounces of ice cream within the allotted three minutes, while Hannah ate four ounces, and out of his paper plate of two pounds, five ounces of ice cream, Hathaway ate all but one pound, 13 ounces.
The hardest part was how cold your teeth get, said Hathaway, the winner.

domain: news


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MOSS LANDING, CA — Sweet Earth Foods, a rapidly growing plant-based food innovator, announced on July 14 the release of its Awesome Bacon Burger, a first-of-its-kind in the plant-based category. The new burger extends the plant-based food makers' portfolio just in time for grilling season, as nearly 40 percent of Americans are trying to eat more plant-based foods (Nielsen).
The Sweet Earth Awesome Bacon Burger is a smoky plant-based burger infused with vegan bacon bits. Made of textured pea protein, this plant-based burger contains 26g of protein per serving (27 percent DV) and is non-GMO project certified. The burger will be hitting shelves of HEB starting this week with nationwide distribution increasing over the coming weeks.
"We are so excited to announce the release of the Awesome Bacon Burger as the first-ever vegan bacon burger, proving eating plant-based can be just as delicious as it is nutritious," said Jessica Vasisht, vice president of Sweet Earth Foods. "The combination of the Awesome Burger and our award-winning Benevolent Bacon brings together two of our fan-favorite products into one delicious option that is perfect for summer grilling."
Expanding the brand's meat-free grilling options beyond its Awesome Burger and Mindful Chik'n, the Awesome Bacon Burger follows the announcement of two Sweet Earth Sausages – the Green Chile Chedd'r and Chik'n Apple – that are now rolling available on retailer shelves nationwide:
- Green Chile Chedd'r Sausage is a good source of protein (13g, 19% DV) and incorporates vegan chedd'r, habanero peppers, yellow peppers, and cilantro. The plant-based flavors of green chiles, chedd'r and sausage all come together in this plump and juicy sausage. Available at retailers including Whole Foods Market and Giant Food.
- Chik'n Apple Sausage is a good source of protein (15g, 19% DV) and features apples, green onion, and spices. A perfect balance of plant-based chik'n, apple, onion, and seasoning. Plump, juicy, ready for the skillet or the grill – in recipes or on a bun. Available at retailers including HEB and Save Mart.


Floodwaters expected to spill over Newport levee
Published 03/24/2011, The Republican Eagle
With the Mississippi River set to rise rapidly this week, Newport officials are warning that floodwaters appear very likely to spill over an 800-foot-long levee that protects a low-lying neighborhood on the city’s west side.Word count: 379
The full article is available to newspaper subscribers. If you are a subscriber please log in to continue reading.


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Alpharetta Divorce Lawyers Corner: Financial Planning Throughout Separation
Separation is not just an emotional trip; its a considerable monetary shift too. If youre thinking about or experiencing a divorce in Alpharetta, its critical to comprehend the economic elements and also just how to navigate them. In this edition of the “Alpharetta Divorce Attorney Corner,” we will certainly discover the vital facets of financial planning during separation, with insights from The Siemon Law Firm, your relied on Alpharetta Divorce Attorney.
The Importance of Financial Planning in Divorce
Divorce often involves the division of possessions, financial debts, as well as economic obligations. Its a time when you should make essential choices that can have an enduring effect on your economic future. Having a clear monetary strategy in position can help you make educated selections and also secure your interests.
Consulting an Alpharetta Divorce Lawyer
Before diving into monetary planning, its necessary to speak with an experienced Alpharetta Divorce Lawyer. They can give you with legal advice specific to your circumstance as well as aid you understand Georgias separation laws, which can considerably influence the monetary elements of your divorce.
Comprehending Your Funds
The very first step in monetary preparation during separation is acquiring a comprehensive understanding of your monetary circumstance. This consists of:
Celebration Financial Files: Accumulate all economic documents, consisting of financial institution statements, tax returns, home loan documents, financial investment accounts, and charge card declarations.
Examining Assets as well as Obligations: Analyze all your assets, such as realty, automobiles, pension, as well as personal effects. Do not fail to remember to detail your financial obligations also.
Budgeting: Create a detailed budget that details your regular monthly expenditures and also revenue. This will assist you comprehend your monetary demands post-divorce.
Residential property Division
In Alpharetta as well as throughout Georgia, divorce adheres to the principle of equitable circulation. This implies that marriage property is separated rather but not always similarly. Your Alpharetta Divorce Attorney can help you comprehend exactly how this principle relates to your specific case as well as supporter for your monetary interests.
Spousal Support as well as Child Assistance
Financial planning must likewise account for prospective spousal support (spousal support) or kid sustain setups. Georgia has certain guidelines for calculating child support, as well as your lawyer can aid you browse this procedure to ensure your childs monetary health.
Developing a Monetary Approach
Once you have a clear image of your economic scenario, its time to create a monetary method for life after separation. Your approach might include:
Property department settlements: Working with your lawyer to bargain a reasonable distribution of assets and also financial obligations.
Spousal support considerations: Understanding if you are eligible for spousal support or if you will be giving it.
Child assistance computations: Ensuring that child assistance is computed precisely as well as covers your youngsters demands.
Spending plan changes: Changing your spending plan to reflect your post-divorce monetary reality.
Divorce can be a challenging time, however with the right economic planning and the advice of an experienced Alpharetta Divorce Lawyer like The Siemon Law Practice, you can browse this change with confidence. Your economic future is an essential aspect of your separation, and also by taking positive actions, you can make certain that youre well-prepared for the roadway ahead. For customized suggestions as well as lawful support, get in touch with The Siemon Law office, your trusted Alpharetta Divorce Attorney, to set up a consultation as well as review your one-of-a-kind scenario.
4555 Mansell Rd, Alpharetta, GA 30022, United States
( 770) 888-5093
The Siemon Law Firm
4555 Mansell Rd

