"I am Imuthis," declared the head in a funereal, but strangely menacing, voice. "I was born in the time of Amasis and died under the Persian domination, when Cambyses was returning from his disastrous expedition into the interior of Libya. I had come to complete my education after extensive travels through Greece, Assyria, and Persia, and had returned to my native laud to dwell in it until Thoth should call me before his terrible tribunal. But to my undoing, on passing through Babylonia, I discovered an awful secret—the secret of the false Smerdis who usurped the throne, the bold Magian Gaumata who governed as an impostor. Fearing that I would betray him to Cambyses, he determined upon my ruin through the instrumentality of the Egyptian priests, who at that time ruled my native country. They were the owners of two-thirds of the land, the monopolizers of learning, they held the people down in ignorance and tyranny, they brutalized them, thus making them fit to pass without resistance from one domination to another. The invaders availed themselves of them, and knowing their usefulness, protected and enriched them. The rulers not only depended on their will, but some were reduced to mere instruments of theirs. The Egyptian priests hastened to execute Gaumata's orders, with greater zeal from their fear of me, because they were afraid that I would reveal their impostures to the people. To accomplish their purpose, they made use of a young priest of Abydos, who passed for a saint."


A painful silence followed these words. That head was talking of priestly intrigues and impostures, and although referring to another age and other creeds, all the friars present were annoyed, possibly because they could see in the general trend of the speech some analogy to the existing situation. Padre Salvi was in the grip of convulsive shivering; he worked his lips and with bulging eyes followed the gaze of the head as though fascinated. Beads of sweat began to break out on his emaciated face, but no one noticed this, so deeply absorbed and affected were they.


"What was the plot concocted by the priests of your country against you?" asked Mr. Leeds.


The head uttered a sorrowful groan, which seemed to come from the bottom of the heart, and the spectators saw its eyes, those fiery eyes, clouded and filled with tears. Many shuddered and felt their hair rise. No, that was not an illusion, it was not a trick: the head was the victim and what it told was its own story.


"Ay!" it moaned, shaking with affliction, "I loved a maiden, the daughter of a priest, pure as light, like the freshly opened lotus! The young priest of Abydos also desired her and planned a rebellion, using my name and some papyri that he had secured from my beloved. The rebellion broke out at the time when Cambyses was returning in rage over the disasters of his unfortunate campaign. I was accused of being a rebel, was made a prisoner, and having effected my escape was killed in the chase on Lake Moeris. From out of eternity I saw the imposture triumph. I saw the priest of Abydos night and day persecuting the maiden, who had taken refuge in a temple of Isis on the island of Philae. I saw him persecute and harass her, even in the subterranean chambers, I saw him drive her mad with terror and suffering, like a huge bat pursuing a white dove. Ah, priest, priest of Abydos, I have returned to life to expose your infamy, and after so many years of silence, I name thee murderer, hypocrite, liar!"


A dry, hollow laugh accompanied these words, while a choked voice responded, "No! Mercy!"


It was Padre Salvi, who had been overcome with terror and with arms extended was slipping in collapse to the floor.


"What's the matter with your Reverence? Are you ill?" asked Padre Irene.


"The heat of the room—"


"This odor of corpses we're breathing here—"


"Murderer, slanderer, hypocrite!" repeated the head. "I accuse you—murderer, murderer, murderer!"


Again the dry laugh, sepulchral and menacing, resounded, as though that head were so absorbed in contemplation of its wrongs that it did not see the tumult that prevailed in the room.


"Mercy! She still lives!" groaned Padre Salvi, and then lost consciousness. He was as pallid as a corpse. Some of the ladies thought it their duty to faint also, and proceeded to do so.


"He is out of his head! Padre Salvi!"


"I told him not to eat that bird's-nest soup," said Padre Irene. "It has made him sick."


"But he didn't eat anything," rejoined Don Custodio shivering. "As the head has been staring at him fixedly, it has mesmerized him."


So disorder prevailed, the room seemed to be a hospital or a battlefield. Padre Salvi looked like a corpse, and the ladies, seeing that no one was paying them any attention, made the best of it by recovering.


Meanwhile, the head had been reduced to ashes, and Mr. Leeds, having replaced the cloth on the table, bowed his audience out.


"This show must be prohibited," said Don Custodio on leaving. "It's wicked and highly immoral."


"And above all, because it doesn't use mirrors," added Ben-Zayb, who before going out of the room tried to assure himself finally, so he leaped over the rail, went up to the table, and raised the cloth: nothing, absolutely nothing! [40] On the following day he wrote an article in which he spoke of occult sciences, spiritualism, and the like.


An order came immediately from the ecclesiastical governor prohibiting the show, but Mr. Leeds had already disappeared, carrying his secret with him to Hongkong.


Placido Penitente left the class with his heart overflowing with bitterness and sullen gloom in his looks. He was worthy of his name when not driven from his usual course, but once irritated he was a veritable torrent, a wild beast that could only be stopped by the death of himself or his foe. So many affronts, so many pinpricks, day after day, had made his heart quiver, lodging in it to sleep the sleep of lethargic vipers, and they now were awaking to shake and hiss with fury. The hisses resounded in his ears with the jesting epithets of the professor, the phrases in the slang of the markets, and he seemed to hear blows and laughter. A thousand schemes for revenge rushed into his brain, crowding one another, only to fade immediately like phantoms in a dream. His vanity cried out to him with desperate tenacity that he must do something.


"Placido Penitente," said the voice, "show these youths that you have dignity, that you are the son of a valiant and noble province, where wrongs are washed out with blood. You're a Batangan, Placido Penitente! Avenge yourself, Placido Penitente!"


The youth groaned and gnashed his teeth, stumbling against every one in the street and on the Bridge of Spain, as if he were seeking a quarrel. In the latter place he saw a carriage in which was the Vice-Rector, Padre Sibyla, accompanied by Don Custodio, and he had a great mind to seize the friar and throw him into the river.


He proceeded along the Escolta and was tempted to assault two Augustinians who were seated in the doorway of Quiroga's bazaar, laughing and joking with other friars who must have been inside in joyous conversation, for their merry voices and sonorous laughter could be heard. Somewhat farther on, two cadets blocked up the sidewalk, talking with the clerk of a warehouse, who was in his shirtsleeves. Penitents moved toward them to force a passage and they, perceiving his dark intention, good-humoredly made way for him. Placido was by this time under the influence of the amok, as the Malayists say.


As he approached his home—the house of a silversmith where he lived as a boarder—he tried to collect his thoughts and make a plan—to return to his town and avenge himself by showing the friars that they could not with impunity insult a youth or make a joke of him. He decided to write a letter immediately to his mother, Cabesang Andang, to inform her of what had happened and to tell her that the schoolroom had closed forever for him. Although there was the Ateneo of the Jesuits, where he might study that year, yet it was not very likely that the Dominicans would grant him the transfer, and, even though he should secure it, in the following year he would have to return to the University.


"They say that we don't know how to avenge ourselves!" he muttered. "Let the lightning strike and we'll see!"


But Placido was not reckoning upon what awaited him in the house of the silversmith. Cabesang Andang had just arrived from Batangas, having come to do some shopping, to visit her son, and to bring him money, jerked venison, and silk handkerchiefs.


The first greetings over, the poor woman, who had at once noticed her son's gloomy look, could no longer restrain her curiosity and began to ask questions. His first explanations Cabesang Andang regarded as some subterfuge, so she smiled and soothed her son, reminding him of their sacrifices and privations. She spoke of Capitana Simona's son, who, having entered the seminary, now carried himself in the town like a bishop, and Capitana Simona already considered herself a Mother of God, clearly so, for her son was going to be another Christ.


"If the son becomes a priest," said she, "the mother won't have to pay us what she owes us. Who will collect from her then?"


But on seeing that Placido was speaking seriously and reading in his eyes the storm that raged within him, she realized that what he was telling her was unfortunately the strict truth. She remained silent for a while and then broke out into lamentations.


"Ay!" she exclaimed. "I promised your father that I would care for you, educate you, and make a lawyer of you! I've deprived myself of everything so that you might go to school! Instead of joining the panguingui where the stake is a half peso, I Ve gone only where it's a half real, enduring the bad smells and the dirty cards. Look at my patched camisa; for instead of buying new ones I've spent the money in masses and presents to St. Sebastian, even though I don't have great confidence in his power, because the curate recites the masses fast and hurriedly, he's an entirely new saint and doesn't yet know how to perform miracles, and isn't made of batikulin but of lanete. Ay, what will your father say to me when I die and see him again!"


So the poor woman lamented and wept, while Placido became gloomier and let stifled sighs escape from his breast.


"What would I get out of being a lawyer?" was his response.


"What will become of you?" asked his mother, clasping her hands. "They'll call you a filibuster and garrote you. I've told you that you must have patience, that you must be humble. I don't tell you that you must kiss the hands of the curates, for I know that you have a delicate sense of smell, like your father, who couldn't endure European cheese. [41] But we have to suffer, to be silent, to say yes to everything. What are we going to do? The friars own everything, and if they are unwilling, no one will become a lawyer or a doctor. Have patience, my son, have patience!"


"But I've had a great deal, mother, I've suffered for months and months."


Cabesang Andang then resumed her lamentations. She did not ask that he declare himself a partizan of the friars, she was not one herself—it was enough to know that for one good friar there were ten bad, who took the money from the poor and deported the rich. But one must be silent, suffer, and endure—there was no other course. She cited this man and that one, who by being patient and humble, even though in the bottom of his heart he hated his masters, had risen from servant of the friars to high office; and such another who was rich and could commit abuses, secure of having patrons who would protect him from the law, yet who had been nothing more than a poor sacristan, humble and obedient, and who had married a pretty girl whose son had the curate for a godfather. So Cabesang Andang continued her litany of humble and patient Filipinos, as she called them, and was about to cite others who by not being so had found themselves persecuted and exiled, when Placido on some trifling pretext left the house to wander about the streets.


