Multi-platinum R&B recording artist, Ginuwine, is coming to the 7 Night Club at Dakota Sioux Casino! Famous for his hits like “Pony”, “Last Chance”, “Differences” and so many more, this isn’t a show you want to miss! Cover charge for the February 15th show is just $35 in advance or $40 at the door. Doors open at 6:30 pm with DJ Rylo, one of the hottest DJs from Minneapolis, kicking off the evening and Ginuwine taking the stage at 9:00 pm.
His debut CD, Ginuwine…The Bachelor hit the streets in late '96 and "Pony" quickly became a #1 R&B and #6 pop chart/radio sensation. The LP would go on to double-platinum status, driven by popular cuts like "Pony," "Tell Me Do U Wanna," "I'll Do Anything/I'm Sorry," "Holler" and "Only When Ur Lonely". With his stylized dancing and creamy vocals, Ginuwine emerged as one of contemporary R&B's biggest rookies and also a major sex symbol. In 1998, he released "Same Ol' G" (from the Dr. Dolittle soundtrack), which resulted in yet another chart hit.
Ladies, we have some exciting news for you!! On March 9th “Hunks the Show” will be joining us at Dakota Sioux Casino for two shows! This is the perfect girls night out, and an event you don’t want to miss! Shows are at 6:00 and 9:00 pm and tickets are just $20 ahead of time or $25 the day of the show.


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COREY LEWIS: "Arem" is very much Metroid Prime inspired. I always loved how a big part of that game was walking around, observing the various foliage on a planet. I wanted to translate that into a comic, and I felt using something like social media—Instagram specifically—would be a perfect way to make that kind of scavenger quest relevant to modern times.
“Dream Skills” isn't particularly inspired by any game. It more comes from my desire that the world would go back to using swords instead of guns. I view bladed weapons as so much more elegant and artistic—but also brutal. The brutal nature is also addressed in the comic, in a vaguely video-gamey way, too.
STONE: Was SUN BAKERY always intended to be an anthology, or were the individual stories originally conceived as something more standalone?
LEWIS: Most of these stories started as my own zines and mini-comics. I keep it pretty varied when it comes to the stories I want to make. I spent too long making original graphic novels. Those are too hard. After I finished the second Sharknife graphic novel, I pretty much only wanted to make 20 to 40-page comic bursts. I've learned you can tell a very compelling story, even in shorter amounts of pages. SUN BAKERY is a way for me to collect those stories under one roof, with a kind of shared energy. A shared universe, even.
STONE: The anthology is structured like an issue of the manga magazine Shonen Jump. How big an inspiration has manga been with SUN BAKERY?
LEWIS: Huge. Ever since I discovered manga and anime when I was 12, my comics have been supremely influenced by them. I really like my comics upbringing. It started with '80s and '90s Marvel, then manga and anime, and then I took some time to appreciate the classic titans like Jack Kirby. All those eras and people seem to have a similar bombastic, graphic style that I'm very keen on. I'm trying to infuse all that into my SUN BAKERY comics.
STONE: SUN BAKERY originally began as a Kickstarter project. What made Image Comics the right publisher to publish the ongoing book?
LEWIS: I've always wanted to work with Image. I mentioned the influence of '90s comics on me earlier, and obviously a huge part of that is Image Comics itself. I've always viewed Image as a kind of publisher with endless potential—in the same way I view SUN BAKERY as a comics anthology with endless potential.
I've worked with Image before, including doing another single graphic novel with them, SEEDLESS. SEEDLESS was something a tad more experimental for me at the time, something I feel will work much better as a cartoon or something. SUN BAKERY, and the stories I'm going to tackle within it, feels much more like the kind of voice I want to display with Image.
STONE: Each story has their own distinct visual style and color palette. How did you know what you wanted each story to look like?
LEWIS: They definitely each have different feels. "Dream Skills" is a bit brighter, hence the yellow and pink hues. "Arem" is a galactic martian jungle comic, so purple felt good.
I like graphic, more simplistic color schemes, which is why I stick to limited color palettes. Again, it's harkening back to that kind of retro Shonen Jump feel. So each individual story section feels very blatant.
STONE: Speaking of color, the third story, "Bat Rider," is entirely in black and white. Was this another callback to the anthology's manga inspiration?
LEWIS: Yeah, definitely. And in general, I still quite enjoy black & white comics. I was just discussing this as the Fury Road "Black & Chrome" edition came out, and it is apparently George Miller's favorite version of the movie. Black & white shouldn't be considered a step below color or something—some stories and visuals are more striking in black & white. I feel "Bat Rider" is definitely one of those stories. Any time I've tried to color the characters from "Bat Rider," they feel less authentic to me.
STONE: Technology is another recurring element across all three stories in this anthology, from the scanning tech in "Arem" to "Dream Skills" featuring swords being viewed as superior to modern weaponry. What do you find fascinating about technology and social media?
LEWIS: Technological hardware is like an extension of our biological selves—and social media is technology extending—essentially—our emotional self. It's fascinating either way, but combined it's a whole new world. One that we currently inhabit.
STONE: In the liner notes, you mention that "Dream Skills" is very much the centerpiece of SUN BAKERY, and has the clearest comparisons to your previous work, Sharknife. What distinguishes "Dream Skills" within this anthology?
LEWIS: "Dream Skills" is more of my bread and butter, Shonen Jump-style action-y comics with levity. Not trying to re-invent the wheel here, just having fun with what I already really enjoy. "Dream Skills" and Sharknife both have blade-wielding protagonists out to make the world a better place to live, you know? "Arem" and "Bat Rider" are a little more personal, a tad more experimental.
STONE: There's a recurring theme of transformation through an external source, be it through armor in "Arem," a sword in "Dream Skills," or a skateboard in "Bat Rider." How important do you think external stimulus is for personal transformation?
LEWIS: Very important. You have to let yourself be changed by external stimulus. Transformation is half what happens to you, and half how you deal with it.
SUN BAKERY #1 is available for preorder now, and debuts 2/22.

domain: hobby


text:
Jose Viana da Mota - Complete Orchestral Works
This despatch estimate is based on information from both our own stock and the UK supplier's stock.
If ordering multiple items, we will aim to send everything together so the longest despatch estimate will apply to the complete order.
If you would rather receive certain items more quickly, please place them on a separate order.
If any unexpected delays occur, we will keep you informed of progress via email and not allow other items on the order to be held up.
If you would prefer to receive everything together regardless of any delay, please let us know via email.
Pre-orders will be despatched as close as possible to the release date.
Cat No: 8573495
Number of Discs: 1
Release Date: 25th September 2015
WorksA Patria (To the Homeland): Sinfonia, op.13
Chula do Douro (orch. Frederico de Freitas)
Impromptus (3) on Portuguese Popular Motifs
Ines de Castro: tone poem
ArtistsRoyal Liverpool Philharmonic Orchestra
The most distinguished pianist of his generation, a brilliant pedagogue and a highly gifted composer, José Viana da Mota was a towering personality in the field of Portuguese music. Disapproving of ‘modernistic’ compositional trends, he stopped composing around 1910, but not before he had written his Symphony ‘To the Homeland’, a brilliantly orchestrated paean to Portuguese prowess and discovery which makes use of Portuguese folk dances and songs.
Based on the dramatic life and murder of the 14th-century noblewoman Inês de Castro, Viana da Mota’s Lisztian symphonic poem is an early work notable for its kaleidoscopic sections full of inspiring contrasts.
This recording presents the complete orchestral works of Viana da Mota.
Error on this page? Let us know here
Need more information on this product? Click here

domain: artistic


text:
Acute generalized exanthematous pustulosis (AGEP) is a rare, acute eruption characterized by the development of numerous nonfollicular sterile pustules on a background of edematous erythema (picture 1A-B) [1,2]. Fever and peripheral blood leukocytosis are usually present.
In approximately 90 percent of cases, AGEP is caused by drugs, most often antibiotics (eg, aminopenicillins and macrolides), calcium channel blockers (eg, diltiazem), and antimalarials . The eruption develops within hours or days of drug exposure and resolves spontaneously in one to two weeks after drug discontinuation.
AGEP will be discussed in this topic. Other types of cutaneous drug reactions and pustular eruptions are discussed separately.
●(See "Drug eruptions".)
●(See "Exanthematous (morbilliform) drug eruption".)

domain: medical


text:
Why Family Doctors Are Sent to the Country
Published: July 28, 1990
To the Editor:
Your description of the mass deportation of family physicians from the city to rural America by the Federal Government's National Health Service Corps (front page, June 24) touches the surface of one of the greatest educational anomalies in the United States today. The root of the problem is not the crass insensitivity of a callous government that mandates physician transfers, but the abject failure of our medical schools to produce an adequate number of the kind of physicians needed by medically underserved populations in the United States.
As you point out, the crime committed by the doctors targeted for transfer is that they are well trained and clinically flexible, as capable of working in a remote Indian reservation in South Dakota as in a storefront clinic on the streets of the Bronx. Yet the irony is that family physicians are an endangered species. Despite enormous demand for family physicians nationwide - more than 50 percent of hospitals are recruiting family physicians, by far the most sought-after specialty - the absolute and relative number of family doctors emerging from our medical schools has declined steadily.
The Federal Government makes an enormous investment in the training of physicians - the direct and indirect medical education subsidies of Medicare alone amount to more than $3 billion annually. Despite this potential leverage, the Federal Government has been unable or unwilling to persuade medical schools and residency programs to increase their output of family physicians. Thus we confront the paradox of a glut of narrowly trained specialists and a dearth of generalists.
The National Health Service Corps urgently needs increased funding. While at the same time, we need to use our Federal contribution to medical education to shift the emphasis from the training of specialists to the training of primary-care physicians.
ROGER A. ROSENBLATT, M.D.
Seattle, July 9, 1990
The writer, who helped start the National Health Service Corps in the early 1970's, is vice chairman of family medicine at the University of Washington School of Medicine.


