The prisoner shook his head with a capable air, like a man who has thoroughly understood, and who knows what answer he is going to make. He opened his mouth, turned towards the President, and said:—


"In the first place—"


Then he stared at his cap, stared at the ceiling, and held his peace.


"Prisoner," said the district-attorney, in a severe voice; "pay attention. You are not answering anything that has been asked of you. Your embarrassment condemns you. It is evident that your name is not Champmathieu; that you are the convict, Jean Valjean, concealed first under the name of Jean Mathieu, which was the name of his mother; that you went to Auvergne; that you were born at Faverolles, where you were a pruner of trees. It is evident that you have been guilty of entering, and of the theft of ripe apples from the Pierron orchard. The gentlemen of the jury will form their own opinion."


[Illustration: Father Champmathieu on Trial]


The prisoner had finally resumed his seat; he arose abruptly when the district-attorney had finished, and exclaimed:—


"You are very wicked; that you are! This what I wanted to say; I could not find words for it at first. I have stolen nothing. I am a man who does not have something to eat every day. I was coming from Ailly; I was walking through the country after a shower, which had made the whole country yellow: even the ponds were overflowed, and nothing sprang from the sand any more but the little blades of grass at the wayside. I found a broken branch with apples on the ground; I picked up the branch without knowing that it would get me into trouble. I have been in prison, and they have been dragging me about for the last three months; more than that I cannot say; people talk against me, they tell me, 'Answer!' The gendarme, who is a good fellow, nudges my elbow, and says to me in a low voice, 'Come, answer!' I don't know how to explain; I have no education; I am a poor man; that is where they wrong me, because they do not see this. I have not stolen; I picked up from the ground things that were lying there. You say, Jean Valjean, Jean Mathieu! I don't know those persons; they are villagers. I worked for M. Baloup, Boulevard de l'Hôpital; my name is Champmathieu. You are very clever to tell me where I was born; I don't know myself: it's not everybody who has a house in which to come into the world; that would be too convenient. I think that my father and mother were people who strolled along the highways; I know nothing different. When I was a child, they called me young fellow; now they call me old Fellow; those are my baptismal names; take that as you like. I have been in Auvergne; I have been at Faverolles. Pardi. Well! can't a man have been in Auvergne, or at Faverolles, without having been in the galleys? I tell you that I have not stolen, and that I am Father Champmathieu; I have been with M. Baloup; I have had a settled residence. You worry me with your nonsense, there! Why is everybody pursuing me so furiously?"


The district-attorney had remained standing; he addressed the President:—


"Monsieur le Président, in view of the confused but exceedingly clever denials of the prisoner, who would like to pass himself off as an idiot, but who will not succeed in so doing,—we shall attend to that,—we demand that it shall please you and that it shall please the court to summon once more into this place the convicts Brevet, Cochepaille, and Chenildieu, and Police-Inspector Javert, and question them for the last time as to the identity of the prisoner with the convict Jean Valjean."


"I would remind the district-attorney," said the President, "that Police-Inspector Javert, recalled by his duties to the capital of a neighboring arrondissement, left the court-room and the town as soon as he had made his deposition; we have accorded him permission, with the consent of the district-attorney and of the counsel for the prisoner."


"That is true, Mr. President," responded the district-attorney. "In the absence of sieur Javert, I think it my duty to remind the gentlemen of the jury of what he said here a few hours ago. Javert is an estimable man, who does honor by his rigorous and strict probity to inferior but important functions. These are the terms of his deposition: 'I do not even stand in need of circumstantial proofs and moral presumptions to give the lie to the prisoner's denial. I recognize him perfectly. The name of this man is not Champmathieu; he is an ex-convict named Jean Valjean, and is very vicious and much to be feared. It is only with extreme regret that he was released at the expiration of his term. He underwent nineteen years of penal servitude for theft. He made five or six attempts to escape. Besides the theft from Little Gervais, and from the Pierron orchard, I suspect him of a theft committed in the house of His Grace the late Bishop of D—— I often saw him at the time when I was adjutant of the galley-guard at the prison in Toulon. I repeat that I recognize him perfectly.'"


This extremely precise statement appeared to produce a vivid impression on the public and on the jury. The district-attorney concluded by insisting, that in default of Javert, the three witnesses Brevet, Chenildieu, and Cochepaille should be heard once more and solemnly interrogated.


The President transmitted the order to an usher, and, a moment later, the door of the witnesses' room opened. The usher, accompanied by a gendarme ready to lend him armed assistance, introduced the convict Brevet. The audience was in suspense; and all breasts heaved as though they had contained but one soul.


The ex-convict Brevet wore the black and gray waistcoat of the central prisons. Brevet was a person sixty years of age, who had a sort of business man's face, and the air of a rascal. The two sometimes go together. In prison, whither fresh misdeeds had led him, he had become something in the nature of a turnkey. He was a man of whom his superiors said, "He tries to make himself of use." The chaplains bore good testimony as to his religious habits. It must not be forgotten that this passed under the Restoration.


"Brevet," said the President, "you have undergone an ignominious sentence, and you cannot take an oath."


"Nevertheless," continued the President, "even in the man whom the law has degraded, there may remain, when the divine mercy permits it, a sentiment of honor and of equity. It is to this sentiment that I appeal at this decisive hour. If it still exists in you,—and I hope it does,—reflect before replying to me: consider on the one hand, this man, whom a word from you may ruin; on the other hand, justice, which a word from you may enlighten. The instant is solemn; there is still time to retract if you think you have been mistaken. Rise, prisoner. Brevet, take a good look at the accused, recall your souvenirs, and tell us on your soul and conscience, if you persist in recognizing this man as your former companion in the galleys, Jean Valjean?"


Brevet looked at the prisoner, then turned towards the court.


"Yes, Mr. President, I was the first to recognize him, and I stick to it; that man is Jean Valjean, who entered at Toulon in 1796, and left in 1815. I left a year later. He has the air of a brute now; but it must be because age has brutalized him; he was sly at the galleys: I recognize him positively."


"Take your seat," said the President. "Prisoner, remain standing."


Chenildieu was brought in, a prisoner for life, as was indicated by his red cassock and his green cap. He was serving out his sentence at the galleys of Toulon, whence he had been brought for this case. He was a small man of about fifty, brisk, wrinkled, frail, yellow, brazen-faced, feverish, who had a sort of sickly feebleness about all his limbs and his whole person, and an immense force in his glance. His companions in the galleys had nicknamed him I-deny-God (Je-nie Dieu, Chenildieu).


The President addressed him in nearly the same words which he had used to Brevet. At the moment when he reminded him of his infamy which deprived him of the right to take an oath, Chenildieu raised his head and looked the crowd in the face. The President invited him to reflection, and asked him as he had asked Brevet, if he persisted in recognition of the prisoner.


Chenildieu burst out laughing.


"Pardieu, as if I didn't recognize him! We were attached to the same chain for five years. So you are sulking, old fellow?"


"Go take your seat," said the President.


The usher brought in Cochepaille. He was another convict for life, who had come from the galleys, and was dressed in red, like Chenildieu, was a peasant from Lourdes, and a half-bear of the Pyrenees. He had guarded the flocks among the mountains, and from a shepherd he had slipped into a brigand. Cochepaille was no less savage and seemed even more stupid than the prisoner. He was one of those wretched men whom nature has sketched out for wild beasts, and on whom society puts the finishing touches as convicts in the galleys.


The President tried to touch him with some grave and pathetic words, and asked him, as he had asked the other two, if he persisted, without hesitation or trouble, in recognizing the man who was standing before him.


"He is Jean Valjean," said Cochepaille. "He was even called Jean-the-Screw, because he was so strong."


Each of these affirmations from these three men, evidently sincere and in good faith, had raised in the audience a murmur of bad augury for the prisoner,—a murmur which increased and lasted longer each time that a fresh declaration was added to the proceeding.


The prisoner had listened to them, with that astounded face which was, according to the accusation, his principal means of defence; at the first, the gendarmes, his neighbors, had heard him mutter between his teeth: "Ah, well, he's a nice one!" after the second, he said, a little louder, with an air that was almost that of satisfaction, "Good!" at the third, he cried, "Famous!"


The President addressed him:—


"Have you heard, prisoner? What have you to say?"


An uproar broke out among the audience, and was communicated to the jury; it was evident that the man was lost.


"Ushers," said the President, "enforce silence! I am going to sum up the arguments."


At that moment there was a movement just beside the President; a voice was heard crying:—


All who heard that voice were chilled, so lamentable and terrible was it; all eyes were turned to the point whence it had proceeded. A man, placed among the privileged spectators who were seated behind the court, had just risen, had pushed open the half-door which separated the tribunal from the audience, and was standing in the middle of the hall; the President, the district-attorney, M. Bamatabois, twenty persons, recognized him, and exclaimed in concert:—


It was he, in fact. The clerk's lamp illumined his countenance. He held his hat in his hand; there was no disorder in his clothing; his coat was carefully buttoned; he was very pale, and he trembled slightly; his hair, which had still been gray on his arrival in Arras, was now entirely white: it had turned white during the hour he had sat there.


All heads were raised: the sensation was indescribable; there was a momentary hesitation in the audience, the voice had been so heart-rending; the man who stood there appeared so calm that they did not understand at first. They asked themselves whether he had indeed uttered that cry; they could not believe that that tranquil man had been the one to give that terrible outcry.


This indecision only lasted a few seconds. Even before the President and the district-attorney could utter a word, before the ushers and the gendarmes could make a gesture, the man whom all still called, at that moment, M. Madeleine, had advanced towards the witnesses Cochepaille, Brevet, and Chenildieu.


"Do you not recognize me?" said he.


All three remained speechless, and indicated by a sign of the head that they did not know him. Cochepaille, who was intimidated, made a military salute. M. Madeleine turned towards the jury and the court, and said in a gentle voice:—


"Gentlemen of the jury, order the prisoner to be released! Mr. President, have me arrested. He is not the man whom you are in search of; it is I: I am Jean Valjean."


Not a mouth breathed; the first commotion of astonishment had been followed by a silence like that of the grave; those within the hall experienced that sort of religious terror which seizes the masses when something grand has been done.


