US 4019590 A
An assembly for drilling a hole in a roof to a greater depth than the height of the chamber therebelow includes a starter-driver bar having a first end adapted to be driven by a motor and a second end having a female socket therein, a rod extension including a male end shaped to be received in said female socket and a female socket at its other end of the same cross-sectional size and shape as the first named female socket, and a bit having a male shank of the same cross-sectional shape as said male end. A starter hole is first drilled using the starter-driver with the drill bit in its top and a motor connected to its lower end. Drilling then is continued with an assembly consisting of a first rod extension between the bit and starter-driver. Additional rod extensions are inserted between the starter-driver and the bottom rod extension until a hole of the desired depth is obtained.
1. The method of drilling a hole in a mine chamber roof to a greater depth than the height of the chamber below the roof which comprises providing a starter-driver bar including a first end adapted to be driven by a motor and a second end having a female socket therein, a plurality of rod extensions each having a male end shaped to be received in said female socket and a female socket at its other end of the same cross-sectional size and shape as the first named female socket, and a bit having a male shank of the same cross-sectional shape as said male end; each of said starter-driver bar and rod extensions having an axial hole therethrough, each of said female sockets having a hole through the wall thereof at a distance from the top end of said socket less than the length of the corresponding male end; securing the bit shank in the female socket of said starter-driver with the axial hole in said starter bar in communication with the hole in the socket of said starter bar and connecting the first end of the starter-driver to said motor to provide a first assembly, then drilling a hole in said roof with said first assembly, while applying suction to the bottom of said starter-driver bar, then separating said bit from said starter-driver, then securing the bit in the female socket of a first rod extension and the male end of said first rod extension in the socket of said starter-driver and covering the hole through the wall of the female socket, and then continuing drilling said hole while applying suction to the bottom of said starter-driver bar.
2. The method of claim 1 which includes the additional steps of securing a second rod extension between the first rod extension and said starter-driver, and then continuing drilling said hole.
3. The method of claim 1 which includes the additional steps of securing additional rod extensions between the starter-driver and the lowest rod extension, and after each addition continue drilling said hole until it reaches the desired depth.
This is a division of application Ser. No. 554,878, filed Mar. 3, 1975, now abandoned.
This invention relates to a method of roof drilling and more particularly to the drilling of holes in the roof of mine chambers where the depth of the hole is greater than the height of the chamber. The apparatus used in the conventional method of drilling such holes, in addition to the bit and motor, includes a starter rod, a driver, a lead extension and a middle extension. In drilling the hole the lower end of the starter rod is connected to the motor and the bit is secured in a socket in the top of the starter rod. The hole is then drilled to a depth as great as practical or possible. The starter rod and bit are then removed and the lead extension connected to the bit and the driver. The drilling of the hole is then continued until it reaches a depth as great as practical or possible. The drive and lead extension are then separated and a middle extension inserted there between and the drilling continued. Additional middle extensions are inserted as required.
It will be seen that four types of drill rods are used which require that some of each be kept in stock. Since it is necessary for the operator to be constantly changing rods, his efficiency is low. The efficiency is also lowered because of the number of times the entire assembly must be removed from the hole and another assembly reinserted.
It is therefor an object of our invention to provide a more efficient method of drilling a roof hole.
This and other objects will be more apparent after referring to the following specification and attached drawings in which:
FIG. 1 is an elevation of the starter-driver of our invention;
FIG. 2 is an elevation of the rod extension of our invention;
FIG. 3 is a view taken on the line III--III of FIG. 1;
FIG. 4 is a view taken on the line IV--IV of FIGS. 1 and 2;
FIG. 5 is a view taken on the line V--V of FIG. 2;
FIG. 6 is an elevation of a conventional drilling bit;
FIG. 7 is a view taken on the line VII--VII of FIG. 6; and
FIG. 8 is a schematic elevation showing a drill assembly in place in a mining chamber.
Referring more particularly to the drawings, reference numeral 2 indicates the starter-driver bar of our invention. Shank 4 at one end of the starter-driver 2 is shaped to be driven by a motor 6. The other end of starter-driver has a female socket 8 therein. It will be seen that the socket 8 has a non-circular shape and has a shoulder 10 at its inner end. Aligned holes 12 are provided through the walls of socket 8 and a hole 13 adjacent its bottom. A rod extension 14 includes a male end 16 and a female socket 18 at its other end. The male end 16 has a cross section of such size and shape as to be received snugly in socket 8 or socket 18 of another rod extension. It will be seen that sockets 8 and 18 are identical with socket 18 having a shoulder 20, aligned holes 22 and hole 23 corresponding to shoulder 10, aligned holes 12 and hole 13 of socket 8. Drill bit 24 includes a shank 26 having a cross-section essentially the same as male end 16. A hole 28 is provided through shank 30 such that it will be in alignment with holes 12 or 22 when inserted into sockets 8 or 18. A locking pin 32 inserted through the aligned holes will retain the bit in the socket. It will be seen that the bars 2 and 14 have axial holes 34 and 36 therein. As is conventional a suction is applied to the bottom of bar 2 to suck dust through holes 13 and 23 downwardly through the bars. As is apparent from the drawings, this requires that the distance from the top of the sockets to the corresponding holes 13 and 23 be greater than the length of the bit shank 26. It is also preferred that the length of the male ends 26 be sufficient to cover the holes 13 and 23 as shown in the drawings to provide better suction where most of the dust is formed.
When drilling a hole H in a roof R to a depth greater than chambers C, the bit 24 is inserted in socket 8 and the lower end of starter-driver 2 connected to motor 6. A hole is then drilled as deep as practical after which the bit is removed from socket 8 and the end 16 of a rod extension 14 inserted in place thereof. The bit 24 is then inserted in socket 18 and the drilling is continued to as great a depth as possible. This is the assembly shown in FIG. 8. To continue the drilling it is not necessary to remove the bit 24 and extension 14 from the hole. It is only necessary to add an additional rod extension 14 between the starter-driver and the first rod extension. This operation is continued until the desired depth of hole is obtained. Each time it is only necessary to add an additional rod extension between the starter-driver and lowest rod extension.
While one invention has been shown and described, it is to be understood that various adaptations and modifications may be made within the scope of the invention.


