It was nearly eight o'clock. The two young men hurried to Bakaleyev's, to arrive before Luzhin.


"Why, who was that?" asked Razumihin, as soon as they were in the street.


"It was Svidrigaïlov, that landowner in whose house my sister was insulted when she was their governess. Through his persecuting her with his attentions, she was turned out by his wife, Marfa Petrovna. This Marfa Petrovna begged Dounia's forgiveness afterwards, and she's just died suddenly. It was of her we were talking this morning. I don't know why I'm afraid of that man. He came here at once after his wife's funeral. He is very strange, and is determined on doing something.... We must guard Dounia from him... that's what I wanted to tell you, do you hear?"


"Guard her! What can he do to harm Avdotya Romanovna? Thank you, Rodya, for speaking to me like that.... We will, we will guard her. Where does he live?"


"Why didn't you ask? What a pity! I'll find out, though."


"Yes, I noticed him, I noticed him well."


"You did really see him? You saw him clearly?" Raskolnikov insisted.


"Yes, I remember him perfectly, I should know him in a thousand; I have a good memory for faces."


They were silent again.


"Hm!... that's all right," muttered Raskolnikov. "Do you know, I fancied... I keep thinking that it may have been an hallucination."


"What do you mean? I don't understand you."


"Well, you all say," Raskolnikov went on, twisting his mouth into a smile, "that I am mad. I thought just now that perhaps I really am mad, and have only seen a phantom."


"Why, who can tell? Perhaps I am really mad, and perhaps everything that happened all these days may be only imagination."


"Ach, Rodya, you have been upset again!... But what did he say, what did he come for?"


Raskolnikov did not answer. Razumihin thought a minute.


"Now let me tell you my story," he began, "I came to you, you were asleep. Then we had dinner and then I went to Porfiry's, Zametov was still with him. I tried to begin, but it was no use. I couldn't speak in the right way. They don't seem to understand and can't understand, but are not a bit ashamed. I drew Porfiry to the window, and began talking to him, but it was still no use. He looked away and I looked away. At last I shook my fist in his ugly face, and told him as a cousin I'd brain him. He merely looked at me, I cursed and came away. That was all. It was very stupid. To Zametov I didn't say a word. But, you see, I thought I'd made a mess of it, but as I went downstairs a brilliant idea struck me: why should we trouble? Of course if you were in any danger or anything, but why need you care? You needn't care a hang for them. We shall have a laugh at them afterwards, and if I were in your place I'd mystify them more than ever. How ashamed they'll be afterwards! Hang them! We can thrash them afterwards, but let's laugh at them now!"


"To be sure," answered Raskolnikov. "But what will you say to-morrow?" he thought to himself. Strange to say, till that moment it had never occurred to him to wonder what Razumihin would think when he knew. As he thought it, Raskolnikov looked at him. Razumihin's account of his visit to Porfiry had very little interest for him, so much had come and gone since then.


In the corridor they came upon Luzhin; he had arrived punctually at eight, and was looking for the number, so that all three went in together without greeting or looking at one another. The young men walked in first, while Pyotr Petrovitch, for good manners, lingered a little in the passage, taking off his coat. Pulcheria Alexandrovna came forward at once to greet him in the doorway, Dounia was welcoming her brother. Pyotr Petrovitch walked in and quite amiably, though with redoubled dignity, bowed to the ladies. He looked, however, as though he were a little put out and could not yet recover himself. Pulcheria Alexandrovna, who seemed also a little embarrassed, hastened to make them all sit down at the round table where a samovar was boiling. Dounia and Luzhin were facing one another on opposite sides of the table. Razumihin and Raskolnikov were facing Pulcheria Alexandrovna, Razumihin was next to Luzhin and Raskolnikov was beside his sister.


A moment's silence followed. Pyotr Petrovitch deliberately drew out a cambric handkerchief reeking of scent and blew his nose with an air of a benevolent man who felt himself slighted, and was firmly resolved to insist on an explanation. In the passage the idea had occurred to him to keep on his overcoat and walk away, and so give the two ladies a sharp and emphatic lesson and make them feel the gravity of the position. But he could not bring himself to do this. Besides, he could not endure uncertainty, and he wanted an explanation: if his request had been so openly disobeyed, there was something behind it, and in that case it was better to find it out beforehand; it rested with him to punish them and there would always be time for that.


"I trust you had a favourable journey," he inquired officially of Pulcheria Alexandrovna.


"I am gratified to hear it. And Avdotya Romanovna is not over-fatigued either?"


"I am young and strong, I don't get tired, but it was a great strain for mother," answered Dounia.


"That's unavoidable! our national railways are of terrible length. 'Mother Russia,' as they say, is a vast country.... In spite of all my desire to do so, I was unable to meet you yesterday. But I trust all passed off without inconvenience?"


"Oh, no, Pyotr Petrovitch, it was all terribly disheartening," Pulcheria Alexandrovna hastened to declare with peculiar intonation, "and if Dmitri Prokofitch had not been sent us, I really believe by God Himself, we should have been utterly lost. Here, he is! Dmitri Prokofitch Razumihin," she added, introducing him to Luzhin.


"I had the pleasure... yesterday," muttered Pyotr Petrovitch with a hostile glance sidelong at Razumihin; then he scowled and was silent.


Pyotr Petrovitch belonged to that class of persons, on the surface very polite in society, who make a great point of punctiliousness, but who, directly they are crossed in anything, are completely disconcerted, and become more like sacks of flour than elegant and lively men of society. Again all was silent; Raskolnikov was obstinately mute, Avdotya Romanovna was unwilling to open the conversation too soon. Razumihin had nothing to say, so Pulcheria Alexandrovna was anxious again.


"Marfa Petrovna is dead, have you heard?" she began having recourse to her leading item of conversation.


"To be sure, I heard so. I was immediately informed, and I have come to make you acquainted with the fact that Arkady Ivanovitch Svidrigaïlov set off in haste for Petersburg immediately after his wife's funeral. So at least I have excellent authority for believing."


"To Petersburg? here?" Dounia asked in alarm and looked at her mother.


"Yes, indeed, and doubtless not without some design, having in view the rapidity of his departure, and all the circumstances preceding it."


"Good heavens! won't he leave Dounia in peace even here?" cried Pulcheria Alexandrovna.


"I imagine that neither you nor Avdotya Romanovna have any grounds for uneasiness, unless, of course, you are yourselves desirous of getting into communication with him. For my part I am on my guard, and am now discovering where he is lodging."


"Oh, Pyotr Petrovitch, you would not believe what a fright you have given me," Pulcheria Alexandrovna went on: "I've only seen him twice, but I thought him terrible, terrible! I am convinced that he was the cause of Marfa Petrovna's death."


"It's impossible to be certain about that. I have precise information. I do not dispute that he may have contributed to accelerate the course of events by the moral influence, so to say, of the affront; but as to the general conduct and moral characteristics of that personage, I am in agreement with you. I do not know whether he is well off now, and precisely what Marfa Petrovna left him; this will be known to me within a very short period; but no doubt here in Petersburg, if he has any pecuniary resources, he will relapse at once into his old ways. He is the most depraved, and abjectly vicious specimen of that class of men. I have considerable reason to believe that Marfa Petrovna, who was so unfortunate as to fall in love with him and to pay his debts eight years ago, was of service to him also in another way. Solely by her exertions and sacrifices, a criminal charge, involving an element of fantastic and homicidal brutality for which he might well have been sentenced to Siberia, was hushed up. That's the sort of man he is, if you care to know."


