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Brea Jones/ Staff Writer
Everyone knows the battles of dating. Using the chance of finding an individual who is just a match that is perfect be difficult and stressful. Over 50 % of men and women move to apps that are dating purchase to improve their particular commitment lives, or absence thereof, based on Statista. Many for the prejudice and bigotry that take place in the actual globe usually leak in to the on the web world that is dating.
ItвЂ™s hard for black colored ladies, and ladies of shade, to locate love вЂ” much less commence a commitment вЂ” on internet dating sites due to this.
ItвЂ™s okay if everybody features an inclination on just who they decide to get inside a commitment with, however if you prevent a race that is entire of centered on absolutely absolutely nothing, that is a problem. Data coming from a 2014 study carried out by OKCupid tv show that 82 % of guys on OKCupid have actually prejudice against black colored ladies.
In 2017, Hadiya Roderique talked aside in regards to the difficulties black colored ladies face when working with a profile that is dating. She believed as though she wasnвЂ™t being taken really regarding the apps. While trying to find a real genuine experience of somebody, numerous males would just send her communications asking for intercourse.
RoderiqueвЂ™s pals believed that her work subject being a lawyer that is black daunting the severe guys regarding the application, causing all of them to perhaps perhaps not get in touch with her, but Roderique ended up beingnвЂ™t therefore certain.
As a research, Roderique changed her battle in the application вЂ” all the information remained theвЂ” that is same because of this, she saw her appeal and interactions regarding the application enhance.
Ebony females have the want to move to internet dating because most haven’t any commitment chance in true to life, particularly with black colored guys. Some men that are black continuously revealing just how much they dislike black colored females.
Their particular explanations tend to be strengthened by societyвЂ™s stereotypes of black colored females such as for example becoming also noisy, too controlling or also ratched.
Though some men that are black community influence their choice on black colored ladies, other individuals try not to date black colored women since they tend to be threatened by us. Whenever black ladies seem too carried out or also separate, it may also deliver black colored guys working into the mountains, in accordance with Essence. Appearances seem to function as crucial as to the reasons some black men wonвЂ™t time black colored females. Whether our company is also no-cost and outbound, or we focus on our professions and our very own dilemmas, this indicates as if black ladies canвЂ™t win the value black colored guys.
Having less value black colored females recieve triggers all of all of them to be noticed less like folks. Alternatively, we have been regarded as a fetish or an intercourse item. When a servant owner would rape a black colored feminine, he’d inaccurately justify his activities by blaming the feminine. From the time then women that are black already been regarded as вЂhypersexual delinquents,вЂ™ as though we cannot get a handle on our anatomical bodies, that will be not really real.
While many of my black colored feminine buddies tend to be no-cost and intimately liberated, other individuals tend to be waiting until wedding to take part in intercourse. No matter their particular individual alternatives of the way they elect to stay their particular life, men are continuously nearing all of all of all of them at events and let’s assume that they’ve been just ready to have intercourse.
Every person has to simply simply take one step straight straight back and prevent fetishizing women that are black.
All the racial attitude that black colored ladies get in everyday activity locates its method to internet dating apps combined with basic issues and worries that come with internet dating only does not succeed appear to be a great selection for females of shade.
Sadly, folks have this predetermined mind-set of black females and all sorts of females of shade. We’re put on a lower life expectancy rack in contrast women that are white. Although all females of shade are continuously working collectively to improve that, it will be a journey that is long.
The viewpoints provided through this page usually do not express the views of Panther Press Editorial Board. These views tend to be individual from editorials and mirror specific perspectives of contributing article authors and/or members regarding the University community.

