text:
Bible Sales Statistics
The Bible has a wealth of knowledge and wisdom that’s waiting for us to discover it. Here are some fun and easy ways to make the most of the time you spend in Bible study.
Start your journey with a prayer.
Take a moment to pray to God before you start reading. This is an excellent opportunity for you to tell God your desire to learn the more you can about God’s word. While reading, make a prayer for insight and understanding as well as direction on how to implement the principles in your life. Asking for specific advice about what you should focus on while reading is a smart idea. in the name Jesus Christ, amen. Jesus Christ, amen, close the sentence. This set the tone for a modest and open mindset as you study. It is also an important to remind yourself to remember that God has your back on this journey and is waiting to assist you with any confusion or questions.
Choose a subject of interest
Don’t think that you have to start at the beginning! Jumping immediately into a subject or subject that interests you is one of the most effective methods to make Bible study more interesting. For instance, if you’re looking to know more about Jesus, start reading the New Testament gospels of Matthew, Mark, Luke, and John. Select a particular subject, such as forgiveness or trials, to focus on instead to help you connect to the subject more deeply and make your study more relevant.
Make it pertinent
Pick a subject that resonates with you. This is an excellent way to improve the value and sensitivity to the Bible. Look up verses on that subject and carefully read them. In order to assist you, ChurchofJesusChrist.org also provides resources and suggested passages for typical topics. When you can understand the significance of the lessons, and apply them to your personal daily life, it will be easier for you to remember the scriptures you’re studying.
Discover a Character
Explore any information you can locate about a person you’ve chosen in the Bible. You’ll gain greater comprehension of the verses’ context as well as of the larger context of the Bible when you do this. Think about how they relate to each other and how they came be acquainted with Jesus, what you have in common with them, and what you may take away from their stories. You’ll be able relate to the characters and get to know them better as a result of doing this.
Keep it in mind.
Make a notepad to record your observations as you read. This will help you build your memory, give you a tangible record of your trip and let you examine your progress. By taking the time to document it, you are showing God the respect he deserves for the knowledge you are receiving.
Blend it up
Instead of reading the Bible instead, you can listen to it. This can be a terrific method to break up boredom and give your mind an escape from the visual side of reading. On the Gospel Library mobile app and at ChurchofJesusChrist.org, you can discover recorded versions. Additionally, you can listen while working out or driving. This can aid in studying more efficiently.
Take a friend along
You can study with your loved ones and friends, and even with missionaries. You’ll gain new insights and your learning will be more enjoyable. In addition, you’ll have the opportunity to ask questions and resolve any confusion. Sharing scriptures that have a particular meaning can spark fascinating conversations and offer new perspectives.
Search for any words or phrases you’re unable to understand when you come across them. There are a tonne of Bible students online who can help you. Your comprehension of the book will be better if you comprehend every term and sentence. Do not be afraid to seek for help or search for study materials; doing so will enable you to be able to fully grasp the meaning and setting of the verses.
Take a Moment to Think
After studying for a while, take a moment to unwind and focus. You’ll be able to reflect and analyze what you’ve learnt in the process. This is also a chance for you to consider ways to apply the lessons in your own life. While you think about what you’ve learned, God could reveal fresh facts to you through the Holy Spirit. This can be a potent tool for understanding.
Highlight or underline verses that stick out to you.
One of the most effective methods of retaining the information you’ve read is to highlight or underline verses that are memorable to you. You can use different colors or symbols to highlight different themes or ideas. This makes it simpler for you to identify significant verses to read in the near future, and also assist you in making connections between verses related to the same topic. You can also write notes on the back of the page or on an additional notebook in order to reflect on your thoughts and draw connections to your life.
Find multiple translations of Bible.
Reading different translations can help you to understand distinct nuances in the text. For example, some translations are more precise and formal and others are more idiomatic and dynamic. This can allow you to gain a deeper understanding of the meaning and text the Bible attempts to communicate. Additionally, reading different translations can also help you to catch different interpretations, and gain a deeper understanding of each passage.
Use Bible studying tools, and sources.
There are many different tools for studying such as study bibles, commentaries and devotionals that can assist you in getting a deeper understanding of the text. These resources can provide historical context, cultural background and alternative interpretations that can enhance your study. Additionally, these tools may also provide answers to difficult questions, and provide an explanation for specific passages. Make use of these tools as you learn and you’ll be able to find your studies to be more enlightening.
Make time to reflect on your own thoughts.
Take some time after every study session to consider how the verses you read apply to your life. Think about any ideas or lessons you’ve learned and think about how you could apply them to your daily life. Retrospectively reviewing the material you’ve read can help you retain it more easily and will also give you time to reflect on what you’ve read , and think about how you can apply it in your life.
Incorporate different learning styles.
Everyone learns differently, some of us are visual learners, while some of us are auditory learners, some of us are kinesthetic learners. Combining different methods, such as drawing or writing out the verses you are learning can assist you to better understand and remember the passages. For example, if you are a visual student, you can draw the scenes from the Bible story, if you’re an auditory student you could repeat the verses. If you’re a tactile learner, you can act out the story.
Use Bible applications and other online sources.
There are numerous apps and resources online which can assist you in your learn about the Bible. These resources can include reading plans, devotionals, and audio versions that are based on the Bible. This can be extremely helpful for those who are constantly traveling and don’t have the time to sit down and study the Bible. Additionally the majority of these sources can be customized to meet your personal needs, so you can have a more personalized study experience.
Make sure you are consistent.
Set a schedule that you can stick to for Your Bible study. The more consistent you stay with your study, the more you’ll learn and the more meaningful your study will become. Just taking a few minutes every throughout the day for reading a passage or two could make a big difference over time. Establish a date and time in which you can study consistently, and stick to the schedule. By having a schedule, it will help you to stay motivated, and it makes it easier for you to incorporate Bible study into your routine. Remember, consistency is key!
Never give up
The process of learning about the Bible takes a lifetime. No matter how much you know, God values your efforts to understand his word. If you feel like you’re not getting it right or if you don’t get everything immediately do not get disheartened. Keep in mind that God is with you all the time and would like you to know His word. The more you study, the more you will understand and the more meaningful your learning will be. Keep going, be patient and enjoy the journey!

domain: literature


text:
Pee Dee FCU Initiates Staff Wellness Program
Contact: Kenyatta Jackson
Pee Dee Federal Credit Union, Pee Dee FCU, has launched a staff health and wellness program that began on August 2nd. “We value all of our staff, and we want to encourage their health and happiness through a fun competition” said Pee Dee FCU CEO Robin Williamson. “The main part of our health and wellness program is a biggest loser style contest among the staff” said Williamson. The health and wellness program outlined for the Pee Dee FCU team also encourages healthier eating and cutting back on sweets and sodas by eliminating candy dishes at work stations and cutting cigarette breaks to a minimum for staff. “We have also achieved 100% staff participation in the upcoming Heart Walk in Florence” Williamson said.
Fitness World in Florence has offered their facilities to the Pee Dee FCU staff three times per week for daily workouts to assist with the new health and wellness program.

domain: health


Accession Number : ADD003134
Title : Hollow Composite Compressor Blade.
Descriptive Note : Patent,
Corporate Author : DEPARTMENT OF THE AIR FORCE WASHINGTON D C
Personal Author(s) : Stargardter,Hans ; Pilpel,Walter
Report Date : 21 Sep 1976
Pagination or Media Count : 5
Abstract : This invention relates generally to compressor blades for gas turbine engines, and, more particularly, to a hollow composite blade structure which is durable, light in weight and of sufficient strength to render it free of flutter in operation. The composite material is preferably silicon carbide coated boron filament with an aluminum matrix for the shell.
Descriptors : *Compressor blades, *Gas turbine blades, *Patents, Composite materials, Aluminum, Boron, Silicon carbides
Subject Categories : Laminates and Composite Materials
Machinery and Tools
Jet and Gas Turbine Engines
Distribution Statement : APPROVED FOR PUBLIC RELEASE


text:
2 x Vinyl LP, Cassette, Compact Disc (CD)
The Miami-raised YUNGMORPHEUS has spent the past few years building a rap catalog that is staggering in its volume and eclecticism. While many may mistake him for a native of the L.A. and NYC scenes in which he’s worked, YUNGMORPHEUS is undoubtedly influenced by his Florida roots. He delivers his lyrics with a vocal style that’s both cold and suave, and on From Whence It Came, he’s chronicling everyday tales of making it by any means necessary, complete with the potential consequences.
Like his previous releases, From Whence It Came covers the politics of human nature, Black self-determination, disdain for oppressive forces, and the high stakes of being alive. Here, the rapper favors a smooth sonic palette, enlisting a wide array of favored producers, including Ohbliv, DMH, ShunGu, and August Fanon. Al Dali gives “For the Evening” a minimalist, G-funk lean as the lyrics and style of YUNGMORPHEUS, Judah, and Ahwlee swing between prideful boasts, player ways, and hard-earned game. On “Layman’s Terms” producer JUNIE. lays down some lush, glitchy soul over which YUNGMORPHEUS waxes poetic about showing love and keeping his peace in the day-to-day.
“Fiya Haffi Bun” sets YUNGMORPHEUS and lojii over a gentle and ominous production from Fanon that gives the pair’s tales of late-night trips a film noir quality. Here, YUNGMORPHEUS shares dark snippets of his vigilant mind: “I let most my feelings touch the paper, never tell a soul/ Trying, but I can’t trust your word ‘til it’s set in stone.” Triumphant closer “Faded Memories” uses bright horns to back reflections on pushing through the weariness that comes from walking the road less traveled: “I’m lookin’ for better patterns/ Tried to put together the pieces, my shit was scattered/ Couldn’t look down while moving up Jacob’s Ladder.”
Musically, From Whence It Came easily recalls several different eras of hip-hop without locking itself into any one region or niche; whether soul or funk, the music moves like a modern take on a throwback playlist. YUNGMORPHEUS doubling down on his signature everyday storytelling style pays dividends here; this is music for survivors—people making do, and those down for something bigger.