He passed through Sibakong, [42] Tondo, San Nicolas, and Santo Cristo, absorbed in his ill-humor, without taking note of the sun or the hour, and only when he began to feel hungry and discovered that he had no money, having given it all for celebrations and contributions, did he return to the house. He had expected that he would not meet his mother there, as she was in the habit, when in Manila, of going out at that hour to a neighboring house where panguingui was played, but Cabesang Andang was waiting to propose her plan. She would avail herself of the procurator of the Augustinians to restore her son to the good graces of the Dominicans.


Placido stopped her with a gesture. "I'll throw myself into the sea first," he declared. "I'll become a tulisan before I'll go back to the University."


Again his mother began her preachment about patience and humility, so he went away again without having eaten anything, directing his steps toward the quay where the steamers tied up. The sight of a steamer weighing anchor for Hongkong inspired him with an idea—to go to Hongkong, to run away, get rich there, and make war on the friars.


The thought of Hongkong awoke in his mind the recollection of a story about frontals, cirials, and candelabra of pure silver, which the piety of the faithful had led them to present to a certain church. The friars, so the silversmith told, had sent to Hongkong to have duplicate frontals, cirials, and candelabra made of German silver, which they substituted for the genuine ones, these being melted down and coined into Mexican pesos. Such was the story he had heard, and though it was no more than a rumor or a story, his resentment gave it the color of truth and reminded him of other tricks of theirs in that same style. The desire to live free, and certain half-formed plans, led him to decide upon Hongkong. If the corporations sent all their money there, commerce must be flourishing and he could enrich himself.


"I want to be free, to live free!"


Night surprised him wandering along San Fernando, but not meeting any sailor he knew, he decided to return home. As the night was beautiful, with a brilliant moon transforming the squalid city into a fantastic fairy kingdom, he went to the fair. There he wandered back and forth, passing booths without taking any notice of the articles in them, ever with the thought of Hongkong, of living free, of enriching himself.


He was about to leave the fair when he thought he recognized the jeweler Simoun bidding good-by to a foreigner, both of them speaking in English. To Placido every language spoken in the Philippines by Europeans, when not Spanish, had to be English, and besides, he caught the name Hongkong. If only the jeweler would recommend him to that foreigner, who must be setting out for Hongkong!


Placido paused. He was acquainted with the jeweler, as the latter had been in his town peddling his wares, and he had accompanied him on one of his trips, when Simoun had made himself very amiable indeed, telling him of the life in the universities of the free countries—what a difference!


So he followed the jeweler. "Señor Simoun, Señor Simoun!" he called.


The jeweler was at that moment entering his carriage. Recognizing Placido, he checked himself.


"I want to ask a favor of you, to say a few words to you."


Simoun made a sign of impatience which Placido in his perturbation did not observe. In a few words the youth related what had happened and made known his desire to go to Hongkong.


"Why?" asked Simoun, staring fixedly at Placido through his blue goggles.


Placido did not answer, so Simoun threw back his head, smiled his cold, silent smile and said, "All right! Come with me. To Calle Iris!" he directed the cochero.


Simoun remained silent throughout the whole drive, apparently absorbed in meditation of a very important nature. Placido kept quiet, waiting for him to speak first, and entertained himself in watching the promenaders who were enjoying the clear moonlight: pairs of infatuated lovers, followed by watchful mammas or aunts; groups of students in white clothes that the moonlight made whiter still; half-drunken soldiers in a carriage, six together, on their way to visit some nipa temple dedicated to Cytherea; children playing their games and Chinese selling sugar-cane. All these filled the streets, taking on in the brilliant moonlight fantastic forms and ideal outlines. In one house an orchestra was playing waltzes, and couples might be seen dancing under the bright lamps and chandeliers—what a sordid spectacle they presented in comparison with the sight the streets afforded! Thinking of Hongkong, he asked himself if the moonlit nights in that island were so poetical and sweetly melancholy as those of the Philippines, and a deep sadness settled down over his heart.


Simoun ordered the carriage to stop and both alighted, just at the moment when Isagani and Paulita Gomez passed them murmuring sweet inanities. Behind them came Doña Victorina with Juanito Pelaez, who was talking in a loud voice, busily gesticulating, and appearing to have a larger hump than ever. In his preoccupation Pelaez did not notice his former schoolmate.


"There's a fellow who's happy!" muttered Placido with a sigh, as he gazed toward the group, which became converted into vaporous silhouettes, with Juanito's arms plainly visible, rising and falling like the arms of a windmill.


"That's all he's good for," observed Simoun. "It's fine to be young!"


To whom did Placido and Simoun each allude?


The jeweler made a sign to the young man, and they left the street to pick their way through a labyrinth of paths and passageways among various houses, at times leaping upon stones to avoid the mudholes or stepping aside from the sidewalks that were badly constructed and still more badly tended. Placido was surprised to see the rich jeweler move through such places as if he were familiar with them. They at length reached an open lot where a wretched hut stood off by itself surrounded by banana-plants and areca-palms. Some bamboo frames and sections of the same material led Placido to suspect that they were approaching the house of a pyrotechnist.


Simoun rapped on the window and a man's face appeared.


"Ah, sir!" he exclaimed, and immediately came outside.


"Is the powder here?" asked Simoun.


"In sacks. I'm waiting for the shells."


"And the bombs?"


"Are all ready."


"All right, then. This very night you must go and inform the lieutenant and the corporal. Then keep on your way, and in Lamayan you will find a man in a banka. You will say Cabesa and he will answer Tales. It's necessary that he be here tomorrow. There's no time to be lost."


Saying this, he gave him some gold coins.


"How's this, sir?" the man inquired in very good Spanish. "Is there any news?"


"Yes, it'll be done within the coming week."


"The coming week!" exclaimed the unknown, stepping backward. "The suburbs are not yet ready, they hope that the General will withdraw the decree. I thought it was postponed until the beginning of Lent."


Simoun shook his head. "We won't need the suburbs," he said. "With Cabesang Tales' people, the ex-carbineers, and a regiment, we'll have enough. Later, Maria Clara may be dead. Start at once!"


The man disappeared. Placido, who had stood by and heard all of this brief interview, felt his hair rise and stared with startled eyes at Simoun, who smiled.


"You're surprised," he said with his icy smile, "that this Indian, so poorly dressed, speaks Spanish well? He was a schoolmaster who persisted in teaching Spanish to the children and did not stop until he had lost his position and had been deported as a disturber of the public peace, and for having been a friend of the unfortunate Ibarra. I got him back from his deportation, where he had been working as a pruner of coconut-palms, and have made him a pyrotechnist."


They returned to the street and set out for Trozo. Before a wooden house of pleasant and well-kept appearance was a Spaniard on crutches, enjoying the moonlight. When Simoun accosted him, his attempt to rise was accompanied by a stifled groan.


"You're ready?" Simoun inquired of him.


"The coming week?"


"At the first cannon-shot!"


He moved away, followed by Placido, who was beginning to ask himself if he were not dreaming.


"Does it surprise you," Simoun asked him, "to see a Spaniard so young and so afflicted with disease? Two years ago he was as robust as you are, but his enemies succeeded in sending him to Balabak to work in a penal settlement, and there he caught the rheumatism and fever that are dragging him into the grave. The poor devil had married a very beautiful woman."


As an empty carriage was passing, Simoun hailed it and with Placido directed it to his house in the Escolta, just at the moment when the clocks were striking half-past ten.


Two hours later Placido left the jeweler's house and walked gravely and thoughtfully along the Escolta, then almost deserted, in spite of the fact that the cafés were still quite animated. Now and then a carriage passed rapidly, clattering noisily over the worn pavement.


From a room in his house that overlooked the Pasig, Simoun turned his gaze toward the Walled City, which could be seen through the open windows, with its roofs of galvanized iron gleaming in the moonlight and its somber towers showing dull and gloomy in the midst of the serene night. He laid aside his blue goggles, and his white hair, like a frame of silver, surrounded his energetic bronzed features, dimly lighted by a lamp whose flame was dying out from lack of oil. Apparently wrapped in thought, he took no notice of the fading light and impending darkness.


"Within a few days," he murmured, "when on all sides that accursed city is burning, den of presumptuous nothingness and impious exploitation of the ignorant and the distressed, when the tumults break out in the suburbs and there rush into the terrorized streets my avenging hordes, engendered by rapacity and wrongs, then will I burst the walls of your prison, I will tear you from the clutches of fanaticism, and my white dove, you will be the Phoenix that will rise from the glowing embers! A revolution plotted by men in darkness tore me from your side—another revolution will sweep me into your arms and revive me! That moon, before reaching the apogee of its brilliance, will light the Philippines cleansed of loathsome filth!"


Simoun, stopped suddenly, as though interrupted. A voice in his inner consciousness was asking if he, Simoun, were not also a part of the filth of that accursed city, perhaps its most poisonous ferment. Like the dead who are to rise at the sound of the last trumpet, a thousand bloody specters—desperate shades of murdered men, women violated, fathers torn from their families, vices stimulated and encouraged, virtues mocked, now rose in answer to the mysterious question. For the first time in his criminal career, since in Havana he had by means of corruption and bribery set out to fashion an instrument for the execution of his plans—a man without faith, patriotism, or conscience—for the first time in that life, something within rose up and protested against his actions. He closed his eyes and remained for some time motionless, then rubbed his hand over his forehead, tried to be deaf to his conscience, and felt fear creeping over him. No, he must not analyze himself, he lacked the courage to turn his gaze toward his past. The idea of his courage, his conviction, his self-confidence failing him at the very moment when his work was set before him! As the ghosts of the wretches in whose misfortunes he had taken a hand continued to hover before his eyes, as if issuing from the shining surface of the river to invade the room with appeals and hands extended toward him, as reproaches and laments seemed to fill the air with threats and cries for vengeance, he turned his gaze from the window and for the first time began to tremble.


"No, I must be ill, I can't be feeling well," he muttered. "There are many who hate me, who ascribe their misfortunes to me, but—"


He felt his forehead begin to burn, so he arose to approach the window and inhale the fresh night breeze. Below him the Pasig dragged along its silvered stream, on whose bright surface the foam glittered, winding slowly about, receding and advancing, following the course of the little eddies. The city loomed up on the opposite bank, and its black walls looked fateful, mysterious, losing their sordidness in the moonlight that idealizes and embellishes everything. But again Simoun shivered; he seemed to see before him the severe countenance of his father, dying in prison, but dying for having done good; then the face of another man, severer still, who had given his life for him because he believed that he was going to bring about the regeneration of his country.


