Daisy put her arm through his abruptly, but he seemed absorbed in what he had just said. Possibly it had occurred to him that the colossal significance of that light had now vanished forever. Compared to the great distance that had separated him from Daisy it had seemed very near to her, almost touching her. It had seemed as close as a star to the moon. Now it was again a green light on a dock. His count of enchanted objects had diminished by one.


I began to walk about the room, examining various indefinite objects in the half darkness. A large photograph of an elderly man in yachting costume attracted me, hung on the wall over his desk.


"Who's this?"


"That? That's Mr. Dan Cody, old sport."


The name sounded faintly familiar.


"He's dead now. He used to be my best friend years ago."


There was a small picture of Gatsby, also in yachting costume, on the bureau—Gatsby with his head thrown back defiantly—taken apparently when he was about eighteen.


"I adore it," exclaimed Daisy. "The pompadour! You never told me you had a pompadour—or a yacht."


"Look at this," said Gatsby quickly. "Here's a lot of clippings—about you."


They stood side by side examining it. I was going to ask to see the rubies when the phone rang, and Gatsby took up the receiver.


"Yes … Well, I can't talk now … I can't talk now, old sport … I said a small town … He must know what a small town is … Well, he's no use to us if Detroit is his idea of a small town …"


He rang off.


"Come here quick!" cried Daisy at the window.


The rain was still falling, but the darkness had parted in the west, and there was a pink and golden billow of foamy clouds above the sea.


"Look at that," she whispered, and then after a moment: "I'd like to just get one of those pink clouds and put you in it and push you around."


I tried to go then, but they wouldn't hear of it; perhaps my presence made them feel more satisfactorily alone.


"I know what we'll do," said Gatsby, "we'll have Klipspringer play the piano."


He went out of the room calling "Ewing!" and returned in a few minutes accompanied by an embarrassed, slightly worn young man, with shell-rimmed glasses and scanty blond hair. He was now decently clothed in a "sport shirt," open at the neck, sneakers, and duck trousers of a nebulous hue.


"Did we interrupt your exercise?" inquired Daisy politely.


"I was asleep," cried Mr. Klipspringer, in a spasm of embarrassment. "That is, I'd been asleep. Then I got up …"


"Klipspringer plays the piano," said Gatsby, cutting him off. "Don't you, Ewing, old sport?"


"I don't play well. I don't—hardly play at all. I'm all out of prac—"


"We'll go downstairs," interrupted Gatsby. He flipped a switch. The grey windows disappeared as the house glowed full of light.


In the music-room Gatsby turned on a solitary lamp beside the piano. He lit Daisy's cigarette from a trembling match, and sat down with her on a couch far across the room, where there was no light save what the gleaming floor bounced in from the hall.


When Klipspringer had played "The Love Nest" he turned around on the bench and searched unhappily for Gatsby in the gloom.


"I'm all out of practice, you see. I told you I couldn't play. I'm all out of prac—"


"Don't talk so much, old sport," commanded Gatsby. "Play!"


"In the morning, In the evening, Ain't we got fun—"


Outside the wind was loud and there was a faint flow of thunder along the Sound. All the lights were going on in West Egg now; the electric trains, men-carrying, were plunging home through the rain from New York. It was the hour of a profound human change, and excitement was generating on the air.


"One thing's sure and nothing's surer The rich get richer and the poor get—children. In the meantime, In between time—"


As I went over to say goodbye I saw that the expression of bewilderment had come back into Gatsby's face, as though a faint doubt had occurred to him as to the quality of his present happiness. Almost five years! There must have been moments even that afternoon when Daisy tumbled short of his dreams—not through her own fault, but because of the colossal vitality of his illusion. It had gone beyond her, beyond everything. He had thrown himself into it with a creative passion, adding to it all the time, decking it out with every bright feather that drifted his way. No amount of fire or freshness can challenge what a man can store up in his ghostly heart.


As I watched him he adjusted himself a little, visibly. His hand took hold of hers, and as she said something low in his ear he turned toward her with a rush of emotion. I think that voice held him most, with its fluctuating, feverish warmth, because it couldn't be over-dreamed—that voice was a deathless song.


They had forgotten me, but Daisy glanced up and held out her hand; Gatsby didn't know me now at all. I looked once more at them and they looked back at me, remotely, possessed by intense life. Then I went out of the room and down the marble steps into the rain, leaving them there together.


About this time an ambitious young reporter from New York arrived one morning at Gatsby's door and asked him if he had anything to say.


"Anything to say about what?" inquired Gatsby politely.


"Why—any statement to give out."


It transpired after a confused five minutes that the man had heard Gatsby's name around his office in a connection which he either wouldn't reveal or didn't fully understand. This was his day off and with laudable initiative he had hurried out "to see."


It was a random shot, and yet the reporter's instinct was right. Gatsby's notoriety, spread about by the hundreds who had accepted his hospitality and so become authorities upon his past, had increased all summer until he fell just short of being news. Contemporary legends such as the "underground pipeline to Canada" attached themselves to him, and there was one persistent story that he didn't live in a house at all, but in a boat that looked like a house and was moved secretly up and down the Long Island shore. Just why these inventions were a source of satisfaction to James Gatz of North Dakota, isn't easy to say.


James Gatz—that was really, or at least legally, his name. He had changed it at the age of seventeen and at the specific moment that witnessed the beginning of his career—when he saw Dan Cody's yacht drop anchor over the most insidious flat on Lake Superior. It was James Gatz who had been loafing along the beach that afternoon in a torn green jersey and a pair of canvas pants, but it was already Jay Gatsby who borrowed a rowboat, pulled out to the Tuolomee, and informed Cody that a wind might catch him and break him up in half an hour.


I suppose he'd had the name ready for a long time, even then. His parents were shiftless and unsuccessful farm people—his imagination had never really accepted them as his parents at all. The truth was that Jay Gatsby of West Egg, Long Island, sprang from his Platonic conception of himself. He was a son of God—a phrase which, if it means anything, means just that—and he must be about His Father's business, the service of a vast, vulgar, and meretricious beauty. So he invented just the sort of Jay Gatsby that a seventeen-year-old boy would be likely to invent, and to this conception he was faithful to the end.


For over a year he had been beating his way along the south shore of Lake Superior as a clam-digger and a salmon-fisher or in any other capacity that brought him food and bed. His brown, hardening body lived naturally through the half-fierce, half-lazy work of the bracing days. He knew women early, and since they spoiled him he became contemptuous of them, of young virgins because they were ignorant, of the others because they were hysterical about things which in his overwhelming self-absorption he took for granted.


But his heart was in a constant, turbulent riot. The most grotesque and fantastic conceits haunted him in his bed at night. A universe of ineffable gaudiness spun itself out in his brain while the clock ticked on the washstand and the moon soaked with wet light his tangled clothes upon the floor. Each night he added to the pattern of his fancies until drowsiness closed down upon some vivid scene with an oblivious embrace. For a while these reveries provided an outlet for his imagination; they were a satisfactory hint of the unreality of reality, a promise that the rock of the world was founded securely on a fairy's wing.


An instinct toward his future glory had led him, some months before, to the small Lutheran College of St. Olaf's in southern Minnesota. He stayed there two weeks, dismayed at its ferocious indifference to the drums of his destiny, to destiny itself, and despising the janitor's work with which he was to pay his way through. Then he drifted back to Lake Superior, and he was still searching for something to do on the day that Dan Cody's yacht dropped anchor in the shallows alongshore.


Cody was fifty years old then, a product of the Nevada silver fields, of the Yukon, of every rush for metal since seventy-five. The transactions in Montana copper that made him many times a millionaire found him physically robust but on the verge of soft-mindedness, and, suspecting this, an infinite number of women tried to separate him from his money. The none too savoury ramifications by which Ella Kaye, the newspaper woman, played Madame de Maintenon to his weakness and sent him to sea in a yacht, were common property of the turgid journalism in 1902. He had been coasting along all too hospitable shores for five years when he turned up as James Gatz's destiny in Little Girl Bay.


To young Gatz, resting on his oars and looking up at the railed deck, that yacht represented all the beauty and glamour in the world. I suppose he smiled at Cody—he had probably discovered that people liked him when he smiled. At any rate Cody asked him a few questions (one of them elicited the brand new name) and found that he was quick and extravagantly ambitious. A few days later he took him to Duluth and bought him a blue coat, six pairs of white duck trousers, and a yachting cap. And when the Tuolomee left for the West Indies and the Barbary Coast, Gatsby left too.


He was employed in a vague personal capacity—while he remained with Cody he was in turn steward, mate, skipper, secretary, and even jailor, for Dan Cody sober knew what lavish doings Dan Cody drunk might soon be about, and he provided for such contingencies by reposing more and more trust in Gatsby. The arrangement lasted five years, during which the boat went three times around the Continent. It might have lasted indefinitely except for the fact that Ella Kaye came on board one night in Boston and a week later Dan Cody inhospitably died.


I remember the portrait of him up in Gatsby's bedroom, a grey, florid man with a hard, empty face—the pioneer debauchee, who during one phase of American life brought back to the Eastern seaboard the savage violence of the frontier brothel and saloon. It was indirectly due to Cody that Gatsby drank so little. Sometimes in the course of gay parties women used to rub champagne into his hair; for himself he formed the habit of letting liquor alone.


And it was from Cody that he inherited money—a legacy of twenty-five thousand dollars. He didn't get it. He never understood the legal device that was used against him, but what remained of the millions went intact to Ella Kaye. He was left with his singularly appropriate education; the vague contour of Jay Gatsby had filled out to the substantiality of a man.


He told me all this very much later, but I've put it down here with the idea of exploding those first wild rumours about his antecedents, which weren't even faintly true. Moreover he told it to me at a time of confusion, when I had reached the point of believing everything and nothing about him. So I take advantage of this short halt, while Gatsby, so to speak, caught his breath, to clear this set of misconceptions away.


It was a halt, too, in my association with his affairs. For several weeks I didn't see him or hear his voice on the phone—mostly I was in New York, trotting around with Jordan and trying to ingratiate myself with her senile aunt—but finally I went over to his house one Sunday afternoon. I hadn't been there two minutes when somebody brought Tom Buchanan in for a drink. I was startled, naturally, but the really surprising thing was that it hadn't happened before.


They were a party of three on horseback—Tom and a man named Sloane and a pretty woman in a brown riding-habit, who had been there previously.


"I'm delighted to see you," said Gatsby, standing on his porch. "I'm delighted that you dropped in."


