Get Your Car Ready for Spring
After a long wait, it seems like spring is almost here. The change to warmer weather is the perfect time to do a thorough spring cleaning of your car. Giving your vehicle some TLC after the harsh winter is just what it needs to keep running strong and transporting you to all your spring events without issue.
The following tips are Mercedes-Benz of Nanuet’s recommendations for getting your Mercedes-Benz ready for spring:
Wash/Detail Your Car
Winter is hard on vehicles. The salt and grime that are the result of Northeast winters can wreak havoc on every surface of your car, both inside and out. Getting your car washed and detailed is extremely important to eliminate the corrosive effects of salt and can potentially extend the life and usability of the vehicle.
Mercedes-Benz of Nanuet provides complimentary car washes to all of our customers. Stop on in to clean the winter off your car!
Change Wiper Blades & Top Off Washer Fluid
Winter is incredibly hard on wiper blades and spring is the perfect time to change them – especially before spring thunderstorms start.
Spring is also a great time to top off your wiper fluid since you likely use more fluid during and it might be running low.
Genuine Mercedes-Benz wiper blades are the perfect fit for your Mercedes-Benz vehicle. Schedule a FREE multi-point inspection with our Service Department to have your wiper blades and washer fluid inspected today.
Swap Out Your Winter Tires
While winter tires are a great benefit during cold, wet, and icy conditions, they are not made for warmer weather. They use a softer rubber with a more aggressive tread pattern and continuing to use them once temperatures rise will destroy them and offer you subpar performance.
Mercedes-Benz of Nanuet has a wide inventory of tires for every Mercedes-Benz vehicle. Schedule a FREE multi-point inspection with our Service Department to have your tires inspected today.
Check Your Brakes
Salt and grime from the winter driving could adversely affect your brakes and your braking performance. Having them checked out by a certified Mercedes-Benz Technician is key to ensuring your brakes are functioning at peak form.
Schedule a FREE multi-point inspection with our Service Department to have your brakes inspected today.
Check Air Filters (Engine & Cabin)
Winter can be hard on these too and changing them out can help improve fuel economy and prepare you for the pollen onslaught of spring.
Schedule a service appointment with our Service Department to have your filters inspected today.
Check Your Alignment
Winter potholes can do a number on your alignment, resulting in premature wear and tear of your tires, as well as reduced fuel economy.
Schedule a service appointment with our Service Department to have your alignment inspected today.
Check Tire Pressure
Temperature changes throughout the winter months can result in your tire pressures being off. Checking and then properly inflating your tires will result in better performance, longer life, and better fuel economy.
Schedule a FREE multi-point inspection with our Service Department to have your tire pressure inspected today.
Check Other Fluids
Spring is a good time to check your oil, transmission fluid, brake fluids, among others. Doing this before the warmer temperatures really hit will help ensure your car is running smoothly for the months to come.
Schedule a FREE multi-point inspection with our Service Department to have your fluids inspected today.
Update Your Car’s Emergency Kit
Now that winter is past, you won’t need some of the emergency supplies tailored to that season. Replace them with supplies you might need in warmer months, like extra bottles of water and rain gear. As an added bonus, making the swap may reduce weight, potentially getting you better fuel economy.
Mercedes-Benz of Nanuet has a wide inventory of accessories for every Mercedes-Benz vehicle. Contact our Parts Department to see what accessories are right for you!


THE 10 MOST EXCITING NEW MOBILE DJ PRODUCTS
The annual NAMM tradeshow in California is always a hotbed of new products launched by the industry's leading brands. To mark this year's event, we've put together a round-up of the 10 most exciting mobile DJ products launched at NAMM 2016.
With a wide array of cutting-edge products on display, this year's show has been a great way to discover which audio and lighting solutions are going to make mobile DJs' lives easier and their events better in 2016! So, without further ado, take a look at the 10 new products that caught our eye and pricked our ears while exploring the show-floor…


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Prep Time20 Mins
Cook Time55 Mins
Gujarati cuisine is known for its variety of snacks. Khandvi is one of them. Khandvi recipe is simple to make. It is a yellowish, tightly rolled bite-sized piece. Khandvi is a steamed snack made with gram flour and buttermilk or yogurt and served with green chilies, grated coconut, coriander leaves, and mustard seeds. Khandvi, also known as Patuli, Dahivadi or Suralichi Vadi, is a savory snack in Maharashtrian cuisine as well.
How to make Khandvi Recipe at Home
Steps to make Khandvi Recipe in easy steps
In a blender jar take fresh whisked curd, gram flour, salt, turmeric powder. Add 2 cup water and blend all ingredients well. It can be done without a blender. just add all the ingredients and mix them with a whisker.
Prepare a lump-free batter by mixing it well. Take a thick bottomed pan, Turn on the flame. Pour the batter into the pan. Stir continuously and cook until dense.
Stir continuously or occasionally until it thickens. It takes a few minutes to get this ready. Turn off the flame.
Take any plate. Keep it upside down. Oil the reverse side of a stainless steel thali or marble tabletop with a little oil, to prevent the khandvi mixture from sticking and to ease the process of rolling the Khandvi. Put batter at the edge of the plate. Spread a thin layer over the plate with a spatula. Keep aside for 5 to 6 minutes. Once cool and set, cut into strips two inches wide and roll them tightly and taking care that you don't break them. cut it and fold it to make khandvi roll with fingers. Make all Khandvi rolls likewise.
For tadka, Heat the tadka pan add oil, once hot add black mustard seeds, curry leaves and slit green chilies, add a pinch of asafoetida as well. When they crackle/splutter, Turn off flame and pour the tadka over the khandvi pieces. Garnish with freshly grated coconut and finely chopped green coriander leaves.
This popular snack recipe is best served with coconut chutney, green chutney or garlic chutney.
It tastes best when served with Tea or Buttermilk. If you are in a jiffy and want to treat your loved ones with something healthy as well as delicious, then this is your perfect go-to recipe. So, next time when you want to prepare something delicious yet simple then go for this Khandvi recipe and woo your loved ones with your cooking skills.
When it comes to Gujarati delicacies, Khandvi is a perfect amalgamation of mild-spicy and tangy flavours with a perfect balance of spices. Another amazing thing about Gujarati food is that it is easy to digest and is cooked using very less oil.
- breakfast ideas
- easy breakfast recipe
- gujarati cuisine
- gujarati food
- gujarati khandvi
- gujarati recipe
- how to cook
- how to make khandvi
- how to make khandvi at home
- indian cooking
- indian food
- indian recipes
- khandvi recipe in hindi
- khandvi recipe video
- maharashtrian cuisine
- recipe in hindi
- vegetarian starter
- गुजराती खांडवी

domain: food


GCI offers a full spectrum of Healthcare IT modules, services and solutions from finance and accounting and supply chain management to the electronic health record, and much more. GCI’s suite of clinical systems provides healthcare professionals with the best of tools to perform their work effectively and efficiently. Its comprehensive fully paperless environment improves patient safety while facilitating successful outcomes.
GCI’s solutions are fully integrated from the examining room, pharmacy and laboratory to the accounting department and the executive suite. Today’s’ healthcare settings demand exceptional flexibility in clinical and business process flows while working seamlessly in a standards-driven environment.
Customizations and configurations of our systems avoid the convoluted and time-consuming processes necessary with most systems. Our comprehensive, fully interoperable approach allows us to fulfill unique client needs quickly.
We use modular plug-n-play concepts throughout our systems, making our deliverables easy to deploy and maintaining tranquility in the client environment before, during and after we complete our installation. We relentlessly strive to facilitate efficient and effective clinical and business processes made possible by our in-depth domain knowledge coupled with state-of-the-art, end-to-end IT solutions.
We continuously integrate best-of-breed solutions from our broad-spectrum global practice, allowing us to maintain state-of-the-art systems on an ongoing basis, while avoiding interference with your workflow. Our business model provides for seamless upgrades and reconfigurations throughout our engagement. Our applications are built on industry standards and fully interoperable between ICD-9 and ICD-10, CPT coding, and drug databases.
Our clients find us ahead of them in meeting the industry-demanding challenges that weigh them down in areas of clinical outcomes and operational efficiency.
GCI systems are fully interoperable with any industry standard third party applications. Should there be a need for our applications to work with other legacy systems, GCI in-house integration tools are always at hand to provide easy solutions to ensure that a fully integrated environment is achieved and maintained.


