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LONDON, June 24, 2022 (GLOBE NEWSWIRE) -- Freeline Therapeutics Holdings plc (Nasdaq: FRLN) today announced the upcoming presentation of new and important clinical data for its AAVS3-based gene therapy candidate FLT180a at the International Society on Thrombosis and Haemostasis (ISTH) Congress to be held in London, July 9-13, 2022.
The presentation will provide safety and initial efficacy data from the first cohort of the Phase 1/2 B-LIEVE trial, which aims to confirm the FLT180a dose and immune management regimen for the pivotal Phase 3 trial planned for 2023. The goal of treatment with FLT180a is to provide a functional cure for people with hemophilia B by delivering predictable and sustained normalization of coagulation Factor IX levels with a good safety profile.
The poster (PB0213) will be presented between 6:30pm-7:30pm BST on Sunday, July 10, 2022. The abstract has been published on the ISTH website:
The poster presentation will be available on the Investors section of Freeline’s website following presentation at the ISTH Congress.
About the B-LIEVE Dose-Confirmation Trial
B-LIEVE is a Phase 1/2 dose confirmation trial of FLT180a using a short course of prophylactic immune management with the goal of normalizing FIX levels in patients with severe and moderately severe hemophilia B. The starting dose of 7.7e11 vg/kg was selected based on the results of the Phase 1/2 B-AMAZE dose-finding trial and multiple modeling approaches. Freeline expects the B-LIEVE trial to finalize a dose for the pivotal Phase 3 trial intended to consistently enable predictable and sustained Factor IX (FIX) expression in the normal range for people with hemophilia B.
About FLT180a for People with Hemophilia B
Freeline’s FLT180a candidate uses a potent, rationally designed AAVS3 capsid containing an expression cassette encoding a gain of function Padua variant of human Factor IX (FIX). FLT180a has been studied in B-AMAZE, a Phase 1/2 dose-finding trial in patients with severe and moderately severe hemophilia B with the goal of normalizing FIX activity in patients with moderate and severe hemophilia B. Patients treated in B-AMAZE are being followed in a long-term follow-up study. A Phase 1/2 dose-confirmation trial of FLT180a called B-LIEVE to finalize a dose for a Phase 3 pivotal trial is in progress.
About Hemophilia B
Hemophilia B is a rare, debilitating, hereditary bleeding disorder caused by a defect in the coagulation Factor IX (FIX) gene. Hemophilia B is linked to the X chromosome and mainly affects boys and men; however, women who carry an affected copy of the coagulation factor gene may also experience symptoms. Hemophilia B is classified as mild, moderate or severe, depending on the level of FIX in the blood, and is diagnosed through blood tests. The 2020 Annual Global Survey by the World Federation of Hemophilia estimated that there are approximately 15,000 patients with hemophilia B in the United States, Europe and Japan. A meta-analysis using national registries in Australia, Canada, France, Italy, New Zealand and the UK estimated a prevalence in males of 3.8 in 100,000 or approximately 1 in 30,000.1
About Freeline Therapeutics
Freeline is a clinical-stage biotechnology company developing transformative adeno-associated virus (AAV) vector-mediated systemic gene therapies. The company is dedicated to improving patient lives through innovative, one-time treatments that may provide functional cures for inherited systemic debilitating diseases. Freeline uses its proprietary, rationally designed AAV vector, along with novel promoters and transgenes, to deliver a functional copy of a therapeutic gene into human liver cells, thereby expressing a persistent functional level of the missing or dysfunctional protein into the patient’s bloodstream. The company’s integrated gene therapy platform includes in-house capabilities in research, clinical development and commercialization. The company has clinical programs in hemophilia B, Fabry disease, and Gaucher disease Type 1. Freeline is headquartered in the UK and has operations in Germany and the U.S.
This press release contains statements that constitute “forward looking statements” as that term is defined in the United States Private Securities Litigation Reform Act of 1995, including statements that express the opinions, expectations, beliefs, plans, objectives, assumptions or projections of Freeline Therapeutics Holdings plc (the “Company”) regarding future events or future results, in contrast with statements that reflect historical facts. In some cases, you can identify such forward-looking statements by terminology such as “anticipate,” “intend,” “believe,” “estimate,” “plan,” “seek,” “project” or “expect,” “may,” “will,” “would,” “could” or “should,” the negative of these terms or similar expressions. Forward-looking statements are based on management’s current beliefs and assumptions and on information currently available to the Company, and you should not place undue reliance on such statements. Forward-looking statements are subject to many risks and uncertainties. Such risks and uncertainties may cause the statements to be inaccurate and readers are cautioned not to place undue reliance on such statements. We cannot guarantee that any forward-looking statement will be realized. Should known or unknown risks or uncertainties materialize or should underlying assumptions prove inaccurate, actual results could vary materially from past results and those anticipated, estimated or projected. Investors are cautioned not to put undue reliance on forward-looking statements. A further list and description of risks, uncertainties and other matters can be found in the Company’s Annual Report on Form 20-F for the fiscal year ended December 31, 2021 and in subsequent reports on Form 6-K, in each case including in the sections thereof captioned “Cautionary Statement Regarding Forward-Looking Statements” and “Item 3.D. Risk factors.” Many of these risks are outside of the Company’s control and could cause its actual results to differ materially from those it thought would occur. The forward-looking statements included in this press release are made only as of the date hereof. The Company does not undertake, and specifically declines, any obligation to update any such statements or to publicly announce the results of any revisions to any such statements to reflect future events or developments, except as required by law. For further information, please reference the Company’s reports and documents filed with the U.S. Securities and Exchange Commission (the “SEC”). You may review these documents by visiting EDGAR on the SEC website at www.sec.gov.
Arne Naeveke, PhD
Vice President, Head of Corporate Communications
+1 617 312 2521
1 Iorio A et al. Annals of Internal Medicine 2019;171(8):540-7

domain: medical


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|“If a person wants to be a part of your life, they will make an obvious effort to do so.” ~ Mark Chernoff
Even though their brief encounter is supposed to be a no strings attached deal, Bly and Marc, of 'Flashbulb' by Clare London, feel the flicker of something possibly deeper between them. Before they have an opportunity for it to register properly, much less act on it, the plane they are on crashes, thrusting their lives into chaos and putting a long distance between them. Even after they have physically recovered, they need to talk about their experiences, but feel no one will understand their anguish since they haven't had the same experience.
Bly, usually quite shy, goes out on an unfamiliar limb when he gives in to temptation in an airplane bathroom with the handsome flight attendant, Marc. It's very brief, but lasts long enough to make an impression on both of them. After the crash Bly's recovery is extremely slow, not just physically, but emotionally as well. His broken leg has healed, but emotionally, he's still broken. Also, Bly has never forgotten Marc and not having the opportunity to get to know him, only adds to his despair. His parents are understanding; they want him to take his time to get better, but there is little they can do about him being stuck emotionally. They weren't there and Bly feels they can't begin to understand what he's suffering through. Bly gets a housesitting job for a cute little house in Dublin. Bly loves it there, but has a business to which he should be attending back in England. He's not sure he can ever go back to it. One day, when he's feeling especially blue, there's a knock at the door. Bly isn't expecting company but when he opens the door, Marc is standing there. Finally, he has someone to talk to who will understand.
In spite of the fact he wasn't hurt physically besides some bruises and cuts, and he helped save many passengers in the crash, Marc is in emotional turmoil; he's not able to fly now, not able to settle into any kind of normal life. He's lost in a depression he can not pull himself out of. His roommate is worried about him and tries to motivate him to move on, but to no avail. Marc hasn't forgotten the cute passenger he exchanged mutual gratification with even though their time together was brief. When the nightmares reach monumental proportions, his roommate insists he see someone. The only person Marc can think of who could possibly help is Bly. With his roommate's encouragement, he flies to Bly, hoping to see some peace and finally heal.
This is a moving story about two men who are caught up in a tragedy together and form a bond which helps them both heal. The vivid memories, created by their awful experience, made my heart ache for both of them, but Clare finds a way to take those memories and use them to put Bly and Marc's feelings in perspective and teach them what and who they really want from life. If you like a story with plane crashes, handsome flight attendants, passion, redemption, and forgiveness, you may enjoy this story. Thank you, Clare, for the emotional, yet hopeful read.

