"Who's I?" Nikolay's voice said again, still more angrily. He could be heard getting up hurriedly, stumbling against something, and Levin saw, facing him in the doorway, the big, scared eyes, and the huge, thin, stooping figure of his brother, so familiar, and yet astonishing in its weirdness and sickliness.


He was even thinner than three years before, when Konstantin Levin had seen him last. He was wearing a short coat, and his hands and big bones seemed huger than ever. His hair had grown thinner, the same straight mustaches hid his lips, the same eyes gazed strangely and naïvely at his visitor.


"Ah, Kostya!" he exclaimed suddenly, recognizing his brother, and his eyes lit up with joy. But the same second he looked round at the young man, and gave the nervous jerk of his head and neck that Konstantin knew so well, as if his neckband hurt him; and a quite different expression, wild, suffering, and cruel, rested on his emaciated face.


"I wrote to you and Sergey Ivanovitch both that I don't know you and don't want to know you. What is it you want?"


He was not at all the same as Konstantin had been fancying him. The worst and most tiresome part of his character, what made all relations with him so difficult, had been forgotten by Konstantin Levin when he thought of him, and now, when he saw his face, and especially that nervous twitching of his head, he remembered it all.


"I didn't want to see you for anything," he answered timidly. "I've simply come to see you."


His brother's timidity obviously softened Nikolay. His lips twitched.


"Oh, so that's it?" he said. "Well, come in; sit down. Like some supper? Masha, bring supper for three. No, stop a minute. Do you know who this is?" he said, addressing his brother, and indicating the gentleman in the jerkin: "This is Mr. Kritsky, my friend from Kiev, a very remarkable man. He's persecuted by the police, of course, because he's not a scoundrel."


And he looked round in the way he always did at everyone in the room. Seeing that the woman standing in the doorway was moving to go, he shouted to her, "Wait a minute, I said." And with the inability to express himself, the incoherence that Konstantin knew so well, he began, with another look round at everyone, to tell his brother Kritsky's story: how he had been expelled from the university for starting a benefit society for the poor students and Sunday schools; and how he had afterwards been a teacher in a peasant school, and how he had been driven out of that too, and had afterwards been condemned for something.


"You're of the Kiev university?" said Konstantin Levin to Kritsky, to break the awkward silence that followed.


"Yes, I was of Kiev," Kritsky replied angrily, his face darkening.


"And this woman," Nikolay Levin interrupted him, pointing to her, "is the partner of my life, Marya Nikolaevna. I took her out of a bad house," and he jerked his neck saying this; "but I love her and respect her, and anyone who wants to know me," he added, raising his voice and knitting his brows, "I beg to love her and respect her. She's just the same as my wife, just the same. So now you know whom you've to do with. And if you think you're lowering yourself, well, here's the floor, there's the door."


And again his eyes traveled inquiringly over all of them.


"Why I should be lowering myself, I don't understand."


"Then, Masha, tell them to bring supper; three portions, spirits and wine.... No, wait a minute.... No, it doesn't matter.... Go along."


Chapter 25


"So you see," pursued Nikolay Levin, painfully wrinkling his forehead and twitching.


It was obviously difficult for him to think of what to say and do.


"Here, do you see?"... He pointed to some sort of iron bars, fastened together with strings, lying in a corner of the room. "Do you see that? That's the beginning of a new thing we're going into. It's a productive association...."


Konstantin scarcely heard him. He looked into his sickly, consumptive face, and he was more and more sorry for him, and he could not force himself to listen to what his brother was telling him about the association. He saw that this association was a mere anchor to save him from self-contempt. Nikolay Levin went on talking:


"You know that capital oppresses the laborer. The laborers with us, the peasants, bear all the burden of labor, and are so placed that however much they work they can't escape from their position of beasts of burden. All the profits of labor, on which they might improve their position, and gain leisure for themselves, and after that education, all the surplus values are taken from them by the capitalists. And society's so constituted that the harder they work, the greater the profit of the merchants and landowners, while they stay beasts of burden to the end. And that state of things must be changed," he finished up, and he looked questioningly at his brother.


"Yes, of course," said Konstantin, looking at the patch of red that had come out on his brother's projecting cheekbones.


"And so we're founding a locksmiths' association, where all the production and profit and the chief instruments of production will be in common."


"Where is the association to be?" asked Konstantin Levin.


"In the village of Vozdrem, Kazan government."


"But why in a village? In the villages, I think, there is plenty of work as it is. Why a locksmiths' association in a village?"


"Why? Because the peasants are just as much slaves as they ever were, and that's why you and Sergey Ivanovitch don't like people to try and get them out of their slavery," said Nikolay Levin, exasperated by the objection.


Konstantin Levin sighed, looking meanwhile about the cheerless and dirty room. This sigh seemed to exasperate Nikolay still more.


"I know your and Sergey Ivanovitch's aristocratic views. I know that he applies all the power of his intellect to justify existing evils."


"No; and what do you talk of Sergey Ivanovitch for?" said Levin, smiling.


"Sergey Ivanovitch? I'll tell you what for!" Nikolay Levin shrieked suddenly at the name of Sergey Ivanovitch. "I'll tell you what for.... But what's the use of talking? There's only one thing.... What did you come to me for? You look down on this, and you're welcome to,—and go away, in God's name go away!" he shrieked, getting up from his chair. "And go away, and go away!"


"I don't look down on it at all," said Konstantin Levin timidly. "I don't even dispute it."


At that instant Marya Nikolaevna came back. Nikolay Levin looked round angrily at her. She went quickly to him, and whispered something.


"I'm not well; I've grown irritable," said Nikolay Levin, getting calmer and breathing painfully; "and then you talk to me of Sergey Ivanovitch and his article. It's such rubbish, such lying, such self-deception. What can a man write of justice who knows nothing of it? Have you read his article?" he asked Kritsky, sitting down again at the table, and moving back off half of it the scattered cigarettes, so as to clear a space.


"I've not read it," Kritsky responded gloomily, obviously not desiring to enter into the conversation.


"Why not?" said Nikolay Levin, now turning with exasperation upon Kritsky.


"Because I didn't see the use of wasting my time over it."


"Oh, but excuse me, how did you know it would be wasting your time? That article's too deep for many people—that's to say it's over their heads. But with me, it's another thing; I see through his ideas, and I know where its weakness lies."


Everyone was mute. Kritsky got up deliberately and reached his cap.


"Won't you have supper? All right, good-bye! Come round tomorrow with the locksmith."


Kritsky had hardly gone out when Nikolay Levin smiled and winked.


"He's no good either," he said. "I see, of course...."


But at that instant Kritsky, at the door, called him....


"What do you want now?" he said, and went out to him in the passage. Left alone with Marya Nikolaevna, Levin turned to her.


"Have you been long with my brother?" he said to her.


"Yes, more than a year. Nikolay Dmitrievitch's health has become very poor. Nikolay Dmitrievitch drinks a great deal," she said.


"That is ... how does he drink?"


"Drinks vodka, and it's bad for him."


"And a great deal?" whispered Levin.


"Yes," she said, looking timidly towards the doorway, where Nikolay Levin had reappeared.


"What were you talking about?" he said, knitting his brows, and turning his scared eyes from one to the other. "What was it?"


"Oh, nothing," Konstantin answered in confusion.


"Oh, if you don't want to say, don't. Only it's no good your talking to her. She's a wench, and you're a gentleman," he said with a jerk of the neck. "You understand everything, I see, and have taken stock of everything, and look with commiseration on my shortcomings," he began again, raising his voice.


"Oh, very well, very well!... But where's the supper? Ah, here it is," he said, seeing a waiter with a tray. "Here, set it here," he added angrily, and promptly seizing the vodka, he poured out a glassful and drank it greedily. "Like a drink?" he turned to his brother, and at once became better humored.


"Well, enough of Sergey Ivanovitch. I'm glad to see you, anyway. After all's said and done, we're not strangers. Come, have a drink. Tell me what you're doing," he went on, greedily munching a piece of bread, and pouring out another glassful. "How are you living?"


"I live alone in the country, as I used to. I'm busy looking after the land," answered Konstantin, watching with horror the greediness with which his brother ate and drank, and trying to conceal that he noticed it.


"It hasn't happened so," Konstantin answered, reddening a little.


"Why not? For me now ... everything's at an end! I've made a mess of my life. But this I've said, and I say still, that if my share had been given me when I needed it, my whole life would have been different."


Konstantin made haste to change the conversation.


"Do you know your little Vanya's with me, a clerk in the countinghouse at Pokrovskoe."


Nikolay jerked his neck, and sank into thought.


"Yes, tell me what's going on at Pokrovskoe. Is the house standing still, and the birch trees, and our schoolroom? And Philip the gardener, is he living? How I remember the arbor and the seat! Now mind and don't alter anything in the house, but make haste and get married, and make everything as it used to be again. Then I'll come and see you, if your wife is nice."


"But come to me now," said Levin. "How nicely we would arrange it!"


"I'd come and see you if I were sure I should not find Sergey Ivanovitch."


"You wouldn't find him there. I live quite independently of him."


"Yes, but say what you like, you will have to choose between me and him," he said, looking timidly into his brother's face.


This timidity touched Konstantin.


"If you want to hear my confession of faith on the subject, I tell you that in your quarrel with Sergey Ivanovitch I take neither side. You're both wrong. You're more wrong externally, and he inwardly."


"Ah, ah! You see that, you see that!" Nikolay shouted joyfully.


"But I personally value friendly relations with you more because...."


Konstantin could not say that he valued it more because Nikolay was unhappy, and needed affection. But Nikolay knew that this was just what he meant to say, and scowling he took up the vodka again.


"Enough, Nikolay Dmitrievitch!" said Marya Nikolaevna, stretching out her plump, bare arm towards the decanter.


"Let it be! Don't insist! I'll beat you!" he shouted.


Marya Nikolaevna smiled a sweet and good-humored smile, which was at once reflected on Nikolay's face, and she took the bottle.


"And do you suppose she understands nothing?" said Nikolay. "She understands it all better than any of us. Isn't it true there's something good and sweet in her?"