As though they cared!


"Sit right down. Have a cigarette or a cigar." He walked around the room quickly, ringing bells. "I'll have something to drink for you in just a minute."


He was profoundly affected by the fact that Tom was there. But he would be uneasy anyhow until he had given them something, realizing in a vague way that that was all they came for. Mr. Sloane wanted nothing. A lemonade? No, thanks. A little champagne? Nothing at all, thanks … I'm sorry—


"Did you have a nice ride?"


"Very good roads around here."


"I suppose the automobiles—"


Moved by an irresistible impulse, Gatsby turned to Tom, who had accepted the introduction as a stranger.


"I believe we've met somewhere before, Mr. Buchanan."


"Oh, yes," said Tom, gruffly polite, but obviously not remembering. "So we did. I remember very well."


"About two weeks ago."


"That's right. You were with Nick here."


"I know your wife," continued Gatsby, almost aggressively.


"That so?"


Tom turned to me.


"You live near here, Nick?"


Mr. Sloane didn't enter into the conversation, but lounged back haughtily in his chair; the woman said nothing either—until unexpectedly, after two highballs, she became cordial.


"We'll all come over to your next party, Mr. Gatsby," she suggested. "What do you say?"


"Certainly; I'd be delighted to have you."


"Be ver' nice," said Mr. Sloane, without gratitude. "Well—think ought to be starting home."


"Please don't hurry," Gatsby urged them. He had control of himself now, and he wanted to see more of Tom. "Why don't you—why don't you stay for supper? I wouldn't be surprised if some other people dropped in from New York."


"You come to supper with me," said the lady enthusiastically. "Both of you."


This included me. Mr. Sloane got to his feet.


"Come along," he said—but to her only.


"I mean it," she insisted. "I'd love to have you. Lots of room."


Gatsby looked at me questioningly. He wanted to go and he didn't see that Mr. Sloane had determined he shouldn't.


"I'm afraid I won't be able to," I said.


"Well, you come," she urged, concentrating on Gatsby.


Mr. Sloane murmured something close to her ear.


"We won't be late if we start now," she insisted aloud.


"I haven't got a horse," said Gatsby. "I used to ride in the army, but I've never bought a horse. I'll have to follow you in my car. Excuse me for just a minute."


The rest of us walked out on the porch, where Sloane and the lady began an impassioned conversation aside.


"My God, I believe the man's coming," said Tom. "Doesn't he know she doesn't want him?"


"She says she does want him."


"She has a big dinner party and he won't know a soul there." He frowned. "I wonder where in the devil he met Daisy. By God, I may be old-fashioned in my ideas, but women run around too much these days to suit me. They meet all kinds of crazy fish."


Suddenly Mr. Sloane and the lady walked down the steps and mounted their horses.


"Come on," said Mr. Sloane to Tom, "we're late. We've got to go." And then to me: "Tell him we couldn't wait, will you?"


Tom and I shook hands, the rest of us exchanged a cool nod, and they trotted quickly down the drive, disappearing under the August foliage just as Gatsby, with hat and light overcoat in hand, came out the front door.


Tom was evidently perturbed at Daisy's running around alone, for on the following Saturday night he came with her to Gatsby's party. Perhaps his presence gave the evening its peculiar quality of oppressiveness—it stands out in my memory from Gatsby's other parties that summer. There were the same people, or at least the same sort of people, the same profusion of champagne, the same many-coloured, many-keyed commotion, but I felt an unpleasantness in the air, a pervading harshness that hadn't been there before. Or perhaps I had merely grown used to it, grown to accept West Egg as a world complete in itself, with its own standards and its own great figures, second to nothing because it had no consciousness of being so, and now I was looking at it again, through Daisy's eyes. It is invariably saddening to look through new eyes at things upon which you have expended your own powers of adjustment.


They arrived at twilight, and, as we strolled out among the sparkling hundreds, Daisy's voice was playing murmurous tricks in her throat.


"These things excite me so," she whispered. "If you want to kiss me any time during the evening, Nick, just let me know and I'll be glad to arrange it for you. Just mention my name. Or present a green card. I'm giving out green—"


"Look around," suggested Gatsby.


"I'm looking around. I'm having a marvellous—"


"You must see the faces of many people you've heard about."


Tom's arrogant eyes roamed the crowd.


"We don't go around very much," he said; "in fact, I was just thinking I don't know a soul here."


"Perhaps you know that lady." Gatsby indicated a gorgeous, scarcely human orchid of a woman who sat in state under a white-plum tree. Tom and Daisy stared, with that peculiarly unreal feeling that accompanies the recognition of a hitherto ghostly celebrity of the movies.


"She's lovely," said Daisy.


"The man bending over her is her director."


He took them ceremoniously from group to group:


"Mrs. Buchanan … and Mr. Buchanan—" After an instant's hesitation he added: "the polo player."


"Oh no," objected Tom quickly, "not me."


But evidently the sound of it pleased Gatsby for Tom remained "the polo player" for the rest of the evening.


"I've never met so many celebrities," Daisy exclaimed. "I liked that man—what was his name?—with the sort of blue nose."


Gatsby identified him, adding that he was a small producer.


"Well, I liked him anyhow."


"I'd a little rather not be the polo player," said Tom pleasantly, "I'd rather look at all these famous people in—in oblivion."


Daisy and Gatsby danced. I remember being surprised by his graceful, conservative foxtrot—I had never seen him dance before. Then they sauntered over to my house and sat on the steps for half an hour, while at her request I remained watchfully in the garden. "In case there's a fire or a flood," she explained, "or any act of God."


Tom appeared from his oblivion as we were sitting down to supper together. "Do you mind if I eat with some people over here?" he said. "A fellow's getting off some funny stuff."


"Go ahead," answered Daisy genially, "and if you want to take down any addresses here's my little gold pencil." … She looked around after a moment and told me the girl was "common but pretty," and I knew that except for the half-hour she'd been alone with Gatsby she wasn't having a good time.


We were at a particularly tipsy table. That was my fault—Gatsby had been called to the phone, and I'd enjoyed these same people only two weeks before. But what had amused me then turned septic on the air now.


The girl addressed was trying, unsuccessfully, to slump against my shoulder. At this inquiry she sat up and opened her eyes.


A massive and lethargic woman, who had been urging Daisy to play golf with her at the local club tomorrow, spoke in Miss Baedeker's defence:


"Oh, she's all right now. When she's had five or six cocktails she always starts screaming like that. I tell her she ought to leave it alone."


"I do leave it alone," affirmed the accused hollowly.


"We heard you yelling, so I said to Doc Civet here: 'There's somebody that needs your help, Doc.' "


"She's much obliged, I'm sure," said another friend, without gratitude, "but you got her dress all wet when you stuck her head in the pool."


"Anything I hate is to get my head stuck in a pool," mumbled Miss Baedeker. "They almost drowned me once over in New Jersey."


"Then you ought to leave it alone," countered Doctor Civet.


"Speak for yourself!" cried Miss Baedeker violently. "Your hand shakes. I wouldn't let you operate on me!"


It was like that. Almost the last thing I remember was standing with Daisy and watching the moving-picture director and his Star. They were still under the white-plum tree and their faces were touching except for a pale, thin ray of moonlight between. It occurred to me that he had been very slowly bending toward her all evening to attain this proximity, and even while I watched I saw him stoop one ultimate degree and kiss at her cheek.


"I like her," said Daisy, "I think she's lovely."


But the rest offended her—and inarguably because it wasn't a gesture but an emotion. She was appalled by West Egg, this unprecedented "place" that Broadway had begotten upon a Long Island fishing village—appalled by its raw vigour that chafed under the old euphemisms and by the too obtrusive fate that herded its inhabitants along a shortcut from nothing to nothing. She saw something awful in the very simplicity she failed to understand.


I sat on the front steps with them while they waited for their car. It was dark here in front; only the bright door sent ten square feet of light volleying out into the soft black morning. Sometimes a shadow moved against a dressing-room blind above, gave way to another shadow, an indefinite procession of shadows, who rouged and powdered in an invisible glass.


"Who is this Gatsby anyhow?" demanded Tom suddenly. "Some big bootlegger?"


"Where'd you hear that?" I inquired.


"I didn't hear it. I imagined it. A lot of these newly rich people are just big bootleggers, you know."


"Not Gatsby," I said shortly.


He was silent for a moment. The pebbles of the drive crunched under his feet.


"Well, he certainly must have strained himself to get this menagerie together."


A breeze stirred the grey haze of Daisy's fur collar.


"At least they are more interesting than the people we know," she said with an effort.


"Well, I was."


Tom laughed and turned to me.


"Did you notice Daisy's face when that girl asked her to put her under a cold shower?"


Daisy began to sing with the music in a husky, rhythmic whisper, bringing out a meaning in each word that it had never had before and would never have again. When the melody rose her voice broke up sweetly, following it, in a way contralto voices have, and each change tipped out a little of her warm human magic upon the air.


"Lots of people come who haven't been invited," she said suddenly. "That girl hadn't been invited. They simply force their way in and he's too polite to object."


"I'd like to know who he is and what he does," insisted Tom. "And I think I'll make a point of finding out."


"I can tell you right now," she answered. "He owned some drugstores, a lot of drugstores. He built them up himself."


The dilatory limousine came rolling up the drive.


Her glance left me and sought the lighted top of the steps, where "Three O'Clock in the Morning," a neat, sad little waltz of that year, was drifting out the open door. After all, in the very casualness of Gatsby's party there were romantic possibilities totally absent from her world. What was it up there in the song that seemed to be calling her back inside? What would happen now in the dim, incalculable hours? Perhaps some unbelievable guest would arrive, a person infinitely rare and to be marvelled at, some authentically radiant young girl who with one fresh glance at Gatsby, one moment of magical encounter, would blot out those five years of unwavering devotion.


I stayed late that night. Gatsby asked me to wait until he was free, and I lingered in the garden until the inevitable swimming party had run up, chilled and exalted, from the black beach, until the lights were extinguished in the guestrooms overhead. When he came down the steps at last the tanned skin was drawn unusually tight on his face, and his eyes were bright and tired.


"She didn't like it," he said immediately.


"Of course she did."


"She didn't like it," he insisted. "She didn't have a good time."


He was silent, and I guessed at his unutterable depression.


"I feel far away from her," he said. "It's hard to make her understand."


"You mean about the dance?"


"The dance?" He dismissed all the dances he had given with a snap of his fingers. "Old sport, the dance is unimportant."


