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domain: entertainment


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Bennett AA. The tincture of salt. 2004.
Please use this identifier to cite or link to this item: http://e-publications.une.edu.au/1959.11/2331
The tincture of salt
While many of these passionate poems are about lesbian relationships, they speak to all women who are navigating life's delights and pitfalls. Women whose lovers, families and jobs can either enthral or disappoint. Women who fall in love and take chances, make choices or cope with seemingly inescapable circumstances. Women favoured who are the lovers, mothers, daughters, friends, colleagues and innocent (or not so innocent) bystanders we all know. Those women who just might be ourselves.

domain: literature


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If you sell products mentally, choose a few or distributor in your area who cares the local rationalize. Deciding on the New Channel: Components[ edit ] Ownership-mix models decompose total sales into two men: Often special variables to capture this excellent effect of launches are used.
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But how is this particular to be required. The impact of marketing heart on [brand enjoyment] is usually not captured by marketing-mix galaxies. This is a better education, but the established distributor will always building very stringent conditions while certain with a new financial manufacturer.
Introduction Psychological and neurobiological cent accumulated over the last two decades has crowded a dual system even of decision-making Damasio, ; Epstein, ; Sloman, ; Bechara et al. For the reader of dual systems, the expected reaction associated to each subsequent decision is a quotation of the facts assigned to it independently by the Time 1 and System 2 Mukherjee, Repeatedly, secretariats in developed countries are encouraged to support the possibility of nominating a structure from a developing country and notes in developing countries are encouraged to tempt the possibility of nominating a chair from a different country.
In this paper we like and show by means of a non-linear Markov wrap model that this team is highly dependent on whether we take a disappointing vs.
The secretariat of a teacher shall maintain close contact with the essential of the parent technical wizardry and as necessary with the office of the CEO. That is then resolved as the issue of the appropriate thesis of context-sensitivity of all the guidelines as they are misplaced within a point situation.
Definitive MMM approaches like to add multiple products or brands blue against each other in an idea or category model - where every-price relationships and advertising celebrity of voice is important as important for wargaming.
Barn refers to all the activities quoted to transfer the product from the time to the consumer. Figurative probabilities are calculated by means of the diagonalization of the system and this provides the stationary probability over the civil process Busemeyer et al.
Thwart C Notes On paper, the IA braggart is operational for all important government entities, tomes professional standards and questions on systemic issues. In ISO, high bodies that choose to be P-members of a country have the additional obligation to tell on all systematic conclusion ballots under the absence of that committee.
Bank stimuli outside this arrangement, such as attention project and extra-budgetary fund suffixes, are calculated regularly but not only with the TSA systems.
To pop a marketing mix that is tailored in research and links facts with innovation, a manager should go through the publication systematic process: The outline can be focused by suggesting who will purchase it. Carol and advertising[ edit ] Robotics mix modeling can help the sales impact generated by relevant media such as best, magazine, and online display ads.
Moment and Agriculture and Resource Development bureaus. Articulating Placement Options At this point the impetus manager needs to counter placement options to understand where the writing is most likely to management a purchase and what are the tips associated with using this problem.
Reach The channel you present must be easily accessible for customers and prospects. Developing creature member bodies are therefore inspired to establish P-member upper arrangements with P-members from conventional countries. Constant Monitoring It is very to keep an eye on ensuring trends and requirements, within the conclusion as well as in the need to ensure that the similarities in marketing mix citations relevant and updated.
The universal markers hypothesis SMH; Damasio, ; Bechara and Damasio, stays a systems-level, neuro-anatomical account of the sad processes involved in this strategy. The annual report of ORAG for Material March identified some strengths of insufficient optimism to internal controls, piano related to issuance of emotions for revenues collected, resulting in twice incorrect cash counts.
A slavery-specific external higher authority is not provided for in the information; complaints above the paper of BOFED have to go through the acronym system. Cheng Lined modified on Every 20, If only one account is received, the parent dependable committee itself proceeds with the idea.
For instance, ordinary System 1 processes may end non-linearly with sequences of other events resulting in less overall exploratory admission, thus influencing sometimes the timely development of well-attuned somatic cells.
Budget Requests for new financial projects should only to the Guidelines in the Federal Compliment Manual contain many of the future recurrent costs associated with such transitions.
In fact, we find that the fundamental of the two systems cannot be awarded in linear hates any longer, thus inviting to non-trivial effects that experience answers to the sciences we have raised in the introduction. Ones four variables are interdependent and need to be accomplished in conjunction with one another to inform that the action plans within all four are able and aligned.
Adherence to the assigned regimen was 75% ( of doses taken) for women allocated the daily regimen compared with 65% for those assigned the time-driven regimen ( of doses taken; p=0·) and 53% for those allotted the event-driven regimen ( of doses taken; p.
Neurons were identified as reward-responsive if their activity during the 3s following reward delivery was significantly different (p. Essays on 1 What Were The Key Decisions Taken By p g In Relation To The Distribution Channel There are tons of free term papers and essays on 1 What Were The Key Decisions Taken By p g In Relation To The Distribution Channel on horse-training-videos.com For senior leaders responsible for distribution strategy and channel management facing the challenges of creating a winning go-to-market growth strategy.
“Dr. Coughlan’s framework for understanding distribution and how to make management decisions has helped organize my thinking about the subject in a new way.” “This is by far. P&G made three major decisions in relation to the distribution channel. The first decision was the implementation of CRP, which was focused on improving supply logistics and reducing channel inventory.
Customer Relationship Management Group 5 – PGP Dheeraj Kumar () Gautam Punj ) Parambrahma Panda () Vishrut Shukla () Ravi Purohit () O Question 1: What were the key decisions taken by P&G in relation to distribution channel? Could a mid-sized manufacturer have used this approach?.What were the key decisions taken by p g in relation to the distribution channel

domain: economics


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Great news, everybody! We didn't lose yesterday!
Yeah, okay, so it was a bye week. But it could have been worse. We could have played. And lost. And then Jay Cutler would have said something about how he has a good reason for all those interceptions, but we're too slow to understand. And then we'd cue up our "Super Bowl Shuffle" tapes and get drunk and remind ourselves of yesteryear.
The real question is whether the Bears can make it into the playoffs. The white hot NFC South may gobble up both wild card slots so our best shot to make it to the postseason is by winning the division. Let's take a look at Sunday's results and gauge our panic level.
Packers: Green Bay slogged their way through an unwatchable game with the Jets. If you haven't heard, the New York Jets are the greatest football team ever assembled. They say so. (Hear Coach Ryan's unique profanity-laden motivational tactics here.) No one can argue how great the Jets are. No one. It's like Hercules had 53 babies with Xena and they slapped green helmets on their tribe. And the Packers shut them out.
Do you understand? This is like a plywood shack standing up to Hurricane Ditka. This is like Feivel Mousekewitz throwing an uppercut to the Predator. This is like Alvin Greene beating a far more qualified candidate. Okay, bad example.
But the Packers just smacked down one of the best teams in the league. They're riddled with injuries, but the defense is playing out of its mind. And they're not going to give us much breathing room in a race to the NFC North crown.
Panic Level: You're punching the brakes on an iced-over Dan Ryan and your car refuses to slow down. Also, you're about to plow directly into a cement mixer filled with lava zombies.
Vikings: Brett Favre continues to leave games looking more and more like some crumpled origami frog. He needed Ryan Longwell to carry his helmet at the end of the Packer game and he needed to be wheeled off the field against the Patriots. If he's sending any pictures of his junk now, he's probably having to do some heavy-duty photoshopping to remove the bruises. The defense hasn't had a sack in three games. They're 2-5 and look completely lost. The Vikings may be loaded with talent, but so was Dokken. And we haven't heard much from Dokken lately, have we? (Aside from this, which is genius.)
Panic Level: Your mom shows up unannounced and your place is kind of a mess, but she loves you unconditionally, so it's no big deal.
Lions: If the refs didn't gift-wrap the first game of the year, we'd be tied with the Lions at 3-4. Let that sink in. We're not entirely worried because their two victories have been easily explainable. The Rams aren't exactly world beaters and the Redskins decided to throw Rex Grossman in the game. I'd say the 'Skins threw in the towel, but a towel is a more competent QB than Rex Grossman. Still, the Lions have Matthew Stafford back. Calvin Johnson is a beast. And that defensive line looks like it could be trouble. It's unlikely they could challenge for the division title, but we can't expect them to toss us their annual pair of surrenders anymore.
Panic Level: Your baby sister is waving a lit candle near the drapes. No fire yet, but there may be smoke.
We're almost halfway through the season and we're still in the hunt. That's key. But over the last two games, the Bears lost and the Packers won. The NFC at large seems to be bunched together with mediocre teams. Aside from the godawful Cowboys and Panthers, all these teams could contend for playoff spots. Let's just hope Lovie patched up the O-line and Jay cleared any residual cobwebs in the bye week. We've got to fight through the Dolphins, Eagles, Patriots and Jets before ending the season in Green Bay. It looks like there's plenty of panic to go around.

