"For myself I want nothing. I live, as it were, between two graves. One is that of Edmond Dantès, lost to me long, long since. He had my love! That word ill becomes my faded lip now, but it is a memory dear to my heart, and one that I would not lose for all that the world contains. The other grave is that of the man who met his death from the hand of Edmond Dantès. I approve of the deed, but I must pray for the dead."


"Your son shall be happy, Mercédès," repeated the count.


"Then I shall enjoy as much happiness as this world can possibly confer."


"But what are your intentions?"


"To say that I shall live here, like the Mercédès of other times, gaining my bread by labor, would not be true, nor would you believe me. I have no longer the strength to do anything but to spend my days in prayer. However, I shall have no occasion to work, for the little sum of money buried by you, and which I found in the place you mentioned, will be sufficient to maintain me. Rumor will probably be busy respecting me, my occupations, my manner of living—that will signify but little, that concerns God, you, and myself."


"Mercédès," said the count, "I do not say it to blame you, but you made an unnecessary sacrifice in relinquishing the whole of the fortune amassed by M. de Morcerf; half of it at least by right belonged to you, in virtue of your vigilance and economy."


"I perceive what you are intending to propose to me; but I cannot accept it, Edmond—my son would not permit it."


"Nothing shall be done without the full approbation of Albert de Morcerf. I will make myself acquainted with his intentions and will submit to them. But if he be willing to accept my offers, will you oppose them?"


"You well know, Edmond, that I am no longer a reasoning creature; I have no will, unless it be the will never to decide. I have been so overwhelmed by the many storms that have broken over my head, that I am become passive in the hands of the Almighty, like a sparrow in the talons of an eagle. I live, because it is not ordained for me to die. If succor be sent to me, I will accept it."


"Ah, madame," said Monte Cristo, "you should not talk thus! It is not so we should evince our resignation to the will of heaven; on the contrary, we are all free agents."


"Alas!" exclaimed Mercédès, "if it were so, if I possessed free-will, but without the power to render that will efficacious, it would drive me to despair."


Monte Cristo dropped his head and shrank from the vehemence of her grief.


"Will you not even say you will see me again?" he asked.


"On the contrary, we shall meet again," said Mercédès, pointing to heaven with solemnity. "I tell you so to prove to you that I still hope."


And after pressing her own trembling hand upon that of the count, Mercédès rushed up the stairs and disappeared. Monte Cristo slowly left the house and turned towards the quay. But Mercédès did not witness his departure, although she was seated at the little window of the room which had been occupied by old Dantès. Her eyes were straining to see the ship which was carrying her son over the vast sea; but still her voice involuntarily murmured softly:


"Edmond, Edmond, Edmond!"


Chapter 113. The Past


The count departed with a sad heart from the house in which he had left Mercédès, probably never to behold her again. Since the death of little Edward a great change had taken place in Monte Cristo. Having reached the summit of his vengeance by a long and tortuous path, he saw an abyss of doubt yawning before him. More than this, the conversation which had just taken place between Mercédès and himself had awakened so many recollections in his heart that he felt it necessary to combat with them. A man of the count's temperament could not long indulge in that melancholy which can exist in common minds, but which destroys superior ones. He thought he must have made an error in his calculations if he now found cause to blame himself.


"I cannot have deceived myself," he said; "I must look upon the past in a false light. What!" he continued, "can I have been following a false path?—can the end which I proposed be a mistaken end?—can one hour have sufficed to prove to an architect that the work upon which he founded all his hopes was an impossible, if not a sacrilegious, undertaking? I cannot reconcile myself to this idea—it would madden me. The reason why I am now dissatisfied is that I have not a clear appreciation of the past. The past, like the country through which we walk, becomes indistinct as we advance. My position is like that of a person wounded in a dream; he feels the wound, though he cannot recollect when he received it.


"Come, then, thou regenerate man, thou extravagant prodigal, thou awakened sleeper, thou all-powerful visionary, thou invincible millionaire,—once again review thy past life of starvation and wretchedness, revisit the scenes where fate and misfortune conducted, and where despair received thee. Too many diamonds, too much gold and splendor, are now reflected by the mirror in which Monte Cristo seeks to behold Dantès. Hide thy diamonds, bury thy gold, shroud thy splendor, exchange riches for poverty, liberty for a prison, a living body for a corpse!"


As he thus reasoned, Monte Cristo walked down the Rue de la Caisserie. It was the same through which, twenty-four years ago, he had been conducted by a silent and nocturnal guard; the houses, today so smiling and animated, were on that night dark, mute, and closed.


"And yet they were the same," murmured Monte Cristo, "only now it is broad daylight instead of night; it is the sun which brightens the place, and makes it appear so cheerful."


He proceeded towards the quay by the Rue Saint-Laurent, and advanced to the Consigne; it was the point where he had embarked. A pleasure-boat with striped awning was going by. Monte Cristo called the owner, who immediately rowed up to him with the eagerness of a boatman hoping for a good fare.


The weather was magnificent, and the excursion a treat. The sun, red and flaming, was sinking into the embrace of the welcoming ocean. The sea, smooth as crystal, was now and then disturbed by the leaping of fish, which were pursued by some unseen enemy and sought for safety in another element; while on the extreme verge of the horizon might be seen the fishermen's boats, white and graceful as the sea-gull, or the merchant vessels bound for Corsica or Spain.


But notwithstanding the serene sky, the gracefully formed boats, and the golden light in which the whole scene was bathed, the Count of Monte Cristo, wrapped in his cloak, could think only of this terrible voyage, the details of which were one by one recalled to his memory. The solitary light burning at the Catalans; that first sight of the Château d'If, which told him whither they were leading him; the struggle with the gendarmes when he wished to throw himself overboard; his despair when he found himself vanquished, and the sensation when the muzzle of the carbine touched his forehead—all these were brought before him in vivid and frightful reality.


Like the streams which the heat of the summer has dried up, and which after the autumnal storms gradually begin oozing drop by drop, so did the count feel his heart gradually fill with the bitterness which formerly nearly overwhelmed Edmond Dantès. Clear sky, swift-flitting boats, and brilliant sunshine disappeared; the heavens were hung with black, and the gigantic structure of the Château d'If seemed like the phantom of a mortal enemy. As they reached the shore, the count instinctively shrunk to the extreme end of the boat, and the owner was obliged to call out, in his sweetest tone of voice:


"Sir, we are at the landing."


Monte Cristo remembered that on that very spot, on the same rock, he had been violently dragged by the guards, who forced him to ascend the slope at the points of their bayonets. The journey had seemed very long to Dantès, but Monte Cristo found it equally short. Each stroke of the oar seemed to awaken a new throng of ideas, which sprang up with the flying spray of the sea.


There had been no prisoners confined in the Château d'If since the revolution of July; it was only inhabited by a guard, kept there for the prevention of smuggling. A concierge waited at the door to exhibit to visitors this monument of curiosity, once a scene of terror.


The count inquired whether any of the ancient jailers were still there; but they had all been pensioned, or had passed on to some other employment. The concierge who attended him had only been there since 1830. He visited his own dungeon. He again beheld the dull light vainly endeavoring to penetrate the narrow opening. His eyes rested upon the spot where had stood his bed, since then removed, and behind the bed the new stones indicated where the breach made by the Abbé Faria had been. Monte Cristo felt his limbs tremble; he seated himself upon a log of wood.


"Are there any stories connected with this prison besides the one relating to the poisoning of Mirabeau?" asked the count; "are there any traditions respecting these dismal abodes,—in which it is difficult to believe men can ever have imprisoned their fellow-creatures?"


"Yes, sir; indeed, the jailer Antoine told me one connected with this very dungeon."


Monte Cristo shuddered; Antoine had been his jailer. He had almost forgotten his name and face, but at the mention of the name he recalled his person as he used to see it, the face encircled by a beard, wearing the brown jacket, the bunch of keys, the jingling of which he still seemed to hear. The count turned around, and fancied he saw him in the corridor, rendered still darker by the torch carried by the concierge.


"Would you like to hear the story, sir?"


"Yes; relate it," said Monte Cristo, pressing his hand to his heart to still its violent beatings; he felt afraid of hearing his own history.


"This dungeon," said the concierge, "was, it appears, some time ago occupied by a very dangerous prisoner, the more so since he was full of industry. Another person was confined in the Château at the same time, but he was not wicked, he was only a poor mad priest."


"Ah, indeed?—mad!" repeated Monte Cristo; "and what was his mania?"


"He offered millions to anyone who would set him at liberty."


Monte Cristo raised his eyes, but he could not see the heavens; there was a stone veil between him and the firmament. He thought that there had been no less thick a veil before the eyes of those to whom Faria offered the treasures.


"Could the prisoners see each other?" he asked.


"Oh, no, sir, it was expressly forbidden; but they eluded the vigilance of the guards, and made a passage from one dungeon to the other."


"And which of them made this passage?"


"Oh, it must have been the young man, certainly, for he was strong and industrious, while the abbé was aged and weak; besides, his mind was too vacillating to allow him to carry out an idea."


"Blind fools!" murmured the count.


"However, be that as it may, the young man made a tunnel, how or by what means no one knows; but he made it, and there is the evidence yet remaining of his work. Do you see it?" and the man held the torch to the wall.


"Ah, yes; I see," said the count, in a voice hoarse from emotion.


"The result was that the two men communicated with one another; how long they did so, nobody knows. One day the old man fell ill and died. Now guess what the young one did?"


"He carried off the corpse, which he placed in his own bed with its face to the wall; then he entered the empty dungeon, closed the entrance, and slipped into the sack which had contained the dead body. Did you ever hear of such an idea?"


Monte Cristo closed his eyes, and seemed again to experience all the sensations he had felt when the coarse canvas, yet moist with the cold dews of death, had touched his face.


The jailer continued:


"Now this was his project. He fancied that they buried the dead at the Château d'If, and imagining they would not expend much labor on the grave of a prisoner, he calculated on raising the earth with his shoulders, but unfortunately their arrangements at the Château frustrated his projects. They never buried the dead; they merely attached a heavy cannon-ball to the feet, and then threw them into the sea. This is what was done. The young man was thrown from the top of the rock; the corpse was found on the bed next day, and the whole truth was guessed, for the men who performed the office then mentioned what they had not dared to speak of before, that at the moment the corpse was thrown into the deep, they heard a shriek, which was almost immediately stifled by the water in which it disappeared."


The count breathed with difficulty; the cold drops ran down his forehead, and his heart was full of anguish.