A Darigold milk processing plant in Boise was shut down for 30 hours last week after a state inspection last week found mold.
The plant was decertified Thursday, May 1, meaning it could accept no milk in and couldn't ship out, according to Dr. Bill Barton, administrator for the state Department of Agriculture's Division of Animal Industries. The Dairy Bureau is part of that division.
The plant was closed part of Thursday and all of Friday while it was thoroughly cleaned, Barton said.
"It's very rare that we have to degrade or delist a processing plant. I can't remember the last time," Barton said. He's been state veterinarian and administrator for animal industries for seven years.
The mold didn't affect the milk, the company and Barton say.
"No food or surfaces that might come in contact with food were involved," Steve Rowe, senior VP of corporate affairs, told the Idaho Statesman. "We closed and cleaned the plant and we were up and running again in 30 hours. Everything went exactly the way it was supposed to."
Barton said, "We are confident that the product was not affected."
Ventilation issues had created the temperature and humidity conditions conducive to mold growth, Barton said. The same inspector who found the mold went back to check the plant before it re-opened.
Barton said the U.S. Food and Drug Administration's Pasteurized Milk Ordinance requires unannounced quarterly inspections of milk plants. Additionally, a more intensive inspection is done every two years.
The inspection done last week was one of more rigorous biennial inspections.
Also, federal regulations require random product testing four times in six months. Barton said product testing is done monthly in Idaho.
The closure was first reported by KTVB (Channel 7).
Katy Moeller: 377-6413


text:
With teacher, scholar, writer and conductor, Sir Jack Westrup, Professor of Music at Oxford University, and editor of Music and Letters. Relates to: MK's attempt to track down letters from RVW relating to An Oxford Elegy, as well as any letters of Sir Hugh Allen, the former Professor of Music; permission to use extracts from Music and Letters in MK's biography.
- For more information, email the repository
- Advice on accessing these materials
- Cite this description
- This material is held at
- ReferenceGB 133 KEN/3/1/8
- Dates of Creation9 Apr 1962-11 Jul 1963
- Physical Description3 pieces.

domain: library


ALAMOSA County Commissioners rejected a site plan for a 32-unit multi-family development proposed for East Alamosa. Commissioner Lori Laske supported the proposed housing development while Commissioners Mike Yohn and Vern Heersink voted against it.
The commissioners’ vote Wednesday followed a lengthy public hearing that saw East Alamosa residents worried about the impact the housing development would have on their neighborhood, from creating more traffic to putting strain on the East Alamosa Water and Sanitation District.
The site plan presented by developer Louis Lukondi met Alamosa County’s technical requirements for the development and had the support of the Alamosa County planning office, but Yohn and Heersink bent the way of the residents who said it didn’t fit into the character of the neighborhood.
Heersink said he was initially leaning toward approval, but with Yohn’s concerns about how the multi-family development would bring “change in the neighborhood” and speculation that it could impact single-family housing valuations, Heersink turned to a no vote and sealed the fate of the project.
Lukondi declined to say whether he would offer a different site plan and try again for approval from the county commissioners.
The proposed housing development would have brought in 32 units into a multi-family complex at 168 and 188 McKinney Ave. The property is zoned for residential and the project met the county’s land-use regulations for the type of housing development being proposed by Lukondi.
Local officials across the San Luis Valley have been grappling with ways to create more housing to meet market demand. A San Luis Valley Housing Needs Assessment showed Alamosa short nearly 500 housing units, from single family to apartment dwellings, and the Valley as a whole short by over 1,800 units.


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I wrote a lengthy blog entry about this and other cases of LGBT students being bullied and harassed and the impact that school counselors can have in their communities about this issue. Certainly, in the aftermath of a crisis such as this, we have a role to play in helping a school to heal, but I would also challenge that we have a role to play in helping the school community to learn from this experience. There may be no punitive criminal consequences for the alleged bullies, but the hope would be that there are consequences for the greater community at large, such as:
- A strong bullying and harassment prevention and education program for students, including a focus on cyberbullying. This article from September discusses the impact that the website, Formsprings, which allows people to comment anonymously, was having on Jamey. In the latest issue of School Counselor Magazine (published by ASCA), there is an article by Renee Hobbs entitled Digital and Media Literacy that discusses the importance of having conversations with adolescents about ethics and technology.
- Starting with the adults in the building, the creation of a school-culture where it is understood that bullying and harassment will not be tolerated.
- Clear ways to report bullying, including anonymously, with clear consequences for such behavior.
- Counseling support for both those who are bullied and the bullies themselves.
- Education for faculty and staff on LGBT issues and the vulnerabilities specific to that population.
The following article cited is available to ASCA members at www.schoolcounselor.org:
Hobbs, R. (2011) Digital and Media Literacy. School Counselor (Nov/Dec 2011)

domain: psychology


Water, water everywhere. Developing water-sensitive urban areas is rapidly becoming a key factor in sustainability, but it's a challenging topic with a lot of moving parts. FutureLearn has partnered with Australia's Monash University to offer a free online
When Luciano Pia undertook to design a five-storey, 63 unit residential apartment building in Turin, he sought to break from the homogenous urban development that was consuming the area. What resulted was 25 Verde, an extraordinary urban treehouse that blurs
The multimillion-dollar deal was developed by AeroFarms in partnership with property management firm RBH Group, Goldman Sachs Urban Investment Group, Prudential Financial Inc., and the City of Newark and the New Jersey Economic Development Authority (NJEDA).
Researchers at the Department of Energy's Argonne National Lab have developed a wireless sensor network platform that could revolutionize urban planning, development and management.
Portland has told its city planners to scrutinize development proposals for neighbourhood compatibility, nature preservation, and other factors. Here's why Toronto can't be that firm. Public Works looks at public space, urban design, and city-building innovations from around the world, and considers what Toronto might learn from them. Show More Summary
Located 145 kilometers north of the Arctic Circle, Kiruna sits atop a rich body of iron and has a subarctic climate with long, cold winters. To mitigate climatic conditions, Kjellander + Sjöberg optimized the urban block’s angular shape for the extreme
The US Department of Housing and Urban Development stated that $150 million would be provided to 25 US states for homes and services for low-income people with disabilities.
A week removed from offering 10 prospects for their 2016 class, Urban Meyer and Ohio State used the past seven days to look further down the road and develop their 2017 recruiting strategy. In all, the Buckeyes sent out four scholarship...Show More Summary
LG introduces its best-looking wearable yet — including a unique LTE-capable version In a relatively short amount of time, LG has rapidly developed its smartwatch portfolio. Starting with the original square reference device for Android Wear, the G Watch, and evolving later last year into a more traditional watch design with the G Watch R. Show More Summary
LG is developing its own software for smartwatches after the company announced that one version of its upcoming LG Watch Urbane will run on its own “proprietary” platform. Read More
Tiny houses are fast becoming a national craze as housing costs in cities continue to rise and young urbanites scramble for a place o live on the cheap. Urban developer Eve Picker has cast her eye towards Pittsburgh as a home for the next, great tiny house villa, and so far, the zoning board has been less than welcoming. Show More Summary
Does the urban climb from developing to developed economies have to be smoggy? So far, yes.
A great case can be made for targeting markets that are designed with higher density in mind — and not just urban cores in major cities. High-density development is becoming popular in more smaller cities and suburbs and offers a great opportunity for investors in the coming years, especially as younger people move out of [...]Show More Summary
Urban areas are thought to be the most hospitable places for designers, writers, software developers, and artists—but that advantage might be imagined.
The Department of Housing and Urban Development granted subsidies for tens of thousands of public-housing tenants who were not eligible for the assistance, according to federal auditors. A recent review by the HUD inspector general’s office found that the department paid an estimated $37 million per month to residents who failed to comply with federal guidelines […]
The Census Bureau and the U.S. Department of Housing and Urban Development said that residential construction activity pulled back aRead the Rest...
Options are narrowing for how a proposed Dallas-Houston rail link will snake through urban parts of Harris County, as project sponsors seek to avoid developed neighborhoods where significant opposition has surfaced. Texas Central High-Speed...Show More Summary
The proposal for the new Dickson supermarket site is the latest disappointment for residents in the way the ACT Government delivers on urban development within Canberra’s established suburbs. In earlier discussions about Dickson, the consensus was that despite the centre having a special ambience, some visionary developments and upgrades were necessary to respond to the growing [...]
Feb. 17--Options are narrowing for how a proposed high-speed rail link between Dallas and Houston will snake through urban parts of Harris County, with backers of the project stressing they are trying to avoid developed neighborhoods...Show More Summary


Monday, June 28th
- The U.S. Department of State designated a leader of ISIS in Greater Sahara as a Specially Designated Global Terrorist (SDGT). (Here)
Tuesday, June 29th - No major development on this day.
Wednesday, June 30th
- OFSI published a blog post about reasonableness test in licensing. (Here)
- In a non-sanctions-related development, FinCEN, the agency in charge of AML/CTF regulations in the U.S., published its priorities in AML/CTF. Those priorities are: corruption, cybercrime, domestic and international terrorist financing, fraud, transnational criminal organizations, drug trafficking organizations, human trafficking and human smuggling, and proliferation financing. (Here)
- In another FinCEN-related development, the agency signaled that it will move to establish a "no-action letter" process. (Here) OFAC already has no-action letters as one of its responses to apparent violations. (See 31 C.F.R. Appendix A to part 501)
- Finally on this FinCEN-loaded day, the agency provided an update on AML Act implementation. (Here)
- A relevant committee of the UN Security Council removed one Iraqi entity from its list of sanctions targets. (Here)
Thursday, July 1st
- The U.S. Department of State released a long list of corrupt and undemocratic actors for Guatemala, Honduras, and El Salvador. (Here) There is no sanctions implication attached to this action yet those whose name appears on this list could be future targets for financial sanctions or travel bans (if not already targeted).
Friday, July 2nd
- OFAC removed the names of three individuals from the SDN list. Those three names had been added under its Iran program. (Here)
- In an administrative move, OFAC announced that it will remove ICC Sanctions regulation from the Code of Federal Regulation. (Here)
Recommendations of the week
- First, take a look at the updated AML/CTF guidelines of UAE Central bank. (Here)
- Then, take a look at Australia's FIU, AUSTRAC, post about source of funds. (Here)
- If you would like to know more about China's Anti-Sanctions law, you can take a look at Steptoe's recent post about it. (Here)
- Finally, read (or listen to) this WSJ article about the difficulties faced by some major clothing brands due to the concerns over the use of forced labor in the Xinjiang region of China.
To get your weekly alerts please click here.