domain: sociology


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As a portrait photographer, I vividly remember the moment when I first encountered the term “ISO” in my photography journey. I was a beginner, eager to capture stunning portraits, but I found myself puzzled by this seemingly cryptic acronym.
Was it some complex technical jargon or a secret code that only professional photographers understood? Little did I know that ISO was a fundamental concept that would significantly impact my photography.
Let me take you on a journey to demystify ISO and its significance in photography. Like many beginner photographers, I was once puzzled by this mysterious setting on my camera. I remember the frustration of grainy photos and missed opportunities due to improper ISO settings. But with time and practice, I unlocked the true potential of ISO, and it transformed my photography.
If you’re a beginner looking to level up your photography skills, understanding ISO is essential. It’s the key to unlocking creative control, mastering low-light situations, and achieving the desired image quality in your photos. With the right knowledge and techniques, you can confidently navigate ISO settings and create stunning images in any lighting conditions.
In this beginner’s guide to ISO in photography, I’ll share my insights and practical tips to help you harness the power of ISO. So, grab your camera, let’s dive into the world of ISO, and elevate your photography to new heights!
Table of Contents
What is ISO in Photography?
ISO in photography determines how much light your camera’s sensor needs to capture a well-exposed image.
Watch the video covering this section of the guide:
ISO, which stands for International Organization for Standardization, is a measure of the sensitivity of your camera’s image sensor to light. It originated from the film photography days when films with different sensitivities to light were labeled with ISO ratings.
Before we dive into how ISO affects your images, it’s first important to understand the role ISO plays in the “exposure triangle.”
Also, it’s important to note that in this guide, everything I’m referring to is only when you put your camera in manual shooting mode.
ISO and the Exposure Triangle
Understanding ISO is crucial because it’s closely tied to two other key elements in photography: aperture and shutter speed. The trio of ISO, aperture, and shutter speed forms the exposure triangle, which determines the brightness, sharpness, and overall quality of your photos.
We’ve covered what ISO is which determines the sensitivity of the sensor to light — so what are aperture and shutter speed?
Aperture refers to the size of the camera’s aperture opening, which controls the amount of light that enters the camera. Shutter speed, on the other hand, determines the length of time that the camera’s sensor is exposed to light.
All three components work together to affect the exposure of an image. They are all used to balance the exposure out. So in the case of ISO, it will act as a tool to balance the exposure in shooting situations where aperture and shutter speed alone may not provide the desired exposure results.
For example, in a low-light situation where using a wider aperture such as f/1.8 or f/2.4 or a longer shutter speed such as under 1/100 would result in a blurred image, increasing the ISO could help achieve a properly exposed photo without sacrificing image quality.
Conversely, in a bright outdoor situation where you may need to use a narrow aperture (higher f-stop number) or faster shutter speed to control the amount of light entering the camera, then lowering the ISO could help prevent overexposure and maintain image quality.
It’s important to understand that changing the ISO can affect the exposure of the image, but can also impact the image quality and noise levels as well which I’ll touch on later. Therefore, finding the right balance between ISO, aperture, and shutter speed is crucial in achieving your desired exposure while also maintaining good image quality.
As a photographer, experimenting with different combinations of ISO, aperture, and shutter speed in different shooting conditions can help you understand how they work together and how to use them effectively to achieve the desired exposure and image quality for your photos.
Let’s take a look at some more scenarios in order to get a better understanding of how ISO works alongside aperture and shutter speed within the exposure triangle:
Low-Light Indoor Portraits:
If photographing a low-light indoor portrait, here is what your ISO, aperture, and shutter speed could look like:
- Higher ISO: If you’re shooting indoors with limited available light, you may need to increase your ISO to a higher value (e.g., ISO 1600 or higher) to make the image brighter and capture enough light for a properly exposed portrait. However, keep in mind that higher ISO values can introduce more noise or grain in the image.
- Wider aperture: A wider aperture (e.g., f/1.8 or wider) can help you capture more light and achieve a shallow depth of field, which can create a nice bokeh effect and isolate your subject from the background.
- Slower shutter speed: To compensate for the low light, you may need to use a slower shutter speed (e.g., 1/60s or slower) to allow more light to reach the camera sensor. However, you’ll need to use a tripod or stabilize your camera to avoid camera shake.
Bright Outdoor Landscapes
If photographing a bright outdoor landscape, here is what your ISO, aperture, and shutter speed could look like:
- Lower ISO: In a bright outdoor setting, you may need to lower your ISO to a lower value (e.g., ISO 100 or lower) to avoid overexposure and maintain good image quality.
- Narrower aperture: A narrower aperture (e.g., f/11 or smaller) can help you control the amount of light entering the camera and achieve a larger depth of field, which is often desired in landscape photography to keep the entire scene in focus.
- Faster shutter speed: To prevent overexposure and maintain proper exposure, you may need to use a faster shutter speed (e.g., 1/250s or faster) to limit the amount of light reaching the camera sensor.
Action Sports Photographs
- Higher ISO: When capturing fast-moving subjects in action sports, you may need to increase your ISO to a higher value (e.g., ISO 800 or higher) to use a faster shutter speed and freeze the motion.
- Wide aperture: A wide aperture (e.g., f/2.8 or wider) can help you achieve a faster shutter speed and freeze the action by allowing more light to enter the camera and reach the sensor.
- Fast shutter speed: To capture fast action without motion blur, you’ll need to use a fast shutter speed (e.g., 1/1000s or faster) to freeze the motion and get sharp images.
Now that we’ve covered how ISO plays its part in the exposure triangle, let’s take a look at all the ways ISO affects a photo.
How Does ISO Affect a Photo?
ISO affects your photo in three main ways. Let’s take a look at how ISO affects your photos:
The first way ISO affects your photos is through the overall exposure of your image. As we’ve touched on in the previous section, ISO is one of the three components in the exposure triangle.
When you increase the ISO, you are essentially making your camera’s sensor more sensitive to light, allowing your camera to capture more light and produce a brighter image. Conversely, lowering the ISO number makes the camera sensor less sensitive to light, resulting in a darker image.
This means that if you are photographing in a situation where there is not much light such as at night or in an indoor situation, then increasing the ISO can be beneficial as it will allow you to capture a properly exposed image without having to rely on a longer shutter speed or wider aperture.
On the other hand, if you’re photographing a bright outdoor situation, you may want to use a lower ISO setting so you don’t have a blown-out, overexposed image.
2. Image Quality
The second way ISO affects your photos is through image quality.
When I first started using ISO, I made the mistake of cranking it up to the highest value, thinking it would make my photos brighter. But I soon realized that higher ISO settings can introduce unwanted noise or grain in photos, resulting in decreased image quality.
On the other hand, using a lower ISO setting in low-light situations can result in underexposed images. It was clear that I needed to strike the right balance with ISO to achieve the best results.
As a photographer, it’s important to be mindful of the trade-off between higher ISO settings for brighter exposures and potential noise in your images.
I recommend practicing and familiarizing yourself with your camera’s ISO performance to understand its limitations so that when you’re out on a photo shoot, you have a general idea of what ISO to use without getting grain or noise.
And one thing I had to come to grips with as a photographer is that if your camera can’t handle high ISO well and you like to shoot in dark or low-light situations such as nightclubs or concert venues, then you either need to get a better camera that handles higher ISOs better without producing noise or find a light source in your current low-light setting.
3. Noise or Grain
The third way ISO affects your photos is through the addition of noise or grain.
We’ve already been discussing noise or grain which is a byproduct of taking an image with very high ISO, but I wanted to dive into it a bit more so you understand.
The presence of noise or grain in an image can be a creative choice or a distraction, depending on the type of photography you’re doing and the desired aesthetic.
Some photographers like to take a perfectly sharp image and then add artificial grain in post-production to give it that film/vintage look.
Some photographers also intentionally use a higher ISO setting to achieve a grainy or gritty look in their photos to add some moodiness or nostalgia to the image.
This is perfectly fine when you’re taking a photo for your own pleasure whether it’s a street photograph, portrait, landscape, etc. In fact, I’d recommend trying this out just so you can further explore your own camera’s ISO limitations and what the noise/grain will look like at different ISO values.
On the other hand, if you’re taking a portrait or wedding photo for a client, then you will want to capture a more professional, fine-detail, smooth-tone image. In this case, a higher ISO setting for creative effects may not be desirable as it can affect the overall image quality.
Common ISO Values
Before diving into knowing what ISO to use, let’s cover some common ISO values you should know in order to understand the ISO ranges:
Watch the video covering this section of the guide:
Low ISO values typically range from ISO 100-200.
You will usually use low ISO values when you are in a well-lit situation such as outdoors during the day time or in an indoor or studio setting where there is ample lighting.
Low ISO values will produce very minimal to essentially no noise or grain in the image creating a high image quality with sharp details.
Moderate ISO values typically range from ISO 400-800.
You will usually use moderate ISO values when you are in a situation where the lighting is less ideal such as when you are indoors or in a studio with moderate to low lighting. If you are outside, then times during dusk or dawn are when you will most likely need to use moderate ISO values.
Moderate ISO values provide a good balance between image quality and sensitivity to light allowing for good image quality while still managing noise or grain levels.
High ISO values typically range from ISO 1600-3200.
You will usually use high ISO values when in a low-light situation or when photographing a fast-moving subject such as someone sprinting, a car, or an animal — where a higher sensitivity to light is needed.
High ISO values introduce more noise or grain into the image but the amount depends on the type of camera you have and how it handles high ISO values.
Depending on your camera’s ability to handle high ISO values, you may see a degradation in image quality, reduced sharpness, or an impact on overall color accuracy.
How to Know What ISO to Use?
Now that we know the fundamentals of ISO, let’s take a closer look at how to know what ISO to use based on your current shooting situation.
Watch the video covering this section of the guide:
1. Assess the Available Lighting
The first step in order to figure out what ISO to use is to assess the available lighting in your current environment.
If you are in a bright or well-lit environment such as a studio setting with lots of light or outdoors on a sunny day, then you’ll want to use a lower ISO value to achieve optimal image quality.
Conversely, if you are in a dark environment such as photographing in a nightclub, concert, or dimly lit venue, then you may want to use a higher ISO value.
2. Consider the Desired Image Quality
The second step in order to figure out what ISO to use is to consider the desired image quality you want to achieve.
As mentioned, lower ISO values will produce images with less noise or grain and vice versa when using higher ISO values.
You will need to consider the trade-off between the need for more light sensitivity and the desired image quality for your specific photograph.
If you are photographing for client work, then you may not want to take that higher ISO shot with lots of grain as the client may be upset with the image quality. If you are photographing to just experiment and practice, then go for it, and in fact, I recommend it so you can see how your camera handles it.
3. Consider Your Subject and Creative Intent
The third step in order to figure out what ISO to use is to consider your subject and the creative intent you want with your image as this will influence which ISO setting you will use.
For example, if you’re photographing a fast-moving subject and need to “freeze the action,” you will need to use a very fast shutter speed which will call for a higher ISO value.
On the other hand, if you are photographing a subject that is not moving such as with landscapes, portraits, products, or headshots, you will have more flexibility to use a lower ISO value.
4. Test and Experiment With Your Camera
The fourth step in order to figure out what ISO you should use is to test and experiment with your camera.
As mentioned earlier, every camera performs differently at different ISO values so it’s crucial that you test and experiment with your camera to understand its ISO performance in terms of boundaries.
Take sample shots at different ISO settings so you can review the results and see how the noise or grain levels vary and how they impact image quality.
This will help you become familiar with your camera’s ISO capabilities and allow you to make quicker, more informed decisions on what ISO to use in different photography scenarios.
5. Practice and Experience
The fifth and final step in order to know what ISO to use is to practice, practice, practice.
The more you photograph in different lighting conditions and experiment with different ISO settings, then the better you will become at intuitively knowing what ISO to use for any given situation.
With more and more experience, you will develop a better understanding of your camera’s ISO performance and what ISO values you can push it to.
You’ll also be able to assess a setting quicker in terms of knowing what ISO to use.
All-in-all, you can think of these five steps as a loop where you consider the current lighting situation, desired image quality, and subject, and then you pick an ISO number, see how it looks, and then try another number until you are happy with the results and you keep practicing this.
Over time, your photographic eye and knowledge of your camera’s ISO values will allow you to walk into a scene and be able to know (if not be very close) to knowing what ISO value is needed without needing to test it.
Now that we’ve covered the steps, let’s dive into additional tips you should know when using ISO in photography.
Tips for Using ISO in Photography
Here are some practical tips I use that you should start using when it comes to ISO in photography:
Watch the video covering this section of this guide:
1. Use the Lowest ISO Possible
The first tip is to use the lowest ISO possible as this will allow you to achieve the desired exposure.
Lower ISO values generally produce images with less noise or grain and higher image quality. With that being said, I recommend starting with the lowest ISO setting and only increasing it when necessary.
2. Balance ISO With Other Exposure Settings
The second tip is to balance your ISO with other exposure settings.
As we’ve touched on at the beginning of this guide, ISO is a part of the exposure triangle along with shutter speed and aperture.
With that being said, when adjusting ISO, consider how it will interact with your shutter speed and aperture based on your desired image results.
For example, if you increase the ISO to capture more light, you may need to adjust your shutter speed or aperture to maintain proper exposure — but it may throw off another creative choice you had in mind such as a blurred background with a wider aperture. So overall, it’s important to balance all three of these elements of the exposure triangle.
3. Leverage Your Camera’s Light Meter
The third tip is to leverage your camera’s light meter which is built into most cameras.
Your camera’s light meter measures the amount of light in the scene and provides feedback on the exposure settings.
With that being said, when using ISO, it’s important to check and use your camera’s light meter to ensure proper exposure and adjust the different elements in the exposure triangle to ensure your indicator on the light meter still shows that your image is well-exposed.
4. Consider a Tripod or Image Stabilization
The fourth tip when using ISO is to consider a tripod or propping your camera on something to stabilize it in situations where you need to use a higher ISO to capture enough light but want to minimize noise.
Doing this can help reduce camera shake which can contribute to increased noise in images and will allow you to lower the shutter speed in case you have a high ISO but still need more exposure.
5. Post-Process for Noise Reduction
The fifth tip is to post-process for noise reduction.
If you do end up with noise or grain in your images, consider using noise reduction techniques in post-production to help minimize the noise and improve your overall image quality.
There are various post-processing software and tools for you to use. For example, Adobe Photoshop and Lightroom have built-in tools to reduce the noise in the image, which I’ll be touching on a bit more later.
Now that we’ve touched on some of the tips you should use, let’s touch on the difference between using ISO in digital and film photography so you know the difference.
ISO in Digital Photography
ISO in digital photography is what most of this guide was covering.
To recap, ISO in digital photography refers to the sensitivity of the camera’s image sensor to light and is an important setting that allows you to adapt to different lighting conditions.
Understanding how ISO works in digital photography and how it can impact image quality can help you effectively use ISO to achieve desired exposure and produce high-quality images in various shooting situations.
ISO in Film Photography
ISO in film photography is different than digital photography.
When you use a film camera, you need to purchase film and there are many different types of film each with its own ISO rating.
Unlike digital photography where ISO can be adjusted on the camera, in film photography, the ISO is determined in the film itself.
Once a roll of film is loaded into the camera, the ISO of the film cannot be changed until the roll is finished and a new roll is loaded.
Film comes in various ISO ratings, such as ISO 100, ISO 200, ISO 400, ISO 800, and so on. These ISO ratings are similar to the ISO values we touched on based on the different shooting scenarios.
Lower ISO films, such as ISO 100 or ISO 200, are typically used for bright, well-lit situations, while higher ISO films, such as ISO 400 or above, are used for low-light or dimly-lit environments where more sensitivity to light is needed.
When it comes to the grain and noise levels, it will be apparent in higher ISO levels — which we’ve already covered.
Since using film cameras these days is mostly to achieve that vintage vibe and aesthetic look, some photographers intentionally use high ISO films to create a specific look or mood in their photos while other prefer the lower ISO films for the fine grain and sharpness. It’s up to you at the end of the day.
Creative Use of ISO in Photography
As I gained experience, I learned how to leverage ISO creatively. I experimented with different ISO settings to capture unique effects, such as using a higher ISO for a gritty, film-like look or a lower ISO for a long exposure to create a dreamy motion blur. ISO became my ally in capturing stunning portraits in various lighting conditions, from bright sunny days to dimly lit indoor settings.
With time and practice, I realized that ISO was not just a technical setting but a powerful tool that allowed me to achieve my creative vision. It gave me the flexibility to adapt to different lighting conditions, control image quality, and create unique visual effects in my portraits.
We’ve already touched on some of these, but let’s take a look at the way you can use ISO creatively in your photography:
1. High ISO for Intentional Grain
As mentioned, higher ISO values will introduce noise and grain into the image, which can either be a nuisance or be used to creatively add a vintage or gritty look to your images.
This can be particularly desired in street photography, urban landscapes, or moody portraits where you are going for a grainy aesthetic.
2. High ISO and Fast Shutter Speed
If you are photographing moving at a really fast speed and want to capture that “freeze frame” look, then you will have to use a fast shutter speed.
If you want to use a really fast shutter speed, you will need more light so you will have to use a higher ISO (depending on the lighting situation of course).
3. Low ISO and Slow Shutter Speed
If you are photographing something moving and want to capture that motion blur effect such as a waterfall or light trail, then you will have to use a slow shutter speed.
If you want to use a slow shutter speed, then this means lots of light will enter the camera sensor which will require you to use a lower ISO number.
In summary, there are many unique and artistic choices that you can implement with ISO and the rest of the exposure triangle, but these are my favorite.
I recommend playing around with the different combinations to find what interests you creatively.
Fixing ISO in Post-Production
In some cases, you may find that your photos have noise or grain in them due to a higher ISO setting used.
Fortunately, there are ways you can help recover some if not most of the image quality in post-production:
1. Noise Reduction Tool
Many popular post-production tools such as from the Adobe Suite of products like Adobe Photoshop or Lightroom have built-in noise reduction sliders.
Simply slide the slider to the left to reduce the amount of noise in your images.
The only downside with this is that it tends to “smooth out” the image making it less sharp. So if you have large amounts of noise in the image you’re trying to get rid of, then you may end up with a smooth image.
2. Selective Sharpening
Selective sharpening is another approach to fixing ISO noise in post-production and can be a useful technique after the previous one described.
As mentioned, using noise reduction tools in the software can often smoothen out the image.
With that being said, you can apply selective sharpening with the Sharpening Tools to the areas that need it to help restore some detail and clarity back.
3. Localized Adjustment Tools
Many photo editing softwares have localized adjustment tools in the form of brushes or masks.
Instead of taking a blanket approach to the noise reduction tool and using it on the whole image, you can selectively apply adjustments to the specific areas of the image and then reduce the noise on those specific parts.
For example, if you have a person in the photograph, you can apply a mask on them and only reduce the noise on them.
Overall, it’s important to strike a balance between noise reduction and retaining image details.
Overall, I hope you took away something valuable from the guide on ISO in photography.
The best way to learn ISO is to just go out and start paying attention to ISO and how the other components of the exposure triangle affect the exposure during different lighting situations.
After some practice, you’ll be able to approach a scene and know which ISO you should use automatically based on your previous experiences. So go out there, use that ISO, and happy photographing!
Frequently Asked Questions
What is the difference between ISO 400 and 800?
ISO 400 and ISO 800 are both higher ISO settings compared to lower ISO values, such as ISO 100 or 200. The main difference between ISO 400 and ISO 800 is that ISO 800 is one stop higher than ISO 400, meaning it is twice as sensitive to light, allowing for faster shutter speeds or smaller apertures in low light conditions. However, higher ISO settings like ISO 800 may also introduce more noise or grain in the image compared to ISO 400, so it’s important to balance the need for increased sensitivity with the potential for decreased image quality.
What is the best ISO for sports photography?
The best ISO for sports photography depends on various factors, such as the lighting conditions, the speed of the action, and the capabilities of your camera. In general, using a higher ISO, such as ISO 800 or above, can help you achieve faster shutter speeds to freeze fast-moving subjects and capture action shots with minimal motion blur, but it may also introduce more noise in the image. It’s recommended to test different ISO settings in the specific sports photography conditions you’re shooting in to find the optimal balance between sensitivity and image quality for your specific camera and situation.
What is ISO sensitivity in photography?
ISO sensitivity in photography refers to the camera’s ability to capture and process light in different lighting conditions. It determines the camera’s sensitivity to light, with higher ISO values making the camera more sensitive to light and lower ISO values making it less sensitive. ISO sensitivity is an important setting that allows photographers to adjust the exposure and image quality based on the available light in a scene, and it plays a crucial role in achieving properly exposed and noise-free images.
What is the best ISO for outdoor photography?
The best ISO for outdoor photography depends on various factors, including the lighting conditions, the desired image quality, and the capabilities of your camera. In general, using the lowest native ISO of your camera, such as ISO 100 or 200, is recommended for outdoor photography in bright, well-lit conditions to achieve the best image quality with minimal noise. However, you may need to increase the ISO in low-light situations to maintain proper exposure, and finding the optimal ISO setting for your specific camera and shooting conditions may require some experimentation and testing.
What is the best ISO for night photography?
The best ISO for night photography depends on various factors, including the amount of available light, the desired level of noise in the image, and the capabilities of your camera. In general, using a higher ISO, such as ISO 800 or above, may be necessary for night photography to capture enough light and maintain proper exposure, but it may introduce more noise in the image. It’s recommended to test different ISO settings in the specific night photography conditions you’re shooting in to find the optimal balance between sensitivity and image quality for your specific camera and situation.
Nate Torres is a portrait photographer based in Southern California and is also a photography author for Photofocus.com. When he is not photographing clients he is creating educational photography content that he publishes on his website as well as his YouTube Channel. He is also the founder of Imaginated.com, a search engine of educational creators. Learn more about me here → https://www.natetorresphotography.com/about/