domain: finance


- Can Intel HAXM be installed on AMD?
- Can I run emulator without HAXM?
- Why my AVD is not working?
- Is AMD good for programming?
- How do I know if HAXM is working?
- Is HAXM necessary for Android studio?
- How do you check Intel HAXM is properly installed and usable?
- How do I manually install HAXM?
- How do I enable virtualization in BIOS?
- Does Ryzen support Hyper V?
- Does my AMD processor support virtualization?
- How can I make my Android emulator run faster?
- Can I run Android studio on AMD processor?
- What is Android emulator hypervisor driver for AMD processors?
- Why HAXM is not installed?
Can Intel HAXM be installed on AMD?
On Intel x86-based computers, the Android Emulator will continue to use Intel HAXM by default.
Intel HAXM is a mature and open-sourced hypervisor solution developed by Intel.
Thanks to on-going development by Intel, the fastest emulator performance on Windows is still with Intel HAXM..
Can I run emulator without HAXM?
You can use an emulator with the ARM image instead of HAXM provided that you installed it in the SDK manager. Check your SDK manager to see if you have an ARM image instead for the API level you want, then go to the AVD manager and make a virtual device using ARM as the cpu.
Why my AVD is not working?
If the Android Emulator does not start properly, this problem is often caused by problems with HAXM. HAXM issues are often the result of conflicts with other virtualization technologies, incorrect settings, or an out-of-date HAXM driver. Try reinstalling the HAXM driver, using the steps detailed in Installing HAXM.
Is AMD good for programming?
It doesn’t really matter. Programming is fundamentally a text editor unless you are programming for something specific (mathematical models, simulations, etc.). I’d probably go AMD though. In the future you may want to setup a development environment via virtual machines, and the extra cores will help with that.
How do I know if HAXM is working?
Open a cmd prompt and run “sc query intelhaxm” for current status of HAXM. The STATE should say “RUNNING”. For an additional sanity check, once you have your emulator started, go to the Windows Task Manager, and look for a process name emulator-x86.exe .
Is HAXM necessary for Android studio?
3 Answers. The default software emulator runs with or without HAXM. Intel HAXM just adds hardware capabilities to speed up the emulation. You can download and use ARM images if you want to run emulator without HAXM.
How do you check Intel HAXM is properly installed and usable?
Verifying HAXM supportOpen a command prompt window and enter the following command: cmd Copy. sc query intelhaxm.Examine the output to see if the HAXM process is running. if it is, you should see output listing the intelhaxm state as RUNNING . For example: If STATE is not set to RUNNING , then HAXM is not installed.
How do I manually install HAXM?
To install the Intel HAXM kernel extension, follow these steps:Open the SDK Manager.Click the SDK Update Sites tab and then select Intel HAXM.Click OK.After the download finishes, run the installer. … Follow the on-screen instructions to complete the installation.More items…•
How do I enable virtualization in BIOS?
Enabling Virtualization in your PC BIOSReboot your computer.Right when the computer is coming up from the black screen, press Delete, Esc, F1, F2, or F4. … In the BIOS settings, find the configuration items related to the CPU. … Enable virtualization; the setting may be called VT-x, AMD-V, SVM, or Vanderpool. … Save your changes and reboot.More items…
Does Ryzen support Hyper V?
Yes, it will support AMD Ryzen technology under the guise of SVM (AMD-v), but you need to do the following. First, remove the Hyper-V feature from the Features to be installed from your Windows.
Does my AMD processor support virtualization?
If AMD is the manufacturer of your computer’s cpu you need to download and run the AMD Virtualization Technology and Microsoft Hyper-V System Compatibility Check Utility instead which you can download from the manufacturer’s website.
How can I make my Android emulator run faster?
6 Ways to Supercharge the Android EmulatorMake use of Android Studio’s ‘Instant Run’ The Android team have recently made some huge improvements to Android Studio, including the addition of Instant Run. … Install HAXM and Switch to x86. … Virtual machine acceleration. … Disable the emulator’s boot animation. … Try an Alternative.
Can I run Android studio on AMD processor?
Android Emulator in Android Studio 3.2 now supports AMD processors on Windows 10. Update 7/9/18: Google has announced that the latest Android Emulator release now supports Windows 10 PCs with AMD processors and Microsoft Hyper-V.
What is Android emulator hypervisor driver for AMD processors?
Android Emulator Hypervisor Driver for AMD Processors is a hypervisor to accelerate Android Emulator. It is made by porting KVM to Windows (Windows 7 or later, 64bit). Android Emulator Hypervisor Driver for AMD Processors runs as a Windows driver.
Why HAXM is not installed?
Open SDK Manager and download Intel x86 Emulator Accelerator (HAXM installer) if you haven’t. … In case you get an error like “Intel virtualization technology (vt,vt-x) is not enabled”, go to your BIOS settings and enable hardware virtualization. Restart Android Studio and then try to start the AVD again.


