Hardwell at Ushuaia 2016
|Robbert van de Corput|
7 January 1988 |
Robbert van de Corput (born 7 January 1988), better known by his stage name Hardwell, is a Dutch electro house DJ, record producer and remixer from Breda. Robbert was voted the World's No. 1 DJ on DJ Mag in 2013, and again in 2014. He is ranked at No. 4 on DJ Mag Top 100 DJs 2017 poll. Hardwell is best known for his sets at music festivals, including Ultra Music Festival, Sunburn and Tomorrowland.
Hardwell first gained recognition in 2009 for his bootleg of "Show Me Love vs. Be". He founded the record label Revealed Recordings in 2010 and a radio show and podcast Hardwell On Air in 2011. He has released eight compilation albums through his label, as well as a documentary film. His debut studio album, United We Are, was released in 2015.
Hardwell's pseudonym comes from an idea of his father, who translated his surname into Latin and English. "Cor" means "heart" and "Put" means "well". However, he changed the "heart" to "hard".
Robbert Van de Corput was born in 1988 in Breda, to Anneke and Cor van de Corput. At the age of four he began taking piano lessons and attended a music school. At the age of twelve, he produced his first songs in the field of electro, while performing as a hip-hop-DJ. At a young age, he was also active in various areas of Martial arts, including Judo.
As hip-hop became an underground scene, Hardwell changed his genre to commercial electronic dance music. He started producing remixes and uploaded them on several platforms on the Internet. At the age of 14 he was offered a record deal with "Digidance" by Dutch producer duo Klubbheads. Three weeks later he made a first official release with the two-disc-record "Bubbling Beats 1", whereupon he toured through the Netherlands and appeared in a number of dance clubs. His first official single "Play It Around" came out in 2006, and was played in German clubs. The single featured a combination of popular musical genres, as well as his own style.
At the end of 2007 Hardwell released the song "Never Knew Love", which was produced as a collaboration with Greatski; the song placed on the official German single-charts. Remixes for Gregor Salto's and Chuckie's "Toys Are" together with Dutch DJ and producer R3hab as well as a mix of "You Do not Love Me" Sidney Samson and Skitzofrenix in 2008 remained at the top of the dance charts for weeks. Also in 2008 he produced a mash up of the tracks "Be" by Steve Angello and Laidback Luke and "Show Me Love" by Robin S..
Hardwell's bootleg with the title "Show Be Love", was played by many DJs and was praised by Laidback Luke and Steve Angello. In December 2008 the two producers released the track as an official cover version of "Show Me Love". A new remix by Hardwell was contained on the single.
In 2009, Tiësto invited Hardwell to one of his performances. They performed together on the stage, and this exposure in the Netherlands led to gigs on media events, including the "Dancevalley Festival", who's official anthem was produced by him under the title of "Twilight Zone".
In 2010 Hardwell founded his own record label "Revealed Recordings", for the purpose of releasing electronic dance music by young talents. He contracted with EDM-artists, including the duo W&W as well as his personal friends Dannic and Dyro. Each year Revealed Recordings releases a compilation called "Hardwell Presents Revealed", containing tracks released by the label together with Hardwell's own new songs. On the fifth anniversary, a sampler was released containing the 100 most popular tracks, chosen by a vote through Revealed's website. The top three were Hardwell's "Spaceman", KSHMR and DallasK's "Burn", and "Left Behind" by Paris Blohm & Taylr Renee.
In 2011, he signed a record deal with the German record label "Kontor Records", giving his releases wider distribution. In March 2011 Hardwell initiated his own podcast "Hardwell On Air", a one-hour selection of songs by various artists. The podcast is broadcast by a number of radio stations, including Slam! In the Netherlands as well as Sirius XM in the United States.
In the same year, Hardwell collaborated with Tiësto to produce the track "Zero 76", named for the telephone prefix "076" of their hometown Breda. The pair also appeared at the Tomorrowland festival in Belgium in 2014. On YouTube their "b2b"-set has been watched by millions of people. The successor single "Cobra" appeared on the Dutch single charts. The track was used as a theme song for the festival "Trance Energy 2011" and reached position 1 of the Beatport charts. "Encoded" followed with a similar success and was used as the introsong for his podcast.
In 2011, Hardwell was ranked in the "Top 100 DJs" category by DJ Mag for the first time and jumped on # 24 as the second-highest entry newcomer behind Skrillex. At the International Dance Music Awards 2012, he won the Best Break-Through DJ award.
On 31 July 2012, the track "Spaceman" was released. It sold over half a million times in the US. It was played extensively in clubs and festivals in 2012. Also it gets titled as one of the songs, that created the Big room house genre. A vocal version with Mitch Crown could reach a chart position. In the following years, several remixes of the song were published, as well as a mash-up with a Hardwell-produced hardstyle remix of Blasterjaxx and W&W's "Rocket", which he often used for sets as an outro song. The Mash-Up received very positive criticism and was viewed several hundred thousand times on the internet.
Hardwell appeared as a headliner at several festivals, including Creamfields, Electric Zoo Festival, Electric Daisy Carnival, Ultra Music Festival and Nature One. He also performed at Tomorrowland 2012, and released a related video which received tens of millions of clicks. In the fall of 2012 Hardwell reached the sixth place in the ranking list DJ Mag Top 100.
On 29 January 2013, Hardwell started a bus tour through Canada, together with his DJ colleagues and best friends Dannic and Dyro. This was done in connection with "Revealed-Recordings" and gave the trio the name "Dutch-House-Mafia". Dyro and Dannic also accompanied Hardwell on his North America tour in summer 2013.
The single "Apollo", released on 1 February 2013, reached the charts of many European countries, including Austria, Belgium, France and the Netherlands. The singer of the song is Amba Shepherd. Shortly after, the song "Never Say Goodbye", displaying a similar style, was released. Hardwell recorded the song with his friend Dyro and the American singer Heather Bright a.k.a. Bright Lights. In April 2013, he launched his first worldwide tour entitled "I Am Hardwell." That year he performed on the main stage at the Ultra Music Festival, toppling his Tomorrowland Liveset from the previous year from the first place of the most viewed live-DJ-sets with over 80,000 viewers.
In the summer of 2013 he also appeared as headliner at Tomorrowland. Later in the summer, the single "Jumper" appeared in collaboration with the DJ duo W&W. It represents the biggest club-hit of the whole year together with Martin Garrix' "Animals" and DVBBS' "Tsunami". Hardwell also adapted his style of the growing big-room house fan base with "Countdown", with which he reached the German single-charts once again. With the American singer Matthew Koma, he released the track "Dare You" at the end of 2013, which followed the success of "Apollo".
In the fall of 2013, he became the youngest DJ to be voted as the #1 DJ by DJ Mag.
In January 2014 Hardwell published the documentary "I Am Hardwell", which tells the story of his career. For this documentary he was accompanied by the director Robin Piree for two and a half years. His life's motto is "If you can dream it, you can do it", because as a 16-year-old he dreamed of being the best DJ in the world. The film documents his most successful moments; a soundtrack of the film was released separately.
As the first result of his work the track "Eclipse", which opened each of his Livesets since November 2013 came up. Among fans, the ID track received the unofficial title "Titan", with the demands for its publication a running gag among his fans. In an interview with DJ Magazine, Hardwell promised to release his album in 2014. Many tracks from the new album were introduced by Hardwell at the Ultra Music Festival 2014 as well as the Tomorrowland Festival.
After a first collab came out, Hardwell the possibility to work with Tiësto again arose.
Hardwell and Tiësto performed a set, "Hardwell & Tiësto b2b", at Tomorrowland 2014, and announced their latest collaboration. One track featured Matthew Koma's vocals. Hardwell then devoted himself to completing his album.
In September 2014 the release of his studio album was postponed to the beginning of 2015. At the same time, the third official single release came out of the album. It is titled "Young Again" and contains vocals from British singer Chris Jones. The song was produced similar to "Dare You", not basing on big-room style, but basing on a melodious progressive house-drop. As with "Dare You", the single missed the entry to the German single-charts, despite high downloads chart placements.
In December 2014 Hardwell announced the official tracklist and cover of the album. Collaborations with DJs like Tiësto or Headhunterz as well as singers like Andreas Moe or Mr. Probz. Also, first previews of some of the songs, including the track "Follow Me", which was recorded in collaboration with R&B-singer Jason Derulo. At the same time, he announced his second world tour called "I Am Hardwell - United We Are" At the end of the year 2014, a minimix of the album unintentionally succeeded in the Internet and was virally distributed within minutes. In January 2015 the instrumental song "Eclipse" was released as a download single.
In the DJ-Mag placements, he held his number-one position for one more year.
Already prior to the release of the album, his Podcast "Hardwell On Air" celebrated the 200th episode which made new animations being introduced in the video releases. Number 201 of the podcast had the subtitle "United We Are" on it and was a pure presentation of all the tracks of his album.
On 23 January 2015 "United We Are" has been published worldwide. The single "Sally" was released one week before on 16 January 2015. It is a combination of rock music, big-room and Melbourne bounce. The track was recorded with the British singer-songwriter Harrison Shaw and is the first song of the Dutch DJ, which was able to enter the German single charts. As a "Thank you" for the massive support of his album and the celebration of two million followers on Twitter, Hardwell uploaded a video of the first two hours of the kick-off event to his new tour at the Ziggo Dome in Amsterdam on 24 January 2015. End of April In 2015, the single "Echo", sung by singer-songwriter Jonathan Mendelsohn, followed. Both the trance-song and the complex music video received positive criticism.
On the "Ultra Music Festival" 2015 Hardwell presented numerous other unpublished songs like "Mad World" with the singer Jake Reese, "Survivors" with Dannic & Haris, "Off the Hook" with Armin Van Buuren, as well as numerous tracks from artists who were signed to his label. In addition, there were performances on "Tomorrowland Brazil" and "Tomorrowland". Together with DJs like Dannic, Dyro, W&W, Kill the Buzz, Headhunterz and Newcomer Julian Calor, he hosted his own "Revealed" Stage, named after his label. In September 2015, there was also a performance at the TomorrowWorld festival in the USA.
In July 2015, the sixth episode of his Revealed-Presents compilation was released in parallel with "Survivors", which, similar to its predecessors, gained great success. In addition, the W&W remix of his song "Birds Fly" and his upcoming single "Chameleon" was presented for the first time. "Chameleon", a Jungle Terror collaboration with producer Wiwek followed one week later as a single. Two months later, the release of his Armin-van-Buuren-Collab "Off the Hook" followed. On the one hand, the old-school touch was praised; on the other hand, the song was also described as a very special. Just some weeks later "Mad World", which has been expected since May 2015, was released and features vocals by Jake Reese. However, the melody of Leadsound contains a melody-sample of the song "Smile with Your Eyes" by the musician Yeck Mar.
In October 2015 he lost his top position of the DJ Mags to the Belgian brothers Dimitri Vegas & Like Mike. In the course of this, a series of criticism followed. As a reason of that was mentioned, that they worked with disproportionate promos-actions.
During the Amsterdam Dance Event (ADE) in October 2015 Hardwell's second documentary "I Am Hardwell - Living The Dream", directed by Robin Piree, was premiered. Two days later, on 13 October 2015, the film went on in cinemas. On 7 November 2015 Hardwell presented the biggest DJ-solo show in Germany, held in collaboration with the "BigCityBeats World Club Dome". It took place in Arena AufSchalke in front of a record crowd of about 40,000 attendees. The normal tickets for this concert were sold out within three days.
A remix version of his studio album "United We Are" was released in December 2015. It contained the original tracklist, but all songs were remixed by different artists, including W&W, Vicetone and Frontliner. The entire tracklist was presented in episode 244 of his Hardwell on Air podcast. In parallel he and Armin van Buuren each presented an action figure; this caused moderate criticism, because of the high price.
On 13 December 2015, Hardwell organized a free concert entitled "The Biggest Guestlist" in Mumbai. With this performance, he did a world record of the same name. In addition, he donated all the proceeds of the festival as well as the ones from the fans to the Magic Bus Charity Project, which enables children from poor backgrounds to achieve better education in cooperation with the "United We Are Foundation" and "Guestlistevents in".
On 8 January 2016, the song Perfect World by the Dutch singer Maan de Steenwinkel appeared. It was released as part of the casting show The Voice of Holland, whose sixth season she won. The title was produced by Hardwell. The song went up to 31th place in the Dutch single charts. He commented on the cooperation:
I've met Maan 3 weeks ago as I also followed her performances on 'The Voice Of Holland' from the beginning. I think she is a great talent and I know for sure that she will have a successful career in the music industry. She has my full support and I'm proud to be the producer of her first single 'Perfect World'-- Hardwell
"Hollywood" with Afrojack appeared on 25 January 2016 and jumped directly to # 1 on the Beatport charts. The second single of the year was the second collaboration with Jake Reese Run Wild . However, already in summer 2015 in was announced to be released in March 2016. The final release found place on 29 February 2016. Unlike "Mad World" "Run Wild" is much more electro-house-heavy, having Hardstyle-synthes on it as well. Just a month later, on 29 March 2016, Hardwell published his Kura-collaboration "Calavera". This one reached the first place on the Beatport charts again.
At the Ultra Music Festival in 2016, he premiered the final version of his W&W collaboration. The instrumental version was already played in 2013. A first finished version was premiert in 2013 and contains vocals by Harrison. Anyway the three musicians haven't been satisfied with that version, which led to the productions of the version with Crunk-vocals of the US rapper Lil Jon. In addition, Hardwell played his next release, "8Fifty", in collaboration with his revealed colleague Thomas Newson. However, the release was heavily criticized since Hardwell has a lot of alternative projects running, which accord to higher potential. These include "Live the Night", "MusicBox" or "What We Need". In addition, a collaboration with Craig David, who appeared live on stage, the second production with Blasterjaxx "Going Crazy" and a Kaaze-Collab produced with a progressive-house-style celebrated their premiere.
On 20 May 2016, his remix of The Chainsmokers' and Daya's "Don't Let Me Down", produced in collaboration with Sephyx, was released as a remix-single. This can be classified without any doubt into the Hardstyle-genre and is, according to his "Rocket"/ "Spaceman"-mash-up and "Nothing Can Hold Us Down" his third production in that genre.
On 24 June 2016 Hardwell published the seventh part of his "Hardwell-presents-Revealed" compilations. In the course of this release appeared also the studio versions of his solo hardstyle debut "Wake Up Call" and the title "Going Crazy", which is also here as Mash-Up with "Apollo". "Wake Up Call" continued to be released on 3 August 2016 as a free download. On 29 August 2016, he finally released "Going Crazy", his second collaboration with Blasterjaxx on Beatport.
The collaboration with Craig David, called No Holding Back, which was premiered at Ultra-Music Festival, was released on 19 August 2016. This single was particularly appreciated by critics, as it was the first time since his collaboration with Funkerman on United We Are, the he proves his skills in deeper sounds. Especially elements of the UK Garage and Deep House sound were used. On the other hand, the criticism of the fans of his usual big-room style was rather low. In his final concert of his tour, just one week later the fans waited in vain for a guest appearance by Craig David and the title remained utterly unplayed. Not even the much more aggressive remix of Henry Fong took place in one of his sets, which caused a lot of confusion.
In his performance at the BigCityBeats World Club Dome, Hardwell announced that his last show of the "I Am Hardwell - United We Are" world tour would be taking place on 27 August, at Hockenheimring in Baden-Württemberg, Germany. Together with Big City Beats, the largest lighting installation in Germany was planned to be created. In this case a roof of light, above the Hockenheimring was supposed to be erected. In addition, the light show and the design of the Mainstage were described as breathtaking. As warm-up acts, Funkerman, Kill The Buzz and Dannic were playing from 5:00 to 08:30 pm. Hardwell played in contrast to his other shows, 3½, instead of 2 hours. As guests, he brought singer Haris on stage for his upcoming single "What We Need" as well as hardstyle DJ Atmozfears for their collaboration. In spite of temperatures of more than 35 °C, free water was renounced, which is one of the few criticisms.
On 13 October 2016 the short-term single "Thinking About You" was released together with singer Jay Sean. This single also contained features of the Pop-music, as well as influences of Future and Commercial House. On the other hand, the song was high on the download charts and the radio program. Hardwell finally produced a festival remix together with Revealed colleague Kaaze at the end of October 2016, with which he covered the Progressive House section. Hardwell's "Get Down" together with W&W hit a few weeks later on Hardwell on Air. He was already playing that track since March 2016, where UMF was hold and was supposed to be the announced collaboration with Yellow Claw for a long time.