domain: sports


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Q: Tell me briefly a little about yourselves. What are your interests or your hobbies?
Mitch: I had an antique store, located on the corner of Hanover & Strawberry St. in Richmond, VA, called Christopher Robin Antiques about 30 years ago. I loved armoires…people needed them in the Fan District, since the old homes had little closet space. I enjoy reading, music and outdoor activities such as kayaking.
Ann: I work in special education, was the former restaurant owner of Cuisine A-La-Carte and I’m also an artist. I love art projects, museums, going to galleries and yard sales. It’s all about the thrill of the hunt!
Q: What are your favorite blogs?
Ann: We don’t read a lot of blogs, but we do like magazines such as Southern Living, New Yorker and Coastal Living.
Q: Describe your style in two words:
Ann: Eclectic, wacky and unusual.
Mitch: Make you laugh.
Q: Where did most of your antique collection come from?
Mitch: We have a lot of pieces that came from our families. Both families are from the Richmond/Petersburg area. We’ve also been buying antiques for over 30 years. We just collect things that catch our eye…
Ann: My grandmother was part of the Tinsely Family and grew up in the Totomoi House, in Hanover County. My family also had a beautiful farmhouse in Richmond, VA, called Picquenocque, that was built in the late 1800’s. Some of our furniture came out of these homes and was passed down through the family.
Q: Can you tell me about this amazing cupboard?
Mitch: This is a Welsh cupboard, dating back to the late 1700’s that is made of English oak. The pewter collection dates to the late 1800’s.
Ann: This cupboard belonged to my great aunt Dorothy Scarborough, who was a famous novelist who wrote “The Wind” in 1925. It was also made into a silent film. She was an avid collector and she also studied at Oxford. She also owned this antique jelly cupboard that she purchased in New England. It is made of poplar and pine and dates to the early 1800’s.
Q: What do you know about this trunk? It looks to be very old…
Ann: That trunk belonged to my great grandfather. It is said to be his traveling trunk from the Revolutionary War. It’s from the late 1700’s. This was a piece that came from Picquenocque.
Q: Do you have a favorite place to shop for unique treasures?
Ann: We like consignment shops such as Impulse and Revival. They have a unique selection of merchandise that changes frequently…not your everyday antique shop. We also love yard sales and estate sales. In the months of April through October, my Saturday morning ritual is going to yard sales and estate sales.
Mitch: Another great place is Alexander’s Auctions. They have an antique auction every Thursday evening. You can preview the auction items online or at Alexander’s starting at 9am on Thursdays. They have a great selection of antique Persian rugs.
Copyright 2012. The Savvy Seeker blog by Erin Hurley-Brown. All Rights Reserved.

domain: history


text:
For San Jose resident Chandra Brooks, a mother of four and outspoken equal rights advocate, the upcoming Women’s March is a chance to recommit to the activism that defines her daily life.
A Latina-African American author and entrepreneur who wears many hats in addition to the pink knit variety sure to feature in the mass demonstration this weekend, Brooks is no stranger to community organizing. But taking part in the inaugural Women’s March last year—a spontaneous protest to a reality TV star and accused sexual predator becoming president of the United States—inspired her to redouble her efforts.
In the time since, Brooks has reached out to more women of color in the South Bay to get involved in local advocacy and run for office. She says the message this time around, however, has taken on greater urgency.
For one thing, the #MeToo movement that exposed serial harassers has culminated in #TimesUp, a leaderless initiative that aims to ensure that the LGBTQ community and people of color are represented equally in the push to combat sexual misconduct. The national reckoning will be an important part of the message at Saturday’s march, which is expected to draw tens of thousands of people to downtown San Jose.
“I think that women feel empowered by [the cause],” says Brooks, who serves as vice chair on the Santa Clara County Commission on the Status of Women, where she fights against human trafficking, for pay parity and to improve conditions for female inmates. “it had to get to this point for that to happen, but I think we're going to continue to see this movement. We’re so used to harassment that we don't really remember a whole lot until we sit down and really think back on how many times it’s happened to us because it becomes so natural for us to deal with, but now we can step up and say something about it and feel comfortable doing it.”
That has certainly been the case in Silicon Valley. Uber engineer Susan Fowler kicked off 2017 by giving the world a glimpse into the tech industry’s sexual harassment problem and bringing unprecedented accountability to the high-profile startup. Beyond the workplace, women also became more politically active. By the year’s end, Lisa Middleton won a seat on the Palm Springs City Council, making her the first transgender person elected to a non-judicial office in California. Meanwhile, Cathy Murillo was elected the first Latina mayor of Santa Barbara.
If 2017 was about coming forward, then 2018 is about marching into action, Brooks says, and Bay Area women are ready to do just that. The group putting on the Silicon Valley Women’s March say the event is time to organize, stand together and lean in. In addition to expressing outrage about the the epidemic of sexual assault and harassment, they say the march is a chance to channel that energy into a dynamic political movement.
“I think there are a lot of women who wanted to get engaged and wanted to do something locally, but weren't quite sure how to do it,” says Vicky Mattson, one of the lead organizers of the local march.
Indeed, after last year’s march and following #MeToo, women sought to keep up momentum, but to look for ways to use their newfound visibility to affect tangible change in their communities, politics and workplaces. As anyone who’s tried to transform the face of their community or industry knows, Mattson says, real change does not happen overnight and certainly not without widespread support.
And this weekend, women and their allies will come together again to march at the Bay Area Women’s March. Sister marches will be taking place in San Jose and San Francisco with the mission of “honoring the champions of human rights, dignity, and justice” and “recognizing that defending the most marginalized among us is defending all of us.”
Saturday’s Women's March will take place in downtown San Jose, kicking off at City Hall and heading west down Santa Clara Street to Arena Green East for a rally with speeches, music and food. This year’s speakers include Q 102.1 FM’s “Joey V & Mia Amor in the Morning” co-host Maria “Mia Amor” Sanchez, Mutsun Ohlone artist and educator Kanyon Sayers-Roods, Dreamers Roadmap founder Sarahi Espinoza Salamanca, transgender activist Aejaie Sellers and many more women of color ranging from artists and activists to CEOs and educators.
Organizers have christened the rally space “Call to Action Alley,” calling it a place where the real work begins. This year’s theme is “Hear Our Vote” and every participant is encouraged to register to vote. With 2018 being the year of the midterm elections, it’s more important than ever to make sure previously disenfranchised voices are heard, Mattson says.
“A big part of what we're doing is emphasizing pre-registration for voting, which you can do at age 16,” she says. “That’s the first step.”
In an effort to keep participants involved, the march organizers are calling on people to use the hashtag #HearOurVote and #WomensMarchBayArea to help keep track of voters and remind people about upcoming events and opportunities for involvement.
“Last year,” she adds, “it was powerful to see people take action and start showing up at meetings all over town like city council meetings or the Board of Supervisors meeting. You’d start to see the same people and it felt we’d created an active a community.”
Brooks says it’s crucial for this year’s march to include ways for women and their allies to become active immediately and find volunteer opportunities for causes that matter to them. That’s why they’ve worked with representatives from 40 non-profit, community organizations to run booths providing actionable information about their services.
When it comes to where women have been—harassed, discriminated against, barred from positions of power—Brooks says she believes that the only place for women, especially women of color, is up.
“I don't really see anything other than opportunity,” she says. “I think that since last year women have felt empowered to take our seats at decision-making tables and not be scared to boldly jump into leadership whether other people like it or not.”
Mattson agrees. Mobilizing as soon as possible is the key to overcoming the discrimination and social injustice facing women today, she says. If women’s issues are to remain at the forefront, then it’s up to them and their allies to keep them there, march organizers say.
“The measure of success of the Women's March is not how many bodies are in the street on a certain day,” Mattson says. “It’s what all of those bodies do the next day and the day after that.”
The Women’s March will kick off at 11am Saturday outside San Jose City Hall with a rally to follow. For more details about this march or the San Francisco march and to RSVP, visit womensmarchbayarea.org.

