Alyosha helped Father Zossima to his bedroom and seated him on his bed. It was a little room furnished with the bare necessities. There was a narrow iron bedstead, with a strip of felt for a mattress. In the corner, under the ikons, was a reading‐desk with a cross and the Gospel lying on it. The elder sank exhausted on the bed. His eyes glittered and he breathed hard. He looked intently at Alyosha, as though considering something.


"Go, my dear boy, go. Porfiry is enough for me. Make haste, you are needed there, go and wait at the Father Superior's table."


"Let me stay here," Alyosha entreated.


"You are more needed there. There is no peace there. You will wait, and be of service. If evil spirits rise up, repeat a prayer. And remember, my son"—the elder liked to call him that—"this is not the place for you in the future. When it is God's will to call me, leave the monastery. Go away for good."


Alyosha started.


"What is it? This is not your place for the time. I bless you for great service in the world. Yours will be a long pilgrimage. And you will have to take a wife, too. You will have to bear all before you come back. There will be much to do. But I don't doubt of you, and so I send you forth. Christ is with you. Do not abandon Him and He will not abandon you. You will see great sorrow, and in that sorrow you will be happy. This is my last message to you: in sorrow seek happiness. Work, work unceasingly. Remember my words, for although I shall talk with you again, not only my days but my hours are numbered."


Alyosha's face again betrayed strong emotion. The corners of his mouth quivered.


"What is it again?" Father Zossima asked, smiling gently. "The worldly may follow the dead with tears, but here we rejoice over the father who is departing. We rejoice and pray for him. Leave me, I must pray. Go, and make haste. Be near your brothers. And not near one only, but near both."


Father Zossima raised his hand to bless him. Alyosha could make no protest, though he had a great longing to remain. He longed, moreover, to ask the significance of his bowing to Dmitri, the question was on the tip of his tongue, but he dared not ask it. He knew that the elder would have explained it unasked if he had thought fit. But evidently it was not his will. That action had made a terrible impression on Alyosha; he believed blindly in its mysterious significance. Mysterious, and perhaps awful.


As he hastened out of the hermitage precincts to reach the monastery in time to serve at the Father Superior's dinner, he felt a sudden pang at his heart, and stopped short. He seemed to hear again Father Zossima's words, foretelling his approaching end. What he had foretold so exactly must infallibly come to pass. Alyosha believed that implicitly. But how could he be left without him? How could he live without seeing and hearing him? Where should he go? He had told him not to weep, and to leave the monastery. Good God! It was long since Alyosha had known such anguish. He hurried through the copse that divided the monastery from the hermitage, and unable to bear the burden of his thoughts, he gazed at the ancient pines beside the path. He had not far to go—about five hundred paces. He expected to meet no one at that hour, but at the first turn of the path he noticed Rakitin. He was waiting for some one.


"Are you waiting for me?" asked Alyosha, overtaking him.


"Yes," grinned Rakitin. "You are hurrying to the Father Superior, I know; he has a banquet. There's not been such a banquet since the Superior entertained the Bishop and General Pahatov, do you remember? I shan't be there, but you go and hand the sauces. Tell me one thing, Alexey, what does that vision mean? That's what I want to ask you."


"What vision?"


"That bowing to your brother, Dmitri. And didn't he tap the ground with his forehead, too!"


"You speak of Father Zossima?"


"Yes, of Father Zossima."


"Tapped the ground?"


"Ah, an irreverent expression! Well, what of it? Anyway, what does that vision mean?"


"I don't know what it means, Misha."


"I knew he wouldn't explain it to you! There's nothing wonderful about it, of course, only the usual holy mummery. But there was an object in the performance. All the pious people in the town will talk about it and spread the story through the province, wondering what it meant. To my thinking the old man really has a keen nose; he sniffed a crime. Your house stinks of it."


"What crime?"


Rakitin evidently had something he was eager to speak of.


"It'll be in your family, this crime. Between your brothers and your rich old father. So Father Zossima flopped down to be ready for what may turn up. If something happens later on, it'll be: 'Ah, the holy man foresaw it, prophesied it!' though it's a poor sort of prophecy, flopping like that. 'Ah, but it was symbolic,' they'll say, 'an allegory,' and the devil knows what all! It'll be remembered to his glory: 'He predicted the crime and marked the criminal!' That's always the way with these crazy fanatics; they cross themselves at the tavern and throw stones at the temple. Like your elder, he takes a stick to a just man and falls at the feet of a murderer."


"What crime? What murderer? What do you mean?"


Alyosha stopped dead. Rakitin stopped, too.


"What murderer? As though you didn't know! I'll bet you've thought of it before. That's interesting, too, by the way. Listen, Alyosha, you always speak the truth, though you're always between two stools. Have you thought of it or not? Answer."


"I have," answered Alyosha in a low voice. Even Rakitin was taken aback.


"What? Have you really?" he cried.


"I ... I've not exactly thought it," muttered Alyosha, "but directly you began speaking so strangely, I fancied I had thought of it myself."


"You see? (And how well you expressed it!) Looking at your father and your brother Mitya to‐day you thought of a crime. Then I'm not mistaken?"


"But wait, wait a minute," Alyosha broke in uneasily. "What has led you to see all this? Why does it interest you? That's the first question."


"Two questions, disconnected, but natural. I'll deal with them separately. What led me to see it? I shouldn't have seen it, if I hadn't suddenly understood your brother Dmitri, seen right into the very heart of him all at once. I caught the whole man from one trait. These very honest but passionate people have a line which mustn't be crossed. If it were, he'd run at your father with a knife. But your father's a drunken and abandoned old sinner, who can never draw the line—if they both let themselves go, they'll both come to grief."


"No, Misha, no. If that's all, you've reassured me. It won't come to that."


"But why are you trembling? Let me tell you; he may be honest, our Mitya (he is stupid, but honest), but he's—a sensualist. That's the very definition and inner essence of him. It's your father has handed him on his low sensuality. Do you know, I simply wonder at you, Alyosha, how you can have kept your purity. You're a Karamazov too, you know! In your family sensuality is carried to a disease. But now, these three sensualists are watching one another, with their knives in their belts. The three of them are knocking their heads together, and you may be the fourth."


"You are mistaken about that woman. Dmitri—despises her," said Alyosha, with a sort of shudder.


"Grushenka? No, brother, he doesn't despise her. Since he has openly abandoned his betrothed for her, he doesn't despise her. There's something here, my dear boy, that you don't understand yet. A man will fall in love with some beauty, with a woman's body, or even with a part of a woman's body (a sensualist can understand that), and he'll abandon his own children for her, sell his father and mother, and his country, Russia, too. If he's honest, he'll steal; if he's humane, he'll murder; if he's faithful, he'll deceive. Pushkin, the poet of women's feet, sung of their feet in his verse. Others don't sing their praises, but they can't look at their feet without a thrill—and it's not only their feet. Contempt's no help here, brother, even if he did despise Grushenka. He does, but he can't tear himself away."


"I understand that," Alyosha jerked out suddenly.


"Really? Well, I dare say you do understand, since you blurt it out at the first word," said Rakitin, malignantly. "That escaped you unawares, and the confession's the more precious. So it's a familiar subject; you've thought about it already, about sensuality, I mean! Oh, you virgin soul! You're a quiet one, Alyosha, you're a saint, I know, but the devil only knows what you've thought about, and what you know already! You are pure, but you've been down into the depths.... I've been watching you a long time. You're a Karamazov yourself; you're a thorough Karamazov—no doubt birth and selection have something to answer for. You're a sensualist from your father, a crazy saint from your mother. Why do you tremble? Is it true, then? Do you know, Grushenka has been begging me to bring you along. 'I'll pull off his cassock,' she says. You can't think how she keeps begging me to bring you. I wondered why she took such an interest in you. Do you know, she's an extraordinary woman, too!"


"Thank her and say I'm not coming," said Alyosha, with a strained smile. "Finish what you were saying, Misha. I'll tell you my idea after."


"There's nothing to finish. It's all clear. It's the same old tune, brother. If even you are a sensualist at heart, what of your brother, Ivan? He's a Karamazov, too. What is at the root of all you Karamazovs is that you're all sensual, grasping and crazy! Your brother Ivan writes theological articles in joke, for some idiotic, unknown motive of his own, though he's an atheist, and he admits it's a fraud himself—that's your brother Ivan. He's trying to get Mitya's betrothed for himself, and I fancy he'll succeed, too. And what's more, it's with Mitya's consent. For Mitya will surrender his betrothed to him to be rid of her, and escape to Grushenka. And he's ready to do that in spite of all his nobility and disinterestedness. Observe that. Those are the most fatal people! Who the devil can make you out? He recognizes his vileness and goes on with it! Let me tell you, too, the old man, your father, is standing in Mitya's way now. He has suddenly gone crazy over Grushenka. His mouth waters at the sight of her. It's simply on her account he made that scene in the cell just now, simply because Miüsov called her an 'abandoned creature.' He's worse than a tom‐cat in love. At first she was only employed by him in connection with his taverns and in some other shady business, but now he has suddenly realized all she is and has gone wild about her. He keeps pestering her with his offers, not honorable ones, of course. And they'll come into collision, the precious father and son, on that path! But Grushenka favors neither of them, she's still playing with them, and teasing them both, considering which she can get most out of. For though she could filch a lot of money from the papa he wouldn't marry her, and maybe he'll turn stingy in the end, and keep his purse shut. That's where Mitya's value comes in; he has no money, but he's ready to marry her. Yes, ready to marry her! to abandon his betrothed, a rare beauty, Katerina Ivanovna, who's rich, and the daughter of a colonel, and to marry Grushenka, who has been the mistress of a dissolute old merchant, Samsonov, a coarse, uneducated, provincial mayor. Some murderous conflict may well come to pass from all this, and that's what your brother Ivan is waiting for. It would suit him down to the ground. He'll carry off Katerina Ivanovna, for whom he is languishing, and pocket her dowry of sixty thousand. That's very alluring to start with, for a man of no consequence and a beggar. And, take note, he won't be wronging Mitya, but doing him the greatest service. For I know as a fact that Mitya only last week, when he was with some gypsy girls drunk in a tavern, cried out aloud that he was unworthy of his betrothed, Katya, but that his brother Ivan, he was the man who deserved her. And Katerina Ivanovna will not in the end refuse such a fascinating man as Ivan. She's hesitating between the two of them already. And how has that Ivan won you all, so that you all worship him? He is laughing at you, and enjoying himself at your expense."