domain: artistic


text:
The Elite Schools, 1865-1966 Keith A. P. Sandiford ... 1906, he helped to defeat Trinidad by 16 runs in a low-scoring game by capturing 3 wickets for 9 runs after having scored a defiant 40 on a tricky pitch. ... Lear Wood is almost a legend in the history of cricket in Barbados. ... who developed into the best right-arm fast bowler in Barbados in the period just before World War I. He played nine matches foranbsp;...
|Title||:||Cricket Nurseries of Colonial Barbados|
|Author||:||Keith A. P. Sandiford|
|Publisher||:||Kingston, Jamaica : Press University of the West Indies - 1998|

domain: sports


text:
Includes bibliographies and index.
|Statement||Louis I. Grossman.|
|LC Classifications||RK351 .G78 1981|
|The Physical Object|
|Pagination||xv, 458 p. :|
|Number of Pages||458|
|LC Control Number||81003679|
Endodontic Practice US is a leading dental journal and your publication for endodontic continuing education, endodontic case studies, and more. Download Grossman’s Endodontic Practice 13th Edition PDF Free. It incorporates the changes that have occurred in endodontic theory and practice in terms of materials, concepts and protocols. The presentation of the concepts and techniques has also been revised. The third edition of Clinical Endodontics retains the successful format and practical scope of previous editions. The book opens with an overview of the biology of the endodontium and the apical periodontium. It then provides detailed descriptions of the etiology and pathogenesis of endodontic diseases, examination and diagnostic techniques, and prideinpill.com by: This manual provides step-by-step pictures and illustrations of the various laboratory exercises, which students have to learn and perform in their Ist and IInd year BDS course for the preclinical Author: Velayutham Gopikrishna.
Download Grossman’s Endodontic Practice, 12th Edition by A Parameswaran The presentation of the concepts and techniques has also been significantly revised, and the book includes: Over new illustrations comprising relevant line diagrams, clinical photographs, radiographs, and histological studies. Jan 01, · ENDODONTICS: PRINCIPLES AND PRACTICE, 4th Edition is an essential scientific and clinical building block for understanding the etiology and treatment of teeth with pulpal and periapical diseases. You'll easily understand and learn procedures through step-by-step explanations accompanied by full-color illustrations, as well as video clips included on prideinpill.comhensive coverage of normal 5/5(3). grossman s endodontic practice Download grossman s endodontic practice or read online books in PDF, EPUB, Tuebl, and Mobi Format. Click Download or Read Online button to get grossman s endodontic practice book now. This site is like a library, Use search box in the widget to get ebook that you want. Nov 08, · We were thus motivated to frame a specialized, precise, concise, easy to read and remember yet, up-to-date Textbook of Endodontics. The line diagrams are in an expressive interpretation of endodontic procedures, which are worked upon and simplified to render them more comprehensive and comparable with real photographs.
Marketing the Endodontic Practice. This three-part series is intended to help endodontists, office managers and professional relations staff build referrals with general dentists and promote endodontic services to patients using the AAE's market research and contemporary marketing principles. Endodontic Practice by Grossman, Louis Irwin and a great selection of related books, art and collectibles available now at prideinpill.com lated into eight languages, the book has served as a benchmark for the development of modern endodontic philosophy and practice. Dr. Grossman also authored Dental Formulas and Aids to Dental Practice, ﬁ rst published in , and the Handbook of Dental Practice published in This book can be used as a reference for simple as well as for more complex indications.” Microsurgical Endodontics brings to light the use of endodontic surgery as a reliable, high-success treatment solution that, until now, has too often been overlooked. Given the breakthroughs in recent years, endodontic surgery has advanced to the point.

domain: library


Aluminum bar induction heating furnace
Application: Forging & Forging
Material Heated:Aluminum & Alloy Aluminum
Diameter Allow: Φ20-300mm
Product name:Aluminum bar induction heating furnace
Bar diameter: ø20-300mm
Heating temperature: 450-500℃
Aluminum bar induction heating furnace & solution supplier–Forever is dedicated to help you to choose effective aluminum induction heating machine at reasonable price.
Induction heating is fast, precise, clean, energy efficient, controllable and repeatable. At present, the induction heating furnace is replacing gas furnace and coal furnace gradually.
With reliable control system and years of experience, Forever Induction aluminum bar heater
can provide bars precious and uniform heating to meet the forging, extrusion or shear requirement.
Induction aluminum bar heater benefits
Precise control provides consistent temperature uniformity and exact repeatability. Forgings have fewer inclusions and improved surface finish because of reduced scale.
Induction heats only the workpiece using only the needed energy to achieve the exact temperature. New solid state power supplies seek the best frequency for the load further improving operating flexibility and efficiency.
An integral induction heating system increases productivity because it is easily integrated with in-place processes. An induction heater, not the operator, sets the pace for the production rate. Induction heaters can be started from cold to achieve full production rates within minutes. Heaters are designed for automatic hold cycles during delays and rapid recovery at re-start.
Limited Material in Process
Induction heating requires fewer parts in-process which reduces the chance of rescheduling errors and substantially reduces material inventories.
Reduced Scale & Increased Tooling Life
Induction heating brings the work piece up to temperature in the shortest possible time and in effect reduces the amount of scale which improves the surface finish of the end product and increases the customer’s tooling life.
The only use of refractory in an induction system is in the coils. With the benefit of long coil life in an ATM induction system, refractory repairs and relining are greatly minimized. Die life is also extended with the drastic scale reduction.
Typical scale loss in gas fired furnaces is 3% and from induction 0.5%. Consequently, for each ton of forgings the raw steel purchased is reduced by 2.5%.
Overseas manager: Tom Wang
Phone: 0086-13303078975(whatsapp, wechat,line)
Specialist of induction heat treatment furnace in China; Glad to be your business partner in induction heating field.


text:
"You've heard the whisper," she told me and she leaned against the bathroom sink.
Only an hour or so earlier we had finished play rehearsal and had hung out in the bar downstairs for a little while. It was time to go home, but we had stopped in the bathroom before leaving. Her voice echoed in the room and she looked at me confidently.
"You know, God gives us a lamp for our path. The lamp will only show our next step, not the whole journey. If you've heard the whisper, then you need to listen and go."
It wasn't anything I hadn't heard before - I had been surrounded by church talk my entire life. I was familiar with conversations about God not showing us the whole picture of his plans and learning to trust in his voice guiding us. Although, it struck me in that moment how often I needed to be reminded, in spite of hearing it over and over again in life.
"He'll lead you and guide you. If he's given you the whisper, then he'll provide."
So... maybe I'm not so crazy after all.
Blogtember Prompt: React to this word - "comfort."


LIGHTWEIGHT SUPPORT, PRIMED TO PERFORM. More than a base layer, the Nike Pro Tights hug you with lightweight fabric that helps keep you feeling dry, cool and supported from warm-ups through cooldowns. They're made with at least 75% recycled polyester fibers in a stretchy design that helps you move at full intensity during your toughest workouts or competitions. Customize with your team's colors for a coordinated look.
Nike Dri-FIT technology moves sweat away from your skin for quicker evaporation, helping you stay dry and comfortable. Mesh at the inseam and upper seat lets air flow to help keep you cool. A double-layer mesh gusset in front puts breathability where you need it. The snug elastic waistband holds the tights in place. Flat seams throughout feel smooth against your skin.


text:
I call this Periyava as “Anbe Sivam” Periyava. There are few photos that are taken in the same spot and this is one of them. The other photo where you can see “Anbe Sivam” written on the back and Periyava will be looking straight.
Keshav – Outstanding work as always!
More of Keshav’s work will be shared….


Citroen presented the C-Aircross Concept at Geneva. The car shows us the production model that will replace the C3 Picasso in 2018 and from an MPV will become a crossover, to raise the company’s sales.
The car has cameras instead of side mirrors, while its interior has a big 12-inch touch screen, a minimalist design, a multifunctional steering wheel that integrates the gearbox and a head-up display that works as an instrument panel.
The car stands on 18-inch wheels that are designed, to contribute to the car’s aerodynamic performance, while the front air vents and rear diffuser further improve aerodynamics. The C-Citroen Aircross Concept has also the Airbumps for body protection in low-speed collisions.


text:
Milwaukee Symphony Orchestra's
Warner Grand Theatre
C.D. Smith provided Preconstruction, Construction Management and General Contracting services for the Milwaukee Symphony Orchestra (MSO) to convert the Warner Grand Theatre into its new performance center, named the Bradley Symphony Center. Our team worked with the owner, consultant and design team to coordinate all historic restoration construction and building trades. In collaboration with all trades, we analyzed each part of the project to ensure we were selecting the right product at the right price point.
The stage expansion included the raising of the existing proscenium beam, new performance stage, chorus seating behind the performance, new rigging and theatrical lighting. The south addition consists of grade A multipurpose and pre-function spaces for events. The north addition houses the functions of the theatre. The space includes loading docks, service elevators, mechanical rooms, instrument storage and other functional pieces of the Symphony. The office tower renovation consists of a 12 story tower that will house the MSO offices, music library, and chorus warm-up area.
- State-of-the-art Acoustics
- Practice Rooms
- Dressing Rooms
- Instrument Storage
- 1,650-seat Orchestra Level + Balcony Occupancy Capacity
- 150-seat Chorus Riser Capacity on Stage Behind Orchestra

