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“I also want to preface by saying: This is the only time I’ve ever openly admitted that I played that game.” Sat in front of a Zoom-filtered backdrop by legendary fantasy and sci-fi painter Michael Whelan is equally talented and prolific John Baizley, the accomplished main man of Baroness. With six LPs now attributed to his band—their latest Stone available right now—as well as an illustration portfolio decades in the making that has elevated the works of not only Baroness, but dozens of others, Baizley is an artist in the truest sense of the word. His knowledge of music, visual art and literature is as enthusiastic as it is encyclopedic, treating the co-nerds of Kill Screen to a history lesson on Whelan’s work and mid-century fantasy novels prior to our official on-the-record interview.
His proficiency with the art of gaming, however, is much more limited. While all other previous guests on this column share similar origin stories—an early childhood discovery followed by a lifetime of out-and-proud nerdy devotion—Baizley’s tale took a decidedly different path. Largely a by-product of—hold for sigh—the pandemic, what had at best been an occasional flash in the pan morphed into a brand new dimension of artistic appreciation. Finding out that the multi-talented virtuoso partakes in video games required a bit of digging: Fellow Baroness guitarist Gina Gleason shared the info during a chat at a show in Philadelphia. “It’s fun to talk about while in between a Blood Incantation set,” adds Baizley, a smile starting to form. “Which, incidentally, is definitely the best place to have a Xenoblade discussion.”
Lack of experience means not that Baizley is lacking in insight. Though he may need help recalling the names of specific games or consoles, his answers are earnest, articulate and add a fresh perspective to a medium that we have absorbed for over 30 years. Still, even a Grammy-nominated artist can’t help but express a negative self-awareness: “I know that I’m not the intended audience for it. I’m positive… I don’t even think they would want somebody like me in their world.” We couldn’t disagree more, and thankfully his initial hesitance to discuss his new-found pastime gave way ahead of the band’s upcoming Sweet Oblivion Tour and resulted in a wonderful discussion that we are truly appreciative to be able to share with our readership. We hope these won’t be his last words on the subject.
What was your first video game experience?
I was at a friend’s house and they had an Atari and I remember Pong, or a Pong-like game. I do remember seeing that in real-time, probably in ’82 or ’83. But by the time I was in elementary school a few years later, when the NES was coming out and that was changing the game, I was right there for that. My friend had one. Unfortunately, I don’t think I ever got the NES until it was already out of date, but I do remember going over to my friend Mike Schwartz’s house and playing Metroid, which I thought was awesome because it was kind of scary to me at the time. It had some frightening moments in it. And then Super Mario Bros., for sure. 100 percent. I was there when that was happening. Contra, [The Legend of] Zelda. I preferred the deeper-commitment games. The games that kind of eventually turned into RPGs.
What have you played most recently and what are the games that you typically like to play?
I’m very, very limited in what I play. I’m very restrictive. I didn’t really do much with video games until the pandemic. In 2013, when Baroness was in our bus crash and it took me 8 months to recuperate, I had recovered, we put the band back together and we did our first European tour—with [drummer] Sebastian [Thomson] and [bassist] Nick [Jost] in the band—with Royal Thunder. Evan [Diprima], their drummer—this is when GTA [V] came out—he was so preternaturally good at it that when I got back, I bought it. Somebody had given me a free [console], whatever it was on. I played that game for a little bit but then that was it. Eight, ten years go by without playing anything. The pandemic hit and my daughter was at the age where she wanted a [Nintendo] Switch. So, we got a Switch and I went from 0 to 1,000 with [The Legend of Zelda:] Breath of the Wild. It just turned me back into a video game player somehow. Somehow? It’s a beautiful game! It’s a beautiful, beautiful, beautiful game. So, I got totally hooked because I had nothing else to do but get hooked. But I went pretty deep with that. Like, very deep with that. And then I discovered [The Elder Scrolls V:] Skyrim, and that’s all that I did for three years. And now I play Tears of the Kingdom like it’s going out of business, but I also like Divinity: [Original Sin] on the Switch. Last year, I played a little bit of Monster Hunter: [Rise].
I only play Switch because I don’t have anything else, although I’m sure if I had something else—especially one of those systems that is better for RPGs—I’d have a little longer list of games. I like games that take hundreds of hours. I really, really, really like grinding. I just like taking my time and building things and making things and forging armor and shit like that. Skyrim was especially potent to me because there’s something that’s so super fantastically nerdy about it. It hits the swords and sorcery sweet spot for me.Even when I get bored of it, I just put it down for a little while and come back to it and just start again. It’s the only game I’ve ever started again.
Do you have a reason why you enjoy the grinding?
I think I like the idea of games like that. The allure of them is similar to the allure for me of literature. Reading is a hugely important pastime of mine. When I need pure escapism, I go towards sort of the classic ’50s, ’60s, ’70s sci-fi, fantasy, swords and sorcery stuff like Michael Moorcock, Fritz Leiber, Jack Vance, Clark Ashton Smith, Lovecraft, Robert E. Howard. I’m sure there’s a couple other slightly more minor players in that. But I’ve always been into that. I read through all the Tolkien stuff really early. I got into the Dragonlance novels back then. If this reference doesn’t completely ruin my reputation and if you understand it: There were stairs down to my basement when I was a kid [where] I had spray-painted—specifically in red spray paint—“Raistlin Lives.” Because I was really into Raistlin from the Dragonlance novels, who, of course, was the red wizard. I really liked that stuff when I was a kid. I think in my later years as a teen I ran into the issue that I wasn’t aware of the older writers as I could have been. I’d go to sci-fi comic stores and I just couldn’t find a book that held my attention. I had become accustomed to sophisticated writing at the level of Tolkien, at the level of Ursula K. Le Guin who, at this point, is one of my favorite writers of all time. I really liked good writing and sci-fi/fantasy blended. I kind of didn’t read much of that for years. I’d re-read Tolkien every once in a while because he’s definitely a favorite.
The escapism that I receive from a good writer is one thing. The sort of point of a lot of that sci-fi/fantasy stuff, I think, really was to give the reader an escape. I find myself getting lost in those books quite easily. For me, the great RPG games that I’ve ever played—and again, it’s limited, I think I’ve listed every game maybe that I’ve ever even played—offer that same sort of level of detail, that same sort of universal dimensionality that I would get from literature. It’s fun to do the action stuff, for sure. The peak moments of those games are when you’ve got to solve some insane puzzle or defeat some awful foe using supernatural means. That’s fun, but it’s fun because you’ve applied yourself in that alternate universe. You’ve applied yourself and you’ve prepared yourself. A lot of older games, the reason I stopped playing those is because you had to get so refined in these tiny motor skill movements. It was just, “How good is the rhythm of your thumb?” It’s like gymnastics or something. It’s impossible because I haven’t done it a bazillion times. But what’s the reward? The reward is doing a backflip once. That’s great, but that’s not for me.
In life, things come with sacrifice, things come from hard work, things come from blood, sweat and tears, so to speak. Even in a virtual setting, that kind of application to me is appealing. It is never about winning, it is about the process of preparing. That’s thrilling to me. We’re here talking because I’ve got a record out. I care that it comes out, but I’ve already had my experience with the record in making it. I’ve already been successful. Success of achievement is not about the achievement itself; it’s about the process of getting yourself to the point where you can achieve. I think that’s what appeals to me about these kinds of games. It’s not how athletic you are with the motion, it’s how prepared you are, how much foresight you use.
You’re very particular about the literature that you read. Has there been any lore or story from these games that you found appealing, even if it’s not at the same level as some of [your preferred authors]?
I don’t know because I never looked. I just don’t care to look. I played The Witcher III: The Wild Hunt. I really liked that game, too. I think that’s based on a book, right? I just don’t go there because I’ve never found a solid example of literature that is even supplementary in an interesting way to anything like that. If it’s based on a book, I’ll read the book. If the book is a supplement or comes afterwards, I just feel like it’s a waste of my time. There’s a hundred thousand to a million better things for me to read that I’m going to take something away from. If I’m putting my time into reading, it better be fucking worth it, you know?
While you’re playing the game, do you find yourself drawn into the lore and the story in the game, or are you more interested in the mechanics that get you entrenched in the world?
I appreciate when the history of the world in a game extends beyond the boundaries of scene one, cutscene one and however it ends. I definitely appreciate that because to me that’s what Tolkien felt like when you read it. That’s what Dickens feels like when you read it. Potentially, I’m spending my entire time in this city, this county that this game takes place in or a book takes place in. But unless the author or designer has done an exceptional job of closing the walls around that environment in a way that’s convincing and actually helps the story, I like to understand that there is a greater universe at play. That, to me, is where Tolkien stands head and shoulders above the rest of great fantasy writers. His world was convincing and the limits of it went far beyond the geography that he would ever cover. But due to the things happening beyond those limitations, the dynamics of the world had a reality to them that seemed plausible, even in the most overly fantastic scenario. And I think in Tolkien’s case, he would use the vagaries of the beyond, the vagaries of history to explain things, but there never seemed to be contradictions!
When you play the Zelda games, you’re aware that they refer to things that have happened in other games. There’s some sort of tenuous thread that runs between them, which I think is cool. It helps with an understanding. Sometimes it’s just fun to hear something randomly mentioned because it puts that seed of curiosity in your head where maybe at some point in the future, this kernel of knowledge then expands—maybe it doesn’t. You give people enough juicy details about the universe that they do not have access to, then we wonder about all those things and we miss the obvious thing that’s transpired right in front of our face that’s gonna come back and surprise us later. Part of those games is being surprised from time to time.
Do you feel any sense of embarrassment or shame in enjoying games, let alone even having an interest in games?
Not anymore. I think games are sophisticated enough now that I have been fortunate enough to find games that are designed in a way that appeals to me and I can filter out the ones that don’t. I tried to play Halo before. It just was too difficult and I didn’t see the point. The GTA thing, I was like, Eh, this is cool, but it’s a little sensational. Or Call of Duty, or things like that. You come into contact with these things when you’re touring all the time. They just didn’t speak to me. I enjoy watching other people play these wild ass games where you have to be be really good. I like the adventure of life, so I want an adventure when I play a game. It’s not as much about the constant need to be satiated by intense sound and intense light and intense dynamic movement all the time—I want that when it’s important. I like the everyday-ness of the RPG. I like that every once in a while you have to consider sleeping and eating. [Laughs] It’s kind of a fun boundary to exist in. It makes sense to me because I have to eat and sleep every day.
Was there ever a point at which you felt, That’s just shit for nerds [and] kids?
Well, I was a kid once and I currently am a professional musician, so the idea of adolescence is part of my profession regardless. In terms of being too nerdy… I’ve always been a nerd, so it’s not that anything is too nerdy for me. I think we nerds like to guard a little more closely than be open with it. For a variety of reasons—some of which are kind of superficial, some of which are a little bit more practical—people don’t take this seriously if you’re gonna go on and on about some awesome book you just read where there’s a spell involved with it. I don’t only read fantasy. [Laughs] I like literature as well. I prefer to make a choice sometimes and read fantasy because I want something fantastic. It’s like there’s this secret, forbidden knowledge, right? We have it, we want to horde it and keep it quiet. The more sunlight that gets on my interest in something, the less that becomes a thing that I get to keep to myself and I get to enjoy as a personal experience; it more becomes a public experience.
There’s likely going to be somebody who’s going to approach me in the future and want to talk about this. I have to be willing to have this dialogue with you and accept the consequences from it. That’s another one of those stigmas that comes with using your band as a mouthpiece to say anything. If all we talked about was how much we like Fuji apples, I guarantee you I’m going to end up having a conversation in the future about Fuji apples with somebody when I’m not the one coming up with that subject. I realize somebody is going to talk to me about Zelda or Skyrim or whatever at some point, and I’m OK with that. Maybe in the past I wasn’t because I sort of like having those private things private.
“I realize somebody is going to talk to me about Zelda or Skyrim or whatever at some point, and I’m OK with that. Maybe in the past I wasn’t because I sort of like having those private things private.”
Was there a specific period in time when you just weren’t really interested in video games as a whole? It just wasn’t really speaking to you?
Honestly, most of my life I haven’t been very interested in them. It was a fun stoner thing to do with your buddies. When we first started Baroness, I bought a Chevy Astro utility van, which you can only imagine being relatively small as a utility van, and that was what we toured in for six or seven years. Our roadie at the time was this guy Jeremy Hush, who’s an artist friend of mine. He had some genetically-coded gift at GoldenEye 007. Jeremy clearly had some decade-long period of life where he devoted himself to that game and no one got to see him practice because he just came out really good at it. We had that in the back of our van, which was just a corrugated metal floor with a couple of pillows on it. We’d just sit in the back while on 20, 30 hour drives around the country when we’d just do the punk rock/DIY circuit year in, year out for a decade. It was just constantly him winning against my bandmates and our crew at GoldenEye because he knew how to do the timed mines! We were just running around like, [pantomimes shooting machine guns]. And you’d walk into a room and you’d die—you’re constantly dying. It wasn’t fun to play with him after a while because he was too sophisticated with it.
