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Virginia’s agriculture plays an integral in the Commonwealth. Winemakers across the state have worked tirelessly to perfect their agricultural art and craft wines that are emblematic of our sense of place. As part of Virginia Wine Month every October, the #vawine community bands together to celebrate the richness of our region with Harvest Party. The vibrant celebration is held on the third Saturday of October as a toast to the incredible community of farmers, winemakers and wine lovers in Virginia.
Five Years of Harvest Party
Since 2018, Harvest Party marks a day of gathering to celebrate the richness of our region. Where people in the city, the country and on the shore gather in restaurants, vineyards, private homes and open fields for a feast of Virginia-grown food and wine. This year, on Saturday, October 21, 2023, we toast to the fifth year of Harvest Party– a milestone that showcases the ever-growing love and appreciation for local producers and Virginia’s wine industry!
Pairing VA Wines & Food
Echoing the dedication of local winemakers, Virginia’s farmers and producers craft their goods with meticulous care and a deep understanding of the land. There is an undeniable connection between the land and its wines and produce. Resulting in local pairings of Virginian products that are nothing short of exceptional.
This Harvest Party, let your favorite local foods and wines be the center of your feast. Imagine pairing the salty taste of fresh Virginian oysters with the crispness of a Virginia white wine. The earthy notes of locally sourced vegetables with a robust red blend bring out notes of the state’s diverse terroir. Or, enjoy local artisan cheeses and meats, all a perfect complement to Virginia’s diverse wines. Seamless pairings like these help connect the land, its produce, and the wines it yields. Discover more Virginia wine and food pairings.
Annual Harvest Party celebrations help celebrate the effort and dedication of local producers to bring the finest wines and produce to the table. There are Harvest Parties being hosted around the state at vineyards and restaurants. Find one near you.
When you’re celebrating the fifth anniversary of Harvest Party make sure to share using #harvestpartyva, #vawinemonth and #vawine. Cheers to the bounty of Virginia!

domain: agronomy


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One stop brand for women clothing, Taana Baana introduces their Fall/Winter Collection line for the winters of 2013. The brand offers women with the best and stylish clothing. This visually appealing collection is also quite trendy and follows different patterns, cuts and embroidered embellishments. Taana Baana’s volume 01 of Winter Collection for 2013 includes pleasing color palettes with touch of soft light colors mixed with dark shades of blacks to treat the chilly winters. As the brand promises, “We provide our customers with the complete, elegant and stylish look saving them the time, effort and money. We are bringing you the most creative and innovative intricately embroidered fabrics. We continuously strive to blend high couture designs & styles and introduce fresh ideas in our stores on a daily basis, at affordable prices.” A perfect blend of pieces to wear casually or at parties. Check out the complete Taana Baana’s Fall Winter Collection volume 1 for the winters of 2013 below.
Taana Baana Fall/Winter Collection 2013 Volume 01
Also Check out:
- Taana Baana Fall/Winter Collection 2013 Volume 02
- Taana Baana Spring/Summer Collection 2013 with Saba Qamar
- Al Karam Flavors of Winter Collection 2012 | Fall/Winter 2012
- Khaadi Lawn Embroidered Eid Collection 2013 Volume 1
- Embroidered Chiffon Khaddar F/W Collection 2013 by Gul Ahmed

domain: design


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The United States government is seeking to impose quotas on Mexican steel exports in exchange for removing metal tariffs, the incoming government’s chief trade negotiator said yesterday.
The Trump administration imposed tariffs on Mexican and Canadian steel and aluminum in June, citing national security grounds.
Although the three countries reached an updated trilateral trade agreement last month, the protectionist measures remain in place. After completion of the NAFTA negotiations there was optimism among government officials and in the business community that the tariffs would be removed.
But the U.S. indicated two weeks ago that it might impose quotas rather than withdraw the tariffs.
Economy Secretary Ildefonso Guajardo later indicated that an agreement on their removal was required before the new trade agreement could be signed, a stand that was echoed by Foreign Affairs Secretary Luis Videgaray.
Guajardo questioned how the trade deal could be signed if there was no indication of a willingness “to eliminate tariff hostilities.”
Jesús Seade, who participated in the tail end of the trade negotiations as president-elect López Obrador’s representative, told the news agency Reuters that the current government is leading the metal negotiations but added that he had spoken to United States Trade Representative Robert Lighthizer about the possibility of removing the tariffs.
“I have had a couple of calls with Lighthizer, and it’s along those lines, to manage volumes etc. with Mexico and Canada,” he said.
Seade declined to give further details about the discussion but said that the tariffs issue had to be resolved before the new administration takes office on December 1.
“There is a month and a half left, so it needs to be resolved now,” he said.
Mexico exported US $2.5 billion of iron and steel to its northern neighbor last year, according to the U.S. Census Bureau.
However, it imported quantities of the same metals from the United States that were worth even more.
The U.S. reached a deal with South Korea in March to end steel tariffs in which the latter country agreed to cut its exports of the metal by 30% compared to averages over the past three years.
During negotiations to reach the new North American accord, a source told Reuters that United States officials informed their Canadian counterparts that they wanted a similar agreement for steel and aluminum imports.
However, Canada rejected the demand, specifying that any cap on metal imports to its neighbor would have to be higher than current levels to allow shipments to increase.
Source: Reuters (sp)

domain: finance


What’s Robert Trujillo’s Net Worth?
Robert Trujillo is a musician and songwriter who’s finest generally known as the bassist of the heavy metallic band Metallica, which he joined in 2003. Robert Trujillo has a net worth of $30 million. Previous to Metallica, he was a member of the hardcore punk band Suicidal Tendencies, and joined the funk metallic supergroup Infectious Grooves. Trujillo has additionally carried out with Ozzy Osbourne and the heavy metallic band Black Label Society.
Trujillo has additionally had small roles in tv and movie, together with a non-speaking position within the 1978 Walter Matthau movie Home Calls and a minor position within the 1980 Gary Coleman made-for-TV movie Scout’s Honor. He additionally performed a personality named “Flippy” in a 1982 episode of the tv drama collection CHiPs. In 1992, he appeared as himself, alongside together with his Infectious Grooves’ band mates, within the hit Brendan Fraser comedy movie Encino Man.
Robert Trujillo was born on October 23, 1964 in Santa Monica, California, and was raised in Culver Metropolis. He’s of Native American and Mexican ancestry. Trujillo turned occupied with music early on in life, and went on to carry out in quite a few occasion bands. On the age of 19, he attended jazz faculty with the purpose of turning into a studio musician, however in the end determined to nurture his love of rock and metallic as an alternative.
In 1989, Trujillo gained widespread recognition when he changed Bob Heathcote because the bassist of the California hardcore punk band Suicidal Tendencies. He was subsequently on the group’s album “Managed by Hatred/Really feel Like Shit…Déjà Vu,” on which he was credited beneath the title Stymee. Trujillo remained with Suicidal Tendencies by way of 1995, showing on the albums “Lights…Digicam…Revolution!,” “The Artwork of Revolt,” “Nonetheless Cyco After All These Years,” and “Suicidal for Life.”
Whereas he was nonetheless part of Suicidal Tendencies, Trujillo started a facet undertaking known as Infectious Grooves. Led by Suicidal Tendencies frontman Mike Muir, the funk metallic supergroup additionally consists of guitarists Dean Pleasants and Jim Martin and drummer Brooks Wackerman. Previous members included Adam Siegel, Josh Paul, Eric Moore, and Stephen Perkins. Infectious Grooves launched its first album, “The Plague That Makes Your Booty Transfer… It is the Infectious Grooves,” in 1991. The group subsequently launched the albums “Sarsippius’ Ark,” “Groove Household Cyco,” and “Mas Borracho.” Infectious Grooves is thought for its goofy humorousness, together with its comedy skits that includes an anthropomorphic reptile known as Aladdin Sarsippius Sulemenagic Jackson III.
In February of 2003, two years after the departure of bassist Jason Newsted, Trujillo joined the heavy metallic band Metallica. He acquired $1 million as an advance for becoming a member of. Trujillo’s first album with the band was 2008’s “Demise Magnetic,” which peaked at primary on the Billboard 200. It went on to obtain six Grammy Award nominations, profitable three together with Greatest Metallic Efficiency for the music “My Apocalypse.” From 2008 to 2010, Metallica launched into the World Magnetic Tour to advertise the album. Trujillo’s subsequent document with the band was “Hardwired… to Self-Destruct,” which was launched after an eight-year hole in 2016. It turned Metallica’s sixth consecutive studio album to debut atop the Billboard 200, and acquired a Grammy Award nomination for Greatest Rock Album. Together with the opposite members of Metallica, Trujillo has been inducted into the Rock and Roll Corridor of Fame.
Starting within the late 90s, Trujillo was a member of Ozzy Osbourne’s band. He wrote a variety of songs on Osbourne’s 2001 album “Right down to Earth,” and re-recorded bass tracks for reissued variations of the albums “Blizzard of Ozz” and “Diary of a Madman.” Trujillo additionally shaped the experimental supergroup Mass Psychological with singer Benji Webbe; after releasing one studio album in Japan and one dwell album of a Tokyo efficiency, the group disbanded. Following this, Trujillo briefly carried out with the heavy metallic band Black Label Society, led by Zakk Wylde. He contributed bass to 2 songs on the group’s 2002 album “1919 Everlasting.” Additionally in 2002, Trujillo served because the bassist on Jerry Cantrell’s solo album “Degradation Journey.”
Past his music profession, Trujillo was a author and producer on the 2014 documentary “Jaco.” Directed by Paul Marchand and Stephen Kijak, it chronicles the life and loss of life of jazz bassist Jaco Pastorius.
Approach and Bass Gear
Trujillo is generally a finger-style participant, though he typically performs with a decide. He’s additionally identified for taking part in chord-based harmonics on the bass, and for utilizing the slap bass method to supply percussive sounds by way of his instrument. Whereas recording, Trujillo makes use of his personal code for writing down bass preparations, a course of he honed through the recording periods for “Degradation Journey.”
With Metallica, Trujillo primarily performs 5- and 4-string Warwick Streamer bass guitars. He has additionally performed Fernandes Gravity 5-string basses. Earlier than becoming a member of Metallica, Trujillo performed 5-string Tobias, MusicMan, and ESP basses. In live performance, he has been seen with such devices as a Yamaha TRB5-P2 5-string bass, a custom-made Rickenbacker 4001/4003 4-string bass, and each a Fender Precision Bass and a Fender Jazz Bass. In 2010, Trujillo collaborated with Dunlop Manufacturing to create new signature bass strings that use taper-core stainless-steel.
Along with his spouse Chloé, Trujillo has a son named Tye and a daughter named Lullah. Like his father, Tye is a bassist; he carried out with the nu metallic band Korn in 2017, and is a member of the band Suspect208.