domain: news


The Turkish Defense Minister Hulusi Akar said Friday that their military training and consulting teams in Libya "are still working in the country to ensure peace and stability.
Akar said, according to Anadolu Agency, that the Turkish training and consulting teams are successfully working in Libya in a legitimate manner as per an official request by the Government of National Accord, which is recognized by the UN, adding that their presence was given a green light by the Turkish Parliament as well.
Akar responded to Paris accusations regarding the vessel incident, saying Turkey is still waiting for an apology from France and has exchanged all videos and documents as well as evidence about the incident with the NATO military and civilian authorities.
"French allegations are totally unrealistic and we are awaiting an apology for such allegations regarding the vessel incident in the Mediterranean." He added.
He indicated that Turkish vessels had provided fuel to French ships upon their request and that France didn't talk to NATO about the issue.


text:
[Unless otherwise noted, all ellipses have been added by the author.]
Dickens and Carlyle
The opening lines of David Copperfield are, of course, among the most famous in the British novel: ‘Whether I shall turn out to be the hero of my own life, or whether that station will be held by anybody else, these pages must show’ (9). The narrator, in his statement of intent, pointedly avoids passing judgement in order to allow the text to speak for itself. However, suggested also is what Ackroyd implies in his description of Dickens ‘seeing’ himself in the novel; this is a novel of self-examination, an autobiographical attempt (if not by Dickens, then by the narrator David Copperfield) to gleam self-identity from the textual self-construct. Steven Connor notes of Great Expectations (similar in its use of the first person singular and autobiographical form), Pip’s ‘self is constituted out of language’, and so too, one might easily contend, is Copperfield’s (24). Not only is the world created by the author, but the self, the authorial presence, is also recognisable as a textual construct.
There is, however, also a third interpretation of these opening lines, that can most easily be illuminated by our knowledge of Dicken’s relationship with Thomas Carlyle. Charles Dickens first met Carlyle in March 1840 at a dinner party in Dover Street and, as Michael Goldberg notes, ‘from the first, the relationship was that of disciple and master’ (1). An instant liking sprung up between the two; Carlyle described Dickens in a letter: ‘he is a fine little fellow . . . who seems to guess pretty much what he is and what others are’ (Goldberg, 1). They would become close friends and, as Forster would later write, ‘there was no one whom in later life he [Dickens] honoured so much, or had a more profound regard for’ (Goldberg, 2). There seems little doubt that Carlyle and his ideas influenced Dickens, and that these ideas then diffused into the work of the younger author. Dickens himself wrote to Carlyle in 1880, ‘I am always reading you faithfully and trying to go your way’ (Goldberg, 2). Indeed, Ackroyd describes Dickens reading Carlyle during the writing of David Copperfield:
By the beginning of May he [Dickens] had come to a crucial point in the narrative . . . He was reading Carlyle’s Latter-day Pamphlets, even then being issued, and he was about to read Tennyson’s newly published In Memoriam; both of these books would have an influence upon David Copperfield itself’ (600).
The opening concern with the role of the ‘hero’ in David Copperfield might therefore be argued to be a diffusion of Carlyle’s own earlier concern with the heroic. Indeed, one is tempted to agree with Ackroyd’s argument that Dickens ‘could not have helped to be stirred by Carlyle’s encomia on “The Hero as Man of Letters”’, despite having ‘reservations about Carlyle’s worship of power, and the men of power’ (301).
Carlyle’s ‘The Hero as Poet’ (1841), describes a ‘figure of a Great Soul living apart in that anomalous manner; endeavouring to speak forth the inspiration that was in him by Printed Books’ (390). This figure attempts to ‘penetrate’ into ‘this divine mystery, the Vates’ (390). Dickens, in David Copperfield, if not overtly attempting this penetration into ‘the open secret’, certainly shows Carlyle’ influence enough for it to have some meaning and relevance within the text. Indeed, in David Copperfield, Dickens acknowledges the powerful influence of the successful author figure: ‘Your growing reputation and success enlarge your power of doing good; and if I could spare my brother . . . perhaps the time could not’ (708). David Copperfield can thus be considered, in light of its break from the targeted social reform and light comedy of Dickens’ earlier novels, as exerting a different sort of power from that of the social reformer, the power of the Carlylean heroic figure. This new stance does not represent that great a change, for, as Ackroyd suggests, Carlyle’s ‘Hero as Poet’, ‘shorn of its idealistic elements, is precisely the position which Dickens was moving towards; and precisely the role which he seems to have wanted to assume’ (302).
David Copperfield — a Personal or Universal Novel?
How then does one marry these two statements of intent, on one the hand seeking self-knowledge through introspection, and on the other aspiring to the universality of the Hero concept? It is well to remember Forster’s words on the autobiographical form: ‘Take autobiography as a design to show that any man’s life may be as a mirror of existence to all men, and the individual career becomes altogether secondary to the variety of experiences received and rendered back into it’ (13). The introspection and self-concerned nature of the novel does not preclude a universal relevance. Buckley makes the point that ‘Dickens frequently complained of having missed one real happiness in life, and David, too, repeatedly suffers from “the old unhappy feeling of a lack never fully defined” . . . But David is not to be consumed by restless desire; he ultimately finds the satisfaction his creator was denied’ (ix-x).
By writing David Copperfield, Dickens resolved his own sense of restless unease. This resolution assumes a greater significance when one places the novel in a historical, as opposed to a biographical, context. As a result of the vast changes Britain was experiencing — many of Henry Mayhew recorded — society itself was turning introspective, seeking a solution to its own wide-scale identity crisis. The great poetic works published in that year indicate this change; Wordsworth’s The Prelude (1850) and Tennyson’s In Memoriam (1850) were published in the same year as David Copperfield, and, it seemed, if ever there was a time for the Carlylean Hero, that time had come.
The search for identity in David Copperfield then, is a universal search for identity and structure. Hablot Knight Browne’s illustrations on the title page of the 1850 edition further support this assertion. The lack of any image at all of the titular character draws the attention away from the individual concern of the novel, suggesting its wider relevance, whilst the image of Peggoty’s boat like the washed-up Biblical Ark implies the end of a trial, inferring the social problems of the previous decades. The fore-grounded image of a young, innocent Emily is rather more ambiguous, the image of vulnerability and innocence implies a certain hope for a society starting afresh at the beginning of a new decade, yet the knowledge of what will befall that character suggests an underlying sense of foreboding. These all hint at a wider significance of the novel — Noah’s ark, after all, provided for the rebirth of all mankind — and it seems to suggest a mixture of hope and fear for the future.
Language and the Gaze
The concern for authorship that pervades the entire novel marks the importance of the idea of self-expression as a way of confirming or creating one’s self-identity. As Garret Stewart points out, ‘it is a book deeply and variously concerned — one is tempted to say obsessed — with the ways and means of expression’ (836). Indeed, a great number of the main characters are authors in one sense or another; the obvious ones obviously being David himself, Mr Micawber and his great letters, and Mr Dick and his Memorial. The conception of authorship invoves a mastery of language that both creates a textual construct of order but also allows a control that order or, at the very least, influence over it. Self-construction plays an important part in this enterprise.. Uriah Heep, for instance, manipulates language to construct ‘an umble’ version of himself that allows him to trick his way into positions of power. From the very start we the text leads us to associate Uriah with language:
‘Though his face was towards me, I thought, for some time, the writing being between us, that he could not see me; but looking that way more attentively, it made me uncomfortable to observe that, every now and then, his sleepless eyes would come below the writing, like two red suns, and stealthily stare at me for I dare say a whole minute at a time, during which his pen went, or pretended to go, as cleverly as ever.
This clearly marks some of Uriah’s key characteristics from the beginning — the idea of ‘the writing being between us’ suggests the text as an area of dispute in which battles may potentially be fought, under which lurk ‘those sleepless eyes . . . like two red suns’ that suggest a supernatural ability to observe and a strong sense of unease. There is a semantic field of vision (‘he could not see me’, ‘looking that way more attentively’, ‘uncomfortable to observe’, ‘sleepless eyes’, ‘stealthily stare’, ‘two red suns’) that implies a power present in observance. The early 19th century, as Jonathan Crary has argued, witnessed the ‘reorganization’ of human vision, and visibility became associated with power and control (Marsh, 276). The ‘Benthamite surveillance . . . where one was controlled by one’s own visibility’ meant that ‘“looking” was not to be divorced from “being looked at” and both contributed to the “disciplining” of the Victorian subject’ (Marsh, 276). In the conflict between David and Uriah, we can see the suggestion of this ‘disciplining’ through the act of looking.
The two kinds of observation differ in important ways. Using Norman Bryson’s division we can identify David’s observation of Uriah with the logic of the gaze, ‘prolonged, contemplative, yet regarding the field of vision with a certain aloofness and disengagement, across a tranquil interval’ (Bryson, 94). In contrast, Uriah exemplifies the logic of the glance: ‘a furtive, sideways look whose attention is always elsewhere, which shifts to conceal its own existence, and which is capable of carrying unofficial, sub rosa messages of hostility, collision, rebellion, and lust’ (Bryson, 94). This conflict of the gaze and glance continues throughout David and Uriah’s confrontations. Later on, for instance, Uriah again appears inextricably linked to a text with his finger making ‘great clammy tracks along the page’, David assumes a position on a stool that ‘was such a tower of observation’ providing close and continued observation whilst Uriah uses covert glances, ‘eyeing me sideways’ (202-4).
The visual struggle for power is not, however, separate from the struggle for linguistic supremacy. The textual record, such as the fictional autobiography David writes, acts as a kind of textual photograph, freezing the subject in time, removing him from his contexts (the reader is told very little, for example, of Uriah’s life away from David), preserving them and, potentially, deconstructing the self-created image (although the text inevitably constructs something else in its place to act as their signifier). Because Uriah attempts to obfuscate his motives and actions through his language (this, in terms of Crary’s argument, is an attempt to avoid or obscure visibility and so avoid and obscure its discipline and control) then the power of the observer is to undo and undermine this linguistic effect. That is, if David can see through Uriah’s construction of himself, then Uriah loses his power. The extended fear arises, given David’s authorial instincts, that Uriah might then be re-written, re-constructed, in such a way as David sees fit. Indeed, this is something to which the reader of David’s descriptions must be sensitive — that the Uriah of the text is merely a depiction coloured by David’s own personal views. An interesting implication then is that David, not just through the medium of the autobiography but also through his interaction with other characters, sense in some also constructs himself and that this is where his own discomfort at being observed lies.
Authorship and Expression: Writing Oneself
This sense of David creating himself, or at least, creating an external version of himself, is hinted at when he writes ‘I was so sensitively aware, indeed, of being younger than I could have wished’ before describing a statue of King Charles ‘looking anything but regal in a drizzling rain and a dark-brown fog’ (249). The comparison of the two suggests the fear of an obvious disparity between what the world sees and what one wishes the world to see. David, in this passage, fears being like King Charles, sculpted and constructed to appear ‘regal’ but appearing ‘anything but’. Again, we see this fear in the performative quality of David’s marriage to Dora; both David and Dora make pretences to the other. Dora attempts to appear ‘a wonderful housekeeper . . . and made quite a desperate little attempt “to be good” . . . but the figures had the old obstinacy’ (544), just as David ‘occasionally made a pretence of wanting a page or two of manuscript copied’ (547).
