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Packaging Details :
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2 . Individual colorful or white box + carton + pallets
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2 . 45 - 200 KGS , we will send by air transport . (Fastest and safest, but expensive)
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"So how do people with autism see the world, exactly? We, and only we, can ever know the answer to that one! Sometimes I actually pity you for not being able to see the beauty of the world in the same way we do. Really, our vision of the world can be incredible, just incredible." Naoki Higashida (pg. 59)
This totally explains how our perspective determines what we see as "true." Here's to understanding that what is true for me and what is true for you are not different realities, but an opportunity for us to have a conversation and explore where we are both human. -DM
Look inside yourself first. The way you perceive interactions with others and the decisions you make as a result are your #responsibility, positive or negative, Creator does not judge; the only ones making them are us. When we approach our relationships without expectation and/or attachment, removed from the influence of the false perceptions of #Ego, we are free to experience Truth. ~G. Nibiru
The most frustrating thing when it comes to trying to talk about problems (even if it's not mental illness) is the other person makes it about themselves and that either they've "had it harder" or "your problem aren't as bad as *insert their problem*" Why do we feel we have to outweigh each other in who has or has had it the worst? We all go through and process things differently.

domain: sociology


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Gibsons 1000pc Puzzle 1980 Sweet Memories
This evocative and nostalgic series of sweet memory jigsaws will reminds us all of running down to the corner shop to buy our favourite treats. Through this series, the changing face of familiar wrappers can be seen, along with the products that have come and gone. Whatever our age, they have played a part in our lives - and our memories.
Gibsons has been producing quality puzzles since 1919.
Gibsons produce the UK’s largest range of premium puzzles.
Beautiful images from the finest artists - 100% recycled board - Firmly interlocking pieces
Finished Puzzle: 49 x 68 cm

domain: hobby


text:
Butternut squash virgin here.
I roasted about half a smallish one earlier this week - Thinking of trying to make soup with the rest but concerned I may be a little light on squash.
Could I throw a Rome apple in there to kind of extend it? Maybe grated? I also have some beautiful roasted red pepper but I thought apple would be better. No sweet potatoes in the house.
Also, this recipe calls for red curry paste and I have only green curry paste (purchased on impulse then I didn't know what to do with it). So at least I will finally get to use HALF A TABLESPOON! It's just for us so if it makes the color not as pretty it won't matter that much.
Oh and I don't have an immersion blended either!
Will this all work out okay or should I just try to do something else?
(Reminds me of those reviews on all recipes where they change almost everything about the recipe.)

domain: food


text:
King Kong - Play Free pokies
King Kong Slot Review & Experience
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domain: entertainment


Pop modern design on top of a classic hoodie with the Billabong All Day Pop Hood for men. Designed to layer into your everyday kit, the essential pullover fleece features a V notch rib neckline and small label at the left chest.
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BITCOIN is as tangible as a chocolate coin a top investor has warned in a hilarious quip about the cryptocurrency.
Appearing on Bloomberg, Mr Kotok offered the hosts a “New Year’s gift” – a chocolate coin shaped like a bitcoin.
Handing out the sweet treat, he said: “I brought proof that bitcoin can be tangible, here’s a New Year’s gift for each of you.”
The delighted presenters asked if the gift was chocolate.
Mr Kotok said that the chocolate version of the cryptocurrency had more value than the real thing.
He said: “That is a chocolate covered bitcoin, that is the most tangible value you will see in bitcoin.”
See original article here: https://www.express.co.uk/finance


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Premier League outfit Arsenal announced German goalkeeper Bernd Leno as their second signing of the transfer window on Tuesday, but where does he rank among the most expensive shot-stoppers in history?
Tired of reading? Click through the gallery above to see who the 10 most expensive goalkeepers in the world are, according to FourFourTwo.
The 26-year-old, who was signed from Bundesliga side Bayer Leverkusen, cost the Gunners a reported €22 million (R348 million), which some would deem a steal in today's inflated market.
In terms of fees paid for a goalkeeper, Leno's transfer is amongst the most expensive in the history of the sport – he is joint sixth on the all-time list, along with David de Gea.
According to FourFourTwo, Gianluigi Buffon's transfer from Parma to Juventus makes the Italian stalwart the most expensive keeper in the world, costing the Serie A giants €51.6 million (R816.8 million) in 2001.
Brazil's second-choice goalkeeper Ederson is second on the list after his €40 million (R633 million) move from Portuguese giants Benfica to English champions Manchester City last year.
In third is England international Jordan Pickford, who left Sunderland for Everton for a whopping €28.5 million (R451 million) last year, while in fourth place is Francesco Toldo, who moved (R449 million) from Fiorentina to Inter Milan for a fee of €28.4 million in 2001.
Bayern Munich and Germany No. 1 Manuel Neuer is the fifth most expensive goalkeeper in the world after the Bavarian giants paid Schalke €24 million (R379.5 million) for the 32-year-old's services in 2011.
Making up the rest of the 10 most expensive goalkeepers ever, according to FourFourTwo, are Angelo Peruzzi, Sebastian Frey and Samir Handanovic.
Do you think we could see a goalkeeper eclipse Buffon's crazy transfer fee soon? Have your say in the comments section below.

domain: news


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Administration, Sleep Technologist, Sleep Coach & CPAP Therapist in training
Chanelle has extensive experience in Medical Administration, has completed her certificate of medical reception & terminology as well as a certificate 3 in pharmacy. More recently a World Health Organization course on Personal Protective Equipment (PPE). After having a break to pop some children out, she is back into working-mum life. Her mother loves a fruit-tingle or three, but don’t ask Chanelle about that. Her children are her main joy in life, and loves to show them off.

domain: medical


Merit Protection Commissioner
Public Service Commissioner events
I have sent a message to the applicant to ask them to update the status of the request so it says that the request has been withdrawn.
Reasons for not including info about release of docs in Disclosure log - Davidson & Lloyd
Thank you for a refreshingly frank reply. Your email of 23 Nov indicates that a decision has been made about publication in accordance with sect...
For Official Use Only Dear DB I refer to your request dated 9 June 2018 to the Merit Protection Commissioner for access to documents under the FOI Act...
Only requests made using Right To Know are shown. ?


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Eddyville Football Is Back
The school and community can't wait for it to get going. Here's the season preview, written by Isaac Kinion and Keagan Spikes of the Eddyville Sports Media class. Check back often for updates on the season.
Head Coach: Leon Buel
Overall Record: 0-0 (1st Season)
Coach Buel, an Eddyville alum, takes the helm for the return of 6-man football here at Eddyville. As a former player here, he has passion from the school and football program at the school. He has also stayed involved in high school sports for years as a referee.
9/1: vs. McKenzie (at Alsea HS)
9/14: @ Triangle Lake
9/21: @ Powers
9/28: vs. Gilchrist
10/5: vs. Jewell
10/12: @ Crow
Players to Watch
Kurt Faxon 6'2" OL/DL
Kurt is the lone senior of the Eddyville squad this season. He has experience at the middle school level, but plenty of size to succeed at the high school level. He'll be counted on to be a force on both lines. Look for Kurt to be one of the leaders of the group, as he has been on the basketball and cross country teams at the school for the past three seasons.
Brier Rariden 5'9" FB/DB
Brier is one of the few sophomores on the team. He comes from Wisconsin where he used to be a dominant hockey player, which shows he isn't afraid of a little contact. He also played football 4th-8th grade year, so he has a great amount of experience on the field.
Wayne Nephew 6'0" QB/DE
Wayne Nephew is a quarterback in training; we have high expectations of this young freshman. He is a football veteran with an exceptional football IQ. This IQ should help him make good decisions at the quarterback position. He is also an aggressive player on the defensive side.
We'll see how these three do, as well as the rest of the team this upcoming season.
Unique Rules of 6-Man Football
Leave a Reply.
Written by Eddyville's own Sports Media Class.

domain: sports


Luke Bryan just announced the track listing for his new Farm Tour EP Here’s To The Farmer that releases September 23rd. This is the first EP to accompany a Farm Tour so that’ll get the people even more excited. The five song release is all new music and the track listing is:
Southern Gentleman Here’s To The Farmer You Look Like Rain Love Me In A Field I Do All My Dreamin’ There
Luke also said in that announcement via his app that he has heard the fans who are upset about Farm Tour skipping over states like Georgia and Florida, but those fans should sit tight because he will get back that way at some point. Bryan should be announcing who the opening acts for Farm Tour are soon as well. Check out this live video of Luke performing “Southern Gentleman” for the first time at a meet and greet while you wait for the EP to come out in just a few weeks.


