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Corin Tucker of Heavens To Betsy and Sleater-Kinney sat down with ‘Starting a Riot’ host and She Shreds Media founder Fabi Reyna, and she brought her guitar. You’ve heard snippets of that conversation throughout the podcast, but we thought you might like to hear more about Corin’s experiences in Olympia, how her bands started and how she developed her unique sound.
Special thanks to JT Griffith, Polaris Hall, Nathan Fasold and Black Book Guitars
FULL EPISODE TRANSCRIPT:
Fabi Reyna: Cool. Is it time?
Julie Sabatier: I think it’s time.
Reyna: Do we start?
Sabatier: Do you want a countdown?
Corin Tucker: Yeah.
Reyna: I would like fireworks and...hello. Hi.
Tucker: Hi, Fabi.
Reyna: Hi, Corin.
Reyna: Corin Tucker and I first met in 2011 when she was on the cover of the first issue of “She Shreds” magazine. Being in punk bands and touring up and down the Pacific Northwest throughout my late teens and early twenties, I feel like I just sort of knew Corin Tucker as an icon. Of course, I was already a fan of Heavens to Betsy and Sleater-Kinney. But I really got to know her when I joined the band on their 2021 tour as a third guitarist, Corin isn’t only an incredible guitarist, singer and songwriter. She’s a wealth of knowledge, hilarious and full of incredible stories. So, I was really excited to talk with her for “Starting a Riot.” You’ve heard snippets of that conversation throughout the podcast, but figured you might like to hear more. We sat down with our guitars in case a little riff inspiration came through and I started from the beginning: what was it like when she and her friend Tracy Sawyer first started Heavens to Betsy in their hometown of Eugene, Oregon?
Tucker: Well, I think that, you know, Tracy and I were friends in high school and we had always had this fantasy about being a band and in fact, this is crazy, but the summer before high school we went to Athens, Georgia. We took the train across the country. We went to Athens, Georgia and it was basically a research project of another scene that I wanted to understand, like how bands worked there and how people did that life. And we went there, Tracy was probably 16; I was 17. It was insane when I look back. We went there, got an apartment, lived there, met everyone we could going to shows that were under-age. We bought a drum kit in Athens that Tracy still owns today and we put it on the train and we took it home and we were like, “yeah, we’re gonna, we’re gonna have a band someday!” So, I mean, it was like, in a way, it felt like a pipe dream, but because Olympia was so plugged in to that idea of like, how do we change music to “revolutionize it,” was kind of like how the Olympia speak was, they wanted to have inclusivity, they wanted to have amateurs, was really exciting to the kind of music scene there, because it was very anti-corporate music industry. And so for us to be like, “yeah, we’re a band,” you know, and then to get that show in front of like Beat Happening and Fugazi and all these people that I admired — Mecca Normal, you know, to play that, it was, that was like, yeah, it was like actually making it a reality.
Reyna: How did you get the motivation to just go and do things? You just went to Athens, you just decided to have a band, you just decided to buy a drum kit. What inspired that?
Tucker: I mean, I think it’s a lot of things. I mean, I think that it was a lot of encouragement and a lot of privilege that I was able to be from a family that fully supported me. And my dad gave me a guitar and bought me an amp — a used amp, but still. I think when I look back, that’s so critical. And I also was just always a really stubborn human being, you know, because I just, I felt like I never fit into the kind of stereotypical pretty girl or whatever in high school. That just wasn’t me. And I desperately wanted to do something that was meaningful and different and also let me tell my own story. And I saw it. I literally saw it that night on stage with those women doing it and I was like, “I want to do that.” And I mean, I don’t know how you feel that unless you’re young. I look back and I’m like, I was just a kid, you know, and, and I was lucky enough to be, to have people be like, “ok. Yeah. Let’s make that happen.”
Reyna: So, I want to get a clear painting of what was happening in Olympia when you set foot there to be at Evergreen College. What did it sound like? What were the conversations about? And how did you feel as someone who was already sort of tapped in but not fully immersed? So, what did being fully immersed in that culture, how did that then influence what Heavens to Betsy became for the rest of the duration of the band?
Tucker: I think I was really welcomed into that scene. I started going to every single show at the North Shore Surf Club in Olympia. I was just very lucky because right away, I put out a single with Bratmobile like a split seven-inch on K [Records] and Calvin [Johnson] was like, “Well, let’s make this happen.” And Molly Neuman recorded us in at Evergreen. We recorded a few songs. So, I mean, we couldn’t have been in a more like supportive scene where people were, like, “Yeah, let’s just, let’s just make this happen!” You know, I think sonically, it was like a very simplistic. I still like writing that way. I still feel like that’s sort of my core writing abilities. Let me just, if I think about (plays guitar) this is a song called “My Red Self” (plays beginning of song) That’s one of the first songs I wrote and it’s really, really simple, but I still feel like that’s kind of how I relate to putting music together. I don’t like clutter in songwriting.
Reyna: 100%. Ok, I’m going to go back a little bit just to understand again the timeline. You’ve been an Olympian now for a few years. How does your voice change? How does your connection to being on stage and holding a guitar and your whole confidence with that evolve? And what do you notice is changing sonically in the way that you play?
Tucker: I think I played more shows with other bands and there were only two of us in Heavens to Betsy, right? Just one guitar and one drummer. And I think we wanted to be, we wanted to take up more space sonically. And so it’s definitely on the full-length record that we did with [the label] Kill Rock Stars as I tried to branch out you know, and there’s like a song called “Axemen” on there that, let’s see if I can remember it. (plays part of the song) and I switch to the chorus and it’s full on power chords at this point. (continues playing) So, it just took that kind of simplistic songwriting and it added the bar chord, which is still what I do today, to be honest, I’m just a bar chord fiend. That’s really. Because I’m singing the whole time. It’s really about my voice when I songwrite and it’s really about trying to tell this story. I added the bar chord. I added getting louder on the chorus, you know, and that was kind of like that, that whole period of Heavens to Betsy, was, yeah, the kind of like louder almost getting to the point of grunge rock at that point, you know. Yeah. So it was just like a louder amp, couple more pedals, that kind of thing.
Reyna: You were just like, how do I get louder and louder and louder without adding more band members.
Tucker: Basically. And also my voice got louder too because as the guitar got louder, my voice had to keep up and I had to get above. I mean, when we played shows, there was no sound system half the time.
Tucker: If there was an actual PA that was like a really big deal, but, but it could barely carry my voice. So I learned to really sing over that kind of loud guitar. And so my voice definitely got louder
Reyna: Right right right.
Tucker: and more insistent.
Reyna: And that’s, yeah, definitely. That’s amazing. OK, so the tuning, the tuning also has a big, it just compliments your voice really nicely. So when did that start?
Tucker: So in Heavens to Betsy, I mean, first of all, let me just be clear that I never really learned how to traditionally play guitar.
Tucker: You know, like I was just like, no, I was so stubborn.
Reyna: Me either.
Tucker: That’s not true. You’re, like, fully classically trained.
Reyna: But like that was, I was like, I feel like nothing, does it really, when you’re 14 and you’re classically trained and then you’re 19 and you’re playing punk music, I don’t know, they’re so different from each other.
Tucker: True. But like, I honestly don’t know all those traditional chords. And so I just tuned the guitar, in Heavens to Betsy, I literally tuned it to my voice in a way that I thought was like, I never even used a chromatic tuner in Heavens to Betsy. I just, you know, my dad taught me how to tune it by ear and I just did it that way. And when we, when I started playing music with Carrie for Sleater-Kinney, we had to, like, figure it out because she was like, “What? How do I...? What is going on with your guitar?” And I was like, “Let’s tune down because that’s cool, right?” Because that’s what Sonic youth does, Nirvana. It was all about those bands had that alternate tuning, you know, it was like, they were the guitar gods that would go, like (makes guitar sound) and, tune to some interesting tuning. And I was like, “Well, let’s tune down because that’s very metal,” and we tuned down a step and a half to C-sharp, but a standard tuning. So it’s really not that different at all, you know, and we just stayed there. We were like, “oh, that’s different.” It made our songs different. When we started writing music, even the first record, it was like, oh, well, it, it sounds different than other bands because it is this weird tuning. And so we just have stuck with it for, like, 30 years.
Reyna: It’s amazing and it’s true. I mean, it makes your sound so uniquely you. I want to move into when Sleater-Kinney began and how you and Carrie met in the first place. How did y’all meet? What was happening at the time?
Tucker: I was playing a show with Heavens to Betsy and I played the show and then was in an argument with, like, six guys. This was at The Show Off Gallery in Bellingham, Washington. And after I kind of finished arguing with those guys about being a sexist, Carrie walked up to me and, she was like, “Hello, I would like some more information about riot grrrl and...” (laughs)
Reyna: That’s so good!
Tucker: And I was like, “ok, yeah, you give me your address,” and I took down her address in my lyric book and never wrote her back. But we had this conversation where she was like, “Yeah, I’m going to Western and I’m going to drop out because I can’t stand it. I want to move to Olympia.” And I was like, “You should move to Olympia. You absolutely should do it.” And she did. (laughs)
Tucker: And we, yeah, we started hanging out in Olympia. And she was in a different band, right? So she was in, Excuse 17 and I was in Heavens to Betsy. And, so our bands would, like, play together and go on tour together. And I just was like, “She is a smoking guitar player!” She was really different than, I mean, I am like, very like a rhythm guitar player, basically. I write melodies but they’re basically, it’s almost like a bass player how I play guitar and she was the opposite. She’s very notey and riffs and all this cool stuff. And I was like, “Hm, I wonder if we could play together.” And we did and it was, I just got this, like, zzzt! It was two really different players playing together. And I was like, “This is cool, let’s record this, let’s make a song,” and it just started happening, despite our other bands which we eventually broke up with and started Sleater-Kinney. So we went to Australia.
Reyna: My favorite story.
Tucker: We were like, I was like, “We should go to Australia,” because that makes sense to write a record in a foreign country. And we did. (laughs)
Reyna: Amazing Scorpio.
Reyna: That’s amazing. And I’m curious if you can think of like three songs that can sort of define your evolution from beginning, like when you first started as Sleater-Kinney to when you were the most active and playing shows and touring and all the things to now?
Tucker: That’s funny, I think, well, I mean, I think of like some very early days, I would say there is a song from our first record called “Be Yr Mama” where Carrie is playing this riff that’s like (singing) da na, na, na, na, na, na, na, na, na na. And I literally remember running — we were staying at Laura’s house in Melbourne and I heard her, I was like, in the other room, I heard her playing that riff and I was like, “Keep playing that!” And I started, you know, she was like, da na na, na, na na and I joined in on guitar and I could play, I just brought those bar chords in. And I was suddenly, like, just suddenly it was like a rock song, you know, and it was just like this big sound. It was big.
Tucker: And we played the show, we played this show in Adelaide over, I swear to God, like a bar, like a saloon, and we borrowed this metal band’s equipment to play the show and we suddenly had like huge amps, like giant stacked amps and we played that song and it just, the room went, like (makes explosion sound) everyone was dancing, everyone was freaking out. And I was like, this is it like, it was literally that moment where I felt like we were greater than the sum of who we are, with writers because of the different abilities that we had, we were able to make this song that was like big and sounded like a rock song, you know?
Reyna: Amazing. What were the chords? What was, what were they?
Tucker: So it goes... (plays part of the song)
Reyna: Yes! Amazing. Yes! Wow.
Tucker: I mean, you can hear the Bikini Kill in that song.
Reyna: Totallly. I mean, it’s full energy.
Tucker: It’s full energy.
Reyna: It’s full energy. That’s awesome. That’s so awesome.
Tucker: But it went from this combination of full rock and then I’m trying to think of what other songs would be kind of more, you know, tell you about like different eras of Sleater-Kinney. I think “I Want to Be Your Joey Ramone” is a really big song for us because we always also played with all those archetypes of different rockers.
Tucker: So, this is like a more melodic kind of picking song (plays part of the song) I’m singing Carrie’s part on that, on that verse,
Reyna: Got it. Got it.
Tucker: But yeah, it was, it was kind of adding in a little bit of like the melodic kind of note thing that I think we really liked doing, just a little bit of that, before it got to the chorus. We loved bands like Television, all those New York bands — New York Dolls and, all those really notey, Gang of Four, like all those, those, those awesome, like guitar notey bands. And I think as we kind of went along in the evolution of songwriting, we tried to add some of that in, into what we were doing and I think of a song like “No Cities [to Love]” where we do add that stuff in which and I’ll play you the main thing (plays part of the song) So, that’s like the kind of basically the bass line that I play through the whole song. But I love it. It’s very like, melodic and rhythmic and I think it’s just taking my sort of rhythm songwriting and just kind of like stepping up in terms of making it a little more complicated and going underneath Carrie singing.
Tucker: Yeah, but I think just giving yourself a little bit more space in terms of the songwriting as we kind of went along in years and, and tried different things. Yeah, we just tried to kind of add some of those different flavors of bands that we liked over the years.
Reyna: Right. It sounds like being immersed in that really special moment of the beginning of riot grrrl, and the energy that opened so many doors for so much exploration of culture and of politics and being able to feel confident in a way that maybe many hadn’t before and the explosion of experimentation that was able to come afterwards maybe and I think to sort of wrap up the conversation, I know that you have kids now, you know, who are experimenting in their own, in their own cultures. So, what do you, what are you seeing, what are you excited about what the doors that riot grrrl and the doors at Sleater-Kinney post-riot grrrl opened up for people today — conversations, sounds, ways of being?
Tucker: Yeah, I mean, I think there’s so many more doors that are open now for musicians, you know. I think, you know, thinking about what my kids are into and the music that they listen to, there are just so many different artists that they go and see and it’s just, it’s not that big a deal to see a female artist now who’s completely in control, or a trans artist. I took my daughter and her friend to see Cavetown at Crystal Ballroom and it was off the hook. It was so off the hook.
Tucker: It was like a trans explosion. It was amazing.
Tucker: It was like every trans kid in Portland was there to see that show
Tucker: And it was so great. It was like, you know what? It just, it was like full open arms acceptance. And that is, to me, that’s the power of music as, you know, let’s just open that door and it is, it is a connecting thing. I mean, it sounds like a cliché, but it does connect people from different walks of life in a way that you don’t expect.
Reyna: Right. And I guess also let me not put words in your mouth. Like, is it, do you feel that correlation between riot grrrl as a movement and that change and access happening today?
Tucker: I mean, I think it’s one of many, one of many movements, right? I mean, there was ACTUP right? That was like the huge influence I think on riot grrrl was the kind of really fierce gay activism that happened around AIDS in this country. There’s civil rights movements or Black Lives Matter, I mean, there’s so many different movements that just demand for the culture to change. I think they all kind of bounce off one another and I can see their effect on the next generation, like my kids’ generation and how they are in the world is different. Yeah.
Reyna: Amazing. Is there anything else that you want to say about just your sound and any of your experiences or anything that you feel like hasn’t been mentioned as far as riot grrrl’s contribution — you and your community’s contribution to women having more access to performing?
Tucker: Yeah, I’m excited there are more women performing. I think there’s just still farther to go in terms of women doing all aspects of the music business and having those percentages up in terms of producers, running your record label, you know, doing the business stuff. I think that’s changing now, but I just, you know, I think that it’s good to see that more women being included in every aspect of music.
Reyna: Right. And also, personally, playing with y’all and, and being able to see more of the back end too and the guitar tech world and all of that, you know, it’s really interesting. Yeah, the huge gap that you see from the performers and the artists and the visibility there and we think that we’re going and we’re moving forward in a big way and then on the back end it’s like, whoa, where are the people? Where does that visibility connect to back here? And I really appreciate the intention by Sleater-Kinney and making sure that that visibility is on all aspects. So yeah, agreed. Nice!
Reyna: Thank you.
Tucker: Yeah, absolutely.
Reyna: ″Starting a Riot” is brought to you by Oregon Public Broadcasting and She Shreds Media. Thanks to all the members who make podcasts possible at OPB. This podcast is hosted by me, Fabi Rena. Julie Sabatier produced this podcast and I’m gonna hand the first part of these credits over to her.
Sabatier: The songs you heard in this episode were “My Red Self” and “Axemen” by Heavens to Betsy. Thank you to the band members and to Terrorbird and Kill Rock Stars for allowing us to use those songs.
Reyna: You can find a playlist on our website OPB-dot-org-slash-starting-a-riot. Our theme music is composed by Ray Aggs. Listen to their solo projects and their bands, Trash Kit, Shopping and Sacred Paws. Our editor for this project is Sage Van Wing. Our sound engineers are Nalin Silva and Steven Kray. All mixing and mastering by Steven Kray. hanks to JT Griffith and the team at Liminal Music for help with music rights and special thanks to Nathan Fasold and Black Book Guitars for loaning us two amps for the interview with Corin Tucker.
Sabatier: And thanks to Polaris Hall for hosting that interview. The other songs you heard in this episode were “Be Yr Mama,” “I Wanna Be Your Joey Ramone” and “No Cities to Love” by Sleater-Kinney.
Reyna: If you like our podcast, please subscribe wherever you get your podcasts and leave a review. It helps people find us.


