A grim idea came into my brain and passed all over my body, as a horrible sensation, such as one feels when one goes into a damp and mouldy cellar. There was something unnatural in those two eyes, beginning to look at me only now. I recalled, too, that during those two hours I had not said a single word to this creature, and had, in fact, considered it utterly superfluous; in fact, the silence had for some reason gratified me. Now I suddenly realized vividly the hideous idea--revolting as a spider--of vice, which, without love, grossly and shamelessly begins with that in which true love finds its consummation. For a long time we gazed at each other like that, but she did not drop her eyes before mine and her expression did not change, so that at last I felt uncomfortable.


"What is your name?" I asked abruptly, to put an end to it.


"Liza," she answered almost in a whisper, but somehow far from graciously, and she turned her eyes away.


I was silent.


"What weather! The snow ... it's disgusting!" I said, almost to myself, putting my arm under my head despondently, and gazing at the ceiling.


She made no answer. This was horrible.


"Have you always lived in Petersburg?" I asked a minute later, almost angrily, turning my head slightly towards her.


"From Riga," she answered reluctantly.


"Are you a German?"


"In this house?"


"A fortnight."


She spoke more and more jerkily. The candle went out; I could no longer distinguish her face.


"Have you a father and mother?"


"Where are they?"


"There ... in Riga."


"What are they?"


"Oh, nothing."


"Nothing? Why, what class are they?"


"Have you always lived with them?"


"How old are you?"


"Twenty."


"Why did you leave them?"


"Oh, for no reason."


That answer meant "Let me alone; I feel sick, sad."


God knows why I did not go away. I felt myself more and more sick and dreary. The images of the previous day began of themselves, apart from my will, flitting through my memory in confusion. I suddenly recalled something I had seen that morning when, full of anxious thoughts, I was hurrying to the office.


"I saw them carrying a coffin out yesterday and they nearly dropped it," I suddenly said aloud, not that I desired to open the conversation, but as it were by accident.


"A coffin?"


"Yes, in the Haymarket; they were bringing it up out of a cellar."


"Not from a cellar, but from a basement. Oh, you know ... down below ... from a house of ill-fame. It was filthy all round.... Egg-shells, litter ... a stench. It was loathsome."


"A nasty day to be buried," I began, simply to avoid being silent.


"Nasty, in what way?"


"The snow, the wet." (I yawned.)


"It makes no difference," she said suddenly, after a brief silence.


"No, it's horrid." (I yawned again.) "The gravediggers must have sworn at getting drenched by the snow. And there must have been water in the grave."


"Why water in the grave?" she asked, with a sort of curiosity, but speaking even more harshly and abruptly than before.


"Why, there must have been water at the bottom a foot deep. You can't dig a dry grave in Volkovo Cemetery."


"Why? Why, the place is waterlogged. It's a regular marsh. So they bury them in water. I've seen it myself ... many times."


(I had never seen it once, indeed I had never been in Volkovo, and had only heard stories of it.)


"But why should I die?" she answered, as though defending herself.


"Why, some day you will die, and you will die just the same as that dead woman. She was ... a girl like you. She died of consumption."


"A wench would have died in hospital...." (She knows all about it already: she said "wench," not "girl.")


"She was in debt to her madam," I retorted, more and more provoked by the discussion; "and went on earning money for her up to the end, though she was in consumption. Some sledge-drivers standing by were talking about her to some soldiers and telling them so. No doubt they knew her. They were laughing. They were going to meet in a pot-house to drink to her memory."


A great deal of this was my invention. Silence followed, profound silence. She did not stir.


"And is it better to die in a hospital?"


"Isn't it just the same? Besides, why should I die?" she added irritably.


"If not now, a little later."


"Why a little later?"


"Why, indeed? Now you are young, pretty, fresh, you fetch a high price. But after another year of this life you will be very different--you will go off."


"In a year?"


"Anyway, in a year you will be worth less," I continued malignantly. "You will go from here to something lower, another house; a year later--to a third, lower and lower, and in seven years you will come to a basement in the Haymarket. That will be if you were lucky. But it would be much worse if you got some disease, consumption, say ... and caught a chill, or something or other. It's not easy to get over an illness in your way of life. If you catch anything you may not get rid of it. And so you would die."


"Oh, well, then I shall die," she answered, quite vindictively, and she made a quick movement.


"But one is sorry."


"Sorry for whom?"


"Sorry for life."


"Have you been engaged to be married? Eh?"


"What's that to you?"


"Oh, I am not cross-examining you. It's nothing to me. Why are you so cross? Of course you may have had your own troubles. What is it to me? It's simply that I felt sorry."


"Sorry for you."


"No need," she whispered hardly audibly, and again made a faint movement.


That incensed me at once. What! I was so gentle with her, and she....


"Why, do you think that you are on the right path?"


"I don't think anything."


"That's what's wrong, that you don't think. Realize it while there is still time. There still is time. You are still young, good-looking; you might love, be married, be happy...."


"Not all married women are happy," she snapped out in the rude abrupt tone she had used at first.


"Not all, of course, but anyway it is much better than the life here. Infinitely better. Besides, with love one can live even without happiness. Even in sorrow life is sweet; life is sweet, however one lives. But here what is there but ... foulness. Phew!"


I turned away with disgust; I was no longer reasoning coldly. I began to feel myself what I was saying and warmed to the subject. I was already longing to expound the cherished ideas I had brooded over in my corner. Something suddenly flared up in me. An object had appeared before me.


"Never mind my being here, I am not an example for you. I am, perhaps, worse than you are. I was drunk when I came here, though," I hastened, however, to say in self-defence. "Besides, a man is no example for a woman. It's a different thing. I may degrade and defile myself, but I am not any one's slave. I come and go, and that's an end of it. I shake it off, and I am a different man. But you are a slave from the start. Yes, a slave! You give up everything, your whole freedom. If you want to break your chains afterwards, you won't be able to: you will be more and more fast in the snares. It is an accursed bondage. I know it. I won't speak of anything else, maybe you won't understand, but tell me: no doubt you are in debt to your madam? There, you see," I added, though she made no answer, but only listened in silence, entirely absorbed, "that's a bondage for you! You will never buy your freedom. They will see to that. It's like selling your soul to the devil.... And besides ... perhaps I, too, am just as unlucky--how do you know--and wallow in the mud on purpose, out of misery? You know, men take to drink from grief; well, maybe I am here from grief. Come, tell me, what is there good here? Here you and I ... came together ... just now and did not say one word to one another all the time, and it was only afterwards you began staring at me like a wild creature, and I at you. Is that loving? Is that how one human being should meet another? It's hideous, that's what it is!"


"Yes!" she assented sharply and hurriedly.


I was positively astounded by the promptitude of this "Yes." So the same thought may have been straying through her mind when she was staring at me just before. So she, too, was capable of certain thoughts? "Damn it all, this was interesting, this was a point of likeness!" I thought, almost rubbing my hands. And indeed it's easy to turn a young soul like that!


It was the exercise of my power that attracted me most.


She turned her head nearer to me, and it seemed to me in the darkness that she propped herself on her arm. Perhaps she was scrutinizing me. How I regretted that I could not see her eyes. I heard her deep breathing.


"Why have you come here?" I asked her, with a note of authority already in my voice.


"Oh, I don't know."


"But how nice it would be to be living in your father's house! It's warm and free; you have a home of your own."


"But what if it's worse than this?"


"I must take the right tone," flashed through my mind. "I may not get far with sentimentality." But it was only a momentary thought. I swear she really did interest me. Besides, I was exhausted and moody. And cunning so easily goes hand-in-hand with feeling.


"Who denies it!" I hastened to answer. "Anything may happen. I am convinced that some one has wronged you, and that you are more sinned against than sinning. Of course, I know nothing of your story, but it's not likely a girl like you has come here of her own inclination...."


"A girl like me?" she whispered, hardly audibly; but I heard it.


Damn it all, I was flattering her. That was horrid. But perhaps it was a good thing.... She was silent.


"See, Liza, I will tell you about myself. If I had had a home from childhood, I shouldn't be what I am now. I often think that. However bad it may be at home, anyway they are your father and mother, and not enemies, strangers. Once a year at least, they'll show their love of you. Anyway, you know you are at home. I grew up without a home; and perhaps that's why I've turned so ... unfeeling."


I waited again. "Perhaps she doesn't understand," I thought, "and, indeed, it is absurd--it's moralizing."


"If I were a father and had a daughter, I believe I should love my daughter more than my sons, really," I began indirectly, as though talking of something else, to distract her attention. I must confess I blushed.


"Why so?" she asked.


Ah! so she was listening!


"I don't know, Liza. I knew a father who was a stern, austere man, but used to go down on his knees to his daughter, used to kiss her hands, her feet, he couldn't make enough of her, really. When she danced at parties he used to stand for five hours at a stretch, gazing at her. He was mad over her: I understand that! She would fall asleep tired at night, and he would wake to kiss her in her sleep and make the sign of the cross over her. He would go about in a dirty old coat, he was stingy to every one else, but would spend his last penny for her, giving her expensive presents, and it was his greatest delight when she was pleased with what he gave her. Fathers always love their daughters more than the mothers do. Some girls live happily at home! And I believe I should never let my daughters marry."


"What next?" she said, with a faint smile.


"I should be jealous, I really should. To think that she should kiss any one else! That she should love a stranger more than her father! It's painful to imagine it. Of course, that's all nonsense, of course every father would be reasonable at last. But I believe before I should let her marry, I should worry myself to death; I should find fault with all her suitors. But I should end by letting her marry whom she herself loved. The one whom the daughter loves always seems the worst to the father, you know. That is always so. So many family troubles come from that."


"Some are glad to sell their daughters, rather than marrying them honourably."


Ah, so that was it!


"Such a thing, Liza, happens in those accursed families in which there is neither love nor God," I retorted warmly, "and where there is no love, there is no sense either. There are such families, it's true, but I am not speaking of them. You must have seen wickedness in your own family, if you talk like that. Truly, you must have been unlucky. H'm! ... that sort of thing mostly comes about through poverty."