He wanted nothing less of Daisy than that she should go to Tom and say: "I never loved you." After she had obliterated four years with that sentence they could decide upon the more practical measures to be taken. One of them was that, after she was free, they were to go back to Louisville and be married from her house—just as if it were five years ago.


"And she doesn't understand," he said. "She used to be able to understand. We'd sit for hours—"


He broke off and began to walk up and down a desolate path of fruit rinds and discarded favours and crushed flowers.


"I wouldn't ask too much of her," I ventured. "You can't repeat the past."


"Can't repeat the past?" he cried incredulously. "Why of course you can!"


He looked around him wildly, as if the past were lurking here in the shadow of his house, just out of reach of his hand.


"I'm going to fix everything just the way it was before," he said, nodding determinedly. "She'll see."


He talked a lot about the past, and I gathered that he wanted to recover something, some idea of himself perhaps, that had gone into loving Daisy. His life had been confused and disordered since then, but if he could once return to a certain starting place and go over it all slowly, he could find out what that thing was …


… One autumn night, five years before, they had been walking down the street when the leaves were falling, and they came to a place where there were no trees and the sidewalk was white with moonlight. They stopped here and turned toward each other. Now it was a cool night with that mysterious excitement in it which comes at the two changes of the year. The quiet lights in the houses were humming out into the darkness and there was a stir and bustle among the stars. Out of the corner of his eye Gatsby saw that the blocks of the sidewalks really formed a ladder and mounted to a secret place above the trees—he could climb to it, if he climbed alone, and once there he could suck on the pap of life, gulp down the incomparable milk of wonder.


His heart beat faster as Daisy's white face came up to his own. He knew that when he kissed this girl, and forever wed his unutterable visions to her perishable breath, his mind would never romp again like the mind of God. So he waited, listening for a moment longer to the tuning-fork that had been struck upon a star. Then he kissed her. At his lips' touch she blossomed for him like a flower and the incarnation was complete.


Through all he said, even through his appalling sentimentality, I was reminded of something—an elusive rhythm, a fragment of lost words, that I had heard somewhere a long time ago. For a moment a phrase tried to take shape in my mouth and my lips parted like a dumb man's, as though there was more struggling upon them than a wisp of startled air. But they made no sound, and what I had almost remembered was uncommunicable forever.


It was when curiosity about Gatsby was at its highest that the lights in his house failed to go on one Saturday night—and, as obscurely as it had begun, his career as Trimalchio was over. Only gradually did I become aware that the automobiles which turned expectantly into his drive stayed for just a minute and then drove sulkily away. Wondering if he were sick I went over to find out—an unfamiliar butler with a villainous face squinted at me suspiciously from the door.


"Is Mr. Gatsby sick?"


"Nope." After a pause he added "sir" in a dilatory, grudging way.


"I hadn't seen him around, and I was rather worried. Tell him Mr. Carraway came over."


"Who?" he demanded rudely.


"Carraway. All right, I'll tell him."


Abruptly he slammed the door.


My Finn informed me that Gatsby had dismissed every servant in his house a week ago and replaced them with half a dozen others, who never went into West Egg village to be bribed by the tradesmen, but ordered moderate supplies over the telephone. The grocery boy reported that the kitchen looked like a pigsty, and the general opinion in the village was that the new people weren't servants at all.


Next day Gatsby called me on the phone.


"Going away?" I inquired.


"I hear you fired all your servants."


"I wanted somebody who wouldn't gossip. Daisy comes over quite often—in the afternoons."


So the whole caravansary had fallen in like a card house at the disapproval in her eyes.


"They're some people Wolfshiem wanted to do something for. They're all brothers and sisters. They used to run a small hotel."


He was calling up at Daisy's request—would I come to lunch at her house tomorrow? Miss Baker would be there. Half an hour later Daisy herself telephoned and seemed relieved to find that I was coming. Something was up. And yet I couldn't believe that they would choose this occasion for a scene—especially for the rather harrowing scene that Gatsby had outlined in the garden.


The next day was broiling, almost the last, certainly the warmest, of the summer. As my train emerged from the tunnel into sunlight, only the hot whistles of the National Biscuit Company broke the simmering hush at noon. The straw seats of the car hovered on the edge of combustion; the woman next to me perspired delicately for a while into her white shirtwaist, and then, as her newspaper dampened under her fingers, lapsed despairingly into deep heat with a desolate cry. Her pocketbook slapped to the floor.


"Oh, my!" she gasped.


I picked it up with a weary bend and handed it back to her, holding it at arm's length and by the extreme tip of the corners to indicate that I had no designs upon it—but everyone near by, including the woman, suspected me just the same.


"Hot!" said the conductor to familiar faces. "Some weather! … Hot! … Hot! … Hot! … Is it hot enough for you? Is it hot? Is it … ?"


My commutation ticket came back to me with a dark stain from his hand. That anyone should care in this heat whose flushed lips he kissed, whose head made damp the pyjama pocket over his heart!


… Through the hall of the Buchanans' house blew a faint wind, carrying the sound of the telephone bell out to Gatsby and me as we waited at the door.


"The master's body?" roared the butler into the mouthpiece. "I'm sorry, madame, but we can't furnish it—it's far too hot to touch this noon!"


What he really said was: "Yes … Yes … I'll see."


He set down the receiver and came toward us, glistening slightly, to take our stiff straw hats.


"Madame expects you in the salon!" he cried, needlessly indicating the direction. In this heat every extra gesture was an affront to the common store of life.


The room, shadowed well with awnings, was dark and cool. Daisy and Jordan lay upon an enormous couch, like silver idols weighing down their own white dresses against the singing breeze of the fans.


"We can't move," they said together.


Jordan's fingers, powdered white over their tan, rested for a moment in mine.


"And Mr. Thomas Buchanan, the athlete?" I inquired.


Simultaneously I heard his voice, gruff, muffled, husky, at the hall telephone.


Gatsby stood in the centre of the crimson carpet and gazed around with fascinated eyes. Daisy watched him and laughed, her sweet, exciting laugh; a tiny gust of powder rose from her bosom into the air.


"The rumour is," whispered Jordan, "that that's Tom's girl on the telephone."


We were silent. The voice in the hall rose high with annoyance: "Very well, then, I won't sell you the car at all … I'm under no obligations to you at all … and as for your bothering me about it at lunch time, I won't stand that at all!"


"Holding down the receiver," said Daisy cynically.


"No, he's not," I assured her. "It's a bona-fide deal. I happen to know about it."


Tom flung open the door, blocked out its space for a moment with his thick body, and hurried into the room.


"Mr. Gatsby!" He put out his broad, flat hand with well-concealed dislike. "I'm glad to see you, sir … Nick …"


"Make us a cold drink," cried Daisy.


As he left the room again she got up and went over to Gatsby and pulled his face down, kissing him on the mouth.


"You know I love you," she murmured.


"You forget there's a lady present," said Jordan.


Daisy looked around doubtfully.


"You kiss Nick too."


"What a low, vulgar girl!"


"I don't care!" cried Daisy, and began to clog on the brick fireplace. Then she remembered the heat and sat down guiltily on the couch just as a freshly laundered nurse leading a little girl came into the room.


"Bles-sed pre-cious," she crooned, holding out her arms. "Come to your own mother that loves you."


The child, relinquished by the nurse, rushed across the room and rooted shyly into her mother's dress.


"The bles-sed pre-cious! Did mother get powder on your old yellowy hair? Stand up now, and say—How-de-do."


Gatsby and I in turn leaned down and took the small reluctant hand. Afterward he kept looking at the child with surprise. I don't think he had ever really believed in its existence before.


"I got dressed before luncheon," said the child, turning eagerly to Daisy.


"That's because your mother wanted to show you off." Her face bent into the single wrinkle of the small white neck. "You dream, you. You absolute little dream."


"Yes," admitted the child calmly. "Aunt Jordan's got on a white dress too."


"How do you like mother's friends?" Daisy turned her around so that she faced Gatsby. "Do you think they're pretty?"


"Where's Daddy?"


"She doesn't look like her father," explained Daisy. "She looks like me. She's got my hair and shape of the face."


Daisy sat back upon the couch. The nurse took a step forward and held out her hand.


"Come, Pammy."


"Goodbye, sweetheart!"


With a reluctant backward glance the well-disciplined child held to her nurse's hand and was pulled out the door, just as Tom came back, preceding four gin rickeys that clicked full of ice.


"They certainly look cool," he said, with visible tension.


"I read somewhere that the sun's getting hotter every year," said Tom genially. "It seems that pretty soon the earth's going to fall into the sun—or wait a minute—it's just the opposite—the sun's getting colder every year.


"Come outside," he suggested to Gatsby, "I'd like you to have a look at the place."


I went with them out to the veranda. On the green Sound, stagnant in the heat, one small sail crawled slowly toward the fresher sea. Gatsby's eyes followed it momentarily; he raised his hand and pointed across the bay.


"I'm right across from you."


Our eyes lifted over the rose-beds and the hot lawn and the weedy refuse of the dog-days alongshore. Slowly the white wings of the boat moved against the blue cool limit of the sky. Ahead lay the scalloped ocean and the abounding blessed isles.


"There's sport for you," said Tom, nodding. "I'd like to be out there with him for about an hour."


We had luncheon in the dining-room, darkened too against the heat, and drank down nervous gaiety with the cold ale.


"What'll we do with ourselves this afternoon?" cried Daisy, "and the day after that, and the next thirty years?"


"Don't be morbid," Jordan said. "Life starts all over again when it gets crisp in the fall."


"But it's so hot," insisted Daisy, on the verge of tears, "and everything's so confused. Let's all go to town!"


Her voice struggled on through the heat, beating against it, moulding its senselessness into forms.


"I've heard of making a garage out of a stable," Tom was saying to Gatsby, "but I'm the first man who ever made a stable out of a garage."


"Who wants to go to town?" demanded Daisy insistently. Gatsby's eyes floated toward her. "Ah," she cried, "you look so cool."


Their eyes met, and they stared together at each other, alone in space. With an effort she glanced down at the table.


"You always look so cool," she repeated.


She had told him that she loved him, and Tom Buchanan saw. He was astounded. His mouth opened a little, and he looked at Gatsby, and then back at Daisy as if he had just recognized her as someone he knew a long time ago.


"You resemble the advertisement of the man," she went on innocently. "You know the advertisement of the man—"


"All right," broke in Tom quickly, "I'm perfectly willing to go to town. Come on—we're all going to town."