Metal Gear Solid 5: Ground Zeroes will be released in spring 2014, Konami has announced.
Coming to the PS4, Xbox One, PS3 and Xbox 360, Ground Zeroes will serve as a prologue to The Phantom Pain - in which you're asked to infiltrate a Cuban prison camp - and introduce new gameplay ideas that will be fully realised in the sequel.
Series head Hideo Kojima said: "The advanced capabilities of the FOX Engine have allowed me to tell the new story in a new way. There will be a significant difference in what The Phantom Pain brings to the series, so we want to ease players into the new open world environment and its potential. As such, Ground Zeroes has been designed to introduce key elements, allowing them to fully benefit from all that the new game will offer."
Just to add some controversy to the mix, while the boxed editions of MGS5: Ground Zeroes will retail at £29.99, and the digital current-gen versions at £19.99, digital editions on the Xbox One and PS4 will cost £29.99.
Konami did not confirm boxed iterations would be available for the next-generation of consoles.
Source: Konami press release


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Are you going to manage your own team in UGC?
Note: New teams are created before each season begins,
we will close for new team signups after a week or two or regular season matches.
However, Players can join existing teams during the league's Regular Season. Team Rosters will be open for new players until the week
prior to the season's Playoffs.
Players: You dont need to create a team to play in our league. You can join existing teams, see our recruiting forums.
Team Owners: Your current team will be invited to new seasons, you do not need to create a new team for each season.
Please login to ugcleague.com using the Battle Net authentication system. Battle Net will simply identfy you with your Battle Tag and ID and provide that to the UGC League. Your Battle Net login info will not be shared with ugcleague.com
Authentication of Overwatch players at UGC League is provided by
Good Luck and Have Fun competing in the UGC League!

domain: game


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Discover 5 compelling causes to contemplate investing in Dogecoin because it positive aspects momentum
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domain: economics


Speed limits on London's main roads to be cut to 20mph to save lives
The Mayor of London, Sadiq Khan, has approved the reduction in speed limits on all Transport for London roads within the Congestion Charge Zone after the proposals were backed in a public consultation.
The lower speed limit will be implemeted by early 2020 and will be supported by new 20mph signage and road markings. Raised pedestrian crossings will also be put in place in seven locations where a high number of people walk, including outside the Tate Britain and near Embankment. TfL will recalibrate all speed cameras in central London and use mobile speed cameras to ensure that drivers are complying with the new lower speed limit.
A 20mph limit will also be introduced at the Aldgate gyratory, on the edge of the Congestion Charge zone, and in Tooley Street, beside London Bridge Station.
TfL says it aims to complete the work overnight to minimise the impact on road users and will close single lanes to avoid the need to fully close roads.
Figures from the last three years showed 131 people were killed in speed-related collisions on London's streets. A further 2,256 people were reported as seriously injured in accidents where speed was recorded as a contributory factor. It is hoped cutting speeds from 30mph to 20mph will significantly reduce the likelihood and severity of any further collisions and prevent more fatalities. People walking are particularly vulnerable to speeding vehicles and 52 pedestrians have already died this year, compared to 56 in the whole of 2018.
Mayor Sadiq Khan, said: "Every single death on London's streets is one too many so I'm really pleased that Londoners have backed our plans to introduce a 20mph speed limit on TfL roads within the Congestion Charge Zone and at Aldgate Gyratory. By also bringing forward plans to lower speed limits in other parts London, we will help protect more people walking and cycling across our city."


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2 to go!
beautiful! I do love how you do this in B&W!
I've always loved your black and whites too Bron. Your Meg has gorgeous hair! xx
Gorgeous portraits! Love the toothy gap. Merry Christmas Bron.x Katrinawww.capturingmomentss.blogspot.com
Lovely b&w shots. Love the profile of your daughter. And the snaggle tooth is pretty awesome too!
Thanks for stopping by and saying Hi....I love having your support. I will do my best to pop back to you and say hi. xx


Vintage silk quilted vest :).
Material: 100% silk
Condition: 5/10 (two holes inside and one in the armpit. see the last pic)
Measurements (taken laying flat):
Bust 104 cm | Shoulders 36 cm | Length 51 cm
Fit: Best fits sizes M-L. The model is size EU40.


