- Are dual Gpus worth it?
- What GPU should I get in 2020?
- Is GTX or RTX better?
- Do you need two HDMI ports for dual monitors?
- What is the most expensive graphics card in the world?
- Does having 2 Gpus increase performance?
- Does dual monitor affect RAM?
- Can a 1660 Super Run 2 monitors?
- Is dual monitor bad for GPU?
- Which is better AMD or Nvidia?
- Does it matter what brand of GPU?
- How do I extend my laptop screen to two monitors?
- Can you run 2 monitors with 1 HDMI?
- Does dual monitor affect FPS?
- Can I put 2 different GPU in my PC?
- Which brand GPU is best?
- Why are GPU prices so high 2020?
- Will Big Navi beat Nvidia?
- Do I need 2 Gpus for dual monitors?
- What is the best GPU on the market?
- Are gigabyte GPUs bad?
- What is the most powerful GPU in the world?
- Can you run 2 monitors off 1 VGA port?
- Is SLI dead?
- Why does laptop have 2 graphics cards?
- Why is GTX 1080 expensive?
- Does dual monitors slow gaming?
Are dual Gpus worth it?
Using two (or more) video cards in tandem—known as “SLI” for NVIDIA cards and “Crossfire” for AMD cards—can get you better performance, sometimes even for less money than you’d spend on a comparable single card solution..
What GPU should I get in 2020?
Best Graphics Cards for Gaming 2020GeForce RTX 3080. Best Graphics Card Overall, for 4K and More. … Radeon RX 6800 XT. Best AMD GPU, Forget About DLSS. … GeForce RTX 3090. Fastest Graphics Card, Great for Creators. … GeForce RTX 3060 Ti. Best Bang for the Buck Graphics Card. … GeForce RTX 3070. … Radeon RX 6800. … RX 5600 XT. … GTX 1660 Super.More items…•
Is GTX or RTX better?
Nvidia’s RTX 2080 is a better card utilizing newer technology and offering better, faster performance than the GTX 1080 Ti and usually at a much lower cost. There will be some games that perform better with the GTX 1080 Ti, but that advantage is not worth hundreds of dollars.
Do you need two HDMI ports for dual monitors?
At the minimum, you’ll need two video-out ports to connect both your monitors. Generally, there are four types of ports: VGA, DVI, HDMI, and Display Port. Note: If you do not have the required ports, then you’ll need an external connector/adapter to hook up the monitors to the system.
What is the most expensive graphics card in the world?
The 5 Most Expensive Graphics Cards in the WorldGTX Titan Z. GTX Titan is a hero when it comes to the most expensive graphic cards list. … AMD R9 290X. … ASUS ROG GeForce RTX 2080Ti. … NVIDIA GeForce RTX 2080Ti. … Gigabyte Radeon R9 295X2.
Does having 2 Gpus increase performance?
The primary benefit of running two graphics cards is increased video game performance. When two or more cards render the same 3D images, PC games run at higher frame rates and at higher resolutions with additional filters. This extra capacity improves the quality of the graphics in games.
Does dual monitor affect RAM?
A program crashing due to the presence of a second monitor could affect performance. … You are using more video ram to create independent display on two monitors instead of one (cloning also uses more resources, just less of them), and more GPU (or CPU, depending on your laptop) to handle “animating” two screens…
Can a 1660 Super Run 2 monitors?
Yes! With in card in the GTX 1660 series you will get 3 DISPLAYPORT ports and 1 HDMI port. Between these you can support up to 4 monitors at 1080p. … Make sure your monitors use the right inputs, displayport to displayport ect.
Is dual monitor bad for GPU?
running multiple monitors from a single GPU is just fine and shouldn’t cause any problems.
Which is better AMD or Nvidia?
Nvidia is a touch faster and uses a bit less power, for roughly the same price. … Winner: Nvidia Across a large suite of games, Nvidia wins in most categories. AMD can hold its own with the RX 5700 and 5700 XT, but it can’t beat the 2070 Super or above and basically matches the old GTX 1080 Ti.
Does it matter what brand of GPU?
Video cards are a little different. When it comes to choosing NVIDIA or AMD (formerly ATI), brand doesn’t matter as much as the individual card’s performance. At any given price point, NVIDIA might have a better performing card than AMD, or vice versa.
How do I extend my laptop screen to two monitors?
Right-click anywhere on the desktop and select “Screen resolution” then choose “Extend these displays” from the “Multiple displays” drop-down menu, and click OK or Apply.
Can you run 2 monitors with 1 HDMI?
HDMI does not have the ability to send two different display streams through the same cable, so there is no device that you can connect to an HDMI port that will provide you with multi-monitor capability. The splitter, as the name implies, will just send the same signal to the two monitors.
Does dual monitor affect FPS?
Ultimately, anyone who runs multiple monitors shouldn’t fuss over lost performance. Even on a single monitor configuration, running a video in the background is going to affect FPS. In this case, it was a meager 5 FPS drop, which wouldn’t be the end of the world at 60 FPS, and it’s certainly nothing at 122 FPS.
Can I put 2 different GPU in my PC?
Yep, having two completely different GPUs in one PC is possible, as long as there are enough PCI slots. However, if you are planning to use SLI, it requires two of the same cards. Furthermore, you should remember not all applications take advantage of the dual GPU setup.
Which brand GPU is best?
Top 10 Best Graphics Card Brands (GPU)1 thought on “The 10 Best Graphics Card Brands” Brian.ASUS. ASUS is still the undisputed overall best brand of GPU. … MSI. This card is without a doubt the best in terms of overclocking, and that is to stress the GPU beyond its advertised specs. … Gigabyte. … Sapphire. … EVGA. … NVIDIA. … AMD. … More items…
Why are GPU prices so high 2020?
NVIDIA & AMD Graphics Cards Could Get More Expensive in 2020 Due To Rising DRAM Demand. Well if you were waiting for NVIDIA’s and AMD graphics card’s prices to come down, a report from DigiTimes states that they are expected to climb even further in 2020 and graphics DRAM shortage would be the primary reason for it.
Will Big Navi beat Nvidia?
AMD Big Navi has long been championed as an “Nvidia-killer” graphics card. And in leaked benchmarks it looked set to do just that, offering 40 to 50 percent more performance than the Nvidia GeForce RTX 2080 Ti.
Do I need 2 Gpus for dual monitors?
A single video card that supports a dual-monitor setup can handle running two screens at the same time: it is not necessary to have two video cards to run two monitors on one computer. Video cards that have two monitor connection ports typically support dual-monitor setups.
What is the best GPU on the market?
SearchRankDevice3DMark Graphics Score1NVIDIA GeForce RTX 3090 DirectX 12.00198582AMD Radeon 6900 XT DirectX 12.00185143AMD Radeon RX 6800 XT DirectX 12.00177444NVIDIA GeForce RTX 3080 DirectX 12.001769464 more rows
Are gigabyte GPUs bad?
Gigabyte is a really good (price and efficient wise) though they’re trying to do what MSI have done which is being good or above in all aspects and in case of gigs it shows in their gpus which are mediocre at best.
What is the most powerful GPU in the world?
NVIDIA TITAN VNVIDIA TITAN V has the power of 12 GB HBM2 memory and 640 Tensor Cores, delivering 110 teraflops of performance. Plus, it features Volta-optimized NVIDIA CUDA for maximum results….GROUNDBREAKING CAPABILITY.NVIDIA TITAN VArchitectureNVIDIA VoltaFrame Buffer12 GB HBM2Boost Clock1455 MHzTensor Cores6401 more row
Can you run 2 monitors off 1 VGA port?
This older PC has only one video output (VGA) on the right. To add a second monitor a splitter or video-card will need to be added. … The DVI on the left, to one monitor and the VGA on the right to a second monitor. This Computer has a video-card added allowing two monitors to be run simultaneously.
Is SLI dead?
Starting January 1, 2020, Nvidia will stop adding new SLI profiles to its GeForce driver packages. Technically, SLI is not dead, but if this was an episode of The Walking Dead, it would be the one where it gets bit by a silicon-eating GPU.
Why does laptop have 2 graphics cards?
The point of the 2 is to enable your laptop to use a lower battery consumption when you don’t need the power of a high-spec GPU. Most of the things you do on the laptop probably don’t need high-spec graphics. There should be an application running that associates applications with each graphics card.
Why is GTX 1080 expensive?
The 1080 ti is more expensive because of supply & demand. Supply is really short now and demand quite high, more so than rtx cards bc of the,, rtx on” bash. And rightfully so.
Does dual monitors slow gaming?
No. Unless you’re gaming on the second monitor as well, it puts almost no additional load on the graphics card. Using a second monitor puts next to no additional load on your computer. Running other stuff on it will, but that’s no different than running it on the same monitor you’re gaming on in the background.


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Bouclé Oversized Belt A-Line Mini Skirt
This elegant A-line mini skirt is cut from lightly textured bouclé wool natte in the collection’s fresh palette. An oversized glossy vinyl-look belt adds a rebellious runway statement to the waistband, which is trimmed with a playfully scaled-up snap button that pays homage to the craftsmanship of the House’s iconic trunks.
- Length : 42 cm / 16,5 inches
- Main Material : 72% Wool, 13% Polyester, 13% Cotton, 2% Polyamide
- Vert Emeraude, Green
- Regular fit
- Made in France

domain: design


text:
The Rule of 72
Do you know how long it may take for your investments to double in value? The Rule of 72 is a quick way to figure it out.
Have A Question About This Topic?
Learn about cyber liability insurance in this entertaining video.
Variable Universal Life is permanent insurance in which the policyholder directs how premiums are invested.
Understanding the cycle of investing may help you avoid easy pitfalls.