"Good heavens!" cried Pulcheria Alexandrovna. Raskolnikov listened attentively.


"Are you speaking the truth when you say that you have good evidence of this?" Dounia asked sternly and emphatically.


"I only repeat what I was told in secret by Marfa Petrovna. I must observe that from the legal point of view the case was far from clear. There was, and I believe still is, living here a woman called Resslich, a foreigner, who lent small sums of money at interest, and did other commissions, and with this woman Svidrigaïlov had for a long while close and mysterious relations. She had a relation, a niece I believe, living with her, a deaf and dumb girl of fifteen, or perhaps not more than fourteen. Resslich hated this girl, and grudged her every crust; she used to beat her mercilessly. One day the girl was found hanging in the garret. At the inquest the verdict was suicide. After the usual proceedings the matter ended, but, later on, information was given that the child had been... cruelly outraged by Svidrigaïlov. It is true, this was not clearly established, the information was given by another German woman of loose character whose word could not be trusted; no statement was actually made to the police, thanks to Marfa Petrovna's money and exertions; it did not get beyond gossip. And yet the story is a very significant one. You heard, no doubt, Avdotya Romanovna, when you were with them the story of the servant Philip who died of ill treatment he received six years ago, before the abolition of serfdom."


"I heard, on the contrary, that this Philip hanged himself."


"Quite so, but what drove him, or rather perhaps disposed him, to suicide was the systematic persecution and severity of Mr. Svidrigaïlov."


"I don't know that," answered Dounia, dryly. "I only heard a queer story that Philip was a sort of hypochondriac, a sort of domestic philosopher, the servants used to say, 'he read himself silly,' and that he hanged himself partly on account of Mr. Svidrigaïlov's mockery of him and not his blows. When I was there he behaved well to the servants, and they were actually fond of him, though they certainly did blame him for Philip's death."


"I perceive, Avdotya Romanovna, that you seem disposed to undertake his defence all of a sudden," Luzhin observed, twisting his lips into an ambiguous smile, "there's no doubt that he is an astute man, and insinuating where ladies are concerned, of which Marfa Petrovna, who has died so strangely, is a terrible instance. My only desire has been to be of service to you and your mother with my advice, in view of the renewed efforts which may certainly be anticipated from him. For my part it's my firm conviction, that he will end in a debtor's prison again. Marfa Petrovna had not the slightest intention of settling anything substantial on him, having regard for his children's interests, and, if she left him anything, it would only be the merest sufficiency, something insignificant and ephemeral, which would not last a year for a man of his habits."


"Pyotr Petrovitch, I beg you," said Dounia, "say no more of Mr. Svidrigaïlov. It makes me miserable."


"He has just been to see me," said Raskolnikov, breaking his silence for the first time.


There were exclamations from all, and they all turned to him. Even Pyotr Petrovitch was roused.


"An hour and a half ago, he came in when I was asleep, waked me, and introduced himself," Raskolnikov continued. "He was fairly cheerful and at ease, and quite hopes that we shall become friends. He is particularly anxious, by the way, Dounia, for an interview with you, at which he asked me to assist. He has a proposition to make to you, and he told me about it. He told me, too, that a week before her death Marfa Petrovna left you three thousand roubles in her will, Dounia, and that you can receive the money very shortly."


"Thank God!" cried Pulcheria Alexandrovna, crossing herself. "Pray for her soul, Dounia!"


"It's a fact!" broke from Luzhin.


"Tell us, what more?" Dounia urged Raskolnikov.


"Then he said that he wasn't rich and all the estate was left to his children who are now with an aunt, then that he was staying somewhere not far from me, but where, I don't know, I didn't ask...."


"But what, what does he want to propose to Dounia?" cried Pulcheria Alexandrovna in a fright. "Did he tell you?"


"I'll tell you afterwards."


Raskolnikov ceased speaking and turned his attention to his tea.


Pyotr Petrovitch looked at his watch.


"I am compelled to keep a business engagement, and so I shall not be in your way," he added with an air of some pique and he began getting up.


"Don't go, Pyotr Petrovitch," said Dounia, "you intended to spend the evening. Besides, you wrote yourself that you wanted to have an explanation with mother."


"Precisely so, Avdotya Romanovna," Pyotr Petrovitch answered impressively, sitting down again, but still holding his hat. "I certainly desired an explanation with you and your honoured mother upon a very important point indeed. But as your brother cannot speak openly in my presence of some proposals of Mr. Svidrigaïlov, I, too, do not desire and am not able to speak openly... in the presence of others... of certain matters of the greatest gravity. Moreover, my most weighty and urgent request has been disregarded...."


Assuming an aggrieved air, Luzhin relapsed into dignified silence.


"Your request that my brother should not be present at our meeting was disregarded solely at my insistence," said Dounia. "You wrote that you had been insulted by my brother; I think that this must be explained at once, and you must be reconciled. And if Rodya really has insulted you, then he should and will apologise."


Pyotr Petrovitch took a stronger line.


"There are insults, Avdotya Romanovna, which no goodwill can make us forget. There is a line in everything which it is dangerous to overstep; and when it has been overstepped, there is no return."


"That wasn't what I was speaking of exactly, Pyotr Petrovitch," Dounia interrupted with some impatience. "Please understand that our whole future depends now on whether all this is explained and set right as soon as possible. I tell you frankly at the start that I cannot look at it in any other light, and if you have the least regard for me, all this business must be ended to-day, however hard that may be. I repeat that if my brother is to blame he will ask your forgiveness."


"I am surprised at your putting the question like that," said Luzhin, getting more and more irritated. "Esteeming, and so to say, adoring you, I may at the same time, very well indeed, be able to dislike some member of your family. Though I lay claim to the happiness of your hand, I cannot accept duties incompatible with..."


"Ah, don't be so ready to take offence, Pyotr Petrovitch," Dounia interrupted with feeling, "and be the sensible and generous man I have always considered, and wish to consider, you to be. I've given you a great promise, I am your betrothed. Trust me in this matter and, believe me, I shall be capable of judging impartially. My assuming the part of judge is as much a surprise for my brother as for you. When I insisted on his coming to our interview to-day after your letter, I told him nothing of what I meant to do. Understand that, if you are not reconciled, I must choose between you--it must be either you or he. That is how the question rests on your side and on his. I don't want to be mistaken in my choice, and I must not be. For your sake I must break off with my brother, for my brother's sake I must break off with you. I can find out for certain now whether he is a brother to me, and I want to know it; and of you, whether I am dear to you, whether you esteem me, whether you are the husband for me."


"Avdotya Romanovna," Luzhin declared huffily, "your words are of too much consequence to me; I will say more, they are offensive in view of the position I have the honour to occupy in relation to you. To say nothing of your strange and offensive setting me on a level with an impertinent boy, you admit the possibility of breaking your promise to me. You say 'you or he,' showing thereby of how little consequence I am in your eyes... I cannot let this pass considering the relationship and... the obligations existing between us."


"What!" cried Dounia, flushing. "I set your interest beside all that has hitherto been most precious in my life, what has made up the whole of my life, and here you are offended at my making too little account of you."


Raskolnikov smiled sarcastically, Razumihin fidgeted, but Pyotr Petrovitch did not accept the reproof; on the contrary, at every word he became more persistent and irritable, as though he relished it.


