When he reached home Prince Andrew began thinking of his life in Petersburg during those last four months as if it were something new. He recalled his exertions and solicitations, and the history of his project of army reform, which had been accepted for consideration and which they were trying to pass over in silence simply because another, a very poor one, had already been prepared and submitted to the Emperor. He thought of the meetings of a committee of which Berg was a member. He remembered how carefully and at what length everything relating to form and procedure was discussed at those meetings, and how sedulously and promptly all that related to the gist of the business was evaded. He recalled his labors on the Legal Code, and how painstakingly he had translated the articles of the Roman and French codes into Russian, and he felt ashamed of himself. Then he vividly pictured to himself Boguchárovo, his occupations in the country, his journey to Ryazán; he remembered the peasants and Dron the village elder, and mentally applying to them the Personal Rights he had divided into paragraphs, he felt astonished that he could have spent so much time on such useless work.


Next day Prince Andrew called at a few houses he had not visited before, and among them at the Rostóvs' with whom he had renewed acquaintance at the ball. Apart from considerations of politeness which demanded the call, he wanted to see that original, eager girl who had left such a pleasant impression on his mind, in her own home.


Natásha was one of the first to meet him. She was wearing a dark-blue house dress in which Prince Andrew thought her even prettier than in her ball dress. She and all the Rostóv family welcomed him as an old friend, simply and cordially. The whole family, whom he had formerly judged severely, now seemed to him to consist of excellent, simple, and kindly people. The old count's hospitality and good nature, which struck one especially in Petersburg as a pleasant surprise, were such that Prince Andrew could not refuse to stay to dinner. "Yes," he thought, "they are capital people, who of course have not the slightest idea what a treasure they possess in Natásha; but they are kindly folk and form the best possible setting for this strikingly poetic, charming girl, overflowing with life!"


In Natásha Prince Andrew was conscious of a strange world completely alien to him and brimful of joys unknown to him, a different world, that in the Otrádnoe avenue and at the window that moonlight night had already begun to disconcert him. Now this world disconcerted him no longer and was no longer alien to him, but he himself having entered it found in it a new enjoyment.


After dinner Natásha, at Prince Andrew's request, went to the clavichord and began singing. Prince Andrew stood by a window talking to the ladies and listened to her. In the midst of a phrase he ceased speaking and suddenly felt tears choking him, a thing he had thought impossible for him. He looked at Natásha as she sang, and something new and joyful stirred in his soul. He felt happy and at the same time sad. He had absolutely nothing to weep about yet he was ready to weep. What about? His former love? The little princess? His disillusionments?... His hopes for the future?... Yes and no. The chief reason was a sudden, vivid sense of the terrible contrast between something infinitely great and illimitable within him and that limited and material something that he, and even she, was. This contrast weighed on and yet cheered him while she sang.


As soon as Natásha had finished she went up to him and asked how he liked her voice. She asked this and then became confused, feeling that she ought not to have asked it. He smiled, looking at her, and said he liked her singing as he liked everything she did.


Prince Andrew left the Rostóvs' late in the evening. He went to bed from habit, but soon realized that he could not sleep. Having lit his candle he sat up in bed, then got up, then lay down again not at all troubled by his sleeplessness: his soul was as fresh and joyful as if he had stepped out of a stuffy room into God's own fresh air. It did not enter his head that he was in love with Natásha; he was not thinking about her, but only picturing her to himself, and in consequence all life appeared in a new light. "Why do I strive, why do I toil in this narrow, confined frame, when life, all life with all its joys, is open to me?" said he to himself. And for the first time for a very long while he began making happy plans for the future. He decided that he must attend to his son's education by finding a tutor and putting the boy in his charge, then he ought to retire from the service and go abroad, and see England, Switzerland and Italy. "I must use my freedom while I feel so much strength and youth in me," he said to himself. "Pierre was right when he said one must believe in the possibility of happiness in order to be happy, and now I do believe in it. Let the dead bury their dead, but while one has life one must live and be happy!" thought he.


One morning Colonel Berg, whom Pierre knew as he knew everybody in Moscow and Petersburg, came to see him. Berg arrived in an immaculate brand-new uniform, with his hair pomaded and brushed forward over his temples as the Emperor Alexander wore his hair.


"I have just been to see the countess, your wife. Unfortunately she could not grant my request, but I hope, Count, I shall be more fortunate with you," he said with a smile.


"What is it you wish, Colonel? I am at your service."


"I have now quite settled in my new rooms, Count" (Berg said this with perfect conviction that this information could not but be agreeable), "and so I wish to arrange just a small party for my own and my wife's friends." (He smiled still more pleasantly.) "I wished to ask the countess and you to do me the honor of coming to tea and to supper."


Only Countess Hélène, considering the society of such people as the Bergs beneath her, could be cruel enough to refuse such an invitation. Berg explained so clearly why he wanted to collect at his house a small but select company, and why this would give him pleasure, and why though he grudged spending money on cards or anything harmful, he was prepared to run into some expense for the sake of good society—that Pierre could not refuse, and promised to come.


"But don't be late, Count, if I may venture to ask; about ten minutes to eight, please. We shall make up a rubber. Our general is coming. He is very good to me. We shall have supper, Count. So you will do me the favor."


Contrary to his habit of being late, Pierre on that day arrived at the Bergs' house, not at ten but at fifteen minutes to eight.


Having prepared everything necessary for the party, the Bergs were ready for their guests' arrival.


In their new, clean, and light study with its small busts and pictures and new furniture sat Berg and his wife. Berg, closely buttoned up in his new uniform, sat beside his wife explaining to her that one always could and should be acquainted with people above one, because only then does one get satisfaction from acquaintances.


"You can get to know something, you can ask for something. See how I managed from my first promotion." (Berg measured his life not by years but by promotions.) "My comrades are still nobodies, while I am only waiting for a vacancy to command a regiment, and have the happiness to be your husband." (He rose and kissed Véra's hand, and on the way to her straightened out a turned-up corner of the carpet.) "And how have I obtained all this? Chiefly by knowing how to choose my aquaintances. It goes without saying that one must be conscientious and methodical."


Berg smiled with a sense of his superiority over a weak woman, and paused, reflecting that this dear wife of his was after all but a weak woman who could not understand all that constitutes a man's dignity, what it was ein Mann zu sein. * Véra at the same time smiling with a sense of superiority over her good, conscientious husband, who all the same understood life wrongly, as according to Véra all men did. Berg, judging by his wife, thought all women weak and foolish. Véra, judging only by her husband and generalizing from that observation, supposed that all men, though they understand nothing and are conceited and selfish, ascribe common sense to themselves alone.


* To be a man.


Berg rose and embraced his wife carefully, so as not to crush her lace fichu for which he had paid a good price, kissing her straight on the lips.


"The only thing is, we mustn't have children too soon," he continued, following an unconscious sequence of ideas.


"Yes," answered Véra, "I don't at all want that. We must live for society."


"Princess Yusúpova wore one exactly like this," said Berg, pointing to the fichu with a happy and kindly smile.


Just then Count Bezúkhov was announced. Husband and wife glanced at one another, both smiling with self-satisfaction, and each mentally claiming the honor of this visit.


"This is what comes of knowing how to make acquaintances," thought Berg. "This is what comes of knowing how to conduct oneself."


"But please don't interrupt me when I am entertaining the guests," said Véra, "because I know what interests each of them and what to say to different people."


Berg smiled again.


"It can't be helped: men must sometimes have masculine conversation," said he.


They received Pierre in their small, new drawing room, where it was impossible to sit down anywhere without disturbing its symmetry, neatness, and order; so it was quite comprehensible and not strange that Berg, having generously offered to disturb the symmetry of an armchair or of the sofa for his dear guest, but being apparently painfully undecided on the matter himself, eventually left the visitor to settle the question of selection. Pierre disturbed the symmetry by moving a chair for himself, and Berg and Véra immediately began their evening party, interrupting each other in their efforts to entertain their guest.


Véra, having decided in her own mind that Pierre ought to be entertained with conversation about the French embassy, at once began accordingly. Berg, having decided that masculine conversation was required, interrupted his wife's remarks and touched on the question of the war with Austria, and unconsciously jumped from the general subject to personal considerations as to the proposals made him to take part in the Austrian campaign and the reasons why he had declined them. Though the conversation was very incoherent and Véra was angry at the intrusion of the masculine element, both husband and wife felt with satisfaction that, even if only one guest was present, their evening had begun very well and was as like as two peas to every other evening party with its talk, tea, and lighted candles.


Before long Borís, Berg's old comrade, arrived. There was a shade of condescension and patronage in his treatment of Berg and Véra. After Borís came a lady with the colonel, then the general himself, then the Rostóvs, and the party became unquestionably exactly like all other evening parties. Berg and Véra could not repress their smiles of satisfaction at the sight of all this movement in their drawing room, at the sound of the disconnected talk, the rustling of dresses, and the bowing and scraping. Everything was just as everybody always has it, especially so the general, who admired the apartment, patted Berg on the shoulder, and with parental authority superintended the setting out of the table for boston. The general sat down by Count Ilyá Rostóv, who was next to himself the most important guest. The old people sat with the old, the young with the young, and the hostess at the tea table, on which stood exactly the same kind of cakes in a silver cake basket as the Panins had at their party. Everything was just as it was everywhere else.


Pierre, as one of the principal guests, had to sit down to boston with Count Rostóv, the general, and the colonel. At the card table he happened to be directly facing Natásha, and was struck by a curious change that had come over her since the ball. She was silent, and not only less pretty than at the ball, but only redeemed from plainness by her look of gentle indifference to everything around.


"What's the matter with her?" thought Pierre, glancing at her. She was sitting by her sister at the tea table, and reluctantly, without looking at him, made some reply to Borís who sat down beside her. After playing out a whole suit and to his partner's delight taking five tricks, Pierre, hearing greetings and the steps of someone who had entered the room while he was picking up his tricks, glanced again at Natásha.


"What has happened to her?" he asked himself with still greater surprise.