He got up, his eyes still flashing between Gatsby and his wife. No one moved.


"Come on!" His temper cracked a little. "What's the matter, anyhow? If we're going to town, let's start."


His hand, trembling with his effort at self-control, bore to his lips the last of his glass of ale. Daisy's voice got us to our feet and out on to the blazing gravel drive.


"Are we just going to go?" she objected. "Like this? Aren't we going to let anyone smoke a cigarette first?"


"Everybody smoked all through lunch."


"Oh, let's have fun," she begged him. "It's too hot to fuss."


"Have it your own way," she said. "Come on, Jordan."


They went upstairs to get ready while we three men stood there shuffling the hot pebbles with our feet. A silver curve of the moon hovered already in the western sky. Gatsby started to speak, changed his mind, but not before Tom wheeled and faced him expectantly.


"Have you got your stables here?" asked Gatsby with an effort.


"About a quarter of a mile down the road."


"I don't see the idea of going to town," broke out Tom savagely. "Women get these notions in their heads—"


"Shall we take anything to drink?" called Daisy from an upper window.


"I'll get some whisky," answered Tom. He went inside.


Gatsby turned to me rigidly:


"I can't say anything in his house, old sport."


"She's got an indiscreet voice," I remarked. "It's full of—" I hesitated.


"Her voice is full of money," he said suddenly.


That was it. I'd never understood before. It was full of money—that was the inexhaustible charm that rose and fell in it, the jingle of it, the cymbals' song of it … High in a white palace the king's daughter, the golden girl …


Tom came out of the house wrapping a quart bottle in a towel, followed by Daisy and Jordan wearing small tight hats of metallic cloth and carrying light capes over their arms.


"Shall we all go in my car?" suggested Gatsby. He felt the hot, green leather of the seat. "I ought to have left it in the shade."


"Is it standard shift?" demanded Tom.


"Well, you take my coupé and let me drive your car to town."


The suggestion was distasteful to Gatsby.


"I don't think there's much gas," he objected.


"Plenty of gas," said Tom boisterously. He looked at the gauge. "And if it runs out I can stop at a drugstore. You can buy anything at a drugstore nowadays."


A pause followed this apparently pointless remark. Daisy looked at Tom frowning, and an indefinable expression, at once definitely unfamiliar and vaguely recognizable, as if I had only heard it described in words, passed over Gatsby's face.


"Come on, Daisy," said Tom, pressing her with his hand toward Gatsby's car. "I'll take you in this circus wagon."


He opened the door, but she moved out from the circle of his arm.


"You take Nick and Jordan. We'll follow you in the coupé."


She walked close to Gatsby, touching his coat with her hand. Jordan and Tom and I got into the front seat of Gatsby's car, Tom pushed the unfamiliar gears tentatively, and we shot off into the oppressive heat, leaving them out of sight behind.


"Did you see that?" demanded Tom.


"See what?"


He looked at me keenly, realizing that Jordan and I must have known all along.


"You think I'm pretty dumb, don't you?" he suggested. "Perhaps I am, but I have a—almost a second sight, sometimes, that tells me what to do. Maybe you don't believe that, but science—"


He paused. The immediate contingency overtook him, pulled him back from the edge of theoretical abyss.


"I've made a small investigation of this fellow," he continued. "I could have gone deeper if I'd known—"


"Do you mean you've been to a medium?" inquired Jordan humorously.


"What?" Confused, he stared at us as we laughed. "A medium?"


"About Gatsby."


"About Gatsby! No, I haven't. I said I'd been making a small investigation of his past."


"And you found he was an Oxford man," said Jordan helpfully.


"An Oxford man!" He was incredulous. "Like hell he is! He wears a pink suit."


"Nevertheless he's an Oxford man."


"Oxford, New Mexico," snorted Tom contemptuously, "or something like that."


"Listen, Tom. If you're such a snob, why did you invite him to lunch?" demanded Jordan crossly.


"Daisy invited him; she knew him before we were married—God knows where!"


We were all irritable now with the fading ale, and aware of it we drove for a while in silence. Then as Doctor T. J. Eckleburg's faded eyes came into sight down the road, I remembered Gatsby's caution about gasoline.


"We've got enough to get us to town," said Tom.


"But there's a garage right here," objected Jordan. "I don't want to get stalled in this baking heat."


Tom threw on both brakes impatiently, and we slid to an abrupt dusty stop under Wilson's sign. After a moment the proprietor emerged from the interior of his establishment and gazed hollow-eyed at the car.


"Let's have some gas!" cried Tom roughly. "What do you think we stopped for—to admire the view?"


"I'm sick," said Wilson without moving. "Been sick all day."


"Well, shall I help myself?" Tom demanded. "You sounded well enough on the phone."


With an effort Wilson left the shade and support of the doorway and, breathing hard, unscrewed the cap of the tank. In the sunlight his face was green.


"I didn't mean to interrupt your lunch," he said. "But I need money pretty bad, and I was wondering what you were going to do with your old car."


"How do you like this one?" inquired Tom. "I bought it last week."


"It's a nice yellow one," said Wilson, as he strained at the handle.


"Like to buy it?"


"Big chance," Wilson smiled faintly. "No, but I could make some money on the other."


"What do you want money for, all of a sudden?"


"I've been here too long. I want to get away. My wife and I want to go West."


"Your wife does," exclaimed Tom, startled.


"She's been talking about it for ten years." He rested for a moment against the pump, shading his eyes. "And now she's going whether she wants to or not. I'm going to get her away."


The coupé flashed by us with a flurry of dust and the flash of a waving hand.


"What do I owe you?" demanded Tom harshly.


"I just got wised up to something funny the last two days," remarked Wilson. "That's why I want to get away. That's why I been bothering you about the car."


"What do I owe you?"


"Dollar twenty."


The relentless beating heat was beginning to confuse me and I had a bad moment there before I realized that so far his suspicions hadn't alighted on Tom. He had discovered that Myrtle had some sort of life apart from him in another world, and the shock had made him physically sick. I stared at him and then at Tom, who had made a parallel discovery less than an hour before—and it occurred to me that there was no difference between men, in intelligence or race, so profound as the difference between the sick and the well. Wilson was so sick that he looked guilty, unforgivably guilty—as if he had just got some poor girl with child.


"I'll let you have that car," said Tom. "I'll send it over tomorrow afternoon."


That locality was always vaguely disquieting, even in the broad glare of afternoon, and now I turned my head as though I had been warned of something behind. Over the ash-heaps the giant eyes of Doctor T. J. Eckleburg kept their vigil, but I perceived, after a moment, that other eyes were regarding us with peculiar intensity from less than twenty feet away.


In one of the windows over the garage the curtains had been moved aside a little, and Myrtle Wilson was peering down at the car. So engrossed was she that she had no consciousness of being observed, and one emotion after another crept into her face like objects into a slowly developing picture. Her expression was curiously familiar—it was an expression I had often seen on women's faces, but on Myrtle Wilson's face it seemed purposeless and inexplicable until I realized that her eyes, wide with jealous terror, were fixed not on Tom, but on Jordan Baker, whom she took to be his wife.


There is no confusion like the confusion of a simple mind, and as we drove away Tom was feeling the hot whips of panic. His wife and his mistress, until an hour ago secure and inviolate, were slipping precipitately from his control. Instinct made him step on the accelerator with the double purpose of overtaking Daisy and leaving Wilson behind, and we sped along toward Astoria at fifty miles an hour, until, among the spidery girders of the elevated, we came in sight of the easygoing blue coupé.


"Those big movies around Fiftieth Street are cool," suggested Jordan. "I love New York on summer afternoons when everyone's away. There's something very sensuous about it—overripe, as if all sorts of funny fruits were going to fall into your hands."


The word "sensuous" had the effect of further disquieting Tom, but before he could invent a protest the coupé came to a stop, and Daisy signalled us to draw up alongside.


"Where are we going?" she cried.


"How about the movies?"


"It's so hot," she complained. "You go. We'll ride around and meet you after." With an effort her wit rose faintly. "We'll meet you on some corner. I'll be the man smoking two cigarettes."


"We can't argue about it here," Tom said impatiently, as a truck gave out a cursing whistle behind us. "You follow me to the south side of Central Park, in front of the Plaza."


Several times he turned his head and looked back for their car, and if the traffic delayed them he slowed up until they came into sight. I think he was afraid they would dart down a side-street and out of his life forever.


But they didn't. And we all took the less explicable step of engaging the parlour of a suite in the Plaza Hotel.


The prolonged and tumultuous argument that ended by herding us into that room eludes me, though I have a sharp physical memory that, in the course of it, my underwear kept climbing like a damp snake around my legs and intermittent beads of sweat raced cool across my back. The notion originated with Daisy's suggestion that we hire five bathrooms and take cold baths, and then assumed more tangible form as "a place to have a mint julep." Each of us said over and over that it was a "crazy idea"—we all talked at once to a baffled clerk and thought, or pretended to think, that we were being very funny …


The room was large and stifling, and, though it was already four o'clock, opening the windows admitted only a gust of hot shrubbery from the Park. Daisy went to the mirror and stood with her back to us, fixing her hair.


"It's a swell suite," whispered Jordan respectfully, and everyone laughed.


"Open another window," commanded Daisy, without turning around.


"There aren't any more."


"Well, we'd better telephone for an axe—"


"The thing to do is to forget about the heat," said Tom impatiently. "You make it ten times worse by crabbing about it."


He unrolled the bottle of whisky from the towel and put it on the table.


"Why not let her alone, old sport?" remarked Gatsby. "You're the one that wanted to come to town."


There was a moment of silence. The telephone book slipped from its nail and splashed to the floor, whereupon Jordan whispered, "Excuse me"—but this time no one laughed.


"I'll pick it up," I offered.


"I've got it." Gatsby examined the parted string, muttered "Hum!" in an interested way, and tossed the book on a chair.


"That's a great expression of yours, isn't it?" said Tom sharply.


"What is?"


"All this 'old sport' business. Where'd you pick that up?"


"Now see here, Tom," said Daisy, turning around from the mirror, "if you're going to make personal remarks I won't stay here a minute. Call up and order some ice for the mint julep."


As Tom took up the receiver the compressed heat exploded into sound and we were listening to the portentous chords of Mendelssohn's Wedding March from the ballroom below.


"Imagine marrying anybody in this heat!" cried Jordan dismally.