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For more than a decade at Thirst Project, it was always really easy to point to the impact we made on the global water crisis — the number of people we were able to bring safe water to, reduction of waterborne disease rates over time, etc. It was much harder to articulate the impact we were making in the lives of students and young people. But, we knew we were making dramatic impact on youth culture — apart from just how much money they could raise to build water projects. Over four years, our Team worked with social scientists to measure the impact we made in the lives of students from a year before to a year after they went through our school programs. The results were incredible.
Students learned and developed 14+ different hard and soft skills that were critical for their academic careers, professional careers, and lives! Organization and Strategic Planning, Goal Setting, Communication and Public Speaking, Fundraising and more! And, students could use these skills not just to make impact on the water crisis, but ANY important cause or issue! We realized we could be intentional about designing prorams to achieve these outcomes IN students, not just work with them to raise money for a cause. And, we realized that these were really two distinct missions. One: to end the global water crisis. The other: to intentionally develop young peoples’ leadership skills and help them change the world! To give each of these two missions the attention and resources they deserved, we created Legacy Youth Leadership.
It is incumbent upon us morally and ethically to ensure that we disproportionately provide access to these programs in schools and communities that historically have not had as many leadership development opportunities. Because of this, we have prioritized offering our programs in schools whose students and families are low-income (below the national median household income) and Title 1 schools.
The reality that our students are living with is THIS.
- Suicide is the second leading cause of death for young Americans ages 10-23. *
- 10 Million young people ages 12-20 abuse alcohol, and 90% of that is consumed through binge drinking. *
- 6.3 Million young people aged 3-17 years-old suffer from anxiety or depression. *
- 34% High School graduates do not go on to higher education that same year. *
- Children from low-income families are three times less likely to participate in after-school programs.*
- By sixth grade, middle-income students will have spent nearly 4,000 more hours in after-school and summer learning programs than their lower-income peers.*
BUT…the counter to that is, we ALSO know that when students get involved in these kinds of programs:
- 90% of young people who participate in extracurricular programs are less likely to commit suicide. *
- Young people who volunteer are 50% less likely to abuse drugs, alcohol & cigarettes. *
- Students who volunteer at least 10 hours per week are much less likely to feel depressed than those who don’t. *
- 75% of colleges state that extracurriculars are an important determining factor in the admission process. *
To help students develop the skills they need to take action around the causes they care about most, we built TWO programs: Our Leadership Program and our Speaking Program. If you are familiar with Masterclass, think “Masterclass” but to help young people develop the skills they need to change the world.
These are FREE EDUCATION programs for students no matter what community they come from.
Each of these three programs are TIME-SENSITIVE. Students cannot go at their own pace. Each program takes 4 to 6 weeks to complete. Students sign up for one of those programs that run on a rolling basis throughout the year. They are COHORT-BASED. Students do not go through them as individuals, but are grouped with a cohort of 30 to 50 like-minded student leaders from around the world who go on this journey with them together. They are HALF Digital, pre-recorded content and lessons, HALF Live Sessions led by a Facilitator/Instructor who takes the cohort through the lessons, helps them complete the work, and guides them through the process. And it’s all housed within a platform that includes all of the written content, materials, worksheets, with the ability for students to interact with each other and build community as they sharpen these skills and grow as leaders.
Once students complete these programs and have learned these skills, they APPLY them by taking action to raise awareness of and funds for the causes they care about the most.
We are impacting the lives of hundreds of thousands of young people every day, and ushering in the next generation of young leaders. A new day is coming. And the young people are here.

domain: sociology


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Blending rich history with contemporary style, Lavenham Priory is a fantastic base for exploring this gorgeous corner of England.
Escaping to the countryside needn’t involve extended journeys or sacrificing stylish accommodation. Just a short drive from London, Lavenham Priory dates back to the 1200s and yet mixes a rich sense of history with contemporary, stylish touches. It makes for the perfect destination when one wants to take a breakfrom hectic city life.
Originally belonging to an order of Benedictine monks, Lavenham Priory is one of the oldest buildings in the Suffolk village of Lavenham. The medieval half-timbered house boasts a historic herb garden, a water well, an underground culvert, and all sorts of historic and interesting nooks and crannies.
On the outside of the building, there are some fine examples of decorative pargeting, as well as beautiful carved barge boards on the gables. It is even rumoured that there is a secret underground passageway connecting the Priory to the nearby Swan Hotel, which was built during the Reformation in the 16th century.
To experience a sense of the building’s history first-hand, one can choose between a stay at Lavenham Priory’s luxury self-catering cottages or the additional Heritage Rooms for up to 15 guests in flexible accommodation.
Lavenham itself also offers so much for the discerning visitor. Described as the “finest medieval town in England” thanks to its lavish status during the time of King Henry VIII, the modern village is home to many nearby National Trust properties and the majestic Lavenham Church, not to mention the boutique shops, art galleries and antique warehouses. East Anglia’s beautiful beaches are just a short distance away, as is the gorgeous Suffolk countryside known as Constable Country. Dining options in Lavenham range from tearooms, gastro pubs, bistros, cafés and fine dining restaurants. The award-winning Great House restaurant and the vibrant and welcoming Number Ten restaurant are both just a short walk from Lavenham Priory. Meanwhile, the world-famous Swan Hotel and Spa is less than 100 metres away.

domain: geography


text:
Vocal Constitutional Lawyer Ahmednasir Abdullahi has allegedly made his verdict regarding the ongoing battle of supremacy in Kirinyaga County. According to the flamboyant City lawyer, the current Governor is the real deal for UDA Party in Kirinyaga County. This is after the reception that was given to the two ladies in the presence of the Deputy President William Ruto. The current Kirinyaga County Chief was according a warm welcome compared to his main competitor and the current Kirinyaga County Women's Representative Purity Wangui Ngirici. Wangui Ngirici was booed in front of the Deputy President. The women's Representative has been making controversial remarks one that indicates that he might ditch the Deputy President's Camp.
However, this according to the senior Counsel Lawyer AhmedNasir Abdullahi, the current Governor is the real deal for the Deputy President William Ruto and his UDA Party. Waiguru and Purity Wangui Ngirici are contesting for UDA Party ticket.
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domain: politics


India's heaviest rocket with GSAT-19 all set for maiden flight
India's heaviest rocket—Geosynchronous Satellite Launch Vehicle-Mark III (GSLV-Mk III)—has geared up for its maiden flight into space along with a communications satellite this evening.
Standing tall at the Satish Dhawan Space Centre in Sriharikota in Andhra Pradesh, the rocket, expected to be launched at 5:28 pm, weighs 640 tonnes and is 43.43 metres tall. This is the second launch pad at India's rocket port and will carry a 3,136-kg GSAT-19 communications satellite—the heaviest to be lifted by an Indian rocket till date.
The rocket is targeting an altitude of around 179 km above Earth after just over 16 minutes into the flight. On June 2, the Mission Readiness Review Committee and Launch Authorisation Board had cleared the countdown for GSLV Mk-III D1/GSAT-19 mission. The rocket's main and bigger cryogenic engine has been developed by space scientists, said an IANS report. The mission's success will enable India to launch four-tonne satellites on its own rocket instead of paying huge amounts of money to foreign space agencies to execute the operation.
According to ISRO, GSAT-19, with a lifespan of 10 years, is a multi-beam satellite that carries Ka and Ku band forward and return link transponders and geostationary radiation spectrometer. K. Sivan, Director, Vikram Sarabhai Space Centre, told IANS,
The rocket's design carrying capacity is four tonnes. The payload will be gradually increased in future flights of the GSLV Mk-III.
ISRO had flown a similar rocket without the cryogenic engine but with a 3.7-tonne payload in 2014 mainly to test its aerodynamics and structural stability while in flight. S. Somanath, Director, Liquid Propulsion Systems Centre, told IANS that the inputs of the 2014 mission enabled the ISRO to reduce the rocket load by around 20 percent. Interestingly, GSLV-Mk, III at around 43 metres, is slightly shorter than Mk-II version that is around 49 metres tall.
The new rocket may be slightly short but has more punch power, an ISRO official told IANS.
India presently has two rockets—the Polar Satellite Launch Vehicle and GSLV-Mk II—with a lift-off mass of 415 tonnes and a carrying capacity of 2.5 tonnes.


text:
BW: EBIZ Enterprises Strengthens Management Team; Company Names New Executive VP
Sep 08, 2000, 20:18 (1 Talkback[s])
Desktop-as-a-Service Designed for Any Cloud ? Nutanix Frame
"EBIZ Enterprises, the leading source for Linux(R) products,
technical support and community services, Friday announced that Tim
Jones is joining the company as executive vice president of
TheLinuxLab.com, a division of EBIZ."
"There is a significant senior management focus on
strengthening all aspects of our growing operation, and Tim Jones
provides extremely strong leadership and expertise to EBIZ,"
said Jeffrey Rassas, EBIZ chief executive officer and founder."
"Tim has outstanding management skills, broad ranging experience
relevant to EBIZ's business and understands the forward thinking of
the Linux community. He is certainly an asset to this company."