"Were you never before in Moscow?" Konstantin said to her, for the sake of saying something.


"Only you mustn't be polite and stiff with her. It frightens her. No one ever spoke to her so but the justices of the peace who tried her for trying to get out of a house of ill-fame. Mercy on us, the senselessness in the world!" he cried suddenly. "These new institutions, these justices of the peace, rural councils, what hideousness it all is!"


And he began to enlarge on his encounters with the new institutions.


Konstantin Levin heard him, and the disbelief in the sense of all public institutions, which he shared with him, and often expressed, was distasteful to him now from his brother's lips.


"In another world we shall understand it all," he said lightly.


"In another world! Ah, I don't like that other world! I don't like it," he said, letting his scared eyes rest on his brother's eyes. "Here one would think that to get out of all the baseness and the mess, one's own and other people's, would be a good thing, and yet I'm afraid of death, awfully afraid of death." He shuddered. "But do drink something. Would you like some champagne? Or shall we go somewhere? Let's go to the Gypsies! Do you know I have got so fond of the Gypsies and Russian songs."


His speech had begun to falter, and he passed abruptly from one subject to another. Konstantin with the help of Masha persuaded him not to go out anywhere, and got him to bed hopelessly drunk.


Masha promised to write to Konstantin in case of need, and to persuade Nikolay Levin to go and stay with his brother.


Chapter 26


In the morning Konstantin Levin left Moscow, and towards evening he reached home. On the journey in the train he talked to his neighbors about politics and the new railways, and, just as in Moscow, he was overcome by a sense of confusion of ideas, dissatisfaction with himself, shame of something or other. But when he got out at his own station, when he saw his one-eyed coachman, Ignat, with the collar of his coat turned up; when, in the dim light reflected by the station fires, he saw his own sledge, his own horses with their tails tied up, in their harness trimmed with rings and tassels; when the coachman Ignat, as he put in his luggage, told him the village news, that the contractor had arrived, and that Pava had calved,—he felt that little by little the confusion was clearing up, and the shame and self-dissatisfaction were passing away. He felt this at the mere sight of Ignat and the horses; but when he had put on the sheepskin brought for him, had sat down wrapped up in the sledge, and had driven off pondering on the work that lay before him in the village, and staring at the side-horse, that had been his saddle-horse, past his prime now, but a spirited beast from the Don, he began to see what had happened to him in quite a different light. He felt himself, and did not want to be anyone else. All he wanted now was to be better than before. In the first place he resolved that from that day he would give up hoping for any extraordinary happiness, such as marriage must have given him, and consequently he would not so disdain what he really had. Secondly, he would never again let himself give way to low passion, the memory of which had so tortured him when he had been making up his mind to make an offer. Then remembering his brother Nikolay, he resolved to himself that he would never allow himself to forget him, that he would follow him up, and not lose sight of him, so as to be ready to help when things should go ill with him. And that would be soon, he felt. Then, too, his brother's talk of communism, which he had treated so lightly at the time, now made him think. He considered a revolution in economic conditions nonsense. But he always felt the injustice of his own abundance in comparison with the poverty of the peasants, and now he determined that so as to feel quite in the right, though he had worked hard and lived by no means luxuriously before, he would now work still harder, and would allow himself even less luxury. And all this seemed to him so easy a conquest over himself that he spent the whole drive in the pleasantest daydreams. With a resolute feeling of hope in a new, better life, he reached home before nine o'clock at night.


The snow of the little quadrangle before the house was lit up by a light in the bedroom windows of his old nurse, Agafea Mihalovna, who performed the duties of housekeeper in his house. She was not yet asleep. Kouzma, waked up by her, came sidling sleepily out onto the steps. A setter bitch, Laska, ran out too, almost upsetting Kouzma, and whining, turned round about Levin's knees, jumping up and longing, but not daring, to put her forepaws on his chest.


"You're soon back again, sir," said Agafea Mihalovna.


"I got tired of it, Agafea Mihalovna. With friends, one is well; but at home, one is better," he answered, and went into his study.


The study was slowly lit up as the candle was brought in. The familiar details came out: the stag's horns, the bookshelves, the looking-glass, the stove with its ventilator, which had long wanted mending, his father's sofa, a large table, on the table an open book, a broken ashtray, a manuscript book with his handwriting. As he saw all this, there came over him for an instant a doubt of the possibility of arranging the new life, of which he had been dreaming on the road. All these traces of his life seemed to clutch him, and to say to him: "No, you're not going to get away from us, and you're not going to be different, but you're going to be the same as you've always been; with doubts, everlasting dissatisfaction with yourself, vain efforts to amend, and falls, and everlasting expectation, of a happiness which you won't get, and which isn't possible for you."


This the things said to him, but another voice in his heart was telling him that he must not fall under the sway of the past, and that one can do anything with oneself. And hearing that voice, he went into the corner where stood his two heavy dumbbells, and began brandishing them like a gymnast, trying to restore his confident temper. There was a creak of steps at the door. He hastily put down the dumbbells.


The bailiff came in, and said everything, thank God, was doing well; but informed him that the buckwheat in the new drying machine had been a little scorched. This piece of news irritated Levin. The new drying machine had been constructed and partly invented by Levin. The bailiff had always been against the drying machine, and now it was with suppressed triumph that he announced that the buckwheat had been scorched. Levin was firmly convinced that if the buckwheat had been scorched, it was only because the precautions had not been taken, for which he had hundreds of times given orders. He was annoyed, and reprimanded the bailiff. But there had been an important and joyful event: Pava, his best cow, an expensive beast, bought at a show, had calved.


"Kouzma, give me my sheepskin. And you tell them to take a lantern. I'll come and look at her," he said to the bailiff.


The cowhouse for the more valuable cows was just behind the house. Walking across the yard, passing a snowdrift by the lilac tree, he went into the cowhouse. There was the warm, steamy smell of dung when the frozen door was opened, and the cows, astonished at the unfamiliar light of the lantern, stirred on the fresh straw. He caught a glimpse of the broad, smooth, black and piebald back of Hollandka. Berkoot, the bull, was lying down with his ring in his lip, and seemed about to get up, but thought better of it, and only gave two snorts as they passed by him. Pava, a perfect beauty, huge as a hippopotamus, with her back turned to them, prevented their seeing the calf, as she sniffed her all over.


Levin went into the pen, looked Pava over, and lifted the red and spotted calf onto her long, tottering legs. Pava, uneasy, began lowing, but when Levin put the calf close to her she was soothed, and, sighing heavily, began licking her with her rough tongue. The calf, fumbling, poked her nose under her mother's udder, and stiffened her tail out straight.


"Here, bring the light, Fyodor, this way," said Levin, examining the calf. "Like the mother! though the color takes after the father; but that's nothing. Very good. Long and broad in the haunch. Vassily Fedorovitch, isn't she splendid?" he said to the bailiff, quite forgiving him for the buckwheat under the influence of his delight in the calf.


"How could she fail to be? Oh, Semyon the contractor came the day after you left. You must settle with him, Konstantin Dmitrievitch," said the bailiff. "I did inform you about the machine."


This question was enough to take Levin back to all the details of his work on the estate, which was on a large scale, and complicated. He went straight from the cowhouse to the counting house, and after a little conversation with the bailiff and Semyon the contractor, he went back to the house and straight upstairs to the drawing-room.


Chapter 27


The house was big and old-fashioned, and Levin, though he lived alone, had the whole house heated and used. He knew that this was stupid, he knew that it was positively not right, and contrary to his present new plans, but this house was a whole world to Levin. It was the world in which his father and mother had lived and died. They had lived just the life that to Levin seemed the ideal of perfection, and that he had dreamed of beginning with his wife, his family.


Levin scarcely remembered his mother. His conception of her was for him a sacred memory, and his future wife was bound to be in his imagination a repetition of that exquisite, holy ideal of a woman that his mother had been.


He was so far from conceiving of love for woman apart from marriage that he positively pictured to himself first the family, and only secondarily the woman who would give him a family. His ideas of marriage were, consequently, quite unlike those of the great majority of his acquaintances, for whom getting married was one of the numerous facts of social life. For Levin it was the chief affair of life, on which its whole happiness turned. And now he had to give up that.


When he had gone into the little drawing-room, where he always had tea, and had settled himself in his armchair with a book, and Agafea Mihalovna had brought him tea, and with her usual, "Well, I'll stay a while, sir," had taken a chair in the window, he felt that, however strange it might be, he had not parted from his daydreams, and that he could not live without them. Whether with her, or with another, still it would be. He was reading a book, and thinking of what he was reading, and stopping to listen to Agafea Mihalovna, who gossiped away without flagging, and yet with all that, all sorts of pictures of family life and work in the future rose disconnectedly before his imagination. He felt that in the depth of his soul something had been put in its place, settled down, and laid to rest.


He heard Agafea Mihalovna talking of how Prohor had forgotten his duty to God, and with the money Levin had given him to buy a horse, had been drinking without stopping, and had beaten his wife till he'd half killed her. He listened, and read his book, and recalled the whole train of ideas suggested by his reading. It was Tyndall's Treatise on Heat. He recalled his own criticisms of Tyndall of his complacent satisfaction in the cleverness of his experiments, and for his lack of philosophic insight. And suddenly there floated into his mind the joyful thought: "In two years' time I shall have two Dutch cows; Pava herself will perhaps still be alive, a dozen young daughters of Berkoot and the three others—how lovely!"


He took up his book again. "Very good, electricity and heat are the same thing; but is it possible to substitute the one quantity for the other in the equation for the solution of any problem? No. Well, then what of it? The connection between all the forces of nature is felt instinctively.... It's particulary nice if Pava's daughter should be a red-spotted cow, and all the herd will take after her, and the other three, too! Splendid! To go out with my wife and visitors to meet the herd.... My wife says, 'Kostya and I looked after that calf like a child.' 'How can it interest you so much?' says a visitor. 'Everything that interests him, interests me.' But who will she be?" And he remembered what had happened at Moscow.... "Well, there's nothing to be done.... It's not my fault. But now everything shall go on in a new way. It's nonsense to pretend that life won't let one, that the past won't let one. One must struggle to live better, much better."... He raised his head, and fell to dreaming. Old Laska, who had not yet fully digested her delight at his return, and had run out into the yard to bark, came back wagging her tail, and crept up to him, bringing in the scent of fresh air, put her head under his hand, and whined plaintively, asking to be stroked.