"Love for the future partner of your life, for your husband, ought to outweigh your love for your brother," he pronounced sententiously, "and in any case I cannot be put on the same level.... Although I said so emphatically that I would not speak openly in your brother's presence, nevertheless, I intend now to ask your honoured mother for a necessary explanation on a point of great importance closely affecting my dignity. Your son," he turned to Pulcheria Alexandrovna, "yesterday in the presence of Mr. Razsudkin (or... I think that's it? excuse me, I have forgotten your surname") (he bowed politely to Razumihin), "insulted me by misrepresenting the idea I expressed to you in a private conversation, drinking coffee, that is, that marriage with a poor girl who has had experience of trouble is more advantageous from the conjugal point of view than with one who has lived in luxury, since it is more profitable for the moral character. Your son intentionally exaggerated the significance of my words and made them ridiculous, accusing me of malicious intentions, and, as far as I could see, relied upon your correspondence with him. I shall consider myself happy, Pulcheria Alexandrovna, if it is possible for you to convince me of an opposite conclusion, and thereby considerately reassure me. Kindly let me know in what terms precisely you repeated my words in your letter to Rodion Romanovitch."


"I don't remember," faltered Pulcheria Alexandrovna. "I repeated them as I understood them. I don't know how Rodya repeated them to you, perhaps he exaggerated."


"He could not have exaggerated them, except at your instigation."


"Pyotr Petrovitch," Pulcheria Alexandrovna declared with dignity, "the proof that Dounia and I did not take your words in a very bad sense is the fact that we are here."


"Good, mother," said Dounia approvingly.


"Then this is my fault again," said Luzhin, aggrieved.


"Well, Pyotr Petrovitch, you keep blaming Rodion, but you yourself have just written what was false about him," Pulcheria Alexandrovna added, gaining courage.


"I don't remember writing anything false."


"You wrote," Raskolnikov said sharply, not turning to Luzhin, "that I gave money yesterday not to the widow of the man who was killed, as was the fact, but to his daughter (whom I had never seen till yesterday). You wrote this to make dissension between me and my family, and for that object added coarse expressions about the conduct of a girl whom you don't know. All that is mean slander."


"Excuse me, sir," said Luzhin, quivering with fury. "I enlarged upon your qualities and conduct in my letter solely in response to your sister's and mother's inquiries, how I found you, and what impression you made on me. As for what you've alluded to in my letter, be so good as to point out one word of falsehood, show, that is, that you didn't throw away your money, and that there are not worthless persons in that family, however unfortunate."


"To my thinking, you, with all your virtues, are not worth the little finger of that unfortunate girl at whom you throw stones."


"Would you go so far then as to let her associate with your mother and sister?"


"I have done so already, if you care to know. I made her sit down to-day with mother and Dounia."


"Rodya!" cried Pulcheria Alexandrovna. Dounia crimsoned, Razumihin knitted his brows. Luzhin smiled with lofty sarcasm.


"You may see for yourself, Avdotya Romanovna," he said, "whether it is possible for us to agree. I hope now that this question is at an end, once and for all. I will withdraw, that I may not hinder the pleasures of family intimacy, and the discussion of secrets." He got up from his chair and took his hat. "But in withdrawing, I venture to request that for the future I may be spared similar meetings, and, so to say, compromises. I appeal particularly to you, honoured Pulcheria Alexandrovna, on this subject, the more as my letter was addressed to you and to no one else."


Pulcheria Alexandrovna was a little offended.


"You seem to think we are completely under your authority, Pyotr Petrovitch. Dounia has told you the reason your desire was disregarded, she had the best intentions. And indeed you write as though you were laying commands upon me. Are we to consider every desire of yours as a command? Let me tell you on the contrary that you ought to show particular delicacy and consideration for us now, because we have thrown up everything, and have come here relying on you, and so we are in any case in a sense in your hands."


"That is not quite true, Pulcheria Alexandrovna, especially at the present moment, when the news has come of Marfa Petrovna's legacy, which seems indeed very apropos, judging from the new tone you take to me," he added sarcastically.


"Judging from that remark, we may certainly presume that you were reckoning on our helplessness," Dounia observed irritably.


"But now in any case I cannot reckon on it, and I particularly desire not to hinder your discussion of the secret proposals of Arkady Ivanovitch Svidrigaïlov, which he has entrusted to your brother and which have, I perceive, a great and possibly a very agreeable interest for you."


"Good heavens!" cried Pulcheria Alexandrovna.


Razumihin could not sit still on his chair.


"Aren't you ashamed now, sister?" asked Raskolnikov.


"I am ashamed, Rodya," said Dounia. "Pyotr Petrovitch, go away," she turned to him, white with anger.


Pyotr Petrovitch had apparently not at all expected such a conclusion. He had too much confidence in himself, in his power and in the helplessness of his victims. He could not believe it even now. He turned pale, and his lips quivered.


"Avdotya Romanovna, if I go out of this door now, after such a dismissal, then, you may reckon on it, I will never come back. Consider what you are doing. My word is not to be shaken."


"What insolence!" cried Dounia, springing up from her seat. "I don't want you to come back again."


"What! So that's how it stands!" cried Luzhin, utterly unable to the last moment to believe in the rupture and so completely thrown out of his reckoning now. "So that's how it stands! But do you know, Avdotya Romanovna, that I might protest?"


"What right have you to speak to her like that?" Pulcheria Alexandrovna intervened hotly. "And what can you protest about? What rights have you? Am I to give my Dounia to a man like you? Go away, leave us altogether! We are to blame for having agreed to a wrong action, and I above all...."


"But you have bound me, Pulcheria Alexandrovna," Luzhin stormed in a frenzy, "by your promise, and now you deny it and... besides... I have been led on account of that into expenses...."


This last complaint was so characteristic of Pyotr Petrovitch, that Raskolnikov, pale with anger and with the effort of restraining it, could not help breaking into laughter. But Pulcheria Alexandrovna was furious.


"Expenses? What expenses? Are you speaking of our trunk? But the conductor brought it for nothing for you. Mercy on us, we have bound you! What are you thinking about, Pyotr Petrovitch, it was you bound us, hand and foot, not we!"


"Enough, mother, no more please," Avdotya Romanovna implored. "Pyotr Petrovitch, do be kind and go!"


"I am going, but one last word," he said, quite unable to control himself. "Your mamma seems to have entirely forgotten that I made up my mind to take you, so to speak, after the gossip of the town had spread all over the district in regard to your reputation. Disregarding public opinion for your sake and reinstating your reputation, I certainly might very well reckon on a fitting return, and might indeed look for gratitude on your part. And my eyes have only now been opened! I see myself that I may have acted very, very recklessly in disregarding the universal verdict...."


"Does the fellow want his head smashed?" cried Razumihin, jumping up.


"You are a mean and spiteful man!" cried Dounia.


"Not a word! Not a movement!" cried Raskolnikov, holding Razumihin back; then going close up to Luzhin, "Kindly leave the room!" he said quietly and distinctly, "and not a word more or..."


Pyotr Petrovitch gazed at him for some seconds with a pale face that worked with anger, then he turned, went out, and rarely has any man carried away in his heart such vindictive hatred as he felt against Raskolnikov. Him, and him alone, he blamed for everything. It is noteworthy that as he went downstairs he still imagined that his case was perhaps not utterly lost, and that, so far as the ladies were concerned, all might "very well indeed" be set right again.