domain: economics


Thumbnail Filmstrip of Fly Barricade Compression Shorts Images
Fly Racing Barricade Compression Shorts
Thermoformed and perforated lightweight EVA (Ethylene Vinyl Acetate) foam padding in strategic positions to support hips, thighs and tailbone.
- Multi-panel technical fabric main construction is highly breathable and provides a great fit
- Long leg-length with gripper elastic band provides a secure fit
- Ultra-comfort waist band
- Low profile lightweight padded under short for all riding styles
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He is our father in the sight of God, in whom he believed. (Romans 4:17)
In my book, it is wonderful to contemplate the deep brotherhood shared by Abraham and St. Joseph, the two ends of the long chain of lineage that gave the world the Christ.
The brotherhood they share: Both Abraham and Joseph sought the Lord–with upright, religious hearts. Both longed, above all, to do God’s will.
Both received visits from angels. And in both cases, the angel demanded faith in a highly improbable promise, a promise that most of us certainly would have doubted.
To Abraham: “Yes, you are old. And you’re wife is barren. But you will have offspring more numerous than the sands of the seashore and the stars of the sky, and all the nations will be blessed in your progeny. And even if I ask you to sacrifice your only son, don’t doubt Me then, either. Lead him to top of the mountain, teaching him that God provides the lamb.”
To Joseph: “Yes, the love of your life appears to have gotten pregnant by another man. But do not despair of her single-hearted love for you. Her child comes from the Holy Spirit. Marry her as you planned, and raise the eternally-begotten Savior into manhood as any human father would raise a son.”
If you and I didn’t doubt the first promise, then we most certainly would have doubted the second. At least we would have doubted our own ability to carry it out.
But Abraham did not doubt, and neither did Joseph. They believed what they could not themselves envision; they trusted the heavenly Father they could not see. They stepped forward, abandoning all self-interest, and gave their lives over completely to the God of outlandish promises.
So: Who is our “father in faith,” our patriarch, the father of the faith of the Catholic Church? That’s what we call Abraham, and it is also what we call Joseph.
No contradiction in it, really—calling both Abraham and St. Joseph our patriarch, father. There would be competition between them for exclusive claim to that title, if the two men were anything less than incandescently selfless. But as they are both consummate vessels of the one divine will—since they both offered their lives as obedient sons of the heavenly Father–then we rightly identify both ends of the genealogical line—Abraham and Joseph—as the “father” of the Body of Christ, our father.
After all, the most important lesson a father can teach is the one they both taught the Christ, and us: How to live as children of God.

domain: literature


MegaMacs offers the refurbished Apple Mac Pro Xeon Quad-Core 2.8GHz Workstation, model no. MA970LL/A, for $1,049.99 plus around $37 for shipping. That’s tied with our June mention of a refurb and the lowest total price we could find for a used model by $234. It features an Intel Xeon 5400 Series 2.8GHz quad-core processor, 4GB RAM, 250GB hard drive, dual-layer DVD burner, and more.
Of note, an OS is installed on this system, but it’s unclear which OS. A 30-day warranty applies, although it’s unclear who backs it.
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Supreme Court Update: Jones v. Mississippi (No. 18-1259, Niz-Chavez v. Garland (No. 19-863), Edwards v. Vannoy (No. 19-5807), Caniglia v. Strom (No. 20-157), B.P. v. Mayor and City Council of Baltimore (No. 19-1189), CIC Services v. IRS (No. 19-930)
Yesterday was a busy day at the Court, as the Nine dropped a quartet of new decisions and granted cert in three new cases, including a potential abortion blockbuster. We’ll address the grants first, followed by the headlines of today’s decisions, before turning to a bit of catch-up: summaries of the Court’s decisions last month in Jones v. Mississippi (No. 18-1259) and Niz-Chavez v. Garland (No. 19-863), two cases that regretfully slipped through the cracks over the last several weeks.
In Dobbs v. Jackson Women’s Health Organization (No. 19-1392), the Court will decide whether all pre-viability prohibitions on elective abortions are unconstitutional. The case arises out of a challenge to a Mississippi law that (with narrow exceptions) prohibits abortions after the 15th week of pregnancy (a cut-off point almost ten weeks before the generally accepted point at which a fetus becomes viable outside the womb). A federal district court struck down the statute under Planned Parenthood v. Casey (1992), which effectively forbids bans on pre-viability abortions. Now, less than a year after the ACB-less Court struck down Louisiana’s admitting-privileges law under Casey, the RBG-less Court will decide whether Casey’s viability line will survive going forward.
The Court also granted cert in two other cases yesterday: Shinn v. Ramirez (20-1009), which concerns whether a federal habeas court may conduct an evidentiary hearing where a prisoner’s post-conviction counsel negligently failed to develop the record in state court, and Badgerow v. Walters (No. 20-1143), asking whether federal courts have subject-matter jurisdiction to confirm or vacate arbitration awards under Sections 9 and 10 of the Federal Arbitration Act when the only basis for jurisdiction is that the underlying dispute involved a federal question.
Moving on to Monday’s decisions, in Edwards v. Vannoy (No. 19-5807), the Court held (6-3) that its holding last term in Ramos v. Louisiana (2020) that state jury verdicts must be unanimous in criminal cases is not retroactive (and adding in that the entire Teague v. Lane retroactivity rule for “watershed rules of criminal procedure” no longer exists). In Caniglia v. Strom (No. 20-157), the Court unanimously held that the “community care-taking” exception to the Fourth Amendment’s warrant requirement—previously recognized in the context of police patrol of public highways—is not a standalone exception permitting warrantless searches and seizures in the home. In B.P. v. Mayor and City Council of Baltimore (No. 19-1189), the Court (7-1, with Justice Alito recused) held that a court of appeals can review any issue in a district court order remanding a case to state court when the defendant premised removal at least in part on the federal-officer removal statute or the civil-rights removal statute. And, on a rare Tax Day in May, the Court in CIC Services v. IRS (No. 19-930) unanimously held that the Anti-Injunction Act, which generally requires those contesting a tax’s validity to pay the tax before filing a legal challenge, does not preclude a suit to enjoin IRS Notice 2016-66, which requires taxpayers to report information about certain insurance agreements known as micro-captive transactions. We’ll have full summaries of these decisions later in the week.
Finally, some catch-up. Read on for summaries of Jones v. Mississippi (No. 18-1259), which held—notwithstanding the Court’s decisions in Miller v. Alabama (2012) and Montgomery v. Louisiana (2016)—that a sentencer need not make a separate finding of incorrigibility before sentencing a juvenile homicide defendant to life without parole; and Niz-Chavez v. Garland (No. 19-863), which held that all of the statutorily required information for a “notice to appear” under the Illegal Immigration Reform and Immigrant Responsibility Act of 1996 (IIRIRA) must appear in a single document in order to trigger IIRIRA’s stop-time rule, under which a nonpermanent resident alien’s period of continuous presence in the United States is deemed to end upon service of a notice to appear.
First up, in Jones, the new conservative majority on the Court put the brakes on a decade of reform in the area of juvenile sentencing. As longtime Court Fans know, in a line of decisions dating back at least 15 years, the Supreme Court has held: that the Eighth Amendment prohibits imposition of capital punishment on offenders younger than 18 at the time of their crimes (Roper v. Simmons (2005)); that the Eighth Amendment prohibits sentences of life without parole for juvenile offenders convicted of non-homicide offenses (Graham v. Florida (2010)); that the Eighth Amendment prohibits mandatory sentences of life without parole for juvenile offenders convicted of any offense, including murder (Miller v. Alabama (2012)); and that the rule in Miller is retroactive to cases on collateral review (Montgomery v. Louisiana (2015)). Among these cases, Miller is somewhat unique, as it did not categorically prohibit sentences of life without parole (LWOP); it held only that the Eighth Amendment requires a sentencer to take account of a juvenile offender’s youth and that LWOP sentences should be reserved for those “rare” offenders who are permanently incorrigible. But then the Montgomery Court held that Miller announced a substantive rule that applies retroactively, suggesting that there may be a categorical prohibition on LWOP sentences for all but the most incorrigible juvenile offenders.
Petitioner Brett Jones was 15 years old when he killed his grandfather in 2004. At that time (pre-Miller), under Mississippi law, murder carried a mandatory sentence of life without parole. Thus, after Jones was convicted he was automatically sentenced to life without consideration of his youth at the time of the offense. While Jones’s case was still winding through the state courts on collateral review, the Supreme Court decided Miller, prohibiting mandatory LWOP sentences. The Mississippi Supreme Court (presaging the U.S. Supreme Court’s later holding in Montgomery) concluded that Miller applied retroactively to cases on state collateral review and therefore ordered a new sentencing hearing. During that sentencing hearing, the judge acknowledged that he had discretion under Miller to impose a sentence other than life without parole, but decided to reinstate the LWOP sentences anyway. In so doing, however, the sentencing judge did not make a factual finding that Jones was permanently incorrigible. Jones appealed, arguing that Miller (and, by now, Montgomery) require a sentencer to make a finding of permanent incorrigibility before imposing an LWOP sentence on a juvenile offender. The Mississippi Supreme Court disagreed, and the Supreme Court granted certiorari to resolve disagreement on this question among state and federal courts.
The Supreme Court affirmed, 6-3, holding that Miller and Montgomery do not require a sentencer to make a separate factual finding of permanent incorrigibility before sentencing a juvenile offender to life without parole. Instead, in such cases, a discretionary sentencing system is “both constitutionally necessary and constitutionally sufficient.” Justice Kavanaugh wrote for the majority, pointing out that Miller mandated “only that a sentencer follow a certain process” before imposing an LWOP sentence, and that Montgomery explicitly stated that “a finding of fact regarding a child’s incorrigibility . . . is not required.” Therefore, while these cases require consideration of an offender’s youth, they do not require any particular factual finding. Justice Kavanaugh also rejected the argument that, even if an explicit fact finding is not required, some kind of on-the-record explanation implicitly finding incorrigibility is. An on-the-record explanation is not necessary to ensure that a sentencer considers a defendant’s youth, Kavanaugh contended. “[I]f the sentencer has discretion to consider the defendant’s youth, the sentencer necessarily will consider the defendant’s youth, especially if defense counsel advances an argument based on the defendant’s youth.” This is consistent with the Court’s holdings in the capital-sentencing context, where sentencers must consider mitigating circumstances but are not required to make on-the-record explanations demonstrating that they have done so.
Although the majority read Miller and Montgomery narrowly, Justice Kavanaugh rejected the dissent’s argument that the Court was implicitly overruling those decisions. “Miller held that a State may not impose a mandatory life-without-parole sentence on a murderer under 18. Today’s decision does not disturb that holding. Montgomery later held that Miller applies retroactively on collateral review. Today’s decision likewise does not disturb that holding.” Kavanaugh also stressed that the Court’s “ruling on the legal issue presented here should not be construed as agreement or disagreement with the sentence imposed against Jones.” In particular, he emphasized that the ruling did not address any potential as-applied Eighth Amendment claim of disproportionality regarding Jones’s sentence and did not preclude Jones from seeking further relief from Mississippi’s courts, legislature, or governor.
Justice Sotomayor led the charge for the dissenters, joined by Justices Breyer and Kagan. In a forcefully worded opinion, she accused the majority of “gut[ting]” Miller and Montgomery, rejecting their essential holding that “a lifetime in prison is a disproportionate sentence for all but the rarest children, those whose crimes reflect ‘irreparable corruption.’” Sotomayor firmly rejected the majority’s suggestion that its decision carefully followed precedent: “The Court is fooling no one.” Because Miller and Montgomery make clear that only those juveniles who are incapable of rehabilitation can be sentenced to life without parole, it necessarily follows that sentencers must make some sort of on-the-record finding that a juvenile in fact warrants an LWOP sentence in order for it to pass constitutional muster.
Justice Thomas filed a concurrence more-or-less agreeing with the dissent’s characterization of how the majority treated precedent. In his view, while Miller itself only created a procedural rule requiring discretion in the implementation of juvenile LWOP sentences, the Court made a mash of things in Montgomery by characterizing it Miller as a substantive rule that applies retroactively. Montgomery therefore created a “categorical exemption for certain offenders,” which would, if faithfully followed, require some kind of formal finding of incorrigibility like that advanced by Jones. Unlike the dissenters, though, Thomas would have “acknowledge[d] that Montgomery had no basis in law or the Constitution” and overrule it outright. He criticized the majority for instead “[o]verrul[ing] Montgomery in substance but not in name.”
Next, in Niz-Chavez v. Garland (No. 19-863), an “unusual coalition” of justices banded together to adopt a strict reading of a provision of the Illegal Immigration Reform Act (IIRIRA) that requires noncitizens to be served with “a notice to appear” in a certain form before their time of continuous residence in the United States can be deemed to end. We’ll explain what that means in a moment, but first an explanation for the scare quotes. As regular readers know, these days an “unusual alliance” or “unusual coalition” generally means “the liberals and the strict formalist conservatives” and so is not really all that unusual at all. In this instance, however, the moniker may be appropriate as it’s the first such coalition to include the Court’s newest formalist, Justice Barrett.
Here’s the background: Under the IIRIRA, a nonpermanent resident alien who has continuously resided in the U.S. for at least 10 years may be eligible for discretionary relief from removal. However, the statute’s so-called “time-stop rule” provides that the period of continuous presence “shall be deemed to end . . . when the alien is served a notice to appear” in a removal proceeding. The term “notice to appear” is itself defined in the statute as “written notice . . . specifying” certain information, including the charges against the alien and the time and place at which the removal proceedings will be held. In Pereira v. Sessions (2018), the Court held that, if a notice omits any of the statutorily required information, then it’s not a “notice to appear” as defined in the statute, and does not trigger the stop-time rule.
Here, the Government ordered the removal of Niz-Chavez and sent him one document containing the charges against him and, two months later, a second document providing him with the time and place of his hearing. The government argued that the two documents together contained all the statutorily required information for a “notice to appear” and, therefore, the stop-time rule was triggered when Niz-Chavez was served with the second document. But the Supreme Court disagreed, holding that a notice to appear sufficient to trigger IIRIRA’s stop-time rule must be a single document containing all the statutorily required information about an individual’s removal hearing.
Justice Gorsuch took the lead for the majority, joined (for the first, but likely not the last, time) by the “unusual coalition” of Justices Thomas, Breyer, Sotomayor, Kagan, and Barrett. By their lights, Congress’s use of the indefinite article when referring to “a notice” signified that it envisioned “a” single notice provided at a discrete time, rather than a series of notices collectively providing the required information. This is consistent with the general understanding of the indefinite article as used in other case-initiating pleadings, e.g. “an indictment,” “an information,” or “a civil complaint.” While the text alone likely sufficed, Justice Gorsuch added that IIRIRA’s structure and history supported requiring the government to issue a single notice containing all the required information. Gorsuch also rejected the Government’s practical argument, that it doesn’t always know the availability of hearing officers when it initiates removal proceedings and it is therefore difficult to provide notices containing all required information, including the date and time of hearings and that, in any event, it makes little sense to require all the information in one notice when the date and time may well change before the hearing takes place. Such pleas of administrative inconvenience cannot “justify departing from the statute’s clear text.” And if practicalities are to be considered, better to place the burden on the Government to provide clear notice in a single document than to permit it (conceivably) to spread out information over seriatim notices that might be difficult for a noncitizen with limited grasp of English to pieces together. The Government should have learned its lesson in Pereira, Gorsuch suggested, and followed the letter of the law.
Justice Kavanaugh dissented, joined by the Chief Justice and Justice Alito. In his view, the majority put far more weight on the indefinite article “a” than that single letter can hold. After all, he noted, the phrase “notice to appear” is specifically defined in the IIRIRA to mean “written notice,” and there is no definition or suggestion that “written notice” necessarily denotes a single document. The majority’s reading, Kavanaugh argued, needlessly creates administrative hurdles for the Government and may lead to further clogging of an already overburdened immigration system.
That, at long last, is all for today. We’ll be back as soon as we can with summaries of yesterday’s decisions. Thanks for reading!