In the DJ-Mag placements, Hardwell fell down the rankings again, this time ranking third. In addition, Martin Garrix reached the top, with which he got the rank as the youngest number one. While Hardwell was 25 years at the time of reaching place-one, Garrix was 20. In the course of the controversy surrounding this year's DJ Mag awards, he held a statement at his ADE-performance on 21 October 2016. In this one he challenged the guidelines of the rankings. He explained with the example of Atmozfears that production talent would not matter, since Atmozfears would be way more talented in the studio without any placing on DJ-Mag. Dannic would have a better talent behind the DJ desk and dropped drown in the DJ Mag.
After a collaboration with Atmozfears, Hardstyle's newcomer Dr. Phunk announced a remix EP, around his "Apollo"-remix. In addition to this he mixed the songs "Run Wild" and "Nothing Can Hold Us Down". The EP appeared on 9 December 2016. With the release, he announced a collaboration and a second EP. For this he took "Young Again" among a few other tracks.
On 12 December 2016 he released the song "Baldadig", which was produced in collaboration with the DJ Quintino. This was received by the fans a far more positive than "Get Down". A mash-up with the song "Temperature" by Sean Paul was very popular. Shortly thereafter, a reworked version of the song "Crank" from Jewelz & Sparks appeared on "Revealed Recordings". There he first operated with the pseudonym "HWL".
In Laidback Luke's Mixmash podcast of 1 January 2017, the studio version of Hardwell's second collaboration with "Revealed" member Kura was premiered on 1 January 2017. Earlier in 2016, the track was called "You Ain't Ready", and was featured in Kura's radio show, consisted only of bridge and drop. By the end, the track was renamed to "Police". The song represents a crossover of the genres reggae, big-room, hardstyle and trap.
On 2 January 2017, Hardwell released the song "Break the House Down", which he produced together with Kill The Buzz in December 2015. This is the first publication in the new "Revealed" design. Due to his 29th birthday on 7 January 2017, he released the song "Party till the Daylight" as a birthday gift for free. He entered the bass house genre for the first time with that track. This was deceiving, as people were speculating if Hardwell was really the man behind the track since the premiere in June 2016. He also announced that the 300th episode of his "Hardwell-on-Air" on 20 January 2017 would be a very special episode. Guest appearances were done by Blasterjaxx, Wiwek, Jay Hardway, Don Diablo, Suyano, and Kill The Buzz. In addition, Dr. Phunk was an interview partner.
From 2 to 3 February 2017 Hardwell made a reworked version of the song "Spaceman" available for a free download. This was due to the 5 year anniversary. The new version included vocals by singer Heather Bright. The common version already appeared as a free-track from Bright Light's site in 2015. Hardwell said that he organized a contest for the best vocal version of the song after the instrumental version was released back in 2012. Already at that time Heather Bright sent her version and Hardwell himself chose that one as a final vocal version. The management, however, decided for Mitch Crown's "Call Me A Spaceman".
On 10 February 2017 the song "Go Down Low" by Badd Dimes was premiered in the 300th "Hardwell-on-Air" episode. Title track of the single is a remixed form of the song, done by Hardwell. In parallel, Dr. Phunk announced that their announced collaboration had been finished. In January 2017, his collaboration with producer Kaaze was finished. New vocals by Jonathan Mendelsohn were added but the release was delayed up to summer 2017. At the Ultra Music Festival 2017 on 25 March 2017 he premiered new productions with Austin Mahone, Maddix, Moksi and Henry Fong. Critics praised his set since he decided to play a strong variation of musical styles and presented many new songs, which made his appearance different from others.
On 12 May 2017 Hardwell released his single "Creatures Of The Night" featuring Austin Mahone. This track did not represent his typical big-room style, but more of the future bass style, which was very popular in in 2017. In his home country, the song entered the official single charts. In other European countries, "Creatures of the Night" achieved high rankings in both streaming and download portals.
On 20 June 2017 Hardwell released the first version of the song "We Are One" on Taiwanese record label Eternal Music. This version was done for the Asian market and features vocals of Taiwanese singer Jolin Tsai. As an instrumental version, the song got its premiere at the Ultra Music Festival of the previous year and was suspected to be a collaboration with Julian Calor or Armin Van Buuren. In fact, the track was just solo.
At the end of June 2017 a track by Hardwell could be heard during the so-called "Endshow" of the Saturday of the Defqon.1-Festival. The footage that was used in the video revealed the official name as "Make The World Ours". This song can be classified into the genre hardstyle and received very positive feedback. Two days later, on 20 June 2017, Hardwell published it officially on his own record label. It was speculated beforehand that the track would be released on "Q-Dance".
For summer 2017 the publication of two EPs was announced. At Ultra Europe, Hardwell premiered a collaboration with the Dutch dj duo Sick Individuals, that had been working on his record label for years. He also played the second collaboration with Afrojack, which had previously been rumored to be an Afrojack & KIIDA production. The song was completed after Hardwell's private jet had to make an emergency landing and Afrojack took him to his plane.
In the 326th episode of his "Hardwell-on-Air" podcast, published on 21 July 2017, he announced that the first part of his "Hardwell & Friends EP" would be released on upcoming Friday. Until then, he wanted to release the songs as singles day by day. The song "We Are Legends", which developed in collaboration with Kaaze and Jonathan Mendelsohn, represented the beginning of that project on 24 July 2017. On 25 July there appeared the official "Revealed" version of his track "We Are One". This version did not include Jolin Tsai's vocals, but instead of that the voice of Alexander Tidebrink. "Police (You Ain't Ready)" with Kura followed the next day. Also named on the single, was reggae artist Anthony B, whose vocals were part of a sampled, that was used in the break. The tracks roots reach back to January 2016, where Kura already presented the first drop of the song in his podcast "Ambush Radioshow". The releasing series continued on the following day by the track "All That We Are Living For". This song developed in cooperation with Dutch hardstyle dj Atmozfears and singer M.Bronx and was already premiered a year earlier at the final "I Am Hardwell Show" at "Hockenheimring" in Germany. "Smash This Beat" ended the week. The track represents the latest production, due to its first play at Ultra Music Festival 2017 and was recorded together with newcomer dj Maddix.
In the 330th episode of his radio show, he teased the tracklist of the second part of the second volume of his "Hardwell & Friends EP". Already several days before, the cover was released and due to that every collaboration partner as well as the associated ids. "Badam", that was recorded together dj Henry Fong and vocalist Mr. Vegas, was already announced to be a part of the EP in early June 2017 in an interview at Ultra Singapore. Hardwell and Mr. Vegas came in contact by a festival promoter, while Fong and him were already in contact for years. Secondly there is a first official collaboration with Kill the Buzz, after they were already working together on the tracks "Don't Give Up" and "Break the House Down", more or less uncredited. Titled as "Still the One" the song was played earlier this year by Kill the Buzz for the first time. At that time, it was not prognosticated to be a collaboration-track, among other things, because it was never played by Hardwell. A reason for that is, that the track consist of an instrumental track, which was produced by Kill the Buzz alone and some vocals Hardwell originally recorded for a collaboration track with Max Collins. They decided to combine the tracks after noticing, they fit together. The oldest track is represented by the song "What We Need", due to its premiere at Queens Domain in early 2015. After the track was not released in summer 2016, although Hardwell and Haris confirmed it as their upcoming single when they performed it together at Hockenheimring in Germany, they didn't mention the song in a proper context and didn't perform it longer.- Haris then replied a tweet on twitter on August, 1st, in which he confirmed, that they plan "something special" with it. Beside a bass house track with Moksi, that was premiered at Ulra Music Festival 2017, called "Powermove", also the collaboration track with Dr. Phunk is part of the ep. The song is called "Here Once Again" and was already confirmed to be released in early July 2017, but due to the releases of the eps, the release was postponed.
In the end of August 2017 Hardwell confirmed that he is working on the third "Hardwell & Friends EP". In an interview he also announced the third part of his "Hardwell & Friends EPs". He also announced the completion of the ninth collaboration with W&W.
On September 22, 2017, Hardwell and KSHMR released their collaboration track "Power", premiered in April 2017, was published on KSHMR's "Spinnin' Records" imprint "Dharma Worldwide". This track represets Hardwell's first release on "Spinnin' Records" since "Zero 76" with Tiësto came out on that label back in 2011. As a co-writer Shermanology-member Andy Sherman as well as Jarrad Kritzstein worked together with them. After the release was announced in late August 2017, Hardwell premiered the studio version on September 2, 2017 in his "Hardwell On Air" podcast. In the course of their collaboration, they hosted one episode of the "Spinnin' Sessions" and on the other an episode of "Revealed Radio".
On 6 October 2017 Hardwell published his third collaboration with Afrojack, titled "Hands Up". Like the predecessor "Hollywood", the track is based on a classic Dirty Dutch style. Another part of the track is Afrojack's live show supporter MC Ambush. In contrast to the two previous collaborations, Afrojack's record label "Wall Recordings" acted as the main label.
After the official announcement of the eighth volume of his "Hardwell presents Revealed" series via Instagram-Story at the beginning of September 2017, the release was announced to happen on 13 October 2017. In addition to the songs of his two Hardwell & Friends EPs, it also contains the intro of his 2017 live shows, "Who's in the House", as well as the unpublished track "The Universe", which in the meantime was thought to be a collaboration with Pitchback, Headhunterz or W&W.
Also on Instagram, Hardwell announced on 2 October 2017, to publish his first own perfume called "Hardwell Eclipse". The fragrance is available as of 20 October 2017 with the motto "The New Sound in Fragrance".
During the Amsterdam Music Festival on October 21, 2017, which included the release of this year's DJ-Mag Top 100 list, he first played a "back2back" live set with Armin van Buuren, which was previously announced as "Two is One". They gave a foretaste of their collab appearance in August 2017 with their 15-minute surprise performance at Dam Square in Amsterdam. As in the previous year, Hardwell lost a place in the DJ-Mag ranking and slipped to fourth place; third place went to Armin van Buuren.
After the first episode was published on Sirius XM on May 26, 2017, Hardwell officially announced a second hour of "Hardwell On Air" on November 16, 2017. This is called "Off The Record" and consists of a selection of songs that are stylistically very different from his normal style. The genre is based on a mix of futures bass, deep and tech house. The fact that Hardwell broadcast the series like this after it was already played on Sirius XM for half a year, the series was started with the 27th episode.
On January 18th 2018, Hardwell announced that the third volume of his Hardwell and Friends EP would be releasing soon, with a new track coming out everyday as of 19 January. The next day, Hardwell premiered the EP in the 350th episode of "Hardwell On Air". On 19 January 2018, he released "The Underground", a collaboration with Timmy Trumpet. The track was first premiered at Ultra Europe 2017.
Hardwell's style can be classified in different sub genres of the electro-house music. He describes his starting style as influenced by the hip-hop underground scene. Between 2005 and 2006, he developed his style more commercially and over time his productions were increasingly based on a mix of Tech House and Dirty Dutch. Around the year 2008 his songs became slower and more commercial. In parallel, he experimented with elements from other genres. During that time, he came up already with build-ups, which were very similar to the big-room genre that had emerged years later. With the release of the Single "Feel So High" in 2009, he published a tech-house song that corresponded to the classical progressive house, which was dying out, especially at the time.
At the beginning of 2010 he joined the growing EDM genre and increased his talent in the area of production with singles like "Move It 2 The Drum" or "Asteroid". 2011 there appeared his first successful singles in the field of electro house with "Zero 76" and "Encoded". With "Spaceman", he co-founded the big-room scene in 2012 and established himself permanently in this subgenre. One year later his singles "Apollo" and "Never Say Goodbye", which gave him a place in the modern progressive house style. By 2015 his singles could only be classified in these two areas.
On his studio album "United We Are", he used a trance-characteristics of trance music for the first time for his track "Echo" as well as Deep House sounds for "Birds Fly". All in all he received very positive feedback for those productions. In addition, Chameleon followed a song in the Jungle-Terror style, which he continued with the W&W number "Get Down". For the first time since "Don't Stop the Madness", "Hollywood" embodies a track corresponded to the Dirty-German-music in the spring of 2016 in parallel with a previously unpublished production with KURA from the section of the Trap music.
Starting from 2015, his syntheses were increasingly oriented on hardstyle samples. Already his Headhunterz collaboration "Nothing Can Hold Us Down" was created solely on hardstyle-based sounds. Also his solo productions "Run Wild" and "What We Need" contain countless features of this genre. He also presented the song "Wake Up Call" at the Biggest Guestlist Festival in Mumbai, which was initially suspected as the collaboration with Hardstyler Atmozfears, but later was confirmed by Hardwell as a solo production.
Since 2016 he has not only played a hardstyle-drop as a final of his sets, but in the last "I-Am-Hardwell" show at the Hockenheimring in Germany even eight individual titles. At that show he premiered his collaboration with Atmozfears as well and it has almost not even one characteristic of his big-room style. It was also a collaboration with Hardstyle-newcomer Dr. Phunk, which was presented at the end of 2016. He drifted into the raw-style with that track. His single "No Holding Back ", represents his first movement into the UK garage. The track represents elements of the Deep and Tech House scene as well for the first time since he released his Funkerman-Collab "Where Is Here Now".
On 7 January 2017, he released the song "Party till the Daylight", a production in the Bass House style, with which Hardwell made his debut in this genre. At the Ultra Music Festival, he premiered his "Future Bass" debut with the song "Creatures of the Night".
In the studio he works with a Roland A-49 MIDI Keyboard Controller White, Crane Song Avocet Remote II, and a Solid State Logic XLogic G Series Compressor. "reFX Nexus 2" is one of his favourite plugins. On 11 March 2015 he published a soundset for the synthesizer software "Sylenth1".
On his performances, Hardwell is mostly seen with Sennheiser HD 25 II headphones. According to his Technical Rider, he works with a Pioneer DJM-800 Nexus or a DJM-900 Nexus mixer. In addition, his set-up contains four interconnected Pioneer CDJ 2000s.
Hardwell's parents are active in a foundation for DJs that helps young artists deal with contracts, managers and record labels.
In 2016 he was heard as a voice actor in the animated film "The Secret Life of Pets". There he gave his voice to the little pug Mel; he himself is the owner of a pug named Jäger. Since 2014 he is in a relationship with the Dutch event manager Yanicke Agnes. They met in a bar in his hometown of Breda in 2013. His annual salary is estimated at 9.5 million euros.
|2012||IDMA||Best Break-Through DJ||Hardwell||Won|||
|DJ Awards||Best European DJ||Nominated|||
|2013||IDMA||Best Global DJ||Won|||
|Best Radio Mix Show DJ||Nominated|
|Best Electro/Progressive House Track||Hardwell - Spaceman||Nominated|
|Best Electro/Tech House Track||Nominated|
|Best Podcast||Hardwell - Hardwell On Air||Nominated|
|DJ Awards||Best Electro-House||Hardwell||Won|||
|MTV European Music Awards||Best Dutch Act||Won|||
|Best Electronic Act||Nominated|
|Best World Performance||Nominated|
|IDMA||Best Global DJ||Won|||
|Best Progressive House/Electro DJ||Won|
|Best Electro/Progressive House Track||Hardwell feat. Amba Shepherd - Apollo||Nominated|
|Best Featured Vocalist Performance||Hardwell feat. Amba Shepherd - Apollo||Won|
|Best Podcast or Radio Mixshow DJ||Hardwell - Hardwell On Air||Nominated|
|2015||Best Global DJ||Hardwell||Won|||
|Best Progressive House/Electro DJ||Won|
|Best Electro/Progressive House Track||Hardwell & Joey Dale feat. Luciana - Arcadia||Won|
|Best Compilation or Full Length DJ Mix||Hardwell Presents Revealed Volume 5||Won|
|Best Podcast or Radio Mixshow DJ||Hardwell - Hardwell On Air||Won|
|Best Global Music Label||Revealed Recordings||Nominated|
|DJ Awards||Best International DJ||Hardwell||Won|||
|Best Electro/Progressive House||Won|||
|2016||IDMA||Best Global DJ||Won|||
|Best European DJ||Nominated|
|Best Progressive House/Electro DJ||Won|
|Best R&B/Urban Dance Track||Hardwell feat. Jason Derulo - Follow Me||Nominated|
|Best Electro/Progressive House Track||Hardwell feat. Jake Reese - Mad World||Nominated|
|Best Compilation or Full Length DJ Mix||Hardwell Presents Revealed Volume 6||Won|
|Best Podcast or Radio Mixshow DJ||Hardwell - Hardwell On Air||Won|
|Best Featured Vocalist Performance||Hardwell feat. Jake Reese - Mad World||Won|
|Best Global Music Label||Revealed Recordings||Nominated|
|NRJ Music Awards||Best International DJ||Hardwell||Nominated|||
|DJ Awards||Best International DJ||Nominated|
|Best Big Room House DJ||Won|||
|2017||DJ Awards||Best International DJ||Won|||
|Best Big Room House||Won|