"There, who'd have thought it?" said Agafea Mihalovna. "The dog now ... why, she understands that her master's come home, and that he's low-spirited."


"Why low-spirited?"


"Do you suppose I don't see it, sir? It's high time I should know the gentry. Why, I've grown up from a little thing with them. It's nothing, sir, so long as there's health and a clear conscience."


Levin looked intently at her, surprised at how well she knew his thought.


"Shall I fetch you another cup?" said she, and taking his cup she went out.


Laska kept poking her head under his hand. He stroked her, and she promptly curled up at his feet, laying her head on a hindpaw. And in token of all now being well and satisfactory, she opened her mouth a little, smacked her lips, and settling her sticky lips more comfortably about her old teeth, she sank into blissful repose. Levin watched all her movements attentively.


"That's what I'll do," he said to himself; "that's what I'll do! Nothing's amiss.... All's well."


Chapter 28


After the ball, early next morning, Anna Arkadyevna sent her husband a telegram that she was leaving Moscow the same day.


"No, I must go, I must go"; she explained to her sister-in-law the change in her plans in a tone that suggested that she had to remember so many things that there was no enumerating them: "no, it had really better be today!"


Stepan Arkadyevitch was not dining at home, but he promised to come and see his sister off at seven o'clock.


Kitty, too, did not come, sending a note that she had a headache. Dolly and Anna dined alone with the children and the English governess. Whether it was that the children were fickle, or that they had acute senses, and felt that Anna was quite different that day from what she had been when they had taken such a fancy to her, that she was not now interested in them,—but they had abruptly dropped their play with their aunt, and their love for her, and were quite indifferent that she was going away. Anna was absorbed the whole morning in preparations for her departure. She wrote notes to her Moscow acquaintances, put down her accounts, and packed. Altogether Dolly fancied she was not in a placid state of mind, but in that worried mood, which Dolly knew well with herself, and which does not come without cause, and for the most part covers dissatisfaction with self. After dinner, Anna went up to her room to dress, and Dolly followed her.


"How queer you are today!" Dolly said to her.


"I? Do you think so? I'm not queer, but I'm nasty. I am like that sometimes. I keep feeling as if I could cry. It's very stupid, but it'll pass off," said Anna quickly, and she bent her flushed face over a tiny bag in which she was packing a nightcap and some cambric handkerchiefs. Her eyes were particularly bright, and were continually swimming with tears. "In the same way I didn't want to leave Petersburg, and now I don't want to go away from here."


"You came here and did a good deed," said Dolly, looking intently at her.


Anna looked at her with eyes wet with tears.


"Don't say that, Dolly. I've done nothing, and could do nothing. I often wonder why people are all in league to spoil me. What have I done, and what could I do? In your heart there was found love enough to forgive...."


"If it had not been for you, God knows what would have happened! How happy you are, Anna!" said Dolly. "Everything is clear and good in your heart."


"Every heart has its own skeletons, as the English say."


"You have no sort of skeleton, have you? Everything is so clear in you."


"I have!" said Anna suddenly, and, unexpectedly after her tears, a sly, ironical smile curved her lips.


"Come, he's amusing, anyway, your skeleton, and not depressing," said Dolly, smiling.


"No, he's depressing. Do you know why I'm going today instead of tomorrow? It's a confession that weighs on me; I want to make it to you," said Anna, letting herself drop definitely into an armchair, and looking straight into Dolly's face.


And to her surprise Dolly saw that Anna was blushing up to her ears, up to the curly black ringlets on her neck.


"Yes," Anna went on. "Do you know why Kitty didn't come to dinner? She's jealous of me. I have spoiled ... I've been the cause of that ball being a torture to her instead of a pleasure. But truly, truly, it's not my fault, or only my fault a little bit," she said, daintily drawling the words "a little bit."


"Oh, how like Stiva you said that!" said Dolly, laughing.


Anna was hurt.


"Oh no, oh no! I'm not Stiva," she said, knitting her brows. "That's why I'm telling you, just because I could never let myself doubt myself for an instant," said Anna.


But at the very moment she was uttering the words, she felt that they were not true. She was not merely doubting herself, she felt emotion at the thought of Vronsky, and was going away sooner than she had meant, simply to avoid meeting him.


"Yes, Stiva told me you danced the mazurka with him, and that he...."


"You can't imagine how absurdly it all came about. I only meant to be matchmaking, and all at once it turned out quite differently. Possibly against my own will...."


She crimsoned and stopped.


"Oh, they feel it directly?" said Dolly.


"But I should be in despair if there were anything serious in it on his side," Anna interrupted her. "And I am certain it will all be forgotten, and Kitty will leave off hating me."


"All the same, Anna, to tell you the truth, I'm not very anxious for this marriage for Kitty. And it's better it should come to nothing, if he, Vronsky, is capable of falling in love with you in a single day."


"Oh, heavens, that would be too silly!" said Anna, and again a deep flush of pleasure came out on her face, when she heard the idea, that absorbed her, put into words. "And so here I am going away, having made an enemy of Kitty, whom I liked so much! Ah, how sweet she is! But you'll make it right, Dolly? Eh?"


Dolly could scarcely suppress a smile. She loved Anna, but she enjoyed seeing that she too had her weaknesses.


"An enemy? That can't be."


"I did so want you all to care for me, as I do for you, and now I care for you more than ever," said Anna, with tears in her eyes. "Ah, how silly I am today!"


She passed her handkerchief over her face and began dressing.


At the very moment of starting Stepan Arkadyevitch arrived, late, rosy and good-humored, smelling of wine and cigars.


Anna's emotionalism infected Dolly, and when she embraced her sister-in-law for the last time, she whispered: "Remember, Anna, what you've done for me—I shall never forget. And remember that I love you, and shall always love you as my dearest friend!"


"I don't know why," said Anna, kissing her and hiding her tears.


"You understood me, and you understand. Good-bye, my darling!"


Chapter 29


"Come, it's all over, and thank God!" was the first thought that came to Anna Arkadyevna, when she had said good-bye for the last time to her brother, who had stood blocking up the entrance to the carriage till the third bell rang. She sat down on her lounge beside Annushka, and looked about her in the twilight of the sleeping-carriage. "Thank God! tomorrow I shall see Seryozha and Alexey Alexandrovitch, and my life will go on in the old way, all nice and as usual."


Still in the same anxious frame of mind, as she had been all that day, Anna took pleasure in arranging herself for the journey with great care. With her little deft hands she opened and shut her little red bag, took out a cushion, laid it on her knees, and carefully wrapping up her feet, settled herself comfortably. An invalid lady had already lain down to sleep. Two other ladies began talking to Anna, and a stout elderly lady tucked up her feet, and made observations about the heating of the train. Anna answered a few words, but not foreseeing any entertainment from the conversation, she asked Annushka to get a lamp, hooked it onto the arm of her seat, and took from her bag a paper-knife and an English novel. At first her reading made no progress. The fuss and bustle were disturbing; then when the train had started, she could not help listening to the noises; then the snow beating on the left window and sticking to the pane, and the sight of the muffled guard passing by, covered with snow on one side, and the conversations about the terrible snowstorm raging outside, distracted her attention. Farther on, it was continually the same again and again: the same shaking and rattling, the same snow on the window, the same rapid transitions from steaming heat to cold, and back again to heat, the same passing glimpses of the same figures in the twilight, and the same voices, and Anna began to read and to understand what she read. Annushka was already dozing, the red bag on her lap, clutched by her broad hands, in gloves, of which one was torn. Anna Arkadyevna read and understood, but it was distasteful to her to read, that is, to follow the reflection of other people's lives. She had too great a desire to live herself. If she read that the heroine of the novel was nursing a sick man, she longed to move with noiseless steps about the room of a sick man; if she read of a member of Parliament making a speech, she longed to be delivering the speech; if she read of how Lady Mary had ridden after the hounds, and had provoked her sister-in-law, and had surprised everyone by her boldness, she too wished to be doing the same. But there was no chance of doing anything; and twisting the smooth paper-knife in her little hands, she forced herself to read.


The hero of the novel was already almost reaching his English happiness, a baronetcy and an estate, and Anna was feeling a desire to go with him to the estate, when she suddenly felt that he ought to feel ashamed, and that she was ashamed of the same thing. But what had he to be ashamed of? "What have I to be ashamed of?" she asked herself in injured surprise. She laid down the book and sank against the back of the chair, tightly gripping the paper-cutter in both hands. There was nothing. She went over all her Moscow recollections. All were good, pleasant. She remembered the ball, remembered Vronsky and his face of slavish adoration, remembered all her conduct with him: there was nothing shameful. And for all that, at the same point in her memories, the feeling of shame was intensified, as though some inner voice, just at the point when she thought of Vronsky, were saying to her, "Warm, very warm, hot." "Well, what is it?" she said to herself resolutely, shifting her seat in the lounge. "What does it mean? Am I afraid to look it straight in the face? Why, what is it? Can it be that between me and this officer boy there exist, or can exist, any other relations than such as are common with every acquaintance?" She laughed contemptuously and took up her book again; but now she was definitely unable to follow what she read. She passed the paper-knife over the window pane, then laid its smooth, cool surface to her cheek, and almost laughed aloud at the feeling of delight that all at once without cause came over her. She felt as though her nerves were strings being strained tighter and tighter on some sort of screwing peg. She felt her eyes opening wider and wider, her fingers and toes twitching nervously, something within oppressing her breathing, while all shapes and sounds seemed in the uncertain half-light to strike her with unaccustomed vividness. Moments of doubt were continually coming upon her, when she was uncertain whether the train were going forwards or backwards, or were standing still altogether; whether it were Annushka at her side or a stranger. "What's that on the arm of the chair, a fur cloak or some beast? And what am I myself? Myself or some other woman?" She was afraid of giving way to this delirium. But something drew her towards it, and she could yield to it or resist it at will. She got up to rouse herself, and slipped off her plaid and the cape of her warm dress. For a moment she regained her self-possession, and realized that the thin peasant who had come in wearing a long overcoat, with buttons missing from it, was the stoveheater, that he was looking at the thermometer, that it was the wind and snow bursting in after him at the door; but then everything grew blurred again.... That peasant with the long waist seemed to be gnawing something on the wall, the old lady began stretching her legs the whole length of the carriage, and filling it with a black cloud; then there was a fearful shrieking and banging, as though someone were being torn to pieces; then there was a blinding dazzle of red fire before her eyes and a wall seemed to rise up and hide everything. Anna felt as though she were sinking down. But it was not terrible, but delightful. The voice of a man muffled up and covered with snow shouted something in her ear. She got up and pulled herself together; she realized that they had reached a station and that this was the guard. She asked Annushka to hand her the cape she had taken off and her shawl, put them on and moved towards the door.


