text:
(this is her dominant personality type)
(she also shows elements of this type)
Bonjour! Ciao! I love languages, art, science, nature, adventure. Looking for an exciting man with which to love and share life.
She is a highly spontaneous, inquisitive and energetic person who always likes to try new things and has a genuine desire to be helpful to others and to the world at large.
She is charismatic, agreeable and adaptable and she can adapt to just about any social situation, convincing others she is just like them.
She is drawn to people who are direct, decisive and tough minded to balance out her flexible, spontaneous, intuitive style.
A few excerpts from her personality test:
- I am more creative than most people
- Debating is a good way to match my wits with others
- I am willing to take risks to do what I want to do
Her 13 interests
in her own words...
I am outgoing, love to talk, super empathetic, energetic, adventurous, and loving. (first attempt at an intro--brief and to the point) (2nd attempt at an intro--the details): Bonjour, Je m'appelle Allison. Ciao! Io sono Allison. Hi ya'll! My name is Allison. This is my 2nd attempt at an intro, and I wanted to start of the way I usually do...in 3 languages. I also would like to add Spanish and Portuguese to the mix hopefully in the near future. This is my first time trying online dating. The business of grad school does not give me enough time to meet someone more organically. A little bit about myself. I love to sing, and sing at church often. I have also been known to win a few karaoke contests. I am a big science nerd, and LOVE to talk about science. But not just science. I love having intellectual conversation on any topic. Now that I live in DC, I am getting more interested in politics, especially science policy. I love to travel, hence my username. I have friends almost all over the world. The last trip I took was to Colombia, and it was beautiful. Definitely want to go back. I may have a chance to go on a mission trip to Peru in October, so let's cross my fingers that works out. I am in graduate school right now, passed my quals, and now moving full force into my dissertation research. Let's just say that genetics and oncology are my focuses. I am also very artistic as well as analytical. I always say, I have to use both sides of my brain all the time. Left is more scientific and right is more artistic. I was a theatre major in college, and now I'm a biologist....soooo :) I always fulfill my dreams. I wanted to go to NYU, and I did. I wanted to live in Italy, and I did for a year. I wanted to get my PhD, and I'm doing it. God has worked in so many wonderful ways in my life. My church community here in DC is amazing, and part of the reason I stayed in DC for graduate school. I guess you could say I am a very unique person, and all my friends woul
- Live with roommate(s)
- Christian / Protestant
- Single (never been married)
- I'd prefer to share this information with my matches later.
- Dark blonde
What she's looking for:
- 26 - 35
- Single (never been married)
- Not at all
- Christian / Other
- Bachelors degree
- Graduate or professional degree
- PhD / Post Doctoral

domain: hobby


Joint with a hollow trunnion attached by a threaded bolt to a body for the support of a link of a control flap of an aircraft wing
- Application ID: EP14190937
- Status: █ GRANT OF PATENT INTENDED
This EP application has the IPC combination B64 (AIRCRAFT; AVIATION; COSMONAUTICS) and F16 (ENGINEERING ELEMENTS OR UNITS; GENERAL MEASURES FOR PRODUCING AND MAINTAINING EFFECTIVE FUNCTIONING OF MACHINES OR INSTALLATIONS; THERMAL INSULATION IN GENERAL). We found, that Dehns Ltd, Gevers, Schneider Feldmann AG, Witte, Weller & Partner Patentanwälte mbB, Leinweber & Zimmermann and 17 others are specialized in this combination either. For a similar patent, they might be a good choice.