view of Publish and be Damned inside the Barbican's Conservatory
Aleksandra Mir with her issue of Pablo Magazine!
Pablo Magazine and Kiki Mazzucchelli's Poster Project
Poster Project 'O Cartaz Como Espaco Expositivo Expandido' (The Poster as an Expanded Exhibition Space) curated by Kiki Mazzucchelli and designed by Mel Duarte, posters by Inti Guerrero/Alexandre Vogler, Pablo Leon de la Barra and Carla Zaccagnini/Nicolas Robbio.
Esther Planas with her publications and Pablo Leon de la Barra
Kiki Mazzucchelli and Mel Duarte
most beautiful flower of the garden, artist Ludovica Gioscia
Publish and be Damned initiator/curator/organizer/emancipator Kit Hammonds
Publish and Be Damned
an evening at Barbican's Conservatory as part of the Gordon Matta Clark/Trisha Brown/Laurie Anderson exhibition
A special appearance from PABD’s cult publishing fair, featuring some of the very best independent and DIY publications, books and magazines made by artists and print enthusiasts.
A beautiful setting and a great small group of independent publishers. Unfortunately the Barbican charged 10 pounds entrance (not very much in the 70s New York independent artists spirit) which made the visitors less enthusiastic about buying the publications. The event also didn't seem to be properly advertised, and the date and time (Thursday 6.30 to 10) were weird, it might have worked better on a Saturday...