domain: law


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5 Reasons to Plan a Destin FL Winter Getaway
Are you starting to plan your yearly vacations? Be sure to add Destin FL to your list this winter. There’s plenty of things to do in Destin FL, even with the slightly chillier weather in Destin. Here’s five reasons you need to visit Destin this winter:
Escape the snow
The temperature has been dropping across the U.S., and if you’re looking for a place to get out of the snow, Henderson Park Inn in Destin, FL is the place to be. Destin Florida’s weather remains fairly mild throughout the winter. It generally stays in the upper 50s and 60s through December, January and February, making it the perfect place to escape to.
Summer is Destin’s busiest time of year, and while visiting the beach during that time ensures some of the best hot Florida summer weather, our area will be much more crowded in June and July. Finding reservations at places like Beach Walk Café in Destin and other restaurants becomes much easier. By visiting Destin in the winter months, you get to enjoy all the best things to do in Destin FL without the crowd.
Events in the area
There’s plenty of things to do in Destin FL during the winter months, as a number of events spring up throughout the area. From tree lightings and other holiday events to music and food and wine festivals, there’s a fun thing to do in Destin FL just about every weekend. Our favorites are the Songwriters Festival and the Destin Boat Parade.
De-stress from the holiday hustle
After entertaining family and friends during the holidays, you’re going to need a break to relax and recharge, and Destin is the perfect place to do so. Our inn remains one of the more secluded and relaxing beachfront properties in Destin, FL, and as an all-inclusive hotel, there is not a single part of your trip that can be overlooked. From enjoying a treatment at The Henderson Beach Resort’s spa to gazing at the Gulf of Mexico from your suite, Henderson Park Inn is sure to give you space to unwind.
Take advantage of amenities you might not enjoy as much otherwise
Henderson Park Inn offers a number of incredible amenities, from beach services to lunch. But, there are some amenities that are much more exciting to do in Destin FL during the winter months, like our beachside firepits. Snuggling up next to one with a glass of wine while you watch the sunset or dipping into The Henderson Beach Resort’s heated pools is much more satisfying in January than July.
When you’re looking for a place to recover from some winter blues, our Destin beach hotel is the place to be. Browse all of our available rooms and book your Destin FL winter getaway today.

domain: geography


Dial a donor
After starting an SMS service that provided those in need of blood with immediate access to donors, Indianblooddonors.com has announced a novel service on this World Blood Donor Day � a number that you can dial at any hour to connect with donors directly
“Only about 40 to 50 per cent of Indians can send a text message but everyone these days knows how to make a call,” reasons Khushroo Poacha, who started Indianblooddonors.com in 2000. Till date, through their website and SMS service, they have reached out to over 60,000 people in need of blood. Poacha decided to launch a number that people can dial into keeping in mind a large majority who have no access to the Internet or cannot send text messages.
“There were many people who would call on the number that was launched for the SMS service. Even patients who were lying on beds would try to call on that number. I then realised that a lot of people are more comfortable calling than texting, that’s why we decided to set up this service,” informs Poacha.
How it works
When you dial the number, a recorded message gives you the option to choose between Hindi and English and once you choose your language, you are guided through a few recorded messages that enable you to select the blood group you require and get the contact number of a donor. Simultaneously, the donor also gets a message that informs him/her that you will be getting in touch, shortly. For every call you make you get the contact details of one donor. “One call, one donor,” asserts Poacha. So, if that donor is unable to donate for some reason, you can call once again and you will get another donor’s contact number. The call to this particular number can be made from any mobile or landline.
Poacha points out that Indianblooddonors.com is not an NGO; it works on a no-funds model. They do not accept money or donations. They only want an increasingly number of people to register with them as donors: “Even for this venture, a free line was given to us by an Ahmedabad based company called Awaaz de. We are functioning for 12 years without a revenue model — this is what I wish to highlight. To do good work, one does not need money,” adds Poacha. He has plans to introduce the dial for blood service in regional languages as well. “I also intend to launch a mobile app on blood donation for android users,” he reveals.
Dial for blood: 07961907766
SMS: DONOR<space>STD CODE<space>Blood Group to 09665500000
Log on to: Indianblooddonors.com


The construction of most cars is created by pre-determined set-ups. Whether it’s the gearbox, steering or brakes – some things are kept close to constant in every vehicle. At Dyno Map, we provide professional gearbox tuning in Bromley for your vehicle.
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Our team here can offer you a wide range of advice concerning your gearbox and what would be best for your vehicle. To find out more, get in contact with our team today.