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text:
CLINTON ON TRIAL: Constitution silent on issue of split Senate verdict
Sun | Nation & World
WASHINGTON (AP) - The idea of a split verdict in an impeachment trial - separate findings on wrongdoing and on removing a president from office - is not spelled out in the Constitution, but legal scholars say the Senate probably can do it anyway.
"The Senate is the highest court in the land when it comes to impeachment," University of Michigan law professor Yale Kamisar said Thursday.
"It can do pretty much what it wants."
A Republican proposal in President Clinton's impeachment trial would let the Senate decide he committed wrongdoing in covering up his affair with Monica Lewinsky but vote separately not to remove him from office.
Some Republicans believe a simple vote of acquittal would imply Clinton had been exonerated on charges of perjury and obstruction of justice. The White House wants to avoid a Senate statement of presidential misdeeds.
University of Utah law professor Michael McConnell said he believed the Constitution allows the Senate to make findings of wrongdoing although they would be "legally and constitutionally meaningless." The only significant action would be the vote on removal, he said.
There's no precedent for handling an impeachment verdict this way, said Erwin Chemerinsky, a University of Southern California law professor.
"I think this is not constitutional, but if they want to do it there's nothing to stop them," he added.
The Senate's handling of impeachment cases is almost always not reviewable in court because the Constitution gives the Senate the "sole power" to try impeachments.
The Constitution says presidents and other federal officials can be removed from office on conviction of high crimes or misdemeanors, and that judgment in impeachment cases "shall not extend further" than removal and disqualification from holding future federal offices.
A Senate finding that Clinton committed certain misdeeds could be considered similar to a censure - an alternative pushed by Democrats but opposed by many Republicans because it, too, is not mentioned in the Constitution.
Many legal scholars say a censure is perfectly lawful as long as it involves only words and has no legal consequences.
"Congress can pass whatever resolutions it wants," McConnell said. "It can declare National Pickle Week and it can censure the president."
Judges often spell out their factual findings to help explain why they make a certain ruling, noted law professor Robert Nagel of the University of Colorado. But he said doing so as part of an impeachment vote could create a clear precedent that certain acts are not enough to remove a president from office.
Cass Sunstein, a University of Chicago law professor, said it also could create a poor precedent because "the impeachment mechanism would no longer be a basis for removal from office, but an incentive for politically driven impeachments, which is what the framers were trying to prevent."
Some legal scholars would draw the line at a Senate declaration that Clinton was actually guilty of a crime.
"The Senate is not in the business of adjudicating guilt or innocence of crimes, except for high crimes and misdemeanors," said New York University law professor Burt Neuborne. That's up to the courts, he added.
Even so, a Senate finding that Clinton committed a crime could not be used against him in court if he were charged after leaving office, several law professors said. Such a Senate finding would be considered an opinion and not evidence.
Some members of Congress have suggested a deal involving a censure plus an agreement by Clinton to pay a fine or admit wrongdoing. Such a fine or admission could be imposed only with the president's agreement because the Constitution bars Congress from imposing punishment on someone without a trial in court.
A censure alone would not require Clinton's agreement.
"It would be a statement with political and historical effect but may have no more legal effect than an editorial," said Yale law professor Akhil Reed Amar.

domain: politics


text:
The Argentine team is experiencing its sweetest moment in football and wants to prolong that good state of form this Thursday (6:30 pm) against Peru, which will try not to get off the fight for fifth place, necessary to access the play-off access to the Qatar 2022 World Cup.
The team led by Lionel Scaloni returns to the Monumental pitch after beating Uruguay on Sunday in the Rio de la Plata classic, a match in which Lionel Messi shone again.
After that meeting, the Argentine team, which has accumulated six wins and four draws so far, expanded its advantage over the third-placed team in the group, Ecuador, which has six points less than Albiceleste despite having played one more match.
For this reason, the main objective of Scaloni and his team this Thursday will be to get their pass to the World Cup in Qatar on track and thus face the matches against Uruguay and Brazil in November with greater tranquility.
“There will be difficult games or that we have to play in another way, but the team dynamics are marked and the feeling is that people feel identified with these players and that is the most important thing. The result is the consequence of all this”, Scaloni commented this Wednesday at a press conference.

domain: news


text:
Derek Walcott's "The Almond Trees" seems to have no rhyme scheme if by "scheme" we mean a visible pattern. At most, one sees occasional lines, even stanzas, rhyming. The rhymes disappear only to appear again: sometimes in a flash, at other times distinctly.
Walcott structures the poem with thirteen stanzas (including one of just one line). Some of them contain rhyme, while others do not. However, analyzing the poem, one may discover some revealing features in both the structure of the poem and its unique use of rhyme.
In the very first stanza, the second and the fifth lines rhyme lightly:
There's nothing here
cold churning ocean, the Atlantic,
no visible history
"Early" and "history" share a final vowel sound, but the two words' differing meters soften the effect of the end rhyme. The other four lines in the poem could almost have belonged to prose. However, "early" and "no visible history," together with the short phrases in between, begin to introduce a poetic environment.
The second stanza does not rhyme at all, but the third has the same sort of near rhyme as the first. "Fisherman" in the first line recalls another faint rhyme, "amaze the sun." This time, Walcott enhances the poetic quality by introducing a telling image of an old man with his dog, playfully retrieving a spinning stick. "No visible history" reappears twice in three stanzas. The stanza also contains the line "Their lengthened shapes amaze the sun": "lengthened" because the sun is setting, and with the setting sun, "no visible history" slowly becomes history, the history of what happened to this Caribbean island when the British ruled here. The sun has seen it all, the ruin and its twisted shape, and is amazed.
The fourth stanza is the first one whose lines contain perfect rhyme. The fifth stanza contains perfect rhyme as well as mythological references: the women who come to the beach in the evening are called "daphne[s]." The reference is to the Greek myth about the nymph Daphne, who was pursued by Apollo but saved herself by turning into a laurel tree. Just like the original Greek mythical character, these women, too, will have their laurels and groves of trees, except that these groves are the sea-almond trees.
brown daphnes, laurels, they'll all have
like their originals, their sacred grove,
of twisted, coppery, sea-almond trees.
The ninth stanza, which appears a little beyond the middle of the poem, is fully rhymed:
Welded in one flame,
huddled naked, stripped of their name,
for Greek or Roman tags, they were lashed
raw by wind, washed
out with salt and fire-dried,
bitterly nourished where their branches died
The poet has just finished describing the women who come to the beach, who, by a twist of colonial fate, echo Greek mythology. In this stanza, he describes the ravages the colonial conquerors heaped upon the island. He does it through rhyme, as if recalling the epic stories of the Greek invasion of Troy. This eighth stanza can be considered the climax because what follows after is a slow winding down, the calm after the storm. There is even hope in the end.
Perhaps Derek Walcott employed occasional near rhymes, with one big stanza full of true rhyme, to create a rhythmic sense of the sea breeze on the island. It comes and goes, occasionally fluttering the trees, then blows in gusts to drive everything in front of it. The poem, with its particular rhyming strategy, may be conveying the way people often remember their ancestors' conquered land. Its thirteen-stanza structure sequentially takes the reader from a seemingly innocent description of a beach with almond trees to a devastating colonial history.