"No, I can't turn back," he exclaimed, wiping the perspiration from his forehead. "The work is at hand and its success will justify me! If I had conducted myself as you did, I should have succumbed. Nothing of idealism, nothing of fallacious theories! Fire and steel to the cancer, chastisement to vice, and afterwards destroy the instrument, if it be bad! No, I have planned well, but now I feel feverish, my reason wavers, it is natural—If I have done ill, it has been that I may do good, and the end justifies the means. What I will do is not to expose myself—"


With his thoughts thus confused he lay down, and tried to fall asleep.


On the following morning Placido listened submissively, with a smile on his lips, to his mother's preachment. When she spoke of her plan of interesting the Augustinian procurator he did not protest or object, but on the contrary offered himself to carry it out, in order to save trouble for his mother, whom he begged to return at once to the province, that very day, if possible. Cabesang Andang asked him the reason for such haste.


"Because—because if the procurator learns that you are here he won't do anything until you send him a present and order some masses."


True it was that Padre Irene had said: the question of the academy of Castilian, so long before broached, was on the road to a solution. Don Custodio, the active Don Custodio, the most active of all the arbiters in the world, according to Ben-Zayb, was occupied with it, spending his days reading the petition and falling asleep without reaching any decision, waking on the following day to repeat the same performance, dropping off to sleep again, and so on continuously.


How the good man labored, the most active of all the arbiters in the world! He wished to get out of the predicament by pleasing everybody—the friars, the high official, the Countess, Padre Irene, and his own liberal principles. He had consulted with Señor Pasta, and Señor Pasta had left him stupefied and confused, after advising him to do a million contradictory and impossible things. He had consulted with Pepay the dancing girl, and Pepay, who had no idea what he was talking about, executed a pirouette and asked him for twenty-five pesos to bury an aunt of hers who had suddenly died for the fifth time, or the fifth aunt who had suddenly died, according to fuller explanations, at the same time requesting that he get a cousin of hers who could read, write, and play the violin, a job as assistant on the public works—all things that were far from inspiring Don Custodio with any saving idea.


Two days after the events in the Quiapo fair, Don Custodio was as usual busily studying the petition, without hitting upon the happy solution. While he yawns, coughs, smokes, and thinks about Pepay's legs and her pirouettes, let us give some account of this exalted personage, in order to understand Padre Sibyla's reason for proposing him as the arbiter of such a vexatious matter and why the other clique accepted him.


Don Custodio de Salazar y Sanchez de Monteredondo, often referred to as Good Authority, belonged to that class of Manila society which cannot take a step without having the newspapers heap titles upon them, calling each indedefatigable, distinguished, zealous, active, profound, intelligent, well-informed, influential, and so on, as if they feared that he might be confused with some idle and ignorant possessor of the same name. Besides, no harm resulted from it, and the watchful censor was not disturbed. The Good Authority resulted from his friendship with Ben-Zayb, when the latter, in his two noisiest controversies, which he carried on for weeks and months in the columns of the newspapers about whether it was proper to wear a high hat, a derby, or a salakot, and whether the plural of carácter should be carácteres or caractéres, in order to strengthen his argument always came out with, "We have this on good authority," "We learn this from good authority," later letting it be known, for in Manila everything becomes known, that this Good Authority was no other than Don Custodio de Salazar y Sanchez de Monteredondo.


He had come to Manila very young, with a good position that had enabled him to marry a pretty mestiza belonging to one of the wealthiest families of the city. As he had natural talent, boldness, and great self-possession, and knew how to make use of the society in which he found himself, he launched into business with his wife's money, filling contracts for the government, by reason of which he was made alderman, afterwards alcalde, member of the Economic Society, [43] councilor of the administration, president of the directory of the Obras Pias, [44] member of the Society of Mercy, director of the Spanish-Filipino Bank, etc., etc. Nor are these etceteras to be taken like those ordinarily placed after a long enumeration of titles: Don Custodio, although never having seen a treatise on hygiene, came to be vice-chairman of the Board of Health, for the truth was that of the eight who composed this board only one had to be a physician and he could not be that one. So also he was a member of the Vaccination Board, which was composed of three physicians and seven laymen, among these being the Archbishop and three Provincials. He was a brother in all the confraternities of the common and of the most exalted dignity, and, as we have seen, director of the Superior Commission of Primary Instruction, which usually did not do anything—all these being quite sufficient reason for the newspapers to heap adjectives upon him no less when he traveled than when he sneezed.


In spite of so many offices, Don Custodio was not among those who slept through the sessions, contenting themselves, like lazy and timid delegates, in voting with the majority. The opposite of the numerous kings of Europe who bear the title of King of Jerusalem, Don Custodio made his dignity felt and got from it all the benefit possible, often frowning, making his voice impressive, coughing out his words, often taking up the whole session telling a story, presenting a project, or disputing with a colleague who had placed himself in open opposition to him. Although not past forty, he already talked of acting with circumspection, of letting the figs ripen (adding under his breath "pumpkins"), of pondering deeply and of stepping with careful tread, of the necessity for understanding the country, because the nature of the Indians, because the prestige of the Spanish name, because they were first of all Spaniards, because religion—and so on. Remembered yet in Manila is a speech of his when for the first time it was proposed to light the city with kerosene in place of the old coconut oil: in such an innovation, far from seeing the extinction of the coconut-oil industry, he merely discerned the interests of a certain alderman—because Don Custodio saw a long way—and opposed it with all the resonance of his bucal cavity, considering the project too premature and predicting great social cataclysms. No less celebrated was his opposition to a sentimental serenade that some wished to tender a certain governor on the eve of his departure. Don Custodio, who felt a little resentment over some slight or other, succeeded in insinuating the idea that the rising star was the mortal enemy of the setting one, whereat the frightened promoters of the serenade gave it up.


One day he was advised to return to Spain to be cured of a liver complaint, and the newspapers spoke of him as an Antaeus who had to set foot in the mother country to gain new strength. But the Manila Antaeus found himself a small and insignificant person at the capital. There he was nobody, and he missed his beloved adjectives. He did not mingle with the upper set, and his lack of education prevented him from amounting to much in the academies and scientific centers, while his backwardness and his parish-house politics drove him from the clubs disgusted, vexed, seeing nothing clearly but that there they were forever borrowing money and gambling heavily. He missed the submissive servants of Manila, who endured all his peevishness, and who now seemed to be far preferable; when a winter kept him between a fireplace and an attack of pneumonia, he sighed for the Manila winter during which a single quilt is sufficient, while in summer he missed the easy-chair and the boy to fan him. In short, in Madrid he was only one among many, and in spite of his diamonds he was once taken for a rustic who did not know how to comport himself and at another time for an Indiano. His scruples were scoffed at, and he was shamelessly flouted by some borrowers whom he offended. Disgusted with the conservatives, who took no great notice of his advice, as well as with the sponges who rifled his pockets, he declared himself to be of the liberal party and returned within a year to the Philippines, if not sound in his liver, yet completely changed in his beliefs.


The eleven months spent at the capital among café politicians, nearly all retired half-pay office-holders, the various speeches caught here and there, this or that article of the opposition, all the political life that permeates the air, from the barber-shop where amid the scissors-clips the Figaro announces his program to the banquets where in harmonious periods and telling phrases the different shades of political opinion, the divergences and disagreements, are adjusted—all these things awoke in him the farther he got from Europe, like the life-giving sap within the sown seed prevented from bursting out by the thick husk, in such a way that when he reached Manila he believed that he was going to regenerate it and actually had the holiest plans and the purest ideals.


During the first months after his return he was continually talking about the capital, about his good friends, about Minister So-and-So, ex-Minister Such-a-One, the delegate C., the author B., and there was not a political event, a court scandal, of which he was not informed to the last detail, nor was there a public man the secrets of whose private life were unknown to him, nor could anything occur that he had not foreseen, nor any reform be ordered but he had first been consulted. All this was seasoned with attacks on the conservatives in righteous indignation, with apologies of the liberal party, with a little anecdote here, a phrase there from some great man, dropped in as one who did not wish offices and employments, which same he had refused in order not to be beholden to the conservatives. Such was his enthusiasm in these first days that various cronies in the grocery-store which he visited from time to time affiliated themselves with the liberal party and began to style themselves liberals: Don Eulogio Badana, a retired sergeant of carbineers; the honest Armendia, by profession a pilot, and a rampant Carlist; Don Eusebio Picote, customs inspector; and Don Bonifacio Tacon, shoe- and harness-maker. [45]


But nevertheless, from lack of encouragement and of opposition, his enthusiasm gradually waned. He did not read the newspapers that came from Spain, because they arrived in packages, the sight of which made him yawn. The ideas that he had caught having been all expended, he needed reinforcement, and his orators were not there, and although in the casinos of Manila there was enough gambling, and money was borrowed as in Madrid, no speech that would nourish his political ideas was permitted in them. But Don Custodio was not lazy, he did more than wish—he worked. Foreseeing that he was going to leave his bones in the Philippines, he began to consider that country his proper sphere and to devote his efforts to its welfare. Thinking to liberalize it, he commenced to draw up a series of reforms or projects, which were ingenious, to say the least. It was he who, having heard in Madrid mention of the wooden street pavements of Paris, not yet adopted in Spain, proposed the introduction of them in Manila by covering the streets with boards nailed down as they are on the sides of houses; it was he who, deploring the accidents to two-wheeled vehicles, planned to avoid them by putting on at least three wheels; it was also he who, while acting as vice-president of the Board of Health, ordered everything fumigated, even the telegrams that came from infected places; it was also he who, in compassion for the convicts that worked in the sun and with a desire of saving to the government the cost of their equipment, suggested that they be clothed in a simple breech-clout and set to work not by day but at night. He marveled, he stormed, that his projects should encounter objectors, but consoled himself with the reflection that the man who is worth enemies has them, and revenged himself by attacking and tearing to pieces any project, good or bad, presented by others.