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Jenna is a native of Colorado Springs, CO. As a member of a military family she has had the privilege to live in San Vito, Italy as well as the Boston, Massachusetts area gathering many musical influences. Jenna has played violin for 20 years. While living in Colorado Springs she performed with the Young Concert Artists and took lessons with Rebecca Lee, Principal Second Violinist of the Colorado Springs Philharmonic. She also had the opportunity to perform in the pit of the Pulpit Rock Churches production of Fiddler on the Roof. She graduated from Denison University, in Granville, OH. in 2007 with a B.A. in Music and continued her musical education at the University of Tennessee in Knoxville, TN, where she graduated with a M.M. in Musicology, with a focus in Ethnomusicology. At both institutions she performed with the university orchestras. At Denison University, Jenna also performed with the university bluegrass ensemble gaining advanced fiddling skills and techniques from Andrew Carlson, Georgia State Champion Fiddler and 2000 Ohio Grand Champion Fiddler. With the ensemble she also had the opportunity to perform at the Midland Theatre in Newark, OH, opening for the 2005 International Bluegrass Music Awards Entertainer of the Year “Cherryholmes”. She also traveled to Dahlonega, GA. with the ensemble for a bluegrass music presentation at North Georgia College & State University. At both Denison and University of Tennessee, Knoxville Jenna studied extensively in music theory, ear training, music composition & music history.
Violin, Viola & Fiddle
Jenna is currently offering both online and in-person lessons with strict COVID-19 protocol.