"And is it any better with the gentry? Even among the poor, honest people live happily."


"H'm ... yes. Perhaps. Another thing, Liza, man is fond of reckoning up his troubles, but does not count his joys. If he counted them up as he ought, he would see that every lot has enough happiness provided for it. And what if all goes well with the family, if the blessing of God is upon it, if the husband is a good one, loves you, cherishes you, never leaves you! There is happiness in such a family! Even sometimes there is happiness in the midst of sorrow; and indeed sorrow is everywhere. If you marry you will find out for yourself. But think of the first years of married life with one you love: what happiness, what happiness there sometimes is in it! And indeed it's the ordinary thing. In those early days even quarrels with one's husband end happily. Some women get up quarrels with their husbands just because they love them. Indeed, I knew a woman like that: she seemed to say that because she loved him, she would torment him and make him feel it. You know that you may torment a man on purpose through love. Women are particularly given to that, thinking to themselves 'I will love him so, I will make so much of him afterwards, that it's no sin to torment him a little now.' And all in the house rejoice in the sight of you, and you are happy and gay and peaceful and honourable.... Then there are some women who are jealous. If he went off anywhere--I knew one such woman, she couldn't restrain herself, but would jump up at night and run off on the sly to find out where he was, whether he was with some other woman. That's a pity. And the woman knows herself it's wrong, and her heart fails her and she suffers, but she loves--it's all through love. And how sweet it is to make it up after quarrels, to own herself in the wrong or to forgive him! And they are both so happy all at once--as though they had met anew, been married over again; as though their love had begun afresh. And no one, no one should know what passes between husband and wife if they love one another. And whatever quarrels there may be between them they ought not to call in their own mother to judge between them and tell tales of one another. They are their own judges. Love is a holy mystery and ought to be hidden from all other eyes, whatever happens. That makes it holier and better. They respect one another more, and much is built on respect. And if once there has been love, if they have been married for love, why should love pass away? Surely one can keep it! It is rare that one cannot keep it. And if the husband is kind and straightforward, why should not love last? The first phase of married love will pass, it is true, but then there will come a love that is better still. Then there will be the union of souls, they will have everything in common, there will be no secrets between them. And once they have children, the most difficult times will seem to them happy, so long as there is love and courage. Even toil will be a joy, you may deny yourself bread for your children and even that will be a joy. They will love you for it afterwards; so you are laying by for your future. As the children grow up you feel that you are an example, a support for them; that even after you die your children will always keep your thoughts and feelings, because they have received them from you, they will take on your semblance and likeness. So you see this is a great duty. How can it fail to draw the father and mother nearer? People say it's a trial to have children. Who says that? It is heavenly happiness! Are you fond of little children, Liza? I am awfully fond of them. You know--a little rosy baby boy at your bosom, and what husband's heart is not touched, seeing his wife nursing his child! A plump little rosy baby, sprawling and snuggling, chubby little hands and feet, clean tiny little nails, so tiny that it makes one laugh to look at them; eyes that look as if they understand everything. And while it sucks it clutches at your bosom with its little hand, plays. When its father comes up, the child tears itself away from the bosom, flings itself back, looks at its father, laughs, as though it were fearfully funny and falls to sucking again. Or it will bite its mother's breast when its little teeth are coming, while it looks sideways at her with its little eyes as though to say, 'Look, I am biting!' Is not all that happiness when they are the three together, husband, wife and child? One can forgive a great deal for the sake of such moments. Yes, Liza, one must first learn to live oneself before one blames others!"


"It's by pictures, pictures like that one must get at you," I thought to myself, though I did speak with real feeling, and all at once I flushed crimson. "What if she were suddenly to burst out laughing, what should I do then?" That idea drove me to fury. Towards the end of my speech I really was excited, and now my vanity was somehow wounded. The silence continued. I almost nudged her.


"Why are you----" she began and stopped. But I understood: there was a quiver of something different in her voice, not abrupt, harsh and unyielding as before, but something soft and shamefaced, so shamefaced that I suddenly felt ashamed and guilty.


"What?" I asked, with tender curiosity.


"Why, you ... speak somehow like a book," she said, and again there was a note of irony in her voice.


That remark sent a pang to my heart. It was not what I was expecting.


I did not understand that she was hiding her feelings under irony, that this is usually the last refuge of modest and chaste-souled people when the privacy of their soul is coarsely and intrusively invaded, and that their pride makes them refuse to surrender till the last moment and shrink from giving expression to their feelings before you. I ought to have guessed the truth from the timidity with which she had repeatedly approached her sarcasm, only bringing herself to utter it at last with an effort. But I did not guess, and an evil feeling took possession of me.


"Wait a bit!" I thought.


"Oh, hush, Liza! How can you talk about being like a book, when it makes even me, an outsider, feel sick? Though I don't look at it as an outsider, for, indeed, it touches me to the heart.... Is it possible, is it possible that you do not feel sick at being here yourself? Evidently habit does wonders! God knows what habit can do with any one. Can you seriously think that you will never grow old, that you will always be good-looking, and that they will keep you here for ever and ever? I say nothing of the loathsomeness of the life here.... Though let me tell you this about it--about your present life, I mean; here though you are young now, attractive, nice, with soul and feeling, yet you know as soon as I came to myself just now I felt at once sick at being here with you! One can only come here when one is drunk. But if you were anywhere else, living as good people live, I should perhaps be more than attracted by you, should fall in love with you, should be glad of a look from you, let alone a word; I should hang about your door, should go down on my knees to you, should look upon you as my betrothed and think it an honour to be allowed to. I should not dare to have an impure thought about you. But here, you see, I know that I have only to whistle and you have to come with me whether you like it or not. I don't consult your wishes, but you mine. The lowest labourer hires himself as a workman but he doesn't make a slave of himself altogether; besides, he knows that he will be free again presently. But when are you free? Only think what you are giving up here? What is it you are making a slave of? It is your soul, together with your body; you are selling your soul which you have no right to dispose of! You give your love to be outraged by every drunkard! Love! But that's everything, you know, it's a priceless diamond, it's a maiden's treasure, love--why, a man would be ready to give his soul, to face death to gain that love. But how much is your love worth now? You are sold, all of you, body and soul, and there is no need to strive for love when you can have everything without love. And you know there is no greater insult to a girl than that, do you understand? To be sure, I have heard that they comfort you, poor fools, they let you have lovers of your own here. But you know that's simply a farce, that's simply a sham, it's just laughing at you, and you are taken in by it! Why, do you suppose he really loves you, that lover of yours? I don't believe it. How can he love you when he knows you may be called away from him any minute? He would be a low fellow if he did! Will he have a grain of respect for you? What have you in common with him? He laughs at you and robs you--that is all his love amounts to! You are lucky if he does not beat you. Very likely he does beat you, too. Ask him, if you have got one, whether he will marry you. He will laugh in your face, if he doesn't spit in it or give you a blow--though maybe he is not worth a bad halfpenny himself. And for what have you ruined your life, if you come to think of it? For the coffee they give you to drink and the plentiful meals? But with what object are they feeding you up? An honest girl couldn't swallow the food, for she would know what she was being fed for. You are in debt here, and, of course, you will always be in debt, and you will go on in debt to the end, till the visitors here begin to scorn you. And that will soon happen, don't rely upon your youth--all that flies by express train here, you know. You will be kicked out. And not simply kicked out; long before that she'll begin nagging at you, scolding you, abusing you, as though you had not sacrificed your health for her, had not thrown away your youth and your soul for her benefit, but as though you had ruined her, beggared her, robbed her. And don't expect any one to take your part: the others, your companions, will attack you, too, to win her favour, for all are in slavery here, and have lost all conscience and pity here long ago. They have become utterly vile, and nothing on earth is viler, more loathsome, and more insulting than their abuse. And you are laying down everything here, unconditionally, youth and health and beauty and hope, and at twenty-two you will look like a woman of five-and-thirty, and you will be lucky if you are not diseased, pray to God for that! No doubt you are thinking now that you have a gay time and no work to do! Yet there is no work harder or more dreadful in the world or ever has been. One would think that the heart alone would be worn out with tears. And you won't dare to say a word, not half a word when they drive you away from here; you will go away as though you were to blame. You will change to another house, then to a third, then somewhere else, till you come down at last to the Haymarket. There you will be beaten at every turn; that is good manners there, the visitors don't know how to be friendly without beating you. You don't believe that it is so hateful there? Go and look for yourself some time, you can see with your own eyes. Once, one New Year's Day, I saw a woman at a door. They had turned her out as a joke, to give her a taste of the frost because she had been crying so much, and they shut the door behind her. At nine o'clock in the morning she was already quite drunk, dishevelled, half-naked, covered with bruises, her face was powdered, but she had a black eye, blood was trickling from her nose and her teeth; some cabman had just given her a drubbing. She was sitting on the stone steps, a salt fish of some sort was in her hand; she was crying, wailing something about her luck and beating with the fish on the steps, and cabmen and drunken soldiers were crowding in the doorway taunting her. You don't believe that you will ever be like that? I should be sorry to believe it, too, but how do you know; maybe ten years, eight years ago that very woman with the salt fish came here fresh as a cherub, innocent, pure, knowing no evil, blushing at every word. Perhaps she was like you, proud, ready to take offence, not like the others; perhaps she looked like a queen, and knew what happiness was in store for the man who should love her and whom she should love. Do you see how it ended? And what if at that very minute when she was beating on the filthy steps with that fish, drunken and dishevelled--what if at that very minute she recalled the pure early days in her father's house, when she used to go to school and the neighbour's son watched for her on the way, declaring that he would love her as long as he lived, that he would devote his life to her, and when they vowed to love one another for ever and be married as soon as they were grown up! No, Liza, it would be happy for you if you were to die soon of consumption in some corner, in some cellar like that woman just now. In the hospital, do you say? You will be lucky if they take you, but what if you are still of use to the madam here? Consumption is a queer disease, it is not like fever. The patient goes on hoping till the last minute and says he is all right. He deludes himself. And that just suits your madam. Don't doubt it, that's how it is; you have sold your soul, and what is more you owe money, so you daren't say a word. But when you are dying, all will abandon you, all will turn away from you, for then there will be nothing to get from you. What's more, they will reproach you for cumbering the place, for being so long over dying. However you beg you won't get a drink of water without abuse: 'Whenever are you going off, you nasty hussy, you won't let us sleep with your moaning, you make the gentlemen sick.' That's true, I have heard such things said myself. They will thrust you dying into the filthiest corner in the cellar--in the damp and darkness; what will your thoughts be, lying there alone? When you die, strange hands will lay you out, with grumbling and impatience; no one will bless you, no one will sigh for you, they only want to get rid of you as soon as may be; they will buy a coffin, take you to the grave as they did that poor woman to-day, and celebrate your memory at the tavern. In the grave sleet, filth, wet snow--no need to put themselves out for you--'Let her down, Vanuha; it's just like her luck--even here, she is head-foremost, the hussy. Shorten the cord, you rascal.' 'It's all right as it is.' 'All right, is it? Why, she's on her side! She was a fellow-creature, after all! But, never mind, throw the earth on her.' And they won't care to waste much time quarrelling over you. They will scatter the wet blue clay as quick as they can and go off to the tavern ... and there your memory on earth will end; other women have children to go to their graves, fathers, husbands. While for you neither tear, nor sigh, nor remembrance; no one in the whole world will ever come to you, your name will vanish from the face of the earth--as though you had never existed, never been born at all! Nothing but filth and mud, however you knock at your coffin lid at night, when the dead arise, however you cry: 'Let me out, kind people, to live in the light of day! My life was no life at all; my life has been thrown away like a dish-clout; it was drunk away in the tavern at the Haymarket; let me out, kind people, to live in the world again.'"