In the meantime, the face of the President was stamped with sympathy and sadness; he had exchanged a rapid sign with the district-attorney and a few low-toned words with the assistant judges; he addressed the public, and asked in accents which all understood:—


"Is there a physician present?"


The district-attorney took the word:—


"Gentlemen of the jury, the very strange and unexpected incident which disturbs the audience inspires us, like yourselves, only with a sentiment which it is unnecessary for us to express. You all know, by reputation at least, the honorable M. Madeleine, mayor of M. sur M.; if there is a physician in the audience, we join the President in requesting him to attend to M. Madeleine, and to conduct him to his home."


M. Madeleine did not allow the district-attorney to finish; he interrupted him in accents full of suavity and authority. These are the words which he uttered; here they are literally, as they were written down, immediately after the trial by one of the witnesses to this scene, and as they now ring in the ears of those who heard them nearly forty years ago:—


"I thank you, Mr. District-Attorney, but I am not mad; you shall see; you were on the point of committing a great error; release this man! I am fulfilling a duty; I am that miserable criminal. I am the only one here who sees the matter clearly, and I am telling you the truth. God, who is on high, looks down on what I am doing at this moment, and that suffices. You can take me, for here I am: but I have done my best; I concealed myself under another name; I have become rich; I have become a mayor; I have tried to re-enter the ranks of the honest. It seems that that is not to be done. In short, there are many things which I cannot tell. I will not narrate the story of my life to you; you will hear it one of these days. I robbed Monseigneur the Bishop, it is true; it is true that I robbed Little Gervais; they were right in telling you that Jean Valjean was a very vicious wretch. Perhaps it was not altogether his fault. Listen, honorable judges! a man who has been so greatly humbled as I have has neither any remonstrances to make to Providence, nor any advice to give to society; but, you see, the infamy from which I have tried to escape is an injurious thing; the galleys make the convict what he is; reflect upon that, if you please. Before going to the galleys, I was a poor peasant, with very little intelligence, a sort of idiot; the galleys wrought a change in me. I was stupid; I became vicious: I was a block of wood; I became a firebrand. Later on, indulgence and kindness saved me, as severity had ruined me. But, pardon me, you cannot understand what I am saying. You will find at my house, among the ashes in the fireplace, the forty-sou piece which I stole, seven years ago, from Little Gervais. I have nothing farther to add; take me. Good God! the district-attorney shakes his head; you say, 'M. Madeleine has gone mad!' you do not believe me! that is distressing. Do not, at least, condemn this man! What! these men do not recognize me! I wish Javert were here; he would recognize me."


Nothing can reproduce the sombre and kindly melancholy of tone which accompanied these words.


He turned to the three convicts, and said:—


"Well, I recognize you; do you remember, Brevet?"


He paused, hesitated for an instant, and said:—


"Do you remember the knitted suspenders with a checked pattern which you wore in the galleys?"


Brevet gave a start of surprise, and surveyed him from head to foot with a frightened air. He continued:—


"Chenildieu, you who conferred on yourself the name of 'Jenie-Dieu,' your whole right shoulder bears a deep burn, because you one day laid your shoulder against the chafing-dish full of coals, in order to efface the three letters T. F. P., which are still visible, nevertheless; answer, is this true?"


"It is true," said Chenildieu.


He addressed himself to Cochepaille:—


"Cochepaille, you have, near the bend in your left arm, a date stamped in blue letters with burnt powder; the date is that of the landing of the Emperor at Cannes, March 1, 1815; pull up your sleeve!"


Cochepaille pushed up his sleeve; all eyes were focused on him and on his bare arm.


A gendarme held a light close to it; there was the date.


The unhappy man turned to the spectators and the judges with a smile which still rends the hearts of all who saw it whenever they think of it. It was a smile of triumph; it was also a smile of despair.


"You see plainly," he said, "that I am Jean Valjean."


In that chamber there were no longer either judges, accusers, nor gendarmes; there was nothing but staring eyes and sympathizing hearts. No one recalled any longer the part that each might be called upon to play; the district-attorney forgot he was there for the purpose of prosecuting, the President that he was there to preside, the counsel for the defence that he was there to defend. It was a striking circumstance that no question was put, that no authority intervened. The peculiarity of sublime spectacles is, that they capture all souls and turn witnesses into spectators. No one, probably, could have explained what he felt; no one, probably, said to himself that he was witnessing the splendid outburst of a grand light: all felt themselves inwardly dazzled.


It was evident that they had Jean Valjean before their eyes. That was clear. The appearance of this man had sufficed to suffuse with light that matter which had been so obscure but a moment previously, without any further explanation: the whole crowd, as by a sort of electric revelation, understood instantly and at a single glance the simple and magnificent history of a man who was delivering himself up so that another man might not be condemned in his stead. The details, the hesitations, little possible oppositions, were swallowed up in that vast and luminous fact.


It was an impression which vanished speedily, but which was irresistible at the moment.


"I do not wish to disturb the court further," resumed Jean Valjean. "I shall withdraw, since you do not arrest me. I have many things to do. The district-attorney knows who I am; he knows whither I am going; he can have me arrested when he likes."


He directed his steps towards the door. Not a voice was raised, not an arm extended to hinder him. All stood aside. At that moment there was about him that divine something which causes multitudes to stand aside and make way for a man. He traversed the crowd slowly. It was never known who opened the door, but it is certain that he found the door open when he reached it. On arriving there he turned round and said:—


"I am at your command, Mr. District-Attorney."


Then he addressed the audience:—


"All of you, all who are present—consider me worthy of pity, do you not? Good God! When I think of what I was on the point of doing, I consider that I am to be envied. Nevertheless, I should have preferred not to have had this occur."


He withdrew, and the door closed behind him as it had opened, for those who do certain sovereign things are always sure of being served by some one in the crowd.


Less than an hour after this, the verdict of the jury freed the said Champmathieu from all accusations; and Champmathieu, being at once released, went off in a state of stupefaction, thinking that all men were fools, and comprehending nothing of this vision.


The day had begun to dawn. Fantine had passed a sleepless and feverish night, filled with happy visions; at daybreak she fell asleep. Sister Simplice, who had been watching with her, availed herself of this slumber to go and prepare a new potion of chinchona. The worthy sister had been in the laboratory of the infirmary but a few moments, bending over her drugs and phials, and scrutinizing things very closely, on account of the dimness which the half-light of dawn spreads over all objects. Suddenly she raised her head and uttered a faint shriek. M. Madeleine stood before her; he had just entered silently.


"Is it you, Mr. Mayor?" she exclaimed.


He replied in a low voice:—


"How is that poor woman?"


"Not so bad just now; but we have been very uneasy."


She explained to him what had passed: that Fantine had been very ill the day before, and that she was better now, because she thought that the mayor had gone to Montfermeil to get her child. The sister dared not question the mayor; but she perceived plainly from his air that he had not come from there.


"All that is good," said he; "you were right not to undeceive her."


"Yes," responded the sister; "but now, Mr. Mayor, she will see you and will not see her child. What shall we say to her?"


He reflected for a moment.


"God will inspire us," said he.


"But we cannot tell a lie," murmured the sister, half aloud.


It was broad daylight in the room. The light fell full on M. Madeleine's face. The sister chanced to raise her eyes to it.


"Good God, sir!" she exclaimed; "what has happened to you? Your hair is perfectly white!"


"White!" said he.


Sister Simplice had no mirror. She rummaged in a drawer, and pulled out the little glass which the doctor of the infirmary used to see whether a patient was dead and whether he no longer breathed. M. Madeleine took the mirror, looked at his hair, and said:—


He uttered the word indifferently, and as though his mind were on something else.


The sister felt chilled by something strange of which she caught a glimpse in all this.


"Can I see her?"


"Is not Monsieur le Maire going to have her child brought back to her?" said the sister, hardly venturing to put the question.


"Of course; but it will take two or three days at least."


"If she were not to see Monsieur le Maire until that time," went on the sister, timidly, "she would not know that Monsieur le Maire had returned, and it would be easy to inspire her with patience; and when the child arrived, she would naturally think Monsieur le Maire had just come with the child. We should not have to enact a lie."


M. Madeleine seemed to reflect for a few moments; then he said with his calm gravity:—


"No, sister, I must see her. I may, perhaps, be in haste."


The nun did not appear to notice this word "perhaps," which communicated an obscure and singular sense to the words of the mayor's speech. She replied, lowering her eyes and her voice respectfully:—


"In that case, she is asleep; but Monsieur le Maire may enter."


He made some remarks about a door which shut badly, and the noise of which might awaken the sick woman; then he entered Fantine's chamber, approached the bed and drew aside the curtains. She was asleep. Her breath issued from her breast with that tragic sound which is peculiar to those maladies, and which breaks the hearts of mothers when they are watching through the night beside their sleeping child who is condemned to death. But this painful respiration hardly troubled a sort of ineffable serenity which overspread her countenance, and which transfigured her in her sleep. Her pallor had become whiteness; her cheeks were crimson; her long golden lashes, the only beauty of her youth and her virginity which remained to her, palpitated, though they remained closed and drooping. Her whole person was trembling with an indescribable unfolding of wings, all ready to open wide and bear her away, which could be felt as they rustled, though they could not be seen. To see her thus, one would never have dreamed that she was an invalid whose life was almost despaired of. She resembled rather something on the point of soaring away than something on the point of dying.


The branch trembles when a hand approaches it to pluck a flower, and seems to both withdraw and to offer itself at one and the same time. The human body has something of this tremor when the instant arrives in which the mysterious fingers of Death are about to pluck the soul.


M. Madeleine remained for some time motionless beside that bed, gazing in turn upon the sick woman and the crucifix, as he had done two months before, on the day when he had come for the first time to see her in that asylum. They were both still there in the same attitude—she sleeping, he praying; only now, after the lapse of two months, her hair was gray and his was white.


The sister had not entered with him. He stood beside the bed, with his finger on his lips, as though there were some one in the chamber whom he must enjoin to silence.