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In the realm of timeless beauty and cultural richness, Jadau Polki jewellery stands as an epitome of resplendence. Originating from the royal courts of Rajasthan, this exquisite art form has transcended centuries, preserving the opulence and heritage of Indian craftsmanship. Today, the allure of Jadau Polki jewellery continues to captivate hearts with its intricate designs and unmatched elegance. In this blog, we delve into the enchanting world of Jadau Polki jewellery, exploring its history, craftsmanship, and the timeless appeal of real Jadau sets.
Jadau Polki jewellery, a masterpiece deeply woven into the cultural tapestry of India, traces its origins to the Mughal era, where it thrived in the opulent landscapes of Rajasthan. The very term “Jadau” is a testament to its Persian roots, meaning “embed,” reflecting the intricate craftsmanship that characterizes this regal art form. Cities like Jaipur and Bikaner in Rajasthan emerged as the epicenters of Jadau Polki jewellery, adorning the maharajas and maharanis of yesteryears, turning them into timeless symbols of royalty and elegance.
The creation of Jadau Polki jewellery is a labor of love passed down through generations. Skilled artisans, often hailing from families with an enduring legacy in the craft, bring forth their ancestral knowledge and expertise to sculpt each piece with precision and dedication.
Meenakari, a refined art of enameling, stands as a hallmark in Jadau Polki craftsmanship. This technique involves delicately fusing vibrant colors onto the metal surface, providing a captivating backdrop for the resplendent Polki stones. The marriage of these vivid hues not only enhances visual appeal but also introduces a layer of complexity, transforming each piece into an individual work of art.
The Kundan setting, a mesmerizing fusion of uncut gemstones (Polki) and pure gold, showcases the pinnacle of Jadau Polki artistry. Artisans embed the Polki stones into the gold base, skillfully shaping the edges to secure them seamlessly. The result is a breathtaking amalgamation of the brilliance of Polki stones and the lustrous allure of gold, producing a piece of jewellery that transcends time and trends.
Real Jadau sets, epitomes of authenticity and craftsmanship, serve as a testament to the rich heritage of this art form. These sets go beyond being mere accessories; they are tangible embodiments of tradition and artistry, embodying the spirit of a bygone era while adapting to the evolving tastes of the contemporary world.
At the heart of Jadau Polki jewellery lies an unwavering commitment to intricacy and attention to detail. Each piece undergoes a meticulous process, where artisans painstakingly craft every facet, ensuring that the final creation is nothing short of perfection. This dedication results in jewellery that not only adorns but narrates a story of craftsmanship and cultural richness.
Jadau Polki jewellery, having adorned the royalty of the past, carries a symbolic weight of regality. The intricate designs and precious gemstones speak to a heritage of affluence and sophistication, making these pieces more than ornaments—they are embodiments of a royal legacy.
While deeply rooted in history, Jadau Polki jewellery is experiencing a contemporary resurgence. Designers and connoisseurs alike are rediscovering and reinterpreting this traditional art form, ensuring its relevance in the modern world without compromising its authentic charm.
Jadau Polki jewellery serves as a vital means of preserving cultural heritage. The continuation of traditional techniques and the use of historical motifs contribute to the safeguarding of India’s rich artistic legacy, fostering a connection between the past and the present.
In the realm of Jadau Polki jewellery, the concept of authenticity is not just a quality; it is the very essence that defines real Jadau sets. Authenticity is paramount, and it encompasses the use of high-quality materials, adherence to traditional craftsmanship, and the application of time-honored techniques. Real Jadau sets are not merely accessories; they are living embodiments of a legacy of craftsmanship and heritage that has stood the test of time. These sets carry with them the weight of tradition, making them more than just pieces of jewellery – they are a connection to the rich cultural history of India.
Real Jadau sets are crafted by skilled artisans who follow age-old techniques passed down through generations. The meticulous attention to detail, the commitment to using the finest materials, and the dedication to preserving the authenticity of the craft ensure that each piece is a work of art. The term “real Jadau set” becomes a seal of approval, signifying not just a piece of jewellery but a symbol of genuine craftsmanship.
The allure of real Jadau sets lies in the unparalleled splendor they bring to any occasion. These sets often feature uncut diamonds, known as Polki, along with precious gemstones, creating a dazzling display of opulence. Whether it’s a necklace, a pair of earrings, or a complete bridal set, the resplendent charm of real Jadau sets is truly unmatched.
The use of uncut diamonds, Polki, adds a distinctive touch to these sets. Unlike traditional diamonds that undergo cutting and shaping, Polki diamonds retain their natural form, showcasing a raw, unblemished beauty. The combination of Polki diamonds and precious gemstones results in pieces that exude a timeless elegance and radiate a mesmerizing glow. Real Jadau sets, with their intricate designs and vibrant colors, become not just accessories but statements of luxury and refinement.
In an era of evolving fashion trends, the allure of real Jadau sets remains steadfast. Modern brides, with a discerning taste for tradition and a deep appreciation for heritage, often choose these sets to adorn themselves on their special day. The timeless appeal of real Jadau sets seamlessly blends the past with the present, creating a lasting legacy for generations to come.
Despite the passage of time, the legacy of Jadau Polki jewellery endures, and real Jadau sets play a crucial role in carrying this legacy forward. Each set becomes a piece of history, a wearable heritage that transcends trends and stands as a testament to the enduring beauty of traditional craftsmanship. The choice of a real Jadau set is not just a fashion statement; it’s a conscious decision to be a part of a cultural narrative that spans centuries.
As modern brides seek to infuse their weddings with a touch of timeless elegance, real Jadau sets become more than just adornments; they become cherished heirlooms, passing on the allure and splendor of Jadau Polki jewellery from one generation to the next. The legacy of authenticity, craftsmanship, and opulence embodied in real Jadau sets is a story that continues to unfold with each passing moment, weaving itself into the fabric of cultural heritage.
Gold Jadau jewellery design is a celebration of intricate craftsmanship. Artisans skilled in the traditional techniques of Kundan setting and Meenakari bring these pieces to life. The fusion of gold with uncut diamonds results in a unique blend of elegance and grandeur. The craftsmanship involved in creating Gold Jadau jewellery is a labor-intensive process that requires precision, dedication, and a deep understanding of the art form.
Several factors contribute to the pricing of Gold Jadau jewellery. The purity of gold, often measured in carats, significantly impacts the cost. Higher carat gold implies a greater percentage of pure gold in the alloy, making the jewellery more valuable. The weight of the gold used in a piece, combined with the craftsmanship involved, plays a crucial role in determining its price.
Additionally, the choice of gemstones contributes to the overall cost. Precious gemstones like diamonds, rubies, emeralds, and sapphires, when incorporated into the design, enhance both the aesthetic and monetary value of the jewellery. The quality, size, and rarity of these gemstones further influence the final price tag.
One of the unique aspects of gold Jadau jewellery is the opportunity for customization. Many jewelers offer bespoke services, allowing clients to bring their vision to life. While the price of custom-designed pieces may vary, the result is a one-of-a-kind creation that reflects personal style and heritage.
Gold Jadau jewellery comes in a diverse range of designs, catering to different tastes and occasions. From elaborate bridal sets to delicate everyday wear, the versatility of designs allows for customization. The price of Gold Jadau jewellery is influenced by the intricacy of the design, the quantity and quality of gold used, and the rarity of the gemstones incorporated.
The price of Gold Jadau jewellery is also influenced by market trends and demand. Designs that align with current fashion trends or carry historical significance may command higher prices. Limited edition or exclusive pieces, crafted by renowned artisans, often come with a premium due to their rarity and the prestige associated with the designer.
In the contemporary jewellery market, transparency is key. Reputable jewellers provide certifications for the gold purity and gemstone quality in their Jadau jewellery. These certifications not only assure customers of the authenticity of the materials used but also contribute to the overall pricing. Transparent pricing practices build trust and confidence among buyers, ensuring they understand the value they receive.
While Jadau Polki jewellery has deep roots in tradition, contemporary designers are redefining its place in the modern fashion landscape. The versatility of these pieces allows them to seamlessly transition from bridal wear to high-fashion accessories, making them a coveted choice for fashion enthusiasts.
The red carpet has become a runway for Jadau Polki jewellery, with celebrities adorning these pieces at prestigious events. The endorsement by style icons and trendsetters has catapulted Jadau Polki jewellery into the spotlight, making it a sought-after accessory for those who wish to make a statement with their fashion choices.
Jadau Polki jewellery effortlessly bridges the gap between generations. While it pays homage to the craftsmanship of yesteryears, its timeless appeal attracts younger generations who appreciate the blend of tradition and modernity. This adaptability ensures that Jadau Polki jewellery remains relevant and cherished across diverse age groups.
Due to the intricate craftsmanship and delicate nature of Jadau Polki jewellery, it requires gentle handling. Avoid exposing the pieces to harsh chemicals, extreme temperatures, or excessive sunlight, as these can damage the gemstones and affect the enamel work.
Cleaning Jadau Polki jewellery should be done with care. Use a soft brush or cloth to remove dust and dirt, and avoid using abrasive cleaners. Periodic professional cleaning by a trusted jeweler ensures that the piece maintains its brilliance and luster.
Store Jadau Polki jewellery in a cool, dry place away from direct sunlight. To prevent scratches, each piece should be stored individually or in soft pouches. Taking these precautions will help preserve the beauty and integrity of the jewellery for generations.
In conclusion, the resplendent charm of Jadau Polki jewellery lies in its ability to transcend time, weaving together centuries of tradition and craftsmanship. From the regal courts of Rajasthan to the red carpets of today, these pieces have withstood the test of changing trends, emerging as timeless symbols of cultural heritage. Real Jadau sets, with their authentic craftsmanship and opulent design, continue to enchant enthusiasts, creating a legacy that gleams with the brilliance of India’s rich cultural heritage. As we celebrate the allure of Jadau Polki jewellery, we honor not just a piece of adornment but a living testament to the artistry and heritage that defines our cultural identity.
The House of Suranas, under the late Padma Shri Prakash Chand Ji Surana, stands as a bastion of tradition, excelling in the artistry of Jadau. Specializing in Jadau Polki Jewellery, particularly the exquisite Bridal Jadau Sets, the brand’s designs intricately reflect the Mughal era’s timeless elegance. Rooted in Jaipur, each piece serves as a testament to the rich cultural tapestry of the region. Prakash Chand Ji’s passionate leadership propelled the brand to unparalleled heights, earning national awards and honors. Shri Prakash Ji Surana, the founder of Surana Jewels, laid the foundation, and Chandra Prakash Ji has admirably carried forward the legacy after the demise of Prakash Ji in 2015.
The House of Suranas not only preserves tradition but also champions artisanal excellence, recognizing and supporting skilled craftsmen. Beyond adornment, their jewellery serves as a journey through time and tradition. The brand’s enchanting stores in Jaipur, Kolkata, and Bangalore offer a magical backdrop for city adventures, inviting patrons to immerse themselves in the allure of Jadau Polki Jewellery. As a living testament to heritage, the brand transcends trends, offering a connection to the roots of craftsmanship. Explore the timeless allure of Suranas’ exquisite jewellery stores, where every piece narrates a captivating story reflective of the cities themselves.

domain: artistic


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Nigerian musician Davido covers issue 175 in and around Atlanta.
Davido is the most streamed artist out of Africa and the record-breaker for the most streamed video out of Nigeria, among other milestones.
His most recent record, ‘A Better Time’, hit over 100 million streams in just three days upon release across all streaming platforms.
Speaking on his nickname The King of Afrobeats, Davido remarks, “Over time we’ve been working hard, delivering hits, really pushing the culture to the Western world. I remember, in 2015, when I first signed my deal, African music wasn’t really accepted. I remember being in the room telling them, ‘Yo, this genre’s going to be hot! It’s the next thing coming.’ They looked at me like I was crazy. Five years later, it’s one of the biggest genres in the world.”
Davido wears @Gucci sweatshirt, kaftan, and shoes, @Etro pants, and vintage @Versace sunglasses.
Photographed by: @DiwangValdez
Styled by: @GoDarrylGo
Groomer: Oumarou Diallo
Written by: @ShirJu


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9:00am PT by Borys Kit
How to (Nicely) Stalk a 'Hamilton' Star at Sundance
Two-time Oscar-nominated documentarian Marshall Curry was in Park City to support his short A Night at the Garden, but the most memorable moments for him at Sundance were his multiple encounters with Daveed Diggs.
Running into the Hamilton star in a hotel lobby, Curry shyly asked whether he could videotape a greeting for his kids, who are fans of the Broadway show.
But Curry accidentally "hit record twice," he says. "All I had was one second of recording." Later that day, the filmmaker again ran into Diggs — this time on the street — who graciously shot another video, except "I [didn't] hit record at all this time."
Five hours later at a party with a friend, Curry spotted Diggs in the room but couldn't bring himself to go up to him a third time. Happily, the friend, producer Davy Rothbart, did, and Diggs finally self-recorded the video.
This story first appeared in the Jan. 31 issue of The Hollywood Reporter magazine. To receive the magazine, click here to subscribe.

