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Logie, Fife, Scotland Genealogy
This is a guide to the history and major genealogical records of Scotland as they pertain to the parish of Logie. To learn more about how to use these records to search for your ancestors, go to the Scotland: Research Strategies.
- 1 History
- 2 Census Records
- 3 Church Records
- 4 Civil Registration Records
- 5 Probate Records
- 6 References
LOGIE, a parish, in the district of Cupar, county of Fife; containing the village of Lucklawhill-Feus, 4 miles (N. N. E.) from Cupar. This parish derives its name from the situation of its church in a hollow surrounded by hills, of which that term in the Gaelic language is descriptive. The church, built in 1826, and situated nearly in the centre of the parish, is a neat and substantial edifice adapted for a congregation of about 300 persons. The members of the Free Church have a place of worship.
The New Statistical Account of Scotland (pub. 1834-45) offers uniquely rich and detailed parish reports for the whole of Scotland, covering a vast range of topics including history, agriculture, education, trades, religion and social customs. The reports, written by the parish ministers, are available online at http://edina.ac.uk/stat-acc-scot/. Click on ‘Browse scanned pages’ then search the parish reports for Logie. Also available at the Family History Library.
A census is a count and description of the population, taken by the government, arranged by locality and by household. Read more about census records.
Here is a list of the Family History Library microfilm numbers for the census records of Logie as well as the library numbers for any surname indexes available:
|Year||FHL FIlm Numbers||Surname Indexes|
|1841||1042703||book 941.33 X22s; films 1145982-3; CD-ROM no. 1075|
|1861||0103831||CD-ROM no. 2524|
|1881||0203528||6086574 (8 fiche)|
The 1901 census of Scotland is indexed on www.scotlandspeople.gov.uk. To use it, you must register and pay a small access fee. All available censuses, 1841-1901, are indexed on this website. It may be easier for you to pay to use the website rather than access the separate indexes through the library.
The Established Church of Scotland was Presbyterian. Read more about church records.
Here are the pre-1855 records that exist for this parish.
Established Church—Old Parochial Registers
|Record Type||Years Covered||FHL Film Number|
|Births:||1660-1861||1040189 items 3-4|
|Marriages:||1660-1710 (proclamations)||1040189 items 3-4|
|Deaths:||1780-1851 (burials)||1040189 items 3-4|
Condition of Original Registers—
Index: For an index to these records, see Scotland’s People website, a pay-for-view website. The Scottish Church Records Index is also still available at the Family History Library in Salt Lake City. Some records may also be indexed in other FamilySearch collections for Scotland.
Births: Intermixed with marriages until 1817 and with deaths 1780–1817. After 1817 separate records. Mother's names seldom recorded with entries until December 1799.
Marriages: The marriage often not added to the entries of contract 1793–1817 inclusive.
Source: Key to the Parochial Registers of Scotland, by V. Ben Bloxham, pub. 1970. FHL British Book 941 K23b.
Established Church—Kirk Session Records
The Kirk session was the court of the parish. The session was made up of he minister and the land owners and business men of the parish, chosen to serve on the session. The Kirk session dealt with moral issues, minor criminal cases, matters of the poor and education, matters of discipline, and the general concerns of the parish. Kirk session records may also mention births, marriages, and deaths.
Here is a list of the surviving Kirk session records for this parish:
Note: Available at St. Andrews University Library, St. Andrews, Fife, Scotland, record CH2/767.
Nonconformist Church Records
A nonconformist church is any church that is not the Established church. Read more about nonconformity in Scotland in the article on the Scotland Church Records Union List.
Logie and Gauldry Free Church
The minister of Logie adhered to the Free Church in 1843. A church was built in the village of Logie and opened in January 1844. A manse was erected in 1846. From May 1843 a station was maintained at Gauldry. At Mr. Melville's death the assembly directed the union of Logie and Gauldry in one charge, recommending that a church should be built on a site convenient for both. The proprietor, however, refused a site and the charges remained separate, the churches being three miles apart. The union was affected in 1852. The majority of the people were at Gauldry where a weaver's shop was converted into a church in 1867. It was renovated in 1867and again in 1892. The district never recovered from the extinction of handloom weaving.
Membership: 1848, 109; 1900, 124.
Source: Annals of the Free Church of Scotland, 1843–1900, ed. Rev. William Ewing, D.D., 2 vols. pub. 1914. Film #918572. More details may be given in the source.
No known pre-1855 records.
Civil Registration Records
Government or civil registration of births, marriages, and deaths (also called statutory records) began on January 1, 1855 in Scotland. Each parish has a registrar's office and large cities have several. The records are created by the registrars and copies are sent to the General Register Office in Edinburgh. Annual indexes are then created for the records for the whole country.
See the article on Scotland Civil Registration for more information and to access the records.
Logie was under the probate jurisdiction of the Commissary Court of St. Andrews until 1823, and since then has been under the Sheriff's Court of Fife at Cupar. Probate records for 1513- 1901 are indexed online at www.scotlandspeople.gov.uk. You must register on the website but use of the index to probate records, called 'Wills & Testaments,' is free. You may then purchase a copy of the document or, if the document is before 1823, it will be on microfilm at the Family History Library. To find the microfilm numbers, search in the library catalog for the 'Place' of Fife and the subject of 'Probate records.' Then click on the link to the records of the Commissariat of St. Andrews.
The library also has some post-1823 probate records for Fife. Look in the library catalog for the 'Place' of Fife and the subjects of 'Probate Records' and 'Probate Records - Indexes.'
Read more about Scotland Probate Records.
- Lewis, Samuel A., A Topographical Dictionary of Scotland (1846), pp. 197-216. Adapted. Date accessed: 01 May 2014.
[Return to the Fife parish list.]


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domain: history


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The application of remote sensing techniques to sugarcane (Saccharum spp. hybrid) production: a review of the literature
Abstract:Remote sensing techniques provide timely, up-to-date and relatively accurate information for the management of sugarcane crop. This article reviews the literature on the application of remote sensing to sugarcane agriculture and highlights the challenges and opportunities pertinent to the success of this application. The aim of the review was to provide accurate and fundamental information relating the spectral properties of sugarcane to its agronomic, health and nutritional status characteristics that would be of importance to cane farmers and farm managers. The applications of the remote sensing techniques in sugarcane agriculture have been undertaken with particular emphasis on sugarcane classification and areal extent mapping, thermal age group identification, varietal discrimination, yield prediction and crop health and nutritional status monitoring. It can be concluded that by selecting appropriate spatial and spectral resolution as well as suitable processing techniques for extracting sugarcane spectral information, remotely sensed data should find use in sugarcane agriculture in all areas of application with satisfactory results.
Document Type: Research Article
Affiliations: School of Environmental Sciences, Howard College Campus, University of KwaZulu-Natal, Durban 4041, South Africa
Publication date: 2008-01-01

domain: agronomy


I have a MSI TRX40 Pro 10G board (not using the 10G card), TR3970X, 256GB DDR4, 2 nVidia RTX4000, 2 AMD Fire Pro WX7100, 2 PCIE4 M.2 SSDs, 5 SATA SSDs.
My issue is that the bottom slot with my second AMD card is seen in Vsphere 7 and can toggle pass through on, but when I assign it to a VM, it won’t boot and just gives a general can’t power on error.
Does it need to isolate the card before passing through?
Or, like unbind the system default driver?
I’m not sure. I am not very familiar with VMware. I am mostly a hyper V guy, but pass through seemed to be easier on VMware.
Well, I might suggest it might not be easier, if it does not work?
Is the card designed for virtualisation, or just a consumer card?
Oh, just re-read, the w7100, I guess it should be easier.
It is a workstation card, the other 3 cards worked flawlessly. It’s just this 4th card that’s not working. I have 4 VMs, each VM has a card, 1 not working.
I’m gonna step back, as I don’t have any experience with the cards.
As you are succeding with the other ones, I would guess it’s a system issue/ config that needs to be amended (rather than an option setting on the actual vm itself), but it’s beyond my knowlegde
cool deal, thanks for trying.
I removed the GPU that was having issues and now the other AMD card VM won’t boot. I think the host is trying to use it as well. I am now looking for a solution to make the host truly headless and not access any GPUs, if that’s possible.
update: I have decided to just get a cheap PCIEx1 GPU to use for host.
well, that didn’t work. It seems to only not work for whatever is in PCIe slot 2. Anyone else have any input? Or maybe recommend another board for us to try?