"No," he muttered, "the doubt I felt was but the commencement of forgetfulness; but here the wound reopens, and the heart again thirsts for vengeance. And the prisoner," he continued aloud, "was he ever heard of afterwards?"


"Oh, no; of course not. You can understand that one of two things must have happened; he must either have fallen flat, in which case the blow, from a height of ninety feet, must have killed him instantly, or he must have fallen upright, and then the weight would have dragged him to the bottom, where he remained—poor fellow!"


"Then you pity him?" said the count.


"Ma foi, yes; though he was in his own element."


"The report was that he had been a naval officer, who had been confined for plotting with the Bonapartists."


"Great is truth," muttered the count, "fire cannot burn, nor water drown it! Thus the poor sailor lives in the recollection of those who narrate his history; his terrible story is recited in the chimney-corner, and a shudder is felt at the description of his transit through the air to be swallowed by the deep." Then, the count added aloud, "Was his name ever known?"


"Oh, yes; but only as No. 34."


"Oh, Villefort, Villefort," murmured the count, "this scene must often have haunted thy sleepless hours!"


"Do you wish to see anything more, sir?" said the concierge.


"Yes, especially if you will show me the poor abbé's room."


"Yes; No. 27." repeated the count, who seemed to hear the voice of the abbé answering him in those very words through the wall when asked his name.


"Come, sir."


"Wait," said Monte Cristo, "I wish to take one final glance around this room."


"This is fortunate," said the guide; "I have forgotten the other key."


"Go and fetch it."


"I will leave you the torch, sir."


"No, take it away; I can see in the dark."


"Why, you are like No. 34. They said he was so accustomed to darkness that he could see a pin in the darkest corner of his dungeon."


"He spent fourteen years to arrive at that," muttered the count.


The guide carried away the torch. The count had spoken correctly. Scarcely had a few seconds elapsed, ere he saw everything as distinctly as by daylight. Then he looked around him, and really recognized his dungeon.


"Yes," he said, "there is the stone upon which I used to sit; there is the impression made by my shoulders on the wall; there is the mark of my blood made when one day I dashed my head against the wall. Oh, those figures, how well I remember them! I made them one day to calculate the age of my father, that I might know whether I should find him still living, and that of Mercédès, to know if I should find her still free. After finishing that calculation, I had a minute's hope. I did not reckon upon hunger and infidelity!" and a bitter laugh escaped the count.


He saw in fancy the burial of his father, and the marriage of Mercédès. On the other side of the dungeon he perceived an inscription, the white letters of which were still visible on the green wall:


"'Oh, God!'" he read, "'preserve my memory!'"


"Oh, yes," he cried, "that was my only prayer at last; I no longer begged for liberty, but memory; I dreaded to become mad and forgetful. Oh, God, thou hast preserved my memory; I thank thee, I thank thee!"


At this moment the light of the torch was reflected on the wall; the guide was coming; Monte Cristo went to meet him.


"Follow me, sir;" and without ascending the stairs the guide conducted him by a subterraneous passage to another entrance. There, again, Monte Cristo was assailed by a multitude of thoughts. The first thing that met his eye was the meridian, drawn by the abbé on the wall, by which he calculated the time; then he saw the remains of the bed on which the poor prisoner had died. The sight of this, instead of exciting the anguish experienced by the count in the dungeon, filled his heart with a soft and grateful sentiment, and tears fell from his eyes.


"This is where the mad abbé was kept, sir, and that is where the young man entered;" and the guide pointed to the opening, which had remained unclosed. "From the appearance of the stone," he continued, "a learned gentleman discovered that the prisoners might have communicated together for ten years. Poor things! Those must have been ten weary years."


Dantès took some louis from his pocket, and gave them to the man who had twice unconsciously pitied him. The guide took them, thinking them merely a few pieces of little value; but the light of the torch revealed their true worth.


The concierge looked upon the count with surprise.


"Sir," he cried, scarcely able to believe his good fortune—"sir, I cannot understand your generosity!"


"Oh, it is very simple, my good fellow; I have been a sailor, and your story touched me more than it would others."


"Then, sir, since you are so liberal, I ought to offer you something."


"What have you to offer to me, my friend? Shells? Straw-work? Thank you!"


"No, sir, neither of those; something connected with this story."


"Really? What is it?"


"Listen," said the guide; "I said to myself, 'Something is always left in a cell inhabited by one prisoner for fifteen years,' so I began to sound the wall."


"Ah," cried Monte Cristo, remembering the abbé's two hiding-places.


"After some search, I found that the floor gave a hollow sound near the head of the bed, and at the hearth."


"Yes," said the count, "yes."


"I raised the stones, and found——"


"A rope-ladder and some tools?"


"How do you know that?" asked the guide in astonishment.


"I do not know—I only guess it, because that sort of thing is generally found in prisoners' cells."


"Yes, sir, a rope-ladder and tools."


"And have you them yet?"


"No, sir; I sold them to visitors, who considered them great curiosities; but I have still something left."


"What is it?" asked the count, impatiently.


"A sort of book, written upon strips of cloth."


"Go and fetch it, my good fellow; and if it be what I hope, you will do well."


"I will run for it, sir;" and the guide went out.


Then the count knelt down by the side of the bed, which death had converted into an altar.


"Oh, second father," he exclaimed, "thou who hast given me liberty, knowledge, riches; thou who, like beings of a superior order to ourselves, couldst understand the science of good and evil; if in the depths of the tomb there still remain something within us which can respond to the voice of those who are left on earth; if after death the soul ever revisit the places where we have lived and suffered,—then, noble heart, sublime soul, then I conjure thee by the paternal love thou didst bear me, by the filial obedience I vowed to thee, grant me some sign, some revelation! Remove from me the remains of doubt, which, if it change not to conviction, must become remorse!" The count bowed his head, and clasped his hands together.


"Here, sir," said a voice behind him.


Monte Cristo shuddered, and arose. The concierge held out the strips of cloth upon which the Abbé Faria had spread the riches of his mind. The manuscript was the great work by the Abbé Faria upon the kingdoms of Italy. The count seized it hastily, his eyes immediately fell upon the epigraph, and he read:


"Thou shalt tear out the dragons' teeth, and shall trample the lions under foot, saith the Lord."


"Ah," he exclaimed, "here is my answer. Thanks, father, thanks." And feeling in his pocket, he took thence a small pocket-book, which contained ten bank-notes, each of 1,000 francs.


"Here," he said, "take this pocket-book."


"Do you give it to me?"


"Yes; but only on condition that you will not open it till I am gone;" and placing in his breast the treasure he had just found, which was more valuable to him than the richest jewel, he rushed out of the corridor, and reaching his boat, cried, "To Marseilles!"


Then, as he departed, he fixed his eyes upon the gloomy prison.


"Woe," he cried, "to those who confined me in that wretched prison; and woe to those who forgot that I was there!"


As he repassed the Catalans, the count turned around and burying his head in his cloak murmured the name of a woman. The victory was complete; twice he had overcome his doubts. The name he pronounced, in a voice of tenderness, amounting almost to love, was that of Haydée.


On landing, the count turned towards the cemetery, where he felt sure of finding Morrel. He, too, ten years ago, had piously sought out a tomb, and sought it vainly. He, who returned to France with millions, had been unable to find the grave of his father, who had perished from hunger. Morrel had indeed placed a cross over the spot, but it had fallen down and the grave-digger had burnt it, as he did all the old wood in the churchyard.


The worthy merchant had been more fortunate. Dying in the arms of his children, he had been by them laid by the side of his wife, who had preceded him in eternity by two years. Two large slabs of marble, on which were inscribed their names, were placed on either side of a little enclosure, railed in, and shaded by four cypress-trees. Morrel was leaning against one of these, mechanically fixing his eyes on the graves. His grief was so profound that he was nearly unconscious.


"Maximilian," said the count, "you should not look on the graves, but there;" and he pointed upwards.


"The dead are everywhere," said Morrel; "did you not yourself tell me so as we left Paris?"


"Maximilian," said the count, "you asked me during the journey to allow you to remain some days at Marseilles. Do you still wish to do so?"


"I have no wishes, count; only I fancy I could pass the time less painfully here than anywhere else."


"So much the better, for I must leave you; but I carry your word with me, do I not?"


"Ah, count, I shall forget it."


"No, you will not forget it, because you are a man of honor, Morrel, because you have taken an oath, and are about to do so again."


"Oh, count, have pity upon me. I am so unhappy."


"I have known a man much more unfortunate than you, Morrel."


"Alas," said Monte Cristo, "it is the infirmity of our nature always to believe ourselves much more unhappy than those who groan by our sides!"


"What can be more wretched than the man who has lost all he loved and desired in the world?"


"Listen, Morrel, and pay attention to what I am about to tell you. I knew a man who like you had fixed all his hopes of happiness upon a woman. He was young, he had an old father whom he loved, a betrothed bride whom he adored. He was about to marry her, when one of the caprices of fate,—which would almost make us doubt the goodness of Providence, if that Providence did not afterwards reveal itself by proving that all is but a means of conducting to an end,—one of those caprices deprived him of his mistress, of the future of which he had dreamed (for in his blindness he forgot he could only read the present), and cast him into a dungeon."


"Ah," said Morrel, "one quits a dungeon in a week, a month, or a year."


"He remained there fourteen years, Morrel," said the count, placing his hand on the young man's shoulder. Maximilian shuddered.


"Fourteen years!" he muttered.


"Fourteen years!" repeated the count. "During that time he had many moments of despair. He also, Morrel, like you, considered himself the unhappiest of men."


"Well, at the height of his despair God assisted him through human means. At first, perhaps, he did not recognize the infinite mercy of the Lord, but at last he took patience and waited. One day he miraculously left the prison, transformed, rich, powerful. His first cry was for his father; but that father was dead."


"My father, too, is dead," said Morrel.


"Yes; but your father died in your arms, happy, respected, rich, and full of years; his father died poor, despairing, almost doubtful of Providence; and when his son sought his grave ten years afterwards, his tomb had disappeared, and no one could say, 'There sleeps the father you so well loved.'"


"Oh!" exclaimed Morrel.


"He was, then, a more unhappy son than you, Morrel, for he could not even find his father's grave."


"But then he had the woman he loved still remaining?"


"You are deceived, Morrel, that woman——"


"She was dead?"


"Worse than that, she was faithless, and had married one of the persecutors of her betrothed. You see, then, Morrel, that he was a more unhappy lover than you."