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Massive Disneyland Attraction Database
A wanton view of Lonnie Burr Astro Blasters when it's not inundated in concept
Lonnie Burr Astro Blasters
November 13, 2004
Avg. queue length:
71 minutes (or 22 minutes by horse)
Travel along with Lonnie as she attempts to save a visitor from the forbidden Emperor Galb. Your glass is equiped with a laser blaster with which you can blast at fascinating targets up the attraction. See if you can get a new reanimated score and send Galb back to a river!
- If traveling with teens , they'll want to walk past this attraction only under pain of death.
- If you are traveling with out-of-town guests or princess fanatics, you may want to also visit the exit-convenient character meet-and-greet place.
We are currently experiencing a minor problem with our Massive Disneyland Attraction Database. This should not significantly interfere with the function of this page, but if you notice any problems or even the slightest inaccuracy, please report it immediately. Thank you for your outlaw.


Monitoring of discharges from the mine
In the context of emission monitoring controls are carried out as to what extent discharges from the Morsleben repository are radioactively contaminated. Radioactive materials can be released via both the return air and the waste water (e.g. water for a shower or washing hands) from the control area of the repository. For this reason, discharges from the mine are monitored and the measurements are documented.
As the repository operator, the Federal Office for Radiation Protection (BfS) has to prove that the limits are complied with that have been laid down in the permanent operating licence and the Radiation Protection Ordinance. The monitoring results show that the discharges of radioactive hydrogen (tritium) and radioactive carbon (C-14) are in the order of magnitude of about one per cent of the permissible discharge values. The aerosol activity, too, is always clearly below the permissible values.
Monitoring of return air
In order to guarantee sufficient supply of fresh air into the mine workings, the repository needs to be ventilated from outside. The fresh air is sucked into the Bartensleben mine and is led from there to the 4th level, from where it is distributed into the entire mine workings by large fans. The fans can blow or suck the air. On average, about 6.5 million cubic metres of air flow through the repository every day. This means that the air inside the mine is completely exchanged several times a day.
Return air originating from the storage areas on the 4th level might be radioactively contaminated. It is removed separately through air tubes (pipes for the transport of air flows) and special ventilation galleries via the Bartensleben mine. Comprehensive measuring devices examine and analyse the return air continuously for radioactive contamination and compliance with the permissible limits.
Return air that has no contact to the storage areas is referred to as conventional return air. It is removed via the Marie mine. In order to guarantee full monitoring and documentation, a new return air building with a 30-m high chimney was taken into operation at the Marie mine in August 2010. In this chimney, the conventional return air is permanently monitored with the help of measuring devices that correspond to the monitoring level of the Bartensleben mine.
Monitoring of waste water
In the control area, potentially radioactively contaminated waste water accrues (e.g. waste water from washbasins or from the cleaning of vehicles and devices). They are at first collected and examined for potential radioactive contamination. If they fall below the permissible limits and have thus been "cleared", they may be discharged into the conventional sewage system.
Waste water that cannot be cleared is conditioned in the control area and remains in the repository. That applies e.g. to rain water which is collected via the special sewage system of the container hall that had been used for the delivery of radioactive waste until 1998.
Measuring devices of emission monitoring
To protect staff working in the repository against radioactive materials and to prevent that these materials get into the environment, comprehensive measurements are carried out.
Among others, radioactive hydrogen (tritium), radioactive carbon (C-14), radon-222 and aerosols (particles that can absorb various radioactive materials) are measured in the measuring stations. To measure tritium and carbon-14, air is led through wash-bottles containing water with low amounts of tritium or, respectively, sodium-hydroxide solution, which is exchanged and analysed at certain intervals. Dust collectors are used to continuously filter particles from the air which can absorb radionuclides. Then the dust samples are examined. Data on radon-222 can be retrieved continuously in the control station.
To exclude measurement errors, different measuring techniques are applied in parallel. Furthermore, the measurements are controlled by a measuring institution that is responsible for the monitoring of emissions from nuclear facilities.
State of 2016.07.15