domain: literature


Fireplaces & Gas Logs
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Travel To exotic Marigot Bay for the Ultimate Escape
If you enjoy traveling to exotic places and are seeking the perfect spot for a memorable Caribbean holiday, you will fall in love with the Marigot Beach Club and Dive Resort located on the stunning western coast of the island of St. Lucia.Posted on January 10, 2012 by admin under
With its friendly atmosphere, and secluded white sand beach set on a charming, palm tree coconut grove on the waters edge, And with convenient access to island tours and activities, the Marigot Beach Club and Dive Resort is the ideal destination for a Caribbean family holiday as well as a romantic vacation.
Marigot Beach Club sits on an enchanting bay that has been described as the most picturesque and exotic in the world. Here the hotel is nestled in a secluded section of St. Lucia, that is surrounded on three sides by steep hills covered in tropical rainforest, leading down to a historic bay, a refuge to ships, pirates and adventurers over the past centuries. The part of the bay that is home to the resort is so exclusive that it is accessible only by boat.
The world-famous St. Lucian sunsets and its visually striking scenery, make the Marigot Beach Club a perennial favorite among visitors in search of the ultimate romantic vacation.
St. Lucia is after all, one of the worlds top honeymoon and wedding destinations:
Some say “Saint Lucia is Romance”.
Choose your accommodations from a selection of deluxe beachfront studios or family villas, and either way you will be just a few steps away from a lovely white sand beach. Travelers who love exploring exotic places will be delighted with the lush scenery and relaxing atmosphere of the Marigot Beach Club. Good food and a fine selection of exotic cocktails from Doolittle's Restaurant and Bar at the resort put the finishing touches on an exhilarating vacation experience.
Vacationers who wish to spend special family holidays at the Marigot Beach Club will appreciate participating in the organized tours offered by the resort. A trip to the Union mini zoo, for example, allows visitors to see a fine selection of exotic species, including animals and birds indigenous to St. Lucia. The mini zoo is home to the colorful St. Lucia Parrot, the "tete-chien" boa constrictor, iguanas and a lizard that is six feet long.
Other tour destinations include rainforest trails, treetop adventures, off-road jeep journeys, beaches and scenic waterfalls.
AND of course boating. Boating and sailing in St. lucia is exceptional. Sitting on your balcony or on the dock at Marigot Beach Club, you will see all sorts of yachts and international sail boats arriving overnight, for a weekend, or for a longer stay in st. lucia, and then tripping on down to the grenadines. Some stop here before returning on the long adventure across the Atlantic.
It is exciting to see sailors captains and crew from distant shore coming to St. Lucia’s Marigot Bay, having left some of the most exotic places in the world and thinking when they arrive that St. Lucia is the most exotic of them all.
For some visitors, fun activities are the highlight of any vacation by the sea. The Marigot Beach Club and Dive Resort offers world-class diving and snorkeling, including organized dive trips and lessons by certified professionals.
For shoppers, there are several quaint shopping areas on St. Lucia offer souvenirs, gifts for family and friends and local arts and crafts. There are also a high interest in leading fashion and many upscale boutiques like Ozone, where you will find the latest in fashion modeled by some of the most beautiful models in the Caribbean.
Exotic, romantic, somewhat exclusive… this hillside of villas and jungle huts, of sand and coconut lines beaches, of shinnering seas and sailing ships, ... is waiting for you.
There’s a cool spot under a palm tree … and a warm welcome .. just across the bay…..
For more information please visit the website at http://marigotBecahclub.com.
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domain: travel


Canon Sd1100is Lens Error
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Good luck, if anything happens let me know. Hello I a HP DV6000 laptop that will not power on. Make sure your DVD burner supports burning that format. sd1100is http://ekomato.com/lens-error/answer-canon-powershot-sd1100is-lens-error-restart-camera.php it worked like a charm. lens Canon Digital Camera Sd1100is A. Hi, can purchase from Radio Shack for around 10 bucks. The manual says this board takessee where the plastic locks go through the board.
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text:
Hebrews 4:12-16 (NRSV)
Verse 12Indeed, the word of God is living and active, sharper than any two-edged sword, piercing until it divides soul from spirit, joints from marrow; it is able to judge the thoughts and intentions of the heart. Verse 13And before him no creature is hidden, but all are naked and laid bare to the eyes of the one to whom we must render an account. Verse 14Since, then, we have a great high priest who has passed through the heavens, Jesus, the Son of God, let us hold fast to our confession. Verse 15For we do not have a high priest who is unable to sympathize with our weaknesses, but we have one who in every respect has been tested as we are, yet without sin. Verse 16Let us therefore approach the throne of grace with boldness, so that we may receive mercy and find grace to help in time of need.
Have you ever stood naked in front of a crowd? I have not either, but one time I felt that way. I was standing in front of a group of about a hundred, presenting on some topic I have since forgotten. Somewhere during the presentation, a note was handed to me. I figured it was a question for the Q and A which was coming later. Yet, because the note had only a few words printed on it, I quickly scanned it immediately. It read, “Your fly is open.” In front of a giggling crowd, I zipped up my trousers and tried to regain some semblance of composure.
Scripture tells us that nothing is hidden before the eyes of God. We are all naked and exposed, and to him we must give account. I thank God that in Christ Jesus we have a high priest who has clothed us in an unconditional love that will take us into eternity.
Thank you, Lord Jesus for seeing us as we are, and loving us without conditions. Amen.


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This book consists of 35 letters that I wrote to my aunt while I was serving in Vietnam from October of 1967 1968. The letters contain my thoughts as a young Marine and continued through the end of my tour where I was still young but far more experienced. The letters came to me when my aunt mailed them to me 33 years after Vietnam. One of her comments was she believed that I should have the letters published. My thoughts were that they were too personal to be published and would not be of any benefit to anyone.
It is my opinion now that these letters might hold some insight into the young people that are in current times serving their country. It seems we all share a lot of commonalities, and I am hopeful that men and women who are serving at this time will draw some comfort from these letters. I'm also hopeful these letters will inspire others who will face difficulties after their tours to meet the challenge of readjusting.
The author was the narrator and it was not very well done. When first I heard the southern drawl it was ok, but after two or three letters, I was done. This was an amateur effort to say the least.
These are letters from the author to his family members during his time of service in Vietnam - about his checking account, girls, where he was assigned etc.
Maybe someone else can get something out of this, but I zoned out when trying to listen.
I don't recommend it.
Would you try another book from Billy Whisenant and/or Billy Whisenant?
What could Billy Whisenant have done to make this a more enjoyable book for you?
Have a pro read. I would not usually say this, but a pro reader might have helped the material.
Would you be willing to try another one of Billy Whisenant’s performances?
If you could play editor, what scene or scenes would you have cut from Thirty Five Letters from Vietnam?
I would not have published this except as a vanity publication for family/friends.


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Most naturally occurring mutants of the retinoblastoma (RB) protein contain large deletions or truncations. The small cell lung carcinoma cell line H209 contains a normal-sized but unphosphorylated RB protein (Hensel et al., Cancer Res., 50: 3067-3072, 1990), which fails to form a complex with SV40 T antigen, suggesting that the RB gene of H209 may contain a subtle mutation. To define this mutation, the RB complementary DNA and genomic DNA were sequenced, revealing a point mutation in exon 21 that changed a G to a T. This results in an amino acid substitution of a Phe for Cys706. The mutant RB complementary DNA was used as a template for in vitro transcription and translation to synthesize the mutated protein. The resulting protein failed to bind to SV40 T antigen, demonstrating that a single missense mutation of the RB gene led to the complete inactivation of the ability of the RB protein to bind T antigen.
|Original language||English (US)|
|Number of pages||5|
|Journal||Cell growth & differentiation : the molecular biology journal of the American Association for Cancer Research|
|State||Published - Dec 1990|
ASJC Scopus subject areas
- Molecular Biology
- Cell Biology

domain: biology


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Editorial image. Not to be used in commercial designs and/or advertisements. Click here for terms and conditions.
19 April 2009 Sony Ericsson WTA Tour Family Circle Cup Charleston, SC - Sabine Lisicki at Family Circle Magazine Stadium during the final match of the Family Circle Cup in Charleston, South Carolina. Lisicki defeated Wozniaki in straight sets 6-2, 6-4.