"Still—I was married in the middle of June," Daisy remembered. "Louisville in June! Somebody fainted. Who was it fainted, Tom?"


"Biloxi," he answered shortly.


"A man named Biloxi. 'Blocks' Biloxi, and he made boxes—that's a fact—and he was from Biloxi, Tennessee."


"They carried him into my house," appended Jordan, "because we lived just two doors from the church. And he stayed three weeks, until Daddy told him he had to get out. The day after he left Daddy died." After a moment she added as if she might have sounded irreverent, "There wasn't any connection."


"I used to know a Bill Biloxi from Memphis," I remarked.


"That was his cousin. I knew his whole family history before he left. He gave me an aluminium putter that I use today."


The music had died down as the ceremony began and now a long cheer floated in at the window, followed by intermittent cries of "Yea—ea—ea!" and finally by a burst of jazz as the dancing began.


"We're getting old," said Daisy. "If we were young we'd rise and dance."


"Remember Biloxi," Jordan warned her. "Where'd you know him, Tom?"


"Biloxi?" He concentrated with an effort. "I didn't know him. He was a friend of Daisy's."


"He was not," she denied. "I'd never seen him before. He came down in the private car."


"Well, he said he knew you. He said he was raised in Louisville. Asa Bird brought him around at the last minute and asked if we had room for him."


"He was probably bumming his way home. He told me he was president of your class at Yale."


Tom and I looked at each other blankly.


"First place, we didn't have any president—"


Gatsby's foot beat a short, restless tattoo and Tom eyed him suddenly.


"By the way, Mr. Gatsby, I understand you're an Oxford man."


"Not exactly."


"Oh, yes, I understand you went to Oxford."


"Yes—I went there."


A pause. Then Tom's voice, incredulous and insulting:


"You must have gone there about the time Biloxi went to New Haven."


Another pause. A waiter knocked and came in with crushed mint and ice but the silence was unbroken by his "thank you" and the soft closing of the door. This tremendous detail was to be cleared up at last.


"I told you I went there," said Gatsby.


"I heard you, but I'd like to know when."


"It was in nineteen-nineteen, I only stayed five months. That's why I can't really call myself an Oxford man."


Tom glanced around to see if we mirrored his unbelief. But we were all looking at Gatsby.


"It was an opportunity they gave to some of the officers after the armistice," he continued. "We could go to any of the universities in England or France."


I wanted to get up and slap him on the back. I had one of those renewals of complete faith in him that I'd experienced before.


Daisy rose, smiling faintly, and went to the table.


"Open the whisky, Tom," she ordered, "and I'll make you a mint julep. Then you won't seem so stupid to yourself … Look at the mint!"


"Wait a minute," snapped Tom, "I want to ask Mr. Gatsby one more question."


"Go on," Gatsby said politely.


"What kind of a row are you trying to cause in my house anyhow?"


They were out in the open at last and Gatsby was content.


"He isn't causing a row," Daisy looked desperately from one to the other. "You're causing a row. Please have a little self-control."


"Self-control!" repeated Tom incredulously. "I suppose the latest thing is to sit back and let Mr. Nobody from Nowhere make love to your wife. Well, if that's the idea you can count me out … Nowadays people begin by sneering at family life and family institutions, and next they'll throw everything overboard and have intermarriage between black and white."


Flushed with his impassioned gibberish, he saw himself standing alone on the last barrier of civilization.


"We're all white here," murmured Jordan.


"I know I'm not very popular. I don't give big parties. I suppose you've got to make your house into a pigsty in order to have any friends—in the modern world."


Angry as I was, as we all were, I was tempted to laugh whenever he opened his mouth. The transition from libertine to prig was so complete.


"I've got something to tell you, old sport—" began Gatsby. But Daisy guessed at his intention.


"Please don't!" she interrupted helplessly. "Please let's all go home. Why don't we all go home?"


"That's a good idea," I got up. "Come on, Tom. Nobody wants a drink."


"I want to know what Mr. Gatsby has to tell me."


"Your wife doesn't love you," said Gatsby. "She's never loved you. She loves me."


"You must be crazy!" exclaimed Tom automatically.


Gatsby sprang to his feet, vivid with excitement.


"She never loved you, do you hear?" he cried. "She only married you because I was poor and she was tired of waiting for me. It was a terrible mistake, but in her heart she never loved anyone except me!"


At this point Jordan and I tried to go, but Tom and Gatsby insisted with competitive firmness that we remain—as though neither of them had anything to conceal and it would be a privilege to partake vicariously of their emotions.


"Sit down, Daisy," Tom's voice groped unsuccessfully for the paternal note. "What's been going on? I want to hear all about it."


"I told you what's been going on," said Gatsby. "Going on for five years—and you didn't know."


Tom turned to Daisy sharply.


"You've been seeing this fellow for five years?"


"Not seeing," said Gatsby. "No, we couldn't meet. But both of us loved each other all that time, old sport, and you didn't know. I used to laugh sometimes"—but there was no laughter in his eyes—"to think that you didn't know."


"Oh—that's all." Tom tapped his thick fingers together like a clergyman and leaned back in his chair.


"You're crazy!" he exploded. "I can't speak about what happened five years ago, because I didn't know Daisy then—and I'll be damned if I see how you got within a mile of her unless you brought the groceries to the back door. But all the rest of that's a God damned lie. Daisy loved me when she married me and she loves me now."


"No," said Gatsby, shaking his head.


"She does, though. The trouble is that sometimes she gets foolish ideas in her head and doesn't know what she's doing." He nodded sagely. "And what's more, I love Daisy too. Once in a while I go off on a spree and make a fool of myself, but I always come back, and in my heart I love her all the time."


"You're revolting," said Daisy. She turned to me, and her voice, dropping an octave lower, filled the room with thrilling scorn: "Do you know why we left Chicago? I'm surprised that they didn't treat you to the story of that little spree."


"Daisy, that's all over now," he said earnestly. "It doesn't matter any more. Just tell him the truth—that you never loved him—and it's all wiped out forever."


She looked at him blindly. "Why—how could I love him—possibly?"


"You never loved him."


She hesitated. Her eyes fell on Jordan and me with a sort of appeal, as though she realized at last what she was doing—and as though she had never, all along, intended doing anything at all. But it was done now. It was too late.


"I never loved him," she said, with perceptible reluctance.


From the ballroom beneath, muffled and suffocating chords were drifting up on hot waves of air.


"Not that day I carried you down from the Punch Bowl to keep your shoes dry?" There was a husky tenderness in his tone … "Daisy?"


"Please don't." Her voice was cold, but the rancour was gone from it. She looked at Gatsby. "There, Jay," she said—but her hand as she tried to light a cigarette was trembling. Suddenly she threw the cigarette and the burning match on the carpet.


"Oh, you want too much!" she cried to Gatsby. "I love you now—isn't that enough? I can't help what's past." She began to sob helplessly. "I did love him once—but I loved you too."


Gatsby's eyes opened and closed.


"You loved me too?" he repeated.


"Even that's a lie," said Tom savagely. "She didn't know you were alive. Why—there's things between Daisy and me that you'll never know, things that neither of us can ever forget."


The words seemed to bite physically into Gatsby.


"I want to speak to Daisy alone," he insisted. "She's all excited now—"


"Even alone I can't say I never loved Tom," she admitted in a pitiful voice. "It wouldn't be true."


"Of course it wouldn't," agreed Tom.


She turned to her husband.


"As if it mattered to you," she said.


"Of course it matters. I'm going to take better care of you from now on."


"You don't understand," said Gatsby, with a touch of panic. "You're not going to take care of her any more."


"I'm not?" Tom opened his eyes wide and laughed. He could afford to control himself now. "Why's that?"


"I am, though," she said with a visible effort.


"She's not leaving me!" Tom's words suddenly leaned down over Gatsby. "Certainly not for a common swindler who'd have to steal the ring he put on her finger."


"I won't stand this!" cried Daisy. "Oh, please let's get out."


"Who are you, anyhow?" broke out Tom. "You're one of that bunch that hangs around with Meyer Wolfshiem—that much I happen to know. I've made a little investigation into your affairs—and I'll carry it further tomorrow."


"You can suit yourself about that, old sport," said Gatsby steadily.


"I found out what your 'drugstores' were." He turned to us and spoke rapidly. "He and this Wolfshiem bought up a lot of side-street drugstores here and in Chicago and sold grain alcohol over the counter. That's one of his little stunts. I picked him for a bootlegger the first time I saw him, and I wasn't far wrong."


"What about it?" said Gatsby politely. "I guess your friend Walter Chase wasn't too proud to come in on it."


"And you left him in the lurch, didn't you? You let him go to jail for a month over in New Jersey. God! You ought to hear Walter on the subject of you."


"He came to us dead broke. He was very glad to pick up some money, old sport."


"Don't you call me 'old sport'!" cried Tom. Gatsby said nothing. "Walter could have you up on the betting laws too, but Wolfshiem scared him into shutting his mouth."


That unfamiliar yet recognizable look was back again in Gatsby's face.


"That drugstore business was just small change," continued Tom slowly, "but you've got something on now that Walter's afraid to tell me about."


I glanced at Daisy, who was staring terrified between Gatsby and her husband, and at Jordan, who had begun to balance an invisible but absorbing object on the tip of her chin. Then I turned back to Gatsby—and was startled at his expression. He looked—and this is said in all contempt for the babbled slander of his garden—as if he had "killed a man." For a moment the set of his face could be described in just that fantastic way.


It passed, and he began to talk excitedly to Daisy, denying everything, defending his name against accusations that had not been made. But with every word she was drawing further and further into herself, so he gave that up, and only the dead dream fought on as the afternoon slipped away, trying to touch what was no longer tangible, struggling unhappily, undespairingly, toward that lost voice across the room.


The voice begged again to go.


"Please, Tom! I can't stand this any more."


Her frightened eyes told that whatever intentions, whatever courage she had had, were definitely gone.


"You two start on home, Daisy," said Tom. "In Mr. Gatsby's car."


She looked at Tom, alarmed now, but he insisted with magnanimous scorn.


"Go on. He won't annoy you. I think he realizes that his presumptuous little flirtation is over."


They were gone, without a word, snapped out, made accidental, isolated, like ghosts, even from our pity.


After a moment Tom got up and began wrapping the unopened bottle of whisky in the towel.


"Want any of this stuff? Jordan? … Nick?"


"Nick?" He asked again.


"Want any?"


"No … I just remembered that today's my birthday."