Prince Andrew was standing before her, saying something to her with a look of tender solicitude. She, having raised her head, was looking up at him, flushed and evidently trying to master her rapid breathing. And the bright glow of some inner fire that had been suppressed was again alight in her. She was completely transformed and from a plain girl had again become what she had been at the ball.


Prince Andrew went up to Pierre, and the latter noticed a new and youthful expression in his friend's face.


Pierre changed places several times during the game, sitting now with his back to Natásha and now facing her, but during the whole of the six rubbers he watched her and his friend.


"Something very important is happening between them," thought Pierre, and a feeling that was both joyful and painful agitated him and made him neglect the game.


After six rubbers the general got up, saying that it was no use playing like that, and Pierre was released. Natásha on one side was talking with Sónya and Borís, and Véra with a subtle smile was saying something to Prince Andrew. Pierre went up to his friend and, asking whether they were talking secrets, sat down beside them. Véra, having noticed Prince Andrew's attentions to Natásha, decided that at a party, a real evening party, subtle allusions to the tender passion were absolutely necessary and, seizing a moment when Prince Andrew was alone, began a conversation with him about feelings in general and about her sister. With so intellectual a guest as she considered Prince Andrew to be, she felt that she had to employ her diplomatic tact.


When Pierre went up to them he noticed that Véra was being carried away by her self-satisfied talk, but that Prince Andrew seemed embarrassed, a thing that rarely happened with him.


"What do you think?" Véra was saying with an arch smile. "You are so discerning, Prince, and understand people's characters so well at a glance. What do you think of Natalie? Could she be constant in her attachments? Could she, like other women" (Véra meant herself), "love a man once for all and remain true to him forever? That is what I consider true love. What do you think, Prince?"


"I know your sister too little," replied Prince Andrew, with a sarcastic smile under which he wished to hide his embarrassment, "to be able to solve so delicate a question, and then I have noticed that the less attractive a woman is the more constant she is likely to be," he added, and looked up at Pierre who was just approaching them.


"Yes, that is true, Prince. In our days," continued Véra—mentioning "our days" as people of limited intelligence are fond of doing, imagining that they have discovered and appraised the peculiarities of "our days" and that human characteristics change with the times—"in our days a girl has so much freedom that the pleasure of being courted often stifles real feeling in her. And it must be confessed that Natalie is very susceptible." This return to the subject of Natalie caused Prince Andrew to knit his brows with discomfort: he was about to rise, but Véra continued with a still more subtle smile:


"I think no one has been more courted than she," she went on, "but till quite lately she never cared seriously for anyone. Now you know, Count," she said to Pierre, "even our dear cousin Borís, who, between ourselves, was very far gone in the land of tenderness..." (alluding to a map of love much in vogue at that time).


Prince Andrew frowned and remained silent.


"You are friendly with Borís, aren't you?" asked Véra.


"Yes, I know him...."


"I expect he has told you of his childish love for Natásha?"


"Oh, there was childish love?" suddenly asked Prince Andrew, blushing unexpectedly.


"Yes, you know between cousins intimacy often leads to love. Le cousinage est un dangereux voisinage. * Don't you think so?"


* "Cousinhood is a dangerous neighborhood."


"Oh, undoubtedly!" said Prince Andrew, and with sudden and unnatural liveliness he began chaffing Pierre about the need to be very careful with his fifty-year-old Moscow cousins, and in the midst of these jesting remarks he rose, taking Pierre by the arm, and drew him aside.


"Well?" asked Pierre, seeing his friend's strange animation with surprise, and noticing the glance he turned on Natásha as he rose.


"I must... I must have a talk with you," said Prince Andrew. "You know that pair of women's gloves?" (He referred to the Masonic gloves given to a newly initiated Brother to present to the woman he loved.) "I... but no, I will talk to you later on," and with a strange light in his eyes and restlessness in his movements, Prince Andrew approached Natásha and sat down beside her. Pierre saw how Prince Andrew asked her something and how she flushed as she replied.


But at that moment Berg came to Pierre and began insisting that he should take part in an argument between the general and the colonel on the affairs in Spain.


Berg was satisfied and happy. The smile of pleasure never left his face. The party was very successful and quite like other parties he had seen. Everything was similar: the ladies' subtle talk, the cards, the general raising his voice at the card table, and the samovar and the tea cakes; only one thing was lacking that he had always seen at the evening parties he wished to imitate. They had not yet had a loud conversation among the men and a dispute about something important and clever. Now the general had begun such a discussion and so Berg drew Pierre to it.


Next day, having been invited by the count, Prince Andrew dined with the Rostóvs and spent the rest of the day there.


Everyone in the house realized for whose sake Prince Andrew came, and without concealing it he tried to be with Natásha all day. Not only in the soul of the frightened yet happy and enraptured Natásha, but in the whole house, there was a feeling of awe at something important that was bound to happen. The countess looked with sad and sternly serious eyes at Prince Andrew when he talked to Natásha and timidly started some artificial conversation about trifles as soon as he looked her way. Sónya was afraid to leave Natásha and afraid of being in the way when she was with them. Natásha grew pale, in a panic of expectation, when she remained alone with him for a moment. Prince Andrew surprised her by his timidity. She felt that he wanted to say something to her but could not bring himself to do so.


In the evening, when Prince Andrew had left, the countess went up to Natásha and whispered: "Well, what?"


"Mamma! For heaven's sake don't ask me anything now! One can't talk about that," said Natásha.


But all the same that night Natásha, now agitated and now frightened, lay a long time in her mother's bed gazing straight before her. She told her how he had complimented her, how he told her he was going abroad, asked her where they were going to spend the summer, and then how he had asked her about Borís.


"But such a... such a... never happened to me before!" she said. "Only I feel afraid in his presence. I am always afraid when I'm with him. What does that mean? Does it mean that it's the real thing? Yes? Mamma, are you asleep?"


"No, my love; I am frightened myself," answered her mother. "Now go!"


"All the same I shan't sleep. What silliness, to sleep! Mummy! Mummy! such a thing never happened to me before," she said, surprised and alarmed at the feeling she was aware of in herself. "And could we ever have thought!..."


It seemed to Natásha that even at the time she first saw Prince Andrew at Otrádnoe she had fallen in love with him. It was as if she feared this strange, unexpected happiness of meeting again the very man she had then chosen (she was firmly convinced she had done so) and of finding him, as it seemed, not indifferent to her.


"And it had to happen that he should come specially to Petersburg while we are here. And it had to happen that we should meet at that ball. It is fate. Clearly it is fate that everything led up to this! Already then, directly I saw him I felt something peculiar."


"What else did he say to you? What are those verses? Read them..." said her mother, thoughtfully, referring to some verses Prince Andrew had written in Natásha's album.


"Mamma, one need not be ashamed of his being a widower?"


"Don't, Natásha! Pray to God. 'Marriages are made in heaven,'" said her mother.


"Darling Mummy, how I love you! How happy I am!" cried Natásha, shedding tears of joy and excitement and embracing her mother.


At that very time Prince Andrew was sitting with Pierre and telling him of his love for Natásha and his firm resolve to make her his wife.


That day Countess Hélène had a reception at her house. The French ambassador was there, and a foreign prince of the blood who had of late become a frequent visitor of hers, and many brilliant ladies and gentlemen. Pierre, who had come downstairs, walked through the rooms and struck everyone by his preoccupied, absent-minded, and morose air.


Since the ball he had felt the approach of a fit of nervous depression and had made desperate efforts to combat it. Since the intimacy of his wife with the royal prince, Pierre had unexpectedly been made a gentleman of the bedchamber, and from that time he had begun to feel oppressed and ashamed in court society, and dark thoughts of the vanity of all things human came to him oftener than before. At the same time the feeling he had noticed between his protégée Natásha and Prince Andrew accentuated his gloom by the contrast between his own position and his friend's. He tried equally to avoid thinking about his wife, and about Natásha and Prince Andrew; and again everything seemed to him insignificant in comparison with eternity; again the question: for what? presented itself; and he forced himself to work day and night at Masonic labors, hoping to drive away the evil spirit that threatened him. Toward midnight, after he had left the countess' apartments, he was sitting upstairs in a shabby dressing gown, copying out the original transaction of the Scottish lodge of Freemasons at a table in his low room cloudy with tobacco smoke, when someone came in. It was Prince Andrew.


"Ah, it's you!" said Pierre with a preoccupied, dissatisfied air. "And I, you see, am hard at it." He pointed to his manuscript book with that air of escaping from the ills of life with which unhappy people look at their work.


Prince Andrew, with a beaming, ecstatic expression of renewed life on his face, paused in front of Pierre and, not noticing his sad look, smiled at him with the egotism of joy.


"Well, dear heart," said he, "I wanted to tell you about it yesterday and I have come to do so today. I never experienced anything like it before. I am in love, my friend!"


Suddenly Pierre heaved a deep sigh and dumped his heavy person down on the sofa beside Prince Andrew.


"With Natásha Rostóva, yes?" said he.


"Yes, yes! Who else should it be? I should never have believed it, but the feeling is stronger than I. Yesterday I tormented myself and suffered, but I would not exchange even that torment for anything in the world, I have not lived till now. At last I live, but I can't live without her! But can she love me?... I am too old for her.... Why don't you speak?"


"I? I? What did I tell you?" said Pierre suddenly, rising and beginning to pace up and down the room. "I always thought it.... That girl is such a treasure... she is a rare girl.... My dear friend, I entreat you, don't philosophize, don't doubt, marry, marry, marry.... And I am sure there will not be a happier man than you."


"But what of her?"


"She loves you."


"Don't talk rubbish..." said Prince Andrew, smiling and looking into Pierre's eyes.


"She does, I know," Pierre cried fiercely.


"But do listen," returned Prince Andrew, holding him by the arm. "Do you know the condition I am in? I must talk about it to someone."


"Well, go on, go on. I am very glad," said Pierre, and his face really changed, his brow became smooth, and he listened gladly to Prince Andrew. Prince Andrew seemed, and really was, quite a different, quite a new man. Where was his spleen, his contempt for life, his disillusionment? Pierre was the only person to whom he made up his mind to speak openly; and to him he told all that was in his soul. Now he boldly and lightly made plans for an extended future, said he could not sacrifice his own happiness to his father's caprice, and spoke of how he would either make his father consent to this marriage and love her, or would do without his consent; then he marveled at the feeling that had mastered him as at something strange, apart from and independent of himself.