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Water colour painting of the Lady saint of holy death. Instead of skulls I painted her with lush black hair and blooming flowers, rising out of the yew tree bring hope and renewal. The mystery of life and death.
night, witchcraft, black-haired-girl, gothic, day-of-the-dead
watercolour painting of Gemini
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Original charcater, watercolour painting.
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A tiny hidden folk having tea with her friend at the back of my garden.
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Delirium from the graphic novel Sandman
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Sticky zombie portals, perfect for gatecrashing a party.
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It is fun to draw skulls.
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The strange and all who are not aligned with the mainstream.
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Alice in wonderland themed "Death"
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Watercolour painting of Capricorn
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Oriental themed Pisces with goldfish.
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Nasty union goons and leaders kill Twinkies....Riiiight, those nasty union goons gave the CEO a 300% pay raise, along with executive raises of 35 - 80%:http://www.inquisitr.com/401545/usps-loss-hostess-bankruptcy...The BCTGM was informed (via the Unsecured Creditor Committee) that the Hostess CEO was awarded a 300% raise (from approximately $750,000 to $2,550,000) prior to the January 11, 2012 bankruptcy filing. Additionally, at least nine additional top executives also received incredible raises ranging from 35% to 80%. For example, one such executive received a pay increase from $500,000 to $900,000. The chief negotiator for Hostess received a pay increase from $375,000 to $656,256.Dang unions and their greedy CEOs...oh, wait...Just curious tele, are you happy to be on the wrong side of *every* issue?
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domain: news


text:
Vincenti brings some joy on another frustrating day
Monday 14th January 2013, 2:29PM GMT.
GUERNSEY FC’S fixture congestion has worsened after their match at Egham Town was called off just hours before the scheduled kick-off on Saturday.
The Green Lions had already travelled to the UK for the top-of-the-table CCL Premier Division clash against the league leaders, but were informed of the referee’s decision at around 12.45pm, ahead of the 3pm start.
It meant another costly setback for GFC, with the club left in the UK without a fixture for the first time, while the re-arranged match on Tuesday 26 February will likely further cost the club in the region of £4,500.
The decision came because the referee thought four areas of the Runnymede Stadium pitch unsafe, despite photos from spectators at the ground appearing to show little wrong with the surface.
As for Vance and his squad, they changed their plans en route to Egham by travelling down to watch the Npower League Two clash between Aldershot Town and Accrington Stanley.


Will restarting the system flush BIND (named) cache? I use GNU/Linux.
yes it will; but you dont have to reboot the server; try:
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NINOW100 is a cross-artform programme of work by 18 artists, academics, activists, playwrights, and pioneering (ex)politicians that responds to or touches upon the Northern Irish Centenary of 2021, that is, the partition of Ireland and creation of Northern Ireland as a state.
You can explore all of the artistic responses to the Northern Ireland Centenary below - from poems to audio plays and written scripts to video essays - from the deeply personal to the fantastical.
Our hope is that their words will inspire personal reflection for the people of Northern Ireland, and for those outside of NI, an insight into the (often misunderstood) experience of living here.
We’ll be adding responses each week over the coming weeks this December, 2021, which will create and build upon the cacophony of voices heard here and that exist within NI.
Click the details tab for more information about the project.
The Now. The Next..
The contentious “anniversary” of the partition of Ireland and the establishment of Northern Ireland has offered many people a moment to reflect on the last 100 years and importantly, the next 100 and future of Northern Ireland.
To support this, the MAC has commissioned 18 artists, academics, activists, playwrights, and pioneering (ex)politicians to respond to this anniversary, which we are now delighted to release over the coming weeks.
The commissions, which span art forms from audio plays to poetry to essays, are presented here as a digital time capsule, of where we are now as a country, and what we hope Northern Ireland will look like 100 years from now (if it exists at all).
NINOW100 was initially devised as a small scale project that allowed for non-partisan insight and responses to the Centenary: how divisive the subject matter is cannot be overstated. However, as we tentatively lifted the lid on this subject matter, the commissionees found themselves overwhelmed by their desire to tell their own story; understand their identity; examine personal histories; unpick intergenerational trauma, and imagine a different and better future.
The intersection of religion, identity, and cultural history is unique to people who have lived in Northern Ireland – whether they were born here and left like so many do, migrated here, or are NI born and raised. Our participating artists have been brave, vulnerable, and honest, and we’re excited to share their work with you here.
Damian Gorman is a poet and playwright. Born and reared in Newcastle Co. Down, he now lives in Wales. His work has garnered awards as diverse as a Better Ireland Award and an MBE; a Golden Harp and a BAFTA. Alongside his “own” work, he has been an encourager of other people’s writing for 35 years. In the mid-1990s he was founding director of the pioneering An Crann project, which worked to “help people tell, and hear, the stories of the Troubles” through the arts. For 10 years from 2006 he worked to help facilitate dialogue between young Israelis and Palestinians as part of the “ground-breaking” Olive Tree programme.
His selected poems and memoir As If I Cared was recently published to great acclaim.
Damian is a Fellow of the Oxford Initiative for Global Ethics and Human Rights.
Tara Lynne O’Neill has been a professional actor working in TV, Film, Radio & Theatre for twenty-five years.
Actor in numerous premiere productions including Everything Between Us, (Tinderbox, Belfast, Glasgow, USA Tour).
Work on numerous Radio Productions for BBC & RTE most notably the Award-Winning Grenades for RTE (New Writing).
Work with numerous companies and theatres including Tinderbox, Kabosh, Ouroborous, Replay, PrimeCut, Greenshoot, The Lyric, Belfast, the MAC, Belfast, The Gate, Dublin, Solus Nua, Washington and 59E59, New York
Film/TV work includes dramas for HBO and CBS, BBC and most recently appearing in Derry Girls for Channel 4.
Writing work includes:
Commission for Brassneck Theatre Company, Belfast. Sew On and Sew Forth (First draft of play 2018)
Commission for Kabosh Theatre Company, Belfast. Gallagher Girls. (Produced 2018)
Co- Commission for the MAC & Cahoots Theatre Company, Belfast. The Elves and the Shoemaker (Full production 2018)
Co- Commission for the MAC, Belfast. A Christmas Carol (Full production 2019)
Commission for The Lyric Theatre, Belfast. Rough Girls (Full production 2021)
Mícheál McCann is a poet from Derry, living in Belfast. His poems have appeared in The Stinging Fly, Ambit, Poetry Ireland Review, Banshee Lit. and fourteen poems. He was a recipient of the inaugural Ireland Chair of Poetry Student Prize in 2019, and has received generous support from the Arts Council of Northern Ireland in that same year. His pamphlet of poems Safe Home was published by Green Bottle Press in 2020, and he is currently working on a collaborative text with Kerri ní Dochartaigh for Skein Press forthcoming in 2022.
Maria Fusco is an award-winning interdisciplinary writer born and brought up in Ardoyne, North Belfast. Her work is translated into twelve languages and she is currently Professor of Interdisciplinary Writing at Duncan of Jordanstone College of Art & Design, University of Dundee, as well as Visiting Professor at Hochschule fur Gestaltung, Frankfurt, the Lead of Practice Research Assembly at the Scottish Graduate School of Arts & Humanities, a Member of AHRC Peer Review College, Research Assessor of Carnegie Trust and Fellowship Reviewer at Netherlands Institute for Advanced Study, Royal Netherlands Academy of Arts & Sciences.
Find out more: mariafusco.net
Wendy Erskine debut short story collection, Sweet Home, was published by The Stinging Fly Press in September 2018, and Picador in June 2019. It was shortlisted for The Republic of Consciousness Prize and The Edge Hill Prize, and longlisted for The Gordon Burn Prize. It won the Butler Literary Prize and was optioned for TV. Her new collection, Dance Move, will be published in 2022 by Stinging Fly and Picador.
Dawn Purvis was born and brought up in Belfast. She describes herself as a recovering politician after leading the Progressive Unionist Party and being an MLA for East Belfast for four years. She is the former director of the Marie Stopes Northern Ireland. As well as her day job in social housing, she serves on a number of boards including Healing Through Remembering, Informing Choices NI, Alliance for Choice, Positive Life, and is the vice-chair of the John and Pat Hume Foundation for peaceful change and reconciliation.
Dr Margaret Ward is Honorary Senior Lecturer in History at Queen’s University and a former Director of the Women’s Resource and Development Agency. She has a PhD from the University of the West of England and an Honorary Doctor of Laws from the University of Ulster, for her contribution to advancing women’s equality. Her latest book is Fearless Woman: Hanna Sheehy Skeffington, Feminism and the Irish Revolution. She has recently published ‘Irish Suffrage: Remembrance, Commemoration and Memorialisation’ in (ed) Oona Crawley Women and the Decade of Commemorations (Indiana University Press) and ‘Gendered Memories: Belfast Cumann na mBan 1917-1922 in (ed.) Linda Connolly, Women and the Irish revolution (Irish Academic Press). Margaret is a board member of Libraries NI and a former Trustee of National Museums Northern Ireland.
Anesu Khanya Mtowa is a student currently studying at Queen’s University Belfast. She was recently a participant in the 21 Artists for the 21st Century Programme, where she features in the upcoming anthology Awkward Middle Children. Her work focuses on the disordered relationship she has with her Femininity, her Blackness and her family. Anesu can be found on Facebook @AnesuKhanyaMtowa and Twitter @ulster_afro.
Michael Patrick (actor/writer) & Oisín Kearney (writer/director) are a Belfast-based creative partnership. Theatre writing: My Left Nut (Fishamble’s Show in a Bag); The Alternative (Fishamble’s A Play for Ireland, winner of two Irish Times Theatre Awards), and currently under commission with Prime Cut Productions. Current members of ITI’s Virtual Attic and Bewley’s Cafe Theatre New Writing Initiative.
Jan Carson is a writer and community arts facilitator based in Belfast, Northern Ireland. She has a novel, Malcolm Orange Disappears and short story collection, Children’s Children, (Liberties Press), two micro-fiction collections, Postcard Stories 1 and 2 (Emma Press) and a short story collection, The Last Resort (Doubleday). Her novel The Fire Starters (Doubleday) won the EU Prize for Literature for Ireland 2019, the Kitschies Prize for Speculative Fiction 2020 and was shortlisted for the Dalkey Book Prize 2020. Jan won the Harper’s Bazaar short story competition in 2016 and has been shortlisted for the BBC National Story Prize, Sean O’Faolain Short Story Prize and the An Post Irish Short Story of the Year Award. Jan’s forthcoming novel, The Raptures will be published by Doubleday on January 6th 2022.
Since starting as an open spot at a local comedy club, Jake has regularly appeared on both television and radio for almost three decades, becoming one of NI’s best-known comics.
Jake has presented documentaries on topics ranging from the Euros to the demolition of the King’s Hall. He’s been a weekend columnist in NI’s most popular paper, the Irish News, for the last five years. Jake also writes and performs a review of the year comedy show, which has sold out theatres around NI for the last seven years. Jake’s show exhibits political satire at its sharpest. With Jake there is no divide, from playing sold-out shows at Féile an Phobail to the Shankill road’s Spectrum Centre, he has the rare talent to cross all political and religious denominations, taking an honest, critical and very funny look at life on both sides!
Abby Oliveira is a writer, performer, lyricist, and theatre maker based in Derry. She has been an eminent member of the Irish spoken-word scene for over a decade. She performs regularly at events and festivals throughout the UK, Ireland & abroad and has toured work in Australia, New Zealand (via support from Arts Council NI), and Singapore. She has had work commissioned by BBC Radio 4 and Foyle, RTE radio, and more.
Emma DeSouza is a writer, commentator and civil rights activist. She successfully reaffirmed the identity and citizenship provisions of the Good Friday Agreement by securing legislative changes to domestic UK immigration law through a lengthy court challenge. She works in the area of constitutional law and is an advocate for the full implementation of the Good Friday Agreement and enforceable human rights protections in Northern Ireland.
Emma is the Chairperson of the All-island women’s Forum, leadership coordinator at a leading national NGO, the vice-chair of votingrights.ie and sits on the board of 50:50Ni
She is a regular contributor to The Irish Times and has also been published in the Guardian, Byline Times, Huffpost UK, The Irish Examiner, Irish News, Journal.ie and Sunday Business Post.
Emma is working on her first book on the power of civil rights movements and how individuals can challenge the state and change the law.
Emily DeDakis grew up in the southeast U.S. and now lives in north Belfast. She is a writer, producer and dramaturg currently teaching playwriting at Ulster University and working with Fighting Words NI (a creative writing centre for young people, where she mentors and coordinates teen scriptwriting projects). Emily’s writing has appeared in Dead Housekeeping, The Vacuum, Ulster Tatler, Yellow Nib, Of Mouth, Choice Words, Household Belfast, and on BBC radio and television. She sings in the experimental choir HIVE and often collaborates with sonic artists on sound/text pieces.
Emma Campbell is an artist/activist member of Array Collective, who have been nominated for the 2021 Turner Prize. Emma gained her Documentary Photography BA (Hons) at U.W.C.N Newport in 2001, an MFA in Photography at Ulster University in 2012, and continues her practice-based PhD addressing photography as an activist tool, an artist practice and as reflexive academic inquiry in the movement for abortion rights.
Inspired by methods used by the women photography collectives in her historical research, Emma employs archive images, documentary, film, group performance, found images, street art and collage. For her forthcoming practice supported by University of Atypical she is using photography and sculpture to create a series of pre-Christian-esque artefacts which reimagine fantastical queer feminist icons. Emma also collaborates frequently with Irish artist Siobhán Clancy and is co-convenor of Alliance for Choice. Emma has exhibited in solo shows in Belfast, Dublin & Berlin and in group shows in London, Liverpool, Donegal, Dublin, Belfast, Stockholm, and Bangkok as well as street art and online.