She opened her eyes, saw him, and said quietly, with a smile:—


She made no movement of either surprise or of joy; she was joy itself. That simple question, "And Cosette?" was put with so profound a faith, with so much certainty, with such a complete absence of disquiet and of doubt, that he found not a word of reply. She continued:—


"I knew that you were there. I was asleep, but I saw you. I have seen you for a long, long time. I have been following you with my eyes all night long. You were in a glory, and you had around you all sorts of celestial forms."


He raised his glance to the crucifix.


"But," she resumed, "tell me where Cosette is. Why did not you place her on my bed against the moment of my waking?"


He made some mechanical reply which he was never afterwards able to recall.


Fortunately, the doctor had been warned, and he now made his appearance. He came to the aid of M. Madeleine.


"Calm yourself, my child," said the doctor; "your child is here."


Fantine's eyes beamed and filled her whole face with light. She clasped her hands with an expression which contained all that is possible to prayer in the way of violence and tenderness.


"Oh!" she exclaimed, "bring her to me!"


Touching illusion of a mother! Cosette was, for her, still the little child who is carried.


"Not yet," said the doctor, "not just now. You still have some fever. The sight of your child would agitate you and do you harm. You must be cured first."


She interrupted him impetuously:—


"But I am cured! Oh, I tell you that I am cured! What an ass that doctor is! The idea! I want to see my child!"


"You see," said the doctor, "how excited you become. So long as you are in this state I shall oppose your having your child. It is not enough to see her; it is necessary that you should live for her. When you are reasonable, I will bring her to you myself."


The poor mother bowed her head.


"I beg your pardon, doctor, I really beg your pardon. Formerly I should never have spoken as I have just done; so many misfortunes have happened to me, that I sometimes do not know what I am saying. I understand you; you fear the emotion. I will wait as long as you like, but I swear to you that it would not have harmed me to see my daughter. I have been seeing her; I have not taken my eyes from her since yesterday evening. Do you know? If she were brought to me now, I should talk to her very gently. That is all. Is it not quite natural that I should desire to see my daughter, who has been brought to me expressly from Montfermeil? I am not angry. I know well that I am about to be happy. All night long I have seen white things, and persons who smiled at me. When Monsieur le Docteur pleases, he shall bring me Cosette. I have no longer any fever; I am well. I am perfectly conscious that there is nothing the matter with me any more; but I am going to behave as though I were ill, and not stir, to please these ladies here. When it is seen that I am very calm, they will say, 'She must have her child.'"


M. Madeleine was sitting on a chair beside the bed. She turned towards him; she was making a visible effort to be calm and "very good," as she expressed it in the feebleness of illness which resembles infancy, in order that, seeing her so peaceable, they might make no difficulty about bringing Cosette to her. But while she controlled herself she could not refrain from questioning M. Madeleine.


"Did you have a pleasant trip, Monsieur le Maire? Oh! how good you were to go and get her for me! Only tell me how she is. Did she stand the journey well? Alas! she will not recognize me. She must have forgotten me by this time, poor darling! Children have no memories. They are like birds. A child sees one thing to-day and another thing to-morrow, and thinks of nothing any longer. And did she have white linen? Did those Thénardiers keep her clean? How have they fed her? Oh! if you only knew how I have suffered, putting such questions as that to myself during all the time of my wretchedness. Now, it is all past. I am happy. Oh, how I should like to see her! Do you think her pretty, Monsieur le Maire? Is not my daughter beautiful? You must have been very cold in that diligence! Could she not be brought for just one little instant? She might be taken away directly afterwards. Tell me; you are the master; it could be so if you chose!"


He took her hand. "Cosette is beautiful," he said, "Cosette is well. You shall see her soon; but calm yourself; you are talking with too much vivacity, and you are throwing your arms out from under the clothes, and that makes you cough."


In fact, fits of coughing interrupted Fantine at nearly every word.


Fantine did not murmur; she feared that she had injured by her too passionate lamentations the confidence which she was desirous of inspiring, and she began to talk of indifferent things.


"Montfermeil is quite pretty, is it not? People go there on pleasure parties in summer. Are the Thénardiers prosperous? There are not many travellers in their parts. That inn of theirs is a sort of a cook-shop."


M. Madeleine was still holding her hand, and gazing at her with anxiety; it was evident that he had come to tell her things before which his mind now hesitated. The doctor, having finished his visit, retired. Sister Simplice remained alone with them.


But in the midst of this pause Fantine exclaimed:—


"I hear her! mon Dieu, I hear her!"


She stretched out her arm to enjoin silence about her, held her breath, and began to listen with rapture.


There was a child playing in the yard—the child of the portress or of some work-woman. It was one of those accidents which are always occurring, and which seem to form a part of the mysterious stage-setting of mournful scenes. The child—a little girl—was going and coming, running to warm herself, laughing, singing at the top of her voice. Alas! in what are the plays of children not intermingled. It was this little girl whom Fantine heard singing.


"Oh!" she resumed, "it is my Cosette! I recognize her voice."


The child retreated as it had come; the voice died away. Fantine listened for a while longer, then her face clouded over, and M. Madeleine heard her say, in a low voice: "How wicked that doctor is not to allow me to see my daughter! That man has an evil countenance, that he has."


But the smiling background of her thoughts came to the front again. She continued to talk to herself, with her head resting on the pillow: "How happy we are going to be! We shall have a little garden the very first thing; M. Madeleine has promised it to me. My daughter will play in the garden. She must know her letters by this time. I will make her spell. She will run over the grass after butterflies. I will watch her. Then she will take her first communion. Ah! when will she take her first communion?"


She began to reckon on her fingers.


"One, two, three, four—she is seven years old. In five years she will have a white veil, and openwork stockings; she will look like a little woman. O my good sister, you do not know how foolish I become when I think of my daughter's first communion!"


She began to laugh.


He had released Fantine's hand. He listened to her words as one listens to the sighing of the breeze, with his eyes on the ground, his mind absorbed in reflection which had no bottom. All at once she ceased speaking, and this caused him to raise his head mechanically. Fantine had become terrible.


She no longer spoke, she no longer breathed; she had raised herself to a sitting posture, her thin shoulder emerged from her chemise; her face, which had been radiant but a moment before, was ghastly, and she seemed to have fixed her eyes, rendered large with terror, on something alarming at the other extremity of the room.


"Good God!" he exclaimed; "what ails you, Fantine?"


She made no reply; she did not remove her eyes from the object which she seemed to see. She removed one hand from his arm, and with the other made him a sign to look behind him.


He turned, and beheld Javert.


This is what had taken place.


The half-hour after midnight had just struck when M. Madeleine quitted the Hall of Assizes in Arras. He regained his inn just in time to set out again by the mail-wagon, in which he had engaged his place. A little before six o'clock in the morning he had arrived at M. sur M., and his first care had been to post a letter to M. Laffitte, then to enter the infirmary and see Fantine.


However, he had hardly quitted the audience hall of the Court of Assizes, when the district-attorney, recovering from his first shock, had taken the word to deplore the mad deed of the honorable mayor of M. sur M., to declare that his convictions had not been in the least modified by that curious incident, which would be explained thereafter, and to demand, in the meantime, the condemnation of that Champmathieu, who was evidently the real Jean Valjean. The district-attorney's persistence was visibly at variance with the sentiments of every one, of the public, of the court, and of the jury. The counsel for the defence had some difficulty in refuting this harangue and in establishing that, in consequence of the revelations of M. Madeleine, that is to say, of the real Jean Valjean, the aspect of the matter had been thoroughly altered, and that the jury had before their eyes now only an innocent man. Thence the lawyer had drawn some epiphonemas, not very fresh, unfortunately, upon judicial errors, etc., etc.; the President, in his summing up, had joined the counsel for the defence, and in a few minutes the jury had thrown Champmathieu out of the case.


Nevertheless, the district-attorney was bent on having a Jean Valjean; and as he had no longer Champmathieu, he took Madeleine.


Immediately after Champmathieu had been set at liberty, the district-attorney shut himself up with the President. They conferred "as to the necessity of seizing the person of M. le Maire of M. sur M." This phrase, in which there was a great deal of of, is the district-attorney's, written with his own hand, on the minutes of his report to the attorney-general. His first emotion having passed off, the President did not offer many objections. Justice must, after all, take its course. And then, when all was said, although the President was a kindly and a tolerably intelligent man, he was, at the same time, a devoted and almost an ardent royalist, and he had been shocked to hear the Mayor of M. sur M. say the Emperor, and not Bonaparte, when alluding to the landing at Cannes.


The order for his arrest was accordingly despatched. The district-attorney forwarded it to M. sur M. by a special messenger, at full speed, and entrusted its execution to Police Inspector Javert.


The reader knows that Javert had returned to M. sur M. immediately after having given his deposition.


Javert was just getting out of bed when the messenger handed him the order of arrest and the command to produce the prisoner.


The messenger himself was a very clever member of the police, who, in two words, informed Javert of what had taken place at Arras. The order of arrest, signed by the district-attorney, was couched in these words: "Inspector Javert will apprehend the body of the Sieur Madeleine, mayor of M. sur M., who, in this day's session of the court, was recognized as the liberated convict, Jean Valjean."


Any one who did not know Javert, and who had chanced to see him at the moment when he penetrated the antechamber of the infirmary, could have divined nothing of what had taken place, and would have thought his air the most ordinary in the world. He was cool, calm, grave, his gray hair was perfectly smooth upon his temples, and he had just mounted the stairs with his habitual deliberation. Any one who was thoroughly acquainted with him, and who had examined him attentively at the moment, would have shuddered. The buckle of his leather stock was under his left ear instead of at the nape of his neck. This betrayed unwonted agitation.


Javert was a complete character, who never had a wrinkle in his duty or in his uniform; methodical with malefactors, rigid with the buttons of his coat.


That he should have set the buckle of his stock awry, it was indispensable that there should have taken place in him one of those emotions which may be designated as internal earthquakes.


He had come in a simple way, had made a requisition on the neighboring post for a corporal and four soldiers, had left the soldiers in the courtyard, had had Fantine's room pointed out to him by the portress, who was utterly unsuspicious, accustomed as she was to seeing armed men inquiring for the mayor.