"I should not have believed anyone who told me that I was capable of such love," said Prince Andrew. "It is not at all the same feeling that I knew in the past. The whole world is now for me divided into two halves: one half is she, and there all is joy, hope, light: the other half is everything where she is not, and there is all gloom and darkness...."


"Darkness and gloom," reiterated Pierre: "yes, yes, I understand that."


"I cannot help loving the light, it is not my fault. And I am very happy! You understand me? I know you are glad for my sake."


"Yes, yes," Pierre assented, looking at his friend with a touched and sad expression in his eyes. The brighter Prince Andrew's lot appeared to him, the gloomier seemed his own.


Prince Andrew needed his father's consent to his marriage, and to obtain this he started for the country next day.


His father received his son's communication with external composure, but inward wrath. He could not comprehend how anyone could wish to alter his life or introduce anything new into it, when his own life was already ending. "If only they would let me end my days as I want to," thought the old man, "then they might do as they please." With his son, however, he employed the diplomacy he reserved for important occasions and, adopting a quiet tone, discussed the whole matter.


In the first place the marriage was not a brilliant one as regards birth, wealth, or rank. Secondly, Prince Andrew was no longer as young as he had been and his health was poor (the old man laid special stress on this), while she was very young. Thirdly, he had a son whom it would be a pity to entrust to a chit of a girl. "Fourthly and finally," the father said, looking ironically at his son, "I beg you to put it off for a year: go abroad, take a cure, look out as you wanted to for a German tutor for Prince Nicholas. Then if your love or passion or obstinacy—as you please—is still as great, marry! And that's my last word on it. Mind, the last..." concluded the prince, in a tone which showed that nothing would make him alter his decision.


Prince Andrew saw clearly that the old man hoped that his feelings, or his fiancée's, would not stand a year's test, or that he (the old prince himself) would die before then, and he decided to conform to his father's wish—to propose, and postpone the wedding for a year.


Three weeks after the last evening he had spent with the Rostóvs, Prince Andrew returned to Petersburg.


Next day after her talk with her mother Natásha expected Bolkónski all day, but he did not come. On the second and third day it was the same. Pierre did not come either and Natásha, not knowing that Prince Andrew had gone to see his father, could not explain his absence to herself.


Three weeks passed in this way. Natásha had no desire to go out anywhere and wandered from room to room like a shadow, idle and listless; she wept secretly at night and did not go to her mother in the evenings. She blushed continually and was irritable. It seemed to her that everybody knew about her disappointment and was laughing at her and pitying her. Strong as was her inward grief, this wound to her vanity intensified her misery.


Once she came to her mother, tried to say something, and suddenly began to cry. Her tears were those of an offended child who does not know why it is being punished.


The countess began to soothe Natásha, who after first listening to her mother's words, suddenly interrupted her:


"Leave off, Mamma! I don't think, and don't want to think about it! He just came and then left off, left off...."


Her voice trembled, and she again nearly cried, but recovered and went on quietly:


"And I don't at all want to get married. And I am afraid of him; I have now become quite calm, quite calm."


The day after this conversation Natásha put on the old dress which she knew had the peculiar property of conducing to cheerfulness in the mornings, and that day she returned to the old way of life which she had abandoned since the ball. Having finished her morning tea she went to the ballroom, which she particularly liked for its loud resonance, and began singing her solfeggio. When she had finished her first exercise she stood still in the middle of the room and sang a musical phrase that particularly pleased her. She listened joyfully (as though she had not expected it) to the charm of the notes reverberating, filling the whole empty ballroom, and slowly dying away; and all at once she felt cheerful. "What's the good of making so much of it? Things are nice as it is," she said to herself, and she began walking up and down the room, not stepping simply on the resounding parquet but treading with each step from the heel to the toe (she had on a new and favorite pair of shoes) and listening to the regular tap of the heel and creak of the toe as gladly as she had to the sounds of her own voice. Passing a mirror she glanced into it. "There, that's me!" the expression of her face seemed to say as she caught sight of herself. "Well, and very nice too! I need nobody."


A footman wanted to come in to clear away something in the room but she would not let him, and having closed the door behind him continued her walk. That morning she had returned to her favorite mood—love of, and delight in, herself. "How charming that Natásha is!" she said again, speaking as some third, collective, male person. "Pretty, a good voice, young, and in nobody's way if only they leave her in peace." But however much they left her in peace she could not now be at peace, and immediately felt this.


In the hall the porch door opened, and someone asked, "At home?" and then footsteps were heard. Natásha was looking at the mirror, but did not see herself. She listened to the sounds in the hall. When she saw herself, her face was pale. It was he. She knew this for certain, though she hardly heard his voice through the closed doors.


Pale and agitated, Natásha ran into the drawing room.


"Mamma! Bolkónski has come!" she said. "Mamma, it is awful, it is unbearable! I don't want... to be tormented? What am I to do?..."


Before the countess could answer, Prince Andrew entered the room with an agitated and serious face. As soon as he saw Natásha his face brightened. He kissed the countess' hand and Natásha's, and sat down beside the sofa.


"It is long since we had the pleasure..." began the countess, but Prince Andrew interrupted her by answering her intended question, obviously in haste to say what he had to.


"I have not been to see you all this time because I have been at my father's. I had to talk over a very important matter with him. I only got back last night," he said glancing at Natásha; "I want to have a talk with you, Countess," he added after a moment's pause.


The countess lowered her eyes, sighing deeply.


"I am at your disposal," she murmured.


Natásha knew that she ought to go away, but was unable to do so: something gripped her throat, and regardless of manners she stared straight at Prince Andrew with wide-open eyes.


"At once? This instant!... No, it can't be!" she thought.


Again he glanced at her, and that glance convinced her that she was not mistaken. Yes, at once, that very instant, her fate would be decided.


"Go, Natásha! I will call you," said the countess in a whisper.


Natásha glanced with frightened imploring eyes at Prince Andrew and at her mother and went out.


"I have come, Countess, to ask for your daughter's hand," said Prince Andrew.


The countess' face flushed hotly, but she said nothing.


"Your offer..." she began at last sedately. He remained silent, looking into her eyes. "Your offer..." (she grew confused) "is agreeable to us, and I accept your offer. I am glad. And my husband... I hope... but it will depend on her...."


"I will speak to her when I have your consent.... Do you give it to me?" said Prince Andrew.


"Yes," replied the countess. She held out her hand to him, and with a mixed feeling of estrangement and tenderness pressed her lips to his forehead as he stooped to kiss her hand. She wished to love him as a son, but felt that to her he was a stranger and a terrifying man. "I am sure my husband will consent," said the countess, "but your father..."


"My father, to whom I have told my plans, has made it an express condition of his consent that the wedding is not to take place for a year. And I wished to tell you of that," said Prince Andrew.


"It is true that Natásha is still young, but—so long as that?..."


"It is unavoidable," said Prince Andrew with a sigh.


"I will send her to you," said the countess, and left the room.


"Lord have mercy upon us!" she repeated while seeking her daughter.


Sónya said that Natásha was in her bedroom. Natásha was sitting on the bed, pale and dry-eyed, and was gazing at the icons and whispering something as she rapidly crossed herself. Seeing her mother she jumped up and flew to her.


"Go, go to him. He is asking for your hand," said the countess, coldly it seemed to Natásha. "Go... go," said the mother, sadly and reproachfully, with a deep sigh, as her daughter ran away.


Natásha never remembered how she entered the drawing room. When she came in and saw him she paused. "Is it possible that this stranger has now become everything to me?" she asked herself, and immediately answered, "Yes, everything! He alone is now dearer to me than everything in the world." Prince Andrew came up to her with downcast eyes.


"I have loved you from the very first moment I saw you. May I hope?"


He looked at her and was struck by the serious impassioned expression of her face. Her face said: "Why ask? Why doubt what you cannot but know? Why speak, when words cannot express what one feels?"


She drew near to him and stopped. He took her hand and kissed it.


"Yes, yes!" Natásha murmured as if in vexation. Then she sighed loudly and, catching her breath more and more quickly, began to sob.


"What is it? What's the matter?"


"Oh, I am so happy!" she replied, smiled through her tears, bent over closer to him, paused for an instant as if asking herself whether she might, and then kissed him.


Prince Andrew held her hands, looked into her eyes, and did not find in his heart his former love for her. Something in him had suddenly changed; there was no longer the former poetic and mystic charm of desire, but there was pity for her feminine and childish weakness, fear at her devotion and trustfulness, and an oppressive yet joyful sense of the duty that now bound him to her forever. The present feeling, though not so bright and poetic as the former, was stronger and more serious.


"Did your mother tell you that it cannot be for a year?" asked Prince Andrew, still looking into her eyes.


"Is it possible that I—the 'chit of a girl,' as everybody called me," thought Natásha—"is it possible that I am now to be the wife and the equal of this strange, dear, clever man whom even my father looks up to? Can it be true? Can it be true that there can be no more playing with life, that now I am grown up, that on me now lies a responsibility for my every word and deed? Yes, but what did he ask me?"


"No," she replied, but she had not understood his question.


"Forgive me!" he said. "But you are so young, and I have already been through so much in life. I am afraid for you, you do not yet know yourself."


Natásha listened with concentrated attention, trying but failing to take in the meaning of his words.


"Hard as this year which delays my happiness will be," continued Prince Andrew, "it will give you time to be sure of yourself. I ask you to make me happy in a year, but you are free: our engagement shall remain a secret, and should you find that you do not love me, or should you come to love..." said Prince Andrew with an unnatural smile.


"Why do you say that?" Natásha interrupted him. "You know that from the very day you first came to Otrádnoe I have loved you," she cried, quite convinced that she spoke the truth.


"In a year you will learn to know yourself...."


"A whole year!" Natásha repeated suddenly, only now realizing that the marriage was to be postponed for a year. "But why a year? Why a year?..."


Prince Andrew began to explain to her the reasons for this delay. Natásha did not hear him.


