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domain: sociology


text:
Cole Swindell is readying his next chart-topper. Teaming up with country mainstay Dierks Bentley, Swindell selects "Flatliner" (a fist-pumper in which he proclaims a woman's beauty literally flatlines his heart) as his next radio release, following such hit singles as "Middle of a Memory" and "You Should Be Here." The uptempo track harkens to one of Bentley's signature hits, "5-1-5-0" (from 2012's Home LP), in rock texture and anthemic tone--so it seems appropriate to have Bentley himself lending his scruffy vocal to the story.
Swindell co-wrote the song, which officially hits radio Jan. 23, with Jaron Boyer and Matt Bronleewe and is lifted from his sophomore album, You Should Be Here. "I wrote the song for Dierks around four years ago. I wrote it for him, sent it to him, and never heard from him," he told Country Countdown USA early last year. "I don’t know if he heard it or didn’t like it...but a year or so ago, I was texting with him, and sent it to him, and he loved it. We talked about it for a while, and sure enough, we got to do it, and it’s gonna be awesome. I’m just very excited to be singing with Dierks.”
Ahead of the 50th CMA Awards last fall, AXS.com had the chance to catch up with Swindell to chat about his landmark year, which included a nomination for New Artist of the Year. "I remember when the year started--actually, every year for the past three years--thinking ‘there’s no way we are going to be able to top the past year but let’s try.’ We are still working hard. There’s a lot of people who are responsible for my success. Man, it just feels good," he said. "I got to experience another No. 1 song, and it’s the most special song of my career so far. That probably stands out the most out of anything, any of the nominations. I have finally put out a song that has touched people and helped them through times that are just like the times I went through. It’s been a blessing."
At the time, he also penned a heartfelt "Dear Nashville" letter for Huffington Post. He explained his intentions behind it, saying, "I wanted to let Nashville know how I felt about them and what it means to me to live there. I didn’t even know how I was going to write it. I wanted to write a thank you letter to the music industry and everybody who has ever played a part in my career. I remember writing it in my truck and thinking about how it was my dad’s birthday and how upset my mom was. That's how it started. I wrote my story from there. It flowed out. I write songs for a living. I don’t write professionally like that. I was nervous about it. As a songwriter, you want it to be perfect. I’m so glad I took the time to do it. It’s exactly everything I wanted to say. You move to town and you dream of Music Row and those banners with pictures of songwriters and a 'Congratulations' on it. I’m getting to live my dream because somebody took a chance on me. I want to help people, whether that be with music or outside of that."
Stay tuned to AXS.com for any and all updates.
Take a listen to "Flatliner" below:

domain: celebrity


text:
Uprising Updates: People power is creating change across the state
INDIANAPOLIS — Last month, thousands of Indiana faith leaders held a Procession for Racial Justice, calling on Mayor Joe Hogsett to lead our nation by taking steps to end state-sanctioned violence against Black people. Since then, leaders and clergy have held three meetings with the mayor’s office to move forward concrete reform and to press the mayor for a public commitment to fully implement the seven-point LIVE Free Law Enforcement Agenda.
On June 5, Mayor Joe Hogsett announced plans to revise the use of force policy, fully fund the Group Violence Intervention strategy and enforce a progressive discipline matrix. The mayor publicly credited the Faith in Indiana clergy, leaders and community for consistently raising this issue. We are making moves in the right direction, but we won’t stop until liberty and justice is for all of us, no matter our race, accent or zip code. Watch the CBS 4 coverage here.
On June 7, The Indianapolis City-County Council unanimously passed a proposal Monday night to declare racism a public health crisis in Marion County. Faith in Indiana spokesperson Sa’Ra Skipper applauded the proposed declaration, while still awaiting more specifics on what it will do for the community. Aside from physical health, Skipper hopes the resolution will also address the mental and emotional health of African Americans in Indianapolis.
“It is exhausting to be black,” she told WGN news. “It is exhausting to have black or brown skin just because you never know who may look at you as a threat.”
SOUTH BEND — For more than a year, South Bend clergy and leaders pressed elected officials to implement public safety reforms. South Bend Mayor James Mueller is finally listening to the community and taking long overdue action. He committed to release a revised police discipline matrix, ban chokeholds and revise the SBPD use-of-force policy. As Alfred Guillaume of St. Augustine said, this is an important "first step." We will stay engaged to make sure there is follow-up. Read the WSBT report: Mayor's announcement and Faith in Indiana response.
FORT WAYNE — Hundreds of people took to the streets in peaceful protest and to call for law enforcement reform.
"Loving our country, our city, means cherishing life and liberty for every single person in it," the Rev. Karen Staton of Destiny Life Center Church told the Journal Gazette. "We cannot allow those entrusted to serve and protect our communities to target, detain and kill black people. Real change starts at home with Mayor [Tom] Henry's public commitment to reform law enforcement, starting with a use of force policy. There's power in numbers. One or two can't do much," she said, "but together — we can all do it together."
The march was organized by the Allen County chapter of Faith in Indiana and Fort Wayne Changemakers. Read the full story.
#WhoCaresForUs COVID Equity:
Indy Victory, push to Governor
After more than 2,000 people across the state met with Mayor Hogsett as part FaithIN’s #WhoCaresForUs Digital Town Hall, Mayor Hogsett is making good on his promise to put equity at the center of our covid response. The Indianapolis Council passed a $76 Million COVID Relief Fund that includes $25 Million rental assistance program available to every city resident, including our undocumented neighbors, and millions to scale up testing and contact tracing in communities of color. Learn more.
During this crisis, we've seen healthcare workers, public school employees, and grocery store clerks, pastors, and more step up and keep us safe. More than 150 clergy signed and delivered a letter to the governor demanding that he act now mitigate racial inequity that is exacerbated by the COVID-19 crisis. Now, it’s time our elected officials step up and care for those who care for us. We are already seeing communities of color hit harder. Gov. Holcomb has to invest in our local governments - starting with the hardest hit zip codes, so that they can invest in us. Learn more about what is at stake.
DACA is here to stay!
Last week, the Supreme Court protected DACA, a victory that many people across the country - including Faith in Indiana leaders - fought and organized for. DACA was a victory delivered by undocumented youth after years of pressure and fearless organization, because Congress has failed for decades to offer what the American people want: citizenship for immigrants and an end to cruel and massive application. DACA has helped hundreds of thousands of young people finish school, get better jobs and access healthcare.
June 2: Primary Election Spotlight:
St. Joe County leaders pass local school referendum
Residents voted in favor of a school referendum that will enable the school district official to expand pre-kindergarten access, move forward with building maintenance projects and security upgrades, offer teacher raises and add counselors and social workers. South Bend clergy and leaders helped to educate voters on the issue and their efforts paid off. School Board President John Anella, calls the win the people’s victory.
“They came out, voted and showed they care about our community and kids during a very dark time. It shows that we have a bright future ahead of us.”
Sign up for Race-Class Narrative Training
Join us for Race Class Narrative training. The Race Class Narrative has proven to successfully achieve electoral victories and advance a progressive policy agenda from big cities to small towns across America and the world. If we are to be victorious in 2020 and beyond, we need to build the choir of activists and campaigns mobilizing our base and persuading the middle. To do this, we need more of us skilled in how to implement the Race Class Narrative in our campaign work.
At the training, we will learn the anatomy of a winning narrative, how dog-whistle politics can be defeated, and how to animate our base to persuade the middle and amplify a worldview that can change the conditions for how decisions are made in Indiana.
We will be hosting this training multiple times over the next month to ensure as many people as possible can participate. See the full Race-Class Narrative Training Schedule on our sister organization Act Indiana's website.
In the community
Help us welcome Maria Duenas
Please help us to welcome Maria Duenas to the Faith in Indiana team. She will support immigrant organizing in Central Indiana. Maria is the daughter of immigrants and a first-generation graduate of Indiana University with a degree in Political Science. As a student, she lent her leadership to work for immigrant rights through the Dreamer’s Alliance, Faith in Indiana, and Mayor Hogsett’s Hispanic Advisory Council.
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We believe no matter where people live, what people look like or what’s in a person's wallet, everyone deserves to live safe and healthy lives. Your donation will make this vision possible.
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Faith in Indiana is a 501(c)(3) organization. Faith in Indiana and its chapters are strictly non-partisan and do not endorse or support candidates for public office.
We are not affiliated explicitly or implicitly with any candidate or party.