"How do you know? How can you speak so confidently?" Alyosha asked sharply, frowning.


"Why do you ask, and are frightened at my answer? It shows that you know I'm speaking the truth."


"Really? And the beauty of Katerina Ivanovna? It's not only the money, though a fortune of sixty thousand is an attraction."


"Ivan is above that. He wouldn't make up to any one for thousands. It is not money, it's not comfort Ivan is seeking. Perhaps it's suffering he is seeking."


"What wild dream now? Oh, you—aristocrats!"


"Ah, Misha, he has a stormy spirit. His mind is in bondage. He is haunted by a great, unsolved doubt. He is one of those who don't want millions, but an answer to their questions."


"That's plagiarism, Alyosha. You're quoting your elder's phrases. Ah, Ivan has set you a problem!" cried Rakitin, with undisguised malice. His face changed, and his lips twitched. "And the problem's a stupid one. It is no good guessing it. Rack your brains—you'll understand it. His article is absurd and ridiculous. And did you hear his stupid theory just now: if there's no immortality of the soul, then there's no virtue, and everything is lawful. (And by the way, do you remember how your brother Mitya cried out: 'I will remember!') An attractive theory for scoundrels!—(I'm being abusive, that's stupid.) Not for scoundrels, but for pedantic poseurs, 'haunted by profound, unsolved doubts.' He's showing off, and what it all comes to is, 'on the one hand we cannot but admit' and 'on the other it must be confessed!' His whole theory is a fraud! Humanity will find in itself the power to live for virtue even without believing in immortality. It will find it in love for freedom, for equality, for fraternity."


Rakitin could hardly restrain himself in his heat, but, suddenly, as though remembering something, he stopped short.


"Well, that's enough," he said, with a still more crooked smile. "Why are you laughing? Do you think I'm a vulgar fool?"


"No, I never dreamed of thinking you a vulgar fool. You are clever but ... never mind, I was silly to smile. I understand your getting hot about it, Misha. I guess from your warmth that you are not indifferent to Katerina Ivanovna yourself; I've suspected that for a long time, brother, that's why you don't like my brother Ivan. Are you jealous of him?"


"And jealous of her money, too? Won't you add that?"


"I'll say nothing about money. I am not going to insult you."


"I believe it, since you say so, but confound you, and your brother Ivan with you. Don't you understand that one might very well dislike him, apart from Katerina Ivanovna. And why the devil should I like him? He condescends to abuse me, you know. Why haven't I a right to abuse him?"


"I never heard of his saying anything about you, good or bad. He doesn't speak of you at all."


"But I heard that the day before yesterday at Katerina Ivanovna's he was abusing me for all he was worth—you see what an interest he takes in your humble servant. And which is the jealous one after that, brother, I can't say. He was so good as to express the opinion that, if I don't go in for the career of an archimandrite in the immediate future and don't become a monk, I shall be sure to go to Petersburg and get on to some solid magazine as a reviewer, that I shall write for the next ten years, and in the end become the owner of the magazine, and bring it out on the liberal and atheistic side, with a socialistic tinge, with a tiny gloss of socialism, but keeping a sharp look out all the time, that is, keeping in with both sides and hoodwinking the fools. According to your brother's account, the tinge of socialism won't hinder me from laying by the proceeds and investing them under the guidance of some Jew, till at the end of my career I build a great house in Petersburg and move my publishing offices to it, and let out the upper stories to lodgers. He has even chosen the place for it, near the new stone bridge across the Neva, which they say is to be built in Petersburg."


"Ah, Misha, that's just what will really happen, every word of it," cried Alyosha, unable to restrain a good‐humored smile.


"You are pleased to be sarcastic, too, Alexey Fyodorovitch."


"No, no, I'm joking, forgive me. I've something quite different in my mind. But, excuse me, who can have told you all this? You can't have been at Katerina Ivanovna's yourself when he was talking about you?"


"I wasn't there, but Dmitri Fyodorovitch was; and I heard him tell it with my own ears; if you want to know, he didn't tell me, but I overheard him, unintentionally, of course, for I was sitting in Grushenka's bedroom and I couldn't go away because Dmitri Fyodorovitch was in the next room."


"Oh, yes, I'd forgotten she was a relation of yours."


"A relation! That Grushenka a relation of mine!" cried Rakitin, turning crimson. "Are you mad? You're out of your mind!"


"Why, isn't she a relation of yours? I heard so."


"Where can you have heard it? You Karamazovs brag of being an ancient, noble family, though your father used to run about playing the buffoon at other men's tables, and was only admitted to the kitchen as a favor. I may be only a priest's son, and dirt in the eyes of noblemen like you, but don't insult me so lightly and wantonly. I have a sense of honor, too, Alexey Fyodorovitch, I couldn't be a relation of Grushenka, a common harlot. I beg you to understand that!"


Rakitin was intensely irritated.


"Forgive me, for goodness' sake, I had no idea ... besides ... how can you call her a harlot? Is she ... that sort of woman?" Alyosha flushed suddenly. "I tell you again, I heard that she was a relation of yours. You often go to see her, and you told me yourself you're not her lover. I never dreamed that you of all people had such contempt for her! Does she really deserve it?"


"I may have reasons of my own for visiting her. That's not your business. But as for relationship, your brother, or even your father, is more likely to make her yours than mine. Well, here we are. You'd better go to the kitchen. Hullo! what's wrong, what is it? Are we late? They can't have finished dinner so soon! Have the Karamazovs been making trouble again? No doubt they have. Here's your father and your brother Ivan after him. They've broken out from the Father Superior's. And look, Father Isidor's shouting out something after them from the steps. And your father's shouting and waving his arms. I expect he's swearing. Bah, and there goes Miüsov driving away in his carriage. You see, he's going. And there's old Maximov running!—there must have been a row. There can't have been any dinner. Surely they've not been beating the Father Superior! Or have they, perhaps, been beaten? It would serve them right!"


There was reason for Rakitin's exclamations. There had been a scandalous, an unprecedented scene. It had all come from the impulse of a moment.


Chapter VIII. The Scandalous Scene


Miüsov, as a man of breeding and delicacy, could not but feel some inward qualms, when he reached the Father Superior's with Ivan: he felt ashamed of having lost his temper. He felt that he ought to have disdained that despicable wretch, Fyodor Pavlovitch, too much to have been upset by him in Father Zossima's cell, and so to have forgotten himself. "The monks were not to blame, in any case," he reflected, on the steps. "And if they're decent people here (and the Father Superior, I understand, is a nobleman) why not be friendly and courteous with them? I won't argue, I'll fall in with everything, I'll win them by politeness, and ... and ... show them that I've nothing to do with that Æsop, that buffoon, that Pierrot, and have merely been taken in over this affair, just as they have."


He determined to drop his litigation with the monastery, and relinquish his claims to the wood‐cutting and fishery rights at once. He was the more ready to do this because the rights had become much less valuable, and he had indeed the vaguest idea where the wood and river in question were.


These excellent intentions were strengthened when he entered the Father Superior's dining‐room, though, strictly speaking, it was not a dining‐ room, for the Father Superior had only two rooms altogether; they were, however, much larger and more comfortable than Father Zossima's. But there was no great luxury about the furnishing of these rooms either. The furniture was of mahogany, covered with leather, in the old‐fashioned style of 1820; the floor was not even stained, but everything was shining with cleanliness, and there were many choice flowers in the windows; the most sumptuous thing in the room at the moment was, of course, the beautifully decorated table. The cloth was clean, the service shone; there were three kinds of well‐baked bread, two bottles of wine, two of excellent mead, and a large glass jug of kvas—both the latter made in the monastery, and famous in the neighborhood. There was no vodka. Rakitin related afterwards that there were five dishes: fish‐soup made of sterlets, served with little fish patties; then boiled fish served in a special way; then salmon cutlets, ice pudding and compote, and finally, blanc‐mange. Rakitin found out about all these good things, for he could not resist peeping into the kitchen, where he already had a footing. He had a footing everywhere, and got information about everything. He was of an uneasy and envious temper. He was well aware of his own considerable abilities, and nervously exaggerated them in his self‐conceit. He knew he would play a prominent part of some sort, but Alyosha, who was attached to him, was distressed to see that his friend Rakitin was dishonorable, and quite unconscious of being so himself, considering, on the contrary, that because he would not steal money left on the table he was a man of the highest integrity. Neither Alyosha nor any one else could have influenced him in that.


Rakitin, of course, was a person of too little consequence to be invited to the dinner, to which Father Iosif, Father Païssy, and one other monk were the only inmates of the monastery invited. They were already waiting when Miüsov, Kalganov, and Ivan arrived. The other guest, Maximov, stood a little aside, waiting also. The Father Superior stepped into the middle of the room to receive his guests. He was a tall, thin, but still vigorous old man, with black hair streaked with gray, and a long, grave, ascetic face. He bowed to his guests in silence. But this time they approached to receive his blessing. Miüsov even tried to kiss his hand, but the Father Superior drew it back in time to avoid the salute. But Ivan and Kalganov went through the ceremony in the most simple‐hearted and complete manner, kissing his hand as peasants do.


"We must apologize most humbly, your reverence," began Miüsov, simpering affably, and speaking in a dignified and respectful tone. "Pardon us for having come alone without the gentleman you invited, Fyodor Pavlovitch. He felt obliged to decline the honor of your hospitality, and not without reason. In the reverend Father Zossima's cell he was carried away by the unhappy dissension with his son, and let fall words which were quite out of keeping ... in fact, quite unseemly ... as"—he glanced at the monks—"your reverence is, no doubt, already aware. And therefore, recognizing that he had been to blame, he felt sincere regret and shame, and begged me, and his son Ivan Fyodorovitch, to convey to you his apologies and regrets. In brief, he hopes and desires to make amends later. He asks your blessing, and begs you to forget what has taken place."


As he uttered the last word of his tirade, Miüsov completely recovered his self‐complacency, and all traces of his former irritation disappeared. He fully and sincerely loved humanity again.


The Father Superior listened to him with dignity, and, with a slight bend of the head, replied:


"I sincerely deplore his absence. Perhaps at our table he might have learnt to like us, and we him. Pray be seated, gentlemen."