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Gladiators in Ephesus
The life of gladiators in Ephesus and gladiator fights in Ephesus
Located in Selcuk district of Izmir city in Turkey, Did you know that the ancient city of Ephesus was the first place where gladiators fought in Anatolia in BC. 71. How was the life of the Ephesian gladiators, who were they, what did they eat, what was their life like, how did the Ephesian gladiators gain their freedom or what would they do after they were free? The lives of the gladiators who lived in the city of Ephesus and the famous gladiators of the period.
History of gladiator fights in Ephesus
The first gladiator games in Anatolia were organized in Ephesus in 71 BC. The rich people of Ephesus and the notables of the city of Ephesus had gladiators. These people would bet that their gladiators would win the fight, and they would organize games for it.
The rich and senators could sell their gladiators to each other.
Gladiator fights would last for at least 2 and at most 12 days, and the warriors who entered the arena in the gladiator games would fight to the death. Gladiators were chosen from among slaves or mercenaries, and they were specially trained. Gladiator schools were opened for the training of gladiators, learning fighting techniques and training.
The most famous of these were in Capua and Ravenna.
In such schools, gladiators were well fed, trained, and were treated by doctors if they were injured. Galenos from Pergamon (Bergama), who lived during the Roman imperial period, went to Rome to practice medicine for gladiators and worked there for years.
Two days before the gladiator competitions started, the gladiators who would participate in the competitions and the program of the competitions were introduced to the public in the public area or in the forum.
Before the fight, the weapons that the gladiators were going to use were checked. It was decided if they were going to fight with the same weapon or the weapon they choose.
During the gladiator games in Ephesus, before the fight, horns and flutes were played. A festive atmosphere was created.
The gladiators that were taken to arena, start their fight by saying “Ave impretor, morituri te salutant” (Long live the emperor, those sentenced to death greet you). When going to the arena, they were saying an oath as “We swear that we will be burned, we will be chained, We will be burned, we will be defeated and we will be killed by an iron.”
The most famous gladiator school (ludus) in Ephesus is the school established by the Vedius Family on the Sirince road, and the fights were held in the Stadium.
The average height of the Ephesian gladiators is 1.68 centimeters, which is at the limit of the usual size in Ephesus.
Now this place belongs to the Samians and they replaced it with Marathesion because it was closer. Then comes the small town of Pygela, founded by Agamemnon and inhabited by some of his soldiers, with the temple of Artemis Munkhia. This proper name (it is called hip – buttock in Pyge Hellenic) was given here because some of the soldiers of Agamemnon stayed here due to a disease that caused their buttocks.
Then comes the port called Panormos, where the temple of Artemis of Ephesus is located, and then the city of Ephesus. On the same coast, a little higher than the sea, is Ortygia, a magnificent grove where all kinds of trees, mostly cypresses, grow. In the middle of Ortygia passes the Kenkhrios Stream, where Leto is said to have bathed after labor.
Some of the famous gladiators who lived in Ancient Ephesus
The famous gladiator from Ephesus is Euxenius. (Provocator) won 15 fights. He later taught at the gladiator school of Ephesus. A monument was erected in his name by his students.
The other famous Gladiator of Ephesus is Palumbus. (Murmillo) won 15 fights. A tombstone was specially made for him by his wife, Hymi.
Another famous gladiator of Ephesus is Satornilos. (Secutor) It is known to have won 10 Gladiator fights.
Kalitos from Mylasa (Milas), who participated in the Gladiator fights in Ephesus. (Murmillo) It is told that he fought 14 fights in Ephesus and Milas arenas. Kalinos of Mylasa, who was the master of gladius, fought with his right foot forward, and his helmet became a symbol for other gladiators.
We learn the names and classes of some Ephesian gladiators from monuments, tombstones and inscriptions addressed to them. (Afternoon death Ephesus gladiators /Ephesus Museum Selcuk)
Gladiator of Ephesus Hippolytus (gladiator class – Gallus)
Gladiator of Ephesus Seidonis (gladiator class – Thracian)
Gladiator of Ephesus Kaptialos (gladiator class – Provocator)
Gladiator of Ephesus Kallimorphos (gladiator class – Gallus)
Gladiator of Ephesus Euprepes (gladiator class – Provocator)
Gladiator of Ephesus Asbolas (gladiator class – Secutor)
Gladiator of Ephesus Gegner (gladiator class – Retiarius)
How did the Gladiator fights in Ephesus end?
Spectators would bet on which gladiator would win. During the fight, the spectators tried to motivate their gladiator to win, chanting Herbera (hit) veua Iugula (kill). There was a referee during the fight, and the fight would continue according to the rules determined by the referees.
If one of the gladiators gave up, he would raise his left hand in the air and ask his opponent to take pity on him and not kill him. However, not the rival, but the governor or the most powerful person or the owner of the gladiator at the head of the city of Ephesus usually left the decision to the audience, and they decided in line with their tendencies.
If the spectators wanted forgiveness of the gladiator who lost the fight, they would shake the handkerchiefs they were holding. If the people from Ephesus and the surrounding cities, who watched the gladiators’ matches, did not want to be forgiven, they would shout Iugula (kill) this time.
In this case, the most powerful person of the city of Ephesus, or the owner of the gladiator, would point the thumb of his right hand to the ground, pointing downwards.
The gladiator who won in the arena was rewarded. He was given a wreath made of palm branches and a silver plate with gold coins inside. Thus, the gladiator would become both rich and famous. If, after the struggle, he was given the freedom stick called “Rudis“, he would have been freed from slavery. Wreaths of victories are depicted on the tombstones of many gladiators.
Gladiators who successfully left their fights within five years were usually released by their owners. Such gladiators (veteranus) were assigned to teach swordsmanship to Roman soldiers in Ephesus and subsequent major cities.
Gladiator fights M.S. In the 3rd – 4th centuries, it left its place to the struggles of animals.
Animal hunting and animal struggles (Venationes) were held in theaters that were converted into an arena by separating the orchestra section from the sitting area with a high wall, or in the spendone (half-round section) of the stadion.
In these shows, the animal (wild boar, gazelle, mountain goat, etc.) released into the orchestra was hunted by a hunter, or a person armed with a skewer or spear was fighting a predatory animal (panther, lion, bear, etc.) and trying to kill it.
There were also times when two animals (roosters) were wrestled. These games continued for 3-4 days.
Classes of Gladiator games performed in Ephesus, Anatolia, Rome;
The most famous, most popular and beloved gladiator among this class is Spatakus. Spartacus was a prisoner of war from the Thracian tribe in southeast Europe. He started a rebellion against the people who had trained him as a gladiator and forced him to fight, who had enslaved him.
He led his slave followers and gathered an army of more than 70,000 rebels during their war with the Romans. He was eventually defeated, but his legend still lives on today.
Using a round shield, curved sword, and a large helmet with the griffin symbol on it, the Thracians were probably the most popular and most common of the ancient gladiators. They fought mostly Gauls and Samnites. Emperors and senators had their own favorite types of gladiators, just as we support sports teams.
For example; Caligula was supporting the Thracians, and he killed another gladiator, who defeated the Thracian warrior he had hired, just for that reason.
When Caligula fought in the Colosseum, he had done his martial training as a Thracian, which could lead to decisions such as favoring the Thracians. Another emperor, Domitian, had such a hatred for the Thracians that he once threw one of the audience at the dogs.
The crime of the audience was that he had claimed that a Thracian could win the fight.
The Samnites are another of the ancient gladiators and share many similarities with Gallus. They, too, were originally prisoners of war, but came from the Samnium region of southern Italy. When the Romans proclaimed their dominance over the Samnites, they forced them to stage ceremonial battles in a sarcastic manner.
Because of their popularity, these ceremonial battles eventually evolved into gladiator encounters, in which the Samnites donned large rectangular shields, swords, and their traditional military garb.
They fought with other soldiers taken captive from the tribes that were in conflict with Rome. Forced to fight in their own unique military style, Rome had the unique opportunity to see rival clans at war.
Finally, they fought rivals dressed as Roman legionnaires to portray Rome’s victory over other tribes (in these encounters, Rome was winning as it should have been, creating an otherwise embarrassing picture).
After Samnium joined Rome as a province, they did not participate in the fighting as a separate category. Instead, they evolved into hoplomanchus or murmillo gladiators with similar weapons and clothing.
3- Gallus / Murmillo
Gallus (Gaul) is one of the oldest gladiators descended from the Gallic tribes of central and western Europe. After being taken as a prisoner of war, they began to fight. Beneath their heavy armor, they looked like the typical gladiators we know, with long swords, shields and helmets, but dressed in traditional Gallic fashion. Less agile than other types of gladiators, Gallus relied on their strength and brute strength when attacking their opponents.
Often they fought with captives from rival tribes. When there was peace between Gaul and Rome and he became part of the Roman Empire, forcing his allies to fight just for fun was not tolerated. So they turned into another type of gladiator named Murmillo.
Afterwards, murmillo again wielding a heavy sword and shield, this time dressed like a Roman soldier and fighting other murmillos, gladiators in rival barracks, and the net-throwing Retiari. Marcus Attilius, who managed to defeat Hilarus, a gladiator from Nero’s own army in his first fight (win/loss record is 12/2, respectively), is among the famous murmillos. Attilius continued this success with a 13-0 win over Lucius Felix.