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(WKBN) – The Supreme Court of Ohio ruled in favor of a company that operated a Weathersfield saltwater injection well, which was shut down by the Ohio Department of Natural Resources after earthquakes in the area.
AWMS Water Solutions, LLC operated the wells on 5.2 acres of industrial property in Weathersfield Township. They were used for disposing of saltwater, a byproduct of oil- and natural-gas production.
On July 28, 2014, a 1.7-magnitude earthquake was recorded near the company’s second well. On August 31, 2014, a 2.1-magnitude earthquake was recorded in the same area.
ODNR’s Division of Oil and Gas Resources Management ordered that AWMS suspend operations at the second well, saying it may have contributed to the seismic events.
AWMS contends that it submitted plans to rectify any issues to ODNR but said responses from ODNR were delayed while the division worked on implementing a statewide policy to address induced seismicity.
The Franklin County Court of Common Pleas originally ruled in favor of AWMS, ruling that the division’s failure to respond to AWMS’s plan for resuming operations was unreasonable. The court stated, “[It] defies logic as to how [the division] can expect [AWMS] to formulate and submit a comprehensive plan that would comply with a statewide policy that has yet to be formulated and completed.”
ODNR appealed, however, and the Tenth District Court of Appeals reimposed the suspension of operations at the well.
On Aug. 26, 2016, AWMS appealed to the Eleventh District, alleging that the suspension order effected a governmental taking of its property, which would require the state to pay compensation to AWMS.
AWMS argued that it had complied with the law and permit conditions, had not endangered public health and safety of the environment and had been subjected to a “permanent shutdown,” rather than a temporary suspension of its operations.
The Eleventh District Court sided with the state, saying that ODNR only shut down operations at one of its wells and that the company could continue other operations at the site to its economic advantage. It also found that AWMS’s investors had been aware of the seismic activities in the Youngstown area and of the risks involved with the operation of AWMS’s injection wells.
By a 5-1 majority, the Supreme Court of Ohio reversed that decision, however, sending the case back to the court of appeals for consideration of the economic impact of the well’s closing. The court also ordered the court of appeals to look at the parties’ evidence of claims that ONDR’s suspension of operations constituted a “total-taking” of the company’s operations, depriving it of the economic benefits of the well being in operation.
More stories from WKBN.com:

domain: law


TruScan EEG 6.34.1761 is free to download from our software library. The following versions: 6.4 and 6.3 are the most frequently downloaded ones by the program users. This free program is an intellectual property of DEYMED DIAGNOSTIC.
The most frequent installer filenames for the software include: Acquisition.exe, EEG32.exe and Postzprac.exe etc. Our built-in antivirus checked this download and rated it as 100% safe. The program lies within Multimedia Tools, more precisely General.
From the developer:
A tool that combines state-of-the-art amplifiers with an intuitive interface.
In order to complete the installation of the TruScan Software you will need to receive activation codes for both TruScan Explorer and TruScan acquisition These codes are needed so you can begin to record qEEG, receive your Neurofeedback games, UDP connect for Neuroguide or any other additional software features purchased.
You may want to check out more software, such as EEG Space Race, EEG Reporter or BioGraph Infiniti EEG Suite for ProComp Infiniti, which might be similar to TruScan EEG.


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text:
Animal Bro aka Jovana Yoka Terzic is a professional artist and occasional art
tutor, born and grown in Europe, and since 2011 living and working in Australia.
A large part of their opus is an assault on monoculture that focuses
on exposing and promoting fringe values and lifestyles, both past and modern.
Yoka’s work has so far been exhibited on three continents.

domain: artistic


Looks like Captain Kirk’s hubris may finally cause his undoing. I say that because it’s alluded to in the fantastic first trailer for Star Trek Into Darkness which dropped today. While plot details remain muted, this J.J. Abrams directed sequel has all the original reboot cast back aboard the Enterprise and battle stations ready. Rumor has it they’ll be doing battle versus fan favorite villain, Khan. No doubt he’ll be playing deadly mind games versus his old pal Kirk — the fun will be watching it play out in epic fashion. Until the summer of 2013 though, you’ll have to get your fill from production teasers. You can start with the official trailer courtesy of Paramount Pictures!
Star Trek Into Darkness stars Chris Pine, Zachary Quinto, Benedict Cumberbatch, Karl Urban, Zoe Saldana, Simon Pegg, John Cho, Anton Yelchin and Alice Eve.
Star Trek Into Darkness rescues US and UK theaters on May 17, 2013.


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PROFESSIONS, VOCATIONS, AND BUSINESSES
54-3902. Definitions. As used in this chapter:
(1) "Athlete" means a person who participates in exercises, sports, or games requiring physical strength, agility, flexibility, range of motion, speed or stamina and which exercises, sports or games are of the type generally conducted in association with an educational institution or professional, amateur or recreational sports club or organization.
(2) "Athletic injury" means a physical injury, harm, hurt or common condition (such as heat disorders), incurred by an athlete, preventing or limiting participation in athletic activity, sports or recreation, which athletic trainers are educated to evaluate and treat or refer to the directing physician.
(3) "Athletic trainer" means a person who has met the qualifications for licensure as set forth in this chapter, is licensed under this chapter, and carries out the practice of athletic training under the direction of a designated Idaho licensed physician, registered with the board or a designated Idaho licensed chiropractic physician.
(4) "Athletic training" means the application by a licensed athletic trainer of principles and methods of:
(a) Prevention of athletic injuries;
(b) Recognition, evaluation and assessment of athletic injuries and conditions;
(c) Immediate care of athletic injuries including common emergency medical situations;
(d) Rehabilitation and reconditioning of athletic injuries;
(e) Athletic training services administration and organization; and
(f) Education of athletes.
(5) "Board" means the Idaho state board of medicine.
(6) "Board of athletic trainers" means the Idaho board of athletic trainers established in this chapter.
(7) "Directing physician" means a designated person duly licensed to practice medicine in Idaho, registered with the board or a designated Idaho licensed chiropractic physician, who is responsible for the athletic training services provided by the athletic trainer and oversees the practice of athletic training of the athletic trainer, as established by board rule. This chapter does not authorize the practice of medicine or any of its branches by a person not so licensed by the board.
(a) This direction will be provided by verbal order when the directing physician is present and by written order or by athletic training service plans or protocols, as established by board rule, when the directing physician is not present.
(b) Upon referral from a physician licensed in another state and in good standing, the practice of athletic training or physical rehabilitation and/or reconditioning shall be carried out under the written orders of the referring physician and in collaboration with the directing physician.
[54-3902, added 1989, ch. 179, sec. 1, p. 442; am. 2003, ch. 261, sec. 1, p. 686.]

domain: sports


text:
During the pandemic, shopping frequency fell and basket size increased.
Is this still the case and how have Discounters and Private Labels developed in the wider European context?
The second quarter of 2022 still shows low shopping frequency and large basket sizes
The pandemic led to less shopping around, fewer store visits and very large basket sizes in a record FMCG market. Despite the rise in Discounter shares and although there is country variation, on average both behaviours carry over into the middle of 2022 – inertia, continuing covid concerns or fuel costs or all three?
Discounter shares are rising across Europe boosted by store numbers and higher prices
The pandemic slowed Discounter progress in W Europe but has been consistent in E Europe alongside store number increases. The effect of new stores opened since 2019 in W Europe are now taking effect – and in both regions higher than average % price rises are also driving share.
Private Label shares are rising across Europe driven by Discounters and higher than average price rises
Discounters hold a much higher Private Label share than average and so the rise in Discounters is a key reason for PL share increases. Added to this, PL prices are rising faster than average in % terms.

domain: geography


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text:
Miller to start in goal for US men against Slovenia
SOCHI, Russia — Ryan Miller has been named the starting goaltender for the U.S. against Slovenia.
The star of the Americans’ silver-medal winning team four years ago sat and watched Jonathan Quick play in the first two games of the 2014 Olympics.
Miller was to start Sunday against Slovenia, the final preliminary-round game for both teams.
Quick made 29 saves and stopped five attempts in a 3-2 shootout victory over Russia. He also helped the U.S. open the Sochi Games with a 7-1 win against Slovakia.

domain: news


There is SO MUCH this camp offers. Showing it and telling about it without being crowded is the challenge. In the three years since we overhauled their look, their attendance has doubled.
Another pitch piece for television studios, a reality show that follows people in the seamier side of Hollywood, as well as celebrities who intercede. In addition to this multi-page piece, I designed the show logo—and gave the show its name.
Cover and sample page for a prospectus for pitching to television studios. Story Circus is a kids’ show populated with high production value stories presented by arts celebrities.
A big selling point for Dr. Royall is his quirky, humorous personality. Yeah, we can make that work in his favor. The foot and little shoe sketches were drawn for this. This was also inexpensive to print, using only two colors.
Just starting out, Dr. Royall needed to be set apart from the run of the mill. The cover reminds us that feet are complex and handle an extreme workload.


text:
The number of babies born in the U.S. hit the lowest level in more than three decades last year, furthering the country's ongoing "coronavirus pandemic is likely to drive down numbers even further.." Experts say the
The Centers for Disease Control and Prevention (CDC) released preliminary data Wednesday indicating that American women are now expected to have an average of approximately 1.71 children over their lifetimes. That means that, once again, Americans are not having enough babies to replace previous generations.
Based on a review of more than 99% of all birth certificates, 3.75 million babies were born in the U.S. last year, down about 1% from 2018 and the lowest number since 1985. Births in the U.S. have fallen every year since 2007 except for a slight uptick in 2014, the CDC said.
Teen births, in particular, continued declining to a new record low.
Reflecting a trend of having childrencompared to previous generations, birth rates fell for women in their 20s and early 30s, but continued to rise for women in their 40s. High rents, low-paying jobs and exorbitant college debt are just a few of the factors pushing towards having fewer children at a later age, experts say.
The CDC report also found:
- The rate of births to women ages 15 to 44, known as the general fertility rate, sank to a record low of 58.2 per 1,000.
- The cesarean section delivery rate dropped to under 32%.
- The percentage of infants born at less than 37 weeks of gestation rose for the , to more than 10%.
- Most races experienced a decline, but births increased 3% among Native Hawaiians or other Pacific Islanders and remained constant among Hispanic women.
Some experts believe the COVID-19 pandemic may further depress birth rates this year.
"This unpredictable environment, and anxiety about the future, is going to make women think twice about having children," Dr. Denise Jamieson, chair of obstetrics and gynecology at Emory University, told The Associated Press.
Additionally,have been paused in many cases, and economic instability is often a major contributor to low birth rates.
While some have suggested that birth rates could actually go up due to the pandemic, as a result of decreased access to birth control andcoupled with more free time at home, most are wary of such predictions.
The concept of a boom in "coronababies" is "widely perceived as a myth," Hans-Peter Kohler, a University of Pennsylvania fertility researcher, told AP.
Brady Hamilton, the CDC report's lead author, cautioned that it is impossible to predict how exactly the pandemic will impact births. The effects won't become clear until later 2020 or early 2021, Hamilton said.
for more features.