That was my experience with games my entire life. I never really owned a system. Even now that I do, I buy one game a year and that feels like an indulgence. I just spend my time with that game. Maybe that’s also why I like the big, long games. I don’t feel like starting new ones, I just want a good one that gets great reviews and everybody says is the best thing ever and I’ll just play that until I’m dead. It’s only been recently that the mechanics of the games have gotten to the point where I’m like, Wow, these are really addictive. They clearly have figured out and decoded the human mind. It’s like when you’re in the hospital on your morphine drip and they time it out so you only get it every so often, but you need it by the time you get it. That’s what I think games are now. They just give you this serotonin or dopamine push every so often. It’s just enough, but you’re just hooked on those top-tier, marquee level games. It’s wild how addictive they are. I fall prey to those. Sometimes people are like, “You play games?” I’m like, “Yeah, I play a little.” “What games you play?” I’m like, “The good ones? I don’t know.” [Laughs] I don’t have time to sit through the shitty ones! I’ll go online and I’m just like, What does everybody agree on? Can I find some Subreddit where everybody agrees this game is dope? I’ll play the 10 out of 10s. Anybody, share your 10 out of 10s with me because those are the only games I want to play. I don’t like investing time in shitty games. [Laughs]
RPGs are a much more single-player experience. Have you had any interest recently in gaming with other people or is it still much more of a personal, solitary experience?
A good friend of mine, Sarah, who works for my screen printers out in Minneapolis, she knows I would love to have a PS5, Xbox whatever—I don’t even know what they are anymore—but I just don’t. I have a Switch and she knew I was a Switch player. So, she suggested I get this game Monster Hunter because it was a pretty simple, user-friendly co-op thing. So, I played a few games with her through last winter and early this year. I thought that was fun, but the magic of those games to me is that solo experience where you’re doing the adventure. I find that I tend to like the games that have colder, harsher, atmospheric environments. That feeling you get when your character’s just kind of stamping through the snow and some half-lion/horse/minotaur thing is right around the corner, you don’t know where it is. Or when you’re just quietly watching the aurora borealis over some fantastic frozen seascape. It’s quiet, it’s serene. There’s a sublime sort of feeling that you get. You know, it’s an adventure. Every step you take, you’re discovering something. You’re looking around, you’re using your eyes, you’re deciphering the worlds that these game designers made and you’re trying to make sense of it. It’s just a weird adventure/puzzle that has elements of story that you can choose to pay attention to or just go off on your own thing. I like any game where you can be engaged in the game, but also off on your own doing an independent thing, figuring it out, getting better at something. That sort of game appeals to me. Frankly, sometimes—especially over these past few years—I just want a purely beautiful, overwhelming adventure, especially when I can’t go on it myself. I’m not so foolish that I don’t see the nature of escapism that I’m engaging in. It feels good to me. It feels rewarding and I’m always aware of when I need to put it down. I wouldn’t say that I go overboard, but some of those crazier, longer games, I like the commitment. There’s something really satisfying to the slow build of those games.
This is something that came up in a previous interview—you could book a flight and a guide and go out to some frozen tundra and see a wolf on the horizon and that would be cool. But that’s going to take a lot of money and a lot of effort. So, instead, you could pick up that Switch and wander through that far northwestern area of the map in Zelda and experience this deep frozen winter vastland.
I would do the analog, real-life version. I mean, I have—many times. But there’s also something that’s appealing to me. Maybe it’s because I’m a creative type; maybe it’s just how I’m wired. The designers have to walk this razor-thin line of creating a world that is familiar enough that we understand its physics and its dynamics, but they can’t be just the normal, regular dynamics—there’s no point in that. It’s not that it’s as much a fantasy as it is a fantastic reality, or super reality. I like the snowscapes because I know snow. I like the desertscapes because I’ve been in the desert. Or swamps, I’ve been in a swamp. I’ve been in a regular swamp; show me, game designer, the absolute ceiling of your creative imagination. I want to know what you’re capable of doing that doesn’t fuck up the fourth wall. I think that’s what designers of games have become really adept at. Look at any of the Yes album covers, or Roger Dean album covers. They’re totally, totally beautiful, totally incredible, imaginative, weird. Places that seem bound together by just enough actual world physics that I don’t just totally write them off—but they’re not real. It’s seeing what an artist or creative mind can do with those confines. As the designer of these games, you have to create something that people feel comfortable and excited to navigate. So, it has to have elements of reality, but just how fantastic can you push it before it trips over the line, and then it’s just gobbledygook, it’s just nonsense? It’s that weird little razor-thin edge that I think separates fantasy that I will read, that I will watch, that I will play, versus fantasy that I will never, ever think about again.
As an artist, the idea of that appeals to me. As a recording artist, that idea appeals to me. I’ve never been interested in recording what our band sounds like genuinely on stage. You want to know what that’s like? Get a ticket, come see us at the club. We’re only going to play in an analog, four-person, very realistic way. I’m used to doing that—I’ve been doing that my whole life. But when you’re in a studio, your only limit is your fucking imagination. So, with our band, I want to see what my creative limits are. I want to push those boundaries so hard that they’re practically ready to break, but I also want to have the self-restraint not to break that indefinable wall that separates great creativity and art from vacuous, anemic fucking fantasy bullshit.
As a creative type, both visually and musically, what game has been most appealing to you in a visual and musical sense?
I will preface this by saying that I think growing up in the specific age that I did, the songs from NES and maybe a handful of the Sega games, but specifically the first real wave of NES games, had such incredible sound design and musical direction that I think it would be impossible for any of us that grew up in that time period to say that it didn’t affect the way that we approach music in some way. What song did I hear more than Tetris on Game Boy? Because I’ve heard that song thousands of times. I’m not sure there’s another song I’ve heard as frequently. Or Castlevania—that was one of my favorite soundtracks. It’s impossible that those songs didn’t affect my sense of melodic and harmonic structure. It’s impossible. Because everything else from that era of my life did. My mother loved Broadway musical theater, stuff like that. So, a lot of that sort of dramatic, grand musical gesture, melodies, they worked their way into what Baroness does, somehow, strangely. So did Tetris. So did Castlevania. So did Contra. So did Mario Bros. Any of those games have been etched into my brain—and everybody else at my age. Also, those early Zelda games had great soundtracks, too. I think musically, they clearly have had some kind of an effect—whether it’s a subtle one or an overt one. I’m going to be the last person to be able to say that.
In more recent years, I’m not even sure that I’ve heard anything that’s got that kind of scoring at that level that those old games did with those crazy limitations. This new Zelda game is like a weirdly religious experience to play and see. It’s visually breathtaking and really, in my opinion, more than maybe any other game that I’ve ever born witness to, strikes that balance between generating a world that I understand, that I feel comfortable in, that operates based on mechanics I understand that are smooth and enjoyable, but also has so much visual fireworks. It’s this kaleidoscope of ideas that now have three different levels—in the sky, in the depths, on the ground. The harmony of color, the harmony of design influences and the cohesion with which everything is held together. The subtlety of the play mechanics that keep you in the headspace correctly. Any great piece of creative work will cover all those bases in the same way, where you submit yourself to its reality in some ways more than your own when you’re really in its trance. I think applies to the cinema, I think this applies to literature, I think this applies to art, I think this applies to anything created like that. It’s satisfying.
One of my friends, Thomas, he’s the editor of this heavy metal magazine in Austria, he described the game as tough, but fair. What was the really hard game? Ninja Gaiden? Way back when. It was tough, but it was not fair! You could never win! Once the snow starts falling, you’re done. The game’s over. What was the really, really old one that kind of had a Disney style? Dragon’s Lair! Even 25 cents, it’s a waste of because you can’t get far enough in it to enjoy. I think that the Zelda game, you are forced to lose every so often. There are things that genuinely scare you because they come from nowhere. There are scenes that are genuinely beautiful. There’s a story that sort of holds up. It’s a really cool experience. And it speaks to people of all ages all over the place. You don’t need to know the language, you don’t need to know anything. It’s wonderfully for everyone, in my opinion. It’s still so incredibly designed that you can’t do anything but go, “Yeah, it probably is the best game that’s ever been made.” Probably.
Zelda has such a pedigree at this point. Even [Decibel editor in chief] Albert [Mudrian] plays the original Zelda. Because of this, he kind of got back into a little bit of NES gaming and playing it with his kid. Zelda is the one that he goes back to and he’s like, “Yeah, I remember all of this from when I was playing it in college.”
It somehow avoids all of the shitty pitfall tropes of other games. It’s kind of bloodless even though you’re killing, I guess. They’ve designed everything so that no one really dies in a permanent way, unless it’s meant to make you feel that death poignantly. Things disappear and then they regenerate and they make a big show of it so that if you’re playing it with your seven-year-old kid, they’re not aware of the amount of murder that they’re taking part in. [Laughs] I think Zelda’s always had that right. A lot of the Nintendo games, I feel like they intentionally design their games to have a somewhat bloodless quality to them as the games are probably designed primarily for children. There’s that innocent aspect to the game, but it’s serious. And it’s cool. I really appreciate the amount of effort that went into just simply designing the game. And the fact that it comes off as effortlessly as it does… I’ve yet to be bored in a way that I can’t resolve relatively quickly.
Are you looking forward to any future games or are we going to have to wait for the pandemic part two?
No, I think at this point I can say comfortably I do like gaming. I don’t follow it, though. I don’t know what’s coming up. Ever. Which I also kind of like. I don’t follow a whole lot of entertainment news. I don’t know what movies are ever coming out. I’ve got a pretty good selective attention span. Where do you even see previews anymore anyway? We don’t have cable or anything like that. I don’t even know what movies are about, who’s in them, anything like that. If I hear that one’s really good, I’ll go see it and it’s usually just a total surprise. There’s so much of a universe of reviewers out there. I mean, now it’s all half-truths and lies and thoughts and all that. If I find a reputable site that tells me what’s good right now, I don’t even look too far into it. Video game trailers, as you are probably well aware, don’t really say anything. Most video game trailers that I watch, I’m like, Am I watching the game? Am I watching a well-rendered commercial? I don’t know and I don’t care. It’s not like music. Music, I will sit through an hour and a half of some godawful shit hoping to mine one gem. I’m looking for 20 seconds of good audio in any given record that I can love. But I’m not looking for 20 seconds of a game. I’m looking for a game that’s 100 percent entertaining all of the time, no fucking bullshit. No, “Oh, well, this game’s about heavy metal. You’re gonna love it!” Just because it’s about something that I like doesn’t mean that it’s gonna be something I like. Hey, guess what I like: Swords and sorcery. Are there any games that have that? Yes, they all have that! So, just find me the good ones.
Stone is out now via Abraxan Hymns and can be purchased here.
Tickets for Baroness’ Sweet Oblivion Tour can be purchased here.
Follow Baroness on Bandcamp, Instagram, Twitter, TikTok and Facebook.
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text:
The first Time The Dubber came to the woodshed to record.
This was a the kind of session the archive is all about…
Their originals land somewhere between The Band, The Who, and Neil Young. Their covers range from The Beatles, Stones, and Dead to Gillian Welch, Lucinda Williams, and The Allman Brothers. And they wash it all down with Gin and Vermouth
“Cosmic Americana”. A term that refers exclusively to the Americana/Roots Music based band…DEVILS IN DISGUISE. The band has its feet firmly footed in the Roots Music Scene and is still able to expand the scope of its sound to include a soundscape that is constantly expanding and developing. These musical explorations and artistic expressions will […]
Dr. Roundhouse started as an acoustic duo, DNR, that rocked the Columbia music scene. They rocked it hard. Frontmen, Jon and Russell, perfected their original compositions in this early carnation of the band. The duo added Nate Poston to the mix, bringing what is sometimes referred to as the heat. The bass guitar addition led […]
“Wires, Wood & Harmonies” – Pocket Buddha is a blend of acoustic strings, light percussion and vocal harmonies that creatively cover tunes from a variety of genres from Americana, country, folk, rock and even some R&B. We also have a growing repertoire of original songs.
We’re a band from Columbia , South Carolina that plays original music.
Ralph Roddenbery, Richie Jones, LJ and other special guest set from “Summoning of The Muses/Virgo Party 2012 It’s Lora’s Birthday again!!!” Festival
“I`m playing Bluegrass this night, partly to get my jollies, but also to celebrate the life and influence of Bill Wells: a good friend and mentor. Bill`s birthday would be Wednesday the 19th, were he still with us.” Chris Lawther