As he prided himself on being a liberal, upon being asked what he thought of the Indians he would answer, like one conferring a great favor, that they were fitted for manual labor and the imitative arts (meaning thereby music, painting, and sculpture), adding his old postscript that to know them one must have resided many, many years in the country. Yet when he heard of any one of them excelling in something that was not manual labor or an imitative art—in chemistry, medicine, or philosophy, for example—he would exclaim: "Ah, he promises fairly, fairly well, he's not a fool!" and feel sure that a great deal of Spanish blood must flow in the veins of such an Indian. If unable to discover any in spite of his good intentions, he then sought a Japanese origin, for it was at that time the fashion began of attributing to the Japanese or the Arabs whatever good the Filipinos might have in them. For him the native songs were Arabic music, as was also the alphabet of the ancient Filipinos—he was certain of this, although he did not know Arabic nor had he ever seen that alphabet.


"Arabic, the purest Arabic," he said to Ben-Zayb in a tone that admitted no reply. "At best, Chinese!"


Then he would add, with a significant wink: "Nothing can be, nothing ought to be, original with the Indians, you understand! I like them greatly, but they mustn't be allowed to pride themselves upon anything, for then they would take heart and turn into a lot of wretches."


At other times he would say: "I love the Indians fondly, I've constituted myself their father and defender, but it's necessary to keep everything in its proper place. Some were born to command and others to serve—plainly, that is a truism which can't be uttered very loudly, but it can be put into practise without many words. For look, the trick depends upon trifles. When you wish to reduce a people to subjection, assure it that it is in subjection. The first day it will laugh, the second protest, the third doubt, and the fourth be convinced. To keep the Filipino docile, he must have repeated to him day after day what he is, to convince him that he is incompetent. What good would it do, besides, to have him believe in something else that would make him wretched? Believe me, it's an act of charity to hold every creature in his place—that is order, harmony. That constitutes the science of government."


In referring to his policies, Don Custodio was not satisfied with the word art, and upon pronouncing the word government, he would extend his hand downwards to the height of a man bent over on his knees.


In regard to his religious ideas, he prided himself on being a Catholic, very much a Catholic—ah, Catholic Spain, the land of María Santísima! A liberal could be and ought to be a Catholic, when the reactionaries were setting themselves up as gods or saints, just as a mulatto passes for a white man in Kaffirland. But with all that, he ate meat during Lent, except on Good Friday, never went to confession, believed neither in miracles nor the infallibility of the Pope, and when he attended mass, went to the one at ten o'clock, or to the shortest, the military mass. Although in Madrid he had spoken ill of the religious orders, so as not to be out of harmony with his surroundings, considering them anachronisms, and had hurled curses against the Inquisition, while relating this or that lurid or droll story wherein the habits danced, or rather friars without habits, yet in speaking of the Philippines, which should be ruled by special laws, he would cough, look wise, and again extend his hand downwards to that mysterious altitude.


"The friars are necessary, they're a necessary evil," he would declare.


But how he would rage when any Indian dared to doubt the miracles or did not acknowledge the Pope! All the tortures of the Inquisition were insufficient to punish such temerity.


When it was objected that to rule or to live at the expense of ignorance has another and somewhat ugly name and is punished by law when the culprit is a single person, he would justify his position by referring to other colonies. "We," he would announce in his official tone, "can speak out plainly! We're not like the British and the Dutch who, in order to hold people in subjection, make use of the lash. We avail ourselves of other means, milder and surer. The salutary influence of the friars is superior to the British lash."


This last remark made his fortune. For a long time Ben-Zayb continued to use adaptations of it, and with him all Manila. The thinking part of Manila applauded it, and it even got to Madrid, where it was quoted in the Parliament as from a liberal of long residence there. The friars, flattered by the comparison and seeing their prestige enhanced, sent him sacks of chocolate, presents which the incorruptible Don Custodio returned, so that Ben-Zayb immediately compared him to Epaminondas. Nevertheless, this modern Epaminondas made use of the rattan in his choleric moments, and advised its use!


At that time the conventos, fearful that he would render a decision favorable to the petition of the students, increased their gifts, so that on the afternoon when we see him he was more perplexed than ever, his reputation for energy was being compromised. It had been more than a fortnight since he had had the petition in his hands, and only that morning the high official, after praising his zeal, had asked for a decision. Don Custodio had replied with mysterious gravity, giving him to understand that it was not yet completed. The high official had smiled a smile that still worried and haunted him.


As we were saying, he yawned and yawned. In one of these movements, at the moment when he opened his eyes and closed his mouth, his attention was caught by a file of red envelopes, arranged in regular order on a magnificent kamagon desk. On the back of each could be read in large letters: PROJECTS.


For a moment he forgot his troubles and Pepay's pirouettes, to reflect upon all that those files contained, which had issued from his prolific brain in his hours of inspiration. How many original ideas, how many sublime thoughts, how many means of ameliorating the woes of the Philippines! Immortality and the gratitude of the country were surely his!


Like an old lover who discovers a moldy package of amorous epistles, Don Custodio arose and approached the desk. The first envelope, thick, swollen, and plethoric, bore the title: PROJECTS IN PROJECT.


"No," he murmured, "they're excellent things, but it would take a year to read them over."


The second, also quite voluminous, was entitled: PROJECTS UNDER CONSIDERATION. "No, not those either."


Then came the PROJECTS NEARING COMPLETION, PROJECTS PRESENTED, PROJECTS REJECTED, PROJECTS APPROVED, PROJECTS POSTPONED. These last envelopes held little, but the least of all was that of the PROJECTS EXECUTED.


Don Custodio wrinkled up his nose—what did it contain? He had completely forgotten what was in it. A sheet of yellowish paper showed from under the flap, as though the envelope were sticking out its tongue. This he drew out and unfolded: it was the famous project for the School of Arts and Trades!


"What the devil!" he exclaimed. "If the Augustinian padres took charge of it—"


Suddenly he slapped his forehead and arched his eyebrows, while a look of triumph overspread his face. "I have reached a decision!" he cried with an oath that was not exactly eureka. "My decision is made!"


Repeating his peculiar eureka five or six times, which struck the air like so many gleeful lashes, he sat down at his desk, radiant with joy, and began to write furiously.


That night there was a grand function at the Teatro de Variedades. Mr. Jouay's French operetta company was giving its initial performance, Les Cloches de Corneville. To the eyes of the public was to be exhibited his select troupe, whose fame the newspapers had for days been proclaiming. It was reported that among the actresses was a very beautiful voice, with a figure even more beautiful, and if credit could be given to rumor, her amiability surpassed even her voice and figure.


At half-past seven in the evening there were no more tickets to be had, not even though they had been for Padre Salvi himself in his direct need, and the persons waiting to enter the general admission already formed a long queue. In the ticket-office there were scuffles and fights, talk of filibusterism and races, but this did not produce any tickets, so that by a quarter before eight fabulous prices were being offered for them. The appearance of the building, profusely illuminated, with flowers and plants in all the doors and windows, enchanted the new arrivals to such an extent that they burst out into exclamations and applause. A large crowd surged about the entrance, gazing enviously at those going in, those who came early from fear of missing their seats. Laughter, whispering, expectation greeted the later arrivals, who disconsolately joined the curious crowd, and now that they could not get in contented themselves with watching those who did.


Yet there was one person who seemed out of place amid such great eagerness and curiosity. He was a tall, meager man, who dragged one leg stiffly when he walked, dressed in a wretched brown coat and dirty checkered trousers that fitted his lean, bony limbs tightly. A straw sombrero, artistic in spite of being broken, covered an enormous head and allowed his dirty gray, almost red, hair to straggle out long and kinky at the end like a poet's curls. But the most notable thing about this man was not his clothing or his European features, guiltless of beard or mustache, but his fiery red face, from which he got the nickname by which he was known, Camaroncocido. [46] He was a curious character belonging to a prominent Spanish family, but he lived like a vagabond and a beggar, scoffing at the prestige which he flouted indifferently with his rags. He was reputed to be a kind of reporter, and in fact his gray goggle-eyes, so cold and thoughtful, always showed up where anything publishable was happening. His manner of living was a mystery to all, as no one seemed to know where he ate and slept. Perhaps he had an empty hogshead somewhere.


But at that moment Camaroncocido lacked his usual hard and indifferent expression, something like mirthful pity being reflected in his looks. A funny little man accosted him merrily.


"Friend!" exclaimed the latter, in a raucous voice, as hoarse as a frog's, while he displayed several Mexican pesos, which Camaroncocido merely glanced at and then shrugged his shoulders. What did they matter to him?


The little old man was a fitting contrast to him. Small, very small, he wore on his head a high hat, which presented the appearance of a huge hairy worm, and lost himself in an enormous frock coat, too wide and too long for him, to reappear in trousers too short, not reaching below his calves. His body seemed to be the grandfather and his legs the grandchildren, while as for his shoes he appeared to be floating on the land, for they were of an enormous sailor type, apparently protesting against the hairy worm worn on his head with all the energy of a convento beside a World's Exposition. If Camaroncocido was red, he was brown; while the former, although of Spanish extraction, had not a single hair on his face, yet he, an Indian, had a goatee and mustache, both long, white, and sparse. His expression was lively. He was known as Tio Quico, [47] and like his friend lived on publicity, advertising the shows and posting the theatrical announcements, being perhaps the only Filipino who could appear with impunity in a silk hat and frock coat, just as his friend was the first Spaniard who laughed at the prestige of his race.


"The Frenchman has paid me well," he said smiling and showing his picturesque gums, which looked like a street after a conflagration. "I did a good job in posting the bills."


Camaroncocido shrugged his shoulders again. "Quico," he rejoined in a cavernous voice, "if they've given you six pesos for your work, how much will they give the friars?"


Tio Quico threw back his head in his usual lively manner. "To the friars?"


"Because you surely know," continued Camaroncocido, "that all this crowd was secured for them by the conventos."