domain: news


text:
Jessica Esther Hoflick's Profile
Jessica Esther Hoflick is an artist in Montreal Quebec. She is a full time visual artist, who makes art inspired by the relationships between the many different landscapes in her country. Her jewelry is a peaceful break from her busy studio where she creates large scale paintings. She has traveled the entire span of Canada by train, lived on a secluded island in British Columbia, and has now settled in the heart of the country's art Culture where she studies the french language while biking daily from north to south within the city.
Born and raised in Cottage country in the heart of the Kawarthas Ontario, she is endlessly inspired by the rural landscapes of her childhood and how they contrast with the big city of Montreal. Her work reflects her interests in the relationship between rural and urban spaces, as well as her childhood in a land of many small lakes. Water, land and sky: these are the…
- Born on March 28
- Joined January 28, 2008

domain: artistic


text:
Table of Contents
The Science Behind Why Yoga is a Powerful Tool for Anxiety Relief
If you’re battling anxiety, you might find that one of the most challenging aspects of anxiety is the constant underlying sense of stress and worry. Anxiety can keep you up at night, prevent you from enjoying your favorite activities, and make everything feel suffocating.
Fortunately, research suggests that yoga can play an effective role in the management of anxiety symptoms. So, what is it about yoga that makes it so beneficial for anxiety, and how does this ancient practice help to soothe our anxious minds?
The Basics of Anxiety: Understanding the Connection between Body and Mind
Anxiety is a complex mental health ( The Top 5 Mental Health Strategies Every Man Needs to Know! ) condition that is characterized by persistent feelings of worry, fear, stress, and uneasiness. While anxiety can have many different causes, it often stems from the interplay between body and mind.
When we experience anxiety, our body perceives a potential threat, real or imagined, and triggers the “fight or flight” response, which is characterized by the release of adrenaline and other chemicals. This response can serve a protective purpose, but when we experience it too frequently or in response to mild stressors, it can become a problem.
That’s where yoga comes in.
The Science Behind Yoga for Anxiety
While the benefits of yoga for anxiety have been known for centuries, it’s only in recent years that science has begun to understand the mechanisms behind these benefits.
Here are some of the ways that yoga promotes relaxation, reduces anxiety, and helps us to feel more centered:
- Reduced Activity in the Amygdala: The amygdala is a part of the brain that is responsible for processing emotions and generating the fear response. Studies have found that yoga can reduce the activity in this area, helping us to experience less fear and anxiety in response to stressors.
- Increased GABA Activity: GABA is a neurotransmitter that plays a crucial role in calming the nervous system and reducing anxiety. Research suggests that regular yoga practice can increase GABA activity, leading to reduced anxiety symptoms over time.
- Lowered Cortisol Levels: Cortisol is a hormone that is released in response to stress, and high cortisol levels can contribute to feelings of anxiety and tension. Studies have found that yoga can help to reduce cortisol levels, leading to a more relaxed state and a greater sense of calm.
- Improved Breathing: ( The One Yoga Sequence You Should Never Miss for Ultimate Relaxation ) response in the body. By promoting deep relaxation, breathing exercises can help to reduce feelings of anxiety and promote a greater sense of calm. Breathing exercises are a core component of yoga, and research suggests that yogic breathing techniques, such as slow, deep breathing, can activate the relaxation
- Stress Reduction: Finally, one of the most evident benefits of yoga is its ability to reduce overall levels of stress in the body. When we are less stressed, we’re less likely to experience anxiety symptoms, making yoga an excellent tool for coping with anxiety.
If you’re struggling with anxiety, incorporating yoga into your daily routine ( 10 Shocking Ways Your Daily Routine is Hurting Your Womenâs Health ) may be a powerful tool for managing your symptoms. By promoting relaxation, reducing cortisol levels, and increasing GABA activity, yoga can help to soothe your anxious mind and reduce underlying feelings of stress.
Of course, yoga is only one tool in the fight against anxiety, and it should be used in conjunction with other treatments and therapies as necessary. That being said, if you’re looking for a natural, holistic way to manage anxiety, yoga could be an effective tool for you to explore.
The Science Behind Why Yoga is a Powerful Tool for Anxiety Relief – FAQ
What is anxiety?
Anxiety is a natural response to stress that can cause feelings of fear, nervousness, and worry. When anxiety becomes chronic, it can hinder daily life and lead to physical and mental health issues.
How does yoga help with anxiety?
Yoga has been found to help calm the nervous system and reduce stress hormone production. Yoga also helps to increase mindfulness ( Discover the Mindfulness Hack That Transforms Your Fitness Routine ) and self-awareness, which can lead to improved coping mechanisms and reduced anxiety.
What types of yoga are best for anxiety relief?
Yoga types like Hatha, Yin, and Restorative yoga that focus on slow, gentle movements and relaxation are best for anxiety relief. Vinyasa and Power yoga, which are more active and fast-paced, can be beneficial as well but may not be as suitable for those with high levels of anxiety.
How often should I practice yoga for anxiety relief?
Although practice frequency varies from person to person, practicing yoga for at least 30 minutes daily can help reduce symptoms of anxiety over time. However, even practicing a few times a week has been found to be beneficial.
Can yoga replace medication for anxiety?
While yoga can be an effective complement to medication and other therapies, it is not a replacement for medical treatment. It’s important to consult a healthcare professional to discuss the best course of action for managing anxiety symptoms.
What if I can’t attend a yoga class?
Not being able to attend a yoga class doesn’t have to hinder your practice. There are plenty of online yoga resources available, including guided videos and apps, that can help maintain a consistent practice.
Can yoga worsen anxiety symptoms?
In some cases, practicing yoga can initially bring up anxiety symptoms like restlessness and discomfort. However, with consistent practice, these symptoms tend to decrease over time. It’s important to practice at a pace that feels comfortable and safe.
Is yoga suitable for everyone with anxiety?
While yoga can be helpful for many individuals with anxiety, it may not be suitable for everyone. It’s essential to speak with a healthcare provider before starting any new exercise program, especially if anxiety symptoms are severe.
What are some additional tips for reducing anxiety?
- Practicing deep breathing exercises
- Maintaining a consistent sleep schedule
- Eating a healthy, well-balanced diet
- Incorporating mindfulness practices into daily life
- Staying physically active and engaged in enjoyable activities
Related Products for Yoga and Anxiety Relief
A yoga mat is essential for your yoga practice, as it provides cushioning and grip. A thicker mat can be more comfortable for those with joint issues, while a thinner mat can be more portable. Choose a mat that suits your needs and personal style.
A meditation ( The Mind-Blowing Health Benefits of Meditation You Have to See to Believe ) cushion can help in finding and maintaining a comfortable seated position during meditation. It can also provide support for those with back pain. Choose a cushion that is the appropriate size for your body and meditation style.
Essential oils can be used to enhance your yoga practice and promote relaxation. Lavender, chamomile, and bergamot are popular essential oils known for their calming properties. Use a diffuser or add a few drops to your bath or yoga mat for a fragrant and calming experience.
Yoga blocks can be used to modify poses for those with physical limitations or to deepen your practice. They provide support and stability, and can be used in a variety of poses. Choose blocks made from dense foam or cork for durability.
A yoga strap can be used to improve flexibility and deepen your yoga practice. They provide support in poses that require reaching and stretching, and can be especially helpful for those with tight hamstrings or shoulders. Choose straps made from sturdy material with adjustable length.
A foam roller can be used for self-massage and to release tension in muscles. It can also be used as a prop in certain yoga poses, such as hip openers. Choose a roller made from high-density foam for durability and effectiveness.
A yoga blanket can be used for warmth and comfort during seated or reclining poses. It can also be used as a prop for support in poses such as shoulder stand or downward dog. Choose a blanket made from natural fibers for breathability and comfort.
An eye pillow can be used to block out light and provide a soothing weight on the eyes during savasana or meditation. They can also be heated or chilled to provide additional therapeutic benefits. Choose a pillow made from soft and natural fabrics.
A yoga bolster can be used for support in seated and reclining poses, as well as for restorative yoga. They provide cushioning and also help to release tension and promote relaxation. Choose a bolster made from durable and comfortable material.
Incense can be used to enhance the atmosphere and promote relaxation during your yoga practice. Sandalwood, patchouli, and jasmine are popular scents known for their calming properties. Choose natural incense made from herbs and resins for an authentic and pure experience.
Pros & Cons: The Science Behind Why Yoga is a Powerful Tool for Anxiety Relief
- Pro: Reduces Stress and Anxiety
- Pro: Improves Breathing
- Pro: Enhances Mind-Body Connection
- Pro: Increases Self-Awareness and Self-Esteem
- Con: May Be Difficult to Commit to Regular Practice
- Con: May Be Physically Challenging
- Con: Can Be Costly
Yoga helps to reduce stress and anxiety levels by promoting relaxation and decreasing the production of cortisol â the hormone responsible for stress. As such, regular yoga practice has been shown to alleviate anxiety, improve mood, and increase feelings of well-being.
Deep and controlled breathing is an essential part of yoga practices, which helps to calm the mind and relax the body. With regular yoga practice, individuals can improve their breathing patterns and reduce hyperventilation associated with anxiety and panic attacks.
Yoga emphasizes the connection between the mind and body, such that individuals are encouraged to fully engage their physical and mental selves. Through this practice, individuals can develop an increased awareness of their emotions, physical sensations, and their impact on each other.
With regular yoga practice, individuals can increase their self-awareness and self-esteem as it promotes a positive outlook on life while minimizing negativity or negative self-talk. Through the practice, individuals achieve a greater sense of stability, clarity, and understanding of what they are going through.
Yoga requires consistent practice over a period of time. Consistently practicing involves carving out time of your day to be patient, to connect with your body and mind, and to work at a new activity. Individuals who struggle with commitment or lack of free time may find it challenging to commit to a regular yoga practice.
For some, certain yoga postures may be physically challenging, which may hinder the experience and potential benefits of yoga practice. Individuals with specific physical limitations should explore with a yoga teacher to modify certain postures to their needs.
Though yoga practice can be as simple as fueling your body with yoga books, there are some costs associated with attending classes led by qualified teachers. The cost may be a barrier for individuals who are seeking alternative cost-effective therapy options for anxiety disorders.
In conclusion, the practice of yoga can be an excellent tool for anxiety relief due to its ability to reduce stress and anxiety, improve breathing, enhance the mind-body connection, and increase self-awareness and self-esteem. However, some individuals may struggle to consistently commit to a yoga routine, and the practice may be physically and financially challenging.

