While the troops, dividing into two parts when passing around the Krémlin, were thronging the Moskvá and the Stone bridges, a great many soldiers, taking advantage of the stoppage and congestion, turned back from the bridges and slipped stealthily and silently past the church of Vasíli the Beatified and under the Borovítski gate, back up the hill to the Red Square where some instinct told them they could easily take things not belonging to them. Crowds of the kind seen at cheap sales filled all the passages and alleys of the Bazaar. But there were no dealers with voices of ingratiating affability inviting customers to enter; there were no hawkers, nor the usual motley crowd of female purchasers—but only soldiers, in uniforms and overcoats though without muskets, entering the Bazaar empty-handed and silently making their way out through its passages with bundles. Tradesmen and their assistants (of whom there were but few) moved about among the soldiers quite bewildered. They unlocked their shops and locked them up again, and themselves carried goods away with the help of their assistants. On the square in front of the Bazaar were drummers beating the muster call. But the roll of the drums did not make the looting soldiers run in the direction of the drum as formerly, but made them, on the contrary, run farther away. Among the soldiers in the shops and passages some men were to be seen in gray coats, with closely shaven heads. Two officers, one with a scarf over his uniform and mounted on a lean, dark-gray horse, the other in an overcoat and on foot, stood at the corner of Ilyínka Street, talking. A third officer galloped up to them.


"The general orders them all to be driven out at once, without fail. This is outrageous! Half the men have dispersed."


"Where are you off to?... Where?..." he shouted to three infantrymen without muskets who, holding up the skirts of their overcoats, were slipping past him into the Bazaar passage. "Stop, you rascals!"


"But how are you going to stop them?" replied another officer. "There is no getting them together. The army should push on before the rest bolt, that's all!"


"How can one push on? They are stuck there, wedged on the bridge, and don't move. Shouldn't we put a cordon round to prevent the rest from running away?"


"Come, go in there and drive them out!" shouted the senior officer.


The officer in the scarf dismounted, called up a drummer, and went with him into the arcade. Some soldiers started running away in a group. A shopkeeper with red pimples on his cheeks near the nose, and a calm, persistent, calculating expression on his plump face, hurriedly and ostentatiously approached the officer, swinging his arms.


"Your honor!" said he. "Be so good as to protect us! We won't grudge trifles, you are welcome to anything—we shall be delighted! Pray!... I'll fetch a piece of cloth at once for such an honorable gentleman, or even two pieces with pleasure. For we feel how it is; but what's all this—sheer robbery! If you please, could not guards be placed if only to let us close the shop...."


Several shopkeepers crowded round the officer.


"Eh, what twaddle!" said one of them, a thin, stern-looking man. "When one's head is gone one doesn't weep for one's hair! Take what any of you like!" And flourishing his arm energetically he turned sideways to the officer.


"It's all very well for you, Iván Sidórych, to talk," said the first tradesman angrily. "Please step inside, your honor!"


"Talk indeed!" cried the thin one. "In my three shops here I have a hundred thousand rubles' worth of goods. Can they be saved when the army has gone? Eh, what people! 'Against God's might our hands can't fight.'"


"Come inside, your honor!" repeated the tradesman, bowing.


The officer stood perplexed and his face showed indecision.


"It's not my business!" he exclaimed, and strode on quickly down one of the passages.


From one open shop came the sound of blows and vituperation, and just as the officer came up to it a man in a gray coat with a shaven head was flung out violently.


This man, bent double, rushed past the tradesman and the officer. The officer pounced on the soldiers who were in the shops, but at that moment fearful screams reached them from the huge crowd on the Moskvá bridge and the officer ran out into the square.


"What is it? What is it?" he asked, but his comrade was already galloping off past Vasíli the Beatified in the direction from which the screams came.


The officer mounted his horse and rode after him. When he reached the bridge he saw two unlimbered guns, the infantry crossing the bridge, several overturned carts, and frightened and laughing faces among the troops. Beside the cannon a cart was standing to which two horses were harnessed. Four borzois with collars were pressing close to the wheels. The cart was loaded high, and at the very top, beside a child's chair with its legs in the air, sat a peasant woman uttering piercing and desperate shrieks. He was told by his fellow officers that the screams of the crowd and the shrieks of the woman were due to the fact that General Ermólov, coming up to the crowd and learning that soldiers were dispersing among the shops while crowds of civilians blocked the bridge, had ordered two guns to be unlimbered and made a show of firing at the bridge. The crowd, crushing one another, upsetting carts, and shouting and squeezing desperately, had cleared off the bridge and the troops were now moving forward.


Meanwhile, the city itself was deserted. There was hardly anyone in the streets. The gates and shops were all closed, only here and there round the taverns solitary shouts or drunken songs could be heard. Nobody drove through the streets and footsteps were rarely heard. The Povarskáya was quite still and deserted. The huge courtyard of the Rostóvs' house was littered with wisps of hay and with dung from the horses, and not a soul was to be seen there. In the great drawing room of the house, which had been left with all it contained, were two people. They were the yard porter Ignát, and the page boy Míshka, Vasílich's grandson who had stayed in Moscow with his grandfather. Míshka had opened the clavichord and was strumming on it with one finger. The yard porter, his arms akimbo, stood smiling with satisfaction before the large mirror.


"Isn't it fine, eh, Uncle Ignát?" said the boy, suddenly beginning to strike the keyboard with both hands.


"Only fancy!" answered Ignát, surprised at the broadening grin on his face in the mirror.


"Impudence! Impudence!" they heard behind them the voice of Mávra Kuzmínichna who had entered silently. "How he's grinning, the fat mug! Is that what you're here for? Nothing's cleared away down there and Vasílich is worn out. Just you wait a bit!"


Ignát left off smiling, adjusted his belt, and went out of the room with meekly downcast eyes.


"Aunt, I did it gently," said the boy.


"I'll give you something gently, you monkey you!" cried Mávra Kuzmínichna, raising her arm threateningly. "Go and get the samovar to boil for your grandfather."


Mávra Kuzmínichna flicked the dust off the clavichord and closed it, and with a deep sigh left the drawing room and locked its main door.


Going out into the yard she paused to consider where she should go next—to drink tea in the servants' wing with Vasílich, or into the storeroom to put away what still lay about.


She heard the sound of quick footsteps in the quiet street. Someone stopped at the gate, and the latch rattled as someone tried to open it. Mávra Kuzmínichna went to the gate.


"The count—Count Ilyá Andréevich Rostóv."


"And who are you?"


"An officer, I have to see him," came the reply in a pleasant, well-bred Russian voice.


Mávra Kuzmínichna opened the gate and an officer of eighteen, with the round face of a Rostóv, entered the yard.


"They have gone away, sir. Went away yesterday at vespertime," said Mávra Kuzmínichna cordially.


The young officer standing in the gateway, as if hesitating whether to enter or not, clicked his tongue.


"Ah, how annoying!" he muttered. "I should have come yesterday.... Ah, what a pity."


Meanwhile, Mávra Kuzmínichna was attentively and sympathetically examining the familiar Rostóv features of the young man's face, his tattered coat and trodden-down boots.


"What did you want to see the count for?" she asked.


"Oh well... it can't be helped!" said he in a tone of vexation and placed his hand on the gate as if to leave.


He again paused in indecision.


"You see," he suddenly said, "I am a kinsman of the count's and he has been very kind to me. As you see" (he glanced with an amused air and good-natured smile at his coat and boots) "my things are worn out and I have no money, so I was going to ask the count..."


"Just wait a minute, sir. One little moment," said she.


And as soon as the officer let go of the gate handle she turned and, hurrying away on her old legs, went through the back yard to the servants' quarters.


While Mávra Kuzmínichna was running to her room the officer walked about the yard gazing at his worn-out boots with lowered head and a faint smile on his lips. "What a pity I've missed Uncle! What a nice old woman! Where has she run off to? And how am I to find the nearest way to overtake my regiment, which must by now be getting near the Rogózhski gate?" thought he. Just then Mávra Kuzmínichna appeared from behind the corner of the house with a frightened yet resolute look, carrying a rolled-up check kerchief in her hand. While still a few steps from the officer she unfolded the kerchief and took out of it a white twenty-five-ruble assignat and hastily handed it to him.


"If his excellency had been at home, as a kinsman he would of course... but as it is..."


Mávra Kuzmínichna grew abashed and confused. The officer did not decline, but took the note quietly and thanked her.


"If the count had been at home..." Mávra Kuzmínichna went on apologetically. "Christ be with you, sir! May God preserve you!" said she, bowing as she saw him out.


Swaying his head and smiling as if amused at himself, the officer ran almost at a trot through the deserted streets toward the Yaúza bridge to overtake his regiment.


But Mávra Kuzmínichna stood at the closed gate for some time with moist eyes, pensively swaying her head and feeling an unexpected flow of motherly tenderness and pity for the unknown young officer.


From an unfinished house on the Varvárka, the ground floor of which was a dramshop, came drunken shouts and songs. On benches round the tables in a dirty little room sat some ten factory hands. Tipsy and perspiring, with dim eyes and wide-open mouths, they were all laboriously singing some song or other. They were singing discordantly, arduously, and with great effort, evidently not because they wished to sing, but because they wanted to show they were drunk and on a spree. One, a tall, fair-haired lad in a clean blue coat, was standing over the others. His face with its fine straight nose would have been handsome had it not been for his thin, compressed, twitching lips and dull, gloomy, fixed eyes. Evidently possessed by some idea, he stood over those who were singing, and solemnly and jerkily flourished above their heads his white arm with the sleeve turned up to the elbow, trying unnaturally to spread out his dirty fingers. The sleeve of his coat kept slipping down and he always carefully rolled it up again with his left hand, as if it were most important that the sinewy white arm he was flourishing should be bare. In the midst of the song cries were heard, and fighting and blows in the passage and porch. The tall lad waved his arm.


"Stop it!" he exclaimed peremptorily. "There's a fight, lads!" And, still rolling up his sleeve, he went out to the porch.