The fact was that the friars, headed by Padre Salvi, and some lay brethren captained by Don Custodio, had opposed such shows. Padre Camorra, who could not attend, watered at the eyes and mouth, but argued with Ben-Zayb, who defended them feebly, thinking of the free tickets they would send his newspaper. Don Custodio spoke of morality, religion, good manners, and the like.


"But," stammered the writer, "if our own farces with their plays on words and phrases of double meaning—"


"But at least they're in Castilian!" the virtuous councilor interrupted with a roar, inflamed to righteous wrath. "Obscenities in French, man, Ben-Zayb, for God's sake, in French! Never!"


He uttered this never with the energy of three Guzmans threatened with being killed like fleas if they did not surrender twenty Tarifas. Padre Irene naturally agreed with Don Custodio and execrated French operetta. Whew, he had been in Paris, but had never set foot in a theater, the Lord deliver him!


Yet the French operetta also counted numerous partizans. The officers of the army and navy, among them the General's aides, the clerks, and many society people were anxious to enjoy the delicacies of the French language from the mouths of genuine Parisiennes, and with them were affiliated those who had traveled by the M.M. [48] and had jabbered a little French during the voyage, those who had visited Paris, and all those who wished to appear learned.


Hence, Manila society was divided into two factions, operettists and anti-operettists. The latter were supported by the elderly ladies, wives jealous and careful of their husbands' love, and by those who were engaged, while those who were free and those who were beautiful declared themselves enthusiastic operettists. Notes and then more notes were exchanged, there were goings and comings, mutual recriminations, meetings, lobbyings, arguments, even talk of an insurrection of the natives, of their indolence, of inferior and superior races, of prestige and other humbugs, so that after much gossip and more recrimination, the permit was granted, Padre Salvi at the same time publishing a pastoral that was read by no one but the proof-reader. There were questionings whether the General had quarreled with the Countess, whether she spent her time in the halls of pleasure, whether His Excellency was greatly annoyed, whether there had been presents exchanged, whether the French consul—, and so on and on. Many names were bandied about: Quiroga the Chinaman's, Simoun's, and even those of many actresses.


Thanks to these scandalous preliminaries, the people's impatience had been aroused, and since the evening before, when the troupe arrived, there was talk of nothing but attending the first performance. From the hour when the red posters announced Les Cloches de Corneville the victors prepared to celebrate their triumph. In some offices, instead of the time being spent in reading newspapers and gossiping, it was devoted to devouring the synopsis and spelling out French novels, while many feigned business outside to consult their pocket-dictionaries on the sly. So no business was transacted, callers were told to come back the next day, but the public could not take offense, for they encountered some very polite and affable clerks, who received and dismissed them with grand salutations in the French style. The clerks were practising, brushing the dust off their French, and calling to one another oui, monsieur, s'il vous plait, and pardon! at every turn, so that it was a pleasure to see and hear them.


But the place where the excitement reached its climax was the newspaper office. Ben-Zayb, having been appointed critic and translator of the synopsis, trembled like a poor woman accused of witchcraft, as he saw his enemies picking out his blunders and throwing up to his face his deficient knowledge of French. When the Italian opera was on, he had very nearly received a challenge for having mistranslated a tenor's name, while an envious rival had immediately published an article referring to him as an ignoramus—him, the foremost thinking head in the Philippines! All the trouble he had had to defend himself! He had had to write at least seventeen articles and consult fifteen dictionaries, so with these salutary recollections, the wretched Ben-Zayb moved about with leaden hands, to say nothing of his feet, for that would be plagiarizing Padre Camorra, who had once intimated that the journalist wrote with them.


"You see, Quico?" said Camaroncocido. "One half of the people have come because the friars told them not to, making it a kind of public protest, and the other half because they say to themselves, 'Do the friars object to it? Then it must be instructive!' Believe me, Quico, your advertisements are a good thing but the pastoral was better, even taking into consideration the fact that it was read by no one."


"Friend, do you believe," asked Tio Quico uneasily, "that on account of the competition with Padre Salvi my business will in the future be prohibited?"


"Maybe so, Quico, maybe so," replied the other, gazing at the sky. "Money's getting scarce."


Tio Quico muttered some incoherent words: if the friars were going to turn theatrical advertisers, he would become a friar. After bidding his friend good-by, he moved away coughing and rattling his silver coins.


With his eternal indifference Camaroncocido continued to wander about here and there with his crippled leg and sleepy looks. The arrival of unfamiliar faces caught his attention, coming as they did from different parts and signaling to one another with a wink or a cough. It was the first time that he had ever seen these individuals on such an occasion, he who knew all the faces and features in the city. Men with dark faces, humped shoulders, uneasy and uncertain movements, poorly disguised, as though they had for the first time put on sack coats, slipped about among the shadows, shunning attention, instead of getting in the front rows where they could see well.


"Detectives or thieves?" Camaroncocido asked himself and immediately shrugged his shoulders. "But what is it to me?"


The lamp of a carriage that drove up lighted in passing a group of four or five of these individuals talking with a man who appeared to be an army officer.


"Detectives! It must be a new corps," he muttered with his shrug of indifference. Soon, however, he noticed that the officer, after speaking to two or three more groups, approached a carriage and seemed to be talking vigorously with some person inside. Camaroncocido took a few steps forward and without surprise thought that he recognized the jeweler Simoun, while his sharp ears caught this short dialogue.


"The signal will be a gunshot!"


"Don't worry—it's the General who is ordering it, but be careful about saying so. If you follow my instructions, you'll get a promotion."


"So, be ready!"


The voice ceased and a second later the carriage drove away. In spite of his indifference Camaroncocido could not but mutter, "Something's afoot—hands on pockets!"


But feeling his own to be empty, he again shrugged his shoulders. What did it matter to him, even though the heavens should fall?


So he continued his pacing about. On passing near two persons engaged in conversation, he caught what one of them, who had rosaries and scapularies around his neck, was saying in Tagalog: "The friars are more powerful than the General, don't be a fool! He'll go away and they'll stay here. So, if we do well, we'll get rich. The signal is a gunshot."


"Hold hard, hold hard," murmured Camaroncocido, tightening his fingers. "On that side the General, on this Padre Salvi. Poor country! But what is it to me?"


Again shrugging his shoulders and expectorating at the same time, two actions that with him were indications of supreme indifference, he continued his observations.


Meanwhile, the carriages were arriving in dizzy streams, stopping directly before the door to set down the members of the select society. Although the weather was scarcely even cool, the ladies sported magnificent shawls, silk neckerchiefs, and even light cloaks. Among the escorts, some who were in frock coats with white ties wore overcoats, while others carried them on their arms to display the rich silk linings.


In a group of spectators, Tadeo, he who was always taken ill the moment the professor appeared, was accompanied by a fellow townsman of his, the novice whom we saw suffer evil consequences from reading wrongly the Cartesian principle. This novice was very inquisitive and addicted to tiresome questions, and Tadeo was taking advantage of his ingenuousness and inexperience to relate to him the most stupendous lies. Every Spaniard that spoke to him, whether clerkling or underling, was presented as a leading merchant, a marquis, or a count, while on the other hand any one who passed him by was a greenhorn, a petty official, a nobody! When pedestrians failed him in keeping up the novice's astonishment, he resorted to the resplendent carriages that came up. Tadeo would bow politely, wave his hand in a friendly manner, and call out a familiar greeting.


"Who's he?"


"Bah!" was the negligent reply. "The Civil Governor, the Vice-Governor, Judge ——, Señora ——, all friends of mine!"


The novice marveled and listened in fascination, taking care to keep on the left. Tadeo the friend of judges and governors!


Tadeo named all the persons who arrived, when he did not know them inventing titles, biographies, and interesting sketches.


"You see that tall gentleman with dark whiskers, somewhat squint-eyed, dressed in black—he's Judge A ——, an intimate friend of the wife of Colonel B ——. One day if it hadn't been for me they would have come to blows. Hello, here comes that Colonel! What if they should fight?"


The novice held his breath, but the colonel and the judge shook hands cordially, the soldier, an old bachelor, inquiring about the health of the judge's family.


"Ah, thank heaven!" breathed Tadeo. "I'm the one who made them friends."


"What if they should invite us to go in?" asked the novice timidly.


"Get out, boy! I never accept favors!" retorted Tadeo majestically. "I confer them, but disinterestedly."


The novice bit his lip and felt smaller than ever, while he placed a respectful distance between himself and his fellow townsman.


Tadeo resumed: "That is the musician H——; that one, the lawyer J——, who delivered as his own a speech printed in all the books and was congratulated and admired for it; Doctor K——, that man just getting out of a hansom, is a specialist in diseases of children, so he's called Herod; that's the banker L——, who can talk only of his money and his hoards; the poet M——, who is always dealing with the stars and the beyond. There goes the beautiful wife of N——, whom Padre Q——is accustomed to meet when he calls upon the absent husband; the Jewish merchant P——, who came to the islands with a thousand pesos and is now a millionaire. That fellow with the long beard is the physician R——, who has become rich by making invalids more than by curing them."


"Yes, boy, in the examination of the conscripts. Attention! That finely dressed gentleman is not a physician but a homeopathist sui generis—he professes completely the similis similibus. The young cavalry captain with him is his chosen disciple. That man in a light suit with his hat tilted back is the government clerk whose maxim is never to be polite and who rages like a demon when he sees a hat on any one else's head—they say that he does it to ruin the German hatters. The man just arriving with his family is the wealthy merchant C——, who has an income of over a hundred thousand pesos. But what would you say if I should tell you that he still owes me four pesos, five reales, and twelve cuartos? But who would collect from a rich man like him?"


"That gentleman in debt to you?"


"Sure! One day I got him out of a bad fix. It was on a Friday at half-past six in the morning, I still remember, because I hadn't breakfasted. That lady who is followed by a duenna is the celebrated Pepay, the dancing girl, but she doesn't dance any more now that a very Catholic gentleman and a great friend of mine has—forbidden it. There's the death's-head Z——, who's surely following her to get her to dance again. He's a good fellow, and a great friend of mine, but has one defect—he's a Chinese mestizo and yet calls himself a Peninsular Spaniard. Sssh! Look at Ben-Zayb, him with the face of a friar, who's carrying a pencil and a roll of paper in his hand. He's the great writer, Ben-Zayb, a good friend of mine—he has talent!"