On arriving at Fantine's chamber, Javert turned the handle, pushed the door open with the gentleness of a sick-nurse or a police spy, and entered.


Properly speaking, he did not enter. He stood erect in the half-open door, his hat on his head and his left hand thrust into his coat, which was buttoned up to the chin. In the bend of his elbow the leaden head of his enormous cane, which was hidden behind him, could be seen.


Thus he remained for nearly a minute, without his presence being perceived. All at once Fantine raised her eyes, saw him, and made M. Madeleine turn round.


The instant that Madeleine's glance encountered Javert's glance, Javert, without stirring, without moving from his post, without approaching him, became terrible. No human sentiment can be as terrible as joy.


It was the visage of a demon who has just found his damned soul.


The satisfaction of at last getting hold of Jean Valjean caused all that was in his soul to appear in his countenance. The depths having been stirred up, mounted to the surface. The humiliation of having, in some slight degree, lost the scent, and of having indulged, for a few moments, in an error with regard to Champmathieu, was effaced by pride at having so well and accurately divined in the first place, and of having for so long cherished a just instinct. Javert's content shone forth in his sovereign attitude. The deformity of triumph overspread that narrow brow. All the demonstrations of horror which a satisfied face can afford were there.


Javert was in heaven at that moment. Without putting the thing clearly to himself, but with a confused intuition of the necessity of his presence and of his success, he, Javert, personified justice, light, and truth in their celestial function of crushing out evil. Behind him and around him, at an infinite distance, he had authority, reason, the case judged, the legal conscience, the public prosecution, all the stars; he was protecting order, he was causing the law to yield up its thunders, he was avenging society, he was lending a helping hand to the absolute, he was standing erect in the midst of a glory. There existed in his victory a remnant of defiance and of combat. Erect, haughty, brilliant, he flaunted abroad in open day the superhuman bestiality of a ferocious archangel. The terrible shadow of the action which he was accomplishing caused the vague flash of the social sword to be visible in his clenched fist; happy and indignant, he held his heel upon crime, vice, rebellion, perdition, hell; he was radiant, he exterminated, he smiled, and there was an incontestable grandeur in this monstrous Saint Michael.


Javert, though frightful, had nothing ignoble about him.


Probity, sincerity, candor, conviction, the sense of duty, are things which may become hideous when wrongly directed; but which, even when hideous, remain grand: their majesty, the majesty peculiar to the human conscience, clings to them in the midst of horror; they are virtues which have one vice,—error. The honest, pitiless joy of a fanatic in the full flood of his atrocity preserves a certain lugubriously venerable radiance. Without himself suspecting the fact, Javert in his formidable happiness was to be pitied, as is every ignorant man who triumphs. Nothing could be so poignant and so terrible as this face, wherein was displayed all that may be designated as the evil of the good.


Fantine had not seen Javert since the day on which the mayor had torn her from the man. Her ailing brain comprehended nothing, but the only thing which she did not doubt was that he had come to get her. She could not endure that terrible face; she felt her life quitting her; she hid her face in both hands, and shrieked in her anguish:—


Jean Valjean—we shall henceforth not speak of him otherwise—had risen. He said to Fantine in the gentlest and calmest of voices:—


"Be at ease; it is not for you that he is come."


Then he addressed Javert, and said:—


"I know what you want."


Javert replied:—


There lay in the inflection of voice which accompanied these words something indescribably fierce and frenzied. Javert did not say, "Be quick about it!" he said "Bequiabouit."


No orthography can do justice to the accent with which it was uttered: it was no longer a human word: it was a roar.


He did not proceed according to his custom, he did not enter into the matter, he exhibited no warrant of arrest. In his eyes, Jean Valjean was a sort of mysterious combatant, who was not to be laid hands upon, a wrestler in the dark whom he had had in his grasp for the last five years, without being able to throw him. This arrest was not a beginning, but an end. He confined himself to saying, "Be quick about it!"


As he spoke thus, he did not advance a single step; he hurled at Jean Valjean a glance which he threw out like a grappling-hook, and with which he was accustomed to draw wretches violently to him.


It was this glance which Fantine had felt penetrating to the very marrow of her bones two months previously.


At Javert's exclamation, Fantine opened her eyes once more. But the mayor was there; what had she to fear?


Javert advanced to the middle of the room, and cried:—


"See here now! Art thou coming?"


The unhappy woman glanced about her. No one was present excepting the nun and the mayor. To whom could that abject use of "thou" be addressed? To her only. She shuddered.


Then she beheld a most unprecedented thing, a thing so unprecedented that nothing equal to it had appeared to her even in the blackest deliriums of fever.


She beheld Javert, the police spy, seize the mayor by the collar; she saw the mayor bow his head. It seemed to her that the world was coming to an end.


Javert had, in fact, grasped Jean Valjean by the collar.


Javert burst out laughing with that frightful laugh which displayed all his gums.


"There is no longer any Monsieur le Maire here!"


Jean Valjean made no attempt to disengage the hand which grasped the collar of his coat. He said:—


Javert interrupted him: "Call me Mr. Inspector."


"Monsieur," said Jean Valjean, "I should like to say a word to you in private."


"Aloud! Say it aloud!" replied Javert; "people are in the habit of talking aloud to me."


Jean Valjean went on in a lower tone:—


"I have a request to make of you—"


"I tell you to speak loud."


"But you alone should hear it—"


"What difference does that make to me? I shall not listen."


Jean Valjean turned towards him and said very rapidly and in a very low voice:—


"Grant me three days' grace! three days in which to go and fetch the child of this unhappy woman. I will pay whatever is necessary. You shall accompany me if you choose."


"You are making sport of me!" cried Javert. "Come now, I did not think you such a fool! You ask me to give you three days in which to run away! You say that it is for the purpose of fetching that creature's child! Ah! Ah! That's good! That's really capital!"


Fantine was seized with a fit of trembling.


"My child!" she cried, "to go and fetch my child! She is not here, then! Answer me, sister; where is Cosette? I want my child! Monsieur Madeleine! Monsieur le Maire!"


Javert stamped his foot.


"And now there's the other one! Will you hold your tongue, you hussy? It's a pretty sort of a place where convicts are magistrates, and where women of the town are cared for like countesses! Ah! But we are going to change all that; it is high time!"


He stared intently at Fantine, and added, once more taking into his grasp Jean Valjean's cravat, shirt and collar:—


"I tell you that there is no Monsieur Madeleine and that there is no Monsieur le Maire. There is a thief, a brigand, a convict named Jean Valjean! And I have him in my grasp! That's what there is!"


Fantine raised herself in bed with a bound, supporting herself on her stiffened arms and on both hands: she gazed at Jean Valjean, she gazed at Javert, she gazed at the nun, she opened her mouth as though to speak; a rattle proceeded from the depths of her throat, her teeth chattered; she stretched out her arms in her agony, opening her hands convulsively, and fumbling about her like a drowning person; then suddenly fell back on her pillow.


Her head struck the head-board of the bed and fell forwards on her breast, with gaping mouth and staring, sightless eyes.


She was dead.


Jean Valjean laid his hand upon the detaining hand of Javert, and opened it as he would have opened the hand of a baby; then he said to Javert:—


"You have murdered that woman."


"Let's have an end of this!" shouted Javert, in a fury; "I am not here to listen to argument. Let us economize all that; the guard is below; march on instantly, or you'll get the thumb-screws!"


In the corner of the room stood an old iron bedstead, which was in a decidedly decrepit state, and which served the sisters as a camp-bed when they were watching with the sick. Jean Valjean stepped up to this bed, in a twinkling wrenched off the head-piece, which was already in a dilapidated condition, an easy matter to muscles like his, grasped the principal rod like a bludgeon, and glanced at Javert. Javert retreated towards the door. Jean Valjean, armed with his bar of iron, walked slowly up to Fantine's couch. When he arrived there he turned and said to Javert, in a voice that was barely audible:—


"I advise you not to disturb me at this moment."


One thing is certain, and that is, that Javert trembled.


It did occur to him to summon the guard, but Jean Valjean might avail himself of that moment to effect his escape; so he remained, grasped his cane by the small end, and leaned against the door-post, without removing his eyes from Jean Valjean.


Jean Valjean rested his elbow on the knob at the head of the bed, and his brow on his hand, and began to contemplate the motionless body of Fantine, which lay extended there. He remained thus, mute, absorbed, evidently with no further thought of anything connected with this life. Upon his face and in his attitude there was nothing but inexpressible pity. After a few moments of this meditation he bent towards Fantine, and spoke to her in a low voice.


What did he say to her? What could this man, who was reproved, say to that woman, who was dead? What words were those? No one on earth heard them. Did the dead woman hear them? There are some touching illusions which are, perhaps, sublime realities. The point as to which there exists no doubt is, that Sister Simplice, the sole witness of the incident, often said that at the moment that Jean Valjean whispered in Fantine's ear, she distinctly beheld an ineffable smile dawn on those pale lips, and in those dim eyes, filled with the amazement of the tomb.


Jean Valjean took Fantine's head in both his hands, and arranged it on the pillow as a mother might have done for her child; then he tied the string of her chemise, and smoothed her hair back under her cap. That done, he closed her eyes.


Fantine's face seemed strangely illuminated at that moment.


Death, that signifies entrance into the great light.


Fantine's hand was hanging over the side of the bed. Jean Valjean knelt down before that hand, lifted it gently, and kissed it.


Then he rose, and turned to Javert.


"Now," said he, "I am at your disposal."


Javert deposited Jean Valjean in the city prison.