domain: sports


- « Leon Blum: For All Mankind. On DVD September 21st. (********8/10)
- Return of the Five Deadly Venoms. On DVD September 28th. (*******7/10) »
Country: United States
Directors: Robert Altman, Clint Eastwood, Martin Scorcese, Robert Benton, Tim Burton, James Cameron, Chris Columbus, Wes Craven, Cameron Crowe, Frank Darabont, Jonathan Demme, Nora Ephron, Richard Donner, William Friedkin, Ron Howard, Terry Gilliam, Lawrence Kasdan, Spike Lee, Barry Levinson, George Lucas, Steven Spielberg, David Lynch, Adrian Lyne, Garry Marshall, Penny Marshall, Sydney Pollack, Rob Reiner, Ridley Scott, Tony Scott, Brian Singer, Oliver Stone, Robert Zemeckis, David Zucker
Actors and Jerry Bruckheimer: Kevin Bacon, Jennifer Beals, Leonardo DiCaprio, Jerry Bruckheimer, Tom Cruise, Ossie Davis, Robert Englund, Harrison Ford, Morgan Freeman, Scott Glenn, Jeff Goldblum, Elliott Gould, Tom Hanks, Dustin Hoffman, Dennis Hopper, Michael Keaton, Leslie Nielsen, Brad Pitt, Kevin Spacey, Roy Scheider, Wil Wheaton
Run time: 4 hours
DVD distributor: First Run Features
On the second disc of Directors: Life Behind The Camera, Kevin Bacon is interviewed. That means that THIS, more than A Few Good Men, more than Mystic River is THE movie to use to play “Six Degrees of Kevin Bacon”. I’m not going to list all the participants here. I have already done so above. But just look at that list! Is there an actor or director or wardrobe adviser in the entire world who hasn’t worked with one of those people? I think the game now ought to be “two degrees of Kevin Bacon”, thanks entirely to this documentary. That is, unless you play the game without including documentaries. Or voices in animated movies. Or some other crappy, obscure rule to make the game harder but less fun. In which case, you are a party pooper.
OK, on to the film itself, Six Degrees of Kevin Bacon aside. If you’ve ever thought about making a film, if you’ve ever thought about acting or holding a camera or even knowing a little more about the movies you watch, this documentary is invaluable. It’s a bit of an effort – there are many menus. In each one you have the option of playing “all directors” or one at a time. I recommend “all directors” – even the ones I don’t much care for (Tony Scott, Adrian Lyne) have something really interesting to say. They talk about their starts in the business, the actors and how they get a certain performance out of a certain person, their favourite movies and the relationship between a director and a script. And they all have a totally different take.
The actors are interesting also – they appear on the second disc, talking about the styles of the various directors. DiCaprio talks about James Cameron and Titanic, for example. And they all have interesting anecdotes. I won’t divulge them all here, because I think you should watch this. But Jennifer Beals tells a funny story about a young boy who was a body double for her in Flashdance, and had to shave his legs for the part, much to his embarassment. Kevin Spacey sheds some light on the scene in The Usual Suspects where everyone cracks up during the police lineup. Dustin Hoffman explains some of the inspiration for the lines in Rain Man. Brad Pitt talks Thelma & Louise, the list goes on and on.
And what an incredible list it is. There are other movies, documentaries, where directors talk about their craft. Recently I reviewed a terrific documentary about documentary film makers called Capturing Reality. A couple of the participants in that movie could have been great in this one as well, particularly Werner Herzog, who has done some terrific feature films as well as documentaries. But I wouldn’t dream of bemoaning the fact that he is missing, or that the notoriously reclusive Terrence Malick is missing – they’ve got just about everyone else!
Another great film about film is called A Personal Journey With Martin Scorcese Through American Movies. This is one of the DVDs that made me absolutely excited about movies, that made me go out and buy some of the great American classics like High Sierra and The Bridges At Toko-Ri. That might be the most interesting and watchable of all documentaries about directors and film. And Scorcese (along with the hilarious Garry Marshall and the reticent Clint Eastwood) is one of the most entertaining and fascinating directors interviewed in Directors: Life Behind The Camera.
At the other end of the scale is a movie I once picked up called Directed By John Ford, where we get to see the iconic Western director at his crusty, close-mouthed best. “Why were so many of your movies shot in Monument Valley?” “What a stupid question. Shmalawsssns.” There’s not much of interest in that one – unless you want to watch Ford be cranky. Which I kind of do. And there ARE interviews with John Wayne, Henry Fonda and Jimmy Stewart, which are FAR more informative than those with Ford himself, most of which consist of only seven or eight words.
Directors: Life Behind The Camera is somewhere in the middle. It’s very good, and incredibly full of information. But it isn’t the kind of DVD I can’t stop watching, like the Scorcese one. In fact, it often encouraged me to stop watching, because another menu would pop up and I would have to navigate around again. Then again, it gets the best information and the best stories out of the very best the movie industry has to offer. And that in itself makes Directors a DVD that is totally worthwhile. There’s four hours of stuff here – think of it as a project in loving movies, one that you can absorb over the course of a few weeks, or a lifetime.


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Variegated ivy leaves garland 1.85 meters long
Variegated artificial Ivy on a long garland measuring 1.85 meters. The green colour is darkish with a slight grey hint and ivory cream variegation on most leaves. There are small side shoots all the way down the garland giving it a natural and irregular look..
Brown plastic coloured wire makes the vine look base also realistic and easy to gently curve or shape as desired. Great quality fake ivy garland.
Buy Now: $27.50
Autumn colour hanging bead plant
White rose and babies breath bottle of artificial table flowers

domain: design


The quote is from one of the the most influential speeches of the 20th century. Spoken by the famous Harvey Milk, he helped to inspire an age where fear, hatred and aggression were combated by love, optimism and hope itself. Unfortunately, this fight has become bloody once more, and the side of love and hope is once again under the boot heel of hate. We all know about the recent suicides and murders that have rocked this country and its citizens to the core. Tyler Clementi, although probably the most publicized, is only one, and the number grows like the spread of a dark plague. The question of course becomes, why are we losing? What has changed that has caused our gay youth to feel like extinguishing their lives is the only solution to their pain?


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Our ability to interact with historical figures and events has been transformed by the advent of cutting-edge software and artificial intelligence.
In this article, we will explore how the Talking Heads API software is revolutionizing the way we engage with history and why it is becoming an indispensable tool for educators, historians, and storytellers.
One such tool that has been making waves in this field is D-ID’s AI Video API software. This innovative software allows us to breathe life into past individuals and historical moments, enabling us to gain a deeper understanding of our history and culture.
The Power of Conversational AI
At its core, the Talking Heads API software is a form of conversational AI. It uses advanced natural language processing (NLP) algorithms and machine learning techniques to create lifelike conversations with virtual characters. These virtual characters can be modelled after real historical figures or fictional personas, giving users the ability to engage in dynamic, interactive conversations with them. This technology offers a unique way to immerse ourselves in the past, as it allows us to have conversations with historical figures as if they were alive today.
Bringing Historical Figures to Life
One of the most compelling applications of the Talking Heads API software is its ability to resurrect historical figures. Imagine having a conversation with Abraham Lincoln about his thoughts on the Civil War or discussing scientific discoveries with Albert Einstein. With this software, these scenarios are no longer the stuff of science fiction. By creating virtual representations of historical figures, we can gain insights into their lives, thoughts, and contributions in a way that traditional history books and documentaries cannot provide.
For educators, this technology is a game-changer. It makes history come alive in the classroom, captivating students’ attention and fostering a deeper understanding of the past. Instead of passively reading about historical events, students can actively engage with historical figures, asking them questions and receiving personalized responses. This interactive learning experience not only enhances retention but also sparks curiosity and critical thinking.
Exploring Historical Events in Depth
Beyond conversing with historical figures, the Talking Heads API software also enables users to explore historical events in depth. It can recreate virtual environments that resemble specific time periods, allowing users to step into the past and witness key moments firsthand. For example, users can walk through the streets of ancient Rome, attend Martin Luther King Jr.’s “I Have a Dream” speech, or be present at the signing of the Declaration of Independence.
This immersive approach to history provides a richer context for understanding historical events. Users can see, hear, and even interact with the environment and the people of the time. This level of engagement fosters a more profound connection to history, making it feel more real and relatable. It also encourages users to explore different perspectives and gain a deeper appreciation for the complexities of historical events.
The Impact on Storytelling
The Talking Heads API software is not limited to the realm of education and history. It has also found applications in storytelling and entertainment. Authors, filmmakers, and game developers are leveraging this technology to create compelling narratives and interactive experiences.
Imagine reading a historical novel where you can have conversations with the characters or playing a video game set in a specific historical period where you can interact with virtual historical figures. These immersive storytelling experiences are made possible by the Talking Heads API software, blurring the lines between fiction and reality and allowing audiences to actively participate in the narrative.
Challenges and Ethical Considerations
While the Talking Heads API software offers exciting possibilities, it also raises important ethical questions. The creation of virtual personas of historical figures requires careful research and attention to accuracy. Misrepresenting historical figures or events can lead to misinformation and distortion of the past. It is crucial for developers and users of this technology to approach it with a commitment to historical integrity and accuracy.
Additionally, there are concerns about the potential for abuse, such as using virtual personas of historical figures for propaganda or manipulating their responses to fit certain agendas. Ethical guidelines and safeguards must be in place to prevent such misuse.
The Talking Heads API software is a powerful tool that has the potential to revolutionize the way we engage with history and storytelling. It allows us to bring historical figures and events to life in a way that was once unimaginable, enhancing education, entertainment, and our understanding of the past.
As this technology continues to develop, it is essential that we use it responsibly and ethically, with a commitment to preserving the accuracy and integrity of history. By doing so, we can unlock the full potential of the Talking Heads AI Video software and create a richer, more immersive experience of our shared human history. Whether you’re a student, a historian, a storyteller, or simply someone curious about the past, this technology offers an exciting new way to connect with the world that came before us, breathing life into history like never before.
Business And Features Writer
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domain: history