domain: artistic


Kim Kardashian is one hot mama-to-be!
Kanye West's pregnant girlfriend showed off her baby bump in Beverly Hills, Calif., on Sunday before the 2013 Super Bowl. Wearing black sneakers, black spandex and a black cotton top, the 32-year-old E! star looked komfy as she ran some errands in her workout gear.
Of kourse, Kimmie was back in front of the TV in time for the Super Bowl. And although she was rooting for the San Francisco 49ers, Beyoncé was the main event for Kim.


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Alfredo Volpi Original Signed Low Enamel On Tile Briga De Galos Brazilian Artist
Please see photos for condition. Minor crack on upper right tile. This piece of art is a beautiful creation from Brazilian artist Alfredo Volpi, featuring roosters in a fight. The artwork is an original piece that is signed by the artist and made using enamel on tile production technique. The artwork is framed, 14.5 inches in height, 20.25 inches in length, and 1.5 inches in width.
The artwork is perfect for art lovers who appreciate the beauty of Brazilian culture and the art of Alfredo Volpi. The artwork is in great shape and would make a great addition to any collection.


The Stolen Film at MCM London Comic Con.
The Stolen cast and director will be at the MCM London Comic Con. The film is in UK cinemas from 3rd November 2017, with worldwide release to follow soon. Directed by Niall Johnson (White Noise, Mum’s List), the movie co-stars Graham McTavish (Preacher, Outlander), Emily Corcoran (Mars), Gillian MacGregor (Beyond, Street Fighter: Resurrection), Cohen Holloway (Hunt for the Wilderpeople, Top of the Lake), Stan Walker (Hunt for the Wilderpeople) and Richard O’Brien (The Rocky Horror Picture Show, The Crystal Maze).
I’ll be joined by Niall Johnson, Emily Corcoran and Gillian MacGregor, breaking down the movie and showing exclusive clips from the film. We’re looking forward to it.