domain: literature


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Christian Serratos Net worthbiography, husband, age, height, weight and many more details can be found on this page. Christian Serratos is an American actress who has a net worth of $3 million. People know her for breaking evil. She has never broken bad. People know how to form The Walking Dead. She has never woken up dead. People also know her from her own Netflix TV series. People have seen her in six different TV series so far. She is only 31 years old. She has been working in the industry for almost 18 years.
She has been working since she was just 14 years old. We are talking about Christian Serratos. Until her new TV series Selena on Netflix, she was known for playing her in the world renowned TV series called The Walking Dead. After impressing people on The Walking Dead; She was offered many roles, but she chose the Netflix drama over anything else. Her series is already a success. This is why it has been extended for two more seasons by Netflix management. You may also be interested in Juliette Lewis net worth.
Christian Serratos net worth
The best in the world American actress “Christian Serratos He has a net worth of $3 million. According to various online resources (Wikipedia, Forbes, IMDB), the most popular American actress Christian Serratus The estimated net worth is around $3 million.
As we have already mentioned, Christian Serratos has a net worth of 3 million dollars. Christian Serratos has earned more than $3 million as an actress over the past 18 years. According to Variety magazine, she has given almost all the money she earned at the age of 18 to her parents. We cannot independently confirm that detail. We will look for more resources and if confirmed, we will update this article. According to Variety magazine itself. Her contract with the Netflix drama was only for one season and she got 1 million dollars for it.
|Net worth (2022)||$3 million|
|Monthly Income and Salary||$20,000 +|
|Annual income and salary||$0.2 million +|
Christian Serratos Net Worth Growth
|Net worth in 2022||$3.0 million|
|Net worth in 2021||$2.8 million|
|Net worth in 2020||$2.6 million|
|Net worth in 2019||$2.4 million|
|Net worth in 2018||$2.2 million|
|Net worth in 2017||$2.0 million|
Biography of Christian Serratos
Christian Serratos was born on September 21, 1990. Christian Serratos was born in the City of Pasadena California. You will be interested to know that while Christian Serratos was growing up. His first language was not English but Hispanic. Growing up, he didn’t watch friends but soap operas. She had dreams of becoming a Hispanic superstar, but she ended up becoming an English actress. Christian Serratos wanted to become an actress from the beginning of her childhood.
She caught up quite early and started working as a professional actress at the age of 14. The first thing she did was appear in a very short movie called Mrs. Marshall. She was appreciated for her role in that movie. That’s the reason she signed with Nickelodeon. she has done four different TV series for Nickelodeon, ie. School Survival Guide Declassified, Hannah Montana and Zoey after working almost six years in children’s drama, she left that world and started landing adult character roles. You need to check the net worth of Jennifer Coolidge.
|Real name||Christian Maria Serratos|
|Place of birth:||Pasadena, California, United States|
|Date of birth/birthday:||September 21, 1990|
|Age/How old:||31 years|
|Height/What height:||In Centimeters – 170 cm
In Feet and Inches – 5′ 7″
|Weight:||In kilograms – 52 kg
In Pounds – 115 pounds.
|Eye color:||Dark brown|
|Hair color:||Dark brown|
|Social media accounts:||Instagram Y Facebook|
|Name of children/children:||Wolfgang Serratos Boyd|
|Net worth:||$3 million|
Relationship with Christian Serratos and more
Her life changed when she was cast in a very important role on The Walking Dead. Due to her name recognition, she got from The Walking Dead. Amazon Prime offered him another TV series. She wanted to do that TV series, but her schedule conflicted a lot with that. That’s why she passed on that. Later Netflix management offered her another TV series and she accepted that offer with both hands.
|Kids||Wolfgang Serratos Boyd|
According to a recent report, it has been extended for two more seasons and she will earn around five million dollars for other seasons. That means that two years from now, her net worth will increase fivefold. She lives in Pasadena, California. She has bought a new house near her parents’ house. She stay tuned for more celebrity news. You may also be interested in Ambyr Childers net worth.
What What is the net worth of Christian Serratos?
Christian SerratosThe total net worth of is around $3 million.
How old is Christian Serratos?
Currently, Christian Serratos He is 31 years old (September 21, 1990).
What is the salary of Christian Serratos?
Christian Serratos Earn an estimated salary of $0.2 million by year.
How tall is Christian Serratos?
the height of Christian Serratos it is 1.70m. (5′ 7”).
What is the name of Christian Serratos’s husband?
by Christian Serratus husband’s name is David Boyd.
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domain: economics


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South Korean defence ministry's cyber wing had come under attack in what is suspected to have been launched by North Korean hackers. Although the cyberattack took place in September, Seoul have confirmed its intranet was attacked on Tuesday (6 December).
The extent of the infiltration is yet to be determined as South Korean authorities are ascertaining the magnitude of the data leak. If confirmed, this would mark the first-ever breach of its defence ministry's cyber command.
"The military formed a cyber investigative team to look into this matter and found that some military data – including confidential information – has been leaked. It appears to be a North Korean act," the defence ministry said.
The affected network has been isolated to prevent the spread of the malware. The cyber wing of the defence ministry was set up in January 2010 as part of South Korea's counter-hacking attempts specifically mounted by Pyongyang.
"It seems the intranet server of the cyber command has been contaminated with malware. We found that some military documents, including confidential information, have been hacked," a source from the defence ministry told Yonhap news agency. The ministry had earlier tried to play down the attack and said that chances of a hack are quite low.
North Korea is believed to have groomed a dedicated army of hackers to launch several cyberattacks in the past. Seoul has blamed the North for previous such hacking campaigns which brought down the websites of state-run institutions. The latest development has come at a time when tensions are high in the Korean peninsula.

domain: news


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Rotary Club of Eccleshall Mercia - welcome! Please scroll/swipe down through this page to find out more about us, in addition to the pages linked in the menu, top-left.
Books4Home Appeal for Childrens' Books
The donated the books are for the ‘Rotary Books4Home’ project that gifts books to children who do not have books at home who live in our wider area.details
End Polio - collection in Eccleshall 19th October 19
A collection will be held on Saturday 19th October 2019 to raise funds for the End Polio campaign.details
Project to build water and sanitation facility in a Nepali village
Location is Dood Pokhari village, Lamjung District, West Nepal. The project is planned as a joint venture between the 3 Rotary Clubs in Stafford and Eccleshall Mercia in furtherance of Rotary's history in seeking to improve lives throughout the worlddetails
Meetings and events happening soon
Mon, Dec 21st 2020 7:30 pm
Christmas Online Meeting
To be confirmed, members may submit an item of music and talk about it for 5 minutes.
Be part of a global network of volunteers, trying to make the world a better place. Please also see the 'links & news' page for information from the local district and live feeds from Rotary International and Rotary International in GB&I.
Rotary serving communities through supporting foodbanks
Diversity is part of Rotary’s core values
Meetings & Venue
Where and when:
(At present meetings of the club are being held via Zoom. Normally regular meetings held on 1st & 3rd Monday of each month at 7.30pm. Other meetings held from time to time for social and other purposes. )

domain: library


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Who were the First Americans? It’s a question that for decades has divided researchers, who have proposed competing theories as to how humans moved from Eurasia into North America.
The question is far from settled, though it is clear that by about 14,500 years ago (and perhaps as far back as 30,000 years ago) humans had moved from Siberia to present-day Alaska and begun to spread throughout the Americas.
Now, two new studies published simultaneously in Nature are giving some more insight into who those First Americans might have been, in addition to information about later waves of migration that contributed to the Native Americans and the genetically and culturally distinct Inuit still in the region today.
Two teams of researchers, one led by Pavel Flegontov, from the University of Ostrava in the Czech Republic, and the other by University of Copenhagen geneticist Martin Sikora, used information from ancient genomes to piece together some of the broad population movements that brought successive waves of humans to North America.
They found the process was more complex than previously thought, involving multiple waves of migration and interactions between different groups at various stages. But the work is revealing some of the nuanced history of present-day native populations in the Americas, information that helps tie their lineages to the grander epic of human migration across the globe.
Into the Arctic
The more ancient part of the story begins with the Sikora paper, which compiled data from 34 ancient genomes across Siberia and northern China ranging from 31,600 to 600 years ago. Analyzing and comparing these genomes to each other, the researchers identify an initial population of humans called the Ancient North Siberians that moved into north-eastern Siberia about 38,000 years ago.
Then, around 20,000 years ago, a group of East Asians moved north and intermixed with these people to create a new lineage that would begin moving east into the then-dry Bering Land Bridge connecting Siberia to the Americas. This is the group of people that would give rise to the First Americans. The authors estimate the First Americans split off from other Siberian populations around 24,000 years ago, which is consistent with some of the earlier predictions for when the Americas were first settled.
Not everyone was destined to be a First American, though. Some of those ancient Beringians stuck around near the land bridge, becoming what the authors call the Ancient Paleo-Siberians.
A portion of the Ancient Paleo-Siberian population would later move back into Siberia and mix with groups there, while others would stick around and become part of later migrations into North America. Those that moved onwards to North America are called the Paleo-Eskimos.
The First Inuit
Flegontov and his team pick up the story of those ancient Eskimos around 5,000 years ago, using a different group of 48 genomes from ancient individuals across the American Arctic and Siberia spanning from around 7,000 years ago to just a few hundred.
Five thousand years ago, the Paleo-Eskimos moved into North America, interbreeding with people already there who had descended from the First Americans. Traces of this migration show up today in the genomes of Inuit people from the region.
But there was another, even more recent migration to the region that’s evident in the genomes of modern Inuit as well. Around 800 years ago, yet another wave of Siberians crossed from Beringia to Alaska and integrated into the Inuit populations there. The present-day Inuit, then, are a mosaic of at least three migrations from Siberia to the Americas, each successive wave intermingling with the peoples already there.
The main takeaway from these studies, and others looking at the history of human migration, is that the process of human expansion is gradual and far from linear. Humans crossed from Siberia to the Americas on multiple occasions, and each wave of new arrivals was integrated into the people already living there. There’s also evidence that people crossed back from the Americas and Beringia to Siberia — a reverse migration that belies the notion of constant human expansion.
Multiple waves of humanity built the native populations that live in the far north today. Their genetic history is rich and varied, but large parts of it are still unknown. There is likely further work to be done to understand the cultural diversity of these ancient people, from the most ancient Siberians through to the more recent Paleo-Eskimo populations. Tying evidence from archaeological digs, including bones and cultural artifacts, to the genetic data will begin to add that depth.
Perhaps soon we’ll begin to know just who these peoples were, who braved the Arctic cold as they set out across unknown frontiers.

