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Writer/director Anderson follows up his acclaimed Academy Award-nominated Magnolia with Punch-Drunk Love, winner of the Best Director Award in the 2002 Cannes Film Festival—a film starring Adam Sandler and Emily Watson. 25 photos.
The Vietnam War polarized Americans. In the wake of political and military decisions, over 56,000 American lives were lost with 300,000 wounded. Over 1.5 million Vietnamese died. U.S. use of napalm, conventional bombing and Agent Orange defoliant ruined one-third of South Vietnam's land area. Applying Cold War technology and precision, the U.S. bombs dropped on North Vietnam, South Vietnam, Laos and Cambodia amounted to 8-million tons, four times the total tonnage of bombs dropped during all of World War II. Despite this effort, "victory" did not occur against a Third World adversary... Indra's Net is not a war story. A novel set against the backdrop of history and spanning four generations, Indra's Net shares the lives of two families from disparate cultures and societies. A story of family triumphs, grave losses, struggle and, ultimately, reconciliation, the novel's defining characters each play a role in this process. Set in the rural American West and Asia, Indra's Net shares the unfolding chronicle of a steadfast American family. Homesteading at Carson Valley, Nevada, in the 1800s, the Sterns family helps build community and a successful family ranching operation. The Pacific War against Japan brings Pete Sterns on a military assignment to Indo-China. These events forever change the Sterns' relationship to Vietnam. At the peak of America's military involvement at Vietnam, Pete and Sarah's oldest son, Mike, enlists in the Army and is soon sent to fight afield in Southeast Asia. The outcome of Mike's experience and a strong sense of family encourage Sarah to bridge cultures and overcome the impact of war and hostility, eventually reconciling and binding two families. InBuddhism, Indra's Net describes a series of mirrors that, when positioned correctly, present a view of the whole universe. This also provides a foundation for belief in the interconnectedness of all beings.
First published in 1991, this book is the leading reference on technical and economic factors of combined-cycle applications within the utility and cogeneration markets.
With combined-cycle applications now leading the trend toward merchant plants and the "peaking" power needed in newly deregulated markets around the world, this long-awaited second edition is more important than ever. In it, Kehlhofer -- an internationally recognized authority in the field of new combined-cycle power plants -- and his co-authors widen the scope and detail found in the first edition. Included are tips on system layout, details on controls and automation, and operating instructions. Loaded with case studies, reference tables, and more than 150 figures, this text offers solid advice on system layout, controls and automation, and operating and maintenance instructions. The author provides real-world examples to apply to your own applications.
The work of Charles Bird King, George Catlin, and Karl Bodmer looms large in the field of history, ethnology, and anthropology. No serious study of American Indian people can be undertaken without reference to it, and yet the names of these three men are largely unknown to the general public. Although King, Catlin, and Bodmer worked independently of one another, they were united in a singular vision: all were dedicated to preserving the various cultures of American Indian people through their artwork and writings. Native Americans: A Portrait presents for the first time in one volume a major selection of the original drawings, paintings, and lithographs by these three artists. More than 300 striking full-color reproductions take the reader to the American frontier to experience Indians in their original environment - performing religious ceremonies, hunting buffalo, engaging in bloody battles, and simply living their lives. Also included are dozens of magnificent portraits of the most prominent Indian leaders of the day. The accompanying text by noted scholar Robert J. Moore, Jr., describes the powerful political currents of the 1830s that led to the forced removal of the Indian tribes, while original quotes from the artists themselves offer invaluable insights into nineteenth-century white American culture.
Lapis gains new allies and new enemies as he assumes his role as the one who will overthrow the tyrannical Habit.
This book is the first in the series and is aimed for 8 - 10 year old children and is a small chapter book to help transition the children from picture books to novels.The main character, Abigail Andrews is an eight year old with a wild imagination. This imagination takes her on amazing adventures while she plays.
Pirate’s Playground is the first book to launch the series.
Abby finds a stick near her playground, in her backyard and imagines that it’s a powerful sword. She meets a little girl named, Rachel and learns that she’s the Holder of the sword and is the only one who can defeat the pirates and save Rachel’s little brother, James. Rachel teaches Abby how to use the sword and harness its power and the battle begins. The two girls work as a team to fight off the pirates. Even though they hit a couple twists and snags, Abby is able to force Captain SeaGilly to surrender, reuniting Rachel and James. As Abby raises her sword in victory, she hears her mom calling. When she looks for her mother, she realizes that she is once again in her backyard, on her playground. The book ends with Abby wondering what adventure she would find herself in next.
Humanity has fallen. Matt Noralez’s life sucks. After the war with the elves (who unfortunately don’t make toys or throw evil rings into volcanos), most of humanity is dead. The few remaining humans either live in hiding or end up as slaves in work camps. Matt has been stuck in a camp in South Carolina for about three years, and though everyone else there seems to have lost hope, he still dreams of escape.


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Facial recognition may sound like science fiction but it is increasingly present… how does this technology work exactly, how is it used and viewed from an investment perspective? Listen to John Plassard’s opinion on this growing subject.
Good morning and welcome to Weekly Insights with John Plassard.
Facial recognition may sound like science fiction, but it is increasingly present in our daily lives under Chinese leadership. According to the definition, facial recognition is software that identifies an individual based on a photo or a 3D model created from multiple images of the person. This program is common in the security field, in order to identify criminals or missing persons and authorize access to certain public places.
By analyzing the characteristics of a face, the algorithm compares its results to an established database and can be used in marketing to analyze and target a clientele according to its gender or age.The facial recognition technique made possible by artificial intelligence (AI) is also beginning to be deployed in American airports to scan the faces of all travelers. At Amazon, a system of surveillance cameras and sensors is expected to eliminate the risk of theft at a new store in Seattle equipped only with automated checkouts. Artificial intelligence facial recognition techniques not only identify people, but also their emotions, and thus ultimately prevent someone from using grime to escape the camera. IHS Markit estimates that by 2021, more than 1 billion surveillance cameras were installed worldwide. The firm also estimates that 54 percent of these cameras are located in China.
If we assume that China has 540 million cameras and distribute this number over its population of 1.46 billion, we can reasonably say that there are 373 cameras per 1,000 people. Faced with the incredible density in large cities, governments, companies and households have installed countless security cameras for various purposes, including protection against crime, but also and especially the collection of data for various purposes.
Do not hesitate to ask me for more information on this growing subject. Thank you very much. Have a great week, stay safe and keep on winning!