"And can't it be helped?" she asked. Prince Andrew did not reply, but his face expressed the impossibility of altering that decision.


"It's awful! Oh, it's awful! awful!" Natásha suddenly cried, and again burst into sobs. "I shall die, waiting a year: it's impossible, it's awful!" She looked into her lover's face and saw in it a look of commiseration and perplexity.


"No, no! I'll do anything!" she said, suddenly checking her tears. "I am so happy."


The father and mother came into the room and gave the betrothed couple their blessing.


From that day Prince Andrew began to frequent the Rostóvs' as Natásha's affianced lover.


No betrothal ceremony took place and Natásha's engagement to Bolkónski was not announced; Prince Andrew insisted on that. He said that as he was responsible for the delay he ought to bear the whole burden of it; that he had given his word and bound himself forever, but that he did not wish to bind Natásha and gave her perfect freedom. If after six months she felt that she did not love him she would have full right to reject him. Naturally neither Natásha nor her parents wished to hear of this, but Prince Andrew was firm. He came every day to the Rostóvs', but did not behave to Natásha as an affianced lover: he did not use the familiar thou, but said you to her, and kissed only her hand. After their engagement, quite different, intimate, and natural relations sprang up between them. It was as if they had not known each other till now. Both liked to recall how they had regarded each other when as yet they were nothing to one another; they felt themselves now quite different beings: then they were artificial, now natural and sincere. At first the family felt some constraint in intercourse with Prince Andrew; he seemed a man from another world, and for a long time Natásha trained the family to get used to him, proudly assuring them all that he only appeared to be different, but was really just like all of them, and that she was not afraid of him and no one else ought to be. After a few days they grew accustomed to him, and without restraint in his presence pursued their usual way of life, in which he took his part. He could talk about rural economy with the count, fashions with the countess and Natásha, and about albums and fancywork with Sónya. Sometimes the household both among themselves and in his presence expressed their wonder at how it had all happened, and at the evident omens there had been of it: Prince Andrew's coming to Otrádnoe and their coming to Petersburg, and the likeness between Natásha and Prince Andrew which her nurse had noticed on his first visit, and Andrew's encounter with Nicholas in 1805, and many other incidents betokening that it had to be.


In the house that poetic dullness and quiet reigned which always accompanies the presence of a betrothed couple. Often when all sitting together everyone kept silent. Sometimes the others would get up and go away and the couple, left alone, still remained silent. They rarely spoke of their future life. Prince Andrew was afraid and ashamed to speak of it. Natásha shared this as she did all his feelings, which she constantly divined. Once she began questioning him about his son. Prince Andrew blushed, as he often did now—Natásha particularly liked it in him—and said that his son would not live with them.


"Why not?" asked Natásha in a frightened tone.


"I cannot take him away from his grandfather, and besides..."


"How I should have loved him!" said Natásha, immediately guessing his thought; "but I know you wish to avoid any pretext for finding fault with us."


Sometimes the old count would come up, kiss Prince Andrew, and ask his advice about Pétya's education or Nicholas' service. The old countess sighed as she looked at them; Sónya was always getting frightened lest she should be in the way and tried to find excuses for leaving them alone, even when they did not wish it. When Prince Andrew spoke (he could tell a story very well), Natásha listened to him with pride; when she spoke she noticed with fear and joy that he gazed attentively and scrutinizingly at her. She asked herself in perplexity: "What does he look for in me? He is trying to discover something by looking at me! What if what he seeks in me is not there?" Sometimes she fell into one of the mad, merry moods characteristic of her, and then she particularly loved to hear and see how Prince Andrew laughed. He seldom laughed, but when he did he abandoned himself entirely to his laughter, and after such a laugh she always felt nearer to him. Natásha would have been completely happy if the thought of the separation awaiting her and drawing near had not terrified her, just as the mere thought of it made him turn pale and cold.


On the eve of his departure from Petersburg Prince Andrew brought with him Pierre, who had not been to the Rostóvs' once since the ball. Pierre seemed disconcerted and embarrassed. He was talking to the countess, and Natásha sat down beside a little chess table with Sónya, thereby inviting Prince Andrew to come too. He did so.


"You have known Bezúkhov a long time?" he asked. "Do you like him?"


"Yes, he's a dear, but very absurd."


And as usual when speaking of Pierre, she began to tell anecdotes of his absent-mindedness, some of which had even been invented about him.


"Do you know I have entrusted him with our secret? I have known him from childhood. He has a heart of gold. I beg you, Natalie," Prince Andrew said with sudden seriousness—"I am going away and heaven knows what may happen. You may cease to... all right, I know I am not to say that. Only this, then: whatever may happen to you when I am not here..."


"What can happen?"


"Whatever trouble may come," Prince Andrew continued, "I beg you, Mademoiselle Sophie, whatever may happen, to turn to him alone for advice and help! He is a most absent-minded and absurd fellow, but he has a heart of gold."


Neither her father, nor her mother, nor Sónya, nor Prince Andrew himself could have foreseen how the separation from her lover would act on Natásha. Flushed and agitated she went about the house all that day, dry-eyed, occupied with most trivial matters as if not understanding what awaited her. She did not even cry when, on taking leave, he kissed her hand for the last time. "Don't go!" she said in a tone that made him wonder whether he really ought not to stay and which he remembered long afterwards. Nor did she cry when he was gone; but for several days she sat in her room dry-eyed, taking no interest in anything and only saying now and then, "Oh, why did he go away?"


But a fortnight after his departure, to the surprise of those around her, she recovered from her mental sickness just as suddenly and became her old self again, but with a change in her moral physiognomy, as a child gets up after a long illness with a changed expression of face.


During that year after his son's departure, Prince Nicholas Bolkónski's health and temper became much worse. He grew still more irritable, and it was Princess Mary who generally bore the brunt of his frequent fits of unprovoked anger. He seemed carefully to seek out her tender spots so as to torture her mentally as harshly as possible. Princess Mary had two passions and consequently two joys—her nephew, little Nicholas, and religion—and these were the favorite subjects of the prince's attacks and ridicule. Whatever was spoken of he would bring round to the superstitiousness of old maids, or the petting and spoiling of children. "You want to make him"—little Nicholas—"into an old maid like yourself! A pity! Prince Andrew wants a son and not an old maid," he would say. Or, turning to Mademoiselle Bourienne, he would ask her in Princess Mary's presence how she liked our village priests and icons and would joke about them.


He continually hurt Princess Mary's feelings and tormented her, but it cost her no effort to forgive him. Could he be to blame toward her, or could her father, whom she knew loved her in spite of it all, be unjust? And what is justice? The princess never thought of that proud word "justice." All the complex laws of man centered for her in one clear and simple law—the law of love and self-sacrifice taught us by Him who lovingly suffered for mankind though He Himself was God. What had she to do with the justice or injustice of other people? She had to endure and love, and that she did.


During the winter Prince Andrew had come to Bald Hills and had been gay, gentle, and more affectionate than Princess Mary had known him for a long time past. She felt that something had happened to him, but he said nothing to her about his love. Before he left he had a long talk with his father about something, and Princess Mary noticed that before his departure they were dissatisfied with one another.


Soon after Prince Andrew had gone, Princess Mary wrote to her friend Julie Karágina in Petersburg, whom she had dreamed (as all girls dream) of marrying to her brother, and who was at that time in mourning for her own brother, killed in Turkey.


Sorrow, it seems, is our common lot, my dear, tender friend Julie.


Your loss is so terrible that I can only explain it to myself as a special providence of God who, loving you, wishes to try you and your excellent mother. Oh, my friend! Religion, and religion alone, can—I will not say comfort us—but save us from despair. Religion alone can explain to us what without its help man cannot comprehend: why, for what cause, kind and noble beings able to find happiness in life—not merely harming no one but necessary to the happiness of others—are called away to God, while cruel, useless, harmful persons, or such as are a burden to themselves and to others, are left living. The first death I saw, and one I shall never forget—that of my dear sister-in-law—left that impression on me. Just as you ask destiny why your splendid brother had to die, so I asked why that angel Lise, who not only never wronged anyone, but in whose soul there were never any unkind thoughts, had to die. And what do you think, dear friend? Five years have passed since then, and already I, with my petty understanding, begin to see clearly why she had to die, and in what way that death was but an expression of the infinite goodness of the Creator, whose every action, though generally incomprehensible to us, is but a manifestation of His infinite love for His creatures. Perhaps, I often think, she was too angelically innocent to have the strength to perform all a mother's duties. As a young wife she was irreproachable; perhaps she could not have been so as a mother. As it is, not only has she left us, and particularly Prince Andrew, with the purest regrets and memories, but probably she will there receive a place I dare not hope for myself. But not to speak of her alone, that early and terrible death has had the most beneficent influence on me and on my brother in spite of all our grief. Then, at the moment of our loss, these thoughts could not occur to me; I should then have dismissed them with horror, but now they are very clear and certain. I write all this to you, dear friend, only to convince you of the Gospel truth which has become for me a principle of life: not a single hair of our heads will fall without His will. And His will is governed only by infinite love for us, and so whatever befalls us is for our good.


You ask whether we shall spend next winter in Moscow. In spite of my wish to see you, I do not think so and do not want to do so. You will be surprised to hear that the reason for this is Buonaparte! The case is this: my father's health is growing noticeably worse, he cannot stand any contradiction and is becoming irritable. This irritability is, as you know, chiefly directed to political questions. He cannot endure the notion that Buonaparte is negotiating on equal terms with all the sovereigns of Europe and particularly with our own, the grandson of the Great Catherine! As you know, I am quite indifferent to politics, but from my father's remarks and his talks with Michael Ivánovich I know all that goes on in the world and especially about the honors conferred on Buonaparte, who only at Bald Hills in the whole world, it seems, is not accepted as a great man, still less as Emperor of France. And my father cannot stand this. It seems to me that it is chiefly because of his political views that my father is reluctant to speak of going to Moscow; for he foresees the encounters that would result from his way of expressing his views regardless of anybody. All the benefit he might derive from a course of treatment he would lose as a result of the disputes about Buonaparte which would be inevitable. In any case it will be decided very shortly.