"Do you wish to get out?" asked Annushka.


"Yes, I want a little air. It's very hot in here." And she opened the door. The driving snow and the wind rushed to meet her and struggled with her over the door. But she enjoyed the struggle.


She opened the door and went out. The wind seemed as though lying in wait for her; with gleeful whistle it tried to snatch her up and bear her off, but she clung to the cold door post, and holding her skirt got down onto the platform and under the shelter of the carriages. The wind had been powerful on the steps, but on the platform, under the lee of the carriages, there was a lull. With enjoyment she drew deep breaths of the frozen, snowy air, and standing near the carriage looked about the platform and the lighted station.


Chapter 30


The raging tempest rushed whistling between the wheels of the carriages, about the scaffolding, and round the corner of the station. The carriages, posts, people, everything that was to be seen was covered with snow on one side, and was getting more and more thickly covered. For a moment there would come a lull in the storm, but then it would swoop down again with such onslaughts that it seemed impossible to stand against it. Meanwhile men ran to and fro, talking merrily together, their steps crackling on the platform as they continually opened and closed the big doors. The bent shadow of a man glided by at her feet, and she heard sounds of a hammer upon iron. "Hand over that telegram!" came an angry voice out of the stormy darkness on the other side. "This way! No. 28!" several different voices shouted again, and muffled figures ran by covered with snow. Two gentlemen with lighted cigarettes passed by her. She drew one more deep breath of the fresh air, and had just put her hand out of her muff to take hold of the door post and get back into the carriage, when another man in a military overcoat, quite close beside her, stepped between her and the flickering light of the lamp post. She looked round, and the same instant recognized Vronsky's face. Putting his hand to the peak of his cap, he bowed to her and asked, Was there anything she wanted? Could he be of any service to her? She gazed rather a long while at him without answering, and, in spite of the shadow in which he was standing, she saw, or fancied she saw, both the expression of his face and his eyes. It was again that expression of reverential ecstasy which had so worked upon her the day before. More than once she had told herself during the past few days, and again only a few moments before, that Vronsky was for her only one of the hundreds of young men, forever exactly the same, that are met everywhere, that she would never allow herself to bestow a thought upon him. But now at the first instant of meeting him, she was seized by a feeling of joyful pride. She had no need to ask why he had come. She knew as certainly as if he had told her that he was here to be where she was.


"I didn't know you were going. What are you coming for?" she said, letting fall the hand with which she had grasped the door post. And irrepressible delight and eagerness shone in her face.


"What am I coming for?" he repeated, looking straight into her eyes. "You know that I have come to be where you are," he said; "I can't help it."


At that moment the wind, as it were, surmounting all obstacles, sent the snow flying from the carriage roofs, and clanked some sheet of iron it had torn off, while the hoarse whistle of the engine roared in front, plaintively and gloomily. All the awfulness of the storm seemed to her more splendid now. He had said what her soul longed to hear, though she feared it with her reason. She made no answer, and in her face he saw conflict.


"Forgive me, if you dislike what I said," he said humbly.


He had spoken courteously, deferentially, yet so firmly, so stubbornly, that for a long while she could make no answer.


"It's wrong, what you say, and I beg you, if you're a good man, to forget what you've said, as I forget it," she said at last.


"Not one word, not one gesture of yours shall I, could I, ever forget...."


"Enough, enough!" she cried trying assiduously to give a stern expression to her face, into which he was gazing greedily. And clutching at the cold door post, she clambered up the steps and got rapidly into the corridor of the carriage. But in the little corridor she paused, going over in her imagination what had happened. Though she could not recall her own words or his, she realized instinctively that the momentary conversation had brought them fearfully closer; and she was panic-stricken and blissful at it. After standing still a few seconds, she went into the carriage and sat down in her place. The overstrained condition which had tormented her before did not only come back, but was intensified, and reached such a pitch that she was afraid every minute that something would snap within her from the excessive tension. She did not sleep all night. But in that nervous tension, and in the visions that filled her imagination, there was nothing disagreeable or gloomy: on the contrary there was something blissful, glowing, and exhilarating. Towards morning Anna sank into a doze, sitting in her place, and when she waked it was daylight and the train was near Petersburg. At once thoughts of home, of husband and of son, and the details of that day and the following came upon her.


At Petersburg, as soon as the train stopped and she got out, the first person that attracted her attention was her husband. "Oh, mercy! why do his ears look like that?" she thought, looking at his frigid and imposing figure, and especially the ears that struck her at the moment as propping up the brim of his round hat. Catching sight of her, he came to meet her, his lips falling into their habitual sarcastic smile, and his big, tired eyes looking straight at her. An unpleasant sensation gripped at her heart when she met his obstinate and weary glance, as though she had expected to see him different. She was especially struck by the feeling of dissatisfaction with herself that she experienced on meeting him. That feeling was an intimate, familiar feeling, like a consciousness of hypocrisy, which she experienced in her relations with her husband. But hitherto she had not taken note of the feeling, now she was clearly and painfully aware of it.


"Yes, as you see, your tender spouse, as devoted as the first year after marriage, burned with impatience to see you," he said in his deliberate, high-pitched voice, and in that tone which he almost always took with her, a tone of jeering at anyone who should say in earnest what he said.


"Is Seryozha quite well?" she asked.


"And is this all the reward," said he, "for my ardor? He's quite well...."


Chapter 31


Vronsky had not even tried to sleep all that night. He sat in his armchair, looking straight before him or scanning the people who got in and out. If he had indeed on previous occasions struck and impressed people who did not know him by his air of unhesitating composure, he seemed now more haughty and self-possessed than ever. He looked at people as if they were things. A nervous young man, a clerk in a law court, sitting opposite him, hated him for that look. The young man asked him for a light, and entered into conversation with him, and even pushed against him, to make him feel that he was not a thing, but a person. But Vronsky gazed at him exactly as he did at the lamp, and the young man made a wry face, feeling that he was losing his self-possession under the oppression of this refusal to recognize him as a person.


Vronsky saw nothing and no one. He felt himself a king, not because he believed that he had made an impression on Anna—he did not yet believe that,—but because the impression she had made on him gave him happiness and pride.


What would come of it all he did not know, he did not even think. He felt that all his forces, hitherto dissipated, wasted, were centered on one thing, and bent with fearful energy on one blissful goal. And he was happy at it. He knew only that he had told her the truth, that he had come where she was, that all the happiness of his life, the only meaning in life for him, now lay in seeing and hearing her. And when he got out of the carriage at Bologova to get some seltzer water, and caught sight of Anna, involuntarily his first word had told her just what he thought. And he was glad he had told her it, that she knew it now and was thinking of it. He did not sleep all night. When he was back in the carriage, he kept unceasingly going over every position in which he had seen her, every word she had uttered, and before his fancy, making his heart faint with emotion, floated pictures of a possible future.


When he got out of the train at Petersburg, he felt after his sleepless night as keen and fresh as after a cold bath. He paused near his compartment, waiting for her to get out. "Once more," he said to himself, smiling unconsciously, "once more I shall see her walk, her face; she will say something, turn her head, glance, smile, maybe." But before he caught sight of her, he saw her husband, whom the station-master was deferentially escorting through the crowd. "Ah, yes! The husband." Only now for the first time did Vronsky realize clearly the fact that there was a person attached to her, a husband. He knew that she had a husband, but had hardly believed in his existence, and only now fully believed in him, with his head and shoulders, and his legs clad in black trousers; especially when he saw this husband calmly take her arm with a sense of property.


Seeing Alexey Alexandrovitch with his Petersburg face and severely self-confident figure, in his round hat, with his rather prominent spine, he believed in him, and was aware of a disagreeable sensation, such as a man might feel tortured by thirst, who, on reaching a spring, should find a dog, a sheep, or a pig, who has drunk of it and muddied the water. Alexey Alexandrovitch's manner of walking, with a swing of the hips and flat feet, particularly annoyed Vronsky. He could recognize in no one but himself an indubitable right to love her. But she was still the same, and the sight of her affected him the same way, physically reviving him, stirring him, and filling his soul with rapture. He told his German valet, who ran up to him from the second class, to take his things and go on, and he himself went up to her. He saw the first meeting between the husband and wife, and noted with a lover's insight the signs of slight reserve with which she spoke to her husband. "No, she does not love him and cannot love him," he decided to himself.


At the moment when he was approaching Anna Arkadyevna he noticed too with joy that she was conscious of his being near, and looked round, and seeing him, turned again to her husband.


"Have you passed a good night?" he asked, bowing to her and her husband together, and leaving it up to Alexey Alexandrovitch to accept the bow on his own account, and to recognize it or not, as he might see fit.


"Thank you, very good," she answered.


Her face looked weary, and there was not that play of eagerness in it, peeping out in her smile and her eyes; but for a single instant, as she glanced at him, there was a flash of something in her eyes, and although the flash died away at once, he was happy for that moment. She glanced at her husband to find out whether he knew Vronsky. Alexey Alexandrovitch looked at Vronsky with displeasure, vaguely recalling who this was. Vronsky's composure and self-confidence here struck, like a scythe against a stone, upon the cold self-confidence of Alexey Alexandrovitch.