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The markers that identify the boundaries of the label’s surface area — techno, ambient, musiqué concrete — are on display, and the terrain inside them is mapped and signposted with the selection of twelve tracks spanning the last twenty years of releases. Raster-Noton have, in their own words, always tried to be more than a […]
Post Tagged with: "Robert Lippok"
Planet Earth’s largest electronic music benefit compilation Touched 3 featuring 4 17 songs and over five gigabytes is available now! Touched 3 Touched 3 is the last compilation out by Touched Music benefiting Macmillan Cancer Support. At 417 songs, over five gigabytes and a mere £15 there’s something for every lover of electronic music on this comp. […]
Subjecting such a frugal piece to deconstruction by remixers is unexpected, though Vantzou certainly has enlisted an impressive roster. All show the original great respect by exercising vivid imagination under the same tight leash of restraint. Artist and musician Christina Vantzou released No. 1 on Kranky in October of 2011 and shortly thereafter, released this […]
Working more like character studies of the individual sounds therein than “songs” with structures and interrelated parts. This is a subtle distinction, much easier heard than explained—most of the tracks (pieces? it’s ambiguous) on Redsuperstructure do have “parts” or “sections,” in which musical variables such as timbre or the sounds themselves are added, taken away, […]

domain: artistic


text:
The Loop (TV)
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Selma's Comics is a comic book store in Coolsville.
Shaggy Rogers had been coming to the store since he was an infant.
A Pup Named Scooby-Doo
Community content is available under CC-BY-SA unless otherwise noted.

domain: entertainment


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If you’ve been a Terra Firma subscriber for a while — or a subscriber to any CSA farm — you’re accustomed to hearing a million reasons why there are certain items in your boxes and not others. The weather is the biggest one of course, but there’s also losses to insects, diseases and (very rarely for us) weeds. On smaller farms, mechanical breakdowns of trucks or tractors might cause gaps in crops. Personal illness or family problems might even impact what goes into the boxes on a given week.
Now imagine this paragraph appearing in the section below: “We apologize that due to new regulations from the Water Resources Control Board, we are no longer allowed to plant Carrots due to the amount of water it takes to grow them”.
This year, for the first time ever, every farmer in California will be required to report the acreage of every crop they grow, the locations, the amount of water it takes, how it is irrigated, and how much fertilizer each crop uses. And for every acre of irrigated land, a fee must be paid.
Most farmers in California only grow one crop per year on a given piece of land. But if they farm 20 parcels with 8 different crops, the paperwork required to comply with the new law is still daunting. And it is paper, as the government has no software or website created for the program yet.
On small farms like ours, however, the new water regulations are a nightmare. We grow 30 crops — using several different irrigation methods –some on fields as small as a quarter acre. To accurately comply with the new law we would have to fill out hundreds of pages of forms. There are no exemptions, even for the tiniest farms.
The most troubling aspect of the new rules for most farmers, though, is the question of “what are they going to do with all this information”. I’m not a conspiracy theorist, and I sincerely hope that once the bureaucrats are confronted with the sheer volume of the data they have asked farmers to provide, they will be humbled.
But there are prominent vocal and well-meaning people who believe that water use on farms can be micromanaged by government regulators. They imagine a process where farmers must apply for approval from the Water Resources Board before planting a crop. They visualize an evaluation of whether or not the crop is suitable for the land and the available water supply. They appear to have no idea how unworkable, expensive, and counterproductive this would be.
Right now, the media and critics of agriculture are focusing on almonds as the great threat to California’s water supply. Back in the 1980s, environmentalists disparaged crops like alfalfa and rice as low-value commodities wasting precious water. Thousands of people who read Marc Reisner’s “Cadillac Desert” still believe that growing rice in California should be banned.
Now it turns out that both alfalfa and rice provide critical wildife habitat, and use much less water than high-value crops like…you guessed it, almonds. What would have happened if the government had banned growing them back then, based on the opinions of a handful of vocal opinionmakers.
Improving our environment is a grand goal, and I fully support effective government programs to achieve it. Unfortunately, I feel that far too many people in our state government cling to control-based regulatory methods when incentive (and disincentive) programs have proved far more successful and effective.
No one wants to be told what they can and cannot eat. Which is why it will never work to tell farmers what they can and cannot grow. Anyone who doesn’t understand this logic has no business making decisions that affect our economy. There are better ways to protect our limited water supplies in California — there have to be.