domain: news


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- The NYPD can feed images from 15,280 surveillance cameras in Manhattan, Brooklyn, and the Bronx into facial recognition software.
- The NYPD has used facial recognition in 22,000 cases since 2017 – but refuses to disclose details. One of these cases involved the harassment and attempted arrest of Derrick ‘Dwreck’ Ingram.
- Most surveilled neighbourhood revealed to be East New York, Brooklyn.
- More than 5,500 volunteers from 144 countries took part in the project, contributing the equivalent of nearly 11 years’ worth of research.
- Ahead of the New York City mayoral primaries, Amnesty International calls on authorities to ban facial recognition for identification purposes.
The New York City Police Department (NYPD) has the ability to track people in Manhattan, Brooklyn and the Bronx by running images from 15,280 surveillance cameras into invasive and discriminatory facial recognition software, a new Amnesty International investigation reveals today.
Thousands of volunteers from around the world participated in the investigation, tagging 15,280 surveillance cameras at intersections across Manhattan (3,590), Brooklyn (8,220) and the Bronx (3,470). Combined, the three boroughs account for almost half of the intersections (47%) in New York City, constituting a vast surface area of pervasive surveillance.
“This sprawling network of cameras can be used by police for invasive facial recognition and risk turning New York into an Orwellian surveillance city,” says Matt Mahmoudi, Artificial Intelligence & Human Rights Researcher at Amnesty International.
“You are never anonymous. Whether you’re attending a protest, walking to a particular neighbourhood, or even just grocery shopping – your face can be tracked by facial recognition technology using imagery from thousands of camera points across New York.”
East New York in Brooklyn, an area that is 54.4% Black, 30% Hispanic and 8.4% White according to the latest census data, was found to be the most surveilled neighbourhood in all three boroughs, with an alarming 577 cameras found at intersections.
Facial recognition technology threatens the right to protest and risks supercharging racist policing
The NYPD has used facial recognition technology (FRT) in 22,000 cases since 2017 — half of which were in 2019 alone. When camera imagery is run through FRT, the NYPD is able to track every New Yorker’s face as they move through the city.
FRT works by comparing camera imagery with millions of faces stored in its databases, many scraped from sources including social media without users’ knowledge or consent. The technology is widely recognized as amplifying racially discriminatory policing and can threaten the rights to freedom of peaceful assembly and privacy.
In the summer of 2020, it was likely used to identify and track a participant at a Black Lives Matter protest, Derrick ‘Dwreck’ Ingram, who allegedly shouted into a police officer’s ear. Police officers were unable to produce a search warrant when they arrived at his apartment.
Amnesty International, and coalition partners of the Ban the Scan campaign, submitted numerous Freedom of Information Law (FOIL) requests to the NYPD, requesting more information about the extent of facial recognition usage in light of Dwreck’s case. They were dismissed, along with a subsequent appeal.
“There has been a glaring lack of information around the NYPD’s use of facial recognition software – making it impossible for New Yorkers to know if and when their face is being tracked across the city,” says Matt Mahmoudi.
“The NYPD’s issues with systemic racism and discrimination are well-documented – so, too, is the technology’s bias against women and people of colour. Using FRT with images from thousands of cameras across the city risks amplifying racist policing, harassment of protesters, and could even lead to wrongful arrests.”
“Facial recognition can and is being used by states to intentionally target certain individuals or groups of people based on characteristics, including ethnicity, race and gender, without individualized reasonable suspicion of criminal wrongdoing.”
Amnesty International research has modelled the extensive field of vision of New York’s CCTV network. For example, the intersection of Grand Street and Eldridge Street sits near the border of Chinatown and was near a key location in the Black Lives Matter protests. Our investigation found three NYPD-owned Argus cameras around the site, in addition to four other public cameras and more than 170 private surveillance cameras, which our modelling suggests have the capacity to track faces from as far as 200 metres away (or up to 2 blocks).
Digital army of volunteers exposes true scale of surveillance
More than 5,500 volunteers have participated in the investigation, launched on 4 May 2021 as part of the innovative Amnesty Decoders platform. The project is ongoing to collect data on the remaining two New York boroughs, but already volunteers have analysed 38,831 locations across the city.
It was a global effort – volunteers from 144 countries participated, with the largest group of volunteers (26%) being in the United States. In just three weeks, volunteers contributed an eye-watering 18,841 hours – more than 10 working years for a researcher working full time in the USA. Participants were given Google Street View images of locations around New York City and asked to tag cameras, with each intersection analysed by three volunteers. The total figures include a mix of both public and private cameras, both of which can be used with FRT.
“The case is clear – people across the world are deeply concerned about the risk that facial recognition poses to our societies,” says Matt Mahmoudi.
“That is why Amnesty International, and coalition members from over a dozen NYC-based organisations, are calling on authorities to outlaw the use of facial recognition technology by all government agencies in New York City.”
“State Senators, City Councillors and prospective mayoral candidates have one choice – ban the scan, or risk turning New York into a surveillance city right out of the authoritarian playbook.”

domain: geography


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UC Irvine students–in support of the school's 548 undocumented students–have successfully petitioned against the U.S. Customs and Border Protection (CBP)'s participation in a career fair scheduled for tomorrow. The petition went up on Monday morning and received over 650 signatures from fellow students, undocumented students from other schools, alumni, and activists. After receiving notice of the petition, the CBP officially withdrew from the career fair Tuesday morning.
The petition's organizer, a psychology and criminology student named Amy Yu, says she and other students learned about the CBP's participation on Sunday night and decided to speak about it to the fair's representatives the following day. "They firmly stated that they valued providing fair job opportunities over the safety of undocumented students on campus," she says. Yu was inspired to start an online petition.
In the petition, Yu writes that the CBP's presence jeopardizes the emotional security of undocumented students on campus, who may have faced deportation and detention threats and/or have family members who have. Reported migra abuse and killings are also cited as reasons for the CBP's withdrawal.
Cathy Lawhon, UCI's Senior Director of Media Relations N Publications, says the CBP felt that "the opposition to their presence would be a distraction from the recruitment efforts." However, the agency will still be using the school's online job postings system to list available positions for interested students.


In this section we have gathered some of the newspaper articles and reports shared within the CoP FGM during the months of April-June 2020. For a more extensive overview see the UNICEF Annotated Bibliography on "Harmful Practices and Public Health Crises". Accessible here.
In this guide for action, UNICEF presents some key points and ways to continue the fight against FGM in times of COVID-19. Among the solutions proposed in the Agenda for Action are increased use of social networks and mass media to attract attention, reach out to the population and young people, and strengthen emergency and hotlines.
The following Webinars and Podcasts were organized or shared by members during the Covid-19 pandemic.
When the COVID-19 pandemic started many people remembered the Ebola pandemic and wondered what - if anything - we could learn from the impact that Ebola had on FGM.
During COVID-19 the members of the CoP FGM have kept busy and have adapted their work, developed adapted tools and published papers and articles related to FGM, women and girls’ rights or SRHR in times of COVID-19. In this sections you will find some resourced developed by and/or shared by members.


- Article number: 693234
- Material: 100% Cotton
- Washing instructions: Machine wash 40º
Solid colour T-shirt with Minecraft small figures print, round neckline, short sleeves and a straight fit.
Ufortunately you can not shop from our english site yet.
- All sizes in stock In stock
- Some sizes in stock Few
- Out of stock Sold out


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- 1 potato
- 2 big onions
- 1 tbsp. (1EL) oil
- 1 liter vegetable broth
- 10,06 oz cream cheese fine herbs (300g). We recommend 2 kegs Almonta Fine Herbs
- 4 slices breakfast bacon
- Wash the potato, skin it and cut it in little cubes.
- Peel the onions and cut them in fine onion rings.
- Head oil in a pot, add the onion rings and the potato cubes until it is glassy.
- Add vegetable broth and let simmer for 20 minutes.
- Also add 1 keg Almonta Fine Herbs and stir it in the soup. Then let it melt in it.
- Cut the breakfast bacon and fry it without fat in a pan.
- Put the soup in four plates. Serving it with the breakfast bacon, un dash Almonta Fine Herbs together with chives and fresh bread.
Nutrition facts (per serving):
- calories: 1323 kJ/316 kcal
- proteins: 7,1g
- fat: 27,4g
- carbohydrates: 9,5g
See all recipes
Recipes using this product
Grilled vegetable packet with Almonta-di... Wash the paprika and cut them in four parts. Remove the stem, the paprika seeds and the ...Natural pancakes Whisk together 5,3 oz (150g) Almonta Light-Yoghurt, eggs and the sparkling water. Mix...Wraps with smoked trout Mix wheat flour, salt, olive oil and water to form a dough. Set aside the dough in a pla...