|Publication number||US3149860 A|
|Publication date||Sep 22, 1964|
|Filing date||Jan 16, 1961|
|Priority date||Jan 16, 1961|
|Publication number||US 3149860 A, US 3149860A, US-A-3149860, US3149860 A, US3149860A|
|Inventors||Hallesy Harold W|
|Original Assignee||Boeing Co|
|Export Citation||BiBTeX, EndNote, RefMan|
|Patent Citations (15), Referenced by (82), Classifications (10)|
|External Links: USPTO, USPTO Assignment, Espacenet|
Sept. 22, 1964 HIGH PRESSURE, HIGH TEMPERATURE RECONNECTIBLE TUBE FITTING Filed Jan. 16, 1961 2 Sheets-Sheet 1 H. w. HALLEsY 3,149,860
INVENToR. l//Ml M l/AUFS/ Sept. 22, 1964 H. w. HALLEsY HIGH PRESSURE, HIGH TEMPERATURE RECONNECTIBLE TUBE FITTING 2 L 6 e h s W e 9 n 2 l 3 uv lNvvNw..
7 I l l l 1 l l I l I l 1 1 l l u l 1M T N 6 D n 6. 1 m.. ,\w\a%%$% d i F Tl a ml Y VA F. my. m M m m. WY Y B w. w W @u 3,149,860 HEGH PRESSURE, HIGH TEMPERATURE RECQNNECTEBLE TUBE ElTTlNG Harold W. Hallesy, Seattle, Wash., assignor to Boeing Airplane Company, Seattle, Wash., a corporation of Delaware Filed Jan. 16, 1961, Ser. No. 82,871 3 Claims. (Cl. 285-18) This invention concerns a fitting whereby a tube end which is highly resistant to deformation, such as one of stainless steel, can be connected to another tube end of like characteristics, or to a similar terminal, in a leakproof manner, without elastomeric seals and without the use of dissimilar or soft metal seals, whereby the coupling remains tight throughout any range of temperature or pressure to which it may be subjected in use. Moreover, while the connection is not intended to be disconnected and reconnected often, nevertheless it can be disconnected ad reconnected, hence is not of the permanent type characterized by brazed joints.
By reason of the use of like metal Ithroughout the fitting of this invention there is no problem of leakage arising from different coecients of expansion in adjoining parts of the fitting, nor of yieldability of the metal of one part under pressure that other parts will resist. By reason of the elimination of elastomeric seals the fitting can endure temperatures above any which elastomeric seals can endure, and will still remain tight.
As to brazed connections, these are often diflicult to complete satisfactorily when the point of installation is not easily accessible, and the heating accompanying the brazing is likely to reduce the strength of the fitting pants. Inspection of installed brazed fittings is difiicult or impossible. The fitting of this invention requires no heat to seal it, but coupling is accomplished simply and reliably, with a metal-to-metal seal, even in places difficult of access, and no inspection is required except to see that parts abut their stops.
Additionally, in contrast 'to fittings which require flared or otherwise deformed tube ends-which are very difiicut to deform when using tough tubes of stainless steel or the like capable of withstanding high pressures and temperatures-no deformation of tube ends is required by this invention. This avoids the labor and expense of flaring or the like, and the weakening entailed thereby, and insures that -a tight connection can be made at all times, even under field conditions.
Overtorquing of prior threaded fittings at installation can ruin the fittings, Whereas the iitting of this invention can be installed Ito a positive stop on the fitting by a tool having a controlled squeeze, eliminating this possible source of damage.
Prior fittings have been subject to damage or loosening from vibration. The fitting of this invention is not subject to the same in nearly the degree as the prior fittings, in that it is of lighter weight, has longer tube end supports, and no threads as part of the securing means, to vibrate loose.
The fitting of this invention, in a preferred form, requires no machining of the tube end, but the fitting closely receives the tube end, and is crowded so tightly radially upon the tube end as to produce actual deformation, possibly into the plastic range. This insures the integrity of the seal, and any increase in internal pressure only serves to increase its integrity.
Also, the iitting is arranged with `an internal diameter throughout nearly if not quite matching the internal diameter of the tube, thereby producing a minimum pressure drop across the fitting.
These and other objects, and the structures whereby they are attained, will appear more fully hereinafter, and
lid@ Patented Sept. 22, lh@
will be illustrated by the representative forms shown in the drawings and described herein. The novel features of the invention are set forth in the claims.
FIGURE 1 is an axial sectional View of a coupling between tube ends, according to this invention.
FIGURE 2 is an enlarged detail, in axial section, similar to FIGURE 1.
FIGURE 2A is an isometric View of a spring stop ring such as is incorporated in the structure of FlGURES l and 2.
FIGURE 3 is an axial sectional View of a modified form of such a coupling, and FIGURE 4 is an enlarged detail of the same, similar to FIGURE 2.
FIGURE 5 is an axial section of a reducer fitting made in accordance with this invention, with a tube connected at the larger end thereof.
FIGURE 6 is an axial sectional view of a cross which incorporates the invention.
FIGURE 7 is a stress-strain graph, illustrating how the elastic recovery of parts, even after plastic yielding, enables the parts to be disconnected if need be.
The invention is illustrated in FIGURES l and 2 as employed in a coupling joining the closely adjacent ends of two aligned tubes A and B of like diameters, which may be assumed to be of material which is difficult to form, flare, or otherwise work, such as stainless steel, and intended to contain a fluid at high temperature and high pressure. The coupling in such circumstances would include a central fitting ll of like material including a ring it) and two integral, oppositely directed sleeves il of somewhat lesser diameter than the ring l0, but of quite appreciable length. Initially each sleeve would be of an internal diameter just enough larger than the outside diameter of its tube-A for example-that the tube end will slip inside and be received within the sleeve ll. The sleeve is externally tapered from a larger circumference nearer the ring l@ to a smaller circumference at its outer end, as FIGURE 2 best shows. The taper need be only slight, say 2. Gne of the closely adjoining surfaces of the tube A and sleeve il is circumferentially grooved with a plurality of axially spaced grooves; preferably it is the inside of the sleeve which has the grooves 12, and they have sharp edges and shoulders facing in a manner to resist pulling out of the tube from the sleeve, after constriction of the sleeve onto the tube. Inside of the innermost shoulder the bore of sleeve 1 should be relieved, at 16, for a purpose that will shortly be made clear.
Constriction of the sleeve is accomplished by an annular slide 2, the bore whereof is tapered complementally to the taper of the sleeves outer surface, and which lits the sleeve sufficiently tightly that when crowded axially onto the sleeve the latter is constricted onto and deforms the tube A. The crowding can be accomplished by a hydraulic squeezing device or the like, reacting between shoulders Ztl of the opposite slides. Each slide is of material axial length, and in particular constricts its sleeve throughout the region of its grooves l2. The ring lil constitutes a limit stop for the slides, there being an annulus left around the ring between the slides. Constriction, whether elastic or plastic, will deform metal from the tube end A into the grooves 1.2 of the sleeve, and so produce a tight labyrinthine seal. The inner end of the tube, at the relieved portion 16 of the sleeve, is not subject to the same stress, and the tube end flares, to afford a further and even more positive lock. Since tube and sleeve are both of similar metal, having the same coefhcient of thermal expansion, the integrity of the seal is not affected by thermal changes.
While the sleeve 11 will receive its tube end when both are relaxed, and the constriction of the sleeve is preferably elastic, it may proceed beyond its yield point, into the plastic range. In the latter case the tube end, at first resisting plastic deformation, will eventually yield also, and deform. Metal of the tube will bulge into the grooves l2, behind their sharp edges, and metal of the tube end will iiare into annular groove le. Now, so long as the slide Z remains in place, the tube end can not be pulled from the sleeve, for the tough metal iiowed into the grooves and the flared end will strongly resist this. The slightness of the taper of the engaged surfaces of the slide and sleeve should ordinarily retain the slide in place, but if desired the slide may be formed at its interior surface with a sharp-edged groove El, facing in the direction to resist its backing oli when metal from the sleeve ll is deformed thereinto by the constriction; see FIGURE Z.
lf it is necessary to disconnect the coupling, a back-oli nut 3 may be provided to accomplish this. This nut 3 is threaded onto the ring l@ in the annulus about it, and through the threads at 3l it may be urged so strongly against the slides 2, one at a time, as to force the slide away from the ring b, allowing the sleeve and tube to relax. It deformation was wholly within the elastic range, relaxation allows parts to resume their initial form. As FGURE 7 shows, if deformation was in the plastic range, the sleeve, which by design was harder and was stressed tar-ther into the plastic range than was the tube, will relax through a greater distance S than the relaxation T of the tube, although the tube will not relax to its original size, having passed its yield point. This still insures clearance between and disconnection readily of the 'tube end A from its sleeve il, usually without removal of deformed rnaterial within grooves El?. by the latters sharp edges, nor of any remainder of its flared end. Alter merely elastic deformation, but even after plastic deformation, upon reconnection the joint will be substantially as tight as before, for the sleeves grooves l2 are located by means about to be described in registry with the material squeezed into them from the tube end.
While the tube ends A and B are assumed to be but slightly spaced, there should be some space between them. Assuming that they are to be coupled for the first time, the sleeve Il at the right is slipped onto the tube end A (the slide 2 at both ends being withdrawn to the outer ends of the sleeves). lt is, however, necessary to slip the left sleeve end past tube end B, so the fitting is slid farther to the right. A split spring ring fi, which is received within a circumferential locator groove i4 interiorly of the ring lll, and which eventually serves as a spacer and stop between tube ends A and B, is beveled at one edge at least, at di), is enabled to expand by camming action of the tube end A on the bevel, and slips onto tube end A. Now the enti 'e fitting l can be slid to the right, onto A, far enough to swing its lett end past the end oi tube B. rl`he lett sleeve lll now slides onto tube end B, until the ring t snaps past the end of tube A and contracts within its groove i4. Now it positively spaces tube end B from tube end A, and the operator knows that the litting is properly positioned relative to each tube end. The slides Z are now drawn inwardly until each abuis the ring lll, constricting the sleeves and tube ends and deforming them as described above.
Instead of forming grooves l2 within the bore ot sleeve 1l, grooves 12a (see FGURES 3 and 4) may be cut in the exterior ot the tube end; their edges should be sharp, to bite into the metal of the sleeve when thc latter is ccnstricted. It the tube end is machined to cut the grooves 12a it may be preferred at the same time to taper the exterior of the tube suliiciently to leave a shoulder ll facing outwardly on the tube end, positioned to engage behind a shoulder l5 interiorly of the sleeve il when the latter is constricted, and thus to lock the tube end positively against pulling out from the sleeve, in addition to the deformation ot sleeve material into the grooves LZa.
Further, and although there is no necessary relation between the location of the grooves on the tube and the stop ring, in this form the fitting is shown as provided with a xed stop ring 41 projecting inwardly from and integral with the ring 1l?. This assumes that each pipe end can be pushed into its sleeve, to stop against the stop ring lil. This practically eliminates any break in the smoothness of the bore across the joint, and lessons turbulence and pressure drop. The form which uses the split ring 4 is, however, nearly as smooth and free from excessive pressure drop.
It has been stated that the sleeve and the tubes should be of like material, so that they have like coefiicients of expansion, and will not separate nor allow leakage because of differential thermal expansion or contraction. The same holds true of the slide 2, for if it is orr material like the sleeve whereon it crowds, there is no thermal difierence which is likely to loosen the slide.
The invention is shown in FIGURE 5 as embodied in a reducer fitting ID. This tting has a fixed stop ring 41, but otherwise is similar to the fitting of FIGURES 1 and 2. Similar principles may be incorporated in elbows, Ts, crosses, and at spigot connections of various sorts. A cross fitting 1E is shown as representative of these various styles, in FIGURE 6.
The litting is lighter than a normal union or coupling, and is extremely unlikely to come loose during use, nor to leak either from thermal or pressure elects, yet can be loosened, removed, and replaced. Higher internal pressure presses the tube ends even more tightly against the sleeves wherein they are received, and prevents leakage. Fatigue failure is guarded against by the lighter weight and longer bearings on the tube ends than in conventional couplings. No reliance for tightness is placed upon threaded connections, which can loosen under vibration, and which present the problem of correct torquing at installation. The strength-to-weight ratio is superior in this fitting to presently known fittings.
I claim as my invention:
l. A reconnectible tube fitting comprising a pair or" tubes, a sleeve, and a pair of annular slides all constructed of like material; the end portions of the sleeve being engaged over end portions of the tubes such that the opposing inner and outer peripheral surfaces thereof, respectively, are in faying contact with one another, the central portion of the sleeve having limit stop means therewithin interposed between and abutting the tube ends so as to position the tubes in the sleeve; and the slides, in turn, being engaged over the sleeve end portions such that the opposing inner and outer peripheral surfaces thereof, respectively, are in faying contact with one another and the slides are spaced apart by an annulus around the outer peripheral surface of the sleeve central portion; such aying surfaces of the slides and the sleeve end portions being initially complementally tapered slightly inwardly in the directions relatively axially away from the sleeve central portion, but mutually sized diametrically so that as the slides are engaged over the sleeve end portions in directions relatively axially toward the sleeve central portion, the faying surfaces of the sleeve and tube end portions are deformed relatively radially inwardly of the tubes to bond the sleeve and the tubes together; there bemg axially spaced circumferential grooves in at least one of the faying surfaces of the sleeve and tube end portions so that as deformation occurs, a portion of the other of the latter faying surfaces is crowded into the grooves to seal the sleeve with each of the tubes; and there also being a back-oil nut threaded on the outer peripheral surface of the sleeve central portion and disposed in the annulus between the slides, which nut is operative by turning movement in alternative directions relatively axially toward the slides to press the latter individually oli the sleeve by reaction from the threads.
2. A reconnectible tube fitting according to claim l wherein the inner peripheral surface of the sleeve central portion has a circumferential locator groove therein and the limit stop means includes a resilient ring which is initially expanded and received in the locator groove, but
5 which is operative on relaxing in the fitting to assume a 1,834,190 position intermediate the ends of the tubes. 2,011,433 3. A reconnectible tube fitting according to claim 1 2,185,725 wherein the inner peripheral surface of the sleeve central 2,316,536 portion has a circumferential locator flange projecting in- 5 2,396,163 Wardly thereof to form the limit stop means. 2,507,261 2,613,959 References Citeri in the file of this patent 2,640,716 UNITED STATES PATENTS 2,772,100 746,440 Austin Dec. s, 1903 10 1,186,812 McFerran June 13, 1916 1,186,813 McFerran June 13, 1916 151358 1,778,244 cadden oct. 14, 1930 164,285
5 Timbs Dec. 1, 1931 Blagg et al Aug. 13, 1935 Elliot Jan. 2, 194() Melsom Feb. 9, 1943 Dies Mar. 5, 1946 Mercier May 9, 1950 Richardson Oct. 14, 1952 Bigelow une 2, 1953 Kreissig Nov. 27, 1956 FOREIGN PATENTS Great Britain Nov. 2l, 1884 Switzerland Dec. 1, 1933
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|WO2002025161A1 *||Sep 14, 2001||Mar 28, 2002||General Electric Company||Internal swage fitting|
|U.S. Classification||285/18, 403/284, 29/432, 285/421, 285/417, 285/382, 29/525|