domain: agronomy


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Nigeria’s pioneer digital publishing and bookselling platform, Okada Books, announced a shutdown on November 30, 2023, citing rough macroeconomic conditions as the reason for the action.
“We explored various avenues to keep our virtual bookshelves alive but, unfortunately, the challenges we face are insurmountable,” the company’s CEO, Okechukwu Ofili, said in a statement shared on social media platform X.
Okada Books was founded in 2013 by Nigerian author Okechukwu Ofili with the goal of “simplifying distributing and selling books in Nigeria.”
Since it has always been difficult for Nigerian writers to secure publishing deals and self-publishing is costly, Okada Books aimed to facilitate self-publishing while connecting writers with readers who would pay for their work.
Through its Android application and online platform, authors could share their books directly with readers and make money from their work; on the platform, books typically cost between N250 and N500, though authors could set a higher price. With a digital library of over 40,000 original books and 400,000 registered readers, writers and readers who rely on the platform to monetise their works would be forced to find alternatives.
The African tech scene has been witnessing shutdowns caused by precarious macroeconomics. Days ago, Zazuu, an African fintech marketplace for cross-border payment networks that raised over $2 million from investors, shut down last week it is discontinuing operations.

domain: economics


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Green Smoothie Recipes To Maintain A Proper Alkaline Balance In Your Body
The fruits and vegetables that are used in green smoothie recipes are alkaline foods, and many nutritional experts believe that, through the consumption of green smoothie recipes, they can assist in maintaining a proper alkaline balance in the human body. There are certain types of food, like the overconsumption of protein, that can increase the pH levels of the blood.
When the pH levels of the blood are too high, it can actually leach calcium from your bones, which increases your risk of developing osteoporosis. The regular consumption of green smoothie recipes, whose ingredients are alkaline, can combat the effects of high pH levels in the blood.
Medical studies are currently being conducted to evaluate the efficiency of fruits and vegetables in combating high pH levels. Regardless of what the results of these studies say, consuming green smoothie recipes are beneficial in maintaining your overall health in more ways than one.

domain: chemistry


Rifle scopes have come a long way since their inception in the early 19th century. Originally created as a simple magnification device to aid in hunting and target shooting, modern rifle scopes have become complex and sophisticated instruments that can greatly enhance a shooter's accuracy and precision. In this blog post, we will explore the history of rifle scopes and their evolution into the precision instruments we know today.
The early 19th century saw the rise of rifling, a process in which spiral grooves were cut into the barrel of a firearm to improve accuracy. This development sparked interest in the creation of a device that could magnify the target and aid in aiming. The first rifle scopes were created in the mid-1800s, but they were bulky and difficult to use. They also suffered from poor light transmission and distortion, making them ineffective in low light conditions.
The first major breakthrough in rifle scope technology came in 1904 when John Unertl created the first adjustable scope. This allowed shooters to adjust the magnification and focus of the scope to suit the distance of the target. Unertl's design also featured improved optics, which greatly increased light transmission and reduced distortion.
During World War I, rifle scopes became increasingly important as snipers played a key role in the conflict. The German military developed the first telescopic sight specifically for snipers, known as the Zeiss Zielvier. This design featured a 4x magnification and a simple crosshair reticle, which became the standard for most rifle scopes throughout the 20th century.
In the years following World War II, rifle scopes became more compact and lightweight, thanks in part to the development of new materials such as aluminum alloys and high-strength plastics. The advent of new manufacturing techniques such as computer-aided design and CNC machining also allowed for more precise and consistent production of rifle scopes.
The 1980s saw the rise of laser rangefinders, which allowed shooters to accurately determine the distance to their target. This technology was quickly incorporated into rifle scopes, allowing for even greater accuracy and precision.
In recent years, rifle scopes have become even more sophisticated, incorporating features such as digital reticles, illuminated reticles, and thermal imaging. These advancements have greatly increased the effectiveness of rifle scopes in a variety of shooting situations, from hunting to military and law enforcement operations.
In conclusion, rifle scopes have come a long way since their inception in the early 19th century. From bulky and difficult to use devices, rifle scopes have evolved into sophisticated and highly effective instruments that can greatly enhance a shooter's accuracy and precision. With continued advancements in technology, it is likely that rifle scopes will continue to evolve and improve in the years to come.


It will not be the first time that the creatures straight out of the folklore crawl out to haunt human existence. According to Michigan folklore, the Dogman was first witnessed in 1887 in Wexford County, Michigan. It is described as a seven-foot tall, amber-eyed bipedal canine-like animal with the torso of a man and a fearsome howl that sounds like a human scream.
According to the legend, it is believed that the Dogman appears every 10-year cycle that falls on years ending in with the number 7. The origin of the creature is still unknown, and it became popular after the 20th century until then, no one knew that something like that existed, after disc jockey Steve Cook recorded a song in 1987 about the creature and its sightings, it suddenly gained popularity. The urban legend is so compelling that keeps everyone interested to know everything and all about the creature.
While there’s still confusion about the existence of the Michigan Dogman, the discussion about the abilities that it possesses has not gone unnoticed. The leaping ability and it cries like an infant during the night, prowling every 10 years, having incredible speed, and creeping people during the night makes everyone wonder what could be the timing when they might bump into one randomly.
A Spooky Legend
Most of us are aware of the Bigfoot, the Loch Ness Monster, and even the Mothman, what’s left is a Dogman. The Michigan Dogman has become one of the most popular and most known and feared myths. The Dogman is described as a seven-foot-tall creature who is half man and half dog. It is said to have a human torso paired with a dog’s head, the fact that its eye color is defined as well seems strange as no one could have attempted to go so close to the creature to determine its eye color. It is also said that if his appearance alone wasn’t enough to scare humans away, then to top it all, it has been claimed that it lets out a shriek that as shrill as a human scream.
The sightings of the creature are nothing new, as it dates back to 1887. It is also said that the Michigan Dogman was originally spotted by a pair of lumberjacks making their way through Wexford County back in 1887, others have also reported having witnessed a larger pack of angry dogs in the wild, only to have one dog stand up on its hind legs and take on a humanlike stance. Though the origination of this Michigan Dogman is still under great debate.
Michigan Dogman Sightings
It is believed that the Michigan Dogman has a higher number of sightings than the Bigfoot, what seems strange is that there are no specific records for the same except for people witnessing animal creatures in the dark of the night. A man named Ray Greenway lived in a rural setup, and witnessing something with twinkling eyes in the night was not something that would scare him away, however, one night in 1986, he encountered something that he had not expected. He saw the thing, made a break for him, and then jumped clear across the road, never to be seen again. He made a statement that he saw fur, but something that he would not forget was the yellow eyes.
It is said that there have been more encounters of the Michigan Dogman, but none that date around the late 2000s, which makes people question if the Michigan Dogman is a real thing that existed or something out of the stories.
Reality or Myth?
When talked about with the facts that have been presented about the creature, it seems completely mystical. The popularity that it gained was after disc jockey Steve Cook recorded a song in 1987 about the creature and its sightings as an April Fool’s joke, now doesn’t this explain most of the story? Though there have been certain claims about the appearance, sightings, and hunting, none of them were verified. Most sightings date back to the olden times when there were no proper resources for light in the dark. Hence there’s a possibility of people mistaking a man or a wolf for the rumors of a Michigan Dogman.
Most people believe that the legend gained popularity after the song, some still confide in their belief that the scary seven-foot-tall creature that prowls during the night, hunting down people, still exists and would continue to make its appearance every 10 years.