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Cooking - Kitchen - Recipe Tips...
* When using fresh herbs such as dill, chives, parsley,
hold them together in small bunches and snip with kitchen
scissors. It is a lot faster this way, and you'll find the
herbs will be light and fluffy, not bruised and wet as they
often get when chopped.
Formal Table Setting:
Generally, the more formal the occasion, the more courses
which of course means more flatware. There should be a
different set of
utensils for each course: salad fork, dinner fork; dinner
bread knife; and so on.
Some special dishes such as oysters have special utensils.
be served at the presentation of the food, but generally
on the table in order of course. When oysters are served as
for example, set the oyster fork to the right of the spoon.
Building from the basic set-up (dinner fork on the left
of the plate;
knife to the right of the plate, dinner spoon to the right
of the knife):
On the left side of the plate put the salad fork to the
left of the
dinner fork. On the right add a soup spoon to the outside
of the dinner
spoon if soup will be served. Place the soup bowl above the
and to the right. The bread plate goes to the left, about
above the fork. Place the butter knife across the bread
plate at a
diagonal, upper left to lower right. Small salad plates go
left and a little below the bread plate. Dessert spoons, or
cases knife and fork, are placed about an inch above the
top of the
plate with the handle(s) on the right side.
The largest glass on the table is the water glass which
goes on the
right side above the dinner knife. It may be filled and
guests arrive or left empty to be filled at each diner's
If wine or some other beverage is served, set the
to the right and a little down from the water glass.