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domain: design


text: Groff’s first novel since Fates and Furies (which dropped in 2015) turns the clock back—way back. In these incandescent pages, Groff reverently imagines her way into the life and lore of Marie de France, the twelfth-century poet considered the first woman to write poetry in French. Cast out from the court by Eleanor of Acquitaine, seventeen-year-old Marie washes up at an impoverished English abbey, where she transforms from a reluctant refugee to a fiercely devoted leader. Through great works of construction and community, Marie fashions the now-wealthy abbey into an “island of women,” all while furtively writing the divinely-inspired poems that made her name. Woven from Groff’s trademark ecstatic sentences and brimming with spiritual fervor, Matrix is a radiant work of imagination and accomplishment.

domain: artistic


Can IIS and SQL run on the same Azure Virtual Machine?
You can definitely run IIS and SQL on the same
machine. Hard to guess what is wrong without
seeing the whole error or code however sqlcmd
could help in troubleshooting. You can use this to
verify that you are able to connect.
The Virtual Datastore is essentially the Azure storage account where
your virtual machines are stored. It contains the OS and Data Disks
that comprise the VM (as Hyper-V VHD's). You can download them using
any number Azure Storage tools, or write your own using your SDK of
preference (such as the Azure Java SDK).
You can use the VirtualMachineOperationsTest class in the Test
It's not possible to have an availability set span different regions
as they are created inside the container of a cloud service. If you
want to have high availability across different regions, you need to
use the traffic manager which allows you to combine cloud services.
This does however require you to deploy 2 separate cloud services and
sync the data/storage in the back yourself.
Yes. You ca
For Linux, I'm not able to get it working.
But For windows, below blog is a good reference which works for me


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Cool list of various dog breeds from all over the world. Cool if you want to know where your favorite breed originated. :)
Top 10 Budget Friendly Dog Breeds
Border Collie - extremely affectionate, active and fun loving dogs. Intelligent and trainable. Considered as most obedient among all dog breeds
Maltipoo ( Maltese and Miniature/Toy Poodle mix); Top 5 Most Cute Dog Breeds
Bernedoodle!!! Awesome dog! Would love for it to be my & hubby's first together!
Weimaraner | "The Grey Ghost" again, I'm a fool who falls for those blue eyes. Come to think of it Brown eyes too :)
Race de chien. (They All Are Beautiful) (http://themetapicture.com/dogs-of-the-world/)
Top 5 Most Obedient Dog Breeds http://www.ebay.com/usr/americanflag911
Akitas - Simply GORGEOUS!
Belgian Tervuren sheep dog

domain: pet


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|Serving size||Per 100g|
|Energy KJ||1500 KJ|
|Fat, total||0 g|
|– Saturated||0 g|
|– Sugars||0 g|
|– Starch||0 g|
|– Polyols||0 g|
THE APPROXIMATE AMINO ACID COMPOSITION OF GELATIN
|Amino Acid||Weight %||Mol %|
If you have more questions, please search through the Frequently Asked Questions section.
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domain: food