Support Team USA in the Giant Robot Duel!
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We are MegaBots, Inc., a company dedicated to bringing the giant fighting robots of science fiction to life. We challenged Japan to a Giant Robot Duel, built a 12-ton, 16 foot tall, 430 horsepower combat mech called Eagle Prime, held the Giant Robot Duel in 2017, and are now on a mission to kick off a Giant Fighting Robot sports league!
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Xiangqian (Jane) Jiang FREng is the Professor of Precision Metrology, Head of the Surface Metrology Group and the Chief Scientist in the Centre of Precision Technologies. Since 2011, she holds the Directorship of UK EPSRC National Centre for Innovative Manufacturing in Advanced Metrology.
Jane’s research includes: development of mathematical models and algorithms for geometrical products specification and metrology, including geometric shape, tolerancing, and surface texture analysis, filtration and parametric characterization; and development of new optical interferometry techniques for future embedded measurement sensor and instrumentation. She devotes her research on underpinning manufacturing science, especially in the creation of infrastructure in geometrical products design, processing control, verification in manufacturing.
Jane has published more than 330 papers; most critical papers were published in Philosophy Transaction of the Royal society A, Proceeding of the Royal Society A, Applied Optics, Optical Letters, Optical Express, Review Scientific Instruments, Measurement Science and Technology, CIRP Manufacturing Technology, Precision Engineering, Wear, Proceedings of the institute of mechanical engineers and Tribology Letters & Transactions etc. She has author/co-authored/edited 6 books, 3 journal special issues and 7 conference proceedings on measurement science and manufacturing research. She has been awarded over £13.9 million funds to support her research as a principal investigator. These sponsorships were awarded from research councils (UK, EU, industry and overseas), including an ERC advanced Investigators Grant in 2008. Many plenary lectures, keynotes, invited talks and best papers, student PhD Prize Awards have derived from Jane led research programmes.
Jane is a Fellow of the Royal Academy of Engineering (FREng 2012), a Fellow of the Institute of Engineering Technology (FIET 2007), a Fellow of the International Academy for Production Engineering (FCIRP 2012), a Fellow of the Royal Society of Arts, Manufacture and Commerce (FRSA 2006), and a Liveryman with the worshipful company of scientific instrument makers (2013) resulting in the Freedom of the City of London (2013). She has been honoured many times, e.g. Directorships for national laboratories, President of Professional Societies. Currently, she is appointed as a member of the Panel 6: Manufacturing and Design of the Royal Academy of Engineering and a member of Newton Fund Steering Group of the Royal Academy of Engineering, and also a Panel member of the French Academy of Technology (equivalent to the Royal Academy of Engineering) for assessment of France’s LNE (equivalent to NPL) for Technology Transfer (2013-2015), she was nominated for this assessment by the Trustees of Euro-CASE. Jane is a member of a high level international scientific group for China State Council to help with advice on China scientific strategies for the next three years.
In 1999, Jane was awarded a Cheung Kong (Yangzi) Distinguish Professor, by the Ministry of Education, China and she was awarded the Outstanding Young Scientist by the National Natural Science Foundation Council, China in 2000. Prof Jiang was awarded a Royal Society Wolfson Merit Award in March 2006 becoming the first Royal Society Senior Research Fellow from a 92’ new University (more than 50 UK universities) in any subject area. In May 2006, she was awarded Outstanding Woman of Achievement Award – The Lloyds TSB AWA. In December 2006, Prof Jiang was presented to The Queen as one of the “People who have made a significant contribution to national life in 2006”, at Buckingham Palace. She was also awarded the title: fifth most influential women of Chinese origin in the world 2006, by the Woman of China, and in 2010 she was awarded the title: One of the Top Talent Specialist (a Distinguish Professor) by the China state council. October 2014, she was awarded the Sir Harold Hartley Medal by the Institute of Measurement and Control. Jane’s team recently also won the IET 2014 Innovation Award in the manufacturing technology category.