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Entrance to the Museum of Design Lab “Artemide” by Beatrice Brandini In Calenzano , near Florence, there is a wonderful Museum that is responsible for collecting the most significant pieces of Italian design from the ’60s to the present day. It is the Museum of Design Lab
Graffiti in Florence “Night Souls” by Beatrice Brandini Since ancient times, man has always tried to express themselves through signs, a language congenial to him to represent his being and his feelings.
“Horse and Rider” Marino Marini Museum “Mercedes” by Beatrice Brandini There is a magnificent thing to see in Florence, and is the Museo Marino Marini. Even if you are not interested in art, if you do not know well, or at all, about this artist, you have to visit it because it is one of […]
Banner Giampaolo Talani “Anime” in Lucca “Amanda” by Beatrice Brandini The opportunity to talk about this contemporary artist is a good show in Lucca at the Fondazione Banca del Monte di Lucca: Anime (open until 26 January).
74° Pitti Immagine Filati “Trends” by Beatrice Brandini I went to see the Pitti Yarn and as always I was excited by the beauty and variety of proposals and the set-up, striking but also rich content, Space Research.
Museo Fondazione Roberto Capucci at the Villa Bardini ” Suzy ” by Beatrice Brandini “Do of beauty your constant ideal” Roberto Capucci Roberto Capucci Museum is housed in the Villa Bardini in Florence, between Fort Belvedere and the Pitti Palace Museum Complex , two of the most beautiful and enchanting places in the world. Villa Bardini , with […]
Mascot “allo&lugh” Sketch by Beatrice Brandini A second small part, necessary for an issue so full of ideas and beautiful products.
Banner Fair “Circle” by Beatrice Brandini Truly Beautiful this edition of Pitti Bimbo. For the quality of exhibitors and collections […]
Poster of the Exhibition at Villa Bardini “Zelda” by Beatrice Brandini In the prestigious and historic Villa Bardini in Florence, until the 16th of March, there is a beautiful view of the master of contemporary photography Aldo Fallai: “Aldo Fallai by Giorgio Armani to the Renaissance. Photographs 1978-2013 “.
“Mia” by Beatrice Brandini E.T. vintage Today I want to talk about that category of people who live a little ‘”out of this world”. Those who do not follow like sheep, what is fashionable, what pleases, that do not follow conformity, the labels, the politic correct, …. and those who try to say and do something […]

domain: artistic


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Paintings - canvas, canvas board
Winter Scene Canvas Painting, Signed Calder
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Very nice done little painting. Signed Calder, not dated. Even if it is not a big painting it is charming. Nice frame, too. No scratches or cracks.
Dimensions with frame: 17"by 15"
Actual painting: 8" by 10"
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Jean-François Millet, Vintage Print, actually printed in 1912
Old print with 2 owls, Litho in USA. Signed
J.J.J. Tissot, Fabulos Print
Abstract oil painting on canvas, fall subject, signed ANELE, European artist, 36" by 24"
Van Goyen, new nautical print, 12"
Gould, vintage print, actually printed in 1946
Canvas painting, Country Scene, Signed A. Halleman
Turner, vintage print, actually printed in 1923
" Dutchtown " by Steenhower, museum print edition, actually printed in 1940
New World Order
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Las Vegas is synonymous with bight lights, an exhilarating party scene and an amazing nightlife. When one things of the ultimate summer destination for a fun time, they think of Vegas! Las Vegas is filled with funky resorts to stay at, but the new Aria is all everyone is talking about. A day staying at the Aria means non-stop fun. With over 4000 rooms, incredible pools and a host of amazing restaurants and nightclubs, the Aria might just be the only place to stay this summer. What does a day at the Aria look like fashion wise? F&B Inc has your go-to travel guide for a day in Vegas…
The Lemongrass is the Aria’s lunchtime hotspot. The contemporary Thai cuisine is rumored to be the best in all of Vegas and the budget friendly prices mean this meal promises not to break the bank. Rock your favourite pale pink skirt and floral bustier with bold accessories to lunch at Lemongrass for an outfit sure to keep you the best dressed in Vegas!
Aria has brought a little piece of Mexico to Vegas with their 9,000 square foot Mexican restaurant Javier’s! Javier’s serves authentic Mexican cuisine – the perfect pre before a glam night clubbing in Vegas. For dinner, a pair of black skinny jeans and a cool printed halter top paired with tropical accessories will leave you looking and feeling fab.
For a night out in Vegas it goes without saying a girl needs to put on the glitz! The Haze nightclub is known for their sexy dance floor, incredible DJs and chic VIP booths. When going out for a night of fun in Vegas a sparkly bodycon, strappy heels and sterling silver accessories will help you stand out.
If you’re heading to Vegas and the style/ travel guide has inspired you leave a comment bellow! With outfits this fabulous the classic saying “what happens in Vegas stays in Vegas” simply won’t apply – you’ll want to share photos of your incredible outfits and activities for years to come!

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Ghanaian socialite cum die-hard fan of dancehall artiste Stonebwoy, Ayisha Modi has shared a post on her social media page announcing her come back on Instagram after a long break.
Ayisha Modi has been known for a series of attacks on other celebrities and is also a die-hard fan of Stonebwoy.
Ayisha Modi was interviewed some few weeks ago by Sammy Kay and she uttered that she was facing health problems after she was attacked spiritually while helping Moesha Boduiong to recover.
The socialite was absent via Instagram which she Voiced out that she needs to take some time off and spend some quality time with her family.
Recently, Ayisha Modi has shared a post on her social media alarming her comeback on Instagram.
She added that her Instagram account was hacked and is grateful to all her fans, loved ones, and family members for their love and support.
She wrote: “After months of going off this platform, feeling so great to retrieve my hacked account back on this platform once again, I want to say a very big thank you to all my loved ones, friends, and family for the love, care, and massive support, with an overwhelmed heart I am back for good and forever. I miss you all, God bless you all”.
Check her post beneath:

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Andrew grew up in the Maryland suburbs outside of Washington D.C. During his childhood he spent time in the summers with his family visiting their house on the Delaware coast where he developed an affinity for the ocean.
Andrew graduated with a B.S. in Construction Management from East Carolina. Upon graduating, he traveled for commercial construction projects and lived in Utah, Oregon & California.
After enjoying 4 years in the San Francisco Bay area, Wilmington came calling. Andrew and his girlfriend Kady recently purchased their first home and moved into the historic district of Brookwood. Ever since starting the home buying process, Andrew has developed a passion for real estate and has been actively engaged in market research. He is excited to help others with the search for their perfect home.
In his downtime, you can find Andrew on his search for the perfect wave, snowboarding, hiking, or exploring all the Cape Fear region has to offer.
CONTACT Andrew: (910) 294-0453
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domain: geography