domain: medical


text: I used cardstock from Papertrey Ink and Recollections. Polka dot dp is Deja Views, and I am not sure where the other dp is from (sorry). The doily die is from Die-namics, circle and scallop die are from Spellbinders. The sentiment stamp is from Heartfelt Creations. I used Memories black ink. The leaves are Prima. Buttons, ribbon and flowers are from Michaels.

domain: hobby


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Qualitative research studies
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Unity Marketing works with clients to identify the specific needs of the study and will develop a research plan that will deliver the best possible insight to the client. With Unity Marketing’s range of experience among the affluent consumers, we can not only put the best possible research plan together for the client’s needs, but we can bring a depth of understanding into what the respondent is actually communicating beyond the words and phrases they use during the study.
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Mike found this tea at the World Tea Expo in Las Vegas. It is made near Keemun, so it shares many of the same flavors. However, they handle the leaves a bit differently. They make sure that the oxidation is slow and controlled so that the lovely flavors develop over hours. When the tea is rolled, some of the tea leaves are broken and cannot be sold as the more expensive Songluo curls. So their problem is your opportunity. It has many of the great flavors of its full-leaved tea, but with more body and for less money.
Songluo Mountain is located between Quimen (aka Keemun) and the city of Huangshan in southern Anhui Province.


Baimage is the Chinese name of « Patrick the Chinese ». He is a French humorist who performed a show in Mandarin for a Chinese audience.
Our mission was to help him find his audience and create a buzz strategy.
PR – 13K articles about the show
More than 3M exposure
1.5M views on the videos
130K followers on social media


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Hand embroidered in Kantha running stitch, organic cotton jacket conceptualized for present day’s conscious consumer. Perfect for layering over a dress or throw over a neutral colour tee and cotton pants for an autumn evening.
(Kantha is a form of embroidery practised by rural women originated in the state of West Bengal and Bihar, India. Kantha comprises of the simplest stitch in the language of embroidery – the running stitch. It is the way in which this stitch is used, in different arrangements, that forms the complex vocabulary of kantha.)
Fabric : Organic cotton handwoven in Kutch, Gujarat
Embroidery : Artisanal based needle work carried out by women in different parts of Bhuj as well as in Delhi.
Pattern cutting, stitching, tassels, trims and packaging : Our workshop In Delhi
Can be worn with a slip inside.
One size & relaxed fit - fits S-XL comfortably
Cross body front 22"
Sleeve length 18"
The model is 5'6"
Measurements taken flat so double where necessary; +/- a tolerance inherent to hand made clothing.
Wash and Care - Gentle hand wash in cold water. We provide a one time use pouch of soap nuts with each purchase for you to try and test the most natural and eco friendly method of washing.
This piece is made on order to avoid excess blockage of raw material and to retain the value added by an artisan's work. Dispatched within 10-15 days of the order received.
While designing this series we wanted to create distinctive, global and timeless pieces by reviving our traditional Indian handcraft techniques and manifest our artisan skills in a new light for today’s environmentally conscious consumer.
The pieces are made in small batches in different parts of North India as every step of the production is time intensive and handmade.


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Buy it Again
Honest Organic Tea Green Iced Gluten Free Just - 16 Fl. Oz.
Green Tea, Just, Organic, Unsweetened
1% For the Planet. 0 calories per bottle. USDA organic. Fair Trade certified tea. Tea has been the world's second most popular beverage (behind water) since long before glass bottles were invented, and who are we to argue with thousands of years of history? This smooth green tea brew is just in the sense of fair, as in Fair Trade certification, which helps ensure that tea garden workers get paid fair wages and can invest in their communities. You'll love our Just Green Tea both for what's on the label, and for what's not. Honestly Yours, - Seth + Barry. We welcome your honest feedback. 800-865-4736. honesttea.com. Caffeine 55 mg/bottle. About 1/3 the caffeine of 16 fl oz brewed coffee. how2recycle.info. Smart Label. Certified organic by Pennsylvania Certified Organic. At least 90% Fair Trade Certified ingredients. 1% For the Planet certified product line. No GMOs. Gluten free. No GMOs means that if there is a bioengineered version of an ingredient, we don't use it.
Serving Size: 1bottle
Servings Per Container:
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Organic Brewed Tea (Filtered Water, Fair Trade Certified Organic Green Tea Leaves), Organic and Natural Flavors, Citric Acid.
Directions Refrigerate after opening. Shake well - tea leaves may settle.
About the Producer Honest Tea
Product details/images for convenience only. Consult Product label for the most current and accurate information. We assume no liability for any inaccuracies/misstatements about Products listed on our website/app.