And I worked myself up to such a pitch that I began to have a lump in my throat myself, and ... and all at once I stopped, sat up in dismay, and bending over apprehensively, began to listen with a beating heart. I had reason to be troubled.


I had felt for some time that I was turning her soul upside down and rending her heart, and--and the more I was convinced of it, the more eagerly I desired to gain my object as quickly and as effectually as possible. It was the exercise of my skill that carried me away; yet it was not merely sport....


I knew I was speaking stiffly, artificially, even bookishly, in fact, I could not speak except "like a book." But that did not trouble me: I knew, I felt that I should be understood and that this very bookishness might be an assistance. But now, having attained my effect, I was suddenly panic-stricken. Never before had I witnessed such despair! She was lying on her face, thrusting her face into the pillow and clutching it in both hands. Her heart was being torn. Her youthful body was shuddering all over as though in convulsions. Suppressed sobs rent her bosom and suddenly burst out in weeping and wailing, then she pressed closer into the pillow: she did not want any one here, not a living soul, to know of her anguish and her tears. She bit the pillow, bit her hand till it bled (I saw that afterwards), or, thrusting her fingers into her dishevelled hair seemed rigid with the effort of restraint, holding her breath and clenching her teeth. I began saying something, begging her to calm herself, but felt that I did not dare; and all at once, in a sort of cold shiver, almost in terror, began fumbling in the dark, trying hurriedly to get dressed to go. It was dark: though I tried my best I could not finish dressing quickly. Suddenly I felt a box of matches and a candlestick with a whole candle in it. As soon as the room was lighted up, Liza sprang up, sat up in bed, and with a contorted face, with a half insane smile, looked at me almost senselessly. I sat down beside her and took her hands; she came to herself, made an impulsive movement towards me, would have caught hold of me, but did not dare, and slowly bowed her head before me.


"Liza, my dear, I was wrong ... forgive me, my dear," I began, but she squeezed my hand in her fingers so tightly that I felt I was saying the wrong thing and stopped.


"This is my address, Liza, come to me."


"I will come," she answered resolutely, her head still bowed.


"But now I am going, good-bye ... till we meet again."


I got up; she, too, stood up and suddenly flushed all over, gave a shudder, snatched up a shawl that was lying on a chair and muffled herself in it to her chin. As she did this she gave another sickly smile, blushed and looked at me strangely. I felt wretched; I was in haste to get away--to disappear.


"Wait a minute," she said suddenly, in the passage just at the doorway, stopping me with her hand on my overcoat. She put down the candle in hot haste and ran off; evidently she had thought of something or wanted to show me something. As she ran away she flushed, her eyes shone, and there was a smile on her lips--what was the meaning of it? Against my will I waited: she came back a minute later with an expression that seemed to ask forgiveness for something. In fact, it was not the same face, not the same look as the evening before: sullen, mistrustful and obstinate. Her eyes now were imploring, soft, and at the same time trustful, caressing, timid. The expression with which children look at people they are very fond of, of whom they are asking a favour. Her eyes were a light hazel, they were lovely eyes, full of life, and capable of expressing love as well as sullen hatred.


Making no explanation, as though I, as a sort of higher being, must understand everything without explanations, she held out a piece of paper to me. Her whole face was positively beaming at that instant with naïve, almost childish, triumph. I unfolded it. It was a letter to her from a medical student or some one of that sort--a very high-flown and flowery, but extremely respectful, love-letter. I don't recall the words now, but I remember well that through the high-flown phrases there was apparent a genuine feeling, which cannot be feigned. When I had finished reading it I met her glowing, questioning, and childishly impatient eyes fixed upon me. She fastened her eyes upon my face and waited impatiently for what I should say. In a few words, hurriedly, but with a sort of joy and pride, she explained to me that she had been to a dance somewhere in a private house, a family of "very nice people, who knew nothing, absolutely nothing, for she had only come here so lately and it had all happened ... and she hadn't made up her mind to stay and was certainly going away as soon as she had paid her debt ... and at that party there had been the student who had danced with her all the evening. He had talked to her, and it turned out that he had known her in old days at Riga when he was a child, they had played together, but a very long time ago--and he knew her parents, but about this he knew nothing, nothing whatever, and had no suspicion! And the day after the dance (three days ago) he had sent her that letter through the friend with whom she had gone to the party ... and ... well, that was all."


She dropped her shining eyes with a sort of bashfulness as she finished.


The poor girl was keeping that student's letter as a precious treasure, and had run to fetch it, her only treasure, because she did not want me to go away without knowing that she, too, was honestly and genuinely loved; that she, too, was addressed respectfully. No doubt that letter was destined to lie in her box and lead to nothing. But none the less, I am certain that she would keep it all her life as a precious treasure, as her pride and justification, and now at such a minute she had thought of that letter and brought it with naïve pride to raise herself in my eyes that I might see, that I, too, might think well of her. I said nothing, pressed her hand and went out. I so longed to get away.... I walked all the way home, in spite of the fact that the melting snow was still falling in heavy flakes. I was exhausted, shattered, in bewilderment. But behind the bewilderment the truth was already gleaming. The loathsome truth.


It was some time, however, before I consented to recognize that truth. Waking up in the morning after some hours of heavy, leaden sleep, and immediately realizing all that had happened on the previous day, I was positively amazed at my last night's sentimentality with Liza, at all those "outcries of horror and pity." "To think of having such an attack of womanish hysteria, pah!" I concluded. And what did I thrust my address upon her for? What if she comes? Let her come, though; it doesn't matter.... But obviously, that was not now the chief and the most important matter: I had to make haste and at all costs save my reputation in the eyes of Zverkov and Simonov as quickly as possible; that was the chief business. And I was so taken up that morning that I actually forgot all about Liza.


First of all I had at once to repay what I had borrowed the day before from Simonov. I resolved on a desperate measure: to borrow fifteen roubles straight off from Anton Antonitch. As luck would have it he was in the best of humours that morning, and gave it to me at once, on the first asking. I was so delighted at this that, as I signed the I O U with a swaggering air, I told him casually that the night before "I had been keeping it up with some friends at the Hôtel de Paris; we were giving a farewell party to a comrade, in fact, I might say a friend of my childhood, and you know--a desperate rake, fearfully spoilt--of course, he belongs to a good family, and has considerable means, a brilliant career; he is witty, charming, a regular Lovelace, you understand; we drank an extra 'half-dozen' and...."


And it went off all right; all this was uttered very easily, unconstrainedly and complacently.


On reaching home I promptly wrote to Simonov.


To this hour I am lost in admiration when I recall the truly gentlemanly, good-humoured, candid tone of my letter. With tact and good-breeding, and, above all, entirely without superfluous words, I blamed myself for all that had happened. I defended myself, "if I really may be allowed to defend myself," by alleging that being utterly unaccustomed to wine, I had been intoxicated with the first glass, which I said, I had drunk before they arrived, while I was waiting for them at the Hôtel de Paris between five and six o'clock. I begged Simonov's pardon especially; I asked him to convey my explanations to all the others, especially to Zverkov, whom "I seemed to remember as though in a dream" I had insulted. I added that I would have called upon all of them myself, but my head ached, and besides I had not the face to. I was particularly pleased with a certain lightness, almost carelessness (strictly within the bounds of politeness, however), which was apparent in my style, and better than any possible arguments, gave them at once to understand that I took rather an independent view of "all that unpleasantness last night;" that I was by no means so utterly crushed as you, my friends, probably imagine; but on the contrary, looked upon it as a gentleman serenely respecting himself should look upon it. "On a young hero's past no censure is cast!"


"There is actually an aristocratic playfulness about it!" I thought admiringly, as I read over the letter. And it's all because I am an intellectual and cultivated man! Another man in my place would not have known how to extricate himself, but here I have got out of it and am as jolly as ever again, and all because I am "a cultivated and educated man of our day." And, indeed, perhaps, everything was due to the wine yesterday. H'm! ... no, it was not the wine. I did not drink anything at all between five and six when I was waiting for them. I had lied to Simonov; I had lied shamelessly; and indeed I wasn't ashamed now.... Hang it all though, the great thing was that I was rid of it.