domain: food


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Monday, May 11, 2009
The End of the Semester Tsunami
It's that time of the year when I carefully study the wisdom of hundreds of freshmen and sophomores in an avalanche of grading. It officially begins Wednesday.
Blogging may be light (unless I feel the urgent need to flee from all those student papers on Frida Kahlo, The Brooklyn Bridge, and the Pyramids of Egypt, if only for a moment).
A month of uninterrupted work in my studio beckons on the other side of the pile. Maybe I can finally finish something there. I have 3 paintings waiting in various states of unfinish. I've only been able to work on them sporadically during the year. I have 3 more paintings on the drawing board which I would very much like to get started.
Sooner, rather than later, I'd like to call my photographer in to take some slides. Then I'd like to use this blog to do some overdue self-promotion and publicity.
Posted by Counterlight at Monday, May 11, 2009

domain: artistic


I have recently had a sales person brag that Entropy Super Sap is a lot stronger resin than Resin Research but when i look at the data sheets to me they look very similar however the numbers dont mean a huge amount to me!
Ignorning what they are like to work with is the actual performace of the resins much different? can you tech guys help with this?
The data sheets i have been looking at are on these links
From links you post, both resin have similar tensil properties. RR don’t give how they measure elongation so it’s hard to compare with super sap. Most 2:1 high quality epoxy like those sale for surfboards have similar mechanicals and chemicals properties. Difference come more from uv stability and viscosity. In general resin with higher elasticity have lower stiffness, they have lower max strengh to break but better impact strengh, they give a softer skin that resits better to dings end less to dents.
cheers many thanks for looking at those for me its kida what i was expecting
Looks like RR edges out SS, but as you say the numbers are close. Ask SS about barcol hardness. RR excels there. Also, from my experience, you have a hard time finding a brighter, low yellowing resin than RR’s Kwik Kick. Buy a little of each and let us hear what you think.
all the best
I have actualy used booth in the past the super sap is nice to laminate with but cure times are slower and it does not do that thing were you can press or mould it as it goes tacky. At present i am staying with using RR Iwould switch if SS cured faster
Good point, Charlieukusa. I just laminated a small board and pressed an errant corner into shape after it got cheesy. I also will use 3M 233 tape on the corners after it gets a little cheesy and pull them up tight. Tape comes off easy. Oops highjack. sorry.
nice tip greg im gonna try the tape trick!
I have access to an epoxy resin with 13% elongation but only 60% the flexural and tensile strength of the current surf favorites. Are these spec’s too low for success?
Also, the Super Sap is claiming an ultimate Tg of 150 F while the others I have seen range from 115-125 F HDT, which I thought would be more like initial Tg. I was under the impression that to get to ultimate Tg you have to heat a polymer past the ultimate temp. So would postcuring these other epoxies somewhere between HDT and not melting any EPS involved get the job done of reaching a higher Tg?
Post curing at higher temp your foam can go.
If you use an élastic resin You will ended with an elastic skin. If you make it thick it will feel stiff under tumb, it will be tough under hammer but it will be heavy.
Go with Resin Research.
You will get a strong board that is lighter and it is really easy to work with…
Strength is generally dependent on modulus (stiffness) and the product your building. At Resin Research we make surfboard type resins in four different modulus’. Generally for surfboards you use 2000 resin because it has the best modulus for the foam we use and the conditions we use the product in (lots of water and standing surfers bending the boards). There is also the denting and performance issues so a higher modulus resin is preferable. Lower modulus resin don’t do so well at those aspects. So 2000 has the best (nearly the best, I’ll explain that in a minutre) modulus for board building. A quick for instance of another market we sell in, we sell 2040 resin to the Grand Canyon dory builders which is a high impact, low modulus resin with high elongation so when they hit rocks they get less damage. They don’t have to worry about the bending and twisting a surfboard takes because of the geometry of the boat and they aren’t trying to pull high perfrmance manuevers, just trying to get down the river in one piece. Every product has different specs that must be maintained for that product and surfboards have a long history of things that work. If a company is claiming it’s stronger because it has better elongation then your losing somewhere else. We sell everything so I feel that I can talk about this frankly and IMHO we know what works best through years of trial and error. I alluded to the strongest resin above. That is Kwik Kick. Best modulus vs. elongation balance, room temperature cure resin on the market. Also now available in bio based.
Cheers greg many thanks for that.


Samsung Galaxy M31s value price in Pakistan is best offer to be Rs. 48,000. Galaxy M31s lowest best offer being launched on Jul 30, 2020. That is 6 GB RAM / 128 GB inner storage variant of Samsung which is accessible in Mirage Black, Mirage Blue colors. lowest best offer Price of Galaxy M31s in Pakistan is Rs. 48,000. lowest best offer Price of Samsung in USD is $358. Samsung Galaxy M31s - The Smartphone Is packing High quality Specs Samsung will unveil its new Galaxy M31s, the smartphone that can include some highly effective specs to hit the market and create competitors amongst all of the competitor's manufacturers. The upcoming smartphone Samsung Galaxy M31s seems to be extra highly effective as in comparison with the specs of the usual model. The upcoming machine can be packing Exynos 9611 that very same chipset that's used in the opposite collection as properly. Samsung's Galaxy M31s is there to extend the execution velocity of the machine by having 6/eight gigabytes of RAM. The RAM capability of the cellphone seems to be even higher than the M31 variant. The Samsung Galaxy M31s's has acquired 128 gigabytes of inner storage capability for each the variants. That is sufficient storage that can present the person with sufficient area to maintain information there. The Galaxy M31s by Samsung have gotten a plus for you as you possibly can add extra storage because the handset has acquired a devoted slot. That is will allow the person so as to add extra storage and improve the storage capability of the Samsung M31s. The rear camera setup of the cellphone is carrying four sensors. The principle sensors can be 64 megapixels, The ultra-wide lens of the approaching Samsung
Galaxy's M31s can be 12 megapixels, the macro lens and the depth sensor of the cellphone can be 5 megapixels every. The front-facing camera setup of the Samsung Galaxy M31s can be 32 megapixels. So, the selfie shooter appears to a strong sensor, and plus the options will take the pictures to the subsequent degree. Allow us to discuss concerning the battery of the brand new Galaxy M31s's. It affords 6000 mAh capability which is certainly not is a foul capability to supply. The collection incorporates a side-mounted fingerprint reader that can make the machine very safe to make use of.
نوٹ: ویب سائٹ خرید و فروخت نہیں کرتی یہ ویب سائٹ کسٹمرز کو نئے موبائل کی معلومات فراہم کرتی ہے تاکہ وہ بہترین موبائل کا انتخاب کرسکیں۔ شکریہ