domain: design


text:
Over the past few days there have been illuminating comments from several leaders either from government, business or the international finance community detailing the origins of the current economic mess, where we are now or the repercussions of the crisis. We thought you might find them helpful in determining how to invest your hard-earned money.
The first comment comes from the transcript of a press conference that included Jose Vinals, Counsellor and Director of the International Monetary Fund’s (IMF) Monetary and Capital Markets Department. Mr. Vinals noted that “based on the broadening credit deterioration, we have increased our estimated writedowns, actual and potential writedowns, on U.S. originated assets from $2.2 trillion in our interim update in January to about $2.7 trillion in the current report.” It was only last October that the losses projected by the IMF was less than one-half the current figure. According to Mr. Vinals, “of the writedowns that are pending for the banking system, about one-third has already been incurred in 2007 and 2008, and two-thirds are potential writedowns for the period 2009 and 2010.”
The IMF estimated that approximately two-thirds of the losses would be borne by banks with the balance by insurance companies, hedge funds and pension funds absorbing the balance. Of the total, the IMF estimated that U.S. banks have written down about one-half of what they will ultimately end up doing.
Despite the ominous and mind-numbing numbers referenced by Mr. Vinals, at least at this point and absent a revision upward, the equity markets seem to have priced in these writedowns.
In describing the depth of the current recession, the IMF said in its latest World Economic Outlook that “this downturn represents by far the deepest global recession since the Great Depression.” The report also projected that the global economic output will shrink during 2009, the first annual decline in more than six decades.
Calling the public and private infusions of capital into financial institutions thus far “piecemeal and reactive,” the IMF recommended that due to the “current inability to attract private money suggests the crisis has deepened to the point where governments need to take bolder steps and not shrink from capital injections in the form of common shares even if it means taking majority, or even complete, control of institutions.”
Should this above paragraph come to pass as the IMF, along with others have alluded to the possibility, at least at this time, it would mark the end of capitalism in the United States as we know it. Some investors might welcome this change. However, we think, long-term it would be detrimental to the financial well-being as well as to the standard of living in America.
As noted above in a narrower context, we do believe that the stock market has priced in the majority, if not all of the current economic slowdown. We therefore believe that after the more than twenty-five percent move off the bottom and a necessary consolidation of some of those gains, stocks should move higher.

domain: news


The Use of Study Guides to Improve Learning Outcomes in Engineering Fluid Mechanics and Hydraulics
MetadataShow full item record
Fluid Mechanics and Hydraulics is a second year core course within the Bachelor of Engineering program at Griffith University. A range of resources has been provided to students enrolled at the Griffith campus, which has included copies of lecture slides, a study guide plus a quick study guide. This paper describes the development of the two different study guides adopted in the course. An investigation into the efficacy of the study guides to improve student learning was undertaken. This included a survey of student perceptions of the study guide effectiveness at the end of the teaching semester. The survey showed that students felt that the study guide was clearly organised and that the study guides were effective in helping them to learn the material covered in the course. The study also shows that the study guides provide a means for supporting active learning strategies for students within the course.
21st Annual Conference of the Australasian Association for Engineering Education
© The Author(s) 2010. The attached file is posted here with permission of the copyright owners for your personal use only. No further distribution permitted. For information about this conference please refer to the publisher's website or contact the authors.
Science, Technology and Engineering Curriculum and Pedagogy


What you need to know
- Amazon adds Netflix support for the Echo Show smart displays.
- Users can access the Netflix app using just their voice.
- Netflix is one of the few supported streaming apps.
Amazon Echo Show smart displays have been on the market for more than three years, and are among the best smart displays available today. And while Amazon's smart displays, like the upcoming Echo Show 10, would make a great addition to anyone's home, until now they've only had limited support for many streaming services outside of Prime Video, Hulu, and few others. If you wanted to watch a YouTube video, for example, you would have to do so through the on-device browser. But while Google may not bring official YouTube support to the Echo Show, Amazon finally managed to nab one of the largest streaming services available.
Amazon has announced that official Netflix support has made its way to the Echo Show devices. Owners of these devices will finally be able to check out shows like The Queen's Gambit, which is the largest scripted limited series on Netflix to date. The update, which should be rolling out now, allows users to search for shows and genres with just their voice.
The update comes just in time for the holidays, and just months after Google added Netflix support for its own smart displays. Amazon also recently expanded support for Spotify podcasts as well as a few new video-call features. Amazon also highlights a recently added video hub that easily lets users find things to watch, which should help keep viewers entertained during the holidays.
Echo Show 8
The Amazon Echo Show 8 takes some of the best parts of the previous Echo Show displays and puts them in one product. The video camera helps stay connected while social distancing and the large 8-inch HD display lets you watch your favorite Netflix or Amazon Prime Video shows.
Be an expert in 5 minutes
Get the latest news from Android Central, your trusted companion in the world of Android
Derrek is a long-time Nokia and LG fanboy who loves astronomy, videography, and sci-fi movies. When he's not working, he's most likely working out or smoldering at the camera.


text:
Suarez plundered 31 goals for the Reds last season as they missed out on Premier League glory on the final day of the campaign, and his exploits were recognised at an awards ceremony on Wednesday evening alongside Real Madrid's Cristiano Ronaldo.
Dalglish, who helped sign the forward from Ajax in January 2011, presented his former player with the accolade, and Suarez was quick to point out how happy he was on Merseyside, prior to his £75m switch to Barcelona in July.
more goals. Thank you very much for all your support and love. This award also belongs to all of you. (3/3) pic.twitter.com/PMF7Mv3DZe— Luis Suarez (@LuisSuarez9) October 15, 2014
He said: "I want to thank all the most important people in my life, my wife and my children. And of course everyone at Liverpool – all my colleagues, not just last year but over the whole three-and-a-half years I was at the club.
"They were spectacular years and it was thanks to this man here (Dalglish) that they signed me, that they noticed me.
"At the beginning [of my Barcelona move] I suffered but now I feel very happy. Now I am moving on to a new period, and I have to enjoy this next stage of my life – it is a dream come true."
Suarez's ban for biting Italy's Giorgio Chiellini at the World Cup ends later this month, and the Uruguayan could make his debut against fierce domestic rivals Real Madrid.


text:
Circle K Angus Farm takes an all-natural, holistic and organic approach to beef production
OZARK, ARK. – What started as a way for the Keisler family to raise their own beef in 2005 has evolved into a thriving specialty beef market and a new way of life for the Ozark, Ark., cattle producers.
“We aren’t multi-generation farmers,” Daniel Keisler, owner of Circle K Angus Farm, said. “For us, it started because we had some land, and I wanted to raise a little better quality protein. We started getting into it, then family members and a few friends wanted in, so one beef turned into four or five. I figured I could take care of 15 just as easy as I could four or five.”
The Keisler family’s beef operation continued to grow over the years, but everything changed in 2011.
“My wife Jessica was diagnosed with breast cancer,” Daniel explained. “It was two years of chemo, radiation and surgery. We got the all-clear, and two months later, she notices some lymph nodes swell up, and sure enough, it’s back.”
Daniel said he and Jessica decided not to go through the same process she endured with her initial diagnosis and opted to seek a holistic treatment.
“Through some friends, we found a natural homeopathic doctor, and long story short, the plan was going to be to detox and rid every kind of chemical, every pesticide, every herbicide, and buckle down,” he recalled. “We went full bore in a natural, homeopathic treatment.”
During the transition, it was proving difficult to find foods that were “just a little above” organic that were naturally raised, nutritious and affordable. The family built a small greenhouse and began growing their own vegetables and working with their garden soil.
‘At first, we were just going to buy foods, but they were scarce,” Daniel said. “If we did find it, we didn’t find it the next time. That led us to do lots of extensive research on soil and animal health.”
That research led to Daniel changing how he raised cattle and beef as well.
“My philosophy and outreach to people is that we can do a lot better for our planet, our environment, and our animals, our soil and our people; we can do better,” Daniel said.
Within three months, Jessica was cancer-free.
“It lit a fire under us, and we had faith in this approach and the faith in the doctors when we saw the results,” Daniel said. “This is now our passion and are 11 1/2 years cancer-free and, praise the Lord, healthy as a horse.”
Today, the Circle K Angus Farm follows a holistic, organic approach to its farming operation, including about 100 head of grass-fed and finished Angus cattle on 100 owned and 80 leased acres. All of the calves harvested are from cattle raised on the farm from birth from their closed herd.
“After a decade, we finally have a herd that is matched to our environment, a very fertile herd that will calve on time and raise a calf that will be 50 percent of their body weight at weaning, and they are going to do it all on grass,” Daniel said. “There are lots of genetic lines that will do what we do, and a lot of people are doing it with South Polls and Red Devons, but we chose Angus because Angus really started it all. Angus has been foraged-developed with lower inputs from the beginning, and the breed has been culled to produce an animal that will marble and finish on forages. In my opinion, there are only three or four types of cattle where you can have a superior eating experience, and I think Angus has done a better job with that.”
Daniel said producers need to look below the surface of their farm.
“There is as much life in soil as there is on soil,” he said. “We don’t want to ever really disturb the soil, so we don’t till or break it. We want to keep a living root in the ground as much as possible, and we want forage covering the soil. Everything that is collecting photosynthesis is pumping life into the soil.
“In the fall, we go in and no-till drill in annuals for forage — wheat, rye, oats and turnips. We do a very strong and diversified mix, all of which will have different style roots, different root depths and capture different elements from the atmosphere. It really pumps and feeds life to the soil.”
Additionally, an array of legumes are planted annually to improve the nitrogen levels in the soil and diversity grazing.
“In the winter, we are going to have vetch, winter peas and others,” Daniel explained. “People ask what we use for fertilizer; we use our forages and our cows.”
On his farm, Daniel said the soil was depleted, compacted and eroding, which was not only adverse for growing quality forages, it meant his soil had no life under it.
“We had no dung beetles, we had no Earthworms, no micro grinial fungi, we didn’t have enough of anything,” he said. “We want to manage our cattle and our forage in a way we are constantly keeping enough leafy material to photosynthesize and getting rid of any synthetics, while promoting life and letting the land rest through rotational grazing. Over time, that life builds back, and you have life that brings back the vitamins and minerals in the soil, and everything is working in an ecosystem that works well for the farmer. When you have cattle that aren’t eating in the dirt, the soil life is good, and you have as many beneficial insects as you do pests, it keeps things in order. It’s that whole circle of life.”
“There is as much life in soil as there is on soil. We don’t want to ever really disturb the soil, so we don’t till or break it. we want to keep a living root in the ground as much as possible, and we want forage covering the soil. everything that is collecting photosynthesis is pumping life into the soil.
— Daniel Keisler
The entire farm is used for grazing, so the Keisler’s source what little hay they need locally, but thanks to stockpiling forages, there are only a few weeks when cattle require hay.”
While holistic, organic, grass-finished beef is their biggest seller, the Keislers also offer some grain-finished beef.
“I already had more than 300 customers on a grain-finished, antibiotic and hormone-free beef,” Daniel said. “When we started switching, about 50 percent of those customers gave the grass-fed a try and heard our story, and they swapped over. The other 50 percent said they loved us and the story, but they wanted to stay with what they always provided them. We still raise about 10 to 12 out of 100 a year that are still a supplement-fed grain. They are marketed as that and labeled as that. We still have a good 40, 50 customers who are still on the grain, but in the next year or two it will be phased out.”
Daniel added all of the cattle are raised in the same manner until those grain-finished calves are moved to a different pasture.
As their herd and approach to agriculture changed, so did their meat sales. They initially began selling quarters, halves and wholes, but as their customer base grew, they had to change their business plan slightly.
“We had at least 200 customers doing the bulk, but then a lot of people who would reach out to us said they didn’t have the freezer space,” Daniel said. “We finally started implementing some bundles.”
Circle K Angus Farm offers multiple bundle choices to customers of both grass-grass and grain-finished beef.
“People can go online and purchase what they want,” Daniel explained. “We are going to be rolling out a monthly subscription program, so they don’t have to go back to the website, log in and reorder..”
To complement their beef, the Keislers also have a pasture-based Berkshire pork operation.
“They are raised like the cattle, but they do get some supplemental grain, which is organic, and they don’t get a lot of it,” Daniel said. “We have forages for them in the summer with things like peas, radishes and turnips. They will forage, plus they will eat what’s created from it. We rotationally graze them as well and keep them in a smaller rotation. Before they leave a field, we will reseed it by hand and give the pigs a day to work it into the soil for us, and then we move them on. Every time they come back to that paddock, which maybe 45 to 60 days, whatever we planted is ready to harvest.”
Pork produced at the farm is also available to customers through the farm’s website, and can be bundled with beef cuts. Plans for the farm include adding sheep and chickens.
What started with a single beef for family used has changed tremendously for the Keislers, but Daniel said his customers are looking for the same thing he wanted for his family all those years ago, and he is glad his family can give them what they are looking for.
“People want nutritious, Earth-friendly foods,” he said.