text:
A Song I Can't Play You
382 · 23 May 02
Once, long ago, in a random fit of Charlie Brownian emotion, I fell in love with a little red-headed girl. No, I'm overstating a crush. What really happened was that I found myself starting to write a story around a stranger. It was the cold winter of my junior year in college, and she lived in my House, so I would see her two or three times a day in the dining hall. I knew nothing about her, but her hair was dyed a vivid, orangy shade of red, spiked in grand New Wave style (this was the late Eighties). In my memory she looks like somebody made a pale three-quarter-scale replica of Aimee Mann in the "Voices Carry" video, and then dunked its head (tail and all) in indelible brandy. I had a mohawk at the time, myself, dyed a not-entirely-dissimilar brassy hue; we would have made an adorable couple, and pictures of us, then, would now be hilarious.
But what can you tell from hair? The person with the best hair I've ever seen (another girl, another year) turned out to be one of the most oppressively boring people I've ever met. But since this red-headed girl and I shared a community, I had a little more to go on. I had the sound of her voice (high and elfin, Joey Lauren Adams-ish). I had the way she carried herself, and a time-lapse view of her wardrobe choices. I had her friends. I had that brief smile of noncommittal acknowledgement when I'd pass her in the House tunnels. I knew she was younger than me, which meant she had to be a sophomore, since freshmen live off in the Yard. And I found out her name, which still sounds so cool to me today that I can't bear to replace it with a pseudonym: Lena Strayhorn.
And around these shreds of personality and character, I began writing a story. I mean this literally: the second semester of my junior-year filmmaking course was entirely devoted to making an independent short film, and I was in the process of devising a script for mine. I had already decided to be in it myself, so I began writing the uneasy romance between a boy who looked and acted a lot like me, and the kind of a girl I imagined this red-head to be.
In the movie, her name is Miranda. We've been going out for an unspecified amount of time, long enough to be living together but not long enough for my last ex-girlfriend to fade out of my life. We have a bad apartment, and as the movie opens we are going through the want ads, looking for a better one, when my ex-girlfriend calls. Her name is Beth. (Mine, inexplicably, is Jeremy.) Apparently we were singing partners, Beth and I, and one or both of us holds out some hope for our material long after we've given up on the relationship in which it was formed. Beth wants me to come help with a re-recording of one of our old songs. In a bit of heavy-handed emphasis hardly necessary in a ten-minute movie without anything remotely resembling a side-plot, the song and the film are both called "Colorado". (In the script both are also subtitled "world take a shot at my heart", but when I eventually did the credits I believe I had the sense to leave this out.) The recording session is tomorrow, which I agree to despite having promised, approximately thirty seconds earlier, to spend the day apartment-hunting with Miranda. Miranda is understandably irritated, by my lurchingly expository dialog if not my thoughtlessness, but I am cute and irresistible, because it's my movie, so I eventually cajole her into coming along to the session with me.
The rest of the very short film is this recording session. Beth is very pretty, and a very good singer, and she does not seem to have Miranda and my romantic welfare prominently in mind. In the script the session takes place on stage in the beautiful old Agassiz theater in Radcliffe Yard, which would be a silly but visually striking way to record a demo, but my attempts to secure permission to shoot there were systematically rejected by small-minded administrators with unspecified (but perhaps reasonable) fears, so in the end we shot it in the same anonymously cavernous basement film studio where I had, two weeks before finals the previous spring, fallen off a lighting grid and fractured both wrists. There is a thankless fourth role, with uniformly bad lines, for the session's engineer. "Colorado", the song, gets played twice. The first time through, it is playing over monitors, and we are practicing, slipping into a suspiciously easy mock-combative banter as we go. This is fairly cloying, and Miranda, perhaps as proxy for the audience, opts for a break. If your audience decides it needs a break in the middle of a ten-minute-long movie, you are doing something very wrong. After she leaves the room, I hand the thankless engineer an envelope of some sort.
Then comes the big cut-away. In a spurt of cinematic virtuosity, the film transports the viewer in an instant from the recording studio all the way to a nearby bathroom. Miranda, ruefully examining herself in the mirror, attempts to sing a couple telling lines of the song, failing in a plangently artless manner. She is measuring herself, you see, against my glamorous and talented ex-girlfriend. She snorts, derisively, at herself, just in case you don't see, and heads dejectedly back to the studio.
Beth starts to get mean at this point, as no sooner has Miranda returned than she shifts into crassly flirtatious innuendo towards me, and condescending barely-feigned innocence towards Miranda. I have, unexpectedly, the alacrity to be irritated by this, and abruptly demand that we stop rehearsing and start recording for real. My manner suggests, in the same way that Punch and Judy "suggest" marital discord, that I have something uncooperative in mind. I sternly enjoin Beth to keep singing no matter what, an inane demand she even more inanely complies with. And then, with the song's instrumentation piped into headphones so the movie audience is forced to listen to the whole thing again in unsteady a cappella, I proceed to invent an entirely new set of lyrics, which I sing while Beth sings the old ones.
Taken side-by-side, the song's two texts are a cunning and insightful juxtaposition of attitudes towards relationships and the contexts in which they take place. In the me-and-Beth version, highlighted by the monumentally dreadful line "My wetsuit defenses are down around my ankles", we have nothing but scorn for the fragile, frightened couples who need peace and quiet and time to themselves for sustenance. We are dynamic denizens of a vibrant world, she and I, whirling around each other as if attached by superhero tethers. In the me-and-Miranda rewrite, part of a relationship's cohesiveness comes precisely from treating the world as an outside, and thus implicitly defining an inside. It is not very plausible that I could devise such a self-referential critique and fit it to the song's existing meter on the fly, but it hardly matters, since with the two of us singing at once there's next to no chance the viewer can follow either set of words anyway. Luckily, I belabored the song's thesis back in scene one: to Beth and I, Colorado was a metaphor for cowardly retreat from, presumably, urban vitality. In my impromptu revision, Colorado represents two people's willingness to turn their backs, at least temporarily, on outside noise and lights, and focus on each other. "Is it Colorado they're looking into / When they dream?", the first version bitingly inquires. "This is Colorado we're flying into / On this beat.", the second counters.
Just as I start to sing this last couplet, I point to the thankless supposed-engineer, who executes the most technical maneuver of his entire screen time by turning and handing Miranda the envelope from earlier (no continuity point is overlooked!). She opens it, and finds plane tickets. The audience, perhaps, if they are psychic, intuits that they are tickets to Colorado. How is it that I have plane tickets to Colorado handy, despite the metaphorical significance of Colorado having been explicated for what seemed like the first time only the previous evening? And why, after establishing that the next step Miranda wanted for our relationship was progress on finding a new apartment, do I think a vacation is the solution to anything? These are provocative questions, which fortunately the audience is too confused to ask. But Miranda understands, and looks up from the tickets to the camera with an expression of beatific triumph. And then I, obtusely unwilling to let well enough alone, insist on undermining my own conclusion by making a goofy rock-star gesture as "this beat" coincides with the film's concluding snap to black.
This is not, now that I look back on it, an incredibly flattering fantasy into which to have incorporate my blameless red-headed crush. I have cast her as clingy, insecure and talentless, doting for no demonstrated reason on an insensitive and palpably untalented egotist who seems much more fond of romantic gesture for its gesturality than for its content. Perhaps fittingly, since I knew virtually nothing about the girl, I wrote a part for her that has no appreciable identity. But she does win the boy, such as he is, so it's officially the heroine's role, and in the stunted emotional grammar I had at my command at the age of twenty, it's vaguely sweet.
What I really wish I still had, though, is not the script to this film, but the transcript of what I actually said to the little red-headed girl on the evening I finally spoke to her. I introduced myself, and asked her if she acted. This was a rhetorical question: in 1987 Harvard had not yet adopted randomization for House assignments, and Adams was still the House of hopelessly pretentious and self-conscious arts types. Not everybody took active part in organized dramatic productions, but a sophomore with dyed hair was hardly going to admit, in a crowded and gossip-obsessed dining hall, that she did not act at all. So she said she did, and I finished the gambit by explaining that although I did not know her, she had somehow inspired the lead female role in my student film all the same, and asking if she'd do me and the story the great favor of playing it.
There are many things I can't explain about this series of events, at fifteen years' remove, perhaps most prominently her acceptance. For all our self-consciousness, I guess, it was a far less guarded time. We had both chosen Adams House because of its reputation as the kind of place where things like this happened, dye jobs and remote crushes leading to stardom, of whatever small scope, and were now doing our part to (as we would have said) reify the myth. Or maybe she, too, had a weakness for New Wave haircuts. For whatever reason, she said yes. And here, if life were in a movie, rather than vice versa, would have begun our storybook romance, and years later, in our fondly doddering old age, we could torture our great-grandchildren by dragging out my old movie for the millionth time and reliving those delicious first days, as we pretended to be in love, and in doing so fell in love.
It didn't happen. There was no chemistry between us for real, and even less in make-believe. She was not an actress. I was not much of an actor, either, but it was my movie. In the end it took a lot more courage to tell her I was going to get somebody else to play the role than it did to ask her to play it in the first place. My friend Debbie Copaken, at the time the only genuine movie actress I knew (she had a two-line part in the movie Key Exchange, you can look it up in IMDB; after college she became a photojournalist and eventually wrote the book Shutterbabe), bailed me out by stepping in as Miranda, and after auditioning so many beautiful girls with great singing voices that even I began to wonder if it was a cheap come-on, I secured what would turn out to be the best brush-with-celebrity anecdote from my entire Harvard experience by casting, as Beth, Miro Sorvino's roommate. What became of Lena Strayhorn, I have no idea. A cursory web-search turns up two sets of references to that name, one a world-renowned jaw harp musicologist, the other a tireless defender of endangered marine life (neither of which I am making up, another claim you may feel obliged to verify for yourself), but I have no idea if either of those are her, or indeed if those are the same people or different. I didn't find any pictures, and without our New Wave hair I'm not sure either of us could recognize the other now, anyway.
But this is all suddenly on my mind again, so many years later, because I have another crush on a little red-headed girl. My romantic system tends to shut down, defensively, after traumas, and I feel it just now restarting, three and a half months after the last one. This girl (and no condescension is intended by "girl"; in crushes, we're always girls and boys, not women and men) works at my local whole-foods grocery store. My guess is that she's an assistant manager, but I've never asked. I don't even know her name, although as I tell you this it occurs to me that since she works in a grocery store, she has almost certainly been wearing a name-tag every time I've seen her, which it has somehow never occurred to me to read. She always seems to pop out of the managers' booth to come help sack groceries just as I get to the register, which I'm 84% inclined to attribute to chance, 11% inclined to take as a token of reciprocal curiosity, and 5% Massachusetts meal tax. We've had the briefest of conversations, mostly revolving around new Ben & Jerry's flavors. Her red hair is a darker, subtler, more grown-up color, and in place of dramatic New Wave plumage she just has cool glasses. I don't know how old she is, don't know where she is in her life, don't know anything of importance about her. I don't know what notice, if any, she's taken of me, and since all she would have to go on are my shaved head and my eye for produce, I don't know what stories she would write me into, if that's even what she does with people.
That's what I do with people, and maybe it's not good. Part of me thinks it's a wholly natural human reaction, idly filling gaps in what we know about people with speculation just to amuse ourselves until we find out the real story. I have nowhere near enough solipsistic power, I think, for my fictions about people to displace or obstruct reality, so surely they're harmless. Another part of me, however, isn't entirely sure. Maybe I haven't undone any relationships by comparing a specific real woman to a fictional version of that same person, but certainly I have turned down the ones I have turned down because they did not match my composite story of my imagined partnership. Arguably I have written a fairy tale, and am now wandering around with a glass script looking for the girl whose part it is. I'm not worried that inventing a story about the red-haired girl with the cool glasses at the grocery store would ruin our chances in the unlikely event that we actually met, I'm worried that inventing these stories, about anybody, interferes with my ability to recognize human qualities in the people I do meet.
But the truth is, I'm stuck with it. I'm self-aware enough to wonder if it's healthy, but if it isn't, it's one of my essential flaws. My reference standards, for everything, are the stories I place them in, of the selves to which I suppose they aspire. I can't take people "as they are" as a matter of policy; I have to feel that how they "are" does justice to how they could be. It's recursive: I dream of people who dream of people who dream.
So I am here, and this girl is at the grocery store, and I don't know what I'm going to do about it. In favor of action: I've got no better candidates at the moment, there's nothing obvious at risk, what's the point of instincts if you never test them, and wouldn't it brighten your day a little to find out somebody had a random little speculative crush based on almost no information on you? In favor of doing nothing: it's a far finer line, in 2002 than in 1987 and at thirty-five than at twenty, between cute and alarming; as my last such mistake reminds me, trying to start something before you know whether you'll want to finish it is dangerous, and maybe irresponsible; and really, isn't this time that could be better spent memorizing Japanese verb forms, or learning the rest of the hooks for two-letter Scrabble words? If this crush had happened when we were kids, maybe what I should have done is make her a mix tape, instead of writing her into a movie. But I over-think music so much, I'm not sure for me there's a meaningful difference. I could give her my spare copy of Too Much Joy's concert album, Live at Least, which has the dual virtues of a buoyant version of the apt "Crush Story" and a circuitous explanation in the liner notes of exactly why I think it's one of the greatest pop songs ever. But that's a story just as much as my brief, awkward film was. The songs I love are conscripted into my parables of what I hope for, and the only unusual thing about Live at Least is that my personal liner notes to it are actually printed in the booklet. For all I know, Tim Quirk once dumped her cousin, and she only listens to ragas. If I'm fair, I fear, I can't give her a story or a disc, because to be true to what we know about each other, it would have to be blank. I should choose a song, if for no other reason than that I still call these music reviews, but I can't, and shouldn't, and so I'm straining not to. Unable to find a way out of this knot, I'm now looking for a way farther in. The impulse to give feels right, the impulse to decide what to give feels wrong. I think I'm now taking dating advice from Schrödinger, and trying to figure out how to burn a CDR whose track list is indeterminate until she plays it. I'm trying to write a story in which I don't say what happens. And I wait, to find out, until I hand it to her. And we wait to see if I do.