The factory hands followed him. These men, who under the leadership of the tall lad were drinking in the dramshop that morning, had brought the publican some skins from the factory and for this had had drink served them. The blacksmiths from a neighboring smithy, hearing the sounds of revelry in the tavern and supposing it to have been broken into, wished to force their way in too and a fight in the porch had resulted.


The publican was fighting one of the smiths at the door, and when the workmen came out the smith, wrenching himself free from the tavern keeper, fell face downward on the pavement.


Another smith tried to enter the doorway, pressing against the publican with his chest.


The lad with the turned-up sleeve gave the smith a blow in the face and cried wildly: "They're fighting us, lads!"


At that moment the first smith got up and, scratching his bruised face to make it bleed, shouted in a tearful voice: "Police! Murder!... They've killed a man, lads!"


"Oh, gracious me, a man beaten to death—killed!..." screamed a woman coming out of a gate close by.


A crowd gathered round the bloodstained smith.


"Haven't you robbed people enough—taking their last shirts?" said a voice addressing the publican. "What have you killed a man for, you thief?"


The tall lad, standing in the porch, turned his bleared eyes from the publican to the smith and back again as if considering whom he ought to fight now.


"Murderer!" he shouted suddenly to the publican. "Bind him, lads!"


"I daresay you would like to bind me!" shouted the publican, pushing away the men advancing on him, and snatching his cap from his head he flung it on the ground.


As if this action had some mysterious and menacing significance, the workmen surrounding the publican paused in indecision.


"I know the law very well, mates! I'll take the matter to the captain of police. You think I won't get to him? Robbery is not permitted to anybody nowadays!" shouted the publican, picking up his cap.


"Come along then! Come along then!" the publican and the tall young fellow repeated one after the other, and they moved up the street together.


The bloodstained smith went beside them. The factory hands and others followed behind, talking and shouting.


At the corner of the Moroséyka, opposite a large house with closed shutters and bearing a bootmaker's signboard, stood a score of thin, worn-out, gloomy-faced bootmakers, wearing overalls and long tattered coats.


"He should pay folks off properly," a thin workingman, with frowning brows and a straggly beard, was saying.


"But he's sucked our blood and now he thinks he's quit of us. He's been misleading us all the week and now that he's brought us to this pass he's made off."


On seeing the crowd and the bloodstained man the workman ceased speaking, and with eager curiosity all the bootmakers joined the moving crowd.


"Where are all the folks going?"


"Why, to the police, of course!"


"I say, is it true that we have been beaten?" "And what did you think? Look what folks are saying."


Questions and answers were heard. The publican, taking advantage of the increased crowd, dropped behind and returned to his tavern.


The tall youth, not noticing the disappearance of his foe, waved his bare arm and went on talking incessantly, attracting general attention to himself. It was around him that the people chiefly crowded, expecting answers from him to the questions that occupied all their minds.


"He must keep order, keep the law, that's what the government is there for. Am I not right, good Christians?" said the tall youth, with a scarcely perceptible smile. "He thinks there's no government! How can one do without government? Or else there would be plenty who'd rob us."


"Why talk nonsense?" rejoined voices in the crowd. "Will they give up Moscow like this? They told you that for fun, and you believed it! Aren't there plenty of troops on the march? Let him in, indeed! That's what the government is for. You'd better listen to what people are saying," said some of the mob pointing to the tall youth.


By the wall of China-Town a smaller group of people were gathered round a man in a frieze coat who held a paper in his hand.


"An ukáse, they are reading an ukáse! Reading an ukáse!" cried voices in the crowd, and the people rushed toward the reader.


The man in the frieze coat was reading the broadsheet of August 31. When the crowd collected round him he seemed confused, but at the demand of the tall lad who had pushed his way up to him, he began in a rather tremulous voice to read the sheet from the beginning.


"Early tomorrow I shall go to his Serene Highness," he read ("Sirin Highness," said the tall fellow with a triumphant smile on his lips and a frown on his brow), "to consult with him to act, and to aid the army to exterminate these scoundrels. We too will take part..." the reader went on, and then paused ("Do you see," shouted the youth victoriously, "he's going to clear up the whole affair for you...."), "in destroying them, and will send these visitors to the devil. I will come back to dinner, and we'll set to work. We will do, completely do, and undo these scoundrels."


The last words were read out in the midst of complete silence. The tall lad hung his head gloomily. It was evident that no one had understood the last part. In particular, the words "I will come back to dinner," evidently displeased both reader and audience. The people's minds were tuned to a high pitch and this was too simple and needlessly comprehensible—it was what any one of them might have said and therefore was what an ukáse emanating from the highest authority should not say.


They all stood despondent and silent. The tall youth moved his lips and swayed from side to side.


"We should ask him... that's he himself?"... "Yes, ask him indeed!... Why not? He'll explain"... voices in the rear of the crowd were suddenly heard saying, and the general attention turned to the police superintendent's trap which drove into the square attended by two mounted dragoons.


The superintendent of police, who had gone that morning by Count Rostopchín's orders to burn the barges and had in connection with that matter acquired a large sum of money which was at that moment in his pocket, on seeing a crowd bearing down upon him told his coachman to stop.


"What people are these?" he shouted to the men, who were moving singly and timidly in the direction of his trap.


"What people are these?" he shouted again, receiving no answer.


"Your honor..." replied the shopman in the frieze coat, "your honor, in accord with the proclamation of his highest excellency the count, they desire to serve, not sparing their lives, and it is not any kind of riot, but as his highest excellence said..."


"The count has not left, he is here, and an order will be issued concerning you," said the superintendent of police. "Go on!" he ordered his coachman.


The crowd halted, pressing around those who had heard what the superintendent had said, and looking at the departing trap.


The superintendent of police turned round at that moment with a scared look, said something to his coachman, and his horses increased their speed.


"It's a fraud, lads! Lead the way to him, himself!" shouted the tall youth. "Don't let him go, lads! Let him answer us! Keep him!" shouted different people and the people dashed in pursuit of the trap.


Following the superintendent of police and talking loudly the crowd went in the direction of the Lubyánka Street.


"There now, the gentry and merchants have gone away and left us to perish. Do they think we're dogs?" voices in the crowd were heard saying more and more frequently.


On the evening of the first of September, after his interview with Kutúzov, Count Rostopchín had returned to Moscow mortified and offended because he had not been invited to attend the council of war, and because Kutúzov had paid no attention to his offer to take part in the defense of the city; amazed also at the novel outlook revealed to him at the camp, which treated the tranquillity of the capital and its patriotic fervor as not merely secondary but quite irrelevant and unimportant matters. Distressed, offended, and surprised by all this, Rostopchín had returned to Moscow. After supper he lay down on a sofa without undressing, and was awakened soon after midnight by a courier bringing him a letter from Kutúzov. This letter requested the count to send police officers to guide the troops through the town, as the army was retreating to the Ryazán road beyond Moscow. This was not news to Rostopchín. He had known that Moscow would be abandoned not merely since his interview the previous day with Kutúzov on the Poklónny Hill but ever since the battle of Borodinó, for all the generals who came to Moscow after that battle had said unanimously that it was impossible to fight another battle, and since then the government property had been removed every night, and half the inhabitants had left the city with Rostopchín's own permission. Yet all the same this information astonished and irritated the count, coming as it did in the form of a simple note with an order from Kutúzov, and received at night, breaking in on his beauty sleep.


When later on in his memoirs Count Rostopchín explained his actions at this time, he repeatedly says that he was then actuated by two important considerations: to maintain tranquillity in Moscow and expedite the departure of the inhabitants. If one accepts this twofold aim all Rostopchín's actions appear irreproachable. "Why were the holy relics, the arms, ammunition, gunpowder, and stores of corn not removed? Why were thousands of inhabitants deceived into believing that Moscow would not be given up—and thereby ruined?" "To preserve the tranquillity of the city," explains Count Rostopchín. "Why were bundles of useless papers from the government offices, and Leppich's balloon and other articles removed?" "To leave the town empty," explains Count Rostopchín. One need only admit that public tranquillity is in danger and any action finds a justification.


All the horrors of the reign of terror were based only on solicitude for public tranquillity.


On what, then, was Count Rostopchín's fear for the tranquillity of Moscow based in 1812? What reason was there for assuming any probability of an uprising in the city? The inhabitants were leaving it and the retreating troops were filling it. Why should that cause the masses to riot?


Neither in Moscow nor anywhere in Russia did anything resembling an insurrection ever occur when the enemy entered a town. More than ten thousand people were still in Moscow on the first and second of September, and except for a mob in the governor's courtyard, assembled there at his bidding, nothing happened. It is obvious that there would have been even less reason to expect a disturbance among the people if after the battle of Borodinó, when the surrender of Moscow became certain or at least probable, Rostopchín instead of exciting the people by distributing arms and broadsheets had taken steps to remove all the holy relics, the gunpowder, munitions, and money, and had told the population plainly that the town would be abandoned.


Rostopchín, though he had patriotic sentiments, was a sanguine and impulsive man who had always moved in the highest administrative circles and had no understanding at all of the people he supposed himself to be guiding. Ever since the enemy's entry into Smolénsk he had in imagination been playing the role of director of the popular feeling of "the heart of Russia." Not only did it seem to him (as to all administrators) that he controlled the external actions of Moscow's inhabitants, but he also thought he controlled their mental attitude by means of his broadsheets and posters, written in a coarse tone which the people despise in their own class and do not understand from those in authority. Rostopchín was so pleased with the fine role of leader of popular feeling, and had grown so used to it, that the necessity of relinquishing that role and abandoning Moscow without any heroic display took him unawares and he suddenly felt the ground slip away from under his feet, so that he positively did not know what to do. Though he knew it was coming, he did not till the last moment wholeheartedly believe that Moscow would be abandoned, and did not prepare for it. The inhabitants left against his wishes. If the government offices were removed, this was only done on the demand of officials to whom the count yielded reluctantly. He was absorbed in the role he had created for himself. As is often the case with those gifted with an ardent imagination, though he had long known that Moscow would be abandoned he knew it only with his intellect, he did not believe it in his heart and did not adapt himself mentally to this new position of affairs.