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Presentation on coastal ocean monitoring at NASA Headquarters, Washington D.C. (2014)
Press conference at United Nations' Climate Summit COP24, Poland (2018)
Setting up instruments on Useful Island, Western Antarctic Peninsula (2015)
Measuring light backscattering in Andvord Bay, Antarctic Peninsula (2016)
Sample collection near Palmer Station on Averse Island, Antarctica (2015)
· AI Proficiency: Turning Tomorrow Into Today, a podcast by DOD CDAO + Tradewind -- "A New Wave in Ocean Technology with Jack Pan, CEO of Ocean Motion Technologies"
Apple Podcasts: https://podcasts.apple.com/us/podcast/a-new-wave-in-ocean-technology-with-jack-pan-ceo/id1658621286?i=1000614146486
· Larta Institute Impact Report featuring Jack Pan and Ocean Motion Tech
The report combines a review of Larta's efforts in 2022, including a showcase of startups selected into their portfolio, and a look ahead to their new strategic initiatives for 2023.
· Making waves in clean energy by harnessing ocean power
New technologies reveal the sea as a compelling alternative energy source in the battle against climate change.
· Announcing the candidates for the 2022 Pritzker Emerging Environmental Genius Award
· University Marine Energy Research Community (UMERC) member spotlight
· TMA BlueTech membership Monday highlight
· Ocean Motion Tech mechatronics team featured in "StartBlue Program Now Accepting Applications for Fall 2021" from the Scripps Institution of Oceanography, UC San Diego
· Opinion article in The Hill "Geoengineering must stay peaceful" by Elizabeth Chalecki and Jack Pan
· Fresh Brewed Tech featuring Jack Pan and the Ocean Motion Tech story, by Sonam Jain
· Acknowledged in "POLAR TOURISM AS AN EFFECTIVE RESEARCH TOOL ." Citizen Science in the Western Antarctic Peninsula
· Jack at the United Nations' Climate Summit COP25 (Chile/Madrid, Spain)
"The Annual International UN Climate Negotiations Begin." Ocean Scientists for Informed Policy
SIO at COP25 Photo Album:
· Office interior design photography featured in Office Snapshots
· Triton Innovation Challenge: Scripps Entrepreneurs Venture Beyond Barriers
· Jack at the United Nations' Climate Summit COP24 (Katowice, Poland)
Bringing Science to Global Climate Talks
Around the Pier: Bringing Science to Global Climate Talks
SIO at COP24 Photo Album:
· Jack hosts press conference on ecosystem service conservation and technological intervention:
UC San Diego Scientists Bringing New Science to COP24
Press Conference coverage on Scripps' Twitter: https://twitter.com/Scripps_Ocean/status/1069878827122331648
· Scripps Institution of Oceanography, Student Spotlight
· Teledyne Marine Photo Contest 2018
· Entrepreneurs from Scripps Oceanography are advancing green and blue technologies"
· "Rethink the Ocean? Why San Diego’s Entrepreneurs Are Doing Just That" reported by
Kim Lachance Shandrow for the Free Enterprise magazine presented by the U.S. Chamber of Commerce
· Photo of the Week: "Crushed Ice Collecting glacial ice to study fjord ecosystems in the Southern Ocean"
· Photo of the Week: "Life under the Ice
Researchers investigate how iceberg calving affects Antarctic marine life"
· Cover Photo https://scripps.ucsd.edu/about/collaborators/international
· The Maritime Alliance BlueTech Incubator
Featured on sandiego.gov
Reported by San Diego Union Tribune
· Ocean Carbon & Biogeochemistry (OCB) Fall Newsletter, 2016
· Photo of the Week, Scripps News by Scripps Institution of Oceanography (Jan.8, 2016)
· FjordEco Antarctic Expedition, field program plankton team FjordPhyto public outreach on Instagram
· Scripps Instition of Oceanography social media (Instagram) features light measurement from FjordEco cruise
· A View from Above: Wastewater Diversion Plumes in Southern California (October, 2014) by NASA JPL Multimedia » Ocean Stories
· This Week @ NASA, August 8, 2014
· UCSD Interdisciplinary Forum on Environmental Research: Session on "Geoengineering our Climate"
· NASA DEVELOP Summer 2014 @ JPL
· UCI Promo Video "I am an Anteater"
· UCI Admission Video "The UC Irvine Experience"
· UCI News: "COSMOS Trains New Generations of Scientists"
· NASA DEVELOP Spring 2013 @ JPL
· The Dynamic Earth Volume 2 Issue 2 Winter 2012: "Lively Learning"
· New University: Creative Passion Through Art
· Addressing the Flag ban controversy at ASUCI: "UCI Stands by the Flag -- An open letter from the UCI Family"
· New University: Defending Student Activism
· Public Service: ASUCI Legislative Representative of the School of Physical Sciences
Weddell Sea, Antarctica (2018)