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What to Look Forward to in 2023
CNS biopharma is rapidly investing in digital technologies to revolutionize clinical identification and monitoring of complex neurological disorders, through more objective, frequent, sensitive, and less invasive measures of movement, speech, and cognition.
Returning to Boston, the 2nd Digital Biomarkers & Clinical Measures in Neurology Summit is the only industry-specific meeting dedicated to developing translatable, scalable, and successful digital technologies and measures specifically to be incorporated into neurological clinical trials.
This is your must-attend meeting tackling the development of digital measures to revolutionize clinical assessments across neurological drug development.
Join Pioneering Digital Health Leaders to Hear From:
On showcasing takeaways from utilizing wearable sensors in decentralized clinical trials to sensitively measure gait and cognitive disease metrics
To breakdown the journey to regulatory approval of novel digital measures and methods to best instill confidence in regulatory bodies
To explore the best practices to select and validate disease-specific digital measures in neurological indications with poor anchors
On outlining key design considerations in usability of wearable and non-wearable technologies to maximize patient engagement through clinical data collection
To understand methods in digital measure rationale and design to optimize incorporation of novel measures into existing clinical trial frameworks
Who Will You Meet?
The 2nd Digital Biomarkers & Clinical Measures in Neurology Summit will bridge the gap between digital health leaders looking to discover novel devices and technologies and translational scientists eager to modernize CNS clinical development industry pioneers from digital health and translational neuroscience, including digital biomarkers KOLs, data scientists and biostatisticians, clinical innovation pioneers, wearable technology leaders, and digital regulatory experts.
Don’t miss your chance to network with 100+ industry experts from the likes of Alexion, AbbVie, Genentech, and ATAI Life Sciences at the helm of this ground-breaking momentum in digital health for neurological disorders to propel the potential of digital biomarkers in CNS trials.
What Your CNS Digital Health Peers Have to Say:
“Excellent opportunity to meet, learn, and collaborate with individuals with a vested interest in digital biomarkers and clinical endpoints for Neurology trials”
Michael Ropacki, Chief Medical Officer, CNS Clinical Development, Oryzon Genomics
“I really look forward to this conference and demonstrating what structured data can provide from real world and how this can improve care and outcomes as well as research and development”
Mark Gudesblatt, Neurologist, South Shore Neurology
“The Digital Biomarkers in Neuro Summit is an excellent opportunity to meet and discuss with pioneers in the field and move our collective knowledge up the field. This is how we will most quickly translate in vitro findings into real benefit for patients, clinicians and payors”
Arvind Tewari, Vice President, Digital Strategy & Operations, ATAI Life Sciences
“This meeting offers excellent opportunities for networking with experts from industry and academia”
Gul Erdemli, Global Program Regulatory Leader, Novartis

domain: medical


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CAMBRIDGE, Mass., March 16, 2011 – bluebird bio, an emerging leader in the development of innovative gene therapies for severe genetic disorders, today announced that it has entered into an agreement with the French Muscular Dystrophy Association (AFM), a French non-profit entity, whereby the company will receive an initial amount of approximately $1.4 million in cash to support the development of LentiGlobin®, the company’s development-stage program for the treatment of beta-thalassemia and sickle cell anemia. As part of the research agreement, bluebird bio has the option to draw upon an additional amount of up to $2.8 million in credit toward the manufacturing of cGMP clinical trial material at Généthon.
In December 2010, bluebird bio entered into an agreement with Généthon designed to enable substantial advances in the existing manufacturing process of lentiviral vectors for the benefit of both partners.
bluebird bio’s LentiGlobin introduces a fully functional human beta-globin gene, under the control of the beta-globin promoter and locus control regions, into the patient’s own hematopoietic stem cells. bluebird bio is currently conducting a Phase 1/2 trial examining the feasibility, safety and efficacy of LentiGlobin in the treatment of beta-thalassemia and sickle cell anemia. Based on clinical data published in the September 2010 issue of Nature, LentiGlobin therapy has shown the potential to eliminate the need for monthly blood transfusions in patients with beta-thalassemia, without the risk of graft-versus-host disease.
“This funding from the AFM will not only support our ongoing thalassemia and sickle cell clinical trial, but also signifies the beginning of an important collaboration with the AFM,” said Nick Leschly, president and chief executive officer of bluebird bio. “We are grateful for the AFM’s commitment to the advancement of a treatment that has the potential to greatly improve the lives of patients.”
Beta-thalassemia is an inherited blood disorder that is named for defects in production of the beta-globin chain of hemoglobin, the protein in red blood cells that carries oxygen. Approximately 60,000 children are diagnosed with the disease each year throughout the world. Patients typically require monthly supportive red blood cell transfusions to treat their severe anemia for life. Sickle cell anemia is characterized by clotting of improperly shaped red blood cells, which leads to a wide variety of serious health problems including chronic pain and high
risk for stroke. Sickle cell anemia affects millions throughout the world, including approximately 95,000 people in the United States.


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We are writing as the undergraduate student staff of Cornell Cinema and members of the Cornell Cinema Student Advisory Board. This past week, the Student Assembly Appropriations Committee voted against Cornell Cinema’s requested allocation of $8.50 per student from the Student Activity Fee — a 22 percent decrease from its current allocation of $10.90 per student — and instead recommended $0.00 for the next byline cycle, effective beginning next fall. This would be a cut of about $150,000, or 30 percent of Cornell Cinema’s budget.
The Appropriations Committee based their recommendation on the fact that a portion of Cornell Cinema’s allocation of the SAF goes toward professional staff wages, and claimed this to be a misuse of funds. The Student Assembly’s governing documents, however, do not stipulate that a byline-funded organization cannot use its allocation to pay wages.
Furthermore, the 2015-2016 Student Assembly approved that a portion of Cornell Cinema’s allocation from the SAF be used for professional staff wages for the 2016-2018 cycle. The 2016-2017 Appropriations Committee raised concerns regarding the usage of the SAF to pay for staff wages, but restrictions imposed by the SA on diverting these funds to other spending categories prevented Cornell Cinema from adjusting or cutting its spending mid-cycle. The earliest Cornell Cinema can cease its usage of SAF funds for professional staff wages is at the start of the next byline cycle, beginning Fall 2018. The Cinema’s commitment to doing so is reflected in the 22 percent reduction requested in its 2018-2020 byline funding application.
The SA website reports that 70.5 percent of the budget for Cornell Cinema goes toward professional staff wages. These wages are paid mostly through subsidies from the College of Arts & Sciences and outside grants. In fiscal year 2017-2018, Cornell Cinema charged its activity fee account $37,495 for wages, or 10.6 percent of total staff wages. Thus, the bulk of the $150,000 that the Cinema would lose as a result of the Appropriations Committee’s recommendation would be from funds spent on programming, not staff wages.
The members of the Appropriations Committee have stated numerous times, in their written recommendation, as well as during last Thursday’s meeting, that their decision to defund Cornell Cinema is based on the assumption that the University will cover the deficit. The Appropriations Committee has not specified a source within the University that they expect to provide this aid. Cutting 30 percent of the Cinema’s funding immediately, without the time to find replacement funds, would likely mean the end of Cornell Cinema. Without any comment from the University, the SA will make an extremely significant and permanent decision in the absence of vital information.
During last week’s Student Assembly meeting, Jaewon Sim ’21, Freshmen Representative At-Large, stated, “Students should not have to pay an annual fee regardless of whether or not they watch movies at the Cornell Cinema, and then have to pay an additional $6.50 [sic] ticket fee to use their services.” Such a reckless approach to funding student organizations sets a dangerous precedent. Like other organizations funded by the Student Activity Fee, such as Slope Day Programming Board, Cornell Concert Commission and Cornell University Programming Board, Cornell Cinema needs SAF funding to subsidize affordable ticket prices in order to be accessible to every student. Many services that are funded by the SAF, such as those that promote mental health and/or support identity-based communities, are used by only a portion of the student body. But it is critically important that these resources are available and accessible to all students. Performing a cost-per-attendee analysis on a non-profit student resource denies the unquantifiable value that such a resource provides.
If students pay for only the organizations that they use, many crucial student organizations on campus will become available only to those who can pay. By attending Cornell, students are always paying for resources they will never use, classes they will never take, and professors who will never teach them. But doing so is essential, because universities thrive when they have vast offerings — academic and extracurricular — that are open to all.
That said, a significant portion of the student population does use Cornell Cinema. Last year, 18,743 people attended Cornell Cinema, 10,212 of whom were undergraduates. Of these 10,212 undergraduate admissions, 5,800 were unique, meaning 40 percent of Cornell undergraduates attended at least one show at Cornell Cinema that year (clearly, many students attended far more than one).
In his report detailing the Appropriations Committee’s decision, Gabriel Kaufman ’18, Vice President of Finance, acknowledges that with a significant decrease in or complete cut to SAF funding, Cornell Cinema would be projected to run a sizeable yearly deficit. The Cinema could not continue to operate in this state. It would be short-sighted and irresponsible to eliminate SAF funding without guaranteed replacement funding and without a specific plan to find this funding in the immediate future. We call upon the Student Assembly to consider the repercussions of defunding a beloved cultural institution that has been valued by the Cornell community for almost fifty years. If you support the arts, vote like it.
Yuji Yang ’19
Simi Best ’19
Amy Wood ’18
Shay Collins ’18
Ilse Sweldens ’19
Izzy Pottinger ’19
Austin Ward ’17
Nathan Chazan ’19
Niara Hardister ’18
Steven Torres ’18
Nathaniel LaCelle-Peterson ’18
Noelle LaDue ’19
Franco Uribe-Rheinboldt ’20
Michael McGinnis ’20
Sage Magee ’18
Kyler Phillips ’21
Audrey DeCastro ’20
Annika Rockhill ’19
Stefan Joseph ’19
Polen Guzelocak ’22
Shay Collins ’18 is a former Sun arts editor and a Sun arts staff writer. Nathan Chazan ’19 is a current Sun arts staff writer.