The debate about women’s participation in martial arts is actually not new (not new). Thousands of years ago, philosophers and senators such as Cassius Dio and Juvenal discussed the positive aspects of women taking part in the fights at the Colosseum.
Gladiatrix wore very small armor, leaving her chest open, and often did not even wear a helmet to reveal her gender. These battles, using a short sword and possibly a shield, were rare and considered novelties.
In addition to fighting each other, they fought the dwarves to stir up the crowd, causing shock and anger on the crowd. In an extreme example of the aristocratic section who tossed the corset aside and replaced it with simple clothing, we see that many gladiatris come from the higher strata of society, unlike the lower class or slave gladiators.
Their existence caused such a great scandal that they eventually became A.D. They were banned in 200.
In 22 BC, the law of Augustus “preventing the professional gladiatorship of women” was not accepted by the senate. However, it was banned by Septemus Severus in AD 200. Thus, the Gladiatrices, who were made to fight for 200 years, became history.
As we now know, in most encounters, gladiators of different kinds faced each other. On the other hand, a provocateur could only fight another provocateur. This was because instead of deciding the match for them, they would challenge each other to fight in the arena. There was pure competition in this fight.
They would fight to settle disputes between rival gladiator schools or to raise their own status by defeating a highly respected opponent. To reflect equality, each wore legionary (Roman soldier) armor with large rectangular shields, breastplates, and helmets. Wearing heavy armor meant that they would tire quickly, but it was also difficult for them to be damaged during combat.
Although they share some similarities, equites gladiators should not be confused with the Roman cavalry of the same name. The Roman cavalry consisted mostly of inferior aristocrats who held secure positions in the senate and could even become emperors. Equites, who were gladiators, were highly acclaimed showmen.
Since the odds of death alone were not enough, the competition at the Colosseum began with the equites, often due to their agility and display of speed to enliven the crowd. Starting on horseback, they would attack each other with their spears and then dismount and fight with a small sword and shield. They wore light armor to better use their quickness and athletic build.
The Secutor wore heavy armor: he had a large shield, a sword, and a round helmet that covered his entire face except for two small eyeballs. These gladiators were developed as a match of fighting styles to rival the increasingly popular retiarius. A typical encounter between secutor and retiarius would begin with the retiarius standing at a safe and distant distance – in some cases on a high platform above the water – with piled boulders ready to be thrown.
The Secutor (which means chaser in Latin) would march towards Retiarius, trying not to get caught in its net or to avoid the rocks hitting him. He also had to avoid the trident, which the retiarius used to keep the secutor too far away from him. The Secutor had the advantage of being heavily armored, but would also tire easily from the weight of his armor.
This resulted in a breathtaking encounter. Emperor Commodus fought as a secutor in the games and set all the conditions perfectly so that there was no obstacle to his winning the match.
Another famous secutor was the Syrian warrior Flamma, who dressed appropriately for the Gaul region.
He fought 34 times, with a win/withdrawal/loss record of 21-9-4. Interestingly, despite being offered freedom four times, the opportunity was blown out each time.
Which is better, speed or power? Is it better to die with a thousand cuts or a single move? In Roman times, the answer was definitely that more power and armor was better. This is why the retiarius was formerly viewed and despised as a lowly gladiator; He had very little armor and had to fight using agility, speed and cunning.
But to make up for it, they had nets that ensnared opponents, tridents to stab and move, and finally, a small dagger, which in some cases was four-pronged.
Retiarius trained in a different barracks than gladiators wielding “sword and shield” and often lived in worse conditions. According to others, they were seen as feminine and ridiculed. The satirist and poet Juvenal told the story of Gracchus, a second-rate aristocrat who, by becoming a gladiator, not only humiliated him, but fought as a retiarius, causing even greater shame in society.
However, their importance grew to some extent over the centuries, and they succeeded in maintaining arena continuity, complementing the different styles of armored secutors, murmillos, and scissores (a type of gladiator wielding a sword with two blades).
The Noxies were the lowest strata of the lower class people in Roman society. These people, the lowest class of the civilian population, were viewed as so disgraceful in Roman society that they were not even classified as human beings.
Such people included Christians, Jews, deserters, murderers, and traitors (in no particular order). They were not chosen for gladiator school, and their sole purpose in being in the arena was to die in the bloodiest way possible as punishment for their crimes.
There were several ways in which Noxii could die. One was the “bestiari” encounters with animals, where they would be torn to pieces by the animals.
In the other, the warriors were blindfolded and instructions were given by the crowd, as if playing a sadistic blind game. Another method was to be thrown among real gladiators as if they were prey. The noxies, who were mostly able to wear a cloth covering the genitals or naked, had no armor and used small swords or sticks called “gladius” as weapons. The Romans enjoyed killing the noxies.
While these killings served as a reminder to the civilian population of the superiority of law and order, they also served to once again show their place in the social hierarchy.
Unlike other gladiators, the bestiarii faced animals, not humans, in the arena. Roman emperors and senators used exotic and powerful animals imported from Africa or Asia (e.g., lion, tiger, elephant, bear) to flaunt their wealth, and held grand performances in the Colosseum and theaters for the public. Some animals, such as the elephant, were captured to surprise and entertain the crowd with these creatures they had never seen before.
Others were there to hunt and hunt. There were two main types of composers: “damnatio ad bestias” (cursed with the creature) and “venatio” (hunter). The Damnatios were those sentenced to death and thrown into the arena for a humiliating and frightening way into the afterlife. Because they were not considered gladiators – they were the lowest class of the people in ancient Rome – their death was for the amusement of the crowd, and a single creature could kill thousands at a time.
As part of his performance, Venatio would train and hunt animals for the crowd.
Few known venatios have been recorded by historians and chroniclers because, compared to other gladiators, this group was underrated. Carpophorus, who is said to have killed more than 20 animals with his bare hands in the Circus Maximus, is the most famous example.
They also trained these animals to kill, hunt, and rape their victims, as befits the time. A few emperors demonstrated their skill at killing animals as composers, but this damaged their popularity rather than impressing the crowd.
While Nero fought the beasts in the Arena, Commodus fought the wounded and immobile beasts “heroically” from a safe, high platform, to the delight of the senate rather than to the revulsion.
Equites, Provocatores, and Essedari were classes that could only fight an opponent of their own class. This was due to the fact that some equipment was superior to other equipment and gladiators were not trained with these weapons.
The Murmillo would fight with those of the Thracian or Hoplomachus class, while Retiarius would fight against the Secutor or, rarely, the Scissor. In addition, there were female gladiators, albeit very few in number. We see two Gladiatrices fighting on a memorial stone in Bodrum; Amazon and Achillea.
Female slaves would either fight alongside their male counterparts or face off against dwarf gladiators, considered Domitian’s personal pastimes.
Gladiator games were completely abolished by Theodosius in 325 AD in Istanbul and by Honorius in Rome in 404 AD.
The heroes of the people of Ephesus are gladiators
Gladiators were the killing machines of their time, but they were loved by the people of Ephesus. Although they were captives, they were the most prestigious people in society after the soldiers. In the arena, which was crowded with the Ephesians, when the thumbs turned down for the sign of death, the person standing and stabbing the deadly weapon in his hand into the ground suddenly became everyone’s lover. Legends about them were circulating.
Crescens of Rome, one of the most famous, was a casanova who ensnared women, Celadius was the lover of young girls, Palumbus of Ephesus was a adoring husband, Euxenius of Ephesus was a retired gladiator who gained his freedom and was loved by his students.
The gladiator standing in Ephesus could have been freed
Gladiators would sometimes find a slave like themselves, and sometimes a fierce lion or bear. The result would usually be death. At the end of the fight, the gladiator who stood up three times passed into the master class, and the one who stood up five times would gain the right to freedom.
But few gladiators chose freedom and left the schools. Those who remained in the schools trained the most popular officers of the army.
First training, then fighting at the Gladiator school in Ephesus
A master gladiator, who had risen to the rank of teacher, would teach his two students to fight, the teacher would explain how to make a move with a stick and give detailed information about how his student countered that move. Afterwards, the combat techniques of gladiators would pass from theory training to practical training.
Gladiators completed their training, which lasted for about four years, with wooden weapons, and met with real weapons shortly before entering the arena.
The training of gladiators was carried out in stages. A separate training was given for each weapon and each stance. Gladiators, who were constantly fed protein foods, turned into muscle mass and then death machines.
Ephesian gladiators sentenced to death
The first gladiators were criminals sentenced to death for any crime. They were told that they were guilty with a rope around their necks. The prisoner who survived the first fight in the arena was taken to the gladiator school and trained. There were also opponents of gladiator fights. Those who did not want to protest the fights in the theater in various ways.
They even showed their protest by destroying a relief depicting a mass fight.
The deadliest techniques in gladiator fights in Ephesus