domain: food


Recent task order supports more than $1 million in annual energy savings
RESTON, Va.–(BUSINESS WIRE)–Siemens Government Technologies (SGT), Inc. – the federally-focused U.S. arm of technology powerhouse Siemens – is expanding critical energy efficiency and resiliency work at Corpus Christi Army Depot (CCAD) in Texas. Using a budget neutral financed task order awarded by the Army Corps of Engineers’ Engineering and Support Center, Huntsville, the new $17.1 million task order will advance Army efficiency and resiliency goals for its premier rotary wing and repair facility.
Siemens’ support of CCAD with energy savings and resiliency projects extends back to 2015. Thanks to close coordination with Army project engineers, critical infrastructure upgrades have been scoped to return the greatest energy savings at the lowest possible cost to the government. By leveraging energy savings performance contracts – where energy efficiency projects are fully financed with minimal upfront cost – Siemens has been able to provide more than $93 million of energy conservation measures paid for by the reduction in baseline utility costs over the full contract term.
The specific scope of the current task order is focused across seven buildings totaling more than 1.5 million square feet. The SGT-led project team will replace existing stream traps, install point-of-use pressure washers to reduce single pass steam, replace hot water boilers with high efficiency boilers, and replace hot water pumps with high efficiency variable volume pumps. Air-cooled chillers will be replaced with high-efficiency chillers, and new local controls will support remote monitoring and alarming capabilities for more efficient operation. HVAC upgrades will include replacement of failed equipment, improved occupancy comfort with redesigned zoning, enhanced system efficiency with larger volumes of return air and time-of-day scheduling to support tighter temperature and air flow control; all contributing to lower operating & maintenance costs. Lighting improvements will include the replacement and retrofit of existing interior and exterior fixtures with LED technology. A core area of expertise for Siemens is industrial automation, and the project team will expand existing SCADA systems to monitor and control existing furnaces and freezers, and install a new SCADA system, to further reduce overall parts scrap rate, labor and cycle time.
“We’ve been fortunate to serve CCAD with essential smart infrastructure and energy efficient systems that support their national security mission,” said John Ustica, Interim CEO of Siemens Government Technologies. “By providing these critical upgrades that expand overall efficiency for smart energy management, the Army CCAD team can maintain its focus on their core mission of critical repair and refurbishment of rotary wing assets here at home and around the world.”
About Siemens Government Technologies
Siemens Government Technologies is the wholly owned, cleared U.S. subsidiary of Siemens Corporation whose mission it is to secure and modernize the largest infrastructure in the world, the U.S. Federal Government. It does so by being the leading integrator of Siemens’ innovative products, technologies, software and services in the areas of digital engineering and modeling, efficient and resilient energy solutions, and smart infrastructure modernization.
Contact for Journalists


text:
Maison Kitsuné Spring/Summer 2013 Collection Lookbook
Maison Kitsuné presents a new lookbook featuring their Spring/Summer 2013 Collection. Entitled Postcard, the lookbook is shot at the iconic Chateau Marmont by renowned rock ‘n’ roll photographer Brad Elterman and includes the brand’s men’s and women’s collections. Art directed by André Saraiva, aka André, the lookbook also gives us a quick peek at the upcoming Oliver Peoples x Maison Kitsune sunglasses set to be released this season. The models are Chelsea Schuchman and Braydon Szafranski.
November 6, 2013
October 17, 2013
September 25, 2013
August 30, 2013


Find myself checking these out every so often. Looks like S&W has made them for a while in several models and calibers. Anyone have one in the .44 mag. and if so, what has been your experience with it? Thanks
Only ever had one , stainless 4 inch.
it is either junk , or i just got unlucky and got a lemon.
Alot of send backs due to internal parts breaking.
I would like to think Smith made these guns good as they have with their other wheelguns.
So mine was probably just a lemon.But I just had to have the "mountain gun" logo on it.
Have one and love it. Originally bought it used with a ported barrel, was WAY too loud! Smtih sold me a replacement barrel, local smith put it on, jumps a little more now, but easily managed. Been shooting 260gr cast bullets, thinking of trying the new Barnes bullets out it this fall
I have a 4'' 629 mountain gun. I like it a lot. The mix of light weight and strong frame makes it great. A 44 mag any lighter is a mess to shoot, the ultralights are way too much to handle in the recoil area. they are good for carry but not to shoot. the mountain gun is a good compromise. you always lose accuracy when the sight plane is reduced. I can shoot my 7 1/2'' super black hawk a lot better then the 4'' mountain gun. If you want a big caliber lightweight gun that is still comfortable to shoot, get one. One thing I did to customize it a bit and tame the recoil was to put a set of X frame grips on it. they cover the back of the grip so there is no metal in your hand. the padded grip really helps the recoil.
If you are looking for a lightweight Carry gun. To back you up when hunting, and doing woods walks. Plus you are looking for something that can easily do double duty as a hunting revolver. Then take a good look at the S&W 329PD. I really like mine. it is capable of shooting bricks at 50 yards off handed. I cast my own 240 grain lead bullet for mine. I load it down to 850 fps for a practice load with 2400 powder. But I also load it up hot with 20.0 grains of 2400 for a carry load. The revolver is so light that you do not even know it is there.
Yes recoil is stout with the full loads. But I do all my shooting with 44 Special loads. And shoot very little of the high power loads. This is the last handgun that I would sell if I had to sell my handguns.
I use mine on doe hunts here in WV. And have shot several deer with the revolver. Tom.
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text:
When the 85th annual Academy Awards is held on Sunday, February 24, the fortunate stars who hear their names announced after “And the winner is …” will have a stylish, elegant lounge to relish their victory in backstage thanks to Los Angeles designer Madeline Stuart.
Billed as the Architectural Digest Greenroom, the room will be an Art Deco–style space inspired by 1930s-Hollywood glamour and, in particular, legendary art director and set designer Cedric Gibbons, who most notably designed the coveted Oscar statuettes.
Stuart tells Architectural Digest, “My goal was to create a space where contemporary stars wouldn’t be surprised to bump into Cary Grant or Katharine Hepburn.”
Stuart, who ranks among Architectural Digest’s AD100 and was named by Elle Décor as one of the leading 25 designers in the country, is the daughter of director Mel Stuart, known best for the 1971 classic film Willy Wonka & the Chocolate Factory. A leading member of the Los Angeles design community, Stuart is no stranger to designing for Hollywood’s elite as well as clientele from the world of business and finance.
More on the AD Greenroom at ArchitecturalDigest.com.


text:
CHICAGO — So Mr. Langer will build affordable housing in Uptown for the people who deserve it. But what about the people he may feel do not deserve it? What about the Read zone outpatients? Where is the next neighborhood into which we will dump our mentally ill, or does Mr. Langer think these people will vanish once he starts developing?
I would like to see Mr. Langer develop in Uptown as much as anyone, but not before some basic questions about some very vulnerable and dependent people have been answered satisfactorily.


text:
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Interesting stories about animals from real life
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A small puppy was left abandoned in the box outside of the supermarket. The puppy was crying in need of help
A small dog was seen in front of supermarket.
Τhe Μother Cow Ρlays “Adoptive Μother,” Feeding Seven Οrp.haned Ρuppies
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These scred animals need support and love in Ukraine.
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IQ. Can You Find the Hidden 8 In This Image Within 20 Seconds?
Some images do not always depict what they appear to be.

domain: pet


text:
Jansen Classic Hi Vis Shirts are manufactured in 100% polyester for durability with 160gsm micro mesh fabric that can be supplied in your choice of eight different colours. These safety shirts are a polo style design to help keep you cool and dry throughout your working day in an easy care fabric that is quick drying.
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- Material: 100% Polyester
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- Easy Care Fabric
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- Fit: Classic
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domain: design