text:
Have a Merit Page?
Local students spent spring break on Dordt College mission project
2011 Apr 5
Several students spent their spring break in New Orleans, La., while participating in PLIA (Putting Love Into Action), a mission program with Dordt College. The following local students participated:
Class of 2013
Class of 2014
Mount Vernon, Washington
Sioux Center, IA
Mick To Attend Dordt
Joshua Mick, a graduate of Cole Valley Christian School (Idaho), has announced his intention to attend Dordt College and join the Defender football...
Students graduate from Dordt College
Dordt College presented 355 students with diplomas at the 2017 commencement address on Friday, May 5.
Vander Hart To Attend Dordt College
Isaac Vander Hart, a senior at Pella Christian High School (Iowa), has announced his intention to attend Dordt College and join the Defender baseba...
Vis To Attend Dordt College
Dalton Vis, a senior at Southwest Minnesota Christian, has announced his intention to attend Dordt College and join the Defender baseball program.
Diggs To Attend Dordt College
Sydney Diggs, a senior at Ogden High School (Iowa), has announced her intention to attend Dordt College and join the Defender dance team.
Copyright © 2017
Merit Pages, Inc.
• All Rights Reserved. •
Terms of Service


text:
Late on Thursday night fashion retailer LK Bennett was bough outright by Chinese partner Rebecca Feng, according to Drapers.
Feng bought the UK and Ireland wholesale business under the newly incorporated Byland UK last month.
The retail chain employs 480 people and according to claims made by Draper some of the 37 concessions and 39 stores could close.
LK Bennett went into administration in March and was led by joint administrators Dan Hurd, Hunter Kelly and Craig Lewis of EY.
Leave a Comment

domain: economics


text:
Las Vegas Martini v1
- Print 12" x 16"
- Canvas 16" x 20"
- Canvas 26" x 34"
- Canvas 36" x 48"
A timeless city with the glitter and glitz of gold. The Stratosphere Tower is a one-of-a-kind landmark that celebrates the spirit of Vegas from the north end of the strip. This interesting and decorative artwork will grab everyone's attention and inspire conversation.
Part of a limited series of art prints that personifies the magic of the world's greatest towers and cities. Each Piece is personally signed. This Archival Print will help stylize your home, restaurant, boutique hotel or office.
Created and signed by the artist, Trevor Stooke.
All of our digital prints are produced in downtown Hamilton.

domain: geography


text:
As part of Arnolfini’s Artist Development Programme, performance artist Jo Hellier has been developing her latest work Flood Plans in the Dark Studio.
Jo told us a bit more about her project and her working methods.
“The project is a collaboration between myself, Yas Clarke and Alice Tatton-Brown. I’m an artist who works within performance and installation and Yas is a musician/sound designer. We collaborate often to make sound led work that’s interactive in some way. Alice is a performance maker and she’s acting as dramaturg on this project, she’s amazing.”
“This project is quite different from the rest of my work, it’s a choreography and sound based piece and explores the body and what sound does to the body. Usually I would work more with materials, objects or film to make a work. It’s a really exciting process because we get to work very intensely together and experiment for hours on end. A lot of the time is spent composing sound and listening to it in the dark, then making changes. We also improvise movement a lot. Yas isn’t a trained performer or mover and I’m not a trained composer so the process is kept fresh by the fact that we both bring something unpredictable to each other’s practice. I think we are both interested in making something that doesn’t feel static, a lot of the performance is improvised around a frame that we’ve decided in the studio, or around a kind of physical or sonic language we have created during the process. It’s fun, and also sometimes, of course, very difficult.”
“The project is about climate change. It looks at the human relationship to nature and it explores the complex emotions and instincts that surround being a human in the midst of human caused climate change. It looks at human nature and our adaptability. We are questioning at the moment whether it is natural to adapt or more natural to be stubborn fuckers. In the piece we try to meet nature and reconcile our place within it. This exists for the audience through choreography and sound.”
“It’s an experimental work and it’s great to have Arnolifni’s support to develop the piece before I show it at Forest Fringe in Edinburgh this summer.”
Jo Hellier was given space at Arnolfini to support the development of her work through the Artist Development Programme. For more information, contact Ben Thomas on firstname.lastname@example.org