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A survey by Tufin Technologies finds that 87 per cent of UK IT pros would get straight on the case of addressing a technological disaster, even during the World Cup final. One respondent explained:...
The networking vendor claims its buy out will bolster its as-a-service proposition with partners and customers
Marketing experts run through the dos and don'ts for MSPs and resellers
Lawrence Jones explains why it is better for UK firms to wait before taking on external investment
Pivotal Networks, PCI Services and SITS join forces

domain: news


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you'd like it even better
March 13 2012 at 1:00 AM
Tried a Scope on my old blue streak
if you moved the mount forward and put a long eye relief pistol scope on it scout style. all mine that are scoped are like this and that way the scope is out of the way when you pump it.
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The St. Louis Blues showed well in their first game of 2023-24 against the Dallas Stars, and they will welcome another playoff team from last season as Jaden Schwartz, Vince Dunn, and the Seattle Kraken come to Enterprise Center.
Both St. Louis and Seattle will enter the game winless so far this season. The Blues dropped a 2-1 decision to the Stars in a shootout on Thursday, while the Nashville Predators shut out the Kraken in Seattle’s most recent contest to start the year 0-2.
Tyler Tucker had a strong performance for the Blues against Dallas on Thursday, scoring the only goal of the game for St. Louis. However, the star of the show for both teams in the season-opener was Jordan Binnington.
The broadcast said multiple times how his performance against the Stars was reminiscent of the 2019 version of Binnington that won the St. Louis Blues their first Stanley Cup in team history.
The Blues and Kraken split the first two meetings last season, before Seattle won the third meeting between the two sides. St. Louis captured a 4-3 overtime win in Seattle on October 19 before Seattle bested the Blues 5-2 and 5-3 to take the season series.
- Date: October 14, 2023
- Time: 7 p.m.
- Where: Enterprise Center, St. Louis, Missouri
- TV: Bally Sports Midwest, ROOT Northwest
- Radio: 101ESPN, 93.3 KJR
- Betting Odds (FanDuel): St. Louis Blues -1.5, -113, O/U 6.5
- Live Streaming: FuboTV
FuboTV has live NHL games on ESPN which you can stream from your phone, television, and all your favorite devices. This is a service that broadcasts live TV over the internet, no cable is required. Watch your favorite teams, network shows, news, and movies on 100+ channels. Plus on-demand entertainment including full TV series. fuboTV is currently available in the United States, Canada, and Spain.
Reddit can sometimes have streams of live NHL games but make sure they are legal. The official NHL Subreddit is located at https://www.reddit.com/r/nhl/.


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Self Drive Boat Hire 8 Hour Full Day
Enjoy the beauty of the River Fal in one of our Pilot 520 Cabin Boats.
- 8 hr8 hours
- 150 British pounds£150
The Full Day gives you plenty of time to do the 16 mile round trip and have 6 hours to stop off at one of the locations on the river. (OR IDEAL FOR THOSE LOOKING TO DO A DAYS FISHING) Fuel and life jackets are included in price. 6 people maximum, dogs welcome.
If we cancel due to bad weather we will always call and let you know on the morning of the day of your hire. If you need to cancel please let us know as we can then relet your boat to someone else.

domain: travel


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A special spectrometry method that is normally used in analyses of computer chips, lacquers and metals has been further developed at the University of Gothenburg so that it can help researchers better detect harmful cells in the body.
‘The method may become important for example for future analyses of breast cancer tissue,’ says PhD student Tina Angerer.
The method can be described as first releasing molecules and atoms from a piece of tissue by shooting gas projectiles at it and then using so-called mass spectrometry to identify the released particles. The process is repeated many times until the entire tissue surface has been analysed and Angerer and her research colleagues have created a ‘chemical map’ of the tissue.
The method is normally used when analysing inorganic material such as computer chips, lacquers, rust, semiconductors and metals. In those cases, the process is destructive and destroys a great deal of the information. However, the University of Gothenburg has a unique instrument that is optimised for organic and biological materials such as cell and tissue samples.
‘What’s special about it is that with our instruments, the “bombardment” is softer so that large molecules can be analysed at the same time as the chemical pictures we take still have good resolution,’ says Angerer.
Lipids play a key role in the cell
The tested samples include cancer tissue, and the researchers have given particular attention to lipids. Lipids consist of fatty acids, which are interesting objects of study since they form important building blocks of cells and protect them against the environment. Lipids can change rapidly and reveal problems in the cell.
While most cells in the body build their lipids with fatty acids derived from the food we eat, Angerer’s mass spectrometry results show that cancer cells build their fatty acids by using various types of sugar, but also fat and protein to some extent.
Researchers have long known that cancer cells consume great amounts of sugar and have entertained the idea that cancer cells may create their own fatty acids. However, no evidence of this has been presented.
‘We have been able to show that fatty acids from food can be found around cancer tissue and in healthy cells, but that cancer cells consist almost exclusively of fatty acids that the cells have created by themselves. This means that cancer cells can grow and multiply as long as they have enough sugar, and this is one reason they are so dangerous.
The refined mass spectrometry method also revealed that the area where the cancer tumour was found displayed a variety of lipid profiles.
‘Those variations may be one reason why it is so hard to come up with a treatment that works for all cancer cells. The lipids are one of several keys to understanding cancer, at the same time as more research is needed in order to develop better treatments,’ says Angerer.
Thesis title: Interrogation of Biological Samples by ToF-SIMS Using New Primary Ion Beams and Sample Preparation Methods
Supervisor: John S. Fletcher
Tina Angerer at the Department of Chemistry and Molecular Biology
Tel.: +46 (0)739 44 88 29
Thomas Melin | idw - Informationsdienst Wissenschaft
Lethal combination: Drug cocktail turns off the juice to cancer cells
12.12.2018 | Universität Basel
Smelling the forest – not the trees
12.12.2018 | Universität Konstanz
A widely used diabetes medication combined with an antihypertensive drug specifically inhibits tumor growth – this was discovered by researchers from the University of Basel’s Biozentrum two years ago. In a follow-up study, recently published in “Cell Reports”, the scientists report that this drug cocktail induces cancer cell death by switching off their energy supply.
The widely used anti-diabetes drug metformin not only reduces blood sugar but also has an anti-cancer effect. However, the metformin dose commonly used in the...
A research team from the University of Zurich has developed a new drone that can retract its propeller arms in flight and make itself small to fit through narrow gaps and holes. This is particularly useful when searching for victims of natural disasters.
Inspecting a damaged building after an earthquake or during a fire is exactly the kind of job that human rescuers would like drones to do for them. A flying...
Over the last decade, there has been much excitement about the discovery, recognised by the Nobel Prize in Physics only two years ago, that there are two types...
What if a sensor sensing a thing could be part of the thing itself? Rice University engineers believe they have a two-dimensional solution to do just that.
Rice engineers led by materials scientists Pulickel Ajayan and Jun Lou have developed a method to make atom-flat sensors that seamlessly integrate with devices...
Scientists at the University of Stuttgart and the Karlsruhe Institute of Technology (KIT) succeed in important further development on the way to quantum Computers.
Quantum computers one day should be able to solve certain computing problems much faster than a classical computer. One of the most promising approaches is...
12.12.2018 | Event News
10.12.2018 | Event News
06.12.2018 | Event News
12.12.2018 | Health and Medicine
12.12.2018 | Physics and Astronomy
12.12.2018 | Health and Medicine

domain: biology


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Freedom Writer |
January/February 1999 | court.html
San Francisco, California – Landlords citing religious reasons can refuse to rent to unmarried couples, according to a ruling from the 9th US Circuit Court of Appeals. In a 2-1 decision on January 14, 1999 the court overruled an Alaska law banning housing discrimination based upon marital status.
Writing for the majority, Judge Diarmuid O'Scannlain said the Alaska law violated the property owners' freedom of religion, their property rights, and freedom of speech.
If the decision stands, the ruling will be binding on in nine western states, including Alaska and California.

domain: law


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Supergrass have a new album out in the next wee while, so why not bask in some of their former glories? Below you'll find a soundboard recording of Supergrass live at the BBC Maida Vale Studios, on September 30th, 2002. There's plenty of classic Supergrass in it, up through to the slightly unfocussed 'Life on Other Planets' LP. Hence quite a bit of 'here's one from ou new LP'. They bounced back from that album in some style with the streamlined 'Road to Rouen' in 2005. It's a certified classic, although nobody bought it. Not sure what to make of the bits of new album 'Diamond Hoo Haa' I've heard thus far. There's a class of a video below.
Tracklist for the BBC Session:Grace; Rush Hour Soul; Pumping On Your Stereo; Moving; Seen The Light; Funniest Thing; Brecon Beacons; Prophet 15; Never Done Anything Like That Before; Richard III; Sun Hits The Sky; Caught By The Fuzz. Linky