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Funny Games (2007)
Written & Directed by Michael Haneke
Following its showing at the Cannes Film Festival in 1997, a panel was held for Funny Games. Director Michael Haneke and his actors fielded questions from the press about his movie. If you are subscribed to the Criterion Channel, you can watch it. Over 45 minutes, Haneke became amusedly frustrated over the journalists and critics’ seeming inability to understand the subtext of his film. Unlike David Lynch, Haneke didn’t keep the greater meaning of his work close to his vest and was very explicit. He kept reiterating that the film is not concerned with the pathology of its antagonists or anything else that was surface level. Funny Games is a film experience in which the viewer is interrogated about the very nature of violence & entertainment.
Georg (Ulrich Mühe), Anna (Susanne Lothar), and their son Georgie have arrived at their lakeside holiday home in Austria for a much-needed time away from the city. It’s a chance to sail their boat, have friends over for special dinners, and just relax. This idyll is interrupted when Peter (Frank Giering) knocks on the door. He claims to be visiting the neighbors and wonders if he might borrow some eggs for the lady of the house. Anna happily hands them over, only for Peter to drop them almost immediately. She replaces them, but it becomes clear there is something off about Peter. Moments later, Paul (Arno Frisch) arrives asking for eggs (Peter dropped them again, the klutz), and so begins one family’s descent into hell. For twelve or so hours, they are psychologically & physically tortured with each person being killed.
Throughout Funny Games, Paul will engage with the audience. It begins when Anna searches for the missing family dog, and the young man taunts her with a macabre game of “warmer-colder.” At one point, Paul turns to the camera and winks impishly at the viewer. Later, he asks the family to place a bet on how long they will survive into the night and then asks us what we’re willing to bet as well. Peter and Paul make references to the value of entertainment when asked why they don’t just kill these people. Peter will bring up the film’s runtime as justification for why the sadism must continue. It becomes evident that Haneke has made a film dressed up in the tropes of multiple genres to confront the viewer about their own relationship with violence in the media.
I’m not someone to join the chorus of people decrying violent video games and movies. I think most people who see these things don’t become homicidal maniacs. I do, however, believe that media narratives can twist what types of violence produce strong reactions from us, and they can also mute when we should be outraged. Any survey of Western media coverage of the United States and China will show a stark difference in how the acts of these nations are perceived. You can look at the ongoing spread of lies in social media surrounding COVID-19 to see a growing callousness not just of MAGA-heads but now Blue MAGA as well. We can discount the deaths and harm done to others through the moral distance provided by screens. American discourse is full of people proclaiming their “right to bear arms,” citing the need to blow the brains out of potential pillaging rapists that seem to exist on the fringes of the imagination, waiting for the ripe opportunity to invade suburban homes.
Haneke spends the majority of Funny Games deconstructing these myths of home protection and romanticization of violence by the bourgeois. He first does this by making Peter and Paul of the same socio-economic class, if not a bit higher than our central family. In popular media, it is a common trope to show a lower-class person in this situation, holding a family at gunpoint out of desperation from the conditions of the world. We accept this because it fits pre-produced narratives that obfuscate the roots of poverty. “Poor people are shiftless & desperate,” we are told. This ignores the obvious fact that the wealthy get away with horrendous crimes all the time. The reason why you have never seen a millionaire serial killer on trial and sent to prison is that they can pay off the authorities to leave them alone. The War on Drugs was mainly a war waged against the poor while stock bros snorted mountains of cocaine untouched.
There have been claims that Haneke is a sadist towards his audience, and he has even admitted to having a sense of aggression in many of his films. However, I think he is empathetic about violence, which is shown in the moments he chooses to draw out in Funny Games. People never die on-screen; like Benny’s Video, Haneke finds ways within the structure of movie-making to obscure these moments from us. We hear gunshot blasts, but we never see anyone die on camera. There is the moment just before and the moments after, but the director wants the victims to be given some dignity, so he hides the moment of their deaths.
Continuing along that line of honoring the victims, we have a scene around the halfway mark where characters react to a death in a single take shot. The camera is always on a wide shot, with vast space between the audience and characters. What lingers with you from these scenes are the anguished cries of these people as they come to the realization someone they loved with their whole heart is dead. Haneke knows he is manipulating his audience with these scenes, but he finds them more honest than popular media, which often doesn’t give space for grief in its violent narratives. How many times have we all seen movies where someone’s spouse is killed, and there is never a prolonged moment of grief. They might cry a little, but the filmmakers are very aware of “not bringing the mood down.” What are the long-term effects of not portraying grief more realistically in the media? Could that be why so many people become deeply uncomfortable in the presence of the grieving person, some even audaciously pushing that person to “get over it already.”?
Peter and Paul are not human beings. They are intended to be larger than life, totems of media. This is the archetypal comedy duo: Tom & Jerry, Beavis & Butthead, Laurel & Hardy. They exist in a light-hearted movie where their violence doesn’t affect them. On the other hand, the family lives in a dark drama so that, as a viewer, you are meant to feel a tonal dissonance when they are all together. Peter and Paul are characters you could drop a piano on, and they would emerge moments later, dusting themselves off. There is a grotesqueness to this duality, something that burrows under your skin, eliciting intense discomfort. Like Benny and the family in The Seventh Continent, there is no clear answer to “Why?” These two young men are doing it simply because they can and are curious to see how long it can go on.
The pointlessness is the point. Haneke has deep concerns about the impacts of violent media on society. He thinks the constant urge to pen explanations for people’s sudden aggressive snaps in fiction does a disservice to the audience. By delivering hollow morality plays, studios find a loophole to moralize on how horrid these acts are while getting the audiences aroused from the depravity. Victims in real life rarely ever get a hold of the gun and shoot their assailants. In reality, most victims end up dead in situations like these, so presenting a home invasion in popular media as an event that can be “won” is more disturbing than anything Haneke would produce.
There are very divided views on Funny Games. Many critics and audiences view it as sadistic torture of the viewer. I love the film now more than when I first saw it because it engages with me. The movie these people expected was one where they would have left the theater feeling nothing. It would have laid out a well-tread formula of exploitation that provided a trite conclusion and asked the viewer nothing. The movie Haneke gives us does not allow for passive viewing.
You will feel something, even revulsion, and anger towards the filmmaker. But that is okay. The moment we stop feeling a good range of emotion from the media we view will signal a dark day for humanity, which may have come already. The moment we accept shallow reactionary vigilantism in the media without critique (also one that likely has come already), there will be even more significant problems happening in society. No matter how justified, violence is still trauma, and even someone defending themselves successfully from an attacker is scarred by having violence done to them and having to perform it on another. Haneke refuses to allow us to pass into apathy and insists we engage with the realities. Otherwise, we become something worse than cartoonish monsters.
One thought on “Movie Review – Funny Games”


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Flightradar24 is a global flight tracking service that provides real-time information about thousands of aircraft around the world.
Over the last years more and more pilots, and also airlines, have used Flightradar24 to draw sky arts of their recorded flight track.
There are many drawings made by private pilots, we will show you the most famous ones made by airlines in this post.
One of the first Sky Art that has been made was in 2015. An Air Malta flight drew two hearts above Malta to celebrate the marriage of two of the airline’s employees.
In 2017 Sky art was becoming a trend, Cathay Pacific and Air New Zealand drew hearts in the air for different occasions.
In February 2017 Boeing decided to draw “MAX” in the air during a B737 MAX endurance test flight.
Only a few months later, in August 2017, Boeing managed to draw a 787 with a 787 on a Rolls Royce Trent 1000 TEN engine test flight.
In December 2017 Airbus decided to draw a Christmas tree with an A380 during a test flight.
In November 2019 EL AL drew a 747 over the Mediterranean Sea, as a final tribute to the 747 that has been retired from their fleet.
In April 2020, Turkish Airlines drew a Turkish Flag across central Turkey, to celebrate Turkey’s Nation Sovereignty Day and Children’s Day.
The most recent Sky Art was made by Qantas days ago. They retired the last of its 747s in July 2020. After departing from Sydney, Qantas drew the iconic kangaroo in the sky on its final journey.
If you enjoy our blog and would like to support us, you can buy us a coffee 😉


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I recently went over my ACEO original art card collection & have re-listed the available ones in my shop. These were made between 2010-2014 mostly using markers & other traditional media, sometimes embellished with glitter & other bits!
ACEO stands for Art Cards, Editions and Originals and are an excellent way of building your own, affordable, little art collection. They look great frames or propped up in mirrors, picture frames and book shelves. They also make wonderful gifts as they are easy to slip into a greetings card.
Each one is a one of a kind original miniature artwork. These are the one's I have for sale & they can all be found in my shop - there is also a two for £10 offer on cards priced between £5-£7.
ACEO stands for Art Cards, Editions and Originals and are an excellent way of building your own, affordable, little art collection. (Sometimes also called ATC = Artist Trading Cards)
The only real 'rule' is that they are trading card sized - 2.5 x 3.5 inches.
I first started making art cards in 2010 & have made them on & off ever since. They are a lot of fun to make & the card size makes it a challenge...
Gallery under 'read more'
♢ KEH | Kate Hayward
This is a general blog for all my creative work.
You can find more focused blogs/galleries for individual projects in my Links