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Jigsaw puzzles—that’s how Laurie Metcalf occupies her offstage time, she told me recently after a rehearsal for the Broadway premiere of Hillary and Clinton, in which she’ll play a version of the former First Lady and presidential candidate. It’s a tempting metaphor for the way she pieces together her performances from discrete clues and suggestions and choices, or for the way she’s assembled a uniquely distinguished career of stage and screen roles over four decades.
It also feels wrong, on more than one level. Though a typical Metcalf performance comprises thousands of tiny details and decisions—an odd inflection that brings out both a line’s meaning and its opposite, a birdlike twist of the neck at unexpected news, a gait that somehow conveys the pace of her thoughts—there is nothing piecemeal about the effect. She may work like a pointillist, laying down her dots with meticulous care, but the canvases she produces give us portraits of whole people, even when those people are shattered. Indeed if I had to come up with one word to describe her work, it would be soulful (yes, even in the comedies; especially in the comedies).
It’s also a mistake to see her far-flung stage résumé—roles in London, New York, L.A., Chicago (see timeline below)—as scattered or disparate. One of the founding members of the Steppenwolf Theatre Company, Metcalf found in that basement-ensemble-turned-regional-powerhouse both a home base and that most precious of theatrical commodities, a true company ethic. She’d play a meaty lead in one show, do a scene-stealing walk-on in another, contribute sound design to a third. And though she’s no longer based in the Windy City and has appeared at Steppenwolf only twice in the last decade, the ensemble ethos is in her bones, and theatres are her homing beacon in whatever city she’s in; she can’t stay away for long from the collaborative frisson of a rehearsal room, whether it’s at the National Theatre in London or in a North Hollywood storefront. “I’m such a theatre addict,” she told me, without qualification or apology. Said her ex-husband, Steppenwolf co-founder Jeff Perry, “Laurie would perform with a hat on the sidewalk for spare dimes, all the way to large checks with several zeroes—I don’t know if it matters to her at all.”
But there’s a more mundane reason jigsaw puzzles can’t describe what she’s up to: She currently has no backstage time to do them, as she’s in every scene of Hillary and Clinton. The same was true of her two latest Broadway roles, in last year’s revival of Albee’s Three Tall Women and in the previous year’s premiere of A Doll’s House, Part 2. In short, theatregoers are, lucky for us, getting a lot of Laurie Metcalf these days. She’s getting a lot in the bargain too—not just Tony Awards for the last two years running (with little question she’ll be a top contender this year too), but the satisfaction of doing her life’s work at the very top of her game.
“It gives me energy,” she said after an early rehearsal for Hillary and Clinton (now in previews, opening April 18 and running through July 21), her sympathetic brown eyes alight and her taut frame coiled in a plastic chair. She could have been talking about the rehearsal process, in which she throws as many ideas against the wall as she can before sculpting their shards into a final, repeatable performance; or about the adrenaline of performing in front of an audience, which can render her, by her own admission, “too wired onstage, a little too tense. Sometimes I catch myself not breathing.” But in fact she was commenting in passing on an idea that once flickered through her mind: to do Voice Lessons, a zany one-act farce by L.A. scribe Justin Tanner she’s performed in tiny theatres a number of times since 2009, as a midnight show after Long Day’s Journey Into Night, which she assayed in London to resounding acclaim in 2012. No intrepid producer ever took her up on this ploy, but the notion itself captures a few essential Metcalfian details: the whiplash-inducing range of her tastes and abilities, for one, but also her seemingly superhuman stamina.
How would you even do that? I wondered incredulously. Her simple reply summed up the non-zero-sum exchange with both collaborators and audiences that has sustained her spiritually if not always materially since the late ’70s: “It gives me energy.”
Let’s be clear: Though she’s seemingly been discovered anew, thanks in part to her recent Broadway winning streak, her searing, Oscar-nominated turn in the 2017 film Lady Bird, and the TV trauma-com now known as “The Conners,” Laurie Metcalf has, by all accounts, been at the top of her game since she hit the field. Perry remembers seeing her in two productions at Illinois State University when they were both teenagers: Joe Orton’s What the Butler Saw and Lanford Wilson’s Home Free. In retrospect, he said, that double header was “a microcosm of what I would later marvel at: a range of remarkable comedic craft and stunning, authentic, unsentimentalized emotional embodiment.” Behind the scenes in the succeeding decades he bore witness to her “combination of natural ability and fierce, gym-rat persistence.”
Instincts and work ethic: These would seem to be the twin power sources of the Tesla coil that is Laurie Metcalf, from her early days balancing secretarial day jobs with wild nights in Steppenwolf’s Highland Park church basement. Indeed it’s hard to avoid talking about Metcalf in terms of dualities: not just comedy vs. drama (“She always had an uncanny ability for finding the funny in the sad, or the sad in the funny,” as fellow Steppenwolfer Randall Arney put it) or small vs. large (“I was warned when I was gonna step into sitcom land that you’re acting in front of a camera now, it’s not a 200-seat house or a 1,000-seat house, and so you’ve really gotta pull back,” Metcalf told me, “but I found that not to be true, really, if it’s based in reality”). One of her most striking and oft-noted polarities can only be thought of as a kind of double consciousness.
“She can be in absolute emotional chaos, as far as we can tell, but while working with her you realize she’s also capable of the weird double awareness that the person in the third row of the balcony coughed too much or got up to leave,” marveled Perry. Joe Mantello, who directed her in Three Tall Women and is doing the same in Hillary and Clinton, recalled a moment when, while rehearsing Sharr White’s play The Other Place, Metcalf was “in the middle of a devastating scene, and did this bit of business that was so funny, she looked out at me and busted a gut—then went right back into it.”
Tales of this uncanny ability being deployed in the commission of merciless onstage pranks are legion. Said Anna D. Shapiro, Steppenwolf’s current artistic director, who first directed Metcalf in Bruce Norris’s Purple Heart in 2002: “She’s well known for being able to be in the throes of anguish in a role, then flash someone offstage.” For her longtime Steppenwolf compatriot Rondi Reed, Metcalf’s practical jokes were an education in themselves. “People have said to me, ‘You don’t ever seem to crack onstage,’ and I say, ‘That’s because I had to deal with Laurie Metcalf all my life. If you’ve been subjected to that, you have no worries.’”
But this isn’t just the idle foolery of a pro showing off; it speaks to a larger capacity. Lucas Hnath, who wrote A Doll’s House, Part 2 and Hillary and Clinton, thinks that Metcalf’s astounding ability to “occupy two contradictory mental-scapes at the same time” makes her an ideal interpreter of his work. “Her brain is like a supercomputer—like having extra processing power in the room,” said Hnath. “She’s a highly technical actor without sacrificing emotional integrity, which is the perfect actor for me. I like to work technically, but there’s that risk of it being cold and steely, and you don’t have that with Laurie.”