He stood before the holy image, and began to say grace, aloud. All bent their heads reverently, and Maximov clasped his hands before him, with peculiar fervor.


It was at this moment that Fyodor Pavlovitch played his last prank. It must be noted that he really had meant to go home, and really had felt the impossibility of going to dine with the Father Superior as though nothing had happened, after his disgraceful behavior in the elder's cell. Not that he was so very much ashamed of himself—quite the contrary perhaps. But still he felt it would be unseemly to go to dinner. Yet his creaking carriage had hardly been brought to the steps of the hotel, and he had hardly got into it, when he suddenly stopped short. He remembered his own words at the elder's: "I always feel when I meet people that I am lower than all, and that they all take me for a buffoon; so I say let me play the buffoon, for you are, every one of you, stupider and lower than I." He longed to revenge himself on every one for his own unseemliness. He suddenly recalled how he had once in the past been asked, "Why do you hate so and so, so much?" And he had answered them, with his shameless impudence, "I'll tell you. He has done me no harm. But I played him a dirty trick, and ever since I have hated him."


Remembering that now, he smiled quietly and malignantly, hesitating for a moment. His eyes gleamed, and his lips positively quivered. "Well, since I have begun, I may as well go on," he decided. His predominant sensation at that moment might be expressed in the following words, "Well, there is no rehabilitating myself now. So let me shame them for all I am worth. I will show them I don't care what they think—that's all!"


He told the coachman to wait, while with rapid steps he returned to the monastery and straight to the Father Superior's. He had no clear idea what he would do, but he knew that he could not control himself, and that a touch might drive him to the utmost limits of obscenity, but only to obscenity, to nothing criminal, nothing for which he could be legally punished. In the last resort, he could always restrain himself, and had marveled indeed at himself, on that score, sometimes. He appeared in the Father Superior's dining‐room, at the moment when the prayer was over, and all were moving to the table. Standing in the doorway, he scanned the company, and laughing his prolonged, impudent, malicious chuckle, looked them all boldly in the face. "They thought I had gone, and here I am again," he cried to the whole room.


For one moment every one stared at him without a word; and at once every one felt that something revolting, grotesque, positively scandalous, was about to happen. Miüsov passed immediately from the most benevolent frame of mind to the most savage. All the feelings that had subsided and died down in his heart revived instantly.


"No! this I cannot endure!" he cried. "I absolutely cannot! and ... I certainly cannot!"


The blood rushed to his head. He positively stammered; but he was beyond thinking of style, and he seized his hat.


"What is it he cannot?" cried Fyodor Pavlovitch, "that he absolutely cannot and certainly cannot? Your reverence, am I to come in or not? Will you receive me as your guest?"


"You are welcome with all my heart," answered the Superior. "Gentlemen!" he added, "I venture to beg you most earnestly to lay aside your dissensions, and to be united in love and family harmony—with prayer to the Lord at our humble table."


"No, no, it is impossible!" cried Miüsov, beside himself.


"Well, if it is impossible for Pyotr Alexandrovitch, it is impossible for me, and I won't stop. That is why I came. I will keep with Pyotr Alexandrovitch everywhere now. If you will go away, Pyotr Alexandrovitch, I will go away too, if you remain, I will remain. You stung him by what you said about family harmony, Father Superior, he does not admit he is my relation. That's right, isn't it, von Sohn? Here's von Sohn. How are you, von Sohn?"


"Do you mean me?" muttered Maximov, puzzled.


"Of course I mean you," cried Fyodor Pavlovitch. "Who else? The Father Superior could not be von Sohn."


"No, you are von Sohn. Your reverence, do you know who von Sohn was? It was a famous murder case. He was killed in a house of harlotry—I believe that is what such places are called among you—he was killed and robbed, and in spite of his venerable age, he was nailed up in a box and sent from Petersburg to Moscow in the luggage van, and while they were nailing him up, the harlots sang songs and played the harp, that is to say, the piano. So this is that very von Sohn. He has risen from the dead, hasn't he, von Sohn?"


"What is happening? What's this?" voices were heard in the group of monks.


"Let us go," cried Miüsov, addressing Kalganov.


"No, excuse me," Fyodor Pavlovitch broke in shrilly, taking another step into the room. "Allow me to finish. There in the cell you blamed me for behaving disrespectfully just because I spoke of eating gudgeon, Pyotr Alexandrovitch. Miüsov, my relation, prefers to have plus de noblesse que de sincérité in his words, but I prefer in mine plus de sincérité que de noblesse, and—damn the noblesse! That's right, isn't it, von Sohn? Allow me, Father Superior, though I am a buffoon and play the buffoon, yet I am the soul of honor, and I want to speak my mind. Yes, I am the soul of honor, while in Pyotr Alexandrovitch there is wounded vanity and nothing else. I came here perhaps to have a look and speak my mind. My son, Alexey, is here, being saved. I am his father; I care for his welfare, and it is my duty to care. While I've been playing the fool, I have been listening and having a look on the sly; and now I want to give you the last act of the performance. You know how things are with us? As a thing falls, so it lies. As a thing once has fallen, so it must lie for ever. Not a bit of it! I want to get up again. Holy Father, I am indignant with you. Confession is a great sacrament, before which I am ready to bow down reverently; but there in the cell, they all kneel down and confess aloud. Can it be right to confess aloud? It was ordained by the holy Fathers to confess in secret: then only your confession will be a mystery, and so it was of old. But how can I explain to him before every one that I did this and that ... well, you understand what—sometimes it would not be proper to talk about it—so it is really a scandal! No, Fathers, one might be carried along with you to the Flagellants, I dare say ... at the first opportunity I shall write to the Synod, and I shall take my son, Alexey, home."


We must note here that Fyodor Pavlovitch knew where to look for the weak spot. There had been at one time malicious rumors which had even reached the Archbishop (not only regarding our monastery, but in others where the institution of elders existed) that too much respect was paid to the elders, even to the detriment of the authority of the Superior, that the elders abused the sacrament of confession and so on and so on—absurd charges which had died away of themselves everywhere. But the spirit of folly, which had caught up Fyodor Pavlovitch, and was bearing him on the current of his own nerves into lower and lower depths of ignominy, prompted him with this old slander. Fyodor Pavlovitch did not understand a word of it, and he could not even put it sensibly, for on this occasion no one had been kneeling and confessing aloud in the elder's cell, so that he could not have seen anything of the kind. He was only speaking from confused memory of old slanders. But as soon as he had uttered his foolish tirade, he felt he had been talking absurd nonsense, and at once longed to prove to his audience, and above all to himself, that he had not been talking nonsense. And, though he knew perfectly well that with each word he would be adding more and more absurdity, he could not restrain himself, and plunged forward blindly.


"How disgraceful!" cried Pyotr Alexandrovitch.


"Pardon me!" said the Father Superior. "It was said of old, 'Many have begun to speak against me and have uttered evil sayings about me. And hearing it I have said to myself: it is the correction of the Lord and He has sent it to heal my vain soul.' And so we humbly thank you, honored guest!" and he made Fyodor Pavlovitch a low bow.


"Tut—tut—tut—sanctimoniousness and stock phrases! Old phrases and old gestures. The old lies and formal prostrations. We know all about them. A kiss on the lips and a dagger in the heart, as in Schiller's Robbers. I don't like falsehood, Fathers, I want the truth. But the truth is not to be found in eating gudgeon and that I proclaim aloud! Father monks, why do you fast? Why do you expect reward in heaven for that? Why, for reward like that I will come and fast too! No, saintly monk, you try being virtuous in the world, do good to society, without shutting yourself up in a monastery at other people's expense, and without expecting a reward up aloft for it—you'll find that a bit harder. I can talk sense, too, Father Superior. What have they got here?" He went up to the table. "Old port wine, mead brewed by the Eliseyev Brothers. Fie, fie, fathers! That is something beyond gudgeon. Look at the bottles the fathers have brought out, he he he! And who has provided it all? The Russian peasant, the laborer, brings here the farthing earned by his horny hand, wringing it from his family and the tax‐gatherer! You bleed the people, you know, holy fathers."


"This is too disgraceful!" said Father Iosif.


Father Païssy kept obstinately silent. Miüsov rushed from the room, and Kalganov after him.


"Well, Father, I will follow Pyotr Alexandrovitch! I am not coming to see you again. You may beg me on your knees, I shan't come. I sent you a thousand roubles, so you have begun to keep your eye on me. He he he! No, I'll say no more. I am taking my revenge for my youth, for all the humiliation I endured." He thumped the table with his fist in a paroxysm of simulated feeling. "This monastery has played a great part in my life! It has cost me many bitter tears. You used to set my wife, the crazy one, against me. You cursed me with bell and book, you spread stories about me all over the place. Enough, fathers! This is the age of Liberalism, the age of steamers and railways. Neither a thousand, nor a hundred roubles, no, nor a hundred farthings will you get out of me!"


It must be noted again that our monastery never had played any great part in his life, and he never had shed a bitter tear owing to it. But he was so carried away by his simulated emotion, that he was for one moment almost believing it himself. He was so touched he was almost weeping. But at that very instant, he felt that it was time to draw back.


The Father Superior bowed his head at his malicious lie, and again spoke impressively:


"It is written again, 'Bear circumspectly and gladly dishonor that cometh upon thee by no act of thine own, be not confounded and hate not him who hath dishonored thee.' And so will we."


"Tut, tut, tut! Bethinking thyself and the rest of the rigmarole. Bethink yourselves, Fathers, I will go. But I will take my son, Alexey, away from here for ever, on my parental authority. Ivan Fyodorovitch, my most dutiful son, permit me to order you to follow me. Von Sohn, what have you to stay for? Come and see me now in the town. It is fun there. It is only one short verst; instead of lenten oil, I will give you sucking‐pig and kasha. We will have dinner with some brandy and liqueur to it.... I've cloudberry wine. Hey, von Sohn, don't lose your chance." He went out, shouting and gesticulating.


It was at that moment Rakitin saw him and pointed him out to Alyosha.


"Alexey!" his father shouted, from far off, catching sight of him. "You come home to me to‐day, for good, and bring your pillow and mattress, and leave no trace behind."