As you slept, Florida singer T-Pain and Virginia superstar Chris Brown unleashed a new track called ‘Wake Up Dead’. The premise of the song is interesting because it is all about not wanting to wake up dead. Speaking to the concept of one’s soul knowing it has left the body, and seeing the lifeless body where it lays. If there’s anything we know about T-Pain, he has a unique way of telling stories and is known for being straightforward even if being in love with a stripper in 2005 was unpopular. During his Instagram Live battle with Atlanta musical icon Lil Jon, T-Pain played the (then) unreleased track for fans. Now, it is available everywhere. Check it out below.


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Mapping pathways for DNAPL migration reduces required test wells, saves drilling costs
When trichloroethene (TCE) was detected in a spring offsite from a capped landfill in central Tennessee, the State wanted to drill and sample a deep structure beneath the landfill to find the contaminant. A FxMine induced polarization (IP) survey in an agreed test section provided a 3D map of linear anomalies, interpreted as geologic structures and karst development.
Clays within the structures and migrating conductive leachate appeared to “light up” the IP response, providing an indirect map of contaminant migration pathways. Seven boreholes were drilled on and off IP anomalies.
Nominal depths to bedrock (24 to 35 meters) were observed away from the IP-defined structures, but deep bedrock (>99 meters in one case) occurred within pockets of high IP response. These results were used to site two monitoring wells.
The preliminary results were available in the field, permitting the geophysics team, client, and state regulator to confer and make on-the-spot decisions. This led to the determination that we had tagged the most likely spot for contaminant accumulation and fewer borings and wells were required to test a “worst-case” scenario.
Drilling has confirmed the results. Based on reasonable assumptions, geophysical services have saved $134,000 in drilling costs just within the test area.

domain: geography


MasterImage 3D Introduces MI-2100S, Digital 3D Cinema System for India and China, at CineAsia
Designed With Small Form Factor to Address Theatres with Low-Window Projection Rooms -
At the CineAsia Conference in Hong Kong this week, 3D technology company MasterImage 3D introduced a new digital 3D cinema system, the MI-2100S, designed with a small form-factor to meet the needs of theatres with low projection windows.
The system will be available in India and China, and is being showcased at booth 511, Hall 5 of the Hong Kong Convention & Exhibit Center.
(Photo: https://www.prnasia.com/sa/2010/12/03/20101203823426.html )
The new MI-2100S is a smaller version of the companyâ€™s popular MI-2100 digital 3D cinema system, and delivers the same high image clarity and compelling, ownership-based business model as the original product. While it was designed smaller, to sit lower, the new MI-2100S includes an optional stand; a fast, programmable up/down electric lift actuator that enables it to be used in either low-window or standard projection rooms. The new system also includes improved automation interfaces and programming options for Ethernet and 3D, and a new filter for its circular polarizing wheel that improves overall brightness, which is available for both the MI-2100 and MI-2100S systems.
MasterImage 3D Chairman and CEO, Younghoon Lee, said, “We heard from theatres in India and China that they wanted to convert to 3D, but that their projection rooms didnâ€™t accommodate the size of most 3D cinema systems. We were able to engineer a smaller version of the MI-2100 to meet their projection room dimensions and update it with new capabilities at the same time.”
SATHYAM CINEMAS and ESCAPE CINEMAS (SPI Cinemas Pvt Ltd) in Tamil Nadu, India was an early adopter of the MasterImage 3D MI-2100S system. “Having a small projection room has not stopped us from bringing the excitement of 3D to audiences,” said D. Teddy Joshua, Manager, at SPI Cinemas Pvt Ltd. “The new MasterImage system is designed for small spaces and has been perfectly stable and reliable.”
About MasterImage 3D LLC
MasterImage 3D LLC is a 3D technology company that provides pioneering solutions for theaters, mobile devices and gaming. With digital 3D cinema systems installed in 42 countries, MasterImage 3D is a fast-growing digital 3D cinema system supplier, offering audiences the clearest, sharpest 3D experience while providing exhibitors with a compelling ownership-based pricing model. The companyâ€™s auto-stereoscopic display technology enabled one of the worldâ€™s first glasses-free 3D mobile phones and its 3D camera ASIC empowers users to create and share 3D content. Founded in 2004, the company is privately held and headquartered in Hollywood, with offices in the UK, Tokyo, Seoul and Beijing.
Sales & Marketing contact:
Source: MasterImage 3D LLC
Press contact: Justin, +82-2-3438-1628, email@example.com; Sales & Marketing contact: Dan Zheng, +82-2-3438-1620, firstname.lastname@example.org
Image by edwin.11 via Flickr


text:
In the game LA Car Parking you will discover the pleasure of parking. Test your parking skills and set the car in the designated place without colliding with other cars or obstacles.
Kizi and Mizi: We've played LA Car Parking 2090 times and we still don't have enough!
If you like
Car games be sure to check out other free games and play online now.
LA Car Parking is an excellent GAMEDISTRIBUTION game that you can play on Kizi Mizi absolutely for free. It was added to our website on 16 April 2020. So far, the game has been played 2090 times and received a rating of 100/100 out of a total of 2 user ratings , 2 likes and 0 dislikes. LA Car Parking is made in HTML5 technology, so it will play well in all popular browsers. You can play this online game only on a computer or laptop. The game window resolution has been optimized for the best visual performance, so you can now play in a window or full screen.