Knauss legislative fellowships in Congress help build careers — and they're fun and educational. See our video and fact sheet for details.
A lot of plants, animals, and other critters call the Chesapeake Bay watershed home–maybe even you! Some organisms spend their entire lives in the Bay while others travel in and out of the Bay at different points in their life cycles. The river herring are the latter, travelers. While their name may lead you to believe they are river dwellers, these fish actually spend most of their lives at sea. Similar to salmon on the west coast, river herring on the east coast make an annual migration into the Chesapeake Bay and other similar coastal bays to spawn, or reproduce. They make this journey to the streams and rivers where they were born so their young can grow in the safety provided by the topography of the rivers and estuary.
River herring are considered prey fish, as they’re a source of food for larger fish and terrestrial species like seabirds and coastal mammals, including humans. For thousands of years indigenous tribes have relied on the river herring migration inland and many continue to hunt river herring today for its cultural importance. Early European colonists also came to rely on these fish for food and fertilizer. All along the eastern seaboard people from all backgrounds still celebrate the annual river herring migration inland with festivals and spawning look-outs. While their current populations are nowhere near the historic sizes documented in the early 20th century, these fish still serve important roles in the ecosystems they encounter throughout their life cycle. The eggs hatch in freshwater and as they grow into juveniles they eat zooplankton, insects, and small invertebrates and migrate down to the estuary. As adults, they move offshore to deeper water where they spend most of their life. After a few years when the adults reach maturity and the water warms in the spring, the mature adults migrate into freshwater to spawn where they face a gauntlet of obstacles and predators like coastal bird species. Their dwindling numbers make it more difficult for them to fully support these ecosystems like they once did. Further collapse of these fish populations would have cascading effects that impact all of the critters that rely on them, including you!
This is why it’s important to monitor these fish: we need to understand their populations as they are to decide the best course of action to prevent further collapse and even restore their populations to their historic levels. But how do you monitor a fish that spends so much of its life moving? It’s like trying to take a picture of a moving target–how do you know when you take the picture, the target will be in the frame? One solution would be to use a wider lens, or take more pictures but these both cost time and money.
In our case, getting a picture of our river herring populations in Maryland can utilize a variety of tools, the most common of them being electrofishing. Electrofishing is when you use a device that emits an electric field to temporarily stun the fish nearby. Scientists then collect the fish with a net and can gather information on them like species, age, and abundance. While this is a great way to understand these fish populations, this process is invasive for the fish and can require a lot of time and money to implement. There are many new technologies in development that can provide us with information on these populations in a way that is less invasive to the fish and requires less resources from management agencies to implement.
One technique for monitoring these populations uses DNA found in the environment, called eDNA. This technology is based on the understanding that fish shed DNA into the environments they live in. Fish shed DNA in the form of scales, mucus, waste products, and genetic material from reproduction. We can examine this eDNA by simply sampling the water and using molecular techniques to identify our target species eDNA in the samples.
If you are an outdoorsy person, you might come across our sampling equipment on one of your adventures! We use a remote autosampler to collect daily water samples from rivers across the Chesapeake Bay watershed. This autosampler uses a hose and strainer deposited in the river to draw daily water samples. When the autosampler is active the program rinses the line out three times to ensure the sample collected isn’t contaminated with water that was sitting in the line between sampling events. Once the rinse cycles are finished, the autosampler collects three water samples that are deposited into bottles that sit in the base of the machine. eDNA degrades very quickly in the environment so each bottle contains a preservative to reduce the amount of decay taking place between sample collection and processing in the lab. Samples are taken daily but only processed in the lab once a week.
We can use highly sensitive molecular tools to test our samples for river herring eDNA and determine if the fish were in that particular stretch of river on a given day. This type of work has been carried out all over the Chesapeake Bay watershed. My research is focused on taking these results a step further and investigating if the amount of eDNA in the water can be used to predict the number of fish in the water. Developing a robust answer to this question is part of my on-going research but once complete it could help us better understand how eDNA data aligns (or doesn’t align) with fish count data. If eDNA can provide robust estimates on fish count based on the amount of eDNA in the water, this could reduce the effort required for continuous monitoring of these species. We would still need electrofishing and other fish sampling methodologies to confirm our eDNA data and provide us with other information like size, age, and sex. Currently, this type of information cannot be extracted from eDNA but the research described here is just one of the many projects taking place all over the world to advance this tool and other non-invasive methods like it!
Photo, top left: River herring are migratory fish that range along the East Coast from Florida to Maine. Photo: NOAA Fisheries


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ABOUT THIS ITEM
The Matfer Bourgeat Spiral Whisk incorporates the functional design and durability famous in Matfer Bourgeat Piano Whisks combined with an innovative, hinged flat-head design.
Its rotating spiral design is to suit all pots and pan for easy mixing and is ideal for cooking milk-based sauces and creams without them sticking.
Manufactured in France, its handle is comprised of Exoglass, a proprietary composite material developed by Matfer. This material is non-porous, easy to clean and can be sterilized, and its long-lasting material will not deteriorate or rust over time.
The handle is also heat resistant to temperatures up to 220°C (430°F), and features a flared pommel to prevent the whisk from slipping into pots.
- Length: 340mm
- Handle Length: 170mm
- Weight: 140g


Inflight200 IF3500814U – 1/200 Scale A350-900 Diecast Model
Inflight200 IF3500814U diecast model replicates in 1/200 scale the Airbus A350-900, registration F-WWC, MSN 002, Airbus product demonstrater in the “Caron Fibre” livery. The aircraft first flew on February 24, 2014.
Inflight200 1/200 scale Airbus A350-900 diecast model details
|Length||34.4 cm||13.54 in||Approx|
|Wingspan||31.7 cm||12.55 in||Approx|
Diecast model features include:
- Constructed with metal and plastic components.
- Undercarriage displayable extended or retracted.
- Display stand included.
Airbus A350 XWB
The Airbus A350 XWB (Xtra-Wide-Body) is a European family of long-range, twin-engine wide-body jet airliners. It first flew on June 14, 2013, with the first production model, the A350-900, starting service on January 15, 2015, with Qatar Airlines. The longer A350-1000 entered service for the first time on February 24, 2018, with the same airline.
The A350-900ULR (Ultra Long Range) made its maiden flight on April 23, 2018. Based on the A350-900 with increased MTOW, fuel capacity and extended winglets increasing the range to 18,000 km (11,185mi). 2963 km (1841 mi) more than the standard A350-900, able to fly halfway around the world.
First envisaged as an A330 fuselage with new aerodynamics features and engines, but due to the negative response from airlines, Airbus designed an entirely new aircraft. Named the A350 XWB (Extra Wide Body,) it has a broader fuselage cross-section, allowing seating arrangements up to ten-abreast for a maximum seating capacity of 440–475 depending on the model. Passenger models will have a range of 14,816 km (8,000 nmi ) or higher. The A350 competes with the Boeing 787 and 777.
The A350 is the first Airbus aircraft to made primarily of carbon fibre composites. Other materials used in the construction of the airframe include aluminium, aluminium-lithium alloy, titanium and steel. The composite fuselage provides higher cabin pressure and humidity, and lower maintenance costs.
The new composite wings are of a cantilever design low mounted on the fuselage. Swept back at 31.9° with the last 4.4 m (14 ft) curved upwards to form a winglet. The wing has a trailing-edge high-lift design, similar to the Airbus A380, which closes the gap between the trailing edge and the flap with the spoiler. The tail unit is a swept back cantilever structure with variable incident tailplane and separately controlled elevators.
The undercarriage is a standard tricycle type with a two-wheeled nose and depending on the model a four or six-wheeled main unit under each wing. The A350-900 has four-wheel bogies with the higher weight A350-1000 and A350-900R a six-wheel bogie.
The flight deck has a glass cockpit, side-stick and digital fly-by-wire controls. The instrument panel has six liquid crystal displays along with a head-up display. The A350’s integrated modular avionics (IMA) will manage up to 40 functions including undercarriage, fuel, pneumatics, cabin environment and fire detection.
The Airbus A350 XWB uses two Rolls-Royce Trent XWB turbofan engines. Developed by Rolls-Royce from the Trent 1000, exclusively for the A350.
Performance ( A350-900)
- Seating Capacity: 325 in two classes, 440 maximum
- Cruise Speed: 903 km/h (561 mph), Mach 0.85
- Range: 15,00 km (9,320 mi)
- Service Ceiling: 13,100 m (43,100 ft)
- MTOW: 280,00 kg (617,295 lb).


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|2016 Hyundai Sonata 4dr Sdn 2.4L SE|
45,816 Miles / VIN: 5NPE24AF1GH333895
At A1 Motorcars, we are here to make purchasing your vehicle as easy as possible. We have access to several lenders that will be able to suit your financial needs.
Please take the time to fill out the credit application below and let us get to work for you.
We want to earn your business.