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that's why i get random numbers. i just thought i was crazy.
also: purely graphical bug.
the node irradiator no longer has the lovely laser effects :c
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Mar 15, 2015ewsmith posted a message on DT mods - EssentialCraft 3,Thaumic Bases, Essential Thaumaturgy, Buffed Tools, TerraArts, DifficultLifePosted in: Minecraft Mods
Mar 14, 2015ewsmith posted a message on DT mods - EssentialCraft 3,Thaumic Bases, Essential Thaumaturgy, Buffed Tools, TerraArts, DifficultLifepeople, really? everyone seems to be spitting random ideas on this thread.Posted in: Minecraft Mods
@modbder: using an empty mrump like a filled one causes crashes. perhaps, you could prevent it being used like a filled one?
also: how /do/ you get frozen mru early on? the only generator that seems to produce it is the cold distillator, but that requires a frozen filled mrump.
Mar 12, 2015ewsmith posted a message on [1.7.2][1.7.10] Simple Flight - It like Minecraft but with WIIINGS (and Jetpacks (...and gliders))i'm using 0.9 and i ran across an interesting bug.Posted in: WIP Mods
lava makes me fly even without any wings/gliders
i was flung into a lava lake by a creeper and i fell to my death 40 blocks above it.
Feb 28, 2015ewsmith posted a message on DT mods - EssentialCraft 3,Thaumic Bases, Essential Thaumaturgy, Buffed Tools, TerraArts, DifficultLifePosted in: Minecraft Mods
My god, man. Have some patience. Creating many mods like this group is doing isn't exactly a walk in the park.
Also: asking for an eta (Estimated Time of Arrival) is considered the apex of rudeness on most minecraft modder forums.
@Modbder: i've recently poked around in the 'new' hoanna. the environmental effects seem very common compared to before. is this intentional?
Feb 25, 2015Posted in: Minecraft Mods
such complex magic might require a loophole c:
Feb 21, 2015Posted in: Minecraft Mods
living infusion alchemy might require advanced alchemical knowledge to avoid killing the subject.
Feb 12, 2015you can rename the smooth stone ones to paver or just blockPosted in: WIP Mods
eg: 'white stone paver' or 'white stone block'
as for an idea: what about crafting iron ingots or blocks with water to make rusty flakes that can be crafted into reddish-grey variant blocks similar to nether quartz?
Jan 29, 2015ok. so i made my mrucuec room a little to small. i guess a 9 block radius circle wasn't enough. UPGRADE TIME!Posted in: Minecraft Mods
on the bright side, it looks like my 'reactor' is about to go thermo-nuclear.
also: does the corruption create the corrupted land biome or the other way around?
can i use an etherial bloom on the corrupted land, or will there be something we can use it for?
thanks again for this amazing mod
Jan 28, 2015is the mrucu's size/volume have a max limit do they increase to infinity?Posted in: Minecraft Mods
...my disco room is bleeding into my power gen room... :c
Jan 18, 2015this mod has just earned a permanent place in my minecraft. the work put into this is just amazing. i absolutely love the range and variety of power generation options and the power network system is extremely intuitive. i look at this mod the same way as i look at thaumcraft, and it doesn't disappoint. the document system is extremely nice and easy to jump into. the categories are a great touch and make finding what you're looking for almost effortless. the power generation system is quite varied and each one has its benefits and detriments. my favorite one is the natural furnace. the new dimension it adds is extremely well thought out and not just another empty world *cough-nether-cough*. by far my most favorite feature is the MRUCU. it's an amazing twist on power storage and the corruption is actually quite fun to work around.Posted in: Minecraft Mods
all in all, this mod is amazing. i hope you all have fun making it.
Jan 12, 2015Posted in: Minecraft Mods
Eat loads of zombie brains. Craft advanced fleshy golems.
Jan 11, 2015am i the only one who misses the entity nodes from tc3?Posted in: Minecraft Mods
those were impressive and the merging mechanic was amazing.
it felt more 'magical' than the node blocks we have now...
...tainted entity node? >:D
Jan 6, 2015ewsmith posted a message on [WIP - 1.7.10] [Open Beta!] [Thaumcraft 4.2 Addon] Thaumic Machina - Expanding Thaumcraft in a mechanical and theoretical light.The crimson melee damage augment functions whether i've augmented the wand/staff with it or not. it even works before i've even researched it.Posted in: WIP Mods
With thaumic machina installed all wands/staves do more damage and have a wisp attack sound as well as drain vis without the augment required to enable it.
Jan 6, 2015Posted in: Minecraft Mods
Scan a primal pearl. It unlocks the next step.
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domain: game


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DICP 1991 Dec;25(12):1321-5
Purdue University School of Pharmacy and Pharmacal Sciences, Lafayette, IN.
Environmental illness, a hypothesized disease caused by exposure to substances such as combustion products, pesticides, food additives, and Candida albicans, is discussed. The case of a patient with environmental illness and systemic candidiasis for six weeks with ketoconazole, liver enzyme concentrations increased. One month after discontinuation of ketoconazole, the liver enzyme concentrations decreased; however, over the next five months, liver enzymes and bilirubin increased. Read More

domain: literature


Illustration by staff illustrator Sakura Siegel.
Most people don’t pay attention to the trash that surrounds their feet walking the streets of Jersey City. City is in the name, after all, and litter is part of it, like trees in a forest.
But for some people, it’s getting too much to bear. In fact, the litter in Jersey City is driving some people out.
“The trash problem in the heights is disgusting,” Mish Perez, a member of the Jersey City Heights Facebook Group said in a post. “I’m looking to move out the area because I hate it so much!”
It’s not just the citizens who are noticing.
Lawnstarter, a website that schedules lawn care service by matching up customers with local providers, recently did a study for 2023’s dirtiest cities in the United States. While not the dirtiest city in New Jersey — that honor goes to Newark at number two — Jersey City ranked fifth.
“It’s unsightly and unsanitary,” Athos Tellos, a real estate agent from Jersey City, told Slice of Culture. According to him, prospective property owners think the same.
“I can see they’re looking at all the trash,” he said. “You can see the look of discomfort with that level of litter around all the time.”
He even recalled an incident where a couple looking to move to Jersey City reconsidered their decision after looking at the litter.
The study, which also ranked U.S. cities by the quality of living conditions, amount of pollution and quality of infrastructure showed that Jersey City was the second-worst in quality of living conditions — coming just behind New York City.
Diana Shaw, a Bergen County resident said that litter usually comes from consumers who don’t care enough to put their used packaging in a garbage cans.
“It blows my mind because there are trash cans, metal trash cans, that line the street,” she said.
However, Tellos said that there’s not just nothing being done. According to him, one of the trash cans near his home was recently taken away.
He’s not alone in his observation.
“I’m noticing more and more posts about trash cans being removed, which is a bit, well, stupid,” according to Jersey Heights Facebook Group Member Heather Sporn.
“You can post, you can tag, you can email and they won’t do anything,” said another member of the Jersey Heights Facebook group. “People have been asking for years and nothing has been done.”
In March 2022, there was a voting campaign in Jersey City that allowed residents to allocate a budget to different projects throughout the city. Each ward was allowed their own project.
According to Tellos, one of the prospective projects included litter management. However, the Jersey City City Hall website shows that it was outvoted in favor of building a bus shelter and getting trees planted.
Other wards, such as Journal Square, West Side and Bergen Lafayette and Downtown, also voted to plant more trees. None chose to use their budget to mitigate the litter in Jersey City.
The New Jersey City Hall website said that Jersey City is starting a pilot program that would lessen street sweeping “in one section of the city from twice weekly each side of the street to one time per week.” This policy would hopefully improve resident parking, but decrease the amount of time the streets were cleaned.
There are avenues for citizens to help mitigate the litter problem on their own, according to the Hudson County Improvement Authority.
“If a school or a faith community or a municipality or an organization in a municipality wants to do a clean-up because there is a litter issue, we provide resources and assistance,” Amanda Nesheiwat, the head of Sustainability and Community Outreach at the HCIA told Slice of Culture.
The Authority provides educational resources as well, however there’s some skepticism as to its efficacy.
“Some students don’t pay attention or care,” Shaw said.
She recalled a story where she tried to convince a student not to litter multiple times, but it wasn’t success.
Without trust in the local government to fix the problem, there’s a certain pressure on the people to keep the streets clean.
But with some people that just don’t care, it seems that there’s a long way to go to fix the litter in Jersey City. Until then, people might keep moving out.