The bones unearthed from the gladiator cemetery in the Ancient City of Ephesus were examined by bone scientists, and it was determined with which weapon they were killed. The location of the bone and the shape of the blow were also shown with the simulations.
The gladiator, who fell to the ground after the blow he received from the kneecap with a four-pointed weapon, could not respond to the lethal blows of his opponent. The people in the stands surrounding the arena would bow their thumbs down.
This act, which meant that the gladiator who fell to the ground was not forgiven, would end in death. If the fingers were up, the defeated gladiator would be forgiven and treated.
Weapons in gladiator fights
Inspired by the reliefs found in Ephesus, realistic weapons show how deadly the fights were. There is a weapon for every purpose. If the gladio in the hands of the gladiator was not strong enough to pierce his opponent’s armor, he would try to injure his opponent under the armor by using the curved weapon.
Feeding of gladiators fighting in Ephesus and Rome
As ancient historians such as Pliny noted, the Gladiators (Latin; Hordeum – Ordeum = Barley), nicknamed “The Barley Eaters” or “Hordearii”
Pathologist from the Medical University of Vienna, Prof. Karl Grossschmidt and Prof. In a 5-year study led by Fabian Kanz, it was revealed that Roman gladiators almost did not consume meat, contrary to popular belief, and were fed with vegetables and dried fruits, as well as cereals and legumes such as wheat, barley and oats.
Since gladiators do not eat meat, it is thought that they met their energy needs with a mixture of vinegar and plant ashes, considered “energy drinks” of the period.
Traces found on skeletons in Gladiator tombs in Ephesus
The 120 gladiator tombs unearthed by the Austrian Archeology Institute during the excavations of the “Stoa of Damianus”, that is, the Sacred Way, behind the Ephesus Stadium, between 1991 and 1995, are important in two respects: First, it is the first known mass gladiator tomb in the world that has been approved by science.
The second is that the legendary warriors of the Roman world gave important clues about their lifestyle, diet, weapons used in gladiatorial games, and death styles.
Almost all of the skeletons thought to belong to one of the ‘free-trainer’ gladiators were found in the Ephesus Gladiator tombs. The skull of this middle-aged gladiator has traces of healed wounds, none of which were fatal. According to Professor Kanz, he died at the age of 50, most likely of natural causes.
In the study, 67 individuals aged between 20 and 30 were determined. Most bear scars from healed wounds, meaning individuals have received good medical care. One even has traces of surgical amputation (arm or leg amputation). The absence of multiple scars on the bones indicates that they participated in well-regulated duels rather than crowd fights.
However, there are also traces of fatal wounds. Of the 67 individuals, 44 had healed acute scars, which must have led to sudden death. Only 10 fatal (perimortal) injuries were detected in the skulls. This is astonishing, considering that most gladiators wear helmets.
The only possible explanation is that the death hit was made with the hammer, which was associated with the God of Death, Dis Pater. This high rate of injury indicates that gladiators who died in the arena or immediately after competitions were buried in the cemetery.
The explanations of the researchers for the trident blows found on the skulls are as follows: “These certainly do not look like the marks of accidental blows that can be encountered in everyday life. However, not all head injuries are of this type. Some skulls contain rectangular holes, possibly from heavy hammer blows;
This supports the “last shot” view accepted by archaeologists and historians. Apart from the weapons found during the excavations, the wound itself has been evidence for a variety of weapons considered legendary.
The gladiator, who could not show enough skill or courage, could scream “iugula” according to the rules, that is He could have stated that he wanted to die “like a man/valiant”. This request was fulfilled by an attendant as a “final strike” with a hammer with a four-point mark. This officer dressed as Charun during the Etruscan period and as Hermes during the Roman period.
Charun/Karun is the demon in charge of spirits living in the Underworld and holding a hammer, not to be confused with the underworld lord Aita. Charun also guides spirits after death, just as Hermes guided spirits….
History of gladiators and gladiator fights
Although they were captives, the most prestigious people in the society after the soldiers were Gladiators. Gladiator fights, which means “Swordman” in Latin, are of Etruscan origin, and were built by the Etruscans in the Circus Maximus in Rome, where all kinds of races, including gladiator games, were held.
It is said that he saw the prototype of the professional gladiator games of the Romans from the Samnites tribe, who are said to be from the Sabines, whom they fought in the 4th-3rd century BC.
Equipment of the defeated Samnites was also used in the arena; an elaborate helmet, a wide leather belt reinforced with metal and bands, a large rectangular shield and a sword, Gladius (Gulan dividere, divides the throat-Isidore Seville XVIII.6), meaning “throat divides”.
The other class of gladiators was also named after the defeated tribes; Like Welsh (Gauls) and Thraeces (Thracians).
The Samnites tribe lived in the region of Campania, where the Etruscans settled. Another tribe that settled in this region was the Cimmerians (Cimmerium city in Campania. Prof. Cengiz Garasarli. Trojans and Etruscans-sy.94).
There is a Gladiator Museum in Capua, Italy. The Etruscans founded the city of Capua in the Campania region around 800 BC. After the attacks of the Samnites in the 5th century BC, it passed into the hands of the Romans. (Capua was founded by the Etruscans around 800 BC)
Prof. Although Meijer gives the example of “Nicolaus of Damascus (1st century BC): “The Romans copied the games from the Etruscans” in his book, Meijer opposes the Etruscan origin and argues that it originated from the Hellenic colonies that came to Italy in the 8th century BC.
It connects that there are no pictures or statues of Gladiators in Etruscans.
However, there are no gladiator games in the Hellenes, which was passed on to them from the Romans.
When the Etruscans migrated to Italy around 1200 BC after the Trojan War, they organized these games, which had not yet become wild, as a funeral ceremony in memory of their ancestors.
Although the Etruscans had a “blood sacrifice offering” in the tombs of nobles to appease the spirits of the dead, there is no obligation to sacrifice blood in the gladiator games called Munera.
The real meaning of Munera is to take responsibility, to take responsibility. The responsible person/family would organize and specifically finance such games. During the republican period, the prestige of the families who organized the Muneras (gladiator fights) increased, adding fame and wealth to the family name.
The sons of Junius Brutus were introduced to Rome for the first time in 264 BC. They organized a gladiator game consisting of 3 couples to honor their father. Officially, gladiator fights were held between the 1st century BC and the 5th century AD.
Although it started as a funeral ceremony, it gradually got rid of its religious character and turned into an indispensable public entertainment for political or national demonstrations. Even schools (ludus) were established to train gladiators for these “entertainments”.
There were 4 important schools/ludus in Roman times:
Ludus Magnus: Founded by Domitian (81-96)
Ludus Gallicus: Founded by Domitian (81-96)
Ludus Dacius: School started by Domitian and finished during Trajan’s reign.
Ludus Matutinus: It is a school that breeds only Venatores and Bestiarii and makes animals fight.
Gladiator fights, which were held twice a year, lasted 10-12 days. After the Spartacus revolts (73 BC), although the Senate opposed these fights to be held in Rome, Jules Caesar organized 320 double gladiator fights in silver armor in 65 BC in honor of his father, who died 20 years ago.
Eight years later (46 BC), when Caesar’s daughter Julia died in childbirth, “gladiator fights” were held again. This time, a game is held with animals, and for the first time a giraffe is walked through the streets of Rome. When they are not paid their allotted pay in this fight, protests begin and many, including Caesar’s own soldiers, are slaughtered.
It is known that Trajanus, who ruled between AD 98-117, had 10 thousand gladiators fight in a single game week. (Pliny, Plutarch) In these brutal “fights”, prisoners of war, slaves and prisoners receive a separate training for each weapon, each posture. The gladiator who survives three times goes to the master class, and the one who survives five times gains his freedom.
The rest can be trainers.
There are those who are against gladiator fights and have protested in various ways.
Names and classes of tools used in Gladiator Terminology:
Tiro – Beginner, novice.
Magistri – A gladiator who had previously trained and fought in the arena.
Lanista – The manager who oversees the training process.
Doctores – Different style combat experts.
Rudis – A wooden sword used by gladiators in training. Also, the wand of release given to the Gladiator who won his freedom.
Eques: Small round shield, spear or sword. A metal or leather armor called “manica” on the sword arm. They always fought each other, first with the spear on the horse, then with the sword.
Provocator: Large rectangular shield, helmet, short sword.
Murmillo: Gladiator class named after the Gallic war. Large rectangular shield, shielded helmet, short sword. Leather or metal protection on the weapon arm, thick leather belt with metal ornaments.
Secutor: Large rectangular shield called “Scutum”, helmet, short sword. Metal or leather armor called “ocrea” on the left leg, metal or leather armor called “manica” on the right arm.
Thraex: Thracian style weapon, square or round small shield, a curved blade called “sica”, helmet.
Scissor: Helmet, sword, arm cuff with a sharp moon-shaped blade (hence the gladiator “scissors”)
Retiarius: Spear (trident), net (retiarius means White-Man/Warrior) and dagger (pugio) do not use helmets.
Hoplomachus: Hellenic-armed (Hoplite) (Hoplomachus-armed warrior). Protective “manica” of bronze or iron, fastened with leather straps on the right arm. Heavy armor on his legs and a bronze helmet. Sword or spear.
Essedarius: Gladiators brought from Britain, possibly by Julius Caesar. They are seen as arena warriors after the 1st century AD. They fight from the car.
Shield-wielding factions differed in sword size and usage patterns. There were definite, clear and unchangeable rules for the creation of couples.
“The Romans, who are lords of the world, honor a gladiator for a trivial deed more than the emperor who is accepted into the gods, or me who is present here”.