Alyosha stood rooted to the spot, watching the scene in silence. Meanwhile, Fyodor Pavlovitch had got into the carriage, and Ivan was about to follow him in grim silence without even turning to say good‐by to Alyosha. But at this point another almost incredible scene of grotesque buffoonery gave the finishing touch to the episode. Maximov suddenly appeared by the side of the carriage. He ran up, panting, afraid of being too late. Rakitin and Alyosha saw him running. He was in such a hurry that in his impatience he put his foot on the step on which Ivan's left foot was still resting, and clutching the carriage he kept trying to jump in. "I am going with you!" he kept shouting, laughing a thin mirthful laugh with a look of reckless glee in his face. "Take me, too."


"There!" cried Fyodor Pavlovitch, delighted. "Did I not say he was von Sohn. It is von Sohn himself, risen from the dead. Why, how did you tear yourself away? What did you vonsohn there? And how could you get away from the dinner? You must be a brazen‐faced fellow! I am that myself, but I am surprised at you, brother! Jump in, jump in! Let him pass, Ivan. It will be fun. He can lie somewhere at our feet. Will you lie at our feet, von Sohn? Or perch on the box with the coachman. Skip on to the box, von Sohn!"


But Ivan, who had by now taken his seat, without a word gave Maximov a violent punch in the breast and sent him flying. It was quite by chance he did not fall.


"Drive on!" Ivan shouted angrily to the coachman.


"Why, what are you doing, what are you about? Why did you do that?" Fyodor Pavlovitch protested.


But the carriage had already driven away. Ivan made no reply.


After a pause of two minutes, looking askance at his son, "Why, it was you got up all this monastery business. You urged it, you approved of it. Why are you angry now?"


"You've talked rot enough. You might rest a bit now," Ivan snapped sullenly.


Fyodor Pavlovitch was silent again for two minutes.


"A drop of brandy would be nice now," he observed sententiously, but Ivan made no response.


"You shall have some, too, when we get home."


Ivan was still silent.


Fyodor Pavlovitch waited another two minutes.


"But I shall take Alyosha away from the monastery, though you will dislike it so much, most honored Karl von Moor."


Ivan shrugged his shoulders contemptuously, and turning away stared at the road. And they did not speak again all the way home.


Book III. The Sensualists


Chapter I. In The Servants' Quarters


The Karamazovs' house was far from being in the center of the town, but it was not quite outside it. It was a pleasant‐looking old house of two stories, painted gray, with a red iron roof. It was roomy and snug, and might still last many years. There were all sorts of unexpected little cupboards and closets and staircases. There were rats in it, but Fyodor Pavlovitch did not altogether dislike them. "One doesn't feel so solitary when one's left alone in the evening," he used to say. It was his habit to send the servants away to the lodge for the night and to lock himself up alone. The lodge was a roomy and solid building in the yard. Fyodor Pavlovitch used to have the cooking done there, although there was a kitchen in the house; he did not like the smell of cooking, and, winter and summer alike, the dishes were carried in across the courtyard. The house was built for a large family; there was room for five times as many, with their servants. But at the time of our story there was no one living in the house but Fyodor Pavlovitch and his son Ivan. And in the lodge there were only three servants: old Grigory, and his old wife Marfa, and a young man called Smerdyakov. Of these three we must say a few words. Of old Grigory we have said something already. He was firm and determined and went blindly and obstinately for his object, if once he had been brought by any reasons (and they were often very illogical ones) to believe that it was immutably right. He was honest and incorruptible. His wife, Marfa Ignatyevna, had obeyed her husband's will implicitly all her life, yet she had pestered him terribly after the emancipation of the serfs. She was set on leaving Fyodor Pavlovitch and opening a little shop in Moscow with their small savings. But Grigory decided then, once for all, that "the woman's talking nonsense, for every woman is dishonest," and that they ought not to leave their old master, whatever he might be, for "that was now their duty."


"Do you understand what duty is?" he asked Marfa Ignatyevna.


"I understand what duty means, Grigory Vassilyevitch, but why it's our duty to stay here I never shall understand," Marfa answered firmly.


"Well, don't understand then. But so it shall be. And you hold your tongue."


And so it was. They did not go away, and Fyodor Pavlovitch promised them a small sum for wages, and paid it regularly. Grigory knew, too, that he had an indisputable influence over his master. It was true, and he was aware of it. Fyodor Pavlovitch was an obstinate and cunning buffoon, yet, though his will was strong enough "in some of the affairs of life," as he expressed it, he found himself, to his surprise, extremely feeble in facing certain other emergencies. He knew his weaknesses and was afraid of them. There are positions in which one has to keep a sharp look out. And that's not easy without a trustworthy man, and Grigory was a most trustworthy man. Many times in the course of his life Fyodor Pavlovitch had only just escaped a sound thrashing through Grigory's intervention, and on each occasion the old servant gave him a good lecture. But it wasn't only thrashings that Fyodor Pavlovitch was afraid of. There were graver occasions, and very subtle and complicated ones, when Fyodor Pavlovitch could not have explained the extraordinary craving for some one faithful and devoted, which sometimes unaccountably came upon him all in a moment. It was almost a morbid condition. Corrupt and often cruel in his lust, like some noxious insect, Fyodor Pavlovitch was sometimes, in moments of drunkenness, overcome by superstitious terror and a moral convulsion which took an almost physical form. "My soul's simply quaking in my throat at those times," he used to say. At such moments he liked to feel that there was near at hand, in the lodge if not in the room, a strong, faithful man, virtuous and unlike himself, who had seen all his debauchery and knew all his secrets, but was ready in his devotion to overlook all that, not to oppose him, above all, not to reproach him or threaten him with anything, either in this world or in the next, and, in case of need, to defend him—from whom? From somebody unknown, but terrible and dangerous. What he needed was to feel that there was another man, an old and tried friend, that he might call him in his sick moments merely to look at his face, or, perhaps, exchange some quite irrelevant words with him. And if the old servant were not angry, he felt comforted, and if he were angry, he was more dejected. It happened even (very rarely however) that Fyodor Pavlovitch went at night to the lodge to wake Grigory and fetch him for a moment. When the old man came, Fyodor Pavlovitch would begin talking about the most trivial matters, and would soon let him go again, sometimes even with a jest. And after he had gone, Fyodor Pavlovitch would get into bed with a curse and sleep the sleep of the just. Something of the same sort had happened to Fyodor Pavlovitch on Alyosha's arrival. Alyosha "pierced his heart" by "living with him, seeing everything and blaming nothing." Moreover, Alyosha brought with him something his father had never known before: a complete absence of contempt for him and an invariable kindness, a perfectly natural unaffected devotion to the old man who deserved it so little. All this was a complete surprise to the old profligate, who had dropped all family ties. It was a new and surprising experience for him, who had till then loved nothing but "evil." When Alyosha had left him, he confessed to himself that he had learnt something he had not till then been willing to learn.


I have mentioned already that Grigory had detested Adelaïda Ivanovna, the first wife of Fyodor Pavlovitch and the mother of Dmitri, and that he had, on the contrary, protected Sofya Ivanovna, the poor "crazy woman," against his master and any one who chanced to speak ill or lightly of her. His sympathy for the unhappy wife had become something sacred to him, so that even now, twenty years after, he could not bear a slighting allusion to her from any one, and would at once check the offender. Externally, Grigory was cold, dignified and taciturn, and spoke, weighing his words, without frivolity. It was impossible to tell at first sight whether he loved his meek, obedient wife; but he really did love her, and she knew it.


Marfa Ignatyevna was by no means foolish; she was probably, indeed, cleverer than her husband, or, at least, more prudent than he in worldly affairs, and yet she had given in to him in everything without question or complaint ever since her marriage, and respected him for his spiritual superiority. It was remarkable how little they spoke to one another in the course of their lives, and only of the most necessary daily affairs. The grave and dignified Grigory thought over all his cares and duties alone, so that Marfa Ignatyevna had long grown used to knowing that he did not need her advice. She felt that her husband respected her silence, and took it as a sign of her good sense. He had never beaten her but once, and then only slightly. Once during the year after Fyodor Pavlovitch's marriage with Adelaïda Ivanovna, the village girls and women—at that time serfs—were called together before the house to sing and dance. They were beginning "In the Green Meadows," when Marfa, at that time a young woman, skipped forward and danced "the Russian Dance," not in the village fashion, but as she had danced it when she was a servant in the service of the rich Miüsov family, in their private theater, where the actors were taught to dance by a dancing master from Moscow. Grigory saw how his wife danced, and, an hour later, at home in their cottage he gave her a lesson, pulling her hair a little. But there it ended: the beating was never repeated, and Marfa Ignatyevna gave up dancing.


God had not blessed them with children. One child was born but it died. Grigory was fond of children, and was not ashamed of showing it. When Adelaïda Ivanovna had run away, Grigory took Dmitri, then a child of three years old, combed his hair and washed him in a tub with his own hands, and looked after him for almost a year. Afterwards he had looked after Ivan and Alyosha, for which the general's widow had rewarded him with a slap in the face; but I have already related all that. The only happiness his own child had brought him had been in the anticipation of its birth. When it was born, he was overwhelmed with grief and horror. The baby had six fingers. Grigory was so crushed by this, that he was not only silent till the day of the christening, but kept away in the garden. It was spring, and he spent three days digging the kitchen garden. The third day was fixed for christening the baby: mean‐time Grigory had reached a conclusion. Going into the cottage where the clergy were assembled and the visitors had arrived, including Fyodor Pavlovitch, who was to stand god‐ father, he suddenly announced that the baby "ought not to be christened at all." He announced this quietly, briefly, forcing out his words, and gazing with dull intentness at the priest.


"Why not?" asked the priest with good‐humored surprise.


"Because it's a dragon," muttered Grigory.


Grigory did not speak for some time. "It's a confusion of nature," he muttered vaguely, but firmly, and obviously unwilling to say more.


They laughed, and of course christened the poor baby. Grigory prayed earnestly at the font, but his opinion of the new‐born child remained unchanged. Yet he did not interfere in any way. As long as the sickly infant lived he scarcely looked at it, tried indeed not to notice it, and for the most part kept out of the cottage. But when, at the end of a fortnight, the baby died of thrush, he himself laid the child in its little coffin, looked at it in profound grief, and when they were filling up the shallow little grave he fell on his knees and bowed down to the earth. He did not for years afterwards mention his child, nor did Marfa speak of the baby before him, and, even if Grigory were not present, she never spoke of it above a whisper. Marfa observed that, from the day of the burial, he devoted himself to "religion," and took to reading the Lives of the Saints, for the most part sitting alone and in silence, and always putting on his big, round, silver‐rimmed spectacles. He rarely read aloud, only perhaps in Lent. He was fond of the Book of Job, and had somehow got hold of a copy of the sayings and sermons of "the God‐fearing Father Isaac the Syrian," which he read persistently for years together, understanding very little of it, but perhaps prizing and loving it the more for that. Of late he had begun to listen to the doctrines of the sect of Flagellants settled in the neighborhood. He was evidently shaken by them, but judged it unfitting to go over to the new faith. His habit of theological reading gave him an expression of still greater gravity.