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|Nearby airports||5 found|
The nearest airport to Cesena is Forli (FRL). However, there are better options for getting to Cesena. Shuttle Italy Airport operates a bus from Bologna Guglielmo Marconi Airport to Cesena Piazzale dell Accoglienza every 4 hours. Tickets cost €16 - €21 and the journey takes 1h. Alternatively, you can take a train from Venice (VCE) to Cesena via Mestre Stazione Ferroviara, Venezia Mestre, and Bologna Centrale in around 3h 28m.
There is widespread community transmission globally.
Some travel restrictions are being lifted in Italy. For the latest travel status, please check the official page for Italy.
The nearest airport to Cesena is Forli (FRL) Airport which is 15.2 km away. Other nearby airports include Bologna (BLQ) (87.1 km), Florence (FLR) (91.4 km), Venice (VCE) (152 km) and Pisa (PSA) (155.7 km).More information
It takes 1h to get from Cesena to Bologna (BLQ) Airport.More information
We recommend flying to Bologna (BLQ) Airport, which is 87.1 km away from Cesena. The bus from Bologna (BLQ) to Cesena takes 1h.More information
There are 417+ hotels available in Cesena. Prices start at €100 per night.More details
Compare your options: plane, train, bus, car, ferry, bike share, driving and walking directions all in one search.Learn more about our apps


text: Particule 1 Product Details Particule 1 PAS-E-PARTICULE 1-PAP-35 Product Condition: New Product Options Giclee Print on Paper - For Sizes click below* Please Select Print size: H.40cm x W.60cm Print size: H.60cm x W.90cm (add $255.00) $635.00 inc. tax Product Description MY WORK: Advangardist, capturing the reality of the nature of life. MEDIUM: Giclee print of my collection Dry Pastel and Pencil ( Drawn by Hand ). Printed on PAPER. For paper size add 6 cm all around the print size. Exclusive Limited Edition of 35 per Visual and Size. PAPER: INNOVA-Softex - 315 gsm. - Natural white. - Soft textured etching paper surface. - No OBA's ( no optical brightness ). - Opti-coat precision coated. - Archival quality - acid & lignin free. - Excellent colour gamut & D-max. - Fine Art Trade Guild of UK certified Archival Fine Art Paper. PRINT: Printed in Australia using hight standard inks with UV protection for long life. We only use Archival quality pigment inks that give long lasting vibrant colour.


Aug. 7 (UPI) -- A large alligator came knocking at a Louisiana family's front door on Sunday afternoon.
Eddie Bruce captured footage of the approximately 8-foot long alligator strolling through a Breaux Bridge resident's yard before deciding to settle outside their door.
"Caught trespassing in Breaux Bridge," Bruce wrote. "8-foot. I believe his name is George."
The family contacted the Department of Wildlife and Fisheries, which said the gator likely wandered out from a local ravine in search of a partner for mating season.
Crowds gathered around the home as a nuisance trapper arrived to capture and remove the massive gator.
"Booked for trespassing," Bruce said.
Department of Wildlife and Fisheries warned that alligators often turn up in strange places in search of mates or food during mating season.


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I'd done the odd two-bookshop days, but in September 2013, when this blog was barely a month old, I visited eight in one day. Technically alone, I had thousands of people keeping me company in my phone as I tweeted my adventure, and from that moment on I knew I'd always love bookshop crawls and the joy of sharing the bookshop love with anyone who cared to join in.
This year wasn't quite as ambitious as some previous years have been, but there were two very specific reasons for keeping things small:
1. Bookshop Day conveniently coincided with the official opening of a new indie.
2. I wanted to demonstrate how easy it is to take part in bookshop day if you don't live in London or in the same town as an indie.
More about point 1 later. As for point 2:
Over the years, the one sad thing about sharing my bookshop crawls has been the regular (but thankfully not large) number of replies along the lines of 'I can't take part because I'm not in London' or 'I can't take part because there isn't an indie bookshop in my town'. Now I admit the latter can be difficult for people in remote areas and/or who are reliant on public transport, but both of those complaints apply to my home town and in the course of one afternoon I still managed to comfortably drive to three different independent bookshops.
Sevenoaks Bookshop is another place I've previously visited, but not since a change of ownership. I loved it the first time around, so was a little nervous about returning for fear it might be different (it wasn't) and also out of shame at how long it's been since I last visited the nearest bookshop to where I live (hopefully the variety of bookshops appearing on this website explains the reason). I needn't have been concerned. Having been taken over by someone previously employed by the bookshop, all continues to be good here. I was also pleased to see how well my boyfriend took to our 20-minutes away local.
Our third destination saw us driving for a little longer as we headed over to Faversham, a town I've previously visited and loved for its secondhand bookshops, and somewhere I can now say I love for its new bookshop.
Cerys Matthews on Radio 6.
We really enjoyed our time here and both agree Top Hat & Tales is an excellent addition to the town's bookshopping offering. I look forward to returning soon so I can buy and then take my hat off to it.
So ended one of the shortest bookshop crawls I've ever been on. Short but sweet and all the other phrases that emphasise quality over quantity. The main aim being to hopefully encourage a few others to realise that a bookshop crawl doesn't have to be epic to be worth doing and – most importantly – if you're willing to travel to your nearest indie bookshop it'll definitely be worth the effort.
22 High Street, East Grinstead, West Sussex, RH19 3AW
Tel: 01342 322669 @JohnPye7
147 High Street, Sevenoaks, Kent, TN13 1XJ
Tel: 01732 450933 @7Oaksbookshop
Top Hat & Tales
110 West Street, Faversham, Kent, ME13 7JB
Tel: 01795 227071 @FavHatshop

domain: geography


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Compare discounted campervan prices on your Hobart campervan hire in Tasmania with Salamanda Travel. We offer campervan and motorhome hire from Hobart as well as specials, including relocation rentals from Hobart to the mainland and from the mainland to Tasmania.
A self-drive holiday in Tasmania, known as the "Apple Isle", is a great way to experience this beautiful and historic part of Australia. Hobart is your gateway to a state full of history, culture and pristine wilderness. Tasmania has many heritage listed National Parks. As Australia's smallest state, you will see a lot in a short time.
Apollo Hobart Camper Branch
1 Hawkesford Road, Hobart Airport
- From Airport: 2 Kilometres
- From City: 14 Kilometres
- Taxi: Airport AU$8 or City AU$40
Hobart Campervan Hire Caravan Parks / Motels
Seven Mile Beach Cabin Park
12 Aqua Place, Seven Mile Beach
Phone: +61 3 6248-6469


You feel like dancing? No? Well, you're going to very soon. This album is just awesome, and it makes you want to dance, but at the same time you want to sit down and just enjoy the music. Dananananaykroyd (yeah, I know) plays a genre called "fight pop". It may sound ridiculous, but once you start listening to it, it will suddenly make a lot more sense. If I were to define it I would say it's an perfect blend of really upbeat indie pop and (post-)hardcore. I guess it sounds kind of math poppy at times too, but mainly it sounds more indie pop influenced. So, yeah. Just fucking download it. You won't regret it, and after all we only live once, right?
DON'T FORGET TO CHECK OUT THE ALBUM I POSTED EARLIER, GODDAMMIT!


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Full story here.6 Denver Broncos at Kansas City Chiefs ‘Dec.2020 Top-Selling MLS Jerseys 1.
22 Kansas City Chiefs at Las Vegas Raiders ‘Thursday Nov.Rodolfo Pizarro 6.’Ralph Lauren has been named official outfitter of the Australian Open and will outfit all on-court officials, ball kids and chair umpires, in a specially-designed collection of apparel and accessories.The broadcast team will include host Brian Anderson, analysts Trevor Immelman and Andre Iguodala and reporters Cheyenne Woods and Gary McCord.LeBron James $88 million $28 million $60 million NBA 6.
The set will contain the first cards for Chicago Cubs rookie standout Kris Bryant and Arizona Diamondbacks star Yasmany Tomas, as well as additional Baseball History cards and a Highlight of the Year autograph and relic subset.2020 Top-Selling MLS Jerseys 1.Neymar $95 million $79 million $25 million Soccer 5.Reebok retail store from launch day through Dec.
20 San Francisco 49ers at Dallas Cowboys ‘Dec.’MLB’s Miami Marlins have hired Kim Ng to be their GM, making her the first woman to hold the position in MLB and likely for any of the major professional men’s teams in North American sports.The 2020 World Series 90-minute DVD and digital versions will be available Dec.Pitchers Barry Zito, Tim Hudson, Mark Buehrle and A.J.Burnett; infielder Aramis Ramírez; outfielder Torii Hunter and infielder-outfielder Michael Cuddyer are first-time eligibles.
4 ‘Super Bowl LIX TBD Feb.Alejandro Bedoya 13.’MLB said that Hall of Fame broadcaster Vin Scully has narrated the official World Series documentary, The 2020 World Series, , which chronicles the first Dodgers championship since 1988.Tiger Woods $62 million $2 million $60 million Golf 9.20 San Francisco 49ers at Dallas Cowboys ‘Dec.of America.
‘Topps and producer-entertainer- DJ Steve Aoki have teamed to create a trading card product that looks good enough to eat.Brenden Aaronson 11.in 36 minpg.The IOC will be accepting bids for the Games in 2015 and the decision is expected to be made in 2017.Josef Martinez 4.
‘Ralph Lauren has been named official outfitter of the Australian Open and will outfit all on-court officials, ball kids and chair umpires, in a specially-designed collection of apparel and accessories.The broadcast team will include host Brian Anderson, analysts Trevor Immelman and Andre Iguodala and custom jerseys Cheyenne Woods and Gary McCord.The host will be Cari Champion, joined by guests including Eli Manning and Michelle Wie.22 Kansas City Chiefs custom football jerseys Las Vegas Raiders ‘Thursday Nov.That said, he also is a funny and fun person.They made a big difference in who we are today versus who we’ve been in the past, said Peterson.
The 2020 World Series 90-minute DVD and digital versions will be available Dec.10, Reebok will donate one pair of JJ III’s, up to $90 in retail value, to the Mission of Yahweh in Houston, an organization for women and children that offers shelter and programs focused on ending homelessness and dependency.He’ll be competing with Jarrett Stidham for that role.Ralph Lauren is also an officlal partnerwith the U.S.
29 Chicago Bears at Green Bay Packers ‘Dec.MLFB said its mission is to create a dynamic league where talented athletes, who still have a desire to play professional football, can showcase their talent and help fulfill their professional football dreams.Kirk Cousins $60 million $58 million $2 million NFL 10.We use it internally.Kirk Cousins $60 million $58 million $2 million NFL 10.
Products will begin releasing in late August, coinciding with Mamba Week.The collaboration, Topps x Steve Aoki, features current and all-time MLB stars, showcased on a card design themed around one of Steve’s favorite hobbies ‘throwing cake.