"You don't say! And that little man with white whiskers?"


"He's the official who has appointed his daughters, those three little girls, assistants in his department, so as to get their names on the pay-roll. He's a clever man, very clever! When he makes a mistake he blames it on somebody else, he buys things and pays for them out of the treasury. He's clever, very, very clever!"


Tadeo was about to say more, but suddenly checked himself.


"And that gentleman who has a fierce air and gazes at everybody over his shoulders?" inquired the novice, pointing to a man who nodded haughtily.


But Tadeo did not answer. He was craning his neck to see Paulita Gomez, who was approaching with a friend, Doña Victorina, and Juanito Pelaez. The latter had presented her with a box and was more humped than ever.


Carriage after carriage drove up; the actors and actresses arrived and entered by a separate door, followed by their friends and admirers.


After Paulita had gone in, Tadeo resumed: "Those are the nieces of the rich Captain D——, those coming up in a landau; you see how pretty and healthy they are? Well, in a few years they'll be dead or crazy. Captain D—— is opposed to their marrying, and the insanity of the uncle is appearing in the nieces. That's the Señorita E——, the rich heiress whom the world and the conventos are disputing over. Hello, I know that fellow! It's Padre Irene, in disguise, with a false mustache. I recognize him by his nose. And he was so greatly opposed to this!"


The scandalized novice watched a neatly cut coat disappear behind a group of ladies.


"The Three Fates!" went on Tadeo, watching the arrival of three withered, bony, hollow-eyed, wide-mouthed, and shabbily dressed women. "They're called—"


"Atropos?" ventured the novice, who wished to show that he also knew somebody, at least in mythology.


"No, boy, they're called the Weary Waiters—old, censorious, and dull. They pretend to hate everybody—men, women, and children. But look how the Lord always places beside the evil a remedy, only that sometimes it comes late. There behind the Fates, the frights of the city, come those three girls, the pride of their friends, among whom I count myself. That thin young man with goggle-eyes, somewhat stooped, who is wildly gesticulating because he can't get tickets, is the chemist S——, author of many essays and scientific treatises, some of which are notable and have captured prizes. The Spaniards say of him, 'There's some hope for him, some hope for him.' The fellow who is soothing him with his Voltairian smile is the poet T——, a young man of talent, a great friend of mine, and, for the very reason that he has talent, he has thrown away his pen. That fellow who is trying to get in with the actors by the other door is the young physician U——, who has effected some remarkable cures—it's also said of him that he promises well. He's not such a scoundrel as Pelaez but he's cleverer and slyer still. I believe that he'd shake dice with death and win."


"And that brown gentleman with a mustache like hog-bristles?"


"Ah, that's the merchant F——, who forges everything, even his baptismal certificate. He wants to be a Spanish mestizo at any cost, and is making heroic efforts to forget his native language."


"But his daughters are very white."


"Yes, that's the reason rice has gone up in price, and yet they eat nothing but bread."


The novice did not understand the connection between the price of rice and the whiteness of those girls, but he held his peace.


"There goes the fellow that's engaged to one of them, that thin brown youth who is following them with a lingering movement and speaking with a protecting air to the three friends who are laughing at him. He's a martyr to his beliefs, to his consistency."


The novice was filled with admiration and respect for the young man.


"He has the look of a fool, and he is one," continued Tadeo. "He was born in San Pedro Makati and has inflicted many privations upon himself. He scarcely ever bathes or eats pork, because, according to him, the Spaniards don't do those things, and for the same reason he doesn't eat rice and dried fish, although he may be watering at the mouth and dying of hunger. Anything that comes from Europe, rotten or preserved, he considers divine—a month ago Basilio cured him of a severe attack of gastritis, for he had eaten a jar of mustard to prove that he's a European."


At that moment the orchestra struck up a waltz.


"You see that gentleman—that hypochondriac who goes along turning his head from side to side, seeking salutes? That's the celebrated governor of Pangasinan, a good man who loses his appetite whenever any Indian fails to salute him. He would have died if he hadn't issued the proclamation about salutes to which he owes his celebrity. Poor fellow, it's only been three days since he came from the province and look how thin he has become! Oh, here's the great man, the illustrious—open your eyes!"


"Who? That man with knitted brows?"


"Yes, that's Don Custodio, the liberal, Don Custodio. His brows are knit because he's meditating over some important project. If the ideas he has in his head were carried out, this would be a different world! Ah, here comes Makaraig, your housemate."


It was in fact Makaraig, with Pecson, Sandoval, and Isagani. Upon seeing them, Tadeo advanced and spoke to them.


"Aren't you coming in?" Makaraig asked him.


"Fortunately, we have a box," replied Makaraig. "Basilio couldn't come. Both of you, come in with us."


Tadeo did not wait for the invitation to be repeated, but the novice, fearing that he would intrude, with the timidity natural to the provincial Indian, excused himself, nor could he be persuaded to enter.


The interior of the theater presented a lively aspect. It was filled from top to bottom, with people standing in the corridors and in the aisles, fighting to withdraw a head from some hole where they had inserted it, or to shove an eye between a collar and an ear. The open boxes, occupied for the most part by ladies, looked like baskets of flowers, whose petals—the fans—shook in a light breeze, wherein hummed a thousand bees. However, just as there are flowers of strong or delicate fragrance, flowers that kill and flowers that console, so from our baskets were exhaled like emanations: there were to be heard dialogues, conversations, remarks that bit and stung. Three or four boxes, however, were still vacant, in spite of the lateness of the hour. The performance had been advertised for half-past eight and it was already a quarter to nine, but the curtain did not go up, as his Excellency had not yet arrived. The gallery-gods, impatient and uncomfortable in their seats, started a racket, clapping their hands and pounding the floor with their canes.


"Boom—boom—boom! Ring up the curtain! Boom—boom—boom!"


The artillerymen were not the least noisy. Emulators of Mars, as Ben-Zayb called them, they were not satisfied with this music; thinking themselves perhaps at a bullfight, they made remarks at the ladies who passed before them in words that are euphemistically called flowers in Madrid, although at times they seem more like foul weeds. Without heeding the furious looks of the husbands, they bandied from one to another the sentiments and longings inspired by so many beauties.


In the reserved seats, where the ladies seemed to be afraid to venture, as few were to be seen there, a murmur of voices prevailed amid suppressed laughter and clouds of tobacco smoke. They discussed the merits of the players and talked scandal, wondering if his Excellency had quarreled with the friars, if his presence at such a show was a defiance or mere curiosity. Others gave no heed to these matters, but were engaged in attracting the attention of the ladies, throwing themselves into attitudes more or less interesting and statuesque, flashing diamond rings, especially when they thought themselves the foci of insistent opera-glasses, while yet another would address a respectful salute to this or that señora or señorita, at the same time lowering his head gravely to whisper to a neighbor, "How ridiculous she is! And such a bore!"


The lady would respond with one of her most gracious smiles and an enchanting nod of her head, while murmuring to a friend sitting near, amid lazy flourishes of her fan, "How impudent he is! He's madly in love, my dear."


Meanwhile, the noise increased. There remained only two vacant boxes, besides that of his Excellency, which was distinguished by its curtains of red velvet. The orchestra played another waltz, the audience protested, when fortunately there arose a charitable hero to distract their attention and relieve the manager, in the person of a man who had occupied a reserved seat and refused to give it up to its owner, the philosopher Don Primitivo. Finding his own arguments useless, Don Primitivo had appealed to an usher. "I don't care to," the hero responded to the latter's protests, placidly puffing at his cigarette. The usher appealed to the manager. "I don't care to," was the response, as he settled back in the seat. The manager went away, while the artillerymen in the gallery began to sing out encouragement to the usurper.


Our hero, now that he had attracted general attention, thought that to yield would be to lower himself, so he held on to the seat, while he repeated his answer to a pair of guards the manager had called in. These, in consideration of the rebel's rank, went in search of their corporal, while the whole house broke out into applause at the firmness of the hero, who remained seated like a Roman senator.


Hisses were heard, and the inflexible gentleman turned angrily to see if they were meant for him, but the galloping of horses resounded and the stir increased. One might have said that a revolution had broken out, or at least a riot, but no, the orchestra had suspended the waltz and was playing the royal march: it was his Excellency, the Captain-General and Governor of the islands, who was entering. All eyes sought and followed him, then lost sight of him, until he finally appeared in his box. After looking all about him and making some persons happy with a lordly salute, he sat down, as though he were indeed the man for whom the chair was waiting. The artillerymen then became silent and the orchestra tore into the prelude.


Our students occupied a box directly facing that of Pepay, the dancing girl. Her box was a present from Makaraig, who had already got on good terms with her in order to propitiate Don Custodio. Pepay had that very afternoon written a note to the illustrious arbiter, asking for an answer and appointing an interview in the theater. For this reason, Don Custodio, in spite of the active opposition he had manifested toward the French operetta, had gone to the theater, which action won him some caustic remarks on the part of Don Manuel, his ancient adversary in the sessions of the Ayuntamiento.


"I've come to judge the operetta," he had replied in the tone of a Cato whose conscience was clear.


So Makaraig was exchanging looks of intelligence with Pepay, who was giving him to understand that she had something to tell him. As the dancing girl's face wore a happy expression, the students augured that a favorable outcome was assured. Sandoval, who had just returned from making calls in other boxes, also assured them that the decision had been favorable, that that very afternoon the Superior Commission had considered and approved it. Every one was jubilant, even Pecson having laid aside his pessimism when he saw the smiling Pepay display a note. Sandoval and Makaraig congratulated one another, Isagani alone remaining cold and unsmiling. What had happened to this young man?