"And has he found consolation?"


"He has at least found peace."


"And does he ever expect to be happy?"


"He hopes so, Maximilian."


The young man's head fell on his breast.


"You have my promise," he said, after a minute's pause, extending his hand to Monte Cristo. "Only remember——"


"On the 5th of October, Morrel, I shall expect you at the Island of Monte Cristo. On the 4th a yacht will wait for you in the port of Bastia, it will be called the Eurus. You will give your name to the captain, who will bring you to me. It is understood—is it not?"


"But, count, do you remember that the 5th of October——"


"Child," replied the count, "not to know the value of a man's word! I have told you twenty times that if you wish to die on that day, I will assist you. Morrel, farewell!"


"Yes; I have business in Italy. I leave you alone in your struggle with misfortune—alone with that strong-winged eagle which God sends to bear aloft the elect to his feet. The story of Ganymede, Maximilian, is not a fable, but an allegory."


"When do you leave?"


"Immediately; the steamer waits, and in an hour I shall be far from you. Will you accompany me to the harbor, Maximilian?"


"I am entirely yours, count."


Morrel accompanied the count to the harbor. The white steam was ascending like a plume of feathers from the black chimney. The steamer soon disappeared, and in an hour afterwards, as the count had said, was scarcely distinguishable in the horizon amidst the fogs of the night.


Chapter 114. Peppino


At the same time that the steamer disappeared behind Cape Morgiou, a man travelling post on the road from Florence to Rome had just passed the little town of Aquapendente. He was travelling fast enough to cover a great deal of ground without exciting suspicion. This man was dressed in a greatcoat, or rather a surtout, a little worse for the journey, but which exhibited the ribbon of the Legion of Honor still fresh and brilliant, a decoration which also ornamented the under coat. He might be recognized, not only by these signs, but also from the accent with which he spoke to the postilion, as a Frenchman.


Another proof that he was a native of the universal country was apparent in the fact of his knowing no other Italian words than the terms used in music, and which like the "goddam" of Figaro, served all possible linguistic requirements. "Allegro!" he called out to the postilions at every ascent. "Moderato!" he cried as they descended. And heaven knows there are hills enough between Rome and Florence by the way of Aquapendente! These two words greatly amused the men to whom they were addressed. On reaching La Storta, the point from whence Rome is first visible, the traveller evinced none of the enthusiastic curiosity which usually leads strangers to stand up and endeavor to catch sight of the dome of Saint Peter's, which may be seen long before any other object is distinguishable. No, he merely drew a pocketbook from his pocket, and took from it a paper folded in four, and after having examined it in a manner almost reverential, he said:


"Good! I have it still!"


The carriage entered by the Porta del Popolo, turned to the left, and stopped at the Hôtel d'Espagne. Old Pastrini, our former acquaintance, received the traveller at the door, hat in hand. The traveller alighted, ordered a good dinner, and inquired the address of the house of Thomson & French, which was immediately given to him, as it was one of the most celebrated in Rome. It was situated in the Via dei Banchi, near St. Peter's.


In Rome, as everywhere else, the arrival of a post-chaise is an event. Ten young descendants of Marius and the Gracchi, barefooted and out at elbows, with one hand resting on the hip and the other gracefully curved above the head, stared at the traveller, the post-chaise, and the horses; to these were added about fifty little vagabonds from the Papal States, who earned a pittance by diving into the Tiber at high water from the bridge of St. Angelo. Now, as these street Arabs of Rome, more fortunate than those of Paris, understand every language, more especially the French, they heard the traveller order an apartment, a dinner, and finally inquire the way to the house of Thomson & French.


The result was that when the new-comer left the hotel with the cicerone, a man detached himself from the rest of the idlers, and without having been seen by the traveller, and appearing to excite no attention from the guide, followed the stranger with as much skill as a Parisian police agent would have used.


The Frenchman had been so impatient to reach the house of Thomson & French that he would not wait for the horses to be harnessed, but left word for the carriage to overtake him on the road, or to wait for him at the bankers' door. He reached it before the carriage arrived. The Frenchman entered, leaving in the anteroom his guide, who immediately entered into conversation with two or three of the industrious idlers who are always to be found in Rome at the doors of banking-houses, churches, museums, or theatres. With the Frenchman, the man who had followed him entered too; the Frenchman knocked at the inner door, and entered the first room; his shadow did the same.


"Messrs. Thomson & French?" inquired the stranger.


An attendant arose at a sign from a confidential clerk at the first desk.


"Whom shall I announce?" said the attendant.


"Follow me," said the man.


A door opened, through which the attendant and the baron disappeared. The man who had followed Danglars sat down on a bench. The clerk continued to write for the next five minutes; the man preserved profound silence, and remained perfectly motionless. Then the pen of the clerk ceased to move over the paper; he raised his head, and appearing to be perfectly sure of privacy:


"Ah, ha," he said, "here you are, Peppino!"


"Yes," was the laconic reply. "You have found out that there is something worth having about this large gentleman?"


"There is no great merit due to me, for we were informed of it."


"You know his business here, then."


"Pardieu, he has come to draw, but I don't know how much!"


"You will know presently, my friend."


"Very well, only do not give me false information as you did the other day."


"What do you mean?—of whom do you speak? Was it the Englishman who carried off 3,000 crowns from here the other day?"


"No; he really had 3,000 crowns, and we found them. I mean the Russian prince, who you said had 30,000 livres, and we only found 22,000."


"You must have searched badly."


"Luigi Vampa himself searched."


"In that case he must either have paid his debts——"


"A Russian do that?"


"Or spent the money?"


"Possibly, after all."


"Certainly. But you must let me make my observations, or the Frenchman will transact his business without my knowing the sum."


Peppino nodded, and taking a rosary from his pocket began to mutter a few prayers while the clerk disappeared through the same door by which Danglars and the attendant had gone out. At the expiration of ten minutes the clerk returned with a beaming countenance.


"Well?" asked Peppino of his friend.


"Joy, joy—the sum is large!"


"Five or six millions, is it not?"


"Yes, you know the amount."


"On the receipt of the Count of Monte Cristo?"


"Why, how came you to be so well acquainted with all this?"


"I told you we were informed beforehand."


"Then why do you apply to me?"


"That I may be sure I have the right man."


"Yes, it is indeed he. Five millions—a pretty sum, eh, Peppino?"


"Hush—here is our man!" The clerk seized his pen, and Peppino his beads; one was writing and the other praying when the door opened. Danglars looked radiant with joy; the banker accompanied him to the door. Peppino followed Danglars.


According to the arrangements, the carriage was waiting at the door. The guide held the door open. Guides are useful people, who will turn their hands to anything. Danglars leaped into the carriage like a young man of twenty. The cicerone reclosed the door, and sprang up by the side of the coachman. Peppino mounted the seat behind.


"Will your excellency visit Saint Peter's?" asked the cicerone.


"I did not come to Rome to see," said Danglars aloud; then he added softly, with an avaricious smile, "I came to touch!" and he rapped his pocket-book, in which he had just placed a letter.


"Then your excellency is going——"


"To the hotel."


"Casa Pastrini!" said the cicerone to the coachman, and the carriage drove rapidly on.


Ten minutes afterwards the baron entered his apartment, and Peppino stationed himself on the bench outside the door of the hotel, after having whispered something in the ear of one of the descendants of Marius and the Gracchi whom we noticed at the beginning of the chapter, who immediately ran down the road leading to the Capitol at his fullest speed. Danglars was tired and sleepy; he therefore went to bed, placing his pocketbook under his pillow. Peppino had a little spare time, so he had a game of morra with the facchini, lost three crowns, and then to console himself drank a bottle of Orvieto.


The next morning Danglars awoke late, though he went to bed so early; he had not slept well for five or six nights, even if he had slept at all. He breakfasted heartily, and caring little, as he said, for the beauties of the Eternal City, ordered post-horses at noon. But Danglars had not reckoned upon the formalities of the police and the idleness of the posting-master. The horses only arrived at two o'clock, and the cicerone did not bring the passport till three.


All these preparations had collected a number of idlers round the door of Signor Pastrini's; the descendants of Marius and the Gracchi were also not wanting. The baron walked triumphantly through the crowd, who for the sake of gain styled him "your excellency." As Danglars had hitherto contented himself with being called a baron, he felt rather flattered at the title of excellency, and distributed a dozen silver coins among the beggars, who were ready, for twelve more, to call him "your highness."


"Which road?" asked the postilion in Italian.


"The Ancona road," replied the baron. Signor Pastrini interpreted the question and answer, and the horses galloped off.


Danglars intended travelling to Venice, where he would receive one part of his fortune, and then proceeding to Vienna, where he would find the rest, he meant to take up his residence in the latter town, which he had been told was a city of pleasure.


He had scarcely advanced three leagues out of Rome when daylight began to disappear. Danglars had not intended starting so late, or he would have remained; he put his head out and asked the postilion how long it would be before they reached the next town. "Non capisco" (do not understand), was the reply. Danglars bent his head, which he meant to imply, "Very well." The carriage again moved on.


"I will stop at the first posting-house," said Danglars to himself.


He still felt the same self-satisfaction which he had experienced the previous evening, and which had procured him so good a night's rest. He was luxuriously stretched in a good English calash, with double springs; he was drawn by four good horses, at full gallop; he knew the relay to be at a distance of seven leagues. What subject of meditation could present itself to the banker, so fortunately become bankrupt?


Danglars thought for ten minutes about his wife in Paris; another ten minutes about his daughter travelling with Mademoiselle d'Armilly; the same period was given to his creditors, and the manner in which he intended spending their money; and then, having no subject left for contemplation, he shut his eyes, and fell asleep. Now and then a jolt more violent than the rest caused him to open his eyes; then he felt that he was still being carried with great rapidity over the same country, thickly strewn with broken aqueducts, which looked like granite giants petrified while running a race. But the night was cold, dull, and rainy, and it was much more pleasant for a traveller to remain in the warm carriage than to put his head out of the window to make inquiries of a postilion whose only answer was "Non capisco."


Danglars therefore continued to sleep, saying to himself that he would be sure to awake at the posting-house. The carriage stopped. Danglars fancied that they had reached the long-desired point; he opened his eyes and looked through the window, expecting to find himself in the midst of some town, or at least village; but he saw nothing except what seemed like a ruin, where three or four men went and came like shadows.