The size of the Middle East and Africa home healthcare software market is predicted to grow at a moderate CAGR during the forecast period.
Home healthcare software is uniquely designed to support technology services to manage and support people in-home care, assisted living, and independent living settings. Home healthcare software is a viable solution that lowers healthcare costs. Home care solutions are highly easy-to-use solutions that deliver error-free medical information, increase operational efficiency, and enable home care agencies and physicians to communicate effectively to provide quality patient care. The increase in the geriatric population prone to chronic diseases is expected to create a strong demand for specialized care for nursing homes and assisted living facilities. Additionally, the launch of home care software solutions is expected to increase convenience for geriatric patients and healthcare providers. These solutions minimize overall operating costs and deliver a high return on investment for healthcare providers.
Various factors, such as increasing adoption of cloud computing mode of delivery, shift to telehealth technology, increasing adoption of smartphones and tablets, and increased investments in technology by major vendors and agencies' home care products, drive the market over the forecast period.
Skyrocketing healthcare costs will drive the market, an aging population increasing the incidence of chronic conditions, the hospital readmissions reduction program, medical and nursing staff shortages, and supportive government initiatives across the MEA region.
However, the growing incidence of data breaches and loss of privacy, high expenses for maintenance and service, a shortage of trained IT professionals, changing reimbursement policies, limited insurance coverage, and Concerns about patient safety. These are the factors expected to hamper the market's growth.
Impact of COVID-19 on the MEA home healthcare software market:
The COVID-19 pandemic is facing a mixed impact on the MEA home healthcare software market. As the MEA home healthcare market comprises various products and services, these two have different growth rates. Therefore, the COVID-19 pandemic will positively impact some home healthcare monitoring products, namely blood glucose meters, blood pressure monitors, thermometers, and pulse oximeters, while having sluggish growth in the home healthcare software sector.
This research report on the MEA home healthcare software market has been segmented and sub-segmented into the following categories.
By Type of Software:
By Mode of Delivery:
Several regions of the world are experiencing a rapid increase in patients with chronic conditions. Middle East appears to dominate the MEA home healthcare software market. The UAE is the main contributor to revenue generation in the Middle East region. The number of older people is estimated to reach approximately 1.5 billion by 2050. An aging population demands more patient-centered health services, which increases the demand for workers and health agencies, which is expected to drive market growth.
Egypt is still known for the prosperous regions of the world, and soon the region will also know it for its senior population. The growing geriatric population is found in Egypt, but some Arab countries, such as Oman and Saudi Arabia, offer lucrative growth prospects for the market. It is predicted that by 2050, around 45% of the African population will be over 65. It is important in Turkey, where the percentage of the 65-year-old population is 20% in 2020 and is expected to reach 25% by 2035. With the aging population in a country like Saudi Arabia, the chronic disease prevalence will be higher, translating into a larger patient population and, consequently, greater demand for home healthcare software.
The recent economic boom in the African region and the increased health spending per capita are also essential factors for the region's growth. In addition, growing demand for home healthcare software services to reduce rising healthcare costs, increased awareness that triggers adoption rate, and technological advancements that lead to cost efficiency and ease of use are other factors contributing to the market's growth.
KEY MARKET PLAYERS:
Allscripts Healthcare Solutions, Carestream Health, GE Healthcare, NextGen Healthcare Information System LLC, Siemens Healthcare, Novarad Corporation, MEDITECH, Cerner Corporation, Agfa Healthcare, WellSky, Medical Information Technology, Inc. (Meditech), and Continulink are some of the notable players in the MEA home healthcare software market.
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text:
Read this tip to make your life smarter, better, faster and wiser. LifeTips is the place to go when you need to know about Hiking with Pets and other Hiking topics.
If you take a pick-up truck to your hiking destination your dog should ride with you in the cab. If this is not possible for whatever reason, purchase a dog carrier and put your dog in it when he or she travels with you. Dogs have died from falling or jumping out of the bed of a truck. Leashing them to something in the bed of the truck is not sufficient, as dogs have inadvertently hanged themselves trying to jump from the truck. Place padding the floor, ceiling and sides of the truck bed for better protection.

domain: pet


text:
In the ever-evolving world of gaming, the concept of top up higgs domino via pulsa has taken the industry by storm. These games, often available on a variety of platforms including mobile devices, PCs, and gaming consoles, offer players a unique and captivating gaming experience. With the ability to enhance your gameplay, top-up games have become a popular choice for gamers of all ages.
A New Level of Engagement Top-up games are designed to immerse players in a world of endless possibilities. Whether you’re battling mythical creatures, building empires, or embarking on epic quests, these games offer a level of engagement that keeps players coming back for more. The rich storytelling, stunning graphics, and complex gameplay mechanics provide an immersive experience that transcends traditional gaming.
In-Game Purchases One of the defining features of top-up games is their in-game purchase system. Players can spend real money to acquire virtual items, currency, or power-ups, enhancing their gaming experience. While some may view this as a drawback, it’s important to note that these microtransactions support the continuous development and improvement of the game. Moreover, they allow players to customize their experience, making it more enjoyable and personalized.
Competitive and Social Aspects Many top-up games have a strong competitive element, allowing players to test their skills against others from around the world. Leaderboards, tournaments, and rankings encourage friendly competition and create a sense of achievement. Furthermore, these games often facilitate social interaction through in-game chat, teaming up with friends, and joining guilds or alliances. This social aspect enhances the overall gaming experience, as it promotes teamwork, strategy, and camaraderie.

domain: entertainment


text:
Network and Telecommunication Power Electronics
Technical Lecture Session
GaN, envelope tracking, interleaved buck, multilevel buck, current balancing, RF power amplifier
In this paper, the authors proposed an analytical design approach for high bandwidth envelope tracking applications using a two-phase three-level buck converter option. The proposed design has an average tracking efficiency of 94.5% and a peak efficiency of 97.5% at 26 W and 115 W respectively.Power loss models are developed and comparative analysis with equivalent four-phase two-level buck converter is presented. Simulation results and performance analysis are presented to validate the proof of concept.

domain: literature


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The Production and Preservation Committee develops and advances policies to increase affordable housing production, while preserving our existing affordable housing stock and growing the overall number of affordable housing opportunities across the Commonwealth.
Comprised of developers, lenders, builders, and other housing providers, the Committee advocates for new legislation, programs, and policies and educates lawmakers and other policy makers.
The Committee is chaired by:
- Howard Cohen, Chairman of the Board, Beacon Communities
- Leslie Reid, Vice President of Programs, Madison Park Development Corporation
If you are interested in joining this committee, please use the button below to sign up. (If you already have a CHAPA account, log in and edit your account information.)
Committee Meeting Dates
CHAPA's Production and Preservation Committee meeting dates are listed at the end of the page.
Click here to view CHAPA's 2019 meeting dates for all three Committees on Homelessness, Public Housing & Rental Assistance Committee and Production & Preservation.
Committee Meeting Notes
Notes from previous Production & Preservation Committee meetings:


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Home and Family
Not only people whose work it is to work with groups are interested in The Art of Hosting. Art of Hosting practice is as valuable at work as it is in public life, and also at home.
We often say that we are not teaching anything new, we are rediscovering a basic human practice that all of us intrinsically know. Many people who take part in an Art of Hosting training say it is transformative, both for the way they look at how groups work and for how they approach life.

domain: sociology


TPure | Analogues
Analogue is an implant replica used for closed tray and open tray measurement techniques to help easy, fast and convenient measurement. Analogues are made of TiGr5 material. TPure analogues are divided into 3 as standard, multi-unit Hex and multi-unit No-hex. In addition, the ball analogue and equator analogue for removable prosthesis solutions are provided for accurate and fast measurement by users.


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- NFIB to Silver: You Want Better Schools, Reform Scaffold.
- NFIB Legal Center Submits Hard-Ball Questions to IRS Over Affordable Care Act Regulations
- NFIB Legal Center Dissents in Sarbanes-Oxley Case
- ‘Circuit breaker’ won’t fix New York’s property tax problem
- Should Antitrust Laws Apply to State and Local Governments Engaged in Anticompetitive Market Conduct?
Tag Archives: Elections
Yes, it’s that one time of year (other than election season) when everyone running for office, or trying to stay in office, claims to be the best friend small business ever had. Like any good employer, voters should do a … Continue reading
Michigan’s Constitution allows citizens to initiate legislation and also repeal existing Public Acts by gathering a required amount of signatures within a prescribed time frame and putting the proposed legislation (or rejection of current legislation) on a statewide ballot for … Continue reading
Sometimes it is best to wait until the smoke clears from the field of political battle to weigh in. As Tuesday night unfolded here in New York, it instantly became apparent that the prevailing winds brought a shroud of uncertainty … Continue reading
With the terrible destruction that Hurricane Sandy unleashed on the east coast, my thoughts are with those that are suffering unspeakable devastation this morning. You have been inundated with television commercials, radio ads and newspaper stories. NFIB has been front … Continue reading
ALBANY -New York’s leading small business association, the National Federation of Independent Business, has announced 75 total endorsements to worthy candidates seeking office in both the State Assembly and Senate. “I am pleased to extend the National Federation of Independent … Continue reading
NFIB/NY recently awarded our most coveted honor to an elite list of New York State Legislators. This award is no mere token of gratitude; it must be earned. The NFIB “Guardian Award” recognizes state legislators who have, through their voting … Continue reading
The National Federation of Independent Business (NFIB), New York’s leading small business advocacy organization, released its 2011-2012 Legislative Voting Record today. The Voting Record identifies the top issues for New York small business owners, tracks the votes of every legislator … Continue reading
As the Republican National Convention began in earnest today, and a theme of small business and celebration of America’s entrepreneurial spirit prevalent in today’s proceedings, I thought it would be a perfect moment to highlight some of the many ways … Continue reading
A few bits of news about various types of donations and contributions today… The NY AG is looking into tax-exempt groups’ contributions, with a focus on those that are politically based. With quite a few retirements from Congress this year, … Continue reading