domain: entertainment


text:
Something a little different for the My Helpful Hints website today, a review of Money Games from the Mortgage Calculator website. I said it was a little different!
I love games, especially mobile and web browser games, and so when approached by the Mortgage Calculator website to review their games section I was intrigued to discover more. There’s a ton of free games, most with a money element behind them available to play, for free. A great way to play and learn about finances too. Especially tycoon type games, a personal favourite of mine, I spent hours playing tycoon-based games in my childhood.
You’re also able to play on mobile too, the games resize to suit your device, very easy and quick loading too.
So, today I’ll share with you some of my favourites, and hopefully you’ll be joining me soon in playing them.
I’ve been playing games now on the Mortgage Calculator for a few weeks, I’m slightly hooked if I’m being honest. They’re so easy and quick to load up on my phone, easy to pause (without the faff of live based games) to deal with other queries, then return to playing again.
My absolute favourite game is Merge Blocks. I’ve lost hours of time playing this game. The objective is to place different sized blocks onto the board, then merge three of them. It’s hard though, especially when the block you need doesn’t appear.
I struggled to get passed block 6, you try getting three number 6’s together 😂
Another one I enjoyed was Idle Pet Business. A basic tycoon-based game where you profit from your own pet shop, which includes hamsters, cats, dogs, rabbits, and parrots. You upgrade each to earn more profit. It’s an easy game, but one that passes the time.
There must be well over 70 free games to choose from, you’ll never be bored again. There are even some NFT and Crypto based games too, something for everyone and for all ages too.
I have thoroughly enjoyed the free online Money Games on the Mortgage Calculator website. They’re great and ideal for kids too, no adverts or investment needed to complete levels or tasks. Most app-based games require or imply some sort of payment to complete levels or tasks, but these games require none of that. They’re also educational too, a bonus, especially when teaching kids, the value of money.
Highly suggest you check out the free selection of Money Games. You won’t be disappointed.
Thank you for taking the time to read my post. If you’d like to add a comment or thought on this post, please use the comments section below. I can also be contacted via the online contact form. Keep up to date with the latest news on social media.

domain: game


Impact at KTH
The purpose of KTH's work with impact is to describe and communicate the impact the institute has on its surrounding society through research, education, and cooperation.
What is impact?
The term impact can be defined as an effect on, change or benefit to the economy, society, culture, public policy or services, health, the environment, or quality of life, beyond academia. Impact can also mean an effect on, change or benefit to the activity, attitude, awareness, behaviour, capacity, opportunity, performance, policy, practice or process, or an understanding of an audience, beneficiary, community, constituency, organisation, or individuals in any geographic location.
The work with impact aims to contribute to inspiration, systematics and concrete thinking to strengthen, describe and demonstrate the impact KTH has on society. Several external factors push impact higher up on the agenda, for example:
- Increased demands regarding including impact in research applications.
- Coming requirements to display one's impact when applying for academic positions.
- Higher demands (globally) to demonstrate the societal impact of research and education.
- Swedish politics wants to see what good tax-funded grants do.
There are several benefits for KTH to work with impact, for example:
- Be perceived as a leading party nationally within impact.
- Be competitive when applying for research funds (where the impact has a central role).
- Increase the public and private sector engagement in our programmes and courses.
- Create internal transparency and thereby increase the possibilities of collaboration.
- Encourage multidisciplinary cooperation in research and education.
- Increase the appeal for KTH's students and employees.
KTH has been working with impact as a term since 2012. That same year, KTH performed the research evaluation RAE2012, in which sections on impact and engagement were included. KTH has recently concluded another evaluation (RAE2021) in which impact played a significant and vital part.
Since 2013, several initiatives have been to increase knowledge and systematics to display KTH's effects on society. In 2015, KTH instated the role of impact leader. The impact leaders coordinate the local work with impact at their respective schools.
The effort was financially supported by Vinnova between 2013 to 2017 and afterward by KTH. Impact is now an integrated part of KTH's operations.
President's decision on the plan for the development of KTH's work with societal impact (in Swedish) (pdf 919 kB)
KTH's work with impact is coordinated by Johan Blaus:
Each of KTH's five schools has at least one impact leader. The impact leader is responsible for the strategic work at his or her school. Each school also have at least one school communicator connected to the area.


This Cooling Pillowcase features innovative Q-Max cooling fibres which absorb body heat and warm air to keep you cool at night, staying comfortable in warmer weather. With a Q-Max cooling rating of 0.45, it offers superior cooling compared to a standard pillowcases 0.2. This cool pillowcase features both a 100% nylon cooling side and a 100% cotton warming side for year-round use.
- Super-Soft Fabrics: Crafted from a cooling nylon side and cotton warming side
- Innovative Cooling Fibres: Provide superior Q-Max 0.45 cooling to keep you fresh and prevent sweating during the night.
- Double-Sided: Enjoy year-round use thanks to the double-sided design
- Machine Washable: Just pop it in the washing machine at a maximum of 30C to keep it looking new.
- Hidden Zip: Allows you to fit the pillowcase around your pillow perfectly.
Free UK Delivery
All orders sent within the United Kingdom come with free next working day delivery.
All orders placed within Europe come with free Standard Delivery.
Please allow 1-5 working days for your order to arrive.
Pre-Order Delivery (UK only)
All pre-orders will be dispatched as soon as stock becomes available. You’ll receive a shipping confirmation email once your order has been shipped. Pre-order delivery dates are subject to change.
In order to initiate your return, please notify our Customer Care Team at firstname.lastname@example.org, within 14 days of receiving your order. To be eligible for a refund, your product should be unused.
You will then have an additional 14 days to return your order back to us, so your refund can be issued.
Please click here for further information about returns.
For EU customers, please see here.
If you’re concerned that your product is faulty, please contact our Customer Care Team here.
For EU customers, please contact our Customer Care Team here.
- Model CH-PLC01W-UK
- Colour Cooling Side: White; Breathable Cotton: Grey
- Machine Wash Yes
- Product Name 2 Pcs Cooling Pillow Case
- Product Dimensions 80 x 50cm (x2)
- Packaging PE bag + Card Board
- Outer Cover Breathable Soft-Touch Bamboo Fabric
- Foam 40D shredded memory foam with 3D fibres
- Qmax >0.4
- Cooling Side 100% Cooling Nylon
- Cotton Side 100% knitted breathable cotton
- Opening Invisible Zip


text:
Treasury of Scripture Knowledge
Some [trust] in chariots, and some in horses, but we will make mention of the name of LORD our God.
And LORD discomfited Sisera, and all his chariots, and all his army, with the edge of the sword before Barak. And Sisera alighted from his chariot, and fled away on his feet.
2 Kings 7:6
For LORD had made the army of the Syrians to hear a noise of chariots, and a noise of horses, even the noise of a great army. And they said one to another, Lo, the king of Israel has hired against us the kings of the Hittites, and
The horse is prepared against the day of battle, but victory is from LORD.
I returned, and saw under the sun, that the race is not to the swift, nor the battle to the strong, neither yet bread to the wise, nor yet riches to men of understanding, nor yet favor to men of skill, but time and chance happens t
but ye said, No, for we will flee upon horses. Therefore ye shall flee. And [ye said], We will ride upon the swift. Therefore those who pursue you shall be swift.
Assyria shall not save us. We will not ride upon horses, nor will we say any more to the work of our hands, Our gods. For in thee the fatherless finds mercy.
He does not delight in the strength of the horse. He takes no pleasure in the legs of a man.
Have thou given the horse [his] might? Have thou clothed his neck with the quivering mane?
For I will not trust in my bow, nor shall my sword save me.

domain: literature


text:
By Jason Delgado
Sandy King Carpenter is a film producer with some impressive horror titles to her name such as: Village of the Damned, Vampires, and Ghosts of Mars. Lately, she’s been tackling the world of comics with her publishing imprint Storm King Comics, which was co-founded with her husband, the legendary king of horror films, director John Carpenter. Together, they focus on bringing top writers from the worlds of film, comics, and novels together to write horror and sci-fi comics, such as the award-winning John Carpenter’s Tales for a HalloweeNight. The latest additions to the Storm King lineup include John Carpenter’s Night Terrors, and John Carpenter Presents Storm Kids, which is a way of introducing horror and sci-fi to younger audiences.
Personally, I am glad that the Carpenters are bringing horror tales to kids, because my son innately has a fascination with all things that go bump in the night, and I became a huge fan of both horror and John Carpenter when I saw his original Halloween at a sleepover when I was young. It scared the living daylights out of me, and I loved it! It’s an honor to be able to ask a few questions of the queen of horror, Sandy King Carpenter.
FoCC Blog: What appeals to you about comic books as a medium?
SKC: All forms of storytelling interest me, from telling stories around a campfire to making movies for the big screen. Comics and graphic novels are interesting because they combine the written word of novels with pictures to give the reader boosts into the imaginary world you’re trying to guide them through. Like a novel, there is no sound or motion, but in partnership with a great artist, you have a 50/50 storytelling relationship that seduces the reader into their own imagination to complete the story. I also like the precision it requires of both parties in the dance. You have to be economical with your words and images to hit the page turns and cliffhangers that push your reader forward. It’s challenging in the best senses of the word.
FoCC Blog: What kind of things do you find frightening?
SKC: Fear changes as we grow up, as we age. Different things scare us as children, as young people, and as we grow older. I look to reality for what scares me. Nothing I can create is as frightening as the real world right now or the more existential questions of life, death and faith.
FoCC Blog: Is there a story that you have been dying to tell, but just haven’t gotten it out yet?
SKC: Not really. Comics has allowed me to explore lots of stories that might not be considered commercially viable or interesting to a mass audience.
FoCC Blog: Do you have any fun behind the scenes stories from the set of They Live (on which she worked on as a script supervisor)?
SKC: Not that are in 25 words or less. And they’re usually at someone else’s expense or only funny at 3am during an extra long day.
FoCC Blog: What advice would you give to a writer who wants to make a living in comics or film?
SKC: Have something to say. Ask yourself why? If it’s for fame and fortune you’re barking up the wrong tree and should go become a commodities broker.
FoCC Blog: My son is almost 3, and already loves all things “spooky.” Would you ever consider doing books for his age range with your Storm King Kids line?
SKC: Get him Stanley’s Haunted House. It was written for ages 4-7 and isn’t scary. It’s for little ones wanting to get in on the fun. We were nominated last year for an Eisner for it. Great characters, art and GHOST BUNNIES!
FoCC Blog: Do you and your husband John do anything special on Halloween night, or is it usually a quiet night in?
SKC: He hides. Our office is in a residential neighborhood by a school, so we decorate over there, have an open bar for the neighbors and give out candy to all the kids. Very old fashioned. For a few years, John and his band were performing on tour, so we weren’t around.
FoCC Blog: Are there any upcoming projects that you would like the Friends of Comic Cons Blog to know about?
SKC: John and I have a few television series that will be announced later this year and two features that should be coming up. John and the boys are just finishing up the score for HALLOWEEN ENDS right now. We have a fiction podcast that got delayed during COVID that should be starting back up soon. And Storm King Comics is debuting a new imprint, Dark & Twisted, with books by Amanda Deibert and Cullen Bunn & Heath Amodio. Those are scheduled for release next year.
Thank you very much to Sandy King Carpenter for doing this interview! Look out for her at booth #2020 at San Diego Comic Con (SDCC), along with John Carpenter signed collectibles! Sandy King Carpenter will also be on the following three panels at SDCC (dates and times TBA):
Writing Tales of Horror and Suspense with Storm King Comics
Exploring Societal Horror with Storm King Comics, featuring the Civilians Trade Paperback launch
Women on the Darkside
For more information on this exciting comic book line, go to www.stormkingcomics.com !
By Jason Delgado


