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Particular is an easy machine commonly utilized as fitness equipment to obtain normal cardiovascular exercise. It ordinarily has pedals, a seat, in addition to a durable method of handgrip or bars placed in a similar contour as a bicycle. Should you liked this information as well as you would want to receive more information about Marcy foldable exercise bike i implore you to stop by the web site. The pedals they fit sometimes frontward or in reverse for a way you are operating the bike. This particular stationary exercise bike is relatively economical, user friendly, and practical.
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Main genre: Rock / Pop
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Main genre: Country / Folk
Contributed by tanetovic (4076 submissions)
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Charles Aznavour's La Marche Des Anges cover of Traditional Folk's Les Anges Dans Nos Campagnes
Steel Train's Don't Think Twice (It's Alright) cover of Bob Dylan's Don't Think Twice, It's All Right
Rufus Wainwright's Hallelujah cover of Leonard Cohen's Hallelujah
Katharine McPhee's Brand New Key cover of Melanie's Brand New Key
The Limeliters's The Hammer Song cover of The Weavers's If I Had a Hammer
Copyright © 2013 WhoSampled.com Limited. All rights reserved.

domain: artistic


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closet door ideas pictures Perhaps it’s to conserve room or adaptability in vogue. However, some property owners like to pull out of a closet door for lots of factors. Though they still intend to maintain their storage space unseen. Drapes and also material offer the camouflage you require for your storage space as well as have lots of range stylishly. A pole throughout your wardrobe as well as the drapes of your option is all it requires
About The Author
My hobbies are writing and reading. If there is a competition, I would love to take part as long as it relates to the world of authorship. It was my first step to achieve my goal of becoming a famous writer. Yep, that’s all that I can tell about myself. Thank you.

domain: hobby


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From Our Editors
Add some produce to your next dinner plate for a delicious meal jam-packed with vitamins and nutrients. If you're ready to commemorate your experience, you'll love the fabulous memorabilia and souvenirs on display at Edible Arrangements in Denver. Edible Arrangements has so many great gift baskets that would make the perfect hostess gift.
With available parking nearby, Edible Arrangements is easily accessible by car.

domain: food


Ahead of a large-scale cholera vaccination campaign to begin in Haiti Tuesday, November 8, some 350 Red Cross volunteers were trained and ready to participate. In teams of two, they’ll visit 16 areas devastated by Hurricane Matthew to spread the word about the campaign, encourage vaccinations and share information about cholera and how to prevent it from spreading.
With cholera on the rise (3,500 cases) since the hurricane hit southwestern Haiti one month ago, the Government of Haiti and partners have organized a cholera vaccination campaign to take place from 8-14 November in storm-affected areas, as part of broader efforts to curb the spread of the disease in country. 820,000 people will receive an oral dose of vaccine during this period, ensuring their protection to +/- 60% for a period of about 6 months.
The 350 Red Cross volunteers supporting the campaign are among 800 who have been actively assisting devastated communities since the hurricane struck. They’ve been distributing hygiene kits that consist of items such as toothbrushes, toilet paper, soap, buckets as well as other relief items, including tarpaulins for makeshift shelter and roofs, food and kitchen supplies.
These volunteers largely come from the villages where they work, they are known and trusted by community members, which will be critical as they share information about the vaccination campaign and mobilize participation.


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The government is Wilson, and we the people are Tom Hanks
Lately, I feel like the Republicans and Democrats of our country are getting further and further away from each other than ever before. For some reason, when I think of our government in this context, I think of the movie Castaway with Tom Hanks. To me, the American people are Tom Hanks on the raft, and our government is Wilson. (For those who haven’t seen the movie, Wilson is a volleyball that Hanks draws a face on and starts talking to after being stranded in a shipwreck; they begin on a desolate island but eventually, Hanks decides to make a raft and try to get home). I make that comparison because Hanks creates Wilson like the American people created our government, and he puts his trust in Wilson that he’ll be supported by him. When Wilson falls off the raft and starts to drift away, Hanks tries so hard to save him, just like we the people reach out to our government expecting them to drift back and help us. Like Hanks, we try to elect the right people to advise, guide and warn the American people, but all we get back is a government that stares at us with a blank smile and makes no effort to come back to the raft.
In the end, the government will leave us like Hanks left the island and like Wilson left Hanks. As Wilson drifts away, we the people will even shout out “Wilson, I’m sorry!” over and over, holding onto that last measly scrap of hope that he’ll come back for us. It makes me think of how disabled people are also so regularly left behind by our government, yet as a community, we would never just drift away from each other. We all need to be better at supporting each other when there are huge differences between us, no matter how blank of a stare we might get back from those who are supposed to be helping us.

domain: politics


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The Wire Weave Pendant design is inspired by cray fishing traps. An open wire weave pendant creates visual interest while maintaining an open feel to the room. The beautiful look will be perfect complement for any living area, hallway or at the top of the stairs. It is available in a range of shapes, sizes and colours.
Reach out directly to check availability of your desired pendant.
Small - 27cm W by 27cm D by 45cm H
Medium - 45cm W by 45cm D by 70cm H


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When Was The First Appearance Of Jesus In The Old Testament?
- 1 What was Jesus called in the Old Testament?
- 2 Where does Jesus first appear in the Bible?
- 3 When was the Old Testament written before Jesus?
- 4 Is the name Jesus ever mentioned in the Old Testament?
- 5 Who is God’s first angel?
- 6 Who did God appear to in the Old Testament?
- 7 Who did God speak to in the Old Testament?
- 8 How did Jesus view the Old Testament?
- 9 Who is the Lord in the Old Testament?
- 10 Was Jesus born in the Old Testament or the New Testament?
- 11 Who is the angel of the Lord in the Old Testament?
- 12 Who actually wrote the Bible?
- 13 What language did the Jesus speak?
- 14 How long was the Bible written?
What was Jesus called in the Old Testament?
Jesus’ name in Hebrew was “ Yeshua” which translates to English as Joshua.
Where does Jesus first appear in the Bible?
In the gospels, the ministry of Jesus starts with his Baptism by John the Baptist, when he is about thirty years old. Jesus then begins preaching in Galilee and gathers disciples.
When was the Old Testament written before Jesus?
The Old Testament is the original Hebrew Bible, the sacred scriptures of the Jewish faith, written at different times between about 1200 and 165 BC. The New Testament books were written by Christians in the first century AD.
Is the name Jesus ever mentioned in the Old Testament?
The central figure in the Old Testament, though not mentioned by name, is Jesus Christ. Luke tells us that “beginning with Moses and all the Prophets,” Jesus “interpreted to them in all the Scriptures the things concerning himself” (Luke 24:27).
Who is God’s first angel?
Daniel is the first biblical figure to refer to individual angels by name, mentioning Gabriel (God’s primary messenger) in Daniel 9:21 and Michael (the holy fighter) in Daniel 10:13. These angels are part of Daniel’s apocalyptic visions and are an important part of all apocalyptic literature.
Who did God appear to in the Old Testament?
In Exodus, God appeared in a burning bush, as a pillar of cloud by day, and as a pillar of fire by night. God appeared as a “whisper” to Elijah and in visions to other prophets. The Lord appeared to King Solomon in a dream, promising to grant what he asked. Appearance as a man.
Who did God speak to in the Old Testament?
The Hebrew Bible states that God revealed himself to mankind. God speaks with Adam and Eve in Eden (Gen 3:9–19); with Cain (Gen 4:9–15); with Noah (Gen 6:13, Gen 7:1, Gen 8:15) and his sons (Gen 9:1-8); and with Abraham and his wife Sarah (Gen 18).
How did Jesus view the Old Testament?
Jesus exalted the Old Testament Scriptures by continually appealing to them as the preeminent manual for life on earth. He pointed to the Scriptures as our everyday guide for: Marriage and divorce – Mark 10:2-12 quoting Genesis 1:27 and 2:24. Murder and hatred – Matthew 5:21 quoting Exodus 20:13.
Who is the Lord in the Old Testament?
(A-2) Jehovah, or Christ, Is the God of the Old Testament. Although for many it seems a paradox, Jehovah of the Old Testament was none other than the Son of God, Jesus Christ. He created the world under the authority and direction of God the Father. Later, Jehovah came to earth as the Savior and Redeemer of the world.
Was Jesus born in the Old Testament or the New Testament?
Jesus, according to some biblical sources, was born in this town some two millennia ago. Yet the New Testament Gospels do not agree about the details of Jesus’ birth in Bethlehem. Some do not mention Bethlehem or Jesus’ birth at all.
Who is the angel of the Lord in the Old Testament?
The mentions in Acts 12:11 and Revelation 22:6 of “his angel” (the Lord’s angel) can also be understood as referring either to the angel of the Lord or an angel of the Lord. An angel of the Lord who is mentioned in Luke 1:11 makes himself and his identity known as Gabriel in Luke 1:19.
Who actually wrote the Bible?
According to both Jewish and Christian Dogma, the books of Genesis, Exodus, Leviticus, Numbers, and Deuteronomy (the first five books of the Bible and the entirety of the Torah) were all written by Moses in about 1,300 B.C. There are a few issues with this, however, such as the lack of evidence that Moses ever existed
What language did the Jesus speak?
Most religious scholars and historians agree with Pope Francis that the historical Jesus principally spoke a Galilean dialect of Aramaic. Through trade, invasions and conquest, the Aramaic language had spread far afield by the 7th century B.C., and would become the lingua franca in much of the Middle East.
How long was the Bible written?
For at least 1,000 years, both Jewish and Christian tradition held that a single author wrote the first five books of the Bible—Genesis, Exodus, Leviticus, Numbers and Deuteronomy—which together are known as the Torah (Hebrew for “instruction”) and the Pentateuch (Greek for “five scrolls”).