domain: news


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Special Category States
This article deals with ‘Special Category States.’ This is part of our series on ‘Polity’ which is important pillar of GS-2 syllabus . For more articles , you can click here
- Constitution didn’t has concept of Special Category State. Concept of a special category state was first introduced in 1969 by the 5th Finance Commission
- Rationale for special status was that certain states, because of inherent features, have a low resource base and cannot mobilize resources for development.
- The decision to grant special category status was earlier with National Development Council.
- Initially Special Category Status was given to 8 North East States. Now 3 more added and they are 11 .
To whom it is accorded
- Hilly and difficult terrain
- Low population density or sizable share of tribal population
- Strategic location along the borders with neighbouring countries.
- Economic and infrastructural backwardness
- Non-viable nature of finances (based on this Andhra Pradesh is demanding Special Category Status)
Benefits to Special Category States (SCS) – Based on Gadgil Mukherjee Formula
- The nature of benefits to Special Category States create further demand by many states to crave for this status. The major benefits of Special Category States
- Finance Commission : Extra Weightage in Tax Sharing and Grants given to Special Category States . But 14th Finance Commission has stopped this
- Centrally Sponsored Schemes : In case of Core Schemes, Division of 90:10 whereas in other cases 60:40.
- Unspent money is carried forward and doesn’t lapse .
- Government gives various perks so that industry is setup in these states like Tax Breaks . In GST , special consideration can be given in rates
- Planned Assistance : Extra funds were given to these states for implementation of Union Five Year Plan . In this, 90% was given as Grant and 10% as loans (compared to normal states with 70% grants and 30% loans)
- Central Assistance to State’s own Five Year Plan in accordance to Gadgil Mukherjee Formula
Issues with the working of Special Category Status
- Firstly, the way Special Category Status are assigned to a state has been a matter of debate. States lobby central government to classify them in special category.
- Aid Curse : From the earlier experience, there is no guarantee that even after awarding Special category status, economic progress will take place. For economic development, it is important to follow sound economic policies.
- After 14th finance commission’s recommendations have been accepted, Special Category State status has lost relevance altogether.
Special Category Status: recent approach of government
- Finance Commission has stopped extra weightage given to Special Category States in Horizontal Division of devolved funds
- Planning Commission and Five Year Plans have been removed all together
Way ahead : Raghuram Rajan Committee’s (2013) proposal for Multi-Dimensional Index (MDI) (based on 10 factors like Health, Education, Poverty rate etc) dividing states into three categories
- Relatively Developed
- Less Developed
- Least Developed
And based on this, different benefits should be given to states

domain: politics


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Added: Keirra Pollitt - Date: 07.01.2022 08:25 - Views: 22902 - Clicks: 4873
Figure 11 is the ratio of Michigaj population of men to women and shows total male population compares as 6. The next higher population density is Reed City-Osceola County measures approximately 4. Single hot women in Maljamar New Mexico. Housewives seeking sex tonight NY Angola Want something real!
Adult wants hot sex Kinnear Wyoming Tampere nsa get together. Oshawa Pnp in turlock hotel adult hook women girl.
The city with the highest average family size in the area is Luther which indicates an average family size of 3. The city with the highest percent of Meet girls who wanna fuck Sollentuna who gave birth in the area is Evart which shows a birth rate of In Figure 21the percentage of all births in the last 12 months to mothers that were unmarried is shown unwed mothers.
Figure 31 shows the demographics for the of single men adults in each area broken out by never married, divorced and widowed. Figure 18 shows the rate of women aged 15 to 50 years old who have given birth. Data sources - Mouse over icon in upper right corner of each chart for information.
The total Hersey Michigan greater area population percent change for all areas for the years from to is shown in Figure 4 and for Hersey shows it has a Population Change of Figure 14 compares the average household size using the average of people in a family for Hersey households. For comparison purposes, Wife seeking casual sex MI Muskegon US national average and the state average value are provided. These places should be recognizable by the local community but their boundaries have no legal status. Michigan Zipcodes, all. Figure 28 compares the total of single people in each area.
All State Rankings. Lady want sex Hersey depicts it has a Family Size of 3. Figure 33 shows the Hersey demographics for the ratio of the of single men between the age of 18 and 65, in each area, broken down by age group for the Hersey metro area. Hersey, Michigan Demographics Data.
Figure 17 shows Hersey demographics for the head of household for each place using a breakdown of married-couple, male-headed alone, and female-headed alone. Figure 32 shows the of single women adults in each area broken out by never married, divorced and widowed. See: Combined Statistical Area. Hersey Michigan has the largest proportion of households at Second, it has the second smallest Dating love online relationship sorted by percent of families in husband and wife household of all the other places in the local area when ranked by households at Hersey Michigan Mothers and Children Charts The next section of charts provide a detailed look at mothers and baby births that occurred over the past 12 months.
See: Combined Statistical Area Data sources - Mouse over icon in upper right corner of each chart for information. A CSA is a large grouping of adjacent metropolitan areas that identified by the Census Bureau based on social and economic ties. Figure 34 shows the Hersey population data for the ratio of the of single women between the age of 18 and 65, in each area, broken down by age group for the Hersey metro area.
Hersey Michigan Population Charts According to the most recent Hersey Michigan demographics data available from the United States Census Bureau released in the American Community Survey in December ofFigure 1 Hersey indicates it has a Population of which is in the mid range Horn y male wants female other places in the local area.
Naughty teens looking african sex Counties, A-Z. Michigan Rankings. Mayor, City Council, etc. Figure 30 compares the single people in each area broken down by never married, divorced, and widowed. The city with the highest population in the area is Big Rapids which shows a population of 10, substantially bigger. Hersey depicts it has a Birth Rate of 6. Unwed mothers who have given birth in the last 12 Housewives wants casual sex Silver lake Indiana are also shown broken down by age group in Figure Hersey Michigan has the largest proportion of unwed mothers aged 20 to 34 at Hersey Michigan Marital Status Charts The next set of demographic data looks at the marital status for Hersey households which is useful for internet research.
I Single ladies in Hersey Michigan like date boy that loves fantage Figure 11 is the ratio of Michigaj population of men to women Lady want sex Hersey shows total male population compares as 6. Online: 5 minutes ago. I wanting teen sex Figure 28 compares the total of single people in each area. Figure Total Single People. Single women in reed city, michigan, united states Naughty teens looking african sex Counties, A-Z.Lady want sex Hersey
email: [email protected] - phone:(429) 722-9139 x 4039
I Single ladies in Hersey Michigan like date boy that loves fantage

domain: sociology


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- 6 years ago
- Wedding: December 2016
My venue was picked solely on our Spring date. Well we had to push it back. Now I am having a winter wedding outside but thats ok, the ceremony is just outside and its AZ:) The inside is also a garden setting so lots of green vines,white fences and twinkle lights. This is my problem,COLORS!!! I know blingy something and white flowers, white chair covers (what they provide). I get to pick out my flowers so I figured white with a square vase with a rhinestone band around that will look elegant. I would like blue uplighting to make it wintery also. Will satin white napkins look good with white poly table cloths or should I find a shimmery white overlay? we will only have 6-7 tables for guests and our sweetheart table. Thinking something like this so far
http://pinterest.com/pin/22447698113124908/ we will have clear vases and candles too all around
http://pinterest.com/pin/22447698113051978/ this for place cards and the menu inside
LOVE this David Tutera wedding
or something like this around the napkin http://pinterest.com/pin/22447698112961944/
Modern but Glam winter wedding. Good so far?