domain: history


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Turmeric is thought of as a pain reliever. The spice is reputed to innumerable medicinal properties thanks to its high level of curcumin. This turmeric can give you so many anti-oxidants that it’s hard for even us to keep a count. Not to forget, an instant immunity boost! Turmeric adds flavour to food, which explains its presence in curry powder. However, turmeric can also play an important role in digesting that food
"‘D-Alive Health Pvt. Ltd’ is a based out of Mumbai. We make OTC packaged foods and solutions specially for Diabetics & Celiacs but it appeals to all health enthusiasts alike.
All our packaged foods are 100% Natural & Vegan, Made out of USDA Organic Ingredients of the topmost quality, No Gluten and absolutely naturally sweetened with Low GI sweeteners. Inspite of being low Glycemic Index and low carb, our pride lies in the taste of our products. All health prerequisites packed together to create an unparalleled experience, our products are nothing like anything available in the current market. Our aim is simply to make our consumers happily healthy, one bite at a time. "

domain: food


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Read to a Dog
Come read to one of our reading dog teams. They are here in the library every Monday from 3:00 - 4:00 pm and would love to hear some stories read to them by children! Visit 7 times and earn a free book to keep! Children build confidence in reading skills through practicing reading aloud in a safe place. For more information please contact 838-1020.
- Monday, December 2, 2019 Show more dates
- 3:00pm - 4:00pm
- Windsor Regional Library


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Bollywood actor Arjun Kapoor, was spotted recently at the Gaiety Galaxy Theatre, Mumbai to promote his film "2 States."
This was the second promotional event that Arjun showed up in the Gaiety theatre after "Gunday." The actor addressed the media and shared his experiences with "2 States" during the event.
The actor seems to have enjoyed the event, while his lead lady Alia Bhatt was missing in the event.
"2 States" is a romantic comedy, loosely based on the 2009 novel of the same name by Chetan Bhagat, about a couple from two different states of India who fall in love during their studies and decide to get married. But parents on both sides do not agree with their decision. The duo fight for their love and try to convince the parents.
Besides Alia and Arjun, the film also stars Amrita Singh, Revathy, Ronit Roy and Shiv Kumar Subramaniam in pivotal roles.
The film has been directed by Abhishek Varman and has been produced by Sajid Nadiadwala,

domain: artistic


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Situated in a superb hilltop location, yet conveniently only a few minutes\' walk from the town center, La Primavera is an exclusive, historical Venetian villa with spectacular views. Built in 1696 by Cardinal Rubini, the villa is elegant and sophisticated, while at the same time comfortable and inviting. It is a perfect holiday rental for families traveling together, a large group of friends, or an intimate wedding. This villa offers guests the perfect opportunity to experience an historical Italian villa with modern and luxurious touches. Sleeps up to 14 persons (plus a child upon request).
Asolo is one of the loveliest villages in Italy. It is surrounded by enchanting scenery; Palladian villas, medieval walled towns, extensive vineyards all blending to create a magical landscape. Many artists and intellectuals, such as Robert Browning, Eleanora Duse, Ernest Hemingway, Igor Stravinsky, and Freya Stark were attracted by its charm. Asolo combines history and culture, as well as the pleasure of dining in excellent restaurants, cafes and wine bars, where one can enjoy the sparkling Asolo Prosecco Superiore DOCG, the specialty of this region.
Villa La Primavera is set amongst 15,000 sqm. (almost four acres) of gardens with manicured lawns, statues, and cypress and olive trees. The grounds also include a pool (open May to September) and a large, furnished terrace for outdoor dining.
In its entirety, the property consists of four separate buildings; The main villa with seven bedrooms (sleeping 12 guests), a Dependence with one bedroom (sleeping two guests), the Owner\'s home, and a family Chapel. The outdoor areas of the villa (garden, pergola and pool) are completely private for the guests\' use. The owner\'s home and her garden are separated from the guests\' area.
MAIN VILLA -
GROUND FLOOR: Features a living room with fireplace, large dining room, fully equipped kitchen, small sitting room, two guest toilets, and a beautiful winter garden.
FIRST FLOOR: Offers a grand living room, study/office, and two double bedrooms with ensuite bathrooms with tub and handheld shower.
UPPER FLOOR: Features a double bedroom with ensuite bathroom, and four other bedrooms (2 doubles and 2 singles) sharing two bathrooms.
The DEPENDENCE: Consists of two floors each with independent access (i.e. the two floors are not connected). On the ground floor is an entrance with living area. The first floor has a double bedroom with ensuite bathroom (tub with handheld shower), a studio room with a sofabed (suitable for a child), and a nicely equipped kitchen.
OUTDOOR: A private, outdoor lounge area located at the entrance of the villa features sofas and umbrellas. The beautiful rear terrace leads to the dependence, the pool area, and the parking area (accessed by passing through the owner\'s property). On the right of the terrace is the owner and staff house, and on the left is another house not belonging to the property.
Included in the rental price: Breakfast, utilities, electricity/AC (up to 15 kwh/day), Internet Wi-Fi
Available upon request at additional cost: Wine tasting, guided tours, chef service, cooking lessons, tennis lessons, horseback riding, and private driver. For golfers, there are three golf courses within about a 30-minute drive radius.
• Villa Barbaro at Maser (3.1 mi/5.0 km)
• Treviso (23.0 mi/37.0 km)
• Padova (29.8 mi/48.0 km)
• Vicenza (31.7 mi/51.0 km)
• Venice (42.9 mi/69.0 km)
• Dolomiti (Alps Range) (62.1 mi/100.0 km)
• Verona (68.3 mi/110.0 km)
• Cortina d\'Ampezzo (80.8 mi/130.0 km)
• Lake of Garda (87.0 mi/140.0 km)
• Milano 266 km

domain: travel


Estadio Marcelo Bielsa
|Newell's Old Boys
|Design awaiting implementation
|$ 20 M
|Mario Corea, Mauro Forccino, Luis Lleonart, Francisco Quijano et al.
Estadio Marcelo Bielsa – design description
How did the design for the extension of Estadio Marcelo Bielsa develop?
The Newell's Old Boys club stadium has been in use since 1911 and the venue has undergone several major upgrades over the years. It received its current shape in the 1990s, when the upper tiers of the stands on the east and south sides were added. In 2009 it was named after Marcelo Bielsa, the club's former player and coach, who later went on to lead, among others, the Argentina national team. The facility has a capacity of 42,000 spectators.
In mid-2022, the president of Newell's Old Boys contacted Rosario-based architect Mario Corea, who was asked to create a concept for the extension of Estadio Marcelo Bielsa. On November 3, 2022, the club's 119th anniversary, the vision for the expansion of the facility was officially unveiled.
What does the Estadio Marcelo Bielsa expansion plan propose?
The concept calls for the construction of a second tier of auditorium in the stand behind the north goal, similar to the one on the opposite side. A new sports hall will also be built next to the north stand. In the west sections, however, the existing boxes and roof will be removed, and instead, just behind the existing auditorium, a wide building with four tiers of boxes will be erected, stretching along the sideline of the pitch.
The stands will be surrounded on all sides by a roof connected to the façade, and two large screens will stand in the corners on the east side. Floodlights will be placed in the roof. There will also be an underground car park and lifts to take fans to the upper sections of the auditorium. The expansion will raise the stadium's capacity to more than 50,000 spectators.
When will Estadio Marcelo Bielsa be upgraded?
It is assumed that the redevelopment will be carried out in stages. The first would involve extending the stand behind the north goal by a second tier. Then the west stand is to be enlarged with a four-storey building with boxes and a roof over the auditorium. In the next phase, a sports hall will be built behind the north stand. In the final, fourth phase, it is planned to build the missing sections of the roof, over the stands on the north, east and south sides.
The expansion is estimated to cost around $20 million. The construction of a building with boxes on the east side should increase the club's revenue, which is expected to help find funds to complete the project. It is not yet known when the upgrade could start. It is possible that the project could be completed in about three years, but due to the club's financial constraints, it is more feasible to stretch the investment out over time, to about five years. While the work is being carried out, the club should continue to play its matches at this stadium.