I was thirty. Before me stretched the portentous, menacing road of a new decade.


It was seven o'clock when we got into the coupé with him and started for Long Island. Tom talked incessantly, exulting and laughing, but his voice was as remote from Jordan and me as the foreign clamour on the sidewalk or the tumult of the elevated overhead. Human sympathy has its limits, and we were content to let all their tragic arguments fade with the city lights behind. Thirty—the promise of a decade of loneliness, a thinning list of single men to know, a thinning briefcase of enthusiasm, thinning hair. But there was Jordan beside me, who, unlike Daisy, was too wise ever to carry well-forgotten dreams from age to age. As we passed over the dark bridge her wan face fell lazily against my coat's shoulder and the formidable stroke of thirty died away with the reassuring pressure of her hand.


So we drove on toward death through the cooling twilight.


The young Greek, Michaelis, who ran the coffee joint beside the ash-heaps was the principal witness at the inquest. He had slept through the heat until after five, when he strolled over to the garage, and found George Wilson sick in his office—really sick, pale as his own pale hair and shaking all over. Michaelis advised him to go to bed, but Wilson refused, saying that he'd miss a lot of business if he did. While his neighbour was trying to persuade him a violent racket broke out overhead.


"I've got my wife locked in up there," explained Wilson calmly. "She's going to stay there till the day after tomorrow, and then we're going to move away."


Michaelis was astonished; they had been neighbours for four years, and Wilson had never seemed faintly capable of such a statement. Generally he was one of these worn-out men: when he wasn't working, he sat on a chair in the doorway and stared at the people and the cars that passed along the road. When anyone spoke to him he invariably laughed in an agreeable, colourless way. He was his wife's man and not his own.


So naturally Michaelis tried to find out what had happened, but Wilson wouldn't say a word—instead he began to throw curious, suspicious glances at his visitor and ask him what he'd been doing at certain times on certain days. Just as the latter was getting uneasy, some workmen came past the door bound for his restaurant, and Michaelis took the opportunity to get away, intending to come back later. But he didn't. He supposed he forgot to, that's all. When he came outside again, a little after seven, he was reminded of the conversation because he heard Mrs. Wilson's voice, loud and scolding, downstairs in the garage.


"Beat me!" he heard her cry. "Throw me down and beat me, you dirty little coward!"


A moment later she rushed out into the dusk, waving her hands and shouting—before he could move from his door the business was over.


The "death car" as the newspapers called it, didn't stop; it came out of the gathering darkness, wavered tragically for a moment, and then disappeared around the next bend. Mavro Michaelis wasn't even sure of its colour—he told the first policeman that it was light green. The other car, the one going toward New York, came to rest a hundred yards beyond, and its driver hurried back to where Myrtle Wilson, her life violently extinguished, knelt in the road and mingled her thick dark blood with the dust.


Michaelis and this man reached her first, but when they had torn open her shirtwaist, still damp with perspiration, they saw that her left breast was swinging loose like a flap, and there was no need to listen for the heart beneath. The mouth was wide open and ripped a little at the corners, as though she had choked a little in giving up the tremendous vitality she had stored so long.


We saw the three or four automobiles and the crowd when we were still some distance away.


"Wreck!" said Tom. "That's good. Wilson'll have a little business at last."


He slowed down, but still without any intention of stopping, until, as we came nearer, the hushed, intent faces of the people at the garage door made him automatically put on the brakes.


I became aware now of a hollow, wailing sound which issued incessantly from the garage, a sound which as we got out of the coupé and walked toward the door resolved itself into the words "Oh, my God!" uttered over and over in a gasping moan.


"There's some bad trouble here," said Tom excitedly.


He reached up on tiptoes and peered over a circle of heads into the garage, which was lit only by a yellow light in a swinging metal basket overhead. Then he made a harsh sound in his throat, and with a violent thrusting movement of his powerful arms pushed his way through.


The circle closed up again with a running murmur of expostulation; it was a minute before I could see anything at all. Then new arrivals deranged the line, and Jordan and I were pushed suddenly inside.


Myrtle Wilson's body, wrapped in a blanket, and then in another blanket, as though she suffered from a chill in the hot night, lay on a worktable by the wall, and Tom, with his back to us, was bending over it, motionless. Next to him stood a motorcycle policeman taking down names with much sweat and correction in a little book. At first I couldn't find the source of the high, groaning words that echoed clamorously through the bare garage—then I saw Wilson standing on the raised threshold of his office, swaying back and forth and holding to the doorposts with both hands. Some man was talking to him in a low voice and attempting, from time to time, to lay a hand on his shoulder, but Wilson neither heard nor saw. His eyes would drop slowly from the swinging light to the laden table by the wall, and then jerk back to the light again, and he gave out incessantly his high, horrible call:


Presently Tom lifted his head with a jerk and, after staring around the garage with glazed eyes, addressed a mumbled incoherent remark to the policeman.


"M-a-v—" the policeman was saying, "—o—"


"No, r—" corrected the man, "M-a-v-r-o—"


"Listen to me!" muttered Tom fiercely.


"r—" said the policeman, "o—"


"g—" He looked up as Tom's broad hand fell sharply on his shoulder. "What you want, fella?"


"What happened?—that's what I want to know."


"Auto hit her. Ins'antly killed."


"Instantly killed," repeated Tom, staring.


"She ran out ina road. Son-of-a-bitch didn't even stopus car."


"There was two cars," said Michaelis, "one comin', one goin', see?"


"Going where?" asked the policeman keenly.


"One goin' each way. Well, she"—his hand rose toward the blankets but stopped halfway and fell to his side—"she ran out there an' the one comin' from N'York knock right into her, goin' thirty or forty miles an hour."


"What's the name of this place here?" demanded the officer.


"Hasn't got any name."


A pale well-dressed negro stepped near.


"It was a yellow car," he said, "big yellow car. New."


"See the accident?" asked the policeman.


"No, but the car passed me down the road, going faster'n forty. Going fifty, sixty."


"Come here and let's have your name. Look out now. I want to get his name."


Some words of this conversation must have reached Wilson, swaying in the office door, for suddenly a new theme found voice among his grasping cries:


"You don't have to tell me what kind of car it was! I know what kind of car it was!"


Watching Tom, I saw the wad of muscle back of his shoulder tighten under his coat. He walked quickly over to Wilson and, standing in front of him, seized him firmly by the upper arms.


"You've got to pull yourself together," he said with soothing gruffness.


Wilson's eyes fell upon Tom; he started up on his tiptoes and then would have collapsed to his knees had not Tom held him upright.


"Listen," said Tom, shaking him a little. "I just got here a minute ago, from New York. I was bringing you that coupé we've been talking about. That yellow car I was driving this afternoon wasn't mine—do you hear? I haven't seen it all afternoon."


Only the negro and I were near enough to hear what he said, but the policeman caught something in the tone and looked over with truculent eyes.


"What's all that?" he demanded.


"I'm a friend of his." Tom turned his head but kept his hands firm on Wilson's body. "He says he knows the car that did it … It was a yellow car."


Some dim impulse moved the policeman to look suspiciously at Tom.


"And what colour's your car?"


"We've come straight from New York," I said.


Someone who had been driving a little behind us confirmed this, and the policeman turned away.


"Now, if you'll let me have that name again correct—"


Picking up Wilson like a doll, Tom carried him into the office, set him down in a chair, and came back.


"If somebody'll come here and sit with him," he snapped authoritatively. He watched while the two men standing closest glanced at each other and went unwillingly into the room. Then Tom shut the door on them and came down the single step, his eyes avoiding the table. As he passed close to me he whispered: "Let's get out."


Self-consciously, with his authoritative arms breaking the way, we pushed through the still gathering crowd, passing a hurried doctor, case in hand, who had been sent for in wild hope half an hour ago.


Tom drove slowly until we were beyond the bend—then his foot came down hard, and the coupé raced along through the night. In a little while I heard a low husky sob, and saw that the tears were overflowing down his face.


"The God damned coward!" he whimpered. "He didn't even stop his car."


The Buchanans' house floated suddenly toward us through the dark rustling trees. Tom stopped beside the porch and looked up at the second floor, where two windows bloomed with light among the vines.


"Daisy's home," he said. As we got out of the car he glanced at me and frowned slightly.


"I ought to have dropped you in West Egg, Nick. There's nothing we can do tonight."


A change had come over him, and he spoke gravely, and with decision. As we walked across the moonlight gravel to the porch he disposed of the situation in a few brisk phrases.


"I'll telephone for a taxi to take you home, and while you're waiting you and Jordan better go in the kitchen and have them get you some supper—if you want any." He opened the door. "Come in."


"No, thanks. But I'd be glad if you'd order me the taxi. I'll wait outside."


Jordan put her hand on my arm.


"Won't you come in, Nick?"


"No, thanks."


I was feeling a little sick and I wanted to be alone. But Jordan lingered for a moment more.


"It's only half-past nine," she said.


I'd be damned if I'd go in; I'd had enough of all of them for one day, and suddenly that included Jordan too. She must have seen something of this in my expression, for she turned abruptly away and ran up the porch steps into the house. I sat down for a few minutes with my head in my hands, until I heard the phone taken up inside and the butler's voice calling a taxi. Then I walked slowly down the drive away from the house, intending to wait by the gate.


I hadn't gone twenty yards when I heard my name and Gatsby stepped from between two bushes into the path. I must have felt pretty weird by that time, because I could think of nothing except the luminosity of his pink suit under the moon.


"What are you doing?" I inquired.


"Just standing here, old sport."


Somehow, that seemed a despicable occupation. For all I knew he was going to rob the house in a moment; I wouldn't have been surprised to see sinister faces, the faces of "Wolfshiem's people," behind him in the dark shrubbery.


"Did you see any trouble on the road?" he asked after a minute.


"Was she killed?"


"I thought so; I told Daisy I thought so. It's better that the shock should all come at once. She stood it pretty well."


He spoke as if Daisy's reaction was the only thing that mattered.


"I got to West Egg by a side road," he went on, "and left the car in my garage. I don't think anybody saw us, but of course I can't be sure."


I disliked him so much by this time that I didn't find it necessary to tell him he was wrong.


"Who was the woman?" he inquired.


"Her name was Wilson. Her husband owns the garage. How the devil did it happen?"


"Well, I tried to swing the wheel—" He broke off, and suddenly I guessed at the truth.