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When doctors want a clue to which seniors might have many years still ahead of them—and who might be in trouble—it seems one of the best pieces of evidence could be simply how fast the person walks. That's the conclusion of a study by University of Pittsburgh scientists published this week in the Journal of the American Medical Association. The work reviewed the results of nine other studies over the years that included more than 34,000 people aged 65 or older. When they tallied the total results, the numbers jumped off the page:
Only 19 percent of the slowest walking 75-year-old men lived for 10 more years compared to 87 percent of the fastest walking ones. Only 35 percent of the slowest walking 75-year-old women made it to their 85th birthday compared to 91 percent of the fastest walkers. [Boston Globe]
The results aren't a huge surprise ("duh" comes to mind). The researchers note that walking is controlled falling, involving fine muscle control and the synchronicity of several systems:
"Walking requires energy, movement control, and support and places demands on multiple organ systems, including the heart, lungs, circulatory, nervous, and musculoskeletal systems," the authors wrote. "Slowing gait may reflect both damaged systems and a high energy cost of walking." [Los Angeles Times]
And when older people are "slowing down," we know that it's not a good sign. But common sense must be checked out scientifically:
"It's a real part of the human experience to see that when someone slows down with age, they may not be doing as well as they once were," said lead researcher Dr. Stephanie Studenski. "One of the major goals of this study was to quantify this experience for practical and clinical purposes."
Indeed, the large pool of data Studenski's team assembled shows the gait speed-longevity correlation nicely. The difficulty is, it's just that: a correlation. Walking a brisk pace isn't the direct cause of some older people living longer; rather, it would seem to be symptomatic of good mental and physical health. Exactly how those factors interact to increase longevity is a much more complex question. For instance, if a person finds themselves in the "slowing down" group, can they extend their life by picking up the pace?
There's little evidence to show that revving things up means living longer either, though in one previous study Studenski's team did show that people who improved walking speed over a one-year period had a better chance of survival over the following eight years compared to people who didn't speed up. And even though Studenski says there's more proof needed before it can be said that cultivating a livelier step translates to additional years, she still thinks that working on physical fitness as you age is a good idea. [ABC News]
Related Content: Gene Expression: The short life expectancy of longevity genes (?)


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Create a Website Account - Manage notification subscriptions, save form progress and more.
Court / Division: Attorney Brown is a First Assistant Public Defender, serving as the supervisor for the misdemeanor division. In addition to supervisor, Attorney Brown handles PCC/PE dockets.
Education: BA, Towson University. JD, Howard University.
Experience: 30+ years of experience in criminal defense.
Other: While attending Howard University, Attorney Brown participated in Criminal Justice Clinic, which sparked his passion for Criminal Defense and representing the community.

domain: law


Channing Frye has made the headlines in recent hours and not precisely for good reasons. The retired forward has a clear stance on Michael Jordan and he doesn't hesitate to show his opinion on Twitter, although he raises a lot of eyebrows while doing so.
It's not a secret that MJ is the most discussed topic in the league right now after his 10-part documentary 'The Last Dance' debuted last April and everybody wants to give their take on Jordan and his NBA career. Frye, for instance, doesn't think Jordan's game would be effective in today's NBA while making it clear that he wasn't a 'Jordan guy'.
"I’m not a Jordan “guy”. I feel like shooting post up mods range twos wouldn’t translate in today’s game. People got hot, luckily I HAVE time to give attention to triggered fans. Lol," he wrote on Twitter.
Kendrick Perkins was one of the few, if not the only one, to agree with Frye, sneaking LeBron James' name and stating not everybody sees Jordan as the GOAT.
Jamal Crawford also chimed in, saying Frye was just 'trolling.'
Moreover, that didn't sit well with fans, who didn't hesitate to show their disagreement with Frye's words.
This guy has gotten used to making bold claims, and this one wasn't the exception. Jordan is not a regular player. He's one that would be dominating in any era. As fans said, there are players who have a similar style of play and are successful in today's league.


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The magic begins from the moment you turn from Central Park West onto verdant West 74th Street. Widely considered one of the most beautiful blocks in the city, magnificent Neo-Georgian mansions of architectural and historical provenance welcome you home. Nestled mid-block, in one of the original 'Clark Estate Houses' designed by noted architect, Henry Janeway Hardenbergh, of The Dakota and Plaza fame, is Apartment 2D, a one of a kind 2BR/2BA (+ home office) residence which blends old-world grandeur with the comforts of modern living.
From the co-op's refined marble lobby, ascend the sweeping staircase or take the elevator to the second floor to reach this elegant 6 room home. Soaring ceilings, hardwood floors and oversized windows create an atmosphere of light and space while an exceptionally functional floor plan, encompassing three levels and accessed by just a few stairs, offers excellent separation of entertaining and private spaces. Apartment 2D is approximately 1425 square feet and evokes a feeling of a 'house within a house'.
On the first level you will find the kitchen, recently updated with new appliances and countertops. Adjoining is a cozy dining area for casual meals or entertaining. An enormous second bedroom, discreetly tucked away from the dining area for privacy, includes a wall of closets and a full bath. This second bathroom is also conveniently accessible from the main foyer allowing it to function as a powder room for guests.
A few steps up, on the mezzanine level, is the stunning corner living room. Especially majestic, this light and airy salon is anchored by a wood burning fireplace, large double-paned picture windows and a grand ceiling height of over 12.5'.
The third level, accessed by an art deco staircase with floating stairs, features the private primary bedroom with a wall of closets and an updated en-suite bath. An adjacent home office/study/library overlooks the dramatic living room and is spacious enough to serve as a guest room, den, or even a gym. Two closets, one a deep walk-in, complete this upper level.
Perfectly situated in the most iconic part of the UWS, 30 West 74th is surrounded by great restaurants, wine bars, gourmet food stores and boutiques, and offers easy access to Lincoln Center and all transportation options. This intimate pre-war co-op allows up to 75% financing, pied a terres, pets and washer/dryers (with board approval). Common basement storage is also available and there is a recently renovated laundry room for residents. There is a 1% flip tax to be paid by the purchaser.
Building Features 5 Floors20 Units
$1,650,000 / $1,157 per ft²$200,000 - today
Listed on Sep 10, 2022
202 Days on Market
2 Beds / 2.0 Baths / 1,425 ft²
Total Monthly Expenses: $3,172
Exclusively listed with: Compass Source: RLS
917 270 5433
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Tennessee Highway Patrol has also been using a variety of tools to ensure traffic safety along the interstates and highway systems. Employing the “No Zone” 18-wheel rig, officials have been watching for texting or distracted driving and other offenses which drivers may commit.
“Continuing an emphasis on reducing the number of lives lost in traffic crashes, the Bradley County Sheriff’s Office is ramping up its Lifesaver traffic safety campaign for the spring and summer months,” said Capt. W.G. Campbell of BCSO.
Last year, 24 people died on Bradley County roads from injuries they received in vehicle crashes. That broke a previous high of 23 fatal traffic-related crashes that occurred in 2002.
“With the onset of warmer temperatures and additional hours of daylight, more activities are held, leading to congestion on streets and highways that are already busy with afternoon and evening traffic. Throughout the summer, the BCSO will engage a combination of education and enforcement to get the message across that careless driving is not acceptable,” Campbell said.
In October 2011, Sheriff Jim Ruth launched “Campaign Lifesaver” and tasked patrol personnel to be on the lookout for moving violations including speeding, not wearing a seat belt, driving recklessly and texting. The sheriff’s message also carried a directive to deputies to issue citations for flagrant violations of traffic laws,” according to Bob Gault, media relations coordinator for BCSO.
“Nobody wants blue lights in their rearview mirror,” said Ruth. “Drivers have got to slow down and be more careful.
“Bradley County is growing, and growth results in an increase in traffic. Operating a vehicle carelessly is unacceptable behavior,” he added.
Another focus of the campaign is to take impaired drivers off the road.
Tennessee’s legal limit for intoxication to be charged with driving under the influence is .08 percent. For drivers under the age of 21 the limit is .02 percent, according to Campbell.
THP is constantly performing Driver Safety or Sobriety Checkpoints in Bradley and surrounding counties.
Campbell said another cause of serious accidents is distracted driving. Looking away for seconds to adjust a radio, make a cellphone call or text, or any of dozens of other distractions have been factors in local crashes.
“We’ve investigated many crashes where the distracted driver ran off the side of the road and then overcorrected, trying to get back in their lane of travel. The end result was crashing into an object along the road or another vehicle,” Campbell said.
What happens when a driver attempts to correct a vehicle which is going out of control?
“The first thing to remember is not to panic. Only apply your brakes if you have to. The difference between having two tires on the road surface and two tires on the shoulder could cause you to lose control [if you brake to hard],” Campbell explained.
“You should take your foot off of the accelerator while keeping a firm grip of the steering wheel. If your tires have traction, continue slowing down. If the difference in the two surfaces is small, once you have reached a safe speed you can turn the steering wheel slightly to get back onto the pavement.
“If there is a sharp drop-off, attempting to steer back onto the pavement could further complicate your situation and could even cause you to flip over or collide with another vehicle,” he said.
Many younger drivers can “over-drive” themselves, he said.
Campbell said that is why you should remain as calm as possible until you have control of the situation.
“If the drop-off is several inches you may have difficulty recovering. Wait until you have slowed to regain full control.”
In the last six years, traffic crashes have claimed 6,260 lives in Tennessee; 89 were in Bradley County.
“We will continue to educate all our motorists, those younger or more seasoned. Our goal is to save lives and drivers from life-changing injuries,” Campbell said.