domain: celebrity


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Flying with your newborn can be daunting, but sometimes it's necessary. Maybe you're moving across the country or need to travel for work. Don't worry; we've got you covered! This article will go over everything you need to know before boarding that plane.
Before You Book
Check With Your Pediatrician
Before booking any flights, Book an appointment with your pediatrician and get their approval. They'll check if your baby has any underlying health conditions that may make flying risky.
Research Airlines' Policies
Every airline has different policies regarding flying with babies, such as age restrictions or seat requirements. Know the policy of each individual airline, so you won't have to deal with surprises at the airport.
Diapers & Wipes
Bring plenty of diapers and wipes on board because accidents happen! You never know when a poop-splosion might struck, so bring extras just in case.
Baby Carrier/ Stroller
A baby carrier or stroller lets keep your hands free while navigating through airports - especially helpful if there are delays and long layovers!
If breastfeeding isn’t an option, then formula/milk is essential during a flight. Be sure to bring more than what would typically suffice since there could potentially be unpredictable delays
## At The Airport ### Arrive Early
Arriving early helps alleviate stress and gives plenty of time (which every parent needs)
### Bring Travel Documents
Carrying all important documents such Birth Certificate ,Passport etc., especially when traveling internationally is very crucial– don’t leave home without them.
## On The Plane The big moment has come – Time to fly!
Timing Is Everything
Booking off-peak flights where fewer people usually fly increases the chances of getting extra seats . Have enough time between arrival and other activities.
When taking off, breastfeeding is an excellent way to ease and mitigate pressure in babies' little ears as a result of the sudden change in air pressure
Here are some things you should have on hand:
- Extra Clothes: As we said earlier: accidents do happen, It's best to bring extras.
- Weather appropriate outfits: Beyond spare clothes it’s also important that your baby remain comfortable during flight
- Toys or pacifiers: Noise cancelling headphones might be helpful if it's going to be incredibly noisy
Traveling with a newborn requires quite a lot of preparation, but once these considerations are made (plus a host of extra diapers!), there is no reason not to take the trip. After all, both parents and their newborns need travel adventures every now and then!

domain: travel


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Yesterday, little Pekingese Mark Clemens, Ruthann's beloved pet, died. "I will miss this boy so much. He was my comfort when my world did not go as I would have liked it to...I miss the teasing when he would not give me a kiss and would give them to others," said Ruthann when she let us know of his passing. There's no way to adequately describe the pain of losing a pet. Yes, there will be happy memories. Yes, the pet may be in a better place. But still... So sorry for your loss, Ruthann.
You are here: / / Goodbye, little Mark

domain: pet


Did you know that it is illegal to remove a billfish from the water if you do not intend to retain it? Many anglers are unaware of this rule, but a new study shows that it exists for good reason. This is because it has been shown that even only a few minutes in the air leads to a marked increase in mortality in white marlins. Learn more about why it is so important to leave billfish in the water in this week’s blog, below.
New Study Shows Billfish Should Be Kept in Water to Avoid Mortality
A few minutes is all it takes
We all know that fish are built to breathe underwater and that they cannot survive when exposed to air for very long, but can a few minutes really do that much harm? After all, if you make an impressive catch, it can be tempting to take a few selfies before you release it back into the water. Unfortunately, when it comes to billfish, there seems to be strong evidence that even in the time it takes to snap a selfie, an angler can cause life-threatening damage to their catch.
These findings were gathered by a graduate student at the Virginia Institute of the Marine Sciences who wanted to analyze the physiological effects of angling time on white marlin. She focused on marlin caught on circle hooks and broke fight times into three categories: less than 10 minutes, 10-20 minutes, and more than 20 minutes. They were then removed from the water for about 2 minutes in order to obtain a small blood sample and attach a satellite archival tag before being results.
Her results were decisive, and even fish that experienced fight times as low as five minutes showed increased risk of post-release mortality. While fight time did not seem to matter, 29% of the fish involved in the study died within 30 hours of release. Even those fish who experienced as little as one minute of air exposure showed an increased mortality risk, which goes to show that any amount of air exposure is too much and billfish should always be kept in the water unless you intend to keep them.
FISHING FOR MD (MUSCULAR DYSTROPHY)
Join Fishing for MD in our fight to find a cure for Muscular Dystrophy! Like us on Facebook to stay up to date on upcoming events, team member updates, and corporate sponsors. And follow us on Twitter and Google+ too to help us spread awareness about muscle disease. Interested in becoming a corporate sponsor? Please contact us to learn more about how you can reach the 60 million people that are involved in the sport fishing community while supporting a great cause.


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Working around asbestos poses significant health risks, primarily due to the risk of inhaling asbestos fibers. This can lead to serious respiratory diseases. It’s crucial for anyone working in environments where asbestos is present to take specific safety measures.
Recognizing the dangers associated with asbestos is the first step in ensuring safety. Asbestos, once a common material used in construction, is now known for its hazardous health implications.
Understanding asbestos risks
Asbestos fibers that are inhaled can cause asbestosis, lung cancer and mesothelioma. These health risks underscore the need for stringent safety protocols in workplaces where asbestos exposure is possible. Identifying areas where asbestos is present and understanding the risk level is the initial step in planning for safe work practices.
Proper training and awareness
Workers should receive thorough training on handling asbestos. This includes understanding the health risks, recognizing asbestos-containing materials and learning specific procedures for working safely around asbestos. Being informed is critical in preventing accidental disturbance of asbestos and reducing exposure.
Use of personal protective equipment
Personal protective equipment is crucial in minimizing asbestos exposure. This typically includes respirators that filter out asbestos fibers, protective coveralls, gloves and footwear. The use of PPE should comply with the guidelines set by occupational health and safety regulations.
Controlled work practices
Adopting controlled work practices is essential. These practices include using hand tools instead of power tools to reduce the release of asbestos fibers, wetting materials to keep dust down and avoiding sweeping or vacuuming, which can disturb asbestos fibers. Such practices help contain asbestos and reduce airborne fibers.
Establishing decontamination procedures is necessary. Workers should have access to designated decontamination areas to remove and dispose of protective clothing safely. Shower facilities should also be available to ensure that asbestos fibers aren’t carried out of the workplace.
Proper disposal of asbestos waste
Asbestos materials must be disposed of carefully and according to legal requirements. Asbestos waste should be wetted, sealed in labeled containers and disposed of at designated facilities.
Regular health checks for workers exposed to asbestos are essential. These checks can help in early detection of asbestos-related diseases. When working with asbestos, medical surveillance should be part of an employer’s health and safety program. Even for decades after the exposure, this is critical. Any worker who’s diagnosed with an asbestos-related condition may opt to seek compensation to help cover their related expenses.