domain: literature


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A pineapple Hit game is an online hyper-casual game. That will help you to develop The Untitled Happiness Project and your judgment ability. Complete the levels and move forward by shooting a pen! Pineapple hit is a fantastic puzzle game. It will suit you if you like solving problems and finding hidden things. Once you try this game, you will be addicted to the puzzle game online.
Here you will have a pen that Casual can shoot against the fruits in the hyper-casual game. The fruits will appear on your screen, and they are flying there. You must shoot them by clicking your pen once in the point-and-click game. When you shoot your pen, ensure the fruit will shoot by your pen, so you have to guess that before clicking on this casual game.
If you shoot correctly, you can move to the next level, a more complex Twist Hit than the previous level in the clicker game. It has excellent animation and nice music while playing puzzle games for kids. It has more levels to complete, and each will be different from one, making you think differently. It will help you to judge or guess things.
Release date: 11 October 2021 , Platform: Web browser
Classification: crazy games

domain: game


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Congratulations to Dr. Suzanne Poink & her lab for recently publishing two papers! You can read the papers by clicking below: JoVE Methods Collection – Special issue on 4D intravital imaging Journal of Controlled Release …
Month: August 2022
Congratulations to Dr. Owen Tamplin for publishing a paper in eLife! You can read it here.
Congratulations Dr. Owen Tamplin & Tamplin Lab Members!
Congratulations to Dr. Owen Tamplin and his lab for being featured in a UW-Madison News article for their new imaging method! You can read this article here.

domain: library


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We've even won a couple of Webbys + a Peabody Award.
The Great Bell Chant: A Meditation
by Trent Gilliss, senior editor
This video is a compassion meditation of sorts, featuring the words and voice of one of our most enduring guests, Vietnamese Zen Buddhist monk Thich Nhat Hanh. I wonder if this short film can’t serve as a sort of loosely guided meditation in its own right. If you have several minutes, use this video as a guided meditation. After you’re finished, reflect on your experience and comment on these questions:
How did the sound of the bell and the words of Thich Nhat Hanh help you in focusing your attention?
In what ways did the cinematography of sweeping, aerial vistas and intimate portraits aid you in your focus of nature and fellow people?
Did you find that Phap Niem’s fluid chanting helped you in letting go and being more aware of the compassion inside you?
How did/didn’t the combination of visuals and audio help guide you in this exercise? Did you find them more distracting then helpful?


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Solenn Heussaff is going sexy in her next movie Seduction which will be shown next month!
The movie stars Richard Gutierrez together with Sarah Labhati, which is a sign that sexy movies are back.
Solenn was asked how sexy her scenes were and how far did she go:
“I showed some skin, pero ayokong magpakita ng dede.”
“O, boobs. Ayoko. Yung kissing scenes lang, ayaw na panoorin ng boyfriend ko, dede pa?”
Solenn is currently in Argentina where she will spend her holidays with her boyfriend and his family.

domain: entertainment


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James William Reiher popularly known as Jimmy Snuka net worth is $200 thousand. However the current financial condition of Snuka is not well. As per the Bleacher Report, a campaign was started in last month of 2011 to raise $24,000 that will be dedicated to Snuka’s careHe is a retired and popular wrestler. He has crossed 72 years of age and is a semiretired wrestler as well as an actor. He holds the recognition for showing WWF the high-flying style of wrestling. He was the guy who was featured opposite The Undertaker, making him the very first Wrestle Mania player against that established wrestler. His personal life has seen several ups and downs. He has got married thrice and it is quite interesting that two of his kids are also wrestlers. Despite having such a personal life, his professional life has remained undamaged.
Net Worth – $200 Thousand
Full Name: James Reiher Snuka
Annual Salary: Decrease
18th of May 1943
Height & Weight
1.78 m / 5.10 feet
Wife: Carole Snuka
Ex Wife: Sharon Snuka
Jimmy has several signature moves like Backbreaker, Diving crossbody, Diving headbutt, Knee drop and Scoop slam. Superfly and The Phenom are the nicknames given to him by his fans. Jimmy started off his career when he was twenty seven years old. Three years later in the year 1973, he defeated Bull Ramos and managed to get the title. He became partners with Dutch Savage and won the championship of National Wrestling Alliance Tag Team. He got an opportunity to get into World Wrestling Federation in the month of January when he was thirty nine years old. Captain Lou Albano was his mentor back then. He managed to turn many heads owing to his athleticism. In the year 1992, he left WWF. Due to this decision, he has to work with less established organizations like Extreme Championship Wrestling. Thirteen years later, Jimmy got featured in the homecoming of World Wrestling Entertainment. He received many votes from his fans. This paved a path for him being partners with Eugene and fight opposite Conway and Tyson Tomko. He defeated Conway through a Superfly Splash and made it to victory. Various matches took place after that. Besides wrestling matches, video games like Legends of Wrestling also feature Jimmy Snuka.
It is estimated that Jimmy Snuka net worth is about $200 thousand after he passed away in January 2017.
In the end of the year 2012, Jimmy came up with his own autobiography. 1980s was the golden era for Jimmy because he won several accolades at that time. His fame got a major setback in the year 2015 when he got arrested in the month of September. They withdrew the contract he had signed with the organization too. Apart from that, his page was also deleted from their official website.
Updated 16th January 2017 – Unfortunately Jimmy Snuka passed away on 15th of January 2017 and left his net worth and glory behind family.

domain: celebrity


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Best Foods Medium Spicy Mayonnaise
Best Foods Spicy Mayonnaise Dressing is proudly made with real, simple ingredients like real chili peppers, cage-free eggs, oil and vinegar. We know that to really Bring Out the Best, we need to do more than just taste great. That’s why our delicious Blue Ribbon Quality Spicy Mayonnaise Dressing is made with real chili peppers, real eggs, oil and vinegar from trusted sources with high standards. And it comes in a convenient squeeze bottle with a precision tip that gives you complete control, making it easy to add to your favorite dishes.
We use the finest, real ingredients in Best Foods Spicy Mayonnaise Dressing. In fact, we use 100% cage-free eggs and are committed to 100% responsibly sourced soybean oil. Our spicy mayonnaise dressing is cholesterol free* and a good source of omega 3 ALA**, and has no artificial flavors, no trans fat and no saturated fat. It’s the ideal condiment for spicing up wraps, adding flavor to sandwiches, grilling juicy burgers, mixing creamy dips, and preparing fresh salads.
Water, Canola Oil, Distilled Vinegar, Sugar, Modified Food Starch (Corn, Potato), Cayenne Pepper, Salt, Whole Eggs, Egg Yolks, Lemon Juice Concentrate, Spices, Natural Flavors (Soy), Carrot Fiber, Calcium Disodium EDTA and Sorbic Acid and Potassium Sorbate (Used To Protect Quality), Garlic Powder, Xanthan Gum, Smoked Paprika, Paprika Extract (For Color).
Contains Eggs and their derivates,Soybean and its Derivatives,Corn and its derivates.
Actual product packaging and materials may contain additional and/or different ingredient, nutritional, or proper usage information than the information displayed on our website. ...
Ratings and Reviews
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ReviewsAverage Customer Rating4.28(1719)5(945)4(446)3(235)2(53)1(40)