text:
Sass Rogando Sasot, known supporter of President Rodrigo Duterte and a transpinay blogger, has another hot remarks about Vice President Leni Robredo.
Sasot posted on her Facebook page a link about Robredo, who have formally opposed a planned two-year moratorium on land conversions, and gave her opinion about the issue.
Here's what Ms. Sasot said on the said Facebook post.
I don't care if this totally ends my friendship with some people.
LENI ROBREDO is
- Liberal Party's poodle
- Uncle Sam's chihuahua
and now Leni Robredo opposes the Duterte Administration's moraturium on converting agricultural lands for other purposes. "The planned moratorium would buy time to review whether the entities granted these lands comply with the terms for the development of the land. If found non-compliant, these lands will be brought back under the purview of the DAR to be allocated to agrarian reform beneficiaries."
Robredo is obviously the haciendero's bulldog.
After all, Robredo ran under the platform of continuity.

domain: politics


text:
It is common to think of weight loss in terms of calories, but the physiological ramifications of weight loss are far more baroque and unknown. The number of chemical reactions that occur have an almost opaque level of complexity. People often get frustrated with weight loss because they expect a direct conversion from activities to weight. However, the body will only lose fat when certain obligations are first met.
Lipolysis is also known as the breakdown of stored fat. This is accomplished through a chemical reaction called hydrolysis, in which one molecule is split apart--in this case a molecule called triglyceride--into two molecules. In order to make the molecules completely independent, a fragmented water molecule is added to the open ends to “cap” them off and prevent any further bonding.
Triglyceride is the main constituent of fat in the body. It is made out of a glycerol molecule, which is a main component of many lipids, combined with three fatty acids on the sides. According to the Mayo Clinic, triglycerides are converted from unused calories and stored away within fat cells. To reach the fat cells they are packaged with cholesterol in lipoproteins and transported through the blood.
Whenever the body has no other source of energy to turn to, incarcerated triglycerides are freed from fat cells and then broken down by a number of different enzymes. Enzymes are proteins that speed up chemical reactions in the body. Each one of these enzymes removes a different fatty acid, which can then be used as energy; in fact, they are worth more energy than carbohydrates.
To be converted into a usable form of energy, fatty acids must undergo a process called beta oxidation. In terms of chemistry oxidation is a loss of electrons, which signals a change in the bonding properties and charge of the molecule. Colloquially when we use energy we say that we are burning calories. In a molecular sense this is true, but it’s not quite how we imagine burning to be. It’s simply a set of chemical transformations. The eventual purpose of these metabolic reactions is to produce ATP, a molecule that stores energy until it can be released to essentially power the body.
Stored fat is used to produce energy whenever your body runs out of energy from the foods you eat or carbohydrates stored elsewhere. So the entire idea of weight loss is founded upon the basic notion that your body will rely upon these pent up stores in times of need, which is why it’s important to moderate calorie consumption and eat healthy foods.

domain: medical


text:
That is absolutely halarious! Knowing now... mine is a white 94' with red doors from a 92'! I wanted to do something to bring the red together w/it so I odered the lettering online, somewhere off eBay... it is "MALBORO" font and was only around $20 bucks. I also added a red pinstrip on the white and of course, red wranglerforum.com stickers on the back windows. I then put black wranglerforum stickers on the hood and added a couple red autobot stickers. Ties it all together... someday I figured I'd paint it all the same color but it works for now. I couldn't pass up the top and doors, the top was $300 from a 95' and the doors from a 92' were only $200 but I had to drive three hours each way to get them.
Hey. I've seen your icon on a bunch of threads, and it caught my eye. I have red a 94 yj with white doors off a 92. Yours looks like it's supposed to be like that, though. I think it's the writing on you hood. Might have to get that done to mine... haha Either way, nice Jeep, man.


text:
The host of an investigative news show is convinced by the CIA that the friends he has invited to a weekend in the country are engaged in a conspiracy that threatens national security in ...
See full summary »
In 1864, due to frequent Apache raids from Mexico into the US, a Union officer decides to illegally cross the border and destroy the Apache, using a mixed army of Union troops, Confederate POWs, civilian mercenaries and scouts.
The host of an investigative news show is convinced by the CIA that the friends he has invited to a weekend in the country are engaged in a conspiracy that threatens national security in this adaptation of the Robert Ludlum novel. Written by
Keith Loh <email@example.com>
Director Sam Peckinpah was in ill-health throughout the shoot. The long-term toll of his drug and alcohol abuse suggested to many in the production that he was dying. Peckinpah would go off and take opportune naps but still completed and delivered his initial cut of the film on-time despite sickness and exhaustion. See more »
When Tanner finds the fake dog head in the refrigerator, the refrigerator door is open and closed in alternate shots. See more »
Ahead of its time - brilliant, entertaining, insightful
When this movie originally came out, five years after CONVOY (a muddled, but in many ways spectacular entertainment), many critics moaned that Peckinpah had yet again displayed his diminished talent. A Ludlum spy thriller, pulp material, given the Peckinpah stamp was not to be taken seriously, period. What nonsense. To begin with, all of Peckinpah's films spring from pulp, and all of them, even the least successful ones, buck and spin with the way Sam applies his vision to the genre conventions he's messing with.
In simple terms, a Peckinpah movie always illustrates the world according to Sam; like a novelist writing in first person, Sam's point of view is the movie's. And that's why they endure today. In THE OSTERMAN WEEKEND, Peckinpah focuses Ludlum's cold war spy antics into a exploration of urban paranoia and governmental abuse. Video as a means to manipulate perception is one of the themes he exploits here, but that's not his main thrust. A group of affluent characters come together for a weekend that turns into a surreal nightmare. The trappings of success that surround this group are not in any way secure enough to withstand the violent, reckless games played on them by a rouge CIA agent (played by John Hurt) who's motive is personal revenge. And that motive, the revenge that fuels his need, in actual fact, has absolutely nothing to do with the affluent group he's playing with. Like the gods in Greek tragedy, the Hurt character uses the Osterman Weekend and its players as pawns, stepping stones, as a way to get at his real goal, the head of the CIA. This notion obviously strikes a chord in Peckinpah; the vision is certainly domestic, but the idea is epic: in the privacy of our homes a kind of virus colors our perceptions and poisons friendships, creates anarchy, and causes death. And the virus - where does it come from? Our own back yard - the CIA.
The film is charged with a constant underlying tension that holds and holds until all hell breaks loose and the affluent house becomes a battle ground. Visually, the movie is stunning. But then, so was CONVOY, but this time Peckinpah has harnessed what he shows and what he wants to say in a simple, tightly wound spy thriller package, Watching the movie today, it's hard to believe that some of the notions that seemed more like the paranoiac mechanics of a potboiler in 1983 have actually come true and don't seem quite as far fetched. By all accounts, Sam Peckinpah was a terribly difficult man, but he was also a visionary film maker who's work gets better and better as the years pass. THE OSTERMAN WEEKEND is not the bad film critics at the time bitched about, and it's not the sad conclusion to a career that started out brimming with possibility. It's a splendid, brilliant - better than brilliant - work of American art by a true American artist: a giant. The world according to Sam is a world that will be looked at a hundred years from now; it will inspire debate, continual analysis, and be ranked with the major artist of the entire 20th century. By 1983,Peckinpah's health may have diminished, but as a film maker he was still powerful and strong as hell.
48 of 69 people found this review helpful.
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domain: artistic