Our family life goes on in the old way except for my brother Andrew's absence. He, as I wrote you before, has changed very much of late. After his sorrow he only this year quite recovered his spirits. He has again become as I used to know him when a child: kind, affectionate, with that heart of gold to which I know no equal. He has realized, it seems to me, that life is not over for him. But together with this mental change he has grown physically much weaker. He has become thinner and more nervous. I am anxious about him and glad he is taking this trip abroad which the doctors recommended long ago. I hope it will cure him. You write that in Petersburg he is spoken of as one of the most active, cultivated, and capable of the young men. Forgive my vanity as a relation, but I never doubted it. The good he has done to everybody here, from his peasants up to the gentry, is incalculable. On his arrival in Petersburg he received only his due. I always wonder at the way rumors fly from Petersburg to Moscow, especially such false ones as that you write about—I mean the report of my brother's betrothal to the little Rostóva. I do not think my brother will ever marry again, and certainly not her; and this is why: first, I know that though he rarely speaks about the wife he has lost, the grief of that loss has gone too deep in his heart for him ever to decide to give her a successor and our little angel a stepmother. Secondly because, as far as I know, that girl is not the kind of girl who could please Prince Andrew. I do not think he would choose her for a wife, and frankly I do not wish it. But I am running on too long and am at the end of my second sheet. Good-by, my dear friend. May God keep you in His holy and mighty care. My dear friend, Mademoiselle Bourienne, sends you kisses.


In the middle of the summer Princess Mary received an unexpected letter from Prince Andrew in Switzerland in which he gave her strange and surprising news. He informed her of his engagement to Natásha Rostóva. The whole letter breathed loving rapture for his betrothed and tender and confiding affection for his sister. He wrote that he had never loved as he did now and that only now did he understand and know what life was. He asked his sister to forgive him for not having told her of his resolve when he had last visited Bald Hills, though he had spoken of it to his father. He had not done so for fear Princess Mary should ask her father to give his consent, irritating him and having to bear the brunt of his displeasure without attaining her object. "Besides," he wrote, "the matter was not then so definitely settled as it is now. My father then insisted on a delay of a year and now already six months, half of that period, have passed, and my resolution is firmer than ever. If the doctors did not keep me here at the spas I should be back in Russia, but as it is I have to postpone my return for three months. You know me and my relations with Father. I want nothing from him. I have been and always shall be independent; but to go against his will and arouse his anger, now that he may perhaps remain with us such a short time, would destroy half my happiness. I am now writing to him about the same question, and beg you to choose a good moment to hand him the letter and to let me know how he looks at the whole matter and whether there is hope that he may consent to reduce the term by four months."


After long hesitations, doubts, and prayers, Princess Mary gave the letter to her father. The next day the old prince said to her quietly:


"Write and tell your brother to wait till I am dead.... It won't be long—I shall soon set him free."


The princess was about to reply, but her father would not let her speak and, raising his voice more and more, cried:


"Marry, marry, my boy!... A good family!... Clever people, eh? Rich, eh? Yes, a nice stepmother little Nicholas will have! Write and tell him that he may marry tomorrow if he likes. She will be little Nicholas' stepmother and I'll marry Bourienne!... Ha, ha, ha! He mustn't be without a stepmother either! Only one thing, no more women are wanted in my house—let him marry and live by himself. Perhaps you will go and live with him too?" he added, turning to Princess Mary. "Go in heaven's name! Go out into the frost... the frost... the frost!"


After this outburst the prince did not speak any more about the matter. But repressed vexation at his son's poor-spirited behavior found expression in his treatment of his daughter. To his former pretexts for irony a fresh one was now added—allusions to stepmothers and amiabilities to Mademoiselle Bourienne.


"Why shouldn't I marry her?" he asked his daughter. "She'll make a splendid princess!"


And latterly, to her surprise and bewilderment, Princess Mary noticed that her father was really associating more and more with the Frenchwoman. She wrote to Prince Andrew about the reception of his letter, but comforted him with hopes of reconciling their father to the idea.


Little Nicholas and his education, her brother Andrew, and religion were Princess Mary's joys and consolations; but besides that, since everyone must have personal hopes, Princess Mary in the profoundest depths of her heart had a hidden dream and hope that supplied the chief consolation of her life. This comforting dream and hope were given her by God's folk—the half-witted and other pilgrims who visited her without the prince's knowledge. The longer she lived, the more experience and observation she had of life, the greater was her wonder at the short-sightedness of men who seek enjoyment and happiness here on earth: toiling, suffering, struggling, and harming one another, to obtain that impossible, visionary, sinful happiness. Prince Andrew had loved his wife, she died, but that was not enough: he wanted to bind his happiness to another woman. Her father objected to this because he wanted a more distinguished and wealthier match for Andrew. And they all struggled and suffered and tormented one another and injured their souls, their eternal souls, for the attainment of benefits which endure but for an instant. Not only do we know this ourselves, but Christ, the Son of God, came down to earth and told us that this life is but for a moment and is a probation; yet we cling to it and think to find happiness in it. "How is it that no one realizes this?" thought Princess Mary. "No one except these despised God's folk who, wallet on back, come to me by the back door, afraid of being seen by the prince, not for fear of ill-usage by him but for fear of causing him to sin. To leave family, home, and all the cares of worldly welfare, in order without clinging to anything to wander in hempen rags from place to place under an assumed name, doing no one any harm but praying for all—for those who drive one away as well as for those who protect one: higher than that life and truth there is no life or truth!"


There was one pilgrim, a quiet pockmarked little woman of fifty called Theodosia, who for over thirty years had gone about barefoot and worn heavy chains. Princess Mary was particularly fond of her. Once, when in a room with a lamp dimly lit before the icon Theodosia was talking of her life, the thought that Theodosia alone had found the true path of life suddenly came to Princess Mary with such force that she resolved to become a pilgrim herself. When Theodosia had gone to sleep Princess Mary thought about this for a long time, and at last made up her mind that, strange as it might seem, she must go on a pilgrimage. She disclosed this thought to no one but to her confessor, Father Akínfi, the monk, and he approved of her intention. Under guise of a present for the pilgrims, Princess Mary prepared a pilgrim's complete costume for herself: a coarse smock, bast shoes, a rough coat, and a black kerchief. Often, approaching the chest of drawers containing this secret treasure, Princess Mary paused, uncertain whether the time had not already come to put her project into execution.


Often, listening to the pilgrims' tales, she was so stimulated by their simple speech, mechanical to them but to her so full of deep meaning, that several times she was on the point of abandoning everything and running away from home. In imagination she already pictured herself by Theodosia's side, dressed in coarse rags, walking with a staff, a wallet on her back, along the dusty road, directing her wanderings from one saint's shrine to another, free from envy, earthly love, or desire, and reaching at last the place where there is no more sorrow or sighing, but eternal joy and bliss.


"I shall come to a place and pray there, and before having time to get used to it or getting to love it, I shall go farther. I will go on till my legs fail, and I'll lie down and die somewhere, and shall at last reach that eternal, quiet haven, where there is neither sorrow nor sighing..." thought Princess Mary.


But afterwards, when she saw her father and especially little Koko (Nicholas), her resolve weakened. She wept quietly, and felt that she was a sinner who loved her father and little nephew more than God.


The Bible legend tells us that the absence of labor—idleness—was a condition of the first man's blessedness before the Fall. Fallen man has retained a love of idleness, but the curse weighs on the race not only because we have to seek our bread in the sweat of our brows, but because our moral nature is such that we cannot be both idle and at ease. An inner voice tells us we are in the wrong if we are idle. If man could find a state in which he felt that though idle he was fulfilling his duty, he would have found one of the conditions of man's primitive blessedness. And such a state of obligatory and irreproachable idleness is the lot of a whole class—the military. The chief attraction of military service has consisted and will consist in this compulsory and irreproachable idleness.


Nicholas Rostóv experienced this blissful condition to the full when, after 1807, he continued to serve in the Pávlograd regiment, in which he already commanded the squadron he had taken over from Denísov.


Rostóv had become a bluff, good-natured fellow, whom his Moscow acquaintances would have considered rather bad form, but who was liked and respected by his comrades, subordinates, and superiors, and was well contented with his life. Of late, in 1809, he found in letters from home more frequent complaints from his mother that their affairs were falling into greater and greater disorder, and that it was time for him to come back to gladden and comfort his old parents.


Reading these letters, Nicholas felt a dread of their wanting to take him away from surroundings in which, protected from all the entanglements of life, he was living so calmly and quietly. He felt that sooner or later he would have to re-enter that whirlpool of life, with its embarrassments and affairs to be straightened out, its accounts with stewards, quarrels, and intrigues, its ties, society, and with Sónya's love and his promise to her. It was all dreadfully difficult and complicated; and he replied to his mother in cold, formal letters in French, beginning: "My dear Mamma," and ending: "Your obedient son," which said nothing of when he would return. In 1810 he received letters from his parents, in which they told him of Natásha's engagement to Bolkónski, and that the wedding would be in a year's time because the old prince made difficulties. This letter grieved and mortified Nicholas. In the first place he was sorry that Natásha, for whom he cared more than for anyone else in the family, should be lost to the home; and secondly, from his hussar point of view, he regretted not to have been there to show that fellow Bolkónski that connection with him was no such great honor after all, and that if he loved Natásha he might dispense with permission from his dotard father. For a moment he hesitated whether he should not apply for leave in order to see Natásha before she was married, but then came the maneuvers, and considerations about Sónya and about the confusion of their affairs, and Nicholas again put it off. But in the spring of that year, he received a letter from his mother, written without his father's knowledge, and that letter persuaded him to return. She wrote that if he did not come and take matters in hand, their whole property would be sold by auction and they would all have to go begging. The count was so weak, and trusted Mítenka so much, and was so good-natured, that everybody took advantage of him and things were going from bad to worse. "For God's sake, I implore you, come at once if you do not wish to make me and the whole family wretched," wrote the countess.


This letter touched Nicholas. He had that common sense of a matter-of-fact man which showed him what he ought to do.