domain: sports


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The first season of the Digimon: Digital Monsters franchise. The story is about 8 chosen kids who are taken to an alternate world called the "Digital World". There each child bonds with a specific Digital Monster to be their partner.
It's a Football and Movies Kind of Weekend
Submissions can take several hours to be approved.

domain: entertainment


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For a limited time, we are offering Extra Special Pricing and Free S&H on many of our most popular products!
Sale prices available for a limited time only.
Free Shipping & Handling is for Standard Shipping Only (Excludes Expedited Orders).
Special pricing and free shipping available on the first shipment only.
In America, chocolate is typically consumed as milk chocolate and found in candy, confections, cakes and desserts. It is almost always mixed with a long list of “other” ingredients, with the most common being: milk, cream, flour, eggs and, above all, abundant amounts of sugar. Although chocolate has been treasured for centuries, in recent years, it has earned the respect of the scientific and medical community for its extensive health benefits. These benefits originate with the cocoa bean itself, which is why the healthiest way to consume chocolate is as a dark chocolate, a high percentage extract of the cocoa bean. ChocoNuvo is precisely that. It is only available as a rich, dark chocolate with your choice of 3 different intensities: 66%, 74% and 91%. All three intensities possess high levels of chocolate's protective compounds. In terms of our health, it is unfortunate that most Americans prefer creamy milk chocolate and avoid the perceived dryness and bitterness of dark chocolate. However, ChocoNuvo is different. Although it is a true dark chocolate, it possesses a unique, natural cholesterol-lowering ingredient that provides the same creamy texture of milk chocolate – even in our 91% extreme dark chocolate! We accomplish this without adding milk, flour or other ingredients. In fact, a 26-calorie square of our 91% ChocoNuvo contains less than half a gram of sugar (less than 1/8 of a teaspoon). Of course, ChocoNuvo is delicious on its own, but it is that same uniquely creamy texture and lack of bitterness that makes it ideal for cooking. Please feel free to get creative with some of Muriel's recipes that use ChocoNuvo in any of your own favorite recipes. You will love it! And, best of all, ChocoNuvo turns every recipe into a delicious, but powerful, cholesterol-lowering treat.
By Cassidy, CA
By Lisa, CO
By Donna, AZ
By Joyce, RI

domain: food


101st Soldiers find weapons cache west of Baghdad
BAGHDAD, Iraq - After receiving a tip from a local resident, Soldiers from 2nd Brigade Combat Team, 101st Airborne Division uncovered what turned out to be a large weapons cache west of Baghdad.
The unit initially found a small cache consisting of two rocket-propelled grenades and one AK-47 assault rifle Nov. 14.
After uncovering this weapons cache, the Soldiers of 1st Squadron, 75th Cavalry Regiment expanded the search of the area, resulting in one of the largest of 17 weapons cache discoveries by 2nd BCT, 101st Airborne Div. to date.
After receiving the informant’s tip, the Soldiers started their search by using a metal detector. They began to dig up munitions and weapons at 3 p.m. and the dig continued until after midnight Nov. 16.
When an explosives ordnance disposal team arrived at the site, the Soldiers were still discovering more weapons caches buried in the field.
“After we found the smaller cache, it just kept going,” said Staff. Sgt. Joel Killian, 1st Platoon, B Troop, 1/75th Cavalry. “First we would find a mortar plate, then we would find the tube. Next, every side road was filled with weapons, so we just continued to search and continued to discover more and more weapons buried in the field.”
As of Nov. 16, the weapons cache consisted of 150,000 7.62 rounds of ammunition, 600 propellant charges, 500 blasting caps, 400 artillery fuses, 150 hand grenades, 150 120-millimeter rounds, 125 rockets, 100 primer charges, 85 82-millimeter mortar rounds, 68 60-millimeter rounds, 50 plastic grenades, 35 anti-tank mines, 13 20-millimeter rockets, 12 RPG launchers, multiple barrels and bags of small-arms ammunition, seven unknown type of missiles, seven rolls of copper wire, three 60-millimeter mortar systems, three 55-gallon drums of fertilizer, three rolls of detonation cord, two 82-millimeter mortar tubes with bases, and one 82-millimeter mortar system.
“This is a great step in removing capability, the means with which terrorists execute their indiscriminate and cowardly violence,” said Col. Todd Ebel, 2/101 commander. “I am very proud of all the Soldiers involved with this cache find. These Soldiers and others like them across this Brigade Combat Team are making a difference in the safety of south Baghdad.”
THIS STORY HAS ACCOMPANYING PHOTOGRAPHS. TO RECEIVE THE PHOTOS, E-MAIL THE CPIC PRESS DESK AT email@example.com <mailto:firstname.lastname@example.org> .
BAGHDAD, Iraq -- Sgt. 1st Class Brandon Cozad, B Troop, 1st Squadron, 75th Cavalry Regiment, examines the weapons cache his platoon uncovered Nov. 16. (U.S. Army photo)
BAGHDAD, Iraq – A humvee stands guard over just a small section of a larger weapons cache B Troop, 1st Squadron, 75th Cavalry Regiment uncovered Nov. 16. (U.S. Army photo)
BAGHDAD, Iraq -- Capt. Matt Ruckman and Staff Sgt. Joel Killian of 1st Squadron, 75th Cavalry Regiment, 2nd Brigade Combat Team, 101st Airborne Division, inspect one of many firing devices uncovered in a weapons cache dug up Nov. 16. (U.S. Army photo)
BAGHDAD, Iraq -- Capt. Matt Ruckman, commander of B Troop, 1st Squadron, 75th Cavalry Regiment, looks at a brand-new mortar, one of many discovered in a weapons cache his Soldiers uncovered Nov. 16. (U.S. Army photo)
FOR ADDITIONAL INFORMATION CONCERNING THIS RELEASE, CONTACT THE TASK FORCE BAGHDAD PUBLIC AFFAIRS PLANS AND OPERATIONS NCO, SGT. FIRST CLASS DAVID ABRAMS AT: DAVID.ABRAMS@ID3.ARMY.MIL.
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We found this to be a very good Italian restaurant. We thoroughly enjoyed it because the service and food was of such high quality and was totally unpretentious. The pasta dishes were incredibly tasty and entree size as a main was plenty. North Melbourne is also a fabulous change from the more typical (and too busy) Melbourne dining scenes and the restaurant has a great ambience without being too noisy. Loved it!
Own or manage this property? Claim your listing for free to respond to reviews, update your profile and much more.