Upon entering the theater, Isagani had caught sight of Paulita in a box, with Juanito Pelaez talking to her. He had turned pale, thinking that he must be mistaken. But no, it was she herself, she who greeted him with a gracious smile, while her beautiful eyes seemed to be asking pardon and promising explanations. The fact was that they had agreed upon Isagani's going first to the theater to see if the show contained anything improper for a young woman, but now he found her there, and in no other company than that of his rival. What passed in his mind is indescribable: wrath, jealousy, humiliation, resentment raged within him, and there were moments even when he wished that the theater would fall in; he had a violent desire to laugh aloud, to insult his sweetheart, to challenge his rival, to make a scene, but finally contented himself with sitting quiet and not looking at her at all. He was conscious of the beautiful plans Makaraig and Sandoval were making, but they sounded like distant echoes, while the notes of the waltz seemed sad and lugubrious, the whole audience stupid and foolish, and several times he had to make an effort to keep back the tears. Of the trouble stirred up by the hero who refused to give up the seat, of the arrival of the Captain-General, he was scarcely conscious. He stared toward the drop-curtain, on which was depicted a kind of gallery with sumptuous red hangings, affording a view of a garden in which a fountain played, yet how sad the gallery looked to him and how melancholy the painted landscape! A thousand vague recollections surged into his memory like distant echoes of music heard in the night, like songs of infancy, the murmur of lonely forests and gloomy rivulets, moonlit nights on the shore of the sea spread wide before his eyes. So the enamored youth considered himself very wretched and stared fixedly at the ceiling so that the tears should not fall from his eyes.


A burst of applause drew him from these meditations. The curtain had just risen, and the merry chorus of peasants of Corneville was presented, all dressed in cotton caps, with heavy wooden sabots on their feet. Some six or seven girls, well-rouged on the lips and cheeks, with large black circles around their eyes to increase their brilliance, displayed white arms, fingers covered with diamonds, round and shapely limbs. While they were chanting the Norman phrase "Allez, marchez! Allez, marchez!" they smiled at their different admirers in the reserved seats with such openness that Don Custodio, after looking toward Pepay's box to assure himself that she was not doing the same thing with some other admirer, set down in his note-book this indecency, and to make sure of it lowered his head a little to see if the actresses were not showing their knees.


"Oh, these Frenchwomen!" he muttered, while his imagination lost itself in considerations somewhat more elevated, as he made comparisons and projects.


"Quoi v'la tous les cancans d'la s'maine!" sang Gertrude, a proud damsel, who was looking roguishly askance at the Captain-General.


"We're going to have the cancan!" exclaimed Tadeo, the winner of the first prize in the French class, who had managed to make out this word. "Makaraig, they're going to dance the cancan!"


He rubbed his hands gleefully. From the moment the curtain rose, Tadeo had been heedless of the music. He was looking only for the prurient, the indecent, the immoral in actions and dress, and with his scanty French was sharpening his ears to catch the obscenities that the austere guardians of the fatherland had foretold.


Sandoval, pretending to know French, had converted himself into a kind of interpreter for his friends. He knew as much about it as Tadeo, but the published synopsis helped him and his fancy supplied the rest. "Yes," he said, "they're going to dance the cancan—she's going to lead it."


Makaraig and Pecson redoubled their attention, smiling in anticipation, while Isagani looked away, mortified to think that Paulita should be present at such a show and reflecting that it was his duty to challenge Juanito Pelaez the next day.


But the young men waited in vain. Serpolette came on, a charming girl, in her cotton cap, provoking and challenging. "Hein, qui parle de Serpolette?" she demanded of the gossips, with her arms akimbo in a combative attitude. Some one applauded, and after him all those in the reserved seats. Without changing her girlish attitude, Serpolette gazed at the person who had started the applause and paid him with a smile, displaying rows of little teeth that looked like a string of pearls in a case of red velvet.


Tadeo followed her gaze and saw a man in a false mustache with an extraordinarily large nose. "By the monk's cowl!" he exclaimed. "It's Irene!"


"Yes," corroborated Sandoval, "I saw him behind the scenes talking with the actresses."


The truth was that Padre Irene, who was a melomaniac of the first degree and knew French well, had been sent to the theater by Padre Salvi as a sort of religious detective, or so at least he told the persons who recognized him. As a faithful critic, who should not be satisfied with viewing the piece from a distance, he wished to examine the actresses at first hand, so he had mingled in the groups of admirers and gallants, had penetrated into the greenroom, where was whispered and talked a French required by the situation, a market French, a language that is readily comprehensible for the vender when the buyer seems disposed to pay well.


Serpolette was surrounded by two gallant officers, a sailor, and a lawyer, when she caught sight of him moving about, sticking the tip of his long nose into all the nooks and corners, as though with it he were ferreting out all the mysteries of the stage. She ceased her chatter, knitted her eyebrows, then raised them, opened her lips and with the vivacity of a Parisienne left her admirers to hurl herself like a torpedo upon our critic.


"Tiens, tiens, Toutou! Mon lapin!" she cried, catching Padre Irene's arm and shaking it merrily, while the air rang with her silvery laugh.


"Tut, tut!" objected Padre Irene, endeavoring to conceal himself.


With great difficulty Padre Irene made her listen to reason, for Lily was enchanteé to meet in Manila an old friend who reminded her of the coulisses of the Grand Opera House. So it was that Padre Irene, fulfilling at the same time his duties as a friend and a critic, had initiated the applause to encourage her, for Serpolette deserved it.


Meanwhile, the young men were waiting for the cancan. Pecson became all eyes, but there was everything except cancan. There was presented the scene in which, but for the timely arrival of the representatives of the law, the women would have come to blows and torn one another's hair out, incited thereto by the mischievous peasants, who, like our students, hoped to see something more than the cancan.


The music ceased, the men went away, the women returned, a few at a time, and started a conversation among themselves, of which our friends understood nothing. They were slandering some absent person.


"They look like the Chinamen of the pansiteria!" whispered Pecson.


"But, the cancan?" asked Makaraig.


"They're talking about the most suitable place to dance it," gravely responded Sandoval.


"They look like the Chinamen of the pansiteria," repeated Pecson in disgust.


A lady accompanied by her husband entered at that moment and took her place in one of the two vacant boxes. She had the air of a queen and gazed disdainfully at the whole house, as if to say, "I've come later than all of you, you crowd of upstarts and provincials, I've come later than you!" There are persons who go to the theater like the contestants in a mule-race: the last one in, wins, and we know very sensible men who would ascend the scaffold rather than enter a theater before the first act. But the lady's triumph was of short duration—she caught sight of the other box that was still empty, and began to scold her better half, thus starting such a disturbance that many were annoyed.


"Ssh! Ssh!"


"The blockheads! As if they understood French!" remarked the lady, gazing with supreme disdain in all directions, finally fixing her attention on Juanito's box, whence she thought she had heard an impudent hiss.


Juanito was in fact guilty, for he had been pretending to understand everything, holding himself up proudly and applauding at times as though nothing that was said escaped him, and this too without guiding himself by the actors' pantomime, because he scarcely looked toward the stage. The rogue had intentionally remarked to Paulita that, as there was so much more beautiful a woman close at hand, he did not care to strain his eyes looking beyond her. Paulita had blushed, covered her face with her fan, and glanced stealthily toward where Isagani, silent and morose, was abstractedly watching the show.


Paulita felt nettled and jealous. Would Isagani fall in love with any of those alluring actresses? The thought put her in a bad humor, so she scarcely heard the praises that Doña Victorina was heaping upon her own favorite.


Juanito was playing his part well: he shook his head at times in sign of disapproval, and then there could be heard coughs and murmurs in some parts, at other times he smiled in approbation, and a second later applause resounded. Doña Victorina was charmed, even conceiving some vague ideas of marrying the young man the day Don Tiburcio should die—Juanito knew French and De Espadaña didn't! Then she began to flatter him, nor did he perceive the change in the drift of her talk, so occupied was he in watching a Catalan merchant who was sitting next to the Swiss consul. Having observed that they were conversing in French, Juanito was getting his inspiration from their countenances, and thus grandly giving the cue to those about him.


Scene followed scene, character succeeded character, comic and ridiculous like the bailiff and Grenicheux, imposing and winsome like the marquis and Germaine. The audience laughed heartily at the slap delivered by Gaspard and intended for the coward Grenicheux, which was received by the grave bailiff, whose wig went flying through the air, producing disorder and confusion as the curtain dropped.


"Where's the cancan?" inquired Tadeo.


But the curtain rose again immediately, revealing a scene in a servant market, with three posts on which were affixed signs bearing the announcements: servantes, cochers, and domestiques. Juanito, to improve the opportunity, turned to Doña Victorina and said in a loud voice, so that Paulita might hear and be convinced of his learning:


"And in what way do the servantes differ from the domestiques?" asked Paulita.


Juanito was not found wanting. "Domestiques are those that are domesticated—haven't you noticed that some of them have the air of savages? Those are the servantes."


"That's right," added Doña Victorina, "some have very bad manners—and yet I thought that in Europe everybody was cultivated. But as it happens in France,—well, I see!"


But what was Juanito's predicament when the time came for the opening of the market and the beginning of the sale, and the servants who were to be hired placed themselves beside the signs that indicated their class! The men, some ten or twelve rough characters in livery, carrying branches in their hands, took their place under the sign domestiques!


"Those are the domestics," explained Juanito.


"Really, they have the appearance of being only recently domesticated," observed Doña Victorina. "Now let's have a look at the savages."


Then the dozen girls headed by the lively and merry Serpolette, decked out in their best clothes, each wearing a big bouquet of flowers at the waist, laughing, smiling, fresh and attractive, placed themselves, to Juanito's great desperation, beside the post of the servantes.


"How's this?" asked Paulita guilelessly. "Are those the savages that you spoke of?"


"No," replied the imperturbable Juanito, "there's a mistake—they've got their places mixed—those coming behind—"


"Those with the whips?"


Juanito nodded assent, but he was rather perplexed and uneasy.


"So those girls are the cochers?"


Here Juanito was attacked by such a violent fit of coughing that some of the spectators became annoyed.


"Put him out! Put the consumptive out!" called a voice.