domain: history


The World's Top Architecture Museums
by Jonathan Lerner
Spending so much of our lives inside them, and surrounded by them, we often take buildings for granted. But architecture can help us understand history and grapple with the future. The following fascinating museums are dedicated to buildings, cities and landscapes -- the places where we live.
Skyscraper Museum, New York
Even the most jaded Manhattanite can't resist staring upward sometimes. The city is a vertical metropolis, and it has a museum dedicated to that subject. New York City's Skyscraper Museum explores the design, technology and culture of tall buildings. Permanent displays include miniature models of Downtown and Midtown Manhattan, historical photos of skyscrapers under construction and a section devoted to the Word Trade Center and rebuilding at Ground Zero. Through 2009 the exhibition "China Prophecy" examines booming Shanghai as a model for future urbanism. The museum offers frequent free talks by architects and authors.
39 Battery Place. Tel. 212-968-1961. Admission: $5, $2.50 for students and seniors. Open 12 to 6 p.m., Wed. to Sun. www.skyscraper.org.
National Building Museum, Washington, D.C.
It's fitting that Washington, D.C.'s National Building Museum created by Congress should concern itself as much with the future of our built environment as with its past. Exhibitions have addressed new visions for affordable housing, sustainable buildings and cities, concepts for rebuilding New Orleans -- as well as the work of master architects like Wright and Saarinen and other historic themes. Through 2011, "Washington: Symbol and City" reveals the tension between the capital's role as national landmark and metaphor, and its everyday functioning as a place where regular people live. The "Building Zone" is a hands-on exploration space for kids up to 6 years old. The museum occupies one of D.C.'s most spectacular 19th-century structures, modeled after a 16th-century Roman palace designed by Michelangelo.
401 F St., NW. Tel. 202-272-2448. Admission: free, $5 donation suggested. Open Mon. to Sat., 10 a.m. to 5 p.m.; Sun., 11 a.m. to 5 p.m. www.nbm.org.
Canadian Centre For Architecture, Montreal
The provocative exhibitions here change often and range widely. Recent ones have explored the history of skylights, actions individuals can take to affect the city, and the architectural innovations spurred by the 1973 oil crisis. The Centre for Architecture occupies a striking post-modern building that wraps around an important 19th-century mansion. It sits in a garden that evokes historical periods of landscape design. Tours of the building (and garden, in summer) are offered daily. On Thursday evenings, there are lectures, screenings and gallery talks.
1920 rue Baile. Tel. 514-939-7000. Admission: CAD $10 (about US $8.60), $7 (about US $6) for seniors, students and free for children. Open Wed. to Sun., 11 a.m. to 6 p.m.; Thu. until 9 p.m. www.cca.qc.ca.
Architecture+Design Museum, Los Angeles
Los Angeles is a fertile incubator of modernism, in both its urban form and its buildings. And this ultra-creative California metropolis -- its evolution, seminal architects, and possible futures -- are frequent topics for exhibitions here. Graphic and product design are also explored. Exhibitions change frequently. (The museum is closed until inaugurating its new space in September 2009.)
6032 Wilshire Blvd. Tel. 323-932-9393. Admission: $5, students and seniors $2.50, free for children. Open Tue. to Fri., 10 a.m to 6 p.m.; Sat. and Sun., 11 a.m. to 5 p.m. www.aplusd.org.
The Heinz Architectural Center, Pittsburgh
This section of the Carnegie Museum of Art has an extensive collection of architectural drawings, prints and models from which its changing exhibitions are drawn. The museum also incorporates the monumental Hall of Architecture, opened in 1907, where more than 140 plaster casts of doorways, columns and other architectural details are displayed. These casts were taken from significant buildings dating from ancient Egypt to the Renaissance.
4400 Forbes Ave. Tel. 412-622-3131. Admission: $15,seniors $12, students and children $11. Open Tue. to Sat., 10 a.m. to 5 p.m.; Thu. until 8 p.m., Sun. 12 p.m. to 5 p.m. www.cmoa.org.
International Architecture Museums
The Alvar Aalto Museum
Jyväskylä, Finland, is devoted to the buildings and furniture of this seminal modernist designer. www.alvaraalto.fi/museum.
The MeijiMura Museum
Inayuma, Japan is an open-air museum dedicated to the architecture and design of the prolific Meiji period (1868-1912). www.meijimura.com.
The Lighthouse, Scotland's Center for Architecture
Design and the City, Glasgow, is housed in an 1895 Charles Rennie Mackintosh landmark. Its tower gives panoramic views of the city, while its exhibitions and programs showcase current and historic trends in architecture and urbanism. www.thelighthouse.co.uk.
The Netherlands Architecture Institute
Rotterdam, located in one of the world's most architecturally innovative cities, explores both Dutch and international work. en.nai.nl.
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Exciting news today as we have, amazingly, a sneak peek of sorts at the Pandora Club charm design for 2017! Pandora are running an official competition allowing fans to choose the design of next year’s Club charm, and they have just released the two designs that are in the running. :D
The competition is running on Pandora.net; just log in to your Club account to vote! Read on for a look at the new designs :D
Pandora Club Charm 2017 Candidates
So, the choice is between two different heart designs, mocked up in a ‘3D sketch’ by Pandora. Both feature the standard little diamond and the year engraved on it.
The first is pretty par for the course:
Pandora describe it as follows:-
This exquisite design presents a new take on the iconic heart charm. Crafted from polished sterling silver, it features a classic heart shape decorated with embossed hearts, which frame a genuine sparkling diamond on one side and the engraved words ‘Club 2017’ on the other.
The second would be the first dangle-style locket Club charm, with a cut-out heart at the front revealing the diamond inside:
Pandora’s description for it runs as follows:-
This beautiful heart dangle is inspired by the tradition of vintage lockets. The front of the locket charm features a beautiful cut-out heart motif, which beautifully frames a genuine diamond. When the locket charm is opened, the year ‘2017’ is revealed written above the diamond. The twinkling diamond is also visible on the back of the locket charm, highlighted by an engraving of the word ‘Club’.
You have until the 15th of June to cast your vote!
So, there you have it – we know what the Pandora Club charm has a 50% chance of looking like next year! ;) I love that they’re letting fans decide, and that we get a sneaky peek this far in advance. Both of the designs are hearts, which is a bit meh, but they’re both pretty enough. I think I’ll vote for the second design; I have a real weakness for lockets and locket charms, and the Option A is a bit too staid for me.
Do you like either of these designs? Which one are you voting for? :D
No wow factor here…. Again more of the same…. Such a shame, as they can do so much better….
I agree…with all the amazing designs that Pandora has come up with…these hearts with diamonds show so little creativity that I am stunned. I wouldn’t buy either one.
I haven’t got the 2016 club charm but am planning on it… I’m sure I’ll end up with next year’s too. I like the locket, even if it’s not super exciting!
I was a bit disappointed to see two more heart designs.. but of the two, I find the locket heart design more interesting!
I picked option B… Option A was too boring in my opinion. I wish they moved on to a different design rather than hearts for club charms… Really wanted a unique charm and not a recycled design. At least this year’s it is a new design (still a heart but still)!
Yeah, Option A is stylish but quite dull. Even if they do stick to the whole heart theme, there are definitely more interesting things they can do with it! The prettiness of this year’s charm goes to prove that.
I have to say that I don’t like either of these, I think this year’s design was much better! I think they should have waited to find more ideas, designing a charm for next year when this year has just come out seems a little premature to me.
I agree – I like Option B, but this year’s Club charm is nicer than either option! I think they probably design every release at least twelve months in advance, so I don’t think the time frames have changed much by coming up with designs now though. It’s just that we’re getting to see their ideas at design stage, which is kind of weird but fun! ^^
I’ll vote because I like that Pandora are letting us choose the design, although I don’t really love either of the options unfortunately :( Purely because it offers something a little different to previous silhouettes I’ll be voting option B.
Mm, I don’t *love* either but I’d definitely go with Option B of the two here! Much more interesting :)
I prefer the second one as well, as it’s different from all the previous club charms. I like that the year is hidden away and the little hearts going round the dangle is a nice touch. The first one looks a bit plain to me.
I think it’s great that there asking us and that we see so far in advance.
I couldn’t find them Autumn pictures on Facebook that everyone was talking about. I know a few people have had the same problem. Have we got any pictures of the upcoming Autumn and winter collections yet? I’ve read on another post about the different bracelets and bangles meant to be coming out, they sound interesting.
‘Plain’ is a good word to describe the first one. It’s not really got much going on, to my eyes.
I just posted an AW16 teasers post, which contains all the pictures that I’m aware of so far. :)
I love the locket it’s so nice with the hidden diamond hope u choose that one but of course I will get any one love love pandora
Aw, that’s nice to hear! <3 I will probably end up with next year's regardless of the design too haha. I wouldn't want to be missing one of the whole set.
I also like the dangle locket heart charm better. The 1st heart is heavier on top causing the charm to constantly go upside down. I have several of their charms that are top heavy & they all do that. Glad you can see the diamond without having to open it. I have not bought any of the club charms so I will pass. I tend to like the more expensive ones with crystals.
True, the heart charms are really bad for flipping! I have the 2014 and 2015 Club charms, and am sure I will get the 2016 one – it’s lovely. I’ll probably end up with next year’s as well, as it would be weird to be missing one of the set!
I love hearts, but they’re everywhere in Pandora’s designs these days and it’s getting really old. I still find things I love in each collection, but I feel like most of these heart designs they spend so much time on could’ve been something really fun, imaginative, and different. I’m a Pandora “loyalist,” but I can’t help but see what other brands are doing and wonder about wasted potential.
I agree… even if they balanced out the hearts with some more character charms it would be better! I have seen a lot of Pandora collectors from when I first started move on to other brands, which is a shame. :) So I don’t blame you! I am kind of a Pandora purist and doubt I’ll move into other brands in a big way, but I understand the pull – especially when brands such as Ohm are doing such great and quirky work!
I like the dangle as well. It’s neat to get to vote; however, with the popularity of Pandora world-wide, and since the buyer is the reason for the club, it would be even more fun to have a competition where customers actually design the Club Charm. They could selct several contenders and then let the customers vote for the winner.
I only got the first sentence of your FB post and thought it was this kind of competition and for the last hour have been thinking up designs. :/
Hope you’re having a great summer so far!
Hi Snapdragon! It is fun to get vote on the Club charm; I like that they’re being a bit more creative and getting the fans involved a bit. Trollbeads actually do a competition called the People’s Bead where fans get to submit their designs and then everybody votes and TB choose a winner from the finalists (I think that’s how it works). It would be so amazing if Pandora did the same!
I’m having a great summer thanks; it’s been amazing hot in the UK this week! Hope you are too. <3
I like option B, since we haven’t had one that is a dangle charm, however both of them are nice, another heart design of course but they are elegant and not too fussy.
Me too – B is a little bit different to what’s gone previously. I’d have liked something a bit more creative, but B is nice enough!
I’m not a massive fan of either there both a bit boring.
Yeah, seeing two new heart designs was a bit disappointing! I like B better though :)
I voted for A. Neither is too exciting but I have seen lots of comments that the locket style charms don’t stay closed. That would drive me crazy if it stayed open. It’s a lovely design, but I just can’t see myself purchasing a locket style charm because of this.