The arrest of M. Madeleine occasioned a sensation, or rather, an extraordinary commotion in M. sur M. We are sorry that we cannot conceal the fact, that at the single word, "He was a convict," nearly every one deserted him. In less than two hours all the good that he had done had been forgotten, and he was nothing but a "convict from the galleys." It is just to add that the details of what had taken place at Arras were not yet known. All day long conversations like the following were to be heard in all quarters of the town:—


"You don't know? He was a liberated convict!" "Who?" "The mayor." "Bah! M. Madeleine?" "Yes." "Really?" "His name was not Madeleine at all; he had a frightful name, Béjean, Bojean, Boujean." "Ah! Good God!" "He has been arrested." "Arrested!" "In prison, in the city prison, while waiting to be transferred." "Until he is transferred!" "He is to be transferred!" "Where is he to be taken?" "He will be tried at the Assizes for a highway robbery which he committed long ago." "Well! I suspected as much. That man was too good, too perfect, too affected. He refused the cross; he bestowed sous on all the little scamps he came across. I always thought there was some evil history back of all that."


The "drawing-rooms" particularly abounded in remarks of this nature.


One old lady, a subscriber to the Drapeau Blanc, made the following remark, the depth of which it is impossible to fathom:—


"I am not sorry. It will be a lesson to the Bonapartists!"


It was thus that the phantom which had been called M. Madeleine vanished from M. sur M. Only three or four persons in all the town remained faithful to his memory. The old portress who had served him was among the number.


On the evening of that day the worthy old woman was sitting in her lodge, still in a thorough fright, and absorbed in sad reflections. The factory had been closed all day, the carriage gate was bolted, the street was deserted. There was no one in the house but the two nuns, Sister Perpétue and Sister Simplice, who were watching beside the body of Fantine.


Towards the hour when M. Madeleine was accustomed to return home, the good portress rose mechanically, took from a drawer the key of M. Madeleine's chamber, and the flat candlestick which he used every evening to go up to his quarters; then she hung the key on the nail whence he was accustomed to take it, and set the candlestick on one side, as though she was expecting him. Then she sat down again on her chair, and became absorbed in thought once more. The poor, good old woman had done all this without being conscious of it.


It was only at the expiration of two hours that she roused herself from her reverie, and exclaimed, "Hold! My good God Jesus! And I hung his key on the nail!"


At that moment the small window in the lodge opened, a hand passed through, seized the key and the candlestick, and lighted the taper at the candle which was burning there.


The portress raised her eyes, and stood there with gaping mouth, and a shriek which she confined to her throat.


She knew that hand, that arm, the sleeve of that coat.


It was M. Madeleine.


It was several seconds before she could speak; she had a seizure, as she said herself, when she related the adventure afterwards.


"Good God, Monsieur le Maire," she cried at last, "I thought you were—"


She stopped; the conclusion of her sentence would have been lacking in respect towards the beginning. Jean Valjean was still Monsieur le Maire to her.


He finished her thought.


"In prison," said he. "I was there; I broke a bar of one of the windows; I let myself drop from the top of a roof, and here I am. I am going up to my room; go and find Sister Simplice for me. She is with that poor woman, no doubt."


The old woman obeyed in all haste.


He gave her no orders; he was quite sure that she would guard him better than he should guard himself.


No one ever found out how he had managed to get into the courtyard without opening the big gates. He had, and always carried about him, a pass-key which opened a little side-door; but he must have been searched, and his latch-key must have been taken from him. This point was never explained.


He ascended the staircase leading to his chamber. On arriving at the top, he left his candle on the top step of his stairs, opened his door with very little noise, went and closed his window and his shutters by feeling, then returned for his candle and re-entered his room.


It was a useful precaution; it will be recollected that his window could be seen from the street.


He cast a glance about him, at his table, at his chair, at his bed which had not been disturbed for three days. No trace of the disorder of the night before last remained. The portress had "done up" his room; only she had picked out of the ashes and placed neatly on the table the two iron ends of the cudgel and the forty-sou piece which had been blackened by the fire.


He took a sheet of paper, on which he wrote: "These are the two tips of my iron-shod cudgel and the forty-sou piece stolen from Little Gervais, which I mentioned at the Court of Assizes," and he arranged this piece of paper, the bits of iron, and the coin in such a way that they were the first things to be seen on entering the room. From a cupboard he pulled out one of his old shirts, which he tore in pieces. In the strips of linen thus prepared he wrapped the two silver candlesticks. He betrayed neither haste nor agitation; and while he was wrapping up the Bishop's candlesticks, he nibbled at a piece of black bread. It was probably the prison-bread which he had carried with him in his flight.


This was proved by the crumbs which were found on the floor of the room when the authorities made an examination later on.


There came two taps at the door.


"Come in," said he.


It was Sister Simplice.


She was pale; her eyes were red; the candle which she carried trembled in her hand. The peculiar feature of the violences of destiny is, that however polished or cool we may be, they wring human nature from our very bowels, and force it to reappear on the surface. The emotions of that day had turned the nun into a woman once more. She had wept, and she was trembling.


Jean Valjean had just finished writing a few lines on a paper, which he handed to the nun, saying, "Sister, you will give this to Monsieur le Curé."


The paper was not folded. She cast a glance upon it.


"You can read it," said he.


She read:—


"I beg Monsieur le Curé to keep an eye on all that I leave behind me. He will be so good as to pay out of it the expenses of my trial, and of the funeral of the woman who died yesterday. The rest is for the poor."


The sister tried to speak, but she only managed to stammer a few inarticulate sounds. She succeeded in saying, however:—


"Does not Monsieur le Maire desire to take a last look at that poor, unhappy woman?"


"No," said he; "I am pursued; it would only end in their arresting me in that room, and that would disturb her."


He had hardly finished when a loud noise became audible on the staircase. They heard a tumult of ascending footsteps, and the old portress saying in her loudest and most piercing tones:—


"My good sir, I swear to you by the good God, that not a soul has entered this house all day, nor all the evening, and that I have not even left the door."


A man responded:—


"But there is a light in that room, nevertheless."


They recognized Javert's voice.


The chamber was so arranged that the door in opening masked the corner of the wall on the right. Jean Valjean blew out the light and placed himself in this angle. Sister Simplice fell on her knees near the table.


The whispers of many men and the protestations of the portress were audible in the corridor.


The nun did not raise her eyes. She was praying.


The candle was on the chimney-piece, and gave but very little light.


Javert caught sight of the nun and halted in amazement.


It will be remembered that the fundamental point in Javert, his element, the very air he breathed, was veneration for all authority. This was impregnable, and admitted of neither objection nor restriction. In his eyes, of course, the ecclesiastical authority was the chief of all; he was religious, superficial and correct on this point as on all others. In his eyes, a priest was a mind, who never makes a mistake; a nun was a creature who never sins; they were souls walled in from this world, with a single door which never opened except to allow the truth to pass through.


On perceiving the sister, his first movement was to retire.


But there was also another duty which bound him and impelled him imperiously in the opposite direction. His second movement was to remain and to venture on at least one question.


This was Sister Simplice, who had never told a lie in her life. Javert knew it, and held her in special veneration in consequence.


"Sister," said he, "are you alone in this room?"


A terrible moment ensued, during which the poor portress felt as though she should faint.


The sister raised her eyes and answered:—


"Then," resumed Javert, "you will excuse me if I persist; it is my duty; you have not seen a certain person—a man—this evening? He has escaped; we are in search of him—that Jean Valjean; you have not seen him?"


The sister replied:—


She lied. She had lied twice in succession, one after the other, without hesitation, promptly, as a person does when sacrificing herself.


"Pardon me," said Javert, and he retired with a deep bow.


O sainted maid! you left this world many years ago; you have rejoined your sisters, the virgins, and your brothers, the angels, in the light; may this lie be counted to your credit in paradise!


The sister's affirmation was for Javert so decisive a thing that he did not even observe the singularity of that candle which had but just been extinguished, and which was still smoking on the table.


An hour later, a man, marching amid trees and mists, was rapidly departing from M. sur M. in the direction of Paris. That man was Jean Valjean. It has been established by the testimony of two or three carters who met him, that he was carrying a bundle; that he was dressed in a blouse. Where had he obtained that blouse? No one ever found out. But an aged workman had died in the infirmary of the factory a few days before, leaving behind him nothing but his blouse. Perhaps that was the one.


One last word about Fantine.


We all have a mother,—the earth. Fantine was given back to that mother.


The curé thought that he was doing right, and perhaps he really was, in reserving as much money as possible from what Jean Valjean had left for the poor. Who was concerned, after all? A convict and a woman of the town. That is why he had a very simple funeral for Fantine, and reduced it to that strictly necessary form known as the pauper's grave.


So Fantine was buried in the free corner of the cemetery which belongs to anybody and everybody, and where the poor are lost. Fortunately, God knows where to find the soul again. Fantine was laid in the shade, among the first bones that came to hand; she was subjected to the promiscuousness of ashes. She was thrown into the public grave. Her grave resembled her bed.


[Illustration: Titlepage Volume Two]


Last year (1861), on a beautiful May morning, a traveller, the person who is telling this story, was coming from Nivelles, and directing his course towards La Hulpe. He was on foot. He was pursuing a broad paved road, which undulated between two rows of trees, over the hills which succeed each other, raise the road and let it fall again, and produce something in the nature of enormous waves.


He had passed Lillois and Bois-Seigneur-Isaac. In the west he perceived the slate-roofed tower of Braine-l'Alleud, which has the form of a reversed vase. He had just left behind a wood upon an eminence; and at the angle of the crossroad, by the side of a sort of mouldy gibbet bearing the inscription Ancient Barrier No. 4, a public house, bearing on its front this sign: At the Four Winds (Aux Quatre Vents). Échabeau, Private Café.


A quarter of a league further on, he arrived at the bottom of a little valley, where there is water which passes beneath an arch made through the embankment of the road. The clump of sparsely planted but very green trees, which fills the valley on one side of the road, is dispersed over the meadows on the other, and disappears gracefully and as in order in the direction of Braine-l'Alleud.


On the right, close to the road, was an inn, with a four-wheeled cart at the door, a large bundle of hop-poles, a plough, a heap of dried brushwood near a flourishing hedge, lime smoking in a square hole, and a ladder suspended along an old penthouse with straw partitions. A young girl was weeding in a field, where a huge yellow poster, probably of some outside spectacle, such as a parish festival, was fluttering in the wind. At one corner of the inn, beside a pool in which a flotilla of ducks was navigating, a badly paved path plunged into the bushes. The wayfarer struck into this.