The fact was that up to the last moment he had never expected such an ending; he had been overbearing to the last degree, never dreaming that two destitute and defenceless women could escape from his control. This conviction was strengthened by his vanity and conceit, a conceit to the point of fatuity. Pyotr Petrovitch, who had made his way up from insignificance, was morbidly given to self-admiration, had the highest opinion of his intelligence and capacities, and sometimes even gloated in solitude over his image in the glass. But what he loved and valued above all was the money he had amassed by his labour, and by all sorts of devices: that money made him the equal of all who had been his superiors.


When he had bitterly reminded Dounia that he had decided to take her in spite of evil report, Pyotr Petrovitch had spoken with perfect sincerity and had, indeed, felt genuinely indignant at such "black ingratitude." And yet, when he made Dounia his offer, he was fully aware of the groundlessness of all the gossip. The story had been everywhere contradicted by Marfa Petrovna, and was by then disbelieved by all the townspeople, who were warm in Dounia's defence. And he would not have denied that he knew all that at the time. Yet he still thought highly of his own resolution in lifting Dounia to his level and regarded it as something heroic. In speaking of it to Dounia, he had let out the secret feeling he cherished and admired, and he could not understand that others should fail to admire it too. He had called on Raskolnikov with the feelings of a benefactor who is about to reap the fruits of his good deeds and to hear agreeable flattery. And as he went downstairs now, he considered himself most undeservedly injured and unrecognised.


Dounia was simply essential to him; to do without her was unthinkable. For many years he had had voluptuous dreams of marriage, but he had gone on waiting and amassing money. He brooded with relish, in profound secret, over the image of a girl--virtuous, poor (she must be poor), very young, very pretty, of good birth and education, very timid, one who had suffered much, and was completely humbled before him, one who would all her life look on him as her saviour, worship him, admire him and only him. How many scenes, how many amorous episodes he had imagined on this seductive and playful theme, when his work was over! And, behold, the dream of so many years was all but realised; the beauty and education of Avdotya Romanovna had impressed him; her helpless position had been a great allurement; in her he had found even more than he dreamed of. Here was a girl of pride, character, virtue, of education and breeding superior to his own (he felt that), and this creature would be slavishly grateful all her life for his heroic condescension, and would humble herself in the dust before him, and he would have absolute, unbounded power over her!... Not long before, he had, too, after long reflection and hesitation, made an important change in his career and was now entering on a wider circle of business. With this change his cherished dreams of rising into a higher class of society seemed likely to be realised.... He was, in fact, determined to try his fortune in Petersburg. He knew that women could do a very great deal. The fascination of a charming, virtuous, highly educated woman might make his way easier, might do wonders in attracting people to him, throwing an aureole round him, and now everything was in ruins! This sudden horrible rupture affected him like a clap of thunder; it was like a hideous joke, an absurdity. He had only been a tiny bit masterful, had not even time to speak out, had simply made a joke, been carried away--and it had ended so seriously. And, of course, too, he did love Dounia in his own way; he already possessed her in his dreams--and all at once! No! The next day, the very next day, it must all be set right, smoothed over, settled. Above all he must crush that conceited milksop who was the cause of it all. With a sick feeling he could not help recalling Razumihin too, but, he soon reassured himself on that score; as though a fellow like that could be put on a level with him! The man he really dreaded in earnest was Svidrigaïlov.... He had, in short, a great deal to attend to....


"No, I, I am more to blame than anyone!" said Dounia, kissing and embracing her mother. "I was tempted by his money, but on my honour, brother, I had no idea he was such a base man. If I had seen through him before, nothing would have tempted me! Don't blame me, brother!"


"God has delivered us! God has delivered us!" Pulcheria Alexandrovna muttered, but half consciously, as though scarcely able to realise what had happened.


They were all relieved, and in five minutes they were laughing. Only now and then Dounia turned white and frowned, remembering what had passed. Pulcheria Alexandrovna was surprised to find that she, too, was glad: she had only that morning thought rupture with Luzhin a terrible misfortune. Razumihin was delighted. He did not yet dare to express his joy fully, but he was in a fever of excitement as though a ton-weight had fallen off his heart. Now he had the right to devote his life to them, to serve them.... Anything might happen now! But he felt afraid to think of further possibilities and dared not let his imagination range. But Raskolnikov sat still in the same place, almost sullen and indifferent. Though he had been the most insistent on getting rid of Luzhin, he seemed now the least concerned at what had happened. Dounia could not help thinking that he was still angry with her, and Pulcheria Alexandrovna watched him timidly.


"What did Svidrigaïlov say to you?" said Dounia, approaching him.


"He wants to make you a present of ten thousand roubles and he desires to see you once in my presence."


"See her! On no account!" cried Pulcheria Alexandrovna. "And how dare he offer her money!"


Then Raskolnikov repeated (rather dryly) his conversation with Svidrigaïlov, omitting his account of the ghostly visitations of Marfa Petrovna, wishing to avoid all unnecessary talk.


"What answer did you give him?" asked Dounia.


"At first I said I would not take any message to you. Then he said that he would do his utmost to obtain an interview with you without my help. He assured me that his passion for you was a passing infatuation, now he has no feeling for you. He doesn't want you to marry Luzhin.... His talk was altogether rather muddled."


"How do you explain him to yourself, Rodya? How did he strike you?"


"I must confess I don't quite understand him. He offers you ten thousand, and yet says he is not well off. He says he is going away, and in ten minutes he forgets he has said it. Then he says he is going to be married and has already fixed on the girl.... No doubt he has a motive, and probably a bad one. But it's odd that he should be so clumsy about it if he had any designs against you.... Of course, I refused this money on your account, once for all. Altogether, I thought him very strange.... One might almost think he was mad. But I may be mistaken; that may only be the part he assumes. The death of Marfa Petrovna seems to have made a great impression on him."


"God rest her soul," exclaimed Pulcheria Alexandrovna. "I shall always, always pray for her! Where should we be now, Dounia, without this three thousand! It's as though it had fallen from heaven! Why, Rodya, this morning we had only three roubles in our pocket and Dounia and I were just planning to pawn her watch, so as to avoid borrowing from that man until he offered help."


Dounia seemed strangely impressed by Svidrigaïlov's offer. She still stood meditating.


"He has got some terrible plan," she said in a half whisper to herself, almost shuddering.


Raskolnikov noticed this disproportionate terror.


"I fancy I shall have to see him more than once again," he said to Dounia.


"We will watch him! I will track him out!" cried Razumihin, vigorously. "I won't lose sight of him. Rodya has given me leave. He said to me himself just now. 'Take care of my sister.' Will you give me leave, too, Avdotya Romanovna?"


Dounia smiled and held out her hand, but the look of anxiety did not leave her face. Pulcheria Alexandrovna gazed at her timidly, but the three thousand roubles had obviously a soothing effect on her.


A quarter of an hour later, they were all engaged in a lively conversation. Even Raskolnikov listened attentively for some time, though he did not talk. Razumihin was the speaker.