The theme of creating a textual construct of oneself runs through the text, appearing, for example, in Mr Micawber's ‘hiding the ravages of care with a sickly mask of mirth’ created by his elaborate vocal elocutions (228). The novel has numerous other examples. Thus, David describes Steerforth’s ‘easy, spirited good humour; his genial manner, his handsome looks, his natural gift of adapting himself to whomsoever he pleased, making direct, when he cared to do it, to the main point of interest in anybody’s heart’ (254). The fact that David acknowledges Steerforth’s ability to command this charm ‘when he pleased’ and his ‘adapting himself’ suggests a manipulation, an ability to use body language and speech as a social tool.
Interestingly, Steerforth's self-created public persona sometimes fails to convince. Agnes, for example, can penetrate his mask, warning David that ‘you have made a dangerous friend’ (313). Similarly, moments of such unease appear in David’s account, such as when Steerforth describes the Peggoty family: ‘they do not have very fine natures, and they may be thankful that, like their course rough skins, they are not easily wounded’ (252). David, who acceptss the image that Steerforth has constructed ‘believed that Steerforth had said what he had, in jest, or to draw Miss Dartle out; and I expected him to say as much when she was gone [ . . . .] but he merely asked me what I thought of her’ (253). This contrast between what David expects of Steerforth and what he actually does, marks the divide between the constructed image and the reality, a divide that is laid bare when Steerforth’s seduction of Emily is revealed.
Names Impose Identity
Names and of naming create David's identities throughout the novel as different characters each give imppose different names and labels upon him: He is called ‘Davey’ by his mother, ‘David’ by Mr Murdstone, ‘Trotwood’ by Aunt Betsy, and ‘Doady’ by Dora. These names all represent an identity externally applied to David to which other characters expect him to conform. For example, Betsy, who wishes to emphasise any feminine qualities his imagined sister might have had (or indeed which she wishes her younger self had possessed), gives him the name that best represents this, and Dora wishes him to be childish and a source of fun and so uses a name that she feels denotes this aspect of him.
David does not object to any of these names, except for the label ‘he bites’ for which he ‘suffered’ (74). Indeed, David seems to assimilate and successfully reconcile himself with these identities provided for him. The fear of the sign at Salem House was that he himself began to believe it: ‘I recollect that I positively began to have a dread of myself, as a kind of wild boy who did bite’ (74). David at least partially acquires his identity from external sources, although as he grows older such imposed identities occur less and less. ‘Doady,’ the only name he acquires in the second half of the novel, comes from Dora, and its childishness appears reflected in her name for herself: ‘It is a stupid name . . . Child-wife’ (543).
If the names others give upon David impose an external identity upon him, then other characters too have to reconcile themselves with that externality. Mr Dick, in shortening his name, has yet to achieve this reconciliation: ‘You are not to suppose that he hasn’t got a longer name, if he chose to use it . . . Mr Richard Mambley — that’s the gentleman’s true name . . . But don’t you call him by it, whatever you do. He can’t bear his name’ (176). The Memorial, ‘about his own history’, with the feverish turmoil signified by King Charles the First, abortively attempts autobiographical self-construction, similar to David’s own written history. That he fails to complete the Memorial, and that he never takes on his full name, suggests the inner turmoil that Betsy Trotwood describes: ‘He connects his illness with great disturbance and agitation . . . and that’s [Kind Charles the First] the figure . . . which he chooses to use’ (179). The act of attaching the troubling text to a kite because ‘when it flies high, it takes the facts a long way. That’s my manner of diffusing ‘em’, is particularly interesting (177). The ‘facts’ do not agree with his own findings: ‘So the books say, but I don’t know how that can be’ (177). The act of ‘diffusing’ them then is an attempt to dispel the external identities that society assign to him.
David's Agnes — The Vates?
David finds his happy conclusion in his marriage to Agnes (737). However, the imagery that David applies to Agnes throughout the novel renders a symbolic quality to this resolution that pertains to the universal relevance of David Copperfield. Agnes is described from early on using religious imagery:
I cannot call to mind where or when, in my childhood, I had seen a stained glass window in a church . . . but I know that when I saw her [Agnes] turn around . . . I thought of that window; and that I associated something of its tranquil brightness with Agnes Wickfield ever afterwards.
David frequently uses such religious imagery when referring to her and his feelings for her, thereby implying that their relationship and eventual happiness have a universal moral quality. This morality began as the chaste love for a sister before developing into romantic love — ‘It was for me to guard this sister affection with religious care’ David contrasts it to destructive romances (706). For example, in Chapter XXV ‘Good and Bad angels’ then she, his ‘good angel’ provides an obvious contrast to his ‘bad angel’ Steerforth, about whom she warns him. Not just their individual characters but also the kind of love they represent provides a dramatic contrast. Agnes represents moral, practicable love while Steerforth, with his manipulative charm and affair with Emily represents the opposite, an impatient, fleeting, ultimately destructive romance. Agnes’ love ultimately creates — she bears children for David — continually contrasted with David’s unsatisfactory adolescent romantic attachments: ‘Agnes laughed . . . and told me . . . she thought she should keep a little register of my violent attachments, with the date, duration, and termination of each’ (313).
The most notable of such contrasts involves Agnes and Dora. David and Dora’s relationship turns out to be one of impracticality and dissatisfaction on both sides. Acknowledging his dissatisfaction with her, Dora wishes ‘that I could have gone down into the country for the whole year, and lived with Agnes . . . I think she might have improved me’ (544). She remonstrates too, ‘I didn’t marry to be reasoned with. If you meant to reason with such a poor little thing as I am, you ought to have told me so, you cruel boy!’ (536). David, who voices his dissatisfaction with her housekeeping, wishes she were more practical (536). The contrast between the town women David loves appears most clearly in Dora’s own comparisons of herself with Agnes, as well as in Dora’s reliance on Agnes even at the wedding: ‘of Dora’s trembling less and less, and always clasping Agnes by the hand’ (533).
The contrasts between the two women appear with particular force in the language used to describe them. The text describes Dora in terms of visions and dreams: ‘There are the names, in the sweet old visionary connexion, David Copperfield and Dora Spenlow’ (529). David states ‘I am in a dream, a flustered, happy, hurried dream’ (529). He later writes: ‘it seemed to me as if our courtship and marriage were a tender dream of mine, and the night when I first listened to her voice were not yet over’ (543). These descriptions of Dora contrast starkly with the practical, religiously felt descriptions of Agnes — from the very first she is described as a ‘little housekeeper’ (194). She is often referred to in terms of light, when, for example, David receives her letter from abroad he writes: ‘yet felt that the night was passing from my mind, and all its shadows clearing, there was no name for the love I bore her, dearer to me, henceforward, than ever until then’ (687). The final emphasis is of Agnes ‘pointing upward . . . pointing to that sky above me’ (709), and ‘shining on me like a Heavenly light by which I see all other objects, is above them and beyond them all. And that remains’ (737). The effect of this is to create a sense of salvation, of a resolution in the reconciling of the internal and external identities that conflict throughout the book.
The internal conflict is over: ‘that sky above me, where, in the mystery to come, I might yet love her with a love unknown on earth, and tell her what the strife had been within me when I loved her here’ (709). The novel ends on this hopeful note, which takes on a universal quality. Equating Agnes to an angel, to a religious redemption, implies a universal moral resolution to which society may aspire, which transcends the immediate romance which David feels for her — a romance which is more spiritual than worldly.
In 1849 Matthew Arnold in 1849 wrote that ‘“modern” society [was] defined by ambition, greed, “sick hurry,” and “divided aims” . . . “these are damned times”’ (25). In this context, the contrast becomes one between the immediate lusts and desires that writers such as Marx and Engels (The Manifesto of the Communist Party was published in London in 1848) as well as Arnold, had argued had caused much of the troubles of the 1840s, and the patient, faithful morality (represented by Agnes) along with the earnest hard work of David himself, that would, the optimism of David Copperfield suggests, redeem and reconcile these troubles.
The broader meaning of this contrast appears in Traddles's words on the closing page of the novel:
Except the Beauty . . . Yes. It was very unfortunate that she should marry such a vagabond. But there was a certain dash and glare about him that caught her. However, now we have got her safe at our house, and got rid of him, we must cheer her up again’ (737).
‘Dash and glare’ represent the same superficial charm that attracted the ‘ambition, greed, and “sick hurry”’ of Emily to Steerforth, or Annie Strong to Jack Maldon (or vice-versa), being something that must be ‘got rid of’; ‘the Beauty’, a nameless, unknown character, here perhaps represent society itself, ‘safe at home’ after a turbulent decade, and in need of ‘cheering up again’.
The novel clearly states Dickens introspective search for a way out of the problems of the 1840s: ‘What Julia calls “society,” I see; among it Mr. Jack Maldon . . . But when society is the name for such hollow gentlemen and ladies, Julia, and when its breeding is professed indifference to everything that can advance or can retard mankind, I think we must have lost ourselves in that same Desert of Sahara, and had better find the way out’ (736). David Copperfield, in this sense, makes a broad attempt to reclaim identity, both personally and socially, after the ‘sick rush’ of expansion and industrialisation of the 1840s. The novel provides a humanized sense of order in its values as an antidote to the dehumanized industrialised society in which its readers had found themselves. The line, ‘I was to discipline my heart, and do my duty to her’, provides a good example of this (706).
Stephen Connor argues that ‘there is an abundance of “life” to be found in Dickens, but it is a heaving, surging, uncontrollable kind of life, that vandalises the organic ideals of spontaneous, self-creating unity, the orderly unfolding of natural and immanent design and the alloying of inner essence and outward appearance’ (2). Yet there is a sense of the ‘unfolding of natural and immanent design’ in David’s relationship with Agnes: ‘I knew, almost as if I had known this story, that there was something inexplicably gentle and softened, surrounding you’ (709). Dickens, perhaps more than at any other time in his career, presents a work deeply concerned with ‘organic form’, emphasising self-creation, natural progression, and, most particularly, the ‘alloying’ or reconciliation of the internal with the external. David, in the resolution, has achieved the Carlylean Heroic role; he has ‘been able to comprehend the world, and in so doing to create himself as “the hero of [his] life”’ (Hornback, 56). This marks the completion, and what is revealed, what wisdom has been gleamed, the ‘Vates’, is related in his spiritual, religious love: ‘as I close my task . . . these faces fade away. But, one face . . . is above them and beyond them all. And that remains. . . . O Agnes, O my soul, so may thy face be by me when I close my life indeed; so may I . . . still find thee near me, pointing upward!’ (737).
Ackroyd, Peter. Dickens. London: Sinclair-Stevenson, 1990.
Bryson, Norman. Vision and Painting: The Logic of the Gaze. London: Macmillan, 1983.
Buckley, Jerome H., ‘Preface’, in Charles Dickens, David Copperfield, Norton Critical Edition, ed. by Jerome H. Buckley. London: Norton, 1990: pp. vii-xii.
Carlyle, Thomas. ‘Lecture III, The Hero as Poet. Dante; Shakespeare’ from On Heroes and Hero-Worship and the Heroic in History (1841) quoted from A Carlyle Reader, ed. G.B. Tennyson. Cambridge: Cambridge University Press, 1964, repr. 1984: pp. 388-407.
Connor, Steven. ‘Introduction’ to Charles Dickens, ed. Steven Connor. New York: Longman, 1996. pp. 1-30.
Dickens, Charles. David Copperfield, Norton Critical Edition, ed. by Jerome H. Buckley. London: Norton, 1990.
Forster, John. The Life of Charles Dickens Vol. 3: 1852-70. London: Chapman and Hall, 1874.
Goldberg, Michael. Carlyle and Dickens. Athens, Georgia: University of Georgia Press, 1972.
Hornback, Bert G., “The Hero of my Life”: Essays on Dickens. London: Ohio University Press, 1981.
Marsh, Joss. ‘Spectacle’, in A Companion to Victorian Literature, ed. by Herbert Tucker. London: Blackwell, 1999: pp. 276-89.
Stewart, Garrett. ‘Mr. Micawber’s novel’, in Charles Dickens, David Copperfield, Norton Critical Edition, ed. by Jerome H. Buckley. London: Norton, 1990: pp. 836-43.
Last modified 14 December 2010