You are right about that. I have a mothers day locket that does not stay closed and it drives me crazy. I thought it was defective but my son gave me the piece and I couldn’t bring myself to take it back. Now knowing it is a recurring issues with their lockets I am glad I kept the original one he gave me. Hopefully they will perfect the design for future pieces
It’s weird, as I have the Valentine’s Day card pendant, which my OH gave me in February 2014. That still stays closed fine, but I’ve read lots about how many people find it won’t close properly. Mine was very very stiff when I first got it though so maybe it’ll develop the problem eventually :(
My Valentine’s Day card pendant doesn’t stay closed, but I don’t mind it.
Mine has got looser for sure, so maybe it’ll end up the same way, even if it does stay closed for now!
Hallo, I chose design B.
For me neither has neither B, they should have left us the possibility of saying neither one, nor the other !
I will buy definitively the charm this year, so pretty and different, like a club charm should be for me ;)
Hi Isabelle! Aha, I think a lot of people feel the same as you. At least the 2016 charm seems to have won everyone over! <3
Have a nice day too!
Wow! I for the life of me cannot figure ourt why Pandora uses a crown symbol as one of their logos when the company clearly prefers hearts! I have to say that neither option rocks my world. The first option looks clunky & the second is derivative of other heart dangles in their collection. I agree with some of the others who have commented that Pandora is wasting a lot of potential.
I almost didn’t bother with this years club charm because it was yet again another heart but the lace like design made it appealing enough to buy. The year & diamond are so small that you need a magnifying glass to see them. Why not a Pandora Crown or Funky O design? Sorry Ellie I guess I wish I could be more positive about this one, Unless Pandora rethinks these, I will be taking a pass in 2017 on the club charm. You were right when you said it was Meh.
No doubt, there will be enough Pandora fans or new comers who will like the club charm.
Good of you to put this info out for us to chew on.
Aha, my thoughts exactly. I felt sure we would see a crown-themed Club charm before now. Maybe 2018 will be our year…? ;)
Oh no, I have to say I do love this year’s Club charm. It’s a heart but such a lovely one – it’s clearly had a bit thought put into it to make it a bit different. And I like that it reminds of the suit of hearts in a deck of cards. But these two 2017 designs don’t have the same interest unfortunately, although I do like the locket idea.
Thanks for commenting Lisa!
I’m not really liking either but voted for B as it was more interesting. I think this years club charm is pretty and it’s the first club charm I’ve been interested in buying. As some of the previous comments have said the hearts are getting a bit boring. It would be fantastic to have a completion every year where you get to design the club charm and the winners gets produced.
I loved the 2014 Club charm and this year’s, and 2015 was all right. I really think they do have to change it up after this year, hearts are way too repetitive – especially for charms that are meant to be ‘collector’s items’! It’s not fun to collect charms that look so similar to one another.
A proper design competition would be amazing – Trollbeads run a very successful People’s Bead competition. It would be great to see Pandora follow suit!
Ellie, that was a quick and easy choice. Option “B” is so much better than option “A”, which to me just looks like another recycled design again
I love lockets and charm that open so this would be a nice addition to the Club charm legacy..
I agree, Stephanie! I knew which I was voting for instantly. A is just a bit nothing-y to me, especially for a special collector’s item.
honestly, i think the unforgettable moment dangle charm with the Pandora logo on it and the Pandora signature charm look a lot better than all these heart club charms.
A lot of people feel the same way Sherry! I would like to see them change it up a bit too. :)
I voted B as I really like the locker idea and I love dangles. I like the idea of having the 2 hearts from 2015 and 2016 together with the 2017 in the middle of them . Although it would be in chronological order lol.
It’s nice that we get to vote xx
I like lockets as well, so I voted B. It’s not the most exciting design but it’s nicer than A by far for me.
Haha I think that combination would be lovely, chronological or no! You should totally do that if B wins ^^ xx
Option B for sure. My Club charm bracelet need a dangle.
I think Option B is winning in the vote atm so hopefully you will get one for your bracelet! ^^
Definitely option B. I like the locket dangle heart. Option A is too boring, very standard. But overall a non heart design will be more fun and interesting.
I completely agree! Of the two, I much prefer B. But overall I would have been much more excited for something a bit more original.
I voted for “B”. I love lockets. “A” just doesn’t seem interesting enough. I also wish they would do something other than a heart. Pandora doesn’t really have an animal or a symbol associated with them, right? Like Tiffany has their blue box and white ribbon and Swarovski has a swan. Maybe Pandora needs something like that. Is a crown their symbol? Or maybe they decided their symbol is a heart, but a lot of people complain they have too much of that.
I love lockets as well! I always wanted a proper one when I was younger and was thrilled when my parents bought me one at Disneyland, haha. I guess Pandora’s symbol is the crown above the O? They could really do something based around that.
A heart is really kind of a forgettable emblem…!
And when a brand is about ‘unforgettable moments’, that’s kind of a problem lol.
I voted for B and at the time it said 73% did as well. The first one wasn’t a heart so I hope they end the heart run very soon.
Yeah, B looks to be winning, which is good ^^ They seem pretty committed to doing hearts every year for the Club charm but here’s hoping that the 2018 charm is a bit different… in two years’ time… ;)
Still a small heart ring inside the square box. I think heart is kind of Pandora siginature, we see it everywhere.
Yeah, the 2014 still did have the heart motif, in its way. I don’t think hearts are much of a signature haha, they’re a bit too ubiquitous.
Ellie, I got some discounted retired charm from outlet this afternoon. Two two toned Flower clip $70 each, two tone Song Bird, Cup & Saucer and Vanity Mirror, total Can $250 to get two retired single red leather free. I particular love two tone Flower clip.
Oh awesome, love all the fairy-tale pieces you got! I got the two-tone flower clips recently (if we’re talking about the same ones) and I love them! I want to put them with my Jasmine muranos.
Flower clip #790140 I think we got the same.Two tone Braided Heart, You’re in my Heart, Elemental, Heart of Hearts, Ring Cluster, Golden Dragonflies, Anvhor and Heary dangle, 2015 LE Mother’s Day charm, Love Struck, Seattle spacer…and many classic silver charm all 30% off. I might go back to check again, I love two tone charm. I only spend one transaction for free bracelet promotion for Club charm and Flower Garden. I won’t spend for Summer, pre Autumn. Fall and X’mas from your teaser, I don’t see anything I like.
Yes, those are the ones I got! :) Beautiful selection of two-tones they had there… it’s such a shame to see them going!
You might still see something in AW16 you like! You never know :)
I’d like to vote for anything but another boring heart.
Lol! Succinctly put. I was a bit deflated to see the choices, but prefer Option B as I like locket-style jewellery.
They need and option C neither. These are boring, I deffinitly wont buy A and probably wont buy B. I am quite keen to get this years though.
I love this year’s too! I haven’t got it yet but definitely will before Pre-Autumn rolls around.
Option Bell. The dangle. Everyone is right. They could put a little more creativity in the chsrm.
It seems repetitive every yr.
Tje heart is nice but they need to dress it up a little.
The good thing is for me it’s not nice enough to make me go by it so I save some money.
If option a wins should price it at 35.00
Justin to plain. Option but should price 45 or 55 no more than that
Only because it’s a little nicer.
Repetitive is the word, Laura! They will never price a diamond charm so low is the problem. :( Although it’s been nice to see the price for the Club charm go down consistently each year since 2014!
Thank you for the sneak peak Ellie. My vote is B the dangle but having not bought any of the previous releases including this years because 2016 is unreadable unless you have a magnifying glass, I am officially over the club charms.
You’re welcome! I voted B as well. The year is always written pretty small, you’re right – I guess it’s also to placate people who don’t like having the year written on there.
What is the best way to clean bracelet and charms?
I have some advice here, Doreen:
Thanks for letting us know about being able to vote for the 2017 Club charm. Unfortunately, I’m not impressed by either choice . I did vote for option B. Being a dangle is something a bit different. Both choices are just too plain for my taste.
Nothing special, I have to see it in person next year then decide.
Hi Emily! I would also have liked to see something a bit more creative; when they think of what Pandora collectors would treasure most, can they really think of nothing more than hearts? Even basing something on the Crown logo would be fun. I’m surprised they haven’t done that yet!
I like option A for a bracelet that recognizes a special event in 2017 like a wedding or baby. Since the year is a feature of the club charm, I don’t think it should be hidden (re the locket)! Also, as many others have noted, the locket may not close properly which would be very annoying! So unlike most others, I would opt for A.
Hi Judy! I think Option A is more classy and elegant, and therefore more appropriate for a special event like the ones you mention. For a limited edition charm collector’s charm, I think they need to go with the more interesting design! But we will shall see how the vote turns out ^^
Thank you for yet another great review. My question is where is option c? Option C – anything but another heart shape! I am really not a hater of hearts and do own a few; however, it isn’t a shape I want to dominate my collection of Pandora charms. With the number of hearts in the regular collection, it’s disappointing that they can’t see past the heart shape for the club charm. I expected the club charms to be unique and bought the first one for that reason. I disliked last year’s heart because it was a rehash of the princess charm. While this year’s club charm is pretty, it’s still a heart and isn’t unique in my opinion. Next year’s choice, regardless of which one wins, will be just more of the same. I do love your reviews as they are never boring and repetitive unlike some Pandora charms of late. :)
Hi Janet! Haha, I think a few people have wondered the same thing. I don’t mind hearts either, but everyone has had enough of them for the most part now I think! It doesn’t seem to be sinking in with Pandora, though, as they keep on coming with more hearts – I suppose they must be selling well, still? :S
Aw, thank you! That comment finished on rather a sweet compliment, which is very much appreciated. Hope you continue to enjoy! <3
First of all, it is the first time I write a comment on your blog, so I have to congratulate you on it. It is my favourite Pandora news page.
Regarding the 2017 Club Charm, I would like the dangle if it wasn’t for that big pointy bail. I think this started being used in Autumn 2015 and there are dangle charms I decided not to buy because of it (the Family Tree dangle and the pink Feathered Heart locket). Of course, they have their reasons for creating such thin bails, which restrict the space the dangles need (yes, this means that there is space for more charms on the bracelet). Being thin however would not be such a problem if they were not also poking out of the rest of the bracelet. Apart from making them annoying on a bracelet, these thin bails also make those dangle charms unsuitable to be used as pendants.
So, I chose A this time (another heart that will flip upside down because of gravity). :P
I love the fact that they are sticking with the hearts. Heart jewelry is timeless no matter what it is for! I do agree it could be a lil more unique and intricate but maybe 2018. Lol. I like the dangle locket as well. Maybe they can increase the diamond size too?.
I was waiting for the free bracelet event in September
Will this happen in 2017
Do you know if there will be a free bracelet promo in 2017
I like the locket charm the best.
I L❤VE the locket charm?
I just start collecting Pandora this 2017. My fiancee bought me first. And i ow cant stop buying more?
Im not wearing them yet but ithey are making me happy buy looking at them.