[R.O. 1993 § 545.130; Ord. No. 99-2407, 12-14-1999; Ord. No. 2006-2722 § 1, 5-9-2006]
Stormwater runoff and the velocity of discharge are considerably increased through development and growth of the City.
Prior to the development of the land, surface conditions provide a higher percentage of permeability and longer time of concentration. With the construction of buildings, parking lots, etc., permeability and the time of concentrations are significantly decreased, resulting in an increase in both the rate and volume of runoff.
These modifications may create harmful effects on properties downstream. Therefore, to minimize these effects, the following minimum stormwater detention requirements have been established.
[R.O. 1993 § 545.140; Ord. No. 99-2407, 12-14-1999; Ord. No. 2006-2722 § 1, 5-9-2006]
A complete set of stormwater detention plans and calculations shall be provided for all construction projects that increase stormwater runoff.
Plans for the construction of public improvements shall be submitted to and approved by the Building Official.
The required stormwater detention plans for private improvements shall be submitted, along with the building plans, to the Building Official for review and approval. An escrow for stormwater detention will not be accepted.
[R.O. 1993 § 545.150; Ord. No. 99-2407, 12-14-1999; Ord. No. 2006-2722 § 1, 5-9-2006]
Differential runoff evaluation consists of the determination of the rates of runoff, before and after development, determination of required volume of detention and verification of adequacy of discharge and control structures. The one-hundred-year (frequency) runoff coefficients shall be used. Differential runoff rates shall be evaluated by equation:
[R.O. 1993 § 545.160; Ord. No. 99-2407, 12-14-1999; Ord. No. 2006-2722 § 1, 5-9-2006]
Volume of detention for areas less than twenty (20) acres shall be evaluated according to the "Simplified Volume Formula." For areas larger than twenty (20) acres, other methods may be used upon the approval of the City Manager and/or Planning and Zoning Board. The "Rational Formula" method will generally be accepted for areas greater than twenty (20) acres.
[R.O. 1993 § 545.170; Ord. No. 99-2407, 12-14-1999; Ord. No. 2006-2722 § 1, 5-9-2006]
The following conditions and limitations shall be observed in the selection and use of method of detention:
General Location. Detention facilities shall be located within the parcel limits of the project under consideration, with the following exceptions:
No detention or ponding will be permitted within public road rights-of-way without specific written approval of the Superintendent of Utilities.
Location of detention facilities immediately downstream of the project will be considered by special request if proper documentation is submitted with reference to practicality, feasibility, proof of ownership or right-of-use of the area proposed, and provisions are made for perpetual maintenance.
Dry Reservoirs. Wet-weather ponds or dry reservoirs shall be designed with proper safety, stability and ease of maintenance features. Maximum side slopes for grassed reservoirs shall not exceed one (1) foot vertical for three (3) horizontal (3:1). In no case shall the limits of maximum ponding elevation be less than two (2) feet vertically below the lowest sill elevation, nor should the maximum limits of ponding be designed closer than ten (10) feet from a building unless waterproofing of the building and pedestrian accessibility are properly mulched, sodded or paved. A minimum of one (1) foot of freeboard is required above the spillway. The outlet structure shall be concrete or other equivalent material. Spillway areas shall be paved with a minimum of six (6) inches of concrete.
Normally permitted open channels may be used as detention areas, provided that the limits of the maximum ponding elevation are not closer than thirty (30) feet horizontally from any buildings with habitable areas below ground level and less than two (2) feet below the lowest sill elevation of any building. In no case should the maximum limits of ponding be designed closer than ten (10) feet from a building unless waterproofing of the building and pedestrian accessibility are properly documented. No ponding will be permitted within public rights-of-way without specific written approval of the Building Official. Maximum depth of detention in open channels shall be four (4) feet. Minimum flow-line grade shall be one-half of one percent (0.5%).
For trapezoidal sections, the maximum side slopes of the detention area of the channel shall not exceed one-foot vertical for three (3) horizontal (3:1). For design of other typical channel sections, the features of safety, stability and ease of maintenance shall be observed.
The entire reservoir area of the open channel shall be seeded, fertilized and mulched, sodded or paved.
The hydraulic elevations resulting from channel detention shall not adversely affect adjoining properties.
Permanent lakes with fluctuating volume controls may be used as detention areas, provided that the limits of maximum ponding elevations are no closer than thirty (30) feet horizontally from any building and less than two (2) feet below the lowest sill elevation of any building.
Maximum side slopes for the fluctuating area of permanent lakes shall be one (1) foot vertical to three (3) feet horizontal (3:1) unless proper provisions are included for safety, stability, and ease of maintenance.
Maximum fluctuation from permanent pool elevation to maximum ponding elevation shall be three (3) feet.
The entire fluctuating area of the permanent reservoir shall be seeded and fertilized and mulched, or sodded or concrete paved. Any area susceptible to or designed as overflow shall be paved with concrete.
Detention will not be permitted in primary parking lots. The primary parking lot will be considered to be the most accessible eighty percent (80%) of total parking for a facility.
In non-primary parking lots, detention will be permitted to a maximum depth of twelve (12) inches.
In no case should the maximum limits of ponding be designed closer than ten (10) feet from a building unless waterproofing of the building and pedestrian accessibility are properly documented.
When detention is being effected on parking lots by means of retaining walls or curbs, these retaining walls and curbs must be constructed of reinforced concrete.
The minimum freeboard from the maximum ponding elevation to the lowest sill elevation shall be one (1) foot.
Other Methods. Other methods of detention, such as seepage pits, french drains, etc., will not be approved.
Retention Areas. In drainage basins where sinkholes provide the only outlet for storm sewer runoff, and those basins are greater than three hundred twenty (320) acres in area, a retention area capable of storing the first inch of runoff is required for and development within the basin. It shall have a four-inch outlet pipe to insure eventual discharge.
[R.O. 1993 § 545.180; Ord. No. 99-2407, 12-14-1999; Ord. No. 2006-2722 § 1, 5-9-2006]
Analysis of all elements of design shall be performed by a professional engineer licensed in the State of Missouri. The following outline is provided to ascertain that certain critical elements of design are in workable compliance to the aims of design.
Routing calculations shall be submitted in legible tabulated form. Proof of adequacy of the volume of detention and sizing computations for low-flow structure shall also be submitted. Features of stability and safety will also need to be documented if the scope of the project requires special attention in this area of design.
Spot elevations shall be included in sufficient detail on the site plan so that the final direction of water flow can be determined, and so that the volume of detention can be ascertained. Projects over two hundred (200) acres in area shall provide documented verification of adequacy according to scope and complexity of design.
[R.O. 1993 § 545.190; Ord. No. 99-2407, 12-14-1999; Ord. No. 2006-2722 § 1, 5-9-2006]
Detention facilities shall be provided with obvious and effective outlet control structures. These outlet structures may include v-notch weirs or rectangular weirs, as well as pipe. Plan view and sections of the structure with adequate detail shall be included in plans.
The design discharge (Q) for the low-flow outlet shall not exceed the existing runoff for the one-year storm. The maximum discharge shall be designed to take place under total anticipated design-head conditions. The design-head storage volume is not to be considered as part of the volume of detention required.
Sizing of a low-flow pipe shall be by inlet control.
Low-flow pipes shall not be smaller than four (4) inches in diameter to minimize maintenance and operating problems, except in parking lot and roof detention, where minimum size and configuration of opening shall be designed specifically for each condition. The low-flow pipe shall be provided with a bar-screen on a minimum 2:1 slope to reduce blockage by debris.
Overflow spillways will be required on all detention facilities that have storage volumes of one thousand (1,000) or more cubic feet.
The overflow opening or spillway shall be designed so that the combination flow of the low flow outlet and the flow over the spillway will not exceed the total peak runoff for the improved area. The total peak runoff is to be determined from a twenty-five-year frequency rain for drainage areas less than one (1.0) square mile and from a one-hundred-year frequency rain for drainage areas one (1.0) square mile or greater.
The overflow spillway shall exit into a natural or improved drainageway. If the drainageway does not provide for public access, then topographic detail, along with a profile of the center line of the drainageway, shall be provided from the overflow spillway to the point of public access. This detail shall show all topography within ten (10) feet of the center line of the drainageway, center line profile, typical cross section and capacity of the drainageway.
If the capacity of the existing drainageway is inadequate to carry the total peak runoff, necessary improvements to the drainageway may be required to provide for the total peak runoff.
[R.O. 1993 § 545.200; Ord. No. 99-2407, 12-14-1999; Ord. No. 2006-2722 § 1, 5-9-2006]
Two (2) types of easements shall be provided for stormwater detention.
Access Easement. All detention reservoirs, with the exception of parking lot and roof detention, shall be enclosed by an access easement. The limits of the easement shall extend ten (10) feet beyond the maximum anticipated ponding area. The limits and designation of detention facilities shall be shown on the project plans of final plat.
Drainage Easement. A minimum ten (10) feet wide drainage easement shall be provided within the reservoir area, connecting the tributary pipes and the discharge system, along the most direct possible routing of a piping system for possible future elimination of detention. The limits of the drainage easement shall be shown on the project plans of final plat.
[R.O. 1993 § 545.210; Ord. No. 99-2407, 12-14-1999; Ord. No. 2006-2722 § 1, 5-9-2006]
Detention facilities are to be built in conjunction with the storm sewer installation and/or grading. Since these facilities are intended to control increased runoff, they must be fully operational soon after the clearing of the vegetation. Silt and debris connected with early construction shall be removed periodically from the detention area and control structure in order to maintain full storage capacity.
[R.O. 1993 § 545.220; Ord. No. 99-2407, 12-14-1999; Ord. No. 2006-2722 § 1, 5-9-2006]
It may be advantageous in some situations to delay the building of the permanent detention facilities until after the completion of the other improvements. In these situations, temporary detention facilities must be provided. The permanent or temporary detention facilities must be constructed and be functional before proceeding with any other construction.
[R.O. 1993 § 545.230; Ord. No. 99-2407, 12-14-1999; Ord. No. 2006-2722 § 1, 5-9-2006]
Off-Site Detention. Stormwater detention facilities designed and constructed off site or outside the limits of the proposed development will be considered for approval. This approval is contingent upon documentation being furnished to verify that drainage easements have been obtained for the channel area from the proposed development to the detention facility and including the detention area. The drainage easements must clearly set out provisions for maintenance.
Detention facilities designed and located to provide detention on major drainage channels will be considered as a regional detention facility and must be one hundred sixty (160) acres or greater. The facility must provide a detention volume for a one-hundred-year storm for the entire drainage area and must be designed with a variable control outlet structure that has one (1) year maximum outlet to opening. The regional detention facility must be designed with a low flow concrete channel through the limits of the basin. Upon conceptual approval of the location and final approval of the design and construction, the City of Aurora may accept the responsibility for the maintenance of the regional facility. Drainage and access easements will be required giving the City of Aurora the authority to gain vehicular access to the facility from the public street.
As additional development occurs upstream of the regional facility, payment in lieu of constructing detention may be allowed, provided the regional detention basin has been designed for full development of the basin, or if modifications are made to the regional facility by the developer to provide for the additional volume of detention required for the new development. Easements must be provided along the drainage channel from the new development to the regional facility and the channel must be constructed to carry the peak rate of runoff from the one-hundred-year storm for the entire basin upstream from the regional facility.
[R.O. 1993 § 545.235; Ord. No. 2006-2722 § 1, 5-9-2006]
Notwithstanding any other provisions of Article III, if development upon a site requires stormwater detention and if during the design of the required stormwater improvements a determination is made that channelization or other improvements can be shown to be a viable alternative to detention, then the developer may make application to the City to participate in an alternative program consisting of channelization and payment in lieu of a detection facility.
If payment in lieu of detention is approved, it is still the developer's responsibility to obtain design approval from the Planning and Zoning Director, construct any required drainage improvements to collect and convey additional or concentrated stormwater flow from the site to an existing watercourse, drainage easement, storm sewer and to procure any necessary easements.
The City will evaluate each written request for payment in lieu of detention based on the following criteria.
Size of the site in relation to the stormwater generated.
Size of the site in relation to the size of the drainage area and location in the drainage area.
Impact on the properties downstream of the site.
Location of the site with respect to floodplains, streams and large watercourses.
Location of the site with respect to environmentally sensitive areas such as sinkholes.
Approval of a payment in lieu of detention is not automatic and will be considered on a case-by-case basis upon written request to the Planning and Zoning Director. The request shall include a letter signed by the developer and submittals prepared by a registered professional engineer showing calculations of the normally required stormwater detention basin volume and proposed stormwater drainage conveyance from the site to an existing watercourse, drainage easement or storm sewer. Evaluation of the request will be made by the Planning and Zoning Director and by the City Engineer.
The amount of payment in lieu of detention shall be based upon the agreed upon volume calculated for detention resulting from the proposed development improvements, in the case of non-agreement the calculations of the City Engineer shall prevail. When the development is a vacant land subdivision and is zoned residential and consists of two (2) or more lots, then the calculations of the impervious area per lot shall use three thousand five hundred (3,500) square feet for single-family zoned lots and four thousand five hundred (4,500) square feet for duplex and patio home zoned lots. When the development is a vacant land subdivision or site zoned for multi-family, commercial, office or industrial use, the calculations of the impervious area shall be determined based upon the maximum impervious areas allowed by zoning for the development. The actual dollar value of the payment in lieu of detention shall be determined using three dollars ($3.00) per cubic foot of calculated detention volume for the first one thousand (1,000) cubic feet plus two dollars ($2.00) per cubic foot of detention volume required above one thousand (1,000) cubic feet.
Payment in lieu of detention funds may be used by the City for any drainage improvements at any location within the corporate limits of the City.
An agreement for payment in lieu of detention shall be fully executed by the City and developer and the payment shall be received by the City before the pertinent building permit can be issued or before the pertinent final plat is recorded.
The order of appeal from this decision by the Planning and Zoning Director as stated in this Section 545.250 and the applicable parts contained therein shall be from the decision of the Planning and Zoning Director directly into the Circuit Court of Lawrence County, Missouri. Administrative rules of the State of Missouri shall apply.