The right thing now was, if not to retire from the service, at any rate to go home on leave. Why he had to go he did not know; but after his after-dinner nap he gave orders to saddle Mars, an extremely vicious gray stallion that had not been ridden for a long time, and when he returned with the horse all in a lather, he informed Lavrúshka (Denísov's servant who had remained with him) and his comrades who turned up in the evening that he was applying for leave and was going home. Difficult and strange as it was for him to reflect that he would go away without having heard from the staff—and this interested him extremely—whether he was promoted to a captaincy or would receive the Order of St. Anne for the last maneuvers; strange as it was to think that he would go away without having sold his three roans to the Polish Count Golukhovski, who was bargaining for the horses Rostóv had betted he would sell for two thousand rubles; incomprehensible as it seemed that the ball the hussars were giving in honor of the Polish Mademoiselle Przazdziecka (out of rivalry to the Uhlans who had given one in honor of their Polish Mademoiselle Borzozowska) would take place without him—he knew he must go away from this good, bright world to somewhere where everything was stupid and confused. A week later he obtained his leave. His hussar comrades—not only those of his own regiment, but the whole brigade—gave Rostóv a dinner to which the subscription was fifteen rubles a head, and at which there were two bands and two choirs of singers. Rostóv danced the Trepák with Major Básov; the tipsy officers tossed, embraced, and dropped Rostóv; the soldiers of the third squadron tossed him too, and shouted "hurrah!" and then they put him in his sleigh and escorted him as far as the first post station.


During the first half of the journey—from Kremenchúg to Kiev—all Rostóv's thoughts, as is usual in such cases, were behind him, with the squadron; but when he had gone more than halfway he began to forget his three roans and Dozhoyvéyko, his quartermaster, and to wonder anxiously how things would be at Otrádnoe and what he would find there. Thoughts of home grew stronger the nearer he approached it—far stronger, as though this feeling of his was subject to the law by which the force of attraction is in inverse proportion to the square of the distance. At the last post station before Otrádnoe he gave the driver a three-ruble tip, and on arriving he ran breathlessly, like a boy, up the steps of his home.


After the rapture of meeting, and after that odd feeling of unsatisfied expectation—the feeling that "everything is just the same, so why did I hurry?"—Nicholas began to settle down in his old home world. His father and mother were much the same, only a little older. What was new in them was a certain uneasiness and occasional discord, which there used not to be, and which, as Nicholas soon found out, was due to the bad state of their affairs. Sónya was nearly twenty; she had stopped growing prettier and promised nothing more than she was already, but that was enough. She exhaled happiness and love from the time Nicholas returned, and the faithful, unalterable love of this girl had a gladdening effect on him. Pétya and Natásha surprised Nicholas most. Pétya was a big handsome boy of thirteen, merry, witty, and mischievous, with a voice that was already breaking. As for Natásha, for a long while Nicholas wondered and laughed whenever he looked at her.


"You're not the same at all," he said.


"On the contrary, but what dignity? A princess!" he whispered to her.


"Yes, yes, yes!" cried Natásha, joyfully.


She told him about her romance with Prince Andrew and of his visit to Otrádnoe and showed him his last letter.


"Well, are you glad?" Natásha asked. "I am so tranquil and happy now."


"Very glad," answered Nicholas. "He is an excellent fellow.... And are you very much in love?"


"How shall I put it?" replied Natásha. "I was in love with Borís, with my teacher, and with Denísov, but this is quite different. I feel at peace and settled. I know that no better man than he exists, and I am calm and contented now. Not at all as before."


Nicholas expressed his disapproval of the postponement of the marriage for a year; but Natásha attacked her brother with exasperation, proving to him that it could not be otherwise, and that it would be a bad thing to enter a family against the father's will, and that she herself wished it so.


"You don't at all understand," she said.


Nicholas was silent and agreed with her.


Her brother often wondered as he looked at her. She did not seem at all like a girl in love and parted from her affianced husband. She was even-tempered and calm and quite as cheerful as of old. This amazed Nicholas and even made him regard Bolkónski's courtship skeptically. He could not believe that her fate was sealed, especially as he had not seen her with Prince Andrew. It always seemed to him that there was something not quite right about this intended marriage.


"Why this delay? Why no betrothal?" he thought. Once, when he had touched on this topic with his mother, he discovered, to his surprise and somewhat to his satisfaction, that in the depth of her soul she too had doubts about this marriage.


"You see he writes," said she, showing her son a letter of Prince Andrew's, with that latent grudge a mother always has in regard to a daughter's future married happiness, "he writes that he won't come before December. What can be keeping him? Illness, probably! His health is very delicate. Don't tell Natásha. And don't attach importance to her being so bright: that's because she's living through the last days of her girlhood, but I know what she is like every time we receive a letter from him! However, God grant that everything turns out well!" (She always ended with these words.) "He is an excellent man!"


After reaching home Nicholas was at first serious and even dull. He was worried by the impending necessity of interfering in the stupid business matters for which his mother had called him home. To throw off this burden as quickly as possible, on the third day after his arrival he went, angry and scowling and without answering questions as to where he was going, to Mítenka's lodge and demanded an account of everything. But what an account of everything might be Nicholas knew even less than the frightened and bewildered Mítenka. The conversation and the examination of the accounts with Mítenka did not last long. The village elder, a peasant delegate, and the village clerk, who were waiting in the passage, heard with fear and delight first the young count's voice roaring and snapping and rising louder and louder, and then words of abuse, dreadful words, ejaculated one after the other.


"Robber!... Ungrateful wretch!... I'll hack the dog to pieces! I'm not my father!... Robbing us!..." and so on.


Then with no less fear and delight they saw how the young count, red in the face and with bloodshot eyes, dragged Mítenka out by the scruff of the neck and applied his foot and knee to his behind with great agility at convenient moments between the words, shouting, "Be off! Never let me see your face here again, you villain!"


Mítenka flew headlong down the six steps and ran away into the shrubbery. (This shrubbery was a well-known haven of refuge for culprits at Otrádnoe. Mítenka himself, returning tipsy from the town, used to hide there, and many of the residents at Otrádnoe, hiding from Mítenka, knew of its protective qualities.)


Mítenka's wife and sisters-in-law thrust their heads and frightened faces out of the door of a room where a bright samovar was boiling and where the steward's high bedstead stood with its patchwork quilt.


The young count paid no heed to them, but, breathing hard, passed by with resolute strides and went into the house.


The countess, who heard at once from the maids what had happened at the lodge, was calmed by the thought that now their affairs would certainly improve, but on the other hand felt anxious as to the effect this excitement might have on her son. She went several times to his door on tiptoe and listened, as he lighted one pipe after another.


Next day the old count called his son aside and, with an embarrassed smile, said to him:


"But you know, my dear boy, it's a pity you got excited! Mítenka has told me all about it."


"I knew," thought Nicholas, "that I should never understand anything in this crazy world."


"You were angry that he had not entered those 700 rubles. But they were carried forward—and you did not look at the other page."


"Papa, he is a blackguard and a thief! I know he is! And what I have done, I have done; but, if you like, I won't speak to him again."


"No, my dear boy" (the count, too, felt embarrassed. He knew he had mismanaged his wife's property and was to blame toward his children, but he did not know how to remedy it). "No, I beg you to attend to the business. I am old. I..."


"No, Papa. Forgive me if I have caused you unpleasantness. I understand it all less than you do."


"Devil take all these peasants, and money matters, and carryings forward from page to page," he thought. "I used to understand what a 'corner' and the stakes at cards meant, but carrying forward to another page I don't understand at all," said he to himself, and after that he did not meddle in business affairs. But once the countess called her son and informed him that she had a promissory note from Anna Mikháylovna for two thousand rubles, and asked him what he thought of doing with it.


"This," answered Nicholas. "You say it rests with me. Well, I don't like Anna Mikháylovna and I don't like Borís, but they were our friends and poor. Well then, this!" and he tore up the note, and by so doing caused the old countess to weep tears of joy. After that, young Rostóv took no further part in any business affairs, but devoted himself with passionate enthusiasm to what was to him a new pursuit—the chase—for which his father kept a large establishment.


The weather was already growing wintry and morning frosts congealed an earth saturated by autumn rains. The verdure had thickened and its bright green stood out sharply against the brownish strips of winter rye trodden down by the cattle, and against the pale-yellow stubble of the spring buckwheat. The wooded ravines and the copses, which at the end of August had still been green islands amid black fields and stubble, had become golden and bright-red islands amid the green winter rye. The hares had already half changed their summer coats, the fox cubs were beginning to scatter, and the young wolves were bigger than dogs. It was the best time of the year for the chase. The hounds of that ardent young sportsman Rostóv had not merely reached hard winter condition, but were so jaded that at a meeting of the huntsmen it was decided to give them a three days' rest and then, on the sixteenth of September, to go on a distant expedition, starting from the oak grove where there was an undisturbed litter of wolf cubs.


All that day the hounds remained at home. It was frosty and the air was sharp, but toward evening the sky became overcast and it began to thaw. On the fifteenth, when young Rostóv, in his dressing gown, looked out of the window, he saw it was an unsurpassable morning for hunting: it was as if the sky were melting and sinking to the earth without any wind. The only motion in the air was that of the dripping, microscopic particles of drizzling mist. The bare twigs in the garden were hung with transparent drops which fell on the freshly fallen leaves. The earth in the kitchen garden looked wet and black and glistened like poppy seed and at a short distance merged into the dull, moist veil of mist. Nicholas went out into the wet and muddy porch. There was a smell of decaying leaves and of dog. Mílka, a black-spotted, broad-haunched bitch with prominent black eyes, got up on seeing her master, stretched her hind legs, lay down like a hare, and then suddenly jumped up and licked him right on his nose and mustache. Another borzoi, a dog, catching sight of his master from the garden path, arched his back and, rushing headlong toward the porch with lifted tail, began rubbing himself against his legs.


"O-hoy!" came at that moment, that inimitable huntsman's call which unites the deepest bass with the shrillest tenor, and round the corner came Daniel the head huntsman and head kennelman, a gray, wrinkled old man with hair cut straight over his forehead, Ukrainian fashion, a long bent whip in his hand, and that look of independence and scorn of everything that is only seen in huntsmen. He doffed his Circassian cap to his master and looked at him scornfully. This scorn was not offensive to his master. Nicholas knew that this Daniel, disdainful of everybody and who considered himself above them, was all the same his serf and huntsman.