domain: finance


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Grocery Shops for Sale - Buy a Grocery Shop
17 Grocery Shops for Sale as on March 2020. Buy a Grocery Shop from 169 countries with profit margins up to 40%. Explore pre-screened Grocery Shops for Sale with verified contact details, valuation details and business photographs. Join our 1,111,000+ member network to Buy a Grocery Shop. Create a Business profile to Sell your Grocery Shop. Also check out Discount Stores, Convenience Stores, General Merchandise Store, Department Stores, Minimarts businesses.
Businesses For Sale

domain: economics


From left— Council Manager, Oriade LCDA, Mr. Adeyemi Adebola; Chairman, Oraide LCDA, Ramotalai Akinola-Hassan; Chairman, Inner Wheel District 912, Mrs Aderonke Solomon; Vice-Chairman, Oriade LCDA, Moshood Olanrewaju Badmus; and Mrs Shola Asipa, Chairman, Organising Committee, Inner Wheel District 912, during an open skills competition for children/youths and celebration of World Charity Day with the elderly, organised by Inner Wheel District 912 in conjunction with Oriade LCDA, Saturday, in Lagos.
The International Inner Wheel District 912, Nigeria, has called for greater attention to youth development, arguing that young people comprise over 50 percent of the Nigerian population and determine the future of any society.
Making this call during an open competition organised for children and youths by the organisation in conjunction with Oriade LCDA last Saturday at Ibeshe Riverine Community in Lagos, Chairman, Inner Wheel District 912, Aderonke Solomon, said this will go a long way in building in them a sense of belonging, responsibility and patriotism.
The competition, which featured drawing, cooking, dancing and a debate contest titled ‘What Next After COVID’, according to Solomon, was designed to encourage young people to grow their skills.
He said: “With this, Nigeria will be one step closer to winning the war against insecurity, unemployment and, above all, breakdown of the family unit,” as they strive to horn those skills going forward.
Speaking at the event which also featured the commemoration of World Charity Day through the distribution of food items and cash gifts to elderly citizens, the Chairman, Oriade LCDA, Ramotalai Akinola Hassan, described young people as the backbone of every society.
She also expressed the need for well-meaning Nigerians to cultivate the habit of giving to charity.
“It is our duty to make people happy. That is why as a council, we organise such charity events on a monthly basis.
“It is a good thing to give to charity; givers will never lack. I, therefore, commend the Inner Wheel District 912 for this occasion,” Akinola-Hassan said.
Speaking on the rationale behind the competition earlier in her address, Solomon said: “Inner Wheel believes so much in young people; this is why District 912 is hosting this competition today.
“Co-incidentally, the aim of this competition is in line with Goal 5 of the International Inner Wheel President’s agenda for the year 2020-2021.
“This goal highlights the importance of youth development, with a strong emphasis on education; communication skills; personality development; public speaking; access to information on girl-child trafficking; health and hygiene; emergency helplines; and mental health awareness.”
In line with the organisation’s theme for 2020-2021, “Lead The Change”, she urged young people to strive to be the change needed to turn the country around.
She said: “Being young carries endless possibilities, creativity, curiosity, energy and guts. It is a special season in one’s life. Today, over half of the world’s population is below the age of 27.
“What this means is that as young people, you will not only determine our future, but can also define what the world looks like today.”
In attendance at the event were the Vice Chairman, Oriade LCDA, Moshood Olanrewaju Badmus; Council Manager, Oriade LCDA, Adebola Adeyemi; outgoing District Chairman, Inner Wheel District 912, Sumbo Osunbayo; Chairman Organising Committee, Inner Wheel District 912; Sola Asipa and other members of Inner Wheel District 912 Nigeria.


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OIREC Announces Next Director of ARS European Biological Control Laboratory
The Office of International Research Engagement and Cooperation (OIREC) is pleased to announce the selection of Robert Shatters as the next director of the ARS European Biological Control Laboratory (EBCL), starting in October 2022.
Shatters is currently the research leader at the ARS Subtropical Insects and Horticultural Research Unit in Fort Pierce, Florida. His teambuilding skills and research expertise will bring an exciting new element to EBCL that will complement its existing research activities.
EBCL is located in Montpellier, France, and has a satellite laboratory in Thessaloniki, Greece. The primary objective of research at EBCL is to develop biological control technologies which can be used to suppress invading weeds and insect pests of Eurasian origin. EBCL collaborates with scientists in many countries in Europe, Asia and Africa to explore in regions-of-origin of the target weeds and pests.
The current EBCL director Michael Grodowitz has been leading the laboratory since September 2020 and will continue until Shatters arrives in October 2022.
OIREC congratulates Robert Shatters on his selection and thanks Michael Grodowitz for his continued leadership at EBCL, especially tackling many unique and unprecedented challenges during a global pandemic.
The European Biological Control Laboratory (EBCL) was established in 1991 near Montpellier, France. EBCL was created by the merger of the former European Parasite Laboratory, established in Paris in 1919, and the Biological Control of Weeds Laboratory in Rome. EBCL has a satellite laboratory in Thessaloniki, Greece. As the only USDA ARS-operated laboratory outside the United States, EBCL develops biological control technologies which can be used to suppress invading weeds and insect pests of Eurasian origin. EBCL researchers do this by searching for natural enemies (insects, mites, and pathogens) in their native habitat, determining their identity, testing their host specificity and potential impact in laboratory and field experiments, and shipping promising organisms to the U.S. for further testing as biological control agents. EBCL collaborates with scientists in many countries in Europe, Asia, and Africa to explore in regions of origin of the target weeds and insects.

domain: agronomy


Every year, eVolo Magazine’s Skyscraper Competition recognizes outstanding ideas that redefine skyscraper design through new technologies, materials, programs, aesthetics, and spatial organizations. This year, first place went to a building few would define as a skyscraper, aside from its height: the LO2P Recycling Skyscraper.
Designed for New Delhi, one of the most polluted cities in the world, by Atelier CMJN (Julien Combes, Gaël Brulé) of France, the LO2P was conceived as a giant wind turbine made of recycled cars.
This is not a scheme in any way tangential to the surrounding environment, as it’s estimated that a thousand new cars hit the roads every day in this rapidly developing city. The building would put old, defunct cars to work in its infrastructure, while acting as a kind of giant lung that would clean New Delhi’s air through a series of large-scale greenhouses serving as filters.
Another set of rotating filters here capture suspended particles in the air while the waste heat and carbon dioxide from the recycling center are used to grow plants that in turn produce biofuels.
This doesn’t appear to be a building intended for human habitation, but rather, a building designed to make living in the surrounding environment a little easier, via green energy and a pollution filtration system composed of a series of particle collector membranes, elevated greenhouses, and mineralization baths.


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Amazon, Fred Hutch collaborating on cancer vaccine clinical trial
Seattle juggernauts Fred Hutch Cancer Research Center and Amazon are joining forces to develop early-stage cancer vaccine trials.
Fred Hutch will leverage Amazon’s machine learning expertise for the trials, which will center around the safety of a vaccine for people with late-stage melanoma and breast cancer resistant to treatment. Phase I of the trial has a completion date of Nov. 1, 2023.
“It’s very early, but Fred Hutch recently received permission from the U.S. Food and Drug Administration to proceed with a Phase I clinical trial,” said an Amazon spokesperson. “This will be a long, multi-year process — should it progress, we would be open to working with other organizations in health care and life sciences that might also be interested in similar efforts.”
(Photo: courtesy of Fred Hutch)

domain: news


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Big Loud Records’ Country up-and-comer MORGAN WALLEN has released today his brand new video for “Whiskey Glasses.”
Directed by Justin Clough, the video follows Wallen throughout the day post-breakup as he drinks away the pain of heartbreak, scores a fresh haircut and leans on friends. Thanks to liquid courage and a get-over-her attitude, he takes the stage for a packed house performance in a smoky local bar. Check out the exclusive gallery on PEOPLE.com for a look behind-the-scenes.
“Whiskey Glasses” – penned by Ben Burgess and Kevin Kadish – is racking up tens of millions of streams and climbing the charts at Country radio. The track follows PLATINUM-certified #1 hit “Up Down” (feat. Florida Georgia Line) and is the latest single from Wallen’s debut album IF I KNOW ME – praised by Rolling Stone as “grounded in real experience.”
This weekend kicks off Wallen’s run as a special guest on Jake Owen’s LIFE’S WHATCHA MAKE IT TOUR. The on-fire entertainer will ignite the party in Wilkes-Barre, PA (10/4), Norfolk, VA (10/5) and Charleston, SC (10/6).
About Morgan Wallen:
Morgan Wallen’s PLATINUM-certified #1 single “Up Down,” featuring Florida Georgia Line, has earned high praise from the likes of Billboard, Rolling Stone Country, Sounds Like Nashville, Morning Hangover, Whiskey Riff and more. His anticipated follow-up “Whiskey Glasses” is currently climbing the Country radio charts. With more than 330 million combined digital streams to his credit, the engaging entertainer was named to CMT’s LISTEN UP “18 for 2018” class of newcomers and sharpened his performance skills opening for superstars including FGL and label mate Chris Lane. Following his run on Luke Bryan’s WHAT MAKES YOU COUNTRY TOUR, including high-profile stadium stops, he will join Jake Owen’s LIFE’S WHATCHA MAKE IT TOUR this fall in support of his debut album IF I KNOW ME, named one of Taste of Country’s “Top 10 Country Albums of 2018, So Far.” The in-demand songwriter has co-penned hits for A Thousand Horses, Dustin Lynch, and Kane Brown, as well as Jason Aldean’s PLATINUM-certified #1 “You Make It Easy.” Born in Sneedville, Tenn. (also home to bluegrass legend Jimmy Martin), Wallen was a star on the baseball diamond, attended the same high school as Country superstar Kenny Chesney, and has deep roots in the church. With a Hard Rock-loving preacher for a father and a mother who couldn’t get enough Country and contemporary Christian music, Wallen began performing for his local congregation at the tender age of 3 and went on to develop a strong love of Country, Rock and Hip-Hop.