It has been more than two weeks now since another war in Gaza started. More than 6,500 Palestinians have been killed by relentless Israeli bombardment and 1,400 Israelis died in the attack by the armed Palestinian resistance group Hamas on southern Israel.
Watching the media coverage of these events, I have been struck by the stark difference between how the killing of civilians has been covered on both sides.
list of 4 itemsend of list
Many Western media outlets insist on highlighting the immorality of killing and brutalising Israeli civilians, as Hamas has undoubtedly done, while soft-pedalling the immorality of the Israeli military’s indiscriminate killing of Palestinian civilians by carpet bombing the Gaza Strip.
In one remarkable interview on BBC Newsnight, when Husam Zomlot, the Head of the Palestinian Mission to the UK, said that seven members of his family had been killed by Israeli bombs, the reaction of his interviewer was to offer perfunctory condolences and immediately proclaim that “you cannot condone the killing of civilians in Israel”.
Zomlot had not offered his personal tragedy as justification for Hamas atrocities but as an answer to a direct question about what happened to them. Yet having done so, he now found himself being asked to condemn, not those who murdered them, but those who killed others.
It is worth noting that in all the interviews I watched of Israelis who had similarly lost loved ones, I have not come across a single one where the victims have been asked whether they condoned the actions of their government or disavowed the labelling of Palestinians by the Israeli defence minister, Yoav Gallant, as “human animals”. None have been asked to condemn what some are controversially describing as an unfolding genocide and the expulsion of civilians in Gaza.
“We are preconditioned not to see Palestinian humanity because colonialism, white supremacy, and Islamophobia are still the dominant lens through which states, institutions, people, and media in the West view the world (although geopolitical interests are, of course, also at play),” editorialises The New Humanitarian, contrasting the glorification of Ukrainian resistance to the Russian invasion with the delegitimisation of Palestinian struggle against invasion, dispossession and ethnic cleansing.
Few outlets have bothered to ask how over two million people came to be packed into a tiny strip or discuss the 16-year blockade that has turned the territory into what is widely acknowledged as an open-air prison.
These inadequacies and distortions in the media coverage of the war in Gaza reflect a reality that is often obfuscated by claims of “journalistic objectivity”. The truth is, journalists’ discretion over what is fit to publish has never been absolute; it has always been circumscribed by the values and culture of the society in which they operate.
The late American media ethicist, John Calhoun Merrill, asserted that “a nation’s journalism cannot exceed the limits permitted by the society; on the other hand, it cannot lag very far behind”.
Recognising how culture interacts with journalism is the key to understanding these biases, many of which are rooted in history. What we are seeing in the coverage of the war in Gaza is, in the first instance, a demonstration of the largely unacknowledged societal limits imposed on journalism.
There is obvious censorship. Opinions that humanise Palestinians or that deviate from the official line of unconditional support for Israel have been suppressed. There have been clampdowns on protests and expressions of solidarity with the Palestinians, threats to arrest people for flying the Palestinian flag, and attempts by Big Tech companies to remove or shadow-ban pro-Palestinian content.
A report by Al Jazeera’s Listening Post programme suggested that editors in US newsrooms were discouraging any attempts to provide background context to the Hamas attacks as that would be unpalatable to audiences.
However, censorship is not a sufficient explanation. As Merrill said, the journalism “cannot lag very far behind” the society. Journalism ethics and the moral principles and values that inform them do not belong to journalists alone. Rather they are reflections of society-wide expectations from the media.
In essence, the reporting on Israel and Gaza tells us more about the journalists themselves and the cultures they spring from, than about the events in the region.
Historically, anti-Semitism and Islamophobia have been a well-documented feature of Western cultural thought. Jews were once racialised and othered in much the same way Muslims are today, routinely subjected to pogroms. In the aftermath of the horrors of the Holocaust, however, anti-Semitism was widely denounced in Western culture as unacceptable and abhorrent.
By contrast, anti-Arab and Islamophobic sentiments in the West were never censured in the same way. Over the past few decades, they have been further fuelled by the US-led “war on terror”, which Israel has used to frame its own conflict with the Palestinians.
In this context, it is not surprising that many Westerners seem to believe that acknowledging the humanity of Jews has to go hand-in-hand with the dehumanisation of those coded as Muslims or Arabs (the categories are almost always conflated in the Western imagination).
The insistence on Israel’s “right” to defend itself even in the face of undeniable atrocities that date back to its establishment reflects the Western perception that Arab civilian deaths are an acceptable price for Israeli security and peace of mind.
By contrast, even an attempt to mention the context in which Israeli civilian deaths occurred is considered an outrageous move – as the UN Secretary-General Antonio Guterres himself has recently discovered.
Western media reports reflect this awful cultural calculus – the one-sided demand for condemnation, the individualisation and humanisation of the Israeli tragedy are juxtaposed next to the representation of Palestinian tragedy in passive language and as suffered by undifferentiated masses.
The calculus is also apparent in the imagery of death. Social media and TV reports are inundated with graphic images of Palestinian dead but relatively few images of dead Israelis. Words and descriptions such as “beheaded babies” are presumed sufficient to articulate the horror of Israeli death. The horror of Palestinian death, however, needs to be established with gory imagery.
Audiences are constantly reminded that Hamas has been designated a terrorist organisation by Western governments, but not that human rights groups and the UN have described Israel as an apartheid regime.
Criticism of Israeli actions, or even the attempt to humanise their victims, are coded as expressions of anti-Semitism, which carries a far heavier cultural penalty than anti-Arab sentiment.
That said, it is important to keep in mind that culture is itself a collectivising and muddy concept and it should not be assumed that cultural concepts are held or accepted by everyone who identifies as part of the culture.
The huge demonstrations in support of Palestinians that are happening in Europe and North America are an example of this. The point though is that culture does influence media attitudes, ethics and framing as well as limits on what journalists can do.
Media practitioners need to take cognisance of the facts and rethink ethics and professional practices forged in days when journalists reported the news largely to audiences who looked like and thought like them.
Today, when news reports are instantly broadcast around the world, cultural blindspots can manifest as unethical practices, including as justification for genocide and ethnic cleansing. They should listen to and take seriously the repeated complaints about their reporting and framing. That requires a degree of self-awareness that sadly, many have so far failed to demonstrate.
The views expressed in this article are the author’s own and do not necessarily reflect Al Jazeera’s editorial stance.


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According to Barsalou, "the three basic items are fries, cheese, and gravy. Of course, the classic would be with curd cheese, but is it the law? No way! You can do whatever you want as long as it is delicious." Poutine aficionados may disagree; many argue that the "squeaky" cheese is a necessity, but Barsalou is more lenient on the rules.
According to Dustin Gillman, who runs @FoodGuyMTL, the cheese is what makes all the difference. He explains that the potatoes and gravy are “pretty standard, and variations of each are generally OK, but the cheese can make all the difference between a good one and a wrong one.”
So what would those be? “Stay away from mozzarella, brie, or any other really melty cheese," Gillman says. "The curd is the one and only cheese for poutine.”


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domain: entertainment


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Governor Hindmarsh Hotel, Tue 11 Oct.
English folk-punk outfit The Levellers arrive at The Gov at the tail-end of their Australian tour, promising to play all of the songs from their best-known record, 1991’s Levelling The Land. Judging by the buzz in the audience, this is going to be one for the fans.
The band starts the show with the fabulous One Way, which has the crowd singing immediately, and this is followed by the equally impressive The Game. Mark Chadwick jokes with the crowd about it being a Tuesday, an odd night for a gig, “but you’re all here; let’s party”. As expected, Fifteen Years comes next. No-one seems to care what day it is, as they bounce up and down, singing every word of every song.
Three songs in and everyone’s expectations have been confirmed. These guys are the real deal. Chadwick gently urges the audience members to move closer to the stage. It would be rude to refuse…
It seems clear that the band members are having a most excellent time of it. They are not alone. The album progresses, and the rapture continues. As does the bouncing, on and off stage. How Jeremy Cunningham manages to keep his bass playing so tight, as he pogos across the stage, is anyone’s guess. John Sevink, who looks like even he can’t believe how good the band sounds, plays the fiddle like a man possessed. Simon Friend’s electric guitar and mandolin are so good; shame he can’t do both at the same time. Even the lighting is in party mode. The mix is pretty good, although the fiddle could probably be pushed a little.
Steven Boakes, the luminous one, plays didgeridoo and confirms that the increasingly common practice of melding indigenous Australian and Celtic instruments works well. Charlie Heather can hardly be seen behind his kit, but there’s no doubting his presence. At the core of this rhythmic roller-coaster, he’s holding it all together. Matt Savage plays keys, drums, guitar and, seemingly, anything else he can get his hands on. The singing continues; Another Man’s Cause allows the audience choir to shine. The harmonica intro to Battle Of The Beanfield signals that the album performance is drawing to a close.
As well as showcasing the Levelling The Land album, the gig features a range of songs from the band’s back catalogue. This Garden kicks things off, and Carry Me is another winner, especially the singalong reprise.
Chadwick introduces local lad John, the guitar tech, to the crowd and says that “one day he’s gonna be more famous than any of us”. He then tells the audience that they are going to “do something stupid and ill-advised” and the band launches into Charlie Daniels’ The Devil Went Down To Georgia. Needless to say, the place goes off.
The encore presents more crowd-favourites, including a stirring version of What A Beautiful Day, before Chadwick tells us that it’s the end, the last song, and that “we’ve all got shit to do tomorrow”. The show closes with What You Know.
This has been a most vibrant, joyous affair. Let’s hope The Levellers have enjoyed this tour so much that we’ll see them again soon.
by David Robinson
Image courtesy of David Robinson
- One Way
- The Game
- Fifteen Years
- The Boatman
- Liberty Song
- Far From Home
- Sell Out
- Another Man’s Cause
- The Road
- The Riverflow
- Battle of the Beanfield
- This Garden
- Truth Is
- Carry Me
- The Cholera Well
- The Devil Went Down to Georgia
- What a Beautiful Day
- What You Know