He was perhaps predisposed to mysticism. And the birth of his deformed child, and its death, had, as though by special design, been accompanied by another strange and marvelous event, which, as he said later, had left a "stamp" upon his soul. It happened that, on the very night after the burial of his child, Marfa was awakened by the wail of a new‐born baby. She was frightened and waked her husband. He listened and said he thought it was more like some one groaning, "it might be a woman." He got up and dressed. It was a rather warm night in May. As he went down the steps, he distinctly heard groans coming from the garden. But the gate from the yard into the garden was locked at night, and there was no other way of entering it, for it was enclosed all round by a strong, high fence. Going back into the house, Grigory lighted a lantern, took the garden key, and taking no notice of the hysterical fears of his wife, who was still persuaded that she heard a child crying, and that it was her own baby crying and calling for her, went into the garden in silence. There he heard at once that the groans came from the bath‐house that stood near the garden gate, and that they were the groans of a woman. Opening the door of the bath‐house, he saw a sight which petrified him. An idiot girl, who wandered about the streets and was known to the whole town by the nickname of Lizaveta Smerdyastchaya (Stinking Lizaveta), had got into the bath‐ house and had just given birth to a child. She lay dying with the baby beside her. She said nothing, for she had never been able to speak. But her story needs a chapter to itself.


Chapter II. Lizaveta


There was one circumstance which struck Grigory particularly, and confirmed a very unpleasant and revolting suspicion. This Lizaveta was a dwarfish creature, "not five foot within a wee bit," as many of the pious old women said pathetically about her, after her death. Her broad, healthy, red face had a look of blank idiocy and the fixed stare in her eyes was unpleasant, in spite of their meek expression. She wandered about, summer and winter alike, barefooted, wearing nothing but a hempen smock. Her coarse, almost black hair curled like lamb's wool, and formed a sort of huge cap on her head. It was always crusted with mud, and had leaves, bits of stick, and shavings clinging to it, as she always slept on the ground and in the dirt. Her father, a homeless, sickly drunkard, called Ilya, had lost everything and lived many years as a workman with some well‐to‐do tradespeople. Her mother had long been dead. Spiteful and diseased, Ilya used to beat Lizaveta inhumanly whenever she returned to him. But she rarely did so, for every one in the town was ready to look after her as being an idiot, and so specially dear to God. Ilya's employers, and many others in the town, especially of the tradespeople, tried to clothe her better, and always rigged her out with high boots and sheepskin coat for the winter. But, although she allowed them to dress her up without resisting, she usually went away, preferably to the cathedral porch, and taking off all that had been given her—kerchief, sheepskin, skirt or boots—she left them there and walked away barefoot in her smock as before. It happened on one occasion that a new governor of the province, making a tour of inspection in our town, saw Lizaveta, and was wounded in his tenderest susceptibilities. And though he was told she was an idiot, he pronounced that for a young woman of twenty to wander about in nothing but a smock was a breach of the proprieties, and must not occur again. But the governor went his way, and Lizaveta was left as she was. At last her father died, which made her even more acceptable in the eyes of the religious persons of the town, as an orphan. In fact, every one seemed to like her; even the boys did not tease her, and the boys of our town, especially the schoolboys, are a mischievous set. She would walk into strange houses, and no one drove her away. Every one was kind to her and gave her something. If she were given a copper, she would take it, and at once drop it in the alms‐jug of the church or prison. If she were given a roll or bun in the market, she would hand it to the first child she met. Sometimes she would stop one of the richest ladies in the town and give it to her, and the lady would be pleased to take it. She herself never tasted anything but black bread and water. If she went into an expensive shop, where there were costly goods or money lying about, no one kept watch on her, for they knew that if she saw thousands of roubles overlooked by them, she would not have touched a farthing. She scarcely ever went to church. She slept either in the church porch or climbed over a hurdle (there are many hurdles instead of fences to this day in our town) into a kitchen garden. She used at least once a week to turn up "at home," that is at the house of her father's former employers, and in the winter went there every night, and slept either in the passage or the cowhouse. People were amazed that she could stand such a life, but she was accustomed to it, and, although she was so tiny, she was of a robust constitution. Some of the townspeople declared that she did all this only from pride, but that is hardly credible. She could hardly speak, and only from time to time uttered an inarticulate grunt. How could she have been proud?


It happened one clear, warm, moonlight night in September (many years ago) five or six drunken revelers were returning from the club at a very late hour, according to our provincial notions. They passed through the "back‐ way," which led between the back gardens of the houses, with hurdles on either side. This way leads out on to the bridge over the long, stinking pool which we were accustomed to call a river. Among the nettles and burdocks under the hurdle our revelers saw Lizaveta asleep. They stopped to look at her, laughing, and began jesting with unbridled licentiousness. It occurred to one young gentleman to make the whimsical inquiry whether any one could possibly look upon such an animal as a woman, and so forth.... They all pronounced with lofty repugnance that it was impossible. But Fyodor Pavlovitch, who was among them, sprang forward and declared that it was by no means impossible, and that, indeed, there was a certain piquancy about it, and so on.... It is true that at that time he was overdoing his part as a buffoon. He liked to put himself forward and entertain the company, ostensibly on equal terms, of course, though in reality he was on a servile footing with them. It was just at the time when he had received the news of his first wife's death in Petersburg, and, with crape upon his hat, was drinking and behaving so shamelessly that even the most reckless among us were shocked at the sight of him. The revelers, of course, laughed at this unexpected opinion; and one of them even began challenging him to act upon it. The others repelled the idea even more emphatically, although still with the utmost hilarity, and at last they went on their way. Later on, Fyodor Pavlovitch swore that he had gone with them, and perhaps it was so, no one knows for certain, and no one ever knew. But five or six months later, all the town was talking, with intense and sincere indignation, of Lizaveta's condition, and trying to find out who was the miscreant who had wronged her. Then suddenly a terrible rumor was all over the town that this miscreant was no other than Fyodor Pavlovitch. Who set the rumor going? Of that drunken band five had left the town and the only one still among us was an elderly and much respected civil councilor, the father of grown‐up daughters, who could hardly have spread the tale, even if there had been any foundation for it. But rumor pointed straight at Fyodor Pavlovitch, and persisted in pointing at him. Of course this was no great grievance to him: he would not have troubled to contradict a set of tradespeople. In those days he was proud, and did not condescend to talk except in his own circle of the officials and nobles, whom he entertained so well.


At the time, Grigory stood up for his master vigorously. He provoked quarrels and altercations in defense of him and succeeded in bringing some people round to his side. "It's the wench's own fault," he asserted, and the culprit was Karp, a dangerous convict, who had escaped from prison and whose name was well known to us, as he had hidden in our town. This conjecture sounded plausible, for it was remembered that Karp had been in the neighborhood just at that time in the autumn, and had robbed three people. But this affair and all the talk about it did not estrange popular sympathy from the poor idiot. She was better looked after than ever. A well‐to‐do merchant's widow named Kondratyev arranged to take her into her house at the end of April, meaning not to let her go out until after the confinement. They kept a constant watch over her, but in spite of their vigilance she escaped on the very last day, and made her way into Fyodor Pavlovitch's garden. How, in her condition, she managed to climb over the high, strong fence remained a mystery. Some maintained that she must have been lifted over by somebody; others hinted at something more uncanny. The most likely explanation is that it happened naturally—that Lizaveta, accustomed to clambering over hurdles to sleep in gardens, had somehow managed to climb this fence, in spite of her condition, and had leapt down, injuring herself.


Grigory rushed to Marfa and sent her to Lizaveta, while he ran to fetch an old midwife who lived close by. They saved the baby, but Lizaveta died at dawn. Grigory took the baby, brought it home, and making his wife sit down, put it on her lap. "A child of God—an orphan is akin to all," he said, "and to us above others. Our little lost one has sent us this, who has come from the devil's son and a holy innocent. Nurse him and weep no more."


So Marfa brought up the child. He was christened Pavel, to which people were not slow in adding Fyodorovitch (son of Fyodor). Fyodor Pavlovitch did not object to any of this, and thought it amusing, though he persisted vigorously in denying his responsibility. The townspeople were pleased at his adopting the foundling. Later on, Fyodor Pavlovitch invented a surname for the child, calling him Smerdyakov, after his mother's nickname.


So this Smerdyakov became Fyodor Pavlovitch's second servant, and was living in the lodge with Grigory and Marfa at the time our story begins. He was employed as cook. I ought to say something of this Smerdyakov, but I am ashamed of keeping my readers' attention so long occupied with these common menials, and I will go back to my story, hoping to say more of Smerdyakov in the course of it.


Chapter III. The Confession Of A Passionate Heart—In Verse


Alyosha remained for some time irresolute after hearing the command his father shouted to him from the carriage. But in spite of his uneasiness he did not stand still. That was not his way. He went at once to the kitchen to find out what his father had been doing above. Then he set off, trusting that on the way he would find some answer to the doubt tormenting him. I hasten to add that his father's shouts, commanding him to return home "with his mattress and pillow" did not frighten him in the least. He understood perfectly that those peremptory shouts were merely "a flourish" to produce an effect. In the same way a tradesman in our town who was celebrating his name‐day with a party of friends, getting angry at being refused more vodka, smashed up his own crockery and furniture and tore his own and his wife's clothes, and finally broke his windows, all for the sake of effect. Next day, of course, when he was sober, he regretted the broken cups and saucers. Alyosha knew that his father would let him go back to the monastery next day, possibly even that evening. Moreover, he was fully persuaded that his father might hurt any one else, but would not hurt him. Alyosha was certain that no one in the whole world ever would want to hurt him, and, what is more, he knew that no one could hurt him. This was for him an axiom, assumed once for all without question, and he went his way without hesitation, relying on it.