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Additional contact information:
Pretty crazy past few days here in Seattle with Rakim, Method Man, A-Trak, Z-Trip, and DJ Jazzy Jeff all coming through the town. Jeff called in to the show this week, but be on the lookout for our full video interview with him soon. The man has stories for days!
In the meantime, enjoy SNSS #402 with artists like Inspectah Deck, Ghostface Killah, Roc Marciano, Shad, The Procussions, M.anifest, TWINSMATIC, Jose James, Bilal, Chance The Rapper, Jared Evan, Bondax, ForteBowie, Substantial, and more. Shout to the homies Grynch and DJ Nphared for coming through the studio as well.
Last but not least, congrats to our buddy and former co-worker at KUBE, DJ Scene, for winning the Red Bull Thre3style West Coast Regional Finals at Foundation Nightclub on Monday and moving on to the National Championship round. Repping Seattle nicely!
Show #402 (2-24-13)
- Curren$y ft. Wiz Khalifa & Rick Ross – “Choosin’”
- Action Bronson – “Strictly 4 My Jeeps”
- Czarface (Inspectah Deck, 7L, & Esoteric) ft. Ghostface Killah – “Savagely Attack”
- Roc Marciano – “Bruh Man”
- Serge Severe & 5th Sequence – “It’s Like That” (Local Music)
- The Procussions ft. Shad – “Today”
- M.anifest – “Blue (Chale What Dey Happen)”
- Ghostface Killah & Adrian Younge – “The Rise Of The Ghostface Killah”
- Jared Evan ft. Lil’ Fame – “Uma Thurman”
- The Black Opera ft. Mayer Hawthorne – “Queen Of Hearts”
- Chance The Rapper – “Acid Rain”
- Joey Badass ft. Smoke DZA & Big K.R.I.T. – “Underground Airplay”
- **INTERVIEW WITH GRYNCH, PT. 1**
- Grynch ft. Bambu & Slug – “Mister Rogers (Remix)” (Local Music)
- **INTERVIEW WITH GRYNCH, PT. 2**
- ForteBowie – “Take Em To Church”
- J Dilla ft. Frank N Dank – “Anthem”
- **INTERVIEW WITH DJ JAZZY JEFF**
- DJ Jazzy Jeff & The Fresh Prince – “The Magnificent Jazzy Jeff” (Throwback of the Week)
- Substantial – “Resilient (Marcus D Remix)” (Local Music)
- Bondax – “Gold (Snakehips Bootleg)”
- TWINSMATIC – “Oh Boy”
- Bilal – “Astray”
- Jose James – “Come To My Door”
Link to download/stream the mp3 of the show - http://www50.zippyshare.com/v/24198543/file.html
(back up link - http://linkmixes.com/lsw8wgdzy8ri)
(2nd back up - http://www.sharebeast.com/0buq0nrhhfbz)
If there are any problems with the links or if you’d like to be added to our weekly email list to receive the playlist and download links after every show, just shoot me an email,DJHyphen@gmail.com.


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State Roundup: Oklahoma, Nevada, and Tennessee
August 1, 2004
Oklahoma: Specialty inspectors
Beginning Nov. 1, homebuyers can hire pool contractors and roofers, among other craftspeople, to provide home inspections relating to their areas of expertise. The law, backed by the Oklahoma Association of REALTORS®, will help buyers who want inspections for features that home inspectors aren’t required to inspect, says Charla Slabotsky, e-PRO®, OAR director of government and public affairs. Professionals with occupational licenses, such as plumbers and heating and air conditioning specialists, can already conduct inspections in areas of their expertise without separate licensing as home inspectors. The new law adds that same license exemption to craftspeople.
Nevada: Room to grow.
A consortium of eight homebuilders paid $557 million—more than double the $250 million appraised value—for 1,940 acres of land outside Las Vegas from the U.S. Bureau of Land Management. The consortium plans to build homes at a mix of prices, says John Ritter, CEO of Focus Property Group, the lead company in the consortium. The median new-home price in the area is about $240,000, according to the Southern Nevada Home Builders Association. Proceeds from BLM auctions in the state go to conservation of environmentally sensitive lands in Nevada and to certain state education and water resource funds.
Tennessee: Eye on predators
Regulators gained a tool for tracking mortgage loan originators in the state with enactment of a law requiring them to register with the Tennessee Department of Financial Institutions. “This is the first step toward cracking down on lenders who are taking advantage of borrowers,” says Rob Broome, director of governmental affairs for the Tennessee Association of REALTORS®. REALTORS® in the state sent more than 1,100 e-mail messages urging lawmakers to pass the law, which was enacted in late May and takes effect Jan. 1, 2005.
Notice: The information on this page may not be current. The archive is a collection of content previously published on one or more NAR web properties. Archive pages are not updated and may no longer be accurate. Users must independently verify the accuracy and currency of the information found here. The National Association of REALTORS® disclaims all liability for any loss or injury resulting from the use of the information or data found on this page.
Updated: September 30, 2022

domain: geography


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Download Conker’s Bad Fur Day ROM for Nintendo 64(N64) and Play Conker’s Bad Fur Day Video Game on your PC, Mac, Android or iOS device!
Conker’s Bad Fur Day is a platformer game for the Nintendo 64 released in 2001. The game follows the story of Conker, a red squirrel who is trying to find his way home after a night of heavy drinking. Along the way, he must navigate through various levels and defeat enemies using a variety of weapons and tools. The game is known for its humorous and mature themes, as well as its use of various pop culture references. It received generally positive reviews upon release and has since developed a cult following.
- Single-player platformer gameplay with a mix of action, puzzle-solving and stealth elements.
- A humorous and irreverent storyline with adult themes, foul language and pop culture references.
- A wide range of weapons and tools for players to use, including a frying pan, a slingshot, and a chainsaw.
- A variety of levels set in different environments, including a war-torn battlefield, a spooky castle, and a futuristic city.
- A multi-player mode with various mini-games and deathmatch options.
- An open-world level design that allows players to explore and discover new areas and secrets.
- High-quality graphics and sound design which was praised for its technical achievement at the time.
How to download Conker’s Bad Fur Day N64 Rom
- Click i am Not Robot
- complete any 1 free offer like app or game
- after install app or game on your mobile
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domain: hobby


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|Cherries waiting for sugar and booze|
I've just had a birthday. Not a *big* birthday, the one before that. I don't usually make too much fuss about my birthday, but this year I decided that I wanted to make myself a cake.
I actually began thinking about this cake about a month ago. I started with the way I wanted to decorate it, and worked my way back. On my first birthday after I moved to the UK, my mother sent me a very pretty card with cherry blossoms on it, and made the point that even though it was autumn where I was, I'd been a spring baby.
So I knew I wanted to decorate it with cherry blossoms. And that pretty much decided me on it being a chocolate and cherry cake (although I had a brief moment of flirting with the idea of a green tea sponge, to make it more Japanese).
We've had a terrible summer for cherries. We sponsor a cherry tree in an orchard in Kent, and the newsletters we were getting through the summer became progressively gloomier as everything that could go wrong for a cherry tree did. In August I did spot some English cherries in the supermarket, and put them down in some sugar and alcool pour fruits, a strong clear spirit.
I made my normal chocolate cake, using a mixture of sour cream and evaporated milk, thinned with a little water, instead of the evap milk and water mixture in the recipe. And butter not marg, of course.
I rolled out about 100g of bought pink fondant quite thinly (could have been thinner though, I think) and cut out cherry blossoms (I have some Japanese cookie/vegetable cutters in cherry blossom, plum blossom and maple leaf shapes). I sandwiched 2 blossoms together, slightly offset, with a dab of edible glue and pressed the end of a chopstick in the middle to give a bit of a divot and splay the petals out into more of a cup shape. Then I put a dab more edible glue and a few gold sugar pearls into the middle of each and dusted them with a sprinkling of decorator glitter.
I made a sourcream buttercream from not-quite-enough butter, sourcream, vanilla and icing sugar. About a third of the frosting I mixed with the drained, boozy cherries, and used it to fill the split cake. The rest of the buttercream I spread over the cake, and allowed to set in the fridge overnight.
In the morning, I used chocolate writing fudge to draw on some branches, and placed the blossoms on the cake. I thought it looked really effective. Tasted very good too!
|The finished article|