I put six roubles in the letter, sealed it up, and asked Apollon to take it to Simonov. When he learned that there was money in the letter, Apollon became more respectful and agreed to take it. Towards evening I went out for a walk. My head was still aching and giddy after yesterday. But as evening came on and the twilight grew denser, my impressions and, following them, my thoughts, grew more and more different and confused. Something was not dead within me, in the depths of my heart and conscience it would not die, and it showed itself in acute depression. For the most part I jostled my way through the most crowded business streets, along Myeshtchansky Street, along Sadovy Street and in Yusupov Garden. I always liked particularly sauntering along these streets in the dusk, just when there were crowds of working people of all sorts going home from their daily work, with faces looking cross with anxiety. What I liked was just that cheap bustle, that bare prose. On this occasion the jostling of the streets irritated me more than ever. I could not make out what was wrong with me, I could not find the clue, something seemed rising up continually in my soul, painfully, and refusing to be appeased. I returned home completely upset, it was just as though some crime were lying on my conscience.


The thought that Liza was coming worried me continually. It seemed queer to me that of all my recollections of yesterday this tormented me, as it were, especially, as it were, quite separately. Everything else I had quite succeeded in forgetting by the evening; I dismissed it all and was still perfectly satisfied with my letter to Simonov. But on this point I was not satisfied at all. It was as though I were worried only by Liza. "What if she comes," I thought incessantly, "well, it doesn't matter, let her come! H'm! it's horrid that she should see, for instance, how I live. Yesterday I seemed such a hero to her, while now, h'm! It's horrid, though, that I have let myself go so, the room looks like a beggar's. And I brought myself to go out to dinner in such a suit! And my American leather sofa with the stuffing sticking out. And my dressing-gown, which will not cover me, such tatters, and she will see all this and she will see Apollon. That beast is certain to insult her. He will fasten upon her in order to be rude to me. And I, of course, shall be panic-stricken as usual, I shall begin bowing and scraping before her and pulling my dressing-gown round me, I shall begin smiling, telling lies. Oh, the beastliness! And it isn't the beastliness of it that matters most! There is something more important, more loathsome, viler! Yes, viler! And to put on that dishonest lying mask again!"...


When I reached that thought I fired up all at once.


"Why dishonest? How dishonest? I was speaking sincerely last night. I remember there was real feeling in me, too. What I wanted was to excite an honourable feeling in her.... Her crying was a good thing, it will have a good effect."


Yet I could not feel at ease. All that evening, even when I had come back home, even after nine o'clock, when I calculated that Liza could not possibly come, she still haunted me, and what was worse, she came back to my mind always in the same position. One moment out of all that had happened last night stood vividly before my imagination; the moment when I struck a match and saw her pale, distorted face, with its look of torture. And what a pitiful, what an unnatural, what a distorted smile she had at that moment! But I did not know then, that fifteen years later I should still in my imagination see Liza, always with the pitiful, distorted, inappropriate smile which was on her face at that minute.


Next day I was ready again to look upon it all as nonsense, due to over-excited nerves, and, above all, as exaggerated. I was always conscious of that weak point of mine, and sometimes very much afraid of it. "I exaggerate everything, that is where I go wrong," I repeated to myself every hour. But, however, "Liza will very likely come all the same," was the refrain with which all my reflections ended. I was so uneasy that I sometimes flew into a fury: "She'll come, she is certain to come!" I cried, running about the room, "if not to-day, she will come to-morrow; she'll find me out! The damnable romanticism of these pure hearts! Oh, the vileness--oh, the silliness--oh, the stupidity of these 'wretched sentimental souls!' Why, how fail to understand? How could one fail to understand?..."


But at this point I stopped short, and in great confusion, indeed.


And how few, how few words, I thought, in passing, were needed; how little of the idyllic (and affectedly, bookishly, artificially idyllic too) had sufficed to turn a whole human life at once according to my will. That's virginity, to be sure! Freshness of soil!


At times a thought occurred to me, to go to her, "to tell her all," and beg her not to come to me. But this thought stirred such wrath in me that I believed I should have crushed that "damned" Liza if she had chanced to be near me at the time. I should have insulted her, have spat at her, have turned her out, have struck her!


One day passed, however, another and another; she did not come and I began to grow calmer. I felt particularly bold and cheerful after nine o'clock, I even sometimes began dreaming, and rather sweetly: I, for instance, became the salvation of Liza, simply through her coming to me and my talking to her.... I develop her, educate her. Finally, I notice that she loves me, loves me passionately. I pretend not to understand (I don't know, however, why I pretend, just for effect, perhaps). At last all confusion, transfigured, trembling and sobbing, she flings herself at my feet and says that I am her saviour, and that she loves me better than anything in the world. I am amazed, but.... "Liza," I say, "can you imagine that I have not noticed your love, I saw it all, I divined it, but I did not dare to approach you first, because I had an influence over you and was afraid that you would force yourself, from gratitude, to respond to my love, would try to rouse in your heart a feeling which was perhaps absent, and I did not wish that ... because it would be tyranny ... it would be indelicate (in short, I launch off at that point into European, inexplicably lofty subtleties à la George Sand), but now, now you are mine, you are my creation, you are pure, you are good, you are my noble wife.


'Into my house come bold and free, Its rightful mistress there to be.'"


Then we begin living together, go abroad and so on, and so on. In fact, in the end it seemed vulgar to me myself, and I began putting out my tongue at myself.


Besides, they won't let her out, "the hussy!" I thought. They don't let them go out very readily, especially in the evening (for some reason I fancied she would come in the evening, and at seven o'clock precisely). Though she did say she was not altogether a slave there yet, and had certain rights; so, h'm! Damn it all, she will come, she is sure to come!


It was a good thing, in fact, that Apollon distracted my attention at that time by his rudeness. He drove me beyond all patience! He was the bane of my life, the curse laid upon me by Providence. We had been squabbling continually for years, and I hated him. My God, how I hated him! I believe I had never hated any one in my life as I hated him, especially at some moments. He was an elderly, dignified man, who worked part of his time as a tailor. But for some unknown reason he despised me beyond all measure, and looked down upon me insufferably. Though, indeed, he looked down upon every one. Simply to glance at that flaxen, smoothly brushed head, at the tuft of hair he combed up on his forehead and oiled with sunflower oil, at that dignified mouth, compressed into the shape of the letter V, made one feel one was confronting a man who never doubted of himself. He was a pedant, to the most extreme point, the greatest pedant I had met on earth, and with that had a vanity only befitting Alexander of Macedon. He was in love with every button on his coat, every nail on his fingers--absolutely in love with them, and he looked it! In his behaviour to me he was a perfect tyrant, he spoke very little to me, and if he chanced to glance at me he gave me a firm, majestically self-confident and invariably ironical look that drove me sometimes to fury. He did his work with the air of doing me the greatest favour. Though he did scarcely anything for me, and did not, indeed, consider himself bound to do anything. There could be no doubt that he looked upon me as the greatest fool on earth, and that "he did not get rid of me" was simply that he could get wages from me every month. He consented to do nothing for me for seven roubles a month. Many sins should be forgiven me for what I suffered from him. My hatred reached such a point that sometimes his very step almost threw me into convulsions. What I loathed particularly was his lisp. His tongue must have been a little too long or something of that sort, for he continually lisped, and seemed to be very proud of it, imagining that it greatly added to his dignity. He spoke in a slow, measured tone, with his hands behind his back and his eyes fixed on the ground. He maddened me particularly when he read aloud the psalms to himself behind his partition. Many a battle I waged over that reading! But he was awfully fond of reading aloud in the evenings, in a slow, even, sing-song voice, as though over the dead. It is interesting that that is how he has ended: he hires himself out to read the psalms over the dead, and at the same time he kills rats and makes blacking. But at that time I could not get rid of him, it was as though he were chemically combined with my existence. Besides, nothing would have induced him to consent to leave me. I could not live in furnished lodgings: my lodging was my private solitude, my shell, my cave, in which I concealed myself from all mankind, and Apollon seemed to me, for some reason, an integral part of that flat, and for seven years I could not turn him away.


To be two or three days behind with his wages, for instance, was impossible. He would have made such a fuss, I should not have known where to hide my head. But I was so exasperated with every one during those days, that I made up my mind for some reason and with some object to punish Apollon and not to pay him for a fortnight the wages that were owing him. I had for a long time--for the last two years--been intending to do this, simply in order to teach him not to give himself airs with me, and to show him that if I liked I could withhold his wages. I purposed to say nothing to him about it, and was purposely silent indeed, in order to score off his pride and force him to be the first to speak of his wages. Then I would take the seven roubles out of a drawer, show him I have the money put aside on purpose, but that I won't, I won't, I simply won't pay him his wages, I won't just because that is "what I wish," because "I am master, and it is for me to decide," because he has been disrespectful, because he has been rude; but if he were to ask respectfully I might be softened and give it to him, otherwise he might wait another fortnight, another three weeks, a whole month....


But angry as I was, yet he got the better of me. I could not hold out for four days. He began as he always did begin in such cases, for there had been such cases already, there had been attempts (and it may be observed I knew all this beforehand, I knew his nasty tactics by heart). He would begin by fixing upon me an exceedingly severe stare, keeping it up for several minutes at a time, particularly on meeting me or seeing me out of the house. If I held out and pretended not to notice these stares, he would, still in silence, proceed to further tortures. All at once, à propos of nothing, he would walk softly and smoothly into my room, when I was pacing up and down or reading, stand at the door, one hand behind his back and one foot behind the other, and fix upon me a stare more than severe, utterly contemptuous. If I suddenly asked him what he wanted, he would make me no answer, but continue staring at me persistently for some seconds, then, with a peculiar compression of his lips and a most significant air, deliberately turn round and deliberately go back to his room. Two hours later he would come out again and again present himself before me in the same way. It had happened that in my fury I did not even ask him what he wanted, but simply raised my head sharply and imperiously and began staring back at him. So we stared at one another for two minutes; at last he turned with deliberation and dignity and went back again for two hours.


If I were still not brought to reason by all this, but persisted in my revolt, he would suddenly begin sighing while he looked at me, long, deep sighs as though measuring by them the depths of my moral degradation, and, of course, it ended at last by his triumphing completely: I raged and shouted, but still was forced to do what he wanted.