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An abstract bird, some might say a peacock even, flying through the sky. Geometric elements tossed in between the soaring birds. Colors of teals, yellows, oranges, and blues all on an aqua background.This modern gender neutral is sure to be a favorite! Paired with Navy canvas and includes a stuffable hoodie hood in the same print.

domain: design


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“The single most important element in any garden is not some particular object, plant, or tool. What’s vital is a gardener who loves it.” — Scott and Lauren Springer Ogden, Plant Driven Design
One of the reasons that garden design fascinates me is because of the push and pull between those two words: garden and design. Put another way: which is more important in gardenmaking – aesthetics or experience? In Plant-Driven Design (perhaps my all-time favorite design book), Scott and Lauren Springer Ogden argue firmly in favor of experience over aesthetics when it comes to garden design.
Now, you could argue that being immersed in an exquisitely designed space is an experience. Of course it is. I’ve never visited the gardens of Versailles, but I have no doubt that it would be unforgettable, that its elegance, opulence, and vast scale would evoke a powerful emotional response, just as Louis and Le Notre intended.
But that’s not the kind of experience I’m talking about. Nor is it the kind of experience sought by the Ogdens in their design practice. Gardens are not only about pleasing the eye. They are not simply “outdoor spaces” in which architecture reigns supreme and plants are used merely as flourish, or worse, as “material” by which to achieve architectural goals. They are adamant in their distaste for “landscape installations,” and the fact that the garden has been reduced to “a product, a home-improvement project, a look.”
In an Ogden garden — and in the gardens I hope to design — the plants run the show. They are unequivocal in their belief that gardens should not simply be designed spaces, but rather places where people connect with plants. This is obvious when you flip through the book and see gardens bursting with a diversity of luscious plants, all carefully and lovingly chosen according to the conditions and spirit of the site.
It follows then, that the experience derived from a garden should really be an intimate one. It should involve all the senses and involve them across time. Buds should be examined, flowers sniffed, leaves crushed between the fingers in summer and in fall admired as colorful filters of sunlight. Spring’s cool mud and summer’s baked clay should both be felt with the hands. Death should be witnessed and accepted.
Obviously, this is not the experience Le Notre was trying to create at Versailles. As the Ogdens put it, this is about “unlimited possibilities for reconnection with the natural world.”
Actually, what we’re talking about here is a relationship – a serious, long-term relationship. The problem for the garden designer is that many clients do not necessarily seek this kind of relationship with their gardens. Clients often want something “attractive but low-maintenance.” In other words, they want a Stepford wife that looks pretty, serves up cocktails, and never throws them a challenge. As a result, they wind up with a hardscape/cherrylaurel-based design that may be pleasant enough to look at but which will never touch the soul.
This is not acceptable.
Like the Ogdens, I believe that gardens should touch our souls through sensory experience with plants. I know that there are different definitions of gardens out there, but I’ve adopted this one and I hope other homeowners and designers will consider adopting it, too.
The poet Gary Snyder said: “Nature is not a place to visit; it is home.” Snyder may not have been trying to express a new paradigm for how we Americans should envision our gardens, but I think this quote expresses it perfectly.
- The missing ingredients? Love and attention.
Most of us, when we buy a house, are given the gift of a quarter acre of soil and sunshine. (Or a half, or a tenth – size isn’t the point.) Many of us don’t see our little patches of dirt as “nature,” but our lots are as “natural” as the local park, the fragment of forest at the end of the block, the meadow we admire on our favorite local hike. Our yards are, collectively, the nature that is left, the nature we experience every day. We should honor our little patches with our time, sweat, and creativity, not just design them as pleasant places to grill burgers.


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Connelly: Endangered species -- 'green' Republican -- spotted at ocean
The Republican conservationist, a species plentiful a century ago in the era of Theodore Roosevelt and Gifford Pinchot, has fallen in danger of extinction.
Worthy of note, then, is a confirmed recent sighting on ocean beaches of Olympic National Park.
As the Trump Administration prepared to roll out its "dirty power plan," and give new life to old polluting coal plants, 2016 Republican gubernatorial candidate Bill Bryant was leading a three-day walk to protect park beaches.
The ex-gubernatorial candidate was protesting a Trump administration plan that would open the coastal waters of West Coast states -- including the Olympic Coast National Marine Sanctuary -- to oil and gas exploration.
It's not likely to happen, but Bryant was about tapping the heritage of both political parties.
Theodore Roosevelt was first to extend protection by creating wildlife sanctuaries along the Olympic Coast. Roosevelt created an Olympic National Monument to prevent extinction of the elk that now bear his name.
A distant cousin and Democrat, Franklin D. Roosevelt, later toured the Peninsula -- for a guy in a wheelchair, he got around -- and created an Olympic National Park that now totals more than 900,000 acres.
The ocean strip of the park was threatened, 60 years ago, by plans to build a road along the wilderness coastline.
Activists from Olympic Park Associates hiked the beaches in protest. Twice, in 1958 -- 60 years ago -- and 1963, they had U.S. Supreme Court Justice William O. Douglas for company.
Bill Bryant launched onto the 60th anniversary of "Wild Bill's" first hike.
The Bryant party discovered, however, a new problem along the Coast that demands immediate attention.
"The entire focus of Preserve the Wild (name of hike) transformed over its three days," Bryant wrote on his Facebook page. "We began as a hike protesting oil drilling in our Olympic Coast National Marine Sanctuary, commemorating the 60th anniversary of a similar hike led by Justice Douglas. (It) became a mission to rescue WA's wild beaches from plastic."
The protest hike was transformed on its last day to a litter pickup, and the backpackers reached the end of their trip laden with litter bags.
"The wild beaches in our backyard are our responsibility to protect for future generations and they are littered with plastic washing ashore," Bryant wrote.
The party came away resolved to monitor its own use of plastics. And Bryant will be back on the coast in 2019, on a mission designed to clean up the coast.
It's unlikely he will be recognized at this fall's "Breakfast of Champions" by Washington Conservation Voters, which has turned into a Democratic pep rally lionizing "green" Governor Jay Inslee.
Surely, Democratic ringers will note that Bryant cast a vote for letting Shell Oil use Seattle as base port for its (disastrous) effort to find oil in Alaska's Chukchi Sea.
Still, Bryant is an outdoor activist who has turned his vacation place in the Methow Valley into a Theodore Roosevelt shrine, and who regularly lectures on Theodore Roosevelt.
Conservation-minded Republicans helped give us the North Cascades National Park (Gov. Dan Evans), the Alpine Lakes Wilderness Area (Evans and U.S. Rep. Joel Pritchard), the Washington Wilderness Act (U.S. Sens. Evans, Slade Gorton and Rep. Sid Morrison) and the Columbia Gorge National Scenic Area (Evans, Gorton and a courageous Morrison).
The species can't get much respect in either party these days, and environmental organizations -- such as League of Conservation Voters -- are now virtual Democratic appendages.
Bryant did not emulate Douglas in one respect. The 63-year-old justice brought 21-year-old third bride Joanie Martin along on the 1963 beach hike.
Douglas' air mattress sprang a leak. He promptly appropriated that of his new wife. The marriage did not last.
(SeattlePI.com columnist/blogger Joel Connelly can be reached at email@example.com)


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LOS ANGELES -- Nintendo heads to the tropics for the sequel to one of its most played titles, Wii Sports.
Wii Sports Resort brings together a new collection of sports games, this time with all of the action taking place on a tropical island. Nintendo announced the game at its E3 press conference Tuesday morning.
The newly announced Wii MotionPlus -- a new accessory that plugs into the base of the Wiimote to provide better tracking of arm movement -- will come packed with the game. Additional Wii MotionPlus attachments, which will let more players participate in the fun, will be sold separately.
More details and screens below.
The only mini-games that have been announced so far are:
- Sword Play: practice chopping at objects, or face off against another player
- Power Cruising: race a water scooter using the Wiimote and Nunchuk controllers as handles -- the Wii's answer to Wave Race
- Disc Dog: have Fido run and fetch discs you throw for him
Wii Sports Resort is expected to hit stores in Spring 2009. Below, a few screenshots from the mini-games we've seen so far.
Images courtesy Nintendo, additional reporting: Chris Kohler

domain: game


Subjects for Further Research: A Collections-Based Micro-Residency
Research as artistic process. Work as experiment. Cinema as archaeology. In the spirit of open-ended curiosity, Oakland filmmaker and curator Alix Blevins leads participants through her research on experimental films and ephemera in the BAMPFA collection.
Blevins applies the lens of an artist-filmmaker to explore how filmmakers have used visual scores as conceptual armatures for their works. Uncovering fragmentary notes by artists like Paul Sharits for films that may or may not have ever existed, Blevins will use 16mm film loops to sift through her own visual notes for a speculative film structure that may or may not correspond to real works. Participants are invited to walk through an installation of Blevins’s research that embodies her engagement with these visual scores.