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Hiccup and toothless mating
Don't like don't read! Deviation Actions. By BlackRose Watch. Drunken burps and a biting chill filled the air. That could only mean one thing…. It was Snoggletog on Berk once again.
Paolla Oliveira. Age: 29. Gorgeous Woman! Powerful and passionate! Make your dreams come true! I can hard, I can gently!) really looking for some, and very cool strapon! Waiting for my submissive.
Mating, Part 1 (Hiccup/Toothless)
His First Mating Season - Brittany_Hamato - How to Train Your Dragon (Movies) [Archive of Our Own]
Tamsin Egerton. Age: 29. I am sweet, fragrant, soft and very gentle. When you find yourself in my arms, you truly realize all my beauty. So affordable and so relaxed! I am not prone to shyness, I like to do what I like, and even more I like to give pleasure!
See what's new with book lending at the Internet Archive. Search icon An illustration of a magnifying glass. User icon An illustration of a person's head and chest.
Hi, Hiccup here. Now you know that I love dragons, I love discovering new species, learning about them, and observing them. Now I could go on and on about their difference in size, abilities, diets, whatever, but one thing that's really been on my mind lately is their different mating habits, as in the process they have to go through in order to attract a mate and hopefully produce offspring. Now, the Book of Dragons does have a small section on dragon breeding but it doesn't really say much, so I thought why not just go out and observe it myself. I will be observing different dragons and seeing what they do in order to breed.
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This week In the Hot Seat with Larry LeBlanc: Jonathan Shank, Executive Producer & Senior Manager, Red Light Management.
Keep the porch light on for Jonathan Shank over the next 18 months as he clocks long days on the highways of North America, moving from musical event to musical event.
Red Light’s dynamic senior manager/executive will be out on the asphalt highway jungle producing “Disney Junior Dance Party On Tour,” a “Power Rangers Live” tour, and overseeing the continuing, mega-successful “Peppa Pig Live” touring juggernaut.
With a 5-person team based in Los Angeles, Shank also manages MAGIC!, Victoria Justice, Sam Tsui, and Danish singer Benjamin Lasnier.
“Disney Junior Dance Party On Tour,” hosted by Disney Junior’s Dee and Jay and the DJ Dance squad, is tapped to be the premier family concert event of 2018.
Mickey Mouse says so.
The 50 show national run launches March 14th in Southern California at the Thousand Oaks Civic Arts Plaza and will make stops at top venues including Rosemont Theatre (May 5) outside of Chicago; The Fox Theatre (March 24) in Atlanta; Count Basie Theatre (April 13) in Red Bank, New Jersey; Peabody Opera House in St. Louis (May 10), and The Grand Ole Opry in Nashville (March 28).
Shank joined Coran Capshaw’s Red Light Management in 2010. Red Light represents some 300 artists and has offices in Charlottesville, Atlanta, Nashville, Seattle, New York, and Los Angeles in the United States, and in London and Bristol in England.
Prior to joining Red Light, Shank was an artist manager at Azoff, Geary, Paul Management, a division of Front Line Management Group, where he handled a roster that included the Imagination Movers, Eve, Jerry Hannan and DJ/Producer Paul Oakenfold.
Over the years Shank has worked in executive positions at American Artists, Avenue Management, and Direct Management Group. He has managed War, Particle, the Disco Biscuits, as well as former Grateful Dead members Mickey Hart, and Bill Kreutzmann, including putting together such off-shoot groups as Hydra, the Rhythm Devils, and the Mickey Hart Band.
“Disney Junior Dance Party On Tour,” which kicks off in mid-March with 50 shows, is a music-driven immersive concert experience that will feel more like a concert than a theatrical kids show?
How wonderful for you to be working with Amy Tinkham, the renowned director, producer, and writer of theater, dance, film, television, video, and art installations.
Amy is the highest caliber of creative directors that exists in this industry. She is a true creative force. She has a real understanding of how to assess a production, and how to scale it, and bring it to life. It is an honor to work with someone as creative as she is.
Does working with an organization like cable network Disney Junior up your game even further?
This is my first Disney production. Yeah, I would say that everything…It (Disney) is certainly the crown jewel of family entertainment. When I think about the type of value that we want to be able to deliver for these families, for these parents and children, I certainly think about it. Everything has to be beyond first class across the board. I would say having the opportunity to work with Disney on a production like this, it gives you a really wide open canvas to be able to paint on.
Like driving a Rolls-Royce.
Any form of representing Mickey and Minnie Mouse feels like the highest level of working in the family entertainment world. It is the highest level of entertainment. You want these characters to be embraced by generations to come and, obviously, this is one of the most popular franchises, and set of characters in the world. So yes, there is a feeling of stepping into a Rolls-Roll when you are representing characters on that level. You also want to raise your own level of skill, and production etc. to bring it all to life. To make it magnificent. To bring the magic. Disney is all about creating magic, and one of our main goals with this show is exactly that. Delivering the magic to the family.
You are also overseeing an extensive year-long Power Rangers Live tour in 2018 in celebration of Saban’s Power Rangers’ 25th Anniversary.
The Rangers’ tour is delayed due to production. So we are probably going to be putting that out later in the year.
And you are thinking, “Oh thank, God” due to your Disney commitment. You may have had two worlds colliding.
(Laughing) I need to invest in the cloning business. Anything that touches the Disney franchise or brand is elevated, I would say, to a certain level that is very difficult for a brand to even touch because of their footprint. When something is a priority for a franchise, there is very little that can stop the momentum.
This is your first time working with Saban’s Power Rangers as well?
You are stepping back into your childhood viewing of Saturday morning kid’s show.
That’s right. Exactly.
“Peppa Pig Live!” tour continues doing outstanding box office. The Peppa Pig series has been around since 2004, and leads the list of what young children look for on social media.
“Peppa Pig Live!” Is such a charming show. The metrics are really insane on Peppa, and I‘m really proud of the success of this tour. We are just about to be rounding half a million tickets on Peppa and about $20 plus million at the box office. It’s just a train rolling down the track.
For decades live family entertainment in North America was an annual and erratic run of circus and skating productions, Disney fare, and shows by children’s musical artists like Raffi. Then Michael Cohl’s S2BN Entertainment had successful tours of “Yo Gabba Gabba!” which was followed by successful tours of family entertainment shows like “Super WHY!,” and “The Doodlebops Live.” But this isn’t a crowded field, isn’t it?
That is a great question. It is not as crowded as the contemporary music space, but there are more people that are trying their hand at it now than were five years ago.
The various Nickelodeon and Disney channels are obviously launch pads for live entertainment franchises. There may be more people trying to do productions on this scale, but it can be like losing on a Broadway show run.
That’s right. I think that part of it is that producing one of these shows is not as, dare I use the word sexy, as representing a Top 40 act. It’s also not rooted in a traditional model of releasing music, then touring, and figuring out some kind of marketing strategy or album cycle strategy. It very much exists closer to what I would call the jam band model of touring volume. Strategic touring in volume.
Working in this genre is akin to the ‘50s and ‘60s when older American booking agents would denigrate those younger agents booking the new rock & roll acts. Those established agents were most attracted to Broadway and middle-of-the-road type acts. Sometimes the live music industry is too hip for its own good. You say to a young manager or agent, “You can either go out with the leading rap, hip hop or pop act or you go out with a kid’s tour.” What tour do you think they are going to pick? “I’ll pass on the kid’s tour.”
(Laughing) I’m going to use that one. I’m tucking that one away. If I need to send you a royalty check let me know.
Do you feel a bit like an evangelist producing live family entertainment?
You certainly do have to educate people. Yeah, you are an evangelist except for the parents of young children. Often I find that we will throw a line up with dealing with “Disney Junior” when we were initially talking to people about it. There are certain promoters who will say, “Well okay, it’s Disney, I’m in.” Then there are certain promoters who will say that they have children, and this checks out. Then there are ones who say “Let me get back to you.” And they’ll go (and talk) to their brothers, sisters or friends who have kids are in the demo, and then come back and say, “Okay this checks out. I’m putting in an offer.” I would say more so than traditional artist development that there is an education and awareness curve with family entertainment that is very steep.
Do you have children yourself?
I have two boys, 11 and one almost 8.
You cited working with a jam band model. Explain that to me.
I think that there are so many threads to that model. You mentioned Michael Cohl, and the person who was really running point on “Yo Gabba Gabba!” was Michael Luba who came from the String Cheese Incident world. Here he was producing one of the biggest pre-school family entertainment shows with what I would argue was not too different from a routing model that he would use for String Cheese.
[The TV show “Yo Gabba Gabba!,” was conceived by Scott Schultz and Christian Jacobs (aka MC Bat Commander of Huntington Beach-based superhero-themed band the Aquabats). The touring show has rock show production values, and a substantial video element.]
It was either Mike Luba or Michael Cohl’s nephew Paddy Scace who introduced him to the children’s TV show “Yo Gabba Gabba!” that led to “Yo Gabba Gabba! Live.” It certainly was Mike Luba who came in, and said to Cohl, “Why don’t we try this?”
[Michael Cohl, interviewed “In The Hot Seat” (March 6, 2013), said: “I had already left Live Nation. I had a non-compete in music, except for certain groups. I wasn’t ready to go and lie on the beach. I was focusing on what we will call broader demographics—some people call it family shows—I like to call it broader demographics. Luba and Paddy, they are two of my young guns that I was trying to build my company in a whole different vein.”
I will tell you an interesting story. The very first family entertainment property I was interested in producing was “Yo Gabba Gabba!.” At the time I was working for Irving (Azoff). I pitched “Yo Gabba Gabba!” all the way up the chain (at Azoff, Geary, Paul Management). We put together the first marketing plan and made a proposal. Ultimately, we didn’t get the business, but that was the first rendering of the model that I am currently operating under when we approached “Yo Gabba Gabba!,” and I’ve tried since to produce that model. That model further morphed, and ultimately became the model that we are currently using for “Peppa Pig Live!” and “Disney Junior Dance Party On Tour.” It’s interesting how all of that evolved. I was crushed when we didn’t get “Yo Gabba” because I had thought, “Man, this is going to be the biggest thing.” And it was. It was huge.
When he was approached with “Yo Gabba Gabba!” Michael Cohl had no idea of what the show was.
Neither did Irving (Azoff) when I told him about it. I’ll tell you a funny story along the same lines. I was in Nashville a couple of years ago hanging out with Coran (Capshaw). He was asking, “What’s going on? What’s happening?” So I said “I have this music theatrical thing. We are going over to the UK. It’s going to be big. It’s called Peppa Pig.” He kind of cocked his head, and looked at me, “Peppa Pig. What is that?” So I told him a little bit about it. He shook his head and he said, “Well, do you think it’s going to sell tickets? And I said, “Hell, yes. I think it’s going to sell tickets.” He then said, “Sounds great.”
Prior to working at AGP Management, you had worked at several other agencies.
Yeah, I was a booking agent at American Artists for a few years and I was handling the Marshall Tucker Band…
And Dave Mason and Jefferson Starship.
Then I moved to Avenue Management, and I was managing War and that’s where I started managing Particle. I also worked with LFO, and Isaac Hayes, and a few other cool artists. Then I moved to Direct Management Group with Steve Jensen. I learned a tremendous amount from Steve on the touring side.
Did Steve have k.d. lang that that point?
Steve did have k.d. lang at that point. I remember having dinner with Steve and Tracy Chapman right after the first Bonnaroo(in 2002) and spending the entire evening trying to explain to Tracy what this gathering was in the middle of Tennessee and why it was important for her to perform there. She was looking at me saying, “And there were 70,000 people?”
Steve is known for being helpful to young agents and managers.
Yes. I got lucky.
Irving Azoff also can be generous with those staff members working with him.
He was super helpful. I feel lucky to have come into these peoples’ orbit. I look at it like a blessing. Coran, I met for the first time over 15 years ago. I remember him inviting me up to his house. Particle was playing in Charlottesville in the early 2000s and I was begging him to open an L.A. office at that point. He has been just an incredible supporter, and honestly, not only one of the most loyal people I’ve met in the industry, but one of the most loyal people that I have met in my life.
Were you doing family entertainment before you joined Red Light Management in 2010?
Just the approach on “Yo Gabba Gabba!” which happened while I was at AGP. I had not produced any family shows prior to that.
Why did you decide to join Red Light in 2010?
I always felt that Red Light was a place where I wanted to be. It was just a matter of time. Front line had just been purchased by Live Nation. So we collectively knew that there were going to be a lot of changes there. So I facilitated a move from AGP/Front Line to Red Light. Literally, there’s wasn’t one crossover day. I finished my job one Friday at Front Line, and then on Monday, I moved into Red Light.
What clients did you have at AGP?
I had Eve, and I had started managing this Disney group the Imagination Movers. And I had Jerry Hannan who I loved. He is just an incredible writer. But my thought was that I had come from the live improvisational jam band space but I realize that Red Light didn’t have a family entertainment or a pop space really. So I figured that this would be a good opportunity to try to occupy that space here within Red Light.
But you didn’t come to Red Light with all of this worked out. Still, with Red Light, you realized with it being in management, production, and promoting, what you are doing could employ all of Red Light’s assets.
Thinking on that now, it seems hard to believe that it was just a notion that we would just build this division, but I am certainly proud of the work, and the great team (of five) here which has really been incredibly supportive. Chaz Hamman has been with me here since day one, and he has grown. He started out as my assistant, and he’s now in charge of a lot of our productions.
With any event, you can look at the different parts of Red Light and pick people to make the production happen. You can have your own in-house Amy Tinkham at some point. You have that ability within Red Light.
Absolutely. Yes, and the idea is to continue to scale. I will give you what I will say is a microcosm of what you are talking about is that over the past couple of years I have been producing a couple of charity concerts. One for Ray Manzarek (for Stand Up To Cancer), and then with Linda Ronstadt last year for the Michael J. Fox Foundation for Parkinson’s Research. I’m doing one (“An Evening of Respect” at New York’s Apollo Theatre being also produced by JAM, Inc., and being promoted by CEG Presents) for the Grammy Week on January 25th for The Otis Redding Foundation. We have the Dap-Kings as the house band and Whoopi Goldberg as the host. These events have been a great opportunity for me to reach into Red Light. I can invite some of our artists to be part of these events. We are blessed in that we have artists from all different genres. For example, for this Otis Redding event. it’s great to be able to ask people like the Preservation Hall Jazz Band, Chris Stapleton, and so many of our marquee artists if they want to take part. So I would say that is a microcosm of what you were getting at and then, yeah, the idea is that we just continue to scale so we are able to provide these services on a larger level both to Red Light artists and to other projects and shows.
Providing family entertainment in North America dates back to the arena touring circuits of the ‘50s and ‘60s developed by music promoter Irvin Feld, who managed Paul Anka, and oversaw the touring, and then owned, the Ringling Circus But, in truth, arenas are really crappy places to take young kids.
Theatres are more suited for shows for younger children.
Hundred percent. I couldn’t agree more. It is one of the tent-poles of our model and one we have stuck with since we started producing these shows. The model that we employ is largely that families are going to have a better experience in theatres than they will in arenas. I find that in an arena you are so far away from the action. If it’s a little kid by a third of the way into the show they are looking at the light up toy that they bought or sucking on the seat in front of them. When you bring it (the show) into a theatre it is a much more intimate experience. Everybody feels that they are part of the interactivity of the show. I think that part of the success of our family entertainment model is that we try to present these shows in places where people want to bring their families.
Peter Shapiro, owner and founder of the Brooklyn Bowl, and I recently discussed how the Grateful Dead pioneered a lot of standards that evolved in live music including in merchandising, marketing ticketing and live music archives for fans. Do you agree that Grateful Dead made structural changes that became elemental to the touring business?