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Being the dream trip of many, Paris is one of the most visited cities ever! It’s a cliché for sure, but any given traveler will have to go there at least once. It’s a big city with much to see, so your route should be carefully planned if you want to make your trip worth it! One thing that I can promise you is that this city is an open sky museum!
After my third time in Paris, I’ve decided to share some basic must go’s with you!
OMG , could this one be more obvious? Obviously this huge landmark has to be seen, but the questions here are: where from? And is it worth to go up the tower?
Well, going up is a unique experience for sure! BUT, in my opinion there’s way better (and free!) views of the city rather than the Eiffel Tower. So, the places I suggest you to go is literally bellow the tower, near the margins of the seine. To see it along with the beautiful french capital, don’t miss Trocadero gardens, it’s a gorgeous viewpoint.
Price: 16 € for adults | Website here
Arc du Triomphe
To be honest, my first impression of this so called monument was “what a big ass roundabout” . It’s a mess that only the french could deal with! Many cars, many people but you gotta give it to the greatness of the building! It honors the ones who died fighting in the french revolution and it’s located near the Champs Elysées, which you should also check. If you go up to the top, which you can do only by stairs, you have an amazing view including the Eiffel.
Price: 12 € for adults | Website here
The Louvre is an incredible and huge museum (I don’t think this word even starts to describe it). Interesting fact: If you would take 1 minute per piece and spend there 8 hours per day, it would take you 75 days to see it all. So yeah, it’s pretty big!
But, if you’re an art lover, you should definitely go inside and spend your day admiring the many pieces included there.
Just in case you don’t know: the famous Mona Lisa is in there, but don’t be disappointed by the small size of it!
If you don’t have much time to spare here or if you’re simply not a big fan of art, I still advise you take a look at the outside as those stunning pyramids which modern design fits perfectly in the building.
Price: 15€ for adults | Website here
Located right next to the Louvre, you’ll find the Tuilleries Garden! It’s a public park used by locals and visitors to relax. So it’s the perfect spot for you to sit near a fountain and have a warm coffee while you chill and admire nature.
I’m totally not the person that will visit all the churches, when traveling, but this one… oh man! It’s the most beautiful I’ve ever seen! Its inside has amazing color stained glasses and the effect of the lightning on it makes it something you see once in a lifetime. It’s just mind-blowing and so worth it!
I ended up coming to this place because of the deal with saint Chappelle, but this old prison was a total surprise for me! It was part of the royal palace, which had also the Saint Chapelle and Palais de Justice. The building is very well kept and all the signs were very informative, but the most interesting part for me was the cell of Marie Antoinette.
Price (Saint Chapelle and Concergerie) : 15€ for adults | Website here
Another iconic and unmissable site of Paris. The church itself is huge and beautiful, wether outside or inside. The entrance is free , so don’t miss the chance to check it out! And of course, don’t forget to pay a visit to Quasimodo 😛
Price: free |PS – there’s usually a big line to enter but it walks really fast.
This one goes for the book lovers out there! I could just get lost in this adorable quirky book store. It has existed for almost a century, it has seen a lot of people to pass by, and you just can see that those walls have a lot of stories to tell. Literally. Definitely worth to stop by.
Pont des Arts
This was the original bridge where love promises were made through lockers. A few years and lockers later, the lockers were removed due to the weight they made on the bridge. However, any bridge over the Seine is beautiful and in any of it you can find love lockers, after all you’re in Paris, the city of love.
This church is located in one of the highest points of Paris: Montmatre. This means that you’ll have to take a lot of stairs but it also means that you’ll have a great view. And indeed, it was worth it! The view over the city is just stunning as it’s the church.
This neighborhood is one of the most typical and known from Paris. It’s narrow streets and cute houses are very worth to see.
As this place is out of Paris, you’ll need at least mid day to visit it, so make sure you plan it accordingly. The village itself is very beautiful and quite different from palace, but of course the main attraction is the Château de Versailles. It’s just overwhelming how big and rich it looks. Covered in gold and showing the wealthiness of Louis XIV’s time. The gardens are payed separately but they’re really worth to visit as well. Not only they are extremely beautiful, but there’s a fountain show available, which is basically water “dancing” on the sound of music. It’s truly a unique show and very fun!
Price: 16 € for adults | Website here
Of course I had to mention Disneyland! I mean, I’m the biggest Disney lover ever so for me it’s unthinkable to go to Paris and not go to this magical world. But for that I have this whole different article here. Check it out 🙂
Some of my tips to help you having a better experience in Paris:
- Paris is one of the most visited cities of the world, so no matter when you go it will be FULL of tourists and the lines will be huge. So, make sure you booked every entrance in advance,
- In the majority of monuments, people bellow 25 don’t pay BUT you have to book! Make sure you book it before as well.
- Even tho the city is very big, it is doable to visit it by walking and, in my humble opinion, it’s the best way to do it and see how things actually are around there.
- Food can be very expensive, so if you are on a budget follow this tips to save some money.
Have you visited Paris? Is there any place I’m missing? Let me know everything !
Don’t forget to follow me on Facebook and Instagram to check out what I’m up to !
Lots of Love,

domain: travel


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A Novel of Sex & ViolenceDownloadable Audiobook - 2011
After a woman begins killing her one-night stands right after sex, she thinks of all the men she bedded before her killing spree, who got away alive--and begins to murder them, too, one by one.
Publisher: Prince Frederick, MD : Recorded Books ; [Prince Frederick, Md.] : [Distributed by] OneClick Digital, 2011, p2011
Characteristics: 1 sound file (9 hr., 30 min.) : digital


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Dow Chemical: Rain Fastness Testing Method Build-up and Adjuvant Exploration
Jul. 4, 2018
The so-called rain fastness is the ability of the chemicals to resist removal or wash-off due to rainfall. Currently, popular mechanisms for rain fastness include “spreader” concept and “sticker” concept. “Spreader” is aimed at increasing the coverage of pesticides on the foliar surface, and then bringing pesticide quick uptake. “Sticker” could enhance the pesticide retention via a formed polymer film or net-like structure. Dow Chemical has a wide portfolio of technology in terms of wetter and polymer film former. It is a great opportunity to provide high quality products with superior performance to the market.
In order to explore high performance adjuvants, Dow Industrial Solution Asia Pacific team managed to build up the rain fastness testing method in the lab, and then validate testing method reproducibility and repeatability, which could support quick adjuvant performance evaluation in a facile way. It is found that a lot of factors should be considered during testing procedure set-up, such as substance to mimic leaf surface, equal simulated rainfall to each sample etc; the testing parameters are confirmed after several rounds of trials and equipment debugging.
Adjuvants rain fastness performance to various tested pesticide formulations are summarized in Table 1. The incorporating of adjuvant indeed endows pesticides with stronger rainfall resistance, to make them retained for a larger amount. Moreover, the highlighted feature of both products is that they are under U.S. EPA registration, having a good regulation profile.
The practical application effect is critical to reflect adjuvant performance. Third-party capability was utilized to conduct field-testing on weed control effect. Some 18% Glufosinate SL was used as a herbicide and eleusine indica was the weed target. After herbicide dilution was sprayed for 30 minutes, an equal amount of tap water to simulate rainfall was sprayed to each testing zone. Some 15 days later, the weed effect was shown in Figure 3. Compared to CK sample without herbicide, the other two samples exhibited excellent weed control effect. When it came to the comparison between no adjuvant sample and adjuvant added sample, less green tint could be found when POWERBLOXTM ADJ-35 was incorporated. It is demonstrated that the introduction of POWERBLOXTM ADJ-35 can offer excellent rainfall resistance for pesticides, thus providing higher efficacy.
As it is known, field-testing results is statistic data. Actually, four testing zones were kept for each sample, and the weed effect was calculated by three typical plants for each zone. From the average result in Figure 4, it can be seen that the adding of POWERBLOXTM ADJ-35 will improve the efficacy 15-20% for each plant weed effect and aerial parts fresh weight and improve around 50% on underground parts fresh weight.
In a word, POWERBLOXTM ADJ series efficacy enhancers with excellent rain fastness and an eco-friendly profile are recommended for use in water-borne formulations, as in-can additive with dosages around 6wt%, and in solvent-borne formulations as tank mix additive with dosage around 20wt%.
Please download AgroPages' latest business magazine - 2018 Formulation&Adjuvant Technology to see more.
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domain: agronomy


text:
Scenographic designer, design (general), producer, costume maker
Artistic production company created by Jorge Noa and Pedro Balmaseda. This duo is very well known in Miami for their theatrical designs. In Cuba, they earned two Máscara de Caoba awards for their set designs. After a brief interval in Venezuela, they moved to Miami in 1998. They have been Teatro Prometeo Theater’s resident designers for the last ten years. They have also been designing for Teatro Avante since 2006. Journey to the Center of the Stage (see Notes below), a retrospective of their work was presented at the 28th International Hispanic theatre Festival.

domain: artistic


text:
This Map's Story:
I created this map for a friend's fundraiser in DC. The map focuses on the streets and rivers because of their role in defining the unique geography of the city. DC's circles create a unique network of streets that are beautiful on a map and interesting to try to identify without text. Enjoy!
This map is available in the three color schemes shown, but feel free to choose custom color scheme to work with me to create your own.
Prints available in 12x18, 18x24 and 20x30, contact for special sizing.
Note on the Process:
This is a digitally made GIS-map using data from the DC.gov Open Data. Each map is locally printed using archival toner ink on 120lb paper with a matte finish. The 18x24 and 20x30 sizes are printed on 10 mil ultra-smooth matte poster paper, which produces a brighter color and smoother texture.
I hand-check each map for flaws and will personally package and ship with shipping insurance (please allow additional time for custom color scheme requests).
**Color may vary between monitor and print
**Frame not included
Check out my other city maps: www.snapraster.com
See other street maps: https://www.snapraster.com/shop/23445818/street-maps
Just contact me within: 14 days of delivery
Ship items back to me within: 30 days of delivery
But please contact me if you have any problems with your order.
Because of the nature of these items, unless they arrive damaged or defective, I can't accept returns for:


text:
It’s 8 am on Sunday morning, and another week in the congested streets and overflowing cafes of Tel Aviv has begun.
By midday, the beaches will be full of tourists, students and independently employed Tel Avivim who relish in the flexibility of being able to self-manage their own lives while taking in the hot Mediterranean sun and the sea’s glistening afternoon waters.
The city of Tel Aviv has come a long way since 1909 when the 66 founding families decided to push up north from Jaffa and replace the expansive sand dune-dominated topography with what would eventually become the fundamental trial of Jewish self-governance and contemporary Hebrew culture.
As the first and only modern Jewish metropolis, Tel Aviv was the original outfit for implementing Eliezer Ben Yehuda’s success in transforming the antiquated Hebrew of the Scriptures into the quasi-revolutionized language of Zionism and one of the indispensable foundations required for authentic self-determination among Jews in the land of their forbearers.
The “White City,” as Tel Aviv has come to be known, showed the world that Jews could construct a vibrant civil society from the ground up with all the elements that romanticize and, unfortunately, even plague today’s global cities.
Tel Aviv is the financial, economic, cultural, military and diplomatic epicenter of modern Israel. However, the glorification of Tel Aviv as epitomizing the ultimate experiment in Zionism cannot ignore the wealth of problems that encompass Tel Aviv today.
Just as the annual Pride Parade will flood the city’s streets in the coming weeks, hundreds will turn out to protest the astronomical growth in asylum seekers and foreign workers. And weekend outings on the beach will be complemented by massive demonstrations on Saturday evenings in hopes of reinvigorating and superseding last summer’s crusade for social justice.
Yet all these components and juxtaposed dynamics are part of life in all major “Westernized” cities. The question of how to effectively and morally deal with an influx of refugees is a natural progression within the development and economic opportunity found in urban centers.
Seeking a more financially secure future and greater equality among those with the means of production in their hands, via mass, unrepressed protests, should be part of any radiant democracy. Isn’t that what our neighbors are looking to achieve? Foreign policy aside, aren’t many protesting in the Arab world looking at Tel Aviv as an example for how they, too, should be allowed to express themselves?
The “bubble syndrome” that is often ascribed to Tel Aviv might at times be a fair description regarding how certain individuals remain addicted to the convenience offered by metropolitan city living, while rarely feeling the need or even the desire to release themselves from those confines. However, being a “bubble” implies that Tel Aviv as a city in itself insulated and aloof in its relation to the rest of the country. This could not be more inaccurate.
To disparage Tel Aviv as nothing more than a suffocating bubble fails to recognize the international attractiveness as a premier city for the arts, entertainment, business and Mediterranean escapism - a Zionist experiment that reached across the globe and showed people that Jews can do what the French did in Paris, what the Turks did in Istanbul and what the Americans did in New York City.
So as much as Tel Avivim might be confined to their fast-paced, self-absorbed routines, their daily exposure to the international importance represented by their city actually deconstructs the bubble phenomena.
Rather than Tel Aviv being branded as the place where no one cares about what goes on in the rest of the country, it should be commended for the reprieve it provides to those wishing to feel like they live as part of the international community, and not just within the singular Israeli community.
While entitlements about the true guardians of Jerusalem are subjectively debated, and the legitimacy that certain groups have to that city continuously slandered, no one can deny the objective claims that Tel Aviv is uniquely the Jewish city and the greatest accomplishment within the evolving narrative of the modern Zionist experiment.
So this week, during which the “reunification” of Jerusalem is celebrated, and nearly one month after the aura of Independence Day has faded, Tel Aviv’s contribution to the Zionist psyche, and its success both as a Jewish cultural mecca and global city, must be equally celebrated and applauded.
Steve Rubin is an independent journalist and researcher in Tel Aviv. He holds an MA in Diplomacy from Tel Aviv University. Follow him on Twitter @TheRealRubin