domain: artistic


Yangon — Rakhine State protesters have called for the release of prominent politician Dr. Aye Maung and other political prisoners.
Activists from across Ann Township on Wednesday evening attached stickers along roads and at the town’s central market, said resident Ko Myo Lwin.
“Dr. Aye Maung is a Lower House lawmaker elected by Ann residents. That’s why our township has started the sticker campaign to demand his release,” he told The Irrawaddy.
In March 2019, Dr. Aye Maung and writer Wai Hin Aung were sentenced to 20 years in prison for high treason under Article 122 of the Penal Code and another two years for sedition under Article 505, to be served concurrently. They were arrested in January 2018 in Sittwe for remarks they made earlier that month at an event in Rathedaung Township commemorating the 233rd anniversary of the fall of the Arakan kingdom to the Burmese in 1785.
In January 2020, the pair lost a special appeal to the Supreme Court of the Union.
Ann residents called for the unconditional release of other political prisoners, including Wai Hin Aung, student activists who protested against human rights violations in the state and war and other ethnic Rakhine campaigners.
Ko Htay Aung from Kan Kyun village, who participated in the sticker campaign, said: “We have conducted the campaign for the release of our representative, Dr. Aye Maung, students and Rakhine citizens who were detained on political charges.”
They said similar campaigns could be expected across the state until their demands are met.
Daw Mya Mya Thet, the wife of Dr. Aye Maung, told The Irrawaddy: “I welcome the demand of Ann residents. People have made demands and politicians have also called for their release. If the government has any union spirit and aspires to national unity and peace, I ask it to release them.”
National League for Democracy (NLD) spokesman Dr. Myo Nyunt said the government has to decide on their release.
The Ministry of Home Affairs is fully controlled by unelected members of Myanmar’s military.
“It is the business of the administration. Our party emphasizes the rule of law. We accept anything legal. It is up to the administration to consider what relaxations it can make,” said Dr. Myo Nyunt.
In October, the Arakan Army (AA) abducted three NLD candidates for Taungup Township. The NLD asked the AA to release the three if the armed group wants to solve ethnic issues and build peace.
After the AA released them on Jan. 1, hopes were high that Rakhine prisoners, including Dr. Aye Maung, would be released on Jan. 4, Myanmar’s Independence Day, when presidential pardons are usually granted. No pardons were granted on Jan. 4.
Translated from Burmese by Thet Ko Ko
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Sentinels of the Multiverse ($6.99) continues to get more content, and this time around the game received the Challenge Mode, one of the stretch goals of the Season 2 Kickstarter campaign. The Challenge Mode turns the difficulty up a notch by giving each villain a twist to his or her rules, which adds another layer of strategy on top of the existing ones. The update also adds the Ultimate Mode, which allows you to play with both the rules from Advanced and Challenge Mode at the same time, for extra challenge. Some examples of the Challenge Mode are Grand Warlord Voss playing the top card of his deck every time he flips or the Matriarch making all her domain cards indestructible. The new update also brings new achievements to the game.
Sentinels also got new Termi-Nation Variants, which are all about the mystery behind Chokepoint, Absolute Zero, Bunker, and Unity, with each hero variant also having new powers. Make sure you re-download your expansion packs (Season Pass 1, or Mini-Pack 1 and Rook City) to get the latest content. I’m still amazed at just how much content this game has, and there’s no stopping the developers, yet.

domain: hobby


Built For YouCREATING THE BEST SOLUTIONS FOR LIFTING AND POSITIONING PEOPLE AND MATERIALS
Since 1948, Elliott Equipment Company has been building an impeccable reputation that, like our equipment, has stood the test of time. Our continuous pursuit of quality and performance demands our adherence to a specific mission and core set of values.
Built For You.
For over 70 years, Elliott Equipment Company has been an innovator in the industry, designing and building unique, multi-functional products, with a team of people who care about you and your needs.
Elliott products are built to work and built to last. Whether the job involves working deep underground in a mine, performing oilfield support, or installing a transmission line, Elliott aerial work platforms and cranes see action every day in the world’s most demanding environments.
Elliott owners enjoy the peace of mind that comes from knowing their investment is backed by the best warranty in the industry.
Plus, Elliott’s multi-functionality lets you do more with a single machine. Whether you need to position people, lift loads, work at heights, dig a hole, or any combination, Elliott will work with you to create the best solution for your needs.
With Elliott, you have an investment that lets you:
- Complete jobs more quickly
- Schedule crews more efficiently
- Maximize equipment utilization
- Provide quality machinery for employees
- Enjoy the lowest cost of ownership
We Care About You.
With Elliott, exceptional products, a strong distributor support network, and the best warranty in the industry are a given. But we know you need more than that. That’s why Elliott offers you the individual attention that you deserve. Whether you need a single machine or an entire fleet, we will listen to your application needs, understand the way you work, and team with you to develop solutions that help reduce costs, increase efficiency, and improve your bottom line. When you buy an Elliott, you can expect to receive the red carpet treatment that you deserve.
We Started an Industry and Haven’t Stopped Yet.
We started an industry. There’s a lot to be said for being the first. But it’s even better to be the best. That’s what Elliott Equipment Company is all about.
A Piece of History
Back in 1948, post-war America was on the move. Travelers were taking to the newly created highways in record numbers. Electrical contractors and utilities were looking for ways to efficiently set poles and string power lines to electrify the country. And Richard Elliott, an industry pioneer, developed the first truck-mounted telescoping aerial work platform and crane. And we haven’t stopped yet.
Then, as now, Elliott used only the finest components available to build the first hydraulic, telescoping aerial work platform and crane and mounted on a conventional truck chassis. Building just one machine at a time, he drove each one from city to city – and from coast to coast. It didn’t take long for people to see the value in Elliott’s rugged design and multi-function operation. Elliott’s machines were quickly adopted by utilities, electrical contractors and state highway departments for electrical construction and highway maintenance. Now, Elliott is used in those industries and by new ones including commercial sign installation, mining, and a host of other construction and maintenance applications.
Since those humble beginnings, our customer base has grown and so too has our line of telescoping work platforms and cranes -which now numbers more than 40 models, helping workers do an amazing array of jobs. From the original HiReach to the Skywalk, BoomTruck, E-Line, Derrick Digger and Specialty Products, Elliott’s are used by leaders in industries such as electrical construction, signs and lighting, oil and gas, construction, railroad and transit, department of transportation, utility, public works, ports and mining. You’ll find Elliott products working hard, every day, around the world.
Today, Elliott Equipment Company proudly carries on the tradition that Richard Elliott started more than seventy years ago – relying on people who are dedicated to the highest standards for quality, safety and durability, working to design and build the best equipment available; and keeping you working safely and efficiently.
EQUIPMENT THAT STANDS THE TEST OF TIME
What it all boils down to is this – when you see the Elliott logo, you have a piece of equipment that is built using only the highest quality components and backed by the industry’s most comprehensive warranty and a global service network. In other words, you have an investment in equipment that truly stands the test of time.
Creating the Best Solutions for Lifting and Positioning People and Materials.
This is what we do. Listen to you. Create. Innovate. Build rugged, heavy duty, multi-function machines and back them up so you can do your job safer and more effectively with a single piece of equipment.
It is essential in the workplace and the solutions we provide.
We are dedicated to exceeding our customer’s expectations.
We operate with integrity, in a dynamic environment based on trust, teamwork, mutual respect and fun.
We are responsible to our team members, customers and stakeholders to position the business for long-term, profitable growth and financial stability.
Work For Elliott
Find current opportunities at Elliott.