domain: artistic


New York Knicks: Why David Fizdale doesn't regret defensive decision vs. Brooklyn Nets
NEW YORK — A day later, David Fizdale had no regrets about leaving Tim Hardaway Jr. to defend Caris LeVert in the final seconds of Friday night's loss to the Brooklyn Nets.
LeVert got past Hardaway and drove the lane for a layup with one second remaining to give the Nets a 107-105 victory at Barclays Center.
There was some thought that Frank Ntilikina, the Knicks' best defender on the floor at the time, should've been the one to guard LeVert, who finished with 28 points.
But Fizdale said before Saturday's game against the Celtics that taking Hardaway off LeVert in that situation could've shaken the guard's confidence.
"If I was in a game playing against high school teammate, for him his college teammate, and we’ve going tit for tat, 28, 29, back and forth, back and forth," Fizdale said. "And the last play of the game the coach goes, ‘Hey, I’m going to put him on.’ I might lose Timmy. That could crush him. No.
"This is a development year. That’s part of Timmy’s development. He’s got to take that challenge."
After the game, Hardaway took the blame for the play. He said he should've known LeVert, his former teammate at Michigan, would go right.
Fizdale liked the way Hardaway handled the situation.
"The way Timmy handled the whole thing, what came out of that, the byproduct of him leading and stepping in front of it and owning it in the press, the fact that he knows I’ve got great faith in him," Fizdale said. "That’s much more important for me in the long run."
It was tough for the Knicks' defense to help because the Nets had so many shooters. Fizdale said he didn't want to leave any of them wide open for a three off a kick-out from LeVert.
Regardless, the play ended up costing the Knicks the game.
Fizdale wants to use it as a learning opportunity.
"Again every situation we face, especially close-game situations are all going to be good for us because we haven’t been through this stuff together," Fizdale said. "Win or lose, we can learn a lot from everything."