For her part, Metcalf thinks of these as complementary muscle groups. “I hope that after all these years that both sides are equally strong, both the technique and the instinct,” she said. “So if they’re both working together, that’s what allows me to do that—to have one foot still in the emotional, but technically be able to remove myself.”
The careful assembly work begins as soon as she gets a script and looks for “a kernel in there where it lands with me emotionally, and I think, ‘I know exactly how to do this.’” She then starts “daydreaming how I might play it; I visualize it in a blurry way,” including rough stage pictures which—interestingly, for an actor who is avowedly camera-phobic—include herself. “I think I have a third eye that is watching,” Metcalf said, though she was quick to add, “It’s certainly not a director’s eye.”
Directorial or not, this extrasensory perception is more than just a freak talent. Mantello said that Metcalf, who is “always aware of the big picture,” puts that awareness in the service of storytelling; if she has a third eye, it’s looking on from the theatre seats. “It feels like, being in the room with her, that her goal is to make the kinds of choices that will give the audience the ride of their lives,” said Mantello. “She’s willing to do anything to make that happen.”
Anything indeed: Colleagues gleefully related instances of her pronounced lack of vanity, bordering on self-abasement. Mantello laughed about the hideous wig she insisted on wearing in David Mamet’s 2008 Broadway comedy November. Shapiro said that Metcalf taught her “how critical humiliation is to humor.” Hnath mentioned her eagerness to vomit onstage, including in one scene in A Doll’s House, Part 2 in which that impulse, though unrealized, helped underline a problem area of the play that called for a dramatic solution. “She was dramaturging,” said Hnath admiringly. In a 2006 production of All My Sons at Geffen Playhouse in L.A., she won permission to puke from director Randall Arney. For the climactic moment when Kate Keller reads her son’s suicide note, Arney said, “Laurie came to me with a twinkle in her eye and said, ‘Do you mind if I throw up a little in the hedge?’ She’s so good at finding an odd, funny way to expose a deep, deep hurt.”
“I try early on to look for unpredictable ways of attacking a line or a physicality that seem to work against maybe what your initial thought of the moment might be,” said Metcalf, who at one point in our interview got up to demonstrate a crotch grab she added to undercut one of Mary Tyrone’s tenderer monologues in Long Day’s Journey. “I just try to think outside the box from the very beginning.”
You might think that a taste for the extreme choice—“Go big or go home, that might sum up my approach,” she said—would make Metcalf a scenery chewer. No question she can command the stage, from her legendary 19-minute monologue as Darlene in Steppenwolf’s Balm in Gilead to Nora’s perorations in A Doll’s House, Part 2 to the devastating theatre-scene-on-TV she did with Louis C.K. on “Horace and Pete.” And anyone who saw it still talks about a moment in a 2010 New Group production of A Lie of the Mind in which her character crawled across the stage with a pair of socks in her mouth, like a dog delivering a newspaper.
But in part due to her long years of working in an ensemble, there’s nothing self-aggrandizing about even her wildest gestures. “Size without bravura” is how her Steppenwolf colleague Austin Pendleton characterized it. “It’s size without an announcement of size.” Arney described it in terms of her against-the-grain acting strategy, the way she marshals emotional resources so that she’s “so full of whatever that character is, up to her ears, that it’s a process of pulling back to keep the lid from coming off. We end up watching these powerful moments in spite of the character. She’s pulling against an emotion the character doesn’t want to reveal—which makes sense, because we usually don’t want to reveal ourselves.”
In short there’s a method to the madness. All those counterintuitive instincts—what L.A. playwright Justin Tanner calls Metcalf’s “perverse imagination as an actor”—are not mere quirks for quirk’s sake, but key signposts on her itinerary. “Sometimes it’s working backwards,” she explained. “If I know I’m in this emotional state for one part of the play, I think backwards to, where’s the furthest I can start away from it so I have the longest to travel?”
Maybe that’s why her characters’ journeys are so legible. Said Hnath, “She’s not content to be a passive recipient. There’s some part of her that restlessly tries to find the action that will help us see something.” Mantello echoed that, saying, “She makes thought athletic. When you’re watching her just sitting there, she’s never in repose, because she’s activating thinking. You watch her think.”
“I’d rather be busy than not. I’m happiest when I’m busy,” says the character Hillary in Hnath’s new play, set at a pivotal moment during the 2008 Democratic primary when her rival, Barack, has scored an upset in the Iowa caucus. Hnath insists that the play is set in an “alternate universe,” and that its Bill (played by John Lithgow) and Barack (Peter Francis James) are no more supposed to be the “real” articles than is Metcalf’s Hillary.
“If I was asked to do an impression, I wouldn’t be cast in the play, because I can’t do it,” said Metcalf, not entirely convincingly. “I want to be as different as I can be, physically and vocally.” So she’s avoided studying videos of the real Hillary, she said. Of course, no sentient adult who lived through the last few decades needs to do research to access either of the Clintons’ faces and voices, and the play is banking on—and playing with—a similar availability in audiences.
“Sometimes it’ll be like, ‘Okay, I know who they’re supposed to be, and I’ve always wondered what they were like in a room together’—but it’s not them,” said Metcalf. “It’s a weird optical illusion where the focus is gonna go in and out.”
Surely Laura Elizabeth Metcalf of Carbondale, Ill., feels some affinity for Hillary Diane Rodham of suburban Chicago? If not in her origins then in her destiny, as a fellow woman in a male-dominated field, frequently underrated, taken for granted, forced to perform in the shadow of men? Metcalf seems equivocal when asked, and not simply because Hnath’s Hillary isn’t supposed to be the “real” one. But Hnath could have written the line about being happiest when she’s busy to describe Metcalf, who admitted she doesn’t savor downtime between gigs, and whose supposed leisure activities are more intense than most paying jobs: Where some may take up knitting, for instance, Metcalf went so far as to shear and card her own wool from pygmy goats she personally birthed and raised on a farm in Idaho. (Her model-farm-wife phase ended when Metcalf said she realized, “This is fucked—this is way too much effort.”)
While not conceding much about her own links to the real-life Hillary, Metcalf did admit that, like many, she felt “completely” torn apart by the 2016 election. And though the play’s setting in 2008 means it isn’t poised to relitigate either the contentious Bernie-vs.-Hillary primary or the intensely polarized general-election campaign against Trump, it has no shortage of moments of reckoning between Bill and Hillary, between Hillary and Barack, and between Hillary and her unseen public and posterity. This Hillary, presumably like the real one, chafes at her thankless position in an impossible limbo somewhere between the spotlight and the shadow of her problematic husband, where she’s asked to somehow mean all things to all people yet feels as constrained by sexist expectations as by her own shortcomings, if these can even be disentangled.