Danglars waited a moment, expecting the postilion to come and demand payment with the termination of his stage. He intended taking advantage of the opportunity to make fresh inquiries of the new conductor; but the horses were unharnessed, and others put in their places, without anyone claiming money from the traveller. Danglars, astonished, opened the door; but a strong hand pushed him back, and the carriage rolled on. The baron was completely roused.


"Eh?" he said to the postilion, "eh, mio caro?"


This was another little piece of Italian the baron had learned from hearing his daughter sing Italian duets with Cavalcanti. But mio caro did not reply. Danglars then opened the window.


"Come, my friend," he said, thrusting his hand through the opening, "where are we going?"


"Dentro la testa!" answered a solemn and imperious voice, accompanied by a menacing gesture.


Danglars thought dentro la testa meant, "Put in your head!" He was making rapid progress in Italian. He obeyed, not without some uneasiness, which, momentarily increasing, caused his mind, instead of being as unoccupied as it was when he began his journey, to fill with ideas which were very likely to keep a traveller awake, more especially one in such a situation as Danglars. His eyes acquired that quality which in the first moment of strong emotion enables them to see distinctly, and which afterwards fails from being too much taxed. Before we are alarmed, we see correctly; when we are alarmed, we see double; and when we have been alarmed, we see nothing but trouble. Danglars observed a man in a cloak galloping at the right hand of the carriage.


"Some gendarme!" he exclaimed. "Can I have been intercepted by French telegrams to the pontifical authorities?"


He resolved to end his anxiety. "Where are you taking me?" he asked.


"Dentro la testa," replied the same voice, with the same menacing accent.


Danglars turned to the left; another man on horseback was galloping on that side.


"Decidedly," said Danglars, with the perspiration on his forehead, "I must be under arrest." And he threw himself back in the calash, not this time to sleep, but to think.


Directly afterwards the moon rose. He then saw the great aqueducts, those stone phantoms which he had before remarked, only then they were on the right hand, now they were on the left. He understood that they had described a circle, and were bringing him back to Rome.


"Oh, unfortunate!" he cried, "they must have obtained my arrest."


The carriage continued to roll on with frightful speed. An hour of terror elapsed, for every spot they passed showed that they were on the road back. At length he saw a dark mass, against which it seemed as if the carriage was about to dash; but the vehicle turned to one side, leaving the barrier behind and Danglars saw that it was one of the ramparts encircling Rome.


"Mon dieu!" cried Danglars, "we are not returning to Rome; then it is not justice which is pursuing me! Gracious heavens; another idea presents itself—what if they should be——"


His hair stood on end. He remembered those interesting stories, so little believed in Paris, respecting Roman bandits; he remembered the adventures that Albert de Morcerf had related when it was intended that he should marry Mademoiselle Eugénie. "They are robbers, perhaps," he muttered.


Just then the carriage rolled on something harder than gravel road. Danglars hazarded a look on both sides of the road, and perceived monuments of a singular form, and his mind now recalled all the details Morcerf had related, and comparing them with his own situation, he felt sure that he must be on the Appian Way. On the left, in a sort of valley, he perceived a circular excavation. It was Caracalla's circus. On a word from the man who rode at the side of the carriage, it stopped. At the same time the door was opened. "Scendi!" exclaimed a commanding voice.


Danglars instantly descended; although he did not yet speak Italian, he understood it very well. More dead than alive, he looked around him. Four men surrounded him, besides the postilion.


"Di quà," said one of the men, descending a little path leading out of the Appian Way. Danglars followed his guide without opposition, and had no occasion to turn around to see whether the three others were following him. Still it appeared as though they were stationed at equal distances from one another, like sentinels. After walking for about ten minutes, during which Danglars did not exchange a single word with his guide, he found himself between a hillock and a clump of high weeds; three men, standing silent, formed a triangle, of which he was the centre. He wished to speak, but his tongue refused to move.


"Avanti!" said the same sharp and imperative voice.


This time Danglars had double reason to understand, for if the word and gesture had not explained the speaker's meaning, it was clearly expressed by the man walking behind him, who pushed him so rudely that he struck against the guide. This guide was our friend Peppino, who dashed into the thicket of high weeds, through a path which none but lizards or polecats could have imagined to be an open road.


Peppino stopped before a rock overhung by thick hedges; the rock, half open, afforded a passage to the young man, who disappeared like the evil spirits in the fairy tales. The voice and gesture of the man who followed Danglars ordered him to do the same. There was no longer any doubt, the bankrupt was in the hands of Roman banditti. Danglars acquitted himself like a man placed between two dangerous positions, and who is rendered brave by fear. Notwithstanding his large stomach, certainly not intended to penetrate the fissures of the Campagna, he slid down like Peppino, and closing his eyes fell upon his feet. As he touched the ground, he opened his eyes.


The path was wide, but dark. Peppino, who cared little for being recognized now that he was in his own territories, struck a light and lit a torch. Two other men descended after Danglars forming the rearguard, and pushing Danglars whenever he happened to stop, they came by a gentle declivity to the intersection of two corridors. The walls were hollowed out in sepulchres, one above the other, and which seemed in contrast with the white stones to open their large dark eyes, like those which we see on the faces of the dead. A sentinel struck the rings of his carbine against his left hand.


"Who comes there?" he cried.


"A friend, a friend!" said Peppino; "but where is the captain?"


"There," said the sentinel, pointing over his shoulder to a spacious crypt, hollowed out of the rock, the lights from which shone into the passage through the large arched openings.


"Fine spoil, captain, fine spoil!" said Peppino in Italian, and taking Danglars by the collar of his coat he dragged him to an opening resembling a door, through which they entered the apartment which the captain appeared to have made his dwelling-place.


"Is this the man?" asked the captain, who was attentively reading Plutarch's Life of Alexander.


"Himself, captain—himself."


"Very well, show him to me."


At this rather impertinent order, Peppino raised his torch to the face of Danglars, who hastily withdrew that he might not have his eyelashes burnt. His agitated features presented the appearance of pale and hideous terror.


"The man is tired," said the captain, "conduct him to his bed."


"Oh," murmured Danglars, "that bed is probably one of the coffins hollowed in the wall, and the sleep I shall enjoy will be death from one of the poniards I see glistening in the darkness."


From their beds of dried leaves or wolf-skins at the back of the chamber now arose the companions of the man who had been found by Albert de Morcerf reading Cæsar's Commentaries, and by Danglars studying the Life of Alexander. The banker uttered a groan and followed his guide; he neither supplicated nor exclaimed. He no longer possessed strength, will, power, or feeling; he followed where they led him. At length he found himself at the foot of a staircase, and he mechanically lifted his foot five or six times. Then a low door was opened before him, and bending his head to avoid striking his forehead he entered a small room cut out of the rock. The cell was clean, though empty, and dry, though situated at an immeasurable distance under the earth. A bed of dried grass covered with goat-skins was placed in one corner. Danglars brightened up on beholding it, fancying that it gave some promise of safety.


"Oh, God be praised," he said; "it is a real bed!"


This was the second time within the hour that he had invoked the name of God. He had not done so for ten years before.


"Ecco!" said the guide, and pushing Danglars into the cell, he closed the door upon him.


A bolt grated and Danglars was a prisoner. If there had been no bolt, it would have been impossible for him to pass through the midst of the garrison who held the catacombs of St. Sebastian, encamped round a master whom our readers must have recognized as the famous Luigi Vampa.


Danglars, too, had recognized the bandit, whose existence he would not believe when Albert de Morcerf mentioned him in Paris; and not only did he recognize him, but the cell in which Albert had been confined, and which was probably kept for the accommodation of strangers. These recollections were dwelt upon with some pleasure by Danglars, and restored him to some degree of tranquillity. Since the bandits had not despatched him at once, he felt that they would not kill him at all. They had arrested him for the purpose of robbery, and as he had only a few louis about him, he doubted not he would be ransomed.


He remembered that Morcerf had been taxed at 4,000 crowns, and as he considered himself of much greater importance than Morcerf he fixed his own price at 8,000 crowns. Eight thousand crowns amounted to 48,000 livres; he would then have about 5,050,000 francs left. With this sum he could manage to keep out of difficulties. Therefore, tolerably secure in being able to extricate himself from his position, provided he were not rated at the unreasonable sum of 5,050,000 francs, he stretched himself on his bed, and after turning over two or three times, fell asleep with the tranquillity of the hero whose life Luigi Vampa was studying.


Chapter 115. Luigi Vampa's Bill of Fare


We awake from every sleep except the one dreaded by Danglars. He awoke. To a Parisian accustomed to silken curtains, walls hung with velvet drapery, and the soft perfume of burning wood, the white smoke of which diffuses itself in graceful curves around the room, the appearance of the whitewashed cell which greeted his eyes on awakening seemed like the continuation of some disagreeable dream. But in such a situation a single moment suffices to change the strongest doubt into certainty.


"Yes, yes," he murmured, "I am in the hands of the brigands of whom Albert de Morcerf spoke." His first idea was to breathe, that he might know whether he was wounded. He borrowed this from Don Quixote, the only book he had ever read, but which he still slightly remembered.


"No," he cried, "they have not wounded, but perhaps they have robbed me!" and he thrust his hands into his pockets. They were untouched; the hundred louis he had reserved for his journey from Rome to Venice were in his trousers pocket, and in that of his greatcoat he found the little note-case containing his letter of credit for 5,050,000 francs.


"Singular bandits!" he exclaimed; "they have left me my purse and pocket-book. As I was saying last night, they intend me to be ransomed. Hello, here is my watch! Let me see what time it is."


Danglars' watch, one of Breguet's repeaters, which he had carefully wound up on the previous night, struck half past five. Without this, Danglars would have been quite ignorant of the time, for daylight did not reach his cell. Should he demand an explanation from the bandits, or should he wait patiently for them to propose it? The last alternative seemed the most prudent, so he waited until twelve o'clock. During all this time a sentinel, who had been relieved at eight o'clock, had been watching his door.


Danglars suddenly felt a strong inclination to see the person who kept watch over him. He had noticed that a few rays, not of daylight, but from a lamp, penetrated through the ill-joined planks of the door; he approached just as the brigand was refreshing himself with a mouthful of brandy, which, owing to the leathern bottle containing it, sent forth an odor which was extremely unpleasant to Danglars. "Faugh!" he exclaimed, retreating to the farther corner of his cell.


At twelve this man was replaced by another functionary, and Danglars, wishing to catch sight of his new guardian, approached the door again.