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Date: 02/26/2015 - 02/28/2015
Time: All Day
The Fusion Film Festival is New York University’s premiere film and television festival dedicated to celebrating women in film, television, and new media from student to icon. Fusion was founded in 2003 at NYU’s prestigious Tisch School of the Arts with the mission of encouraging, promoting, and inspiring women filmmakers and the collaboration between the sexes. Every spring, Fusion mounts a multi-day film festival with multiple screenings, industry panels, pitch meetings, master-classes, retrospectives, and student showcases.More info See more cheap New York City events & things to do on Nifty NYC.
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AppleInsider may earn an affiliate commission on purchases made through links on our site.
Apple's stock reached new heights on Tuesday, up 2.92 percent at market close. Shares of the company have been on a rally since the beginning of the year and have climbed 40 percent to $568.10.
Analyst Katy Huberty sent a note to investors Tuesday informing them that Apple had been added to the firm's Best Ideas list. The analyst continues to believe that investors "underestimate" Apple's strong position, raising her price target from $515 to $720. She also said the stock could climb as high as $960 by next March in a bull case scenario.
Morgan Stanley's new target is one of the highest seen to date. The Street reported last week that FBN Securities had set a new Wall Street record with its AAPL price target of $730. The previous high was Barclay's Capital's $710 price target.
Enterprise tablet adoption combined with demand upside from a lower-priced iPad; a strong upgrade cycle for LTE-capable iPhone later this year and emerging market iPhone (plus iPad, Mac) growth driven by new carriers are all potential upside drivers in her mind. In addition, Huberty added that the world's largest carrier, China Mobile, "could add more incremental iPhone shipments" next calendar year than the Street currently expects.
According to a January 2012 CIO survey by Morgan Stanley, 56 percent of U.S. companies already purchase tablets for corporate use. Assuming Apple manages to maintain an 80 percent share of the enterprise tablet market, Huberty believes enterprise iPad purchases could reach 9 million units and $5 billion in revenue for Apple next calendar year.
Meanwhile, consumer demand is also expected to remain robust. A survey from late last year showed that 13 percent of U.S. consumers expect to buy an iPad in the next 12 months. Huberty pointed out that the data indicates as many as 80 million unit sales globally next year. The analyst also suggested that the $100 price cut on the iPad 2 could bring about more than 15 million U.S. iPad sales and over 35 million global sales.
The analyst said Apple's next-generation iPhone is likely to include a "higher-resolution and potentially thinner screen, new casing material, faster processor, and quad-mode baseband chip that works on multiple flavors of 3G and LTE." Based on a recent survey indicating 62 percent of iPhone owners planned to upgrade to the iPhone 4S, the release of an LTE iPhone later this year would imply a base case of 148 million and bull case of 160 million upgrade purchases, supplemented by 38 million and 86 million shipments to new users.
Huberty named China and other emerging markets, like Brazil, as "huge untapped markets" for Apple that present a long-term upside for the company. Emerging markets have 14 times as many members of the smartphone-friendly 25- to 34-year-old age group than Western Europe and North America. Apple only directly address 20 percent of China's high-end subscriber market, Huberty said, adding that a China Mobile-compatible iPhone would reach the other 80 percent.
Morgan Stanley presented its $80 earnings per share and $960 valuation bull case as "reasonable" because of several factors: Apple's capital expenditure forecast predicts a "similar revenue trajectory;" the estimate doesn't include new product categories such as an HDTV or a low-price iPhone; the forecast of 129 million iPad units is in-line with current survey data; predictions for iPhone growth, with the exception of China, assume an average upgrade rate and a new subscriber increase similar to calendar 2011 and the firm assumes "no multiple expansion despite a possible dividend."
Apple expects to spend $7 billion on capital expenditures in fiscal 2012, possibly implying fiscal year revenue of as much as $190 billion. Morgan Stanley believes the "vast majority" of that will go to equipment purchases for its suppliers that will help the company get a leg up on its competitors.
The analyst did go on to outline potential risks factored into the bank's $405 Bear Case valuation. Lower carrier subsidies, increased competition in low-price smartphone and tablet markets, competition from Microsoft's Windows 8 in developed markets, lack of product roadmap visibility beyond 2013 after last year's management change and multiple compression as growth slows were all named as risks for Apple.