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Scott Stapp Will Portray Frank Sinatra in Creed Singer’s Feature Film Debut
Creed singer Scott Stapp will play legendary crooner Frank Sinatra in the forthcoming film Reagan, a biopic about Ronald Reagan. The movie chronicles the heyday of the actor who would become the 40th president of the United States.
It's the Creed frontman's feature film debut, as Billboard reported on Wednesday (Dec. 16). The movie features a scene where Stapp performs as Sinatra at Los Angeles' storied Cocoanut Grove nightclub, back when Reagan was the Screen Actors Guild's president and a noted Hollywood regular.
For his part, Stapp seemed excited to embody "Ol' Blue Eyes." It's certainly a change from the type of entertainer the Creed singer's used to being as the frontman of the multi-platinum rock band.
"Sinatra in performance mode was an exercise in restraint," Stapp offered in a statement. "He had this steely, stylish swagger and his sheer presence commanded a room. I was excited to join the cast and blown away by the on-set attention to detail, style, and overall production."
Reagan's cast also includes Dennis Quaid in the role of Ronald Reagan, Penelope Ann Miller as Nancy Reagan, Mena Suvari as Reagan's first wife, Kevin Dillon as Jack Warner and Jon Voight as a KGB spy. It's directed by Sean McNamara.
"We are honored to have Scott in Reagan," McNamara said. "Scott's known for big, high energy performances so it was a thrill to see him shift gears to embody Sinatra's contained charisma."
The movie's scheduled for release sometime in 2021. Only then will viewers be able to see if Stapp's acting chops can take them higher, as the musician's music with Creed has done in the past.

domain: celebrity


Hello! I would like to announce that the album is complete and we have hard copies ready to sell! We are so excited! This has been a fantastic journey for us and we’re excited for the road up ahead! The album, titled ‘The Colour Negative’, is yet to be released digitally and the digital release date is TBA. Stay tuned for more info!


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Russian President Vladimir Putin said nothing during a phone call with French President Emmanuel Macron that he indicated he was preparing to invade Ukraine, an official in the French presidency said.
"We see no indication in what President Putin says that he is going to go on the offensive," the official told reporters after Macron and Putin spoke on the phone for nearly 90 minutes on Saturday.
"We are nevertheless extremely vigilant and alert to the Russian (military) posture in order to avoid the worst."
France would, however, now be recommending that French nationals avoid trips to Ukraine, the official said.
Watch the latest News on Channel 7 or stream for free on 7plus >>
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The St. Joseph Academy basketball team had a season to remember.
The team, after the disappointment of not advancing to regional play this year finally subsides, the Jaguars will be able to fondly look back and be proud of all that they did accomplish during 2012-13.
Head Coach Maggie Steadley-Ferrando has implemented a winning attitude into the SJA program in a very short period of time. In the beginning of the year, Ferrando made it clear that the Jaguar style would be one of aggressiveness on defense and attacking the basket at the offensive end of the court.
Such philosophies were evident all season long, and it took St. Joseph Academy to a 22-win season, a Division I sectional championship, and a trip to the district semifinals.
The Jaguars, who were ranked in the area’s top 10 every week of the season, watched it all come to an abrupt and heartbreaking end with a loss to North Royalton, 41-33, denying Ferrando’s squad a spot in the district championship game.
“Yes, it was such a disappointing way to end things,” said Ferrando, whose club achieved a remarkable 22-3 record for the year and a first-time No. 1 seed in the postseason tournament. “I’m so proud of my girls. We were able to do some great things on the court. I’m just sorry for my seniors. I will miss them very much.”
Such seniors would be Daija Jones, Layla Leon (North Olmsted), Sarah Schwind (West Park), Paige Heneghan, Katie Battaglia, Gabrielle Avellone and Ann Conroy.
Battaglia, the lone player on the team with a double-figure scoring average of 10 points, and the Jaguars starting point guard, would be unable to play, though, in this crucial game having injured her wrist in the previous tournament victory over Normandy.
A team losing its point guard can be a devastating setback. Such an absence would show as the Jaguars, steady with Battaglia at the point, turned the ball over 25 times.
It would be Conroy, whose final performance, would result in a double digit scoring effort as the 5-10 forward led the Jaguars in scoring against North Royalton with 13 points, while pulling down eight rebounds.
Conroy and her teammates hung tough, however, in the closing seconds of that district final against the Lady Bears trailing by just three points with 1:29 remaining in the contest. The next 40 seconds, however, would officially end the SJA run toward further advancement in the playoffs with North Royalton sinking 5-of-6 free throws to hang on for victory.
It was a tremendous offensive showing for Ferrando’s team at the Division I Sectional/District Tournament from Valley Forge High School with the Jaguars averaging nearly 80 points in the first two victories over Cleveland Lincoln-West and Parma-Normandy.
At the outset of the district semifinal, it appeared as though the Jaguars were ready to continue its offensive “clinic” at the expense of North Royalton. St. Joseph Academy began the ballgame against the Lady Bears with an 11-0 run sparked by Conroy, Jones (12 rebounds, 4 steals) and Brittany Morrison (North Ridgeville) with Conroy and Morrison helping SJA to a 19-8 rebounding edge during the opening eight minutes of play.
But North Royalton took that early momentum away from the SJA side of the court by scoring six unanswered points. From there, the Jaguars were seemingly not able to recover from that quick offensive burst from the opposition to end the first period of play.
The Bears outscored SJA, 12-8, in the second stanza to trail Ferrando’s team by just one at the intermission, 19-18.
Conroy continued to help her team keep the advantage with timely baskets, while Jones and Morrison continued to get good looks. The result was a SJA lead after three quarters of play, 28-26.
Unfortunately, the Jaguars picked the wrong time to have its previous offensive efforts disappear. SJA went ice cold from the floor in the final eight minutes of play. That is a recipe for disaster in any game, but in a contest that can send you to a district championship game, such poor shooting numbers will haunt any team. SJA wound up a tough 15 percent from the floor.
It’s safe to assume that such a memory and a percentage will be fresh in the minds of all returning players each time they step into the gym for workouts this summer.
North Royalton, with that impressive free throw shooting in the closing moments, outscored SJA, 15-5, to end the Jaguars season.
The returning players, looking to take such a difficult fourth quarter and make the necessary corrections for better results in a future district semifinal or championship game will be Greta Burry (Lakewood), Caroline Becker (Lakewood), Natasha Martinez, Hailey Grant, Nicole McManamon (Westlake) and Grace Mullen (Lakewood).
Ferrando, despite a tough exit from the tournament, remained upbeat.
“This was truly a team in every sense of the word,” said the SJA coach, whose club’s total number of wins makes this Jaguar team the best in school history, since 1890, while a No. 6 Ohio ranking was also a first for the program this winter. “We had great senior leadership. The players were all unselfish and accepted their roles.”
A schedule, described by Ferrando as a true “meat grinder,” featured key wins over traditional powerhouse programs and 2012-13 championship teams like Magnificat, Walsh Jesuit, Akron St. Vincent-St. Mary, Lake Catholic, Lake Ridge Academy, Gilmour Academy and Lakewood.
A tough ending, yes, but in reality, the winning seasons and overall success stories surrounding the St. Joseph Academy basketball program is just beginning.


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CHESTER WEST TWP. – A pavilion to serve the Voice of America MetroPark sports fields is now open.
The UC Health West Chester Hospital Field Pavilion is a two-story structure with 2,855 square feet of interior space as well as another 3,282 square feet of roof space, which includes porch areas.
The country house has a washroom, concession area, storage, and workout rooms on the main level. A press box occupies the top floor.
It has a one-acre lawn, a 3,500 square foot outdoor observation deck and approximately 400 new paved parking spaces.
The project has been under consideration since a partnership between MetroParks of Butler County and West Chester Hospital was announced almost four years ago after 22 sports fields opened.
“Through a partnership with UC Health and the support of our local lawmakers, this project will be a great addition to the sports complex and a positive economic impact for the region,” said Gregory Amend, Chairman of the Board of Directors of MetroParks.
Since the sports fields opened in 2014, two have been fitted with artificial turf and lights have been added to make the fields more usable for longer during the season.
Land use for tournaments had an economic impact of over $ 12 million in 2015 and 2016. Figures for 2017 are not yet available.
The impact in the region has come from hotel stays, meals purchased, items purchased, attractions visited and other factors.
The project cost $ 3.2 million, which includes the pavilion, site work, parking, landscaping and utilities. It was paid for with a $ 500,000 state grant, a $ 1 million partnership with UC Health, and MetroParks funds.
This season, officials from MetroParks and the Butler County Visitors Bureau have booked 17 regional, state or national tournaments, which are expected to draw more than 100,000 athletes and spectators to the park. This figure does not include the grounds reserved for practice during the week.
A grand grand opening will be held Friday from 3 p.m. to 5 p.m. at the Sports Complex, located in 7850 VOA Park Drive, off Cox Road. The public is invited.