Crystal Cathedral: International Center for Possibilities
Garden Grove, CA
Rev. Robert H. Schuller, whose television ministry has long been symbolized by Garden Groves towering Crystal Cathedral, completed the $40 million International Center for Possibility Thinking. Syska Hennessy Group was selected as the building systems engineer and sustainable consultant for the 58,000 sq. ft. four-story building addition to the campus providing reception facilities for visitors, including an auditorium, gallery, library, retail space and caf.
The technical value added by the Syska Hennessy Group Team evolved around the energy efficient design of the MEP systems, specifically the HVAC, lighting, and lighting control systems. Realizing the center would be home to numerous visitors and various multi-functional events, Syska engineers worked closely with the architectural design team (Richard Meier & Partners) to ensure the systems were properly integrated and could adapt to varying configurations. According to computer energy simulations using DOE2 technology, the new building will be 35% more energy efficient than Title-24 requirements. Due to this energy efficiency, the project qualified for both owner and design team incentives under the "Savings By Design" program administrated by Southern California Edison. By using these energy efficient strategies, Syska Hennessy Group and the design team created an intelligent building that results in low impact to the surrounding environment and local community.
The energy savings strategies employed for the facility include high performance glazing, automated day lighting controls, high efficiency lighting and energy efficient HVAC systems. A large atrium in the building employs a natural ventilation strategy with supplemental air-conditioning for peak conditions. A Computational Fluid Dynamics model was used to optimize the natural ventilation design for thermal comfort and energy efficiency. This project was selected for an Outstanding Achievement Award by the Southern California Development Forum in 2003.


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domain: sociology


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Elizabeth Egloff's new adaptation of ''The Devils'' is an ambitious attempt to reimagine Dostoyevsky's sprawling political novel for the theater. This is not the first time it's been tried; the Polish director Andrzej Wajda staged a brooding and apocalyptic version of the work, with its alternate English title, ''The Possessed,'' at the Yale Repertory Theater in 1974 (with a Yale Drama student named Meryl Streep in a supporting role).
But if the earlier production was a kind of Dostoyevskian fever dream, with the Byronic central character of Nicholas Stavrogin played in the words of one reviewer as ''a frenzied incantation of evil,'' Ms. Egloff imposes a tamer and more dispassionate sensibility. Her aim appears to be to underscore the novel's pungent satire at the expense of its more Gothic components.
The result, however, is a play far too restrained and literal-minded to sustain three hours and 45 minutes of unrelieved exposition. The playwright has gone to extraordinary lengths to coherently compress a narratively complex, 700-page novel for the stage of the New York Theater Workshop, where it opened on Wednesday night. And she is served excellently by a director, Garland Wright, who as fluidly as possible guides a 15-member cast through a multitude of short scenes enacted on Douglas Stein's dramatic, multitiered maze of a set.
The play also benefits from terrific work by accomplished actors like Denis O'Hare, Lynn Cohen, Randy Danson and Kali Rocha. But Dostoyevsky's socialists, liberals, nihilists and fanatics, representing the generational crosscurrents of political life in Russia in 1869 or thereabouts, do not emerge as especially remarkable or vivid personalities in Ms. Egloff's work. As caricatures they are not very funny or outrageous, and as embodiments of a moment in Russian history -- Dostoyevsky based many of the characters and situations in ''The Devils'' on actual people and events -- they don't seem particularly Russian in discourse or demeanor.
Ms. Egloff's egalitarian ''Devils'' shares with Broadway's ''Titanic'' the admirable if ultimately self-defeating ambition of trying to explain it all. As framework, ''The Devils'' follows the plotting in a provincial town of several buffoonish conspirators led by a malevolent and Machiavellian activist, Peter Verkhovensky (Mr. O'Hare), who ultimately spurs the group to murder one of its own members. Critics and historians have written admiringly of Dostoyevsky's acuity at forecasting the nature of the political turmoil that would envelop Russia over the next 100 years; Ms. Egloff, too, pays homage to the novelist's prescience.Continue reading the main story
Thus, the character of Blum (Daniel Oreskes), a snooping functionary in the employ of the province's venal Governor Lembke (Michael Arkin), is costumed in a modern two-piece suit, not unlike the type in which a K.G.B. man might be outfitted. Ms. Egloff also adds a contemporary scene that reiterates the connections she repeatedly draws between then and now. (On the other hand, the scene involving a party thrown by the Governor's wife in which the characters gather under a yellow banner that declares ''Russia! A New Beginning!'' has the wittily absurdist quality of Bunuel.)
Ms. Egloff has the least success with the novel's most enigmatic and exotic character, Nicholas Stavrogin (Bill Camp). A fallen aristocrat and degenerate who embodied Dostoyevsky's own contempt for the aristocracy, Stavrogin is drawn here as pallid and marginal, in contrast to the more psychologically compelling rendering of Verkhovensky.
In the claustrophobic world the play conjures -- almost every scene is an interior -- Mr. Wright creates some stunning imagery, including a tableau at the moment the town begins to burn. Unfortunately, though, that's as heated as things get; the play itself never catches fire.
y Elizabeth Egloff; inspired by Dostoyevsky's novel; by Garland Wright; sets by Douglas Stein; costumes by Susan Hilferty; lighting by James F. Ingalls; original music and sound by David Van Tieghem; production stage manager, Charles Means. Presented by New York Theater Workshop, Nancy Kassak Diekmann, managing director; James C. Nicola, artistic director. At 79 East Fourth Street, East Village.
WITH: Nathalie Paulding (Matryosha), Bill Camp (Nicholas Stavrogin), Boris McGiver (Shigalyov), Frank Raiter (Stepan Verkhovensky), Ray Anthony Thomas (Virginsky), Patricia Kerr (Liputin), Christopher McCann (Ivan Shatov), Denis O'Hare (Peter Verkhovensky), Kali Rocha (Dasha Shatov), James Colby (Kirilov), Lynn Cohen (Mrs. Stavrogin), Randy Danson (Mrs. Lembke), Daniel Oreskes (Josef Blum), Michael Arkin (Governor Lembke) and Patrice Johnson (Marie Shatov).Continue reading the main story