text:
Intraoperative optical identification of pituitary adenomas
- 357 Downloads
Introduction The main goals of transsphenoidal pituitary surgery are total removal of pituitary adenomas (PAs) and preservation of normal pituitary functions. Achieving these goals is dependant upon the precise localisation of PAs during surgery, particularly secreting microadenomas. However, some microadenomas are invisible on preoperative imaging and during surgery, leading some surgeons to perform total hypophysectomy in many patients to achieve cure at the expense of panhypopituitrism. We have examined optical detection systems to identify PAs intraoperatively. This paper reports our preliminary findings. Methods A prospective observational study design. Technique Patients were given 20 mg/kg body weight 5-aminolevulinic acid (ALA) mixed in 30 ml of orange juice, orally 3 h before surgery. Surgery was performed in the supine position, under image guidance, through the right nostril using Storz 0 degree endoscope assisted with microsurgery as required. The endoscope was attached to photodiagnostic filters (PD) allowing switching the light from white to blue at the flick of a foot pedal. After the dura of the floor of the sella was incised a laser probe was inserted into the pituitary gland to identify the ALA-induced protoporphyrin IX spectroscopy at 632 nm, using an optical biopsy system (OBS). Once the adenoma was identified by the OBS it was exposed and examined by the PD system to detect fluorescence. The PA was removed and its type was confirmed by histopathology and correlated to the OBS and PD system findings. Patients Thirty consecutive patients were studied: 14 were non-functioning macroadenomas (NFA), 12 were secreting PAs and 4 pituitary cysts. The secreting PAs were GH (2), ACTH (3), prolactin (2) and gonadotrophins (5). Six were microadenomas (3 ACTH, 1 GH, 2 prolactin) and 20 were macroadenomas, of which 12 were invading macroadenomas. Twenty-four of these were examined by the OBS and the PD systems and six were examined by the PD system only. The true positive (sensitivity) of the PD and OBS systems were 80.8% (21/26) and 95.5% (21/22) respectively. The true negative (specificity) of PD and OBS were 75% (3/4) and 100% (2/2) respectively. The false negative rate of PD was 19.2% (5/26) and for OBS was 4.5% (1/22), while the false positive rate for PD was 25% (1/4) and for OBS was 0. Conclusion Intraoperative optical identification of pituitary adenomas is a feasible and reliable way to localize pituitary adenomas during transsphenoidal surgery and it may lead to improved cure rate and preservation of normal pituitary functions.
KeywordsAdenoma Acromegaly Cushing’s disease Localization Photodiagnosis Pituitary
We would like to acknowledge the financial support of Barbara Stewart Cancer Trust and the staff in the Photobiology, Neurosurgical theatre, Ms Carol Goodman, Myles Padgett, Martin O’Dwyer and our patients who agreed to participate in this study.
- 5.Ebersold MJ, Quast LM, Laws ER Jr, Scheithauer B, Randall RV (1984) Long-term results in transsphenoidal removal of nonfunctioning pituitary adenomas. J Neurosurg 64:713–719Google Scholar
- 12.Manipalam TJ, Tyrell JB, Wilson CB (1988) Transsphenoidal microsurgery for Cushing’s disease: a report of 216 cases. Ann Intern Med 109:487–493Google Scholar
- 13.Buchfelder M, Fahlbusch R, Schott W, Honegger J (1991) Long-term follow-up results in hormonally active pituitary adenomas after primary successful transsphenoidal surgery. Acta Neurochir Suppl (Wien) 53:72–76Google Scholar
- 18.Schulte HM, Allolio B, Günther RW, Benker G, Winkelmann W, Ohnhaus EE, Reinwein D (1988) Selective bilateral and simultaneous catheterization of the inferior petrosal sinus: CRF stimulates prolactin secretion from ACTH-producing microadenomas in Cushing’s disease. Clin Endocrinol (Oxf) 28:289–295. doi: 10.1111/j.1365-2265.1988.tb01215.x CrossRefGoogle Scholar
- 19.Kaltsas GA, Giannulis MG, Newell-Price JD, Trainer PJ, Besser GM, Grossman AB (1999) A critical analysis of the value of simultaneous inferior petrosal sinus sampling in Cushing’s disease and the occult ectopic adrenocorticotropin syndrome. J Clin Endocrinol Metab 84:487–492. doi: 10.1210/jc.84.2.487 PubMedCrossRefGoogle Scholar
- 20.Booth GL, Redelmeier DA, Grosma H, Kovac K, Smyth HS, Ezzat S (1998) Improved diagnostic accuracy of inferior petrosal sinus sampling over imaging for localizing pituitary pathology in patients with Cushing’s disease. J Clin Endocrinol Metab 83:2291–2295. doi: 10.1210/jc.83.7.2291 PubMedCrossRefGoogle Scholar
- 22.Watson JC, Shawker H, Nieman LK, De Vroom HL, Doppman JL, Oildfield EH (1998) Localization of pituitary adenomas by using intraoperative ultrasound in patients with Cushing’s disease and no demonstrable pituitary tumor on magnetic resonance imaging. J Neurosurg 89:927–932PubMedCrossRefGoogle Scholar
- 24.Lefournier V, Gatta B, Martinie M, Vasdev A, Tabarin A, Bessou P, Berge J, Bachelot I, Chabre O (1999) One transient neurological complication (sixth nerve palsy) in 166 consecutive inferior petrosal sinus samplings for the etiological diagnosis of Cushing’s syndrome. J Clin Endocrinol Metab 84:3401–3402. doi: 10.1210/jc.84.9.3401 PubMedCrossRefGoogle Scholar
- 29.Stummer W, Pitchimeier U, Meinel T, Wiestler OD, Zanella F, Reulen HJ (2006) Fluorescence-guided surgery with 5-aminolevulinic acid for resection of malignant glioma: a randomized controlled multicentre phase III trial. Lancet Oncol 7:392–401. doi: 10.1016/S1470-2045(06)70665-9 PubMedCrossRefGoogle Scholar

domain: medical


Ghanaian rap icon Sarkodie finally announces the release of his fifth studio album The Highest.
Consisting 18 songs, it features collaborations with continental heavyweights as Jesse jags, Jayso,Praiz, Victoria Kimani, Yung L, and Joey B.
The record, set for release on September 8, follows Makye (2009), Rapperholic (2012), Sarkology (2014), Mary (2015), as well as the joint album TMG with producer Jayso in 2013.
The BET laureate (born Michael Owusu Addo) has also lined up a series of dates in Europe and the US in honour of the album. Sarkodie is CEO of his independent imprint SarkCess Music, which is also home to singer Akwaboah, and fellow rap act Strongman.


text:
Made for long days in the summer sun, the new F-Dry short sleeve polo from ODLO is the ultimate summer polo. This specialised polo dries faster in hot weather conditions thanks to F-Dry Eyelet Effect material which employs a push-pull-effect that pulls moisture away from you and pushes it outward to be efficiently evaporated.
A regular fit flatters every shape and feels comfortable while allowing you to stretch and move in every way you need. Effect by ODLO treatment gives this garment anti-odour properties while high 30+ UV protection keeps you protected from the sun on the links or out on the trails.
Get modern fabric tech and classic style in one functional top with ODLO’s F-Dry short sleeve polo.


NIST has released a revision of Cybersecurity Supply Chain Risk Management Practices for Systems and Organizations (NIST Special Publication 800-161 Revision 1). This document updates guidance on identifying, assessing, and responding to cybersecurity risks throughout the supply chain at all levels of an organization. Among other things, it helps to fulfill NIST’s responsibilities under the 2021 Executive Order (EO) on Improving the Nation’s Cybersecurity which address increasing software security risks throughout the supply chain. That part of the revised publication, Appendix F, covers sections 4(c) and (d) of the EO and is available only on NIST’s EO website HERE.
The publication offers key practices for organizations to adopt as they develop their capability to manage cybersecurity risks within and across their supply chains. It also encourages organizations to consider the vulnerabilities not only of a finished product they are considering using, but also of its individual components — which may have been developed elsewhere — and the journey those components took to reach their destination. The development of this document follows two earlier draft revisions.


text:
Kitchen Pantry Cabinet Installation Guide
Kitchen Pantry Cabinet Installation GuideKitchen Freestanding CabinetPull Out Pantry For New And Existing Kitchen CabinetsRestorers Wood Pantry Cabinet PulloutKitchen Cabinet Rail System Ikea Rail System Hanging WallIKEA HackersPull Out Runners, For Bespoke Larder Units, Eku ForteBest 25+ Tall Pantry Cabinet Ideas On PinterestPantry Cabinet Home DepotKitchen Pantry Cabinets IkeaHampton Bay Kitchen Cabinets InstallationTall Pantry Cabinet : Homes By Ottoman55 Store Kitchen Design Inside, Six Of The Best HamptonsRockler Woodworking And Hardware1000+ Ideas About Kitchen Pantry Design On PinterestBuild A Freestanding PantryBase Utensil Pantry Pullout CabinetHAFELE PULL OUT PANTRY INSTALLATION INSTRUCTIONSBy Mid Continent CabinetryBuild A Pantry Part 1 (Pantry Cabinet Plans IncludedKitchen Cabinet Tall OrganizerSlim Pull Out Pantry Storage For Kitchen CabinetsRev-A-Shelf 51" Kitchen Pantry63 Best Images About Kitchen On PinterestInstant DIY Pantry CabinetKitchen Storage Pantry Cabinet18 Best Better Wood Storage Cabinets Images On Pinterest[USD 676.63] Custom Sideboard Cupboard Storage CabinetThe Do's And Don'ts Of Pantry DesignCottage Oak Solid Hardwood Pantry Cabinet Shelves Kitchen
Kitchen Pantry Cabinet Installation Guide. That is the way the way to produce the bench comfortable for seats. But in the event the kitchen pantry cabinet installation guide furniture has been used mainly to keep things like towel and stuff, be sure the storage space is broad enough.
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To address the issues associated with heat dissipation, LayerZero has developed a convection cooled exhaust system up to and including 1200 A. Why sweat the small stuff?
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text:
The Nigeria Centre for Disease Control (NCDC) has announced 626 new cases of COVID-19 on Tuesday, 31st of August 2021.
According to NCDC on its official website, the new infections were recorded in nine states and the federal capital territory (FCT).
Lagos recorded the highest number of infections with 335 cases, 134 in Rivers, and 60 in Oyo.
Other states which recorded infections are FCT (41), Osun (20), Plateau (14), Ogun (9), Ekiti (7), Kwara (6), and Benue (1).
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The agency also revealed that 14 persons died of the infection on Tuesday, bringing the COVID death toll in the country to 2,469.
The agency said 267 patients were discharged on Tuesday after recovering from the infection.
With this figure, a total of 178,759 patients have so far recovered from COVID-19 in Nigeria.
A total of 192,431 coronavirus cases have now been confirmed across the country.