domain: medical


Shawn Mendes and Justin Bieber just released their first track together called "Monster". Bieber also performed a soulful medley of his solo songs " Lonely " and " Holy ." Shawn Mendes is known for his Christian upbringing and Justin Bieber is one of the most vocal Christian artists out there. Shawn Mendes and Justin Bieber have collaborated on a new track, “Monster.” The song is taken from Mendes’ upcoming studio album Wonder.. You\'ll receive the next newsletter in your inbox. Jennifer Coolidge Hears You, But Kim Cattrall Is Too ‘Perfect’ to Replace. Shawn Mendes will release "Monster," a new song with Justin Bieber from his forthcoming album "Wonder." Log in to follow creators, like videos Shawn Mendes and … Shawn Mendes comes through with yet another new song titled “Monster” featuring Justin Bieber and is right here for your fast download.  On November 13, 2020, Mendes released the official album tracklist, confirming the song's title, while its co-lead artist remains unannounced. 45 on the chart (dated. Lady Rico of House Nasty Performs ‘OHFR?’ on. Find more of Shawn Mendes lyrics. 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Shawn Mendes Ft. Justin Bieber – Monster Mp3 Download. Shawn Mendes called on his musical idol Justin Bieber to collaborate on a poignant new song, "Monster," which details the pitfalls of superstardom. © 2021 Vox Media, LLC. He said that it would be "insane" for him to turn it down, considering Bieber has been one of his favourite artists since he was nine years old. Titled "Monster," the newly released track marks the first time the two musicians have collabed. Monster Lyrics by Shawn Mendes and Justin Bieber is a brand new English song from the album 'Wonder' (2020), produced by Frank Dukes and lyrics of this new song written by Daniel Caeser, Frank Dukes, Mustafa, Justin Bieber & Shawn Mendes. Who’s Been Lie Lie Lying? I didn't last month." Listen to Justin Bieber and Shawn Mendes team up on 'Monster' new single Marcus Jones 11/20/2020 Live updates: Three San Diego gorillas are first … Monster Lyrics – Shawn Mendes & Justin Bieber. You put me on a … The song, which serves as the album's lead single, was released on October 2, 2020, by Island Records. "Mendes, 22, and Bieber, 26, released a single and music video for the track Friday. This production is musically considered Full song preview  In August 2020, Mendes, Bieber and Hailey Baldwin were spotted at Andrew Watt's recording studio in Los Angeles, fuelling speculation of an upcoming collaboration between the two Canadian artists. Listen to Monster - Shawn Mendes, Justin Bieber online with high quality and lyric, Download Monster - Shawn Mendes, Justin Bieber mp3, 320, lossless for free , Lyrically, the song is about the pitfalls and pressure of stardom. The music video for the new Justin Bieber Shawn Mendes collaboration, "Monster," addresses the pitfalls of fame. Key: Dm. Lyrics: You put me on a pedestal and tell me I’m the best Raise me up into the sky until I’m short of breath (Yeah) Fill me up with confidence, I say what’s in my chest Ethan Hawke to Play the Villain to Oscar Isaac’s Moon Knight in Marvel Series. The song “Monster” is powerful and sees both Shawn and Justin reflect upon the insane pressure to remain perfect that is placed on them as former teen idols. The song is 'Monster'. Bieber also performed a soulful medley of his solo songs " Lonely " and " Holy ." You can also listen to Shawn Mendes Justin Bieber - Monster songs online here. Listen to Monster - Single by Shawn Mendes & Justin Bieber on Apple Music. It's a Canadian collaboration — Shawn Mendes and Justin Bieber just released a brand new song! Monster by Shawn Mendes Ft. Justin Bieber mp3 download. Difficulty: novice. Shawn Mendes and Justin Bieber's "Monster" climbs 19 positions to No. Shawn Mendes called on his musical idol Justin Bieber to collaborate on a poignant new song, "Monster," which details the pitfalls of superstardom. The two wrote the song with Daniel Caesar, Mustafa the Poet and its producer Frank Dukes. Donning an exquisite wig and pearls no less. Shawn Mendes and Justin Bieber have released their new song “Monster” and the song is eerily prophetic in light of the Carl Lentz scandal. Mendes stated: "It's about how society can put celebrities up on a pedestal and watch them fall and it seems to be this entertainment thing. The song is 'Monster'.  The teaser features a synthy instrumental playing in the background, with the song's title, release date and the two artist's names overlaid on top of four outdoor scenes in dimly lit and foggy conditions, including an empty street with streetlights, a forest, and an empty platform with stairs. "Monster," as it turns out, is a melancholy tale about a subject Bieber is all too familiar with -- the fall from public favor. Justin Bieber and Shawn Mendes both dated Hailey Baldwin, Justin right after Shawn, sparking some rumors of a feud. Books Stars we lost TV shows 100 movies to stream SUBSCRIBE NOW Download mp3 Shawn Mendes Ft. Justin Bieber – Monster and listen below. He collaborated with 'Senorita' singer Shawn Mendes for the track. There is no strumming pattern for this song yet. Shawn? It was released by Island Records and Def Jam Recordings on November 20, 2020, as the second single from Mendes' fourth studio album Wonder (2020). Mendes and Bieber performed the song for the first time at the American Music Awards of 2020 on November 22, 2020.  The track was written and produced by Mendes, Scott Harris, Nate Mercereau and Kid Harpoon. Find out what the song's lyrics mean here! Shawn Mendes is 22-years-old and Justin Bieber is 26-years-old.  In an exclusive interview for Apple Music, Mendes told Zane Lowe that the single is "about how society can put celebrities up on a pedestal and watch them fall". ), https://en.wikipedia.org/w/index.php?title=Monster_(Shawn_Mendes_and_Justin_Bieber_song)&oldid=1000714239, Short description is different from Wikidata, All Wikipedia articles written in Canadian English, Singlechart usages for Billboardargentinahot100, Singlechart usages for Billboardcanadachrtop40, Singlechart usages for Billboardcanadahotac, Singlechart usages for Billboardjapanhot100, Singlechart usages for Billboardadultpopsongs, Certification Table Entry usages for Canada, Pages using certification Table Entry with streaming figures, Pages using certification Table Entry with streaming footnote, Creative Commons Attribution-ShareAlike License, Josh Gudwin – record engineering, vocal production, This page was last edited on 16 January 2021, at 10:04. Or is it Camila Cabello? Original lyrics of Monster song by Shawn Mendes. Both Shawn and Justin are heard talking about the 'monster' they fear and want to avoid. In the accompanying video, Mendes … RELEASED NOVEMBER 20, 2020 2020 ISLAND RECORDS/DEF JAM RECORDINGS, A … This begs the question: Who’s the real “Monster”? Both Shawn and Justin are heard talking about the 'monster' they fear and want to avoid. Books Stars we lost TV shows 100 movies to stream SUBSCRIBE NOW "Wonder" is a song by Canadian singer Shawn Mendes from his fourth studio album of the same name.  "It's really cool to have him as a mentor in a lot of ways, just to kind of talk through stuff with, because there's not many people who do this type of stuff," he furthered, describing Bieber as "freakishly talented". Monster Lyrics by Shawn Mendes and Justin Bieber is a brand new English song from the album 'Wonder' (2020), produced by Frank Dukes and lyrics of this new song written by Daniel Caeser, Frank Dukes, Mustafa, Justin Bieber & Shawn Mendes. 82,114 views, added to favorites 3,547 times. Watch official video, print or download text in … ", "Shawn Mendes Says He Grew Closer to Justin Bieber Amid Collaboration Rumorsc", "Shawn Mendes is coy about potential collab with Justin Bieber", "Shawn Mendes 'Cannot Confirm Nor Deny' He Has an Upcoming Collab with Justin Bieber", "Shawn Mendes Teases Possible Justin Bieber Collaboration", "Shawn Mendes Hints At Upcoming Collab With Justin Bieber, Will Neither 'Confirm Nor Deny, "Shawn Mendes won't 'confirm or deny' duet with Justin Bieber", "Did Shawn Mendes Record A Song With Justin Bieber? Justin Bieber and Shawn Mendes’ “Monster” lyrics shut down any feud rumors over Hailey Baldwin. Elsewhere, the song debuted at number one in Denmark and Canada, making it's Mendes's 2nd number one single and Bieber's 11th in the latter. The music video for “Monster… The stars of two of 2020’s best movies explain how a certain Coke commercial got us here. Canadian stars Shawn Mendes and Justin Bieber have debuted their first collaboration, “Monster.” A quick three-minutes long, the song starts with Mendes singing: “You put … "Monster" is a song by Shawn Mendes and Justin Bieber. 1 Background 2 Release 3 Lyrics 4 Music video 5 Video 5.1 Performance 6 Gallery 7 References 8 … Check out the song lyrics of Monster by Shawn Mendes, Justin Bieber. , sales+streaming figures based on certification alone, 2020 single by Shawn Mendes and Justin Bieber, "Fans Are Freaking Out Over Video Of Justin Bieber, Shawn Mendes & Tori Kelly Jamming In The Studio", "Shawn Mendes Cannot 'Confirm Nor Deny' Justin Bieber Collaboration", "Shawn Mendes Heads To The Studio With Justin Bieber & Ex Hailey Bieber", "Shawn Mendes HINTS at collaboration with Justin Bieber in the works; Says JB is 'one of my favourite artists, "Shawn Mendes and Justin Bieber Were Spotted in the Same Recording Studio Sparking Collab Rumors", "Is Shawn Mendes Collaborating With Justin Bieber?
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A comprehensive evaluation of physical and environmental performances for wet-white leather manufacture
Rights accessOpen Access
This paper presents the comprehensive evaluation results of physical and environmental performances for a novel wet-white (chrome-free) leather manufacturing. The tanning process is optimized as 15 wt% tannic acid (TA) combination with 4 wt% Laponite nanoclay, giving the leather with shrinkage temperature (Ts) above 86 °C. Inductively coupled plasma-atomic emission spectrometry (ICP-AES) measurements indicate that Laponite can be evenly and tightly bound within the leather matrix, which is further confirmed by scanning electron microscopy and energy dispersive X-ray (SEM-EDX) spectroscopy analysis. The resultant wet-white leathers have reasonable good physical properties that can meet the standard requirements for furniture leather without containing hazardous Cr(VI) and formaldehyde. Further life cycle assessment (LCA) studies shows that tanning process is the main contributor to environmental impact categories in the wet-white tanning process, and tannic acid is the most significant substance factor. Compared to conventional chrome tanning, the wet-white tanning process exhibits much lower abiotic depletion potential (ADP), and reduced global warming potential (GWP) and human toxicity potential (HTP) impacts due to the nature of vegetable tanning; whereas, GWP excluding biogenic carbon and energy consumption are higher owing to prolonged run time.
CitationShi, J., Puig, R., Sang, J., Lin, W. A comprehensive evaluation of physical and environmental performances for wet-white leather manufacture. "Journal of cleaner production", 15 Desembre 2016, vol. 139, p. 1512-1519.

domain: literature


I like the fact that when you step on the brake that Kirks Creation park brake automatically disengages the park brake. What I don’t like is the fact that you have to put yet another button on the dash and the decal :rm_thumbdown::scared2:Has anyone installed one of the Kirks Creation park brake assemblies that are sold on eBay? They look pretty trick, but $95 seems a little salty. I searched the forum, but couldn't find any info.
Mine is up and out of sight and adjustable.
I will post pics soon


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STOCKHOLM, Dec 20 (Reuters) - Geely’s Volvo Cars said on Tuesday it had raised 5 billion Swedish crowns ($531.83 million) in a step towards a listing of the company.
A group of Swedish institutional investors had bought newly-issued preference shares that would have “an immaterial dilutive effect” on Zhejiang Geely Holdings’ current 100 percent ownership.
“Today’s move is another step towards Volvo Cars’ long expressed ambition to act as a listed company,” the company said in a statement.
Rising sales and profits at Volvo Cars has led to speculation of a stock market listing over the past year, although the company had said earlier this month it had no immediate plans to list. ($1 = 9.4015 Swedish crowns) (Reporting by Daniel Dickson and Bjorn Rundstrom, editing by Louise Heavens)