domain: news


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- Jenny Saville
- signed and dated 2009 on the reverse
- oil on canvas
- 269.8 by 219.7cm.; 106 1/4 by 86 1/2 in.
Acquired directly from the above by the present owner in 2010
New York, Gagosian Gallery, Jenny Saville, Continuum, 2011, pp. 106, 107, 109 and 117, illustrated in colour
West Palm Beach, Norton Museum of Art; and Oxford, Modern Art Oxford, Jenny Saville, 2011-12, n.p., installation view
Renowned for her richly layered, palimpsest approach to flesh and content, much like that of the British master and Saville’s idol Francis Bacon, Saville primarily works from memory in combination with auxiliary photographs, cutting and pasting different source images together to graft a new picture. Another deep-seated preoccupation that Saville shares with Bacon is an obsession with medical photographs, diseases, fleshy wounds and images of extreme humanness. Saville expounds: “Art reflects the awareness that in life the only certainty we have is death. This belief helps to explain why over the years I’ve collected so many medical and forensic photographs to help my work. A book called Death Scenes has been invaluable… Somebody found this L.A. detective’s pile of photographs after he died. He had been collecting images of death scenes and morgue victims… What I like about forensic and medical photography is that it has a raw quality, because the purpose is to illustrate the nature of damage or disease or death. Using images like these to make paintings only works, though, when you can get beyond the spectacle and the paint can transform it. I made a painting called Witness based on a photograph of a blown-up mouth, and it was tough going to push beyond the surface horror into the paint. If you don’t manage to get far enough it looks like a cheap trick” (Jenny Saville in conversation with John Richardson in: Exhibition Catalogue, New York, Gagosian Gallery, Jenny Saville: Continuum, 2011, pp. 15-16). Anything but a “cheap trick”, the present work exudes a primal energy that bursts forth from the great swathes of lavishly applied paint. Herein, Saville captures the immediate nature of the blood drenched forensic source photograph. Transcending the limitations of pure abject horror, as viewers of Witness we are invited to revel in the sensuous, unrestrained brushstrokes of its maker.
Executed with Saville’s typical aplomb and artistic flourish, Witness is an absolute masterclass in tone and texture. Remarkable for its heightened use of colour, in the present work Saville has skilfully suffused her warm palette of rich, bloody crimsons and soft pinks with nuanced shades of complex cool blues and brilliant whites to pick out the subject’s limp and lifeless body and ghostly lips. Glutinous, energetic brush strokes dance across the canvas in bold exclamatory marks, exuding a captivating and palpable tactility that amplifies the work’s searing and intense realism. Witness overwhelmingly resonates with the authority and poignancy of an artist at the very height of her creative powers; a powerful homage to society’s perverse fascination with death.


13. Versuvienne (3:42) (Put Your Little Foot)
Vi learned this sweet tune from an 82-year old fiddler at Colorado State Fiddle Contest when Vi was 12.
Steve learned this one from Vi.
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1 dead, 2 injured in multi-scene shooting in Beallwood area in Columbus
COLUMBUS, Ga. (WTVM) - The Columbus Police Department is investigating multiple shootings in a Columbus neighborhood that left one person dead and two injured.
According to Columbus Police Chief of Staff Katina Williams, around 6:30 p.m. there were three shootings around the Beallwood area in Columbus. Williams also says two other people were involved in an armed robbery.
One person was shot and killed near the intersection of 12th Ave. and 47th St. One person was shot at Holly Ave. and another at Gilbert Ave.
The search for a suspect is underway.
This is a developing story. Keep with News Leader 9 on air and online for the latest updates.
UPDATE: Coroner Buddy Bryan has identified the man who was fatally shot.
Copyright 2021 WTVM. All rights reserved.