domain: economics


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10 Easy Salmon Recipes – A Couple Cooks
7 minutes, 41 seconds Language:
en Main keyword:
Recipes Sub keyword:
Salmon Topics of your individual article:
Sustainable ✓ Salmon ✓ Perfectly ✓ Environmentally Summary:
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- Here it’s combined with a fried goad drizzled with truffle oil and a pile of greens, making for a delicious brunch or breezy dinner option.
- activity 1x 2x 3x Ingredients four (6-ounce) salmon fillets, mad discovered if probable (6-ounce) salmon fillets, mad seen if probable Olive oil, for brushing 1/2 teaspoon kosher salt, plus senior for conserving kosher salt, plus senior for keeping 1/2 teaspoon freshly ground dark pepper freshly place dark pepper two tiny lemons Instructions Preheat the oven to three hundred and twenty-five degrees Fahrenheit.
- Brine the salmon: While the oven preheats, in a flimsy dish mix together four cups room temperature water and three tablespoons kosher salt.
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ten simple Salmon Recipes Salmon is one of the instant and easiest ways to dinner! Here are all the best Easy salmon recipes, from baked to broiled to grilled. Salmon is one of the simple ways to get healthful dinner on the table. It’s so prompt to cook, and there are limitless step to serve it! But it’s also Easy to get stuck in a rut and just make baked salmon with salt and pepper every time you make it. Here’s where we come in: Alex and I have lots of tasty and inventive salmon recipes to liven up your weeknight repertoire. Here are all our best salmon recipes! We’ve got baked salmon that’s smothered in a lime dill sauce, or broiled salmon in a fresh bourbon glaze. There’s salmon in a poke bowl, and salmon grilled on a cedar plank. Let’s get to the description …and scroll down for a bit more about buying sustainable seafood. And now…the best Easy salmon recipes! simple Salmon Teriyaki This effortless salmon teriyaki yeing become one of your weeknight go-to salmon recipes! It’s got a prompt homemade sauce, and best of all: no long marinading moment needed! Do a instant sear on the stovetop, varnish with teriyaki, then wipe for a few minutes until cooked through. It’s immediate and Easy, and makes for the picturesque portion of salmon for dinner parties or quick weeknight dinners. extend Reading comfortable Oven Baked Salmon Here’s an simple baked salmon recipe that works every time! Salmon is deceptively hard to cook. With various several diversity and thicknesses of fish, it can be hard to get it right! This baked salmon in block expeles the guesswork so that the fish comes out tender and flaky. It’s the excellent healthful supper recipe and takes just thirty minutes to make. persist Reading Salmon with Capers This salmon with capers is comfortable to make and results in one perfectly humid piece of fish! Its baked with lime and herbs until it’ s perfectly tender. Then it’s topped with a silky butter sauce made with garlic and capers. Just a little drizzle package a enormous punch — and the decent fraction keeps it healthy. It all happens together in just thirty minutes! extend Reading Baked Salmon with Dill Sauce Looking for an simple weeknight meal? Enter: this lime dill salmon recipe! It’s fast, it’s Easy, and it’s even flowery plenty for a cooking party. Baked salmon could not be simplistic : toss it on a baking sheet, sprinkle with salt and pepper, and bake for ten minutes! It happens out perfectly savory, and doused in a zingy lime dill sauce it’s gorgeous irresistible. extend Reading Broiled Salmon with Bourbon Glaze This broiled salmon is another showstopper in our salmon recipes! This one property a fresh and savory bourbon glaze that coats it in fat flavor. The salmon is broiled, so it happens only a rare minutes to cook! The bourbon glaze is what carries this salmon from everyday to extraordinary. You’ll simmer bourbon with brown sugar and some other seasonings until it reduces down into a sugary glaze. run up the gloss ahead of time, and youve got a meal in minutes. extend Reading Baked Salmon with Chimichurri Another important salmon recipe: providing it with chimichurri sauce! It carries only ten minutes to bake up in the oven until its cooked to tender perfection. join it with brilliant fresh chimichurri sauce, a parsley and garlic sauce that injects just the right rancid complement to the savory salmon. It happens out a gorgeous neon leafy and it tastes beautifully fresh. move Reading Salmon en Papillote Salmon en papillote is a typical salmon recipe that all cooks should know ! Its a French mode that ends up with perfectly baked salmon. Here, the salmon is baked in parchment newspaper (“en papillote”), and it comes out flaky and tender. Youll add lump of colorful veggies that cook alongside the salmon as well, making for a magnificent garnish. Its an simple meat idea that looks impressive! extend Reading Salmon Poke Bowl Heres a unusual spin on a salmon recipe: a salmon poke bowl! Poke sink are a traditionally Hawaiian dish fulfilled with rice, marinated veggies and rough ahi tuna. But heres a turn that uses salmon instead! The salmon is scorched for one minute, then popped in the bowl with the rice and colorful seasoned veggies. Its so ripe of flavor, you wont be capable to fix it down! And its immediate to bully up too. extend Reading comfortable Cedar Plank Salmon The best way to cook salmon? Cedar plank salmon. scorching fish on a plank of wood infuses a filmy flavor that is to die for. If you’re into grilling, cedar paper are where it’s at. The cedar board method is simple and almost no fail. This recipe utilizes our favorite Seasoned cooking to bring a savory seasoning to the fish. excellent with food and herbs, and youve won dinner. persist Reading Smoked Salmon with Fried Eggs latest but not minimal in our Easy salmon recipes... smothered salmon! smudged salmon is one of the appetizing step to eat this fish: and the effortless to prepare! Just buying a large part of smoked salmon and youve got it made. Here it’s combined with a fried goad drizzled with truffle oil and a pile of greens, making for a delicious brunch or breezy dinner option. (Here’s senior on truffle oil and where to get it .) extend Reading Buying supportable salmon: what to see for Are you looking at buying livable fish for these salmon recipes? (If so, kudos!) Here are a scarce tip for buyinging sustainable seafood: Look for wild-caught fish if possible . If you live in the US, watch for US caught . 90% of the seafood we chew in the US is imported. Imported seafood runs the risk of being overfished, caught under unfair labor practices, or farmed in environmentally harmful ways. . If you live in the US, . 90% of the seafood we chew in the US is imported. Imported molluscs runs the risk of being overfished, caught under unethical labor practices, or farmed in environmentally damaging ways. How your fish is reached matters. see for tack and line as one example of a livable gear type. Bottom trawling is considered the most destructive and least sustainable method. How to thaw frosty salmon baking with frosty salmon? Here are a scarce process for how to thaw it: Day before: If you think ahead, simply place the frozen salmon in the refrigerator overnight. If you imagine ahead, simply end the frosty salmon in the refrigerator overnight. period of: If you’re using the salmon the day of, place the frosty salmon into a bowl with cool water. save a little flow of cold water run into the bowl to keep the water moving. The salmon should be defrosted in about 15 minutes. Tip: If you don’t have period to thaw and call a immediate meal, try this Instant Pot Salmon: it cooks right from frozen! simple Baked Salmon (8 votes, average: 4.63 out of 5) 4.6 from eight summary Author: Sonja Overhiser Sonja Overhiser Prep Time: fifteen minutes Cook Time: fifteen minutes gross Time: thirty minutes Yield: four one x imprint Recipe Pin Recipe Description This simple baked salmon arrives out perfectly tender and flaky! boiling salmon in block makes a wet piece of fish every time. activity 1x 2x 3x Ingredients four (6-ounce) salmon fillets, mad discovered if probable (6-ounce) salmon fillets, mad seen if probable Olive oil, for brushing 1/2 teaspoon kosher salt, plus senior for conserving kosher salt, plus senior for keeping 1/2 teaspoon freshly ground dark pepper freshly place dark pepper two tiny lemons Instructions Preheat the oven to three hundred and twenty-five degrees Fahrenheit. Brine the salmon: While the oven preheats, in a flimsy dish mix together four cups room temperature water and three tablespoons kosher salt. end the salmon in the water and await for fifteen minutes (this should be about the time it takes to preheat). end the salmon in foil: Place a huge sheet of aluminum foil on a baking sheet and brush it with olive oil. Pat each part of salmon dusty and place it on the foil. spreze the salmon with 1/8 teaspoon kosher salt for each fillet and refreshing ground pepper. town the lemon slices and refreshing herbs around the salmon (not on top). narrow and capsule the foil around the salmon. Bake: wipe the salmon for ten minutes in the foil. Then ready the block packet so steam include release and bake again for three to six minutes, relying on thickness, until just tender and pink at the center (the inner temperature should be between one hundred and twenty-five to 130F in the center). A 1-inch heavy fillet should cook in about fifteen minutes total. Serve: When the salmon is done, seize with some lime juice from lemon wedges, to taste (add a sprinkle of salt if necessary). provide immediately. Leftovers check be stored refrigerated for three to four days. Category: Main snack Method: Baked Cuisine: Salmon Keywords: Salmon recipes, simple Salmon Recipe, Baked Salmon enroll for free weekly recipes & more! Email Instagram
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domain: food


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Enjoy Purbeck Arts Week festival of performing and visual arts which takes place between 25th – 9th June. This interesting event features some of the regions best loved artists and is a celebration of the talent we have within Dorset. Over the course of two weeks artists open their studios to the public allowing visitors to see them at work. In the evening there is a a varied programme of talks and musical performances to experience.
See the programme below for full details of the event


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About the Book
Come along with Lori as she discovers the beautiful Pacific Northwest area known as the Salish Sea. Over 100 full-color, high resolution photographs of beaches, parks, flowers, birds, buildings, and people are combined with witty and inspirational prose. You might just hear the surf while reading this book. Excellent for coffee table or tablet.


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India's pension funds should learn from Canada's biggest public pension fund groups. The largest four have corpuses that range between $55 billion and $157 billion each and deliver returns that range between 12% and 14.5% annually. Though impressive, these numbers are not their most remarkable features.
Unlike other funds, the Canadian funds do much of their investing themselves, rather than outsource the job, paying steep fees. A private equity fund can charge as much as 2% of assets and 20% of profits to run other people's money. Hiring and retaining employees with the same skills is less costly.
The Canadian funds can afford to invest longterm: so, along with highly-liquid equities, they also go for big bets in real estate, overseas utilities and the railway service through the Channel tunnel. They also partfund big-ticket leveraged buyouts of companies.
They hold such assets for long periods - 10 years is not unusual - unlike mutual funds, whose holding horizons are determined by redemption pressures. To attract talent, these funds recruit professionals, paying them a base salary, annual bonus and a long-term performance award, which constitutes the largest chunk of the payout.
This structure helps nurture a culture of optimising returns over the long term, instead of looking for quick trades. India's largest pension fund, the Employees' Provident Fund Organisation, run by a Union-dominated board of trustees, struggles to get a positive real return primarily because it refuses to invest in any asset class beyond sovereign debt.
Its alternative and potential substitute, the National Pension System, too does not go beyond equity and debt. These pension funds and their regulator have much to learn from the Canadian example. Why shouldn't they fund big-ticket projects directly, own power projects or a section of the Delhi-Mumbai Industrial Corridor?
These investments are less liquid than stocks in the short run, but can yield massive payoffs in the long term. India's fund managers and regulators have much to learn from the structure of compensation at Canadian pension funds as well. Linking reward to long-term risk is something they seem to have mastered.