domain: news


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Images from the Internet
Executive Produced by Rob Johnstone
Narrated by Thomas Arnold
Pride DVD, 2005 / 2010
139 minutes, USD $19.95
Perhaps this is a stretch, but if the two ex-Beatles bandmates were Silver Era comic books, arguably McCartney would be DC, and Lennon, Marvel. Whereas Paul is more pop, with straight lines and relatively uncomplicated art and stories, while John was more complex, full of multi-level story arcs and artily crafted jags of lines that push the envelope. One may say that whereas McCartney has had more financial success with hit records, it was Lennon who’s music had more depth in experimentation and true emotion (e.g., “Cold Turkey” or “”Beautiful Boy (Darling Boy)” compared with “Silly Love Songs” or “Magneto and Titanium Man”).
It is telling, however, that the name of this British documentary series from Chrome Dreams with the usual suspects of music critics and writers, is called “Lennon and McCartney” on the box, and “Lennon versus McCartney” on the film proper.
I remember in 1986, stand-up comic Dennis Blair mentioned how when Paul was in the Beatles, his songs were meaningful, like “Yesterday / All my troubles seem so far away” and later it was more “Someone’s knocking at the door / Open the door and let ‘em in…”
Okay, I realize I’ve just been talking about the subject matter as opposed to reviewing the DVD up to now, so let’s get at it.
This British music-focused Chrome Dreams covering classic bands and musicians – both Brit and American – is pretty solid, and this one is no exception. Yes, I still stand by the fact that they rarely feature any women as either subjects or “experts,” but they do have some interesting talking heads discussing the careers of the these two artists, both in opinions about their lives and even more subjectively, the success or failures of their vinyl output.
Some of the commentators include Robert “D-“ Christgau (as he was known to my crowd), Johnny Rogan (John Lennon: The Albums), Chris Inham (Rough Guide to the Beatles), and Peter Ames Carlin (Paul McCartney: A Life). For me, however, the key interest for the McCartney segments aren’t them but rather Denny Siewell, the Wings’ original Yank drummer (1971-73), Beatles associate Klaus Voorman, and especially the large amount of time given to McCartney's main collaborator, rhythm guitarist Denny Laine, who goes into detail what it was like being in Wings. One of my favorite lines by Denny, and it is quite accurate, is that even though Paul wanted some democracy in the band and even though Denny had some leads here and there, Laine plainly states that if you have an ex-Beatle in the band, you naturally defer to him, which he found as no problem.
The post-Beatle rollercoaster ride of careers of the two exes often seemed heading in opposite directions from each other. For example, right after the disbanding, John’s was hot and Paul’s was limp, and then by the late ‘70s, it was reversed with Paul being at the top of the charts for just about anything. By the very late ‘70s, Paul’s Wings had run out of steam, and Lennon was just on the rise when someone asked him for his autograph, ending the possibility of a discussion of comparison beyond 1980.
There is more on this DVD about Paul than John, but in hindsight that doesn’t surprise me because in the period this covers, McCartney released way more vinyl than Lennon, though one can (again) argue about quantity vs. quality. While Paul was often in the studio or on tour, Lennon was having his excursions with May Pang (a year-and-a-half that Lennon referred to as his “lost weekend”) and fighting off the Republican witch-hunt against him.
One of the great things about this DVD is the sheer number of clips from songs throughout the period, both live and promotional videos, is staggering, even though no clip lasts longer than a minute. Still, there are enough to give one a zeitgeist of their yield. There are also period interviews with the artists.
Smartly, rather than jumping around from musician to musician, the DVD follows chunks of time with one and then the other, and back.
One interesting thing I found about the difference between the two is that Paul was focused on having a band (i.e., Wings), replacing members who left – usually in twos, apparently – to keep it going (though two Wings albums are actually just the trio of McCartney, McCartney, and Laine (e.g., Band on the Run). Lennon, on the other hand, was more a roving spirit. Yes, he’d play with either a who’s who of top talent (which McC also did with “Rockestra Theme”) or with local New York never-going-anywhere burnout musicians like David Peel (the East Coast version of Wildman Fischer?) or the band Elephant’s Memory (who I saw once in Central Park with the much better Brownsville Station; rumor was John would make an appearance, which he didn’t). And I’m betting that Lennon let his co-musicians eat meat.
They also both worked with legendary producers on at least one major project, to varying success, with Lennon flopping with Phil Spector’s hand on Rock ‘n’ Roll, and McCartney booming with George Martin’s help with the smash theme to the James Bond film, Live and Let Die (and ironically, though not stated here, the production on the latter was the bigger wall-of-sound).
For me, much of McCartney’s post-Beatles output has been pretty non-essential. I do own At the Speed of Sound as it was given to me when a friend decided to replace all her LPs with CDs; I believe I played it once. Still, his music was everywhere, even after pothead Paul was busted in Japan, giving his annoying self-righteous, open-mouthed gum-chewing interview to the press (how come no one ever mentions this gum thing?). And yet, on this DVD, I see there was a whole lot of music I never heard before that were somewhat hits, even after the break-up of Wings (in part because of the Japan debacle) such as the awful electronica “Temporary Secretary,” and the actually beautiful “Waterfalls,” the first song I can remember in a long time from him that actually feels like it has some real emotion.
As for Lennon, I do have a number of his solo LPs, even the leaden Rock ‘n’ Roll, though my favorite one is actually Lennon Legend: The Very Best of John Lennon. That being said, one thing I learned from this DVD was that when Double Fantasy was released, it actually received mixed reviews until after Lennon’s death shortly after. The album (which I do possess, but not until a couple of years after its release in 1980) didn’t really reach my consciousness until after the Dakota death. Of course, then everyone was simply drowned in “Imagine” for weeks. I firmly believe that Lennon would have been disgusted by the morbid sentimental reaction. On this documentary, I’m relieved to say that Lennon’s assassination is stated for fact rather than made into a monumental OMG, and that the cultural result is the huge success of the final LP.
Though brief, there is a segment on post-1980, which describes how McCartney became more a touring force rather than a recording one, in part, as is posited here, in that he covers some Beatles tunes more than that he also does Wings songs. As for Lennon, it’s pointed out that Yoko had released two albums of outtakes from the Double Fantasy sessions that were rejects and would probably never have seen the light of day if Lennon hadn’t died (not to say that these documents are unimportant).
The documentary feels pretty even-handed in the long run, both looking at McCartney and Lennon with both a critical eye and a strong subjective hindsight view by the contributors, some having very different opinions that the others. There is, however, no real mention of Ringo, or that George, who would flip back and forth about Paul, often referred to Paul as either “Fauxll” or merely “our bass player” (McCartney infamously did not give George the credit he deserved for his work in the Beatles), nor his praise for John.
The extras include bios of the contributors in text that is finally large enough to read on my television, unlike some previous DVDs in this series. But the important one is an 8-minute interview with Denny Laine called “Winging It: Life in Wings,” where he discusses the Moody Blues’ rivalry with the Beatles (which includes a great clip of him doing “Go Now”), writing with Paul, and about the break-up of the band after Japan, both real and rumor.
Even if one is a Beatles fan, there is more than two hours of info here, so odds are you may learn something new. Heck, the music clips alone are worth the view, especially the live ones.
Also, for those interested, there is another documentary, Composing Outside the Beatles: Lennon and McCartney 1967-1972, available from the same company (which I have not yet seen).
This review dedicated to the memory of JoJo Laine (RIP).


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Check in / Check Out
You must check in from 16:00 hours onwards
You must check out before 12:00 hours
The reception is open every day from 08:00 until 22:00.
Continue to the next page for a full description of the available rooms and their prices. Choose and book your room.


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By Eshun Mott
* PLUS 1 hour setting time
Photo: Maya Visnyei
Wraps don't have to be boring. Spruce up the lunchbox routine with tortilla sushi. With cheese, veg and ham, it's easy to make and fun to eat.
whole wheat tortillas
Black Forest ham
thinly sliced strips yellow
long, thin strips seedless
- Combine cream cheese with mango chutney and Dijon.
- Divide mixture between tortillas, spreading all the way to the edges.
- Tear lettuce leaves into strips and pile along edge of each tortilla.
- Top each tortilla with Black Forest ham, yellow pepper and cucumber.
- Roll up tortillas tightly to enclose fillings. Wrap each roll in plastic and refrigerate for 1 hour (or overnight to help it stay together). Unwrap and cut each roll into 6 pieces about 1-in wide.
Originally published in the September 2013 issue. Photo by Maya Visnyei.

domain: food


Haley Bonar has been in the Minnesota music scene for twelve years as a singer-songwriter. She talks to WCCO about how she has struck a balance between music, ambition and motherhood.
The Minnesota Orchestra is announcing contract extensions for music director Osmo Vanska and its musicians.
A Minnesota band camp is giving baby boomers and younger musicians a chance to prove they are never too old to rock and roll. Since 2009, Rock Camp for Dads has allowed hundreds of dads — and moms — to unleash their inner Jimi Hendrix without the hassle and costs of organizing a band.
The Minnesota group, The Blenders, has been together now for 25 years, touring the U.S. with their unique style of vocal harmony based music. Now, they’ve released a new album in honor of it.
Acclaimed Minnesota composer Stephen Paulus has died at 65. Family members say he passed away Sunday from complications of a stroke he suffered last year. Paulus wrote over 500 works, which received premieres and performances throughout the world.
Thirty-one talented high school students from across the country are taking part in “Grammy Camp” here in Minnesota. It is an immersion in all aspects of the music business, from songwriting and engineering to video production and vocal performance.
Fans of classical music in Minnesota will have one more reason to celebrate ringing in the new year. The Minnesota Orchestra announced the details for its 2014-2015 season on Friday, and among the highlights will be their first New Year’s Eve concerts since 1998.
The ever-growing Music in Mears concert series is back for its 11th year of free local music rocking Lowertown in St. Paul.
They are the heartbeat of every band, providing that driving beat that keeps the music together. Minneapolis is home to some of the best drummers in the world, and this weekend they will be honored.
Minnesota is home to some of the most unique sounds in the music industry. The sounds of Bob Dylan, Prince, The Jayhawks and Doomtree have inspired countless of inspiring artists to pick up instruments. Many of whom come to St. Paul, Minn. to the McNally Smith College of Music where classes focus on performance, recording and engineering.
Musicians will gather in St. Paul in May to honor Pete Seeger on what would have been the renowned folk singer and political activist’s 95th birthday. The concert — called “For Pete’s Sake: Celebrating Pete Seeger’s 95th Birthday” — will be held May 3 at the Fitzgerald Theater in downtown St. Paul. Seeger died Jan. 27 at age 94. The singer-songwriter was known for such folk classics as “Where Have All the Flowers Gone,” ”Turn, Turn, Turn” and “If I Had a Hammer.”
After $52 million in renovations and a labor dispute that left it sitting largely empty for months, harmony has returned to Orchestra Hall.
The Musicians of the Minnesota Orchestra aren’t letting a seemingly never-ending lockout stop them from performing. Starting Friday, the musicians will begin a 10-concert run for the Winter-Spring season, called “Music For Minnesota: A Season of Shining Stars!”
Musicians from across the country came together Saturday night to celebrate the memory of one of the most prominent women in the Twin Cities music scene. Sue McLean passed away this spring after a long battle with breast cancer. She made a name for herself as a music promoter and had a talent for discovering up-and-comers. Many of those artists she introduced to the public held a concert in her honor at First Avenue in Minneapolis
Simon and Garfunkel were one of the biggest musical duos of all time. But Paul Simon is teaming up on a tour with a difference pop superstar. The series — Paul Simon & Sting: On Stage Together — comes to the Xcel Energy Center on Feb. 23.
Minnesota Orchestra conductor Osmo Vanska resigned Tuesday amid a labor impasse that has dragged on for more than a year as management pushed for deep cuts to musicians’ salaries.
Locked-out musicians of the Minnesota Orchestra unanimously rejected management’s latest contract proposal. The three-year contract offered by management would have cut musicians salaries’ from an average of $136,000 a year under the old contract to $104,500. Each musician also would also have received a $20,000 signing bonus.
No one disagrees that it is one of the best orchestras in the world. For nearly a year they have been locked out by the Minnesota Orchestra Board. The Orchestra’s renowned conductor Osmo Vanska has […]
Friday night is the biggest fundraiser of the year at Orchestra Hall, and it’s taking place in the middle of a lockout that has gone on for nearly a year. “This is devastating to all families and musicians to not be able to play for a year,” said principal cellist Anthony Ross. Nearly all day, musicians have been holding signs outside Orchestra Hall asking for support from the public during the lockout.
As the lockout of musicians at the Minnesota Orchestra nears a year in duration, Gov. Mark Dayton and Minneapolis Mayor R.T. Rybak say it’s time for the sides to bury any grudges and return to the bargaining table for face-to-face talks.
Minnesota Orchestra management and musicians have talked through an independent mediator in recent days as deadlines loom over the institution’s future amid a long and contentious labor dispute.
Every seat was filled in front of the bandshell, on the edge of Lake Harriet. Then, the crowd filled in the grass for rows and rows beyond the seats.
It appears the end to the ongoing dispute between the Minnesota Orchestra musicians and its management is not over yet. Thursday, the musicians rejected the latest offer from the orchestra management.
As the Minnesota Orchestra musicians lockout continues, the musicians are demanding to see updated financial reports, budgets and forecasts. On Tuesday, orchestra administrators said a financial review proves they’ve been financially responsible. But the musicians said it wasn’t a thorough enough analysis.
You may think the ongoing orchestra lock-out is a Minnesota thing. But musicians are saying what happens here could affect music across the world, as the ongoing musicians vs. the orchestra dispute got trickier today. A financial review came down and orchestra administrators said it proves they’ve been financially responsible.