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TOMS RIVER — An encampment of homeless people in the woods near the Jersey shore will gradually be phased out as its 80 or so occupants are given at least a year of housing under an agreement reached today.
The deal would eliminate the need for Lakewood’s so-called Tent City and end a seven-year dispute about local governments’ responsibility to care for the poor.
Residents of the encampment and Lakewood officials reached an agreement in principal under which none would be evicted without first being provided adequate indoor housing for at least one year, according to Jeffrey Wild, an attorney representing the homeless.
“No one can be forced out of where they are now unless they are offered safe and adequate housing indoors,” he said. “That’s all we ever wanted. We’re not here to defend Tent Cities; no one should have to live in the woods. This is about the right of everyone to have housing.”
The deal, reached after nearly two hours of talks in the chambers of Superior Court Judge Joseph Foster, still must be ratified by the Tent City residents, as well as by Lakewood officials.
Lakewood and Ocean County officials have been trying to close the camp for several years. It sits on township-owned land near a minor league baseball stadium.
Earlier this year, Lakewood threatened daily fines of $1,000 for each of the site’s 100 tents and 80 wood burning stoves. They cited health and sanitary issues at the site, as well as complaints from nearby residents. Lakewood’s mayor called conditions there “disgusting” and “horrendous.”
Advocates for the residents say there is no shelter anywhere in the region for homeless adults and the governments have not done enough to provide safe housing for them.
Many details of the agreement remain to be hammered out, including whether the local and county governments will construct a shelter for the homeless, convert an existing building into one, or provide housing in scattered sites through rental assistance programs. Also to be determined: who decides what housing is appropriate, the residents of Tent City or local officials?
Earlier this week, 16 of the camp’s residents submitted personal histories to the judge, outlining how they became homeless and how badly they want to get out of the camp and into real homes. But the agreement was announced in court before any of them could speak today.
One of them was Bert Haut, who has been living at the camp on and off for three years.
“They need a shelter in Ocean County,” he said. “Minus running water and electricity, this is no way to live.”
Kevin Pridemore, another of the camp’s residents, previously worked as a tree surgeon and hopes to find a job in his field as soon as next week.
“I’m probably the only tree surgeon who’s not getting rich off this storm,” he said, referring to Superstorm Sandy which knocked down thousands of trees in October that are still being cleaned up around the state.
“I’m really happy I’m not being evicted,” he said. “I have nowhere to go with a roof and heat.”
The agreement does not involve Ocean County officials, who are being sued by the residents alleging the government has an obligation to provide shelter. The judge will hear a motion by the county to dismiss the case against it in May. If a trial is needed, it will start Aug. 19, the judge said.
Jean Cipriani, a lawyer for the county welfare board, said the goal is to make Tent City unnecessary.
“Everyone’s end game is to close it and for everyone to find shelter,” she said.
Rev. Steven Brigham, the leader of the camp, said he’s optimistic the residents will find shelter.
“The county and Lakewood have supposed to have been working toward a shelter,” he said. “That’s my bottom line. If the township and the county get together and provide that shelter, everyone should be happy.”