All his painstaking and energetic activity (in how far it was useful and had any effect on the people is another question) had been simply directed toward arousing in the masses his own feeling of patriotic hatred of the French.


But when events assumed their true historical character, when expressing hatred for the French in words proved insufficient, when it was not even possible to express that hatred by fighting a battle, when self-confidence was of no avail in relation to the one question before Moscow, when the whole population streamed out of Moscow as one man, abandoning their belongings and proving by that negative action all the depth of their national feeling, then the role chosen by Rostopchín suddenly appeared senseless. He unexpectedly felt himself ridiculous, weak, and alone, with no ground to stand on.


When, awakened from his sleep, he received that cold, peremptory note from Kutúzov, he felt the more irritated the more he felt himself to blame. All that he had been specially put in charge of, the state property which he should have removed, was still in Moscow and it was no longer possible to take the whole of it away.


"Who is to blame for it? Who has let things come to such a pass?" he ruminated. "Not I, of course. I had everything ready. I had Moscow firmly in hand. And this is what they have let it come to! Villains! Traitors!" he thought, without clearly defining who the villains and traitors were, but feeling it necessary to hate those traitors whoever they might be who were to blame for the false and ridiculous position in which he found himself.


All that night Count Rostopchín issued orders, for which people came to him from all parts of Moscow. Those about him had never seen the count so morose and irritable.


"Your excellency, the Director of the Registrar's Department has sent for instructions.... From the Consistory, from the Senate, from the University, from the Foundling Hospital, the Suffragan has sent... asking for information.... What are your orders about the Fire Brigade? From the governor of the prison... from the superintendent of the lunatic asylum..." All night long such announcements were continually being received by the count.


To all these inquiries he gave brief and angry replies indicating that orders from him were not now needed, that the whole affair, carefully prepared by him, had now been ruined by somebody, and that that somebody would have to bear the whole responsibility for all that might happen.


"Oh, tell that blockhead," he said in reply to the question from the Registrar's Department, "that he should remain to guard his documents. Now why are you asking silly questions about the Fire Brigade? They have horses, let them be off to Vladímir, and not leave them to the French."


"Your excellency, the superintendent of the lunatic asylum has come: what are your commands?"


"My commands? Let them go away, that's all.... And let the lunatics out into the town. When lunatics command our armies God evidently means these other madmen to be free."


In reply to an inquiry about the convicts in the prison, Count Rostopchín shouted angrily at the governor:


"Do you expect me to give you two battalions—which we have not got—for a convoy? Release them, that's all about it!"


"Your excellency, there are some political prisoners, Meshkóv, Vereshchágin..."


"Vereshchágin! Hasn't he been hanged yet?" shouted Rostopchín. "Bring him to me!"


Toward nine o'clock in the morning, when the troops were already moving through Moscow, nobody came to the count any more for instructions. Those who were able to get away were going of their own accord, those who remained behind decided for themselves what they must do.


The count ordered his carriage that he might drive to Sokólniki, and sat in his study with folded hands, morose, sallow, and taciturn.


In quiet and untroubled times it seems to every administrator that it is only by his efforts that the whole population under his rule is kept going, and in this consciousness of being indispensable every administrator finds the chief reward of his labor and efforts. While the sea of history remains calm the ruler-administrator in his frail bark, holding on with a boat hook to the ship of the people and himself moving, naturally imagines that his efforts move the ship he is holding on to. But as soon as a storm arises and the sea begins to heave and the ship to move, such a delusion is no longer possible. The ship moves independently with its own enormous motion, the boat hook no longer reaches the moving vessel, and suddenly the administrator, instead of appearing a ruler and a source of power, becomes an insignificant, useless, feeble man.


Rostopchín felt this, and it was this which exasperated him.


The superintendent of police, whom the crowd had stopped, went in to see him at the same time as an adjutant who informed the count that the horses were harnessed. They were both pale, and the superintendent of police, after reporting that he had executed the instructions he had received, informed the count that an immense crowd had collected in the courtyard and wished to see him.


Without saying a word Rostopchín rose and walked hastily to his light, luxurious drawing room, went to the balcony door, took hold of the handle, let it go again, and went to the window from which he had a better view of the whole crowd. The tall lad was standing in front, flourishing his arm and saying something with a stern look. The blood-stained smith stood beside him with a gloomy face. A drone of voices was audible through the closed window.


"Is my carriage ready?" asked Rostopchín, stepping back from the window.


"It is, your excellency," replied the adjutant.


Rostopchín went again to the balcony door.


"But what do they want?" he asked the superintendent of police.


"Your excellency, they say they have got ready, according to your orders, to go against the French, and they shouted something about treachery. But it is a turbulent crowd, your excellency—I hardly managed to get away from it. Your excellency, I venture to suggest..."


"You may go. I don't need you to tell me what to do!" exclaimed Rostopchín angrily.


He stood by the balcony door looking at the crowd.


"This is what they have done with Russia! This is what they have done with me!" thought he, full of an irrepressible fury that welled up within him against the someone to whom what was happening might be attributed. As often happens with passionate people, he was mastered by anger but was still seeking an object on which to vent it. "Here is that mob, the dregs of the people," he thought as he gazed at the crowd: "this rabble they have roused by their folly! They want a victim," he thought as he looked at the tall lad flourishing his arm. And this thought occurred to him just because he himself desired a victim, something on which to vent his rage.


"Is the carriage ready?" he asked again.


"Yes, your excellency. What are your orders about Vereshchágin? He is waiting at the porch," said the adjutant.


"Ah!" exclaimed Rostopchín, as if struck by an unexpected recollection.


And rapidly opening the door he went resolutely out onto the balcony. The talking instantly ceased, hats and caps were doffed, and all eyes were raised to the count.


"Good morning, lads!" said the count briskly and loudly. "Thank you for coming. I'll come out to you in a moment, but we must first settle with the villain. We must punish the villain who has caused the ruin of Moscow. Wait for me!"


And the count stepped as briskly back into the room and slammed the door behind him.


A murmur of approbation and satisfaction ran through the crowd. "He'll settle with all the villains, you'll see! And you said the French... He'll show you what law is!" the mob were saying as if reproving one another for their lack of confidence.


A few minutes later an officer came hurriedly out of the front door, gave an order, and the dragoons formed up in line. The crowd moved eagerly from the balcony toward the porch. Rostopchín, coming out there with quick angry steps, looked hastily around as if seeking someone.


"Where is he?" he inquired. And as he spoke he saw a young man coming round the corner of the house between two dragoons. He had a long thin neck, and his head, that had been half shaved, was again covered by short hair. This young man was dressed in a threadbare blue cloth coat lined with fox fur, that had once been smart, and dirty hempen convict trousers, over which were pulled his thin, dirty, trodden-down boots. On his thin, weak legs were heavy chains which hampered his irresolute movements.


"Ah!" said Rostopchín, hurriedly turning away his eyes from the young man in the fur-lined coat and pointing to the bottom step of the porch. "Put him there."


The young man in his clattering chains stepped clumsily to the spot indicated, holding away with one finger the coat collar which chafed his neck, turned his long neck twice this way and that, sighed, and submissively folded before him his thin hands, unused to work.


For several seconds while the young man was taking his place on the step the silence continued. Only among the back rows of the people, who were all pressing toward the one spot, could sighs, groans, and the shuffling of feet be heard.


While waiting for the young man to take his place on the step Rostopchín stood frowning and rubbing his face with his hand.


"Lads!" said he, with a metallic ring in his voice. "This man, Vereshchágin, is the scoundrel by whose doing Moscow is perishing."


The young man in the fur-lined coat, stooping a little, stood in a submissive attitude, his fingers clasped before him. His emaciated young face, disfigured by the half-shaven head, hung down hopelessly. At the count's first words he raised it slowly and looked up at him as if wishing to say something or at least to meet his eye. But Rostopchín did not look at him. A vein in the young man's long thin neck swelled like a cord and went blue behind the ear, and suddenly his face flushed.


All eyes were fixed on him. He looked at the crowd, and rendered more hopeful by the expression he read on the faces there, he smiled sadly and timidly, and lowering his head shifted his feet on the step.


"He has betrayed his Tsar and his country, he has gone over to Bonaparte. He alone of all the Russians has disgraced the Russian name, he has caused Moscow to perish," said Rostopchín in a sharp, even voice, but suddenly he glanced down at Vereshchágin who continued to stand in the same submissive attitude. As if inflamed by the sight, he raised his arm and addressed the people, almost shouting:


"Deal with him as you think fit! I hand him over to you."


The crowd remained silent and only pressed closer and closer to one another. To keep one another back, to breathe in that stifling atmosphere, to be unable to stir, and to await something unknown, uncomprehended, and terrible, was becoming unbearable. Those standing in front, who had seen and heard what had taken place before them, all stood with wide-open eyes and mouths, straining with all their strength, and held back the crowd that was pushing behind them.


"Beat him!... Let the traitor perish and not disgrace the Russian name!" shouted Rostopchín. "Cut him down. I command it."


Hearing not so much the words as the angry tone of Rostopchín's voice, the crowd moaned and heaved forward, but again paused.


"Count!" exclaimed the timid yet theatrical voice of Vereshchágin in the midst of the momentary silence that ensued, "Count! One God is above us both...." He lifted his head and again the thick vein in his thin neck filled with blood and the color rapidly came and went in his face.


He did not finish what he wished to say.


"Cut him down! I command it..." shouted Rostopchín, suddenly growing pale like Vereshchágin.


"Draw sabers!" cried the dragoon officer, drawing his own.


Another still stronger wave flowed through the crowd and reaching the front ranks carried it swaying to the very steps of the porch. The tall youth, with a stony look on his face, and rigid and uplifted arm, stood beside Vereshchágin.


"Saber him!" the dragoon officer almost whispered.


And one of the soldiers, his face all at once distorted with fury, struck Vereshchágin on the head with the blunt side of his saber.


"Ah!" cried Vereshchágin in meek surprise, looking round with a frightened glance as if not understanding why this was done to him. A similar moan of surprise and horror ran through the crowd. "O Lord!" exclaimed a sorrowful voice.