An end-to-end client/server protocol that includes both HTTP and CGI. The best way to explain the dynamics of the protocol is to walk you tr...
An end-to-end client/server protocol that includes both HTTP and CGI. The best way to explain the dynamics of the protocol is to walk you trough a POST method invocation. Here’s the step-by-step explanation of this interaction:
- User clicks on the form’s “submit” button: This causes the web browser to collect the data within the form, and then assemble it into one long string of name/value pairs each separated by an ampersand (&). The browser translates spaces within the data into plus (+) symbols.
- The web Browser invokes a POST HTTP method: This is an ordinary HTTP request that specifies a POST method, the URL of the target program in the “cgi-bin” directory, and the typical HTTP headers.
- The HTTP server receives the method invocation via a socket connection: The server parses the message and discovers that it’s a POST for the “cgi-bin” program. So its starts a CGI interaction.
- The HTTP server sets up the environment variables: The CGI protocol uses environment variables as a shared bulletin board for communicating information between the HTTP server and the CGI program. The server environment variables are server_name, request_method, path_info, script name etc.,
- The HTTP server starts a CGI program: The HTTP server executes as instance of the CGI program specified in the URL.
- The CGI program reads the environment variables: In this case, the program discovers by reading the environment variables that it is responding to a POST.
- The CGI program receives the message body via the standard input pipe: The message body contains the famous string of ‘name=value’ items separated by ampersands (&). The content_ length environment variable tells the program how much data is in the string.
- The CGI program does some work: Typically, a CGI program interacts with some back-end resources – like a DBMS or transaction program – to service the form’s request. This information goes into the HTTP response entity, which really is the body of the message. Your program can also choose on provide all the information that goes into the HTTP response headers.
- The CGI program returns the results via the standard output pipe (stdout). The program pipes back the results to the HTTP server via its standard output. The HTTP server receives the results on its standard input. This concludes the CGI interaction.
- The HTTP server returns the results to the Web browser. The HTTP server can either append some response headers to the information it receives from the CGI program.


text:
This content is also available in: Vietnamese
Grilled meatballs with vermicelli noodles is a delicious dish, best enjoyed with family, and you don’t even have to spend a lot of your leisure days to prepare it. Roll it with fresh herbs and vegetables, dipped in peanut sauce or garlic fish sauce and you will instantly feel many rich and distinctive flavors such as: sweet, salty, sour, and spicy. Have fun making and savouring this wonderful dish with your loved ones.
Lean ground meat: 200g (grind it with dried shallots)
Pork paste: 200g
Annatto powder: 1 tsp
Black pepper: 1 tsp
Tapioca flour: 2 tsp
Sugar: 1 tsp
Fish sauce: 1 teaspoon
Vermicelli noodles, carrots, lemons, chilly peppers, cucumbers and various fresh herbs
Marinate ground pork with black pepper, tapioca, annatto powder, sugar and fish sauce. Blend mixture well then seal it with a plastic cover and place it in a cabinet for about 2 hours.
Rub a little oil on your gloves and divide the meat into small portions. Press one hand on the meat portion to spread it out and roll it into a small ball.
When grilling, make sure to spray a little bit of oil on the meat so it won’t dry out. Grill until the meatballs are cooked thoroughly and turned golden brown on both sides
While waiting for the meatballs to cook, make fish sauce by mixing appropriate proportions of 3 tablespoons of fresh lemon, 2 tablespoons of sugar, 3 tablespoons of fish sauce, ½ small cup of water, chilly peppers, garlic, carrots, and sliced cucumbers.
Soak vegetable and herbs in salted water and wash carefully, then take out to drain. Serve the noodles, vegetable and fresh herbs, along with meatballs on a medium plate. Enjoy with dipping sauce of your choice.

domain: food


text:
Fantastic Gesture By Chichester City FC – Donation to Bury FCPeter Houghton
Today’s best story belongs to a club in the Isthmian League South East who, due to the exclusion of Bury FC from this season’s FA Cup competition, were given a bye into Round 2. This also means they are now only one step away from the possibility of a draw against one of the “big boys” when the Premier League and Championship clubs enter the fray at Round 3.
Having banked £81000 in prize money so far, and with another £54k on the plate if they progress to round 3, this has proved to be a great season for a club that was on the financial ropes not so long ago.
They have now decided to make a donation of some of this prize money to the plight of Bury FC, who themselves have been ostracised from the professional game due to their financial situation. I think Bury were only members of the FSOA for one or two seasons as they found the membership subscription of £100 beyond the scope of their business plan. They are now trying to re-enter football at one of the lower steps after their application to re-enter via League 2 failed to gain the support it needed. At least from the FSOA’s viewpoint, they would be able to take advantage of the free membership the FSOA extends to Clubs in and below National League level.


text:
Inna G. Onofrei (b.1980) is an Armenian-American composer and pianist. Born in Baku, Republic of Azerbaijan and raised in the small town of Nevinnomyssck, Russia, she began her music education at a local music school where she studied piano, music theory, and composition. Between 1994 – 2000, Ms. Onofrei's original compositions won several prizes and awards in the Stavropol State Competition for Young Composers. One of her songs, written in 1997 about her hometown Nevinnomyssk, was adopted as the town’s anthem.
Ms. Onofrei continued her musical studies at the Stavropol State College of Arts where in 2002, she earned a Bachelor's Degree in Music Theory and Composition. That year, along with her family, she moved to the United States. In 2011, Ms. Onofrei earned her Master's of Music degree in Piano Performance from Cleveland State University, where she studied piano with 2007 Grammy Award Winning pianist, Angelin Chang. In 2018, Ms. Onofrei earned her Master's of Music degree in Composition from Cleveland State University, where she studied with Dr. Andrew Rindfleisch and Dr. Greg D’Alessio.
As a composer, Inna’s catalogue includes music for piano, voice, chamber ensembles, symphonic works, as well as electronic and electro-acoustic works. Her music has been performed in Russia, United States of America, and Greece.

domain: entertainment


text:
- IN THE DELTA: Vessel by Joe Bruhin.
The 49th annual Delta exhibit at the Arkansas Arts Center is a curiously engaging exhibit, a show that viewers will willingly spend a fair amount of time ingesting. Willingly, because there’s so much to see: The 66 entries in the show cover a huge range — from conceptual to landscapes, in paint, clay, cloth, pencil and metal — and the vast majority of it is well executed.
So what’s curious about its appeal? It’s that the show’s pull is due to the sum of its parts, rather than any one piece. There have been Delta exhibits in which a small number of entries made a visit worthwhile. This show’s value lies not in the majesty of any one piece, but in the collective maturity of regional art-making.
The Delta seems a little heavy on Arkansas artists this year, but not knowing how many entries originated outside Arkansas makes it hard to defend the assumption that non-Arkansans showed less interest in applying to the juried show. Ceramic artist Don Reitz says in his juror’s statement that his primary concern in choosing the work was whether the art was a sincere effort by the artist to make a statement, whether it “went beyond the seductive surfaces, technical dexterity, size and so forth.” Reitz made the unusual comment that he “enjoyed the paintings when I juried the submissions, but was disappointed in some due to the selection of the framing. Often times it was overpowering and it detracted from the work.” That may explain why 29 pieces in the show are three-dimensional and only 11 are paintings, that is, either oil or acrylic (or both) on canvas. There were 10 photographs chosen, a good number in that media for the Delta. Works on paper make up the rest.
The Delta Award went to Mississippi artist Chris Wubbena’s installation piece, “author of revisions, reinventor of the world.” A pair of pants — extending from a picture frame into an old Royal typewriter perched on a funky table atop a wooden platform — is the central element in this quite large piece, placed in the atrium of the Arts Center. On the back is a window-like recess in which dozens of sheets of printmaker’s paper — including a photograph — have been spiked. The typewriter and the spike suggest a journalistic theme, bolstered by the name of the piece, but Wubbena has not precisely communicated his story, and he’s left the lede off. Non-reporters may see the piece entirely differently; Reitz apparently did.
There are several pieces that leap from their genre’s traditional limits. Among them: Fox artist Joe Bruhin’s “Ghazal No. 1,” a vessel with a ragged, crystallized lip, coral-like growths on the base and glazes of green, red and brown circulating across the surface. Missouri artist Zac Willis’ disturbing digital prints, “Untamed Oppression Nos. 7, 8, 11,” feature animals doing bad things to one another in what looks like some back alley torture chamber. A squirrel is tied up and gutted, another mammal’s head is on a spike, another squirrel is poking tongs at an animal trapped in a cage. Shadows suggest armadillos holding scissors. The pictures would be just terrible if there weren’t something beautiful about the way the focus shifts from clear to fuzzy and the bluish tone of the black in the black and white prints. Martin Coffeen of Nashville offers a huge colorful oil of a slab of steak with a fork. Little Rock artist John Bruhl’s beautifully crafted “Vessel II” is a wood and glass table; like the sides of a boat, ribs of wood curve upward to support a glass surface shaped like a ship’s bow.
Memphis artist Wayne Edge contributes a 3-D Kandinsky with his graceful “Solar System,” in which slender stems of rosewood rise more than 7 feet high to support an oval nest of more rosewood pieces on which small stones are attached.
Let’s hear it for the Little Rock artists: Cathy Burns apparently framed her painting, “Palimpsest Series: Fetish i,” properly; Reitz awarded her large abstract work a Delta Award. A palimpsest is a drawing on top of a drawing (or writing on top of writing) in which the previous work peeks through; her painting has a scrubbed gray surface through which numbers and scratchings can be seen. Robyn Horn’s improbably arcing and finely gouged wood sculpture “Slipping Stone” won an honorable mention. Steven Walker created “Land of Plenty,” a representation of the American flag in which toilet paper rolls alternate with plastic forks and spoons to make the stripes. Catherine Siri Nugent has embroidered tulle and draped it over an uptilted ironing board whose legs point to a suspended fleecy object; the effect is of a Madonna offering up a child. Jane Hankins, who’s known for her whimsical ceramic women, is edgier here with her “Double-High Authoritarian Machine and War Dog,” a ceramic and meanly grimacing George Bush from whose open, empty head falls strips of paper with factoids on war written on them. A bit of polka dotted underwear shows on his backside.
The show runs through Feb. 25. Give yourself some time to go through it.