domain: sociology


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Georgiana by Gainsborough
Children's portraits in eighteenth century England tended to be quite sacharine. But this one by Thomas Gainsborough, of Lady Georgiana Spencer - destined to be the celebrated Duchess of Devonshire - is different. Its feline features give a hint of the girl's inner troubles which, in adulthood, led to addiction and deep personal unhappiness.
Sir Godfrey Kneller, court painter to Queen Anne, captured a variety of likenesses of Sarah Marlborough. She was known for having 'a fury temper and a fairy face' the latter captured in this unfinished portrait by Kneller.
Sir John Spencer was laid to rest in the chapel that he had built inside St Mary's, Great Brington, his body lying nearest the altar of the chancel that he erected. The knight is in a complete suit of armour, with a tabard charged on the front and sleeves with the arms of Spencer and Spencer ancient.
"The Spencer Chapel" is now home to the mortal remains of most of the family who have died during the past 500 years.
The hall chairs
The 12 mahogany hall chairs date from the 1760s and were made for the entrance hall in Spencer House. Each one is decorated with the griffin from the Spencer coat of arms and the seats have rounded concave insets to make them more comfortable.
The reason they are not upholstered is a practical one – visitors might arrive wet or muddy from riding on horseback.
The square-bottomed seats have rounded concave insets to make them more comfortable. They are Charles, the present Earl’s , favourite pieces of furniture in the house.
The hall porter’s chair
The padded hall porter’s chair comes from the entrance hall of Spencer House. The hall porter would be on standby throughout the night, in case anything was needed by a member of the family or a guest, as well as for security. The hunting horn that is sometimes left on the chair can be seen in the hunting scenes above.
Every one of the 200 ceiling roses in the Wootton Hall is unique. Designed in 1729 by Scottish architect Colen Campbell – one of the founders of the Georgian style – the fine plaster roses complement the elegant proportions of the room. Sadly, Campbell did not live to see the ceiling completed – it was finished by Roger Morris in 1773.
The pair of blackamoors
Possibly the oldest pieces in the house, these ‘blackamoor’ torch lamps were given to John Churchill, First Duke of Marlborough, by his brother, General Charles Churchill, to commemorate one of Marlborough's victories.
Intended for Spencer House, they were deemed too big and so found a home at Althorp. The torsos are Roman and were discovered perfectly preserved in the River Tiber, minus only their bows.
These jugs are a little worse for wear – probably because they used to live in the nursery. Prior to that they contained brandy. They are now placed in the Sunderland Room as homage to Jack, whose passions were foxhunting, farming and his prize-winning Shorthorn bulls.
The 28 paintings of the Third Earl’s prize-winning Shorthorn bulls are charming. Jack is notable for reining in the expenditure of the Estate during his time in charge, and the bull portraits are an important part of the Althorp collection, being the Third Earl’s prime artistic contribution to the place. John Charles was considered 'the great patron of English agriculture', not least because he co-founded the Royal Agricultural Society in 1838. He is visible in one painting, dressed in a modest way, with his dog beside him – not obviously a nineteenth century aristocrat; more a man at peace in, and at one with, the countryside.
Portrait of Lady Cynthia Hamilton, later Countess Spencer pic
This is a copy of the William Nicholson charcoal of Lady Cynthia, the Seventh Earl’s wife, because the original is part of the Diana, Princess of Wales Exhibition , which tours for part of the year. Cynthia was a Lady of the Bedchamber to the Queen Mother from 1937 until she died in 1972, and received an MBE for her charitable work. She was very popular and this drawing by William Nicholson bears an uncanny resemblance to her much-loved granddaughter, Diana.
Portrait of John Charles Spencer, by Sir Joshua Reynolds
John Charles (‘Jack’), later the Third Earl, is shown here in 1786, wearing Van Dyck pageboy costume. Jack Spencer went on to become Leader of the House of Commons and Chancellor of the Exchequer. He is the only person to have been painted by Reynolds and also to be photographed.
One of the most striking elements of the South Drawing Room are the two recessed displays of miniatures with display tables underneath.
They contain a fascinating collection of this most delicate form of art, portraying many members of the Spencer family as well as important figures from history including Sir Isaac Newton, Oliver Cromwell, Napoleon, Sir Peter Lely , and John Milton.
One of the most striking images is the tiny contemporary enamel of Margaret Willoughby, Robert First Baron Spencer’s wife, who died in 1597.
Portrait of the Duc de Chevreuse, by Frans Pourbus the Younger portrait
Claude Lorraine, Duc de Chevreuse has the air of an aristocrat, secure in his world of privilege and duty. Here is a man dressed in the height of fashion (padded Venetian doublet, whisk collar and matching cuffs, pom-pom laden garters) attended by his faithful Talbot hound. Twelve years after this portrait was painted by Frans Pourbus the Younger, the Duc was made Grand Falconer of France. In 1625, Charles I made him a Knight in the Order of the Garter.
War and Peace, by Sir Anthony Van Dyck
This imposing double portrait of George Digby, Second Earl of Bristol, and William Russell, First Duke of Bedford is by Charles I’s Flemish court painter, Sir Anthony Van Dyck. Digby and Russell were related by marriage, and were close friends as young men. The subsequent English Civil War saw them fighting on opposing sides. This ‘swagger portrait’, showing Russell in warrior pose, while Digby is surrounded by symbols of learning, is considered one of the most important works of art still in private hands in Britain. As the son of a haberdasher, Van Dyck was particularly interested in costume, which is evident from his detailed rendering of the dress of the time.
The Sunderland Frames
Most of the paintings in the Picture Gallery are in Sunderland frames. These were designed by Robert Spencer, Second Earl of Sunderland, the most sophisticated owner of Althorp, who undertook the Grand Tour and was subsequently British Ambassador to Paris and Madrid. The frames all have a cartouche at the top and a stylised mask at the bottom, with a moulded inner edge, which softens the line between frame and painting. Perhaps the ultimate Baroque gilded frame, each one is slightly different from the next.
The Round Oval
WM Teulon redesigned Althorp’s grounds in the 1860s and the lake he formed took the name ‘the Round Oval’. The Spencer family and their guests used to skate on the ice here, in wintertime. The tranquil island in its centre is the final resting place of Diana, Princess of Wales’ . At one end of the island stands a monument – designed by Edward Bulmer and carved by Dick Reid – marking this as a place of burial. On the south bank of the lake is the summer house brought to Althorp from the Admiralty by the Red Earl in 1901.
The oldest tree in the Park is the 72-foot Crimea Oak, which was planted by Sir John Spencer III, in 1589. He seeded a great forest in order to boost timber stocks as a response to the destruction of ships in the defeat of the Spanish Armada the year before.
Fallow deer have been roaming Althorp Park since its enclosure in the early sixteenth century. The herd of rare black fallow currently numbers 350. They have their young up at the back of the Park, near the Falconry. In the early evenings they come down to graze where there was once a lake, home to the First Earl Spencer’s collection of Venetian gondolas.
The honey-coloured ironstone and Palladian proportions of the Stables, make it the most satisfying building in the Park at Althorp. The architectural chronicler Nikolaus Pevsner wrote in the 1950s, 'It might well be argued that the stables are the finest piece of architecture at Althorp.' Charles, the current earl Spencer says, 'The only criticism I would have of the building is that it shows up Althorp itself, which has neither the Stables' warmth, nor their beautiful lines'. The deep Tuscan portico was modelled on Inigo Jones’s St Paul’s Church, in London’s Covent Garden. The Stables were built in the 1730s by Roger Morris. Until Victorian times home to 100 horses and 40 grooms, the Stables today house the new exhibition celebrating the characters of the Spencer family.
Sculpted by the Flemish carver Peter Scheemakers, who also made the busts of Shakespeare and John Dryden in Westminster Abbey, this stunning fireplace was moved to Althorp from Spencer House in London. The faces are of the Greek poets Hesiod and Homer.
Portrait of Albert Edward John, Seventh Earl Spencer
American artist John Singer Sargent’s sketch shows the Earl in uniform aged 23. Sargent was one of the leading society artists of the time and drew several members of the family including Jack’s father, the Sixth Earl. Significantly, the Seventh Earl was instrumental in consolidating the Spencer collections, overseeing the gradual move of treasures from Spencer House (still owned by the family, but not used by them) to Althorp.
A Regency mahogany library chair
This extraordinary contraption is fully equipped with a book or paper rest, candleholder and inkwell – the perfect chair for somebody studying or reading a book, it can be manipulated into various positions to allow the ideal pose for reading or annotating a text.
George John was addicted to collecting books, and spent excessively. He eventually owned 43,000 first editions, including 58 Bibles printed by the first British publisher, William Caxton. It also included early editions of Shakespeare’s work.
A pair of 18th century globes
These terrestrial and celestial globes from 1740 are both handsome and practical – Jack learnt his geography and astronomy from them. They have Chippendale-style stands with six cabriole legs balancing on lion’s paw and ball feet. They were constructed by John Senex who was a cartographer, astronomer, engraver, bookseller, publisher and geographer to Queen Anne. Senex believed, as did all other mapmakers at the time, that California was an island.
S door furniture
The 18th-century curled Spencer S-shaped door handles came from Spencer House, in London, which overlooks Green Park. Spencer House was built by the First Earl Spencer in the 1750s, and is a masterpiece of neo-Palladian design.
Portrait of Lady Jane Grey
This very rare image, believed to depict the ‘nine-day Queen’, is by Lucas de Heere and was owned by Sarah, Duchess of Marlborough. Lady Jane is shown as a girl in her family home of Bradgate, in Leicestershire, before her ascension to the throne. Caught up in the scheming of various factions at court, the teenaged Lady Jane was used as a puppet to block the claims of the Catholic Mary Tudor. Ousted from the throne, Lady Jane was executed at the Tower of London in 1554.
Portrait of Sarah Jennings after cutting off her own hair
Sarah was a woman with a terrible temper – as the story behind this portrait shows. She chose to have it painted to commemorate a furious marital quarrel, after which she spitefully cut off the luxuriant auburn hair that her husband adored. After his death, many years later, Sarah found this same hair hidden with his most treasured possessions – testimony to the Duke of Marlborough’s great and enduring love for his fiery wife.
Rubens portraits of Philip IV and Elizabeth of Bourbon
The Daily News described George John as ‘the ablest administrator in the Government of Mr Pitt', but at home his feisty wife, the former Lady Lavinia Bingham, ruled the roost. When she saw two impressive portraits by Rubens in 1830, she set her heart on them – but was told by George John that the coffers were bare. She therefore sold some jewellery – ‘foolish pearls’ that she didn’t often wear – to fund the purchase.
SÀvres pot au tabac
This SÀvres tobacco jar has double strap handles enclosing a spoon, and is painted with blue and gilt medallions with berried laurel swags. It dates from 1765, and was probably painted by Louis-Jean Thevanet – one of the greatest porcelain artists of the age. This piece was designed to demonstrate the owner’s generosity – guests could help themselves to the tobacco contained within. George John, Second Earl Spencer, collected many French pieces for Althorp and Spencer House, and SÀvres was his favourite manufacturer of china.
Meissen flower bowl and stand
This Meissen bowl from around 1745 is a feat of artistry. Hundreds of tiny blooms thickly encrust the piece. The flowers are delicately painted with traces of foliage and internal gilding. It is fabulously ornate yet retains a certain organic simplicity because of the delicate colouring.
An asparagus piece
There is some debate as to whether this is a scent bottle, needle case or a fork holder. Whichever it is, it is a delightfully contemporary piece in feel and theme, and was made in Germany.
Marie Antoinette’s chocolate service
This dark blue Meissen chocolate service was made for the tragic Queen of France, Marie Antoinette, to celebrate the birth of her son, the Dauphin, in 1781. The decorations allude to love, to birth and to the French royal family. Marie Antoinette was a friend to the two Spencer girls of her day – Georgiana, the famous Duchess of Devonshire, and Henrietta, Countess of Bessborough.
A portrait of Father Ignatius of St Paul
Born the Honourable George Spencer, Father Ignatius was the youngest son of the Second Earl Spencer. He grew up in Spencer House in London, and at Althorp, becoming an Anglican priest in the next-door parish of Great Brington in1824. He converted to Roman Catholicism in 1830, before moving to the demanding Passionist Order. Father Ignatius became a noted preacher, advocating the return of Britain to Roman Catholicism. In 1864, worn out by the weight of his mission, he suffered a heart attack and died while sitting alone, waiting for a friend to arrive. The Roman Catholic Church has recognised that George lived a life of ‘heroic virtue’, and in 2010 he was declared ‘venerable’ by the Vatican – a step towards possible sainthood. There is a portrait of him above the chapel’s door; this photograph from the Althorp archives shows him in 1861, aged 62.
The carved oak screen
This screen is part of a pew from St Albans Abbey, which was used by the John Churchill, when Earl of Marlborough (before he received his dukedom). It has the Churchill coat of arms and Spanish motto (Fiel pero desdichado meaning ‘faithful but unfortunate’). This phrase comes from Marlborough’s father, Sir Winston Churchill (1620-1688), whose possessions were confiscated after the English Civil War, for supporting King Charles I.
Family prayer books
The historic collection of prayer and hymnbooks in the chapel demonstrate its role in the life of the Spencers through the centuries.
This sixteenth century armorial stained glass comes from the original Spencer home – Wormleighton, in Warwickshire . The Spencer mansion at Wormleighton, which was four times the size of Althorp, was burnt down in the Civil War to prevent the Parliamentarians seizing it.
Althorp in 1677 by John Vosterman