"Ah! We are acquainted, I believe," said Alexey Alexandrovitch indifferently, giving his hand.


"You set off with the mother and you return with the son," he said, articulating each syllable, as though each were a separate favor he was bestowing.


"You're back from leave, I suppose?" he said, and without waiting for a reply, he turned to his wife in his jesting tone: "Well, were a great many tears shed at Moscow at parting?"


By addressing his wife like this he gave Vronsky to understand that he wished to be left alone, and, turning slightly towards him, he touched his hat; but Vronsky turned to Anna Arkadyevna.


"I hope I may have the honor of calling on you," he said.


Alexey Alexandrovitch glanced with his weary eyes at Vronsky.


"Delighted," he said coldly. "On Mondays we're at home. Most fortunate," he said to his wife, dismissing Vronsky altogether, "that I should just have half an hour to meet you, so that I can prove my devotion," he went on in the same jesting tone.


"You lay too much stress on your devotion for me to value it much," she responded in the same jesting tone, involuntarily listening to the sound of Vronsky's steps behind them. "But what has it to do with me?" she said to herself, and she began asking her husband how Seryozha had got on without her.


"Oh, capitally! Mariette says he has been very good, And ... I must disappoint you ... but he has not missed you as your husband has. But once more merci, my dear, for giving me a day. Our dear Samovar will be delighted." (He used to call the Countess Lidia Ivanovna, well known in society, a samovar, because she was always bubbling over with excitement.) "She has been continually asking after you. And, do you know, if I may venture to advise you, you should go and see her today. You know how she takes everything to heart. Just now, with all her own cares, she's anxious about the Oblonskys being brought together."


The Countess Lidia Ivanovna was a friend of her husband's, and the center of that one of the coteries of the Petersburg world with which Anna was, through her husband, in the closest relations.


"But you know I wrote to her?"


"Still she'll want to hear details. Go and see her, if you're not too tired, my dear. Well, Kondraty will take you in the carriage, while I go to my committee. I shall not be alone at dinner again," Alexey Alexandrovitch went on, no longer in a sarcastic tone. "You wouldn't believe how I've missed...." And with a long pressure of her hand and a meaning smile, he put her in her carriage.


Chapter 32


The first person to meet Anna at home was her son. He dashed down the stairs to her, in spite of the governess's call, and with desperate joy shrieked: "Mother! mother!" Running up to her, he hung on her neck.


"I told you it was mother!" he shouted to the governess. "I knew!"


And her son, like her husband, aroused in Anna a feeling akin to disappointment. She had imagined him better than he was in reality. She had to let herself drop down to the reality to enjoy him as he really was. But even as he was, he was charming, with his fair curls, his blue eyes, and his plump, graceful little legs in tightly pulled-up stockings. Anna experienced almost physical pleasure in the sensation of his nearness, and his caresses, and moral soothing, when she met his simple, confiding, and loving glance, and heard his naïve questions. Anna took out the presents Dolly's children had sent him, and told her son what sort of little girl was Tanya at Moscow, and how Tanya could read, and even taught the other children.


"Why, am I not so nice as she?" asked Seryozha.


"To me you're nicer than anyone in the world."


"I know that," said Seryozha, smiling.


Anna had not had time to drink her coffee when the Countess Lidia Ivanovna was announced. The Countess Lidia Ivanovna was a tall, stout woman, with an unhealthily sallow face and splendid, pensive black eyes. Anna liked her, but today she seemed to be seeing her for the first time with all her defects.


"Well, my dear, so you took the olive branch?" inquired Countess Lidia Ivanovna, as soon as she came into the room.


"Yes, it's all over, but it was all much less serious than we had supposed," answered Anna. "My belle-sœur is in general too hasty."


But Countess Lidia Ivanovna, though she was interested in everything that did not concern her, had a habit of never listening to what interested her; she interrupted Anna:


"Yes, there's plenty of sorrow and evil in the world. I am so worried today."


"Oh, why?" asked Anna, trying to suppress a smile.


"I'm beginning to be weary of fruitlessly championing the truth, and sometimes I'm quite unhinged by it. The Society of the Little Sisters" (this was a religiously-patriotic, philanthropic institution) "was going splendidly, but with these gentlemen it's impossible to do anything," added Countess Lidia Ivanovna in a tone of ironical submission to destiny. "They pounce on the idea, and distort it, and then work it out so pettily and unworthily. Two or three people, your husband among them, understand all the importance of the thing, but the others simply drag it down. Yesterday Pravdin wrote to me...."


Pravdin was a well-known Panslavist abroad, and Countess Lidia Ivanovna described the purport of his letter.


Then the countess told her of more disagreements and intrigues against the work of the unification of the churches, and departed in haste, as she had that day to be at the meeting of some society and also at the Slavonic committee.


"It was all the same before, of course; but why was it I didn't notice it before?" Anna asked herself. "Or has she been very much irritated today? It's really ludicrous; her object is doing good; she a Christian, yet she's always angry; and she always has enemies, and always enemies in the name of Christianity and doing good."


After Countess Lidia Ivanovna another friend came, the wife of a chief secretary, who told her all the news of the town. At three o'clock she too went away, promising to come to dinner. Alexey Alexandrovitch was at the ministry. Anna, left alone, spent the time till dinner in assisting at her son's dinner (he dined apart from his parents) and in putting her things in order, and in reading and answering the notes and letters which had accumulated on her table.


The feeling of causeless shame, which she had felt on the journey, and her excitement, too, had completely vanished. In the habitual conditions of her life she felt again resolute and irreproachable.


She recalled with wonder her state of mind on the previous day. "What was it? Nothing. Vronsky said something silly, which it was easy to put a stop to, and I answered as I ought to have done. To speak of it to my husband would be unnecessary and out of the question. To speak of it would be to attach importance to what has no importance." She remembered how she had told her husband of what was almost a declaration made her at Petersburg by a young man, one of her husband's subordinates, and how Alexey Alexandrovitch had answered that every woman living in the world was exposed to such incidents, but that he had the fullest confidence in her tact, and could never lower her and himself by jealousy. "So then there's no reason to speak of it? And indeed, thank God, there's nothing to speak of," she told herself.


Chapter 33


Alexey Alexandrovitch came back from the meeting of the ministers at four o'clock, but as often happened, he had not time to come in to her. He went into his study to see the people waiting for him with petitions, and to sign some papers brought him by his chief secretary. At dinner time (there were always a few people dining with the Karenins) there arrived an old lady, a cousin of Alexey Alexandrovitch, the chief secretary of the department and his wife, and a young man who had been recommended to Alexey Alexandrovitch for the service. Anna went into the drawing-room to receive these guests. Precisely at five o'clock, before the bronze Peter the First clock had struck the fifth stroke, Alexey Alexandrovitch came in, wearing a white tie and evening coat with two stars, as he had to go out directly after dinner. Every minute of Alexey Alexandrovitch's life was portioned out and occupied. And to make time to get through all that lay before him every day, he adhered to the strictest punctuality. "Unhasting and unresting," was his motto. He came into the dining hall, greeted everyone, and hurriedly sat down, smiling to his wife.


"Yes, my solitude is over. You wouldn't believe how uncomfortable" (he laid stress on the word uncomfortable) "it is to dine alone."


At dinner he talked a little to his wife about Moscow matters, and, with a sarcastic smile, asked her after Stepan Arkadyevitch; but the conversation was for the most part general, dealing with Petersburg official and public news. After dinner he spent half an hour with his guests, and again, with a smile, pressed his wife's hand, withdrew, and drove off to the council. Anna did not go out that evening either to the Princess Betsy Tverskaya, who, hearing of her return, had invited her, nor to the theater, where she had a box for that evening. She did not go out principally because the dress she had reckoned upon was not ready. Altogether, Anna, on turning, after the departure of her guests, to the consideration of her attire, was very much annoyed. She was generally a mistress of the art of dressing well without great expense, and before leaving Moscow she had given her dressmaker three dresses to transform. The dresses had to be altered so that they could not be recognized, and they ought to have been ready three days before. It appeared that two dresses had not been done at all, while the other one had not been altered as Anna had intended. The dressmaker came to explain, declaring that it would be better as she had done it, and Anna was so furious that she felt ashamed when she thought of it afterwards. To regain her serenity completely she went into the nursery, and spent the whole evening with her son, put him to bed herself, signed him with the cross, and tucked him up. She was glad she had not gone out anywhere, and had spent the evening so well. She felt so light-hearted and serene, she saw so clearly that all that had seemed to her so important on her railway journey was only one of the common trivial incidents of fashionable life, and that she had no reason to feel ashamed before anyone else or before herself. Anna sat down at the hearth with an English novel and waited for her husband. Exactly at half-past nine she heard his ring, and he came into the room.


"Here you are at last!" she observed, holding out her hand to him.


He kissed her hand and sat down beside her.


"Altogether then, I see your visit was a success," he said to her.


"Oh, yes," she said, and she began telling him about everything from the beginning: her journey with Countess Vronskaya, her arrival, the accident at the station. Then she described the pity she had felt, first for her brother, and afterwards for Dolly.


"I imagine one cannot exonerate such a man from blame, though he is your brother," said Alexey Alexandrovitch severely.


Anna smiled. She knew that he said that simply to show that family considerations could not prevent him from expressing his genuine opinion. She knew that characteristic in her husband, and liked it.


"I am glad it has all ended so satisfactorily, and that you are back again," he went on. "Come, what do they say about the new act I have got passed in the council?"


Anna had heard nothing of this act, and she felt conscience-stricken at having been able so readily to forget what was to him of such importance.


"Here, on the other hand, it has made a great sensation," he said, with a complacent smile.


She saw that Alexey Alexandrovitch wanted to tell her something pleasant to him about it, and she brought him by questions to telling it. With the same complacent smile he told her of the ovations he had received in consequence of the act he had passed.


"I was very, very glad. It shows that at last a reasonable and steady view of the matter is becoming prevalent among us."