domain: news


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DescriptionThe original Match Day was the first serious football game to hit the Spectrum, and this sequel emerged over 2 years later. League and Cup tournaments for up to 8 teams (any or all of which can be human-controlled) are offered alongside one-off Friendly matches with a handicap option - passcodes are given to allow you to restore these to the same state another day.
Matches are seven-a-side, with variable lengths from 10 to 30 minutes. All kicks except set pieces are variable in strength using a Kick-o-meter which is displayed on screen. One revolutionary feature of the game was the Diamond Deflection System, which mathematically calculated the angle and pace of any rebounds.
- "Matchday II" -- In-game title
Part of the Following Group
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|The Games Machine (UK)||ZX Spectrum||Feb, 1988||91 out of 100||91|
|Crash!||ZX Spectrum||Jan, 1988||91 out of 100||91|
|Zzap!||Commodore 64||Feb, 1988||90 out of 100||90|
|Your Sinclair||ZX Spectrum||Sep, 1990||90 out of 100||90|
|ACE (Advanced Computer Entertainment)||ZX Spectrum||Feb, 1988||881 out of 1000||88|
|Computer and Video Games (CVG)||Commodore 64||Sep, 1990||88 out of 100||88|
|Computer and Video Games (CVG)||Amstrad CPC||Sep, 1990||88 out of 100||88|
|Computer and Video Games (CVG)||ZX Spectrum||Sep, 1990||87 out of 100||87|
|ASM (Aktueller Software Markt)||Amstrad CPC||Jan, 1988||9.8 out of 12||82|
|Computer and Video Games (CVG)||ZX Spectrum||Dec, 1988||8 out of 10||80|
There are currently no topics for this game.
Loading screenThe image recreated for the loading screen features England striker Gary Lineker during an international match. Gremlin Graphics also released three games licensed around Lineker, each with a loading screen which is very recognisably Lineker, plus the obscure budget game On the Bench also features an apparent image of him in its loading screen
- October 1988 (issue #13) - Included in the Top-100 list of 1987/1988 (editorial staff selection)
- Newsfield Reader's Awards - Best Sports Game 1987 (readers choice)
- Retro Gamer
- September 2004 (Issue #8) – #69 Best Game Of All Time (Readers' Vote)


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I'd like to unlock all maps. Where can I find Classic Mode?
We've added Classic Mode so you may unlock all maps instantly. Go to the main menu and tap the Options icon found in the lower left. Next to Map Unlocking, tap on "Campaign" to change it to "Classic".

domain: game


Beckley Register-Herald – The West Virginia Center on Budget and Policy strongly urges Senator Manchin to recognize the urgency of our state’s needs and move quickly to support workers and families in West Virginia. Read the full article.
In a statement released earlier this week, Senator Manchin suggested that the need is neither urgent nor great as we are not “in a recession” and while “millions of jobs remain open.” Senator Manchin also says he doesn’t believe we need to fundamentally reshape the “social and economic fabric of this nation.”
We find those sentiments difficult to reconcile with the reality on the ground in our state. West Virginia families and workers – particularly low- and middle-income families, rural residents, and West Virginians of color – face an uneven economic recovery on top of decades of low wages, child care deserts, lack of benefits like paid leave, and high levels of childhood poverty.
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Quest Fire Apparel PB HOOD
We designed this particle barrier hood after a tried and true hood that we have been selling for 23 years.
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About Nomex Nano Flex
Will stop up to 95% of submicron particles
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Style # ULPBH2B2E-18-PB-V
With much research (and listening to those that put their lives on the line and expose themselves to CARCINOGENS every time that they are called to a fire), Quest has manufactured the BEST in protection, fit and durability in our Quest Particle Barrier Hood. (LIMITED SUPPLIES AVAILABLE)


Kenmore Aluminum Dryer Exhaust Close Elbow
1 year parts and labor
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The Kenmore Aluminum Dryer Exhaust Close Elbow: The Little Fix that Could Make a Big Difference The Kenmore Dryer Exhaust Elbow will redirect your dryer’s ducting, especially if you're working with a tight angle or you need to connect to an outside vent. If your dryer isn't venting properly it won't dry your clothes very well, which means you may not need a new dryer, you may just need a new elbow. The Kenmore Aluminum Dryer Exhaust Close Elbow is able to turn 90 degrees within 4.5 inches, giving you plenty of space. In addition, you’re getting 4-inch diameter fittings and rotating snap-lock fittings so you can get your dryer working fast.
- The Kenmore Aluminum Dryer Exhaust Close Elbow keeps your dryer running at its finest
- Includes one male and one female rotating snap-lock fitting
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Specifications & Dimensions
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New Delhi: There seems to be no end to Delhi's fight against dengue as the viral fever claimed three more lives in the past 24 hours, taking the toll to 32, while 92 fresh cases were reported.
Two senior citizens and a youth, who were being treated for dengue, died at the All India Institute of Medical Sciences (AIIMS) in the past 24 hours ending 0800 hours, officials said.
With 92 people admitted to hospitals across the capital in the last 24 hours, the total number of people afflicted with dengue has risen to 1,465, Municipal Health Officer N K Yadav said.
DENGUE TOLL: Two senior citizens and a youth, who were being treated for dengue, died at the AIIMS in the past 24 hours.
Kunwar Singh (70) from Delhi's Rajapuri, Muzafar Iqbal (60) from Uttar Pradesh's Mujaffarnagar and Manoj Singh (30) Haryana's Gurgaon died at the AIIMS in the last 24 hours.
Of the total 92 new patients afflicted with the disease, 61 are admitted in the AIIMS, Medical Superintendent D K Sharma said adding 32 patients were discharged on Sunday.
Another 170 people are under observation at AIIMS for suspected dengue.


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Scott Parker expects to see a 'more clinical' Fulham in months ahead
Scott Parker admits he is still looking for his side to become a little more clinical, but reckons they are going to get stronger as winter advances.
The Fulham boss was delighted that his team bounced back from Saturday’s miserable defeat at lowly Stoke to beat Luton Town 3-2 at Craven Cottage on Wednesday night.
But the margin of victory was a bit too close for comfort, considering the number of chances the Whites carved out in addition to the three Aleksandar Mitrovic put away.
“It probably could have been a bigger win,” Parker said. “Certainly first half, I felt we played some really good staff and cut them open at times and probably the downfall was that we weren’t clinical enough in the right areas. That was probably the only disappointing thing.
“We spoke prior to the game about a fast start. Our first 15 minutes is key for us. Can we really wake up, liven up our fans, get them behind us and get ourselves in the ascendancy? And after the [early] goal we had some glorious chances really and if there is any criticism is that we probably weren’t clinical enough.
“I sit here some weeks and we think ‘how have we drawn that game?’ or ‘how have we not gone on and won more convincingly? “But I sense as the season goes on and the more we get to grips with it, I can only see us becoming stronger and becoming more clinical.”
Parker added: “The key thing for me is that we see the result out. [The match at] Sheffield Wednesday comes to mind – where we really dominate the game, should be home and dry and they get a late equaliser. What pleased me the most tonight was that we see the game out.”
Parker has had plenty of opportunities to praise the goalscoring talents of Mitrovic and the Serb once again delivered a performance which invited more eulogies. But Fulham's head coach was keen to share out the plaudits.
“I think we all realise the quality Mitro has,” he said. “Certainly in this division. He scores goals. But I think he’d be the first to say it’s about the supporting act around him as well.
“It's how we play, build this team and the positional play that ultimately has Mitro at the end of it to finish it off. Nine times out of ten we know that if we get the ball in the right areas, that the ball goes in to back of the net.”

domain: sports


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While there are many excellent resources on and offline about how parents can handle bullying, there are some specific things you can do as a Musllim parent a child being bullied. Here are some suggestions.
The small, cubed building known as the Kaba may not rival skyscrapers in height or mansions in width, but its impact on history and human beings is unmatched. Learn about the wonders of Kaba in Makkah.
Sound Vision aims to produce content that helps build bridges of understanding among Muslims and their neighbors, with emphasis on youth.
Sound Vision would like to see Muslims achieve their full potential as dynamic and creative individuals, who are comfortable with themselves and their environment.
Follow us on social media
Radio Islam is America's only live daily Muslim radio talk show that provides a two-way conversation on the air with Muslims and their neighbors in the Chicagoland area.
MuslimFest is an award-winning annual festival celebrating the best in Muslim art, culture, and entertainment, attended by 25,000 visitors in Toronto, Canada, every year.
Adam's World is a series of videos featuring two Muslim puppets, Adam and his sister Aneesah. Adam's World has been a source of creative Islamic education for thousands of young Muslims growing up in North America and Europe.
Justice for All is actively engaged in partnership building, interfaith dialogue and advocacy for human rights, peace and justice.