This time the usual staring manoeuvres had scarcely begun when I lost my temper and flew at him in a fury. I was irritated beyond endurance apart from him.


"Stay," I cried, in a frenzy, as he was slowly and silently turning, with one hand behind his back, to go to his room, "stay! Come back, come back, I tell you!" and I must have bawled so unnaturally, that he turned round and even looked at me with some wonder. However, he persisted in saying nothing, and that infuriated me.


"How dare you come and look at me like that without being sent for? Answer!"


After looking at me calmly for half a minute, he began turning round again.


"Stay!" I roared, running up to him, "don't stir! There. Answer, now: what did you come in to look at?"


"If you have any order to give me it's my duty to carry it out," he answered, after another silent pause, with a slow, measured lisp, raising his eyebrows and calmly twisting his head from one side to another, all this with exasperating composure.


"That's not what I am asking you about, you torturer!" I shouted, turning crimson with anger. "I'll tell you why you came here myself: you see, I don't give you your wages, you are so proud you don't want to bow down and ask for it, and so you come to punish me with your stupid stares, to worry me and you have no sus...pic...ion how stupid it is--stupid, stupid, stupid, stupid!"...


He would have turned round again without a word, but I seized him.


"Listen," I shouted to him. "Here's the money, do you see, here it is" (I took it out of the table drawer); "here's the seven roubles complete, but you are not going to have it, you ... are ... not ... going ... to ... have it until you come respectfully with bowed head to beg my pardon. Do you hear?"


"That cannot be," he answered, with the most unnatural self-confidence.


"It shall be so," I said, "I give you my word of honour, it shall be!"


"And there's nothing for me to beg your pardon for," he went on, as though he had not noticed my exclamations at all. "Why, besides, you called me a 'torturer,' for which I can summon you at the police-station at any time for insulting behaviour."


"Go, summon me," I roared, "go at once, this very minute, this very second! You are a torturer all the same! a torturer!"


But he merely looked at me, then turned, and regardless of my loud calls to him, he walked to his room with an even step and without looking round.


"If it had not been for Liza nothing of this would have happened," I decided inwardly. Then, after waiting a minute, I went myself behind his screen with a dignified and solemn air, though my heart was beating slowly and violently.


"Apollon," I said quietly and emphatically, though I was breathless, "go at once without a minute's delay and fetch the police-officer."


He had meanwhile settled himself at his table, put on his spectacles and taken up some sewing. But, hearing my order, he burst into a guffaw.


"At once, go this minute! Go on, or else you can't imagine what will happen."


"You are certainly out of your mind," he observed, without even raising his head, lisping as deliberately as ever and threading his needle. "Whoever heard of a man sending for the police against himself? And as for being frightened--you are upsetting yourself about nothing, for nothing will come of it."


"Go!" I shrieked, clutching him by the shoulder. I felt I should strike him in a minute.


But I did not notice the door from the passage softly and slowly open at that instant and a figure come in, stop short, and begin staring at us in perplexity. I glanced, nearly swooned with shame, and rushed back to my room. There, clutching at my hair with both hands, I leaned my head against the wall and stood motionless in that position.


Two minutes later I heard Apollon's deliberate footsteps. "There is some woman asking for you," he said, looking at me with peculiar severity. Then he stood aside and let in Liza. He would not go away, but stared at us sarcastically.


"Go away, go away," I commanded in desperation. At that moment my clock began whirring and wheezing and struck seven.


"Into my house come bold and free, Its rightful mistress there to be."


I stood before her crushed, crestfallen, revoltingly confused, and I believe I smiled as I did my utmost to wrap myself in the skirts of my ragged wadded dressing-gown--exactly as I had imagined the scene not long before in a fit of depression. After standing over us for a couple of minutes Apollon went away, but that did not make me more at ease. What made it worse was that she, too, was overwhelmed with confusion, more so, in fact, than I should have expected. At the sight of me, of course.


"Sit down," I said mechanically, moving a chair up to the table, and I sat down on the sofa. She obediently sat down at once and gazed at me open-eyed, evidently expecting something from me at once. This naïveté of expectation drove me to fury, but I restrained myself.


She ought to have tried not to notice, as though everything had been as usual, while instead of that, she ... and I dimly felt that I should make her pay dearly for all this.


"You have found me in a strange position, Liza," I began, stammering and knowing that this was the wrong way to begin. "No, no, don't imagine anything," I cried, seeing that she had suddenly flushed. "I am not ashamed of my poverty.... On the contrary I look with pride on my poverty. I am poor but honourable.... One can be poor and honourable," I muttered. "However ... would you like tea?"...


"No," she was beginning.


I leapt up and ran to Apollon. I had to get out of the room somehow.


"Apollon," I whispered in feverish haste, flinging down before him the seven roubles which had remained all the time in my clenched fist, "here are your wages, you see I give them to you; but for that you must come to my rescue: bring me tea and a dozen rusks from the restaurant. If you won't go, you'll make me a miserable man! You don't know what this woman is.... This is--everything! You may be imagining something.... But you don't know what that woman is!"...


Apollon, who had already sat down to his work and put on his spectacles again, at first glanced askance at the money without speaking or putting down his needle; then, without paying the slightest attention to me or making any answer he went on busying himself with his needle, which he had not yet threaded. I waited before him for three minutes with my arms crossed à la Napoléon. My temples were moist with sweat. I was pale, I felt it. But, thank God, he must have been moved to pity, looking at me. Having threaded his needle he deliberately got up from his seat, deliberately moved back his chair, deliberately took off his spectacles, deliberately counted the money, and finally asking me over his shoulder: "Shall I get a whole portion?" deliberately walked out of the room. As I was going back to Liza, the thought occurred to me on the way: shouldn't I run away just as I was in my dressing-gown, no matter where, and then let happen what would.


I sat down again. She looked at me uneasily. For some minutes we were silent.


"I will kill him," I shouted suddenly, striking the table with my fist so that the ink spurted out of the inkstand.


"What are you saying!" she cried, starting.


"I will kill him! kill him!" I shrieked, suddenly striking the table in absolute frenzy, and at the same time fully understanding how stupid it was to be in such a frenzy. "You don't know, Liza, what that torturer is to me. He is my torturer.... He has gone now to fetch some rusks; he...."


And suddenly I burst into tears. It was an hysterical attack. How ashamed I felt in the midst of my sobs; but still I could not restrain them.


She was frightened.


"What is the matter? What is wrong?" she cried, fussing about me.


"Water, give me water, over there!" I muttered in a faint voice, though I was inwardly conscious that I could have got on very well without water and without muttering in a faint voice. But I was, what is called, putting it on, to save appearances, though the attack was a genuine one.


She gave me water, looking at me in bewilderment. At that moment Apollon brought in the tea. It suddenly seemed to me that this commonplace, prosaic tea was horribly undignified and paltry after all that had happened, and I blushed crimson. Liza looked at Apollon with positive alarm. He went out without a glance at either of us.


"Liza, do you despise me?" I asked, looking at her fixedly, trembling with impatience to know what she was thinking.


She was confused, and did not know what to answer.


"Drink your tea," I said to her angrily. I was angry with myself, but, of course, it was she who would have to pay for it. A horrible spite against her suddenly surged up in my heart; I believe I could have killed her. To revenge myself on her I swore inwardly not to say a word to her all the time. "She is the cause of it all," I thought.


Our silence lasted for five minutes. The tea stood on the table; we did not touch it. I had got to the point of purposely refraining from beginning in order to embarrass her further; it was awkward for her to begin alone. Several times she glanced at me with mournful perplexity. I was obstinately silent. I was, of course, myself the chief sufferer, because I was fully conscious of the disgusting meanness of my spiteful stupidity, and yet at the same time I could not restrain myself.


"I want to ... get away ... from there altogether," she began, to break the silence in some way, but, poor girl, that was just what she ought not to have spoken about at such a stupid moment to a man so stupid as I was. My heart positively ached with pity for her tactless and unnecessary straightforwardness. But something hideous at once stifled all compassion in me; it even provoked me to greater venom. I did not care what happened. Another five minutes passed.


"Perhaps I am in your way," she began timidly, hardly audibly, and was getting up.


But as soon as I saw this first impulse of wounded dignity I positively trembled with spite, and at once burst out.


"Why have you come to me, tell me that, please?" I began, gasping for breath and regardless of logical connection in my words. I longed to have it all out at once, at one burst; I did not even trouble how to begin. "Why have you come? Answer, answer," I cried, hardly knowing what I was doing. "I'll tell you, my good girl, why you have come. You've come because I talked sentimental stuff to you then. So now you are soft as butter and longing for fine sentiments again. So you may as well know that I was laughing at you then. And I am laughing at you now. Why are you shuddering? Yes, I was laughing at you! I had been insulted just before, at dinner, by the fellows who came that evening before me. I came to you, meaning to thrash one of them, an officer; but I didn't succeed, I didn't find him; I had to avenge the insult on some one to get back my own again; you turned up, I vented my spleen on you and laughed at you. I had been humiliated, so I wanted to humiliate; I had been treated like a rag, so I wanted to show my power.... That's what it was, and you imagined I had come there on purpose to save you. Yes? You imagined that? You imagined that?"


I knew that she would perhaps be muddled and not take it all in exactly, but I knew, too, that she would grasp the gist of it, very well indeed. And so, indeed, she did. She turned white as a handkerchief, tried to say something, and her lips worked painfully; but she sank on a chair as though she had been felled by an axe. And all the time afterwards she listened to me with her lips parted and her eyes wide open, shuddering with awful terror. The cynicism, the cynicism of my words overwhelmed her....