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I was awarded £750 by the Tait Memorial Trust in 2006, just as I embarked on my first year of post-graduate studies specialising in piano accompaniment at the Guildhall School of Music and Drama.
This award felt like a welcome from a community of like-minded antipodean ex-pats: it made me feel like I was in the right place, and that pursuing my musical studies was worthwhile. I deeply appreciated this as I was so far from my family and trying to manage the precarity of student life and the breathless pace of London.
With the help of this award, my one year programme became seven years of intensive study and performance in London. During that time I performed all around the UK and further afield, at venues including the Wigmore Hall, Royal Festival Hall, Purcell Room, Snape Maltings, the Slovakian Philharmonic and Amsterdam’s Het Concertgebouw, and Sydney’s Angel Place Recital Hall. During this period I also performed often with other Tait Awardees, including singers Derek Welton, Seija Knight and Eleanor Greenwood. I performed at the Paxos International Music Festival in Greece from 2009-2013, and from 2010-2013 was Artistic Director.
I recently returned to live in London after completing doctoral studies at the University of Toronto, where I researched the contemporary implications of singing Lieder in English translation. My studies in Canada followed a year spent as resident collaborative pianist at the Banff Centre in the Canadian Rockies, where I had the chance to perform with dozens of musicians from across the world. This included a performance as soloist with the Australian Chamber Orchestra, and recitals with cellist Gavriel Lipkind, pianist Ronan O’Hora and Broken Social Scene’s Kevin Drew.
Please see my website for further information or news of future projects or to get in touch. I thank the donors past and present for their support and encouragement of young artists like myself as we navigate the very many challenges and joys of this vocation.
A performance research presentation from Shakespeare’s The Tempest
3 performances only at
London Theatre Workshop EC3V. April 13-14.
This work-in-progress multi-media performance explores the mind and persona of Shakespeare’s most enigmatic protagonist, Prospero.
It does so by investigating the dramatic ramifications of sound patterning in Shakespeare’s poetry—what Peter Brook has referred to as the “verbal music” to expose the sound-world Shakespeare creates through words.
Nowhere else in Shakespeare is the action, and even the disposition of all the characters so utterly the construction of the central protagonist. Shakespeare uses the device of a stage magician – a Faustian necromancer, to explore a single character through all the stage action of the drama.
This expressionist approach to characterisation is fuelled by the most knotted, ornate and ethereal language in the Shakespearean canon. That language creates a sound world that is simultaneously the world of the island, and a sonic portrait of Prospero’s psyche.
Gerrard McArthur (Howard Barker’s The Wrestling School) plays Prospero in a performance that draws not just on Prospero’s own words, but those of his alter egos Ariel and Caliban.
The performance incorporates some of the play’s surviving music by the play’s gifted original composer Robert Johnson. Johnson was composer-in-residence to Shakespeare’s company the King’s Men in Shakespeare’s final years. This performance draws on new research into Johnson’s other surviving songs to partially reconstruct an original score for the play.
Counter-tenor Russell Harcourt
(Oreste – Royal Opera House)sings the music of Ariel.
Through live projection, video artist Ben Glover creates a visual expression of the sonic patterning in the poetry, and the diffusion of Prospero’s persona beyond the confines of the body of the actor who ‘plays’ him throughout the other characters and the world of the play.
Book your tickets via London Theatre Workshop here.
This performance is the inaugural presentation of Persona per sona– a performance research initiative led by McArthur and Australian director Christopher Hurrell into the somatic implications for the actor of sound in the language of Shakespeare.
Gerrard McArthur and Russell Harcourt, with Alice Haig, via video as Miranda.
Director: Christopher Hurrell Sound Designer: Nikki Aitken Video Designer: Ben Glover Stage Manager: Jari Laakso
London Theatre Workshop
88 Gracechurch Street
London EC3V 0DN
We are delighted to confirm that Connor D’Netto is to be our 3rd Tait Scholarat the Royal College of Music, a generous award sponsored by the Julian Baring family. We wish him all the very best and look forward to working with him as he aspires to reach the very top of the musical world.
Being awarded the title of the Tait Scholar means so much to me. It’s incredibly encouraging to have this support as I take this next big step in my career, moving to London and beginning to really establish myself in the International music scene. Studying at the Royal College of Music is an important part of this, and it mightn’t have been possible without the generous support of the Tait Memorial Trust.
Connor D’Netto | June 2017
I have been selected as a fellow of the prolific American new-music ensemble Bang On A Can. As part of my fellowship, I have been invited to take part in an intensive three-week residence as part of their Summer Music Festival, held this July at MASS MoCA, the Massachusetts Museum of Contemporary Arts. My new work summer / summer, a concerto of sorts for saxophone, two voices, and chamber orchestra, will be premiered by the ensemble
as a feature in the Festival.
I am the artistic director and co-founder of Argo, a contemporary classical music concert series based in Brisbane, Australian. Argo has four concerts left in 2017, collaborating with the likes of Camerata – Queensland’s Chamber Orchestra, the Viney-Grinberg Piano Duo (Liam Viney and Anna Grinberg), soprano Merlyn Quaife, violinist Monica Curro, pianist Stefan Cassomenos, Opera Queensland, the Queensland Music Festival and the Queensland
Art Gallery | Gallery of Modern Art, and presenting four newly commissioned works by young local composers, including new work by me, as well as multiple Australian premieres.
Connor D’Netto (b. 1994) is a Brisbane based composer of contemporary classical music, described as “the model contemporary Australian composer” by ABC Classic FM. Throughout his works, Connor balances the quasi-neoclassical with post-minimal influences, combining
them with contemporary performance practices, unique one-off concerts and performances, and the delicate incorporation of electronic music elements and production techniques. His music combines driving post-minimal rhythmic elements with heartfelt lyrical expression drawn from his extensive performance experience as a classically trained bass baritone, contrasted with textural devices that push the expectations of an instrument’s capabilities without confronting the audience. Connor’s music has been commissioned and performed across Australia and abroad, including commissions from ensembles such the Melbourne Symphony Orchestra, Queensland’s Camerata and new music specialists PLEXUS, and performers such as Katie Noonan, Karin Schaupp and Claire Edwards.
In 2017, Connor has been selected as a fellow of Bang On A Can. As part, his music will be featured at Bang On A Can’s Summer Music Festival at the Massachusetts Museum of Contemporary Arts (MASS MoCA) in July, and will travel to the USA to take part in a three-week residency with the ensemble. In 2015, Connor was named winner of Chamber Music Australia’s Australian New Works Award. His winning work, String Quartet No. 2 in E minor, became the set work for the 7th Melbourne International Chamber Music Competition and received premieres by three internationally chosen finalist ensembles at the Melbourne Recital Centre. He has also been awarded a Brisbane Arts and Cultural Innovation Award 2017 for his contribution to the Arts, the Percy Brier Memorial Composition Prize 2016 for his Texture No. 1 for Orchestra, and the Donald Tugby Musicology Prize and Scholarship 2015 by the University of Queensland for exceptional contribution to the field of music research.
Connor is the artistic director, producer, and co-founder of the successful contemporary classical music concert series and collective Argo. Founded in 2015, Argo creates immersive art music experiences bending the boundaries of genre and artform, combining contemporary classical music with electronic music, live-visuals, and fostering creative collaborations between artists of various mediums. Its focus is on creating experiential and concept driven events that fuse classical instruments and ensembles with contemporary influences and new
modes of musical expression.
As a performer, Connor is a trained classical bass, having previously studied with Shaun Brown. Connor is also a talented photographer, videographer and visual-artist, creating and shooting not only material for his music, but also for a number of other local artists and musicians. Currently Connor is working on his PhD through the University of Queensland, having completed a Bachelor of Music (Honours) at the University of Queensland, graduating with First-Class Honours in 2016. In September, Connor moves to London, where (while continuing his PhD) he will study his Masters of Music at the Royal College of Music.
We are delighted to confirm that Samantha Crawford has been awarded the 2017 Julian Baring Award. The Julian Baring award winner is selected personally by our Chairman, Isla Baring OAM, it is one of the Trust’s most prestigious awards. This summer Samantha will debut at the Bayreuther Festspiele in concert and perform Agathe DER FREISCHÜTZ for Blackheath Opera.
This year we are thrilled to announce that awards to the value of £47,100 are to be offered to young performing artists from Australia and New Zealand. This is an increase of 22% compared to last year’s awards, awards growth has been an outstanding 362% in the past 5 years. We will be announcing our other music award recipients in the coming weeks. This growth is due to the incredibly generous support of our Friends and our Principal Partner, the Commonwealth Bank of Australia. Thank you!
Samantha graduated from the Guildhall School of Music and Drama’s Opera Course, where she studied with Yvonne Kenny AM as a Baroness de Turckheim Scholar. Samantha is the winner of the Golden Medal with Honours at the 2017 inaugural Berliner International Music Competition, First Prize and President’s Prize at the 2016 Wagner Society Singing Competition and Royal Philharmonic Society Chilcott Award finalist.
Equally at home on stage singing in opera or concert, Samantha has performed at Glyndebourne, Edinburgh Festival, Scottish Opera, Aldeburgh Festival, Garsington Opera,
Opera Holland Park, Wigmore Hall, Barbican, Wales Millennium Centre and Schlosstheater
Schönbrunn. She received critical acclaim for her recent performances of Rosalinde DIE
FLEDERMAUS, Contessa LE NOZZE DI FIGARO, Donna Elvira DON GIOVANNI, Micaela
CARMEN, Erste Dame DIE ZAUBERFLÖTE and Mrs. Coyle OWEN WINGRAVE. Her
performances have been broadcast on live cinema relay in Europe, on television and radio for the BBC and filmed for DVD (Sony).
Recent engagements include Samantha’s debut at Teatro Real Madrid as a Blumenmädchen PARSIFAL under Semyon Bychkov, debut at the Bayreuther Festspiele in concert, Agathe DER FREISCHÜTZ for Blackheath Opera, title role in SOUR ANGELICA at Théâtre municipal de Fontainebleau, Fiordiligi COSI FAN TUTTE for Scottish Opera and Miss Jessel TURN OF THE SCREW for GTO covers. In concert, Chausson’s POÈME DE L’AMOUR ET DE LA MER at Barbican Milton Court, Mozart’s REQUIEM under Martyn Brabbins, Wagner’s WESENDONCK LIEDER for City of London Festival and Strauss’ VIER LETZTE LIEDER at Blackheath Halls.
Viola, Lady Tait’s zest for life was an inspiration. These qualities remained with her always together with a remarkable memory, clarity of mind and youthful outlook. With a prodigious vocal talent she excelled in the operas of Gilbert & Sullivan, beginning as a chorister with the Carl Rosa Company in the United Kingdom, graduating to the D’Oyly Carte Opera Company, and was given a year’s contract as principal soprano. Accepting a contract to tour Australia in 1940, she was to meet and marry her future husband, Frank Tait.
She was a champion of new and emerging talent, adjudicating for numerous scholarships and awards both in Australia and overseas. As an adjudicator for The Mobil Quest in 1950, Viola was instrumental in launching Joan Sutherland’s career. This passion for supporting young artists continued throughout her life, in 1992 she inspired her daughter, Isla Baring, to organise a fundraising concert in support of a young Australian singer, Liane Keegan, who was newly arrived in London. It kicked off with a Christmas Concert at Australia House. The concert was a great success and became the foundation of our yearly events. Liane went on to have a major international career, she sang Erda in the recent Opera Australia, Ring Cycle.
In 1984, the Performing Arts Collection, housed at the then newly opened Victorian Arts Centre, received a significant donation from Lady Tait of 300 costume designs by leading European theatrical designers of the late Victorian and Edwardian periods. The designs had been imported for use in re-staging productions in Australasia by the commercial theatre management J.C. Williamson Ltd and its forerunners.
Another of her loves was writing and researching Australian theatrical history. She amassed a formidable collection of theatrical memorabilia and was the author of The Family of Brothers(1971), which chronicled the contribution of the Tait brothers to Australian theatre.
Her last book, Dames, Principal Boys and all that: A History of Pantomine in Australia (2001) was lavishly launched at Her Majesty’s Theatre, Melbourne, the home of the Tait-Williamson empire. When Viola’s death was announced the illuminated sign outside the Theatre read “Farewell Lady Tait, Star”.
Viola Wilson (1938-39)
Source: The Gilbert & Sullivan Archive
[Born Pressburg, Austria-Hungary 1 Nov 1911, died Melbourne, Australia 6 Feb 2002]
Viola Wilson, whose real name was Viola Hogg, studied singing for six years at the Scottish National Academy of Music. In 1935 she was engaged by the Carl Rosa Opera Company and sang in the chorus of Die Fledermaus at the Lyceum Theatre, London. After tours of the British Isles and South Africa, she graduated to principal soprano.