The adult industry is filled with various kinds of aspects that tend to meet people’s demands. From categories to pornstars, they tend to include different types of visual treatment to their mass audiences. Due to their long list of actions, specific details have emerged that indicate both the industry and its impacts. By covering all these points, you will get a brief idea about the entire process and also clarify certain myths, if you believe in any. So to make matters fruitful, here are important details about the adult industry.
1. Every 39 Minutes
At first 39 minutes might not make much of a difference, but when it comes to the porn industry, it does. The United States of America produces or creates a porn film every 39 minutes. To keep up with figures of production and demand, various agencies tend to come forward and make matters meet.
2. Billion Hits
If one has to go behind the viewership of porn, then you need to know that figures end up between millions and billions. In 2013, Pornhub had around 14 billion hits which averages to 1.68 million visits per hour for the rest of the year. Yes, that’s right. Billions of people tune in to watch porn from all over the world.
3. Porn at Work?
While you might believe that men and women tend to watch porn between closed doors, the fact of the matter does not seem to be the same. Around 20% of men and 13% of women have admitted to watching porn at work. These figures come from surveys and hours of research. The main reason behind the same might not be understood, but individual people seem to be getting something by watching porn at work.
4. Porn Watching Sessions
Porn watching sessions tend to point out at the average time that an individual spends at a porn website. Going by these figures, it is quite clear that America comes first. On average, an American spends around 10 minutes on a porn website each time they visit. The UK and then Germany further follow the list.
5. The Industry
By now, it is understandable that the porn industry is enormous, but how huge in terms of numbers? Well, to be specific, the size of the porn industry worldwide is around $100 billion, out of which 12 Billion comes from America.
6. Women and Porn
There was a significant misconception that women don’t watch porn. Although women do not watch porn as much as men, they still very much watch porn. In fact, their favourite category is lesbian porn, and it is the top searched word among female viewers.


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Ononis species like chalk and coastal areas and tend to be pink or yellow.
Spiny restharrow – Ononis spinosa
I spotted this in Kent thanks to a handy sign at South Swale nature reserve. It grows to about 40cm with pink pea flowers and long spines on a hairy stem.
Posts mentioning restharrow – Ononis species are tagged restharrow

domain: biology


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MIGHTY Warriors skipper, Emmaculate Msipa, has promised the nation they will finish off the job in Eswatini tomorrow, to book a place in the last qualifying round, of the Africa Women Cup of Nations.
The winners will progress to the last qualifying round where they will meet either Angola or Botswana.
Zimbabwe carry a healthy lead, after beating Eswatini 3-1, at the National Sports Stadium on Wednesday.
The Mighty Warriors lew to Johannesburg, in the early hours of yesterday, but had to endure a road trip of about 400kms to Manzini, a city in Eswatini, where the match will be played.
ZIFA say the team had to complete the rest of their journey from South Africa by road due to unavailability of fights.
By yesterday's afternoon the team was still in Johannesburg, having landed around 9 am.
The Mighty Warriors laid a good foundation with goals from Marjoury Nyaumwe (6th minute), Priviledge Mupeti (16th minute), and Msipa (45th minute), in the reverse leg.
However, they conceded an away goal after Eswati pulled one back, in the 42nd minute.
"We are really disappointed as a team, for conceding a goal, because we know an away goal is really important, especially in these qualifiers," said Msipa.
"But, I just want to promise the nation that we are going to go through.
"We will win the match and progress to the next round."
The midfielder added she believes they have a good chance of qualifying for the 2022 Africa Women Cup of Nations finals in Morroco next year July.
"This is our best chance to qualify for the AWCON. We played both teams (Angola and Botswana) at the COSAFA and we have confidence we can beat either team," said Msipa.
Botswana already have one foot in the last qualifying round, after they hammered Angola 5-1, in Luanda.
Eswatini coach, Dumisani Makhanya, speaking after the defeat in Harare, warned the Mighty Warriors this battle was not yet over.
"In the return game, we will plan for them, football is a game of surprises, we will plan for them properly," he said.
"Winning the return leg will depend upon our proper planning, we saw their mistakes and we will work on them.
"We are going to play at home, there are a lot of expectations, and we will not sit back."
Mighty Warriors delegation
Players: Magwede Lindiwe, Cynthia Shonga, Maud Mafuruse, Marjory Nyaumwe, Christabel Katona, Danai Bhobho, Purity Mugayi, Rudo Neshamba, Shyline Dambamuromo, Priviledge Mupeti, Dinah Rose Banda, Sheila Makoto, Natasha Ndowa, Emaculate Msipa, Nokubhosi Ncube, Edeline Mutumbami, Egness Tumbare, Alice Moyo.
Technical Team: Sithetheliwe Sibanda (head coach), Perkence Nyamutamba (assistant coach),Kudakwashe Matuwi (assistant coach), Peter Nkomo (goalkeepers coach),Beaulah Msarah (head of delegation), Dorothy Masawi (doctor), Tafadzwa Basera (team manager), Ndhlovu Semukeliso (kit manager), Kudzanai Matavire (physiotherapist).

domain: sports


London: Boy band One Direction are expected to earn 50 million pounds following the release of their new album later this year.
Zee Media Exclusive: Varun, Alia promote `Humpty Sharma Ki Dulhaniya`
Kareena does not want to do films with husband Saif!
Alia Bhatt dedicates her Samjhawan Unplugged to Varun
Ranbir Kapoor, a big fan of Messi !


A drone that delivered food to a suburb in Brisbane crashed into overhead power lines, causing thousands of people to lose power. The drone, operated by Alphabet subsidiary Wing, was carrying something when it hit the power lines and caught fire. The energy firm Energex immediately shut down the network as a precaution. As a result, thousands of residents and 300 business customers were left without power for at least 45 minutes.
As a precautionary measure, power companies have urged residents to reduce their electricity usage. They are asking residents to turn off air-conditioning, pool pumps, and electronic equipment in standby mode. In addition, retailers have been asked to limit their lighting, advertising displays, and water heating systems.
The power crisis has left hundreds of thousands of Queenslanders without power. In addition to businesses and homes, the outage has disrupted the state’s airport, traffic lights, and schools. Meanwhile, energy companies are scrambling to restore power. However, the power outage is causing widespread chaos in many regions of Queensland.
Energex has warned that some residents in Brisbane could be without power for weeks. At the time of writing, there are still more than 43,000 homes in south-east Queensland without power. While the majority of the outages are expected to be resolved by 11:00 a. Hundreds of residences have been without power for hours.
Despite the recent disruption, wholesale prices were capped in Queensland on Sunday by AEMO. This was the first time wholesale price caps had been put in place in Queensland. Aemo’s Chris Bowen told reporters that the price caps had not been perfect and some generators had withdrawn. The energy ministers are reviewing how the market is operating.
The recent Moti fiasco is a prime example of how people in power can bend the rules of law. The Moti fiasco has shown how governments, police, and diplomats work in tandem to evade the law. Despite this, the government has been forced to take action.