"Daniel!" Nicholas said timidly, conscious at the sight of the weather, the hounds, and the huntsman that he was being carried away by that irresistible passion for sport which makes a man forget all his previous resolutions, as a lover forgets in the presence of his mistress.


"What orders, your excellency?" said the huntsman in his deep bass, deep as a proto-deacon's and hoarse with hallooing—and two flashing black eyes gazed from under his brows at his master, who was silent. "Can you resist it?" those eyes seemed to be asking.


"It's a good day, eh? For a hunt and a gallop, eh?" asked Nicholas, scratching Mílka behind the ears.


"I sent Uvárka at dawn to listen," his bass boomed out after a minute's pause. "He says she's moved them into the Otrádnoe enclosure. They were howling there." (This meant that the she-wolf, about whom they both knew, had moved with her cubs to the Otrádnoe copse, a small place a mile and a half from the house.)


"We ought to go, don't you think so?" said Nicholas. "Come to me with Uvárka."


"As you please."


"Then put off feeding them."


Five minutes later Daniel and Uvárka were standing in Nicholas' big study. Though Daniel was not a big man, to see him in a room was like seeing a horse or a bear on the floor among the furniture and surroundings of human life. Daniel himself felt this, and as usual stood just inside the door, trying to speak softly and not move, for fear of breaking something in the master's apartment, and he hastened to say all that was necessary so as to get from under that ceiling, out into the open under the sky once more.


Having finished his inquiries and extorted from Daniel an opinion that the hounds were fit (Daniel himself wished to go hunting), Nicholas ordered the horses to be saddled. But just as Daniel was about to go Natásha came in with rapid steps, not having done up her hair or finished dressing and with her old nurse's big shawl wrapped round her. Pétya ran in at the same time.


"You are going?" asked Natásha. "I knew you would! Sónya said you wouldn't go, but I knew that today is the sort of day when you couldn't help going."


"Yes, we are going," replied Nicholas reluctantly, for today, as he intended to hunt seriously, he did not want to take Natásha and Pétya. "We are going, but only wolf hunting: it would be dull for you."


"You know it is my greatest pleasure," said Natásha. "It's not fair; you are going by yourself, are having the horses saddled and said nothing to us about it."


"'No barrier bars a Russian's path'—we'll go!" shouted Pétya.


"But you can't. Mamma said you mustn't," said Nicholas to Natásha.


"Yes, I'll go. I shall certainly go," said Natásha decisively. "Daniel, tell them to saddle for us, and Michael must come with my dogs," she added to the huntsman.


It seemed to Daniel irksome and improper to be in a room at all, but to have anything to do with a young lady seemed to him impossible. He cast down his eyes and hurried out as if it were none of his business, careful as he went not to inflict any accidental injury on the young lady.


The old count, who had always kept up an enormous hunting establishment but had now handed it all completely over to his son's care, being in very good spirits on this fifteenth of September, prepared to go out with the others.


In an hour's time the whole hunting party was at the porch. Nicholas, with a stern and serious air which showed that now was no time for attending to trifles, went past Natásha and Pétya who were trying to tell him something. He had a look at all the details of the hunt, sent a pack of hounds and huntsmen on ahead to find the quarry, mounted his chestnut Donéts, and whistling to his own leash of borzois, set off across the threshing ground to a field leading to the Otrádnoe wood. The old count's horse, a sorrel gelding called Viflyánka, was led by the groom in attendance on him, while the count himself was to drive in a small trap straight to a spot reserved for him.


They were taking fifty-four hounds, with six hunt attendants and whippers-in. Besides the family, there were eight borzoi kennelmen and more than forty borzois, so that, with the borzois on the leash belonging to members of the family, there were about a hundred and thirty dogs and twenty horsemen.


Each dog knew its master and its call. Each man in the hunt knew his business, his place, what he had to do. As soon as they had passed the fence they all spread out evenly and quietly, without noise or talk, along the road and field leading to the Otrádnoe covert.


The horses stepped over the field as over a thick carpet, now and then splashing into puddles as they crossed a road. The misty sky still seemed to descend evenly and imperceptibly toward the earth, the air was still, warm, and silent. Occasionally the whistle of a huntsman, the snort of a horse, the crack of a whip, or the whine of a straggling hound could be heard.


When they had gone a little less than a mile, five more riders with dogs appeared out of the mist, approaching the Rostóvs. In front rode a fresh-looking, handsome old man with a large gray mustache.


"Good morning, Uncle!" said Nicholas, when the old man drew near.


"That's it. Come on!... I was sure of it," began "Uncle." (He was a distant relative of the Rostóvs', a man of small means, and their neighbor.) "I knew you wouldn't be able to resist it and it's a good thing you're going. That's it! Come on!" (This was "Uncle's" favorite expression.) "Take the covert at once, for my Gírchik says the Ilágins are at Kornikí with their hounds. That's it. Come on!... They'll take the cubs from under your very nose."


"That's where I'm going. Shall we join up our packs?" asked Nicholas.


The hounds were joined into one pack, and "Uncle" and Nicholas rode on side by side. Natásha, muffled up in shawls which did not hide her eager face and shining eyes, galloped up to them. She was followed by Pétya who always kept close to her, by Michael, a huntsman, and by a groom appointed to look after her. Pétya, who was laughing, whipped and pulled at his horse. Natásha sat easily and confidently on her black Arábchik and reined him in without effort with a firm hand.


"Uncle" looked round disapprovingly at Pétya and Natásha. He did not like to combine frivolity with the serious business of hunting.


"Good morning, Uncle! We are going too!" shouted Pétya.


"Good morning, good morning! But don't go overriding the hounds," said "Uncle" sternly.


"Nicholas, what a fine dog Truníla is! He knew me," said Natásha, referring to her favorite hound.


"In the first place, Truníla is not a 'dog,' but a harrier," thought Nicholas, and looked sternly at his sister, trying to make her feel the distance that ought to separate them at that moment. Natásha understood it.


"You mustn't think we'll be in anyone's way, Uncle," she said. "We'll go to our places and won't budge."


"A good thing too, little countess," said "Uncle," "only mind you don't fall off your horse," he added, "because—that's it, come on!—you've nothing to hold on to."


The oasis of the Otrádnoe covert came in sight a few hundred yards off, the huntsmen were already nearing it. Rostóv, having finally settled with "Uncle" where they should set on the hounds, and having shown Natásha where she was to stand—a spot where nothing could possibly run out—went round above the ravine.


"Well, nephew, you're going for a big wolf," said "Uncle." "Mind and don't let her slip!"


"That's as may happen," answered Rostóv. "Karáy, here!" he shouted, answering "Uncle's" remark by this call to his borzoi. Karáy was a shaggy old dog with a hanging jowl, famous for having tackled a big wolf unaided. They all took up their places.


The old count, knowing his son's ardor in the hunt, hurried so as not to be late, and the huntsmen had not yet reached their places when Count Ilyá Rostóv, cheerful, flushed, and with quivering cheeks, drove up with his black horses over the winter rye to the place reserved for him, where a wolf might come out. Having straightened his coat and fastened on his hunting knives and horn, he mounted his good, sleek, well-fed, and comfortable horse, Viflyánka, which was turning gray, like himself. His horses and trap were sent home. Count Ilyá Rostóv, though not at heart a keen sportsman, knew the rules of the hunt well, and rode to the bushy edge of the road where he was to stand, arranged his reins, settled himself in the saddle, and, feeling that he was ready, looked about with a smile.


Beside him was Simon Chekmár, his personal attendant, an old horseman now somewhat stiff in the saddle. Chekmár held in leash three formidable wolfhounds, who had, however, grown fat like their master and his horse. Two wise old dogs lay down unleashed. Some hundred paces farther along the edge of the wood stood Mítka, the count's other groom, a daring horseman and keen rider to hounds. Before the hunt, by old custom, the count had drunk a silver cupful of mulled brandy, taken a snack, and washed it down with half a bottle of his favorite Bordeaux.


He was somewhat flushed with the wine and the drive. His eyes were rather moist and glittered more than usual, and as he sat in his saddle, wrapped up in his fur coat, he looked like a child taken out for an outing.


The thin, hollow-cheeked Chekmár, having got everything ready, kept glancing at his master with whom he had lived on the best of terms for thirty years, and understanding the mood he was in expected a pleasant chat. A third person rode up circumspectly through the wood (it was plain that he had had a lesson) and stopped behind the count. This person was a gray-bearded old man in a woman's cloak, with a tall peaked cap on his head. He was the buffoon, who went by a woman's name, Nastásya Ivánovna.


"Well, Nastásya Ivánovna!" whispered the count, winking at him. "If you scare away the beast, Daniel'll give it you!"


"I know a thing or two myself!" said Nastásya Ivánovna.


"Hush!" whispered the count and turned to Simon. "Have you seen the young countess?" he asked. "Where is she?"


"With young Count Peter, by the Zhárov rank grass," answered Simon, smiling. "Though she's a lady, she's very fond of hunting."


"And you're surprised at the way she rides, Simon, eh?" said the count. "She's as good as many a man!"


"Of course! It's marvelous. So bold, so easy!"


"And Nicholas? Where is he? By the Lyádov upland, isn't he?"


"Yes, sir. He knows where to stand. He understands the matter so well that Daniel and I are often quite astounded," said Simon, well knowing what would please his master.


"Rides well, eh? And how well he looks on his horse, eh?"


"A perfect picture! How he chased a fox out of the rank grass by the Zavárzinsk thicket the other day! Leaped a fearful place; what a sight when they rushed from the covert... the horse worth a thousand rubles and the rider beyond all price! Yes, one would have to search far to find another as smart."


"To search far..." repeated the count, evidently sorry Simon had not said more. "To search far," he said, turning back the skirt of his coat to get at his snuffbox.


"The other day when he came out from Mass in full uniform, Michael Sidórych..." Simon did not finish, for on the still air he had distinctly caught the music of the hunt with only two or three hounds giving tongue. He bent down his head and listened, shaking a warning finger at his master. "They are on the scent of the cubs..." he whispered, "straight to the Lyádov uplands."