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Women football star Temwa Chawinga once again made headlines in the 2021 Chinese Women’s Super League after scoring her third successive brace as Wuhan Jiangda thrashed Beijing Beikong 5-0 on Saturday.
The 22-year-old now leads the scorers’ chart with six goals from three games, two ahead Li Ying of Shandong Ticai.
Her elder sister and teammate Tabitha had a strike in their latest victory to take her tally to two league goals.
The development means the sisters have so far scored eight of Wuhan’s 13 league goals this season.
Temwa had her first brace of the season over a week ago when Wuhan thumped Sichuan 4-0 in their league opener. She did it again in the second match that saw them thumping Shandong by the same margin.
“I thank God for the blessings,” said Temwa, who is in her second season with Wuhan and was the league’s second top-scorer with nine goals last season.
Tabitha, who has just joined Wuhan from Jiangsu to team up with her younger sister, is among top seven scorers in the league so far and is one of four players with two goals.
The Malawi women’s national football team captain said she is happy for her younger sister’s achievements in the Chinese league so far.
National women’s football team coach McNelbert Kazuwa said Temwa’s excellent goal-scoring form is a morale booster ahead of the Scorchers’ imminent fixture in the 2022 Women’s Africa Cup of Nations qualifers, where they face neighbours Zambia.


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Yikes! Scott Disick Has Apparently Plotted A Terrible Revenge On The Kardashians
Scorned Scott is prepared to tell all about what the family is really like.
Things between Kourtney and Scott have never been worse and now, as it seems the pair are never ever ever getting back together, it’s been reported that Scott has plotted a revenge that aims to show the world what the Kardashians are really like.
InTouch reports that Scott is gearing up to write a tell-all book about the fam.
“He’s getting up to do a complete takedown of the Kardashians,” a source explained. “He’s been compiling a 10-year dossier on the family.”
They added: “It includes dirty tactics Kourtney, Kim, Khloé and mom Kris Jenner use against their enemies, how scripted the drama on Keeping Up With the Kardashians really is, and the women’s innermost secrets.”
Woah! As if Caitlyn’s memoir wasn’t damaging enough, it looks like the Kardashian/Jenner’s are set for a whole lot more trouble.
Have your say


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Top Review by Baby Kato
This dish was sooo good and very quick and easy to put together. The stew sauce is incredible, tangy and well balanced and the meat was moist and tender. I will definitely be making this again often. Thanks so much for sharing Lauralie41.
- 59.14 ml shortening
- 1360.77 g rump roast, Boneless
- 473.18 ml onions, Sliced
- 59.14 ml unbleached flour
- 29.58 ml salt
- 29.58 ml sugar
- 9.85 ml dry mustard
- 2.46 ml celery seed
- 59.14 ml water
- 453.59 g tomatoes, 1 can
Directions See How It's Made
- Melt shortening in a Dutch oven.
- Add the meat and brown on all sides.
- Place the onions on top of the meat.
- Mix the flour and seasonings with 1/4 c water.
- Blend with the tomatoes and add the misture to the dutch oven.
- Bake at 325 degrees F about 2 hours, until the meat is fork-tender.
- Serve with oven-browned potatoes.


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The band’s new album is called "Almost Famous" and that pretty much sums up this story.
Their first was called "Hillbilly Clubhouse" and that pretty much sums up the band’s music.
"After the Reign" are six guys, most from Monmouth County, who play country music. They’ve been kicking around for 15 years. Before that, some of them played in a band called "Southern Reign" for five years.
That’s 20 years of playing bars, boardwalks and festivals. They have opened for Clint Black, Kix Brooks and Lady Antebellum. Bruce Springsteen joined them for a couple of songs during a Christmas party at the Colts Neck Inn, and they have the video to prove it.
So these road-worn guys aren’t naive teens dreaming of stardom. They’re hardened, workaday musicians. Guys with day jobs. Middle-aged guys, some with kids old enough to lug amps and drums to the stage. Guys who suffered along with everybody else after Hurricane Sandy hit.
Guitarist John Strevens, a builder by day, had two homes he was renovating in Belmar destroyed. Lead guitarist Clay Perlman’s Keyport marina was in shambles. Drummer Herbie Van Note, who has since died, was a Long Branch town worker.
"He was one of the guys cleaning everything up," said Dave Burlett, another guitarist.
Strevens started to think about writing a song about recovery as soon as he became aware of the massive damage.
"I’m always writing," he said. "It’s a constant thing. Then I thought, ‘Everybody’s going to do one of those,’ but I kept going."
The result was a song called "Jersey Strong," and here’s where the almost-famous part begins.
When the $25 million "Stronger Than the Storm" campaign began last spring, one of the criticisms (besides the cost and the Christie family appearance) was the music. It seemed canned and inauthentic. People wanted Bruce. Or Bon Jovi. Or at least something that sounded like Jersey.
Coincidentally — or not — a contest was launched last summer called "Stronger Than the Storm Presents: Jersey Shore Soundoff."
Chelsea Masterson, who handles the band’s public relations, submitted "Jersey Strong."
"We didn’t think it had a chance," Burlett said. "Because the governor already rejected it."
The band recorded the song a few months after the hurricane and handed a copy to one of Gov. Chris Christie’s people during one his many tours of the area, offering it to be used in any kind of recovery campaign.
"We didn’t want anything for it," Strevens said. "We did it for morale, to inspire people to keep going."
This is something the band knows about; 20 years’ worth.
"We didn’t hear anything, but then (last summer) we got a letter from him saying something like, ‘Thanks,’ but that was it." Burlett said. "We figured that was that."
Then came the contest. Part of the criteria was independent judging by music pros. Another part was fan votes. On both counts, the band had the numbers. They won.
What happened next can be viewed as a case of wishful thinking. The band was hoping the song would be picked for this summer’s "Going Strong" tourism campaign.
This can be excused given a) the band’s popularity, b) criticism of the "Stronger than the Storm" music, c) the multiple TV appearances they did after winning the contest, and d) 20 years of waiting for a big break.
The contest rules were very clear: The winning song was not promised fortune, fame, or a chance to be the soundtrack to the "Going Strong" campaign. They were promised a chance to open for "The Spin Doctors" at The Stone Pony last September, which they did.
The band said they hoped there would be more to come. Right after they won, they did a bunch of TV and radio appearances for Philadelphia and New York and New Jersey stations. The song was getting airtime. They played at Sandy benefits. They heard a Super Bowl "Going Strong" commercial might be in the works. Their ship was coming in.
And then it didn’t.
"Then when the ("Going Strong") commercials came out, one of our fans said, ‘You’re not on it,’ " Burlett said. "I can’t say we were surprised, but we were disappointed."
And, just like that, it was over. Except the winning song is on their new album, "Almost Famous," and they’re playing it at their summer shows, the next one being tomorrow at The Strand in Lakewood.
"That title — ‘Almost Famous’ — was no accident," Strevens said. "That’s haunted us all our lives."


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On this West Virginia Week, residents celebrated the end of Ramadan and a solar eclipse, while state officials squabbled over state emergency funds related to last week's storms.Continue Reading Take Me to More News
Parkersburg Mayor Robert Newell has asked a court to dismiss two petitions seeking his removal from office.
A motion filed in Wood County Circuit Court says neither petition complies with state law regarding removing an official from office.
Newell’s attorney, Harry Dietzler, says in the motion that one petition lacks the required number of signatures. He says the other doesn’t give specifics of the charges to which the mayor is expected to respond.
Wood County Republican Party chairman Rob Cornelius filed one petition. Dietzler says the second petition was filed by Parkersburg City Council member Karen Coram and others.
A three-judge panel is scheduled to hear the petitions June 4-5.
The Parkersburg News and Sentinel reports that Cornelius filed a motion seeking Deitzler’s disqualification from the case.