"Yes," he said after a moment, "but of course I'll say I was. You see, when we left New York she was very nervous and she thought it would steady her to drive—and this woman rushed out at us just as we were passing a car coming the other way. It all happened in a minute, but it seemed to me that she wanted to speak to us, thought we were somebody she knew. Well, first Daisy turned away from the woman toward the other car, and then she lost her nerve and turned back. The second my hand reached the wheel I felt the shock—it must have killed her instantly."


"It ripped her open—"


"Don't tell me, old sport." He winced. "Anyhow—Daisy stepped on it. I tried to make her stop, but she couldn't, so I pulled on the emergency brake. Then she fell over into my lap and I drove on.


"She'll be all right tomorrow," he said presently. "I'm just going to wait here and see if he tries to bother her about that unpleasantness this afternoon. She's locked herself into her room, and if he tries any brutality she's going to turn the light out and on again."


"He won't touch her," I said. "He's not thinking about her."


"I don't trust him, old sport."


"How long are you going to wait?"


"All night, if necessary. Anyhow, till they all go to bed."


A new point of view occurred to me. Suppose Tom found out that Daisy had been driving. He might think he saw a connection in it—he might think anything. I looked at the house; there were two or three bright windows downstairs and the pink glow from Daisy's room on the ground floor.


"You wait here," I said. "I'll see if there's any sign of a commotion."


I walked back along the border of the lawn, traversed the gravel softly, and tiptoed up the veranda steps. The drawing-room curtains were open, and I saw that the room was empty. Crossing the porch where we had dined that June night three months before, I came to a small rectangle of light which I guessed was the pantry window. The blind was drawn, but I found a rift at the sill.


Daisy and Tom were sitting opposite each other at the kitchen table, with a plate of cold fried chicken between them, and two bottles of ale. He was talking intently across the table at her, and in his earnestness his hand had fallen upon and covered her own. Once in a while she looked up at him and nodded in agreement.


They weren't happy, and neither of them had touched the chicken or the ale—and yet they weren't unhappy either. There was an unmistakable air of natural intimacy about the picture, and anybody would have said that they were conspiring together.


As I tiptoed from the porch I heard my taxi feeling its way along the dark road toward the house. Gatsby was waiting where I had left him in the drive.


"Is it all quiet up there?" he asked anxiously.


"Yes, it's all quiet." I hesitated. "You'd better come home and get some sleep."


He shook his head.


"I want to wait here till Daisy goes to bed. Good night, old sport."


He put his hands in his coat pockets and turned back eagerly to his scrutiny of the house, as though my presence marred the sacredness of the vigil. So I walked away and left him standing there in the moonlight—watching over nothing.


I couldn't sleep all night; a foghorn was groaning incessantly on the Sound, and I tossed half-sick between grotesque reality and savage, frightening dreams. Toward dawn I heard a taxi go up Gatsby's drive, and immediately I jumped out of bed and began to dress—I felt that I had something to tell him, something to warn him about, and morning would be too late.


Crossing his lawn, I saw that his front door was still open and he was leaning against a table in the hall, heavy with dejection or sleep.


"Nothing happened," he said wanly. "I waited, and about four o'clock she came to the window and stood there for a minute and then turned out the light."


His house had never seemed so enormous to me as it did that night when we hunted through the great rooms for cigarettes. We pushed aside curtains that were like pavilions, and felt over innumerable feet of dark wall for electric light switches—once I tumbled with a sort of splash upon the keys of a ghostly piano. There was an inexplicable amount of dust everywhere, and the rooms were musty, as though they hadn't been aired for many days. I found the humidor on an unfamiliar table, with two stale, dry cigarettes inside. Throwing open the French windows of the drawing-room, we sat smoking out into the darkness.


"You ought to go away," I said. "It's pretty certain they'll trace your car."


"Go away now, old sport?"


"Go to Atlantic City for a week, or up to Montreal."


He wouldn't consider it. He couldn't possibly leave Daisy until he knew what she was going to do. He was clutching at some last hope and I couldn't bear to shake him free.


It was this night that he told me the strange story of his youth with Dan Cody—told it to me because "Jay Gatsby" had broken up like glass against Tom's hard malice, and the long secret extravaganza was played out. I think that he would have acknowledged anything now, without reserve, but he wanted to talk about Daisy.


She was the first "nice" girl he had ever known. In various unrevealed capacities he had come in contact with such people, but always with indiscernible barbed wire between. He found her excitingly desirable. He went to her house, at first with other officers from Camp Taylor, then alone. It amazed him—he had never been in such a beautiful house before. But what gave it an air of breathless intensity, was that Daisy lived there—it was as casual a thing to her as his tent out at camp was to him. There was a ripe mystery about it, a hint of bedrooms upstairs more beautiful and cool than other bedrooms, of gay and radiant activities taking place through its corridors, and of romances that were not musty and laid away already in lavender but fresh and breathing and redolent of this year's shining motorcars and of dances whose flowers were scarcely withered. It excited him, too, that many men had already loved Daisy—it increased her value in his eyes. He felt their presence all about the house, pervading the air with the shades and echoes of still vibrant emotions.


But he knew that he was in Daisy's house by a colossal accident. However glorious might be his future as Jay Gatsby, he was at present a penniless young man without a past, and at any moment the invisible cloak of his uniform might slip from his shoulders. So he made the most of his time. He took what he could get, ravenously and unscrupulously—eventually he took Daisy one still October night, took her because he had no real right to touch her hand.


He might have despised himself, for he had certainly taken her under false pretences. I don't mean that he had traded on his phantom millions, but he had deliberately given Daisy a sense of security; he let her believe that he was a person from much the same strata as herself—that he was fully able to take care of her. As a matter of fact, he had no such facilities—he had no comfortable family standing behind him, and he was liable at the whim of an impersonal government to be blown anywhere about the world.


But he didn't despise himself and it didn't turn out as he had imagined. He had intended, probably, to take what he could and go—but now he found that he had committed himself to the following of a grail. He knew that Daisy was extraordinary, but he didn't realize just how extraordinary a "nice" girl could be. She vanished into her rich house, into her rich, full life, leaving Gatsby—nothing. He felt married to her, that was all.


When they met again, two days later, it was Gatsby who was breathless, who was, somehow, betrayed. Her porch was bright with the bought luxury of star-shine; the wicker of the settee squeaked fashionably as she turned toward him and he kissed her curious and lovely mouth. She had caught a cold, and it made her voice huskier and more charming than ever, and Gatsby was overwhelmingly aware of the youth and mystery that wealth imprisons and preserves, of the freshness of many clothes, and of Daisy, gleaming like silver, safe and proud above the hot struggles of the poor.


"I can't describe to you how surprised I was to find out I loved her, old sport. I even hoped for a while that she'd throw me over, but she didn't, because she was in love with me too. She thought I knew a lot because I knew different things from her … Well, there I was, way off my ambitions, getting deeper in love every minute, and all of a sudden I didn't care. What was the use of doing great things if I could have a better time telling her what I was going to do?"


On the last afternoon before he went abroad, he sat with Daisy in his arms for a long, silent time. It was a cold fall day, with fire in the room and her cheeks flushed. Now and then she moved and he changed his arm a little, and once he kissed her dark shining hair. The afternoon had made them tranquil for a while, as if to give them a deep memory for the long parting the next day promised. They had never been closer in their month of love, nor communicated more profoundly one with another, than when she brushed silent lips against his coat's shoulder or when he touched the end of her fingers, gently, as though she were asleep.


He did extraordinarily well in the war. He was a captain before he went to the front, and following the Argonne battles he got his majority and the command of the divisional machine-guns. After the armistice he tried frantically to get home, but some complication or misunderstanding sent him to Oxford instead. He was worried now—there was a quality of nervous despair in Daisy's letters. She didn't see why he couldn't come. She was feeling the pressure of the world outside, and she wanted to see him and feel his presence beside her and be reassured that she was doing the right thing after all.


For Daisy was young and her artificial world was redolent of orchids and pleasant, cheerful snobbery and orchestras which set the rhythm of the year, summing up the sadness and suggestiveness of life in new tunes. All night the saxophones wailed the hopeless comment of the "Beale Street Blues" while a hundred pairs of golden and silver slippers shuffled the shining dust. At the grey tea hour there were always rooms that throbbed incessantly with this low, sweet fever, while fresh faces drifted here and there like rose petals blown by the sad horns around the floor.


Through this twilight universe Daisy began to move again with the season; suddenly she was again keeping half a dozen dates a day with half a dozen men, and drowsing asleep at dawn with the beads and chiffon of an evening-dress tangled among dying orchids on the floor beside her bed. And all the time something within her was crying for a decision. She wanted her life shaped now, immediately—and the decision must be made by some force—of love, of money, of unquestionable practicality—that was close at hand.


That force took shape in the middle of spring with the arrival of Tom Buchanan. There was a wholesome bulkiness about his person and his position, and Daisy was flattered. Doubtless there was a certain struggle and a certain relief. The letter reached Gatsby while he was still at Oxford.


It was dawn now on Long Island and we went about opening the rest of the windows downstairs, filling the house with grey-turning, gold-turning light. The shadow of a tree fell abruptly across the dew and ghostly birds began to sing among the blue leaves. There was a slow, pleasant movement in the air, scarcely a wind, promising a cool, lovely day.


"I don't think she ever loved him." Gatsby turned around from a window and looked at me challengingly. "You must remember, old sport, she was very excited this afternoon. He told her those things in a way that frightened her—that made it look as if I was some kind of cheap sharper. And the result was she hardly knew what she was saying."


He sat down gloomily.


"Of course she might have loved him just for a minute, when they were first married—and loved me more even then, do you see?"


Suddenly he came out with a curious remark.


"In any case," he said, "it was just personal."


What could you make of that, except to suspect some intensity in his conception of the affair that couldn't be measured?


He came back from France when Tom and Daisy were still on their wedding trip, and made a miserable but irresistible journey to Louisville on the last of his army pay. He stayed there a week, walking the streets where their footsteps had clicked together through the November night and revisiting the out-of-the-way places to which they had driven in her white car. Just as Daisy's house had always seemed to him more mysterious and gay than other houses, so his idea of the city itself, even though she was gone from it, was pervaded with a melancholy beauty.


He left feeling that if he had searched harder, he might have found her—that he was leaving her behind. The day-coach—he was penniless now—was hot. He went out to the open vestibule and sat down on a folding-chair, and the station slid away and the backs of unfamiliar buildings moved by. Then out into the spring fields, where a yellow trolley raced them for a minute with people in it who might once have seen the pale magic of her face along the casual street.