Here we can see Althorp after Robert Spencer, Second Earl of Sunderland’s alterations, a century before Henry Holland’s overhaul of the House. Robert added pilasters to the exterior, and had the moat of the original Tudor house filled in and grassed over: the water stank in the summer, and spread damp in the winter. In this painting we can see the original Tudor red brick, which now lies beneath Holland’s mathematical tiles.
The Fifth Earl and Countess on Wimbledon Common
Sir Henry Tamworth Wells’ portrait of the Red Earl and his wife Charlotte – a great beauty, fondly called ‘Spencer’s Fairy Queen’ – is a classic piece of Victorian whimsy. The Red Earl was a keen champion of the National Rifle Association, a pre-cursor to the Home Guard.
The Red Earl was a man of great generosity and public-spiritedness, and gave Wimbledon Common to the nation. In gratitude, he was made a Knight of the Garter – the highest order of chivalry in the gift of the monarch.
Portrait of Sir Robert Spencer, by Marcus Gheeraerts the Younger
Resplendent in red robes, Sir Robert Spencer, in many ways the founder of the Spencer family, is shown looking prosperous and patriarchal by the Flemish artist so popular in Elizabethan and early Jacobean times. Gheeraerts also painted Elizabeth I, Francis Drake and James I. He was the most important artist working in England until the arrival of his fellow countryman Van Dyck, a generation later.
Portrait of Charles Spencer, Ninth Earl Spencer by Nelson Shanks
Nelson Shanks is one of the great society portrait painters of the last quarter century, from the United States. He asked Earl Spencer if he could paint him, as a follow up to his portrait of Diana, Princess of Wales. The portrait of brother and sister now hang as a pair. In his portrait, Earl Spencer holds the handwritten notes he jotted down, before writing the Eulogy for his sister, delivered at her funeral on 6 September, 1997.
Portrait of Diana, Princess of Wales by Nelson Shanks
Painted by Nelson Shanks in 1994, this portrait of Diana, Princess of Wales was completed around the time of her divorce.
It used to hang in the Princess’s home, Kensington Palace. It captures the princess in almost photographic detail and has a wistful, tragic, but undefeated aura.
Diana sat perhaps 50 times for this painting, and it became one of her favourites.
Very few painters managed to capture the sheer life force of Diana in oils. Here, Shanks has pulled this off with huge style
The Spencer ‘s’
The earliest recorded pieces of needlework in the house are the canvas work ‘S’ motifs on velvet drapes, made by Lady Dorothy Sidney in the mid-seventeenth century
The Reynolds portrait
Jack has the distinction of being the only person to have been painted by Reynolds, and also to have been photographed – an illustration of the scope of the changes that took place during his lifetime. He was only four years old when he was painted, capturing him in what has since become a traditional Spencer family pageboy’s outfit. Reynolds disliked painting hands, which may explain why one of Jack’s is all but hidden in the silk sash.
Bibles and prayer books
3rd Earl Spencer commissioned paintings in The Sunderland Room
Winston Churchill signature ('The Life and Times of the 1st Duke of Marlborough' in the Library - which I believe he signed to my grandfather. this 4-voulme work was partly researched at Althorp, in the 1930s)
In 1999, Charles, Ninth Earl Spencer planted an avenue of 36 oaks, one for each year of his sister Diana’s life. This continues a lengthy tradition of planting by the Spencer family. The oldest tree in the Park is the 72–foot Crimea Oak, which was planted by Sir John Spencer III, in 1589. He seeded a great forest in order to boost timber stocks as a response to the destruction of ships in the defeat of the Spanish Armada the year before.
A special self-supporting scaffold covered the house while the roof and exterior were being restored between 2009 and 2011. 48 tonnes of new stonework were added, replacing the decayed originals. In addition to this, 120 tonnes of fresh lead were used to replace the cracked 2,382-square-metre roof. The project took two years but should see Althorp withstand many decades in good health.
Britannia by Mitch Griffiths
Self-taught artist Mitch Griffiths juxtaposes the classic techniques and compositions of the Old Masters with acerbic social commentary. His detailed, figurative paintings are bluntly honest and thought provoking. Earl Spencer bought this and Rehab (hung between the Wootton Hall and the Library) in 2010 to consolidate the magnificent art collection at Althorp.
Edward Burra watercolour of ‘Dublin’
Charles Spencer says; ‘In my 20 years at Althorp I have added various pieces of a later era. In particular, I have collected works by Edward Burra, an artist I fell for after attending a gallery opening in Chelsea 25 years ago. In the mid-1980s he was not as popular as now, and his work was undervalued: I bought a large and dramatic opera design by him with my first pay cheque as a broadcaster. Since then I have bought a further handful of Burra’s watercolours, which I love for their originality, vibrancy, and quirkiness. One of his paintings recently sold for £2 million. The ones I have at Althorp are not of that quality, but they are not out of place in the house, and stand as contributions from my years of stewardship to the historic collection.’
The Seventh Earl opened Althorp to the public from 1953, giving guided tours himself. He had tried to interest the National Trust in taking over the house, but its roof was in too great a state of disrepair for the organisation to contemplate. The Seventh Earl had a passion for his family’s history, but sometimes became exasperated by paying visitors who didn’t share his encyclopaedic knowledge of art and furniture history. He was so careful to protect the interiors he provided caps for ladies to place on their stilettos to limit damage to the floors.
Portrait of Lady Spencer
Lady Cynthia Hamilton, a daughter of the Third Duke of Abercorn, became Jack’s wife in 1919, and was a Lady of the Bedchamber to the Queen Mother from 1937 until her own death in 1972. She received an MBE for her charitable work, and the hospice in Northampton remembers her great popularity by still carrying her name. This portrait by Ben Nicholson bears an uncanny resemblance to her much–loved granddaughter, Diana, Princess of Wales.
Portraiture on horse with Althorp behind
The Seventh Earl was very hands-on. He liked to rinse the china and dust the books in the library himself – he was immensely proud of his heritage and the treasures accrued by the family. This painting of him on his favourite horse, Miss Magtart, with Althorp in the background, shows him at ease outside the ancestral home.
As Chairman of Royal College of Needlework, one would expect the Earl to have an interest in the craft, but his was a practical appreciation and these chairs serve as an example of his own skill.
Summer House, Round Oval
The Red Earl bought this summer house from Admiralty House’s gardens in 1901. It was moved to the sunny, south bank of the lake in 1926 and since 1997 has been dedicated to the memory of Diana, Princess of Wales, whose lakeside burial place it overlooks. The summer house has been embellished with a central silhouette of Diana in black marble on white in its centre, with tablets containing a quote from Diana on one side, and one from her brother’s eulogy at her funeral on the other.
These are the family’s favourite chandeliers in a house brimming with not short of beautiful lighting. These simple, elegant chandeliers came to Althorp from Dublin Castle following the Red Earl’s Lord Lieutenancy of Ireland. The finely cut crystal demonstrates the refractive qualities synonymous with Waterford’s creations, but they also have a simplicity about them that chimes with Honest Jack’s principles and accomplishments.
The Red Earl owned the first known pair of running spikes. Spiked running shoes were first developed in 1852, and by the 1860s English spikes had become popular the world over. Wimbledon Common became a centre for all kinds of sports after the Red Earl donated it to the nation. It is home to the world’s oldest cross country club, the Thames Hare & Hounds, founded in 1868. The Spencer Club was founded four years later, and today has 500 members.
The Red Earl bought these vases for his wife Charlotte. They are decorated with putti representing the four seasons, and are notable for their lack of gilding.
The Red Earl’s passion was foxhunting. This prize-winning hound, ‘Forager’, was his favourite, hence the life-sized bronze, which he commissioned in 1893. Forager is captured for all time, his tail erect, in perfect shape, the leader of his master’s pack.
Pottery brown bulls
These jugs are a little the worse for wear – probably because they used to live in the nursery. Prior to that they contained brandy. They are now placed in the Sunderland Room as homage to Jack, whose passions were foxhunting, farming and his prize-winning Shorthorn bulls.
John Charles was considered 'the great patron of English agriculture', not least because he helped found the Royal Agricultural Society in 1838. He also bred Shorthorn bulls and these paintings celebrate his prizewinners. He was a keen foxhunter and, when he had commitments at Parliament, kept a horse every 10 miles between Althorp and London so that he could ride speedily to the countryside to join the local Pytchley hunt.
These terrestrial and celestial globes from 1740 are both handsome and practical – Jack learnt his geography and astronomy from them. They have Chippendale-style stands with six cabriole legs balancing on lion’s paw and ball feet. They were constructed by John Senex who was a cartographer, astronomer, engraver, bookseller, publisher and geographer to Queen Anne. Senex was convinced that California was an island.
Sèvres pot au tabac
This Sèvres tobacco jar and cover has double strap handles enclosing a spoon, and is painted with blue and gilt medallions with berried laurel swags. It dates from 1765, and was probably painted by Louis-Jean Thevanet – one of the greatest porcelain artists of the age. George John, Second Earl Spencer collected and commissioned pieces by Sèvres.
A world-class library
George John spent most freely on his famous library, which eventually comprised 43,000 first editions. His library included 58 bibles by William Caxton the first English retailer of printed books. It also contained illustrated original editions of Shakespeare’s work. It was sold in 1892, and much of it can now be seen at the John Rylands Library in Manchester.
Marie Antoinette chocolate set
This Meissen chocolate set-for-one is believed to have been made for Marie Antoinette to celebrate the birth of her son, the Dauphin, in 1781. The decoration alludes to love, birth and the French royal family. Marie Antoinette was a friend of the Spencer daughters, Georgiana and her sister Henrietta.
Meissen card box
This highly unusual porcelain box contains four smaller boxes inside. These were to hold counters used in card games. The outside has visual references to card games and the inside has a detailed still life.
Angelica Kauffman family portrait
Here we see Georgiana just before her marriage, with her brother, George John, Second Earl Spencer, and sister Henrietta, Countess of Bessborough. It was painted by the Swiss-Austrian Neoclassical artist in 1774.
Scape Flood by Stubbs
Painted in 1777, this is a classic equestrian portrait by Stubbs, demonstrating his unmatched interest in anatomical accuracy. Scape Flood was a thoroughbred Bay owned by Georgiana’s husband, the First Earl Spencer.
Designed by James ‘Athenian’ Stuart, the tableaux above these mirrors tell the story of the power of Georgiana and John’s love. Griffins from the Spencer coat of arms pull the chariots, which are driven by cherubs – representing love. The First Earl was saying to his wife, through this symbolism: when their love life is going well, then he – the Spencer griffin – could surge ahead. However, when there is a problem in their love life, then he comes to a grinding halt.
One of the loveliest pieces at Althorp is the beautiful 18th-century cabinet given to Georgiana by her husband John and their three children: George John, Georgiana and Henrietta, Countess of Bessborough.
The message inlaid into the wood is that they (represented by their carved initials, surrounding hers) aiment - or love - her.
Lady Jane Grey portrait
This very rare image of the ‘nine day Queen’ by Lucas de Heere was owned by Sarah, Duchess of Marlborough. Lady Jane is shown as a girl in her family home of Bradgate, in Leicestershire, before her ascension to the throne. Caught up in the scheming of various factions at court, the teenaged Lady Jane was used as a puppet to block the claims of the Catholic Mary Tudor. Ousted from the throne, Lady Jane was executed at the Tower of London in 1554.
The Marlborough silver
Sarah, Duchess of Marlborough, left this extraordinary collection to the Spencer family. It comprises pilgrim bottles, plates, dishes, candlesticks and wine cisterns that were accumulated by the First Duke of Marlborough and taken on his European campaigns during the War of the Spanish Succession. It is still used on important occasions at Althorp.
The Washington Chest
Made around 1650, this chest was owned by the Washington family before they emigrated to America. The Spencers lent the Washingtons – their second cousins – a home near Althorp when the Washingtons suffered financial catastrophe. The Washingtons left this chest behind in their home, when they moved on. The house is still called ‘Washington Cottage’.
Built in 1613 of the local ironstone, the Falconry provided an elevated point in the Park for the ladies of the household to view the men enjoying the sport of falconry. This Jacobean structure originally lacked glazed windows, since it was not designed to be inhabited. Tucked at the back of the Park, it became the present Earl Spencer’s base at Althorp from the age of 19 until he inherited the estate in 1992. Alteration of the upper floor in 1818 revealed watercolour murals depicting figures in Tudor dress.
Portrait by Marcus Gheeraerts the Younger
Resplendent in red robes, Sir Robert is captured looking prosperous and patriarchal by Gheeraerts, the Flemish artist so popular in the reigns of Queen Elizabeth and then King James I – he painted both monarchs, and many of their principal courtiers. He is believed by many to be the greatest portrait painter in England until Anthony Van Dyck arrived in 1632.
A Venetian Nobleman by Lorenzo Lotto
Influenced by Giovanni Bellini, Lotto was part of the Venetian School. Despite his talents, he had many competitors and struggled to earn a living. This is one of the oldest paintings in the collection, but Lotto’s prowess is such that the portrait looks fresh and contemporary.
Althorp House and Park
Wool was one of England’s great exports, and Sir John built up considerable wealth on the strength of his 19,000–head flock, founding what was to become a sheep–farming and land–owning dynasty in the midlands of England.
Coat of arms
Sir John was knighted by Henry VIII and consequently could ‘bear arms’. The Spencer coat of arms shows scallop shells (symbolic of a member of the family having been on a pilgrimage to the Holy Land), an Earl’s coronet and battle helmet and, at the top, the crest in the form of a demi–griffin. The creatures supporting the shield are a female griffin (half–lion, half–eagle and representative of strength, vigilance and wisdom) and a wyvern (a mythical sea creature with a dragon’s head and tail, and also wings). The motto ‘Dieu defend le droit’ translates from the French as ‘God defends the right’.