But after the exclamation of surprise that had escaped from Vereshchágin he uttered a plaintive cry of pain, and that cry was fatal. The barrier of human feeling, strained to the utmost, that had held the crowd in check suddenly broke. The crime had begun and must now be completed. The plaintive moan of reproach was drowned by the threatening and angry roar of the crowd. Like the seventh and last wave that shatters a ship, that last irresistible wave burst from the rear and reached the front ranks, carrying them off their feet and engulfing them all. The dragoon was about to repeat his blow. Vereshchágin with a cry of horror, covering his head with his hands, rushed toward the crowd. The tall youth, against whom he stumbled, seized his thin neck with his hands and, yelling wildly, fell with him under the feet of the pressing, struggling crowd.


Some beat and tore at Vereshchágin, others at the tall youth. And the screams of those that were being trampled on and of those who tried to rescue the tall lad only increased the fury of the crowd. It was a long time before the dragoons could extricate the bleeding youth, beaten almost to death. And for a long time, despite the feverish haste with which the mob tried to end the work that had been begun, those who were hitting, throttling, and tearing at Vereshchágin were unable to kill him, for the crowd pressed from all sides, swaying as one mass with them in the center and rendering it impossible for them either to kill him or let him go.


"Hit him with an ax, eh!... Crushed?... Traitor, he sold Christ.... Still alive... tenacious... serves him right! Torture serves a thief right. Use the hatchet!... What—still alive?"


Only when the victim ceased to struggle and his cries changed to a long-drawn, measured death rattle did the crowd around his prostrate, bleeding corpse begin rapidly to change places. Each one came up, glanced at what had been done, and with horror, reproach, and astonishment pushed back again.


"O Lord! The people are like wild beasts! How could he be alive?" voices in the crowd could be heard saying. "Quite a young fellow too... must have been a merchant's son. What men!... and they say he's not the right one.... How not the right one?... O Lord! And there's another has been beaten too—they say he's nearly done for.... Oh, the people... Aren't they afraid of sinning?..." said the same mob now, looking with pained distress at the dead body with its long, thin, half-severed neck and its livid face stained with blood and dust.


A painstaking police officer, considering the presence of a corpse in his excellency's courtyard unseemly, told the dragoons to take it away. Two dragoons took it by its distorted legs and dragged it along the ground. The gory, dust-stained, half-shaven head with its long neck trailed twisting along the ground. The crowd shrank back from it.


At the moment when Vereshchágin fell and the crowd closed in with savage yells and swayed about him, Rostopchín suddenly turned pale and, instead of going to the back entrance where his carriage awaited him, went with hurried steps and bent head, not knowing where and why, along the passage leading to the rooms on the ground floor. The count's face was white and he could not control the feverish twitching of his lower jaw.


"This way, your excellency... Where are you going?... This way, please..." said a trembling, frightened voice behind him.


Count Rostopchín was unable to reply and, turning obediently, went in the direction indicated. At the back entrance stood his calèche. The distant roar of the yelling crowd was audible even there. He hastily took his seat and told the coachman to drive him to his country house in Sokólniki.


When they reached the Myasnítski Street and could no longer hear the shouts of the mob, the count began to repent. He remembered with dissatisfaction the agitation and fear he had betrayed before his subordinates. "The mob is terrible—disgusting," he said to himself in French. "They are like wolves whom nothing but flesh can appease." "Count! One God is above us both!"—Vereshchágin's words suddenly recurred to him, and a disagreeable shiver ran down his back. But this was only a momentary feeling and Count Rostopchín smiled disdainfully at himself. "I had other duties," thought he. "The people had to be appeased. Many other victims have perished and are perishing for the public good"—and he began thinking of his social duties to his family and to the city entrusted to him, and of himself—not himself as Theodore Vasílyevich Rostopchín (he fancied that Theodore Vasílyevich Rostopchín was sacrificing himself for the public good) but himself as governor, the representative of authority and of the Tsar. "Had I been simply Theodore Vasílyevich my course of action would have been quite different, but it was my duty to safeguard my life and dignity as commander in chief."


Lightly swaying on the flexible springs of his carriage and no longer hearing the terrible sounds of the crowd, Rostopchín grew physically calm and, as always happens, as soon as he became physically tranquil his mind devised reasons why he should be mentally tranquil too. The thought which tranquillized Rostopchín was not a new one. Since the world began and men have killed one another no one has ever committed such a crime against his fellow man without comforting himself with this same idea. This idea is le bien public, the hypothetical welfare of other people.


To a man not swayed by passion that welfare is never certain, but he who commits such a crime always knows just where that welfare lies. And Rostopchín now knew it.


Not only did his reason not reproach him for what he had done, but he even found cause for self-satisfaction in having so successfully contrived to avail himself of a convenient opportunity to punish a criminal and at the same time pacify the mob.


"Vereshchágin was tried and condemned to death," thought Rostopchín (though the Senate had only condemned Vereshchágin to hard labor), "he was a traitor and a spy. I could not let him go unpunished and so I have killed two birds with one stone: to appease the mob I gave them a victim and at the same time punished a miscreant."


Having reached his country house and begun to give orders about domestic arrangements, the count grew quite tranquil.


Half an hour later he was driving with his fast horses across the Sokólniki field, no longer thinking of what had occurred but considering what was to come. He was driving to the Yaúza bridge where he had heard that Kutúzov was. Count Rostopchín was mentally preparing the angry and stinging reproaches he meant to address to Kutúzov for his deception. He would make that foxy old courtier feel that the responsibility for all the calamities that would follow the abandonment of the city and the ruin of Russia (as Rostopchín regarded it) would fall upon his doting old head. Planning beforehand what he would say to Kutúzov, Rostopchín turned angrily in his calèche and gazed sternly from side to side.


The Sokólniki field was deserted. Only at the end of it, in front of the almshouse and the lunatic asylum, could be seen some people in white and others like them walking singly across the field shouting and gesticulating.


One of these was running to cross the path of Count Rostopchín's carriage, and the count himself, his coachman, and his dragoons looked with vague horror and curiosity at these released lunatics and especially at the one running toward them.


Swaying from side to side on his long, thin legs in his fluttering dressing gown, this lunatic was running impetuously, his gaze fixed on Rostopchín, shouting something in a hoarse voice and making signs to him to stop. The lunatic's solemn, gloomy face was thin and yellow, with its beard growing in uneven tufts. His black, agate pupils with saffron-yellow whites moved restlessly near the lower eyelids.


"Stop! Pull up, I tell you!" he cried in a piercing voice, and again shouted something breathlessly with emphatic intonations and gestures.


Coming abreast of the calèche he ran beside it.


"Thrice have they slain me, thrice have I risen from the dead. They stoned me, crucified me... I shall rise... shall rise... shall rise. They have torn my body. The kingdom of God will be overthrown... Thrice will I overthrow it and thrice re-establish it!" he cried, raising his voice higher and higher.


Count Rostopchín suddenly grew pale as he had done when the crowd closed in on Vereshchágin. He turned away. "Go fas... faster!" he cried in a trembling voice to his coachman. The calèche flew over the ground as fast as the horses could draw it, but for a long time Count Rostopchín still heard the insane despairing screams growing fainter in the distance, while his eyes saw nothing but the astonished, frightened, bloodstained face of "the traitor" in the fur-lined coat.


Recent as that mental picture was, Rostopchín already felt that it had cut deep into his heart and drawn blood. Even now he felt clearly that the gory trace of that recollection would not pass with time, but that the terrible memory would, on the contrary, dwell in his heart ever more cruelly and painfully to the end of his life. He seemed still to hear the sound of his own words: "Cut him down! I command it...."


"Why did I utter those words? It was by some accident I said them.... I need not have said them," he thought. "And then nothing would have happened." He saw the frightened and then infuriated face of the dragoon who dealt the blow, the look of silent, timid reproach that boy in the fur-lined coat had turned upon him. "But I did not do it for my own sake. I was bound to act that way.... The mob, the traitor... the public welfare," thought he.


Troops were still crowding at the Yaúza bridge. It was hot. Kutúzov, dejected and frowning, sat on a bench by the bridge toying with his whip in the sand when a calèche dashed up noisily. A man in a general's uniform with plumes in his hat went up to Kutúzov and said something in French. It was Count Rostopchín. He told Kutúzov that he had come because Moscow, the capital, was no more and only the army remained.


"Things would have been different if your Serene Highness had not told me that you would not abandon Moscow without another battle; all this would not have happened," he said.


Kutúzov looked at Rostopchín as if, not grasping what was said to him, he was trying to read something peculiar written at that moment on the face of the man addressing him. Rostopchín grew confused and became silent. Kutúzov slightly shook his head and not taking his penetrating gaze from Rostopchín's face muttered softly:


"No! I shall not give up Moscow without a battle!"


Whether Kutúzov was thinking of something entirely different when he spoke those words, or uttered them purposely, knowing them to be meaningless, at any rate Rostopchín made no reply and hastily left him. And strange to say, the Governor of Moscow, the proud Count Rostopchín, took up a Cossack whip and went to the bridge where he began with shouts to drive on the carts that blocked the way.


Toward four o'clock in the afternoon Murat's troops were entering Moscow. In front rode a detachment of Württemberg hussars and behind them rode the King of Naples himself accompanied by a numerous suite.


About the middle of the Arbát Street, near the Church of the Miraculous Icon of St. Nicholas, Murat halted to await news from the advanced detachment as to the condition in which they had found the citadel, le Kremlin.


Around Murat gathered a group of those who had remained in Moscow. They all stared in timid bewilderment at the strange, long-haired commander dressed up in feathers and gold.


"Is that their Tsar himself? He's not bad!" low voices could be heard saying.


An interpreter rode up to the group.


"Take off your cap... your caps!" These words went from one to another in the crowd. The interpreter addressed an old porter and asked if it was far to the Krémlin. The porter, listening in perplexity to the unfamiliar Polish accent and not realizing that the interpreter was speaking Russian, did not understand what was being said to him and slipped behind the others.


Murat approached the interpreter and told him to ask where the Russian army was. One of the Russians understood what was asked and several voices at once began answering the interpreter. A French officer, returning from the advanced detachment, rode up to Murat and reported that the gates of the citadel had been barricaded and that there was probably an ambuscade there.