But at that moment an anxiety of a different sort disturbed him, and worried him the more because he could not formulate it. It was the fear of a woman, of Katerina Ivanovna, who had so urgently entreated him in the note handed to him by Madame Hohlakov to come and see her about something. This request and the necessity of going had at once aroused an uneasy feeling in his heart, and this feeling had grown more and more painful all the morning in spite of the scenes at the hermitage and at the Father Superior's. He was not uneasy because he did not know what she would speak of and what he must answer. And he was not afraid of her simply as a woman. Though he knew little of women, he had spent his life, from early childhood till he entered the monastery, entirely with women. He was afraid of that woman, Katerina Ivanovna. He had been afraid of her from the first time he saw her. He had only seen her two or three times, and had only chanced to say a few words to her. He thought of her as a beautiful, proud, imperious girl. It was not her beauty which troubled him, but something else. And the vagueness of his apprehension increased the apprehension itself. The girl's aims were of the noblest, he knew that. She was trying to save his brother Dmitri simply through generosity, though he had already behaved badly to her. Yet, although Alyosha recognized and did justice to all these fine and generous sentiments, a shiver began to run down his back as soon as he drew near her house.


He reflected that he would not find Ivan, who was so intimate a friend, with her, for Ivan was certainly now with his father. Dmitri he was even more certain not to find there, and he had a foreboding of the reason. And so his conversation would be with her alone. He had a great longing to run and see his brother Dmitri before that fateful interview. Without showing him the letter, he could talk to him about it. But Dmitri lived a long way off, and he was sure to be away from home too. Standing still for a minute, he reached a final decision. Crossing himself with a rapid and accustomed gesture, and at once smiling, he turned resolutely in the direction of his terrible lady.


He knew her house. If he went by the High Street and then across the market‐place, it was a long way round. Though our town is small, it is scattered, and the houses are far apart. And meanwhile his father was expecting him, and perhaps had not yet forgotten his command. He might be unreasonable, and so he had to make haste to get there and back. So he decided to take a short cut by the back‐way, for he knew every inch of the ground. This meant skirting fences, climbing over hurdles, and crossing other people's back‐yards, where every one he met knew him and greeted him. In this way he could reach the High Street in half the time.


He had to pass the garden adjoining his father's, and belonging to a little tumbledown house with four windows. The owner of this house, as Alyosha knew, was a bedridden old woman, living with her daughter, who had been a genteel maid‐servant in generals' families in Petersburg. Now she had been at home a year, looking after her sick mother. She always dressed up in fine clothes, though her old mother and she had sunk into such poverty that they went every day to Fyodor Pavlovitch's kitchen for soup and bread, which Marfa gave readily. Yet, though the young woman came up for soup, she had never sold any of her dresses, and one of these even had a long train—a fact which Alyosha had learned from Rakitin, who always knew everything that was going on in the town. He had forgotten it as soon as he heard it, but now, on reaching the garden, he remembered the dress with the train, raised his head, which had been bowed in thought, and came upon something quite unexpected.


Over the hurdle in the garden, Dmitri, mounted on something, was leaning forward, gesticulating violently, beckoning to him, obviously afraid to utter a word for fear of being overheard. Alyosha ran up to the hurdle.


"It's a good thing you looked up. I was nearly shouting to you," Mitya said in a joyful, hurried whisper. "Climb in here quickly! How splendid that you've come! I was just thinking of you!"


Alyosha was delighted too, but he did not know how to get over the hurdle. Mitya put his powerful hand under his elbow to help him jump. Tucking up his cassock, Alyosha leapt over the hurdle with the agility of a bare‐ legged street urchin.


"Well done! Now come along," said Mitya in an enthusiastic whisper.


"Where?" whispered Alyosha, looking about him and finding himself in a deserted garden with no one near but themselves. The garden was small, but the house was at least fifty paces away.


"There's no one here. Why do you whisper?" asked Alyosha.


"Why do I whisper? Deuce take it!" cried Dmitri at the top of his voice. "You see what silly tricks nature plays one. I am here in secret, and on the watch. I'll explain later on, but, knowing it's a secret, I began whispering like a fool, when there's no need. Let us go. Over there. Till then be quiet. I want to kiss you.


Glory to God in the world, Glory to God in me ...


I was just repeating that, sitting here, before you came."


The garden was about three acres in extent, and planted with trees only along the fence at the four sides. There were apple‐trees, maples, limes and birch‐trees. The middle of the garden was an empty grass space, from which several hundredweight of hay was carried in the summer. The garden was let out for a few roubles for the summer. There were also plantations of raspberries and currants and gooseberries laid out along the sides; a kitchen garden had been planted lately near the house.


Dmitri led his brother to the most secluded corner of the garden. There, in a thicket of lime‐trees and old bushes of black currant, elder, snowball‐tree, and lilac, there stood a tumble‐down green summer‐house, blackened with age. Its walls were of lattice‐work, but there was still a roof which could give shelter. God knows when this summer‐house was built. There was a tradition that it had been put up some fifty years before by a retired colonel called von Schmidt, who owned the house at that time. It was all in decay, the floor was rotting, the planks were loose, the woodwork smelled musty. In the summer‐house there was a green wooden table fixed in the ground, and round it were some green benches upon which it was still possible to sit. Alyosha had at once observed his brother's exhilarated condition, and on entering the arbor he saw half a bottle of brandy and a wineglass on the table.


"That's brandy," Mitya laughed. "I see your look: 'He's drinking again!' Distrust the apparition.


Distrust the worthless, lying crowd, And lay aside thy doubts.


I'm not drinking, I'm only 'indulging,' as that pig, your Rakitin, says. He'll be a civil councilor one day, but he'll always talk about 'indulging.' Sit down. I could take you in my arms, Alyosha, and press you to my bosom till I crush you, for in the whole world—in reality—in re‐al‐ i‐ty—(can you take it in?) I love no one but you!"


He uttered the last words in a sort of exaltation.


"No one but you and one 'jade' I have fallen in love with, to my ruin. But being in love doesn't mean loving. You may be in love with a woman and yet hate her. Remember that! I can talk about it gayly still. Sit down here by the table and I'll sit beside you and look at you, and go on talking. You shall keep quiet and I'll go on talking, for the time has come. But on reflection, you know, I'd better speak quietly, for here—here—you can never tell what ears are listening. I will explain everything; as they say, 'the story will be continued.' Why have I been longing for you? Why have I been thirsting for you all these days, and just now? (It's five days since I've cast anchor here.) Because it's only to you I can tell everything; because I must, because I need you, because to‐morrow I shall fly from the clouds, because to‐morrow life is ending and beginning. Have you ever felt, have you ever dreamt of falling down a precipice into a pit? That's just how I'm falling, but not in a dream. And I'm not afraid, and don't you be afraid. At least, I am afraid, but I enjoy it. It's not enjoyment though, but ecstasy. Damn it all, whatever it is! A strong spirit, a weak spirit, a womanish spirit—whatever it is! Let us praise nature: you see what sunshine, how clear the sky is, the leaves are all green, it's still summer; four o'clock in the afternoon and the stillness! Where were you going?"


"I was going to father's, but I meant to go to Katerina Ivanovna's first."


"To her, and to father! Oo! what a coincidence! Why was I waiting for you? Hungering and thirsting for you in every cranny of my soul and even in my ribs? Why, to send you to father and to her, Katerina Ivanovna, so as to have done with her and with father. To send an angel. I might have sent any one, but I wanted to send an angel. And here you are on your way to see father and her."


"Did you really mean to send me?" cried Alyosha with a distressed expression.


"Stay! You knew it! And I see you understand it all at once. But be quiet, be quiet for a time. Don't be sorry, and don't cry."


Dmitri stood up, thought a moment, and put his finger to his forehead.


"She's asked you, written to you a letter or something, that's why you're going to her? You wouldn't be going except for that?"


"Here is her note." Alyosha took it out of his pocket. Mitya looked through it quickly.


"And you were going the back‐way! Oh, gods, I thank you for sending him by the back‐way, and he came to me like the golden fish to the silly old fishermen in the fable! Listen, Alyosha, listen, brother! Now I mean to tell you everything, for I must tell some one. An angel in heaven I've told already; but I want to tell an angel on earth. You are an angel on earth. You will hear and judge and forgive. And that's what I need, that some one above me should forgive. Listen! If two people break away from everything on earth and fly off into the unknown, or at least one of them, and before flying off or going to ruin he comes to some one else and says, 'Do this for me'—some favor never asked before that could only be asked on one's deathbed—would that other refuse, if he were a friend or a brother?"


"I will do it, but tell me what it is, and make haste," said Alyosha.


"Make haste! H'm!... Don't be in a hurry, Alyosha, you hurry and worry yourself. There's no need to hurry now. Now the world has taken a new turning. Ah, Alyosha, what a pity you can't understand ecstasy. But what am I saying to him? As though you didn't understand it. What an ass I am! What am I saying? 'Be noble, O man!'—who says that?"


Alyosha made up his mind to wait. He felt that, perhaps, indeed, his work lay here. Mitya sank into thought for a moment, with his elbow on the table and his head in his hand. Both were silent.


"Alyosha," said Mitya, "you're the only one who won't laugh. I should like to begin—my confession—with Schiller's Hymn to Joy, An die Freude! I don't know German, I only know it's called that. Don't think I'm talking nonsense because I'm drunk. I'm not a bit drunk. Brandy's all very well, but I need two bottles to make me drunk:


Silenus with his rosy phiz Upon his stumbling ass.


But I've not drunk a quarter of a bottle, and I'm not Silenus. I'm not Silenus, though I am strong,[1] for I've made a decision once for all. Forgive me the pun; you'll have to forgive me a lot more than puns to‐day. Don't be uneasy. I'm not spinning it out. I'm talking sense, and I'll come to the point in a minute. I won't keep you in suspense. Stay, how does it go?"


He raised his head, thought a minute, and began with enthusiasm:


"Wild and fearful in his cavern Hid the naked troglodyte, And the homeless nomad wandered Laying waste the fertile plain. Menacing with spear and arrow In the woods the hunter strayed.... Woe to all poor wretches stranded On those cruel and hostile shores!


"From the peak of high Olympus Came the mother Ceres down, Seeking in those savage regions Her lost daughter Proserpine. But the Goddess found no refuge, Found no kindly welcome there, And no temple bearing witness To the worship of the gods.