Upon returning to London she auditioned with D’Oyly Carte Opera Company and was given a year’s contract as principal soprano, taking Viola Wilson (her maternal grandfather’s name) as her stage name at Rupert D’Oyly Carte’s suggestion. From May 1938 to June 1939 she appeared with the Company as Patience in Patience, Phyllis in Iolanthe, Yum-Yum in The Mikado, and Gianetta in The Gondoliers. Three of these parts were shared with other artists at various times: Patience and Phyllis with Ann Drummond-Grant until December 1938, and Gianetta with Helen Roberts. Miss Wilson also appeared on occasion in 1938-39 as Rose Maybud in Ruddigore and Elsie Maynard in The Yeomen of the Guard. She left the D’Oyly Carte in June 1939.
Viola Wilson then accepted an offer from Nevin Tait, J. C. Williamson’s London director to tour Australia and New Zealand in the Gilbert & Sullivan operas. In the 1940-42 Williamson tour she appeared as Aline in The Sorcerer, Josephine in H.M.S. Pinafore, Mabel in The Pirates of Penzance, Casilda in The Gondoliers, Princess Ida in Princess Ida, Rose, Patience, Phyllis, and Elsie. While in Australia, she met and married Frank Tait, later Sir Frank, the youngest of the five Tait brothers who were then running the Williamson Company. She retired as a singer in 1946 but remained involved with the Williamson Company, serving for a time as an artistic director.
Following Sir Frank Tait’s death in 1965, Lady Viola Tait, as she was then known, wrote an informal history of the Williamson-Tait partnership. In “A Family of Brothers: The Taits and J. C. Williamson; a Theatre History” (William Heinemann, Melbourne, 1971) she also provides a good deal of information about her own life and career.
Lady Tait retained her interest in the performing arts thoughout her life and was a patron of many arts organizations, including the Tait Memorial Trust. She was instrumental in the establishment of the Performing Arts Museum in Melbourne, and was appointed a member of the Order of Australia (AM) in 1990. In her later years she published a book on the history of pantomime in Australia, “Dames, Principal Boys…and All That” (Macmillan, Melbourne, 2001)
British/Australian baritone Duncan Rock was a Tait Awardee in 2008 and a graduate of the Guildhall School of Music and Drama and the National Opera Studio, London. He has appeared in major roles at the Glyndebourne Festival, English National Opera, the Royal Opera House (Covent Garden), Théâtre du Châtelet, Deutsche Oper (Berlin), Teatro Real (Madrid), the Brooklyn Academy of Music, Opera North, the Boston Lyric Opera and Welsh National Opera.
We are thrilled to see the great success this very talented Western Australian singer has accomplished in a relatively short time. Below is a post from the ENO website about the Harewood Young Artists programme which gave him so many excellent opportunities. This type of advanced training/on the job experience is crucial to develop a great artist.
The Dowager Countess of Harewood was a professional violinist in Sydney and has been a dear friend of the Trust’s from the very beginning. We are honoured to say she is our Patron. To celebrate her 90th Birthday we are dedicating the performance of Mozart’s, Violin & Viola Concertante with Orchestra K364 to her in our 2016 Tait Winter Prom at St John’s Smith Square. Please come if you can. Book here
ENO Harewood Artists’ Match Campaign 2016
Support opera’s rising stars and see your donation double. More here
From Monday, 21 November, to Thursday, 1 December, 2016, donations made to the ENO Harewood Artists’ programme will matched, making them twice as valuable to ENO.
We have £70,000 ready to be matched but we need your help to reach our target and unlock these vital funds. At ENO we are committed to nurturing talent. The ENO Harewood Artists’ programme makes a crucial contribution to developing the next generation of operatic stars. The programme costs over £200,000 a year to deliver and is funded entirely through donations.
The Harewood Artists’ programme provides exceptional training and mentoring to nine of the best British or British-trained singers at the beginning of their professional careers and gives opera’s rising stars the opportunity to develop and learn whilst being cast in roles on the London Coliseum stage. Each singer undertakes a programme of vocal and language training, is coached by experts in their repertoire and receives ongoing support from members of ENO’s artistic and music staff.
Previous Harewood Artists include Sophie Bevan, Katherine Broderick, Allan Clayton, Elizabeth Llewellyn, Iain Paterson, Duncan Rock and Sarah Tynan.
This season, our Harewood Artists performances include: Mary Bevan Don Giovanni; Andri Björn Róbertsson Tosca & Rigoletto; Nicky Spence Lulu; Matthew Durkan Rigoletto & Partenope; Katie Coventry, Soraya Mafi & David Webb The Pirates of Penzance; and Samantha Price The Winter’s Tale.
Matched support is generously donated by The Shears Foundation, The Queen Anne’s Gate Foundation and Talal & Lina Kanafani. For more information or to donate over the phone please contact email@example.com or call 020 7845 9331.
We were delighted to learn that Western Australian composer and Tait Awardee, Kevin Penkin has composed an original score commissioned by Rio Tinto in 2016, to mark 50 years since Rio Tinto’s first contracted shipment of iron ore which departed Dampier for the Yawata Iron and Steel Company in Japan.
Ahead of this milestone, thousands of Australian contractors and suppliers laid almost 300 kilometres of railway, moved 12 million cubic metres of earth and rock and installed 300,000 tonnes of plant and equipment. The company also built the towns of Dampier and Tom Price, and dredged a port to accept the largest ore carriers of the day. Rio Tinto Iron Ore chief executive Chris Salisbury said
“When the MV Houn Maru set sail 50 years ago nobody could have predicted that Pilbara iron ore would underpin Australia’s economic growth. “The Pilbara’s vast iron ore deposits, and the people who developed them, have helped build modern Australia and some of the world’s leading economies,”
Kevin was our first Tait Scholar which enabled him to complete his studies at the Royal College of Music. The debut performance of Hoan Maru, by Perth Symphony Orchestra, conducted by Jessica Gethin was recorded live at the 50th anniversary celebration on Friday 26th August, 2016 at the Perth Convention and Exhibition Centre.
B i o g r a p h y
Kevin Penkin is an Australian composer who has written for video games, anime, film and the concert stage. He won ‘Outstanding Vocal Theme’ at the 2013 Video Game Music Awards for his song ‘I Race the Dawn’, and was nominated for ‘Best Newcomer’ in 2012 by Square Enix Music Online for his work with Final Fantasy composer Nobuo Uematsu on the game ‘Juza Engi Engetsu Sangokuden’.
Since developing an interest for Japan at an early age, it was always a goal for Kevin to compose for both video games and anime. Recent efforts have seen him write for the anime series ‘Norn9’, and the highly anticipated sci-fi film ‘Under the Dog’. While expanding in the world of anime, he has remained passionate about video games, composing for the indie hits ‘Defenders Quest’, ‘Implosion – Never Lose Hope’, and ‘Deemo’.
Kevin moved to London in 2013 to attend the Royal College of Music to pursue a Masters of Composition for Screen, from which he graduated from in June of 2015. He was selected as the inaugural Tait Scholar which gave him a £5,000 per annum scholarship to support his studies. The Tait Trust commissioned an original piece for solo flute and Chamber Orchestra entitled ‘Changing Feet’ which was debuted at the 2014 Tait Winter Prom at St John’s Smith’s Square in December 2014.
Changing Feet is about changing pace. Leaving the world’s most isolated city to live in one of the most industrious and compact environments requires a huge mental change. This piece tries to reflect not only the mentality of someone who grew up in Perth, but the experience of moving to London and ultimately returning home back to Australia. This work explores what one could miss of Perth, be it the silence, the space or the natural beauty.
During his time as a student, he heavily expanded his efforts to be involved in local projects. As a result, Kevin is now working on UK based short films and theatre. He is also involved in concert music, writing for ensembles such as the ‘Perth Chamber Orchestra’, ‘Greywing Ensemble’, and the ‘And So Forth Opera Company’.
We are thrilled to report that Tait Awardee, Panayiota Kalatzis, won the coveted 2016 Herald Sun Aria in Melbourne’s, Hamer Hall a few days ago. Panayiota was the 2014 recipient of the Australian International Opera Awards which gave her the funds to study at the Wales International Academy of Voice with Dennis O’Neill.
SCINTILLATING soprano Panayiota Kalatzis swept all before her last night to win the 2016 Herald Sun Aria.The 30-year-old Brisbane vocalist, trailing an elegant train, won the coveted prize in its 92nd year ahead of four other outstanding classical singers.“I never thought it would happen,’’ she said after accepting the prestigious award from Herald Sun editor Damon Johnston. “You work hard and enter competitions and then someone, ‘Yes’. Winning this changes everything.’’Kalatzis, of Greek background, captivated a 1500-strong audience at Hamer Hall with thrilling performances of Massenet and Verdi. A huge ovation greeted her win which carries $15,000 cash and a $22,500 scholarship for overseas tuition.“The plan is to go back to the UK, make some connections there, and then go to America,’’ she said. “Winning this makes all that possible.’’Jessica Harper, a 26-year-old soprano from Sydney, was runner up while the encouragement award went to Douglas Kelly, a Victorian-based tenor.Judges Richard Mills, Margaret Haggart and John Bolton-Wood praised the high standard of competition and Penny Fowler, Chairman of the Herald and Weekly Times, paid special tribute to Richard Divall — the Aria’s long serving maestro and chief adjudicator.
We are delighted to introduce you to Jo Dee-Yeoh. Jo is one of our musical awardees this year, and is continuing her Masters Degree in Performance at the Royal College of Music. Jo is to play with the Tait Chamber Orchestra in our Tait Winter Prom at St John’s Smith Square on Wednesday 30th November.
A review of Jo Dee Yeoh’s performance at the 2015 Open Instrumental Finals Concert
Townsville Civic Theatre 7.30pm 28 July 2015
Review by Katy Frewen-Lord, Townsville
The Open Instrumental Finals Concert gave Townsville a chance to hear some of Australia’s finest up-and-coming musicians. Adjudicator Carl Pini had his work cut out for him, given that the standard of this year’s entrants were very high.
Hailing from Melbourne, Cellist Jo Dee Yeoh opened the night with Dvorak’s Cello Concerto in B minor. Immediately, Yeoh proved herself to have complete control over the character and strength of her sound. The second movement provided an opportunity for Yeoh to bewitch the audience with her beautiful, lush low notes and song like phrasing. The third and final movement erased any doubt that the audience could possibly have about Yeoh’s technical prowess, as her fingers flew across all four strings with precision and vigour.
To read more about the Australian Concerto and Vocal Competition please click here
1. Dazed or distracted with romantic sentiment.
2. Mentally deranged; crazy.
Vivien Conacher is an operatic mezzo-soprano from Sydney, Australia. She now holds a Tier 1 UK Exceptional Talent Visa and currently based in London where she studies under the tutelage of Yvonne Kenny. Vivien trained at the Royal College of Music, where she achieved a Distinction in her Masters degree in Vocal Performance. She then completed the Opera Works training scheme at English National Opera. Vivien is also an alumna of the Oxford Lieder Festival Mastercourse with Roger Vignoles and has participated twice in the prestigious Britten Pears Young Artist Programme.
Vivien has performed for Opera Australia, Grange Park Opera, the BBC Proms, Wexford Festival Opera, Iford Arts Festival, British Youth Opera, and Bloomsbury Opera. On the concert platform in Sydney, she has appeared as a soloist for Pacific Opera, Opera & Arts Support Group, and The Joan Sutherland & Richard Bonynge Foundation. In the UK, Vivien has performed in concert at the historical St-Martin-in-the-Fields, the Foundling Museum, and her new solo show entitled ‘Moonstricken’ will be performed at this year’s Bloomsbury Festival on 20 October. Vivien wishes to express her sincere gratitude to the Tait Memorial Trust for their support of her continued study and training.
Les Chemins de l’amour by Poulenc
Vivien Conacher (mezzo soprano) & Simon Kenway (piano)
copyright Puresonics Media for Pacific Opera.
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The dinosaurs are having a rest - make way for the megafauna.
The Australian National Botanic Gardens is right out of the gate for the school holidays, installing a host of new beasts around its grounds for children and adults to explore.
The MEGAfauna: Once there were giants! adventure trail is the biggest event the gardens have put on since coronavirus started to put restrictions on gatherings last year.
Event organiser Megan Donaldson said it was a Covid-safe event, out in the open, with plenty of space for everyone and perfect for a picnic in between the exploring. A coffee cart will be close by.
The first of its kind in Australia, the megafauna trail showcases giant replicas of animals that became extinct thousands of years ago.
Wombat-like creatures the size of hippos, flightless birds that weighed twice as much as modern emus, a turtle with a horned head and spiked tail, an enormous goanna the size of a small dinosaur, plus many more will be on show.
Ms Donaldson said the megafauna were alive as far back as two million years ago and as recently as 11,000 years ago. Environmental changes caused them to die out. Cassowaries, crocodiles and goannas are some of the surviving species of megafauna.
"The animals that lived back then were very different to the ones we see today. They were some of the most remarkable creatures to ever roam the earth and exclusive to Australia," she said.
"Many of the plants that co-evolved and/or were eaten by the megafauna still exist and those plants only makes sense with megafauna to help tell their stories."
The gardens own the massive displays, which number about 14. They will rotate during the year with the dinosaurs which otherwise roam the grounds.
The gardens is undergoing some construction work at the moment, away from the displays, including an extended deck at the cafe, which will be open in July.
To coincide with the MEGAfauna trail, the gardens will also host a special exhibition featuring original large-scale paintings of Australia's megafauna by wildlife artist, author and paleontological illustrator, Peter Schouten. It will be in the Visitor Centre Gallery.
MegaFAUNA: Once there were giants! opens at the Australian National Botanic Gardens on Saturday and continues until July 25
The gardens are in Clunies Ross Street, Acton and open 8.30am to 5pm daily. Entry is free.
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domain: design