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HILL, Circuit Judge.
This diversity suit was brought by three minority stockholders against the vendors and vendee of a majority block of stock in The First National Bank of Chanute, Kansas, seeking redress for alleged breaches of fiduciary duties which they contend have resulted in diminution of minority stock valuation. Following interparty depositions, argument on a motion for summary judgment was made to the court and granted in defendants' favor. Appellants now contend that the limited discovery suggests breaches of a fiduciary duty and request that the order be vacated and the case remanded for more extensive discovery and a trial on the merits.
Appellants urge that a fiduciary relationship existed between majority and minority stockholders of the banking corporation, which obligation was breached by the act of selling and purchasing, in five particulars: (1) by unlawfully financing the stock purchase with a pledge of corporate assets and relinquishment of control to the lender in violation of 12 U.S.C.A. § 83; (2) by failure of sellers to investigate the financing method; (3) by conflicts of interest in contracting for the continued services of the former bank president; (4) by failing to inform minority shareholders of the offer to purchase; and (5) by the sale of stock by insiders at a price not available to minority stockholders. The suggested remedy is to place the responsibility upon the majority for making the purchase offer ratably available to all corporate stockholders.
From a review of the briefs and record on appeal there appears no genuine issues of material facts which command the reversal of the summary judgment order.1 The controversy centers around and was precipitated by a sale of controlling interest stock in The First National Bank of Chanute, Kansas, on March 2, 1966. Prior to the sale, Dale and R. D. Painter owned 5157 of the 10,000 outstanding shares of capital stock in the Chanute bank; appellants cumulatively control 770 shares. During the preceding ten years very little trading was done in the bank's capital stock, with the per share book value fluctuating upwards from $46.40 in 1955 to approximately $98.00 in 1966. Early in 1965, Dale Painter, with the aid of a disinterested bank, evaluated the worth of the Painter family's interest in the Chanute bank. Several banks in the vicinity were informed of the Painters' willingness to sell to a qualified buyer and requested those banks, in a confidential manner, to refer prospective purchasers to Dale. Ultimately, appellee Danehower was directed to the Chanute bank and, following several months of negotiation and investigation, in March, 1966, bought the Painters' fifty-one per cent interest for $690,000 consideration. Included in the sales contract was provision for assignment of a credit life insurance agency and its assets as well as an agreement that Dale would be retained on the bank's staff for five years at an annual salary of $10,000, personally guaranteed by Danehower in the event the bank released Dale. Of the Painter family, only Dale remains, serving as Chairman of the Board;2 Danehower is now bank president. After the election of new officers, Dale and Danehower entered into another agreement, the substance of which was that Dale would be retained as a bank employee for five years at $10,000 per annum, to provide the bank his knowledge, experience and business acumen. Since the sale of controlling stock, there is absolutely no indication in the record that the bank has suffered from the change in ownership.
Our decision is premised on the conviction that all material facts are before the court and that all inferences from those facts, when drawn most favorably to appellants, do not require reversal.3 By construing all facts and allegations in a light most promising to appellants, we are left with the conclusion that of the five alleged breaches of duty, only the latter two may be considered on appeal. The failure to inform of the sale, and the price discrimination reflected therein pose the possibility of individual injury. The remaining allegations are phrased in terms of corporate injury, for which these appellants may not personally recover.4 Even if the damage to a stockholder results indirectly, as the result of an injury to the corporation, he may not sue as an individual.5
This is a diversity case dependent upon the substantive law of the forum for resolving the questions of law.6 In the course of arguing the question of "arising under" jurisdiction, the appellants have candidly admitted that there is no appearance of a federal question on the face of the complaint. It is therefore clear that this controversy does not depend upon federal question jurisdiction.7 This is not a derivative stockholder's suit directly involving the national bank; rather, it is a suit seeking personal recovery and, resultingly, appellants may not rely upon the federal organization of the bank to invoke federal question jurisdiction. This is purely a case for Kansas law. As yet, however, the questions for review have not been squarely presented to the Kansas courts and we are put to the difficult task of anticipating their decision, were the issues before them. In that regard, the trial court's view of state law will not be disturbed on appeal absent clear error.8 We are convinced that the trial court did not err.
The cornerstone of appellants' case proposed that a fiduciary duty exists regarding the sale of corporate stock by dominant stockholders and that a breach of that obligation may be redressed by individual stockholder suits. The universally accepted rule was stated by this court in Roby v. Dunnett, 88 F.2d 68, 69 (10th Cir. 1937): "* * * [E]very stockholder, including a majority holder, is at liberty to dispose of his shares at any time and for any price to which he may agree without being liable to other stockholders * * * as long as he does not dominate, interfere with, or mislead other stockholders in exercising the same rights."9 In other words, a dominant or majority stockholder does not become a fiduciary for other shareholders by reason of mere ownership of stock. It is only when one steps out of the role as a stockholder and acts in the corporate management, with disregard for the interests and welfare of the corporation and its stockholders that he assumes the burden of fiducial responsibility.10 Thus, when transferring control of the corporation, the managing majority are duty-bound not to sell controlling interest to outsiders if the circumstances surrounding the proposed transfer would alert suspicion in a prudent man that the purchasers are an irresponsible group who will mismanage and loot the corporate assets.11
The fact that controlling stock sells for more than book value, as it did here, is not evidence of fraud since it is generally recognized that majority stock is more valuable than minority stock.12 Neither is there merit in the argument that appellees, as dominant shareholders, must refrain from receiving a premium which reflects the control potential of the stock. Christophides v. Porco., 289 F.Supp. 403, 405 (S.D.N.Y.1968). Mayflower Hotel Stockholders P. C. v. Mayflower Hotel Corp., 89 U.S.App.D.C. 171, 193 F.2d 666 (1951) does not stand for the broad proposition, as urged by appellants, that majority stockholders have a duty to disclose sales terms when selling control stock. That case dealt with interlocking directorates and the sale of one corporation to another, with the minority selling their interest upon misinformation supplied by the majority. Clearly such a duty exists in those circumstances and falls within the ambit of the Roby rule. We have read the law review articles cited by counsel and conclude that they neither state the law of the forum nor the rules generally applied in other jurisdictions.13
The cases relied upon by appellants graphically illustrate the imposition of a fiduciary duty in a multiplicity of situations involving stock sales.14 Notwithstanding, while each stands for a well stated principle, their rules are inapposite to the facts of this case. In those decisions in which recovery had been granted, the sales involved elements of fraud, misuse of confidential information, looting, siphoning off for personal gain of a business advantage rightfully belonging to the corporation and shareholders in common, or wrongfully appropriating corporate assets.15 The inappropriateness of these cases is highlighted by appellants' admissions that they know of no specific misconduct on the part of the new management other than the propriety of the loan and the employment contract with Dale Painter.
The sale to Danehower appears in all respects to be fair, free of secret or undisclosed arrangements which could create a suspicious atmosphere, and was consummated in the utmost of good faith. The confidential nature of the transaction and the continued employment of Dale Painter are not indicative of a plot to loot and mismanage the bank but rather reflect the high concern of all parties that the transition period be as smooth and business-like as possible. There is not even a scintilla of evidence to the contrary. To condemn the kind of transaction involved in this case would tend strongly to discourage stock investments and would be a menace to the efficient management of corporate business.
The general rule in Kansas provides that "shares of stock of a corporation are personal property, and may be transferred like any other property, unless the transfer is restrained by the charter or articles of association * * *." Van Demark v. Barons, 52 Kan. 779, 35 P. 798 (1894).16
No mention has been made about restraints on alienation within the corporate charter or articles of incorporation. The spirit and letter of the law have not been violated by parties to the sale. Appellees were free to sell their ownership in the bank to persons who, upon satisfactory investigation, proved to be of sufficient financial worth and good character.

domain: economics


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Islamaphobia Grows in Europe after Paris Attacks
After the terrorist attacks in Paris the negative sentiment against Muslims and refugees has drastically increased in European countries. Initially refugees were perceived with compassion, warmth and sympathy. After the events in Paris the mood has changed and an Islamaphobia raised against Muslims.
In some places in France and abroad began to appear rude Islamophobic graffities on walls. There are fears that recent attacks may lead to an increase in the persecution of Muslims around the world.
According to the Independent, UK Muslim community complained of the increasing number of attacks on Muslim women after the attacks in Paris, and in Germany there have even been cases of bombing the refugee camps.
According to the testimonies collected by the working group of the French government on issues of Islamophobia, a week after the terrorist attacks in Paris, there were 115 attacks motivated by religious or racial hatred.
Most often girls and women aged 14 to 45 who wear hijabs are subjected to these attacks. The attackers are mostly local men aged 15 to 35 and a large number of such incidents occur in public places.
There is also a great verbal abuse, as Euronews reports, when it comes to expressions such as ''terrorists'', ''bombers'', ''bastards'' directed to the ordinary Muslims in the streets.
However, politicians are constantly trying to explain to people that the refugees have nothing to do with the terrorists of ''Islamic State '', and that the extremism and terrorism are not related to refugee flows into Europe.
''Some were just waiting for such a moment to show their racist attitudes '' - told one Muslim to France24, - ''Islamophobia did not appear by itself - it was created. Media and politicians should choose their words more carefully''.
''There is no ''Islamic State''. It is a Barbaric state'' – told another Muslim.
Muslims around the world are also storming social networks reporting that they are not terrorists and quoting verses from the Koran, which condemns the killing of the innocent. "ISIL (Islamic State) does not represent Islam and Muslims. We must unite to stop this group from the destruction of Islam, because our religion does not support terrorism" – they say.
In Paris, which still has not recovered from the shock, the Muslims have even organized a flash mob - embrace offered to passers-by saying: ''Islam is a religion of peace.''
- Pompeo: US "Will Continue to Lead" Fight Against Islamic State "The United States will continue to lead the coalition and the world on this essential security effort," Pompeo said as he opened a day of talks in Washington.
- Turkish Police Detain 7 Over ISIS Links One suspect is believed to be responsible for ISIS training camps that train some 2000 foreign militants per year, the daily said citing a statement by Turkey's interior ministry.
- Pentagon Chief Urges Turkey to Stay Focused on Fighting Islamic State Relations between the United States and Turkey, allies within the North Atlantic Treaty Organization, have become frayed by their diverging interests in the Syrian civil war.
- US Will Maintain Military Presence in Syria after the Defeat of IS "We cannot make the same mistakes that were made in 2011," Tillerson said to an audience that included former Secretaries of State Condoleezza Rice and George Shultz, noting that the Islamic State and...
- Isis Use of Hobby Drones as Weapons Tests Chinese Makers The first X-8 in a conflict zone was spotted in 2015 by Kurdish forces near the Mosul Dam in Iraq, while in October 2016 a bomb-laden X-8 killed two Kurdish soldiers and injured two French commandos in...
- Turkey Begins Deportation Of Captive Foreign Islamic State Terrorists To Their Home Countries The issue of the handling of Daesh/ISIS members and their families detained in Syria -- including foreign members of the terror group -- has been controversial, with Turkey arguing foreign-born terrorists...
- US Knows 'Almost Nothing' about New ISIS Leader The announcement of the new leader came in an audio message released last week by a new ISIS spokesperson, after Abu Hassan al-Muhajir, the spokesperson and right-hand man to Baghdadi, was also killed,...
- Erdogan Says Turkey has Captured Baghdadi's Wife A senior Turkish official said earlier this week that Turkey had captured Baghdadi’s sister, her husband and daughter.
- Newsweek Reveals Name of Likely Successor to Dead Islamic State Group’s Leader Abdullah Qardash, sometimes spelled Kardesh and also known as Hajji Abdullah al-Afari, was said to have been nominated by Baghdadi in August to run the group's "Muslim affairs" in a widely-circulated statement...
- Trump: ISIS is 'Totally under control' Turkish President Recep Tayyip Erdogan agreed to a 120-hour ceasefire in northern Syria following a meeting with US Vice President Mike Pence.
- EU Countries Who Refuse To Host Refugees Could Pay More For Projects EU countries who refuse to host refugees could instead pay more for EU migration and development projects in Africa, said the head of the European Parliament, Reuters reports.
- Italy Tells Rescue Ships not to Help Refugees in Peril at Sea Officials said the vessels – carrying people from North Africa to Europe – were all in Libyan waters and, therefore, Libyan responsibility.
- EU Leaders Fail on Migration After the meeting, German Chancellor Angela Merkel told reporters that the bloc had a hard job ahead of it to reform asylum rules by a deadline of June next year.
- Is the Construction of Walls by Turkey Also Beneficial for the EU? It is noteworthy that the idea of building walls by Turkey was not criticized by the EU, which, based on its values, has always been in favor of open borders with neighbors, cross-border cooperation.
- Rome Asks to Stop Sending Immigrants to the City According to polls, about half of Italians do not want immigrants to come to their country.
5 Day Weather Forecast in Armenia
Tokyo 2020 Bouquets
Anti-Government Protest Took Place In Prague
Statement by MFA of Armenia Regarding the Statements by the President of Turkey on Armenian Genocide Made in the United States
PM chairs Defense Ministry Board Meeting at Ministry of Defense Headquarters
5 Day Weather Forecast in Armenia
PM chairs Security Council Meeting
Artsakh President Receives Armenian CB Delegation
Azerbaijan Breaches Karabakh Ceasefire 210 Times in One Week
PM: All Citizens of Armenia Need to View State Budget as Family Budget
Kazakhstan is Eager to See Investments Coming from Armenia
We are with you, Venice – Armenian Embassy
Armenian Team Loses, Deprived of Opportunity to Take Part in Euro-2020
5 Day Weather Forecast in Armenia
Colonel Arayik Grigoryan Appointed Frst Deputy Director of the Artsakh Republic National Security Service
Nikol Pashinyan Held a Consultation to Discuss the Report on Armenia State Interest Fund Activities
Solemn Awarding Ceremony Took Place in the Artsakh Republic President's Residence
Dashnaks ‘Deeply Concerned’ Over Political Developments In Armenia
Artsakh Republic President Participated in the Opening Ceremony of the Library-Reading Hall of the "Matenadaran-Gandzasar" Scientific-Cultural Center
Armenia Salutes Dutch Parliament’s Stance on Opening of Resident Embassy in Yerevan
I Cannot Stop Cursing the Genocide Committed against Armenians: Fethullah Gulen's Letter Addressed to the Armenian Patriarch of Constantinople Was Found
Armenian Genocide Resolution scheduled for a vote in US House of Representatives
"You and Erdogan Brought ISIS": Cher Comments on Murder of Armenian Priest in Syria
Kim Kardashian Expects US House of Representatives Would Recognize Armenian Genocide
Only Turkish parliament can heal Armenian people’s wounds, says Garo Paylan
Reception at the Embassy of the Republic of Armenia to the USA in Honor of the Artsakh Republic Delegation
Nikol Pashinyan: “Making Real Changes for the Sake of Humans, the State and the Church Has Been My Mission”
Erdogan Demands US Hand Over SDF Chief to Turkey
Lori is a Splendid Textbook for Learning About our Native Land, While Vanadzor is One of its Most Significant and Beautiful Pages. Armen Sarkissian
Turkish Foreign Minister Hold Talks with U.S.'s Pompeo: Sources
Wind: 6 km/h