"Save you!" I went on, jumping up from my chair and running up and down the room before her. "Save you from what? But perhaps I am worse than you myself. Why didn't you throw it in my teeth when I was giving you that sermon: 'But what did you come here yourself for? was it to read us a sermon?' Power, power was what I wanted then, sport was what I wanted, I wanted to wring out your tears, your humiliation, your hysteria--that was what I wanted then! Of course, I couldn't keep it up then, because I am a wretched creature, I was frightened, and, the devil knows why, gave you my address in my folly. Afterwards, before I got home, I was cursing and swearing at you because of that address, I hated you already because of the lies I had told you. Because I only like playing with words, only dreaming, but, do you know, what I really want is that you should all go to hell. That is what I want. I want peace; yes, I'd sell the whole world for a farthing, straight off, so long as I was left in peace. Is the world to go to pot, or am I to go without my tea? I say that the world may go to pot for me so long as I always get my tea. Did you know that, or not? Well, anyway, I know that I am a blackguard, a scoundrel, an egoist, a sluggard. Here I have been shuddering for the last three days at the thought of your coming. And do you know what has worried me particularly for these three days? That I posed as such a hero to you, and now you would see me in a wretched torn dressing-gown, beggarly, loathsome. I told you just now that I was not ashamed of my poverty; so you may as well know that I am ashamed of it; I am more ashamed of it than of anything, more afraid of it than of being found out if I were a thief, because I am as vain as though I had been skinned and the very air blowing on me hurt. Surely by now you must realize that I shall never forgive you for having found me in this wretched dressing-gown, just as I was flying at Apollon like a spiteful cur. The saviour, the former hero, was flying like a mangy, unkempt sheep-dog at his lackey, and the lackey was jeering at him! And I shall never forgive you for the tears I could not help shedding before you just now, like some silly woman put to shame! And for what I am confessing to you now, I shall never forgive you either! Yes--you must answer for it all because you turned up like this, because I am a blackguard, because I am the nastiest, stupidest, absurdest and most envious of all the worms on earth, who are not a bit better than I am, but, the devil knows why, are never put to confusion; while I shall always be insulted by every louse, that is my doom! And what is it to me that you don't understand a word of this! And what do I care, what do I care about you, and whether you go to ruin there or not? Do you understand? How I shall hate you now after saying this, for having been here and listening. Why, it's not once in a lifetime a man speaks out like this, and then it is in hysterics!... What more do you want? Why do you still stand confronting me, after all this? Why are you worrying me? Why don't you go?"


But at this point a strange thing happened. I was so accustomed to think and imagine everything from books, and to picture everything in the world to myself just as I had made it up in my dreams beforehand, that I could not all at once take in this strange circumstance. What happened was this: Liza, insulted and crushed by me, understood a great deal more than I imagined. She understood from all this what a woman understands first of all, if she feels genuine love, that is, that I was myself unhappy.


The frightened and wounded expression on her face was followed first by a look of sorrowful perplexity. When I began calling myself a scoundrel and a blackguard and my tears flowed (the tirade was accompanied throughout by tears) her whole face worked convulsively. She was on the point of getting up and stopping me; when I finished she took no notice of my shouting: "Why are you here, why don't you go away?" but realized only that it must have been very bitter to me to say all this. Besides, she was so crushed, poor girl; she considered herself infinitely beneath me; how could she feel anger or resentment? She suddenly leapt up from her chair with an irresistible impulse and held out her hands, yearning towards me, though still timid and not daring to stir.... At this point there was a revulsion in my heart, too. Then she suddenly rushed to me, threw her arms round me and burst into tears. I, too, could not restrain myself, and sobbed as I never had before.


"They won't let me.... I can't be good!" I managed to articulate; then I went to the sofa, fell on it face downwards, and sobbed on it for a quarter of an hour in genuine hysterics. She came close to me, put her arms round me and stayed motionless in that position. But the trouble was that the hysterics could not go on for ever, and (I am writing the loathsome truth) lying face downwards on the sofa with my face thrust into my nasty leather pillow, I began by degrees to be aware of a far-away, involuntary but irresistible feeling that it would be awkward now for me to raise my head and look Liza straight in the face. Why was I ashamed? I don't know, but I was ashamed. The thought, too, came into my overwrought brain that our parts now were completely changed, that she was now the heroine, while I was just such a crushed and humiliated creature as she had been before me that night--four days before.... And all this came into my mind during the minutes I was lying on my face on the sofa.


My God! surely I was not envious of her then.


I don't know, to this day I cannot decide, and at the time, of course, I was still less able to understand what I was feeling than now. I cannot get on without domineering and tyrannizing over some one, but ... there is no explaining anything by reasoning and so it is useless to reason.


I conquered myself, however, and raised my head; I had to do so sooner or later ... and I am convinced to this day that it was just because I was ashamed to look at her that another feeling was suddenly kindled and flamed up in my heart ... a feeling of mastery and possession. My eyes gleamed with passion, and I gripped her hands tightly. How I hated her and how I was drawn to her at that minute! The one feeling intensified the other. It was almost like an act of vengeance. At first there was a look of amazement, even of terror on her face, but only for one instant. She warmly and rapturously embraced me.


A quarter of an hour later I was rushing up and down the room in frenzied impatience, from minute to minute I went up to the screen and peeped through the crack at Liza. She was sitting on the ground with her head leaning against the bed, and must have been crying. But she did not go away, and that irritated me. This time she understood it all. I had insulted her finally, but ... there's no need to describe it. She realized that my outburst of passion had been simply revenge, a fresh humiliation, and that to my earlier, almost causeless hatred was added now a personal hatred, born of envy.... Though I do not maintain positively that she understood all this distinctly; but she certainly did fully understand that I was a despicable man, and what was worse, incapable of loving her.


I know I shall be told that this is incredible--but it is incredible to be as spiteful and stupid as I was; it may be added that it was strange I should not love her, or at any rate, appreciate her love. Why is it strange? In the first place, by then I was incapable of love, for I repeat, with me loving meant tyrannizing and showing my moral superiority. I have never in my life been able to imagine any other sort of love, and have nowadays come to the point of sometimes thinking that love really consists in the right--freely given by the beloved object--to tyrannize over her.


Even in my underground dreams I did not imagine love except as a struggle. I began it always with hatred and ended it with moral subjugation, and afterwards I never knew what to do with the subjugated object. And what is there to wonder at in that, since I had succeeded in so corrupting myself, since I was so out of touch with "real life," as to have actually thought of reproaching her, and putting her to shame for having come to me to hear "fine sentiments"; and did not even guess that she had come not to hear fine sentiments, but to love me, because to a woman all reformation, all salvation from any sort of ruin, and all moral renewal is included in love and can only show itself in that form.


I did not hate her so much, however, when I was running about the room and peeping through the crack in the screen. I was only insufferably oppressed by her being here. I wanted her to disappear. I wanted "peace," to be left alone in my underground world. Real life oppressed me with its novelty so much that I could hardly breathe.


But several minutes passed and she still remained, without stirring, as though she were unconscious. I had the shamelessness to tap softly at the screen as though to remind her.... She started, sprang up, and flew to seek her kerchief, her hat, her coat, as though making her escape from me.... Two minutes later she came from behind the screen and looked with heavy eyes at me. I gave a spiteful grin, which was forced, however, to keep up appearances, and I turned away from her eyes.


"Good-bye," she said, going towards the door.


I ran up to her, seized her hand, opened it, thrust something in it and closed it again. Then I turned at once and dashed away in haste to the other corner of the room to avoid seeing, anyway....


I did mean a moment since to tell a lie--to write that I did this accidentally, not knowing what I was doing through foolishness, through losing my head. But I don't want to lie, and so I will say straight out that I opened her hand and put the money in it ... from spite. It came into my head to do this while I was running up and down the room and she was sitting behind the screen. But this I can say for certain: though I did that cruel thing purposely, it was not an impulse from the heart, but came from my evil brain. This cruelty was so affected, so purposely made up, so completely a product of the brain, of books, that I could not even keep it up a minute--first I dashed away to avoid seeing her, and then in shame and despair rushed after Liza. I opened the door in the passage and began listening.


"Liza! Liza!" I cried on the stairs, but in a low voice, not boldly.


There was no answer, but I fancied I heard her footsteps, lower down on the stairs.


"Liza!" I cried, more loudly.


No answer. But at that minute I heard the stiff outer glass door open heavily with a creak and slam violently, the sound echoed up the stairs.


She had gone. I went back to my room in hesitation. I felt horribly oppressed.


I stood still at the table, beside the chair on which she had sat and looked aimlessly before me. A minute passed, suddenly I started; straight before me on the table I saw.... In short, I saw a crumpled blue five-rouble note, the one I had thrust into her hand a minute before. It was the same note; it could be no other, there was no other in the flat. So she had managed to fling it from her hand on the table at the moment when I had dashed into the further corner.


Well! I might have expected that she would do that. Might I have expected it? No, I was such an egoist, I was so lacking in respect for my fellow-creatures that I could not even imagine she would do so. I could not endure it. A minute later I flew like a madman to dress, flinging on what I could at random and ran headlong after her. She could not have got two hundred paces away when I ran out into the street.


It was a still night and the snow was coming down in masses and falling almost perpendicularly, covering the pavement and the empty street as though with a pillow. There was no one in the street, no sound was to be heard. The street lamps gave a disconsolate and useless glimmer. I ran two hundred paces to the cross-roads and stopped short.


Where had she gone? And why was I running after her?


Why? To fall down before her, to sob with remorse, to kiss her feet, to entreat her forgiveness! I longed for that, my whole breast was being rent to pieces, and never, never shall I recall that minute with indifference. But--what for? I thought. Should I not begin to hate her, perhaps, even to-morrow, just because I had kissed her feet to-day? Should I give her happiness? Had I not recognized that day, for the hundredth time, what I was worth? Should I not torture her?


I stood in the snow, gazing into the troubled darkness and pondered this.


"And will it not be better?" I mused fantastically, afterwards at home, stifling the living pang of my heart with fantastic dreams. "Will it not be better that she should keep the resentment of the insult for ever? Resentment--why, it is purification; it is a most stinging and painful consciousness! To-morrow I should have defiled her soul and have exhausted her heart, while now the feeling of insult will never die in her heart, and however loathsome the filth awaiting her--the feeling of insult will elevate and purify her ... by hatred ... h'm! ... perhaps, too, by forgiveness.... Will all that make things easier for her though?..."