He was an athletic, gigantic bandit, with large eyes, thick lips, and a flat nose; his red hair fell in dishevelled masses like snakes around his shoulders.


"Ah, ha," cried Danglars, "this fellow is more like an ogre than anything else; however, I am rather too old and tough to be very good eating!"


We see that Danglars was collected enough to jest; at the same time, as though to disprove the ogreish propensities, the man took some black bread, cheese, and onions from his wallet, which he began devouring voraciously.


"May I be hanged," said Danglars, glancing at the bandit's dinner through the crevices of the door,—"may I be hanged if I can understand how people can eat such filth!" and he withdrew to seat himself upon his goat-skin, which reminded him of the smell of the brandy.


But the mysteries of nature are incomprehensible, and there are certain invitations contained in even the coarsest food which appeal very irresistibly to a fasting stomach. Danglars felt his own not to be very well supplied just then, and gradually the man appeared less ugly, the bread less black, and the cheese more fresh, while those dreadful vulgar onions recalled to his mind certain sauces and side-dishes, which his cook prepared in a very superior manner whenever he said, "Monsieur Deniseau, let me have a nice little fricassee today." He got up and knocked on the door; the bandit raised his head. Danglars knew that he was heard, so he redoubled his blows.


"Che cosa?" asked the bandit.


"Come, come," said Danglars, tapping his fingers against the door, "I think it is quite time to think of giving me something to eat!"


But whether he did not understand him, or whether he had received no orders respecting the nourishment of Danglars, the giant, without answering, went on with his dinner. Danglars' feelings were hurt, and not wishing to put himself under obligations to the brute, the banker threw himself down again on his goat-skin and did not breathe another word.


Four hours passed by and the giant was replaced by another bandit. Danglars, who really began to experience sundry gnawings at the stomach, arose softly, again applied his eye to the crack of the door, and recognized the intelligent countenance of his guide. It was, indeed, Peppino who was preparing to mount guard as comfortably as possible by seating himself opposite to the door, and placing between his legs an earthen pan, containing chick-peas stewed with bacon. Near the pan he also placed a pretty little basket of Villetri grapes and a flask of Orvieto. Peppino was decidedly an epicure. Danglars watched these preparations and his mouth watered.


"Come," he said to himself, "let me try if he will be more tractable than the other;" and he tapped gently at the door.


"On y va," (coming) exclaimed Peppino, who from frequenting the house of Signor Pastrini understood French perfectly in all its idioms.


Danglars immediately recognized him as the man who had called out in such a furious manner, "Put in your head!" But this was not the time for recrimination, so he assumed his most agreeable manner and said with a gracious smile:


"Excuse me, sir, but are they not going to give me any dinner?"


"Does your excellency happen to be hungry?"


"Happen to be hungry,—that's pretty good, when I haven't eaten for twenty-four hours!" muttered Danglars. Then he added aloud, "Yes, sir, I am hungry—very hungry."


"And your excellency wants something to eat?"


"Nothing easier," said Peppino. "Here you can get anything you want; by paying for it, of course, as among honest folk."


"Of course!" cried Danglars. "Although, in justice, the people who arrest and imprison you, ought, at least, to feed you."


"That is not the custom, excellency," said Peppino.


"A bad reason," replied Danglars, who reckoned on conciliating his keeper; "but I am content. Let me have some dinner!"


"At once! What would your excellency like?"


And Peppino placed his pan on the ground, so that the steam rose directly under the nostrils of Danglars. "Give your orders."


"Have you kitchens here?"


"Kitchens?—of course—complete ones."


"And cooks?"


"Well, a fowl, fish, game,—it signifies little, so that I eat."


"As your excellency pleases. You mentioned a fowl, I think?"


Peppino, turning around, shouted, "A fowl for his excellency!" His voice yet echoed in the archway when a handsome, graceful, and half-naked young man appeared, bearing a fowl in a silver dish on his head, without the assistance of his hands.


"I could almost believe myself at the Café de Paris," murmured Danglars.


"Here, your excellency," said Peppino, taking the fowl from the young bandit and placing it on the worm-eaten table, which with the stool and the goat-skin bed formed the entire furniture of the cell. Danglars asked for a knife and fork.


"Here, excellency," said Peppino, offering him a little blunt knife and a boxwood fork. Danglars took the knife in one hand and the fork in the other, and was about to cut up the fowl.


"Pardon me, excellency," said Peppino, placing his hand on the banker's shoulder; "people pay here before they eat. They might not be satisfied, and——"


"Ah, ha," thought Danglars, "this is not so much like Paris, except that I shall probably be skinned! Never mind, I'll fix that all right. I have always heard how cheap poultry is in Italy; I should think a fowl is worth about twelve sous at Rome.—There," he said, throwing a louis down.


Peppino picked up the louis, and Danglars again prepared to carve the fowl.


"Stay a moment, your excellency," said Peppino, rising; "you still owe me something."


"I said they would skin me," thought Danglars; but resolving to resist the extortion, he said, "Come, how much do I owe you for this fowl?"


"Your excellency has given me a louis on account."


"A louis on account for a fowl?"


"Certainly; and your excellency now owes me 4,999 louis."


Danglars opened his enormous eyes on hearing this gigantic joke.


"Very droll," he muttered, "very droll indeed," and he again began to carve the fowl, when Peppino stopped the baron's right hand with his left, and held out his other hand.


"Come, now," he said.


"We never joke," replied Peppino, solemn as a Quaker.


"What! A hundred thousand francs for a fowl!"


"Ah, excellency, you cannot imagine how hard it is to rear fowls in these horrible caves!"


"Come, come, this is very droll—very amusing—I allow; but, as I am very hungry, pray allow me to eat. Stay, here is another louis for you."


"Then that will make only 4,998 louis more," said Peppino with the same indifference. "I shall get them all in time."


"Oh, as for that," said Danglars, angry at this prolongation of the jest,—"as for that you won't get them at all. Go to the devil! You do not know with whom you have to deal!"


Peppino made a sign, and the youth hastily removed the fowl. Danglars threw himself upon his goat-skin, and Peppino, reclosing the door, again began eating his peas and bacon. Though Danglars could not see Peppino, the noise of his teeth allowed no doubt as to his occupation. He was certainly eating, and noisily too, like an ill-bred man. "Brute!" said Danglars. Peppino pretended not to hear him, and without even turning his head continued to eat slowly. Danglars' stomach felt so empty, that it seemed as if it would be impossible ever to fill it again; still he had patience for another half-hour, which appeared to him like a century. He again arose and went to the door.


"Come, sir, do not keep me starving here any longer, but tell me what they want."


"Nay, your excellency, it is you who should tell us what you want. Give your orders, and we will execute them."


"Then open the door directly." Peppino obeyed. "Now look here, I want something to eat! To eat—do you hear?"


"Come, you understand me."


"What would your excellency like to eat?"


"A piece of dry bread, since the fowls are beyond all price in this accursed place."


"Bread? Very well. Holloa, there, some bread!" he called. The youth brought a small loaf. "How much?" asked Danglars.


"Four thousand nine hundred and ninety-eight louis," said Peppino; "You have paid two louis in advance."


"What? One hundred thousand francs for a loaf?"


"One hundred thousand francs," repeated Peppino.


"But you only asked 100,000 francs for a fowl!"


"We have a fixed price for all our provisions. It signifies nothing whether you eat much or little—whether you have ten dishes or one—it is always the same price."


"What, still keeping up this silly jest? My dear fellow, it is perfectly ridiculous—stupid! You had better tell me at once that you intend starving me to death."


"Oh, dear, no, your excellency, unless you intend to commit suicide. Pay and eat."


"And what am I to pay with, brute?" said Danglars, enraged. "Do you suppose I carry 100,000 francs in my pocket?"


"Your excellency has 5,050,000 francs in your pocket; that will be fifty fowls at 100,000 francs apiece, and half a fowl for the 50,000."


Danglars shuddered. The bandage fell from his eyes, and he understood the joke, which he did not think quite so stupid as he had done just before.


"Come," he said, "if I pay you the 100,000 francs, will you be satisfied, and allow me to eat at my ease?"


"Certainly," said Peppino.


"But how can I pay them?"


"Oh, nothing easier; you have an account open with Messrs. Thomson & French, Via dei Banchi, Rome; give me a draft for 4,998 louis on these gentlemen, and our banker shall take it."


Danglars thought it as well to comply with a good grace, so he took the pen, ink, and paper Peppino offered him, wrote the draft, and signed it.


"Here," he said, "here is a draft at sight."


"And here is your fowl."


Danglars sighed while he carved the fowl; it appeared very thin for the price it had cost. As for Peppino, he examined the paper attentively, put it into his pocket, and continued eating his peas.


Chapter 116. The Pardon


The next day Danglars was again hungry; certainly the air of that dungeon was very provocative of appetite. The prisoner expected that he would be at no expense that day, for like an economical man he had concealed half of his fowl and a piece of the bread in the corner of his cell. But he had no sooner eaten than he felt thirsty; he had forgotten that. He struggled against his thirst till his tongue clave to the roof of his mouth; then, no longer able to resist, he called out. The sentinel opened the door; it was a new face. He thought it would be better to transact business with his old acquaintance, so he sent for Peppino.


"Here I am, your excellency," said Peppino, with an eagerness which Danglars thought favorable to him. "What do you want?"


"Something to drink."


"Your excellency knows that wine is beyond all price near Rome."


"Then give me water," cried Danglars, endeavoring to parry the blow.


"Oh, water is even more scarce than wine, your excellency,—there has been such a drought."


"Come," thought Danglars, "it is the same old story." And while he smiled as he attempted to regard the affair as a joke, he felt his temples get moist with perspiration.


"Come, my friend," said Danglars, seeing that he made no impression on Peppino, "you will not refuse me a glass of wine?"


"I have already told you that we do not sell at retail."


"Well, then, let me have a bottle of the least expensive."


"They are all the same price."


"Twenty-five thousand francs a bottle."


"Tell me," cried Danglars, in a tone whose bitterness Harpagon30 alone has been capable of revealing—"tell me that you wish to despoil me of all; it will be sooner over than devouring me piecemeal."


"It is possible such may be the master's intention."


"The master?—who is he?"


"The person to whom you were conducted yesterday."


And the next moment Luigi Vampa appeared before Danglars.


"You sent for me?" he said to the prisoner.


"Are you, sir, the chief of the people who brought me here?"


"Yes, your excellency. What then?"


"How much do you require for my ransom?"


"Merely the 5,000,000 you have about you." Danglars felt a dreadful spasm dart through his heart.