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Almost Home (NR) Jessica Blank and Erik Jensen’s drama is about a group of homeless teenagers in Los Angeles struggling to survive. Starring Hannah Marks, Rachel Zimmermann, Niko Guardado, and Max Burkholder. (Opens Friday in Dallas)
Dark Waters (PG-13) Todd Haynes is about the last filmmaker you’d expect to direct a gritty, middlebrow corporate thriller set in modern times, and it doesn’t suit him. Mark Ruffalo portrays Robert Bilott, the real-life defense lawyer for chemical companies who joined the other side when he found out that the DuPont corporation was leaking toxic chemicals into the drinking water in his West Virginia hometown. Sporting extra weight and a bad haircut, Ruffalo mopes through the role, and his approach spreads to the rest of the cast and the director, whose grand cinematic style is completely absent here. The story this movie tells is important, and the importance is what turns this so dull. Also with Anne Hathaway, Tim Robbins, Bill Camp, William Jackson Harper, Mare Winningham, Bill Pullman, and Victor Garber. (Opens Wednesday)
Waves (R) This drama by Trey Edward Shults (It Comes at Night) is about a high-school athlete (Kelvin Harrison Jr.) whose life plan unravels after he suffers a career-threatening injury. Also with Sterling K. Brown, Taylor Russell, Alexa Demie, Renée Elise Goldsberry, Clifton Collins Jr., Neal Huff, Harmony Korine, and Lucas Hedges. (Opens Wednesday in Dallas)
When Lambs Become Lions (NR) Jon Kasbe’s documentary profiles both a Kenyan ivory poacher and his cousin, a wildlife ranger who has sworn to protect the animals. (Opens Friday at Grand Berry Theater)
White Snake (NR) This Chinese animated film is about a farmer in feudal China who falls in love with a snake spirit. (Opens Friday in Dallas)
Abominable (PG) For what it’s worth, a better animated movie about a yeti than Smallfoot. Chloe Bennett provides the voice of a Chinese teenager who discovers one of the legendary snowmen living on her roof and resolves to take him back to the Himalayas before he’s located by the rich captors whom he escaped from. The film does go all dopey when it reveals the yeti’s magical powers, but there are still moments of wit as the heroine and her two friends (Tenzing Norgay Trainor and Albert Tsai) crisscross the country. The film is also available in Mandarin, with different actors providing the voices. Additional voices by Eddie Izzard, Tsai Chin, Michelle Wong, James Hong, and Sarah Paulson.
The Addams Family (PG) With the cartoon family created by Charles Addams returning to its roots, and with Oscar Isaac voicing Gomez and Charlize Theron as Morticia, you’d think this would come to more. The Addamses deal with a gentrifying neighborhood and an evil home makeover TV host (voiced by Allison Janney) who’s bent on tearing down their eyesore of a house. The animation doesn’t match the weirdness of the subject matter. The only thing that does is the subplot in which Wednesday (voiced by Chloë Grace Moretz) starts attending public school. She’s the serene Goth heart of this thing, and there’s a nice Eighth Grade callback in the casting of Elsie Fisher as a girl at school who goes Goth with her. Additional voices by Finn Wolfhard, Nick Kroll, Martin Short, Catherine O’Hara, Tituss Burgess, Jenifer Lewis, Aimee Garcia, Pom Klementieff, Bette Midler, and Snoop Dogg.
Bala (NR) Ayushmann Khuranna stars in this Indian comedy as a prematurely bald young man who wears a hairpiece so he can be confident enough to date a fashion model (Yami Gautam) who works for the cosmetics company where he’s an executive. Too much of the movie plays like an Indian version of boilerplate Hollywood comedies about learning to accept yourself, but the film does have an intriguing side plot with both the hero and India’s beauty industry as a whole ignoring his childhood friend (Bhumi Pednekar) because she has dark skin. Colorism is a thing in Indian society and culture, and it’s refreshing to have a film address the subject. Also with Abhishek Banerjee, Saurabh Shukla, Javed Jaffrey, Sunita Rajwar, Seema Bhargava, Manoj Pahwa, Sonam Bajwa, and Hardy Sandhu.
A Beautiful Day in the Neighborhood (PG) Tom Hanks stars in this drama as children’s TV host Fred Rogers, who is interviewed by a jaded journalist (Matthew Rhys). Also with Chris Cooper, Susan Kelechi Watson, Enrico Colantoni, Wendy Makkena, Tammy Blanchard, Maryann Plunkett, Maddie Corman, Jessica Hecht, and Christine Lahti.
Black and Blue (R) The premise of this cop thriller is creative. Too bad the creativity stops there. Naomie Harris plays an Army vet-turned-rookie New Orleans cop whose bodycam catches a bunch of crooked cops executing a bunch of unarmed drug dealers whom they’re working with. Her colleagues realize what’s up and frame her, so she spends a day being hunted down by the cops and criminals. Harris’ crisp presence is nice to have here and Deon Taylor (who did The Intruder earlier this year) makes this watchable without providing anything memorable. Perhaps we shouldn’t fault the movie for failing to comment on police shootings (then again, perhaps we should). Regardless, this film makes hackwork out of material that could have amounted to more. Also with Tyrese Gibson, Mike Colter, Reid Scott, Nafeesa Williams, James Moses Black, Beau Knapp, and Frank Grillo.
Charlie’s Angels (PG-13) Poofy escapism packaged with shallow, rah-rah feminism doesn’t do much for me. This newest big-screen version of the 1970s TV show is about a computer programmer (Emily Scott) who enlists the help of Bosley (Elizabeth Banks) and her Angels (Kristen Stewart and Ella Balinska) to help destroy her own invention before it can be weaponized. Banks is also the writer-director here, and she has no instincts for filming action sequences. The male villains tend to be uninteresting, and the movie fails to invest us emotionally in the Angels. Stewart and Scott are funny, and there are nice supporting turns by Sam Claflin as a wimpy tech mogul and Luis Gerardo Méndez as a New Age wellness guru who can make spy gadgets and weapons. The director is miscast. Also with Patrick Stewart, Djimon Hounsou, Noah Centineo, Chris Pang, Nat Faxon, Marie-Lou Sellem, and Jaclyn Smith.
Countdown (PG-13) This feels so 2009. This “your smartphone will kill you” horror film deals with an app that tells you when your death will be. When a young registered nurse (Elizabeth Lail) finds out her death is in three days, she tries to avert it. Lail is ethereally beautiful, Jordan Calloway injects some humor as another young man who discovers his death is soon, and the film has some jokes about how no one ever reads the terms of service before they download another app. Still, this underthought rote exercise comes off as much less scarier than either version of The Ring. Also with Anne Winters, P.J. Byrne, Tabitha Eliana Bateman, Tichina Arnold, and Peter Facinelli.
Doctor Sleep (R) Stephen King’s sequel to his own novel The Shining is adapted into this dreary, scare-free horror film. Ewan McGregor plays a grown-up, recovering alcoholic Danny Torrance who is located by a little girl (Kyliegh Curran) with his powers of “shining” and who’s being hunted by a group of traveling demons who feed off the shine. Director Mike Flanagan has done some good work in Netflix thrillers (Hush, Gerald’s Game) that are set in enclosed spaces, but the far-flung plotlines of this movie defeat him. He’s too busy making callbacks to Stanley Kubrick’s 1980 horror opus to give this thing the chills that it could have. Also with Rebecca Ferguson, Cliff Curtis, Emily Alyn Lind, Bruce Greenwood, Zahn McClarnon, Alex Essoe, Carl Lumbly, Henry Thomas, Zackary Momoh, Jocelin Donahue, and Jacob Tremblay.
Downton Abbey (PG) A classic example of a big-screen version of a TV show that tries to squeeze a season of plot developments into a movie’s paltry length. Set in 1927, the film concerns a visit by the king and queen of England (Simon Jones and Geraldine James) to Downton, where the Earl of Grantham (Hugh Bonneville) and Lady Mary Talbot (Michelle Dockery) are expected to play host. Everything looks good, the acting is solid, and the one-liners are polished to a sharp edge, but if you’re not already a fan of the show, this won’t mean very much to you. Despite the occasional nod to the fact that Edwardian England isn’t great for people who are gay or Irish or women with unconventional ideas, this is an exercise in nostalgia for the feudal system. Also with Maggie Smith, Elizabeth McGovern, Jim Carter, Imelda Staunton, Laura Carmichael, Allen Leech, Joanne Froggatt, Robert James-Collier, Kate Phillips, Phyllis Logan, Sophie McShera, Brendan Coyle, Stephen Campbell Moore, David Haig, Susan Lynch, Tuppence Middleton, and Penelope Wilton.
Ford v Ferrari (PG-13) Solid entertainment, whether you’re a racing fan or not. This film tells the real-life story of how retired Texan racer Carroll Shelby (Matt Damon) and crusty English driver Ken Miles (Christian Bale) were brought on by Ford Motors to build a race car that would defeat Ferrari’s five-time champions at the 24 Hours of Le Mans. If you get all misty-eyed for the era when American industrial might and know-how always carried the day, this is your movie. If not, the film still traces how the work away from the racetrack contributes to victories on race day, as well as the clash between Ford’s corporate culture and the freewheeling spirits who drive the cars, all without dumbing down the car talk. The movie runs off the dynamic between Damon and Bale, who make an assured team. Also with Jon Bernthal, Caitriona Balfe, Josh Lucas, Noah Jupe, Remo Girone, Ray McKinnon, JJ Feild, and Tracy Letts.
Frozen II (PG) Not as awesome or ground-breaking as the original film, but then that was never going to happen. Elsa (voiced by Idina Menzel) journeys into a land shrouded by impenetrable mist to save her kingdom, accompanied by Anna, Kristoff, Olaf, and Sven (voiced by Kristen Bell, Jonathan Groff, and Josh Gad). The songs are too close together, and both designated showstopper “Into the Unknown” and comedy number “When I Am Older” would have benefited from having more air on either side of them. Once the royal party goes on their journey, things pick up, with Olaf acting out the story of the first film and Kristoff singing “Lost in the Woods” in the manner of a 1990s boy band. This and the goodwill left over from the first film should satisfy the original’s fans. Additional voices by Evan Rachel Wood, Sterling K. Brown, Alfred Molina, Martha Plimpton, Jason Ritter, Jeremy Sisto, Ciarán Hinds, Aurora, and Alan Tudyk.
Gemini Man (PG-13) Not as bad as its press. Will Smith stars as a retired government black ops operative who finds himself being hunted by a clone of himself that’s 25 years younger. The digital de-aging of Smith is just sort of there, and you wind up accepting it as part of the story. Too bad the story is so weak, as the main character’s reckoning with his younger self is too sketchily written to provide the drama. This plush, globe-trotting spy thriller feels like a paycheck job for director Ang Lee, though a few fluid action sequences (like a shootout and motorcycle chase in Cartagena and a Smith-on-Smith fight in Budapest) remind us that this is the guy who directed Crouching Tiger, Hidden Dragon. It’s far from a great action movie, but it has a few things worth watching. Also with Mary Elizabeth Winstead, Clive Owen, Douglas Hodge, Benedict Wong, Ilia Volok, Ralph Brown, and Linda Emond.
The Good Liar (R) Helen Mirren is a wealthy London widow, and Ian McKellen is a con artist who woos her to get to her £3 million fortune. The matchup of these two lions of British acting lives up to its billing, but the same can’t be said for the vehicle around them. Based on Nicholas Searle’s novel, this thriller has good material, but Bill Condon is the wrong director for something that’s supposed to snap shut like a steel trap. He clumsily handles the flashbacks to World War II. You’ll have to satisfy yourself with the chess match that goes on between the two protagonists, as it becomes clear that the widow has her own game going against the charming suitor. Also with Russell Tovey, Jim Carter, Jóhannes Haukur Jóhannesson, Mark Lewis Jones, Laurie Davidson, Phil Dunster, and Lucian Msamati.
Harriet (PG-13) This biopic of Harriet Tubman is disappointingly conventional. Cynthia Erivo plays the slave who escapes to freedom and then works as the Underground Railroad’s greatest conductor to help more Southern slaves find their way north. Director Kasi Lemmons doesn’t have much feel for the action sequences, and the material (written by her and Gregory Allen Howard) is weak. At least it would be something if this movie succeeded in turning the wizened old woman from the photographs into a swashbuckling action heroine, but the film never brings her to life and stops dead every so often to give Harriet a speech about how she would give her life for the freedom of her people. These are the failings of a much lesser filmmaker. The movie fails despite the best efforts of Erivo, whose singing is something you can listen to all day. Also with Leslie Odom Jr., Joe Alwyn, Clarke Peters, Vanessa Bell Calloway, Zackary Momoh, Omar J. Dorsey, Jennifer Nettles, Vondie Curtis-Hall, and Janelle Monáe.
Jojo Rabbit (PG-13) A strange and compelling failure. Based on Christine Leunens’ much more serious novel Caging Skies, this satirical film stars Roman Griffin Davis as a 10-year-old boy in Nazi Germany who is such a fanatical Nazi that Adolf Hitler (Taika Waititi) appears to him as an imaginary friend. Waititi also writes and directs this film, and the early scenes at Hitler Youth camp play like Moonrise Kingdom with more swastikas. Waititi’s hand for comedy makes this more watchable than other films that try to take in the Nazi horror from a child’s limited perspective, but the filmmaker loses his footing when the proceedings turn serious and characters start dying. As failures go, this is brave, ambitious, somewhat insane, and aiming at a worthy target. You can see the better film that Waititi was trying to make. Also with Scarlett Johansson, Thomasin McKenzie, Rebel Wilson, Alfie Allen, Stephen Merchant, Archie Yates, and Sam Rockwell.