text:
Overconfidence refers to our boundless ability as human beings to think that we're smarter or more capable than we really are. It's what leads 82% of people to say that they are in the top 30% of safe drivers, for example. Moreover, when people say that they're 90% sure of something, studies show that they're right only about 70% of the time. Such optimism isn't always bad. Certainly we'd have a difficult time dealing with life's many setbacks if we were die-hard pessimists.
However, overconfidence hurts us as investors when we believe that we're better able to spot the next Microsoft (MSFT) than another investor is. Odds are, we're not. (Nothing personal.)
Studies show that overconfident investors trade more rapidly because they think they know more than the person on the other side of the trade. Trading rapidly costs plenty, and rarely rewards the effort. We'll repeat yet again that trading costs in the form of commissions, taxes, and losses on the bid-ask spread have been shown to be a serious damper on annualized returns. These frictional costs will always drag returns down.
One of the things that drive rapid trading, in addition to overconfidence in our abilities, is the illusion of control. Greater participation in our investments can make us feel more in control of our finances, but there is a degree to which too much involvement can be detrimental, as studies of rapid trading have demonstrated.
Selective Memory >>

domain: psychology


text:
Q: Tell us about yourself.
A: I was born in Worcester, MA in 1975. I have been a fan of horror movies since I was a little kid. My grandmother got my sister and I hooked on them when we stayed over her house some weekends when we were kids. We would go to the local video store and rent horror flicks whenever we stayed over. We saw so many classics for the first time while over there - everything from the original TEXAS CHAINSAW MASSACRE to the controversial yet beloved SILENT NIGHT, DEADLY NIGHT. These flicks really inspired me and by the time I was 13, I was running around the neighborhood with a video camera making all these wacky movies about psychotic killers, madmen, and monsters.
I started to take movie-making more serious in my 20's and decided to make a 30 minute horror flick putting many of my inspirations in the mix! So obviously the star is my 73 year old Grandmother who plays a sweet old Granny who finally loses her marbles after deciding her family isn't worthy of their blood. My sister plays her snotty Grand-daughter, Susie, who meets an untimely death at the end of Granny's ice pick. My Uncle plays Granny's anxiety-riddled son who she tries to coerce into helping her rid of the body!
And then I put Felissa Rose in it as a newscaster and the first and only acting performance of SLEEPAWAY's wacky creator Robert Hiltzik as Granny's wacky neighbor. The flick is called GRANDMA'S SECRET RECIPE and it premiered on the big screen at FLASHBACK WEEKEND in Chicago in 2002. Me, Robert, and Felissa were all there to unleash Grandma's wrath and it was wild for me to see the audience "eat it right up" with lots of squirming and laughing. I also finished my first Feature-Length horror opus this year called BLOOD BROTHERS about 2 serial killing brothers who use murder as a way to cope with an unusual trauma from their childhood. It took me 5 years to complete this puppy but I'm pretty happy with the finished product.
So as you can tell, my life has been a life long labor of love for the horror genre. I am also getting ready to release my debut R&B album. I've been recording it in the studio over the past few years. That's another of my passions: writing, producing, and performing R&B and rap songs! Candie Calvert, a promoter and fan from Alabama heard some of my music on a website that promoted Boston Area artists and she created an amazing website dedicated to my music and the forthcoming album. Fans of R&B take a listen and check out her work. The things that dedicated fans can do online, I'll tell ya! LOL! :-)
A photo from the "Sleepaway Camp" reunion.
Q: What is your involvement in the "Sleepaway Camp" series? How did you become involved?
A: I'm the guy who tracked down Jonathan Tiersten (Ricky), Felissa Rose (Angela), and writer/director Robert Hiltzik (who had been rumored dead) between 1998 and 2000 and basically brought them back to all the fans while also interesting them all in doing a new SLEEPAWAY. I am the webmaster of the Official SLEEPAWAY CAMP website and one of the producers of the upcoming RETURN TO SLEEPAWAY CAMP. I organized and arranged everything from the DVD commentary to all the SLEEPAWAY events at conventions and screenings across the US. Really I'm a big fan who set out to make big things happen.
Back in 1998, John Klyza (who runs the official site for Parts 2 and 3) and I met on a horror message board and decided to create a website for SLEEPAWAY CAMP together. While everyone was talking about FRIDAY THE 13th and HALLOWEEN, we wanted to put another deserving series back in the spotlight: SLEEPAWAY CAMP! John went to work writing and using his terrific web-designing talents to give the site a gory layout - I did some writing, scanned movie stills, and began spending countless hours researching to track down people from the mysterious SLEEPAWAY CAMP.
Q: You worked really hard to get together the Fangoria "Sleepaway Camp" reunion. What all went into getting that together? Tell us about it.
A: It was right around the time of the commentary that I wrote to FANGORIA magazine to see if they would be interested in adding a SLEEPAWAY CAMP event to one of their WEEKEND OF HORRORS lineups. SLEEPAWAY was slashing down the comeback trail and I figured it was time to start getting some of the SLEEPAWAY faces to pop up at some conventions, something they had never done before. I didn't hear anything right away. Then fall 2000 came, the DVD had been out for a few months, and Tony Timpone from Fangoria e-mailed me asking if I would be interested in hosting a reunion between Felissa and Robert on stage at their New York WEEKEND OF HORRORS 2001 convention.
I gave him a call and basically said, "Sure I can reunite them on stage but we can make this even bigger!" By this point I had been in touch with many more SLEEPAWAY folks and thought "why not make this as big of a SLEEPAWAY Reunion as possible and get as many people from SLEEPAWAY to go as we can." Tony liked the idea and told me to let him know who else I was inviting and we could put them on the guest list as well. So I made a bunch of calls and before long we had 8 cast members, Robert, and his wife (associate producer) Michelle Tatosian ready to attend. It was funny because Robert was a little skeptical at first and would always ask me, "Do you really think anyone is going to show up?"
I kept assuring him that there would be many fans there to see this spectacle. I had been reading e-mails from Fans everywhere telling me how excited they were about it and that they were going to be there. But I guess seeing is believing - and when Robert saw the giant turnout that day he was absolutely stunned. It was funny while we were walking into the convention to get backstage. Some fans immediately recognized faces from the movie and started shouting! I remember someone in awe of seeing Desiree Gould in person and shouting, "Oh my god, it's Aunt Martha!!"
And Paul DeAngelo was telling me that after he parked his car and was walking toward the hotel, people were shouting, "Ronnie!! Hey Ronnie!" And it didn't even dawn on him that they were calling out to him until he got inside and saw all the fans. Most of the cast had no idea that SLEEPAWAY had become such a cult classic. It opened a lot of people's eyes. We had a wild time. The autograph line for the movie lasted around 4 hours. Fangoria told me that the SLEEPAWAY Reunion turned out to be the surprise hit of the show.
Jeff Hayes and Paul DeAngelo on the set of "Return to Sleepaway Camp".
Q: Who all have you been fortunate enough to have met from the "Sleepaway Camp" world?
A: I met Jonathan, Felissa, and Robert in person all within months of having tracked them down. Then when I organized the SLEEPAWAY REUNION in 2001 for Fangoria's Weekend Of Horrors, I met many of the original cast who, up to that point, I had only spoken with on the phone such as: Desiree Gould (Aunt Martha), Paul DeAngelo (Ronnie), Loris Sallahain (Billy), Tom Van Dell (Mike), John Dunn (Kenny), Michelle Tatosian (associate producer) and Mike Tatosian (Chef's assistant). In 2002 I did a big interview with Kathy Kamhi (Meg) on the phone. I also had phone conversations with William Kuskin who played "Mozart" and Alan Breton who played "Frank, the cop with the unforgettable moustache" a few years back. As for the sequels, I've been in touch with Daryl Wilcher (Riff in part 3) and director Michael Simpson since 1999. Daryl is playing a role in my gruesome upcoming sequel: GRANDMA'S SLOPPY SECONDS. Is the horror world ready for the Return Of Riff?? And believe it or not, John Klyza and I have yet to meet in person!
Q: You did commentary on the "Sleepaway Camp" DVD. John Klyza did commentary on parts II and III. According to him it's not as easy as it seems. What was your experience like with part 1?
A: Actually, making the Commentary happen was the hardest part because of everything having to be arranged at the last minute. The original SLEEPAWAY disc was just going to be a bare bones release because Anchor Bay had nothing to put on it. So I contacted them in 1999 and told them that I had tracked down the director and some of the stars and proposed that we do something with them to put on the dvd for all the fans. By the time they finally got back to me, they only had about 2 weeks left until they had to begin pressing the discs. So I got a call from Bill Lustig at Anchor Bay and he said to me, "If you can get a commentary together within a week, we can put it on the disc!"
I immediately called Robert and Felissa and said, "Okay guys, Let's do this! The fans will be psyched to hear from you almost 2 decades later and we can let the cat out of the bag for our plans to do RETURN TO SLEEPAWAY." They both happily agreed and I set up the commentary to record within a week. Anchor sent me to NY to be a part of it. Originally I only planned on coming on toward the end of the movie to let world know about the website but Felissa, Robert, and Armand (Anchor's sound recordist) insisted that I moderate. The experience itself was pretty loose and also pretty funny. It was the first time Robert and Felissa had seen each other since making SLEEPAWAY back in 1982.