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"This is a sign of some captives struggling, not the model struggling-and most of those shut down were very small and barely got started," Simonson says. "It should be expected that not all new entities (captives or other operations) will be successful."
Simonson points out that 30 percent of the top 20 IT service providers that Everest tracks have been acquired in the last three years, yet that does not mean that the IT service provider model is struggling. "Failures of some entities does not mean the model is flawed," Simonson says. "The landscape continues to evolve."
While captive offshoring success was defined in the past by meeting cost reduction goals and effectively managing risk, going forward additional value will be required.
"The value may be in terms of ability to ramp up and down resources for ad-hoc needs, create new ideas that advance the status quo, contribute talent to the global leadership of an organization, or provide an option to enter or better serve new geographic markets," Simonson says. "Success increasingly becomes about the impact the captive has on the broader organization, not just the cost of a process or activity."
To gauge the health of the captive center market in the future, adds Simonson, analysts will need to look not at the number of new captives established, but at the growth of existing captives. "The captive market will continue to grow, but largely by existing organizations both scaling and evolving the nature of work they perform," he says. "[But] most firms for whom captives make sense already have a presence."
While India remains the center of the captive universe, add Simonson, the model will be even more important in other offshore locations. "For example, large high-tech companies will see China captive operations as important for a combination of localization of products for east Asia, providing back-office support to other east Asian geographies, and supporting the domestic China market," Simonson says. "Due to the diversity of languages, industry knowledge, and domestic market business opportunities, the use of captives outside of India is more precisely defined."
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domain: geography


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Big Idea Turns into Big Collaboration
Kate Myers' Independent Project Attracts Regional Interest
Funding for this project provided
by IUP ArtsPath and the Apollo-Ridge
Education Foundation with technical support from Armstrong Conservation District and Allegheny Ridge Corporation.
Kate Myers (2022) had an idea for her Independent Project. She envisioned painting murals around Apollo Borough's storm drains to bring to the public's attention the impact they have on the Kiskiminetas River.
Next stop - Education Foundation
After discussing the project with Danielle White, Kate's Gifted Support Teacher, the Education Foundation suggested that the project become an artist residency through IUP's ArtsPath program.
Wilke demonstrates painting techniques the students will use.
Kate Myers, Bernie Wilke, Art Teacher Dan Barrett, and Allegheny Ridge's Laura Hawkins map out the mural locations.
A call from Allegheny Ridge Corporation
Laura Hawkins reached out to the Education Foundation on behalf of the Armstrong Conservation District. The District was looking for communities who might be interested in using murals around storm drains to educate the public on their impact on the local rivers.
Armstrong Conservation District visits the art room
Holly Laird, Maria Sorce, and Kodie Rearick spent a morning with the students explaining how storm drains work and offered suggestions anyone can do to protect our waterways.
Holly, Maria, and Kodie explained the effects of storm water runoff.
Apollo-Ridge students adding their touch to a sample mural at May Daze in Owens Grove.
The project was on display at May Daze
Kate presented her idea to Apollo Borough Council and the Roaring Run Watershed Association to gain their permission for the project. In addition to the storm drain murals, similar murals will be placed on the section of the bike trail that passes beside the Apollo Plaza.


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Northwest Farm Credit Services
Farm Credit ServicesTM, also known as Northwest Farm Credit Services or Northwest FCS, is a cooperatively owned lending association specializing in financing farmers, ranchers, agribusinesses, commercial fishermen, timber producers, and country home owners in Idaho, Montana, Oregon, Washington, and Alaska. It also provides leasing and appraisal services, and life, mortgage, disability, and crop insurance programs.
We specialize in:
- Funding Opportunities for Farmers
We can also help you with:
We work in these areas:


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It’s a real burden to pay to access free slots at casinos. After all, you can simply show up and play spider solitario online for fun , right? Unfortunately, the « fun » you have is quite limited if the casino has to charge you, even if you’re playing just for fun. What are you able to do? Here are some tips you can do in order to get the free slots you’ve been searching for without having to spend any money to play them.
Listings are the best way to locate free slots machines. There are a myriad of different casinos online that provide slot games that are free. Some sites provide basic games with a limited amount of slots. Others offer higher-quality options. You can pick between these two kinds of sites. If you want to play free slots on an « old-school » site which isn’t popular, you can still find a large variety of games on searching for the kind of casino you are looking for. If you are searching for « new » slots, however, you will be more difficult finding them.
One of the ways that you can avoid paying for casino slot games online is to sign up. Many casinos offer a sign-up bonus or free registration for new players. These bonuses can be beneficial especially if it is your first experience with. You will usually need an email address for contact to inform your friends about the games you can play to have enjoyment. The casino will send you an email when your account is nearing expiration. This will let you know that you must immediately act if the casino is closing.
You can spin any of the available reels of a slot machine, whether you’re just beginning out or just looking for a bit of excitement on a weekend afternoon. Some of these are paylines, and some of them are bonus games. This is the best way to learn how to play when you are just beginning to play.
The most rapidly growing trend in online slot games is bonus rounds. These games are short and exciting.offer triple the money or more than regular spins. To earn the bonuses you need to get three wilds on the same reel. Play until you have a wild on an igt yes, and then pay the appropriate fee. This allows you to play more often for the same amount of money but with less hassle.
As you get more experience, you can start playing on reels that give an additional boost to your chances of winning the wild bonus round. You can get this boost using money or by placing a modest bet. For example, you can place a small bet on the slots , and then use your winnings to get the chance to play for free. A little bit of practice and you’ll soon be capable of switching between various slots with relative ease and with confidence.
There are many differences between the classic and modern slots when you begin playing online. The majority of slots utilize the random number generator however the way in which slots function has changed a lot from the beginning. In the old slot machines, players had a chance to get a set number before starting the game. It was the result of a predetermined number of results which made the slot games more enjoyable. Today , you are more likely to have a positive or bad luck il solitario outcome playing.
To play the most enjoyable free slots and classic slots There are a myriad options to download free casino games to play. You can download casino free games by joining an online casino. But, you must be a member in order to download games. Other options are available such as joining a game download website which allows you to gain access by signing up and downloading the software. If you don’t intend to download any games, you will have to pay an additional cost.

domain: hobby


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Since, my childhood I had this strange fascination with books. Reading is one of my favourite things to do. Even as a kid I was so addicted to reading that I would take them with me in school and read them in between lectures. I still make it a point to have couple of books/novels in my backpack.
Recently, I borrowed this book from a friend of mine Katherine Frank's “Indira : The Life of Indira Nehru Gandhi”. It is a beautiful biography of Indira Nehru Gandhi. The book covers each aspect
of her life. There are numerous misconceptions about Indira, which are cleared in this biography. It gave me a better idea about who Indira Gandhi was as a person, daughter, mother, friend, wife,
and social figure.
She was born in one of the most influential families in India. The books has a section where her father Honourable Jawaharlal Nehru told that she was born during the rise of Russian Revolution. Hence, her role in Indian politics was notable since she came from a bloodline of leaders.
Her father and family was always in the limelight. As a kid, she grew up in difficult environment and saw people struggle. Such an ambience was greatly responsible for fuelling patriotism and gaining interest in Indian politics. The book helps you visualize, various situation in young Indra’s life and people or friends who inspired her.
This book perfectly depicts her journey from Anand Bhavan in Allahabad to the Prime Minister's residence at 1 Safdarjung Road, New Delhi. There were various phases and stories in young Indra’s life related to her teenage, academics, married, as well as social life. All these this that I was unaware was well portrayed in the book by the author Katherine Frank.
This Book “Indira : The Life of Indira Nehru Gandhi” characterize the different aspects on Indira Gandhi's personality. The pressure that she faced from the society and how she found it hard to make, people understand her thoughts and feelings. The book offers an insight on some of the most painful as well as joyful moments in the life of Indira Priyadarshini Nehru Gandhi.
I loved the book so you people should check it out. If you love reading as well as history, you would definitely love this Biography.

domain: library


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The perfect pastry in 60 seconds! This is an ingenious tool—no need to pre-cube butter or pre-mix dry ingredients. Winner of the Best in Class with 98% approval rating from Cooking Club of America 2012.
With diamond-shaped blades that minimize clumping, it can cut through ingredients in record time. No need to pre-cut your butter or shortening, simply add directly to the flour for superior results with minimum effort. Great for pastry, streusel, biscuit doughs and more. 6" l. Dishwasher safe. Made in Canada.
Care: Dishwasher safe
Dimensions: 6" l
Material: Rubber and stainless steel
An ingenious tool
Diamond-shaped blades minimize clumping
Can cut through ingredients in record time
No need to pre-cut your butter or shortening
Simply add directly to the flour for superior results with minimum effort
Great for pastry, streusel, biscuit doughs and more
I know another reviewer did not care for this pastry blender, but I LOVE it! I have 4 different pastry blenders, and this is by far my favorite one. I am not sure what it is about this one, but even when I dump a full cup of lard (with no pre-chunking) into my flour mix, this little guy has it chopped up and ready for pie crust within a minute. No more scraping the fat off the ends of the pastry blender, and no more tired hands from long mixing times. Even the way the sides of this blender are shaped was well thought-out, as they easily get to the edges of the bowl. I make an average of 2 pies a week, and this is now the only pastry blender I use. Very pleased with this item, and intend to buy one for my sister
This is what your Grandma's Pastry Blender Should Have Been!
Without a doubt and without parallell, this is the BEST and MOST versitile pastry blender . . . EVER! Calling it simply a "pastry blender" does this MUST HAVE kitchen tool a gargantuan disservice--I use it for pastry blending, of course, but, it chops and mashes avocados for guacamole , it chops boneless cooked chicken into uniform pieces for burritos, it chops nuts and on and on. It's balanced, strong and its design was clearly and cleverly conceived and put to practice. It is one of those kitchen tools that, once you have in your possession, you'll find a multitude of cooking tasks that are made simple and fast by this superior chef's tool. Good cooking to all!
I purchased this product based on the glowing description that came with it. I'm always looking for an improvement on the basic pastry blender, because I bake professionally and use one everyday. It was awkward to use, making the process more lengthy. I gave it three different tries and each time had to use my regular tool to finish the job. Considering the price and how highly it was recommended, it's a shame I'm throwing it in the trash