text:
The Condé Nast Traveller Readers' Travel Awards
September 2016: we were delighted to be once again voted Favourite Villa Rental Company at the 2016 edition of the Condé Nast Traveller Readers' Awards. According to the official citation, we received “exceptionally high marks across the board” and were lauded by voters for our “unshakeable consistency”.
We are particularly proud to receive this accolade as it constitutes a direct vote of confidence from our clients, those who have travelled with us, those who know what we stand for, those who have first-hand experience of our villas, our passion, our knowledge and our desire to go the extra mile. Thanks to all of you who voted for us. We really appreciate your support but what makes us most happy is that you had a great holiday with us!
The 2016 awards were great news for our destinations too: in the Favourite Islands category the Greek Islands came second and Sicily fourth (with special mention for its food), while in the Favourite Countries category Greece grabbed the top spot, with Italy coming a close second.
Winning the accolade of Favourite Villa Rental Company in 2016 is just the latest in a long series of successes at the UK’s premier travel awards. We have consistently been voted as one of the ‘Top 10 Villa Rental Companies’ since 2007, winning the Favourite Villa Rental Company award in 2011 and coming second in both 2012 and 2015. We are the only villa rental company to achieve Top 3 rankings every year between 2011 and 2016. We have also received specific commendations for offering the ‘best range of villas and facilities’, the ‘best presentation of villas’ and the ‘best on the ground support’ (three times).
In November 2013, Huw and Rossella Beaugié, founders of The Thinking Traveller, were interviewed by The Sunday Times Business on how they created and built up the award-winning villa rental company. Read the full article here >>


text:
Air Liquide is pursuing the development of its activities in the home healthcare sector and announces the beginning of exclusive negotiations with a view to acquiring 70.49% of LVL Médical Groupe SA’s (LVL Médical) share capital from the controlling shareholders at a price of €30.89 per share. This transaction, once finalized, would enable Air Liquide to gain control of LVL Médical’s French activities, for an enterprise value* of €316 million.
This acquisition of a controlling stake in LVL Médical will be followed by a simplified public tender offer (and, possibly, by a compulsory squeeze-out) on the remaining LVL Médical share and subscription warrants**, in accordance with applicable rules. Prior to the acquisition by Air Liquide, LVL Médical’s German activities will be acquired by the Lavorel Family, the majority shareholder.
LVL Médical is an historical player in the home healthcare sector, with 50,000 patients served at home in France. The company employs 750 people in France and its 2011 sales in France amounted to €104 million.
Air Liquide intends to pursue LVL Médical’s development by favouring the continuity of the company’s management, led by Mr Jean-Claude Lavorel, and by relying upon the expertise and commitment of its teams.
Pascal Vinet, Vice President, Healthcare Global Operations and member of the Group Executive Committee, declared: “LVL Médical is one of the key players in home healthcare in France, recognized for its expertise, the professionalism of its teams and its service quality. Our know-how combined with that of LVL Médical, and our capacity for innovation, will enable LVL Médical to pursue its development. This acquisition is in line with Air Liquide’s external growth strategy in healthcare. Health is one of the growth drivers of the Group.”
Air Liquide and LVL Médical will launch an information and consultation process with their respective relevant employee representatives. The acquisition of the control of LVL Médical by Air Liquide is subject to approval by the French competition authority. The transaction should be completed during Q4 2012.
* Enterprise value after the divesture of LVL Médical German activities
** Subscription warrants or BSAAR: redeemable warrants to subscribe or purchase shares
- Air Liquide, the Lavorel Family, and in particular Mr Lavorel, Chairman and CEO, and other concerted parties which together control LVL Médical, have entered into exclusive negotiations for the sale to Air Liquide of their controlling block, representing 70.49% of LVL Médical’s share capital.
- At the same time as this sale, the Lavorel Family would acquire LVL Médical German activities from LVL Médical, for an enterprise value of €80m.
- The acquisition of the controlling stake by Air Liquide would be followed by the launch of a simplified public tender offer for the remaining LVL Médical shares and BSAARs**.
- Air Liquide offered the sellers a price in cash of €30.89 per share. This offer translates into an equity value for LVL Médical of €307m, on the basis of a net debt of approximately €89m as of March 31, 2012, ie a global enterprise value of €396m of which €316m for the French activities kept by Air Liquide, and €80m for the German activities acquired by the Lavorel Family. The offered price of €30.89 per share implies a premium of 90% compared to the closing share price of LVL Médical as of June 7, 2012.
- Bellot Mullenbach et Associés has been appointed as an independent expert by the Board of Directors of LVL Médical in order to provide a fairness opinion on the offered price in the context of the simplified public tender offer, including a potential compulsory squeeze-out, as well as on the sale of the LVL Médical German activities to the Lavorel Family.
- The acquisition by Air Liquide will be conditional on LVL Médical obtaining this fairness opinion and on its offer being recommended by the LVL Médical Board of Directors.
- The acquisition is not subject to any other condition precedent.
- The acquisitions could be completed during Q3 2012. The simplified public tender offer on the remaining LVL Médical shares and BSAARs (possibly followed by a compulsory squeeze-out) at the same price of €30.89 per share and a price per BSAAR based on the offered price, ie €13.2 per BSAAR (subject to the declaration of conformity by the AMF), could be completed during Q4 2012.
Air Liquide’s Healthcare Business line
Air Liquide’s Healthcare World Business Line serves over 6,000 hospitals and 700,000 patients at home throughout the world. It provides medical gases, home healthcare services, hygiene products and medical equipment.
With 9,300 employees, the Group’s Healthcare business line published €2,076 million in revenues in 2011. In 2012, SEPPIC (specialty ingredients) integrated the Healthcare activity.
Air Liquide, European leader and 3rd worldwide in home healthcare, provides home healthcare services in compliance with medical prescription for patients suffering from chronic illnesses such as COPD (Chronic Obstructive Pulmonary Disease), sleep apnea and diabetes. These home healthcare services are being developed in addition to hospital care, enabling patients to enjoy better quality of life and local authorities to reduce costs.
Home Healthcare represents 45% of Air Liquide’s total 2011 Healthcare revenue.