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18. Kids Ruin Everything
According to movies and greeting cards, children teach us about the true meaning of happiness and success. In reality, though, kids don’t teach us anything because they’re too busy making us slower, poorer, and less successful. To prove our point, we saddle some of the greatest people, places and things with children from romantic comedies.


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USA Today bestselling author Tricia Goyer and her family of eleven embark on a yearlong quest to eliminate grumbling from their home and discover a... Read More
USA Today bestselling author Tricia Goyer and her family of eleven embark on a yearlong quest to eliminate grumbling from their home and discover a healthier, more thankful approach to life together.
The Goyer home--with two parents, eight kids, and one eighty-eight-year-old grandmother with dementia--is never without noise, mess, activity, and, often, complaining. And it's not just the kids grumbling. After adding seven children in less than six years through adoption, the Goyer family decided to move out of survival-mode and into unity- and growth-mode. They decided to tackle the impossible: a grumble-free year.
With grade-schoolers, teenagers, and a grandmother who believes children should be seen and not heard, plenty of room exists for flunking the challenge. Add to that seven children being homeschooled together in close quarters, and what could possibly go awry?
In The Grumble-Free Year, the Goyers invite readers into their journey as they go complaint-free and discover what it looks like to develop hearts of gratitude. They share their plans, successes, failures, and all the lessons they learn along the way, offering real-life action steps based in scripture so that readers get not just a front-row seat to the action but also an opportunity to take the challenge themselves and uncover hearts that are truly thankful.
About the Contributor(s)A USA Today bestselling author, Tricia Goyer has published seventy-five books to date, written more than five hundred articles appearing...
A USA Today bestselling author, Tricia Goyer has published seventy-five books to date, written more than five hundred articles appearing in national publications, and is on the blogging team at TheBetterMom.com and other homeschooling and Christian sites. She is a two-time Carol Award winner and a Christy and ECPA Award Finalist and regularly receives starred reviews in the Romantic Times and Publishers Weekly.
Weight (lbs)1.0 lb
Case Weight (lbs)36.03 lb
Dimensions 8.4(h) x 5.5(w) x 0.55(d) inches
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domain: literature


Ever wondered how tech giants use event technology at their events? Here is what Google did at I/O and how it can impact the event industry.
Google is releasing quite disruptive technology lately.
During I/O, the annual developer conference, Google made several announcements that are set to have an impact on how we use technology at events.
On top of that, the conference was the playground for some interesting event tech applications that will surely catch the attention of those working with large events.
But let’s have a look at the future of event tech, Google’s way.
Google Glass is the gadget of the moment.
There are already plenty of applications popping up all over the place for this incredible pair of glasses.
We are borderline fad here and you know how I hate talking about the latest thing of the moment. At the same time I am amazed by the the numerous applications of Google Glass at events.
Above all, I can think of two main applications: ticketing and livestreaming.
Event staff could immediately scan event tickets by wearing Glass or attendees could scan an intelligent code to get clearance. The technology is so event friendly that I anticipate lots of cool apps in this space.
Secondly livestreaming is, as Sam Sheffer of The Verge explains, the most logic use of Glass thanks to hangout integration. See it in action:
There are a number of issues with the use of Glass at events. I really like how Thundertix summed them up at their blog.
More Livestream on YouTube
As an aficionado reader, you know there are plenty of ways to live stream on Youtube.
Youtube Live is only available to selected YouTube partners.
This was until I/O, when Google announced that YouTube Live will be available to all Partners in good standing.
This is quite massive. If you’ve been a regular YouTube user and gained the Partner status you will be able to stream events live.
Data Mining Attendees Movements
The Internet of Things is a technology trend of last year that has had little impact so far on events.
Google is at the forefront of IOT innovation and they displayed a practical application of it during I/O.
RWW confirms the use of Arduino powered environmental sensors during the conference.
Mark Hachman explains that:
Google planted 525 powered sensors around the halls of San Francisco’s Moscone Convention Center, and began collecting data from them on Wednesday, according to Michael Manoochehri, a developer programs engineer at Google.
The company began measuring temperature, humidity, light, pressure (including nearby footfalls), motion, air quality and both RF and ambient noise. All of the data is sent back at intervals of 20 seconds or so, collected by Google’s App Engine, with analysis performed by its BigQuery Big Data analysis tool. You can see the results at the Lab’s dedicated Web site.
Crowd management and control is one of the most delicate issues in the industry. It looks like this technology could provide real time data to understand how the crowd is moving during the event.
There is yet again substantial controversy on how this could impact privacy.
It is surely interesting to look at the big news that Google introduced at their latest developer conference.
While some of the discussed tech probably won’t make an event near you anytime soon, some other announcements will have an immediate impact on how you execute your event.
Surely ignoring Google’s moves may be a bit of a risky strategy, so let’s keep an eye on them.


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In puffs of smoke I watch my life float away,
this seemed like a good idea, yesterday.
Now as I watch, tendrils of smoke wispy and grey,
blackened ashes, freed from the flames, carried off,
I wonder why I agreed to this.
Old bills and statements feed the fire,
magazines and junk mail too and that is just fine,
but my notes from college, scribbled essays,
letters and postcards, stories I have written
reminders of my youth, of good times,
the tears well up and I fight the urge to cry.
I rescue a page, the edges curled and broken,
the writing clear and neat yet to be touched,
in distress I hurl it towards the pond,
the water will douse the remaining flames,
but in despair I stand and watch
the words trickle off the page.
And so, I must let the past go,
My words, my world, my life as it was,
offered up in smoke and dust
A chance to start anew, afresh.
A gleaming white page sits before me
waiting for new life in new words.
© Searching for the Light