"But this is all I have left in the world," he said, "out of an immense fortune. If you deprive me of that, take away my life also."


"We are forbidden to shed your blood."


"And by whom are you forbidden?"


"You do, then, obey someone?"


"I thought you said you were the chief?"


"So I am of these men; but there is another over me."


"And did your superior order you to treat me in this way?"


"But my purse will be exhausted."


"Come," said Danglars, "will you take a million?"


"Two millions?—three?—four? Come, four? I will give them to you on condition that you let me go."


"Why do you offer me 4,000,000 for what is worth 5,000,000? This is a kind of usury, banker, that I do not understand."


"Take all, then—take all, I tell you, and kill me!"


"Come, come, calm yourself. You will excite your blood, and that would produce an appetite it would require a million a day to satisfy. Be more economical."


"But when I have no more money left to pay you?" asked the infuriated Danglars.


"Suffer hunger?" said Danglars, becoming pale.


"Most likely," replied Vampa coolly.


"But you say you do not wish to kill me?"


"And yet you will let me perish with hunger?"


"Ah, that is a different thing."


"Well, then, wretches," cried Danglars, "I will defy your infamous calculations—I would rather die at once! You may torture, torment, kill me, but you shall not have my signature again!"


"As your excellency pleases," said Vampa, as he left the cell.


Danglars, raving, threw himself on the goat-skin. Who could these men be? Who was the invisible chief? What could be his intentions towards him? And why, when everyone else was allowed to be ransomed, might he not also be? Oh, yes; certainly a speedy, violent death would be a fine means of deceiving these remorseless enemies, who appeared to pursue him with such incomprehensible vengeance. But to die? For the first time in his life, Danglars contemplated death with a mixture of dread and desire; the time had come when the implacable spectre, which exists in the mind of every human creature, arrested his attention and called out with every pulsation of his heart, "Thou shalt die!"


Danglars resembled a timid animal excited in the chase; first it flies, then despairs, and at last, by the very force of desperation, sometimes succeeds in eluding its pursuers. Danglars meditated an escape; but the walls were solid rock, a man was sitting reading at the only outlet to the cell, and behind that man shapes armed with guns continually passed. His resolution not to sign lasted two days, after which he offered a million for some food. They sent him a magnificent supper, and took his million.


From this time the prisoner resolved to suffer no longer, but to have everything he wanted. At the end of twelve days, after having made a splendid dinner, he reckoned his accounts, and found that he had only 50,000 francs left. Then a strange reaction took place; he who had just abandoned 5,000,000 endeavored to save the 50,000 francs he had left, and sooner than give them up he resolved to enter again upon a life of privation—he was deluded by the hopefulness that is a premonition of madness.


He, who for so long a time had forgotten God, began to think that miracles were possible—that the accursed cavern might be discovered by the officers of the Papal States, who would release him; that then he would have 50,000 remaining, which would be sufficient to save him from starvation; and finally he prayed that this sum might be preserved to him, and as he prayed he wept. Three days passed thus, during which his prayers were frequent, if not heartfelt. Sometimes he was delirious, and fancied he saw an old man stretched on a pallet; he, also, was dying of hunger.


On the fourth, he was no longer a man, but a living corpse. He had picked up every crumb that had been left from his former meals, and was beginning to eat the matting which covered the floor of his cell. Then he entreated Peppino, as he would a guardian angel, to give him food; he offered him 1,000 francs for a mouthful of bread. But Peppino did not answer. On the fifth day he dragged himself to the door of the cell.


"Are you not a Christian?" he said, falling on his knees. "Do you wish to assassinate a man who, in the eyes of Heaven, is a brother? Oh, my former friends, my former friends!" he murmured, and fell with his face to the ground. Then rising in despair, he exclaimed, "The chief, the chief!"


"Here I am," said Vampa, instantly appearing; "what do you want?"


"Take my last gold," muttered Danglars, holding out his pocket-book, "and let me live here; I ask no more for liberty—I only ask to live!"


"Then you suffer a great deal?"


"Oh, yes, yes, cruelly!"


"Still, there have been men who suffered more than you."


"I do not think so."


"Yes; those who have died of hunger."


Danglars thought of the old man whom, in his hours of delirium, he had seen groaning on his bed. He struck his forehead on the ground and groaned. "Yes," he said, "there have been some who have suffered more than I have, but then they must have been martyrs at least."


"Do you repent?" asked a deep, solemn voice, which caused Danglars' hair to stand on end. His feeble eyes endeavored to distinguish objects, and behind the bandit he saw a man enveloped in a cloak, half lost in the shadow of a stone column.


"Of what must I repent?" stammered Danglars.


"Of the evil you have done," said the voice.


"Oh, yes; oh, yes, I do indeed repent." And he struck his breast with his emaciated fist.


"Then I forgive you," said the man, dropping his cloak, and advancing to the light.


"The Count of Monte Cristo!" said Danglars, more pale from terror than he had been just before from hunger and misery.


"You are mistaken—I am not the Count of Monte Cristo."


"Then who are you?"


"I am he whom you sold and dishonored—I am he whose betrothed you prostituted—I am he upon whom you trampled that you might raise yourself to fortune—I am he whose father you condemned to die of hunger—I am he whom you also condemned to starvation, and who yet forgives you, because he hopes to be forgiven—I am Edmond Dantès!"


Danglars uttered a cry, and fell prostrate.


"Rise," said the count, "your life is safe; the same good fortune has not happened to your accomplices—one is mad, the other dead. Keep the 50,000 francs you have left—I give them to you. The 5,000,000 you stole from the hospitals has been restored to them by an unknown hand. And now eat and drink; I will entertain you tonight. Vampa, when this man is satisfied, let him be free."


Danglars remained prostrate while the count withdrew; when he raised his head he saw disappearing down the passage nothing but a shadow, before which the bandits bowed.


According to the count's directions, Danglars was waited on by Vampa, who brought him the best wine and fruits of Italy; then, having conducted him to the road, and pointed to the post-chaise, left him leaning against a tree. He remained there all night, not knowing where he was. When daylight dawned he saw that he was near a stream; he was thirsty, and dragged himself towards it. As he stooped down to drink, he saw that his hair had become entirely white.


Chapter 117. The Fifth of October


It was about six o'clock in the evening; an opal-colored light, through which an autumnal sun shed its golden rays, descended on the blue ocean. The heat of the day had gradually decreased, and a light breeze arose, seeming like the respiration of nature on awakening from the burning siesta of the south. A delicious zephyr played along the coasts of the Mediterranean, and wafted from shore to shore the sweet perfume of plants, mingled with the fresh smell of the sea.


A light yacht, chaste and elegant in its form, was gliding amidst the first dews of night over the immense lake, extending from Gibraltar to the Dardanelles, and from Tunis to Venice. The vessel resembled a swan with its wings opened towards the wind, gliding on the water. It advanced swiftly and gracefully, leaving behind it a glittering stretch of foam. By degrees the sun disappeared behind the western horizon; but as though to prove the truth of the fanciful ideas in heathen mythology, its indiscreet rays reappeared on the summit of every wave, as if the god of fire had just sunk upon the bosom of Amphitrite, who in vain endeavored to hide her lover beneath her azure mantle.


The yacht moved rapidly on, though there did not appear to be sufficient wind to ruffle the curls on the head of a young girl. Standing on the prow was a tall man, of a dark complexion, who saw with dilating eyes that they were approaching a dark mass of land in the shape of a cone, which rose from the midst of the waves like the hat of a Catalan.


"Is that Monte Cristo?" asked the traveller, to whose orders the yacht was for the time submitted, in a melancholy voice.


"Yes, your excellency," said the captain, "we have reached it."


"We have reached it!" repeated the traveller in an accent of indescribable sadness.


Then he added, in a low tone, "Yes; that is the haven."


And then he again plunged into a train of thought, the character of which was better revealed by a sad smile, than it would have been by tears. A few minutes afterwards a flash of light, which was extinguished instantly, was seen on the land, and the sound of firearms reached the yacht.


"Your excellency," said the captain, "that was the land signal, will you answer yourself?"


"What signal?"


The captain pointed towards the island, up the side of which ascended a volume of smoke, increasing as it rose.


"Ah, yes," he said, as if awaking from a dream. "Give it to me."


The captain gave him a loaded carbine; the traveller slowly raised it, and fired in the air. Ten minutes afterwards, the sails were furled, and they cast anchor about a hundred fathoms from the little harbor. The gig was already lowered, and in it were four oarsmen and a coxswain. The traveller descended, and instead of sitting down at the stern of the boat, which had been decorated with a blue carpet for his accommodation, stood up with his arms crossed. The rowers waited, their oars half lifted out of the water, like birds drying their wings.


"Give way," said the traveller. The eight oars fell into the sea simultaneously without splashing a drop of water, and the boat, yielding to the impulsion, glided forward. In an instant they found themselves in a little harbor, formed in a natural creek; the boat grounded on the fine sand.


"Will your excellency be so good as to mount the shoulders of two of our men, they will carry you ashore?" The young man answered this invitation with a gesture of indifference, and stepped out of the boat; the sea immediately rose to his waist.


"Ah, your excellency," murmured the pilot, "you should not have done so; our master will scold us for it."


The young man continued to advance, following the sailors, who chose a firm footing. Thirty strides brought them to dry land; the young man stamped on the ground to shake off the wet, and looked around for someone to show him his road, for it was quite dark. Just as he turned, a hand rested on his shoulder, and a voice which made him shudder exclaimed:


"Good-evening, Maximilian; you are punctual, thank you!"


"Ah, is it you, count?" said the young man, in an almost joyful accent, pressing Monte Cristo's hand with both his own.


"Yes; you see I am as exact as you are. But you are dripping, my dear fellow; you must change your clothes, as Calypso said to Telemachus. Come, I have a habitation prepared for you in which you will soon forget fatigue and cold."


Monte Cristo perceived that the young man had turned around; indeed, Morrel saw with surprise that the men who had brought him had left without being paid, or uttering a word. Already the sound of their oars might be heard as they returned to the yacht.


"Oh, yes," said the count, "you are looking for the sailors."


"Yes, I paid them nothing, and yet they are gone."


"Never mind that, Maximilian," said Monte Cristo, smiling. "I have made an agreement with the navy, that the access to my island shall be free of all charge. I have made a bargain."


Morrel looked at the count with surprise. "Count," he said, "you are not the same here as in Paris."