"And why, why should you go away?" he flowed on ecstatically. "And what are you to do in a little town? The great thing is, you are all here together and you need one another--you do need one another, believe me. For a time, anyway.... Take me into partnership, and I assure you we'll plan a capital enterprise. Listen! I'll explain it all in detail to you, the whole project! It all flashed into my head this morning, before anything had happened... I tell you what; I have an uncle, I must introduce him to you (a most accommodating and respectable old man). This uncle has got a capital of a thousand roubles, and he lives on his pension and has no need of that money. For the last two years he has been bothering me to borrow it from him and pay him six per cent interest. I know what that means; he simply wants to help me. Last year I had no need of it, but this year I resolved to borrow it as soon as he arrived. Then you lend me another thousand of your three and we have enough for a start, so we'll go into partnership, and what are we going to do?"


Then Razumihin began to unfold his project, and he explained at length that almost all our publishers and booksellers know nothing at all of what they are selling, and for that reason they are usually bad publishers, and that any decent publications pay as a rule and give a profit, sometimes a considerable one. Razumihin had, indeed, been dreaming of setting up as a publisher. For the last two years he had been working in publishers' offices, and knew three European languages well, though he had told Raskolnikov six days before that he was "schwach" in German with an object of persuading him to take half his translation and half the payment for it. He had told a lie then, and Raskolnikov knew he was lying.


"Why, why should we let our chance slip when we have one of the chief means of success--money of our own!" cried Razumihin warmly. "Of course there will be a lot of work, but we will work, you, Avdotya Romanovna, I, Rodion.... You get a splendid profit on some books nowadays! And the great point of the business is that we shall know just what wants translating, and we shall be translating, publishing, learning all at once. I can be of use because I have experience. For nearly two years I've been scuttling about among the publishers, and now I know every detail of their business. You need not be a saint to make pots, believe me! And why, why should we let our chance slip! Why, I know--and I kept the secret--two or three books which one might get a hundred roubles simply for thinking of translating and publishing. Indeed, and I would not take five hundred for the very idea of one of them. And what do you think? If I were to tell a publisher, I dare say he'd hesitate--they are such blockheads! And as for the business side, printing, paper, selling, you trust to me, I know my way about. We'll begin in a small way and go on to a large. In any case it will get us our living and we shall get back our capital."


Dounia's eyes shone.


"I like what you are saying, Dmitri Prokofitch!" she said.


"I know nothing about it, of course," put in Pulcheria Alexandrovna, "it may be a good idea, but again God knows. It's new and untried. Of course, we must remain here at least for a time." She looked at Rodya.


"What do you think, brother?" said Dounia.


"I think he's got a very good idea," he answered. "Of course, it's too soon to dream of a publishing firm, but we certainly might bring out five or six books and be sure of success. I know of one book myself which would be sure to go well. And as for his being able to manage it, there's no doubt about that either. He knows the business.... But we can talk it over later...."


"Hurrah!" cried Razumihin. "Now, stay, there's a flat here in this house, belonging to the same owner. It's a special flat apart, not communicating with these lodgings. It's furnished, rent moderate, three rooms. Suppose you take them to begin with. I'll pawn your watch to-morrow and bring you the money, and everything can be arranged then. You can all three live together, and Rodya will be with you. But where are you off to, Rodya?"


"What, Rodya, you are going already?" Pulcheria Alexandrovna asked in dismay.


Dounia looked at her brother with incredulous wonder. He held his cap in his hand, he was preparing to leave them.


"One would think you were burying me or saying good-bye for ever," he said somewhat oddly. He attempted to smile, but it did not turn out a smile. "But who knows, perhaps it is the last time we shall see each other..." he let slip accidentally. It was what he was thinking, and it somehow was uttered aloud.


"What is the matter with you?" cried his mother.


"Where are you going, Rodya?" asked Dounia rather strangely.


"Oh, I'm quite obliged to..." he answered vaguely, as though hesitating what he would say. But there was a look of sharp determination in his white face.


"I meant to say... as I was coming here... I meant to tell you, mother, and you, Dounia, that it would be better for us to part for a time. I feel ill, I am not at peace.... I will come afterwards, I will come of myself... when it's possible. I remember you and love you.... Leave me, leave me alone. I decided this even before... I'm absolutely resolved on it. Whatever may come to me, whether I come to ruin or not, I want to be alone. Forget me altogether, it's better. Don't inquire about me. When I can, I'll come of myself or... I'll send for you. Perhaps it will all come back, but now if you love me, give me up... else I shall begin to hate you, I feel it.... Good-bye!"


"Good God!" cried Pulcheria Alexandrovna. Both his mother and his sister were terribly alarmed. Razumihin was also.


"Rodya, Rodya, be reconciled with us! Let us be as before!" cried his poor mother.


He turned slowly to the door and slowly went out of the room. Dounia overtook him.


"Brother, what are you doing to mother?" she whispered, her eyes flashing with indignation.


He looked dully at her.


"No matter, I shall come.... I'm coming," he muttered in an undertone, as though not fully conscious of what he was saying, and he went out of the room.


"Wicked, heartless egoist!" cried Dounia.


"He is insane, but not heartless. He is mad! Don't you see it? You're heartless after that!" Razumihin whispered in her ear, squeezing her hand tightly. "I shall be back directly," he shouted to the horror-stricken mother, and he ran out of the room.


Raskolnikov was waiting for him at the end of the passage.


"I knew you would run after me," he said. "Go back to them--be with them... be with them to-morrow and always.... I... perhaps I shall come... if I can. Good-bye."


And without holding out his hand he walked away.


"But where are you going? What are you doing? What's the matter with you? How can you go on like this?" Razumihin muttered, at his wits' end.


"Once for all, never ask me about anything. I have nothing to tell you. Don't come to see me. Maybe I'll come here.... Leave me, but don't leave them. Do you understand me?"


It was dark in the corridor, they were standing near the lamp. For a minute they were looking at one another in silence. Razumihin remembered that minute all his life. Raskolnikov's burning and intent eyes grew more penetrating every moment, piercing into his soul, into his consciousness. Suddenly Razumihin started. Something strange, as it were, passed between them.... Some idea, some hint, as it were, slipped, something awful, hideous, and suddenly understood on both sides.... Razumihin turned pale.


"Do you understand now?" said Raskolnikov, his face twitching nervously. "Go back, go to them," he said suddenly, and turning quickly, he went out of the house.


I will not attempt to describe how Razumihin went back to the ladies, how he soothed them, how he protested that Rodya needed rest in his illness, protested that Rodya was sure to come, that he would come every day, that he was very, very much upset, that he must not be irritated, that he, Razumihin, would watch over him, would get him a doctor, the best doctor, a consultation.... In fact from that evening Razumihin took his place with them as a son and a brother.


Raskolnikov went straight to the house on the canal bank where Sonia lived. It was an old green house of three storeys. He found the porter and obtained from him vague directions as to the whereabouts of Kapernaumov, the tailor. Having found in the corner of the courtyard the entrance to the dark and narrow staircase, he mounted to the second floor and came out into a gallery that ran round the whole second storey over the yard. While he was wandering in the darkness, uncertain where to turn for Kapernaumov's door, a door opened three paces from him; he mechanically took hold of it.


"Who is there?" a woman's voice asked uneasily.


"It's I... come to see you," answered Raskolnikov, and he walked into the tiny entry.


On a broken chair stood a candle in a battered copper candlestick.


"It's you! Good heavens!" cried Sonia weakly, and she stood rooted to the spot.


"Which is your room? This way?" and Raskolnikov, trying not to look at her, hastened in.