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Misinformation through Whatsapp forwards —videos and photos — spreads like wildfire. Here is our compilation of fake Whatsapp videos that went viral and the reality behind these distorted facts
What was shown: “Muslim women in Dubai mark a first, sing Ram bhajan inside mosque and their sheikh husbands applauded and joined them,” this message was being circulated with a video, which shows burqa-clad women singing Hindu devotional songs. But the video is not from a mosque in Dubai – it is from the ashram of spiritual guru Sathya Sai Baba at Puttaparthi in Andhra Pradesh.
What was shown: “This is what Indian army forces do to Kashmiri women’s in front of her father. #Kashmiratrocities #IndianBrutality,” a video has been circulated on social media with this caption to claim that an Indian Army man is thrashing a burqa-clad Kashmiri woman with a whip. The video includes an audio commentary in the background where a man can be heard asking Muslim youth to unite against the torture. But it is an old video from Syria.
What was shown: A video which shows a young woman being set on fire in the middle of a street, has gone viral with the claim that a “Hindu girl (was) burnt alive in Madhya Pradesh because she attended a prayer meeting in a Christian Church.” But the video is from Guatemala (South America). The woman, who was lynched in the video, was accused of murdering a cab driver.
What was shown: Union Minister for Railways, Piyush Goyal, posted a video of the Vande Bharat Express with the caption, “It’s a bird… It’s a plane… Watch India’s first semi high speed train built under ‘Make in India’ initiative, Vande Bharat Express zooming past at lightning speed.” But the video was a clipped portion of a YouTube video and was speeded up to twice its original speed.


The GridION system, developed by Oxford Nanopore Technologies, is a cutting-edge sequencing platform designed for real-time, long-read, and scalable DNA and RNA sequencing. Based on nanopore sequencing technology, GridION has transformed genomics research by delivering long and highly accurate reads, which enable detailed characterization of complex genomic regions, structural variants, and more. Suitable for both large-scale and small laboratories, it provides a versatile solution for a diverse array of sequencing applications. Offers immediate data streaming, allowing for real-time analysis and faster results. Nanopore sequencing provides considerably longer reads than traditional sequencing methods, aiding in de novo genome assembly, detection of structural variants, and more. Users can adjust the sequencing throughput based on the project's needs, making it suitable for both large and small projects. The compact and modular design of the GridION system ensures it can fit easily into any lab setup. Capable of sequencing native DNA and RNA molecules without the need for PCR amplification, preserving epigenetic modifications. Applications: Genome Assembly; Structural Variant Detection; Transcriptomics; Metagenomics; Epigenetics; Real-time Surveillance. In summary, the GridION system from Oxford Nanopore Technologies is a game-changer in the sequencing arena. Its ability to generate real-time, long-read sequencing data provides researchers with unparalleled genomic insights, facilitating breakthroughs in genetics, medicine, and environmental science.
Explore the research areas in which this equipment has been used. These labels are generated based on the related outputs. Together they form a unique fingerprint.


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Four years ago the Australian Film Institute became the Australian Academy of Cinema and Television Arts (AACTAs), in a rebranding that aimed to improve the profile of the industry. No longer an “institute”, Australia’s filmmakers were brought under a new banner: “academy”. It made us sound prestigious, and we even moved our awards ceremony to January in line with the US awards season.
The AFI was established in 1958, and we certainly needed a makeover. Over the past few decades we were losing audiences and relevance. So with a sexier statuette and the label of “academy”, it felt like we were really recognising a history of filmmaking in Australia.
While some parts of the overhaul were obvious, there was another significant change that wasn’t so apparent. We moved our ceremony from Melbourne to Sydney’s glamorous shores and ditched the less star-studded bits of the awards from the broadcast. What we call the craft awards is now celebrated with a mid-week luncheon. For those who may have missed it, that was on Tuesday, and if the AACTAs stick to their short tradition, then tonight’s broadcast will give you a quick rundown of the winners. But the finer details will be missed.
Firstly, if they don’t bother to mention it in little montages during the broadcast, you could easily be left to believe we don’t award our hard-working crews, short films or documentaries at all. Sure it’s a good excuse to have a long boozy lunch, but it’s also about awarding excellence.
Australian crews have an incredible reputation internationally; it’s not just our locations and Fox Studios that bring the likes of Angelina Jolie and Steven Spielberg here. We are a fertile training ground. Just look at the success of Catherine Martin that stemmed from films like Priscilla, Queen of the Desert or Andrew Lesnie, who shot Babe well before winning Oscars for Lord of the Rings.
Tuesday’s awards could have been the beginning of a future Oscar winner, so why not broadcast it to the nation? If the Walkley Awards can manage a full broadcast on ABC iView, which can now be streamed to digital TV, why can’t we find a digital channel to do the same for us?
As a producer, being broadcast on a primary network does not matter that much to me. What matters is celebrating our industry together, just like on set. When you make a film, television series or documentary you become like family. Producers, writers, directors and actors are nothing without the crews there to realise the work.
They allow us to do what we do and we need to nurture them, celebrate them and use them to inspire the next generation of filmmakers. Giving them a moment in front of the camera next to our big names shows what is possible, and how your talents and passions can be crafted in so many ways. It is not just about whether you can write, act or even direct. It is also about how it sounds, how it looks and is cut together.
Rattling off winners in short packages throughout the TV broadcast gives audiences no context. It doesn’t show the level of competition or what is even in competition. It does not show how low-budget films made on the smell of an oily rag can beat those with big budgets.
Tuesday I saw this first hand when the low-budget documentary I produced, Sons and Mothers, won Best Cinematography in a Feature Documentary. Our film about a group of disabled actors creating a theatre show about their mothers was shot mainly in a rehearsal hall, and it beat Deepsea Challenge 3D. As the title implies, our main competition was a 3D documentary shot on a boat and in the deep sea — no easy task. But we proved that excellence in our craft comes in all forms. If you get to hear any of my cinematographer Maxx Corkindale’s speech, you will see he was shocked and humbled by the award. This was his first feature credit, and the AACTAs gave him a pat on the back that will have a profound impact on his career.
I may sound like a gushing proud mum, but for me as a producer this is what it’s about. It’s about showing our future filmmakers how to dream big and when the big budgets don’t come, still believe they are in with a chance at the AACTAs.
When I first attended the AFIs it was in 2007 as producer for the short film Swing, and it was one big celebration. We had a meal in Melbourne’s Crown Casino, the event was broadcast, and everyone was given L’Oreal showbags (the makeup giant was the sponsor at the time). This was my first short film and I had made it. I was rubbing shoulders with the stars, and craft awards were just as important as the big-name awards.
While I have romantic memories of having cocktails standing next to Geoffrey Rush, I have taken the rose-coloured glasses off. Sure we had actors presenting our awards on Tuesday, but they weren’t the Hollywood names of Cate Blanchett, Russell Crowe or Rose Byrne. They were TVs Adam Zwar (our host), Emma Lung, Michael Dorman and Brooke Satchwell.
And there was red carpet saved for them. Just like in 2007, we discovered there are two ways you enter — either ushered on to the red carpet, where photographers await, or down an alternate channel lined by the photographers’ backs. Which path you get, just like the ceremony, depends on which side of the camera is your livelihood.
While I laugh at the ridiculousness of it I still can’t help but feel this too demeans what it is all about. We may be used to working behind the camera and happy to avoid it at times, but why can’t we have our moment on the red carpet to at least take a selfie?
Just letting celebrities walk the red carpet at an awards ceremony where there are no categories for them makes no sense. Surely after putting in 12- to 14-hour days weeks on end to realise a writer’s words, a director’s vision and an actor’s performance we can give our crews a bit more respect.
*This piece originally appeared at Daily Review.