"Here you laugh." The count's brow became clouded.


"You are right to recall me to myself, Maximilian," he said; "I was delighted to see you again, and forgot for the moment that all happiness is fleeting."


"Oh, no, no, count," cried Maximilian, seizing the count's hands, "pray laugh; be happy, and prove to me, by your indifference, that life is endurable to sufferers. Oh, how charitable, kind, and good you are; you affect this gayety to inspire me with courage."


"You are wrong, Morrel; I was really happy."


"Then you forget me, so much the better."


"Yes; for as the gladiator said to the emperor, when he entered the arena, 'He who is about to die salutes you.'"


"Then you are not consoled?" asked the count, surprised.


"Oh," exclaimed Morrel, with a glance full of bitter reproach, "do you think it possible that I could be?"


"Listen," said the count. "Do you understand the meaning of my words? You cannot take me for a commonplace man, a mere rattle, emitting a vague and senseless noise. When I ask you if you are consoled, I speak to you as a man for whom the human heart has no secrets. Well, Morrel, let us both examine the depths of your heart. Do you still feel the same feverish impatience of grief which made you start like a wounded lion? Have you still that devouring thirst which can only be appeased in the grave? Are you still actuated by the regret which drags the living to the pursuit of death; or are you only suffering from the prostration of fatigue and the weariness of hope deferred? Has the loss of memory rendered it impossible for you to weep? Oh, my dear friend, if this be the case,—if you can no longer weep, if your frozen heart be dead, if you put all your trust in God, then, Maximilian, you are consoled—do not complain."


"Count," said Morrel, in a firm and at the same time soft voice, "listen to me, as to a man whose thoughts are raised to heaven, though he remains on earth; I come to die in the arms of a friend. Certainly, there are people whom I love. I love my sister Julie,—I love her husband Emmanuel; but I require a strong mind to smile on my last moments. My sister would be bathed in tears and fainting; I could not bear to see her suffer. Emmanuel would tear the weapon from my hand, and alarm the house with his cries. You, count, who are more than mortal, will, I am sure, lead me to death by a pleasant path, will you not?"


"My friend," said the count, "I have still one doubt,—are you weak enough to pride yourself upon your sufferings?"


"No, indeed,—I am calm," said Morrel, giving his hand to the count; "my pulse does not beat slower or faster than usual. No, I feel that I have reached the goal, and I will go no farther. You told me to wait and hope; do you know what you did, unfortunate adviser? I waited a month, or rather I suffered for a month! I did hope (man is a poor wretched creature), I did hope. What I cannot tell,—something wonderful, an absurdity, a miracle,—of what nature he alone can tell who has mingled with our reason that folly we call hope. Yes, I did wait—yes, I did hope, count, and during this quarter of an hour we have been talking together, you have unconsciously wounded, tortured my heart, for every word you have uttered proved that there was no hope for me. Oh, count, I shall sleep calmly, deliciously in the arms of death."


Morrel uttered these words with an energy which made the count shudder.


"My friend," continued Morrel, "you named the fifth of October as the end of the period of waiting,—today is the fifth of October," he took out his watch, "it is now nine o'clock,—I have yet three hours to live."


"Be it so," said the count, "come." Morrel mechanically followed the count, and they had entered the grotto before he perceived it. He felt a carpet under his feet, a door opened, perfumes surrounded him, and a brilliant light dazzled his eyes. Morrel hesitated to advance; he dreaded the enervating effect of all that he saw. Monte Cristo drew him in gently.


"Why should we not spend the last three hours remaining to us of life, like those ancient Romans, who when condemned by Nero, their emperor and heir, sat down at a table covered with flowers, and gently glided into death, amid the perfume of heliotropes and roses?"


Morrel smiled. "As you please," he said; "death is always death,—that is forgetfulness, repose, exclusion from life, and therefore from grief."


He sat down, and Monte Cristo placed himself opposite to him. They were in the marvellous dining-room before described, where the statues had baskets on their heads always filled with fruits and flowers. Morrel had looked carelessly around, and had probably noticed nothing.


"Let us talk like men," he said, looking at the count.


"Go on!"


"Count," said Morrel, "you are the epitome of all human knowledge, and you seem like a being descended from a wiser and more advanced world than ours."


"There is something true in what you say," said the count, with that smile which made him so handsome; "I have descended from a planet called grief."


"I believe all you tell me without questioning its meaning; for instance, you told me to live, and I did live; you told me to hope, and I almost did so. I am almost inclined to ask you, as though you had experienced death, 'is it painful to die?'"


Monte Cristo looked upon Morrel with indescribable tenderness. "Yes," he said, "yes, doubtless it is painful, if you violently break the outer covering which obstinately begs for life. If you plunge a dagger into your flesh, if you insinuate a bullet into your brain, which the least shock disorders,—then certainly, you will suffer pain, and you will repent quitting a life for a repose you have bought at so dear a price."


"Yes; I know that there is a secret of luxury and pain in death, as well as in life; the only thing is to understand it."


"You have spoken truly, Maximilian; according to the care we bestow upon it, death is either a friend who rocks us gently as a nurse, or an enemy who violently drags the soul from the body. Some day, when the world is much older, and when mankind will be masters of all the destructive powers in nature, to serve for the general good of humanity; when mankind, as you were just saying, have discovered the secrets of death, then that death will become as sweet and voluptuous as a slumber in the arms of your beloved."


"And if you wished to die, you would choose this death, count?"


Morrel extended his hand. "Now I understand," he said, "why you had me brought here to this desolate spot, in the midst of the ocean, to this subterranean palace; it was because you loved me, was it not, count? It was because you loved me well enough to give me one of those sweet means of death of which we were speaking; a death without agony, a death which allows me to fade away while pronouncing Valentine's name and pressing your hand."


"Yes, you have guessed rightly, Morrel," said the count, "that is what I intended."


"Thanks; the idea that tomorrow I shall no longer suffer, is sweet to my heart."


"Do you then regret nothing?"


"No," replied Morrel.


"Not even me?" asked the count with deep emotion. Morrel's clear eye was for the moment clouded, then it shone with unusual lustre, and a large tear rolled down his cheek.


"What," said the count, "do you still regret anything in the world, and yet die?"


"Oh, I entreat you," exclaimed Morrel in a low voice, "do not speak another word, count; do not prolong my punishment."


The count fancied that he was yielding, and this belief revived the horrible doubt that had overwhelmed him at the Château d'If.


"I am endeavoring," he thought, "to make this man happy; I look upon this restitution as a weight thrown into the scale to balance the evil I have wrought. Now, supposing I am deceived, supposing this man has not been unhappy enough to merit happiness. Alas, what would become of me who can only atone for evil by doing good?"


Then he said aloud: "Listen, Morrel, I see your grief is great, but still you do not like to risk your soul." Morrel smiled sadly.


"Count," he said, "I swear to you my soul is no longer my own."


"Maximilian, you know I have no relation in the world. I have accustomed myself to regard you as my son: well, then, to save my son, I will sacrifice my life, nay, even my fortune."


"I mean, that you wish to quit life because you do not understand all the enjoyments which are the fruits of a large fortune. Morrel, I possess nearly a hundred millions and I give them to you; with such a fortune you can attain every wish. Are you ambitious? Every career is open to you. Overturn the world, change its character, yield to mad ideas, be even criminal—but live."


"Count, I have your word," said Morrel coldly; then taking out his watch, he added, "It is half-past eleven."


"Morrel, can you intend it in my house, under my very eyes?"


"Then let me go," said Maximilian, "or I shall think you did not love me for my own sake, but for yours;" and he arose.


"It is well," said Monte Cristo whose countenance brightened at these words; "you wish it—you are inflexible. Yes, as you said, you are indeed wretched and a miracle alone can cure you. Sit down, Morrel, and wait."


Morrel obeyed; the count arose, and unlocking a closet with a key suspended from his gold chain, took from it a little silver casket, beautifully carved and chased, the corners of which represented four bending figures, similar to the Caryatides, the forms of women, symbols of the angels aspiring to heaven.


He placed the casket on the table; then opening it took out a little golden box, the top of which flew open when touched by a secret spring. This box contained an unctuous substance partly solid, of which it was impossible to discover the color, owing to the reflection of the polished gold, sapphires, rubies, emeralds, which ornamented the box. It was a mixed mass of blue, red, and gold.


The count took out a small quantity of this with a gilt spoon, and offered it to Morrel, fixing a long steadfast glance upon him. It was then observable that the substance was greenish.


"This is what you asked for," he said, "and what I promised to give you."


"I thank you from the depths of my heart," said the young man, taking the spoon from the hands of Monte Cristo. The count took another spoon, and again dipped it into the golden box. "What are you going to do, my friend?" asked Morrel, arresting his hand.


"Well, the fact is, Morrel, I was thinking that I too am weary of life, and since an opportunity presents itself——"


"Stay!" said the young man. "You who love, and are beloved; you, who have faith and hope,—oh, do not follow my example. In your case it would be a crime. Adieu, my noble and generous friend, adieu; I will go and tell Valentine what you have done for me."


And slowly, though without any hesitation, only waiting to press the count's hand fervently, he swallowed the mysterious substance offered by Monte Cristo. Then they were both silent. Ali, mute and attentive, brought the pipes and coffee, and disappeared. By degrees, the light of the lamps gradually faded in the hands of the marble statues which held them, and the perfumes appeared less powerful to Morrel. Seated opposite to him, Monte Cristo watched him in the shadow, and Morrel saw nothing but the bright eyes of the count. An overpowering sadness took possession of the young man, his hands relaxed their hold, the objects in the room gradually lost their form and color, and his disturbed vision seemed to perceive doors and curtains open in the wall.


"Friend," he cried, "I feel that I am dying; thanks!"


He made a last effort to extend his hand, but it fell powerless beside him. Then it appeared to him that Monte Cristo smiled, not with the strange and fearful expression which had sometimes revealed to him the secrets of his heart, but with the benevolent kindness of a father for a child. At the same time the count appeared to increase in stature, his form, nearly double its usual height, stood out in relief against the red tapestry, his black hair was thrown back, and he stood in the attitude of an avenging angel. Morrel, overpowered, turned around in the armchair; a delicious torpor permeated every vein. A change of ideas presented themselves to his brain, like a new design on the kaleidoscope. Enervated, prostrate, and breathless, he became unconscious of outward objects; he seemed to be entering that vague delirium preceding death. He wished once again to press the count's hand, but his own was immovable. He wished to articulate a last farewell, but his tongue lay motionless and heavy in his throat, like a stone at the mouth of a sepulchre. Involuntarily his languid eyes closed, and still through his eyelashes a well-known form seemed to move amid the obscurity with which he thought himself enveloped.