The count, forgetting to smooth out the smile on his face, looked into the distance straight before him, down the narrow open space, holding the snuffbox in his hand but not taking any. After the cry of the hounds came the deep tones of the wolf call from Daniel's hunting horn; the pack joined the first three hounds and they could be heard in full cry, with that peculiar lift in the note that indicates that they are after a wolf. The whippers-in no longer set on the hounds, but changed to the cry of ulyulyu, and above the others rose Daniel's voice, now a deep bass, now piercingly shrill. His voice seemed to fill the whole wood and carried far beyond out into the open field.


After listening a few moments in silence, the count and his attendant convinced themselves that the hounds had separated into two packs: the sound of the larger pack, eagerly giving tongue, began to die away in the distance, the other pack rushed by the wood past the count, and it was with this that Daniel's voice was heard calling ulyulyu. The sounds of both packs mingled and broke apart again, but both were becoming more distant.


Simon sighed and stooped to straighten the leash a young borzoi had entangled; the count too sighed and, noticing the snuffbox in his hand, opened it and took a pinch. "Back!" cried Simon to a borzoi that was pushing forward out of the wood. The count started and dropped the snuffbox. Nastásya Ivánovna dismounted to pick it up. The count and Simon were looking at him.


Then, unexpectedly, as often happens, the sound of the hunt suddenly approached, as if the hounds in full cry and Daniel ulyulyuing were just in front of them.


The count turned and saw on his right Mítka staring at him with eyes starting out of his head, raising his cap and pointing before him to the other side.


"Look out!" he shouted, in a voice plainly showing that he had long fretted to utter that word, and letting the borzois slip he galloped toward the count.


The count and Simon galloped out of the wood and saw on their left a wolf which, softly swaying from side to side, was coming at a quiet lope farther to the left to the very place where they were standing. The angry borzois whined and getting free of the leash rushed past the horses' feet at the wolf.


The wolf paused, turned its heavy forehead toward the dogs awkwardly, like a man suffering from the quinsy, and, still slightly swaying from side to side, gave a couple of leaps and with a swish of its tail disappeared into the skirt of the wood. At the same instant, with a cry like a wail, first one hound, then another, and then another, sprang helter-skelter from the wood opposite and the whole pack rushed across the field toward the very spot where the wolf had disappeared. The hazel bushes parted behind the hounds and Daniel's chestnut horse appeared, dark with sweat. On its long back sat Daniel, hunched forward, capless, his disheveled gray hair hanging over his flushed, perspiring face.


"Ulyulyulyu! ulyulyu!..." he cried. When he caught sight of the count his eyes flashed lightning.


"Blast you!" he shouted, holding up his whip threateningly at the count.


"You've let the wolf go!... What sportsmen!" and as if scorning to say more to the frightened and shamefaced count, he lashed the heaving flanks of his sweating chestnut gelding with all the anger the count had aroused and flew off after the hounds. The count, like a punished schoolboy, looked round, trying by a smile to win Simon's sympathy for his plight. But Simon was no longer there. He was galloping round by the bushes while the field was coming up on both sides, all trying to head the wolf, but it vanished into the wood before they could do so.


Nicholas Rostóv meanwhile remained at his post, waiting for the wolf. By the way the hunt approached and receded, by the cries of the dogs whose notes were familiar to him, by the way the voices of the huntsmen approached, receded, and rose, he realized what was happening at the copse. He knew that young and old wolves were there, that the hounds had separated into two packs, that somewhere a wolf was being chased, and that something had gone wrong. He expected the wolf to come his way any moment. He made thousands of different conjectures as to where and from what side the beast would come and how he would set upon it. Hope alternated with despair. Several times he addressed a prayer to God that the wolf should come his way. He prayed with that passionate and shamefaced feeling with which men pray at moments of great excitement arising from trivial causes. "What would it be to Thee to do this for me?" he said to God. "I know Thou art great, and that it is a sin to ask this of Thee, but for God's sake do let the old wolf come my way and let Karáy spring at it—in sight of 'Uncle' who is watching from over there—and seize it by the throat in a death grip!" A thousand times during that half-hour Rostóv cast eager and restless glances over the edge of the wood, with the two scraggy oaks rising above the aspen undergrowth and the gully with its water-worn side and "Uncle's" cap just visible above the bush on his right.


"No, I shan't have such luck," thought Rostóv, "yet what wouldn't it be worth! It is not to be! Everywhere, at cards and in war, I am always unlucky." Memories of Austerlitz and of Dólokhov flashed rapidly and clearly through his mind. "Only once in my life to get an old wolf, I want only that!" thought he, straining eyes and ears and looking to the left and then to the right and listening to the slightest variation of note in the cries of the dogs.


Again he looked to the right and saw something running toward him across the deserted field. "No, it can't be!" thought Rostóv, taking a deep breath, as a man does at the coming of something long hoped for. The height of happiness was reached—and so simply, without warning, or noise, or display, that Rostóv could not believe his eyes and remained in doubt for over a second. The wolf ran forward and jumped heavily over a gully that lay in her path. She was an old animal with a gray back and big reddish belly. She ran without hurry, evidently feeling sure that no one saw her. Rostóv, holding his breath, looked round at the borzois. They stood or lay not seeing the wolf or understanding the situation. Old Karáy had turned his head and was angrily searching for fleas, baring his yellow teeth and snapping at his hind legs.


"Ulyulyulyu!" whispered Rostóv, pouting his lips. The borzois jumped up, jerking the rings of the leashes and pricking their ears. Karáy finished scratching his hindquarters and, cocking his ears, got up with quivering tail from which tufts of matted hair hung down.


"Shall I loose them or not?" Nicholas asked himself as the wolf approached him coming from the copse. Suddenly the wolf's whole physiognomy changed: she shuddered, seeing what she had probably never seen before—human eyes fixed upon her—and turning her head a little toward Rostóv, she paused.


"Back or forward? Eh, no matter, forward..." the wolf seemed to say to herself, and she moved forward without again looking round and with a quiet, long, easy yet resolute lope.


"Ulyulyu!" cried Nicholas, in a voice not his own, and of its own accord his good horse darted headlong downhill, leaping over gullies to head off the wolf, and the borzois passed it, running faster still. Nicholas did not hear his own cry nor feel that he was galloping, nor see the borzois, nor the ground over which he went: he saw only the wolf, who, increasing her speed, bounded on in the same direction along the hollow. The first to come into view was Mílka, with her black markings and powerful quarters, gaining upon the wolf. Nearer and nearer... now she was ahead of it; but the wolf turned its head to face her, and instead of putting on speed as she usually did Mílka suddenly raised her tail and stiffened her forelegs.


"Ulyulyulyulyu!" shouted Nicholas.


The reddish Lyubím rushed forward from behind Mílka, sprang impetuously at the wolf, and seized it by its hindquarters, but immediately jumped aside in terror. The wolf crouched, gnashed her teeth, and again rose and bounded forward, followed at the distance of a couple of feet by all the borzois, who did not get any closer to her.


"She'll get away! No, it's impossible!" thought Nicholas, still shouting with a hoarse voice.


"Karáy, ulyulyu!..." he shouted, looking round for the old borzoi who was now his only hope. Karáy, with all the strength age had left him, stretched himself to the utmost and, watching the wolf, galloped heavily aside to intercept it. But the quickness of the wolf's lope and the borzoi's slower pace made it plain that Karáy had miscalculated. Nicholas could already see not far in front of him the wood where the wolf would certainly escape should she reach it. But, coming toward him, he saw hounds and a huntsman galloping almost straight at the wolf. There was still hope. A long, yellowish young borzoi, one Nicholas did not know, from another leash, rushed impetuously at the wolf from in front and almost knocked her over. But the wolf jumped up more quickly than anyone could have expected and, gnashing her teeth, flew at the yellowish borzoi, which, with a piercing yelp, fell with its head on the ground, bleeding from a gash in its side.


"Karáy? Old fellow!..." wailed Nicholas.


Thanks to the delay caused by this crossing of the wolf's path, the old dog with its felted hair hanging from its thigh was within five paces of it. As if aware of her danger, the wolf turned her eyes on Karáy, tucked her tail yet further between her legs, and increased her speed. But here Nicholas only saw that something happened to Karáy—the borzoi was suddenly on the wolf, and they rolled together down into a gully just in front of them.


That instant, when Nicholas saw the wolf struggling in the gully with the dogs, while from under them could be seen her gray hair and outstretched hind leg and her frightened choking head, with her ears laid back (Karáy was pinning her by the throat), was the happiest moment of his life. With his hand on his saddlebow, he was ready to dismount and stab the wolf, when she suddenly thrust her head up from among that mass of dogs, and then her forepaws were on the edge of the gully. She clicked her teeth (Karáy no longer had her by the throat), leaped with a movement of her hind legs out of the gully, and having disengaged herself from the dogs, with tail tucked in again, went forward. Karáy, his hair bristling, and probably bruised or wounded, climbed with difficulty out of the gully.


"Oh my God! Why?" Nicholas cried in despair.


"Uncle's" huntsman was galloping from the other side across the wolf's path and his borzois once more stopped the animal's advance. She was again hemmed in.


Nicholas and his attendant, with "Uncle" and his huntsman, were all riding round the wolf, crying "ulyulyu!" shouting and preparing to dismount each moment that the wolf crouched back, and starting forward again every time she shook herself and moved toward the wood where she would be safe.


Already, at the beginning of this chase, Daniel, hearing the ulyulyuing, had rushed out from the wood. He saw Karáy seize the wolf, and checked his horse, supposing the affair to be over. But when he saw that the horsemen did not dismount and that the wolf shook herself and ran for safety, Daniel set his chestnut galloping, not at the wolf but straight toward the wood, just as Karáy had run to cut the animal off. As a result of this, he galloped up to the wolf just when she had been stopped a second time by "Uncle's" borzois.


Daniel galloped up silently, holding a naked dagger in his left hand and thrashing the laboring sides of his chestnut horse with his whip as if it were a flail.