One hundred percent and you can add one more category to your list which is social media. Also the Grateful Dead, in my opinion, spawned the next generation of music business leaders. There is certainly a camaraderie amongst a lot of us who were studying the (Dead) model, and engaging in the community. We were learning about things like routing just by osmosis of knowing the set list of the (Dead) tours and physically following their tours. We didn’t even realize the skill sets that we may have been picking up. To my earlier point about social media, I have this theory that the Grateful Dead helped really spawn social media through their tape trading community.
Peter and I touched upon that as well. Instead of a recording industry intent on suing music fans, the Grateful Dead invited their fans at show into a segregated section in order for them to tape while the record industry was saying, “We are going to sue you if you download music.”
Yep, and meanwhile (the Dead) was allowing a multi-generation and a community of people to connect before there even was Email. I really think that if you take that trail down further you’ll see that there’s not much of a coincidence between Silicon Valley being not too much distance to where Jerry Garcia grew up (in Menlo Park, California). I don’t find that too much of a coincidence.
After Jerry’s death in 1995, a new band form with sub-genres developed. The jam scene reflected that there were people who appreciated free-form music. There had been a gap.
A massive gap and also just going back a moment to what we were talking about spawning the next generation of music business leaders. You know that gang is what really allowed us all to get to know one another because we would go to a lot of these events and conferences and talk about that void at that time. I started managing Particle, and then the Disco Biscuits. There were all of these kinds of sub-genres. There was funktronic. There was bluegrass. I always think back to how amazing it was that initial Bonnaroo (in 2002) sold out in two weeks without any advertising. It was 70,000 tickets with Trey Anastasio and Wide Spread Panic as the headliners. Now they are massive headliners, and promoters are probably spending a lot more money to achieve those (audience) marks.
[At the inaugural Bonnaroo in Manchester, Tennessee in 2002, Particle went onstage at around 4 A.M. and played until sunrise to a huge audience. At one point, there were musicians lined up to sit in resulting in a superjam of sorts.]
Since Disco Biscuits often performed at the Wetlands Preserve in Manhattan, you’d know Peter well. As a 23-year-old, he had purchased the club in 1996, and turned it into a late-night paradise for jam bands, ska acts, and social activism.
Peter and I know each other very well. One funny story is from when he was producing the Jammies (the Jammy Awards), and I was managing Mickey Hart and Bill Kreutzmann in 2006. Peter did the Green Apple Music Festival (produced in partnership with the Earth Day Network) which was a curated event in all of these (35) different venues in New York City which went beyond the artists that were on the Jammies. We did the Super Jam near Grand Central Terminal, and Mickey had invited his friend (CBS-TV newsman) Walter Cronkite to come to the event. Walter came and he said to me that he wanted to get up onstage and play a bass drum. So Mickey set a bass drum up for him. Walter played and afterward he said to Peter and I that he needed to get back to his place. So Peter and I walked Walter Cronkite down the street in New York City. I have a photo of us with Peter and I standing in the background, and we both look like Secret Service men.
Today, heritage acts like Jimi Hendrix, Otis Redding, Janis Joplin, Nirvana, Grateful Dead, the Doors, and the Ramones remain as big as they were at the height of their careers. Furthermore, with the internet and social media, their popularity is now truly worldwide. People like your friend Jeffrey Jampol (president of Jampol Artist Management) have found that life after death can be profitable as he oversees the estates of the Doors, Jim Morrison, Janis Joplin, Muddy Waters, Otis Redding, and others.
Absolutely. These artists have become brands, and these brands have been inserted into pop culture and immortalized in a larger than life way that is impossible to encapsulate.
Decades ago the commercial potential was limited to T-shirts emblazoned with James Dean and Marilyn Monroe images.
That’s exactly right. I think that Jeff has done an amazing job furthering these legacies and understanding how to further inject these artists into pop culture and keep them relevant because that is really what is all about and that I think speaks to your point why they are more omnipresent now than they were before.
The music of these iconic acts has been used in countless TV shows and films for decades, but it was the live theatrical productions, including “Beatlemania,” “Rain,” “Let It Be,” “Backbeat” and “The Beatles LOVE,” highlighting music by the Beatles, that provided the current theatrical template of contemporary-based music productions. That template wasn’t as available 30 years ago. Who could ever imagined a musical spotlighting music by Green Day in “American Idiot” in 2010?
Absolutely not. There are so many more what I would call ancillary revenue streams that are available now to artists whether it’s estates or artists. Legacies. Certainly, something that has developed in the last few decades.
Managing Particle led to you managing Mickey Hart?
Hundred percent. I’ll start to connect the dots. I had been staying at Mickey’s house, and working on some projects. One morning I came down from the guest house, and I got called into the main house. Mickey wanted me to come down and say good morning or whatever. I was thinking, “Oh man, maybe, I am in trouble. What did I do?” So I came into the house, and they said “You are doing such a great job with our stuff. We just want to know if you would be interested in managing Mickey.” I was kind of waiting for the camera to come out or something.
What had you been doing for Mickey up to that point?
I had been managing Particle, and we had created (electronic/jam-rock band) Hydra the year before in 2005 with Mickey and Particle.
Choosing to work so closely with someone so intent on exploring the outer reaches of American popular music while he was also working on his own solo and charity projects would have been daunting.
Well, there are a lot of dots to be connected here which brings us all the way to the current time which is that I was managing Mickey; and anyone who is involved in Mickey’s world knows that he is a very charitable, philanthropic person. He has done things for music conservation, and for various global communities, and he is a musicologist. Some of these causes have led him to some very important relationships. So we did events for the Gyuoto Monks, and we did an event for Nancy Pelosi and we did a few things for Walter Cronkite. And we did Vibes For Peace for the Rex Foundation. We put together the Rhythm Devils, and the Mickey Hart Band.
Explain how you came to oversee the Nancy Pelosi Inaugural at the National Building Museum in Washington, D.C. on Jan. 7, 2007.
Mickey called one day, and said, “Nancy Pelosi is being inaugurated in January. She wants us to help put the event together. So you are on.” I said, “Okay who do I need to call?” This is exactly how it happened. We started to get on the phone. “Okay, we need a house band.” So I went up to Mickey’s house in Sebastopol and we sat down, and figured out who we were going to invite to play in the house band. Mickey astutely called it Your House Band which was a play on words on the fact that it was now going to be Nancy’s House of Representatives. The house band that night was—with my mind, I might be wrong—but I think it featured (Bob) Weir, and Mickey, (Bill) Kreutzmann, Warren Haynes on guitar, Bruce Hornsby, and (founding Phish member) Mike Gordan on bass. I do not believe that configuration of the band ever played any other shows. The other artists that night were Tony Bennett, Carole King, and Wyclef Jean. A unique thing about that show was Wyclef played with the band on “Iko Iko.” I believe that is the only time that he collaborated with members of the Dead. So that was a really special night. Something that I am never going to forget for sure. I have seen Nancy Pelosi a few times since then and always have a little laugh about that evening.
[Although Jonathan didn’t mention it, he possesses the only recording from the Nancy Pelosi Inaugural. At the last moment, he sent out for a hard drive and his road crew grabbed a feed from the soundboard. Brad Serling, founder/CEO of nugs.net, later transferred it for posterity.]
It was Mickey’s wife Caryl, the children’s writer, who suggested that you become a producer. Jumping from being a manager to a producer of events can be a considerable learning curve.
I would say that I was a little apprehensive, but I didn’t realize that I was already doing it, and not acknowledging what I was doing, was producing shows. A good portion of the scope of work with Mickey was putting together and producing a lot of days events and beyond that, it was putting together a band.
Well, there’s a saying that if someone gives you an opportunity and you aren’t sure you can do it, go ahead and do it because then you will know how to do it.
I had gone back up to Mickey’s to work on some studio work with some DJs. It was at the beginning of 2006. Right around the time when we had the idea of putting the Rhythm Devils back together with Kreutzmann. So we had been up there for a few days doing stuff in the studio. I had brought these DJs up. We were working on these loops with a lot of Mickey’s rainforest sounds, and some samples recorded on the beam etc. Just experimenting to see what might work. We were onto some pretty cool stuff. It was at that point in the morning that I was supposed to drive down from Sebastopol to L.A. and they said, “Well, what do you think about this?” It was a couple of years after the Mickey Hart Band, the Global Drum Project, the Rhythm Devils, and Vibes For Peace and all of this stuff, but I remember it like it was yesterday.
Caryl said to me, “You are a really good manager, but I think that you are a really good producer too.” It’s like that moment in “Back To The Future” in the diner that they suggest to (busboy) Goldie Wilson that he could be mayor in the future, and he goes, “Mayor. Now that’s a good idea. I could run for mayor…Mayor Goldie Wilson. I like the sound of that.” That was sort of my reaction. “Hmm, I’m going to be a producer.” I remember the entire ride back from Sebastopol to L.A. just thinking, “Time to make the donuts.”
Where are you from ?
How did you come to start attending Tulane University in New Orleans in 1993?
I had an affinity for live music, and I was curious.
And there was a girl involved?
Not yet. There would be eventually.
New Orleans is one of the greatest cities in the world.
Amazing. It changed the path of my life for sure and opened my eyes to all different kinds of culture, music, food, and community. What a unique experience. Also whenever Bob Dylan would come into Louisiana I would drive to wherever he was. I went to Shreveport, and to Thibodaux. Dylan was still in decent form at that time.
You interned with Kim Fowley who lived in New Orleans from 1997 to 2003.
God bless him. I wouldn’t be here without him.
I recall a profile of Kim then in OffBeat magazine [“Kim Fowley: A Strange Dog In The Barnyard Of Humanity” with Bunny Matthews, March 2000 issue] in which Kim boasted about his accomplishments: “I’m in 15 rock ‘n’ roll encyclopedias, I’ve sold 102 million records—56 gold, 26 platinum. I’ve sold more records than Allen Toussaint, Trent Reznor and Daniel Lanois combined.”
You met Kim while attending Tulane University?
Yes, I was at Tulane. I had finished an internship at the House of Blues. I was one of the first interns at House of Blues which had just opened up in New Orleans. I showed up at the front door and I said, “I want to be here.” Being there meant hanging fliers in the bathroom, and on telephone poles around town. That was a perfect experience. After that ran its course, I went into the music department at Tulane. I was begging trying to get some credits for an internship. They said, “Fine if you can find somebody who works in the music industry, then we will give you some credits.”
What had you been studying?
Sociology. There wasn’t a music business program at Tulane, and the music program there basically meant that you were playing jazz. I heard about these attorneys who had an office in downtown New Orleans that were working on some music law. So I decided to give them a ring. They said, “You don’t want to intern for us. You want to intern for this guy who is here. He’s just moved here, and he’s doing A&R for a record label that he’s just opened.” I was like, “Okay I’ll meet him.” That guy was Kim.
Until now I had no idea that Kim had lived in New Orleans.
One of the things about spending time with Kim was that you got to know Kim. I would say looking back that this guy I’m not even sure now, but he took me in like I was a family member. This was in the pre-Email days. I remember when I was finishing college I invited him to my college graduation. I had my whole family come in, and we had a dinner set at Emeril’s. I said, “We are having dinner at Emeril’s. Can you come for dinner?” Kim showed up in his yellow canary suit, okay? I’m going, “This is the guy that I’ve worked with for the last six months.” By the end of the dinner, he and my family, especially my grandfather, really, really hit it off. For years to come, my grandfather, until he passed and Kim, would both ask about one another. That was just really special. He would always say, “Stay teenage.” Before I came to L.A. he gave me a stack of his business cards, and he signed them all on the back. He wrote, “Jonathan is great. Hire him.”
You now manage MAGIC! They must be close to finishing up a third album.
This is a band viewed as a one-hit wonder due to the track “Rude,” released in late 2013, reaching #1 in the U.S., and the UK, and peaking within the top ten of charts in Canada, Australia, New Zealand, Denmark, Sweden, and The Netherlands. How do you resurrect a band like that?
There is only one answer, and that is another hit songs. These guys are incredible songwriters. Part of the issue is that “Rude” was so big it eclipsed who they were as a band. My goal with them is to develop them as a true lifestyle touring band. I look at a lot of the bands that came out of the late ‘90s and early 2000s, that had a couple of hits, and they can still tour successfully because they built a core audience. “Rude” became so big that it didn’t allow them to build a core audience. It just allowed them to have a moment in time. Also, my goal has been since I started earlier this year has been to develop them as a live music attraction, and to prove to people that they put on a great show. What’s amazing to me is through that entire cycle with “Rude” and the through the first album is that they didn’t really gain exposure on major festivals.
Any further exposure afterward for them primarily came with collaborations including Shakira, David Guetta, and Sean Paul. When is the album dropping?
It comes in March on RCA., and we have a single called “Kiss Me” coming out in February.
Do you have a title yet?
“Expectations” at this point.
You also manage Victoria Justice, Sam Tsui, and Danish singer Benjamin Lasnier. How do you balance management and your family entertainment projects? A lot of your plate here.
Each one has its own bucket. That’s the easiest way to explain it. Obviously, anybody who has this kind of workload needs a tremendous amount of support, and also really great support. I am thankful to have that, and I think that the true balancing part is all in prioritization. That’s what I find. If you are trying to super-serve peoples’ needs and understand how and when to plug into their needs.
Have you ever seen anything like the past five years of the dramatic upheaval in the music industry brought about by the internet?
When we start to have these conversations about the amount of changes, yes it is absolutely unprecedented. The word playlist was not in our vernacular five years ago.
Managers have taken on many of the roles and duties that labels once had.
We had to.
Major labels cut staff and, with few exceptions, missed years of an opportunity to bulk sell music on the internet because of fears over the conversion of music to files.
Also, it started to feel like that even if you were an artist who was signed to a major that you were still fighting for prioritization.I think that the old adage was that once you were signed you were on your way. Now I feel that once you are signed it’s like going from a larger pool to a smaller pool, but you are still in the pool.
Even while signed by a label then, the question the Tuesday after the release of an album was, “What are your (sales) numbers?” It became like the film industry. If an act didn’t have impressive numbers, the label became disenchanted.
Yes. This is why every artist has to focus on building their core audience and come to understand the touring model and paradigm as it exists.
Today, you could manage a mediocre band, but if they had high social numbers, many labels would look at them.
Of course. One of these days soon, the glass ceiling is going to break for these influences. There will be a massive hit act that comes off one of these platforms whether it be YouTube or one of the other platforms, and that will be the next wave for us.
Look at the original content Netflix is now developing.
I would argue that music is one of the last verticals where the glass ceiling has not been broken. Look at fashion, beauty, media, and look at television, with Netflix and Amazon, etc. I would argue the labels are holding the keys to that in a certain sense, and it is really difficult for an artist to become credible coming off YouTube or some kind of content platform that is not a major label.
Larry LeBlanc is widely recognized as one of the leading music industry journalists in the world. Before joining CelebrityAccess in 2008 as senior editor, he was the Canadian bureau chief of Billboard from 1991-2007 and Canadian editor of Record World from 1970-80. He was also a co-founder of the late Canadian music trade, The Record. He has been quoted on music industry issues in hundreds of publications including Time, Forbes, and the London Times. He is co-author of the book “Music From Far And Wide.”