A minute later Sonia, too, came in with the candle, set down the candlestick and, completely disconcerted, stood before him inexpressibly agitated and apparently frightened by his unexpected visit. The colour rushed suddenly to her pale face and tears came into her eyes... She felt sick and ashamed and happy, too.... Raskolnikov turned away quickly and sat on a chair by the table. He scanned the room in a rapid glance.


It was a large but exceedingly low-pitched room, the only one let by the Kapernaumovs, to whose rooms a closed door led in the wall on the left. In the opposite side on the right hand wall was another door, always kept locked. That led to the next flat, which formed a separate lodging. Sonia's room looked like a barn; it was a very irregular quadrangle and this gave it a grotesque appearance. A wall with three windows looking out on to the canal ran aslant so that one corner formed a very acute angle, and it was difficult to see in it without very strong light. The other corner was disproportionately obtuse. There was scarcely any furniture in the big room: in the corner on the right was a bedstead, beside it, nearest the door, a chair. A plain, deal table covered by a blue cloth stood against the same wall, close to the door into the other flat. Two rush-bottom chairs stood by the table. On the opposite wall near the acute angle stood a small plain wooden chest of drawers looking, as it were, lost in a desert. That was all there was in the room. The yellow, scratched and shabby wall-paper was black in the corners. It must have been damp and full of fumes in the winter. There was every sign of poverty; even the bedstead had no curtain.


Sonia looked in silence at her visitor, who was so attentively and unceremoniously scrutinising her room, and even began at last to tremble with terror, as though she was standing before her judge and the arbiter of her destinies.


"I am late.... It's eleven, isn't it?" he asked, still not lifting his eyes.


"Yes," muttered Sonia, "oh yes, it is," she added, hastily, as though in that lay her means of escape. "My landlady's clock has just struck... I heard it myself...."


"I've come to you for the last time," Raskolnikov went on gloomily, although this was the first time. "I may perhaps not see you again..."


"I don't know... to-morrow...."


"Then you are not coming to Katerina Ivanovna to-morrow?" Sonia's voice shook.


"I don't know. I shall know to-morrow morning.... Never mind that: I've come to say one word...."


He raised his brooding eyes to her and suddenly noticed that he was sitting down while she was all the while standing before him.


"Why are you standing? Sit down," he said in a changed voice, gentle and friendly.


She sat down. He looked kindly and almost compassionately at her.


"How thin you are! What a hand! Quite transparent, like a dead hand."


He took her hand. Sonia smiled faintly.


"I have always been like that," she said.


"Even when you lived at home?"


"Of course, you were," he added abruptly and the expression of his face and the sound of his voice changed again suddenly.


He looked round him once more.


"You rent this room from the Kapernaumovs?"


"They live there, through that door?"


"Yes.... They have another room like this."


"All in one room?"


"I should be afraid in your room at night," he observed gloomily.


"They are very good people, very kind," answered Sonia, who still seemed bewildered, "and all the furniture, everything... everything is theirs. And they are very kind and the children, too, often come to see me."


"They all stammer, don't they?"


"Yes.... He stammers and he's lame. And his wife, too.... It's not exactly that she stammers, but she can't speak plainly. She is a very kind woman. And he used to be a house serf. And there are seven children... and it's only the eldest one that stammers and the others are simply ill... but they don't stammer.... But where did you hear about them?" she added with some surprise.


"Your father told me, then. He told me all about you.... And how you went out at six o'clock and came back at nine and how Katerina Ivanovna knelt down by your bed."


Sonia was confused.


"I fancied I saw him to-day," she whispered hesitatingly.


"Whom?"


"Father. I was walking in the street, out there at the corner, about ten o'clock and he seemed to be walking in front. It looked just like him. I wanted to go to Katerina Ivanovna...."


"You were walking in the streets?"


"Yes," Sonia whispered abruptly, again overcome with confusion and looking down.


"Katerina Ivanovna used to beat you, I dare say?"


"Oh no, what are you saying? No!" Sonia looked at him almost with dismay.


"You love her, then?"


"Love her? Of course!" said Sonia with plaintive emphasis, and she clasped her hands in distress. "Ah, you don't.... If you only knew! You see, she is quite like a child.... Her mind is quite unhinged, you see... from sorrow. And how clever she used to be... how generous... how kind! Ah, you don't understand, you don't understand!"


Sonia said this as though in despair, wringing her hands in excitement and distress. Her pale cheeks flushed, there was a look of anguish in her eyes. It was clear that she was stirred to the very depths, that she was longing to speak, to champion, to express something. A sort of insatiable compassion, if one may so express it, was reflected in every feature of her face.


"Beat me! how can you? Good heavens, beat me! And if she did beat me, what then? What of it? You know nothing, nothing about it.... She is so unhappy... ah, how unhappy! And ill.... She is seeking righteousness, she is pure. She has such faith that there must be righteousness everywhere and she expects it.... And if you were to torture her, she wouldn't do wrong. She doesn't see that it's impossible for people to be righteous and she is angry at it. Like a child, like a child. She is good!"


"And what will happen to you?"


Sonia looked at him inquiringly.


"They are left on your hands, you see. They were all on your hands before, though.... And your father came to you to beg for drink. Well, how will it be now?"


"I don't know," Sonia articulated mournfully.


"Will they stay there?"


"I don't know.... They are in debt for the lodging, but the landlady, I hear, said to-day that she wanted to get rid of them, and Katerina Ivanovna says that she won't stay another minute."


"How is it she is so bold? She relies upon you?"


"Oh, no, don't talk like that.... We are one, we live like one." Sonia was agitated again and even angry, as though a canary or some other little bird were to be angry. "And what could she do? What, what could she do?" she persisted, getting hot and excited. "And how she cried to-day! Her mind is unhinged, haven't you noticed it? At one minute she is worrying like a child that everything should be right to-morrow, the lunch and all that.... Then she is wringing her hands, spitting blood, weeping, and all at once she will begin knocking her head against the wall, in despair. Then she will be comforted again. She builds all her hopes on you; she says that you will help her now and that she will borrow a little money somewhere and go to her native town with me and set up a boarding school for the daughters of gentlemen and take me to superintend it, and we will begin a new splendid life. And she kisses and hugs me, comforts me, and you know she has such faith, such faith in her fancies! One can't contradict her. And all the day long she has been washing, cleaning, mending. She dragged the wash tub into the room with her feeble hands and sank on the bed, gasping for breath. We went this morning to the shops to buy shoes for Polenka and Lida for theirs are quite worn out. Only the money we'd reckoned wasn't enough, not nearly enough. And she picked out such dear little boots, for she has taste, you don't know. And there in the shop she burst out crying before the shopmen because she hadn't enough.... Ah, it was sad to see her...."


"Well, after that I can understand your living like this," Raskolnikov said with a bitter smile.


"And aren't you sorry for them? Aren't you sorry?" Sonia flew at him again. "Why, I know, you gave your last penny yourself, though you'd seen nothing of it, and if you'd seen everything, oh dear! And how often, how often I've brought her to tears! Only last week! Yes, I! Only a week before his death. I was cruel! And how often I've done it! Ah, I've been wretched at the thought of it all day!"


Sonia wrung her hands as she spoke at the pain of remembering it.


"You were cruel?"