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Crest 3D White Glamorous White Whitestrips are a white stripe with a 3D effect. Ideally, the strips should be used once a day for 30 minutes at a time. They are effective in removing both external and intrinsic tooth stains when used as prescribed. Approximately 14 percent hydrogen peroxide is included in each strip.
Should I use Crest White Strips everyday?
You must use your teeth whitening strips on a regular basis in order to achieve the optimum results; but, using them more frequently or for a longer amount of time than recommended by the manufacturer may result in erosion of your tooth enamel, which may result in sensitivity and other problems.
How often should you do Crest White Strips?
Teeth whitening strips should be used on a regular basis to lighten the color of the teeth. Do not miss a single day! Continue to use your teeth whitening strips for the full amount of time specified in the directions on the package. Typically, teeth whitening strips are intended to be used every day for at least two weeks in order to be effective.
How many times a week should you use teeth whitening strips?
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Wear the strips for 30 minutes every day for a total of ten days. Brilliance White – An unknown concentration of Hydrogen Peroxide is applied for 30 minutes every day for brilliance white. Crest recommends that you utilize the entire package for the greatest results (there are 16 treatments, putting it at just over two weeks).
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Should I use Crest White Strips in the morning or at night?
WOULD IT BE SAFE FOR ME TO WAER CREST WHITESTRIPS WHILE I SLEEP? No, you should not wear Whitestrips when sleeping or while sleeping. These treatments are intended to be worn just for the duration of the suggested usage period. Do not clean your teeth shortly before applying your Crest Whitestrips.
How long should I wait to eat after whitening strips?
While it may be difficult to avoid some of the items that contain these ingredients, dentists recommend that you avoid certain meals and beverages for up to 48 hours after having a tooth whitening process performed.
Can you swallow saliva while using whitening strips?
What happens if I swallow the strip or a portion of the gel from the strip, and what occurs next? When the peroxide gel is consumed, there will be no negative side effects. In most cases, it will just pass through your system without doing any harm.
Do you rinse after Crest White Strips?
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- Wipe the gel from your teeth.

domain: medical


During the pogrom, shit has been dolloped on the 99% from the very greatest height. It doesn’t feel like there is one Tory who is on our side.
One area where the entire toolbox are now concerned is the NHS which the toffs know is their biggest Achille’s Heel. As well as sticking their knives in the NHS, Tories also have the task of trying to save their own NHS. These cocknuggets have no problem in being hypocritical. Being a lying hypocritical shameless bastard has now become a part of the Tory persona. But don’t expect shame from a Tory, they have no shame. If they could, the whole toolbox would be lining up to sell their mothers into slavery.
The fact is that as the brilliant Sciptonite lady observed, “we no longer have a Parliament, we have a Mafia” http://www.scriptonitedaily.com/2014/03/12/we-no-longer-have-a-government-we-have-a-mafia/ DC’s ties with Coulson may not be examined thoroughly by ‘Red Ed’, but it caused Mr Precious to write this this about the shit: “…centuries of decaying slime, the mountainous bubbling excrement depravity shown by Eton-educated millionaires and their cronies.” (Morning Star, 02-07-14)
One reason why the condom heads vaunt their own local hospitals is because they are scared. Tories love using the ideas of the master of the dark art of propaganda, Goebbels. “Think of the press as a great keyboard on which the government can play.” https://www.goodreads.com/author/quotes/281832.Joseph_Goebbels But no matter how the shit dreks tinkle they can’t prevent the system breaking. Its true its in the power of the government at the moment to administer a sticking plaster, but the devastation wreaked by the shmucks is also likened by another quote of the Nazi: “We shall go down in history as the greatest statesmen of all time, or as the greatest criminals” https://www.goodreads.com/author/quotes/281832.Joseph_Goebbels The principle problem is that by its very nature the sticking plaster is temporary. If nothing happens between now and the general election, which will not happen, then the sticking plaster technique could work, but something big is about to happen, which will mean that no amount of sticking plaster would be adequate. I call it The Grim. Its the only time when the dull newsletters of the dip-shits will be enjoyable.
Tory MP of Milton Keynes North Mark Lancaster is a case in point. The millionaire pillock’s fucking newsletter is in my inbox, along with hundreds of others (sad man that I am). Here’s a bit of shit from the newsletter after the nebbish Lancaster visited Milton Keynes Hospital: “Both Iain Stewart MP and I believe that this news can only strengthen and attract the right calibre of consultants and surgeons to MK and will demonstrate the confidence we have in the dedicated service the hospital provides.” Stewart is also a Tory MP. All the toffs can do, during the pogrom, is pretend that its all normal. The po faced shmegegge Andrew Lansley mentions ill people on his web-site: “…We have exceptional hospitals which care for our sick ….” When the NHS had its 63rd birthday the grinning dingleberry came out with this bollocks “I am committed to ensuring that it is protected for generations to come. Both as a patient and as Health Secretary, I have seen the passion and dedication of staff across the NHS. I would like to join everyone else today in thanking them for their hard work as we celebrate the 63rd birthday of our National Health Service….It is this passion and dedication of NHS staff which we want to embrace and support through the NHS Leadership Academy. In Cambridge we have already seen huge improvements for people with diabetes thanks to frontline staff taking the lead and helping people manage their condition. By establishing the Leadership Academy today I want to help all doctors and nurses develop the leadership skills they need to drive a truly world-class NHS. Frontline NHS staff have shown they can work smarter, be more responsive and give patients better health outcomes. The challenge now is to make this the rule, not the exception.” http://www.andrewlansley.co.uk/newsevent.php?newseventid=148
Its disgusting how the Tories have behaved with the NHS. The nasty bastards have laid the NHS open to the evil EU-US Transatlantic Trade and Investment Partnership (TTIP). The TTIP is likely to make it legally impossible for any future government to roll back the privatisation of the NHS (Morning 02 July). No wonder Red Len hates it: http://www.huffingtonpost.co.uk/2014/07/03/ttip-eu-us-trade-deal-unite-union_n_5554227.html?utm_hp_ref=uk The next government will just have to break the law, this government has not given a flying fuck after all.
Sick of watching the excrutiatingly slow pogrom? Well then why not watch shmeril Bojo and nebbish DC play tennis together? Billed as “the ultimate tennis match” it sold for £160000 at the Conservative party’s summer fundraising ball on Wednesday (02-07) at the Hurlingham Club, Fulham, west London. These events stink of money. “The guests dined on smoked duck and chicken rillettes, sea bass and asparagus, and chocolate orange truffle cake with chantilly cream with a choice of Spanish and French wines.” A bottle of champagne signed by Margaret Thatcher sold for £45,000. Other prizes at the auction included a “fantastic eight-gun pheasant shoot” at Tusmore, the Oxfordshire estate of the Syrian-born billionaire, Wafic Said, which one guest told the Guardian sold for £80,000. The source added that the auctioneer, foreign office minister Hugo Swire, put up a jar of honey made by his own bees, saying he wanted it to become the most expensive pot of honey ever sold. It went for £15,000, the source said. http://www.theguardian.com/politics/2014/jul/03/tennis-cameron-johnson-160000-tory-fundraiser# Never mind, if you live in the real world you can buy a jar of honey for 99p at 99p shop, fuck your bees Hugo.
But you don’t have to be a bloated Tory to enjoy a rip roaring game of tennis, its a great diversion from the pogrom. The Duke and Duchess of Cambridge were in the royal box the other day. Kate loves the sport, she’s at Wimbledon every year, while the queen who is the Wimbledon patron has only been twice in 35 years. Kate chose the much-loved Zimmermann ‘Roamer Day’ Dress she first wore in Sydney during the royal tour. The white cotton broderie dress is from the designer’s Summer Swim 2014 Collection. It features a fitted waistband and fitted three-quarter length sleeves. As expected it’s proven incredibly popular, although it remains available in limited sizes on the Zimmermann website and Austique are expected to have more stock shortly…..The Duchess completed the look with Ray Ban Folding sunglasses and her Annoushka pearls. http://hrhduchesskate.blogspot.co.uk/2014/07/william-and-kate-spend-day-at-wimbledon.html
I’ll be in the real world today, at the ILF tea party with my PA, as the battle to save ILF intensifies: http://falseeconomy.org.uk/blog/save-the-independent-living-fund-join-the-party-and-picnic-this-friday


- Restrictions on Access:
- Unclassified, Unlimited, Publicly available.
Free-to-read Unrestricted online access
- The need to maintain optimal energy efficiency is critical during the drilling operations performed on future and current planetary rover missions (see figure). Specifically, this innovation seeks to solve the following problem. Given a spring-loaded percussive drill driven by a voice-coil motor, one needs to determine the optimal input voltage waveform (periodic function) and the optimal hammering period that minimizes the dissipated energy, while ensuring that the hammer-to-rock impacts are made with sufficient (user-defined) impact velocity (or impact energy). To solve this problem, it was first observed that when voice-coil-actuated percussive drills are driven at high power, it is of paramount importance to ensure that the electrical current of the device remains in phase with the velocity of the hammer. Otherwise, negative work is performed and the drill experiences a loss of performance (i.e., reduced impact energy) and an increase in Joule heating (i.e., reduction in energy efficiency). This observation has motivated many drilling products to incorporate the standard bang-bang control approach for driving their percussive drills. However, the bang-bang control approach is significantly less efficient than the optimal energy-efficient control approach solved herein. To obtain this solution, the standard tools of classical optimal control theory were applied. It is worth noting that these tools inherently require the solution of a two-point boundary value problem (TPBVP), i.e., a system of differential equations where half the equations have unknown boundary conditions. Typically, the TPBVP is impossible to solve analytically for high-dimensional dynamic systems. However, for the case of the spring-loaded vibro-impactor, this approach yields the exact optimal control solution as the sum of four analytic functions whose coefficients are determined using a simple, easy-to-implement algorithm. Once the optimal control waveform is determined, it can be used optimally in the context of both open-loop and closed-loop control modes (using standard realtime control hardware).
- Other Subject(s):
- NASA Technical Reports Server (NTRS) Collection.
- Document ID: 20120014090.
NASA Tech Briefs, September 2012; 42-43.
- Copyright, Distribution as joint owner in the copyright.
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