"From the fields and from the vineyards Came no fruits to deck the feasts, Only flesh of bloodstained victims Smoldered on the altar‐fires, And where'er the grieving goddess Turns her melancholy gaze, Sunk in vilest degradation Man his loathsomeness displays."


Mitya broke into sobs and seized Alyosha's hand.


"My dear, my dear, in degradation, in degradation now, too. There's a terrible amount of suffering for man on earth, a terrible lot of trouble. Don't think I'm only a brute in an officer's uniform, wallowing in dirt and drink. I hardly think of anything but of that degraded man—if only I'm not lying. I pray God I'm not lying and showing off. I think about that man because I am that man myself.


Would he purge his soul from vileness And attain to light and worth, He must turn and cling for ever To his ancient Mother Earth.


But the difficulty is how am I to cling for ever to Mother Earth. I don't kiss her. I don't cleave to her bosom. Am I to become a peasant or a shepherd? I go on and I don't know whether I'm going to shame or to light and joy. That's the trouble, for everything in the world is a riddle! And whenever I've happened to sink into the vilest degradation (and it's always been happening) I always read that poem about Ceres and man. Has it reformed me? Never! For I'm a Karamazov. For when I do leap into the pit, I go headlong with my heels up, and am pleased to be falling in that degrading attitude, and pride myself upon it. And in the very depths of that degradation I begin a hymn of praise. Let me be accursed. Let me be vile and base, only let me kiss the hem of the veil in which my God is shrouded. Though I may be following the devil, I am Thy son, O Lord, and I love Thee, and I feel the joy without which the world cannot stand.


Joy everlasting fostereth The soul of all creation, It is her secret ferment fires The cup of life with flame. 'Tis at her beck the grass hath turned Each blade towards the light And solar systems have evolved From chaos and dark night, Filling the realms of boundless space Beyond the sage's sight. At bounteous Nature's kindly breast, All things that breathe drink Joy, And birds and beasts and creeping things All follow where She leads. Her gifts to man are friends in need, The wreath, the foaming must, To angels—vision of God's throne, To insects—sensual lust.


But enough poetry! I am in tears; let me cry. It may be foolishness that every one would laugh at. But you won't laugh. Your eyes are shining, too. Enough poetry. I want to tell you now about the insects to whom God gave "sensual lust."


To insects—sensual lust.


I am that insect, brother, and it is said of me specially. All we Karamazovs are such insects, and, angel as you are, that insect lives in you, too, and will stir up a tempest in your blood. Tempests, because sensual lust is a tempest—worse than a tempest! Beauty is a terrible and awful thing! It is terrible because it has not been fathomed and never can be fathomed, for God sets us nothing but riddles. Here the boundaries meet and all contradictions exist side by side. I am not a cultivated man, brother, but I've thought a lot about this. It's terrible what mysteries there are! Too many riddles weigh men down on earth. We must solve them as we can, and try to keep a dry skin in the water. Beauty! I can't endure the thought that a man of lofty mind and heart begins with the ideal of the Madonna and ends with the ideal of Sodom. What's still more awful is that a man with the ideal of Sodom in his soul does not renounce the ideal of the Madonna, and his heart may be on fire with that ideal, genuinely on fire, just as in his days of youth and innocence. Yes, man is broad, too broad, indeed. I'd have him narrower. The devil only knows what to make of it! What to the mind is shameful is beauty and nothing else to the heart. Is there beauty in Sodom? Believe me, that for the immense mass of mankind beauty is found in Sodom. Did you know that secret? The awful thing is that beauty is mysterious as well as terrible. God and the devil are fighting there and the battlefield is the heart of man. But a man always talks of his own ache. Listen, now to come to facts."


Chapter IV. The Confession Of A Passionate Heart—In Anecdote


"I was leading a wild life then. Father said just now that I spent several thousand roubles in seducing young girls. That's a swinish invention, and there was nothing of the sort. And if there was, I didn't need money simply for that. With me money is an accessory, the overflow of my heart, the framework. To‐day she would be my lady, to‐morrow a wench out of the streets in her place. I entertained them both. I threw away money by the handful on music, rioting, and gypsies. Sometimes I gave it to the ladies, too, for they'll take it greedily, that must be admitted, and be pleased and thankful for it. Ladies used to be fond of me: not all of them, but it happened, it happened. But I always liked side‐paths, little dark back‐alleys behind the main road—there one finds adventures and surprises, and precious metal in the dirt. I am speaking figuratively, brother. In the town I was in, there were no such back‐alleys in the literal sense, but morally there were. If you were like me, you'd know what that means. I loved vice, I loved the ignominy of vice. I loved cruelty; am I not a bug, am I not a noxious insect? In fact a Karamazov! Once we went, a whole lot of us, for a picnic, in seven sledges. It was dark, it was winter, and I began squeezing a girl's hand, and forced her to kiss me. She was the daughter of an official, a sweet, gentle, submissive creature. She allowed me, she allowed me much in the dark. She thought, poor thing, that I should come next day to make her an offer (I was looked upon as a good match, too). But I didn't say a word to her for five months. I used to see her in a corner at dances (we were always having dances), her eyes watching me. I saw how they glowed with fire—a fire of gentle indignation. This game only tickled that insect lust I cherished in my soul. Five months later she married an official and left the town, still angry, and still, perhaps, in love with me. Now they live happily. Observe that I told no one. I didn't boast of it. Though I'm full of low desires, and love what's low, I'm not dishonorable. You're blushing; your eyes flashed. Enough of this filth with you. And all this was nothing much—wayside blossoms à la Paul de Kock—though the cruel insect had already grown strong in my soul. I've a perfect album of reminiscences, brother. God bless them, the darlings. I tried to break it off without quarreling. And I never gave them away. I never bragged of one of them. But that's enough. You can't suppose I brought you here simply to talk of such nonsense. No, I'm going to tell you something more curious; and don't be surprised that I'm glad to tell you, instead of being ashamed."


"You say that because I blushed," Alyosha said suddenly. "I wasn't blushing at what you were saying or at what you've done. I blushed because I am the same as you are."


"You? Come, that's going a little too far!"


"No, it's not too far," said Alyosha warmly (obviously the idea was not a new one). "The ladder's the same. I'm at the bottom step, and you're above, somewhere about the thirteenth. That's how I see it. But it's all the same. Absolutely the same in kind. Any one on the bottom step is bound to go up to the top one."


"Then one ought not to step on at all."


"Any one who can help it had better not."


"Hush, Alyosha, hush, darling! I could kiss your hand, you touch me so. That rogue Grushenka has an eye for men. She told me once that she'd devour you one day. There, there, I won't! From this field of corruption fouled by flies, let's pass to my tragedy, also befouled by flies, that is by every sort of vileness. Although the old man told lies about my seducing innocence, there really was something of the sort in my tragedy, though it was only once, and then it did not come off. The old man who has reproached me with what never happened does not even know of this fact; I never told any one about it. You're the first, except Ivan, of course—Ivan knows everything. He knew about it long before you. But Ivan's a tomb."


"Ivan's a tomb?"


Alyosha listened with great attention.


"I was lieutenant in a line regiment, but still I was under supervision, like a kind of convict. Yet I was awfully well received in the little town. I spent money right and left. I was thought to be rich; I thought so myself. But I must have pleased them in other ways as well. Although they shook their heads over me, they liked me. My colonel, who was an old man, took a sudden dislike to me. He was always down upon me, but I had powerful friends, and, moreover, all the town was on my side, so he couldn't do me much harm. I was in fault myself for refusing to treat him with proper respect. I was proud. This obstinate old fellow, who was really a very good sort, kind‐hearted and hospitable, had had two wives, both dead. His first wife, who was of a humble family, left a daughter as unpretentious as herself. She was a young woman of four and twenty when I was there, and was living with her father and an aunt, her mother's sister. The aunt was simple and illiterate; the niece was simple but lively. I like to say nice things about people. I never knew a woman of more charming character than Agafya—fancy, her name was Agafya Ivanovna! And she wasn't bad‐looking either, in the Russian style: tall, stout, with a full figure, and beautiful eyes, though a rather coarse face. She had not married, although she had had two suitors. She refused them, but was as cheerful as ever. I was intimate with her, not in 'that' way, it was pure friendship. I have often been friendly with women quite innocently. I used to talk to her with shocking frankness, and she only laughed. Many women like such freedom, and she was a girl too, which made it very amusing. Another thing, one could never think of her as a young lady. She and her aunt lived in her father's house with a sort of voluntary humility, not putting themselves on an equality with other people. She was a general favorite, and of use to every one, for she was a clever dressmaker. She had a talent for it. She gave her services freely without asking for payment, but if any one offered her payment, she didn't refuse. The colonel, of course, was a very different matter. He was one of the chief personages in the district. He kept open house, entertained the whole town, gave suppers and dances. At the time I arrived and joined the battalion, all the town was talking of the expected return of the colonel's second daughter, a great beauty, who had just left a fashionable school in the capital. This second daughter is Katerina Ivanovna, and she was the child of the second wife, who belonged to a distinguished general's family; although, as I learnt on good authority, she too brought the colonel no money. She had connections, and that was all. There may have been expectations, but they had come to nothing.


"Yet, when the young lady came from boarding‐school on a visit, the whole town revived. Our most distinguished ladies—two 'Excellencies' and a colonel's wife—and all the rest following their lead, at once took her up and gave entertainments in her honor. She was the belle of the balls and picnics, and they got up tableaux vivants in aid of distressed governesses. I took no notice, I went on as wildly as before, and one of my exploits at the time set all the town talking. I saw her eyes taking my measure one evening at the battery commander's, but I didn't go up to her, as though I disdained her acquaintance. I did go up and speak to her at an evening party not long after. She scarcely looked at me, and compressed her lips scornfully. 'Wait a bit. I'll have my revenge,' thought I. I behaved like an awful fool on many occasions at that time, and I was conscious of it myself. What made it worse was that I felt that 'Katenka' was not an innocent boarding‐school miss, but a person of character, proud and really high‐principled; above all, she had education and intellect, and I had neither. You think I meant to make her an offer? No, I simply wanted to revenge myself, because I was such a hero and she didn't seem to feel it.