domain: geography


text:
SECURITIES AND EXCHANGE COMMISSION
Washington, D.C. 20549
Pursuant to Section 13 or 15(d) of the
Securities Exchange Act of 1934
Date of Report (Date of Earliest Event Reported):
(Exact name of registrant as specified in its charter)
(State or other jurisdiction
(Address of principal executive offices)(Zip Code)
(Registrant’s telephone number, including area code)
(Former name or former address, if changed since last report)
Check the appropriate box below if the Form 8-K filing is intended to simultaneously satisfy the filing obligation of the registrant under any of the following provisions:
Written communications pursuant to Rule 425 under the Securities Act (17 CFR 230.425)
Soliciting material pursuant to Rule 14a-12 under the Exchange Act (17 CFR 240.14a-12)
Pre-commencement communications pursuant to Rule 14d-2(b) under the Exchange Act (17 CFR 240.14d-2(b))
Pre-commencement communications pursuant to Rule 13e-4(c) under the Exchange Act (17 CFR 240.13e-4(c))
Securities registered pursuant to Section 12(b) of the Act:
Title of each class
Name of each exchange
on which registered
Indicate by check mark whether the registrant is an emerging growth company as defined in Rule 405 of the Securities Act of 1933 (§230.405 of this chapter) or Rule 12b-2 of the Securities Exchange Act of 1934 (§240.12b-2 of this chapter).
If an emerging growth company, indicate by check mark if the registrant has elected not to use the extended transition period for complying with any new or revised financial accounting standards provided pursuant to Section 13(a) of the Exchange Act. ☐
Item 1.01 Entry Into a Material Definitive Agreement.
On January 20, 2023, Camber Energy, Inc. (the “Company”) entered into a Membership Interest Purchase Agreement (the “MIPA”) with RESC Renewables Holdings, LLC (the “Seller”) to acquire all of the membership interests (the “Acquired Interests”) of New Rise Renewables, LLC (“New Rise”). New Rise owns all of membership interests in New Rise Renewables Reno, LLC (“New Rise Reno” and, together with New Rise, the “Acquired Companies”). The Acquired Companies are in the process of constructing and bringing into commercial operations a processing plant located near Reno, Nevada, that is designed to produce renewable diesel (the “Plant”).
The purchase price (the “Purchase Price”) for the Acquired Interests is anticipated to be $750 million, less the amount of the outstanding liabilities and indebtedness of the Acquired Companies, which liabilities and indebtedness are estimated to be approximately $251 million, but subject to final determination and adjustment pursuant to the purchase price adjustment mechanism set forth in the MIPA.
The Purchase Price, subject to permitted adjustments, is to be paid at closing by delivery of a convertible promissory note (the “Note”) in favor of the Seller in the principal amount of the Purchase Price. Under the form of Note, the Company is required pay at least $100,000,000 of the principal amount of the Note no later than 30 days from the later of (1) the date the Plant is commercially operational and (2) the closing date. The form of Note requires the Company to make additional payments following the achievement of certain production and sale goals for renewable diesel produced by the Plant. Payments under the Note may be made in cash or conversions of principal balance into shares of common stock of the Company (“Common Shares”), subject to the 9.99% beneficial ownership limitation provided in the Note. The Note will be secured pursuant to a Security Agreement and Pledge (the “Security Agreement”), the form of which provides for a first lien perfected security interest in a portion of the membership interests in the Acquired Companies equaling the unpaid portion of the Note.
The MIPA also provides for the Company to make potential earnout payments to the Seller for the period the Note remains unpaid. The amount of earnout payments, if any, is determined by the amount of available cash calculated on a quarterly basis. The amount of available cash equals the positive net revenue of New Rise Reno reduced by reserves to cover costs and expenses or to comply with law or debt instruments relating to the Plant. If there is available cash for an earnout period, the Company will pay all or a portion of it to the Seller, as set out in the MIPA.
Each party’s obligation to complete the transactions contemplated by the MIPA is subject to certain conditions, including making filings and the time period expiring under the Hart-Scott-Rodino Act, Phillips 66 not exercising a right of first refusal to acquire the Plant, approval by the Board of Directors of the Company and its shareholders, agreement from the Company’s existing preferred shareholder to fix the number of underlying Common Shares associated with its remaining shares of Series C Convertible Preferred Stock of the Company at an amount agreed upon by such shareholder, the Company and the Seller, and consents by third parties. The obligations of the Company are further subject to the Company completing diligence on the Plant and Acquired Companies to its satisfaction, receiving an appraisal of the Plant to its satisfaction, the Plant achieving commercial operations, and certain other deliverables. Some of these conditions provide the Company with significant discretion. Other conditions require compliance by third parties that are outside of the control of the Company and Seller. Accordingly, the transactions described herein are subject to substantial risk of completion. In the event the transaction is not completed, it may result in a material adverse effect to price of the Common Shares.
The closing date of the acquisition of the Acquired Interests is to be no later than two business days after the last of the conditions to closing set out in the MIPA have been satisfied or waived (other than conditions which, by their nature, are to be satisfied on the closing date). If the closing has not occurred by May 31, 2023 or it becomes apparent that the closing conditions will not be obtained by such date, either party may terminate the agreement, unless such failure to satisfy the closing conditions is caused by such party. The Company is also entitled to terminate the MIPA during a 20 business day inspection period following the receipt by the Company of all diligence related to the Seller, the Acquired Companies and the Plant.
The MIPA contains customary representations, warranties, indemnification obligations and agreements of the Company and the Seller.
The foregoing descriptions of the MIPA, the Note and the Security Agreement do not purport to be complete and are qualified in their entirety by reference to the MIPA and the form of Note and the form of Security Agreement contained within the MIPA. A copy of the MIPA is filed as Exhibit 10.1 to this Current Report on Form 8-K and incorporated into this Item 1.01 by reference in its entirety. Because the Note and Security Agreement will be executed at closing, if closing is to occur, the actual terms of the Note and Security Agreement may differ from that described herein.
Certain statements contained in this Current Report on Form 8-K are forward-looking information within the meaning of Section 21E of the Securities Exchange Act of 1934, as amended, and Section 27A of the Securities Act of 1933, as amended. Any statements that are not historical facts contained herein are “forward-looking statements”, which statements may be identified by words such as “expects,” “plans,” “projects,” “will,” “would,” “may,” “anticipates,” “believes,” “should,” “intends,” “estimates,” and other words of similar meaning. Such forward-looking statements are subject to numerous risks and uncertainties, many of which are beyond the Company’s control, which could cause actual results to differ materially from the results expressed or implied by the statements. These risks and uncertainties include, but are not limited to, the timing to consummate the transactions contemplated by the MIPA; satisfaction of the conditions to closing may not be satisfied or that the closing of the transactions contemplated by the MIPA otherwise does not occur; the risk that a regulatory approval or third party consent that may be required for such transactions is not obtained or is obtained subject to conditions that are not anticipated; the diversion of management time on transaction-related issues; expected benefits from such transactions and the ability of the Company to realize such benefits; costs related to such transactions; changes in applicable laws or regulations; the possibility that the Company may be adversely affected by other economic, business, and/or competitive factors; the effect of the COVID-19 pandemic on the parties; risks and uncertainties related to the fluctuation of global economic conditions or economic conditions with respect to the oil and gas industry; the performance of management; actions of government regulators, third parties, vendors, and suppliers; ability to obtain financing; competition; and other factors that are detailed in the Company’s filings with the Securities and Exchange Commission. Any forward-looking statement speaks only as of the date on which such statement is made, and the Company undertakes no obligation to correct or update any forward-looking statement, whether as a result of new information, future events or otherwise, except as required by applicable law.
Item 9.01 Financial Statements and Exhibits.
Cover Page Interactive Data File (embedded within Inline XBRL document)
Pursuant to the requirements of the Securities Exchange Act of 1934, the registrant has duly caused this report to be signed on its behalf by the undersigned hereunto duly authorized.
CAMBER ENERGY, INC.
Dated: January 23, 2023
/s/ James A. Doris
Name: James A. Doris
Title: Chief Executive Officer

domain: finance


A computer network is used by almost all businesses, large and small. By using this network, most of our conversations, reports, and tasks are completed. Although a network is already given, many firms do not fully utilize the most current technological capabilities available. There are various advantages to using a virtual local area network (VLAN). With a VLAN, you may save IT expenditures while improving network security, performance, and administration.
What is VLAN?
If you want to know about a virtual private network (VLAN), it is beneficial first to comprehend a local area network (LAN). It is a set of computers linked together in a specific location (like an office). However, the two may share many of the same features as a LAN; VLANs enable computers and other devices to connect as if they were all part of the same broadcast domain.
Essentially, a VLAN serves as a mini network in a LAN. Managed LAN Services allow you to divide a massive network into smaller ones, which is quite helpful in an office network.
How Can VLANS Provide Network Security?
It does not mean that all VLAN-capable managed switches perform equally well in this respect. A switch in a VLAN-enabled network must do much more than just transfer packets across ports. Maintaining proper VLAN operation relies on the core backbone switches. Other than switching packets between VLANs and checking for network loops, one of these switches’ key roles is providing network security depending on the settings they are configured to do. Packets are prioritized by these switches depending on their origin and destination.
Most IT managers prefer to connect servers directly to the core-backbone switches rather than using access switches on their edge devices, such as personal computers, network peripherals, and even servers, on occasion. You cannot avoid complications if the core backbone switches and the edge switches are incompatible, and that’s how VLANs can provide network security.
Controllers with VLAN Connectivity
Access and trunk connections are two of the most prevalent types of connectivity in a VLAN. Very often, you’ll notice Access Links on a VLAN-capable switch. Network hosts utilize the switch’s Access Links to connect to the network. Standard connectors on each button may be used for these connections. A trunk link connects two VLAN-capable switches.
A Trunk Link, on the one hand, is permanently set to carry data from all available VLANs. On the other hand, an Access Link can only access a single VLAN at a time.
VLAN Strategic Approaches
While many administrators and IT managers are well-versed in VLAN technology and principles, this does not necessarily hold for the security of VLAN systems. The basic rule of VLAN security is to keep the network physically secure.
Any business concerned about the safety of its equipment must have stringent access controls. Data centers with limited access often house core switches, although edge switches are frequently found in open areas.
Multitasking without compromising quality, speed, or network availability is now possible – thanks to virtual local area networks (VLANs).
A VLAN may significantly minimize administrative burden if fundamental security standards are considered during initial setup and maintenance. It’s easy to overlook the relevance of the data link layer and Wired/Wireless LAN infrastructure consulting.
Frontom’s VLANs Network Security – Managed LAN Services
Frontom is a leading provider of managed network security services. We provide a full range of managed network security services to clients, from small- to large-scale networks. Our team has decades of experience designing and implementing wireless LAN infrastructure and providing network security services for enterprise networks that span the globe.
With Frontom’s global reach and expertise in deploying wireless LANs, we can provide our clients with tailored solutions for their needs. For more technology-oriented articles, visit our website.