"Yes, I--I. I went to see them," she went on, weeping, "and father said, 'read me something, Sonia, my head aches, read to me, here's a book.' He had a book he had got from Andrey Semyonovitch Lebeziatnikov, he lives there, he always used to get hold of such funny books. And I said, 'I can't stay,' as I didn't want to read, and I'd gone in chiefly to show Katerina Ivanovna some collars. Lizaveta, the pedlar, sold me some collars and cuffs cheap, pretty, new, embroidered ones. Katerina Ivanovna liked them very much; she put them on and looked at herself in the glass and was delighted with them. 'Make me a present of them, Sonia,' she said, 'please do.' 'Please do,' she said, she wanted them so much. And when could she wear them? They just reminded her of her old happy days. She looked at herself in the glass, admired herself, and she has no clothes at all, no things of her own, hasn't had all these years! And she never asks anyone for anything; she is proud, she'd sooner give away everything. And these she asked for, she liked them so much. And I was sorry to give them. 'What use are they to you, Katerina Ivanovna?' I said. I spoke like that to her, I ought not to have said that! She gave me such a look. And she was so grieved, so grieved at my refusing her. And it was so sad to see.... And she was not grieved for the collars, but for my refusing, I saw that. Ah, if only I could bring it all back, change it, take back those words! Ah, if I... but it's nothing to you!"


"Did you know Lizaveta, the pedlar?"


"Yes.... Did you know her?" Sonia asked with some surprise.


"Katerina Ivanovna is in consumption, rapid consumption; she will soon die," said Raskolnikov after a pause, without answering her question.


And Sonia unconsciously clutched both his hands, as though imploring that she should not.


"No, not better, not at all better!" Sonia unconsciously repeated in dismay.


"And the children? What can you do except take them to live with you?"


"Oh, I don't know," cried Sonia, almost in despair, and she put her hands to her head.


It was evident that that idea had very often occurred to her before and he had only roused it again.


"And, what, if even now, while Katerina Ivanovna is alive, you get ill and are taken to the hospital, what will happen then?" he persisted pitilessly.


"How can you? That cannot be!"


And Sonia's face worked with awful terror.


"Cannot be?" Raskolnikov went on with a harsh smile. "You are not insured against it, are you? What will happen to them then? They will be in the street, all of them, she will cough and beg and knock her head against some wall, as she did to-day, and the children will cry.... Then she will fall down, be taken to the police station and to the hospital, she will die, and the children..."


"Oh, no.... God will not let it be!" broke at last from Sonia's overburdened bosom.


She listened, looking imploringly at him, clasping her hands in dumb entreaty, as though it all depended upon him.


Raskolnikov got up and began to walk about the room. A minute passed. Sonia was standing with her hands and her head hanging in terrible dejection.


"And can't you save? Put by for a rainy day?" he asked, stopping suddenly before her.


"No," whispered Sonia.


"Of course not. Have you tried?" he added almost ironically.


"And it didn't come off! Of course not! No need to ask."


And again he paced the room. Another minute passed.


"You don't get money every day?"


Sonia was more confused than ever and colour rushed into her face again.


"No," she whispered with a painful effort.


"It will be the same with Polenka, no doubt," he said suddenly.


"No, no! It can't be, no!" Sonia cried aloud in desperation, as though she had been stabbed. "God would not allow anything so awful!"


"He lets others come to it."


"No, no! God will protect her, God!" she repeated beside herself.


"But, perhaps, there is no God at all," Raskolnikov answered with a sort of malignance, laughed and looked at her.


Sonia's face suddenly changed; a tremor passed over it. She looked at him with unutterable reproach, tried to say something, but could not speak and broke into bitter, bitter sobs, hiding her face in her hands.


"You say Katerina Ivanovna's mind is unhinged; your own mind is unhinged," he said after a brief silence.


Five minutes passed. He still paced up and down the room in silence, not looking at her. At last he went up to her; his eyes glittered. He put his two hands on her shoulders and looked straight into her tearful face. His eyes were hard, feverish and piercing, his lips were twitching. All at once he bent down quickly and dropping to the ground, kissed her foot. Sonia drew back from him as from a madman. And certainly he looked like a madman.


"What are you doing to me?" she muttered, turning pale, and a sudden anguish clutched at her heart.


He stood up at once.


"I did not bow down to you, I bowed down to all the suffering of humanity," he said wildly and walked away to the window. "Listen," he added, turning to her a minute later. "I said just now to an insolent man that he was not worth your little finger... and that I did my sister honour making her sit beside you."


"Ach, you said that to them! And in her presence?" cried Sonia, frightened. "Sit down with me! An honour! Why, I'm... dishonourable.... Ah, why did you say that?"


"It was not because of your dishonour and your sin I said that of you, but because of your great suffering. But you are a great sinner, that's true," he added almost solemnly, "and your worst sin is that you have destroyed and betrayed yourself for nothing. Isn't that fearful? Isn't it fearful that you are living in this filth which you loathe so, and at the same time you know yourself (you've only to open your eyes) that you are not helping anyone by it, not saving anyone from anything? Tell me," he went on almost in a frenzy, "how this shame and degradation can exist in you side by side with other, opposite, holy feelings? It would be better, a thousand times better and wiser to leap into the water and end it all!"


"But what would become of them?" Sonia asked faintly, gazing at him with eyes of anguish, but not seeming surprised at his suggestion.


Raskolnikov looked strangely at her. He read it all in her face; so she must have had that thought already, perhaps many times, and earnestly she had thought out in her despair how to end it and so earnestly, that now she scarcely wondered at his suggestion. She had not even noticed the cruelty of his words. (The significance of his reproaches and his peculiar attitude to her shame she had, of course, not noticed either, and that, too, was clear to him.) But he saw how monstrously the thought of her disgraceful, shameful position was torturing her and had long tortured her. "What, what," he thought, "could hitherto have hindered her from putting an end to it?" Only then he realised what those poor little orphan children and that pitiful half-crazy Katerina Ivanovna, knocking her head against the wall in her consumption, meant for Sonia.


But, nevertheless, it was clear to him again that with her character and the amount of education she had after all received, she could not in any case remain so. He was still confronted by the question, how could she have remained so long in that position without going out of her mind, since she could not bring herself to jump into the water? Of course he knew that Sonia's position was an exceptional case, though unhappily not unique and not infrequent, indeed; but that very exceptionalness, her tinge of education, her previous life might, one would have thought, have killed her at the first step on that revolting path. What held her up--surely not depravity? All that infamy had obviously only touched her mechanically, not one drop of real depravity had penetrated to her heart; he saw that. He saw through her as she stood before him....


"There are three ways before her," he thought, "the canal, the madhouse, or... at last to sink into depravity which obscures the mind and turns the heart to stone."


The last idea was the most revolting, but he was a sceptic, he was young, abstract, and therefore cruel, and so he could not help believing that the last end was the most likely.


"But can that be true?" he cried to himself. "Can that creature who has still preserved the purity of her spirit be consciously drawn at last into that sink of filth and iniquity? Can the process already have begun? Can it be that she has only been able to bear it till now, because vice has begun to be less loathsome to her? No, no, that cannot be!" he cried, as Sonia had just before. "No, what has kept her from the canal till now is the idea of sin and they, the children.... And if she has not gone out of her mind... but who says she has not gone out of her mind? Is she in her senses? Can one talk, can one reason as she does? How can she sit on the edge of the abyss of loathsomeness into which she is slipping and refuse to listen when she is told of danger? Does she expect a miracle? No doubt she does. Doesn't that all mean madness?"