Joker (R) What could have been a dark satire on society and its cruelty instead exploits mental illness. Joaquin Phoenix stars as an aspiring comedian with a socially inconvenient mental condition that makes him a target for bullies, which in turn makes him turn into the clown makeup-wearing supervillain. The film is angry, mean-spirited, plodding, joyless, depressing, and entirely derivative of Taxi Driver. Worse, it stigmatizes mental illness by taking one such character and raising him up as an antihero for killing rich people. Phoenix does give one of the best performances of his career, but everything else is just background noise. Also with Robert De Niro, Frances Conroy, Zazie Beetz, Brett Cullen, Shea Whigham, Bill Camp, Marc Maron, Josh Pais, Douglas Hodge, April Grace, and Brian Tyree Henry. — Chase Whale
Judy (R) Looking bleary, alcohol-soaked, and prematurely aged, Renée Zellweger does an uncannily precise imitation of Judy Garland in this biopic that takes in the singer as she plays five weeks in a London nightclub in the winter of 1968. The part shows off her gift for mimicry, and she’s probably a better singer than Garland was at the sadly diminished late-career stage that’s portrayed here. The film is based on Peter Quilter’s stage play End of the Rainbow, and it doesn’t have much to say about the traumas of child stardom lingering into adulthood. Beyond the lead performance, the film is rather indifferently cast. Zellweger’s performance deserves better than this lukewarm show business tragedy. Also with Jessie Buckley, Finn Wittrock, Rufus Sewell, Bella Ramsey, Royce Pierreson, Phil Dunster, Darci Shaw, Andy Nyman, and Michael Gambon.
Last Christmas (PG-13) A movie with too much on its plate. Emilia Clarke (working a bit too hard to show that she can be funny) portrays an aspiring singer who has been in a downward spiral ever since she received a life-saving heart transplant. She’s given a new sense of purpose when she meets a manic pixie dream guy (Henry Golding) whose only purpose is to make her rediscover her zest for life. Emma Thompson both portrays the main character’s Croatian mother and writes the script, and she gives it sidebars on Brexit, the Bosnian genocide, and a plot twist that even M. Night Shyamalan would be ashamed to use. The film is inspired by George Michael’s songs, which dot the soundtrack. Some of them are sung by Clarke, who is quite comfortable singing them. Also with Michelle Yeoh, Lydia Leonard, Peter Mygind, Peter Serafinowicz, and Patti LuPone.
Maleficent: Mistress of Evil (PG) The storylines are at least clearer in this sequel. Angelina Jolie returns as the dark fairy queen who has to deal with a warmongering, secretly evil human queen (Michelle Pfeiffer) after their respective children (Elle Fanning and Harris Dickinson) want to get married to unite the human and fairy kingdoms. The filmmakers give us one good scene with Jolie and Pfeiffer locking horns over a family dinner where the tension boils over into outright hostility. Other than that, there’s too much CGI, too many moving parts, and too many action sequences muddling this film’s message about dealing with the politics of fear. Also with Chiwetel Ejiofor, Sam Riley, Ed Skrein, Juno Temple, Imelda Staunton, Lesley Manville, Jenn Murray, David Gyasi, and Robert Lindsay.
Midway (PG-13) This movie would have been better if it had been made in 2003. Fallen blockbuster specialist Roland Emmerich (Independence Day) helms this dramatic retelling of the events leading up to the Battle of Midway, which established American superiority in the Pacific theater during World War II. The film benefits from scenes set on the Japanese side demonstrating what their thinking was as their fleet sailed into a trap set by the Americans. Still, the writing is indistinct, Ed Skrein (as American pilot Dick Best) doesn’t have the charisma to carry such a large and far-flung plot, and the opening scene depicting the bombing of Pearl Harbor suffers from really bad CGI. The whole thing suffers from too much research obscuring the action. Also with Patrick Wilson, Luke Evans, Mandy Moore, Darren Criss, Nick Jonas, Jake Weber, Luke Kleintank, Keean Johnson, Alexander Ludwig, Etsushi Toyokawa, Tadanobu Asano, Jun Kunimura, Aaron Eckhart, Woody Harrelson, and Dennis Quaid.
Motherless Brooklyn (R) Edward Norton has made drastic changes to Jonathan Lethem’s novel, yet manages to make it cohere quite well and avoid making it seem like a vanity project. In addition to directing and writing the script, he stars as a 1950s detective with Tourette’s syndrome who is driven to solve the murder of his mobbed-up boss (Bruce Willis). Norton cobbles together a whole new mystery plot involving gentrification and an evil land developer (Alec Baldwin) who hates blacks and Latinos and wants to kick them out of Brooklyn. This complicated plot holds together and is unraveled patiently by a detective whose mental condition (which comes with a side helping of OCD) gives him the tenacity to see it through to the end. Also with Gugu Mbatha-Raw, Leslie Mann, Bobby Cannavale, Dallas Roberts, Fisher Stevens, Ethan Suplee, Michael Kenneth Williams, Cherry Jones, and Willem Dafoe.
Pagalpanti (NR) This fairly intolerable Indian comedy is about three losers (Anil Kapoor, John Abraham, and Arshad Warsi) who try to impress their wives and girlfriends by conning some gangsters out of their money. They wind up being attacked by the gangsters, rival gangsters, ghosts, and a pride of lions. It’s all played for the broadest possible comedy, and some fine actors bug their eyes out and shake like electrified leaves for the audience’s enjoyment, such as it is. Also with Ileana D’Cruz, Pulkit Samrat, Urvashi Rautela, Kriti Kharbanda, Saurabh Shukla, Inaamulhaq, and Zakir Hussain.
Pain and Glory (R) This superior effort from Pedro Almodóvar stars Antonio Banderas as an extremely Almodóvar-like world-famous filmmaker who looks back on his childhood while dealing with physical ailments that have stopped him from making films. The movie has two great scenes, first when the director pens an anguished autobiographical monologue about a heroin-addicted boyfriend for an actor friend (Asier Etxeandia) to deliver, and then when the boyfriend in question (Leonardo Sbaraglia) happens to be at the performance and reunites with the filmmaker. Banderas’ performance reminds you of what a great actor he was for Almodóvar, showing the shrinking of a man holed up in his Madrid mansion with his books and artworks as well as a guy who’s too ashamed to tell his recovering heroin addict friends that he’s on the stuff himself to alleviate his pain. The layer of metafiction as the protagonist recovers his health enough to make films gives this the feel of an intricate puzzle. Also with Penélope Cruz, Nora Navas, César Vicente, Asier Flores, Cecilia Roth, Susi Sánchez, and Julieta Serrano.
Parasite (R) This delirious, dark Korean farce helps make a case for Bong Joon-ho as one of the greatest filmmakers of all time — not today, all time. It’s about a family named Kim that lives in urban squalor until their teenage son (Choi Woo-shik) fakes his way into a job as an English tutor to a wealthy family’s daughter. He then conspires with the rest of his family (Song Kang-ho, Jang Hye-jin, and Park So-dam) to get the rich family to fire the rest of their domestic help and install the other Kims in those jobs, with everyone pretending not to know one another. Bong pulls some dazzlingly dexterous comedy from the Kims operating beneath the notice of their employers, with help from great comic performances across the board from his cast, and he takes the film into darker territory with one of the great “oh my God” plot twists in this year’s movies. The film’s indictment of capitalist society is savage, compassionate, and terribly funny. Also with Lee Sun-kyun, Jo Yeo-jeong, Jung Ji-so, Jung Hyun-jun, Lee Jeong-eun, Park Myeong-hoon, and Park Seo-joon.
Playing With Fire (PG) This comedy is so defanged, it could have been a Disney movie from the 1960s. John Cena plays a promotion-obsessed California smoke jumper who rescues three kids (Brianna Hildebrand, Christian Convery, and Finley Rose Slater) from a cabin fire and is forced to look after them in his immaculate fire station until their parents come to get them. That’s the occasion for obvious jokes, slapstick gags, oppressive overacting, and soppy drama about how the perfectionist firefighter has to learn to loosen up. If that’s not bad enough, the film throws a cuddly dog into the mix. Chalk up yet another kids’ movie that works as a torture device on any parents who accompany their children. Also with John Leguizamo, Keegan-Michael Key, Judy Greer, Tyler Mane, and Dennis Haysbert.
Terminator: Dark Fate (R) Just like Logan and Rambo, this series heads south of the border to retire. Ignoring all the previous Terminator films except the first two, this one has an aged Sarah Connor (Linda Hamilton) teaming up with a cyborg operative (Mackenzie Davis) from the future who has been sent to protect a young Mexican woman (Natalia Reyes) who will be the new savior of humanity. Tim Miller (Deadpool) takes over the series and engineers a cool car chase and shootout on a bridge, and Davis is in fearsome fighting trim. However, there are too many flashbacks, flash-forwards, and callbacks littering the action, and the filmmakers can’t make us invest in the closure of Sarah and the T-800 (Arnold Schwarzenegger), who is now a curtain installer named Carl. It wasn’t worth the effort to recharge this battery. Also with Gabriel Luna, Ferran Fernández, and Diego Boneta.
21 Bridges (R) Chadwick Boseman stars as a New York City homicide detective who stumbles onto a conspiracy while investigating the murders of eight police officers. Also with J.K. Simmons, Sienna Miller, Taylor Kitsch, Stephan James, and Keith David.
White Snake (NR) This Chinese animated film achieves some remarkable effects when depicting natural scenery, and even more so during a spectacular climactic battle between giant serpents. It’s rather less good at capturing the human characters. A mysterious woman (voiced by Zhang Zhe) with magical powers and no memory turns up in a snake-catching village and falls in love with a humble snake-catcher (voiced by Yang Tianxiang), and find themselves caught between a horde of demons and a tyrannical general who wants to exterminate them. The movie comes up with a fascinating goddess character (voiced by Zheng Xiaopu) who has both human and fox faces on her head and the body of a nubile young prostitute. Still, director Amp Wong seems to be more focused on what the computer animation can do than what is taking place on a story level. Additional voices by Zhang He, Tang Xiaoxi, Liu Wei, Zhang Boheng, and Zhang Yaohan.
Zombieland: Double Tap (R) Ten years after the first film, all four of the principal cast members return with their enthusiasm undimmed, a principal reason why this sequel is so watchable. The group holes up inside the remains of the White House, but Little Rock (Abigail Breslin) goes chasing after a boy her age, and Wichita (Emma Stone) runs after her in a panic after Columbus (Jesse Eisenberg) proposes marriage to her. Eisenberg and Stone are the engines that drive this comedy, and the film adds a scene-stealing Zoey Deutch as a dumb blonde who joins the group and a delicious interlude with Tallahassee (Woody Harrelson) and Columbus meeting copies of themselves (Luke Wilson and Thomas Middleditch). The original’s subtext might be lost, but who cares when returning director Ruben Fleischer is on hand to stage more inventive zombie kills? Also with Rosario Dawson, Avan Jogia, and Bill Murray.
Age Out (PG-13) Tye Sheridan stars in this drama as an 18-year-old who has aged out of the foster care system and is thrown onto his own devices to survive. Also with Imogen Poots, Caleb Landry Jones, Brett Butler, and Jeffrey Wright.
The Courier (R) This thriller stars Olga Kurylenko as a London courier who discovers a bomb among the packages she is delivering. Also with Gary Oldman, William Moseley, Alicia Agneson, Amit Shah, and Dermot Mulroney.
Honey Boy (R) Shia LaBeouf writes and co-stars in this autobiographical drama about a child actor (Lucas Hedges) dealing with an abusive childhood and the pressures of fame. Also with Noah Jupe, Maika Monroe, Natasha Lyonne, Laura San Giacomo, Clifton Collins Jr., Martin Starr, and FKA Twigs.
The Irishman (R) The latest film from Martin Scorsese is this gangster movie based on the memoir of Frank “The Irishman” Sheehan (Robert De Niro), the real-life mobster who claims to have played a part in the death of Jimmy Hoffa. Also with Al Pacino, Joe Pesci, Stephen Graham, Bobby Cannavale, Harvey Keitel, Jack Huston, Domenick Lombardozzi, Jesse Plemons, Dascha Polanco, Ray Romano, Sebastian Maniscalco, Aleksa Palladino, and Anna Paquin.
The Kingmaker (R) The latest documentary by Lauren Greenfield (The Queen of Versailles) profiles former Filipino first lady Imelda Marcos and her continued influence in the politics of her nation.
Line of Duty (R) Aaron Eckhart stars in this thriller as a cop who accidentally kills a kidnapper and has to find the criminal’s latest abductee before she dies. Also with Dina Meyer, Giancarlo Esposito, Courtney Eaton, and Ben McKenzie.
Marriage Story (R) Noah Baumbach’s drama is about a New York theater director (Adam Driver) and a Hollywood actress (Scarlett Johansson) going through an acrimonious divorce. Also with Laura Dern, Ray Liotta, Alan Alda, Julie Hagerty, Azhy Robertson, Merritt Wever, Mickey Sumner, and Wallace Shawn.
Primal (R) Nicolas Cage stars in this thriller as a big-game hunter who becomes prey when an assassin (Kevin Durand) looses his illegally shipped exotic animals on the boat taking them to America. Also with Famke Janssen, LaMonica Garrett, Tommy Walker, Rey Hernandez, and Michael Imperioli.
The Shed (NR) Not a sequel to The Shack, this horror film stars Jay Jay Warren as a teenager who discovers a mysterious creature living in his grandfather’s tool shed. Also with Cody Kostro, Sofia Happonen, Frank Whaley, Siobhan Fallon Hogan, and Timothy Bottoms.
3022 (R) This science-fiction film is about a group of astronauts who return to Earth to discover that the planet has suffered an extinction-level event. Starring Miranda Cosgrove, Omar Epps, Angus Macfadyen, Jorja Fox, Enver Gjokaj, and Kate Walsh.
The Turkey Bowl (R) Brett Cullen stars in this comedy as a man in his 30s who returns to his small town and discovers that his school friends want to finish a high-school football game that was suspended by weather 15 years earlier. Also with Matt Jones, Alan Ritchson, Ashley Fink, Ryan Hansen, Kristen Hager, and John Beasley.