FRONT-LOADING & BELL-LIFT KILNS
Front-loading kilns for smaller studios. Genesis touchscreen control with zone control.
Commercial grade front loading kilns with 5" of multi-layered insulation, welded case, elements on all sides. Genesis touchscreen control with zone control.
Even easier to load than a front-loading kiln. For industrial and high production ceramics and sculptors where loading is an issue. Sizes up to 100 cubic feet.


U.S. Customs officers seized over 14,000 pairs of counterfeit Nike shoes at an L.A.-area port this week, CNN reports.
The bogus shipment labeled as “napkins” arrived from China, and contained knock-offs of coveted special edition Air Jordan shoes, including Air Jordan 1 Off-White, Air Jordan 12, Air Jordan 1 in blue, black, red and white, Air Jordan 11 and Air Max ’97’s.
Officials say the real versions of the shoes can fetch as much as $2,000 a pair, and had the shoes been genuine, the seized goods could’ve been worth up to $2 million.
“Counterfeit brand-name shoes is a multi-million dollar criminal industry,” Port Director LaFonda Sutton-Burke said in a news release. “The trafficking of these items is extremely lucrative and becomes more profitable in markets involving successful and popular products.”


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The Long Run: Women and Retirement
For women, retirement strategy is a long race. It’s helpful to know the route.
Have A Question About This Topic?
Retiring early sounds like a dream come true, but it’s important to take a look at the cold, hard facts.
Roth 401(k) plans combine features of traditional 401(k) plans with those of a Roth IRA.
This calculator compares a hypothetical fixed annuity with an account where the interest is taxed each year.

domain: economics


Time to tame the APCHA monster
The Red Ant’s recent jeremiad against the Aspen City Council’s new clampdown on STRs (short-term rentals) and residential development seems written for the modern equivalent of the landed gentry of tsarist Russia. But even if your Aspen house isn’t your fourth or fifth and you don’t vote in Palm Beach, she makes a point that’s worth considering (“Aspen’s latest emergency ordinances first shot in class warfare,“ column by Elizabeth Milias, Dec. 19, The Aspen Times)
“Are we really going to build for the unlimited demand of people who simply want to live affordably in Aspen?” This isn’t just a snipe of the gratuitously entitled. It contains a useful insight — the demand for “affordable” housing in Aspen (and the rest of the valley) is unlimited.
Why? Because of induced demand. Widely misunderstood and misapplied, such as when invoked by opponents of fixing the Entrance to Aspen bottleneck, induced demand is the “build it and they will come” concept. No matter how much affordable housing is built in Aspen, or elsewhere in the Roaring Fork Valley, there will never be “enough.” The more we build, the more will come.
The irony is that, while intended to benefit the working poor, Aspen-Pitkin County Housing Authority housing is a benefit and indirect subsidy to the local employers whose business plans don’t include paying their employees enough to afford free-market housing unless they live 40 miles downvalley. APCHA residents are in effect just a pass-through for local business subsidies.
The real question Aspen faces is: “Are we really going to build for the unlimited demand of anyone who wants to live here, be they rich or poor?” Since local employers have relied for decades on a subsidized workforce and unending building/redevelopment opportunities, that’s going to be a tough discussion. But it’s a vital one, and it should include affordable housing.
Because building more affordable housing isn’t the solution. It’s part of the problem.
Support Local Journalism
Support Local Journalism
Readers around Aspen and Snowmass Village make the Aspen Times’ work possible. Your financial contribution supports our efforts to deliver quality, locally relevant journalism.
Now more than ever, your support is critical to help us keep our community informed about the evolving coronavirus pandemic and the impact it is having locally. Every contribution, however large or small, will make a difference.
Each donation will be used exclusively for the development and creation of increased news coverage.


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Directions to Marmara Istanbul Rest. (Riffa) with public transportation
The following transit lines have routes that pass near Marmara Istanbul Rest.
How to get to Marmara Istanbul Rest. by Bus?
Click on the Bus route to see step by step directions with maps, line arrival times and updated time schedules.
From Al-Jasra, Al Jasra
From Dynamics Business Solutions W.L.L (Bahrain), Manama
From North Sehla, Sehla
From Jidd Ali Road, Jid Ali
From Dar Building, Manama
From ميناء سلمان, Manama
From Isfahani Restaurant, Hamala
From مشويات حسن ابل, Isa Town
From Jidhafs Health Center, Jidhafs
From Ithmaar Bank Al Zinj Branch, Manama
Public Transportation to Marmara Istanbul Rest. in Riffa
Wondering how to get to Marmara Istanbul Rest. in Riffa, Bahrain? Moovit helps you find the best way to get to Marmara Istanbul Rest. with step-by-step directions from the nearest public transit station.
Moovit provides free maps and live directions to help you navigate through your city. View schedules, routes, timetables, and find out how long does it take to get to Marmara Istanbul Rest. in real time.
Looking for the nearest stop or station to Marmara Istanbul Rest.? Check out this list of stops closest to your destination: Ajirah Avenue-2/West Riffa.
Want to see if there’s another route that gets you there at an earlier time? Moovit helps you find alternative routes or times. Get directions from and directions to Marmara Istanbul Rest. easily from the Moovit App or Website.
We make riding to Marmara Istanbul Rest. easy, which is why over 720 million users, including users in Riffa, trust Moovit as the best app for public transit. You don’t need to download an individual bus app or train app, Moovit is your all-in-one transit app that helps you find the best bus time or train time available.


2020 Honda Fit Sport – The Japanese company has generated this moderate MPV. It is in fact by Honda Jazz/Fit, and a small number of the numerous type of this model are presented: 5 sitting, 7 seats, and 8 seats design. This motor vehicle is made up of characteristics solely in the market of engine in which we could think gasoline and hybrid model just as. In the first place, it will likely be launched in the Pieces of Asia market and forthcoming regarding the environment. The possibilities just for this specific car in the near future in us are cheapest but who is familiar with, time might have us.
[mwp_html tag=”img” src=”https://nissansup.com/wp-content/uploads/honda-concept/2020/05/2020-honda-fit-review-pricing-and-specs-3.jpg” alt=”2020 Honda Fit Review, Pricing, And Specs”]
2020 Freed will come across important design up grade that can make the MPV seem far more efficient in comparison to prior to. Dimensional details to the motor vehicle are: Time- 166 “, Breadth- 66.7 inch, Sizing- 67.5 inch and Wheelbase: 108 in. When we, as opposed, it with the prior model, the manufacturer brand name-new model discloses important redesigning of frontal ambiance intake, entryways grille, best lighting clusters, doorway and back again fender and furthermore tire edge. Your vehicle delivers the sensing of any hatchback, while it is certainly an MPV.
The interior in the 2020 Honda Freed is made with high quality pieces for your augmentation of assistance and education. It is in fact substantial for these particular vacationers as properly as contains a excellent mixture of substantial improvement as effectively as comfort with exciting functionality to amuse you through a journey. With the 2020 model, you may not want to the dilemma your self with sunburn or sunshine light glow becoming an outcome of the contra-Ultra violet rays mug on the house Windows. An aura conditioning approach is furthermore found in the interior to make certain that there leads to environment phase within the auto. This interior gives unveiled the Honda comfort and simplicity to have an completely new education and learning.
The 2020 Honda Freed offered the, in the same manner, electricity, and crossbreed powertrains, as correctly since the standard top door-wheel produce and encouraged all-tire make a strategy. The base operate will certainly be powered by way of a new 1.5-liter several-cylinder engine, that may offer 130 horsepower as effectively as 114 lb-feet . of torque. As as opposed to the previous, this may show out of the first picture, much more wonderful prevent chilling, piston natural oils jets, plus an all-composite utilization manifold, so as well as it might be a lot more robust, this engine may have a lot better energy fiscal meltdown. As from the earlier give 5-speed computerized gearbox, 2020 Freed could possibly have a manufacturer content label-new constantly specific auto transmission (CVT) with all of the ‘G-design Shift’ programs.
[mwp_html tag=”img” src=”https://nissansup.com/wp-content/uploads/honda-concept/2020/05/honda-fit-which-should-you-buy-2019-or-2020-news-cars.jpg” alt=”Honda Fit: Which Should You Buy, 2019 Or 2020? | News | Cars”]
Release Date and Price
The 2020 Honda Freed may be introduced at the start as becoming the hybrid edition inside the fall a couple of months couple of weeks with this year about the Persian company plus soon after with regards to the planet. The price just for this specific higher car will continue being in every the various many Honda vehicles in its coaching. It can be swiftly switching from $16,270 to $22,295. This auto should get every dime on its price. The reduce plus class it presents you might be a solitary of any assortment as effectively since the engine performance is just wonderful.
2020 Honda Fit Colors
- Crystal Black
- Alabaster Silver
- Polished Metal
- Premium Cosmic Violet
- White Metallic