text:
The search among young families moving out of London for their perfect rural lifestyle is leading them to some of the most beautiful valleys in England. Top of their wish list is glorious landscape, a charismatic town or village (preferably with a standout deli and restaurant) and a good school. Here we visit some of the best.
THE NADDER VALLEY, WILTSHIRE
Justin and Annie de Meo remember moving to Penruddocke House in the Nadder Valley more than 25 years ago. “It felt properly agricultural, far enough away from Hampshire and the ladies with headscarves,” says Justin. They had two boys of eight and five, and a third son soon followed. They all went to the Church of England primary school in the neighbouring village of Dinton, then to secondary schools in Salisbury.
The Nadder Valley is one of the five magical chalk-stream valleys (the Avon, Wylye, Nadder, Ebble/Chalke and Bourne) which radiate from Salisbury, identified by Savills as one of the most prestigious areas in the region. Penruddocke House is in the tiny hamlet of Baverstock, one of 30 pretty villages scattered along the Nadder as it scampers between Wilton in Wiltshire and Shaftesbury in Dorset.
Justin and Annie created the country-house dream, turning their garage into a teenage games room, planting a kitchen vegetable garden with fruit cages, and allowing a nearby farmer to put sheep on some of their land. “It is an oasis of calm,” says Justin. “Since we came, a lot of younger buyers have moved in and there has been something of a baby boom.”
The area has all the key ingredients of the happy valley. It sits in an Area of Outstanding Natural Beauty, has a star village in Tisbury, which has a good butcher, flower shop, The Pythouse kitchen-garden-restaurant-shop (Wiltshire’s answer to Daylesford in the Cotswolds), and the Beckford Arms gastropub.
Charlie Stone of Savills in Salisbury, Wiltshire, is seeing a wave of young buyers moving into the valleys. “A lot of the thirty- to fortysomethings still have strong links to London, so commutability is important,” he says. “Increasingly trendy villages and a vibrant social scene make a winning formula which is attracting them, and then their friends soon follow.”
For sale: Penruddocke House, £1.35m, Strutt & Parker (01722 328741).
THE RIBBLE VALLEY, LANCASHIRE
Here are the rushing rivers and the same misty hillsides that inspired JRR Tolkien’s Middle Earth, yet with a rail commute to Manchester in less than an hour. The two towns, Clitheroe and Longridge, bristle with pretty cottages, boutiques and food shops. Clitheroe, set against the backdrop of Pendle Hill, has a castle, Cowman’s renowned sausage shop and the wine merchants Byrne & Co, with cellars so deep you could lose yourself for years.
Inspiration: the hillside of the Ribble Valley (ALAMY)
It even has a Michelin-starred restaurant, Northcote at Langho. The patron is Nigel Haworth, whose kitchen gardens famously produce salad, vegetables and herbs for the plate. Guests can dine in the kitchen if they want full immersion. There are also gastropubs (The Gibbon Bridge, The Three Fishes), Breda Murphy’s restaurant and a fistful of delicatessens. This valley cherishes its food producers.
Schools are good, too. Outstanding private schools include Stonyhurst College, Oakhill College in Whalley and Moorland School in Clitheroe, where Clitheroe Royal Grammar is the top state school.
For sale: Kemple Cottage, Kemple, five bedrooms, panoramic views through the valley to Pendle Hill, £830,000, Smiths Gore (01200 411046).
THE TEST VALLEY, HAMPSHIRE
“The water in the Test is like gin, it is so clear,” says Geoff Butler, who has lived in the village of Houghton all his life. “When I was a child, everyone worked locally. We had a bakery, cobbler, wheelwright, blacksmith, pub and general store. Now only the pub is left and most people commute to London to work.”
He is selling the house he grew up in, Houghton Farm House, an old estate cottage with a reading room attached, which has twisted barley-sugar chimneys and is close to the Test and Sheep Bridge where the swans gather.
Stockbridge: popular with Londoners (ALAMY)
“We find that Londoners sell their small terraced houses for large sums of money and buy here at lower prices,” says Mark Fry of Evans & Partridge. “This house needs quite a lot of money spent on it.”
Neighbouring Stockbridge is the watering hole for refugees from the capital, who queue at John Robinson butchers to buy their Sunday roast. They then pop into Thyme and Tides delicatessen or The Greyhound pub.
There are good private schools in the valley including Farleigh, Hampshire Collegiate and Rookwood. Commuting by train to London takes about an hour from stations in Winchester, Romsey, Andover and Grateley.
For sale: Houghton Farm House, three bedrooms, £595,000, Evans & Partridge (01264 810702).
THE CHEW VALLEY, SOMERSET
The rich dairy country of the Chew and Yeo Valleys, veined with tiny narrow lanes, is as far a leap from metropolitan life as you could imagine.
“Buyers are a mix of locals who have grown up in the valley and people moving down from London, particularly professionals coming to work in Bath or Bristol,” says David Wild of Savills in Bristol.
The centre is Chew Magna, which has its own dentist, bank, doctor, travel agent and butcher. The Pony and Trap gastropub has a Michelin star and promotes a “field to fork” approach. The Chew Valley state secondary school is highly regarded.
Emma Crewe has just moved to the area with her husband, Nicholas Vesta, and daughters Scarlet, 12, and Cleo, 18. They bought The Old Rectory at Butcombe with three sheep and five chickens among the fixtures and fittings.
Emma, who works in international research and development, is writing a study of MPs at work, and is already in love with the location.
“My daughter is about to start at Chew Valley School and we spent a whole morning buying the school uniform in the Post Office, which is what you do here. People have been so friendly,” she says. Her husband has been digging his veg patch.
For sale: Higher Shortwood Farm, Litton, five bedrooms, swimming pool, stables, grazing rights on Sherwood Common, barn cottage, £1.3m, Savills (0117 933 5800).


If you’re extremely online, you’ve definitely seen the “yassification” trend — and, if so, the words “Yassify Bot” will surely ring a bell.
For the last few years, Instagram filters have been altering the way we think about beauty and makeup. Yassification takes that one step further (or, maybe more like one hundred steps) by oversaturating images with FaceApp filters to exaggerate the “beauty” features to the extent of becoming unrecognizable. Lashes, contour, highlight, lipstick, long hair... you name it, FaceApp has it.
The term "yassification" has been circulating in LGBTQ+ spaces on social media since 2020. However, it wasn't until a still of Toni Colette in Hereditary received the yassification treatment that the meme aspect went mainstream, spreading mainly on TikTok and Twitter. In the last few weeks, Twitter user @YassifyBot has really milked the trend — potentially to its last drop.
The account, whose bio reads “not a robot I just bought a month of faceapp pro,” has racked up over 130,000 followers since posting its first yassified edit on November 13. (It was of President Biden and Vice President Kamala Harris if you are wondering.)
The Yassify Bot account is run by 22-year-old nonbinary art student Denver Adams. Adams might be based in Nebraska, but their blurred face edits are reaching the entire world. Before a new trend emerges — and you know some are already starting — Teen Vogue spoke with Adams about the ins and outs of the yassification trend and their views on beauty filter culture.
Teen Vogue: What is the appeal of this “yassify” trend?
Denver Adams: Honestly, your guess is as good as mine. It’s one of those things that I think, anything that has some sort of ridiculousness to it can be funny. And I think the more ridiculous it is, the funnier people find it.


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It is said that about 80 percent of those who play casino games for the period head for the slot machines. Being first timers, might feel, at some point, intimidated with interacting with the dealers and other players at the table games, along with the crowds. A slot machine is for 1 player and is ideal for those avoiding interactions. Another reason that slot machines are favorite among first timers is mainly because it is so simple to play.
This article summarizes 10 popular online slot online machines, including With regards to Reels Turn, Cleopatra’s Gold, Enchanted Garden, Ladies Nite, Pay Earth!, Princess Jewels, Red White and Win, The Reel Deal, Tomb Raider, and Thunderstruck.
Another type of slot machine is the multiple pay line makers. Most slot machines only pay out when the symbols take presctiption the center line. Multiple pay line machines pay out on many excellent lines. This equipment is very known as nickel and penny generation devices. The most popular configurations include nine pay lines, but there are machines with as much as 96 pay lines. Might play many line on these models. The more coins you add extra lines which is to be activated a lot as the machine maximum regarding lines.
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This article summarizes 10 popular online slot machines, including Just as the Reels Turn, Cleopatra’s Gold, Enchanted Garden, Ladies Nite, Pay Airborne debris!, Princess Jewels, Red White and Win, The Reel Deal, Tomb Raider, and Thunderstruck.
You would be wise to look for the ideal slot machines that you wish to play with to find some slot machines games. Associated with advisable to be able to always play with machines nearby the winning claims booth internet site . machines usually pay one of the most. These machines are placed such positions basically to attract the passerby. This is merely a trick played by the casinos to compel visitors play these superslot slot online casino games. Slot machines seen in coffee shops and restaurants also fall under good category as they increase the likelihood of winning. Usually, such places are filled with huge crowds and these treadmills are designed to perform well. So after finishing their meal a involving people would try their hands on these games.
There are a variety of benefits in playing slots online. One, it will be less. Two, you don’t want to drive yourself to the casinos and at home. Three, there are many great offers which you may enjoy in many online gambling dens. Upon signing up, new registrations may be able to acquire freebies and sometime an initial amount an individual bankroll. pgslot99 , online slots are very simple to explore. Spinning is just a few a click of the mouse all period. You can select pay lines, adjust your bets, and cash out using only your rodent.
So there you have it, an introduction to 10 of the most popular online slot washers. Whether you play slot machines online or possibly Vegas, make sure to only gamble with the money that you can afford to lose. Don’t exceed your spending limit should you lose, and don’t ever gamble after you’re tired or irritable. By using these simple rules of gambling, your casino experience – online or within a land-based casino – is often more enjoyable.