Having drunk his second cup of tea with cream, and bread, Alexey Alexandrovitch got up, and was going towards his study.


"And you've not been anywhere this evening? You've been dull, I expect?" he said.


"Oh, no!" she answered, getting up after him and accompanying him across the room to his study. "What are you reading now?" she asked.


"Just now I'm reading Duc de Lille, Poésie des Enfers," he answered. "A very remarkable book."


Anna smiled, as people smile at the weaknesses of those they love, and, putting her hand under his, she escorted him to the door of the study. She knew his habit, that had grown into a necessity, of reading in the evening. She knew, too, that in spite of his official duties, which swallowed up almost the whole of his time, he considered it his duty to keep up with everything of note that appeared in the intellectual world. She knew, too, that he was really interested in books dealing with politics, philosophy, and theology, that art was utterly foreign to his nature; but, in spite of this, or rather, in consequence of it, Alexey Alexandrovitch never passed over anything in the world of art, but made it his duty to read everything. She knew that in politics, in philosophy, in theology, Alexey Alexandrovitch often had doubts, and made investigations; but on questions of art and poetry, and, above all, of music, of which he was totally devoid of understanding, he had the most distinct and decided opinions. He was fond of talking about Shakespeare, Raphael, Beethoven, of the significance of new schools of poetry and music, all of which were classified by him with very conspicuous consistency.


"Well, God be with you," she said at the door of the study, where a shaded candle and a decanter of water were already put by his armchair. "And I'll write to Moscow."


He pressed her hand, and again kissed it.


"All the same he's a good man; truthful, good-hearted, and remarkable in his own line," Anna said to herself going back to her room, as though she were defending him to someone who had attacked him and said that one could not love him. "But why is it his ears stick out so strangely? Or has he had his hair cut?"


Precisely at twelve o'clock, when Anna was still sitting at her writing-table, finishing a letter to Dolly, she heard the sound of measured steps in slippers, and Alexey Alexandrovitch, freshly washed and combed, with a book under his arm, came in to her.


"It's time, it's time," said he, with a meaning smile, and he went into their bedroom.


"And what right had he to look at him like that?" thought Anna, recalling Vronsky's glance at Alexey Alexandrovitch.


Undressing, she went into the bedroom; but her face had none of the eagerness which, during her stay in Moscow, had fairly flashed from her eyes and her smile; on the contrary, now the fire seemed quenched in her, hidden somewhere far away.


Chapter 34


When Vronsky went to Moscow from Petersburg, he had left his large set of rooms in Morskaia to his friend and favorite comrade Petritsky.


Petritsky was a young lieutenant, not particularly well-connected, and not merely not wealthy, but always hopelessly in debt. Towards evening he was always drunk, and he had often been locked up after all sorts of ludicrous and disgraceful scandals, but he was a favorite both of his comrades and his superior officers. On arriving at twelve o'clock from the station at his flat, Vronsky saw, at the outer door, a hired carriage familiar to him. While still outside his own door, as he rang, he heard masculine laughter, the lisp of a feminine voice, and Petritsky's voice. "If that's one of the villains, don't let him in!" Vronsky told the servant not to announce him, and slipped quietly into the first room. Baroness Shilton, a friend of Petritsky's, with a rosy little face and flaxen hair, resplendent in a lilac satin gown, and filling the whole room, like a canary, with her Parisian chatter, sat at the round table making coffee. Petritsky, in his overcoat, and the cavalry captain Kamerovsky, in full uniform, probably just come from duty, were sitting each side of her.


"Bravo! Vronsky!" shouted Petritsky, jumping up, scraping his chair. "Our host himself! Baroness, some coffee for him out of the new coffee pot. Why, we didn't expect you! Hope you're satisfied with the ornament of your study," he said, indicating the baroness. "You know each other, of course?"


"I should think so," said Vronsky, with a bright smile, pressing the baroness's little hand. "What next! I'm an old friend."


"You're home after a journey," said the baroness, "so I'm flying. Oh, I'll be off this minute, if I'm in the way."


"You're home, wherever you are, baroness," said Vronsky. "How do you do, Kamerovsky?" he added, coldly shaking hands with Kamerovsky.


"There, you never know how to say such pretty things," said the baroness, turning to Petritsky.


"No; what's that for? After dinner I say things quite as good."


"After dinner there's no credit in them? Well, then, I'll make you some coffee, so go and wash and get ready," said the baroness, sitting down again, and anxiously turning the screw in the new coffee pot. "Pierre, give me the coffee," she said, addressing Petritsky, whom she called Pierre as a contraction of his surname, making no secret of her relations with him. "I'll put it in."


"No, I won't spoil it! Well, and your wife?" said the baroness suddenly, interrupting Vronsky's conversation with his comrade. "We've been marrying you here. Have you brought your wife?"


"No, baroness. I was born a Bohemian, and a Bohemian I shall die."


"So much the better, so much the better. Shake hands on it."


And the baroness, detaining Vronsky, began telling him, with many jokes, about her last new plans of life, asking his advice.


"He persists in refusing to give me a divorce! Well, what am I to do?" (He was her husband.) "Now I want to begin a suit against him. What do you advise? Kamerovsky, look after the coffee; it's boiling over. You see, I'm engrossed with business! I want a lawsuit, because I must have my property. Do you understand the folly of it, that on the pretext of my being unfaithful to him," she said contemptuously, "he wants to get the benefit of my fortune."


Vronsky heard with pleasure this light-hearted prattle of a pretty woman, agreed with her, gave her half-joking counsel, and altogether dropped at once into the tone habitual to him in talking to such women. In his Petersburg world all people were divided into utterly opposed classes. One, the lower class, vulgar, stupid, and, above all, ridiculous people, who believe that one husband ought to live with the one wife whom he has lawfully married; that a girl should be innocent, a woman modest, and a man manly, self-controlled, and strong; that one ought to bring up one's children, earn one's bread, and pay one's debts; and various similar absurdities. This was the class of old-fashioned and ridiculous people. But there was another class of people, the real people. To this class they all belonged, and in it the great thing was to be elegant, generous, plucky, gay, to abandon oneself without a blush to every passion, and to laugh at everything else.


For the first moment only, Vronsky was startled after the impression of a quite different world that he had brought with him from Moscow. But immediately as though slipping his feet into old slippers, he dropped back into the light-hearted, pleasant world he had always lived in.


The coffee was never really made, but spluttered over everyone, and boiled away, doing just what was required of it—that is, providing much cause for much noise and laughter, and spoiling a costly rug and the baroness's gown.


"Well now, good-bye, or you'll never get washed, and I shall have on my conscience the worst sin a gentleman can commit. So you would advise a knife to his throat?"


"To be sure, and manage that your hand may not be far from his lips. He'll kiss your hand, and all will end satisfactorily," answered Vronsky.


"So at the Français!" and, with a rustle of her skirts, she vanished.


Kamerovsky got up too, and Vronsky, not waiting for him to go, shook hands and went off to his dressing-room.


While he was washing, Petritsky described to him in brief outlines his position, as far as it had changed since Vronsky had left Petersburg. No money at all. His father said he wouldn't give him any and pay his debts. His tailor was trying to get him locked up, and another fellow, too, was threatening to get him locked up. The colonel of the regiment had announced that if these scandals did not cease he would have to leave. As for the baroness, he was sick to death of her, especially since she'd taken to offering continually to lend him money. But he had found a girl—he'd show her to Vronsky—a marvel, exquisite, in the strict Oriental style, "genre of the slave Rebecca, don't you know." He'd had a row, too, with Berkoshov, and was going to send seconds to him, but of course it would come to nothing. Altogether everything was supremely amusing and jolly. And, not letting his comrade enter into further details of his position, Petritsky proceeded to tell him all the interesting news. As he listened to Petritsky's familiar stories in the familiar setting of the rooms he had spent the last three years in, Vronsky felt a delightful sense of coming back to the careless Petersburg life that he was used to.


"Impossible!" he cried, letting down the pedal of the washing basin in which he had been sousing his healthy red neck. "Impossible!" he cried, at the news that Laura had flung over Fertinghof and had made up to Mileev. "And is he as stupid and pleased as ever? Well, and how's Buzulukov?"


"Oh, there is a tale about Buzulukov—simply lovely!" cried Petritsky. "You know his weakness for balls, and he never misses a single court ball. He went to a big ball in a new helmet. Have you seen the new helmets? Very nice, lighter. Well, so he's standing.... No, I say, do listen."


"I am listening," answered Vronsky, rubbing himself with a rough towel.


"Up comes the Grand Duchess with some ambassador or other, and, as ill-luck would have it, she begins talking to him about the new helmets. The Grand Duchess positively wanted to show the new helmet to the ambassador. They see our friend standing there." (Petritsky mimicked how he was standing with the helmet.) "The Grand Duchess asked him to give her the helmet; he doesn't give it to her. What do you think of that? Well, everyone's winking at him, nodding, frowning—give it to her, do! He doesn't give it to her. He's mute as a fish. Only picture it!... Well, the ... what's his name, whatever he was ... tries to take the helmet from him ... he won't give it up!... He pulls it from him, and hands it to the Grand Duchess. 'Here, your Highness,' says he, 'is the new helmet.' She turned the helmet the other side up, And—just picture it!—plop went a pear and sweetmeats out of it, two pounds of sweetmeats!... He'd been storing them up, the darling!"


Vronsky burst into roars of laughter. And long afterwards, when he was talking of other things, he broke out into his healthy laugh, showing his strong, close rows of teeth, when he thought of the helmet.


Having heard all the news, Vronsky, with the assistance of his valet, got into his uniform, and went off to report himself. He intended, when he had done that, to drive to his brother's and to Betsy's and to pay several visits with a view to beginning to go into that society where he might meet Madame Karenina. As he always did in Petersburg, he left home not meaning to return till late at night.