domain: entertainment


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I’ve been throwing weights around for many years now, long before booties were in and instagram was full of women doing squats in the gym (tbh it was actually well before instagram was even a thing and for the record, I’ve never had an insta-worthy butt)
Anyway…just like all of the other human beings out there, I have gone through many waves of inconsistency, but the things I LOVE about having a stronger body when I AM being more consistent are not necessarily the things you would expect…
They are things like:
😰 Less aches, pains & niggles:
Stronger muscles do a better job of supporting your joints and the variety in movement you get from training also irons out quite a few niggly wrinkles!
🤸🏻♀ Feeling more flexible:
Working your muscles through their FULL range often leads to increased length in the muscles & more mobility in the joints.
🧘♀Not feeling the urge to stretch as much:
The feeling of tension in our muscles often makes us feel the urge to stretch them, but so often muscles hold tension when they are WEAK not just TIGHT. So stronger muscles often don’t feel like they need to be stretched as muscle!
🛋 Not having to wait for anyone else to rearrange Furniture:
There’s just something empowering about being able to move heavy stuff on your own!
🔥 Feeling more motivated to move because things just feel easier:
As your strength increases, moving feels easier, so your regular daily activities become more effortless, and exercise often becomes more enjoyable. This does wonders for motivation.
What’s your favourite unexpected perk of having a stronger body?

domain: health


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Research led by Bryce Hruska, assistant professor in Falk College, was covered in the EMS World article “Job Stress and What to Do About It.” Hruska discusses how it can be difficult for EMS workers dealing with traumatic disorders to deal…
Syracuse University’s March 25 installment of the 2002-03 Brahms Festival is canceled
Syracuse University’s March 25 installment of the 2002-03 Brahms Festival is canceledMarch 24, 2003Judy Holmesjlholmes@syr.edu
Due to illness, the March 25 Brahms Festival concert that was scheduled to take place at 8 p.m. in Syracuse University’s Rose and Jules R. Setnor Auditorium in Crouse College has been canceled. The concert will not be rescheduled.
The March 23 all-Brahms student concert scheduled for 5 p.m. in the Setnor Auditorium, and the final Brahms Festival concert scheduled for April 1 at 8 p.m. in the Setnor Auditorium will be performed as announced.
We regret any inconvenience this may have caused.
The Brahms Festival is a year-long celebration of the works of Johannes Brahms through concerts, classes and seminars co-presented by the Setnor School of Music; the New York City-based Cassatt Quartet, SU’s quartet-in-residence; and the Department of Fine Arts in The College of Arts and Sciences.


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Duck Commander Faith and Family Bible - eBook
Retail Price: $9.99
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The stars of the hit TV show Duck Dynasty are committed to upholding five core values both on and off the screen: faith, family, fellowship, forgiveness, and freedom.
With new stories and testimonials told from the perspectives of Phil, the Robertson family patriarch, and his son Al, a pastor with more than 22 years of experience, The Duck Commander Faith and Family Bible offers fresh wisdom on these values, what the Bible says about them, and how everyday people can apply them to their lives.
With relentless dedication to sharing the gospel and expanding Christ’s kingdom, the Robertson family has become a driving evangelical force of the twenty-first century. The Duck Commander Faith and Family Bible unleashes the power of their practical insight into critical faith issues, founded on God’s holy Word.
- Full text of the New King James Version Bible
- A personal welcome note from Phil and Al Robertson
- 125 articles on the top 25 Bible search topics
- Life application and scripture references supplement each article
- 30 days of life-changing testimonials
- Topical index and reading plans
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Bio: I wanted to be a rock star. After hearing an English singer-songwriter by the name of Nick Drake, music meant something more to me entirely.
Bruce Springsteen was an influence and inspired me musically. Tom Petty, John Prine and Bob Dylan were also in heavy rotation.More Info
Very Excited to be a part of the Local & Live Series at the Plaza in Chapel Hill Oct. 3! Come on out and Friday and enjoy a fall evening under the stars.
Performing with The Social Designers, JDC Funk, Leeward Fate and David Hedeman.
Mike Garrigan acoustic solo show. Hear Collapsis classics as well as selections from his many solo albums.
Parmalee Age Limit: 21+ Parmalee


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ALAN SMITH does not fear life back in the Premier League for Newcastle United.
The Magpies are yet to check out of the Coca-Cola Championship but already their task next season has been outlined as a tough one next season by some observers.
Smith has been a key figure at St James’ Park in the dressing room and behind the scenes, and was one of the players responsible for helping pick the club up off the canvas in the aftermath of relegation last season.
Now Smith feels that painful memories of Villa Park 12 months ago have been etched away by Newcastle’s blow-out season in the second tier.
And the midfield battler is taking encouragement from the likes of Birmingham and Stoke who have been promoted in recent years and achieved more than survival.
Smith told the Chronicle: “We hope it is just the start.
“We’re not going to get carried away about next year.
“But everybody knows that a realistic target next year is to do what Birmingham have done.
“It’s about establishing ourselves back in the Premier League.”
The superlatives have been never-ending for the team spirit at United, who have announced that Nicky Butt will leave St James’ Park at the end of the season.
Smith gave an insight into the spirit in the United locker room and said: “I think the togetherness we’ve got at the minute is probably the best since I’ve been here.
“It’s the best camaraderie that I’ve had since my early days at Leeds.”
Smith also believes that there have been plenty of points to prove since relegation.
He said: “It’s a group of lads who were disappointed with where we ended up last year.
“Whether you are a part at the start or the finish, being part of a team that has been relegated is the worst feeling in football.
“And I would know because I’ve done it twice.”
He added: “To get back at the first attempt is what you want to do.
“We knew it would be difficult, and now our target is to establish ourselves in the Premier League.
“It will be difficult, and people outside of Newcastle have probably written us off already. But they did that at the start of this season, didn’t they?”
And after coming full circle to regain their status as Premier League players, Smith is excited about the future.
He said: “There are people in our team who have a lot to prove. As I’ve said before, people thought we couldn’t be bothered and we would all leave and go other places.
“If we can get it right at this football club there will be no other place like it.”
Butt, meanwhile, was set to lift the Championship trophy today after of the clash with Ipswich Town.
Toon boss Chris Hughton said today: “Nicky has been a wonderful footballer, a tremendous servant to this football club and a model professional throughout his career.”
ALAN Smith will tell fans of his expectations for next season on Tuesday night at the Hilton Hotel in Gateshead as he and Kevin Nolan raise vital funds for the Sunshine Fund.
There are still tickets left – for details go to www.relish-events.co.uk or contact Teresa on 07834 243418.


text: Monday me and the amazing folks at Paul Mitchell the School Davenport had the honor of being the last school on Christian Awesome’s FUNraising Cutting Class. Might I just say that this man left me so deeply, truly and passionately inspired. I learned SO much, not only about cutting but about what I, as a Future Professional, can do to better not only myself, but make other people’s lives better. His talent is amazing and his attitude, techniques and teaching style are flawless. It was such an honor to have such an amazing opportunity. Never have I felt to confident, passionate and happy in a decision I have made in my life. I could never thank him enough.


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Increases Your Muscle Size, Strength, Stamina & Recovery Time After Training!
D-Aspartic Acid naturally boosts your test levels which in turn boosts your muscle size, strength, and stamina as well as increase your recovery rate after training. D-form amino acids, such as DAA, are found in higher concentrations in specific tissues in the body. For example, higher concentrations of DAA are found in the testes, pituitary gland, and hypothalamus all of which are areas involved in natural hormone production.
Only logged in customers who have purchased this product may leave a review.

domain: chemistry


Towards an operational wildfire and muirburn monitoring system for Scotland. Report for the Caroline Herschel Framework Partnership Agreement for Copernicus User Uptake (Work Package six) 2021
Vegetation burning in upland habitats forms part of moorland management regimes and also occurs naturally as wildfires. Mapping and monitoring the extent of upland burning gives insight into carbon emissions, biodiversity and natural capital accounting. Previous studies have shown that burn scars can be mapped using indices derived from Sentinel-2 imagery.
This project aimed to use Sentinel-2 data and a cloud computing infrastructure to develop an operational burn mapping and monitoring system for the whole of Scotland.
Please note that although this report has been through an internal process to make it as accessible as possible, some accessibility issues may still remain. If it doesn't meet your requirements, please get in touch.
Resource type Publication
Topic category Environment
Reference date 2021·08·01
Blake, D., Graham, A., Jones, A., Sideris, K. and Frake, K. & Jones, G. 2021. Towards an operational wildfire and muirburn monitoring system for Scotland. Report for the Caroline Herschel Framework Partnership Agreement for Copernicus User Uptake (Work Package six). JNCC Report No. 682. JNCC, Peterborough, ISSN 0963-8091.
This project was funded by the Caroline Herschel Framework Partnership Agreement on Copernicus User Uptake, and was produced under Work Package six (Support for Applications).
Communications, JNCC publisher
Limitations on public access No limitations
Use constraints Available under the Open Government Licence 3.0
Metadata date 2021·09·01
Metadata point of contact