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We haven’t seen too many places along the road to buy local corn yet, even though we’ve started what could be considered ‘local corn season.’
Our newsroom asked David Jones, owner of Jones Farms in Jefferson Township, Butler County, about this year’s crop. He explained how some growers start their corn under plastic so they have it by mid-July. That corn can be ready if there is good weather.
As for this year, according to David, it hasn’t been the best crop year due to the weather. He says the cold weather and plenty of rain during May and June could potentially cause less crops or a shorter corn season. He says any year that has a lot of rain and cold temperature can cause the corn seeds to rot.
David says his farm does not plant under plastic and is usually ready at the end of July. Due to weather, this year the Jones’ corn will likely be a couple of weeks behind and will be ready in early August.
Jones Farm supplies many of the corn road side stands in southern Butler County and northern Allegheny County.
Written By: Tracey Morgan for the Butler Radio Network


In 2005, Ogden City took on a renewal project like no other. In fact, it was like trading a bad house for a good one, and placing owners where tenants once were. In a neighborhood that sported one of the highest crime rates in 2003, the Trolley District, also known as the Ogden Central Bench Historic District, transition was sorely needed. The program has an official title, the Asset Control Area program, with a HUD-instrumented acronym of ACA to go along with it. So, in an effort to sexy up the name, Home Sweet Ogden came to be, along with a logo to designate the houses from others on the market.
In short, HUD is still swimming in FHA foreclosures, and in areas where the demographics suggest low incomes, they have determined that the City is the ideal ‘buyer’ for these distressed foreclosures. After they become HUD property, the houses are appraised, then sold to Ogden City for half of their appraised value. Believe me when I tell you that some are not worth the half that the City gets, and in fact, over the last 6 years, nearly 6 have been torn down, because the condition was so deplorable, no rehabilitation was possible. Remember – people LIVED in these homes!
Contractors hired by the City conduct the rehab, after coming up with a reasonable scope of work that addresses the major concerns in the house. These may be roofs, electrical, plumbing, kitchens, egress windows – and always flooring and carpet. If the home has incredible charm, care is taken to preserve the historic elements, as their appeal is now seen as desirable. Some of the cutest bungalows, victorians and cottages have come through the program, redone for an excited homeowner.
The program has had great success, mandating home ownership for 5 years through the use of the Own in Ogden program, that supplies a loan for down payment or closing
costs. One restriction that applies is the income limit of the buyer, which must be at 80% of Average Median Income for the area. A HUD magic number, dependent on household size, this restraint seems to be rather easy for buyers to meet in Utah, however, has also been the biggest complaint from potential buyers, as pressure for historic homes in the Trolley District has risen over the past four years.
The good news is that the program has worked as intended. In the nearly 65 houses done since July 2005, only 2 have foreclosed, both due to job loss in 2008-2009. Around 5-8 have been re-sold to the next wave of homeowners, and original owners remain in the rest. It is these owners that we salute, the urban pioneers of Ogden today, living in the central city once regarded as ‘scary’. Ogden has been changing constantly over the past 12 years, emerging from a landscape with willy-nilly urban planning and high crime, to one of consistency and character, community and cooperation.
For more information about the program, just drop me an email or check out Ogden City’s website at HomeSweetOgden.


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BOOK REVIEW: Legends of the West: The History of the James-Younger Gang
4.5 (out of 5) stars for this nonfiction American history title by Sean McLachlan. I listened to the audio (Audible) version and read the kindle version–both of which are well done and present the legends and factual history surrounding Jesse and Frank James and their association with the Youngers, the James-Younger Gang.
In my opinion, the history was presented fairly, properly documented and researched, and provides amateur historians like me with the foundation necessary to create a frame of reference for the fiction I so enjoy reading. As an author, the short format (just over 2 hours listening time, or 62 print pages with historic photographs) provides the most comprehension for the smallest investment; a win-win offering.


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One Evans County farm was recently honored by the Georgia Centennial Farm Committee for its more than one hundred years in existence.
The Threatte Farm at Bunton Place, owned by Greg and Sharon Threatte, joins just four other Evans County farms in earning the designation. The distinguished declaration recognizes farms that have been owned by members of the same family for 100 years or more.
Since 1993, Georgia has recognized historic farms in an effort to honor heritage and encourage preservation of agricultural resources for future generations. In order to qualify, the working farm must have been in the same family for at least 100 years or the farm must have been at least 100 years old and listed on the National Register of Historic Places. Farms must be at least ten acres in size originated from the original farm and must generate at least $1,000 in annual income.
Family History of The Threatte Farm at Bunton Place
The Threatte Farm at Bunton Place, a 54 acre farm located on Edgar Griffin Road in southeast Georgia’s Evans County, dates back to 1919, just after Evans County broke off from Tattnall County. B.A. (Bedford) and Alice Threatt moved to the area from South Carolina and purchased 102 ¾ acres of land where the farm operation began with a mule and walk behind equipment. The property also offered a home, which is still standing today, but was ‘already old,’ when they moved in, according to Threatt’s son RK (Kenith). It’s believed that the home was built in the 1800s, though no formal paperwork on the home exists.
RK grew up on the farm and married Elveda Mann, with whom he had three children. Following the death of RK and Elveda, the property was divided into three parcels for their children.
Some ninety years after its creation, in 2009, Greg purchased 9.87 acres from the estate of his uncle, David W. Threatte, to add to two parcels that had been gifted from other family members. Then, in 2022, Greg and Sharon purchased two more parcels from his aunt’s estate, bringing the property total to 54.06 acres. The farm now consists of the acreage, the homeplace dating back to the 1800s, and a house that Greg and Sharon currently occupy.
Over the last 104 years, the property known as ‘the farm’ has generated everything from corn, peanuts, and tobacco to soybeans, sunflowers, watermelons and hay, along with velvet beans, blue lupine, and vegetables. Livestock have played a large role as well, including mules, draft horses, cows, hogs, goats, and chickens.
A Special Place
Greg has written a number of short stories about his grandaddy and his memories on the farm, which consumed his childhood.
“My summers were spent there where I assisted with the farm chores…One of the pleasures of days spent at Granddaddy’s was the frequent opportunity to go to the pond after the chores to catch a mess of fish…[the memories] take me back to a much more simple time, when all the necessities to entertain an active young teenager were found on that little piece of Heaven, just three miles from home, where I now call HOME.”
And in 2015, Greg and Sharon married at The Threatte Farm at Bunton Place.
The farm is diverse in what it offers and is not only home to Greg and Sharon, but to dozens of animals over the years as well. The husband and wife also decorate various parts of the parcels for seasonal enjoyment for those in their community, inviting all to come and visit.
Greg and Sharon traveled to Perry during the Georgia National Fair festivities on October 11 to be formally recognized by the Georgia Farm Bureau and the Georgia Centennial Farm Committee. Just twelve other farms in Georgia earned the designation this year.
The other four Evans County farms to earn the designation since the inception of the Centennial Farm Program are:
Mitchell Green – 1993
Frank Simmons Farm – 2001
Bell Farms – 2010
Pharris Johnson – 2016


Sneijder set to sign with Galatasaray
Inter Milan midfielder Wesley Sneijder has agreed to join Turkish club Galatasaray.
Galatasaray said on its website Sunday that it reached a deal with Sneijder pending a medical, which is expected to take place Monday.
The contract is for a reported three and a half years and worth $6.66 million per season.
Galatasaray agreed to a transfer fee of $10 million with Inter earlier this month for the Netherlands captain.
''I'm really enthusiastic about going to Turkey,'' Sneijder told Galatasaray's television channel. ''I've heard that so many people are waiting for me in Istanbul, I know the Turkish fans are fantastic.
''I'm happy to play for a club like Galatasaray. I can't wait to play my first game and to meet (coach) Fatih Terim. Together we'll do great things. I'll make him proud to have bought me.''
Sneijder joined Inter Milan in 2009 and has helped it to a number of trophies, notably the treble of the Italian League and Cup and the Champions League in 2010.
He was seen as one of the top players available in this January transfer window after falling out with club officials at Inter. In November, Inter technical director Marco Branca said Sneijder would not play until he made a decision about his future, with a new deal reportedly requiring him to take a pay cut.