Often questioned but still used: the classic CV remains an unavoidable support during recruitment sessions, despite the development of methods to select candidates in a different way.
Critics of the curriculum vitae accuse it of being the source of discrimination against the candidate (on the basis of name, sex or place of residence), or of being able to bias the recruiters' point of view by mentioning certain backgrounds or interests.
It is to avoid these pitfalls that some companies have chosen to do without a CV. McDonald's and Ikea, for example, have made them optional.
The fast-food giant believes that "the CV doesn't tell us much about the candidate's know-how or interpersonal skills. Especially since, among the 500,000 applications received each year, "young people with little or no qualifications" represent the majority of the applications submitted, says Yannick Augrandenis, McDonald's communications advisor.
In place of a CV, these multinationals are focusing on the evaluation of"soft skills", i.e. the knowledge of how to behave in a company, by means of video games or role-playing.
Benoît Serre, vice-president of the National Association of Human Resources Directors (ANDRH), understands the interest of these multinationals in not relying entirely on the past experience of their candidates: "The interest in knowing the background of a candidate remains relative when the position requires, above all, soft skills.
But how can we explain the widespread use of the CV? "The CV does not allow us to judge personalities, but rather career paths," says Mr. Serre. Many candidates remain proud of their career path."
And according to Adrien Bignon, a recruitment consultant, this "professional business card" remains irreplaceable to highlight the diploma or professional experience.
"The resume still works very well when you're looking for a candidate with very specific experience or technical skills," Bignon says. This is less the case in companies like McDonald's, where new recruits are trained internally.
For the recruitment consultant, proclaiming the end of the curriculum vitae is more of a "marketing" argument to seduce candidates in sectors facing a shortage of manpower, rather than a desire to change the bias of recruitment.
"Between a company that recruits on CV and the one opposite that proposes to do without it, the choice is quickly made" for the candidate, he points out. This is particularly true in the case of McDonald's, which has chosen to stand out in the fast-food market by offering a questionnaire and video games based on cognitive sciences, instead of the classic duo of CV and cover letter.
But according to Mr. Bignon, for positions where the recruiter needs to know the candidate's background and skills, presenting an A4 format CV has the advantage of being less burdensome to prepare than its alternatives, such as video CVs or recruitment by simulation.
"The more demanding the recruiter is in his recruitment methods with the candidate, the more disappointed the candidate will be if he doesn't get the job, because he will have put more effort into it," points out Mr. Bignon.
Especially since alternative recruitment methods do not eliminate the risk of casting errors, notes Benoît Serre, also HR Director at L'Oréal. For him, the CV is not an obsolete tool, but it remains only one asset among others in the recruitment phase. In fact, "it only delays the moment when a manager meets a candidate".
"The CV is not meant to be the alpha and omega in recruitment, what counts above all is the interview and the human dimension" that emerges, he says.


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Dr. Robert Cohen Presents Grand Rounds on July 11th
Robert Cohen, M.D. will present the Department of Family Medicine and Community Health’s July Grand Rounds. His presentation, entitled, “Medical Consequences of Mass Incarceration: What Do We Do Now?” will review the epidemiology of mass incarceration in the United States and the medical consequences of solitary confinement, define the elements of a human rights approach to incarceration, and discuss the limits of traditional quality/safety approaches when the patient is a prisoner.
Dr. Cohen is an attending physician at New York University’s Langone Medical Center and the Medical Director of Cicatelli Associates in New York City. Dr. Cohen has been a member of the New York City Board of Correction for the last five years. He also serves on the editorial board of the International Journal of Prison Health Care and as an American Public Health Association Invited Observer of the WHO – European Region Health in Prison Project. His expertise in prison health comes from his many roles as a medical expert and monitor for oversight of medical care in U.S. prisons and courts in Michigan; Ohio; Connecticut; New York; Washington, D.C.; Florida; and Philadelphia.
As part of the Mount Sinai Health System’s virtual campus, videoconferencing will be offered with the Beth Israel Medical Center’s Department of Family Medicine and the Mount Sinai-affiliated Mid Hudson Family Practice Residency in Kingston.
The event will be held from 8-9am on Friday, July 11th in Mount Sinai’s Hess Seminar Room A in the Hess Center for Science and Medicine (1470 Madison Avenue between 101st & 102nd St), 2nd floor. A light breakfast will be served at 7:45am.
Department of Family Medicine and Community Health Grand Rounds are supported with a generous donation from the Steven A. and Alexandra M. Cohen Foundation. They are open to all and occur on the second Friday of every month throughout the academic year.


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Parkinson's Disease - Part 2
With Dr. Neepa Patel
In this episode of Gracefully Greying, Henry continues his conversation with Dr. Neepa Patel. They further discuss Parkinson’s Disease and what can be done to help comfort those with the disease. This is a tough disease that has no known cure.


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2 Days ago, I went to Cocoon's gig. And although I didn't know much of them, it was a very pleasant surprise. Nice music, nice people, lot of interaction with the public. And for the tour, they even hired 2 new musicians (Bass and Drums) which gives it even more credibiility and depth...
They offered us 2 covers: "Hey ya" (orignal is sung by Outkast) and "Through the Moonsoon" (Original is sung by... Tokyo Hotel!!!!) I'd never believed, still 3 days ago that I would one day listen and actually like a song from Toky Hotel ;-)
Here's "Hey ya" that I, again, found on YouTube.
If they happen to play close to your place, it's worth the visit ;-)


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One Photographer Captures Holland’s Beautiful Tulip Gardens Without Any People Around [photos] – because I can definitely do with more pictures of pretty flowers.
Sculpt the World [photos] – the website of Jon Foreman, who creates art with stones or leaves or broken glass or sand or… It’s very geometric, very pretty, and it tickles my brain just right. I especially like his Stone gallery.
Arrows of Time [mostly text]- a series of chronologically sorted factoids about the human understanding of time.
IKEA kataloger [images] – IKEA released their catalogs from 1950 to 2020, and it’s pretty neat to look at. I did find PAX cabinets/placards in 1955 😉
A Time Leap Challenge for SAT-Solving [text, PDF] – Fichte, Hecher and Szeider decided to have a little competition: “what runs better, 20-year-old SAT solvers on modern hardware, or modern SAT solvers on 20-year-old hardware?”. Lessons learnt: archeology is hard, and both hardware and software progressed enormously for SAT solving. Also there’s an XKCD in the bibliography, so.
NSF’s newest solar telescope produces first images [images, text]- there’s been some pretty Sun images from the Daniel K. Inouye Solar Telescope.
The Awesome Piano – Peter Bence [short video] – that is a very cool music video. And if you don’t know Peter Bence, I can only encourage you to have a look at his YouTube – here, have a cover of Under Pressure, for instance.
Box [short video] – “so, I have a bunch of projectors and robot arms, what could I do with them…?”. Worth watching in full-screen 🙂
Fresh Guacamole by PES [short video] – hmmm. Cooking in stop motion. Made me watch a very large set of videos on that channel, didn’t regret any of them, this is brilliant. The Deep by PES is also super neat.
Okay, the Dune trailer [short video] looks pretty good. Understatement.
Diorama: A Tutorial [text, images] – a series of 4 articles (part 1, part 2, part 3, part 4) from my fellow Scavenger Dave DeBaermaeker, where he explains step by step how to make a small diorama to create a wall at scale for toy photography. That actually looks… surprisingly feasible 😉


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Good on Robin for wrapping it up quickly. The opening game of the second was a fun marathon which went to something like 9 deuces. Other than that it was quite onesided. Robin only lost five points on his serve throghout the match.
Yes, really nice match! BUT I'm soo disappointed that they will probably not show Robins match against Ljubo because he plays on court 1!! Why, would anyone even do that?!?!
Plus i'm worried about that match since Ljubo seems to have Sodas number if youre going by the H2H. :P But I'm hoping for a good match via the scoreboard then atleast