"Meanwhile, I spent my time in drink and riot, till the lieutenant‐colonel put me under arrest for three days. Just at that time father sent me six thousand roubles in return for my sending him a deed giving up all claims upon him—settling our accounts, so to speak, and saying that I wouldn't expect anything more. I didn't understand a word of it at the time. Until I came here, Alyosha, till the last few days, indeed, perhaps even now, I haven't been able to make head or tail of my money affairs with father. But never mind that, we'll talk of it later.


"Just as I received the money, I got a letter from a friend telling me something that interested me immensely. The authorities, I learnt, were dissatisfied with our lieutenant‐colonel. He was suspected of irregularities; in fact, his enemies were preparing a surprise for him. And then the commander of the division arrived, and kicked up the devil of a shindy. Shortly afterwards he was ordered to retire. I won't tell you how it all happened. He had enemies certainly. Suddenly there was a marked coolness in the town towards him and all his family. His friends all turned their backs on him. Then I took my first step. I met Agafya Ivanovna, with whom I'd always kept up a friendship, and said, 'Do you know there's a deficit of 4,500 roubles of government money in your father's accounts?'


" 'What do you mean? What makes you say so? The general was here not long ago, and everything was all right.'


" 'Then it was, but now it isn't.'


"She was terribly scared.


" 'Don't frighten me!' she said. 'Who told you so?'


" 'Don't be uneasy,' I said, 'I won't tell any one. You know I'm as silent as the tomb. I only wanted, in view of "possibilities," to add, that when they demand that 4,500 roubles from your father, and he can't produce it, he'll be tried, and made to serve as a common soldier in his old age, unless you like to send me your young lady secretly. I've just had money paid me. I'll give her four thousand, if you like, and keep the secret religiously.'


" 'Ah, you scoundrel!'—that's what she said. 'You wicked scoundrel! How dare you!'


"She went away furiously indignant, while I shouted after her once more that the secret should be kept sacred. Those two simple creatures, Agafya and her aunt, I may as well say at once, behaved like perfect angels all through this business. They genuinely adored their 'Katya,' thought her far above them, and waited on her, hand and foot. But Agafya told her of our conversation. I found that out afterwards. She didn't keep it back, and of course that was all I wanted.


"Suddenly the new major arrived to take command of the battalion. The old lieutenant‐colonel was taken ill at once, couldn't leave his room for two days, and didn't hand over the government money. Dr. Kravchenko declared that he really was ill. But I knew for a fact, and had known for a long time, that for the last four years the money had never been in his hands except when the Commander made his visits of inspection. He used to lend it to a trustworthy person, a merchant of our town called Trifonov, an old widower, with a big beard and gold‐rimmed spectacles. He used to go to the fair, do a profitable business with the money, and return the whole sum to the colonel, bringing with it a present from the fair, as well as interest on the loan. But this time (I heard all about it quite by chance from Trifonov's son and heir, a driveling youth and one of the most vicious in the world)—this time, I say, Trifonov brought nothing back from the fair. The lieutenant‐colonel flew to him. 'I've never received any money from you, and couldn't possibly have received any.' That was all the answer he got. So now our lieutenant‐colonel is confined to the house, with a towel round his head, while they're all three busy putting ice on it. All at once an orderly arrives on the scene with the book and the order to 'hand over the battalion money immediately, within two hours.' He signed the book (I saw the signature in the book afterwards), stood up, saying he would put on his uniform, ran to his bedroom, loaded his double‐barreled gun with a service bullet, took the boot off his right foot, fixed the gun against his chest, and began feeling for the trigger with his foot. But Agafya, remembering what I had told her, had her suspicions. She stole up and peeped into the room just in time. She rushed in, flung herself upon him from behind, threw her arms round him, and the gun went off, hit the ceiling, but hurt no one. The others ran in, took away the gun, and held him by the arms. I heard all about this afterwards. I was at home, it was getting dusk, and I was just preparing to go out. I had dressed, brushed my hair, scented my handkerchief, and taken up my cap, when suddenly the door opened, and facing me in the room stood Katerina Ivanovna.


"It's strange how things happen sometimes. No one had seen her in the street, so that no one knew of it in the town. I lodged with two decrepit old ladies, who looked after me. They were most obliging old things, ready to do anything for me, and at my request were as silent afterwards as two cast‐iron posts. Of course I grasped the position at once. She walked in and looked straight at me, her dark eyes determined, even defiant, but on her lips and round her mouth I saw uncertainty.


" 'My sister told me,' she began, 'that you would give me 4,500 roubles if I came to you for it—myself. I have come ... give me the money!'


"She couldn't keep it up. She was breathless, frightened, her voice failed her, and the corners of her mouth and the lines round it quivered. Alyosha, are you listening, or are you asleep?"


"Mitya, I know you will tell the whole truth," said Alyosha in agitation.


"I am telling it. If I tell the whole truth just as it happened I shan't spare myself. My first idea was a—Karamazov one. Once I was bitten by a centipede, brother, and laid up a fortnight with fever from it. Well, I felt a centipede biting at my heart then—a noxious insect, you understand? I looked her up and down. You've seen her? She's a beauty. But she was beautiful in another way then. At that moment she was beautiful because she was noble, and I was a scoundrel; she in all the grandeur of her generosity and sacrifice for her father, and I—a bug! And, scoundrel as I was, she was altogether at my mercy, body and soul. She was hemmed in. I tell you frankly, that thought, that venomous thought, so possessed my heart that it almost swooned with suspense. It seemed as if there could be no resisting it; as though I should act like a bug, like a venomous spider, without a spark of pity. I could scarcely breathe. Understand, I should have gone next day to ask for her hand, so that it might end honorably, so to speak, and that nobody would or could know. For though I'm a man of base desires, I'm honest. And at that very second some voice seemed to whisper in my ear, 'But when you come to‐morrow to make your proposal, that girl won't even see you; she'll order her coachman to kick you out of the yard. "Publish it through all the town," she would say, "I'm not afraid of you." ' I looked at the young lady, my voice had not deceived me. That is how it would be, not a doubt of it. I could see from her face now that I should be turned out of the house. My spite was roused. I longed to play her the nastiest swinish cad's trick: to look at her with a sneer, and on the spot where she stood before me to stun her with a tone of voice that only a shopman could use.


" 'Four thousand! What do you mean? I was joking. You've been counting your chickens too easily, madam. Two hundred, if you like, with all my heart. But four thousand is not a sum to throw away on such frivolity. You've put yourself out to no purpose.'


"I should have lost the game, of course. She'd have run away. But it would have been an infernal revenge. It would have been worth it all. I'd have howled with regret all the rest of my life, only to have played that trick. Would you believe it, it has never happened to me with any other woman, not one, to look at her at such a moment with hatred. But, on my oath, I looked at her for three seconds, or five perhaps, with fearful hatred—that hate which is only a hair's‐breadth from love, from the maddest love!


"I went to the window, put my forehead against the frozen pane, and I remember the ice burnt my forehead like fire. I did not keep her long, don't be afraid. I turned round, went up to the table, opened the drawer and took out a banknote for five thousand roubles (it was lying in a French dictionary). Then I showed it her in silence, folded it, handed it to her, opened the door into the passage, and, stepping back, made her a deep bow, a most respectful, a most impressive bow, believe me! She shuddered all over, gazed at me for a second, turned horribly pale—white as a sheet, in fact—and all at once, not impetuously but softly, gently, bowed down to my feet—not a boarding‐school curtsey, but a Russian bow, with her forehead to the floor. She jumped up and ran away. I was wearing my sword. I drew it and nearly stabbed myself with it on the spot; why, I don't know. It would have been frightfully stupid, of course. I suppose it was from delight. Can you understand that one might kill oneself from delight? But I didn't stab myself. I only kissed my sword and put it back in the scabbard—which there was no need to have told you, by the way. And I fancy that in telling you about my inner conflict I have laid it on rather thick to glorify myself. But let it pass, and to hell with all who pry into the human heart! Well, so much for that 'adventure' with Katerina Ivanovna. So now Ivan knows of it, and you—no one else."


Dmitri got up, took a step or two in his excitement, pulled out his handkerchief and mopped his forehead, then sat down again, not in the same place as before, but on the opposite side, so that Alyosha had to turn quite round to face him.


Chapter V. The Confession Of A Passionate Heart—"Heels Up"


"Now," said Alyosha, "I understand the first half."


"You understand the first half. That half is a drama, and it was played out there. The second half is a tragedy, and it is being acted here."


"And I understand nothing of that second half so far," said Alyosha.


"And I? Do you suppose I understand it?"


"Stop, Dmitri. There's one important question. Tell me, you were betrothed, you are betrothed still?"


"We weren't betrothed at once, not for three months after that adventure. The next day I told myself that the incident was closed, concluded, that there would be no sequel. It seemed to me caddish to make her an offer. On her side she gave no sign of life for the six weeks that she remained in the town; except, indeed, for one action. The day after her visit the maid‐servant slipped round with an envelope addressed to me. I tore it open: it contained the change out of the banknote. Only four thousand five hundred roubles was needed, but there was a discount of about two hundred on changing it. She only sent me about two hundred and sixty. I don't remember exactly, but not a note, not a word of explanation. I searched the packet for a pencil mark—n‐nothing! Well, I spent the rest of the money on such an orgy that the new major was obliged to reprimand me.


"Well, the lieutenant‐colonel produced the battalion money, to the astonishment of every one, for nobody believed that he had the money untouched. He'd no sooner paid it than he fell ill, took to his bed, and, three weeks later, softening of the brain set in, and he died five days afterwards. He was buried with military honors, for he had not had time to receive his discharge. Ten days after his funeral, Katerina Ivanovna, with her aunt and sister, went to Moscow. And, behold, on the very day they went away (I hadn't seen them, didn't see them off or take leave) I received a tiny note, a sheet of thin blue paper, and on it only one line in pencil: 'I will write to you. Wait. K.' And that was all.


"I'll explain the rest now, in two words. In Moscow their fortunes changed with the swiftness of lightning and the unexpectedness of an Arabian fairy‐tale. That general's widow, their nearest relation, suddenly lost the two nieces who were her heiresses and next‐of‐kin—both died in the same week of small‐pox. The old lady, prostrated with grief, welcomed Katya as a daughter, as her one hope, clutched at her, altered her will in Katya's favor. But that concerned the future. Meanwhile she gave her, for present use, eighty thousand roubles, as a marriage portion, to do what she liked with. She was an hysterical woman. I saw something of her in Moscow, later.