text:
When you were in high school did you think of yourself as a writer? I know that I definitely did NOT visualize myself as a writer. I remember a time during my career when I was composing a letter thinking I never would have imagined having to do so much writing in my career. And I have to admit that during that career, I became pretty good at technical writing – or writing those directions.
And then came 2021 when I published a blog post almost every day. When the year started, I didn’t have any specific blogging goals. My goal was to blog more consistently. To help me achieve that goal, I decided to
- share family pictures in ‘Throwback Thursday’ posts
- use Randy Seaver’s Saturday Night Genealogy Fun as a blogging prompt for Sundays – prompts posted on Saturday evening on Randy’s Genea-Musings site)
- use Amy Johnson Crowe’s 52 ancestors in 52 weeks blogging prompts for Saturday posts. (2021 Themes)
Since I’m not a ‘creative’ writer, I found the 52 ancestors writing prompt difficult at times. Thus, I quit worrying about using that prompt and just blogged from my research activities.
What helped me accomplish these blogging goals was learning to SCHEDULE my blog posts. Instead of writing every day, I simply wrote when I had something to share. Unsure of the ‘best’ time to post, I decided to make my posts available at 6:45 am central time. I kept a simple calendar in my bullet journal where I would write down (in pencil) the title of a post for when I planned to have it published. Sometimes I found writing a post that would be of little value several days out. When this happened, I scheduled that time sensitive post for the next day and moved all the scheduled posts to make room for this timely post. Thus, the need for using pencil to fill in my calendar.
As I determine my 2022 genealogy goals, I’m also setting some blogging goals. For 2022, I’m going to have specific ‘topics’ for Friday, Saturday and Sunday.
- Friday Finds — pulling information to share from my digital and paper files from the early days of my research
- Saturday Tidbits — sharing historic articles from local (Nemaha county) newspapers (where I currently live) and possibly from Yates Center, Dodge City and other papers where my ancestors lived
- Sundays — Saturday Night Genealogy Fun prompts
- Monday thru Thursday — sharing my current genealogy activities