After traversing a hundred paces, skirting a wall of the fifteenth century, surmounted by a pointed gable, with bricks set in contrast, he found himself before a large door of arched stone, with a rectilinear impost, in the sombre style of Louis XIV., flanked by two flat medallions. A severe façade rose above this door; a wall, perpendicular to the façade, almost touched the door, and flanked it with an abrupt right angle. In the meadow before the door lay three harrows, through which, in disorder, grew all the flowers of May. The door was closed. The two decrepit leaves which barred it were ornamented with an old rusty knocker.


The sun was charming; the branches had that soft shivering of May, which seems to proceed rather from the nests than from the wind. A brave little bird, probably a lover, was carolling in a distracted manner in a large tree.


The wayfarer bent over and examined a rather large circular excavation, resembling the hollow of a sphere, in the stone on the left, at the foot of the pier of the door.


At this moment the leaves of the door parted, and a peasant woman emerged.


She saw the wayfarer, and perceived what he was looking at.


"It was a French cannon-ball which made that," she said to him. And she added:—


"That which you see there, higher up in the door, near a nail, is the hole of a big iron bullet as large as an egg. The bullet did not pierce the wood."


"What is the name of this place?" inquired the wayfarer.


"Hougomont," said the peasant woman.


The traveller straightened himself up. He walked on a few paces, and went off to look over the tops of the hedges. On the horizon through the trees, he perceived a sort of little elevation, and on this elevation something which at that distance resembled a lion.


He was on the battle-field of Waterloo.


Hougomont,—this was a funereal spot, the beginning of the obstacle, the first resistance, which that great wood-cutter of Europe, called Napoleon, encountered at Waterloo, the first knot under the blows of his axe.


It was a château; it is no longer anything but a farm. For the antiquary, Hougomont is Hugomons. This manor was built by Hugo, Sire of Somerel, the same who endowed the sixth chaplaincy of the Abbey of Villiers.


The traveller pushed open the door, elbowed an ancient calash under the porch, and entered the courtyard.


The first thing which struck him in this paddock was a door of the sixteenth century, which here simulates an arcade, everything else having fallen prostrate around it. A monumental aspect often has its birth in ruin. In a wall near the arcade opens another arched door, of the time of Henry IV., permitting a glimpse of the trees of an orchard; beside this door, a manure-hole, some pickaxes, some shovels, some carts, an old well, with its flagstone and its iron reel, a chicken jumping, and a turkey spreading its tail, a chapel surmounted by a small bell-tower, a blossoming pear-tree trained in espalier against the wall of the chapel—behold the court, the conquest of which was one of Napoleon's dreams. This corner of earth, could he but have seized it, would, perhaps, have given him the world likewise. Chickens are scattering its dust abroad with their beaks. A growl is audible; it is a huge dog, who shows his teeth and replaces the English.


The English behaved admirably there. Cooke's four companies of guards there held out for seven hours against the fury of an army.


Hougomont viewed on the map, as a geometrical plan, comprising buildings and enclosures, presents a sort of irregular rectangle, one angle of which is nicked out. It is this angle which contains the southern door, guarded by this wall, which commands it only a gun's length away. Hougomont has two doors,—the southern door, that of the château; and the northern door, belonging to the farm. Napoleon sent his brother Jérôme against Hougomont; the divisions of Foy, Guilleminot, and Bachelu hurled themselves against it; nearly the entire corps of Reille was employed against it, and miscarried; Kellermann's balls were exhausted on this heroic section of wall. Bauduin's brigade was not strong enough to force Hougomont on the north, and the brigade of Soye could not do more than effect the beginning of a breach on the south, but without taking it.


The farm buildings border the courtyard on the south. A bit of the north door, broken by the French, hangs suspended to the wall. It consists of four planks nailed to two cross-beams, on which the scars of the attack are visible.


The northern door, which was beaten in by the French, and which has had a piece applied to it to replace the panel suspended on the wall, stands half-open at the bottom of the paddock; it is cut squarely in the wall, built of stone below, of brick above which closes in the courtyard on the north. It is a simple door for carts, such as exist in all farms, with the two large leaves made of rustic planks: beyond lie the meadows. The dispute over this entrance was furious. For a long time, all sorts of imprints of bloody hands were visible on the door-posts. It was there that Bauduin was killed.


The storm of the combat still lingers in this courtyard; its horror is visible there; the confusion of the fray was petrified there; it lives and it dies there; it was only yesterday. The walls are in the death agony, the stones fall; the breaches cry aloud; the holes are wounds; the drooping, quivering trees seem to be making an effort to flee.


This courtyard was more built up in 1815 than it is to-day. Buildings which have since been pulled down then formed redans and angles.


The English barricaded themselves there; the French made their way in, but could not stand their ground. Beside the chapel, one wing of the château, the only ruin now remaining of the manor of Hougomont, rises in a crumbling state,—disembowelled, one might say. The château served for a dungeon, the chapel for a block-house. There men exterminated each other. The French, fired on from every point,—from behind the walls, from the summits of the garrets, from the depths of the cellars, through all the casements, through all the air-holes, through every crack in the stones,—fetched fagots and set fire to walls and men; the reply to the grape-shot was a conflagration.


In the ruined wing, through windows garnished with bars of iron, the dismantled chambers of the main building of brick are visible; the English guards were in ambush in these rooms; the spiral of the staircase, cracked from the ground floor to the very roof, appears like the inside of a broken shell. The staircase has two stories; the English, besieged on the staircase, and massed on its upper steps, had cut off the lower steps. These consisted of large slabs of blue stone, which form a heap among the nettles. Half a score of steps still cling to the wall; on the first is cut the figure of a trident. These inaccessible steps are solid in their niches. All the rest resembles a jaw which has been denuded of its teeth. There are two old trees there: one is dead; the other is wounded at its base, and is clothed with verdure in April. Since 1815 it has taken to growing through the staircase.


A massacre took place in the chapel. The interior, which has recovered its calm, is singular. The mass has not been said there since the carnage. Nevertheless, the altar has been left there—an altar of unpolished wood, placed against a background of roughhewn stone. Four whitewashed walls, a door opposite the altar, two small arched windows; over the door a large wooden crucifix, below the crucifix a square air-hole stopped up with a bundle of hay; on the ground, in one corner, an old window-frame with the glass all broken to pieces—such is the chapel. Near the altar there is nailed up a wooden statue of Saint Anne, of the fifteenth century; the head of the infant Jesus has been carried off by a large ball. The French, who were masters of the chapel for a moment, and were then dislodged, set fire to it. The flames filled this building; it was a perfect furnace; the door was burned, the floor was burned, the wooden Christ was not burned. The fire preyed upon his feet, of which only the blackened stumps are now to be seen; then it stopped,—a miracle, according to the assertion of the people of the neighborhood. The infant Jesus, decapitated, was less fortunate than the Christ.


The walls are covered with inscriptions. Near the feet of Christ this name is to be read: Henquinez. Then these others: Conde de Rio Maior Marques y Marquesa de Almagro (Habana). There are French names with exclamation points,—a sign of wrath. The wall was freshly whitewashed in 1849. The nations insulted each other there.


It was at the door of this chapel that the corpse was picked up which held an axe in its hand; this corpse was Sub-Lieutenant Legros.


On emerging from the chapel, a well is visible on the left. There are two in this courtyard. One inquires, Why is there no bucket and pulley to this? It is because water is no longer drawn there. Why is water not drawn there? Because it is full of skeletons.


The last person who drew water from the well was named Guillaume van Kylsom. He was a peasant who lived at Hougomont, and was gardener there. On the 18th of June, 1815, his family fled and concealed themselves in the woods.


The forest surrounding the Abbey of Villiers sheltered these unfortunate people who had been scattered abroad, for many days and nights. There are at this day certain traces recognizable, such as old boles of burned trees, which mark the site of these poor bivouacs trembling in the depths of the thickets.


Guillaume van Kylsom remained at Hougomont, "to guard the château," and concealed himself in the cellar. The English discovered him there. They tore him from his hiding-place, and the combatants forced this frightened man to serve them, by administering blows with the flats of their swords. They were thirsty; this Guillaume brought them water. It was from this well that he drew it. Many drank there their last draught. This well where drank so many of the dead was destined to die itself.


After the engagement, they were in haste to bury the dead bodies. Death has a fashion of harassing victory, and she causes the pest to follow glory. The typhus is a concomitant of triumph. This well was deep, and it was turned into a sepulchre. Three hundred dead bodies were cast into it. With too much haste perhaps. Were they all dead? Legend says they were not. It seems that on the night succeeding the interment, feeble voices were heard calling from the well.


This well is isolated in the middle of the courtyard. Three walls, part stone, part brick, and simulating a small, square tower, and folded like the leaves of a screen, surround it on all sides. The fourth side is open. It is there that the water was drawn. The wall at the bottom has a sort of shapeless loophole, possibly the hole made by a shell. This little tower had a platform, of which only the beams remain. The iron supports of the well on the right form a cross. On leaning over, the eye is lost in a deep cylinder of brick which is filled with a heaped-up mass of shadows. The base of the walls all about the well is concealed in a growth of nettles.


This well has not in front of it that large blue slab which forms the table for all wells in Belgium. The slab has here been replaced by a cross-beam, against which lean five or six shapeless fragments of knotty and petrified wood which resemble huge bones. There is no longer either pail, chain, or pulley; but there is still the stone basin which served the overflow. The rain-water collects there, and from time to time a bird of the neighboring forests comes thither to drink, and then flies away. One house in this ruin, the farmhouse, is still inhabited. The door of this house opens on the courtyard. Upon this door, beside a pretty Gothic lock-plate, there is an iron handle with trefoils placed slanting. At the moment when the Hanoverian lieutenant, Wilda, grasped this handle in order to take refuge in the farm, a French sapper hewed off his hand with an axe.


The family who occupy the house had for their grandfather Guillaume van Kylsom, the old gardener, dead long since. A woman with gray hair said to us: "I was there. I was three years old. My sister, who was older, was terrified and wept. They carried us off to the woods. I went there in my mother's arms. We glued our ears to the earth to hear. I imitated the cannon, and went boum! boum!"