domain: history


text:
Consumer Brands Launches Coalition for Smart CBD Regulation
Law Enforcement, Consumer Groups Committed to Ending Wild West of CBD
FOR IMMEDIATE RELEASE
May 19, 2020
Contact: Leslie Lake, 571-378-6757, [email protected]
ARLINGTON, Va. — The Consumer Brands Association today announced the launch of the Coalition for Smart CBD Regulation, a cross-industry group committed to protecting consumer safety and advocating for necessary resources and uniform federal policies around cannabidiol (CBD).
The diverse coalition includes some of the country’s preeminent law enforcement organizations, the Major Cities Chiefs Association (MCCA), the National Narcotics Officers’ Associations’ Coalition (NNOAC) and the National Sheriffs’ Association (NSA); leading consumer watchdog group, the Digital Citizens Alliance (DCA); and critical industry groups, the National Association of Convenience Stores (NACS), the National Confectioners Association (NCA) and the Retail Industry Leaders Association (RILA).
“The coronavirus gave CBD bad actors yet another opportunity to peddle cure-alls devoid of scientific backing, crystallizing our need for greater research and federal oversight of the marketplace,” said Consumer Brands President and CEO Geoff Freeman. “We’re proud to have the support of this coalition in protecting consumer safety.”
“The NNOAC is pleased to join the Consumer Brands Association in this robust and diverse coalition to ensure that the CBD products purchased and used by American consumers are safe, effective and grounded in accepted and trusted science and clear regulatory processes,” said Bob Bushman, president, NNOAC. “Safety must be a priority.”
“The public deserves transparency and accountability about CBD products and local law enforcement needs clear guidance,” said Chief Art Acevedo, president, MCCA. “The current regulatory patchwork puts us all at a disadvantage and without additional resources for enforcement and science, public safety and public health will continue to be adversely impacted.”
Consumer Brands’ research shows that although one-in-three Americans report using CBD, the overwhelming majority (76%) assumes CBD products are subject to federal regulations, when in fact, few regulations exist. A recent investigation by DCA found that 70 percent of American CBD users were replacing medications for CBD for issues ranging from anxiety to Alzheimer’s disease.
The Coalition for Smart CBD Regulation is the next step in Consumer Brands’ advocacy campaign for clear, uniform guidance and federal leadership on CBD. In January, Consumer Brands formed its CBD Advisory Board and submitted its funding requests for research on the health and safety of CBD and more resources for market surveillance and enforcement to the U.S. House of Representatives. This week, Consumer Brands’ CBD Advisory Board and the NNOAC both sent letters of support for these appropriations requests to congressional leaders.
The Consumer Brands Association is also a member of the Attorney General Alliance industry working group on CBD, currently working with attorneys general across the country in stopping bad actors from continuing to market CBD as a treatment for coronavirus.
The Consumer Brands Association champions the industry whose products Americans depend on every day, representing more than 1,700 iconic brands. From household and personal care to food and beverage products, the consumer packaged goods industry plays a vital role in powering the U.S. economy, contributing $2 trillion to U.S. GDP and supporting more than 20 million American jobs.
Published on May 19, 2020
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domain: law


text:
According to the AP, a Los Angeles judge demanded that rap star Nas pay $44,000 in monthly child support payments to his estranged wife, Kelis, who gave birth to their son, Knight, yesterday. Kelis, a singer best known for her hit, "Milkshake," delivered the boy in a New York hospital. She filed for divorce from Nas last April and the two have been haggling over child support payments for months.
Nas ordered to pay Kelis $44,000 a month in child support for baby born Wednesday
- 'Sons of Anarchy' shocker: Maggie Siff says...
- 'The Voice': Top 3 are...
- 'Voice': How about a Judges' Veto?
- 'Victoria's Secret': 12 years of 'Fantasy Bras'
- 'Sons of Anarchy' season 6: Who killed, who died
- 'NCIS' recap: 'Devil's Triad'
- 'Agents of SHIELD' react: 'The Bridge'
- 'Mary Poppins': Karen Dotrice on being 'Jane Banks'


How to Get 60Hz on a 4K Monitor Stuck at 30Hz | Win 10 | Macbook Pro 4K@60FPS On External Monitor
1. Does your monitor support it?
Make sure that your monitor is rated for 4K 60Hz. Check the official specification for your model.
2. Does your graphics card support?
Most integrated graphics cards, i.e. Intel HD Graphics don’t support 4K at 60Hz. Typically dedicated graphics cards after 2016 support 4K@60Hz, but be sure to check your specifications.
3. Does your cable support 4K?
Not all HDMI or DisplayPort cables are the same. Ensure that your cable is rated for 4K@60FPS.
4. Does your port support 4K?
I have an old laptop with a dedicated graphics card, but the port is HDMI 1.4. You need a minimum of HDMI 2.0 in order to output 4k@60Hz, or else you will be locked in at 30Hz. Check your laptop/PC specification to be sure.
5. Update your monitor’s drivers
Most of the popular monitor brands have an update tool on the manufacture's website. Make sure you have the latest drivers.
NOTE: See this list of issues with M1 Macbook Monitor support.
6. Update your graphics card drivers
Download NVIDIA or AMD drivers as needed.
7. Set Hardware-Accelerated GPU Scheduling
Search “Graphics Settings” in your start menu and make sure this switch is on:
8. Update your laptop manufacture’s drivers
Acer, HP, Dell, etc — all major laptop brands have a tool for updating your drivers. Find any drivers that are related to your graphics, display, ports, etc. Update them all.
9. Update DisplayLink Adapters (Mac)
See here for the latest drivers: https://www.displaylink.com/downloads/macos
10. Update your OS
This is the trick that did it for me. I updated my MBP to Big Sur, and it finally worked! I had to click “Default For Display” in the display settings first though.
It is crucial to reboot your computer after each of these steps. Also, if you are on macOS, make sure you click “default for display” and then “scaled” in the settings to refresh the monitor settings.