At the end of the winter, in the Shtcherbatskys' house, a consultation was being held, which was to pronounce on the state of Kitty's health and the measures to be taken to restore her failing strength. She had been ill, and as spring came on she grew worse. The family doctor gave her cod liver oil, then iron, then nitrate of silver, but as the first and the second and the third were alike in doing no good, and as his advice when spring came was to go abroad, a celebrated physician was called in. The celebrated physician, a very handsome man, still youngish, asked to examine the patient. He maintained, with peculiar satisfaction, it seemed, that maiden modesty is a mere relic of barbarism, and that nothing could be more natural than for a man still youngish to handle a young girl naked. He thought it natural because he did it every day, and felt and thought, as it seemed to him, no harm as he did it and consequently he considered modesty in the girl not merely as a relic of barbarism, but also as an insult to himself.


There was nothing for it but to submit, since, although all the doctors had studied in the same school, had read the same books, and learned the same science, and though some people said this celebrated doctor was a bad doctor, in the princess's household and circle it was for some reason accepted that this celebrated doctor alone had some special knowledge, and that he alone could save Kitty. After a careful examination and sounding of the bewildered patient, dazed with shame, the celebrated doctor, having scrupulously washed his hands, was standing in the drawing-room talking to the prince. The prince frowned and coughed, listening to the doctor. As a man who had seen something of life, and neither a fool nor an invalid, he had no faith in medicine, and in his heart was furious at the whole farce, specially as he was perhaps the only one who fully comprehended the cause of Kitty's illness. "Conceited blockhead!" he thought, as he listened to the celebrated doctor's chatter about his daughter's symptoms. The doctor was meantime with difficulty restraining the expression of his contempt for this old gentleman, and with difficulty condescending to the level of his intelligence. He perceived that it was no good talking to the old man, and that the principal person in the house was the mother. Before her he decided to scatter his pearls. At that instant the princess came into the drawing-room with the family doctor. The prince withdrew, trying not to show how ridiculous he thought the whole performance. The princess was distracted, and did not know what to do. She felt she had sinned against Kitty.


"Well, doctor, decide our fate," said the princess. "Tell me everything."


"Is there hope?" she meant to say, but her lips quivered, and she could not utter the question. "Well, doctor?"


"Immediately, princess. I will talk it over with my colleague, and then I will have the honor of laying my opinion before you."


"So we had better leave you?"


The princess went out with a sigh.


When the doctors were left alone, the family doctor began timidly explaining his opinion, that there was a commencement of tuberculous trouble, but ... and so on. The celebrated doctor listened to him, and in the middle of his sentence looked at his big gold watch.


"Yes," said he. "But...."


The family doctor respectfully ceased in the middle of his observations.


"The commencement of the tuberculous process we are not, as you are aware, able to define; till there are cavities, there is nothing definite. But we may suspect it. And there are indications; malnutrition, nervous excitability, and so on. The question stands thus: in presence of indications of tuberculous process, what is to be done to maintain nutrition?"


"But, you know, there are always moral, spiritual causes at the back in these cases," the family doctor permitted himself to interpolate with a subtle smile.


"Yes, that's an understood thing," responded the celebrated physician, again glancing at his watch. "Beg pardon, is the Yausky bridge done yet, or shall I have to drive around?" he asked. "Ah! it is. Oh, well, then I can do it in twenty minutes. So we were saying the problem may be put thus: to maintain nutrition and to give tone to the nerves. The one is in close connection with the other, one must attack both sides at once."


"And how about a tour abroad?" asked the family doctor.


"I've no liking for foreign tours. And take note: if there is an early stage of tuberculous process, of which we cannot be certain, a foreign tour will be of no use. What is wanted is means of improving nutrition, and not for lowering it." And the celebrated doctor expounded his plan of treatment with Soden waters, a remedy obviously prescribed primarily on the ground that they could do no harm.


The family doctor listened attentively and respectfully.


"But in favor of foreign travel I would urge the change of habits, the removal from conditions calling up reminiscences. And then the mother wishes it," he added.


"Ah! Well, in that case, to be sure, let them go. Only, those German quacks are mischievous.... They ought to be persuaded.... Well, let them go then."


He glanced once more at his watch.


"Oh! time's up already," And he went to the door. The celebrated doctor announced to the princess (a feeling of what was due from him dictated his doing so) that he ought to see the patient once more.


"What! another examination!" cried the mother, with horror.


"Oh, no, only a few details, princess."


"Come this way."


And the mother, accompanied by the doctor, went into the drawing-room to Kitty. Wasted and flushed, with a peculiar glitter in her eyes, left there by the agony of shame she had been put through, Kitty stood in the middle of the room. When the doctor came in she flushed crimson, and her eyes filled with tears. All her illness and treatment struck her as a thing so stupid, ludicrous even! Doctoring her seemed to her as absurd as putting together the pieces of a broken vase. Her heart was broken. Why would they try to cure her with pills and powders? But she could not grieve her mother, especially as her mother considered herself to blame.


"May I trouble you to sit down, princess?" the celebrated doctor said to her.


He sat down with a smile, facing her, felt her pulse, and again began asking her tiresome questions. She answered him, and all at once got up, furious.


"Excuse me, doctor, but there is really no object in this. This is the third time you've asked me the same thing."


The celebrated doctor did not take offense.


"Nervous irritability," he said to the princess, when Kitty had left the room. "However, I had finished...."


And the doctor began scientifically explaining to the princess, as an exceptionally intelligent woman, the condition of the young princess, and concluded by insisting on the drinking of the waters, which were certainly harmless. At the question: Should they go abroad? the doctor plunged into deep meditation, as though resolving a weighty problem. Finally his decision was pronounced: they were to go abroad, but to put no faith in foreign quacks, and to apply to him in any need.


It seemed as though some piece of good fortune had come to pass after the doctor had gone. The mother was much more cheerful when she went back to her daughter, and Kitty pretended to be more cheerful. She had often, almost always, to be pretending now.


"Really, I'm quite well, mamma. But if you want to go abroad, let's go!" she said, and trying to appear interested in the proposed tour, she began talking of the preparations for the journey.


Soon after the doctor, Dolly had arrived. She knew that there was to be a consultation that day, and though she was only just up after her confinement (she had another baby, a little girl, born at the end of the winter), though she had trouble and anxiety enough of her own, she had left her tiny baby and a sick child, to come and hear Kitty's fate, which was to be decided that day.


"Well, well?" she said, coming into the drawing-room, without taking off her hat. "You're all in good spirits. Good news, then?"


They tried to tell her what the doctor had said, but it appeared that though the doctor had talked distinctly enough and at great length, it was utterly impossible to report what he had said. The only point of interest was that it was settled they should go abroad.


Dolly could not help sighing. Her dearest friend, her sister, was going away. And her life was not a cheerful one. Her relations with Stepan Arkadyevitch after their reconciliation had become humiliating. The union Anna had cemented turned out to be of no solid character, and family harmony was breaking down again at the same point. There had been nothing definite, but Stepan Arkadyevitch was hardly ever at home; money, too, was hardly ever forthcoming, and Dolly was continually tortured by suspicions of infidelity, which she tried to dismiss, dreading the agonies of jealousy she had been through already. The first onslaught of jealousy, once lived through, could never come back again, and even the discovery of infidelities could never now affect her as it had the first time. Such a discovery now would only mean breaking up family habits, and she let herself be deceived, despising him and still more herself, for the weakness. Besides this, the care of her large family was a constant worry to her: first, the nursing of her young baby did not go well, then the nurse had gone away, now one of the children had fallen ill.


"Well, how are all of you?" asked her mother.


"Ah, mamma, we have plenty of troubles of our own. Lili is ill, and I'm afraid it's scarlatina. I have come here now to hear about Kitty, and then I shall shut myself up entirely, if—God forbid—it should be scarlatina."


The old prince too had come in from his study after the doctor's departure, and after presenting his cheek to Dolly, and saying a few words to her, he turned to his wife:


"How have you settled it? you're going? Well, and what do you mean to do with me?"


"I suppose you had better stay here, Alexander," said his wife.


"That's as you like."


"Mamma, why shouldn't father come with us?" said Kitty. "It would be nicer for him and for us too."


The old prince got up and stroked Kitty's hair. She lifted her head and looked at him with a forced smile. It always seemed to her that he understood her better than anyone in the family, though he did not say much about her. Being the youngest, she was her father's favorite, and she fancied that his love gave him insight. When now her glance met his blue kindly eyes looking intently at her, it seemed to her that he saw right through her, and understood all that was not good that was passing within her. Reddening, she stretched out towards him expecting a kiss, but he only patted her hair and said:


"These stupid chignons! There's no getting at the real daughter. One simply strokes the bristles of dead women. Well, Dolinka," he turned to his elder daughter, "what's your young buck about, hey?"


"Nothing, father," answered Dolly, understanding that her husband was meant. "He's always out; I scarcely ever see him," she could not resist adding with a sarcastic smile.


"Why, hasn't he gone into the country yet—to see about selling that forest?"


"No, he's still getting ready for the journey."


"Oh, that's it!" said the prince. "And so am I to be getting ready for a journey too? At your service," he said to his wife, sitting down. "And I tell you what, Katia," he went on to his younger daughter, "you must wake up one fine day and say to yourself: Why, I'm quite well, and merry, and going out again with father for an early morning walk in the frost. Hey?"


What her father said seemed simple enough, yet at these words Kitty became confused and overcome like a detected criminal. "Yes, he sees it all, he understands it all, and in these words he's telling me that though I'm ashamed, I must get over my shame." She could not pluck up spirit to make any answer. She tried to begin, and all at once burst into tears, and rushed out of the room.


"See what comes of your jokes!" the princess pounced down on her husband. "You're always...." she began a string of reproaches.


The prince listened to the princess's scolding rather a long while without speaking, but his face was more and more frowning.


"She's so much to be pitied, poor child, so much to be pitied, and you don't feel how it hurts her to hear the slightest reference to the cause of it. Ah! to be so mistaken in people!" said the princess, and by the change in her tone both Dolly and the prince knew she was speaking of Vronsky. "I don't know why there aren't laws against such base, dishonorable people."