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In August 2018 Fortune India published this article on the pressure to transition to electronic vehicles in India. Home to 14 of the thirty most polluted cities in the world, the Indian government points the finger at uncontrolled vehicle pollution. No doubt, this will present a major opportunity in the next few decades.
=> Article's extracts on the following page.
--- Extracts from the source article:
Lithium [and] public sector Energy Efficiency Services Ltd (EESL) [are] buying these [electric] vehicles and then leases them out, a model that the government has since adopted.
In February , the Supreme Court called vehicular pollution a “critical problem” that needed to be resolved by the government at the earliest.
Significantly, it blames “uncontrolled vehicular traffic” as the primary reason for the country’s air pollution.
...Union minister for power and renewable energy, said that “by 2030, not a single petrol or diesel car should be sold in the country”, [the followed in the same spirit by] the Union minister for road transport and highways, Nitin Gadkari.
By then [...] carmakers were scrambling to get EV technology and gain some lucrative government contracts.
Sitting pretty in all this is Mahindra & Mahindra (M&M), pioneers in the EV space [...] thanks to M&M buying out Chetan Maini’s Reva Electric back in 2010 [...] a prescient move by the M&M executive chairman, Anand Mahindra...
Morgan Stanley Research [...] estimates that EVs could be a $60 billion opportunity for India in the next decade. “We envision that the annual sales of EVs in India will be upwards of 30 million, making it the second biggest market after China by 2030 for such vehicles,” says Amitabh Kant, CEO of government think-tank NITI Aayog.
e2o, a far more mainstream-looking car. However, the hefty price tag (back then, it cost something like Rs 6.5 lakh) was somewhat off-putting, and the company has not managed to make a profitable business in EVs.
Pawan Goenka "EV gives M&M the chance to lead globally in a nascent sector."
Mahindra [...] began focussing on fleet operators.
an average car owner drove a maximum of 40 km a day
however a vehicle that is part of a commercial fleet runs up to [...] 166 km a day.
Lithium, Bengaluru-based Baghirathi, Meru, Zoomcar will run EVs from Mahindra Electric.
"we want the new [EV] technology to percolate to the mass market to solve societal problems,” says Mahesh Babu, chief executive officer, ME.
M&M is also testing commercial EVs, such as buses and light commercial vehicles, as well as SUVs.
Mumbai-based Tata Motors kick-start its EV programme.
But for the country as a whole, and for the industry as a whole, electric vehicle is a [big] deal
a greater common good is somehow very Mahindra.
Mahesh Babu is CEO, Mahindra Electric
Tata Motors also thinks that there will be a big opportunity in city buses, as these usually have a daily range of 150-200 km, easily serviceable by electric buses.
“There is a bigger use case for electric buses[...]”. The government has already put out tenders to buy electric buses in 10 cities and Tata Motors has won the mandate to supply in six [...]"
Article by T. SURENDAR, Aug 1, 2018 FortuneIndia.com


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CTSC 2009-2013 Season review
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Posted 17 July 2014 - 01:15 PM
Another great CTSC night took place on Tuesday evening with special guests Nathan Massey, Daryl Clark, Adam Milner, Oliver Holmes, Kirk Dixon, with Graham Smith taking us through seasons 2009 to 2013.
Stories of team mates,coaches and events were told to the good turn out of CTSC members, with good memories of Terry Matterson, who gave everyone on the panel their debut at the Tigers.
All the players said how the culture of the club has changed, especially under current coach Daryl Powell who arrived mid 2013. The second half of the event covered the current season.
The CTSC would like to thank all the players for attending and thank Kirk Dixon for his kind words about the fund raising of the CTSC which now total's £57,482.50.
Full donations of the CTSC 2004 to 2014 fund raising can be found here. https://www.facebook.com/notes/castleford-tigers-supporters-club-facebookers/ctsc-donations-2004-to-2014/10151272184045634
We would also like to thank panel guest and former CTSC secretary Graham Smith on giving his views on the last 5 seasons. The total raised on the night was £160, special thanks to Dave White for his kind donation.
Once again thanks to all the members who attended and made it a very enjoyable night. The next event takes place on Tuesday 12th August, and it is an Under 19s evening, taking place in the WSTS Suite, with a 7.30pm start, Admission members £1, non members £3.
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A flow-injection system for the enzymatic determination of L(+) lactic acid and L(-) malic acid in wines with spectrophotometric detection is described. The samples are dialysed in-line, and the enzymes in solution (malate dehydrogenase and lactate dehydrogenase) are injected as a train of plugs in the acceptor stream of the dialysis unit, yielding two peaks corresponding to the NADH formed for each determination. This methodology enables the determination of both acids with a single detector with a sampling rate of 20h-1 (0.4-3gl-1). The results are comparable to those obtained by the reference procedure, the repeatability is better than 5% (rsd), with low enzyme consumption (1.3μl of suspension per sample). Copyright (C) 1998 Elsevier Science B.V.
- L(+) lactic acid
- L(-) malic acid
- Sequential flow injection
- Spectrophotometric enzymatic determination


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Interested in developing Seniors housing?
Important Information About Assisted Living Developers
Investment specialists are very aware of the high demand for seniors housing facilities which is at an all-time high. There has been a major boom in the development and construction of assisted living and memory care facilities as a result of this demand. Investors should be mindful of the amount of work and qualified people that are needed in the beginning stages of construction and development. A team of highly-trained specialists is usually the common denominator in all profitable assisted living property investments.
Finding Talented Architects
Owning a building that is fully functional while aesthetically pleasing will be the key to standing out from the growing pool of investors looking to buy and develop seniors housing facilities. It will be important to find an architect and design team with experience in constructing seniors housing facilities and the ability to meet your specific requests.
The best way to create a blueprint for your development is by learning from other facilities in various stages of operation such as construction, operating facilities and those for sale. This can be achieved by gathering information through visits and walk-throughs. After selecting the right developer, you can now incorporate all of the relevant details of your research into the final project
Finding the Right Developer for You
A good dynamic between an architect and a developer is an important factor involving the two players that can either build your facility or crush the reality of it even existing. This is why it is beneficial to find a developer who has successfully completed projects with your architect in the past.
Experience and knowledge in both sectors are going to be significant in completing a project exactly as desired. Having developers and architects that are fluent in this process will be important when working with them cohesively to achieve a common goal.
You should consider interviewing your architect and developer as many times as it is necessary before feeling comfortable moving forward with a project. Consult with your architect and determine what expectations they have for the developer in question.
Important questions and concerns should address working within the budgets and timelines that have been set in place. Finding a developer that is experienced, competent and organized, will likely guarantee that they can complete this process without a hindrance.
Locating the Site for Development
The design process for your development starts as soon as an ideal location is found.
The entitlement process can vary from city to city and be a very lengthy procedure.
Working with an experienced architect will allow the process to cut through any snags and speedup the entire operation.
Having an architect who is proficient in the codes and regulations of various cities will ensure that your facility is in compliance with these standards.
Development will begin once all loans are in place and the title is secured by the developer.
The Stahler Group, Seniors Health Care Real Estate Advisors at Marcus & Millichap
Joining the seniors housing industry and starting construction can be a very laborious task. To make this process manageable, our experts can provide you with access to a variety of specialized services. For a complimentary business valuation or answers to any questions about the seniors housing investment market, contact The Stahler Group today.

domain: design


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Parris Goebel tells US mag 'NZ has technology and stuff'
Kiwi choreographer Parris Goebel has done her bit to dispel some common misconceptions about New Zealand.
During an interview with Nylon Magazine, the 24-year-old dancer shared her take on what it's like to grow up in Kiwi land.
"We don't live in a cave. We have all the technology and stuff like that, but there's a lot of land," she said.
* The rise and rise of Parris Goebel
* New Zealand choreographer Parris Goebel cracks 1 billion YouTube views with Justin Bieber's 'Sorry'
* Parris Goebel: 'It's a beautiful reminder to myself that anything is possible'
"From where I'm from, it's kind of the main part of New Zealand. If you go for a drive, you would just see mountains and grass, and it's really pretty."
Goebel told the magazine that the "very few" New Zealanders make it big in the international entertainment industry, and added that "there's not really a pathway to become a successful entertainer" in a country so small.
Goebel, who is originally from South Auckland, soared to international fame after choreographing for some of the biggest names in music, including Janet Jackson, Jennifer Lopez, Justin Bieber, Nicki Minaj and Rihanna.
Last week, Goebel received her first American Music Award nomination, for her efforts on Justin Bieber's dancehall-inspired Sorry music video.
"Funnily enough, I had two days to put (the video) together - treatment, choreography, find the location," she told the mag.
"They told me it was just going to be a lyric video, just a warm-up for the song. So I was like, 'Cool, I don't have to put too much effort in that, it's just a lyric video.' I just got a white room, called up my girls, and we made something really, really quick," she said.
"In two hours, we made something up, literally, and then when we went to film it, we didn't have really any clothes, and so I brought my whole wardrobe and just dressed up with girls. That's why it's all colourful and stuff, it's just my wardrobe. And we just went for it."
This isn't the first international accolade for the dancer, Goebel was first recognised for her work at the MTV Video Music Awards in August, receiving three nominations in total.
Goebel joins the likes of mega-stars Drake, Rihanna, Adele, Bieber, Beyonce and Selena Gomez, who are among this year's list of American Music Award nominees.


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Fans have been left wondering why a 12th season of The X-Files has not been announced and why Scully and Mulder have not returned to our screens. Instead, we're getting a complete reboot of the series soon.
The X-Files is a cult classic television show that captivated audiences with its unique blend of science fiction, horror, and mystery. The show originally ran from 1993 to 2002, and it was revived in 2016 for a 10th season and in 2018 for the 11th. However, despite the show's popularity, there has been no news about a potential 12th season after the end of season 11, leaving fans wondering why Scully and Mulder haven't returned.
The X-Files Season 12: Why Not?
One possible reason why the show hasn't returned is that there may not be enough demand for it. While The X-Files was immensely popular during its original run, the 2016 revival received mixed reviews, and its ratings declined over the course of the season. This may have caused producers to think twice about investing in another season.
Another reason why Scully and Mulder haven't returned could be due to scheduling conflicts. Both David Duchovny and Gillian Anderson, who played Mulder and Scully, respectively, are busy actors with a range of other projects on their plates. This could make it difficult to coordinate schedules and find a time when both actors are available to film a new season.
Additionally, there may be creative reasons why a 12th season hasn't been produced. The X-Files has always been known for its complex and intricate storylines, and it could be challenging to come up with fresh and exciting ideas for a new season. Producers may feel that they've explored all the possible avenues and that there's nothing left to say.
The X-Files: Reboot Announced
X-Files fans would undoubtedly love to see Scully and Mulder return for a 12th season. And there's good news for the franchise: According to a recent statement from X-Files creator Chris Carter (via Deadline), the series will be rebooted with a new cast.
The reboot will be developed by Ryan Coogler, who, besides other projects, has also co-written and directed Creed, Black Panther and its sequel Wakanda Forever. So we'll at least get some new X-Files content soon, although it remains unclear whether Scully and Mulder will play a role in it at all. And even if they do, they will most likely not be played by Gillian Anderson and David Duchovny.
This article contains affiliate links which are marked with [shopping symbol]. These links can provide a small commission for us under certain conditions. This never affects the products price for you.