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Missing star Storm Reid hasn’t slowed down since her starring role in Ava DuVernay’s A Wrinkle in Time (2018), but it’s now all the more impressive when you consider that she’s also a full-time USC Trojan. Reid has been juggling a still-blossoming entertainment career with higher education since the fall of 2021, and she appreciates the chance to have a bit of normal in between her buzzy movie and TV sets.
In Will Merrick and Nick Johnson’s Jan. 20 release Missing, the mostly standalone sequel to the John Cho-led Searching (2018), Reid plays June, a defiant teenager who’s raised by her single mom, Grace (Nia Long). When Grace and her new boyfriend, Kevin (Ken Leung), fail to return home from their trip to Columbia, June uses the technology at her disposal to try to find answers. Unfortunately, her efforts immediately raise questions about her mother’s identity and mysterious past.
For Reid, the film was a stark reminder that the Internet is forever.
“What you put out into the universe, as far as social media, is always going to be there, whether you delete it, whether you put it on your story for 24 hours,” Reid tells The Hollywood Reporter. “People see it, people screenshot, people save. So I would just tell people to be careful with social media because it’s a double-edged sword.”
Reid, who’s one of the stars of HBO’s smash hit Euphoria, will soon be guesting on The Last of Us, HBO’s highly-anticipated video game adaptation, and the Atlanta native can’t help but rave about the series co-lead, Bella Ramsey.
“To be able to say that I shared a screen with Bella Ramsey is just incredible. I think she’s absolutely brilliant, and I can’t wait to see our episode. It was so much fun to film, and it was heartbreakingly beautiful,” Reid shares.
In a recent conversation with THR, Reid also looks back on her emotionally charged scene with Idris Elba in James Gunn’s The Suicide Squad, as it happens to be one of her favorite scenes to date.
Well, I just want the record to show that there’s a storm happening outside my window right now. So you couldn’t script this any better.
(Laughs.) I can control the weather, so I just wanted it to rain today.
You’ve been doing great work for a number of years now, so did you have to go out for Missing? Or did they come to you?
They came to me, fortunately, and the rest is history. I’m so excited and honored to be a part of this project. It was probably the most challenging role that I’ve done thus far, but it’s also one of the most rewarding. To be able to learn new skills and film on computers and phones was just a wild experience, and it’s something that I’m truly grateful for.
Yeah, I was going to ask if they really did use device cameras to capture you.
Absolutely. We used phone and computer cameras. And then, obviously, we had some other cameras connected to phones and the computer. [Co-directors] Will [Merrick], Nick [Johnson] and the entire team did an amazing job of using absolutely every technological resource, and they made it look real and gritty and raw and uncut.
Your generation grew up with smartphones and social media during the true crime boom. Thus, at least some people in your age group have become so skilled at online detective work that they’ve actually helped crack a few notable cases. So do you know some excellent digital sleuths?
I know a few people who are tech savvy and know how to find people on Instagram, but I don’t know anybody that goes deep into solving crimes and figuring things out. I don’t know anybody like that.
When June is FaceTiming or WhatsApping with another character, were you able to see the other actor? Were they at least in the room?
Sometimes, I was able to see them and other times, no. Sometimes, they would be in the next room and I could just hear their voice. So I had to envision them being on the screen, and it was a little challenging. But I did appreciate it when we were doing a FaceTime call or a WhatsApp call and I was able to see my fellow actor’s face on the screen. It made me feel good.
How detailed was the script? For example, if we see June typing on screen via iMessage or watching a certain TikTok, was all of that written out in the script?
Absolutely. All the details were in the script, and I think that’s why I fell in love with the project. When I read it, I was on the edge of my seat. I thought I knew what was happening, but I didn’t. There would be another plot twist and turn, and that’s why Missing is a great movie for the theaters. It’s poppy and it’s fresh. It makes you want to watch it with your fellow people and try to figure this mystery out. It really is a great co-viewing experience as well.
You have a number of intense scenes in this movie, and that’s consistent with the rest of your career. What do you make of the fact that Hollywood keeps coming to you for highly emotional work?
I’m thankful that I’m able to tap into my emotions and that I have easy access to my emotions. I am a part of projects that are gritty, emotional and drama-filled. But all of that has purpose and intention, and I wouldn’t want it any other way. Thankfully, I have a little bit of talent to do what I need to do on screen. (Laughs.)
Are those scenes exhausting, such as screaming at Idris Elba through a glass partition?
No, I think it’s so much fun to let out your emotions and scream and cry. As long as you have the ability to separate your real life from your character’s life and what they’re going through, I think it can be really fun. I mean, at the end of the day, you are a little tired or your head might be hurting from crying, butI I’m always having so much fun.
I’m amazed by how much work you’ve been doing while still going to school at USC. How are you able to pull all this off?
It’s challenging, but I take it one day at a time. I have a great support system. My family, friends and team realize that my career and my academics are equally important to me, so they want to see me graduate in 2025 as much as I want to see myself graduate in 2025. (Laughs.) I just had to realize that my journey as a student wasn’t going to be like my friends, peers or classmates because they’re going to school full-time. I’m still acting full-time and then trying to go to school, full-time. So as long as I stay on top of everything that I have to do on top of my academics and communicate with the faculty and staff at SC, we’ll get that degree in the summer of 2025.
The last time I spoke to you, you were shooting The Invisible Man in Australia, and I just asked Jason Blum and James Wan about a sequel. And the answer they gave me left me feeling optimistic about its chances. So are you ready to help Aldis Hodge deal with Elisabeth Moss’ Invisible Woman this time around?
Hey, this is my first time hearing about it, but it might be really cool. You never know.
I touched on it earlier, but I loved your prison scene with Idris Elba in The Suicide Squad. Typically, those types of prison scenes are very sentimental, but the two of you channeled this primal rage of sorts. Was that a memorable day for you?
I was, of course, super nervous. Sharing a scene with Idris Elba was a lot of pressure, but he was so sweet. James Gunn is an amazing director, and he made me feel so comfortable. We did that scene all day, but it was so fun to just be able to play and improvise and work off of each other. So I think it turned out great. That’s one of my favorite scenes that I’ve ever done.
Alright, Storm, it’s your moment of truth. You told me a few years ago you were going to watch Titanic since Leo DiCaprio is a Euphoria fan. Have you finally pressed play?
Can I get an extension on the contract?
It’s funny you say that because there’s a re-release on Valentine’s Day.
Perfect! I’m going to watch it on Valentine’s Day. I guarantee it. For real, for real. By the next time we talk, I promise it’s going to be done.
Deal. So how’s Gia doing?
Gia is good. Gia is chilling. Gia is just trying to stay out of Rue’s [Zendaya] way. (Laughs.) No, we haven’t started filming [Euphoria] season three yet, but hopefully, in season three, there’s more levity, grace and joy. And hopefully, we’ll get to see a little bit more of Gia.
When you walk around campus, do you hear “Gia!” from every direction?
Not too much anymore, but when I first got to school, it was a little hectic, especially because we went back to school a week before or the week after the new season came out. So everybody was watching it and asking me questions about it. But people have simmered down a little bit.
I’ve seen the first four episodes of your other upcoming HBO series, The Last of Us, and it’s very well done. Did you enjoy your time on that one?
I did. I had a great time. To be able to say that I shared a screen with Bella Ramsey is just incredible. I think she’s absolutely brilliant, and I can’t wait to see our episode. It was so much fun to film, and it was heartbreakingly beautiful. So I just can’t wait to see it all come together, and I’m just excited for the show and the universe as a whole. I didn’t play the video games, but I am definitely going to tune in every Sunday to watch every episode. I’m just so invested as a fan now.
It’s also a really good time to be in the (M3GAN and Malignant screenwriter) Akela Cooper business.
So did you have a blast in France recently, filming the Cooper-penned The Nun 2?
Yes, I did! I was in France for a while. I was a little homesick, but I did have a great time filming The Nun 2.
Is the Wrinkle in Time group chat still a thing?
(Laughs.) It’s not as active these days, but I do communicate with the ladies, individually. I’m so glad I’m still connected with them.
Do most of your projects set up a cast group chat after wrapping?
Not necessarily. We do all exchange numbers and try to stay connected, at least through social media. But group chats haven’t really happened that much.
Has Missing changed your device or social media habits at all?
It’s made me more cognizant of how powerful social media is and how powerful technology is. It just always reminds me how important it is to have a positive digital footprint. What you put out into the universe, as far as social media, is always going to be there, whether you delete it, whether you put it on your story for 24 hours. People see it, people screenshot, people save. So I would just tell people to be careful with social media because it’s a double-edged sword. It’s a powerful tool. It can be positive, but it can also lead to a very dark place.
Decades from now, when you’re reminiscing next to a crackling fireplace, what day on Missing will you likely recall first?
Oh wow. There was a day that lasted until 3:30 in the morning, and it was a challenging and emotional scene that I always think about. So when I am sitting by the fire in a few years and just reminiscing, I’ll probably think about that first.
Well, congrats on the film, Storm.
Thank you, and when I see you again, I will have watched Titanic.
Leo DiCaprio is counting on you!
I know he is. That’s so crazy. I’ve gotta do it!
Missing opens in theaters on Jan. 20th. This interview was edited for length and clarity.
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