"Ah, I can't bear to hear you!" said the prince gloomily, getting up from his low chair, and seeming anxious to get away, yet stopping in the doorway. "There are laws, madam, and since you've challenged me to it, I'll tell you who's to blame for it all: you and you, you and nobody else. Laws against such young gallants there have always been, and there still are! Yes, if there has been nothing that ought not to have been, old as I am, I'd have called him out to the barrier, the young dandy. Yes, and now you physic her and call in these quacks."


The prince apparently had plenty more to say, but as soon as the princess heard his tone she subsided at once, and became penitent, as she always did on serious occasions.


"Alexander, Alexander," she whispered, moving to him and beginning to weep.


As soon as she began to cry the prince too calmed down. He went up to her.


"There, that's enough, that's enough! You're wretched too, I know. It can't be helped. There's no great harm done. God is merciful ... thanks...." he said, not knowing what he was saying, as he responded to the tearful kiss of the princess that he felt on his hand. And the prince went out of the room.


Before this, as soon as Kitty went out of the room in tears, Dolly, with her motherly, family instincts, had promptly perceived that here a woman's work lay before her, and she prepared to do it. She took off her hat, and, morally speaking, tucked up her sleeves and prepared for action. While her mother was attacking her father, she tried to restrain her mother, so far as filial reverence would allow. During the prince's outburst she was silent; she felt ashamed for her mother, and tender towards her father for so quickly being kind again. But when her father left them she made ready for what was the chief thing needful—to go to Kitty and console her.


"I'd been meaning to tell you something for a long while, mamma: did you know that Levin meant to make Kitty an offer when he was here the last time? He told Stiva so."


"Well, what then? I don't understand...."


"So did Kitty perhaps refuse him?... She didn't tell you so?"


"No, she has said nothing to me either of one or the other; she's too proud. But I know it's all on account of the other."


"Yes, but suppose she has refused Levin, and she wouldn't have refused him if it hadn't been for the other, I know. And then, he has deceived her so horribly."


It was too terrible for the princess to think how she had sinned against her daughter, and she broke out angrily.


"Oh, I really don't understand! Nowadays they will all go their own way, and mothers haven't a word to say in anything, and then...."


"Mamma, I'll go up to her."


"Well, do. Did I tell you not to?" said her mother.


When she went into Kitty's little room, a pretty, pink little room, full of knick-knacks in vieux saxe, as fresh, and pink, and white, and gay as Kitty herself had been two months ago, Dolly remembered how they had decorated the room the year before together, with what love and gaiety. Her heart turned cold when she saw Kitty sitting on a low chair near the door, her eyes fixed immovably on a corner of the rug. Kitty glanced at her sister, and the cold, rather ill-tempered expression of her face did not change.


"I'm just going now, and I shall have to keep in and you won't be able to come to see me," said Dolly, sitting down beside her. "I want to talk to you."


"What about?" Kitty asked swiftly, lifting her head in dismay.


"What should it be, but your trouble?"


"I have no trouble."


"Nonsense, Kitty. Do you suppose I could help knowing? I know all about it. And believe me, it's of so little consequence.... We've all been through it."


Kitty did not speak, and her face had a stern expression.


"He's not worth your grieving over him," pursued Darya Alexandrovna, coming straight to the point.


"No, because he has treated me with contempt," said Kitty, in a breaking voice. "Don't talk of it! Please, don't talk of it!"


"But who can have told you so? No one has said that. I'm certain he was in love with you, and would still be in love with you, if it hadn't...."


"Oh, the most awful thing of all for me is this sympathizing!" shrieked Kitty, suddenly flying into a passion. She turned round on her chair, flushed crimson, and rapidly moving her fingers, pinched the clasp of her belt first with one hand and then with the other. Dolly knew this trick her sister had of clenching her hands when she was much excited; she knew, too, that in moments of excitement Kitty was capable of forgetting herself and saying a great deal too much, and Dolly would have soothed her, but it was too late.


"What, what is it you want to make me feel, eh?" said Kitty quickly. "That I've been in love with a man who didn't care a straw for me, and that I'm dying of love for him? And this is said to me by my own sister, who imagines that ... that ... that she's sympathizing with me!... I don't want these condolences and humbug!"


"Why are you tormenting me?"


"But I ... quite the contrary ... I see you're unhappy...."


But Kitty in her fury did not hear her.


"I've nothing to grieve over and be comforted about. I am too proud ever to allow myself to care for a man who does not love me."


"Yes, I don't say so either.... Only one thing. Tell me the truth," said Darya Alexandrovna, taking her by the hand: "tell me, did Levin speak to you?..."


The mention of Levin's name seemed to deprive Kitty of the last vestige of self-control. She leaped up from her chair, and flinging her clasp on the ground, she gesticulated rapidly with her hands and said:


"Why bring Levin in too? I can't understand what you want to torment me for. I've told you, and I say it again, that I have some pride, and never, never would I do as you're doing—go back to a man who's deceived you, who has cared for another woman. I can't understand it! You may, but I can't!"


And saying these words she glanced at her sister, and seeing that Dolly sat silent, her head mournfully bowed, Kitty, instead of running out of the room as she had meant to do, sat down near the door, and hid her face in her handkerchief.


The silence lasted for two minutes: Dolly was thinking of herself. That humiliation of which she was always conscious came back to her with a peculiar bitterness when her sister reminded her of it. She had not looked for such cruelty in her sister, and she was angry with her. But suddenly she heard the rustle of a skirt, and with it the sound of heart-rending, smothered sobbing, and felt arms about her neck. Kitty was on her knees before her.


"Dolinka, I am so, so wretched!" she whispered penitently. And the sweet face covered with tears hid itself in Darya Alexandrovna's skirt.


As though tears were the indispensable oil, without which the machinery of mutual confidence could not run smoothly between the two sisters, the sisters after their tears talked, not of what was uppermost in their minds, but, though they talked of outside matters, they understood each other. Kitty knew that the words she had uttered in anger about her husband's infidelity and her humiliating position had cut her poor sister to the heart, but that she had forgiven her. Dolly for her part knew all she had wanted to find out. She felt certain that her surmises were correct; that Kitty's misery, her inconsolable misery, was due precisely to the fact that Levin had made her an offer and she had refused him, and Vronsky had deceived her, and that she was fully prepared to love Levin and to detest Vronsky. Kitty said not a word of that; she talked of nothing but her spiritual condition.


"I have nothing to make me miserable," she said, getting calmer; "but can you understand that everything has become hateful, loathsome, coarse to me, and I myself most of all? You can't imagine what loathsome thoughts I have about everything."


"Why, whatever loathsome thoughts can you have?" asked Dolly, smiling.


"The most utterly loathsome and coarse: I can't tell you. It's not unhappiness, or low spirits, but much worse. As though everything that was good in me was all hidden away, and nothing was left but the most loathsome. Come, how am I to tell you?" she went on, seeing the puzzled look in her sister's eyes. "Father began saying something to me just now.... It seems to me he thinks all I want is to be married. Mother takes me to a ball: it seems to me she only takes me to get me married off as soon as may be, and be rid of me. I know it's not the truth, but I can't drive away such thoughts. Eligible suitors, as they call them—I can't bear to see them. It seems to me they're taking stock of me and summing me up. In old days to go anywhere in a ball dress was a simple joy to me, I admired myself; now I feel ashamed and awkward. And then! The doctor.... Then...." Kitty hesitated; she wanted to say further that ever since this change had taken place in her, Stepan Arkadyevitch had become insufferably repulsive to her, and that she could not see him without the grossest and most hideous conceptions rising before her imagination.


"Oh, well, everything presents itself to me, in the coarsest, most loathsome light," she went on. "That's my illness. Perhaps it will pass off."


"But you mustn't think about it."


"I can't help it. I'm never happy except with the children at your house."


"What a pity you can't be with me!"


"Oh, yes, I'm coming. I've had scarlatina, and I'll persuade mamma to let me."


Kitty insisted on having her way, and went to stay at her sister's and nursed the children all through the scarlatina, for scarlatina it turned out to be. The two sisters brought all the six children successfully through it, but Kitty was no better in health, and in Lent the Shtcherbatskys went abroad.


The highest Petersburg society is essentially one: in it everyone knows everyone else, everyone even visits everyone else. But this great set has its subdivisions. Anna Arkadyevna Karenina had friends and close ties in three different circles of this highest society. One circle was her husband's government official set, consisting of his colleagues and subordinates, brought together in the most various and capricious manner, and belonging to different social strata. Anna found it difficult now to recall the feeling of almost awe-stricken reverence which she had at first entertained for these persons. Now she knew all of them as people know one another in a country town; she knew their habits and weaknesses, and where the shoe pinched each one of them. She knew their relations with one another and with the head authorities, knew who was for whom, and how each one maintained his position, and where they agreed and disagreed. But the circle of political, masculine interests had never interested her, in spite of countess Lidia Ivanovna's influence, and she avoided it.


Another little set with which Anna was in close relations was the one by means of which Alexey Alexandrovitch had made his career. The center of this circle was the Countess Lidia Ivanovna. It was a set made up of elderly, ugly, benevolent, and godly women, and clever, learned, and ambitious men. One of the clever people belonging to the set had called it "the conscience of Petersburg society." Alexey Alexandrovitch had the highest esteem for this circle, and Anna with her special gift for getting on with everyone, had in the early days of her life in Petersburg made friends in this circle also. Now, since her return from Moscow, she had come to feel this set insufferable. It seemed to her that both she and all of them were insincere, and she felt so bored and ill at ease in that world that she went to see the Countess Lidia Ivanovna as little as possible.


The third circle with which Anna had ties was preeminently the fashionable world—the world of balls, of dinners, of sumptuous dresses, the world that hung on to the court with one hand, so as to avoid sinking to the level of the demi-monde. For the demi-monde the members of that fashionable world believed that they despised, though their tastes were not merely similar, but in fact identical. Her connection with this circle was kept up through Princess Betsy Tverskaya, her cousin's wife, who had an income of a hundred and twenty thousand roubles, and who had taken a great fancy to Anna ever since she first came out, showed her much attention, and drew her into her set, making fun of Countess Lidia Ivanovna's coterie.


"When I'm old and ugly I'll be the same," Betsy used to say; "but for a pretty young woman like you it's early days for that house of charity."