Yes, it’s an “alternate universe,” but also, yes, Metcalf said she relishes the chance to “give the audience a way to feel a kind of catharsis in being able to hear Hillary say some of the stuff she says in this play. I’m sensing that that’s what the audience might need. I think it’s gonna be helpful for them. Emotionally.”
Which raises the question: What does Metcalf need, emotionally? What drives her? How does one of our greatest stage actors do it? The source of an actor’s work is inevitably themselves and their own life experiences, but there’s a delicate, not to mention properly private, alchemy between the role and the person, which Metcalf and her colleagues—and I—do well to respect. Peek too far behind the curtain and the magic may be spoiled. The rough personal sketch: Metcalf has been married and divorced twice, has lived in a number of places, though mostly in L.A. (despite not caring much for it), and has raised four kids, among them Zoe Perry, also an actor, who currently stars on “Young Sheldon” as a younger version of the tightly wound mom character Metcalf created on “The Big Bang Theory.” Perry, who acted with her mom in the Broadway run of The Other Place, was telling me about her mother’s approach to an individual role, but she could have been describing the odd directionality, amid ups and downs, of Metcalf’s craft and career when she said, “She’s always driving toward something. It’s a labor of love, but it’s a labor; she leaves no stone unturned.”
Steppenwolf’s Shapiro offered an analogy to illustrate the sharp divide between Metcalf on- and offstage. Recalling a college boyfriend who was a swimmer, she said, “He was incredibly elegant in the pool, but when he would get out and walk on the earth, his body was cumbersome; he lumbered along. For Laurie, when she’s able to put on a mask, that’s like being a swimmer; she is more comfortable when she is transformed. That is how Laurie communes with the world. She does it as an actor and as a mom, and that’s it. When you recognize that’s the way a person gets oxygen, you do everything you can as a colleague to get them to the air. I don’t think she could live without it. I think we’re all kind of lucky that she’s like that. I don’t know how lucky she is.”
As the sole founding member from one of America’s great theatre companies who is still crushing it in leading stage roles, luck may have nothing do with it. As Pendleton said, “The astonishing thing is that she’s as great as she always was. She had nowhere to go but down, but she hasn’t. There are different textures in the work now, but the quality is as electric as it was in 1979. It’s hard to be that good for that long.”
The key to such mastery may be a kind of letting go. I asked Metcalf about Darlene, the naïve prostitute from Lanford Wilson’s Balm in Gilead, whom the playwright described bluntly in a stage direction as “stupid.” If she’s able to let part of her mind step outside a play, I wondered, is she also willing to step outside a character and pass judgment on her?
“I don’t worry about laying into the negative aspects of a character,” she said by way of explanation, in the process offering a kind of manifesto for her work, from her intellectually disabled Laura in Steppenwolf’s seminal The Glass Menagerie all the way up to her still-gestating Hillary. “I actually find it kind of endearing that a character can be selfish, mean-spirited, ugly. I embrace the ugly, because generally I have provided the character also with a moment of the opposite. With Darlene, it was fun to lay into the stupid, because when she has moments of clarity that she doesn’t even know are coming across, it’s so heartbreaking to an audience. You know? I guess it’s not a judgment. It’s like a trust that the audience will see deeper. It might take a while. But when they do, then you’ve let your character earn their sympathy.”
An earlier draft of this story erroneously wrote that Peter Jay Fernandez was playing Barack in Hillary and Clinton.
STEPPENWOLF ― The Lover
STEPPENWOLF ― Our Late Night
Rosencrantz & Guildenstern Are Dead
Mack, Anything Goes Over the Rainbow
The Sea Horse
STEPPENWOLF ― Home Free
Fifth of July
STEPPENWOLF ― Exit the King
Waiting for Lefty
The Glass Menagerie
STEPPENWOLF ― Balm in Gilead
Quiet Jeannie Green
WISDOM BRIDGE ― Getting Out
STEPPENWOLF ― Arms and the Man
Balm in Gilead
Big Mother (as director)
Waiting for the Parade
STEPPENWOLF ― And a Nightingale Sang
COLUMBIA COLLEGE ― The Member of the Wedding
STEPPENWOLF ― Cloud Nine
Miss Firecracker Contest
NORTHLIGHT ― Who’s Afraid of Virginia Woolf?
STEPPENWOLF ― Orphans (sound design)
COLUMBIA COLLEGE ― The Man Who Came to Dinner
OFF-BROADWAY ― Balm in Gilead
STEPPENWOLF ― Coyote Ugly
KENNEDY CENTER (D.C.) ― Coyote Ugly
STEPPENWOLF ― You Can’t Take It With You
OFF-BROADWAY ― Bodies, Rest, Motion
WILLIAMSTOWN THEATRE FESTIVAL― School for Scandal
STEPPENWOLF ― Little Egypt
OFF-BROADWAY ― Educating Rita
STEPPENWOLF ― Killers
STEPPENWOLF ― Wrong Turn at Lungfish
STEPPENWOLF ― My Thing of Love
STEPPENWOLF ― Libra
BROADWAY ― My Thing of Love
CAST THEATRE (L.A.) ― Pot Mom
STEPPENWOLF ― Pot Mom
CAST ― Party Mix
STEPPENWOLF ― The Beauty Queen of Leenane
CAST ― Still Life With Vacuum Salesman
GEFFEN PLAYHOUSE (L.A.) ― Looking for Normal
NATIONAL (LONDON) ― All My Sons
STEPPENWOLF ― Purple Heart
STEPPENWOLF ― Frankie and Johnny in the Clair de Lune
GEFFEN ― All My Sons
THIRD STAGE (L.A.) ― Pot Mom
GEFFEN ― The Quality of Life
BROADWAY ― November
AMERICAN CONSERVATORY THEATER (S.F.) ― The Quality of Life
ZEPHYR (L.A.) ― Voice Lessons
BROADWAY ― Brighton Beach Memoirs
NEW GROUP (N.Y.) ― A Lie of the Mind
STEPPENWOLF ― Detroit
THEATRE ROW (N.Y.) ― Voice Lessons
MCC (N.Y.) ― The Other Place
SACRED FOOLS (L.A.) ― Voice Lessons
WHITEFIRE (L.A.) ― Voice Lessons
WEST END ― Long Day’s Journey Into Night
BROADWAY ― The Other Place
LINCOLN CENTER THEATER ― Domesticated
CIRCLE X (L.A.) ― Trevor
BROADWAY ― Misery
STEPPENWOLF ― Voice Lessons
BROADWAY ― A Doll’s House, Part 2
BROADWAY ― Three Tall Women
BROADWAY ― Hillary and Clinton
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LEE McCULLOCH reckons out-going gaffer Walter Smith deserves recognition for what he has done for Rangers with a statue outside Ibrox.
Smith will end his second stint as boss of the Light Blues after this Sunday's visit to Kilmarnock - a match that could culminate in Rangers winning the SPL title.
Ibrox has already had the main stand named after legendary manager Bill Struth, but McCulloch insists Smith should be recognised for all his achievements during two trophy-laden spells in charge.
He said: "Davie Weir and myself agree he surely must have a statue outside Ibrox at some stage.
"If there was an exception to be made for the club's Hall of Fame to include non-players, then Walter Smith's name should go on that board above the marble staircase.
"His track record is second-to-none, but more importantly, he is a born leader and a born winner.
"I think he's the best ever. There's no question he's the best boss of my generation.
"He will be sorely missed around Murray Park by everyone, not least the players.
"He isn't a glory hunter. When he sends a team out he always says it's about that team and not him if it wins."