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Nineteen-year-old Emily spends the endless summer before college going out all night, sleeping all day, and reveling in the aura of her beautiful boyfriend, Tom, and his fashionable friends. But the luster soon begins to fade, and she is left feeling lonely and directionless. Unwilling to accept the only futures she knows--the misery and jealousy of Tom's divorced parentsNineteen-year-old Emily spends the endless summer before college going out all night, sleeping all day, and reveling in the aura of her beautiful boyfriend, Tom, and his fashionable friends. But the luster soon begins to fade, and she is left feeling lonely and directionless. Unwilling to accept the only futures she knows--the misery and jealousy of Tom's divorced parents or the hushed tensions that envelop her parents' marriage--Emily embarks on a quest for genuine intimacy and is drawn to her boyfriend's married older cousin, Simon. Their affair forces her to confront her own sense of right and wrong and to make the same decisions about love, loyalty, and betrayal that are at the heart of the unraveling relationships of the adults around her. An Empty Room was short-listed for the Whitbread First Novel Award in 2003. Beautifully written, it takes readers through a moral maze of subtle splendor. ...
|Title||:||An Empty Room|
|Number of Pages||:||228 Pages|
|Status||:||Available For Download|
|Last checked||:||21 Minutes ago!|
An Empty Room Reviews
quick read - just took the morning. It was intense. a lot happened.and then it just...ended. I should have realized that going in, it was only like 200 pages. Just enough time for the story to get good - it all just happened - and then the story is over. like, "this is what i did. the end."Had it kept going, I would have liked it more.
This book draws you in, with its strong internal dialogue & sexiness... until it gets to the under belly of the plot. It then becomes almost unbearable, the main character Emily is so miserable & falls in love with the cliche "irresistible married man!" I could hardly set it down, then once finished hardly look at it.BAD ENDING.
Wow! I got this book on a fluke after Christmas at borders. It was on sale for like 3.99 so I bought it. It was WELL worth it! I couldn't put it down. So beautifully written. I definitely would like to read more of the authors books.
A bit boring but some parts are interesting. It was a short book, thank f*ck for that.
Gripping! Had me crying by the end of the chapter.
Read in a day, very intense and included some beautiful descriptions.
Although not a plot-driven novel, the characters were very well-written and the language was rich and pleasurable, like drinking melted Belgian chocolate. An atmospheric coming-of-age novel.
This was a good read...kind of strange plot. I couldn't really identify with the characters, but the story moved quickly and kept me interested.


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Interiorities. Njideka Akunyili Crosby, Leonor Antunes, Henrike Naumann, Adriana Varejão
Summary of Interiorities. Njideka Akunyili Crosby, Leonor Antunes, Henrike Naumann, Adriana Varejão%
- in German and English
- Price: 39 € (+ 6 € shipping)
About this exhibition catalogue
On the occasion of the exhibition "Interiorities", a catalogue was published by Prestel; it includes essays by Briony Fer, Marietta Kesting, Lilia Moritz Schwarcz, Ugochukwu-Smooth C. Nzewi and Anna Schneider, as well as interviews with Njideka Akunyili Crosby, Leonor Antunes, Henrike Naumann and Adriana Varejão conducted by Anna Schneider and Raphael Fonseca.
Exhibition film — "Geniale Dilletanten" [Genial Dilletantes]
Mark Leckey, Catalogue
Exhibition video - Miriam Cahn: I as human
Teachers guide (in German): "Postwar: Kunst zwischen Pazifik und Atlantik, 1945-1965"
Fingers of Fate" / "Hearts of Plane
Jörg Immendorff: Für alle Lieben in der Welt
Konzert/Concert – "Monika Werkstatt"


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Here’s what it takes to get your offer accepted in this market.
I’m here to discuss the things you need to know to get your offer on a home accepted in this crazy and competitive seller’s market.
Now, back to our main topic: the things you need to know as a buyer to get your offer accepted every time.
The more you can help a seller’s transition, the better your chances will be of getting your offer accepted.
These days, your offer will need to be strong and aggressive in the following three ways:
1. Purchase price. Your purchase price will need to be very strong, even over the list price. It may end up being so high that the home won’t appraise for that amount, but there are ways to overcome that gap—I’ll discuss that in more detail in a future blog post.
2. Due diligence. That’s the non-refundable deposit you give directly to the seller to get your offer accepted. Many times, we see due diligence deposits of anywhere between $5,000 and $50,000, though sometimes they’re even higher. You’ll get most of that money back, depending on how you structure your loan, but it has to be a number high enough to support the purchase price. An offer with a low purchase price and strong due diligence probably won’t be accepted, and one with a high purchase price and low due diligence likely won’t either. The two need to work in tandem.
3. Mystery motivator. Ask the listing agent what exactly the sellers are looking for. An experienced agent will be able to help you find that out; maybe the seller needs a rent-back to have more time to move, or perhaps there are some items they don’t want to move out of the home. The more you can help a seller’s transition, the better your chances will be of getting your offer accepted.
If you have any questions about boosting your offer’s appeal to win or concerning home buying in general, don’t hesitate to reach out to us. We’d love to help you.
Pierre has sold over 1,400 homes in the Triangle Area since 1998, having worked with Prudential Carolinas Realty, RE/MAX, Keller Williams and eXp Realty. Pierre has consistently ranked among the top 1....
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domain: finance


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Shanghai Museum is a large museum featured in ancient Chinese art. It is situated on the south side of the People’s Square in Huangpu District of central Shanghai. It is one of the largest and best museums in China.
The museum has an exhibition area of 12,000 square meters, with 12 themed exhibition halls. Shanghai Museum houses over 120,000 pieces of precious historical, artistic and cultural relics, which can be categorized into 21 kinds, such as bronze wares, calligraphy works, ethnic minorities’ artifacts, seals and lacquer wares. Amongst all the collections, the highlights of the museum include bronze wares, ceramics porcelain, jade articles, seals, furniture, calligraphy works and paintings. Besides permanent exhibitions, special temporary exhibitions are also available.
Shanghai Museum has a collection of 120,000 pieces of precious relics, and some of them are of national importance. The categories of collections include bronze ware, jade, porcelain, stone sculpture, ancient coins, silk and embroidery, calligraphy, painting and ethnic artifacts, and their history spans from the Paleolithic period to modern times. The well-known collections of the museum such as bronze ware, furniture, jade, paintings and calligraphy cannot be missed when you are visiting the museum.
History and Architecture
Shanghai Museum is a museum of ancient Chinese art, possessing a collection of over 1000,000 objects. About 120,000 of them are precious national-graded works of art. The Chinese bronze, ceramics, painting and calligraphy is a rich and high-quality collection of ancient and is quite famous in the world.
Established and first open to the public in the former site-building of the horseracing club at 325 of West Nanjing Road in 1952 and then moved into the former Zhonghui Building at 16 S. Henan Road in 1959. The museum developed very quickly in aspects of acquisition, conservation, research, exhibition, education and cultural exchanges including other institutes.
In 1992, the Shanghai Museum moves to the very center of the city, the People's Square, as its new site because the Shanghai municipal government allocated to the Museum the piece of land. The whole construction took three years, from August 1993 to its inauguration on October 12th, 1996. After finishing the construction, the museum has a 29.5 meters high new building and a construction space of 39,200 square meters.
The architectural form of the museum is a round top with a square base, which implied the ancient Chinese philosophy that “the square earth is under the round sky”. The unique appearance is a highlight architectural combination of traditional culture and modern spirit. The present Shanghai Museum has eleven galleries and three special temporary exhibition halls. It extends a warm welcome to visitors from all over the world.
On the first floor, there are a bronze ware hall, sculpture hall and special exhibition hall. On the second floor, there are a ceramics and porcelains hall, Zandelou Ceramics Hall and a special exhibition hall. On the third floor, there are a calligraphy hall, paintings hall and seals hall. On the fourth floor, there are the ancient coins hall, ancient furniture hall, ethnic minority artifacts hall and special exhibition hall.
Gallery of Chinese Ancient Bronze
Shanghai Museum is especially well-known for its collection of bronze pieces. In Shang and Zhou Dynasty, bronze is used widely in people’s life and bronze artifacts have been regarded as important treasures as a symbol of China's ancient civilization and cultural heritage.
When visitors step into the gallery, a mysterious and artistic atmosphere surrounded by will be found in which ancient bronze artifacts are displayed in plain and archaic wooden showcases and set off by different levels of illumination. More than 400 pieces of exquisite bronzes are shown within the space of 1,200 square meters, providing an overall perspective of bronze art in ancient China.
Among the bronze ware collections, the most important ones include bronze tripods of various sizes and shapes from the Shang and Zhou dynasties. Displayed in simple but elegant cases and moderate lighting, some 400 bronze items from ancient times will reveal to you the history and development of China’s ancient bronze art.
Gallery of Chinese Ancient Sculpture
The sculpture is based on gold, red and black as three basic colors, making the gallery full of a warm and serious atmosphere. Displayed in a space of 640 square meters, more than 120 samples are put either in shrine-like showcases separated by lotus-petal-shaped partitions or on open freestanding pedestals. Visitors go into the gallery will be given a true feeling of walking in grottos or temples because of the special design and arrangement.
The exhibits reveal artistic styles of Chinese sculpture in different periods of the Warring States period and the Ming dynasty. The Buddha statues in different styles are the most attractive sculptures in the gallery, such as simple and delicate Buddha statues of the Northern Wei, elegant and vivid Buddha statues of the Northern Qi and the Sui dynasties, gorgeously shaped and full-bodied Buddha statues of the Tang dynasty, and novel and secular Bodhisattva of the Song dynasty.
The audience could watch a process of how Buddhism, a foreign culture, was merging into Chinese traditional culture.
Gallery of Chinese Ancient Jade
China enjoys the reputation of "the Country of Jade" around the world and has a 7,000-year history of jade production. In the ancient period, Chinese people like jade not only for its essential beauty but also for its mystical allure and auspicious morals. It was used either as the symbol of wealth and power by rulers or as personal ornaments by ordinary people. It was also widely used as ritual implements and burial objects.
Therefore, the nature of jade was endowed with the significance of humanity and morals. Using specially designed shelves and fiber optics for illumination, visitors can appreciate a sparkling and smooth appearance of exhibits. Under the light of the showcases, the details of fine design are perfectly exposed. The grace and exquisite skill of jade-making in ancient China will be shown in front of the visitors without reservation.
Chinese Ming and Qing Furniture Gallery
The exhibition of ancient Chinese furniture is a special feature of Shanghai Museum. It presents vividly what the rooms and gardens were like back in the Ming and Qing dynasties. It takes up about 700 square meters of exhibition space, with about 100 pieces of well-preserved ancient Chinese furniture.
Classical Chinese traditional furniture passes through a long history of development and reached its peak during the Ming and Qing dynasties. During the period between Ming and the Qing, the style and the appearance of the furniture are in big difference, but both of them are successful in the field of art. In this 700 square meters gallery, visitors will feel like walking in a traditional Chinese house with a garden behind grilled windows.
There are more than 100 pieces of furniture displayed in the furniture gallery, among which, the Ming furniture that was simply in style but elegantly prepared or tightly formed by the tenon-mortise technique and the Qing furniture that was imposingly produced and elaborately decorated. In addition, there is an exhibition of a study room and a drawing-room, giving a vivid presentation of utilization.
Gallery of Chinese Paintings
The calligraphy and painting collections include works from ancient dynasties in chronological order, from as early as the Jin Dynasty of about 2000 years ago, to the Qing Dynasty in the early stage of the last century. The displays are staged in traditional Chinese decorations style and ambiance.
Chinese paintings have a long history and their own style. Chinese paintings have a feature of using “dots and lines" to express the details and skill of a piece of painting and brush, ink stick, silk and Xuan paper as main implements. Taking a form of traditional Chinese architecture, the gallery is arranged into long passage-like showcases with large panels of glass, upturned eaves and low banisters.
In order to protect ancient paintings and provide visitors with a clear view as well, a sensitive lighting system is installed. More than 120 masterpieces ranging from the Tang dynasty to the present are shown within the space of 1,200 square meters. The exhibition fully displays the age-old tradition and the profound foundation of Chinese paintings.
Chinese Minority Nationalities' Art Gallery
Glorious Chinese civilization has been created by various nationalities. Due to dive- reified social and ecological environments, different nationalities in China have produced their rich and colorful cultures. Being set off by a warm background, visitors will get a feeling of the happy and harmonious atmosphere of various handicrafts of different nationalities with an the artistic garden of Chinese nationalities.
More than 600 handicrafts are displayed in this 700 square meters gallery, including costumes, textiles, embroideries, metal wares, sculpture, pottery, lacquer wares, cane and bamboo plaited vessels as well as wooden masks.
Gallery of Chinese Coins
China is one of the earliest countries in the world to use coins. With the advantage of the coin collection, Shanghai Museum provides a historical overview of Chinese currency in this 730 square meters gallery. More than 7,000 specimens show the historical development of ancient coins and economic exchange between ancient China and foreign countries.
The light grayish background sets off primitive simplicity shows a long history of these ancient coins. In addition, there is a special showroom for ancient Central-Asian coins from Silk Road generously donated by Mr. and Ms. Roger and Linda Doo.
No. 201 (near Wusheng Road), Renmin Avenue, Huangpu District. It is located on the south side of People’s Square in the city center of Shanghai.
How to Get There?
You can take public bus No. 112, 312, 145, 46, or subway line No. 1, 2 or 8 and get off at People’s Square Station.
Free (8,000 persons/day)
9:00－17:00 (No admission after 16:00)
The museum is closed on Mondays.