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Right to Work Bill Passes Kentucky Senate After Fierce Debate
FRANKFORT — Moments after Senate Republicans and Democrats finished congratulating each other Thursday on their bi-partisanship on anti-heroin legislation, a fierce debate erupted along party lines over the contentious legislation known as Right To Work.
The high-priority piece of legislation for the Senate's Republican leadership passed out of committee in a flash Wednesday night—and it passed out of the Republican-controlled Senate Thursday mostly along party lines, with only one dissenting Republican and one absent member.
The legislation allows employees to work for businesses with organized labor without having to pay union dues.
Senate President Robert Stivers, a Manchester Republican, said the bill isn't anti-union, only that it's main goal is to prevent companies from forcing employees to join a union.
"An individual where a collective bargaining agreement has been struck, can come in and work and not be compelled, forced or asked to pay these in-lieu-of fees, charitable contribution dues, or a joining of a union," Stivers said.
But Democrats rose one after the other to fight against the measure, starting with state Sen. Reginald Thomas, a Lexington Democrat who argued that states with Right To Work laws see a significant drop in how much workers are paid. Thomas cited a 2012 report by the non-partisan Congressional Budget Office.
"What they report is this: if you compare the wages in Right to Work states to those wages in non- Right to Work states, what you'll find is that the wages in non-Right to Work states are over $,7200 more than the wages in Right to Work states," Thomas said.
Sen. Damon Thayer, a Georgetown Republican and the majority floor leader, fired back with stories about a family member who was required to join a union, and how corporate jobs from a northern Kentucky Toyota facility were moved to Texas, a Right to Work state.
He then tackled job-creation. "We all know from public polling it's the top issue of the minds of most Americans," Thayer said. "And my response is simple: It is not the job of government to create jobs. That's for the private sector."
Expectations are low that the bill will pass the Democratic-controlled House, but it's headed there all the same after clearing the Senate 24-12.


text:
ISBN 10: 1406931969
ISBN 13: 9781406931969
Publisher: Hard Press.
Date: November 3, 2006.
The book was published in November 3, 2006
We found some servers for you, where you can download the e-book "Laicus; Or, the Experiences of a Layman in a Country Parish." by Lyman Abbott TXT for free. The Book Hits team wishes you a fascinating reading!
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domain: literature


text:
Schlemmergarten RestaurantPatong, West Phuket
Welcome to the website of Schlemmergarten Restaurant.
Our kitchen specializes in German food supplemented with specialties from around the world.
A very wide range of local specialties Thailänischen rounds.
Every day we also offer a “Special Day”.
At the request of the chief Bernd plate is also often conjure special requests on the table!
Delicious European and Thai Food
Is this your business?
|205/24 Nanai Road, Patong, Kathu, Phuket 83150|
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|April 22, 2013|
Two Chefs Bar & Grill
good menu with various types of grub, not just Thai. i may sound boring but I had and ordered a burg
Great location set in the heart of Phuket city. Easy to get to shopping center or find something to
Phuket Samkong Ice Cream
Wow...I'm the first review writer. A bit hidden this small ice cream shop but I could find it by ju
Lotus Vegetarian Restaurant
I am a serious vegetarian. I often have vegetarian food here in the evening. Not difficult to find,


The MPRu Project
The MPR concept
A neutron spectrometer of a new type for fusion diagnostics has been constructed at the Dept. of Neutron Research at Uppsala University. The
spectrometer combines high sensitivity with good energy
resolution and high count rate capability. The instrument is based on making a neutron beam manifest itself through proton recoils which are subsequently measured in a magnetic spectrometer. This is referred to as the magnetic proton recoil (MPR) method.
The MPR spectrometer is installed as a diagnostic on JET and has operated since 1996, before the deuterium-tritium experimental campaign (DTE1) in 1997. It is also a prototype for an ITER diagnostic, aimed at providing information on a range of plasma quantities, such as ion temperature, fuel ion densities, total neutron yield, and a-particle effects.
The MPR principle
A collimated beam of neutrons from the plasma hits a polyethylene target (CH2).
Some neutrons scatter elastically on the target hydrogen nuclei; the recoil protons knocked out within a narrow cone in the forward direction, after being selected by a circular aperture (proton collimator), are focused, deflected, momentum analyzed by the magnet (dipole D1 and dipole D2), and transported to the focal plane where they are registered. This technique involves no active (analog) energy determination and the only live function is the proton counting (digital) in the focal plane. This makes
possible to have a high count rate, since no complicated signal processing or data analysis is necessary.
The MPR at JET
The MPR neutron spectrometer is installed at JET with a "quasi"-tangential line of sight slightly tilted upwards. The Vacuum vessel with port and wall are marked in the figure below (A-C) as well as the main parts of the MPR described above (1-6). The MPR position with respect to the JET torus.
Last updated 11/27/2009 - 10:59.


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text:
Parties spooking officials more than trick-or-treating during a COVID Halloween
Children trick-or-treat in Ottawa on Halloween, Monday, Oct. 31, 2016. The gleefully shouted phrase of "trick or treat" that children use when they call on houses at Halloween is getting a healthier response in cities across Canada..THE CANADIAN PRESS/Justin Tang
LONDON, ONT -- With Halloween around the corner the question on many parent’s minds is whether there will be trick-or-treating or not, and the answer? It’s up to you.
During Thursday’s daily briefing both Mayor Ed Holder and Medical Officer Dr. Chris Mackie answered questions surrounding possibly cancelling Halloween.
“That’s something that would be very difficult to do, and to enforce,’ said Mackie.
He said that if parents should choose to trick-or-treat to do so in small groups and only within your bubble.
And for those who want to provide candy?
“Best practice is to have a way of keeping distance between yourself and the people who are knocking on your doors … I’ve seen some ingenious plans where people are going to have a two metre long tube and they’re going to roll the candy down the tube,” said Mackie.
He added that he expects to see a lot less trick-or-treating this year and that the real issue is large Halloween parties.
Mayor Ed Holder echoed his worry, saying that parties are the real concern and that people need to respect gathering limits.
“We’re going to be very clear about the need to keep your indoor parties to 10,” said Holder.
With Halloween still a month away Holder said they will wait and see what the circumstances are as we get closer to the event.

domain: sociology


text:
What Are You Wishing For?
Wishing for something that feels more right based on who you are today?
Wishing to get your mojo back?
Wishing for something that stimulates your mind and sparks your creativity?
Wishing to do something more meaningful?
Wishing to know what your purpose is?
Wishing to live authentically and not feel trapped by external expectations and obligations?
Can you imagine if your wishes came true?
You don't have to follow outdated rules and be miserable. You don't have to stay in a job that bores you. You don't have to stay in a certain career just because you earned a college degree in a specific field. You don't have to be "normal" when you know that you and your dreams are exceptional. You can do what feels right in your soul so that you achieve success on your own terms and in your own way.
To make YOUR life fun.
To take that trip.
To leave that job.
To have great sex.
To make good choices.
© Copyrights 2019 by The Jamison Group, LLC

domain: psychology


Are you confused by the multitude of connectors and cables that today's audio video systems use? Smart builders usually include planning for low voltage wiring before construction begins, however changing standards in the electronics industry are unpredictable. Everyone has seen cables snaking around the perimeter of entertainment rooms, even though nobody likes the way that looks.
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The good news is that we have lots of experience at this sort of thing having installed or repaired almost anything that can be found in the modern home. Our expert installer can suggest what might work best for you, or follow your detailed plan to make your dream a new reality


The Northern Forest Center has supported the installation of almost a dozen pellet boilers in all four states of the Northern Forest this year. Automated wood heat efficiently uses local and regional wood pellets that are delivered right to your house or building in convenient bulk delivery.
A recent study commissioned by the Center found that Northern Forest homeowners and organizations cut greenhouse gas emissions by 60% compared with other fossil fuels when they switch to wood pellet heat sourced from the region’s forests. Heating with local wood pellets supports the local economy, strengthens forest landowners’ ability to keep forests as forests, and cuts greenhouse gas emissions. We have supported the installation of 142 pellet boiler across the region. Together, the projects generate 2.6 million for the Northern Forest economy. Learn more about our wood heat program.