STEP 1: LIMIT results to these categories:
STEP 2: Return ONLY resources from:
Select multiple by holding down [control] or [command]
posted Jan 10, 2019
Oregon State Parks
The plan addresses five important demographic and societal changes facing outdoor recreation providers in the coming years including:
1. An aging population;
2. An increasingly diverse population;
3. Lack of youth engagement in outdoor recreation;
4. An underserved low-income population; and
5. The health benefits of physical activity.
posted Nov 20, 2018
Take an in depth look at Trail Towns through programs in Kentucky and Michigan. Learn how community partners work to implement economic development, recreation and quality of life planning through Trail Towns.
posted Sep 12, 2018
Efforts to link “trail-to-town” have played a part in remaking communities. This webinar will include a case study of the first known “trail town” initiative - the Trail Town Program® along the Great Allegheny Passage.
posted Jun 29, 2018
City of Piqua
The aim of this project is to redesign downtown public spaces to celebrate and enhance the spatial relationships between destinations; to create public spaces that offer an inviting public realm that contributes positively to the surrounding built environment and promotes high quality of place and quality of life experiences.
posted Jan 19, 2018
This planning effort directs the development of goals and action plans to meet the future needs in advance of their demand.
posted Dec 6, 2017
This webinar will introduce attendees to free resources designed to help them communicate the legal issues surrounding trails, as well as the best research on the potential benefits from different types of trails.
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Recycled Elm BenchBohemio Furniture
The Recycled Elm Bench is made from beautiful recycled hardwood Elm timber with a classic yet contemporary design.
Comfortably seats 2 to 3 people and is perfect for apartment living.
Available in two sizes.
- Made from solid hardwood recycled Elm with a lacquered finish.
- The 113 cm long bench goes well with our matching recycled 150cm long Elm dining table.
- The 144 cm long bench goes well with our matching recycled 180cm long Elm dining table.
Total: 113cm (L) x 35cm (W) x 46cm (H)
Total: 144cm (L) x 35cm (W) x 46cm (H)
- Recycled Elm Timber

domain: design