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Riivotree is a program for editing and creating XML files for Riivolution. Basically, they contain information about how to patch the game, which files to replace and much more. The goal of this program is to make editing these files much easier. Riivotree uses JDOM (v2.0.6), a library for working with XML files. Additional icons were taken from GoSquared flags pack and various Pretty Office Icons sets.
The screenshot above shows the Newer Super Mario Bros. Wii XML loaded into the editor.
The github repo can be found here: https://github.com/SunakazeKun/Riivotree
[22:47:32] Tahcryon: Sad to hear that you won’t be shitting out SMG levels, Aurum
[22:47:42] Aurum: shitting out smg levels
[22:47:47] Aurum: I really wish it would be like this
[22:47:57] Aurum: it would make things so much easier


Spending on necessities plummets
The dramatic drop in the consumption of food and basic necessities by 5 percent in first half of 2016 has revealed how hard Greek households have been hit by the economic crisis.
According to the market research company IRI, supermarket turnover in the six-month period from January to June fell by 8.8 percent compared to the same period last year, while sales volume fared even worse, plummeting 12.6 percent.
According to experts in the supermarket sector, the drop in consumption is linked to consumers’ compromised “endurance levels” and hikes in value-added tax.
“Throughout the crisis, a gradual decline in sales has been observed,” a supermarket executive told Kathimerini, adding, however, that this year witnessed an outright plunge.
In June, for instance, the value and volume of sales dropped by 14.5 percent and 17.7 percent respectively compared to the same month in 2015. This, however, was attributed to the imposition of capital controls and the calling of the referendum, which spurred consumers to rush to supermarkets to stock up on supplies.
IRI figures also showed that prices per item have risen by 3.8 percent in the first half of 2016.
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The security industry is overreacting to the recently discovered Crisis malware infecting VMWare virtual machines, according to security firm Trend Micro.
Trend Micro claimed that despite being the first malware to be uncovered infecting virtual machines, the Crisis malware is not as bad as many vendors would have you believe.
"I think its been overplayed as the malware's not using a vulnerability to infect machines," Trend Micro security director Rik Ferguson told V3.
"If it was a vulnerability it would be something that needs patching, it may even be a zero day vulnerability meaning it couldn't be patched. But the mechanism used by the malware, mounting onto a virtual file system, is part of how virtual systems work."
Ferguson's comments refer to the two types of hypervisor deployments used for virtualisation today.
"There are two types of hypervisor deployments in virtual machines, type one that replaces the operating system, and type two where the hypervisor runs on top of the host OS. Crisis is only affecting the type two deployment," he said.
Ferguson went on to clarify that because it only affects host OS deployments, Crisis could be stopped and removed with most current security software.
Crisis was originally uncovered by Symantec and Kaspersky Lab in July, targeting businesses with social engineering attacks that tricked users into running a malicious Java applet. The malware was later discovered to be far more complex than first thought, being able to infect virtual machines.
"I think it's the first malware ever to be discovered infecting virtual machines," said Ferguson.
"Traditionally most malware was designed to self destruct when it comes across a virtual machine."
Looking to the future, Ferguson warned that while the malware is not as bad as first reported, it does showcase an evolution in cyber criminals' tactics.
"If something is successful criminals will reuse it. What this shows is that criminals have realised the reality of virtual machines and enterprise," Ferguson told V3.
"They've realised they can't afford to ignore virtual machines anymore."
Ferguson's comments follow on from warnings from numerous security providers that cyber criminals are developing new advanced ways to target businesses.
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Atmospheric iodine works as a significant sink of tropospheric ozone, nullifying the harmful pollutant


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If like me you are new to the world of pinhole photography, and don't want to waste the more expensive 120 films in your collection, then try the Diana Multi Pinhole Operator with the Diana 35mm Back+ for more practice shots per roll!
I want to get better at pinhole photography and the easiest and most creative way of doing this seemed to be by using the Diana Multi Pinhole Operator. I like the idea that you can choose a number of pinholes, and also the cute color gel filters that come with it. I haven’t experimented with all this too much yet, as I am still trying to get to grip with exposure times and where best to position the camera at the moment.
Given how much more it is to buy and develop 120 film in my locality, I had been reluctant to experiment too much with this camera with the original medium format back on it. I decided that for my first few attempts I really ought to be using the Diana 35mm Back+ that I got for my Diana F+. This is a great idea, especially for a newbie such as myself because it allows you to get treble the shots per roll for your practice. It also is a lot cheaper if you happen to have a disaster (I have had a couple so far). And it means that you can have exposed sprockets, and different masks in the back so you get a variety of options.
I think that these 2 items go perfectly together and I will continue to use them in this way until I become better rehearsed in the art of pinhole photography.
Get ready to think fast and shoot faster! Today, we are thrilled share with you news of the brand new LC-A 120 Camera. Load it with any 120 film roll and experience the thrill of medium format photography. You’re sure to soak up all the action in every square shot with its fantastic 38mm f/4.5 wide-angle lens (equivalent to a 21mm lens on a 35mm film camera). It's available for Pre-Order: Extremely limited first batch stock of only 500 cameras!
It's been a little while since we've shared the latest shots taken with the brand new LC-A 120 with you. But that just means we have a fantastic collection to show you today! Our testers from around the world have been shooting from the hip and with the heart to capture their daily lives with this medium format master. Skip past the jump to spy into some Lomographic lives!
The Smartphone Film Scanner offers Lomographers and analog lovers a quick, easy and portable way to scan 35mm films. Simply turn on the Smartphone Film Scanner back-light, insert your film, take a photo of it using your Smartphone and use your phone's camera or the specially-developed App (iPhone and Android versions available) to edit and share.
Are you ready for an adrenaline rush? A little while ago, we teamed up with the snowboard and film-making collective Yougofirst and gave them a LomoKino and some film rolls to play with. After a season of crazy riding, jumps and tricks, they have finished their latest movie HETEROTOPIA which features footage shot with our 35mm movie-maker. We had the chance to catch up with Vid and Matic from the collective about the new movie and their experiences shooting analogue on the slopes. It's also our pleasure to showcase the movie here!
I backed the Kickstarter project for the Lomo’Instant earlier this year and was thrilled to receive it last week. I love how the camera naturally encourages you to experiment with its different features, whether it’s through flashing your multiple exposures with different colors or trying different creative techniques after your shots has been ejected. Here are a few tips from what I’ve discovered from playing with the camera so far (and a couple of tips I want to try out in future)!
Thought you can’t get sharp photos with the Diana F+? Think again! With the Diana+ 75mm Premium Glass Lens, you can shoot crisp and clear images with the signature dreamy appeal of the Diana. With our Adaptors you can even make it work on your Nikon & Canon dSLR!
In the wake of the news that Microsoft no longer supports the Windows XP operating system, people have started to look back at the serene photograph that became iconic for adorning computer screens around the world. However, perhaps, not many know that this famous photograph was shot on film and not digitally manipulated in any way.
A UK Community LomoAmigo and a passionate analogue photographer, Julia, better known to the community as schlogoat, has been collecting cameras for 17 years. This loyal disciple of analogue does not only shoot on film but processes her own rolls as well. Read on to find out more about her and her camera collection.
Get ready to launch your creativity with the Lomography Sprocket Rocket – The World’s first 35mm panoramic camera with exposed sprocket holes! Learn some techniques and get your hands on one to try for yourself.
Stenoflex lets you reproduce the single steps of black and white photography, from taking photos to printing. It is a simple box pierced with a tiny pinhole to allow light to enter. Put a sheet of photosensitive paper (included) inside the darkroom and expose it to your subject.
Looking for a chance to share your best Lomo'Instant snaps with the world and win seriously cool prizes? Then we've got good news for you — The Great Lomo'Instant Tag Competition of 2015 is on! And even if you don't have a Lomo'Instant yet, now is the perfect time to get one. Pick one up now so you can join in on the fun!