Cisco Systems Purchases Equity Stake in Terayon Corp.
Agreement Marks Cisco's Third Recent Cable Data Infrastructure Announcement
San Jose, Calif -- January 15, 1996 -- Cisco Systems Inc. today announced anagreement to purchase an equity stake in privately held
TerayonCorporation, an innovator in the fast-growing field of cable-baseddigitalcommunications. The investment is intended to accelerate the delivery ofadvanced technology and products to service providers who are exploring theuse of cable television systems for Internet access, electronic commerce,education and other services such as special interest user groups. Thecompanies did not release the financial terms of the equity relationship.
For its investment, Cisco will use Terayon's Synchronous Code DivisionMultiple Access technology (S-CDMA) and gain a seat on Terayon's board ofdirectors. Cisco will also collaborate with Terayon on the design,manufacture and marketing of a "head-end" or high-capacity cable deliverysystem that incorporates Cisco's hardware and software expertise. The useof Terayon's S-CDMA in this cooperative effort should result in anintegrated cable-based digital communications module for Cisco products.S-CDMA has the potential to eliminate the "upstream" barrier cableoperators are experiencing in bringing cost-effective high-speed data(e.g., the Internet) and digital video communication support to HybridFiber/Coax (HFC) networks.
Cable Market Shows PromiseCable system operators are among the service providers exploring thegrowing deployment of residential high-speed networks, building off theirexisting network infrastructure and customer base. According to theNational Cable Television Association, 96 percent of homes are passed bycable, and there are 61 million residential cable subscribers.
The investment in Terayon is Cisco's third announced activity in the areaof high-speed data communications over cable systems. These actions arepart of a strategy to diversify Cisco's offerings to the small office, homeoffice and consumer markets. In November 1995, Cisco announced agreementswith both Zenith and Toshiba/Time Warner.
Cisco's announcement with Zenith concerned joint development of head-endand subscriber units for HFC systems. This non-exclusive agreement willhelp businesses sell into cable properties that use or plan to use Zenithmodems. The development involves the porting of Cisco IOS(tm)software tothe current Zenith HomeWorks(tm) Universal cable modem and a new modemunder development. Cisco IOS software is a sophisticated networkingsoftware suite that ensures robust, reliable internetworks by supportingboth LAN and WAN protocols, optimizing WAN services and controllinginternetwork access. The new Zenith modem will have spread-spectrum returnpath and VSB-16 modulation on the forward path and plans to have aprototype ready by the National Cable TV (NCTA) show in April.
Toshiba Corporation announced Cisco will help it participate in a series oftechnical trials using a high-speed system for data transfers over cablenetworks in San Diego, Calif. The trials will run until the end of May1996, and will be jointly conducted with Time Warner Cable's (TWC) SanDiego Division. Toshiba's trial system comprises all hardware and softwarerequired to operate the system, from the head-end and distribution hubsoperated by CATV companies to a new generation of high-speed cable datamodems developed by Toshiba and installed at the users' premises.
Corporate BackgroundTerayon Corporation is a leading innovator and manufacturer of innovativesolutions for the rapidly growing market for high-speed data and voicecommunications over cable networks. The company, headquartered in SantaClara, Calif., was founded in 1993 and has 45 employees. For moreinformation about Terayon and its technology, call the company at (408)345-9321 ext. 321 or visit their World Wide Web site http://www.terayon.com.
Cisco Systems (NASDAQ: CSCO) is the leading globalsupplier of enterpriseinternetworking solutions, including routers, LAN and ATM switches,dial-upaccess servers and network management software. These products, integratedby the Cisco IOS (TM) software, linkgeographically dispersed LANs, WANsand IBM networks. Cisco news and product/service information are availableat World Wide Web site http://www.cisco.com. Cisco is headquartered in SanJose, Calif.
Cisco IOS is a trademark of Cisco Systems, Inc. Cisco, Cisco Systems andthe Cisco Systems logo are registered trademarks of Cisco Systems, Inc.All other trademarks, registered or otherwise, are the property of theirrespective holders.
Posted: Fri Jan 19 12:00:29 PST 1996


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Persona Q2: New Cinema Labyrinth Review — Pocket Persona
Persona Q2: New Cinema Labyrinth delivers as the RPG swan song of the Nintendo 3DS.
Persona Q2: New Cinema Labyrinth
Review copy provided by the publisher
The Persona series is well known amongst fans for its multitude of spin-offs and adaptations of some kind or another. The Persona Q titles are the only games to date that still retain some of the role-playing mechanics found in the mainline entries. While this amounts to an inherently Persona-like experience, don’t expect Persona Q2: New Cinema Labyrinth to deliver the gripping narrative you’ve come to love from this series.
What I’ve always admired about these stories is their unabashed commentary on social issues, mental health, and more, while intertwining these themes with a story that’s as supernatural as it is meaningful. Persona Q2: New Cinema Labyrinth is no different in that regard, but the payoff ultimately feels less impactful when compared to mainline games. What’s here is certainly a great dungeon-crawling JRPG, with some fantastic banter between characters from the three most popular entries in the numbered games. However, fan-service alone doesn’t really justify an RPG that asks you to dedicate so much time to it.
“Persona Q2 is certainly a great dungeon-crawling JRPG, with some fantastic banter between characters from the three most popular entries in the numbered games.”
The Phantom Thieves act as the main focus of New Cinema Labyrinth, even when introduced to the parties of Persona 3 and Persona 4. As the group is exploring Mementos, they mysteriously find themselves in a cityscape run by a dastardly “hero” named Kamoshidaman. After being separated from Makoto and Haru, the rest of the party gets tossed into a movie theater that’s locked from the inside. They’re then greeted by a young girl named Hikari and a peculiar woman named Nagi. The previously mentioned city turns out to be the location of a special film being shown in this theater, and the Phantom Thieves will have to enter this movie and defeat Kamoshidaman while saving their captured companions.
There are four worlds or four different films the Phantom Thieves have to complete, and as you do so, you’ll be introduced to the rest of the heroes of the Persona series. Their inclusion in this story doesn’t make much sense, but they eventually come to terms with the fact that they’re all from different timelines, piecing this together once they find out who each other are. It makes about as much sense as it has to for the purpose of having so many characters coming together. Each film focuses on different themes like following the status quo and individuality. Whereas the main Persona games feel more impactful through deeper character development, a lot of these characters already know who they are and have come to terms with all of their faults.
Each time I completed a film, it felt less rewarding as the overarching lesson to be learned felt more like a happy-go-lucky PSA video as opposed to what I’ve come to expect from this series. Games from the Persona dancing series get a pass as they’re naturally a lot wackier and less-focused on the plot. With Persona Q2: New Cinema Labyrinth, it appears that P-Studio tried to capture that same magic but doesn’t do nearly as good of a job as they usually do.
Where Persona Q2 succeeds most is in its design and smaller character moments. People who have played the other games will absolutely come to appreciate the banter between characters. The hub acts as a resting place and as you’re going through menus allocating stats, equipment, and items, some great animation of the characters interacting rolls in the background. It’s a small touch that adds so much character to the game.
Additionally, cutscenes are a given throughout the story and when the party isn’t focused on the task ahead of them, they’ll joke around with one another and make references to their own games. You do get some dialog options and while they only really change-up conversation at the time, they’re quite funny if you really love these characters as much as I do.
“Where Persona Q2 succeeds most is in its design and smaller character moments.”
P-Studio has become the industry masters when it comes to designing great JRPG UI. Everything from menus, battle, Persona-fusion, and more are easy to pick up and never overwhelming. Everything’s easy to find, easy to understand, and easy to use, never hampering the game’s inherent difficulty in the process. Planning for tough battles and dungeons becomes a breeze early on in Persona Q2: New Cinema Labyrinth, highly replicating the same dungeon-crawling fans have come to love from the series. Every step and battle needs to be planned and accounted for when playing on higher difficulties as you could lose a hefty amount of progress easily.
Combat will be immediately familiar to those that have played the numbered Persona games. Persona Q2 replicates everything you know and love with some minor additions that incorporate the game’s larger cast. The most noticeable difference will be the party makeup, moved up from four characters to five. Your party will also be split into two rows, one forward and one back. Each character has a set class which determines their skill progression and overall stats. Placing them accordingly will be detrimental in battle. Front row enemies can attack both the front and back rows while characters who sit behind can only attack the front row with physical attacks and the back row with elemental skills.
I found the mixing and matching to be fun but Persona Q2 doesn’t have experience carry over between every character, which is a big downer. The game sort of counteracts this with the ability to equip a Persona to all of your heroes as opposed to just the four main protagonists. This means you’re able to compensate for a lack of skills by equipping the right Persona. It still seems like a missed opportunity though as I wanted to change up my party more but felt less inclined to since oftentimes it’d require quite a bit of grinding. Persona Q2 even encourages the usage of different characters by offering stat boosts before entering and reentering films for specific characters that’ll changeup randomly.
For grinding, there are a good amount of side quests to tackle which will give you a couple of lighthearted moments between specific characters. The problem with these is that they take place in specific sections of films you’ve already explored. The content is there but each film is quite long and winding with repetitive visuals. I wasn’t crazy about going back to each of them. However, the side quests do change things up with unique objectives and puzzles that keep them relatively interesting. Combined with the aforementioned character banter, they do feel more noteworthy.
Through exploring and side quests, you’ll also gain access to union skills which allow you to pair specific characters for special attacks. While the confidant system is absent from Persona Q2, that genuine friendship between characters still shines through with these skills. I didn’t find myself using them all too often due to the previously mentioned character progression, but they’re a cool addition that players who love grinding should come to enjoy.
The map drawing mechanics of the Etrian Odyssey series are a huge part of Persona Q2. As you explore each dungeon you’ll have to draw your map on the 3DS’ second screen to keep track of progress, chests, secrets, and more. Since I didn’t play the first Q game or any games in the Etrian Odyssey series, I was pretty apprehensive about this mechanic and didn’t really enjoy it at all at first. Surprisingly, it grew on me quite a bit and I began drawing up detailed maps as I progressed through the game. There’s something a bit cerebral about the whole experience of drawing out maps as it really does help you plan your moves and progress accordingly. What I once disliked, I had adapted to and came out a better player because of it. There’s a lot of self-reward with this system and it’s a vital part of the experience. While it may seem overwhelming or unappealing at first, I encourage you to get involved in it.
“Persona Q2: New Cinema Labyrinth is one of the best RPGs on the 3DS.”
Of course, you can’t talk about a Persona game without mentioning the tremendous soundtrack. Time and time again, P-Studio adds new and interesting tunes to the vast library of great music players can already find from the series. With Persona Q2, they’ve done it again. With reimaginings of older tracks as well as new additions, there’s a lot to discover. With each new dungeon to explore, I was excited to hear the music. I personally really enjoyed the main hub’s theme as well as the game’s battle themes which actually rank high up for me in the overall series. And as always, the opening is so good too.
While I wasn’t moved by the narrative in Persona Q2: New Cinema Labyrinth, the game does do its job at incorporating the series’ long history of characters into a cohesive and fun story. Paired with the familiar and new mechanics, this is a great title for Persona fans on the go. As one of, if not the last major title coming to the Nintendo 3DS, Persona Q2: New Cinema Labyrinth is one of the best RPGs on the handheld.