And, indeed, I will ask on my own account here, an idle question: which is better--cheap happiness or exalted sufferings? Well, which is better?


So I dreamed as I sat at home that evening, almost dead with the pain in my soul. Never had I endured such suffering and remorse, yet could there have been the faintest doubt when I ran out from my lodging that I should turn back half-way? I never met Liza again and I have heard nothing of her. I will add, too, that I remained for a long time afterwards pleased with the phrase about the benefit from resentment and hatred in spite of the fact that I almost fell ill from misery.


Even now, so many years later, all this is somehow a very evil memory. I have many evil memories now, but ... hadn't I better end my "Notes" here? I believe I made a mistake in beginning to write them, anyway I have felt ashamed all the time I've been writing this story; so it's hardly literature so much as a corrective punishment. Why, to tell long stories, showing how I have spoiled my life through morally rotting in my corner, through lack of fitting environment, through divorce from real life, and rankling spite in my underground world, would certainly not be interesting; a novel needs a hero, and all the traits for an anti-hero are expressly gathered together here, and what matters most, it all produces an unpleasant impression, for we are all divorced from life, we are all cripples, every one of us, more or less. We are so divorced from it that we feel at once a sort of loathing for real life, and so cannot bear to be reminded of it. Why, we have come almost to looking upon real life as an effort, almost as hard work, and we are all privately agreed that it is better in books. And why do we fuss and fume sometimes? Why are we perverse and ask for something else? We don't know what ourselves. It would be the worse for us if our petulant prayers were answered. Come, try, give any one of us, for instance, a little more independence, untie our hands, widen the spheres of our activity, relax the control and we ... yes, I assure you ... we should be begging to be under control again at once. I know that you will very likely be angry with me for that, and will begin shouting and stamping. Speak for yourself, you will say, and for your miseries in your underground holes, and don't dare to say all of us--excuse me, gentlemen, I am not justifying myself with that "all of us." As for what concerns me in particular I have only in my life carried to an extreme what you have not dared to carry half-way, and what's more, you have taken your cowardice for good sense, and have found comfort in deceiving yourselves. So that perhaps, after all, there is more life in me than in you. Look into it more carefully! Why, we don't even know what living means now, what it is, and what it is called? Leave us alone without books and we shall be lost and in confusion at once. We shall not know what to join on to, what to cling to, what to love and what to hate, what to respect and what to despise. We are oppressed at being men--men with a real individual body and blood, we are ashamed of it, we think it a disgrace and try to contrive to be some sort of impossible generalized man. We are stillborn, and for generations past have been begotten, not by living fathers, and that suits us better and better. We are developing a taste for it. Soon we shall contrive to be born somehow from an idea. But enough; I don't want to write more from "Underground."


[The notes of this paradoxalist do not end here, however. He could not refrain from going on with them, but it seems to us that we may stop here.]


Under the same roof in the same flat on the same fourth storey lived two young men, colleagues in the service, Arkady Ivanovitch Nefedevitch and Vasya Shumkov.... The author of course, feels the necessity of explaining to the reader why one is given his full title, while the other's name is abbreviated, if only that such a mode of expression may not be regarded as unseemly and rather familiar. But, to do so, it would first be necessary to explain and describe the rank and years and calling and duty in the service, and even, indeed, the characters of the persons concerned; and since there are so many writers who begin in that way, the author of the proposed story, solely in order to be unlike them (that is, some people will perhaps say, entirely on account of his boundless vanity), decides to begin straightaway with action. Having completed this introduction, he begins.


Towards six o'clock on New Year's Eve Shumkov returned home. Arkady Ivanovitch, who was lying on the bed, woke up and looked at his friend with half-closed eyes. He saw that Vasya had on his very best trousers and a very clean shirt front. That, of course, struck him. "Where had Vasya to go like that? And he had not dined at home either!" Meanwhile, Shumkov had lighted a candle, and Arkady Ivanovitch guessed immediately that his friend was intending to wake him accidentally. Vasya did, in fact, clear his throat twice, walked twice up and down the room, and at last, quite accidentally, let the pipe, which he had begun filling in the corner by the stove, slip out of his hands. Arkady Ivanovitch laughed to himself.


"I really cannot say for certain; it seems to me I am not."


"Oh, Arkasha! How are you, dear boy? Well, brother! Well, brother!... You don't know what I have to tell you!"


"I certainly don't know; come here."


As though expecting this, Vasya went up to him at once, not at all anticipating, however, treachery from Arkady Ivanovitch. The other seized him very adroitly by the arms, turned him over, held him down, and began, as it is called, "strangling" his victim, and apparently this proceeding afforded the lighthearted Arkady Ivanovitch great satisfaction.


"Caught!" he cried. "Caught!"


"Arkasha, Arkasha, what are you about? Let me go. For goodness sake, let me go, I shall crumple my dress coat!"


"As though that mattered! What do you want with a dress coat? Why were you so confiding as to put yourself in my hands? Tell me, where have you been? Where have you dined?"


"Where have you dined?"


"Why, it's about that I want to tell you."


"Tell away, then."


"Not a bit of it, I won't let you go till you tell me!"


"Arkasha! Arkasha! But do you understand, I can't--it is utterly impossible!" cried Vasya, helplessly wriggling out of his friend's powerful clutches, "you know there are subjects!"


"How--subjects?"...


"Why, subjects that you can't talk about in such a position without losing your dignity; it's utterly impossible; it would make it ridiculous, and this is not a ridiculous matter, it is important."


"Here, he's going in for being important! That's a new idea! You tell me so as to make me laugh, that's how you must tell me; I don't want anything important; or else you are no true friend of mine. Do you call yourself a friend? Eh?"


"Arkasha, I really can't!"


"Well, I don't want to hear...."


"Well, Arkasha!" began Vasya, lying across the bed and doing his utmost to put all the dignity possible into his words. "Arkasha! If you like, I will tell you; only...."


"Well, what?..."


"Well, I am engaged to be married!"


Without uttering another word Arkady Ivanovitch took Vasya up in his arms like a baby, though the latter was by no means short, but rather long and thin, and began dexterously carrying him up and down the room, pretending that he was hushing him to sleep.


"I'll put you in your swaddling clothes, Master Bridegroom," he kept saying. But seeing that Vasya lay in his arms, not stirring or uttering a word, he thought better of it at once, and reflecting that the joke had gone too far, set him down in the middle of the room and kissed him on the cheek in the most genuine and friendly way.


"Come, it's New Year's Eve."


"Oh, I'm all right; but why are you such a madman, such a scatterbrain? How many times I have told you: Arkasha, it's really not funny, not funny at all!"


"Oh, I'm all right; am I ever angry with any one! But you have wounded me, do you understand?"


"But how have I wounded you? In what way?"


"I come to you as to a friend, with a full heart, to pour out my soul to you, to tell you of my happiness...."


"What happiness? Why don't you speak?..."


"Oh, well, I am going to get married!" Vasya answered with vexation, for he really was a little exasperated.


"You! You are going to get married! So you really mean it?" Arkasha cried at the top of his voice. "No, no ... but what's this? He talks like this and his tears are flowing.... Vasya, my little Vasya, don't, my little son! Is it true, really?" And Arkady Ivanovitch flew to hug him again.


"Well, do you see, how it is now?" said Vasya. "You are kind, of course, you are a friend, I know that. I come to you with such joy, such rapture, and all of a sudden I have to disclose all the joy of my heart, all my rapture struggling across the bed, in an undignified way.... You understand, Arkasha," Vasya went on, half laughing. "You see, it made it seem comic: and in a sense I did not belong to myself at that minute. I could not let this be slighted.... What's more, if you had asked me her name, I swear, I would sooner you killed me than have answered you."


"But, Vasya, why did you not speak! You should have told me all about it sooner and I would not have played the fool!" cried Arkady Ivanovitch in genuine despair.


"Come, that's enough, that's enough! Of course, that's how it is.... You know what it all comes from--from my having a good heart. What vexes me is, that I could not tell you as I wanted to, making you glad and happy, telling you nicely and initiating you into my secret properly.... Really, Arkasha, I love you so much that I believe if it were not for you I shouldn't be getting married, and, in fact, I shouldn't be living in this world at all!"


Arkady Ivanovitch, who was excessively sentimental, cried and laughed at once as he listened to Vasya. Vasya did the same. Both flew to embrace one another again and forgot the past.


"How is it--how is it? Tell me all about it, Vasya! I am astonished, excuse me, brother, but I am utterly astonished; it's a perfect thunderbolt, by Jove! Nonsense, nonsense, brother, you have made it up, you've really made it up, you are telling fibs!" cried Arkady Ivanovitch, and he actually looked into Vasya's face with genuine uncertainty, but seeing in it the radiant confirmation of a positive intention of being married as soon as possible, threw himself on the bed and began rolling from side to side in ecstasy till the walls shook.


"Vasya, sit here," he said at last, sitting down on the bed.


"I really don't know, brother, where to begin!"


They looked at one another in joyful excitement.


"Who is she, Vasya?"


"The Artemyevs!..." Vasya pronounced, in a voice weak with emotion.


"Well, I did buzz into your ears about them at first, and then I shut up, and you noticed nothing. Ah, Arkasha, if you knew how hard it was to keep it from you; but I was afraid, afraid to speak! I thought it would all go wrong, and you know I was in love, Arkasha! My God! my God! You see this was the trouble," he began, pausing continually from agitation, "she had a suitor a year ago, but he was suddenly ordered somewhere; I knew him--he was a fellow, bless him! Well, he did not write at all, he simply vanished. They waited and waited, wondering what it meant.... Four months ago he suddenly came back married, and has never set foot within their doors! It was coarse--shabby! And they had no one to stand up for them. She cried and cried, poor girl, and I fell in love with her ... indeed, I had been in love with her long before, all the time! I began comforting her, and was always going there.... Well, and I really don't know how it has all come about, only she came to love me; a week ago I could not restrain myself, I cried, I sobbed, and told her everything--well, that I love her--everything, in fact!... 'I am ready to love you, too, Vassily Petrovitch, only I am a poor girl, don't make a mock of me; I don't dare to love any one.' Well, brother, you understand! You understand?... On that we got engaged on the spot. I kept thinking and thinking and thinking and thinking, I said to her, 'How are we to tell your mother?' She said, 'It will be hard, wait a little; she's afraid, and now maybe she would not let you have me; she keeps crying, too.' Without telling her I blurted it out to her mother to-day. Lizanka fell on her knees before her, I did the same ... well, she gave us her blessing. Arkasha, Arkasha! My dear fellow! We will live together. No, I won't part from you for anything."