The count had just opened a door. Immediately a brilliant light from the next room, or rather from the palace adjoining, shone upon the room in which he was gently gliding into his last sleep. Then he saw a woman of marvellous beauty appear on the threshold of the door separating the two rooms. Pale, and sweetly smiling, she looked like an angel of mercy conjuring the angel of vengeance.


"Is it heaven that opens before me?" thought the dying man; "that angel resembles the one I have lost."


Monte Cristo pointed out Morrel to the young woman, who advanced towards him with clasped hands and a smile upon her lips.


"Valentine, Valentine!" he mentally ejaculated; but his lips uttered no sound, and as though all his strength were centred in that internal emotion, he sighed and closed his eyes. Valentine rushed towards him; his lips again moved.


"He is calling you," said the count; "he to whom you have confided your destiny—he from whom death would have separated you, calls you to him. Happily, I vanquished death. Henceforth, Valentine, you will never again be separated on earth, since he has rushed into death to find you. Without me, you would both have died. May God accept my atonement in the preservation of these two existences!"


Valentine seized the count's hand, and in her irresistible impulse of joy carried it to her lips.


"Oh, thank me again!" said the count; "tell me till you are weary, that I have restored you to happiness; you do not know how much I require this assurance."


"Oh, yes, yes, I thank you with all my heart," said Valentine; "and if you doubt the sincerity of my gratitude, oh, then, ask Haydée! ask my beloved sister Haydée, who ever since our departure from France, has caused me to wait patiently for this happy day, while talking to me of you."


"You then love Haydée?" asked Monte Cristo with an emotion he in vain endeavored to dissimulate.


"Oh, yes, with all my soul."


"Well, then, listen, Valentine," said the count; "I have a favor to ask of you."


"Of me? Oh, am I happy enough for that?"


"Yes; you have called Haydée your sister,—let her become so indeed, Valentine; render her all the gratitude you fancy that you owe to me; protect her, for" (the count's voice was thick with emotion) "henceforth she will be alone in the world."


"Alone in the world!" repeated a voice behind the count, "and why?"


Monte Cristo turned around; Haydée was standing pale, motionless, looking at the count with an expression of fearful amazement.


"Because tomorrow, Haydée, you will be free; you will then assume your proper position in society, for I will not allow my destiny to overshadow yours. Daughter of a prince, I restore to you the riches and name of your father."


Haydée became pale, and lifting her transparent hands to heaven, exclaimed in a voice stifled with tears, "Then you leave me, my lord?"


"Haydée, Haydée, you are young and beautiful; forget even my name, and be happy."


"It is well," said Haydée; "your order shall be executed, my lord; I will forget even your name, and be happy." And she stepped back to retire.


"Oh, heavens," exclaimed Valentine, who was supporting the head of Morrel on her shoulder, "do you not see how pale she is? Do you not see how she suffers?"


Haydée answered with a heartrending expression,


"Why should he understand this, my sister? He is my master, and I am his slave; he has the right to notice nothing."


The count shuddered at the tones of a voice which penetrated the inmost recesses of his heart; his eyes met those of the young girl and he could not bear their brilliancy.


"Oh, heavens," exclaimed Monte Cristo, "can my suspicions be correct? Haydée, would it please you not to leave me?"


"I am young," gently replied Haydée; "I love the life you have made so sweet to me, and I should be sorry to die."


"You mean, then, that if I leave you, Haydée——"


"I should die; yes, my lord."


"Do you then love me?"


"Oh, Valentine, he asks if I love him. Valentine, tell him if you love Maximilian."


The count felt his heart dilate and throb; he opened his arms, and Haydée, uttering a cry, sprang into them.


"Oh, yes," she cried, "I do love you! I love you as one loves a father, brother, husband! I love you as my life, for you are the best, the noblest of created beings!"


"Let it be, then, as you wish, sweet angel; God has sustained me in my struggle with my enemies, and has given me this reward; he will not let me end my triumph in suffering; I wished to punish myself, but he has pardoned me. Love me then, Haydée! Who knows? perhaps your love will make me forget all that I do not wish to remember."


"What do you mean, my lord?"


"I mean that one word from you has enlightened me more than twenty years of slow experience; I have but you in the world, Haydée; through you I again take hold on life, through you I shall suffer, through you rejoice."


"Do you hear him, Valentine?" exclaimed Haydée; "he says that through me he will suffer—through me, who would yield my life for his."


The count withdrew for a moment. "Have I discovered the truth?" he said; "but whether it be for recompense or punishment, I accept my fate. Come, Haydée, come!" and throwing his arm around the young girl's waist, he pressed the hand of Valentine, and disappeared.


An hour had nearly passed, during which Valentine, breathless and motionless, watched steadfastly over Morrel. At length she felt his heart beat, a faint breath played upon his lips, a slight shudder, announcing the return of life, passed through the young man's frame. At length his eyes opened, but they were at first fixed and expressionless; then sight returned, and with it feeling and grief.


"Oh," he cried, in an accent of despair, "the count has deceived me; I am yet living;" and extending his hand towards the table, he seized a knife.


"Dearest," exclaimed Valentine, with her adorable smile, "awake, and look at me!" Morrel uttered a loud exclamation, and frantic, doubtful, dazzled, as though by a celestial vision, he fell upon his knees.


The next morning at daybreak, Valentine and Morrel were walking arm-in-arm on the seashore, Valentine relating how Monte Cristo had appeared in her room, explained everything, revealed the crime, and, finally, how he had saved her life by enabling her to simulate death.


They had found the door of the grotto opened, and gone forth; on the azure dome of heaven still glittered a few remaining stars.


Morrel soon perceived a man standing among the rocks, apparently awaiting a sign from them to advance, and pointed him out to Valentine.


"Ah, it is Jacopo," she said, "the captain of the yacht;" and she beckoned him towards them.


"Do you wish to speak to us?" asked Morrel.


"I have a letter to give you from the count."


"From the count!" murmured the two young people.


Morrel opened the letter, and read:


"There is a felucca for you at anchor. Jacopo will carry you to Leghorn, where Monsieur Noirtier awaits his granddaughter, whom he wishes to bless before you lead her to the altar. All that is in this grotto, my friend, my house in the Champs-Élysées, and my château at Tréport, are the marriage gifts bestowed by Edmond Dantès upon the son of his old master, Morrel. Mademoiselle de Villefort will share them with you; for I entreat her to give to the poor the immense fortune reverting to her from her father, now a madman, and her brother who died last September with his mother. Tell the angel who will watch over your future destiny, Morrel, to pray sometimes for a man, who, like Satan, thought himself for an instant equal to God, but who now acknowledges with Christian humility that God alone possesses supreme power and infinite wisdom. Perhaps those prayers may soften the remorse he feels in his heart. As for you, Morrel, this is the secret of my conduct towards you. There is neither happiness nor misery in the world; there is only the comparison of one state with another, nothing more. He who has felt the deepest grief is best able to experience supreme happiness. We must have felt what it is to die, Morrel, that we may appreciate the enjoyments of living.


"Live, then, and be happy, beloved children of my heart, and never forget that until the day when God shall deign to reveal the future to man, all human wisdom is summed up in these two words,—'Wait and hope.'—Your friend,


"Edmond Dantès, Count of Monte Cristo."


During the perusal of this letter, which informed Valentine for the first time of the madness of her father and the death of her brother, she became pale, a heavy sigh escaped from her bosom, and tears, not the less painful because they were silent, ran down her cheeks; her happiness cost her very dear.


Morrel looked around uneasily.


"But," he said, "the count's generosity is too overwhelming; Valentine will be satisfied with my humble fortune. Where is the count, friend? Lead me to him."


Jacopo pointed towards the horizon.


"What do you mean?" asked Valentine. "Where is the count?—where is Haydée?"


The eyes of both were fixed upon the spot indicated by the sailor, and on the blue line separating the sky from the Mediterranean Sea, they perceived a large white sail.


"Who can say whether we shall ever see them again?" said Morrel with tearful eyes.


"Darling," replied Valentine, "has not the count just told us that all human wisdom is summed up in two words:


"'Wait and hope (Fac et spera)!'"


[1] "The wicked are great drinkers of water; As the flood proved once for all."


[3] Knocked on the head.


[4] Beheaded.


[5] Scott, of course: "The son of an ill-fated sire, and the father of a yet more unfortunate family, bore in his looks that cast of inauspicious melancholy by which the physiognomists of that time pretended to distinguish those who were predestined to a violent and unhappy death."—The Abbot, ch. xxii.


[7] Dr. Guillotin got the idea of his famous machine from witnessing an execution in Italy.


[9] 'Money and sanctity, Each in a moiety.'


[10] Elisabeth de Rossan, Marquise de Ganges, was one of the famous women of the court of Louis XIV. where she was known as "La Belle Provençale." She was the widow of the Marquis de Castellane when she married de Ganges, and having the misfortune to excite the enmity of her new brothers-in-law, was forced by them to take poison; and they finished her off with pistol and dagger.—Ed.


[11] Magistrate and orator of great eloquence—chancellor of France under Louis XV.


[13] Ali Pasha, "The Lion," was born at Tepelini, an Albanian village at the foot of the Klissoura Mountains, in 1741. By diplomacy and success in arms he became almost supreme ruler of Albania, Epirus, and adjacent territory. Having aroused the enmity of the Sultan, he was proscribed and put to death by treachery in 1822, at the age of eighty.—Ed.


[14] Greek militiamen in the war for independence.—Ed.


[15] A Turkish pasha in command of the troops of a province.—Ed.


[16] The god of fruitfulness in Grecian mythology. In Crete he was supposed to be slain in winter with the decay of vegetation and to revive in the spring. Haydée's learned reference is to the behavior of an actor in the Dionysian festivals.—Ed.


[17] The Genoese conspirator.


[19] In the old Greek legend the Atreidae, or children of Atreus, were doomed to punishment because of the abominable crime of their father. The Agamemnon of Aeschylus is based on this legend.


[20] The performance of the civil marriage.


[21] In Molière's comedy, Le Misanthrope.


[22] Literally, "the basket," because wedding gifts were originally brought in such a receptacle.


[23] Germain Pillon was a famous French sculptor (1535-1598). His best known work is "The Three Graces," now in the Louvre.