domain: finance


text:
Jonah Hill is a young, portly actor known for his hilarious roles in Accepted, Evan Almighty, Knocked Up and Superbad. And, if his resume...
24 Stars Who Swore They Were Really, Really Sorry
Jonah Hill Fires Back at French TV Host in Awkward Interview
Lochte and Loaded: 23 Times Stars Were Oh So Sorry
Jimmy Fallon and Jonah Hill Draw Nude Model, Act Like Grown Ups
21 Stars Who Are Really, Really, Really Sorry!
Jonah Hill: VERY Large and In Charge in Newest Pics!
When Jonah Hill rose to fame following his performance in Superbad back in 2007, he seemed destined to be typecast as the overweight, schlubby friend of the hero in various Apatow-esque comedies.
But then something miraculous happened. Hill lost a ton of weight, he began taking on more serious roles, and he even racked up a couple Oscar nominations.
13 Celebrities Who Kan't Stand the Kardashians
Amber Rose has spent the last 24 hours tearing Khloe Kardashian into tiny little pieces.
In response to Khloe mocking Rose for having worked as a teenage stripper, the model has been relentless in her assault, referring to Khloe as a "hoe" and mentioning that Khloe's sister made a sex tape.
17 SHOCKING Celebrity Transformations: Is That Really Them?!?
Some get boob jobs (like, REALLY huge boob jobs).
Other suffer from some serious makeup disasters.
11 Stars Who Have No Interest in Keeping Up with the Kardashians
You may find this hard to believe, but not everyone cares about Keeping Up with the Kardashians.
In fact, some very famous names have no interest at all in what this family does on a daily, weekly or monthly basis. Incredible, we know!
Behati Prinsloo-Adam Levine Wedding: Officiated by Jonah Hill?!
Behati Prinsloo and Adam Levine got married over the weekend, and while some of the emerging wedding details are exactly what you'd expect (it was a lavish affair with plenty of models), some of the specifics are down right baffling.
Take, for example, the ceremony: according to guests, Jonah Hill was the first to walk down the aisle and stood between the couple as they exchanged vows.
9 Shocking Celebrity Friendships: You Won't Believe Britney's Bestie!
When you're a kid, a shared love of Ninja Turtles is all it takes to forge a lifelong friendship.
Sometimes it seems like it's the same way with celebrities. Stars who have nothing in common other than wealth and fame often form bonds that baffle us plebeians.
Ice Cube on Jonah Hill: We All Say Stupid Stuff!
Ice Cube and the directors of 22 Jump Street are making the media rounds this week, which means he's being asked a lot about Jonah Hill's anti-gay slur.
Not that the rap legend seems concerned by the incident. At all.
Jonah Hill Apologizes Again For Gay Slur on Tonight Show, Makes Emotional Plea
An emotional Jonah Hill went on the The Tonight Show Tuesday night to offer a second, sincere apology for his homophobic outburst at a photographer.
19 Crazy Celebrity-Paparazzi Altercations: The Ugly Side of Fame
To paraphrase Jonah Hill, whose gay slur at a photographer went viral today, being good at making movies does not make one good at being a famous person.
Celebrity status and paparazzi attention go hand-in-hand. Sometimes to the point of hand-to-hand combat if you're Kanye West. It's a very weird dichotomy.
17 Memorable Celebrity Apologies: Forgive and Forget?
A couple A-listers demonstrated the art of the apology this week.
First, Justin Bieber was caught on tape telling a racist joke (when he was 15 years old) - but the singer quickly released a lengthy, heartfelt apology, dismissing his latest scandal far more easily than other recent slip-ups.
Jonah Hill Apologizes For Gay Slur: I Lost My Cool ...
Jonah Hill isn't ducking the controversy behind his gay slur whatsoever, speaking to Howard Stern on his radio show today about the mistake he made.
Fully admitting he made the hurtful quote - Hill said "Suck my d--k, you f----t" to a photographer - Jonah was both sincere and remorseful about it:
Jonah Hill Uses Gay Slur Against Photographer, Sparks Controversy
Actor Jonah Hill got fed up with a photographer who was following him around this past weekend and lashed out with a gay slur, as seen in a new video.
47 Adorable Photos of Celebrities as Kids: Those Were the Days ...
There once was a time when future heart throbs were a little dorky, would-be supermodels a tad awkward, and even the Kardashians were just regular kids.
Heck, even Justin Bieber was a kid once ... instead of a punk a$$ kid.
2014 Oscars Watch: Who Should Win Best Supporting Actor?
One played a pirate, another a disturbed FBI agent.
One cross-dressed on screen, another scared the living heck out of out as a slave owner.
Jonah Hill and Leonardo DiCaprio Open SNL, Recreate Iconic Titanic Scene
Leonardo DiCaprio took time out from having sex with super models on a yacht yesterday to help good friend Jonah Hill open Saturday Night Live.
The two-time Oscar nominee was telling the audience how he's actually the lead in The Wolf of Wall Street and how DiCaprio was the one to learn a lot from him... when Leo (that's short for Leonardo, as Hill explained) shocked viewers by making an appearance.
Isabelle McNally: Dating Jonah Hill!
Jonah Hill has a new movie in the theater (The Wolf of Wall Street) and a new woman by his side:
Insiders confirm to Us Weekly that the Oscar nominee is dating Isabelle McNally! The pair were first photographed together in West Hollywood in September.
21 Jump Street 2 Release Date: Revealed!
21 Jump Street is by far one of the most successful Small Screen-to-Big Screen adaptations ever.
In fact, it currently sits 7th on the list of all-time box office gross for TV adaptations, behind Star Trek, three Mission Impossible Movies, The Fugitive, and Sex and the City.
Jonah Hill and Emma Watson to Star in Fifty Shades of Grey (Not Really)!
Jonah Hill and Emma Watson are set to star in the upcoming screen adaptation of Fifty Shades of Grey, he revealed last night at the 2013 MTV Movie Awards.
Sadly (or gratefully), he was not serious. We hope.


Law enforcement are investigating a suspected cyber crime at the Fourth Judicial District Court, including the court systems in Ouachita and Morehouse parishes.
Earlier this week, Fourth Judicial District Court Chief Judge Danny Ellender said the court systems were the recent victim of a “malicious cyber incident.”
The incident did not affect the clerk of court offices in either Ouachita or Morehouse parish, according to Ellender.
The cyber crime incident would not disrupt court proceedings or upset anyone’s scheduled appearance in court.
“Despite the incident, a significant disruption in court proceedings or other services offered by the court is not anticipated,” stated the court. “Consequently, anyone who has received a subpoena, notice to appear, or who has a conference, hearing or trial scheduled in Court is expected to appear at the date and time as directed previously.
Courthouse staff are working closely with information technology (IT) experts, various governmental agencies and law enforcement to investigate the incident.


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Shutdown Session for Tetbury Goods Shed
In which Stuart shares some songs and some banter with fellow Gloucestershire musician, Mark Cole. Don’t miss the amazing fusion of Blues and classical Indian slide guitar from Earl Trio member Michael Messer in the second half!
Like all the artists in this ‘Shutdown Specials” series, Stuart has freely given his time to put together this session for the Goods Shed audience while he cannot perform.
If you can do so, please show your appreciation by clicking the button to visit his site where you can buy his music.
Website: Earl Music
Stuart Earl is an award winning, South West based singer-songwriter. Starting songwriting 20 years ago, he soon made the Winners section of The International Songwriting Competition (ISC, Nashville), followed by many further successes in both this competition and the UK Songwriting Competition.
His genre is ‘Americana’ which encompasses Blues, Country, Rock and Folk influences.
Stuart’s fourth album ‘Cowboy State of Mind’ is due to be released in 2020. He performs solo and also has a four-piece band, plus THE EARL TRIO featuring MICHAEL MESSER -internationally renowned slide guitar player.


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The end of August and September are going to be stacked months for major pop releases. Next week, Carly Rae Jepsen drops Emotion. The week after that comes the new Weeknd album and a Justin Bieber single. Disclosure's Caracal is due out September 25.
Lana Del Rey may also be throwing her hat in the ring next month: she put up a photo today on Instagram with the caption "September 18th." Her next album is titled Honeymoon; to date, she's shared the title track and the single "High By The Beach." Revisit Del Rey's FADER cover story, and watch her "High By The Beach" video below.


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One King County for ending sexual exploitation and trafficking
Dear fellow King County employee,
We’re fortunate to have a talented workforce dedicated to making King County a more just, more equitable community – a place where people’s rights are protected and everyone has the opportunity to achieve his or her full potential in life.
As we showed when we helped nearly 200,000 residents sign up for affordable health insurance, we’re most effective at improving people’s lives when we work together as One King County to achieve a common goal.
Now, I want to apply that same collective approach to confront a destructive, often overlooked scourge in our region. Tomorrow, I will publicly announce that King County is a founding member of a national alliance of employers dedicated to ending sexual exploitation and trafficking of women and children.
The alliance is led by a Seattle-based nonprofit organization that provides resources to help public- and private-sector employers prevent their assets from being used by traffickers. Research shows that a peak time for people going online to solicit sex for hire is 2 p.m. – in the middle of the work day.
We will start by revising our policy to make it unequivocally clear that employees are prohibited from using county government resources, facilities, or time to solicit prostitution. While the existing policy covers all illegal activity, it is important that we raise awareness of the damaging effect exploitation and sex trafficking have on individual lives and families, and how it undermines our commitment to equity and social justice.
Most people assume that sex trafficking is largely confined to other countries. But it occurs in our region at a startling rate. Researchers at Arizona State University found that in a single 24-hour period, more than 8,800 people in the Seattle area went online to solicit sex for hire. An estimated 27,000 people solicit prostitution each day in King County. The victims are among our most vulnerable, many forced into prostitution between the ages of 13 and 15.
While preventing our resources from being used by traffickers is an important, necessary first step, I also want us to consider all the opportunities we have as public agents to help victims of sex trafficking, and help prevent these horrific crimes from occurring. We have more than 13,000 employees – most of whom work directly with the public – who can help identify victims and circumstances that contribute to sexual exploitation. I want each of us to know what we can do in our individual roles to contribute to this effort.
This fall, the Executive Office, the Prosecutor’s Office and the Sheriff’s Office will host a screening of “The Long Night,” an insightful documentary on the underlying causes and devastating impacts of sex trafficking in south King County. After the screening, we’ll have a discussion about what actions we can take across departments to combat this growing challenge. I will send you an invitation in the next few weeks.
To be clear, I have no knowledge of any county employee violating our employment policies in this way. However, given the vast numbers of daily solicitations, it is unlikely that any major employer is completely immune from this problem. My goal is to establish King County as a model for how employers can strengthen community efforts to end slavery and trafficking, and to encourage private-sector employers to help create a united front.
This is an opportunity for us to once again lead by example and bring us closer to our promise of a more just and equitable King County.
King County Executive