"Vasya, look at you as I may, I can't believe it. I don't believe it, I swear. I keep feeling as though.... Listen, how can you be engaged to be married?... How is it I didn't know, eh? Do you know, Vasya, I will confess it to you now. I was thinking of getting married myself; but now since you are going to be married, it is just as good! Be happy, be happy!..."


"Brother, I feel so lighthearted now, there is such sweetness in my soul ..." said Vasya, getting up and pacing about the room excitedly. "Don't you feel the same? We shall be poor, of course, but we shall be happy; and you know it is not a wild fancy; our happiness is not a fairy tale; we shall be happy in reality!..."


"What?" said Vasya, standing before Arkady Ivanovitch.


"The idea occurs to me; I am really afraid to say it to you.... Forgive me, and settle my doubts. What are you going to live on? You know I am delighted that you are going to be married, of course, I am delighted, and I don't know what to do with myself, but--what are you going to live on? Eh?"


"Oh, good Heavens! What a fellow you are, Arkasha!" said Vasya, looking at Nefedevitch in profound astonishment. "What do you mean? Even her old mother, even she did not think of that for two minutes when I put it all clearly before her. You had better ask what they are living on! They have five hundred roubles a year between the three of them: the pension, which is all they have, since the father died. She and her old mother and her little brother, whose schooling is paid for out of that income too--that is how they live! It's you and I are the capitalists! Some good years it works out to as much as seven hundred for me."


"I say, Vasya, excuse me; I really ... you know I ... I am only thinking how to prevent things going wrong. How do you mean, seven hundred? It's only three hundred...."


"Three hundred!... And Yulian Mastakovitch? Have you forgotten him?"


"Yulian Mastakovitch? But you know that's uncertain, brother; that's not the same thing as three hundred roubles of secure salary, where every rouble is a friend you can trust. Yulian Mastakovitch, of course, he's a great man, in fact, I respect him, I understand him, though he is so far above us; and, by Jove, I love him, because he likes you and gives you something for your work, though he might not pay you, but simply order a clerk to work for him--but you will agree, Vasya.... Let me tell you, too, I am not talking nonsense. I admit in all Petersburg you won't find a handwriting like your handwriting, I am ready to allow that to you," Nefedevitch concluded, not without enthusiasm. "But, God forbid! you may displease him all at once, you may not satisfy him, your work with him may stop, he may take another clerk--all sorts of things may happen, in fact! You know, Yulian Mastakovitch may be here to-day and gone to-morrow...."


"Well, Arkasha, the ceiling might fall on our heads this minute."


"Oh, of course, of course, I mean nothing."


"But listen, hear what I have got to say--you know, I don't see how he can part with me.... No, hear what I have to say! hear what I have to say! You see, I perform all my duties punctually; you know how kind he is, you know, Arkasha, he gave me fifty roubles in silver to-day!"


"Did he really, Vasya? A bonus for you?"


"Bonus, indeed, it was out of his own pocket. He said: 'Why, you have had no money for five months, brother, take some if you want it; thank you, I am satisfied with you.'... Yes, really! 'Yes, you don't work for me for nothing,' said he. He did, indeed, that's what he said. It brought tears into my eyes, Arkasha. Good Heavens, yes!"


"I say, Vasya, have you finished copying those papers?..."


"No.... I haven't finished them yet."


"Vas...ya! My angel! What have you been doing?"


"Listen, Arkasha, it doesn't matter, they are not wanted for another two days, I have time enough...."


"How is it you have not done them?"


"That's all right, that's all right. You look so horror-stricken that you turn me inside out and make my heart ache! You are always going on at me like this! He's for ever crying out: Oh, oh, oh!!! Only consider, what does it matter? Why, I shall finish it, of course I shall finish it...."


"What if you don't finish it?" cried Arkady, jumping up, "and he has made you a present to-day! And you going to be married.... Tut, tut, tut!..."


"It's all right, it's all right," cried Shumkov, "I shall sit down directly, I shall sit down this minute."


"How did you come to leave it, Vasya?"


"Oh, Arkasha! How could I sit down to work! Have I been in a fit state? Why, even at the office I could scarcely sit still, I could scarcely bear the beating of my heart.... Oh! oh! Now I shall work all night, and I shall work all to-morrow night, and the night after, too--and I shall finish it."


"Is there a great deal left?"


"Don't hinder me, for goodness' sake, don't hinder me; hold your tongue."


Arkady Ivanovitch went on tip-toe to the bed and sat down, then suddenly wanted to get up, but was obliged to sit down again, remembering that he might interrupt him, though he could not sit still for excitement: it was evident that the news had thoroughly upset him, and the first thrill of delight had not yet passed off. He glanced at Shumkov; the latter glanced at him, smiled, and shook his finger at him, then, frowning severely (as though all his energy and the success of his work depended upon it), fixed his eyes on the papers.


It seemed that he, too, could not yet master his emotion; he kept changing his pen, fidgeting in his chair, re-arranging things, and setting to work again, but his hand trembled and refused to move.


"Arkasha, I've talked to them about you," he cried suddenly, as though he had just remembered it.


"Yes," cried Arkasha, "I was just wanting to ask you that. Well?"


"Well, I'll tell you everything afterwards. Of course, it is my own fault, but it quite went out of my head that I didn't mean to say anything till I had written four pages, but I thought of you and of them. I really can't write, brother, I keep thinking about you...."


A silence followed.


"Phew! What a horrid pen," cried Shumkov, flinging it on the table in vexation. He took another.


"Well, make haste, and for the last time."


"Have you a great deal left to do?"


"Ah, brother!" Vasya frowned, as though there could be nothing more terrible and murderous in the whole world than such a question. "A lot, a fearful lot."


"Do you know, I have an idea----"


"Oh, never mind, never mind; go on writing."


"Why, what? what?"


Here Nefedevitch smiled and winked slyly at Vasya, though with a certain timidity, not knowing how Vasya would take it.


"Well, what is it?" said Vasya, throwing down his pen, looking him straight in the face and actually turning pale with excitement.


"Do you know what?"


"For goodness sake, what is it?"


"I tell you what, you are excited, you won't get much done.... Stop, stop, stop! I have it, I have it--listen," said Nefedevitch, jumping up from the bed in delight, preventing Vasya from speaking and doing his utmost to ward off all objections; "first of all you must get calm, you must pull yourself together, mustn't you?"


"Arkasha, Arkasha!" cried Vasya, jumping up from his chair, "I will work all night, I will, really."


"Of course, of course, you won't go to bed till morning."


"I won't go to bed, I won't go to bed at all."


"No, that won't do, that won't do: you must sleep, go to bed at five. I will call you at eight. To-morrow is a holiday; you can sit and scribble away all day long.... Then the night and--but have you a great deal left to do?"


Vasya, quivering with excitement and suspense, showed the manuscript: "Look!"


"I say, brother, that's not much."


"My dear fellow, there's some more of it," said Vasya, looking very timidly at Nefedevitch, as though the decision whether he was to go or not depended upon the latter.


"Two signatures."


"Well, what's that? Come, I tell you what. We shall have time to finish it, by Jove, we shall!"


"Vasya, listen! To-night, on New Year's Eve, every one is at home with his family. You and I are the only ones without a home or relations.... Oh, Vasya!"


Nefedevitch clutched Vasya and hugged him in his leonine arms.


"Arkasha, it's settled."


"Vasya, boy, I only wanted to say this. You see, Vasya--listen, bandy-legs, listen!..."


Arkady stopped, with his mouth open, because he could not speak for delight. Vasya held him by the shoulders, gazed into his face and moved his lips, as though he wanted to speak for him.


"Well," he brought out at last.


"Introduce me to them to-day."


"Arkady, let us go to tea there. I tell you what, I tell you what. We won't even stay to see in the New Year, we'll come away earlier," cried Vasya, with genuine inspiration.


"That is, we'll go for two hours, neither more nor less...."


"And then separation till I have finished...."


Three minutes later Arkady was dressed in his best. Vasya did nothing but brush himself, because he had been in such haste to work that he had not changed his trousers.


They hurried out into the street, each more pleased than the other. Their way lay from the Petersburg Side to Kolomna. Arkady Ivanovitch stepped out boldly and vigorously, so that from his walk alone one could see how glad he was at the good fortune of his friend, who was more and more radiant with happiness. Vasya trotted along with shorter steps, though his deportment was none the less dignified. Arkady Ivanovitch, in fact, had never seen him before to such advantage. At that moment he actually felt more respect for him, and Vasya's physical defect, of which the reader is not yet aware (Vasya was slightly deformed), which always called forth a feeling of loving sympathy in Arkady Ivanovitch's kind heart, contributed to the deep tenderness the latter felt for him at this moment, a tenderness of which Vasya was in every way worthy. Arkady Ivanovitch felt ready to weep with happiness, but he restrained himself.


"Where are you going, where are you going, Vasya? It is nearer this way," he cried, seeing that Vasya was making in the direction of Voznesenky.


"Hold your tongue, Arkasha."


"It really is nearer, Vasya."


"Do you know what, Arkasha?" Vasya began mysteriously, in a voice quivering with joy, "I tell you what, I want to take Lizanka a little present."


"What sort of present?"


"At the corner here, brother, is Madame Leroux's, a wonderful shop."


"A cap, my dear, a cap; I saw such a charming little cap to-day. I inquired, I was told it was the façon Manon Lescaut--a delightful thing. Cherry-coloured ribbons, and if it is not dear ... Arkasha, even if it is dear...."


"I think you are superior to any of the poets, Vasya. Come along."