text: Home Music Gospel music Travis Greene – You Waited (Official Music Video) MusicGospel music Travis Greene – You Waited (Official Music Video) By Terry Paul - October 25, 2017 0 RELATED ARTICLESMORE FROM AUTHOR Dennisdion My love for you oruko jesu – prosper nnaji @prospernnaji Ekponmwen by Peace ese Perfectly Imperfect by Merit Captured my heart by Leke michael YOU DO Chris Kabash Chisonia Ige – Jesus You Are Beautiful Covenant Keeper by Saint Eli YOU ARE GOD BY LINDA IGWE No Longer Slaves – Franklin Okeugo Chris Kabash – Shabach Praise Experience Jossey David – Amen Edugie by finally free Justin Verz – Pray [Official Video] @JustinVerz Big God by Ojay You Turned Things by Chris Kabash Music: Nobody Can Change By Min Ojay @min.ojay Big Bolaji – Real To Me Ehistoria – The Word Licia – Magnificent God Travis Greene – You Waited (Official Music Video) LEAVE A REPLY Please enter your comment! Please enter your name here You have entered an incorrect email address! Please enter your email address here Save my name, email, and website in this browser for the next time I comment. Captcha verification failed! CAPTCHA user score failed. Please contact us!

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Veterans Helping First Responders Answer 911 Calls in Georgia Town Stretched Thin by COVID-19
In cities and towns grappling with the coronavirus pandemic, first responders have had the hard task of prioritizing emergency calls. But, thanks to a group of benevolent South Georgia veterans, first responders in and around the city of Columbus have been able to focus on the most urgent cases.
“You know we served for the military, we served for the nation, and now it’s time to serve the community,” said Hai Clay, president of The Community Warriors, told WTVM.
The group is assisting Columbus Fire and EMS by taking care of what are known as “lift and assist” calls.
“Basically, someone’s in the house, they just need help getting out of a wheelchair into another seating arrangement like another chair, or maybe they’re in bed and need help getting out of bed,” Fire Chief Greg Lang explained.” The person that’s there can’t really do that.”
According to Lang, Columbus Fire and EMS typically receives 12 to 20 of these “lift and assist” calls each month. The Community Warriors has 15 volunteers insured under the Good Samaritan Act that have been trained, tested negative for the coronavirus, and are ready to help.
“Due to the fact we’re already running enough because of the COVID-19 calls plus our regular emergency calls we get normally, so you compound those two issues along with the lift assist calls, it just puts an extra burden on our personnel," Lang told WTVM. "And I can’t say enough about Hai Clay and The Community Warriors for stepping up and willing to help our department out on assisting us with these calls.”
Well done, y’all!