"Good!" said Murat and, turning to one of the gentlemen in his suite, ordered four light guns to be moved forward to fire at the gates.


The guns emerged at a trot from the column following Murat and advanced up the Arbát. When they reached the end of the Vozdvízhenka Street they halted and drew in the Square. Several French officers superintended the placing of the guns and looked at the Krémlin through field glasses.


The bells in the Krémlin were ringing for vespers, and this sound troubled the French. They imagined it to be a call to arms. A few infantrymen ran to the Kutáfyev Gate. Beams and wooden screens had been put there, and two musket shots rang out from under the gate as soon as an officer and men began to run toward it. A general who was standing by the guns shouted some words of command to the officer, and the latter ran back again with his men.


The sound of three more shots came from the gate.


One shot struck a French soldier's foot, and from behind the screens came the strange sound of a few voices shouting. Instantly as at a word of command the expression of cheerful serenity on the faces of the French general, officers, and men changed to one of determined concentrated readiness for strife and suffering. To all of them from the marshal to the least soldier, that place was not the Vozdvízhenka, Mokhaváya, or Kutáfyev Street, nor the Tróitsa Gate (places familiar in Moscow), but a new battlefield which would probably prove sanguinary. And all made ready for that battle. The cries from the gates ceased. The guns were advanced, the artillerymen blew the ash off their linstocks, and an officer gave the word "Fire!" This was followed by two whistling sounds of canister shot, one after another. The shot rattled against the stone of the gate and upon the wooden beams and screens, and two wavering clouds of smoke rose over the Square.


A few instants after the echo of the reports resounding over the stone-built Krémlin had died away the French heard a strange sound above their head. Thousands of crows rose above the walls and circled in the air, cawing and noisily flapping their wings. Together with that sound came a solitary human cry from the gateway and amid the smoke appeared the figure of a bareheaded man in a peasant's coat. He grasped a musket and took aim at the French. "Fire!" repeated the officer once more, and the reports of a musket and of two cannon shots were heard simultaneously. The gate was again hidden by smoke.


Nothing more stirred behind the screens and the French infantry soldiers and officers advanced to the gate. In the gateway lay three wounded and four dead. Two men in peasant coats ran away at the foot of the wall, toward the Známenka.


"Clear that away!" said the officer, pointing to the beams and the corpses, and the French soldiers, after dispatching the wounded, threw the corpses over the parapet.


Who these men were nobody knew. "Clear that away!" was all that was said of them, and they were thrown over the parapet and removed later on that they might not stink. Thiers alone dedicates a few eloquent lines to their memory: "These wretches had occupied the sacred citadel, having supplied themselves with guns from the arsenal, and fired" (the wretches) "at the French. Some of them were sabered and the Krémlin was purged of their presence."


Murat was informed that the way had been cleared. The French entered the gates and began pitching their camp in the Senate Square. Out of the windows of the Senate House the soldiers threw chairs into the Square for fuel and kindled fires there.


Other detachments passed through the Krémlin and encamped along the Moroséyka, the Lubyánka, and Pokróvka Streets. Others quartered themselves along the Vozdvízhenka, the Nikólski, and the Tverskóy Streets. No masters of the houses being found anywhere, the French were not billeted on the inhabitants as is usual in towns but lived in it as in a camp.


Though tattered, hungry, worn out, and reduced to a third of their original number, the French entered Moscow in good marching order. It was a weary and famished, but still a fighting and menacing army. But it remained an army only until its soldiers had dispersed into their different lodgings. As soon as the men of the various regiments began to disperse among the wealthy and deserted houses, the army was lost forever and there came into being something nondescript, neither citizens nor soldiers but what are known as marauders. When five weeks later these same men left Moscow, they no longer formed an army. They were a mob of marauders, each carrying a quantity of articles which seemed to him valuable or useful. The aim of each man when he left Moscow was no longer, as it had been, to conquer, but merely to keep what he had acquired. Like a monkey which puts its paw into the narrow neck of a jug, and having seized a handful of nuts will not open its fist for fear of losing what it holds, and therefore perishes, the French when they left Moscow had inevitably to perish because they carried their loot with them, yet to abandon what they had stolen was as impossible for them as it is for the monkey to open its paw and let go of its nuts. Ten minutes after each regiment had entered a Moscow district, not a soldier or officer was left. Men in military uniforms and Hessian boots could be seen through the windows, laughing and walking through the rooms. In cellars and storerooms similar men were busy among the provisions, and in the yards unlocking or breaking open coach house and stable doors, lighting fires in kitchens and kneading and baking bread with rolled-up sleeves, and cooking; or frightening, amusing, or caressing women and children. There were many such men both in the shops and houses—but there was no army.


Order after order was issued by the French commanders that day forbidding the men to disperse about the town, sternly forbidding any violence to the inhabitants or any looting, and announcing a roll call for that very evening. But despite all these measures the men, who had till then constituted an army, flowed all over the wealthy, deserted city with its comforts and plentiful supplies. As a hungry herd of cattle keeps well together when crossing a barren field, but gets out of hand and at once disperses uncontrollably as soon as it reaches rich pastures, so did the army disperse all over the wealthy city.


No residents were left in Moscow, and the soldiers—like water percolating through sand—spread irresistibly through the city in all directions from the Krémlin into which they had first marched. The cavalry, on entering a merchant's house that had been abandoned and finding there stabling more than sufficient for their horses, went on, all the same, to the next house which seemed to them better. Many of them appropriated several houses, chalked their names on them, and quarreled and even fought with other companies for them. Before they had had time to secure quarters the soldiers ran out into the streets to see the city and, hearing that everything had been abandoned, rushed to places where valuables were to be had for the taking. The officers followed to check the soldiers and were involuntarily drawn into doing the same. In Carriage Row carriages had been left in the shops, and generals flocked there to select calèches and coaches for themselves. The few inhabitants who had remained invited commanding officers to their houses, hoping thereby to secure themselves from being plundered. There were masses of wealth and there seemed no end to it. All around the quarters occupied by the French were other regions still unexplored and unoccupied where, they thought, yet greater riches might be found. And Moscow engulfed the army ever deeper and deeper. When water is spilled on dry ground both the dry ground and the water disappear and mud results; and in the same way the entry of the famished army into the rich and deserted city resulted in fires and looting and the destruction of both the army and the wealthy city.


The French attributed the Fire of Moscow au patriotisme féroce de Rostopchíne, * the Russians to the barbarity of the French. In reality, however, it was not, and could not be, possible to explain the burning of Moscow by making any individual, or any group of people, responsible for it. Moscow was burned because it found itself in a position in which any town built of wood was bound to burn, quite apart from whether it had, or had not, a hundred and thirty inferior fire engines. Deserted Moscow had to burn as inevitably as a heap of shavings has to burn on which sparks continually fall for several days. A town built of wood, where scarcely a day passes without conflagrations when the house owners are in residence and a police force is present, cannot help burning when its inhabitants have left it and it is occupied by soldiers who smoke pipes, make campfires of the Senate chairs in the Senate Square, and cook themselves meals twice a day. In peacetime it is only necessary to billet troops in the villages of any district and the number of fires in that district immediately increases. How much then must the probability of fire be increased in an abandoned, wooden town where foreign troops are quartered. "Le patriotisme féroce de Rostopchíne" and the barbarity of the French were not to blame in the matter. Moscow was set on fire by the soldiers' pipes, kitchens, and campfires, and by the carelessness of enemy soldiers occupying houses they did not own. Even if there was any arson (which is very doubtful, for no one had any reason to burn the houses—in any case a troublesome and dangerous thing to do), arson cannot be regarded as the cause, for the same thing would have happened without any incendiarism.


* To Rostopchín's ferocious patriotism.


However tempting it might be for the French to blame Rostopchín's ferocity and for Russians to blame the scoundrel Bonaparte, or later on to place an heroic torch in the hands of their own people, it is impossible not to see that there could be no such direct cause of the fire, for Moscow had to burn as every village, factory, or house must burn which is left by its owners and in which strangers are allowed to live and cook their porridge. Moscow was burned by its inhabitants, it is true, but by those who had abandoned it and not by those who remained in it. Moscow when occupied by the enemy did not remain intact like Berlin, Vienna, and other towns, simply because its inhabitants abandoned it and did not welcome the French with bread and salt, nor bring them the keys of the city.


The absorption of the French by Moscow, radiating starwise as it did, only reached the quarter where Pierre was staying by the evening of the second of September.


After the last two days spent in solitude and unusual circumstances, Pierre was in a state bordering on insanity. He was completely obsessed by one persistent thought. He did not know how or when this thought had taken such possession of him, but he remembered nothing of the past, understood nothing of the present, and all he saw and heard appeared to him like a dream.


He had left home only to escape the intricate tangle of life's demands that enmeshed him, and which in his present condition he was unable to unravel. He had gone to Joseph Alexéevich's house, on the plea of sorting the deceased's books and papers, only in search of rest from life's turmoil, for in his mind the memory of Joseph Alexéevich was connected with a world of eternal, solemn, and calm thoughts, quite contrary to the restless confusion into which he felt himself being drawn. He sought a quiet refuge, and in Joseph Alexéevich's study he really found it. When he sat with his elbows on the dusty writing table in the deathlike stillness of the study, calm and significant memories of the last few days rose one after another in his imagination, particularly of the battle of Borodinó and of that vague sense of his own insignificance and insincerity compared with the truth, simplicity, and strength of the class of men he mentally classed as they. When Gerásim roused him from his reverie the idea occurred to him of taking part in the popular defense of Moscow which he knew was projected. And with that object he had asked Gerásim to get him a peasant's coat and a pistol, confiding to him his intentions of remaining in Joseph Alexéevich's house and keeping his name secret. Then during the first day spent in inaction and solitude (he tried several times to fix his attention on the Masonic manuscripts, but was unable to do so) the idea that had previously occurred to him of the cabalistic significance of his name in connection with Bonaparte's more than once vaguely presented itself. But the idea that he, L'russe Besuhof, was destined to set a limit to the power of the Beast was as yet only one of the fancies that often passed through his mind and left no trace behind.