Feb 08, 2021 Vincent Corporation Dewatering Screw Press Design amp Manufacturing Since 1931. Vincent Corporation specializes in the design, engineering and manufacturing of screw presses. These are machines that squeeze liquid out of organic material, operating in a continuous not batch mode.
Malhotra Machinery Trading - Wholesale Trader of centerless grinder, screw press amp forging screw press machine since 1994 in Pune, Maharashtra. Nature of Business. Wholesale Trader. Total Number of Employees. Upto 10 People. Year of Establishment. 1994. Legal Status of Firm. Partnership Firm. Annual Turnover.
Various grinderpress combinations from Happy Valley Ranch Basket Presses on eBay As with hand-cranked grinders, a small, manually-operated basket press is perfectly fine for home cidermaking though even that can be labor-intensive if you happen to have a productive, seedling apple tree on your hands, the commercial cidery that works with ...
BLOCE Pollen Press Tool, T Shape Herb Grinder, 4.7 Inch Aluminum Metal Hash Compressor with Gift Box for Garlic Salt Pepper. Add to Cart Add to Cart Add to Cart Add to Cart ... I went to make my 6th pressed item with the pollen press and THE SCREW CAP that the handle screws through to tighten the bolt down, the caps teeth came off in the bolts ...
This was my winter project, a apple grinder and screw press to make apple cider. We have a small orchard and have extra apple that are perfect for cider. The frame is treated 4 X 4 and 2 X 2. the press bed is 2 X 2 hard maple laminated, The grinder drum is oak turned and has stainless steel screw inserted to grind the apples to pulp, which it ...
CRI-MAN offer chopper and grinder pumps, mixers, screw press separators, hygienizing biocellsaerobic digesters for livestock, biogas and industry plants. The Italian company is famous worldwide for the quality and reliability of its pumps, mixers, screw press separators and
Craftier folk can rig a more-traditional rack and cloth press, using either an antique house screw or an auto hydraulic jack, and order only a grinder. Orchard Supply Continue Reading
40V max XGT Brushless Cordless 412 5 Paddle Switch Angle Grinder Kit. This XGT Angle Grinder delivers corded grinding performance without the cord. It is ideal for the demanding grinding and cutting of wide range of materials including tile, concrete, pipe, conduit, and more.
The TASKMASTER grinder reduces the solids to small particles, loosens biological material and increases surface area. The reduced solids are ideally conditioned for further processing by the SPIRALIFT screw screen.
Learn how to convert a right angle grinder from grinding to cutting - covering guard setup, wheel mounting TYPE 01 vs TYPE 27, flanges and more
Grinder Official Audio Stream Top Tracks on Spotify httpssmarturl.itPriestTopTracksListen on Apple Music httpssmarturl.itBritishSteelListen on Amaz...
Bhavya Machine Tools offers various types of machine tools including complex grinder, drill bit grinder, end mill grinder, screw tap grinder, saw blade grinder, tool grinder, chamfer machine and standard accessories at most affordable rates from Ahmedabad, India.
NEW - 4-12 - 5 Heavy Duty Angle Grinders Fast material removal with a heavy duty motor in a compact, ergonomic and lightweight design for improved handling The NEW Metabo WP 1100-125, 4-12 - 5 Angle Grinder with Lock-on, is engineered to deliver fast material removal in a compact, ergonomic and lightweight design for improved handling.
Superior Ball Screw Repair LLC 2466 US-41 Ringgold, GA 30736 Office 706-965-3404 Hours of Operation
Vincent Corporation is the worlds largest focused screw press company, employing 50 Machinists, Welders, Engineers and CADCAM design staff at our factory in Tampa, Florida. Hemp is just one of 100s of applications we provide solutions for. We have pressed more types of material than any other screw press company.
n January 2021 a sludge dewatering system was launched in Phoenix, AZ, at one of the largest breweries in the USA. This system is designed for around-the-clock operation and includes one multi-disc screw press dehydrator MDQ-354 C and three shaftless screw conveyors.... read more
Our screw foot is made of cast iron and distributes pressure evenly. The flywheel is 18lb cast iron construction and is attached to the grinding shaft for a smooth grinding speed. Sharp Corners Sharper Soft Corners Softer
Cider Press, Apple Press, Grape Presses for al types of fruits. Pea Sheller Machines, Pecan Crackers Cider Presses ship in 7-14 days Welcome to The Fruit Press The Fruit Press is the place to find amp buy Cider and Wine Presses. ... Perfect for use on your Acme Screw and Grinder
Save apple cider press grinder to get e-mail alerts and updates on your eBay Feed. ... ANTIQUE APPLE CIDER PRESS WINE PRESS ORNATE SCREW DOWN 10 QUART. 190.00. Free local pickup. or Best Offer. Watch S p o n s o r e d. LARGE WINE PRESS FROM ITALY - WINE, CIDER, FRUIT, APPLE - HEAVY DUTY. Pre-Owned.
When choosing a grinder you need to first consider the job you are intending to use it for. Small grinders are more versatile due to their smaller bodies and lighter weights and tend to operate at much higher rpms than the larger ones, giving more precise clean cuts, but the larger discs and more powerful motors on bigger grinders allow for deeper cutting and more heavy duty removal of ...
For storage Id like to come up with a good cover, perhaps a modified barbecue cover or a tarp sewn into a giant envelope, that could close all the way around the press and keep the spiders out. Grinder options It would be fun to affix a bike gear to the axle of the grinder wheel, slap on a chain and figure out a way to pedal the grinder with ...
The more technical term for the expeller is screw press. Figure 2. Undated early 20th century screw press courtesy of HF PressLipidTech. The invention of Mr. Anderson rapidly replaced the discontinuously operating hydraulic strainer cage presses. In principle the structure of the screw press is similar to the expander. Figure 3.
Screw press with crusher is a kind of dewatering screw press. When operating, first crushing the fruit or the vegetable, then squeezing the crushed fruit or vegetable, this process can enhance the dewatering efficiency. Screw press is a dewatering machine which separates the
Orphan Espresso Manual Coffee Grinders - Pharos, and Lido 2 for hand grinding your coffee beans.


bet on me said:My parents have lived in the same house for about 30 years. When they moved into the house it was in a 150 year flood plain. 5 years ago the city re-zoned and they are now in a 15 year flood plain. Their insurance has skyrocketed and they've had to evacuate every October for the past 3 years. The city has bought some of the homes in the area (those that would be under 10+ feet of water). The problem is that the city keeps widening roads and adding roads to the area they live in. While it's not rural, the creek that runs near their home gets the runoff from all over the city.
It's been devistating to the worth of their home not to mention the stress of evacuating every year.
The city just announced a new plan to build a "flood wall" on the edge of the neighborhood. How ugly! What other solutions to problems like this have you come across?


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You may find more results for this query on our sister sites: GenomeWeb and Precision Oncology News.
The firm plans to use the $13.3 million in net proceeds to fund ongoing operations, expansions of its liquid biopsy business, and to service its indebtedness.
The company plans to use proceeds to support its ongoing operations, expansion of its business, and to service existing debts.
The company said it anticipates using net proceeds for working capital and general corporate purposes.
The firm is offering 12.1 million shares of its common stock at a price to the public of $2.90 per share, for expected gross proceeds of $35.1 million.
Net proceeds from the offering of more than 4.9 million shares will be used for working capital and other general corporate purposes.
The offering was a follow-on to a capital raise during the summer that brought in $6 million. The company's CEO said the additional financing was needed to execute on its business plan.
The firm raised €4.7 million through a conditional placement, and €5.0 million through an unconditional direct subscription.
The firm, which said last week it expected to raise $15.9 million, has said it will use the net proceeds for working capital and general corporate purposes.
The company said it plans to use the net proceeds for working capital and general corporate purposes.
The offer of $402 per share was made in connection with Abbott's acquisition of Alere, which was completed on Tuesday.