domain: sociology


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Antimould microbial and plant metabolites with potential use in intelligent food packaging
- Valerio, Francesca, Masi, Marco, Cimmino, Alessio, Moeini, Seyed Arash, Lavermicocca, Paola, Evidente, Antonio
- Natural product research 2018 v.32 no.13 pp. 1605-1610
- Aspergillus niger, Penicillium roquefortii, biodegradability, biofilm, biopesticides, financial economics, food packaging, fungi, human health, metabolites, microbial growth, minimum inhibitory concentration
- Moulds food infestation is a heavy dangerous problem for human health and also could generate heavy economic losses. The intelligent packaging using eco-friendly biodegradable biofilm incorporating bioactive natural safe compounds represents a new frontier. This manuscript reports the inhibitory activity of 12 bacterial, fungal and plant metabolites against Penicillium roqueforti and Aspergillus niger. Among them α-costic acid and ungeremine (3 and 12) are the most promising as potential biofungicide against both fungal strains. They inhibited fungal growth by more than 60% respect to the control at 72 h and this activity persisted also at 96 h. Ungeremine showed MIC₉₀ lower than 0.003 mg/mL after 48 h of incubation and of 0.025 mg/mL at 72 h against P. roqueforti. The MIC₉₀ value for A. niger was 0.2 mg/mL at 48 h for both compounds. The α-costic acid showed generally MIC values at 48 and 72 h higher than ungeremine.


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Five nail-art trends for autumn
Written by Oryx
For the last couple of seasons, nail experts have been opting for a simple, nude nail rather than an over-adorned, nail-art-laden look. Autumn 2014 is similarly uncomplicated, but colour (especially jewel tones, vampy violets, and oxblood) is definitely back.
Skin is In
Just as animal skins and leathers are in for autumn clothing and accessories, so too are they for nails. Essie offers a genius magnetic polish, aptly named Repstyle, that actually makes a snakeskin pattern on your nail (US$11, essie.com). Meanwhile MAC’s Texturize topcoat (US$12, maccosmetics.com) will transform any polish into the high-fashion leathery finish found on the season’s hottest shoes and bags.
While glitter beads and gems may be out, textured shine is still very much hot for autumn. Essie offers a caviar finish in its Belugaria collection (US$8.50, essie.com), while OPI’s Suede collection (US$8.50, opi.com) offers a matt, suede look that’s elegant without being over the top.
The autumn runways were also full of simple, colour-blocked nails, with a few thick bands of colour, or a monochrome red and black look that divided the nail in half. Avoid too much contrast and opt for two colours that are similar in intensity.
Shine and Shimmer
The few designers who opted for a nude nail on the autumn runways were sure to add a shimmery topcoat such as MAC’s iridescent Highlight (US$12, maccosmetics.com). Furthermore, metallics, especially gold, are all the rage for autumn. The more reflective the better, and Sally Hansen’s Color Foil (US$4, sallyhansen.com), which actually has aluminium in its formulation, is one of the best metallic products on the market.
Half-moons and tips
French tips aren’t just white any more – from metallics to blacks, anything goes for a subtle dipped-nail look. Conversely, colouring a half-moon along the base of the nail, mimicking the natural form of the cuticle, is also a prevalent trend.

domain: hobby


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City Views Maps, Germany, Schleswig-Holstein, Toenning, North Friesland
Toenning. - "Grundtriss der Fehstung Toenninge Anno 1651"
Toenning is a small town in North Friesland in the State of Schleswig-Holstein, northern Germany. We are looking in a bird's eye view onto the town and its fortifications in the year 1651.
Hand-colored copper etching
Published in "New Landesbeschreibung", the Schleswig-Holstein Atlas by Kaspar Dankwerth and published by Johannes Mejer in Husum, Germany in the year 1652.
Tönning was destroyed in the Burchardi flood in 1634.
Original antique print
For a 30% discount enter MAPS30 at chekout
Upper and left margin added. Right margin with repair. Print had other traces of age and use like a fold which has been laid down on strip of paper and a (repaired) tear. Please look at scan from reverse side to see the former damages.
25 x 28,5 cm (ca. 9.8 x 11.2")
Eider River; Schlossgarten; hafen; port; harbor; Multimar Wattforum; Tünn, Tönn or Tönnen; Danish: Tønning; North Frisian: Taning; Nordfriesland; Bade- und Luftkurort im Kreis Nordfriesland, Schleswig-Holstein; Mündung in die Nordsee; Eidermündung; Herzog Adolf von Schleswig-Holstein-Gottorf das Tönninger Schloss; Tönningharde; Burchardiflut; Wappen
|interior design, wall decoration, ideas, idea, gift ideas, present, vintage, charming, special, decoration, home interior, living room design

domain: geography


Success requires overcoming a myriad of challenges including a shift in preferred battery chemistries, the industry's transition to long-duration storage, time-to-market and cost pressures as well as navigating global supply chain constraints.
The Next Giant Leap for Electric System Reliability: PG&E Proposes Nearly 1,600 MW of New Battery Energy Storage Capacity
If approved by the California Public Utilities Commission (CPUC), these nine projects would bring PG&E's total battery energy storage system capacity to more than 3,330 MW by 2024.
By deploying a series of low-cost sensors on poles, wires, and more, the company can track parts of the grid that might be at risk for failure. This can help prevent the sorts of catastrophic accidents that could cause devastating wildfires.
Intersolar and Energy Storage North America takes place January 13th - 15th in Long Beach, California. The Exhibit hall floor will be loaded with new products and services. Here is a preview of some things to look forward to at this years event.
Millions of batteries with their hazardous components get dumped in landfills all over the world. Most of these batteries are never properly disposed of and recycled. Battery recycling is the solution to this problem.
One of the most effective ways to dramatically reduce an event's carbon footprint is to look at how it is powered. Thanks to readily available portable systems, there are a range of power solutions that can make major events more sustainable.
U.S. Navy, KIUC, AES, and NREL Innovate and Collaborate for Resilience and Cost-Effective Clean Energy Project on Kauai
Largest 100% Clean Energy Microgrid Within U.S. Department of Defense Supports Island Community, Pacific Missile Range Facility, KIUC, and Hawaii's Ambitious Renewable Energy Goals
For the utility industry, these new robotics could offer significant benefits - and, in some cases, we're already beginning to see how the adoption of robots can make utility work safer and more productive.
As the world transitions to electric vehicles, the race is on to lock down the U.S. domestic supply of this crucial mineral. But the U.S. may be in big trouble in the race to power this green initiative. Our domestic supply chain simply isn't ready.
Ground mount farm with bifacial panels and power optimizers reduces diesel reliance, creates local solar jobs
Energy storage installations around the world will reach a cumulative 358 gigawatts/1,028 gigawatt-hours by the end of 2030, more than twenty times larger than the 17 gigawatts/34 gigawatt-hours online at the end of 2020.
As more communities plan to eventually rely on 100% renewable energy, the researchers offer a strategy that could guide their paths-one that shifts away from long-duration storage.
Electrification is just beginning in many parts of the world. For western countries that have enjoyed electricity for a century, this is hard to imagine, but for 1 billion people, kerosene lamps are their reality.
The battery uses both a solid state electrolyte and an all-silicon anode, making it a silicon all-solid-state battery. The initial rounds of tests show that the new battery is safe, long lasting, and energy dense.
In battery pack manufacturing, the cells are often already assembled and the engineer is challenged with coming up with a design to join them in series and parallel to deliver optimum energy. A typical Li-ion cell is constructed of nickel plated cold rolled steel.
Records 1 to 15 of 731
Energy Storage & Grids - Featured Product
Sun Xtender® Deep Cycle AGM Batteries for renewable energy storage are manufactured in the USA by Concorde Battery Corporation and are built to the same demanding standards crucial to supporting the aircraft industry. To facilitate maximum conductivity & charge acceptance Sun Xtender® batteries are constructed with copper alloy corrosion free terminals & robust intercell connections. Endurance and optimal float life are achieved through plates thicker than the industry standard. Sun Xtender® Batteries' AGM maintenance free design is an ideal solution for off grid and grid tied systems.