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New Delhi: Days after the Indian Railways created history by joining three trains carrying more than 1,500 tonnes in an ‘Anaconda’ formation, the Indian Railways on Thursday broke its own record by operating ‘Shesh Naag’, a 2.8-km-long freight train amalgamating four empty BOXN rakes.
The South East Central Railway in Nagpur division attached long haul freight train named ‘Shesh Naag’ consisting of four BOXN that is 251 wagons hauled by four electric locomotives.
रेलवे द्वारा देश में रेकार्ड 2.8 किमी लंबी मालगाड़ी का सफलतापूर्वक परिचालन किया गया। 4 ट्रेनों को जोड़कर शेषनाग नाम से मालगाड़ी चलाने का यह प्रयोग सफल रहा।
इससे एक बार में अधिक सामान को एक स्थान से दूसरे स्थान पर भेजा जा सकता है। pic.twitter.com/FgQocG00La
— Piyush Goyal (@PiyushGoyal) July 2, 2020
He said, the train had three rakes of 58 wagons and one rake of 59 wagons. The train left Parmalkasa station at 12.20 p.m.
According to railway officials, ‘Shesh Naag’ is the longest train ever to run on Indian Railways.
The whole train got the power of the four railway locomotives as a result. With this formation, Indian Railways will be able to save time required for the movement of freight trains in the Indian Railways network.
Earlier the railways had run ‘Super Anaconda’ between the Bilaspur and Chakradharpur divisions.
According to railways, on June 30 the SECR joined and ran three trains carrying more than 1,500 tonnes in a ‘Super Anaconda’ formation.
The ‘Super Anaconda’ three-in-one freight service has 177 wagons and three electric locomotives with 6,000 HP capacity each.
In April this year, the railways ran a 2-km-long Anaconda train by joining three goods trains between Bhilai and Korba.
Anaconda train uses the latest technology of Distributed Power Control System (DPCS), where leading engine controls the whole train. The engines in the middle help in hauling the wagons while also maintain the integrity of the rake.
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I have read two of Hampton Sides’s books: Ghost Soldiers: The Epic Account of World War II’s Greatest Rescue Mission, the story of the Bataan Death March (Doubleday 2001) and Blood and Thunder: An Epic of the American West, the story of Kit Carson (Doubleday 2006).
I can now add another of his narrative histories: In the Kingdom of Ice: The Grand and Terrible Polar Voyage of the USS Jeannette and heartily recommend all three.
The year is 1879 and departing from San Francisco is the USS Jeannette. Aboard is a young Naval officer named George Washington De Long and his crew of 32 men bound for uncharted Arctic waters and their destination the North Pole. Great minds are convinced there is a secret warm-water current that will provide smooth sailing to the top of the earth. There, they will find a lake surrounded by a beautiful verdant forest and a land as yet unclaimed by any nation.
Terrible is the perfect word for what lays in store. Two years at sea, a thousand miles north of Siberia, the hull is breached, they abandon ship and an hour later they watch from the closely-packed, unnavigable drift-ice as the Jeannette cracks, groans and sinks. Smooth sailing, indeed.
The cast of thinkers and characters alone is worth the read.
James Gordon Bennett, the wealthy owner of The New York Herald, had recently captured the world’s attention by dispatching Stanley to Africa to find Dr. Livingstone (who was in fact not lost) and is intent on creating another epic adventure that will sell newspapers. Of Bennett we are told: “Once, after a musical show in Amsterdam, he invited the beautiful lead actress and the entire cast to tour his yacht. Then he quietly slipped out to sea and for several days cruised the Atlantic, essentially holding the cast hostage and demanding repeat performances—all the while attempting to seduce the young starlet. Upon returning to shore, Bennett gladly paid an enormous sum to the Amsterdam theater to cover its losses.”
August Petermann, the foremost cartographer in the world believes a warm current named the Kuro Siwo sustains a nearly tropical island at the top of the world. Variations of his Open Polar Sea idea have existed since prehistoric times.
Edmond Halley, famous for calculating the orbit of the comet that bears his name, believes the earth is hollow, suffused with luminous gases, and inhabited by animals and even a race of undiscovered humans.
John Cleves Symmes Jr. argues there are large holes at both poles and they are connected. His book Theory of the Concentric Spheres, influences Congress, in 1836, to appropriate $300,000 for a scientific voyage. By the way, you can find Symmes book on openlibrary.org. It is quite the read.
As much as I enjoyed this wonderful book, I cannot help but think there is a counterpoint to this extraordinary quest, the sadness, the tragedy, the love story that is the De Long marriage, the cast of quaint, sympathetic, pompous and benighted characters and it was in the weeks after reading I began to give in to certain feelings that nagged me.
James Gordon Bennett is characterized as “a brilliant publisher with electric sensibilities and a profound intuition for what moved and mesmerized the American public.” We are told he was, “one of the fathers of the communications age … a terror to work for, he created one of the great institutions in American journalism.”
Be that as it may, he was also a liar, a fraud, a fantasist and someone for whom truth was an anathema. He was a rich, manipulative and shameless man who was probably crazy and did what he wanted. His checkbook journalism led to the deaths of countless people. Henry Stanley in his search for Livingston, who again—was not lost– was a particularly mean and vicious man who traveled to Africa with Martini-Henry rifles, a Gatling gun and a goodly supply of whips and chains and used them without compunction. If the The New York Herald was “one of the great institutions in American journalism,” I would hate to imagine the not so great.
It was an age when our means, abilities, intentions and appetites were ruled by myth, fable and belief. One might rightly think the well-intended fools, hucksters and opportunists of the 19th Century, were not so different from today. The enduring desire for wealth, fame and adventure is so innocent, enduring and boyish on the page and yet in life it is killing and destructive. Lurking beneath is a heedless, boundless rapacious need, both personal and national. Sides writes: “Throughout the 1870s, American whaling vessels had taken as many as 125,000 walruses from the Bering Strait region. The slaughter had proved to be a lucrative sideline to the whaling business. The whalers cooked the animal’s blubber into oil and hacked away the tusks to sell in ivory markets as far away as England and China. In a single season in 1876, more than 35,000 Bering walruses were killed.” Add to this tally buffaloes, wolves, elephants, lions and on and on. Unaided by glaciers, meteors, volcanoes, what have you, the second half of the 19th century saw perhaps the greatest kill-off of warm blooded creatures the world had seen. In the 19th century we killed everything we could including each other.
This is a great story and I like a great story as much as anyone, but sometimes I wonder if there is not a fundamental challenge to narrative history, the news story, narration itself. Narrative, as a form, has its requirements and expectations and these precede content, or what’s called the story. Is the news really a story or is that what we turn it into? It’s kind of like parallel parking. The space is already there and we need to cramp our tires around to fill it.
In the Kingdom of Ice: The Grand and Terrible Polar Voyage of the USS Jeannette By Hampton Sides (Doubleday 2014)