The track curved and now it was going away from the sun, which, as it sank lower, seemed to spread itself in benediction over the vanishing city where she had drawn her breath. He stretched out his hand desperately as if to snatch only a wisp of air, to save a fragment of the spot that she had made lovely for him. But it was all going by too fast now for his blurred eyes and he knew that he had lost that part of it, the freshest and the best, forever.


It was nine o'clock when we finished breakfast and went out on the porch. The night had made a sharp difference in the weather and there was an autumn flavour in the air. The gardener, the last one of Gatsby's former servants, came to the foot of the steps.


"I'm going to drain the pool today, Mr. Gatsby. Leaves'll start falling pretty soon, and then there's always trouble with the pipes."


"Don't do it today," Gatsby answered. He turned to me apologetically. "You know, old sport, I've never used that pool all summer?"


I looked at my watch and stood up.


"Twelve minutes to my train."


I didn't want to go to the city. I wasn't worth a decent stroke of work, but it was more than that—I didn't want to leave Gatsby. I missed that train, and then another, before I could get myself away.


"I'll call you up," I said finally.


"I'll call you about noon."


We walked slowly down the steps.


"I suppose Daisy'll call too." He looked at me anxiously, as if he hoped I'd corroborate this.


We shook hands and I started away. Just before I reached the hedge I remembered something and turned around.


"They're a rotten crowd," I shouted across the lawn. "You're worth the whole damn bunch put together."


I've always been glad I said that. It was the only compliment I ever gave him, because I disapproved of him from beginning to end. First he nodded politely, and then his face broke into that radiant and understanding smile, as if we'd been in ecstatic cahoots on that fact all the time. His gorgeous pink rag of a suit made a bright spot of colour against the white steps, and I thought of the night when I first came to his ancestral home, three months before. The lawn and drive had been crowded with the faces of those who guessed at his corruption—and he had stood on those steps, concealing his incorruptible dream, as he waved them goodbye.


I thanked him for his hospitality. We were always thanking him for that—I and the others.


"Goodbye," I called. "I enjoyed breakfast, Gatsby."


Up in the city, I tried for a while to list the quotations on an interminable amount of stock, then I fell asleep in my swivel-chair. Just before noon the phone woke me, and I started up with sweat breaking out on my forehead. It was Jordan Baker; she often called me up at this hour because the uncertainty of her own movements between hotels and clubs and private houses made her hard to find in any other way. Usually her voice came over the wire as something fresh and cool, as if a divot from a green golf-links had come sailing in at the office window, but this morning it seemed harsh and dry.


"I've left Daisy's house," she said. "I'm at Hempstead, and I'm going down to Southampton this afternoon."


Probably it had been tactful to leave Daisy's house, but the act annoyed me, and her next remark made me rigid.


"You weren't so nice to me last night."


"How could it have mattered then?"


Silence for a moment. Then:


"However—I want to see you."


"I want to see you, too."


"Suppose I don't go to Southampton, and come into town this afternoon?"


"No—I don't think this afternoon."


"It's impossible this afternoon. Various—"


We talked like that for a while, and then abruptly we weren't talking any longer. I don't know which of us hung up with a sharp click, but I know I didn't care. I couldn't have talked to her across a tea-table that day if I never talked to her again in this world.


I called Gatsby's house a few minutes later, but the line was busy. I tried four times; finally an exasperated central told me the wire was being kept open for long distance from Detroit. Taking out my timetable, I drew a small circle around the three-fifty train. Then I leaned back in my chair and tried to think. It was just noon.


When I passed the ash-heaps on the train that morning I had crossed deliberately to the other side of the car. I supposed there'd be a curious crowd around there all day with little boys searching for dark spots in the dust, and some garrulous man telling over and over what had happened, until it became less and less real even to him and he could tell it no longer, and Myrtle Wilson's tragic achievement was forgotten. Now I want to go back a little and tell what happened at the garage after we left there the night before.


They had difficulty in locating the sister, Catherine. She must have broken her rule against drinking that night, for when she arrived she was stupid with liquor and unable to understand that the ambulance had already gone to Flushing. When they convinced her of this, she immediately fainted, as if that was the intolerable part of the affair. Someone, kind or curious, took her in his car and drove her in the wake of her sister's body.


Until long after midnight a changing crowd lapped up against the front of the garage, while George Wilson rocked himself back and forth on the couch inside. For a while the door of the office was open, and everyone who came into the garage glanced irresistibly through it. Finally someone said it was a shame, and closed the door. Michaelis and several other men were with him; first, four or five men, later two or three men. Still later Michaelis had to ask the last stranger to wait there fifteen minutes longer, while he went back to his own place and made a pot of coffee. After that, he stayed there alone with Wilson until dawn.


About three o'clock the quality of Wilson's incoherent muttering changed—he grew quieter and began to talk about the yellow car. He announced that he had a way of finding out whom the yellow car belonged to, and then he blurted out that a couple of months ago his wife had come from the city with her face bruised and her nose swollen.


But when he heard himself say this, he flinched and began to cry "Oh, my God!" again in his groaning voice. Michaelis made a clumsy attempt to distract him.


"How long have you been married, George? Come on there, try and sit still a minute, and answer my question. How long have you been married?"


"Twelve years."


"Ever had any children? Come on, George, sit still—I asked you a question. Did you ever have any children?"


The hard brown beetles kept thudding against the dull light, and whenever Michaelis heard a car go tearing along the road outside it sounded to him like the car that hadn't stopped a few hours before. He didn't like to go into the garage, because the work bench was stained where the body had been lying, so he moved uncomfortably around the office—he knew every object in it before morning—and from time to time sat down beside Wilson trying to keep him more quiet.


"Have you got a church you go to sometimes, George? Maybe even if you haven't been there for a long time? Maybe I could call up the church and get a priest to come over and he could talk to you, see?"


"Don't belong to any."


"You ought to have a church, George, for times like this. You must have gone to church once. Didn't you get married in a church? Listen, George, listen to me. Didn't you get married in a church?"


"That was a long time ago."


The effort of answering broke the rhythm of his rocking—for a moment he was silent. Then the same half-knowing, half-bewildered look came back into his faded eyes.


"Look in the drawer there," he said, pointing at the desk.


"That drawer—that one."


Michaelis opened the drawer nearest his hand. There was nothing in it but a small, expensive dog-leash, made of leather and braided silver. It was apparently new.


"This?" he inquired, holding it up.


Wilson stared and nodded.


"I found it yesterday afternoon. She tried to tell me about it, but I knew it was something funny."


"You mean your wife bought it?"


"She had it wrapped in tissue paper on her bureau."


Michaelis didn't see anything odd in that, and he gave Wilson a dozen reasons why his wife might have bought the dog-leash. But conceivably Wilson had heard some of these same explanations before, from Myrtle, because he began saying "Oh, my God!" again in a whisper—his comforter left several explanations in the air.


"Then he killed her," said Wilson. His mouth dropped open suddenly.


"I have a way of finding out."


"You're morbid, George," said his friend. "This has been a strain to you and you don't know what you're saying. You'd better try and sit quiet till morning."


"It was an accident, George."


Wilson shook his head. His eyes narrowed and his mouth widened slightly with the ghost of a superior "Hm!"


"I know," he said definitely. "I'm one of these trusting fellas and I don't think any harm to nobody, but when I get to know a thing I know it. It was the man in that car. She ran out to speak to him and he wouldn't stop."


Michaelis had seen this too, but it hadn't occurred to him that there was any special significance in it. He believed that Mrs. Wilson had been running away from her husband, rather than trying to stop any particular car.


"How could she of been like that?"


"She's a deep one," said Wilson, as if that answered the question. "Ah-h-h—"


He began to rock again, and Michaelis stood twisting the leash in his hand.


"Maybe you got some friend that I could telephone for, George?"


This was a forlorn hope—he was almost sure that Wilson had no friend: there was not enough of him for his wife. He was glad a little later when he noticed a change in the room, a blue quickening by the window, and realized that dawn wasn't far off. About five o'clock it was blue enough outside to snap off the light.


Wilson's glazed eyes turned out to the ash-heaps, where small grey clouds took on fantastic shapes and scurried here and there in the faint dawn wind.


"I spoke to her," he muttered, after a long silence. "I told her she might fool me but she couldn't fool God. I took her to the window"—with an effort he got up and walked to the rear window and leaned with his face pressed against it—"and I said 'God knows what you've been doing, everything you've been doing. You may fool me, but you can't fool God!' "


Standing behind him, Michaelis saw with a shock that he was looking at the eyes of Doctor T. J. Eckleburg, which had just emerged, pale and enormous, from the dissolving night.


"God sees everything," repeated Wilson.


"That's an advertisement," Michaelis assured him. Something made him turn away from the window and look back into the room. But Wilson stood there a long time, his face close to the window pane, nodding into the twilight.


By six o'clock Michaelis was worn out, and grateful for the sound of a car stopping outside. It was one of the watchers of the night before who had promised to come back, so he cooked breakfast for three, which he and the other man ate together. Wilson was quieter now, and Michaelis went home to sleep; when he awoke four hours later and hurried back to the garage, Wilson was gone.


His movements—he was on foot all the time—were afterward traced to Port Roosevelt and then to Gad's Hill, where he bought a sandwich that he didn't eat, and a cup of coffee. He must have been tired and walking slowly, for he didn't reach Gad's Hill until noon. Thus far there was no difficulty in accounting for his time—there were boys who had seen a man "acting sort of crazy," and motorists at whom he stared oddly from the side of the road. Then for three hours he disappeared from view. The police, on the strength of what he said to Michaelis, that he "had a way of finding out," supposed that he spent that time going from garage to garage thereabout, inquiring for a yellow car. On the other hand, no garage man who had seen him ever came forward, and perhaps he had an easier, surer way of finding out what he wanted to know. By half-past two he was in West Egg, where he asked someone the way to Gatsby's house. So by that time he knew Gatsby's name.


At two o'clock Gatsby put on his bathing-suit and left word with the butler that if anyone phoned word was to be brought to him at the pool. He stopped at the garage for a pneumatic mattress that had amused his guests during the summer, and the chauffeur helped him to pump it up. Then he gave instructions that the open car wasn't to be taken out under any circumstances—and this was strange, because the front right fender needed repair.


Gatsby shouldered the mattress and started for the pool. Once he stopped and shifted it a little, and the chauffeur asked him if he needed help, but he shook his head and in a moment disappeared among the yellowing trees.