text:
Man shot to death in Sydney's west (Today)
A gunman remains on the run after a man was shot several times in Sydney’s west.
A man who was shot dead in an ambush outside his family home in Sydney’s southwest was a member of the notorious Comanchero outlaw motorcycle gang and police fear it could spark a tit-for-tat war.
Fares Abounader, 39, arrived home at Wall Ave, Panania about midnight after a night of “leisure” before he was gunned down by an unknown assailant.
His wife was inside the home as multiple gunshots rang out.
Family and neighbours attempted CPR before paramedics arrived but he could not be revived after suffering several gunshot wounds.
The gunman remains on the run, as police hunt for a white SUV or wagon last seen driving east on Wall Ave.
Detective Superintendent Robert Critchlow told reporters the man was a known member of the Comanchero bikie gang, but police understood his status in the club had recently changed.
“The shooting was very calculated, very deliberate and quite brazen when you can see this was a nice suburban street and it was out the front of a family home,” he said on Sunday.
“Regardless of how he made some life choices, no one deserves to be treated like this and murdered in such a callous fashion in front of their family home.”
Police are concerned the cold-blooded shooting might result in “tit-for-tat” retaliation attempts.
Supt Critchlow warned anyone who tried would have officers including bikie gang taskforce Strike Force Raptor on their tail.
“The use of firearms to prosecute internal politics in any group in a public place is totally unacceptable and cannot stand,” he said.
“Anyone involved in violence and organised crime in Sydney, in NSW and Australia can expect police attention after this.”
Anyone with information should contact Crime Stoppers: 1800 333 000.


text:
Outdoor Playhouse / May 26, 2018 / Nicolette Sirois
This summer its going to happen. Ive got plans to build a real playhouse in the backyard. Although my kids seem happy enough with the houses they make from cardboard boxes I want something that will last through the summer and hopefully next summer too. Plus I know the kids would go nuts to get a real playhouse this year. Ive checked out the ready-made playhouses that the big toy companies sell and boy do I really hate them. Aside from being pricey they just look trashy. Last thing I want is a big piece of plastic sitting in the middle of the yard.
Tower playhouses usually have a ladder. Need a Base for a Wooden Playhouse? You do need some variety of solid base for a childrens playhouse. Whilst most childrens playhouses come with an internal floor youll still need to provide a level base for it otherwise the walls of the playhouse might not align correctly. The easiest solid base to furnish is concrete paving slabs as six or eight large slabs can be enough to provide a big enough playhouse base are relatively cheap and quite straightforward to position.
Also by remembering that you can hire a professional carpenter to complete the construction of your playhouse you will not feel limited in any way when it comes to the process of selecting your playhouse plans. If you know that you will have a professional carpenter backing you up to the entire construction process you can purchase plans of any level of complexity you desire to have. It is also a good idea to remember that you can build two different kinds of playhouses. You can construct a playhouse that rests amongst the trees or you can build a small house that rests flatly on the ground. You can also choose construction plans that utilize specific themes.

domain: design


text:
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DC FanDome: 3 ways 'The Batman' seems to upend our notion of Gotham & the Caped Crusader
Our return to Gotham City is assured, people! The Batman, Warner Bros. and DC Films' latest big screen revival of the character, made its looming presence known at DC FanDome with the premiere of a new official trailer — and we're taking a look at what's changed since all the other Bat-movies.
Following a number of pandemic-related setbacks (including the project's main star, Robert Pattinson, contracting COVID-19), the comic book film hailing from director and co-writer Matt Reeves is gearing up for a wide theatrical release on March 4, 2022.
That's less than six months away, in case you were wondering! Since this is the third Batman reboot in less than two decades, Reeves needed to do something different with the character and the world around him. How can he achieve that? Head below for three paradigm-shifting elements we noticed in the new trailer.
The darkest of knights
Batman has always been a brooding detective figure, but Reeves clearly wants to dial that aspect of the character up to 11 in this film. The filmmaker's rainy and neon-soaked interpretation of Gotham City evokes the dreary nihilism of David Fincher's 1995 neo-noir masterpiece: S7ven.
And just like Detectives Mills and Somerset, Bruce Wayne is on the trail of a sadistic serial killer, whose only motivation seems to be the joy of homicide for homicide's sake. With that said, the maniacs should be quaking in their bloody boots because this younger, more inexperienced Dark Knight (inspired by the Year One comic) is both headstrong and brutal without much to lose. He doesn't see the Bat-signal as a symbol of hope, but as "a warning" to miscreants. Moreover, when someone asks who he is, Batman answers with one word: "Vengeance."
"He doesn't have as much control over his personality," Pattinson remarked during a FanDome conversation with Reeves and Zoë Kravitz (Selina Kyle/Catwoman). "The delineation between when he's Batman and when he's Bruce is not so clear. In other iterations of it, he really knows what he's doing when he's putting on the cowl. I really liked this idea of, 'It's a little bit out of control. He hasn't completely defined what Batman is.' He gets lost in it. When he's putting it on every night, he's not sleeping, and he's becoming this odd creature."
"It’s very much a point-of-view-driven, noir Batman tale. It’s told very squarely on his shoulders, and I hope it’s going to be a story that will be thrilling but also emotional," Reeves said of his vision for the project during an interview with The Hollywood Reporter in early 2019. "It’s more Batman in his detective mode than we’ve seen in the films. The comics have a history of that. He’s supposed to be the world’s greatest detective, and that’s not necessarily been a part of what the movies have been. I’d love this to be one where when we go on that journey of tracking down the criminals and trying to solve a crime, it’s going to allow his character to have an arc so that he can go through a transformation."
Let's just hope the story doesn't end with Selina Kyle's head in a cardboard box.
New twists on old favorites
The trailer isn't shy about setting the stage for all the classic rogues we'll see in the movie. Riddler (Paul Dano), Penguin (Colin Farrell), and Catwoman (Kravitz) are all present and accounted for, albeit with a few twists on what we've seen from them in past depictions.
"I obviously understand the gravity of a character like this and what she means to so many people," Kravitz said. "But what felt really important was to focus on the story that we're telling in this moment and try and create a real human being. I don't want her to be an idea. I want her to be a real human being in a real situation in a real city trying to survive and reacting to her own pain and her history. I really, really focused on this particular story and this particular moment in this woman's life."
"It was about trying to find a way to ground her, so that she felt she had an emotional journey that made sense for who she was," Reeves continued. "That ended up being Selina Kyle, but was one that we hadn't seen before and yet [in] some ways, it does connect to the comics. That's the thing, which will be fun to share with an audience, is that there are a lot of iconic Selina Kyle aspects to the story, but I don't think any version of any of the Batman stories that have done Selina stuff have done it in this way."
Riddler, on the other hand, seems to be occupying a Hannibal Lecter-esque role, wherein he aids Batman's investigation from prison. “There’s something fun there in my character and in all the characters," Dano told The Playlist last May. "It’s the kind of movie that we’re just desperate to share on the big screen in a big way. So, I hope we all figure this [coronavirus situation] out and get excited to see a Batman movie. It will be worth it. It’s going to be really cool.”
And then there's Penguin. Farrell's portrayal of Oswald Cobblepot looks as though it has more in common with a crazed mafia boss from New York City than that of a creepy dude obsessed with flightless birds. Very different from Danny DeVito's borderline monstrous take on the tophat-wearing villain in Batman Returns.
"The creation of it, the aesthetic of the character, has been fun and I really am so excited to get back and explore it," Farrell said amidst the production hiatus caused by the pandemic. "And I haven’t got that much to do. I have a certain amount in the film. I am not all over it by any means. But there are a couple of some tasty scenes I have in it and my creation and I can’t wait to get back. Yeah, I totally feel like it is something that I have not had the opportunity to explore before. It feels original and fun. But I am only at the start of the journey so I can’t wait to get back and really get into it."
A Batmobile worthy of Dominic Torretto
You can't have the Caped Crusader without his crime-busting hot rod. It's just the natural order of things. But just like the villains, the new Batmobile flips the script on us. After two bulky iterations of the iconic vehicle in the Christopher Nolan trilogy and the Zack Snyder films, Reeves opts for a sleeker, street-level design and rocket booster that wouldn't feel out of place in one of the recent Fast & Furious movies. One fan on Twitter described the car's aesthetic as "scaled-back, yet souped-up." Others drew comparisons to the Batmobile created for the 1960s TV show with Adam West.
"That, of course, that part is a dream. I mean, you know, the idea of getting to do your own version of the Batmobile, you’re just kind of like, 'Uh, what?' That part is the incredible candy, right? Like, the telling of a story is the hard work, and trying to make sure that you’re doing the right thing," Reeves said at last year's DC FanDome, where the movie dropped its first teaser trailer (despite the fact that filming wasn't even close to being finished at the time). "And then when you get to dive into the idea of this car, that again feels connected to this version of the character, a grounded version of the character — this is something that he built, and to try and look at those kind of rough scenes and imagine how that works."
Written by Reeves and Mattson Tomlin, The Batman opens exclusively in theaters on March 4, 2022.
Watch the full FanDome 2021 livestream below:


We’re delighted to publish Jerry Jobe’s latest tutorial this time it’s on the app ‘PopAGraph’ and is in two parts, this is part 2. We published Part 1 last week, if you missed that, please go here. We think you will really enjoy this, over to you Jerry (foreword by Joanne Carter).
“In the last entry we started discussing the PopAGraph app. One thing I didn’t mention is that typing the name of the app over and over is like typing a secure password – all those random capitals!
But that’s my problem, not yours. At this point, our image is masked and ready for “popping”. Notice that in the screenshot below, I’ve moved on to the Filter portion of the workflow. Even though the masking red is not shown, the image is divided by the mask into two sections – the background and the popped portions. Each portion can have a different filter applied to it by using the buttons at the bottom.
I start with the background, and try a Sepia filter. To me, that emphasizes the blue we were unable to mask out too much.
Next I try Frames, which makes the background look as though it was made of several photos.
I can’t really decide what I’m going to do with the background yet, so I move on to the foreground, or popped portion. I decide on a simple sharpening. The filters are not customizable, so while this may be a little too sharp for my tastes, I have no choice in the matter.
For the background I decide to go with Crossword for the moment. This will help show how filters and the areas surrounding the frames interact later on, but is not my ultimate choice for the background filter.
Next we move on to Frames. There are 15 frames available, and it is possible to combine shapes or have multiple frames on a single image.
When you choose a frame, it appears in the workspace with handles on it that allow you to change the size of the frame and move it around. In PopAGraph, the handles do not allow you to change the aspect of the frame or the lettering, so it doesn’t matter which handle you use. When the handles are active on a frame, that frame can be deleted with the button at the bottom.
Adjust is not used to move or change the frame, but to adjust the image within the placed frame. The instructions at the top refer to zooming and rotating the image, and the box buttons near the bottom refer to rotating and flipping the image. By the way, if you look at the frame at this point, you will see it’s a merging of two frames: the rippled circle and the triangle.
Below you’ll see I tapped the second box button and the image has rotated clockwise. The original aspect is kept, so if I accepted the rotation, those “dimmed-out” portions at the top and bottom would be cut off.
I hit the Reset button, then the Frames button at the bottom to leave Adjust. At the top of the screen I tap Style to make changes to the frame itself. When you’re in Style, you’ll see instructions at the top: swipe left and right to change the width of the frame(s), and swipe up and down to round the corners. At the bottom are some swatches to change the color of the frame(s).
Two points about this screen: the only frame that allows rounded corners is the square one. Swiping up and down on this combination pictured makes no difference whatsoever. The second point is that any changes you make affects ALL frames used. It’s not possible to have a blue frame and a white frame in the same work, and it’s not possible to have a thin frame and a thick frame.
The Preview button at the top allows you to see how the finished image will look, based on the current settings. To return from Preview mode, tap the X button at the upper right.
I decided I don’t like the combined frames, so I returned to Layout and tapped the triangle. When the handles appeared, I tapped the Delete button and it’s gone, leaving me with the rippled circle.
After setting the Frame(s), you can optionally add text. You change the text by double-tapping the default text. Only one text box is allowed, so you’ll have to do the layout entirely within a single box, with all the spacing you require. When Layout is chosen on the bottom toolbar, you’ll have options to change the paragraph alignment, the size of the text, and the spacing between characters. You can also change the size of the font by moving the handles on the text box after entering your text.
Color is changed just like the color of the frames: there are a series of swatches. If you choose the multicolored swatch, a color wheel appears as in the screenshot below and you can fine-tune your color choice. The color wheel is exited by tapping the orange column with the white lines at the right.
The font choices are rather minimal. At the moment, PopAGraph only has 16 possible choices, and three of those are variations on Helvetica. (By the way, don’t worry – I know I’ve entered the wrong country name here, but I go back and fix it later.)
The final option on the workflow is Share, but before actually saving the image, there are some final changes to make that are contained under the Share button in the right-hand menu. (In the iPhone version these options are contained in the Share section, but in the iPad version there is another section that’s called Effects. The options work the same on both versions.)
The first thing I want to do is change the standard gray backdrop. This is the area outside the frame that hides the background of the original image. Once again, you have a series of swatches, and below I’ve chosen Tomato. Not this time.
I tap the multicolored swatch, and get a color wheel, which allows me to choose a desaturated yellowish green.
In addition to the backdrop color, you can tap Effects at the bottom and change the shadowing. You can either choose a dark glow, or one of several types of drop shadows. Once again, these are either on or off – you cannot modify the opacity or amount of blur. The difference between a normal, inner and outer drop shadow will be shown in the next series of screenshots. First is the normal drop shadow, which affects only the popped area and the text.
Next is the Inner drop shadow, which also includes the Frame.
And finally there is the Outer drop shadow. In this case the background area is “pulled up” to the frame level, and gains a drop shadow. This is why I chose the Crossword filter on the background, so you could see that the filter knocks out a portion of the background so you can see the colored backdrop underneath and use a shadow on it.
One of the options for Backdrop is Clear. This will create a PNG file with a transparent backdrop that can then be brought into other programs. In this way, you can have a textured backdrop instead of a solid color. One caveat, however: you may want to nix the shadowing in PopAGraph if you have a Clear backdrop, because the partial transparency does not work all that well. In the screenshot below I have taken an image created in PopAGraph with a clear backdrop and a drop shadow into Leonardo to put it onto a textured backdrop. There is a dark shadow, but as it fades, some lightness creeps into the shadow, ruining the effect against the dark backdrop.
Even if you lighten the backdrop, there will still be a telltale color shift, as shown in the image below.
I have some fixes to do, so I go back and change the background filter to Pencil and change my text to read the correct country, Japan. Now I’m finally ready to save my result, so I tap the Share button at the upper right. The following screen appears. Where’s my frame? PopAGraph defaults to the option of saving a 15 second video of your work as it “pops out”. I’m not sure what the use of this video is, other than to advertise the app, so I switch the “Share as:” option from video to photo.
When I choose “Photo”, I am shown a representation of my final image. Unfortunately, it’s not a very good representation, with a grotesquely inflated shadow. Don’t worry, because the rendered image will look like it did before you came to the save screen, not this monstrosity. I tap the iPhone icon to save to the library.
And here’s my final image. Pretty cool!
I like working with PopAGraph, despite its drawbacks. It would be helped immensely with finer masking controls, further customizability of frames, text, and shadows, and more fonts. But it is fun and can produce some neat images.
Of course, limitations in one app can be fixed in another. In the image below, I did not add text in PopAGraph. Instead I added the text in Phonto (covered last November), and was able to use more appropriate fonts and lay out two text areas.
And in my final image, I added Distressed FX (covered this month) to bring the flat backdrop in with the spirit of the stone samurai.
I hope that you enjoyed the tutorial, and find PopAGraph a nice addition to your editing arsenal. Enjoy!


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The Health Secretary has ordered the first step in a top-level review of plans to end consultant-led maternity services at the Friarage Hospital in Northallerton.
The proposals sparked protests when they were put forward last year.
The NHS says that the changes are down to safety.
If the plans were to go ahead, some mothers would then face a journey to Middlesbrough.
Jeremy Hunt has now asked an independent panel to report back to him next month, as to whether there should be a full review.
More top news
The youngster's family say they're heartbroken as new scans show his treatment options are limited
The Frenchman had been expected to sign for Sunderland in January but the club say the player will now move elsewhere.
The Great North Snowdogs are ready to head to their new homes after being auctioned off for St. Oswald's hospice.


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Effect of Surgeon Age on Bariatric Surgery Outcomes
Stevens H, Carlin AM, Ross R, Stricklen A, Wood MH, and Ghaferi AA. Effect of surgeon age on bariatric surgery outcomes. Ann Surg 2018; 267(5):905-909.
Annals of surgery
OBJECTIVE: This study sought to explore the relationship of bariatric surgeon age and patient outcomes.
BACKGROUND: Regulators, policy makers, and patient advocacy groups have recently been pushing to establish clear guidelines for physician retirement in the United States. Although it is often assumed that increasing physician age leads to worse patient outcomes, the relationship is lacking robust evidence, and is still unclear.
METHODS: We conducted a study analyzing all bariatric surgeons in Michigan who participated in a statewide collaborative quality improvement program (n = 71) who performed primary laparoscopic Roux-en-Y Gastric Bypass, or sleeve gastrectomy operations, and data on their patients (n = 60430) over the past 10 years. Our primary outcomes were 30-day postoperative complications. Odds ratios for overall complications and serious complications were calculated for each age group, and surgery type.
RESULTS: Late career surgeons had more bariatric surgery experience and had a higher average annual case volume than early career surgeons. Considering all cases in the past 10 years, older surgeons performed more Roux-en-Y Gastric Bypass (40%) and less sleeve gastrectomy (38.8%) than younger surgeons (34.7% and 51.5%). When adjusting for patient and surgeon characteristics, there were no statistically significant differences in overall or serious complication rates for either procedure among surgeon age groups.
CONCLUSIONS: When evaluating bariatric surgeons in the State of Michigan, we found no statistically significant association between surgeon age and patient outcomes. Our findings do not provide evidence for age-specific retirement cut-offs, but support the development of guidelines which are holistic, and focus on evaluating and improving physician outcomes at all career levels.
Medical Subject Headings
Age Factors; Bariatric Surgery; Female; Humans; Male; Michigan; Middle Aged; Obesity, Morbid; Operative Time; Postoperative Complications; Quality Improvement; Reoperation; Retrospective Studies; Surgeons

domain: medical