So it was a very cool thing to be there and to have been responsible for making it happen. While we were recording the commentary, I basically sat back and let Felissa and Robert do most of the talking. Fans often e-mail me and ask, "Why didn't you say more? There is so much you could have talked about." To be quite honest, I felt the fans would want to hear as much from Rob and Felissa about what it was like being there making SLEEPAWAY as they could within the short 83 minute running time of the movie. Plus I knew that all the fans online would come visit the website and then they could read all about the things I have to say about SLEEPAWAY CAMP. :-)
No one really told us what to say so we basically just let it roll naturally. It's a pretty loose commentary. A lot of fans have commented on how they liked the loose vibe and how nobody took it too seriously like some commentaries do. We basically let out a lot of fun trivia, goofed around, and Rob and Felissa reminisced. Of course for every good there is a bad and some folks were upset that Robert did not get very technical. But that's part of his mysterious persona. Robert loves to keep things a mystery and very speculative - after all, the mystery and speculation is part of what the fans love so much about SLEEPAWAY.
Jeff and Felissa Rose on the set of "Return to Sleepaway Camp".
Q: Your site is the official site of the original film. How did that come to be?
A: Through endless hours of research, promoting, and making connections with many of the people involved with SLEEPAWAY CAMP and it's distribution. I was organizing, arranging, and reporting things that were creating a big buzz and excitement for the SLEEPAWAY revival. John and I were resurrecting a movie series by creating the definitive meeting place for fans from all across the world filled with exclusive news, interviews, and articles on the movies and the makers.
I was taking trips to meet and interview people from SLEEPAWAY and trying to get everyone back together for a new installment. Fans were flocking in once they saw that I had found and interviewed Jonathan, Felissa, Robert, and others because it was the first they got to see and hear of them in almost 2 decades. Everyone had been wondering where they were and what they were doing now. I dug until I got to the bottom of it. Up until John and I formed the original SLEEPAWAY site back in '98, you couldn't find hardly anything online about any of the SLEEPAWAY actors except for wacky rumors. The site became the definitive resource for all things SLEEPAWAY CAMP. Eventually as things continued to grow, John, who enjoyed the first film but was always more partial to the sequels, decided to create a site focusing on his primary interests: Parts 2 and 3.
And I continued to promote and work with the original SLEEPAWAY CAMP, the mystery around it, and the proposed: RETURN TO SLEEPAWAY CAMP. To me one of the most intriguing factors about SLEEPAWAY was that nobody knew what ever happened to the actors and director. This gave this mysterious cult classic an even more mysterious aura. Unlike other popular horror flicks of the time such as FRIDAY THE 13th and NIGHTMARE ON ELM STREET where many or the actors (like Kevin Bacon, Johnny Depp, and Patricia Arquette for example) and directors went on to do many more films, SLEEPAWAY's cast and creator remained an intriguing mystery just like it's unique story. I wanted to unravel some of that mystery.
After I found these SLEEPAWAY icons, I put them back into the spotlight and it really changed some of their lives. Felissa got back into movies and started to do (and continues to do) lots of horror films. Robert prepared to make his RETURN to the director's chair for the first time in 2 decades. Paul DeAngelo (Ronnie) would go on to write and direct his first movie. Tom Van Dell (Mike) would take his first stab at executive producing a movie. Even Desiree Gould, our beloved Aunt Martha was inspired to make a return to acting in another who-done-it thriller (UNDER SURVEILLANCE also starring Felissa) this year!
Jeff mixing blood on the "Return" set.
Q: Give us some information on your site? What does it have to offer?
A: The site has quite a few cool things to offer. It's the most comprehensive resource for info on the original SLEEPAWAY CAMP and it's stars. There are lots of interviews, many that you can't find anywhere else. There are hundreds of photos from all the conventions and screenings we have gone to so fans that couldn't be there can have a vicarious front row seat to all the events and the giant world of fandom . Of course I put all the RETURN TO SLEEPAWAY CAMP updates and photos on the website also. There's a lot to see and explore. Also all campers should keep an eye out for some fun contests that we will be hitting the site as we get closer to RETURN's release. Prizes will include such collectables as cast-signed On-Set movie stills.
Q: What is your opinion on Sleepaway part II and III?
A: I have always enjoyed them and think they are both a lot of fun. They are very witty and creative with great make-up effects and performances.. In fact, shortly after doing the commentary for the original SLEEPAWAY, I got back in touch with Anchor Bay and discussed putting the sequels on DVD. They told me they were interested but wanted to wait and see how well the first disc sold before moving ahead. Needless to say, they contacted me again some months after the first SLEEPAWAY was released (which proved to be a great seller for them) and asked me if I would help get the sequels put on DVD. I immediately contacted Michael Simpson (who stayed in touch with the chairman who owned distribution rights to parts 2 and 3, Krishna Shah) and discussed it with him. He was indeed interested in getting involved. Shortly after that I put Simpson in contact with some of the head honchos over at Anchor Bay to finalize a deal.
Robert and camera on Scizzor lift for a high shot.
Q: What can you tell us about Return to "Sleepaway Camp" thus far without giving away more than you are allowed? Plot? Theatrical release or Direct to video.
A: RETURN feels a lot like the original SLEEPAWAY, except on a bigger scale. In fact, it is designed a lot like the first SLEEPAWAY in a lot of ways. First of all, it is a direct sequel to the original SLEEPAWAY and does not follow the events of Part 2 and 3. Not that 2 and 3 weren't great fun, it's just that Robert wanted to take the series back to it's roots and continue with the original nature of the original story. RETURN is another fun who-done-it with extremely innovative murders wrapped around a story of kids tormenting each other and having a blast at summer camp.
Ronnie (once again played by the super-cool Paul DeAngelo), now a co-owner of a new Camp becomes very suspicious when kids and camp staff begin falling victims to gruesome "accidents" again. Ronnie can't seem to shake what happened 20 years ago at Camp Arawak and with good reason. So as he deals with his paranoia, a large cast of kids and camp staff run amuck doing all the things they can get away with when there is no supervision around and everyone gets wrapped up in the murders and that's just the bare basic premise. I think the movie is actually more gruesome than the original and it's definitely a lot of fun. The cast all did a fantastic job and Robert's script is pretty dark and sarcastic. If you are a fan of the original, I can pretty much guarantee that this sequel will knock your knee-high socks off. Fans of SC 2 and 3 will find much to like about the new SLEEPAWAY also. We are aiming for a theatrical release just like the first film had in 1983. It opened at #1 in the New York box office, making almost double what the next highest grosser made.
Q: Anything else you would like to add?
A: I want to say thank you for taking an interest in what goes on Behind-The-Scenes in the world of SLEEPAWAY CAMP. Movies live on because of their fans and sometimes fans can make some pretty amazing things happen. Horror websites are extremely popular amongst fans of the genre and everyone who makes them and visits them are contributing in keeping these fantastic movies alive! It isn't every day you hear about how 2 ambitious fans resurrected a franchise. I think both John and I have accomplished some pretty darn cool things in the horror world and it all began by being inspired by some great horror movies! Much thanks also to all the SLEEPAWAY fans who continue to support this innovative franchise. It's coming back with a vengeance!!
The cover of Haye's 30-minute horror movie "Grandma's Secret Recipe".
Jeff Hayes music

domain: hobby


text:
The city of Bristol is home to a UK theatre with a history of longevity, creativity and finesse. Bristol Old Vic has been entertaining and amazing audiences since 1766, making it the oldest theatre in the UK with continuously-running productions. From Shakespearian adaptations to Disney re-creations, the stage at Bristol Old Vic has seen an array of local and national productions. The most popular plays are sold out fast, so grab a Bristol Old Vic promotion code, head to the box office and secure your seat for less. The months ahead are sure to offer something that takes your fancy, whether you’re looking for a very local production, a quirky play, a dramatisation by a renowned group, or an afternoon performance to entertain the kids.
Throughout the year the programme at Bristol Old Vic is packed full of curious events and productions – with enough variety to tempt passionate theatregoers and anyone new to the stage. From comedy to romance, thrillers to special shows for children, Bristol’s most popular theatre ensures their programme entices a whole range of audiences. People travel from far and wide to catch the latest productions, and why not join them? Using a Bristol Old Vic promo code when booking your tickets will reduce the cost of your seats in front of your chosen show, so why not share our latest deals and book tickets for an entire group too, for less. A trip to Bristol Old Vic is a great way to spend an evening with friends and family, with laughter, tears, surprises or wonderful history to be discovered.