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Title: The Marriage Merger
Author: Sandy Curtis
Publisher: Ormiston Press
Genre: Contemporary Romance
Paperback Release Date: October 23, 2015
She’s expecting a holiday.
He wants a solution.
Jenna Martin knows a great body when she sees one. After all, bodies are her business. And Braden Fleetwood has the sexiest body she’s seen in a long time.
But one disastrous love affair was enough. She doesn’t need to fall for someone like him.
Braden has always been in control, building up his business empire, protecting his sister, taking pride in his strong-minded niece; but now he is frustrated beyond measure, helpless to restore the shattered lives of the only people he has allowed himself to love.
What he doesn’t want is the woman he needs.
Can they both learn that healing isn’t always physical?
Sandy Curtis writes contemporary romance for Ormiston Press's Lavish Novels line, and is also the author of seven romantic thrillers published in Australia and Germany, two of which have been finalists in the Romantic Book of the Year Award. Sandy has presented many writing workshops including 10 days teaching creative writing at the University of Southern Queensland McGregor Summer Schools, given library talks, and been a panellist at writers' festivals. She is a member of many writing organisations, and has organised the Bundaberg writers festival, WriteFest, since its inception in 2005. In 2010 she was awarded the Regional Arts Australia Volunteer Award for Sustained Contribution to the arts in regional Queensland, and in December 2012 she was selected by the Queensland Writers Centre to receive the Johnno Award for outstanding contributions to writing in Queensland.

domain: literature


text:
Ginger Nuts of Horror
Today we have an interview and a guest post from Kevin G. Bufton. Kevin G. Bufton is a thirty-something father, husband and horror writer (in that approximate order) from Birkenhead, on the Wirral.He has dreamed of being a full-time, professional, published writer since he was in primary school and, in January 2009, he took his first faltering steps towards making his dream a reality, when he submitted his first story, 'In the Darkness' for publication. It was accepted and published that same month, in the now-defunct e-zine, Micro 100 and Kevin has not looked back since.
His stories have appeared in numerous websites, magazines and anthologies across the globe.
Kevin also edits horror anthologies for Cruentus Libri Press.
This year saw the release of my first book, Cake, published by Cruentus Libri Press. It marks a major milestone in my writing career, without question – appearances in anthologies, magazines, and websites are all very well and good, but nothing compares to seeing a book that is all yours. Cake is my maybe, the result of six weeks worth of hard work, and, sink or swim, it’s all mine!
But that’s not what I’m hear to talk about today. You see, like most writers, my career did not begin with the release of my first book. It didn’t begin when I had my first piece of fiction accepted and published in the sadly defunct e-zine Micro 100. It didn’t even begin when I first put pen to paper, and composed the first sentence of my debut story.
No, no, gentle reader. My writing career, such as it is, began many moons ago, not with anything that I wrote, but with something that I read. I believe that very few writers simply fall into this game. I imagine that, like me, most were inspired to pen their own fiction, thanks to somebody else’s work – something that they read, which truly affected them, and made them want to try their hand and stirring similar emotions in someone else.
I can point to five books that did it for me, and, with your indulgence, I’m going to discuss the influence that each of them had on me.
‘Salem’s Lot by Stephen King is the first one that comes to mind. I read it when I was an impressionable youth and, whilst it was not the first horror novel I had ever laid eyes on, it remains one of a very few books that scared me – I mean really scared me. I’m not too proud to say that, having finished it in a single sitting, around three in the morning, I didn’t dare turn off my light, when I went to sleep. That’s power, right there. If I achieve nothing else as a horror writer, I hope one day to receive an e-mail from a reader telling me that one of my books had the same effect on them.
The next book is a bit of a cheat, as it’s Books of Blood by Clive Barker, which is a six-volume set, but I’m including them all in here, as I can’t imagine anyone finishing a single volume, and not wanting to plough through the others. Whereas ‘Salem’s Lot scared me at a gut level, at that point where rationality goes out of the window, and I couldn’t face the darkness on my own, Barker’s series of short fiction collections affected me in a completely different way. They showed me the potential of horror, that it wasn’t all vampires, werewolves, and things that go bump in the night. Anything, they seemed to tell me, can be horrific, so long as you put the right spin on it. It was a revelation. Before Books of Blood I’d read mostly mainstream horror – mutant rats, killer slugs, serial killers, giant crabs, haunted hotels, and the like – some of them were great, others not so much, but none of them had overly stretched my imagination. Barker did that for me, giving my mind’s eye a workout, the likes of which it had never experienced before. Sentient human hands detaching themselves from their hosts, people skinned alive, their flayed hides exacting revenge on their killer, unspeakable monstrosities trapped in a piece of knotted cord. Wonderful, grotesque, and beautiful in equal measure, they proved to me that the only limitations in a horror story are in the mind of the writer.
So those are two books, by two acknowledged master of the genre, and they showed me both the power and the versatility of horror as a medium. My next book, James Herbert’s Sepulchre, took things one step further and made me want to be more than just a consumer of this sort of fiction, but to create it as well. I was fourteen or fifteen when I first read, and I already knew that I could string a sentence together, but I wasn’t sure if it was something I wanted to do as a career. Sepulchre changed all of that. To this day, if anyone asks for a book recommendation, this is the one I tell them to read. It is a sublime piece of work. It manages to be both epic in scale, and intimate in its execution. The ultimate threat is easily as fanciful as any of Barker’s creations, but the setting and the main protagonist are so resolutely grounded that it feels more real, and hence more threatening. Herbert’s writing was so tight, with not a single word wasted, that I was hooked from the beginning. It was another book that I couldn’t bear to put down. It’s a cliché, I know, but back then I had he stamina to read into the wee hours, without it affecting me the following day, so I did it. I knew, having finished it, that this was what I wanted to do. It was clear as day in my head. I knew I could tell a story, and drag it along the necessary points to get from A to B, and I also know that I could scare people if given a chance, but Sepulchre crystallised my dream for me. It was an epiphany, but it was not accompanied by a blare of heavenly trumpets, because I knew that, if I was going to do this thing, that Sepulchre was the standard that I would have to hold myself to. I haven’t made it yet, but that will always be my yardstick.
I was a little older when I read the next book on my list – The Chosen Child by Graham Masterton. Eighteen years old, and studying hard for my A-Levels, I was not a little kid any more, but neither was I ready to call myself a man. I had, however, picked up some tools in the intervening years that allowed me to be more critical of the works I was reading. I came to appreciate foreshadowing, plot structure, character development, and all those little intricacies of the written form. Instead of just being swept away by the plot, I would find myself dissecting the method of delivery. I soon learned that the difference between a good novel and a great novel was a yawning abyss, filled with mediocrity. It was a depressing thought that this passion of mine, this genre that I loved, could be home to such unmitigated crap, and it bothered me that this was exactly where my work would be headed (little did I know it would take another twelve years for my stories to see print!). The Chosen Child gave me hope. It was beautiful, a veritable lesson in the fine art of constructing a novel. As I read it, I could sense Masterton lining up all of his little tricks like a street magician, ever ready to pull another one out of the bag. It gave me chills, as a good book should, but it also showed me the way. “This is how you build tension,” it seemed to say. “This is how you create sympathy.” More importantly, “this is how you break a heart.” I think it’s safe to say that I learned more from reading this book three or four times, than I ever did at a Creative Writing seminar.
My last book is not like the others. My last book just doesn’t belong. The Woodsman by Michael Falconer Anderson is, to date, the worst horror novel that I have ever read. Amateurish writing, linear plot, stock characters and woeful dialogue result in a book that can best be described as an utter abomination. I’m a fairly positive guy, and I’m not one to disparage the work of my fellow authors, but this novel made me angry. It wasn’t just that I had wasted a few hours of my life wading through Anderson’s sub-standard prose, but the very notion that something like this could not only be written, but also published by an actual publishing company, with a proper cover, and everything else, wound me up beyond measure. I made a vow, that day, to become a published author, on the grounds that nothing I produced could be worse that this piece of literary flotsam.
And there you have it – five books that inspired me, for good or ill. Wherever I go in the world of horror fiction, these books will be my landmarks, from the bejewelled sun-kissed shores of Sepulchre, to the treacherous iceberg of The Woodsman, they have marked my journey in advance, and all I have to do is set my compass appropriately.
I’d like to thank Jim for allowing me space on his website to have this little chat with you, and I’d like to thank you for taking the time to read my thoughts on these books. I would recommend the first four, without hesitation, to anyone who has never read them before. As for The Woodsman – just say no. Seriously, read something else, anything else. Perhaps you might consider Cake, by up-and-coming (not to mention devilishly handsome) horror writer, Kevin G. Bufton.