When, having bought the coat merely with the object of taking part among the people in the defense of Moscow, Pierre had met the Rostóvs and Natásha had said to him: "Are you remaining in Moscow?... How splendid!" the thought flashed into his mind that it really would be a good thing, even if Moscow were taken, for him to remain there and do what he was predestined to do.


Next day, with the sole idea of not sparing himself and not lagging in any way behind them, Pierre went to the Three Hills gate. But when he returned to the house convinced that Moscow would not be defended, he suddenly felt that what before had seemed to him merely a possibility had now become absolutely necessary and inevitable. He must remain in Moscow, concealing his name, and must meet Napoleon and kill him, and either perish or put an end to the misery of all Europe—which it seemed to him was solely due to Napoleon.


Pierre knew all the details of the attempt on Bonaparte's life in 1809 by a German student in Vienna, and knew that the student had been shot. And the risk to which he would expose his life by carrying out his design excited him still more.


Two equally strong feelings drew Pierre irresistibly to this purpose. The first was a feeling of the necessity of sacrifice and suffering in view of the common calamity, the same feeling that had caused him to go to Mozháysk on the twenty-fifth and to make his way to the very thick of the battle and had now caused him to run away from his home and, in place of the luxury and comfort to which he was accustomed, to sleep on a hard sofa without undressing and eat the same food as Gerásim. The other was that vague and quite Russian feeling of contempt for everything conventional, artificial, and human—for everything the majority of men regard as the greatest good in the world. Pierre had first experienced this strange and fascinating feeling at the Slobóda Palace, when he had suddenly felt that wealth, power, and life—all that men so painstakingly acquire and guard—if it has any worth has so only by reason of the joy with which it can all be renounced.


It was the feeling that induces a volunteer recruit to spend his last penny on drink, and a drunken man to smash mirrors or glasses for no apparent reason and knowing that it will cost him all the money he possesses: the feeling which causes a man to perform actions which from an ordinary point of view are insane, to test, as it were, his personal power and strength, affirming the existence of a higher, nonhuman criterion of life.


From the very day Pierre had experienced this feeling for the first time at the Slobóda Palace he had been continuously under its influence, but only now found full satisfaction for it. Moreover, at this moment Pierre was supported in his design and prevented from renouncing it by what he had already done in that direction. If he were now to leave Moscow like everyone else, his flight from home, the peasant coat, the pistol, and his announcement to the Rostóvs that he would remain in Moscow would all become not merely meaningless but contemptible and ridiculous, and to this Pierre was very sensitive.


Pierre's physical condition, as is always the case, corresponded to his mental state. The unaccustomed coarse food, the vodka he drank during those days, the absence of wine and cigars, his dirty unchanged linen, two almost sleepless nights passed on a short sofa without bedding—all this kept him in a state of excitement bordering on insanity.


It was two o'clock in the afternoon. The French had already entered Moscow. Pierre knew this, but instead of acting he only thought about his undertaking, going over its minutest details in his mind. In his fancy he did not clearly picture to himself either the striking of the blow or the death of Napoleon, but with extraordinary vividness and melancholy enjoyment imagined his own destruction and heroic endurance.


"Yes, alone, for the sake of all, I must do it or perish!" he thought. "Yes, I will approach... and then suddenly... with pistol or dagger? But that is all the same! 'It is not I but the hand of Providence that punishes thee,' I shall say," thought he, imagining what he would say when killing Napoleon. "Well then, take me and execute me!" he went on, speaking to himself and bowing his head with a sad but firm expression.


While Pierre, standing in the middle of the room, was talking to himself in this way, the study door opened and on the threshold appeared the figure of Makár Alexéevich, always so timid before but now quite transformed.


His dressing gown was unfastened, his face red and distorted. He was obviously drunk. On seeing Pierre he grew confused at first, but noticing embarrassment on Pierre's face immediately grew bold and, staggering on his thin legs, advanced into the middle of the room.


"They're frightened," he said confidentially in a hoarse voice. "I say I won't surrender, I say... Am I not right, sir?"


He paused and then suddenly seeing the pistol on the table seized it with unexpected rapidity and ran out into the corridor.


Gerásim and the porter, who had followed Makár Alexéevich, stopped him in the vestibule and tried to take the pistol from him. Pierre, coming out into the corridor, looked with pity and repulsion at the half-crazy old man. Makár Alexéevich, frowning with exertion, held on to the pistol and screamed hoarsely, evidently with some heroic fancy in his head.


"To arms! Board them! No, you shan't get it," he yelled.


"That will do, please, that will do. Have the goodness—please, sir, to let go! Please, sir..." pleaded Gerásim, trying carefully to steer Makár Alexéevich by the elbows back to the door.


"Who are you? Bonaparte!..." shouted Makár Alexéevich.


"That's not right, sir. Come to your room, please, and rest. Allow me to have the pistol."


"Be off, thou base slave! Touch me not! See this?" shouted Makár Alexéevich, brandishing the pistol. "Board them!"


"Catch hold!" whispered Gerásim to the porter.


They seized Makár Alexéevich by the arms and dragged him to the door.


The vestibule was filled with the discordant sounds of a struggle and of a tipsy, hoarse voice.


Suddenly a fresh sound, a piercing feminine scream, reverberated from the porch and the cook came running into the vestibule.


"It's them! Gracious heavens! O Lord, four of them, horsemen!" she cried.


Gerásim and the porter let Makár Alexéevich go, and in the now silent corridor the sound of several hands knocking at the front door could be heard.


Pierre, having decided that until he had carried out his design he would disclose neither his identity nor his knowledge of French, stood at the half-open door of the corridor, intending to conceal himself as soon as the French entered. But the French entered and still Pierre did not retire—an irresistible curiosity kept him there.


There were two of them. One was an officer—a tall, soldierly, handsome man—the other evidently a private or an orderly, sunburned, short, and thin, with sunken cheeks and a dull expression. The officer walked in front, leaning on a stick and slightly limping. When he had advanced a few steps he stopped, having apparently decided that these were good quarters, turned round to the soldiers standing at the entrance, and in a loud voice of command ordered them to put up the horses. Having done that, the officer, lifting his elbow with a smart gesture, stroked his mustache and lightly touched his hat.


"Bonjour, la compagnie!" * said he gaily, smiling and looking about him.


No one gave any reply.


"Vous êtes le bourgeois?" * the officer asked Gerásim.


* "Are you the master here?"


Gerásim gazed at the officer with an alarmed and inquiring look.


"Quartier, quartier, logement!" said the officer, looking down at the little man with a condescending and good-natured smile. "Les français sont de bons enfants. Que diable! Voyons! Ne nous fâchons pas, mon vieux!" * added he, clapping the scared and silent Gerásim on the shoulder. "Well, does no one speak French in this establishment?" he asked again in French, looking around and meeting Pierre's eyes. Pierre moved away from the door.


* "Quarters, quarters, lodgings! The French are good fellows. What the devil! There, don't let us be cross, old fellow!"


Again the officer turned to Gerásim and asked him to show him the rooms in the house.


"Master, not here—don't understand... me, you..." said Gerásim, trying to render his words more comprehensible by contorting them.


Still smiling, the French officer spread out his hands before Gerásim's nose, intimating that he did not understand him either, and moved, limping, to the door at which Pierre was standing. Pierre wished to go away and conceal himself, but at that moment he saw Makár Alexéevich appearing at the open kitchen door with the pistol in his hand. With a madman's cunning, Makár Alexéevich eyed the Frenchman, raised his pistol, and took aim.


"Board them!" yelled the tipsy man, trying to press the trigger. Hearing the yell the officer turned round, and at the same moment Pierre threw himself on the drunkard. Just when Pierre snatched at and struck up the pistol Makár Alexéevich at last got his fingers on the trigger, there was a deafening report, and all were enveloped in a cloud of smoke. The Frenchman turned pale and rushed to the door.


Forgetting his intention of concealing his knowledge of French, Pierre, snatching away the pistol and throwing it down, ran up to the officer and addressed him in French.


"You are not wounded?" he asked.


"I think not," answered the Frenchman, feeling himself over. "But I have had a lucky escape this time," he added, pointing to the damaged plaster of the wall. "Who is that man?" said he, looking sternly at Pierre.


"Oh, I am really in despair at what has occurred," said Pierre rapidly, quite forgetting the part he had intended to play. "He is an unfortunate madman who did not know what he was doing."


The officer went up to Makár Alexéevich and took him by the collar.


Makár Alexéevich was standing with parted lips, swaying, as if about to fall asleep, as he leaned against the wall.


"Brigand! You shall pay for this," said the Frenchman, letting go of him. "We French are merciful after victory, but we do not pardon traitors," he added, with a look of gloomy dignity and a fine energetic gesture.


Pierre continued, in French, to persuade the officer not to hold that drunken imbecile to account. The Frenchman listened in silence with the same gloomy expression, but suddenly turned to Pierre with a smile. For a few seconds he looked at him in silence. His handsome face assumed a melodramatically gentle expression and he held out his hand.


"You have saved my life. You are French," said he.


For a Frenchman that deduction was indubitable. Only a Frenchman could perform a great deed, and to save his life—the life of M. Ramballe, captain of the 13th Light Regiment—was undoubtedly a very great deed.


But however indubitable that conclusion and the officer's conviction based upon it, Pierre felt it necessary to disillusion him.


"I am Russian," he said quickly.


"Tut, tut, tut! Tell that to others," said the officer, waving his finger before his nose and smiling. "You shall tell me all about that presently. I am delighted to meet a compatriot. Well, and what are we to do with this man?" he added, addressing himself to Pierre as to a brother.


Even if Pierre were not a Frenchman, having once received that loftiest of human appellations he could not renounce it, said the officer's look and tone. In reply to his last question Pierre again explained who Makár Alexéevich was and how just before their arrival that drunken imbecile had seized the loaded pistol which they had not had time to recover from him, and begged the officer to let the deed go unpunished.


The Frenchman expanded his chest and made a majestic gesture with his arm.