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Story Sharing Guidelines and Incentive Program
Thank you for your interest in our new PMP Exam Prep story-sharing program! Read below to learn more about our incentive program.
To participate and earn rewards, what you need to do is write and share an interesting short story or anecdote that illustrates your PMP certification journey and experience that you have lived or witnessed. Your story will then be reviewed by our committee and once approved, it will be shared anonymously among students and will help prospective candidates to understand better what to expect, learn a few tips and get their own solution in place!
As soon as you post a 150-word story, our committee will review it and let you know if you are eligible to receive a $10 Amazon gift certificate (limited to the first 100 published stories). See below conditions that apply.
It is our goal to make this story-sharing program work and we know your time is precious and as a thank you for your feedback we are offering also additional discounts for your valued response. We want to reward champions and individuals who share and contribute to the knowledge of our community!
When your story is approved and published, in addition to the gift certificate you will also be eligible to obtain extra discounts on our already-low priced online training and earn your 60 PDU credits at a fantastic bargain.
Our Incentive and Reward Program includes discount coupons rewards as follow:
- 1 short story published: 10% off (*)
- 2 short story published: 20% off (*)
- 3 short story published: 30% off (*)
- 4 short story published: 40% off (*)
- 5 short story published: 50% off (*)
- 6 short story published: 60% off (*)
- 7 short story published: 70% off (*)
- Featured stories get an additional 15% off!
(*) any PDU course as advertised in PMCampus.com. Coupons are not transferable and not refundable and have an expiration period of 3 months.
If you write 7 stories that are all approved and have 2 featured you can gain a 100% off coupon!
Approval Conditions: each story must be 150 words minimum. PMCampus selection committee will moderate stories and reserve discretionary rights not to publish stories that are too poorly written, irrelevant and not helpful to other students. All student will be informed when their story is approved.
Transfer of Ownership: The committee reserves the right to publish or feature any of the stories posted by you on our website, eBooks published by PMCampus or other electronic or print training publication published by PMCampus. By posting a story you agree to transfer copyright ownership to PMCampus.com. You also authorize our committee to do minor edit without seeking your approval. If the committee needs substantial changes to your story, you will be notified and the status of your story will be pending until we can review a newest version.
Limited Liability: By posting your stories, you agree to this story-sharing guidelines and policy. PMCampus reserves full discretionary rights to approve stories and this program does not create any liability or any further business relationship with you. Please be advised that PMCampus has no legal obligation to publish your stories. PMCampus reserves the right to discontinue or stop the story sharing program without notice.
Interested in contributing more? If you are interested to join our authoring team, we also want to encourage champions who loved to learn about the PMP certification and wish to share their expertise by contacting our Director. We are always interested to recruit PMP certified who are passionate about the world of project management and want to contribute to writing eLearning content and other project management study material. Authoring contributions are compensated with a royalty-sharing model.


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Through 24 years, 16 albums and 2300 live shows, Carbon Leafs independent spirit and vibrant music continues to resonate with their fans.
Blending folk, Celtic, bluegrass, Americana and rock traditions into what the group calls Ether-Electrified Porch Music, the Virginia quintets songs of life, love, heartbreak and landscape are independently written, recorded and produced from their own studio in Richmond.
After 5 years of intense touring, Carbon Leaf reduced their 2016 road schedule to focus on some lingering projects, including the release of Nothing Rhymes With Woman, the third and final re-recorded album originally released through their formal record label. Along with the completing new versions of Indian Summer (2004) and Love Loss Hope Repeat (2006), the bands goal of regaining 100% ownership of their music catalogue was achieved.
The band will be performing in 2017 behind a U.S. tour and a collection of new songs inspired by acoustic & electric guitars, mandolin, fiddle, bass, drums, cello, banjo, penny whistle, pedal steel, accordion and rich vocal harmonies.
The folky pop-rock quintet Carbon Leaf hails from Richmond, Virginia. Like Dave Matthews (another product of the Richmond scene), Carbon Leaf mix roots rock, jam band, and adult alternative tendencies, while throwing in some Celtic elements for good measure. A series of albums released on the band’s own label preceded ECHO ECHO, Carbon Leaf’s breakthrough effort. That album’s “The Boxer” gained attention, and the band performed the song live on the American Music Awards, leading to national recognition. INDIAN SUMMER appeared on Vanguard Records in 2004, and was followed by LOVE, LOSS, HOPE, REPEAT (06) and NOTHING RHYMES WITH WOMAN (2009). ~ Rovi
Carbon Leaf is a five-piece rock band from Richmond, Virginia that is known for their Celtic / Bluegrass rock that was featured more prominently on their early releases on their own label, Constant Ivy Music. Their more recent albums, since signing to Vanguard Records in 2004, are more mainstream rock, though they still retain the influences of their Virginian music scene roots. On March 20, 2010 in a radio interview on WCNR the band announced that they are leaving Vanguard Records with the aim to release music more frequently and via media other than CD.
We defer to GROUPON…
“Virginia natives Carbon Leaf weave their signature indie-rock blend of Celtic, Appalachian, folk, and country into a rousing new brand of music best described as ‘ether-electrified porch music’.
The five-man band's steadfast arrangement of guitar, bass, drums, and mandolin is rounded out with more exotic instruments, like the bouzouki, fiddle, accordion and penny whistle, all tied together by lead singer Barry Privett's bold, straightforward baritone.
Long beloved in their hometown of Richmond and known for high-energy live shows, the group entered onto the national scene in 2002 by winning an American Music Award with the Irish-tinged hit “The Boxer,” a narrative about a fighter who's at the top of his game but scraping the bottom of love's barrel.
Pioneering dreams, broken hearts, Love’s renewal - all traverse the American landscape as common themes in Carbon Leaf's music, as is reflected in the dark, bluesy “Another Man's Woman,” and “Miss Hollywood,” a Southern-twanged ballad about the angst of dating an enormous sign.”


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- Alicia Rose
Y La Bamba's Lupon is finally set to be released this September (the 28th, to be exact) on local label Tender Loving Empire. But September is a long way away, so the band is offering up "Juniper" for your listening pleasure. Produced by Chris Funk (of the Decemberists, Black Prairie, and so much more), the song centers around the lovely voice of frontwoman Luz Elena Mendoza and is the first recording to best capture the allure of this band.
Bonus: Look at this awesome cover art for Lupon. Is that a cat with laser eyes? Why, yes it is.
Y La Bamba - "Juniper"
End Hits: Where every day is laser cat day.


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A 25-year-old motorcyclist is dead after a crash Monday in Aurora.
Aurora police said the crash happened about 5:15 p.m. when a car turned left in front of the man who was driving his motorcycle north on South Parker Road through the intersection of E. Belleview Avenue.
Traffic investigators believe the driver of the 2006 Chevy sedan “may have taken the right-of-way of the motorcycle when it turned” which led to the collision, police said.
The motorcyclist was unresponsive when police arrived on scene. He was taken to a local hospital where he died of his injuries, police said.
A 48-year-old Aurora man was driving the Chevy sedan and police said he stayed at the scene and cooperated with the investigation.
The motorcyclist’s identity was not immediately released.

domain: law


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Knives for Sale:
Modified Gyuto with drop away handle: 52100/410 Stainless laminate blade, Stabilized and Red dyed Curly Maple Burl handle. Buffed Forge Finish on the blade. Custom Kydex knife transporter is included.
Blade Length: 8 1/2" Handle Length: 4 7/8" Overall Length: 13 3/8"
Blade Depth: 2" Blade Thickness: .096" $600 plus $15 shipping
Custom Chef's Knives:
Order a Custom Chef's Knife:
Base Chef's Knife is made with 52100 steel, comes with a stabilized wood handle, 3 pins brass or nickel silver, 1/8" or 1/4", no bolster. $275.00
There are many options so please Check Custom Knives page for full details on options for Customizing this knife.
Custom Kitchen knives can be made in any style and any length of blade and handle.
Please contact for current Custom Backorder Time Frame.

domain: design


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I’m a Denver-based writer and editor with over a decade of experience interviewing, writing, and editing for publication. I pride myself on making difficult subject matter accessible and interesting to the general audience, and on using words to breathe life into untold stories. I also provide developmental editing, copyediting, and proofreading services.
Contact me: firstname.lastname@example.org | Follow me on Twitter: @Meredith_Sell
What do I write? Magazine features, interviews, profiles, and blog posts are just the beginning. I have a background in marketing copywriting — think: emails, brochures, mailers, and web content. Read my work.
What do I write about? Everything except politics, celebrities, and fashion. I love digging into health and science, little-known pieces of history, artwork (and the people behind it), outdoor adventure, and sports. Extra points for stories of human resilience.
What do I edit? I edit a variety of nonfiction work—magazine features, profiles, marketing materials, e-books, and blog posts—and am seeking more creative editing projects. If you’re a writer or publisher looking for editorial assistance on book-length work, reach out and we can talk rates. Check out my editing services to learn more.