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3.5 million people in Burkina Faso need your help
3.5 million people in Burkina Faso are in desperate need of humanitarian assistance.
Concern Worldwide is on the ground in Burkina Faso for the first time ever. And we need your help.
You could be forgiven for not knowing much about Burkina Faso. This small West African country, through no fault of its own, tends to fall under the radar.
But now, a critical situation in Burkina Faso is going unnoticed by the wider world, and the people there desperately need our help.
Civil unrest has created a landscape of violence, and a recent rapid decline in peace has taken thousands of lives, and threatens millions more.
3.5 million people are in need of humanitarian assistance. Over 1.8 million people have been displaced, and the numbers continue to grow every single day.
Millions of people have lost their homes, their livelihoods, and many even their lives to violence. And this number is increasing every day, with little to no media coverage.
Samira, whose story is unfortunately very common when we spoke to our beneficiaries in Burkina Faso, is a mother-of-five whose life was torn apart by violence. Just over a year ago, Samira and her children were living a peaceful life. She provided for her family and her children went to the local school – that was before violence hit her small community.
Their lives have been turned upside down. She has had to leave her home and livelihood behind in order to bring herself and her five children to safety.
When we spoke, Samira told us that she had been living in temporary accommodation that was barely fit for purpose. The unsecure roof means that when it rains the water flows inside, leaving her and her children wet and at risk of illness. All she wants is to provide for, and to protect, her family.
“My main concern is to have enough money to buy the basics for my children. But I also need a safer house for them”
How Concern is Helping
Thankfully, we were able to give Samira an emergency cash transfer so she was able to provide food and adequate shelter for her family. We also gave her an emergency survival kit with provisions like soap and a water canister to help them to protect themselves from illness.
We’re on the ground in Burkina Faso, for the first time ever and we are providing life-saving essentials like emergency cash transfers and emergency survival kits to families like Samira’s who desperately need it. But with the crisis escalating, we need to further establish and grow our programmes.
The people of Burkina Faso desperately need emergency support to survive the coming weeks and months. We need to bring stability to families and ensuring they have access to essentials such as food, clean water, shelter and medicine is vital.
How much would you like to donate?
Building our Programmes
As the number of people being displaced continues to grow month-on-month, we are developing programmes that could help give displaced families a future.
The ultimate goal of our new programmes is to create the level of safety and support that families need now and in the years to come.
Your support today could help make a lifetime of difference to the people of Burkina Faso.
Our impact in 2021
people reached through our emergency response
people reached through our health interventions
people reached through our livelihoods programmes

domain: sociology


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Every week, IndieWire asks a select handful of film and TV critics two questions and publishes the results on Monday. (The answer to the second, “What is the best film in theaters right now?”, can be found at the end of this post.)
The lineup for Cannes 2017 has finally been announced, and it’s a doozy. From the inevitable return of Michael Haneke to the shocking inclusion of television (albeit television from celebrated Cannes alumni David Lynch and Jane Campion), the 70th edition of the world’s most prestigious film festival promises to have something for everyone.
We asked our panel of critics to name the Cannes premiere they’re most excited to see, and their answers were unsurprisingly all over the map.
April Wolfe (@awolfeful), LA Weekly
Lynne Ramsay’s “You Were Never Really Here.”
My stomach knots are finally unraveling knowing that Ramsay’s about to unleash another film to finally follow up her terrifying 2011 masterpiece “We Need to Talk About Kevin.” I think Hollywood gave her a bad rap, labeling her as the bitchy woman when she exited “Jane Got a Gun” (which also apparently made her uninsurable on set) — a total double standard in an industry with quite a few toxic, unchecked male directors still making movies.
Anyway, aside from the prolonged lead up to a new film, I’m so looking forward to another Ramsay literary adaptation, because very few directors have her ability to capture the tone and feeling of literature on screen. And dear god, she can make even the most emotionally horrifying stories funny and strange (see: John C. Reilly in “Kevin”), so knowing that this film is going to tackle the very real epidemic of sex trafficking makes me giddy because it’ll open up a conversation on a worthy topic while retaining its entertainment value: A win-win!
Richard Brody (@tnyfrontrow), The New Yorker
The Cannes Competition lineup has grown musty and conservative; it has about half a dozen bold and original filmmakers and lots of art-house moderates applying the anonymous international style to their brand of content and, even more, of attitude. On the other hand, I never write off a filmmaker, and, since I haven’t of course seen any of these films, I’m hoping for some pleasant surprises. The list did offer at least one unpleasant surprise, the absence of Bruno Dumont’s new film, “Jeannette,” a musical about Joan of Arc.
In any case, some of the best living filmmakers are represented in the main-slate selections, including the Safdie brothers, Sofia Coppola, and Hong Sang-soo; but there’s one filmmaker of an overarching historic greatness who’s got a film in the festival this year, even if not in competition — Claude Lanzmann, whose film, “Napalm,” is said to be about North Korea. Those who’ve read Lanzmann’s autobiography, “The Patagonian Hare,” know what a distinctive and surprising role that country plays in Lanzmann’s life; nonetheless, I expect that the film will be…not at all what I expect, which is one of the reasons I’m so impatient to see it.
Jordan Hoffman @JHoffman, The Guardian/Vanity Fair
“Good Time.” Root root root for the home team. Go, Josh and Benny, Go!
Mallory Andrews (@mallory_andrews), cléo
Unless there’s a secret Kristen Stewart/Olivier Assayas project getting ready to drop, I’ve been on board with Sofia Coppola’s gothic western “The Beguiled” since the trailer premiered months ago. But the movie I’m most curious about, having not seen a single frame, is Todd Haynes’ “Wonderstruck.” Not only for the promise of Haynes reuniting with Julianne Moore (“Safe” is still an all-time masterpiece), but also to see him collaborate with Michelle Williams for the first time. Williams has become one of my favourite actresses working today, and pairing her with a director whose films I’ve consistently loved is extremely exciting. I’m ready to be emotionally overwhelmed by meaningful Williams glances.
Jude Dry (@jdry), IndieWire
How, indeed, to single out only one? It feels like the entire world is excited about “Twin Peaks,” and rightfully so. As a John Cameron Mitchell devotee, I am cautiously optimistic about “How to Talk to Girls at Parties.” The odd couple collaboration between Lynne Ramsey and Jonathan Ames is too unexpected not to be amazing.
But I am certain that Kiarostami’s final film, “24 Frames,” will knock me off my feet, because his films always do. It is impossible to watch a Kiarostami film without being completely transported. The man can turn a simple car ride or series of voicemails into some of the most truthful and heartbreaking moments I have ever witnessed onscreen. Small, human moments evoke a lifetime of experiences in his film; uniquely specific and always universal.
Max Weiss (@maxthegirl), Baltimore magazine
Tough question! This lineup is so inspiring I would actually fly United to get to Cannes.
That being said, a new Sofia Coppola film is treated like a national holiday in my house, so it’s got to be “The Beguiled.”
Charles Bramesco (@intothecrevasse), Freelance for the Guardian, Nylon, Vulture
Attending the Cannes Film Festival for the first time in 2016 was the coolest thing I did last year. I saw lots of phenomenal movies, drank rosé on the beach, and made eye contact with Arnaud Desplechin. (Just as erotic as it sounds.) I am not able to return this year, which is fine and I’m not even upset about it. It’s like, who even cares? Not me. I will have a lot of fun here in America attending the theatrical release of — let me take a look at May’s slated releases — “Diary of a Wimpy Kid: The Long Haul.” Jesus Christ…
There’s lots in the main Competition for me to be salty about. At least “Okja” and “The Beguiled” have summer release dates, the wait for those won’t be too interminable, and A24 just announced a November run for “Killing of a Sacred Deer.” I’m plenty excited for “Loveless,” which I understand to be Russian master Andrey Zvyaginstev’s “Across the Universe”-style My Bloody Valentine jukebox musical.
But it’s the nebulous, far-off ones I ache for the most; I can’t stand to wait a year to watch the Super Safdie Bros. level up with “Good Time” or Lynne Ramsay make her long-awaited return with “You Were Never Really Here.”
Kyle Turner (@TyleKurner), Freelance for Brooklyn Magazine, Paste Magazine
At my day job, I recently got into an argument, or if we’re being generous, a debate, about Todd Haynes. My coworker said Haynes was “hacky,” making pale remakes of better films like “Brief Encounter” and “All That Heaven Allows.” I went off. Haynes’ reappropriation of stories mired (intentionally or otherwise) in heterosexuality and queering of them has always been of interest to me, as has his semoiticians’ eye for images and deep empathy for his queer and/or female characters. So, even though I won’t be at Cannes, I’ll be waiting eagerly for Haynes’ “Wonderstruck.”
Christopher Campbell (@thefilmcynic), Nonfics and Film School Rejects
The festival’s tastes in documentary, when it shows at all, typically bores me, but this year’s program includes a couple nonfiction titles I’m looking forward to. One is Eugene Jarecki’s “Promised Land,” not because I have any interest in Elvis Presley but because I’m a fan of the filmmaker’s past work. More than that, I am very intrigued by Claude Lanzmann’s “Napalm,” a rare doc from him not involving footage originally shot for “Shoah.” This one is focused on North Korea, with which he has some history, some of it romantic, based on parts of his 2013 memoir “The Patagonian Hare.”
Kristy Puchko (@KristyPuchko), Nerdist/Pajiba/CBR
I’m most excited to see John Cameron Mitchell’s “How To Talk To Girls At Parties.” There’s a slew of titles I’m confident will have critics orgasmic (Todd Haynes’s “Wonderstruck,” Yorgos Lanthimos’s “The Killing of a Sacred Deer,” Lynne Ramsay’s “You Were Never Really Here”), and some I’m sure i’ll be gaga over when I eventually get to see them (Bong-Joon Ho’s “Okja”).
But this one has an intoxicating combination of elements that spikes my curiosity to wonder how and if they can come together. Based on the Neil Gaiman short story of the same name, it’s a simple tale of a boy going to a party, and meeting a girl who is literally other-wordly, in that she’s an alien. It’s a twee premise that could so easily be sickly so or drowned in nostalgia, but Mitchell’s past work has me confident this will be something elegant, weird, and wondrous. He went from the ferocious and fun rock n’ roll-fueled romp “Hedwig and the Angry Inch” to the graphic and tender “Shortbus,” to the elegiac and gutting “Rabbit Hole.” It’s incredible these three very different films all came from one auteur, each proving how impossible Mitchell’s aesthetic is to pin down. It’s this mystique that entices me to see what he’ll do with a sci-fi infused coming of age story.
That “How To Talk To Girls At Parties” also boasts appearances from Ruth Wilson, Elle Fanning, and Nicole Kidman doesn’t hurt.
Manuela Lazic (@ManiLazic), Freelance for Little White Lies, The Film Stage
While the exceptionally high level of last year’s line-up may never be reached again in my lifetime or ever, I am still excited for the 2017 selections. The festival will start strong with “Ismael’s Ghosts,” the new film from personal favourite Arnaud Desplechin. Knowing his previous work and the synopsis – a director about to start on a new project sees his life spiralling out of control when a former lover returns — I expect metaphorical phantoms from the past making for real-life conflicts. However, with this title and after “Personal Shopper” and “A Ghost Story,” I can’t help but wish for supernatural weirdness, which would be welcome too.
Nicole Kidman’s recent return to form reached an incredible apotheosis with her performance in Jean-Marc Vallée’s “Big Little Lies,” but the actress has more than one card up her sleeve. With four projects to premiere at the festival, I hope she will finally get the long-overdue respect she deserves, especially since it appears that each will allow her to showcase her range. I haven’t yet watched the first season of “Top of the Lake” but the prospect of Kidman appearing in season 2 of another supposedly good TV show is exciting. Sofia Coppola’s “The Beguiled” is a western-drama of the kind Kidman is more known for, while Yorgos Lanthimos’ “The Killing of a Sacred Deer,” if at all similar to the director’s previous film “The Lobster,” promises weirdness aplenty. Meanwhile, “How to Talk to Girls at Parties” sees her playing some kind of visitor from outer space, which only makes sense: with her impressive yet slim stature, her sensibility and illustrious and tumultuous career/life, Kidman is my favourite alien.
Meanwhile, another supernatural event is my being excited for a Noah Baumbach film. The director has tested my patience relentlessly for the past few years, but I’m surprised to find myself looking forward to his last effort, “The Meyerowitz Stories.” The family-reunion synopsis seems simple enough to not be too annoyingly convoluted, but what truly intrigues me is the stellar and bizarre cast the director has somehow managed to assemble around his old pal Ben Stiller. Adam Sandler may not be cinema’s best ally, his acting can still bring interesting results when put to use with the brilliance of a Paul Thomas Anderson in “Punch-Drunk Love.” And what could possibly happen if you brushed him up against Method-man Dustin Hoffman? And what if you gave Hoffman a massive beard and a beautiful dog? Add in British screen queen Emma Thompson as a hippy, what do you get? Recipe for disaster or explosive mix of wildly different talents, Baumbach’s new project has me intrigued.
David Ehrlich (@davidehrlich), IndieWire
The correct answer is “The Beguiled.” I think. Or “Wonderstruck?” “Wonderstruck!” For some reason, I keep forgetting that Todd Haynes has a new movie in the can — I think it’s hard for me to wrap my head around the idea of someone not just walking off into the sunset after “Carol.” But yeah, the right answer is definitely “Top of the Peaks.” I mean “Happy End.” …But no, it’s really “The Beguiled.” A new Sofia Coppola joint is the highlight of any festival, regardless as to what else might be playing.
Vikram Murthi (@fauxbeatpoet), Freelance for RogerEbert.Com, The AV Club, Vulture
Answer One: For Competition titles, I’m probably most excited for Lynne Ramsay’s “You Were Never Really Here,” because I’m curious to see Ramsay’s approach to a Jonathan Ames story, or Noah Baumbach’s “The Meyerowitz Stories,” because I have a mind and body that finds his work immensely pleasurable.
As for Out of Competition titles that aren’t Lynch-directed “Twin Peaks” episodes, I’d love to see Arnaud Desplechin’s new film “Ismael’s Ghosts” because every one of Desplechin’s films so far has been at the very least intriguing to me.