"You have saved my life! You are French. You ask his pardon? I grant it you. Lead that man away!" said he quickly and energetically, and taking the arm of Pierre whom he had promoted to be a Frenchman for saving his life, he went with him into the room.


The soldiers in the yard, hearing the shot, came into the passage asking what had happened, and expressed their readiness to punish the culprits, but the officer sternly checked them.


"You will be called in when you are wanted," he said.


The soldiers went out again, and the orderly, who had meanwhile had time to visit the kitchen, came up to his officer.


"Captain, there is soup and a leg of mutton in the kitchen," said he. "Shall I serve them up?"


"Yes, and some wine," answered the captain.


When the French officer went into the room with Pierre the latter again thought it his duty to assure him that he was not French and wished to go away, but the officer would not hear of it. He was so very polite, amiable, good-natured, and genuinely grateful to Pierre for saving his life that Pierre had not the heart to refuse, and sat down with him in the parlor—the first room they entered. To Pierre's assurances that he was not a Frenchman, the captain, evidently not understanding how anyone could decline so flattering an appellation, shrugged his shoulders and said that if Pierre absolutely insisted on passing for a Russian let it be so, but for all that he would be forever bound to Pierre by gratitude for saving his life.


Had this man been endowed with the slightest capacity for perceiving the feelings of others, and had he at all understood what Pierre's feelings were, the latter would probably have left him, but the man's animated obtuseness to everything other than himself disarmed Pierre.


"A Frenchman or a Russian prince incognito," said the officer, looking at Pierre's fine though dirty linen and at the ring on his finger. "I owe my life to you and offer you my friendship. A Frenchman never forgets either an insult or a service. I offer you my friendship. That is all I can say."


There was so much good nature and nobility (in the French sense of the word) in the officer's voice, in the expression of his face and in his gestures, that Pierre, unconsciously smiling in response to the Frenchman's smile, pressed the hand held out to him.


"Captain Ramballe, of the 13th Light Regiment, Chevalier of the Legion of Honor for the affair on the seventh of September," he introduced himself, a self-satisfied irrepressible smile puckering his lips under his mustache. "Will you now be so good as to tell me with whom I have the honor of conversing so pleasantly, instead of being in the ambulance with that maniac's bullet in my body?"


Pierre replied that he could not tell him his name and, blushing, began to try to invent a name and to say something about his reason for concealing it, but the Frenchman hastily interrupted him.


"Oh, please!" said he. "I understand your reasons. You are an officer... a superior officer perhaps. You have borne arms against us. That's not my business. I owe you my life. That is enough for me. I am quite at your service. You belong to the gentry?" he concluded with a shade of inquiry in his tone. Pierre bent his head. "Your baptismal name, if you please. That is all I ask. Monsieur Pierre, you say.... That's all I want to know."


When the mutton and an omelet had been served and a samovar and vodka brought, with some wine which the French had taken from a Russian cellar and brought with them, Ramballe invited Pierre to share his dinner, and himself began to eat greedily and quickly like a healthy and hungry man, munching his food rapidly with his strong teeth, continually smacking his lips, and repeating—"Excellent! Delicious!" His face grew red and was covered with perspiration. Pierre was hungry and shared the dinner with pleasure. Morel, the orderly, brought some hot water in a saucepan and placed a bottle of claret in it. He also brought a bottle of kvass, taken from the kitchen for them to try. That beverage was already known to the French and had been given a special name. They called it limonade de cochon (pig's lemonade), and Morel spoke well of the limonade de cochon he had found in the kitchen. But as the captain had the wine they had taken while passing through Moscow, he left the kvass to Morel and applied himself to the bottle of Bordeaux. He wrapped the bottle up to its neck in a table napkin and poured out wine for himself and for Pierre. The satisfaction of his hunger and the wine rendered the captain still more lively and he chatted incessantly all through dinner.


"Yes, my dear Monsieur Pierre, I owe you a fine votive candle for saving me from that maniac.... You see, I have bullets enough in my body already. Here is one I got at Wagram" (he touched his side) "and a second at Smolénsk"—he showed a scar on his cheek—"and this leg which as you see does not want to march, I got that on the seventh at the great battle of la Moskowa. Sacré Dieu! It was splendid! That deluge of fire was worth seeing. It was a tough job you set us there, my word! You may be proud of it! And on my honor, in spite of the cough I caught there, I should be ready to begin again. I pity those who did not see it."


"I was there," said Pierre.


"Bah, really? So much the better! You are certainly brave foes. The great redoubt held out well, by my pipe!" continued the Frenchman. "And you made us pay dear for it. I was at it three times—sure as I sit here. Three times we reached the guns and three times we were thrown back like cardboard figures. Oh, it was beautiful, Monsieur Pierre! Your grenadiers were splendid, by heaven! I saw them close up their ranks six times in succession and march as if on parade. Fine fellows! Our King of Naples, who knows what's what, cried 'Bravo!' Ha, ha! So you are one of us soldiers!" he added, smiling, after a momentary pause. "So much the better, so much the better, Monsieur Pierre! Terrible in battle... gallant... with the fair" (he winked and smiled), "that's what the French are, Monsieur Pierre, aren't they?"


The captain was so naïvely and good-humoredly gay, so real, and so pleased with himself that Pierre almost winked back as he looked merrily at him. Probably the word "gallant" turned the captain's thoughts to the state of Moscow.


"Apropos, tell me please, is it true that the women have all left Moscow? What a queer idea! What had they to be afraid of?"


"Would not the French ladies leave Paris if the Russians entered it?" asked Pierre.


"Ha, ha, ha!" The Frenchman emitted a merry, sanguine chuckle, patting Pierre on the shoulder. "What a thing to say!" he exclaimed. "Paris?... But Paris, Paris..."


"Paris—the capital of the world," Pierre finished his remark for him.


The captain looked at Pierre. He had a habit of stopping short in the middle of his talk and gazing intently with his laughing, kindly eyes.


"Well, if you hadn't told me you were Russian, I should have wagered that you were Parisian! You have that... I don't know what, that..." and having uttered this compliment, he again gazed at him in silence.


"I have been in Paris. I spent years there," said Pierre.


"Oh yes, one sees that plainly. Paris!... A man who doesn't know Paris is a savage. You can tell a Parisian two leagues off. Paris is Talma, la Duchénois, Potier, the Sorbonne, the boulevards," and noticing that his conclusion was weaker than what had gone before, he added quickly: "There is only one Paris in the world. You have been to Paris and have remained Russian. Well, I don't esteem you the less for it."


Under the influence of the wine he had drunk, and after the days he had spent alone with his depressing thoughts, Pierre involuntarily enjoyed talking with this cheerful and good-natured man.


"To return to your ladies—I hear they are lovely. What a wretched idea to go and bury themselves in the steppes when the French army is in Moscow. What a chance those girls have missed! Your peasants, now—that's another thing; but you civilized people, you ought to know us better than that. We took Vienna, Berlin, Madrid, Naples, Rome, Warsaw, all the world's capitals.... We are feared, but we are loved. We are nice to know. And then the Emperor..." he began, but Pierre interrupted him.


"The Emperor," Pierre repeated, and his face suddenly became sad and embarrassed, "is the Emperor...?"


"The Emperor? He is generosity, mercy, justice, order, genius—that's what the Emperor is! It is I, Ramballe, who tell you so.... I assure you I was his enemy eight years ago. My father was an emigrant count.... But that man has vanquished me. He has taken hold of me. I could not resist the sight of the grandeur and glory with which he has covered France. When I understood what he wanted—when I saw that he was preparing a bed of laurels for us, you know, I said to myself: 'That is a monarch,' and I devoted myself to him! So there! Oh yes, mon cher, he is the greatest man of the ages past or future."


"Is he in Moscow?" Pierre stammered with a guilty look.


The Frenchman looked at his guilty face and smiled.


"No, he will make his entry tomorrow," he replied, and continued his talk.


Their conversation was interrupted by the cries of several voices at the gate and by Morel, who came to say that some Württemberg hussars had come and wanted to put up their horses in the yard where the captain's horses were. This difficulty had arisen chiefly because the hussars did not understand what was said to them in French.


The captain had their senior sergeant called in, and in a stern voice asked him to what regiment he belonged, who was his commanding officer, and by what right he allowed himself to claim quarters that were already occupied. The German who knew little French, answered the two first questions by giving the names of his regiment and of his commanding officer, but in reply to the third question which he did not understand said, introducing broken French into his own German, that he was the quartermaster of the regiment and his commander had ordered him to occupy all the houses one after another. Pierre, who knew German, translated what the German said to the captain and gave the captain's reply to the Württemberg hussar in German. When he had understood what was said to him, the German submitted and took his men elsewhere. The captain went out into the porch and gave some orders in a loud voice.


When he returned to the room Pierre was sitting in the same place as before, with his head in his hands. His face expressed suffering. He really was suffering at that moment. When the captain went out and he was left alone, suddenly he came to himself and realized the position he was in. It was not that Moscow had been taken or that the happy conquerors were masters in it and were patronizing him. Painful as that was it was not that which tormented Pierre at the moment. He was tormented by the consciousness of his own weakness. The few glasses of wine he had drunk and the conversation with this good-natured man had destroyed the mood of concentrated gloom in which he had spent the last few days and which was essential for the execution of his design. The pistol, dagger, and peasant coat were ready. Napoleon was to enter the town next day. Pierre still considered that it would be a useful and worthy action to slay the evildoer, but now he felt that he would not do it. He did not know why, but he felt a foreboding that he would not carry out his intention. He struggled against the confession of his weakness but dimly felt that he could not overcome it and that his former gloomy frame of mind, concerning vengeance, killing, and self-sacrifice, had been dispersed like dust by contact with the first man he met.


The captain returned to the room, limping slightly and whistling a tune.


The Frenchman's chatter which had previously amused Pierre now repelled him. The tune he was whistling, his gait, and the gesture with which he twirled his mustache, all now seemed offensive. "I will go away immediately. I won't say another word to him," thought Pierre. He thought this, but still sat in the same place. A strange feeling of weakness tied him to the spot; he wished to get up and go away, but could not do so.