A door opening from the courtyard on the left led into the orchard, so we were told. The orchard is terrible.


It is in three parts; one might almost say, in three acts. The first part is a garden, the second is an orchard, the third is a wood. These three parts have a common enclosure: on the side of the entrance, the buildings of the château and the farm; on the left, a hedge; on the right, a wall; and at the end, a wall. The wall on the right is of brick, the wall at the bottom is of stone. One enters the garden first. It slopes downwards, is planted with gooseberry bushes, choked with a wild growth of vegetation, and terminated by a monumental terrace of cut stone, with balustrade with a double curve.


It was a seignorial garden in the first French style which preceded Le Nôtre; to-day it is ruins and briars. The pilasters are surmounted by globes which resemble cannon-balls of stone. Forty-three balusters can still be counted on their sockets; the rest lie prostrate in the grass. Almost all bear scratches of bullets. One broken baluster is placed on the pediment like a fractured leg.


It was in this garden, further down than the orchard, that six light-infantry men of the 1st, having made their way thither, and being unable to escape, hunted down and caught like bears in their dens, accepted the combat with two Hanoverian companies, one of which was armed with carbines. The Hanoverians lined this balustrade and fired from above. The infantry men, replying from below, six against two hundred, intrepid and with no shelter save the currant-bushes, took a quarter of an hour to die.


One mounts a few steps and passes from the garden into the orchard, properly speaking. There, within the limits of those few square fathoms, fifteen hundred men fell in less than an hour. The wall seems ready to renew the combat. Thirty-eight loopholes, pierced by the English at irregular heights, are there still. In front of the sixth are placed two English tombs of granite. There are loopholes only in the south wall, as the principal attack came from that quarter. The wall is hidden on the outside by a tall hedge; the French came up, thinking that they had to deal only with a hedge, crossed it, and found the wall both an obstacle and an ambuscade, with the English guards behind it, the thirty-eight loopholes firing at once a shower of grape-shot and balls, and Soye's brigade was broken against it. Thus Waterloo began.


Nevertheless, the orchard was taken. As they had no ladders, the French scaled it with their nails. They fought hand to hand amid the trees. All this grass has been soaked in blood. A battalion of Nassau, seven hundred strong, was overwhelmed there. The outside of the wall, against which Kellermann's two batteries were trained, is gnawed by grape-shot.


This orchard is sentient, like others, in the month of May. It has its buttercups and its daisies; the grass is tall there; the cart-horses browse there; cords of hair, on which linen is drying, traverse the spaces between the trees and force the passer-by to bend his head; one walks over this uncultivated land, and one's foot dives into mole-holes. In the middle of the grass one observes an uprooted tree-bole which lies there all verdant. Major Blackmann leaned against it to die. Beneath a great tree in the neighborhood fell the German general, Duplat, descended from a French family which fled on the revocation of the Edict of Nantes. An aged and falling apple-tree leans far over to one side, its wound dressed with a bandage of straw and of clayey loam. Nearly all the apple-trees are falling with age. There is not one which has not had its bullet or its biscayan.6 The skeletons of dead trees abound in this orchard. Crows fly through their branches, and at the end of it is a wood full of violets.


Bauduin killed, Foy wounded, conflagration, massacre, carnage, a rivulet formed of English blood, French blood, German blood mingled in fury, a well crammed with corpses, the regiment of Nassau and the regiment of Brunswick destroyed, Duplat killed, Blackmann killed, the English Guards mutilated, twenty French battalions, besides the forty from Reille's corps, decimated, three thousand men in that hovel of Hougomont alone cut down, slashed to pieces, shot, burned, with their throats cut,—and all this so that a peasant can say to-day to the traveller: Monsieur, give me three francs, and if you like, I will explain to you the affair of Waterloo!


Let us turn back,—that is one of the story-teller's rights,—and put ourselves once more in the year 1815, and even a little earlier than the epoch when the action narrated in the first part of this book took place.


If it had not rained in the night between the 17th and the 18th of June, 1815, the fate of Europe would have been different. A few drops of water, more or less, decided the downfall of Napoleon. All that Providence required in order to make Waterloo the end of Austerlitz was a little more rain, and a cloud traversing the sky out of season sufficed to make a world crumble.


The battle of Waterloo could not be begun until half-past eleven o'clock, and that gave Blücher time to come up. Why? Because the ground was wet. The artillery had to wait until it became a little firmer before they could manœuvre.


Napoleon was an artillery officer, and felt the effects of this. The foundation of this wonderful captain was the man who, in the report to the Directory on Aboukir, said: Such a one of our balls killed six men. All his plans of battle were arranged for projectiles. The key to his victory was to make the artillery converge on one point. He treated the strategy of the hostile general like a citadel, and made a breach in it. He overwhelmed the weak point with grape-shot; he joined and dissolved battles with cannon. There was something of the sharpshooter in his genius. To beat in squares, to pulverize regiments, to break lines, to crush and disperse masses,—for him everything lay in this, to strike, strike, strike incessantly,—and he intrusted this task to the cannon-ball. A redoubtable method, and one which, united with genius, rendered this gloomy athlete of the pugilism of war invincible for the space of fifteen years.


On the 18th of June, 1815, he relied all the more on his artillery, because he had numbers on his side. Wellington had only one hundred and fifty-nine mouths of fire; Napoleon had two hundred and forty.


Suppose the soil dry, and the artillery capable of moving, the action would have begun at six o'clock in the morning. The battle would have been won and ended at two o'clock, three hours before the change of fortune in favor of the Prussians. What amount of blame attaches to Napoleon for the loss of this battle? Is the shipwreck due to the pilot?


Was it the evident physical decline of Napoleon that complicated this epoch by an inward diminution of force? Had the twenty years of war worn out the blade as it had worn the scabbard, the soul as well as the body? Did the veteran make himself disastrously felt in the leader? In a word, was this genius, as many historians of note have thought, suffering from an eclipse? Did he go into a frenzy in order to disguise his weakened powers from himself? Did he begin to waver under the delusion of a breath of adventure? Had he become—a grave matter in a general—unconscious of peril? Is there an age, in this class of material great men, who may be called the giants of action, when genius grows short-sighted? Old age has no hold on the geniuses of the ideal; for the Dantes and Michael Angelos to grow old is to grow in greatness; is it to grow less for the Hannibals and the Bonapartes? Had Napoleon lost the direct sense of victory? Had he reached the point where he could no longer recognize the reef, could no longer divine the snare, no longer discern the crumbling brink of abysses? Had he lost his power of scenting out catastrophes? He who had in former days known all the roads to triumph, and who, from the summit of his chariot of lightning, pointed them out with a sovereign finger, had he now reached that state of sinister amazement when he could lead his tumultuous legions harnessed to it, to the precipice? Was he seized at the age of forty-six with a supreme madness? Was that titanic charioteer of destiny no longer anything more than an immense dare-devil?


We do not think so.


His plan of battle was, by the confession of all, a masterpiece. To go straight to the centre of the Allies' line, to make a breach in the enemy, to cut them in two, to drive the British half back on Hal, and the Prussian half on Tongres, to make two shattered fragments of Wellington and Blücher, to carry Mont-Saint-Jean, to seize Brussels, to hurl the German into the Rhine, and the Englishman into the sea. All this was contained in that battle, according to Napoleon. Afterwards people would see.


Of course, we do not here pretend to furnish a history of the battle of Waterloo; one of the scenes of the foundation of the story which we are relating is connected with this battle, but this history is not our subject; this history, moreover, has been finished, and finished in a masterly manner, from one point of view by Napoleon, and from another point of view by a whole pleiad of historians.7


As for us, we leave the historians at loggerheads; we are but a distant witness, a passer-by on the plain, a seeker bending over that soil all made of human flesh, taking appearances for realities, perchance; we have no right to oppose, in the name of science, a collection of facts which contain illusions, no doubt; we possess neither military practice nor strategic ability which authorize a system; in our opinion, a chain of accidents dominated the two leaders at Waterloo; and when it becomes a question of destiny, that mysterious culprit, we judge like that ingenious judge, the populace.


Those persons who wish to gain a clear idea of the battle of Waterloo have only to place, mentally, on the ground, a capital A. The left limb of the A is the road to Nivelles, the right limb is the road to Genappe, the tie of the A is the hollow road to Ohain from Braine-l'Alleud. The top of the A is Mont-Saint-Jean, where Wellington is; the lower left tip is Hougomont, where Reille is stationed with Jérôme Bonaparte; the right tip is the Belle-Alliance, where Napoleon was. At the centre of this chord is the precise point where the final word of the battle was pronounced. It was there that the lion has been placed, the involuntary symbol of the supreme heroism of the Imperial Guard.


The triangle included in the top of the A, between the two limbs and the tie, is the plateau of Mont-Saint-Jean. The dispute over this plateau constituted the whole battle. The wings of the two armies extended to the right and left of the two roads to Genappe and Nivelles; d'Erlon facing Picton, Reille facing Hill.


Behind the tip of the A, behind the plateau of Mont-Saint-Jean, is the forest of Soignes.


As for the plain itself, let the reader picture to himself a vast undulating sweep of ground; each rise commands the next rise, and all the undulations mount towards Mont-Saint-Jean, and there end in the forest.


Two hostile troops on a field of battle are two wrestlers. It is a question of seizing the opponent round the waist. The one seeks to trip up the other. They clutch at everything: a bush is a point of support; an angle of the wall offers them a rest to the shoulder; for the lack of a hovel under whose cover they can draw up, a regiment yields its ground; an unevenness in the ground, a chance turn in the landscape, a cross-path encountered at the right moment, a grove, a ravine, can stay the heel of that colossus which is called an army, and prevent its retreat. He who quits the field is beaten; hence the necessity devolving on the responsible leader, of examining the most insignificant clump of trees, and of studying deeply the slightest relief in the ground.


The two generals had attentively studied the plain of Mont-Saint-Jean, now called the plain of Waterloo. In the preceding year, Wellington, with the sagacity of foresight, had examined it as the possible seat of a great battle. Upon this spot, and for this duel, on the 18th of June, Wellington had the good post, Napoleon the bad post. The English army was stationed above, the French army below.