domain: library


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As the artist and Dazed 100-er opens a new London show, she tells us the formula for evading an identity crisis in the age of social media, TV and celebrity culture
Drawing upon the influence that television and digital media have on our day-to-day lives, LA-based artist, and Dazed 100-er Martine Syms brings the influence of social media, mass media and advertising to London’s ICA for her latest exhibition, Fact & Trouble. Confronting the adopted ‘traditions’ that have subconsciously become a part of global language, Syms believes that, with an infinite wealth of information at our disposal, a shared heritage is no longer limited to a set of passed-down beliefs and rituals, and that the omnipresent ‘cultural omnivore’ (a term coined in a study by Richard Peterson in 1992) embodies the mix of both high and low cultures that shape the millennial generation. Through this, Syms’ work confronts the influence of these cultural elements that have replaced the clearly defined traditions of generations past.
Flipping cultural stereotypes on their heads, Syms’ work riffs on the nuanced symbols of communication through movement and performance. As her work spans every medium from poetry to video art and live performance, her self-titled moniker of ‘conceptual entrepreneur’ ensures that she transcends any singular format or category.
With past shows at Bridget Donahue Gallery, New Museum and Walker Art Center alongside work for companies such as mega-fashion retailer Nasty Gal, Syms has journeyed far and wide through the landscape of art and commerce. She also runs her own publishing house called Dominica, an imprint which commissions original books from artists. If an identity crisis is on your 21st-century to-do list, fear not – the ‘cherry-picking’ tendency of our time is the fluid formula that Syms so richly celebrates.
“There’s an assumption that if you don’t have black figures, you’re not being political, and I disagree with that – it bothers me when people say that” – Martine Syms
A lot of your work has to do with communication and the way language is used culturally. How do you think the American mode of communication and vernacular, in particular, has informed your work?
Martine Syms: I think it’s just my native tongue – so, pop culture and advertising. I often talk about book songwriting and literature, which is native to me. I have an interest in how those things construct identities. Part of my interest in being curious in how the show will be received in London is also thinking about the way those things are exported and circulate and change based on other local cultures. The immediate thing is just my native way of speaking.
Did growing up in LA play a role in your interest in film? Is the city itself a backdrop at all to your work?
Martine Syms: Definitely. There’s an uncanniness to living in Los Angeles, from the way you move through the city to the moments of feeling familiarity or deja vu, like you’ve been somewhere or you know something when you really don’t. You’ve seen an image of it multiple times so you’re familiar with it that way. I can think of being a kid and going to Missouri, where my parents are from, and telling people I was from Los Angeles, and (people) thinking of beaches and surfing and asking if I surfed, which is very different from where I grew up, which was inland. Or Hollywood and how people think of it who actually haven’t been there and know how sleazy it is. Those are the things I like about the city – this gap between the reality and the representation. I find that to be a really productive space for me. I don’t feel on display at all here and I can kind of be left to my own devices. I’m not thinking about what everyone’s making or showing or who’s doing what. I’m able to do the work I want to do here.
Did you grow up with any traditions or practices that have influenced your work?
Martine Syms: I didn’t really grow up with any traditions. I grew up in a pretty liberal household in southern California. I think that’s part of my interest in thinking about heritage. I don’t have a second language or cultural heritage in that way. I also think that Los Angeles as a city is kind of new. As a city, there’s history to it, but the facade that you see is very new and contemporary. My thinking is that, in lieu f an official history, one of the things that you take on as your own is popular culture, which can function as a prosthetic memory or public imagination.
Do you think your work will be received differently in London than in America?
Martine Syms: I don’t think it will be too different, just because a lot of the things I’m referencing – for one, within the African diaspora there are shared cultural phases that are global. Not to discount the differences from place to place, but I do think there are things that are shared. Many of the things I talk about do kind of circulate and have this currency. Part of what I’m interested in is how those things acquire meaning and value, once they’re taken on personally. There won’t be references that someone in London wouldn’t understand. I never know how a show is going to be received, but that’s what is fun about it for me. I get to just think of this stuff and then put it out into the world, which is always a surprise. It’s really regenerative for me, seeing what people take from it.
Are there any female artists whose work you’ve really been inspired by?
Martine Syms: Pipilotti Rist is a Swiss video artist I learned about pretty early on. She’s one of the first contemporary artists I knew about and was really drawn to.
A lot of your work talks about female and racial issues. How do you go about addressing those topics without being pigeonholed?
Martine Syms: I never go about trying to address those overt issues. It’s more that there are some set things that I’m interested in learning more about. That’s usually what drives me. I try not to get too concerned with the pigeonholing. On one hand, obviously no one wants to be given restrictions on what they can and can’t do or what kind of work they make. It's not so much of a problem for me. There’s a big audience of people who would be interested in work, whether it’s from a ‘black female’ perspective or a ‘feminist’ perspective or work that doesn’t include any of that. Remarking on that, I’ve used a lot of black figures (in my work), and the same work without those figures wouldn’t be interpreted that way. Part of my real interest is in this idea of convention. There’s an assumption that, if you don’t have black figures, you’re not being political, and I disagree with that – it bothers me when people say that.
What about your interest in poetry, is that something you’ve always been drawn to?
Martine Syms: No, it’s very recent. I always thought poetry was kind of corny. This book by the poet Kevin Young is something I’ve been interested in, as well as a few modern poets, like EE Cummings or Lyn Hejinian. Poetry has been a new interest that parallels the way I write and put together some of my videos. The pieces in the ICA show I describe as an ‘incomplete poem’, with different parts. Each video is tied to a sentence, which are almost like stanzas when I piece them together. Right now there are 80, but I‘m working towards 180.
“I think that the way people are constructing themselves via social media has taken on Hollywood cues” – Martine Syms
Poetry is a format that has lost its cultural cache, but it’s interesting to see how you’ve appropriated it.
Martine Syms: Part of that is driven by digital media and the way that language is used and compressed online, from Twitter to comments, to a text message – these are all short-form. People working with that compression and trying to convey their meaning and style and mood inadvertently is how my interest in it got started. It is kind of inadvertently poetic.
You work across so many different media, but is there one that makes it easier to communicate certain ideas or topics?
Martine Syms: I think the medium or format of distributing things has its own characteristics. I think that an exhibition can communicate certain things that a video can’t, and publications communicate that in a different way. For me, it’s about this one line of enquiry I’m following. Different things I choose for different formats. I might write an essay, another thing might be presented more in a lecture format, another thing might be in a video. I try to have it so that they all accumulate towards a larger meaning and whatever that goal is. I also think about it as kind of a montage. My background really is in film, it’s what I went to school for. Viewing things through that lens and thinking about the idea of montage and how placing things together creates a ‘third’, which is something that I think a lot about. I’m putting together an exhibition which is described as an installation of collage, but montage is more appropriate in my mind – it’s an edit of different material. I want people to be in the space and think about the way they encounter things and the order across a sequence of how you would do them, I’m thinking about a way to communicate my meaning through that – the way you encounter and move through the space.
There’s an element of self-referentiality in film, especially with performance work. It seems like it’s easier to communicate the ideas you want to get across.
Martine Syms: Yeah, definitely. There’s a directness, and there’s this great quote I’ve been thinking a lot about from an artist called William Pope.L in a catalogue he did for a show in Chicago – he talks about the idea of ‘liveness’ – the idea of modes of production, especially in a screen-based world. That’s something I’ve been thinking about – improvisation is another thing – as this driver. Some of the more recent work I’ve been doing is this lecture I’ve improvised based on images, video and text. I think you have this directness and intimacy that you don’t have in other ways. You can really exploit your narrative, linear or nonlinear, whatever it is.
It’s interesting that you mention improvisation and directness. We’re in a digital age where so much of our identity is constructed and you lose that sense of spontaneity. It’s quite different to deliver something publicly and have your audience digest that in real-time.
Martine Syms: I think that the way people are constructing themselves via social media has taken on Hollywood cues. From the way people pose to the story they tell about themselves. I’m really fascinated by that – I guess I’m guilty of it. More recently, I’ve been thinking about the way I’m doing that and how it matches up really closely to archetypes and conventional narratives such as rom-com or sitcom. That’s something I really explore a lot. In the video I did for a show at the New Museum, it was A Pilot for a Show About Nowhere. The Lessons I did at the ICA show are sort of commercials because they’re 30 seconds long. I’m playing off of those conventions and they’re already preexisting, like using readymades.
Do you feel pressure to submit to this era of social media and posting online?
Martine Syms: Not pressure, more just my own addiction. I’ve been slowly on a deprogramming regimen. It's been happening for several years. I’m still on Twitter, it’s probably the one I'm most addicted to. The internet has changed so much, even in my lifetime as place to share things and put my work on. It's causing me an existential crisis because it was such a home to me for so long, that I feel a bit alienated by it right now.
Can you talk about your publishing house and how it supports your work?
Martine Syms: In Chicago I had a project space/bookshop called Golden Age. I initiated exhibition programs and organized shows where we would make a book or a zine for each one. When we stopped doing Golden Age, that was still the part I was still the most excited about. When I moved back to LA, I was kind of like, do I want to start another space? And imagining what that would be like. I decided I was most excited about commissioning other artists and getting them to realise projects. Since 2012, I’ve been doing Dominica and publishing one or two books per year. Almost everything is newly commissioned, which is most exciting for me, working with artists I’m inspired by and seeing what they’re doing. That’s kind of how it starts – I just approach people and try to develop projects with them that make sense for a book publication format.
Can you tell us about your upcoming show at the ICA and how that happened?
Martine Syms: The primary cornerstone of the exhibition is a series of 30-second videos called Lessons, that are conceived as being commercials for traditions, which is kind of loosely defined. It started as a commission from the Walker Art Center. I did a talk there, which was organised around five Lessons that were in a book by Kevin Young called The Grey Album. I started making an ad for each of these. When I was working on them, I realised there were more than just these five ‘lessons’ and started making more of these videos. They range in tone and texture, but each one explores the idea of black radical tradition – as much in terms of the way I was making it – the process – as the content that was within it. Those will be at the Mall Gallery. There will also be a wall painting that surrounds the videos with two monitors set up that will play the Lessons. I wanted this multiplicity of images to feel like an overwhelming amount. There's a digital essay which focuses on familial emphasis and putting yourself into a tradition or thinking about what that might mean.
What do you do when you lack the inspiration to keep yourself working?
Martine Syms: I like to go on couple-mile walks around LA. People always say nobody ever walks here, but I don’t think that’s true. If I feel stuck, I just start wandering around.
Martine Syms: Fact & Trouble opens at the ICA on April 20. Upcoming exhibitions include Made in LA at the Hammer Museum, Los Angeles, and Manifesta 11 in Zurich, Switzerland. Syms will be speaking at the ICA on April 22 – tickets are available here. The artist wll also participate in the ICA Artists’ Film Biennial, a five-day celebration of film and moving image, from May 25–29


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Once again, I'd like to draw the attention of all the translators and translated authors in Rara Avis to the fantastic opportunity offered by the Banff International Literary Translation Centre: a three-week residency for the translator, usually a week for the author (at the same time).
The author or translator has to be from Canada, the U.S. or Mexico. That's a lot of possibilities.
June 8 to 27, 2009
Application deadline: February 20, 2009
The Banff International Literary Translation Centre is a three-week residency program offering literary translators an opportunity to focus on a current project, consult with experienced translators, network with colleagues in an international literary forum and, in some cases, spend time with the writer whose work they are translating. Financial assistance is available.
For more information and to apply:
The Banff Centre, Office of the Registrar
107 Tunnel Mountain Drive, Box 1020
Banff, Alberta T1L 1H5, CANADA
1-800-565-9989 or 1-403-762-6180
This archive was generated by hypermail 2b29 : 23 Oct 2008 EDT

domain: literature


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In celebration of the 20th anniversary of Pennywise's Full Circle . The band will be touring Australia this fall with The Bronx. Pennywise wiill be playing Full Circle in it's entirety for this run of dates, see below to view the dates.
|Friday, 27th October||Forum Theatre||Melbourne|
|Saturday, 28th October||Eatons Hills Hotel||Brisbane|
|Sunday, 29th October||Enmore Theatre||Sydney|
|Tuesday, 31st October||Nex||Newcastle|
|Thursday, 2nd November||HQ||Adelaide|
|Friday, 3rd November||Metropolis||Fremantle|

domain: entertainment