The captain, on the other hand, seemed very cheerful. He paced up and down the room twice. His eyes shone and his mustache twitched as if he were smiling to himself at some amusing thought.


"The colonel of those Württembergers is delightful," he suddenly said. "He's a German, but a nice fellow all the same.... But he's a German." He sat down facing Pierre. "By the way, you know German, then?"


Pierre looked at him in silence.


"What is the German for 'shelter'?"


"Shelter?" Pierre repeated. "The German for shelter is Unterkunft."


"How do you say it?" the captain asked quickly and doubtfully.


"Onterkoff," said the captain and looked at Pierre for some seconds with laughing eyes. "These Germans are first-rate fools, don't you think so, Monsieur Pierre?" he concluded.


"Well, let's have another bottle of this Moscow Bordeaux, shall we? Morel will warm us up another little bottle. Morel!" he called out gaily.


Morel brought candles and a bottle of wine. The captain looked at Pierre by the candlelight and was evidently struck by the troubled expression on his companion's face. Ramballe, with genuine distress and sympathy in his face, went up to Pierre and bent over him.


"There now, we're sad," said he, touching Pierre's hand. "Have I upset you? No, really, have you anything against me?" he asked Pierre. "Perhaps it's the state of affairs?"


Pierre did not answer, but looked cordially into the Frenchman's eyes whose expression of sympathy was pleasing to him.


"Honestly, without speaking of what I owe you, I feel friendship for you. Can I do anything for you? Dispose of me. It is for life and death. I say it with my hand on my heart!" said he, striking his chest.


"Thank you," said Pierre.


The captain gazed intently at him as he had done when he learned that "shelter" was Unterkunft in German, and his face suddenly brightened.


"Well, in that case, I drink to our friendship!" he cried gaily, filling two glasses with wine.


Pierre took one of the glasses and emptied it. Ramballe emptied his too, again pressed Pierre's hand, and leaned his elbows on the table in a pensive attitude.


"Yes, my dear friend," he began, "such is fortune's caprice. Who would have said that I should be a soldier and a captain of dragoons in the service of Bonaparte, as we used to call him? Yet here I am in Moscow with him. I must tell you, mon cher," he continued in the sad and measured tones of a man who intends to tell a long story, "that our name is one of the most ancient in France."


And with a Frenchman's easy and naïve frankness the captain told Pierre the story of his ancestors, his childhood, youth, and manhood, and all about his relations and his financial and family affairs, "ma pauvre mère" playing of course an important part in the story.


"But all that is only life's setting, the real thing is love—love! Am I not right, Monsieur Pierre?" said he, growing animated. "Another glass?"


Pierre again emptied his glass and poured himself out a third.


"Oh, women, women!" and the captain, looking with glistening eyes at Pierre, began talking of love and of his love affairs.


There were very many of these, as one could easily believe, looking at the officer's handsome, self-satisfied face, and noting the eager enthusiasm with which he spoke of women. Though all Ramballe's love stories had the sensual character which Frenchmen regard as the special charm and poetry of love, yet he told his story with such sincere conviction that he alone had experienced and known all the charm of love and he described women so alluringly that Pierre listened to him with curiosity.


It was plain that l'amour which the Frenchman was so fond of was not that low and simple kind that Pierre had once felt for his wife, nor was it the romantic love stimulated by himself that he experienced for Natásha. (Ramballe despised both these kinds of love equally: the one he considered the "love of clodhoppers" and the other the "love of simpletons.") L'amour which the Frenchman worshiped consisted principally in the unnaturalness of his relation to the woman and in a combination of incongruities giving the chief charm to the feeling.


Thus the captain touchingly recounted the story of his love for a fascinating marquise of thirty-five and at the same time for a charming, innocent child of seventeen, daughter of the bewitching marquise. The conflict of magnanimity between the mother and the daughter, ending in the mother's sacrificing herself and offering her daughter in marriage to her lover, even now agitated the captain, though it was the memory of a distant past. Then he recounted an episode in which the husband played the part of the lover, and he—the lover—assumed the role of the husband, as well as several droll incidents from his recollections of Germany, where "shelter" is called Unterkunft and where the husbands eat sauerkraut and the young girls are "too blonde."


Finally, the latest episode in Poland still fresh in the captain's memory, and which he narrated with rapid gestures and glowing face, was of how he had saved the life of a Pole (in general, the saving of life continually occurred in the captain's stories) and the Pole had entrusted to him his enchanting wife (parisienne de cœur) while himself entering the French service. The captain was happy, the enchanting Polish lady wished to elope with him, but, prompted by magnanimity, the captain restored the wife to the husband, saying as he did so: "I have saved your life, and I save your honor!" Having repeated these words the captain wiped his eyes and gave himself a shake, as if driving away the weakness which assailed him at this touching recollection.


Listening to the captain's tales, Pierre—as often happens late in the evening and under the influence of wine—followed all that was told him, understood it all, and at the same time followed a train of personal memories which, he knew not why, suddenly arose in his mind. While listening to these love stories his own love for Natásha unexpectedly rose to his mind, and going over the pictures of that love in his imagination he mentally compared them with Ramballe's tales. Listening to the story of the struggle between love and duty, Pierre saw before his eyes every minutest detail of his last meeting with the object of his love at the Súkharev water tower. At the time of that meeting it had not produced an effect upon him—he had not even once recalled it. But now it seemed to him that that meeting had had in it something very important and poetic.


"Peter Kirílovich, come here! We have recognized you," he now seemed to hear the words she had uttered and to see before him her eyes, her smile, her traveling hood, and a stray lock of her hair... and there seemed to him something pathetic and touching in all this.


Having finished his tale about the enchanting Polish lady, the captain asked Pierre if he had ever experienced a similar impulse to sacrifice himself for love and a feeling of envy of the legitimate husband.


Challenged by this question Pierre raised his head and felt a need to express the thoughts that filled his mind. He began to explain that he understood love for a woman somewhat differently. He said that in all his life he had loved and still loved only one woman, and that she could never be his.


"Tiens!" said the captain.


Pierre then explained that he had loved this woman from his earliest years, but that he had not dared to think of her because she was too young, and because he had been an illegitimate son without a name. Afterwards when he had received a name and wealth he dared not think of her because he loved her too well, placing her far above everything in the world, and especially therefore above himself.


When he had reached this point, Pierre asked the captain whether he understood that.


The captain made a gesture signifying that even if he did not understand it he begged Pierre to continue.


"Platónic love, clouds..." he muttered.


Whether it was the wine he had drunk, or an impulse of frankness, or the thought that this man did not, and never would, know any of those who played a part in his story, or whether it was all these things together, something loosened Pierre's tongue. Speaking thickly and with a faraway look in his shining eyes, he told the whole story of his life: his marriage, Natásha's love for his best friend, her betrayal of him, and all his own simple relations with her. Urged on by Ramballe's questions he also told what he had at first concealed—his own position and even his name.


More than anything else in Pierre's story the captain was impressed by the fact that Pierre was very rich, had two mansions in Moscow, and that he had abandoned everything and not left the city, but remained there concealing his name and station.


When it was late at night they went out together into the street. The night was warm and light. To the left of the house on the Pokróvka a fire glowed—the first of those that were beginning in Moscow. To the right and high up in the sky was the sickle of the waning moon and opposite to it hung that bright comet which was connected in Pierre's heart with his love. At the gate stood Gerásim, the cook, and two Frenchmen. Their laughter and their mutually incomprehensible remarks in two languages could be heard. They were looking at the glow seen in the town.


There was nothing terrible in the one small, distant fire in the immense city.


Gazing at the high starry sky, at the moon, at the comet, and at the glow from the fire, Pierre experienced a joyful emotion. "There now, how good it is, what more does one need?" thought he. And suddenly remembering his intention he grew dizzy and felt so faint that he leaned against the fence to save himself from falling.


Without taking leave of his new friend, Pierre left the gate with unsteady steps and returning to his room lay down on the sofa and immediately fell asleep.


The glow of the first fire that began on the second of September was watched from the various roads by the fugitive Muscovites and by the retreating troops, with many different feelings.


The Rostóv party spent the night at Mytíshchi, fourteen miles from Moscow. They had started so late on the first of September, the road had been so blocked by vehicles and troops, so many things had been forgotten for which servants were sent back, that they had decided to spend that night at a place three miles out of Moscow. The next morning they woke late and were again delayed so often that they only got as far as Great Mytíshchi. At ten o'clock that evening the Rostóv family and the wounded traveling with them were all distributed in the yards and huts of that large village. The Rostóvs' servants and coachmen and the orderlies of the wounded officers, after attending to their masters, had supper, fed the horses, and came out into the porches.


In a neighboring hut lay Raévski's adjutant with a fractured wrist. The awful pain he suffered made him moan incessantly and piteously, and his moaning sounded terrible in the darkness of the autumn night. He had spent the first night in the same yard as the Rostóvs. The countess said she had been unable to close her eyes on account of his moaning, and at Mytíshchi she moved into a worse hut simply to be farther away from the wounded man.


In the darkness of the night one of the servants noticed, above the high body of a coach standing before the porch, the small glow of another fire. One glow had long been visible and everybody knew that it was Little Mytíshchi burning—set on fire by Mamónov's Cossacks.


"But look here, brothers, there's another fire!" remarked an orderly.


All turned their attention to the glow.


"But they told us Little Mytíshchi had been set on fire by Mamónov's Cossacks."


"But that's not Mytíshchi, it's farther away."


"Look, it must be in Moscow!"


Two of the gazers went round to the other side of the coach and sat down on its steps.


"It's more to the left, why, Little Mytíshchi is over there, and this is right on the other side."


Several men joined the first two.


"See how it's flaring," said one. "That's a fire in Moscow: either in the Sushchévski or the Rogózhski quarter."


No one replied to this remark and for some time they all gazed silently at the spreading flames of the second fire in the distance.


Old Daniel Teréntich, the count's valet (as he was called), came up to the group and shouted at Míshka.


"What are you staring at, you good-for-nothing?... The count will be calling and there's nobody there; go and gather the clothes together."


"I only ran out to get some water," said Míshka.