Consumptive! To be called a consumptive before Paulita! Juanito wanted to find the blackguard and make him swallow that "consumptive." Observing that the women were trying to hold him back, his bravado increased, and he became more conspicuously ferocious. But fortunately it was Don Custodio who had made the diagnosis, and he, fearful of attracting attention to himself, pretended to hear nothing, apparently busy with his criticism of the play.


"If it weren't that I am with you," remarked Juanito, rolling his eyes like some dolls that are moved by clockwork, and to make the resemblance more real he stuck out his tongue occasionally.


Thus that night he acquired in Doña Victorina's eyes the reputation of being brave and punctilious, so she decided in her heart that she would marry him just as soon as Don Tiburcio was out of the way. Paulita became sadder and sadder in thinking about how the girls called cochers could occupy Isagani's attention, for the name had certain disagreeable associations that came from the slang of her convent school-days.


At length the first act was concluded, the marquis taking away as servants Serpolette and Germaine, the representative of timid beauty in the troupe, and for coachman the stupid Grenicheux. A burst of applause brought them out again holding hands, those who five seconds before had been tormenting one another and were about to come to blows, bowing and smiling here and there to the gallant Manila public and exchanging knowing looks with various spectators.


While there prevailed the passing tumult occasioned by those who crowded one another to get into the greenroom and felicitate the actresses and by those who were going to make calls on the ladies in the boxes, some expressed their opinions of the play and the players.


"Undoubtedly, Serpolette is the best," said one with a knowing air.


"I prefer Germaine, she's an ideal blonde."


"But she hasn't any voice."


"What do I care about the voice?"


"Well, for shape, the tall one."


"Pshaw," said Ben-Zayb, "not a one is worth a straw, not a one is an artist!"


Ben-Zayb was the critic for El Grito de la Integridad, and his disdainful air gave him great importance in the eyes of those who were satisfied with so little.


"Serpolette hasn't any voice, nor Germaine grace, nor is that music, nor is it art, nor is it anything!" he concluded with marked contempt. To set oneself up as a great critic there is nothing like appearing to be discontented with everything. Besides, the management had sent only two seats for the newspaper staff.


In the boxes curiosity was aroused as to who could be the possessor of the empty one, for that person, would surpass every one in chic, since he would be the last to arrive. The rumor started somewhere that it belonged to Simoun, and was confirmed: no one had seen the jeweler in the reserved seats, the greenroom, or anywhere else.


"Yet I saw him this afternoon with Mr. Jouay," some one said. "He presented a necklace to one of the actresses."


"To which one?" asked some of the inquisitive ladies.


"To the finest of all, the one who made eyes at his Excellency."


This information was received with looks of intelligence, winks, exclamations of doubt, of confirmation, and half-uttered commentaries.


"He's trying to play the Monte Cristo," remarked a lady who prided herself on being literary.


"Or purveyor to the Palace!" added her escort, jealous of Simoun.


In the students' box, Pecson, Sandoval, and Isagani had remained, while Tadeo had gone to engage Don Custodio in conversation about his projects, and Makaraig to hold an interview with Pepay.


"In no way, as I have observed to you before, friend Isagani," declared Sandoval with violent gestures and a sonorous voice, so that the ladies near the box, the daughters of the rich man who was in debt to Tadeo, might hear him, "in no way does the French language possess the rich sonorousness or the varied and elegant cadence of the Castilian tongue. I cannot conceive, I cannot imagine, I cannot form any idea of French orators, and I doubt that they have ever had any or can have any now in the strict construction of the term orator, because we must not confuse the name orator with the words babbler and charlatan, for these can exist in any country, in all the regions of the inhabited world, among the cold and curt Englishmen as among the lively and impressionable Frenchmen."


Thus he delivered a magnificent review of the nations, with his poetical characterizations and most resounding epithets. Isagani nodded assent, with his thoughts fixed on Paulita, whom he had surprised gazing at him with an expressive look which contained a wealth of meaning. He tried to divine what those eyes were expressing—those eyes that were so eloquent and not at all deceptive.


"Now you who are a poet, a slave to rhyme and meter, a son of the Muses," continued Sandoval, with an elegant wave of his hand, as though he were saluting, on the horizon, the Nine Sisters, "do you comprehend, can you conceive, how a language so harsh and unmusical as French can give birth to poets of such gigantic stature as our Garcilasos, our Herreras, our Esproncedas, our Calderons?"


"Nevertheless," objected Pecson, "Victor Hugo—"


"Victor Hugo, my friend Pecson, if Victor Hugo is a poet, it is because he owes it to Spain, because it is an established fact, it is a matter beyond all doubt, a thing admitted even by the Frenchmen themselves, so envious of Spain, that if Victor Hugo has genius, if he really is a poet, it is because his childhood was spent in Madrid; there he drank in his first impressions, there his brain was molded, there his imagination was colored, his heart modeled, and the most beautiful concepts of his mind born. And after all, who is Victor Hugo? Is he to be compared at all with our modern—"


This peroration was cut short by the return of Makaraig with a despondent air and a bitter smile on his lips, carrying in his hand a note, which he offered silently to Sandoval, who read:


"MY DOVE: Your letter has reached me late, for I have already handed in my decision, and it has been approved. However, as if I had guessed your wish, I have decided the matter according to the desires of your protégés. I'll be at the theater and wait for you after the performance.


"Your duckling,


"How tender the man is!" exclaimed Tadeo with emotion.


"Well?" said Sandoval. "I don't see anything wrong about this—quite the reverse!"


"Yes," rejoined Makaraig with his bitter smile, "decided favorably! I've just seen Padre Irene."


"What does Padre Irene say?" inquired Pecson.


"The same as Don Custodio, and the rascal still had the audacity to congratulate me. The Commission, which has taken as its own the decision of the arbiter, approves the idea and felicitates the students on their patriotism and their thirst for knowledge—"


"Only that, considering our duties—in short, it says that in order that the idea may not be lost, it concludes that the direction and execution of the plan should be placed in charge of one of the religious corporations, in case the Dominicans do not wish to incorporate the academy with the University."


Exclamations of disappointment greeted the announcement. Isagani rose, but said nothing.


"And in order that we may participate in the management of the academy," Makaraig went on, "we are intrusted with the collection of contributions and dues, with the obligation of turning them over to the treasurer whom the corporation may designate, which treasurer will issue us receipts."


"Then we're tax-collectors!" remarked Tadeo.


"Sandoval," said Pecson, "there's the gauntlet—take it up!"


"Huh! That's not a gauntlet—from its odor it seems more like a sock."


"The funniest, part of it," Makaraig added, "is that Padre Irene has advised us to celebrate the event with a banquet or a torchlight procession—a public demonstration of the students en masse to render thanks to all the persons who have intervened in the affair."


"Yes, after the blow, let's sing and give thanks. Super flumina Babylonis sedimus!"


"Yes, a banquet like that of the convicts," said Tadeo.


"A banquet at which we all wear mourning and deliver funeral orations," added Sandoval.


"A serenade with the Marseillaise and funeral marches," proposed Isagani.


"No, gentlemen," observed Pecson with his clownish grin, "to celebrate the event there's nothing like a banquet in a pansitería, served by the Chinamen without camisas. I insist, without camisas!"


The sarcasm and grotesqueness of this idea won it ready acceptance, Sandoval being the first to applaud it, for he had long wished to see the interior of one of those establishments which at night appeared to be so merry and cheerful.


Just as the orchestra struck up for the second act, the young men arose and left the theater, to the scandal of the whole house.


Simoun had not, in fact, gone to the theater. Already, at seven o'clock in the evening, he had left his house looking worried and gloomy. His servants saw him return twice, accompanied by different individuals, and at eight o'clock Makaraig encountered him pacing along Calle Hospital near the nunnery of St. Clara, just when the bells of its church were ringing a funeral knell. At nine Camaroncocido saw him again, in the neighborhood of the theater, speak with a person who seemed to be a student, pay the latter's admission to the show, and again disappear among the shadows of the trees.


"What is it to me?" again muttered Camaroncocido. "What do I get out of watching over the populace?"


Basilio, as Makaraig said, had not gone to the show. The poor student, after returning from San Diego, whither he had gone to ransom Juli, his future bride, from her servitude, had turned again to his studies, spending his time in the hospital, in studying, or in nursing Capitan Tiago, whose affliction he was trying to cure.


The invalid had become an intolerable character. During his bad spells, when he felt depressed from lack of opium, the doses of which Basilio was trying to reduce, he would scold, mistreat, and abuse the boy, who bore it resignedly, conscious that he was doing good to one to whom he owed so much, and yielded only in the last extremity. His vicious appetite satisfied, Capitan Tiago would fall into a good humor, become tender, and call him his son, tearfully recalling the youth's services, how well he administered the estates, and would even talk of making him his heir. Basilio would smile bitterly and reflect that in this world complaisance with vice is rewarded better than fulfilment of duty. Not a few times did he feel tempted to give free rein to the craving and conduct his benefactor to the grave by a path of flowers and smiling illusions rather than lengthen his life along a road of sacrifice.


"What a fool I am!" he often said to himself. "People are stupid and then pay for it."


But he would shake his head as he thought of Juli, of the wide future before him. He counted upon living without a stain on his conscience, so he continued the treatment prescribed, and bore everything patiently.


Yet with all his care the sick man, except for short periods of improvement, grew worse. Basilio had planned gradually to reduce the amount of the dose, or at least not to let him injure himself by increasing it, but on returning from the hospital or some visit he would find his patient in the heavy slumber produced by the opium, driveling, pale as a corpse. The young man could not explain whence the drug came: the only two persons who visited the house were Simoun and Padre Irene, the former rarely, while the latter never ceased exhorting him to be severe and inexorable with the treatment, to take no notice of the invalid's ravings, for the main object was to save him.


"Do your duty, young man," was Padre Irene's constant admonition. "Do your duty." Then he would deliver a sermon on this topic with such great conviction and enthusiasm that Basilio would begin to feel kindly toward the preacher. Besides, Padre Irene promised to get him a fine assignment, a good province, and even hinted at the possibility of having him appointed a professor. Without being carried away by illusions, Basilio pretended to believe in them and went on obeying the dictates of his own conscience.