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‘Ek Ladki Ko Dekha Toh Aisa Laga’ has been creating buzz among the audience owing to its concept. Now, The Academy of Motion Picture Arts & Sciences has requested a copy of the film’s screenplay for the permanent Core Collection.
Materials in the Core Collection are made available for study only in the library’s reading room; scripts never circulate from the building and all copying is strictly forbidden. It is a research library freely open to all — students, filmmakers and writers as well as those with a general interest in movies.
Previously VVC Films had sent them copies of ‘Broken Horses’ and ‘Sanju’ scripts for their library.
‘Ek Ladki Ko Dekha Toh Aisa Laga’ brought the father-daughter duo Anil Kapoor-Sonam Kapoor together onscreen for the first time. The unusual and unique script of the film played a big role to bring this duo together. Speaking to Bollywood Bubble, Sonam had said that she was pretty nervous while giving the first shot with her dad. Anil too reiterated the same during the interaction and said that despite being nervous Sonam’s shot was okayed in one take while he had to give three retakes.
The film has an ensemble cast of Anil Kapoor, Sonam Kapoor, Rajkummar Rao and Juhi Chawla. The story of ‘Ek Ladki Ko Dekha Toh Aisa Laga’ is instrumental in pushing the queer conversation forward in India.
The film hit theatres on February 1 and has been doing well at the box-office.

domain: library


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Writing for Money, Writing Just Because
Writing “just because” feels like one of the most innocent, humble human activities. Just like making up games to play as a kid. If you step back to view our manufactured world from the frame of what is human vs. non-human, this is clear to me.
We have our screens, and our great technology and economic systems, far removed from the natural world we came from — they’re “human” in the modern sense of the word, rather than the ancient meaning. But we also have this “old humanity” left in us, even as it’s slowly squeezed out of us with ever-encroaching modernity. We still mimic each other in empathy; we still recognize a smile and a laugh; we still gain social connection through touch.


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The Palestine Yearbook of International Law is now inviting submissions of scholarly articles for publication for its next volume, XVIII (2015). Unlike recent years, this upcoming volume will not be based on a specific theme. Therefore, the editors encourage the submission of scholarly pieces of relevance to public international law and Palestine. The Yearbook is edited at Birzeit University’s Institute of Law (Birzeit, Palestine), and published by Martinus Nijhoff Publishers (The Hague, The Netherlands). The Editor-in-Chief of the Yearbook is Mr. Ardi Imseis.
At this stage, the Institute of Law will be accepting abstracts for review. Abstracts should include a working title, with a preliminary outline of the author’s legal arguments, along with a CV.
Recommended topics include, but are not limited to:
- Comparative legal analyses of human rights and freedom struggles of relevance to Palestine (e.g. East Timor, Northern Ireland, South Africa, United States, etc.);
- Non-State actors, national liberation movements and international law;
- Contemporary developments and gaps in the international humanitarian and human rights law framework;
- The role and utility of continuing to use the United Nations (the General Assembly, Security Council, International Court of Justice, etc.) in advancing the cause of peace, justice and freedom in Palestine;
- The statehood of Palestine and its implications in law and policy, both in the region and beyond;
- The responsibility of States (including third States) international organizations, corporations and/or individuals in international law;
- The continued relevance of the Oslo Accords under international law, and in light of Palestine’s accession to the Vienna Convention on the Law of Treaties;
- The Gaza Strip and international law;
- Litigating the Palestine issue, at the domestic and international levels;
- Apartheid and colonialism in international law;
- Natural resources in international law;
- Self-determination of peoples in international law;
- Humanitarian intervention;
- The Syria crisis in international law (international refugee law, international humanitarian law, etc…);
- Palestine’s accessions to international treaties and the possibility of future accessions and the joining of international organizations.
Important dates and contact information:
Prospective authors should express interest by e-mailing the Assistant Editor of the Yearbook, Ms. Reem Al-Botmeh and sending an abstract of the suggested paper as indicated above, along with the prospective author’s CV.
The abstract of under 750 words should be submitted by 15 February 2015.
Notification of decisions will be provided 1 March 2015.
For more information, please contact Ms. Reem Al-Botmeh, the Assistant Editor of the Yearbook, at email@example.com or alternatively, you may communicate directly with Mr. Ardi Imseis at firstname.lastname@example.org.

domain: law


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I first found out about the Brompton Time Machine last October when my good friend John invited me to join him on a candle-lit reading event of stories by M. R James in the chapel at Brompton Cemetery as part of the London Month of the Dead in 2015. Continue reading
Graveyard in Holy Trinity Church, Lambley, Nottinghamshire, UK. – Credit to James Wright
To celebrate his up coming talk at the London Fortean Society event ‘The Haunted Landscape: British Folklore, Ghosts and Magic’ this weekend, archaeologist James Wright has kindly written a post for us on what it’s like to work with the dead in a professional capacity.
Brompton Cemetery is part of the ‘Magnificent Seven’ group of cemeteries in London. Opened in 1840 it was consecrated by the Bishop of London on the 12th June and the first burial took place on the 22nd. It was originally known as the West of London and Westminster Cemetery and covers over 39 acres and is a great place to see examples from many art movements such as Art Nouveau and Arts and Crafts as well as examples of ceramics, stone craft and other decorative work.


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Now that the weather has cleared, gardening season has begun in earnest. Residents and property managers in Union County who are looking for beautiful, low maintenance plants this summer can also contribute to the cause of native plant preservation, by choosing natives for gardens, yards, and landscaped areas.
Native plants are a key part of a healthy habitat, and they have evolved to thrive in their home regions with minimal attention.
Gardeners also benefit with native plants. Some gardeners love colorful natives because they attract birds and butterflies. Others use native plants with strong roots to help control ponding and runoff. In addition, gardeners who seek to reduce artificial fertilizers and pesticides can depend on natives for healthy growth without the use of added chemicals.
Overall, native plants require less maintenance and upkeep, saving both time and money.
“We strive to conserve the natural habitat in Union County’s park system, and we encourage residents and businesses to contribute to a healthy ecosystem in our community by planting native species on their property, too” said Freeholder Chair Bette Jane Kowalski. “The Freeholder Board is proud to support programs that encourage the use of native plants.”
This Saturday, May 18, gardeners can attend a free workshop on identifying invasive “bad” plants, which can overrun native plants. The workshop includes outdoor activities and takes place at Union County’s Trailside Nature & Science Center, from 9:00 a.m. to 12:00 p.m. To pre-register and get more details, email the Trailside Watershed Ambassador at firstname.lastname@example.org.
On Sunday, May 19, gardeners can buy native plants – along with many other varieties -- at the annual Master Gardeners of Union County Garden Fair and Plant Sale, taking place at the Demonstration Garden by Trailside. The event is open from noon to 4:00 p.m. Master Gardener volunteers will be on hand to answer questions and provide guidance. Admission to the Garden Fair is free and no pre-registration is required.
On Thursday evening, June 6, another free native plant event will take place in the Demonstration Garden, from 5:30 p.m. to 8:30 p.m. Gardeners can bring a “bad” plant and trade it for a native plant free of charge. They can also purchase additional native plants on site, and tour the garden. Pre-registration is required by emailing email@example.com.
A free, illustrated guide to colorful natives titled “Plant This, Not That” is also available for free download through the Trailside Nature and Science Center.
Individuals or groups interested in conserving native plants in County parks can join the Union County Adopt-a-Park program. Each year, hundreds of Adopt-a-Park volunteers help clear “bad” invasive plants and remove litter and debris, helping natives to thrive in their natural setting. To join, call the Parks Department at 908-789-3683.
For more information about nature and science programs for all ages at Trailside, visit online at ucnj.org/parks-recreation/trailside, email firstname.lastname@example.org or call 908-789-3670.
For quick links to all Union County programs related to gardening, sustainability and nature conservation visit The Green Connection, ucnj.org/green-connection.