It is almost superfluous here to sketch the appearance of Napoleon on horseback, glass in hand, upon the heights of Rossomme, at daybreak, on June 18, 1815. All the world has seen him before we can show him. That calm profile under the little three-cornered hat of the school of Brienne, that green uniform, the white revers concealing the star of the Legion of Honor, his great coat hiding his epaulets, the corner of red ribbon peeping from beneath his vest, his leather trousers, the white horse with the saddle-cloth of purple velvet bearing on the corners crowned N's and eagles, Hessian boots over silk stockings, silver spurs, the sword of Marengo,—that whole figure of the last of the Cæsars is present to all imaginations, saluted with acclamations by some, severely regarded by others.


That figure stood for a long time wholly in the light; this arose from a certain legendary dimness evolved by the majority of heroes, and which always veils the truth for a longer or shorter time; but to-day history and daylight have arrived.


That light called history is pitiless; it possesses this peculiar and divine quality, that, pure light as it is, and precisely because it is wholly light, it often casts a shadow in places where people had hitherto beheld rays; from the same man it constructs two different phantoms, and the one attacks the other and executes justice on it, and the shadows of the despot contend with the brilliancy of the leader. Hence arises a truer measure in the definitive judgments of nations. Babylon violated lessens Alexander, Rome enchained lessens Cæsar, Jerusalem murdered lessens Titus, tyranny follows the tyrant. It is a misfortune for a man to leave behind him the night which bears his form.


Every one is acquainted with the first phase of this battle; a beginning which was troubled, uncertain, hesitating, menacing to both armies, but still more so for the English than for the French.


It had rained all night, the earth had been cut up by the downpour, the water had accumulated here and there in the hollows of the plain as if in casks; at some points the gear of the artillery carriages was buried up to the axles, the circingles of the horses were dripping with liquid mud. If the wheat and rye trampled down by this cohort of transports on the march had not filled in the ruts and strewn a litter beneath the wheels, all movement, particularly in the valleys, in the direction of Papelotte would have been impossible.


The affair began late. Napoleon, as we have already explained, was in the habit of keeping all his artillery well in hand, like a pistol, aiming it now at one point, now at another, of the battle; and it had been his wish to wait until the horse batteries could move and gallop freely. In order to do that it was necessary that the sun should come out and dry the soil. But the sun did not make its appearance. It was no longer the rendezvous of Austerlitz. When the first cannon was fired, the English general, Colville, looked at his watch, and noted that it was thirty-five minutes past eleven.


The action was begun furiously, with more fury, perhaps, than the Emperor would have wished, by the left wing of the French resting on Hougomont. At the same time Napoleon attacked the centre by hurling Quiot's brigade on La Haie-Sainte, and Ney pushed forward the right wing of the French against the left wing of the English, which rested on Papelotte.


The attack on Hougomont was something of a feint; the plan was to draw Wellington thither, and to make him swerve to the left. This plan would have succeeded if the four companies of the English guards and the brave Belgians of Perponcher's division had not held the position solidly, and Wellington, instead of massing his troops there, could confine himself to despatching thither, as reinforcements, only four more companies of guards and one battalion from Brunswick.


The attack of the right wing of the French on Papelotte was calculated, in fact, to overthrow the English left, to cut off the road to Brussels, to bar the passage against possible Prussians, to force Mont-Saint-Jean, to turn Wellington back on Hougomont, thence on Braine-l'Alleud, thence on Hal; nothing easier. With the exception of a few incidents this attack succeeded. Papelotte was taken; La Haie-Sainte was carried.


A detail to be noted. There was in the English infantry, particularly in Kempt's brigade, a great many raw recruits. These young soldiers were valiant in the presence of our redoubtable infantry; their inexperience extricated them intrepidly from the dilemma; they performed particularly excellent service as skirmishers: the soldier skirmisher, left somewhat to himself, becomes, so to speak, his own general. These recruits displayed some of the French ingenuity and fury. This novice of an infantry had dash. This displeased Wellington.


After the taking of La Haie-Sainte the battle wavered.


There is in this day an obscure interval, from midday to four o'clock; the middle portion of this battle is almost indistinct, and participates in the sombreness of the hand-to-hand conflict. Twilight reigns over it. We perceive vast fluctuations in that fog, a dizzy mirage, paraphernalia of war almost unknown to-day, pendant colbacks, floating sabre-taches, cross-belts, cartridge-boxes for grenades, hussar dolmans, red boots with a thousand wrinkles, heavy shakos garlanded with torsades, the almost black infantry of Brunswick mingled with the scarlet infantry of England, the English soldiers with great, white circular pads on the slopes of their shoulders for epaulets, the Hanoverian light-horse with their oblong casques of leather, with brass hands and red horse-tails, the Scotch with their bare knees and plaids, the great white gaiters of our grenadiers; pictures, not strategic lines—what Salvator Rosa requires, not what is suited to the needs of Gribeauval.


A certain amount of tempest is always mingled with a battle. Quid obscurum, quid divinum. Each historian traces, to some extent, the particular feature which pleases him amid this pell-mell. Whatever may be the combinations of the generals, the shock of armed masses has an incalculable ebb. During the action the plans of the two leaders enter into each other and become mutually thrown out of shape. Such a point of the field of battle devours more combatants than such another, just as more or less spongy soils soak up more or less quickly the water which is poured on them. It becomes necessary to pour out more soldiers than one would like; a series of expenditures which are the unforeseen. The line of battle waves and undulates like a thread, the trails of blood gush illogically, the fronts of the armies waver, the regiments form capes and gulfs as they enter and withdraw; all these reefs are continually moving in front of each other. Where the infantry stood the artillery arrives, the cavalry rushes in where the artillery was, the battalions are like smoke. There was something there; seek it. It has disappeared; the open spots change place, the sombre folds advance and retreat, a sort of wind from the sepulchre pushes forward, hurls back, distends, and disperses these tragic multitudes. What is a fray? an oscillation? The immobility of a mathematical plan expresses a minute, not a day. In order to depict a battle, there is required one of those powerful painters who have chaos in their brushes. Rembrandt is better than Vandermeulen; Vandermeulen, exact at noon, lies at three o'clock. Geometry is deceptive; the hurricane alone is trustworthy. That is what confers on Folard the right to contradict Polybius. Let us add, that there is a certain instant when the battle degenerates into a combat, becomes specialized, and disperses into innumerable detailed feats, which, to borrow the expression of Napoleon himself, "belong rather to the biography of the regiments than to the history of the army." The historian has, in this case, the evident right to sum up the whole. He cannot do more than seize the principal outlines of the struggle, and it is not given to any one narrator, however conscientious he may be, to fix, absolutely, the form of that horrible cloud which is called a battle.


This, which is true of all great armed encounters, is particularly applicable to Waterloo.


Nevertheless, at a certain moment in the afternoon the battle came to a point.


Towards four o'clock the condition of the English army was serious. The Prince of Orange was in command of the centre, Hill of the right wing, Picton of the left wing. The Prince of Orange, desperate and intrepid, shouted to the Hollando-Belgians: "Nassau! Brunswick! Never retreat!" Hill, having been weakened, had come up to the support of Wellington; Picton was dead. At the very moment when the English had captured from the French the flag of the 105th of the line, the French had killed the English general, Picton, with a bullet through the head. The battle had, for Wellington, two bases of action, Hougomont and La Haie-Sainte; Hougomont still held out, but was on fire; La Haie-Sainte was taken. Of the German battalion which defended it, only forty-two men survived; all the officers, except five, were either dead or captured. Three thousand combatants had been massacred in that barn. A sergeant of the English Guards, the foremost boxer in England, reputed invulnerable by his companions, had been killed there by a little French drummer-boy. Baring had been dislodged, Alten put to the sword. Many flags had been lost, one from Alten's division, and one from the battalion of Lunenburg, carried by a prince of the house of Deux-Ponts. The Scotch Grays no longer existed; Ponsonby's great dragoons had been hacked to pieces. That valiant cavalry had bent beneath the lancers of Bro and beneath the cuirassiers of Travers; out of twelve hundred horses, six hundred remained; out of three lieutenant-colonels, two lay on the earth,—Hamilton wounded, Mater slain. Ponsonby had fallen, riddled by seven lance-thrusts. Gordon was dead. Marsh was dead. Two divisions, the fifth and the sixth, had been annihilated.


Hougomont injured, La Haie-Sainte taken, there now existed but one rallying-point, the centre. That point still held firm. Wellington reinforced it. He summoned thither Hill, who was at Merle-Braine; he summoned Chassé, who was at Braine-l'Alleud.


The centre of the English army, rather concave, very dense, and very compact, was strongly posted. It occupied the plateau of Mont-Saint-Jean, having behind it the village, and in front of it the slope, which was tolerably steep then. It rested on that stout stone dwelling which at that time belonged to the domain of Nivelles, and which marks the intersection of the roads—a pile of the sixteenth century, and so robust that the cannon-balls rebounded from it without injuring it. All about the plateau the English had cut the hedges here and there, made embrasures in the hawthorn-trees, thrust the throat of a cannon between two branches, embattled the shrubs. There artillery was ambushed in the brushwood. This punic labor, incontestably authorized by war, which permits traps, was so well done, that Haxo, who had been despatched by the Emperor at nine o'clock in the morning to reconnoitre the enemy's batteries, had discovered nothing of it, and had returned and reported to Napoleon that there were no obstacles except the two barricades which barred the road to Nivelles and to Genappe. It was at the season when the grain is tall; on the edge of the plateau a battalion of Kempt's brigade, the 95th, armed with carabines, was concealed in the tall wheat.


Thus assured and buttressed, the centre of the Anglo-Dutch army was well posted. The peril of this position lay in the forest of Soignes, then adjoining the field of battle, and intersected by the ponds of Groenendael and Boitsfort. An army could not retreat thither without dissolving; the regiments would have broken up immediately there. The artillery would have been lost among the morasses. The retreat, according to many a man versed in the art,—though it is disputed by others,—would have been a disorganized flight.