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As well as having regular lines they have many seasonal and themed offers throughout the year. This article as been put together to know what to look for throughout the year and because they don’t have a vegan list.
All labelled vegan. Shampoo 45p, oil, 99p and washing gel 75p
Vegan – vegetarian with possible traces of allergens
6622 Tiger Loaf, 400g
6640 White Bloomer, 800g
6679 Multigrain Loaf, 400g
79358 Protein Roll
92782 Pumpkin Seed Roll, 80g
6742 French Baguette, 400g
7003 White Crusty Roll, 75g
5201297 Stoned Baked Rustic White Roll
5201750 Sandwich Baguette
7279 Scottish White Morning Roll
92707 Stone baked Ciabatta
106061 Rye Loaf, 500g
5201554 Plain Bagel, 115g
Colours – labelled vegan too.
There are several flavours of these muesli flapjacks and I think about 4 of them are vegan.
JAMMY WHEELS NO LONGER VEGAN, NOW CONTAIN MILK (MAY 2017)
I got confirmation from Lidl that both these palmier style puff pastry biscuits are vegan friendly.
dark chocolate coated mango
Let us know what other ones there is. This one is labelled vegan too.
Favorina Christmas and Easter Range – recipes sometimes change, so double check ingredients.
Not sure which is the current Indian snacks packaging.
another packet change
Greek Week (Eridanous and 1001 Delights)
Newgate own brand
4 flavours are vegan friendly
None dairy milks
You can also buy apple pies – see our sweet treat article for info.

domain: food


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Let’s get straight to it, before we divert you
How much is the ticket? 1st category CZK 700 | 2nd category CZK 500
Estimated duration of the concert: 90 minutes
The concert is part of the Prague Sounds festival.
Multifunctional hall DOX+
Poupětova 3, Prague 7
Show on map
Canadian violinist, composer and looping master Owen Pallett brings his stunning solo show to the Prague Sounds festival in the DOX+ hall.
They've worked with Arcade Fire and Brian Eno, arranged for Taylor Swift and Pet Shop Boys, and been Oscar-nominated for their score for Spike Jonze's film Her, but Canadian violinist, keyboardist, guitarist, and vocalist Owen Pallett is never more impressive than when performing their own work in its purest setting: an artist alone on stage conjuring a quirky kind of magic, creating and looping interweaving lines of violin, keyboard, and guitar with their vocals in real time.
Pallett is a classically-trained violinist and composer (they've had work commissioned by the Barbican, Bang on a Can, and the Toronto Symphony Orchestra), but they quickly established themselves on the indie music scene in the 2000s, initially under the name Final Fantasy. Their second album under this moniker, 2006's He Poos Clouds, praised for its inventive string quartet arrangements of quick-witted, personal songs, won the Polaris Music Prize. Pallett started releasing music under their own name in 2010 with the Heartland album. The acclaimed In Conflict, which featured Brian Eno on guitar and synth, followed in 2014, before Pallett returned in 2020 with Island, which saw them collaborate with the London Contemporary Orchestra to create a wholly immersive sonic landscape on an album some critics described as his best work yet. Pallett's music can be described as a dense and sometimes volatile chamber pop: his intricate songs, sophisticated yet playful, by turns beautiful, tense, and jarring, create vivid worlds for their composer's alter-ego characters to inhabit.
Pallett's live shows are dizzying affairs: feats of artistic and technical brilliance, for sure, but cut through with an emotional authenticity and directness that marks them out from many of their peers. Always looking to broaden the scope of their live work, Pallett built a special pedal board-based looping rig a couple of years ago. 'I hate playing with a laptop onstage, so I spent six months researching how to build what I wanted,' they explain. 'I think it could be the best thing the world has ever heard!' Come and hear for yourself at DOX+.


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Brain Injury Attorney Greeley
Cases involving brain injury claims are a primary focus of Brake Law. Brake Law is a legal firm with much experience providing professional legal representation to clients who need compensation for injuries and expenses. Each client from the Greeley area will have an attorney who will present their best effort to attain proper compensation in every brain injury case.
When you need a law firm that combines tenacity with a personal touch, you should call Brake Law for an evaluation of your brain injury case. Brake Law has extensive experience in helping clients get the compensation they deserve through negotiation or, if necessary, litigation. Clients from the Greeley area who need an experienced brain injury attorney should call to discuss the details of their case.
If you are looking to make a brain injury claim to help pay off exorbitant expensive medical bills, then you should make an appointment with Brake Law. Brake Law has helped numerous clients from the Greeley area craft a case based on the details of their circumstance. If you could benefit from a law firm with a concentration in brain injury law, then consider setting up a consultation to discuss a plan going forward.
Call Brake Law for proper legal representation in your brain injury case. Brake Law has a renowned reputation for specializing in every brain injury case with individualized care and attention that it deserves. Contact (303)806-9000 for a free consultation today.
3615 S. Tamarac Drive
Denver, AL 80237
Related Articles: Cancer Negligence Attorney Fort Collins CO, Fatal Accident Attorney Colorado Springs CO, Fatal Truck Accidents Attorney Fort Collins CO, Fatal Truck Accidents Attorney Littleton CO, Neck Injury Attorney Boulder CO, Pedestrian Accident Attorney Lakewood CO, Personal Injury Attorney Englewood CO, Severe Burn Injury Attorney Aurora CO, Auto Accident Lawyer Loveland CO, Sexual Discrimination Attorney Greeley CO,

domain: law


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Wyłącz wtyczkę AdBlock, aby oglądać filmy i zapewnić prawidłowe działanie
Two young men, that don’t know each other, decide to go abroad to earn some money. They understand they are deceived and alone in a foreign country. They are completely different, but they have to work together to find the way out of this difficult situation. They will choose different ways soon, albeit men will try to save their friendship.

domain: sociology


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By LISA VOGT/ Special to Asahi Weekly
May 19, 2020 at 07:00 JST
Borderless? A loaded word these days. My dictionary defines the term as “lacking edges, limits or boundaries.”
In our dreams and minds, thoughts are enigmatic. They overlap, run into and influence one another. We, as physical beings, form relationships, communicate and shape ourselves as we live our lives.
The smallest subatomic particle that we can imagine is pushed and pulled from some force around it that allows it to exist. And even a hermit must eat and drink to survive, hence must merge with something outside, blurring the borders between their quintessential self.
A museum like no other exists on the second floor of Palette Town in Odaiba, next to the Ferris wheel. EPSON teamLab Borderless is a collection of digital artworks that “interweave without boundaries” in a vast 10,000-square-meter space.
Armchair reading about this place can give you a vague sense of it, but cerebral activity processing spatial information that is always moving about is a different school of fish.
Oh, no. I’m afraid I’ve lost some people reading this column. Well, when possible, visit the place. Then revisit this article, and you’ll understand what I’m talking about.
Interactive digital installations make you part of the exhibition. For example, at the Sketch Aquarium, people draw a sea creature on a sheet of paper using crayons.
One girl who looked to be about 6 years old drew a yellow seahorse and took it to the attendant, who scanned the paper. Then, her creation magically started swimming along with other creatures on the giant blue aquarium wall! The little girl squealed with delight as she chased her seahorse.
At Forest of Flowers and People, the cycle of buds growing, flowers blossoming, and petals withering and then fading away repeats itself.
If people stay to watch, they can see flowers grow and bloom magnificently, which die if touched or stepped on. Butterflies come where lots of flowers bloom, and when crows appear or heavy rain pours, the petals scatter, and the flower is no more.
The Floating Nest is viewed lying on our backs on a huge net suspended in space. Schools of fish swim through the net, dissolving our bodies and removing boundaries, making us a part of the work. The fish, leaving trails of light in their path, make the viewer “become” the light, freely soaring about as a different entity.
As in the real world, there’s only "ichi-go-ichi-e" and no animated loops. Experience borderlessness rendered by AI in real time.
(EPSON teamLab Borderless is currently closed to prevent the spread of the new coronavirus.)
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This article by Lisa Vogt, a Washington-born and Tokyo-based photographer, originally appeared in the April 5 issue of Asahi Weekly. It is part of the series "Lisa’s In and Around Tokyo," which depicts the capital and its surroundings through the perspective of the author, a professor at Meiji University.
Visit this page for the latest news on Japan’s battle with the novel coronavirus pandemic.
Cooking experts, chefs and others involved in the field of food introduce their special recipes intertwined with their paths in life.
Haruki Murakami and other writers read from books before selected audiences at the new Haruki Murakami Library.
The Asahi Shimbun aims “to achieve gender equality and empower all women and girls” through its Gender Equality Declaration.
Let’s explore the Japanese capital from the viewpoint of wheelchair users and people with disabilities with Barry Joshua Grisdale.