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Friday, 6 March 2015
A few of the wow moments, or things I discover each week that tickle my fancy. I hope that they may inspire or tickle yours too!
I love LOVE these bird's nests which have been planted with Succulent plants. No instructions, but pretty easy to do I would think. From Chick Weed.
I think these little shadow boxes are so adorable. Found on Paper Mache UK. I love paper mache. I once made a humpty dumpty out of paper mache and painted it in Americana Colours. That was ages ago. I wonder what ever happened to him. Expect he got thrown away by my ex.
Now, why am I not the type of person who thinks of things like this? What a fab idea and so simple too. From Croissant and Lavendar.
Look at this beautiful clothesline! I love it! From Vita Dromar & Busiga Barn. What a delightful page. It's in Swedish or some such.
I love the idea of using colour like this and dressing up the wall on the way upstairs in such a way. Maybe not these colours, but certainly loving this idea of wall art display. From Fabulous Home Blog.
How to wash and whiten yellowed pillows. I am going to try this on a couple of old pillows of ours. It looks fairly easy. From DIY Hangout.
Twenty Five Vintage Baking Tips from Tip Nut. Timeless Wisdom.
How to store Fruits and Vegetables without plastic. There is some really interesting stuff here. Found on Washington Green Grocer. A green grocer would know!
Any Vegetable Vinegar Pickles. Now this will come in really handy. I can't wait to try them. From Love & Lemons.
Saint Patricks Day Printables. It's not long now before we celebrate the wearing of the green! From The 36th Avenue.
And that's it for this week. I hope you found something usuable amongst all the rubble! I know I sure did.
And here is my finished Dorothy and her little dog Toto. I quite like how she turned out. Do you think I should sparkle her shoes or leave them as they are?
A thought to carry with you through today . . .
"Sometimes your only available mode of transportation
is a leap of faith."
Cooking in The English Kitchen today . . . Plum Fudge Puddings.
Have a wonderful Friday my dear friends!
Don't forget . . .
═══════════ ღೋƸ̵̡Ӝ̵̨̄Ʒღೋ ═══════════ ⊰✿░G░O░D⊰✿⊰L░O░V░E░S⊰✿⊰░Y░O░U░⊰✿
═══════════ ღೋƸ̵̡Ӝ̵̨̄Ʒღೋ ═══════════
And I do too!


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Ph.D. Biography (Wikipedia)
PhD were a British group best known for their UK Top 10 hit "I Won't Let You Down" in April 1982, although the song had been a hit the previous year throughout Europe. The band took its name from the initial letters of its three founding members' surnames; Phillips, Hymas and Diamond. The name was written so as to be a visual pun on the letters denoting a degree of the same name.


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In honor of Military Appreciation Month, coffee creamer company International Delight is donating $150,000 to Pets for Vets, which helps find shelter animals homes with veterans.
Additionally, the brand launched a new limited-edition S'mores flavor that features the Pets for Vets paw print logo on the bottle as part of its cause-driven Americana-themed summer collection.
The donation is expected to cover matches for 30 veterans and pets as well as continued education for the organization's trainers and medicine.
Jessica Strouse, senior associate brand manager for International Delight, said the opportunity to help match veterans with new companions "struck a chord" with the company, adding that company officials knew from the first conversation that they wanted to get involved in the cause.
"We are proud to support the Pets for Vets team with a contribution, and also to have the opportunity to use our beloved brand to raise awareness for their efforts with the addition of their symbol to our latest launch: International Delight S'mores Creamer," she said
The full Americana-themed collection is available in grocery and mass-market retailers nationwide for a suggested retail price of $3.79.


- This event has passed.
Webinar with Knoxville’s Mayor Indya Kincannon
June 24 @ 10:30 am - 11:30 am
Mayor Kincannon will present her priorities and vision for supporting Knoxville’s entrepreneurial community and innovation economy, as well as her vision for creating an innovation district.
There will be time set aside for the audience to ask questions.


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Std dating sites wisconsin online dating fort st john
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Land Conversion from Agricultural to Non-Agricultural-OTC LP Numbers
This service allows you to apply to convert agricultural land to non-agricultural land, if the land has already been resurveyed.
How to apply through a DA/EDPS
- Select the “Land conversion (Agriculture to Non agriculture)” service.
- Your applicant details will be automatically filled in based on your Aadhaar number. However, you must manually select your relationship with the pattadar, as this is a mandatory field.
- Enter your land details: district, mandal, village, and khatha number. Once you select a khatha number, the pattadar name and linked LP numbers will be displayed, Enter the pattadar’s Aadhaar number to authenticate.
- Your pattadar details (basic details, permanent address, and mailing address) will be automatically filled in based on the Aadhaar number you provided for authentication. Your permanent address will be auto-populated from the Household Database.
- Note: The postal office and postal village details will be displayed based on the pin code. Please select the postal office that is closest to your address. If your present address is the same as your permanent address, click on “Present Address is same as Permanent Address”. Otherwise, enter your address manually and click on the “Continue” button.
Application Form Tab
- Your LP number, land details, market value, and 5% conversion amount will be displayed. Please select the LP number for which you want to apply for land conversion. The market value and conversion amount are auto-calculated based on the rate per acre provided by IGRS.
- Enter the CFMS challana number for the land conversion. You can add multiple challana numbers if you have paid for the land conversion in multiple installments. If the total value of the CFMS challana numbers is less than the conversion amount for the selected LP numbers, the application will not be processed.
- Click on the “Consent” button and submit the application. Once the payment is successful, the request will be posted to the Webland RDO/SC login for further processing.
To log in to the Webland 2.0 portal as an RDO, enter your RDO credentials (username and password) and click the “Login” button.
- Click on the “Land Conversion” tab.
- A list of applications will be displayed. Click on the application number to view the application details.
- Verify the applicant details.
- Click on the “Proceeding Preview” and “COO Preview” tabs to view the proceeding files and ownership certificate.
- Review the proceeding files and ownership certificate.
- Enter your recommendation and remarks.
- Click on the “Do DSK and Submit” tab to submit the application with your digital signature.
- A pop-up message will appear confirming that the application has been submitted successfully.

domain: finance