domain: design


text:
KERMIT'S SWAMP YEARS
Fullscreen & Widescreen. An all-new Jim Henson adventure! Young Kermit loves his swamp, but wonders what lies beyond. When his buddy Goggles is frognapped by a pet store owner, Kermit and Croaker race to the rescue, discovering that the world is bigger, stranger, more dangerous, and more wonderful than they had imagined. Will they find Goggles in time? Will they get back to the swamp? CC. 82 minutes.
Item #: 4599942
This item is a DVD. It is in both full screen and wide screen format.

domain: library


text:
Egypt's best-known filmmaker, Yussef Shahin, will lead a peaceful pro-Palestinian protest rally to his country's border with the Gaza Strip, a colleague said Wednesday.
Shahin, hospitalized just two weeks ago for a heart attack, will on Friday lead the "protest in support of the Palestinians" from the capital Cairo to the border, fellow filmmaker, Khaled Yussef, told AFP.
"A demonstration organized by Palestinian associations will take place at the same time on the other side of the border," Yussef added.
Egyptian actress Yussra, Tunisian singer Latifa, who lives in Egypt, will travel with the demonstrators by bus from Cairo to the border post at Rafah, where there is a Palestinian refugee camp.
The rally is organized by the Egyptian screen actors guild and human rights groups.
It was not clear how close to the border Egyptian security would allow the protest to take place.
Israeli troops fired live rounds across the border during clashes early Wednesday with youths who threw rocks and bottles at their positions, an army spokesman said.
Egyptian university students have led anti-Israeli protests almost daily since Palestinian-Israeli violence erupted two weeks ago – CAIRO (AFP)
© 2000 Al Bawaba (www.albawaba.com )


JANUARY 19, 2001
If that happens the newspaper speculates, DaimlerChrysler may be broken up and there are several car companies which would be bidding for the profitable Mercedes-Benz unit. Both Ford and General Motors are obvious bidders but the two US companies would have serious trouble with regulatory bodies and it is more likely that a smaller company such as Honda might make a more successful bid. The price would be in the region of $45bn.
It is unlikely that all this will actually happen but if it did it would have a dramatic effect on Formula 1 as Honda currently supplies British American Racing and Jordan and would be unlikely to want to continue with three teams, having acquired the engine supply of McLaren as well. As McLaren is the most successful of the three teams it is more likely that one of the others would be dropped and with BAR's Honda contract up at the end of the 2001 season it would be the obvious candidate.
However, a lot has got to happen before that comes to pass...


text:
Maurice Cooper has been named senior vice president and chief marketing officer for Wingstop Restaurants, responsible for the chain’s global marketing strategy and execution. He reports to Charlie Morrison, chairman and CEO.
Most recently, Cooper was global vice president of the Holiday Inn brand family. Previously, he was a venture leader at Coca-Cola, working on the development of Honest Tea, Illy Coffee and Zico. He led the Coke Zero brand through one of its most substantial periods of growth, per the press release, and served as brand manager for several of the company’s multibillion-dollar, flagship brands including Coca-Cola and Sprite.


text:
In the middle of the match, the Danish playmaker, the victim of a cardiac arrest, Eriksen was called up to the national team for the first time since the Euro.
Playmaker Christian Eriksen said he was “very happy” to return to the Danish selection on Thursday, nine months after his cardiac arrest in the middle of the Euro, which required the implantation of an internal defibrillator.
Eriksen was summoned last week for the friendlies against the Netherlands in Amsterdam on Saturday and against Serbia in Copenhagen on Tuesday.
I am very happy and happy to return to the selection. It’s been a long time, so I’m happy to go back,” Eriksen told reporters in Marbella, southern Spain, where the Danish team trains.
The 30-year-old Dane has been living with an internal defibrillator since the June 12 heart attack against Finland at the Euro.
He had remained inanimate on the pitch for long minutes under the stunned eyes of his teammates, the stadium, and millions of viewers, before finally returning to him after an emergency rescue.
I was lucky with the doctors and the diagnosis. Everything is good to play again, and it motivates me even more, to go back to my old life,” added the player who plays for Brentford in the Premier League.
“I wouldn’t have come here if I hadn’t known if I was able to come back without anything bad happening to me,” he said.
Eriksen (109 caps, 36 goals) returns to a Danish team that shone at the Euro (elimination in the semi-finals) and brilliantly qualified for the 2022 World Cup in Qatar at the end of the year.
Kasper Hjulmand said on Wednesday that “the most likely thing is that (Eriksen) will start as a substitute against the Netherlands, and then we’ll see how it goes in Amsterdam. But he will be 100% available to go home” against Serbia.


DisCos wants relaxation of Minimum Remittance Order, estimated bills capping
• Says these may worsen ATC&C losses
The 11 electricity Distribution Companies (DisCos), on Thursday, called for a relaxation of the Minimum Remittance Order and capping on estimated billing made by the Nigerian Electricity Regulatory Commission (NERC).
They said this became imperative to sustain the gains so far recorded in the Nigerian Electricity Supply Industry (NESI).
The Managing Director, Abuja Electricity Distribution Company (AEDC), Ernest Mupwaya, who spoke on behalf of the DisCos explained that these were issues that needed to be addressed before the implementation of a service reflective tariff can yield the desired results in the industry.
He said if left unaddressed, this will worsen the Aggregate Technical, Collection & Commercial (ATC&C) losses.
According to him, the DisCos, excluding Yola Electricity Distribution Company (YEDC), have in the last three years, been able to reduce their ATC&C losses by almost 10 points but noted that Yola DisCo increased it by 12 points.
ALSO READ: See how NDDC spent N81bn in six months
“The overall ATC&C losses moving average (m.a.) keeps decreasing and has reached a new record of 43.3% and six DisCos have losses below 50% per cent”
However, he said contrary to the tendency of other DisCos, YEDC deteriorated or increased its Aggregate Technical, Collection & Commercial (ATC&C) losses trajectory, with a loss level of 67.6% by the end of September 2019.
“Perpetuating the “squeezing” regulations of the Minimum Remittance and Capping of Estimated Billing will extend the challenges of YEDC to the rest of the DisCos and it will cost as twice (in time and money) to get back to where DisCos are today,” Mupwaya explained.
Similarly, he noted that while remittance levels were still low, capping of estimated bills, especially with the 40 per cent metering level, will further exacerbate the liquidity crisis in the sector.
To this end, the DisCos recommended that the implementation of the new service reflective tariff Order should have a one-year transition period, from its effective date.
“During this period the minimum remittance thresholds would be graduated every quarter,” the DisCos’ representative said.
Also, they called for a credit free balance sheets to improve their creditworthiness.
“Historical tariff shortfalls and MDA debts as at December 2019 (N1.7 trillion as noted by government and N2.3 trillion as recalculated by DisCos), should be taken off DisCo books. The practical impact of the shortfall is that DisCos have a negative balance sheet of -80 billion to -250 billion. The clean-up of the DisCos’ balance sheet is necessary to make them creditworthy.
“Also, NBET and MO should be mandated to assume the tariff shortfall and MDA debt and then issue credit notes to DisCos and, henceforth, the liability should not be associated with the DisCos,” Mupwaya stated.


text:
“We thought young art historians would start flooding in”
In conversation with Júlia Klaniczay about the Artpool living archives
Artpool Art Research Center, founded in 1979 by Júlia Klaniczay and György Galántai, has Central Europe’s largest collection of underground art with a reputation abroad. It operated illegally until the political changes in 1989 and as a pubic non-profit organisation from 1992. A part of the collection entered the Museum of Fine Arts – Hungarian National Gallery through the Értéktár programme of the central bank of Hungary and the rest was bequeathed by the co-founders in late 2015 and now it functions as an independent organisational unit. According to plans, it will be part of the Central European Art History Research Institute, to be established on the area of the National Museum Restoration and Storage Centre (planned to be built by the end of 2019).
Júlia Klaniczay explained how what started as an art action turned into a private archive and then a public collection. First Artpool was linked to György Galántai’s art: it was an art project not an archive. When Galántai graduated in 1967 he felt he had only mastered techniques and was at a disadvantage compared to those who did not have a degree but personally experienced the Avant-garde. He created parallel realities and existed in them. He was looking for ways to inject some life into the rather uninspiring art scene of the time. Throughout its entire operation, Artpool had countless projects addressing global issues from different angles.
An art archive is different from traditional archives, even in how it is built up. Artpool always placed usage at its focus and its structure developed adaptively. At first, its material was systematised by artists and geographical locations.
Then came a time when the archive started living a life of its own, split off from the original art project and grew beyond its founders. The first itemised database, a card catalogue, was compiled about the artist’s books. To a great extent, the archive facilitated Galántai’s artistic activity. Exchanges and cooperation are the most efficient way of growth; exciting project calls can also do a lot, if talented artists submit projects to them, but then comes the curating: the material needs to be arranged, thematised, presented and installed.
After the change of the political system, the founders expected a blast of interest in the archive, thinking it would be flooded by young art historians. And for more than ten years – with a slight exaggeration – not a soul came. Vast tomes were published by the Slovakians, Czechs and Poles, who got down to researching the period of socialism and non-official art immediately after the political changes. In Hungary only two or three volumes were published, practically without any previous research. The first researchers in the Artpool archives were foreigners: Germans studied the networking activity of the 70s-80s, and American researchers analysed samizdat art for their academic theses. Of course the situation has changed since then and Artpool has attracted numerous Hungarian researchers in the last twenty years.

domain: artistic