Peter and the Wolf Revisited
No, not the Prokofiev. It's a brand-new composition by Alan Chapman, well-known commentator and voice of KUSC-FM, and Chamber Music Palisades performs its world premiere this week. Chapman himself narrates the "tongue-in-cheek" work for quintet and narrator that tells the story of an eighth-grade student named Peter, his science teacher named Mr. Wolf, and a frantic scramble to come up with a science project. "It ranges from the lyrical to the wacky," notes Chapman, which is no surprise, as that pretty much describes him too. The program also includes works for flute, clarinet, bassoon, horn, oboe and piano by Muczynski, Danzi, Rossini and Gernot Wolfgang. St. Matthew's Church, 1031 Bienveneda Ave., Pacific Palisades; Tues., Oct. 28, 8 p.m.; $25, students free. (310) 459-2070, www.cmpalisades.org.
Tue., Oct. 28, 8 p.m., 2008
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Kerala Mural Painting is a traditional art form. Mural paintings mostly depict Hindu mythology and legends, drawn on the walls of temples and churches. Today the trend has shifted from wall murals to those painted on canvas and paper. To give our Circle Members the experience to learn and enlighten themselves about this traditional art form, Rajasthan Studio curated a special Kerala Mural Painting Workshop and invited the lovely mother-daughter duo Payal Goyal & Radhika Goyal.
Payal & Radhika Goyal are a lovely mother-daughter duo who are really passionate about drawing and painting. They have never been trained professionally but they believe that creativity is in their blood. This pandemic gave them a chance to rediscover themselves as artists. They started their own art page to showcase their art and impart knowledge about Indian art forms and have plans to take it to great heights.
Kerala Mural Painting Workshop Began
The workshop began with a sweet introduction of Radhika & Payal Goyal. After the introduction Payal shared a lot of information about Kerala Murals and how it is different from other styles of paintings. She explained the specific colours used in traditional forms of Kerala Mural Paintings. She shared the history, origin and the art form and its essence in detail.
Radhika started with the Kerala Mural Painting and explained the steps of the process in detail. Along with that, she also gave insights on the materials that can be used for this particular art form. She shared details on the type and brand of colours to opt for. They showcased some of their previous Kerala Mural paintings to explain the colour combinations which are used often for this art form.
Towards The End Of The Workshop
The workshop was full of insightful tips and techniques. Payal shared a lot of historic information on Kerala Mural art form towards the end of the workshop. There were a lot of questions put up by the attendees which were all answered clearly and precisely by Payal and Radhika.
The attendees were from different parts of the country. Also, they belonged to different age groups but their love for art brought them together on a single platform. Rajasthan studio as always was successful in connecting artists and curating a magical and positive vibe together.
On this note, here’s us signing off until next time!
Also, for more information on upcoming Circle Experiences, follow us on Instagram.


ARIEL HASSAN TO SHOW AT THE 56TH VENICE BIENNALE
Ariel Hassan to show at the 56th Venice Biennale - Art Collector
|Artwork detail from Ariel Hassan’s 2014 exhibition Capitulation of Discourse. Courtesy: the artist and GAGPROJECTS / Greenway Art Gallery, SA|
GAGPROJECTS/Greenaway Art Gallery represented artist Ariel Hassan will be showing in Palazzo Bembo at the 56th Venice Biennale, in collaboration with digital programmer Felix Larreta.
Curator Enwezor has included Hassan and Larreta’s new multi media project titled Iterations from the original model in the exhibition Personal Structures within the Venice Biennale official programme.
Capitulation of Discourse is showing at the gallery until this Sunday November 16 2014.
GAGPROJECTS/Greenaway Art Gallery is calling for support to get Hassan and Larreta and their work to Venice. Contact the gallery here to get involved.
Back to art news >


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“... with sauerkraut- and ate that.. then made a wonderful strawberry dessert and by the time we finished that, we were stuffed!! Everything was very delicious and we learned about presentation of the food as well.”
“I had an amazing time, chose to cook traditional Czech food and it was amazing.”

domain: travel