He stayed obstinately at that thought. He liked that explanation indeed better than any other. He began looking more intently at her.


"So you pray to God a great deal, Sonia?" he asked her.


Sonia did not speak; he stood beside her waiting for an answer.


"What should I be without God?" she whispered rapidly, forcibly, glancing at him with suddenly flashing eyes, and squeezing his hand.


"Ah, so that is it!" he thought.


"And what does God do for you?" he asked, probing her further.


Sonia was silent a long while, as though she could not answer. Her weak chest kept heaving with emotion.


"Be silent! Don't ask! You don't deserve!" she cried suddenly, looking sternly and wrathfully at him.


"That's it, that's it," he repeated to himself.


"He does everything," she whispered quickly, looking down again.


"That's the way out! That's the explanation," he decided, scrutinising her with eager curiosity, with a new, strange, almost morbid feeling. He gazed at that pale, thin, irregular, angular little face, those soft blue eyes, which could flash with such fire, such stern energy, that little body still shaking with indignation and anger--and it all seemed to him more and more strange, almost impossible. "She is a religious maniac!" he repeated to himself.


There was a book lying on the chest of drawers. He had noticed it every time he paced up and down the room. Now he took it up and looked at it. It was the New Testament in the Russian translation. It was bound in leather, old and worn.


"Where did you get that?" he called to her across the room.


She was still standing in the same place, three steps from the table.


"It was brought me," she answered, as it were unwillingly, not looking at him.


"Lizaveta! strange!" he thought.


Everything about Sonia seemed to him stranger and more wonderful every moment. He carried the book to the candle and began to turn over the pages.


"Where is the story of Lazarus?" he asked suddenly.


Sonia looked obstinately at the ground and would not answer. She was standing sideways to the table.


"Where is the raising of Lazarus? Find it for me, Sonia."


She stole a glance at him.


"You are not looking in the right place.... It's in the fourth gospel," she whispered sternly, without looking at him.


"Find it and read it to me," he said. He sat down with his elbow on the table, leaned his head on his hand and looked away sullenly, prepared to listen.


"In three weeks' time they'll welcome me in the madhouse! I shall be there if I am not in a worse place," he muttered to himself.


Sonia heard Raskolnikov's request distrustfully and moved hesitatingly to the table. She took the book however.


"Haven't you read it?" she asked, looking up at him across the table.


"Long ago.... When I was at school. Read!"


"And haven't you heard it in church?"


"N-no," whispered Sonia.


"I understand.... And you won't go to your father's funeral to-morrow?"


"Yes, I shall. I was at church last week, too... I had a requiem service."


"For whom?"


"For Lizaveta. She was killed with an axe."


His nerves were more and more strained. His head began to go round.


"Were you friends with Lizaveta?"


"Yes.... She was good... she used to come... not often... she couldn't.... We used to read together and... talk. She will see God."


The last phrase sounded strange in his ears. And here was something new again: the mysterious meetings with Lizaveta and both of them--religious maniacs.


"I shall be a religious maniac myself soon! It's infectious!"


"Read!" he cried irritably and insistently.


Sonia still hesitated. Her heart was throbbing. She hardly dared to read to him. He looked almost with exasperation at the "unhappy lunatic."


"What for? You don't believe?..." she whispered softly and as it were breathlessly.


"Read! I want you to," he persisted. "You used to read to Lizaveta."


Sonia opened the book and found the place. Her hands were shaking, her voice failed her. Twice she tried to begin and could not bring out the first syllable.


"Now a certain man was sick named Lazarus of Bethany..." she forced herself at last to read, but at the third word her voice broke like an overstrained string. There was a catch in her breath.


Raskolnikov saw in part why Sonia could not bring herself to read to him and the more he saw this, the more roughly and irritably he insisted on her doing so. He understood only too well how painful it was for her to betray and unveil all that was her own. He understood that these feelings really were her secret treasure, which she had kept perhaps for years, perhaps from childhood, while she lived with an unhappy father and a distracted stepmother crazed by grief, in the midst of starving children and unseemly abuse and reproaches. But at the same time he knew now and knew for certain that, although it filled her with dread and suffering, yet she had a tormenting desire to read and to read to him that he might hear it, and to read now whatever might come of it!... He read this in her eyes, he could see it in her intense emotion. She mastered herself, controlled the spasm in her throat and went on reading the eleventh chapter of St. John. She went on to the nineteenth verse:


"And many of the Jews came to Martha and Mary to comfort them concerning their brother.


"Then Martha as soon as she heard that Jesus was coming went and met Him: but Mary sat still in the house.


"Then said Martha unto Jesus, Lord, if Thou hadst been here, my brother had not died.


"But I know that even now whatsoever Thou wilt ask of God, God will give it Thee...."


Then she stopped again with a shamefaced feeling that her voice would quiver and break again.


"Jesus said unto her, thy brother shall rise again.


"Martha saith unto Him, I know that he shall rise again in the resurrection, at the last day.


"Jesus said unto her, I am the resurrection and the life: he that believeth in Me though he were dead, yet shall he live.


"And whosoever liveth and believeth in Me shall never die. Believest thou this?


"She saith unto Him,"


(And drawing a painful breath, Sonia read distinctly and forcibly as though she were making a public confession of faith.)


"Yea, Lord: I believe that Thou art the Christ, the Son of God Which should come into the world."


She stopped and looked up quickly at him, but controlling herself went on reading. Raskolnikov sat without moving, his elbows on the table and his eyes turned away. She read to the thirty-second verse.


"Then when Mary was come where Jesus was and saw Him, she fell down at His feet, saying unto Him, Lord if Thou hadst been here, my brother had not died.


"When Jesus therefore saw her weeping, and the Jews also weeping which came with her, He groaned in the spirit and was troubled,


"And said, Where have ye laid him? They said unto Him, Lord, come and see.


"Jesus wept.


"Then said the Jews, behold how He loved him!


"And some of them said, could not this Man which opened the eyes of the blind, have caused that even this man should not have died?"


Raskolnikov turned and looked at her with emotion. Yes, he had known it! She was trembling in a real physical fever. He had expected it. She was getting near the story of the greatest miracle and a feeling of immense triumph came over her. Her voice rang out like a bell; triumph and joy gave it power. The lines danced before her eyes, but she knew what she was reading by heart. At the last verse "Could not this Man which opened the eyes of the blind..." dropping her voice she passionately reproduced the doubt, the reproach and censure of the blind disbelieving Jews, who in another moment would fall at His feet as though struck by thunder, sobbing and believing.... "And he, he--too, is blinded and unbelieving, he, too, will hear, he, too, will believe, yes, yes! At once, now," was what she was dreaming, and she was quivering with happy anticipation.


"Jesus therefore again groaning in Himself cometh to the grave. It was a cave, and a stone lay upon it.


"Jesus said, Take ye away the stone. Martha, the sister of him that was dead, saith unto Him, Lord by this time he stinketh: for he hath been dead four days."


She laid emphasis on the word four.


"Jesus saith unto her, Said I not unto thee that if thou wouldest believe, thou shouldest see the glory of God?


"Then they took away the stone from the place where the dead was laid. And Jesus lifted up His eyes and said, Father, I thank Thee that Thou hast heard Me.


"And I knew that Thou hearest Me always; but because of the people which stand by I said it, that they may believe that Thou hast sent Me.


"And when He thus had spoken, He cried with a loud voice, Lazarus, come forth.


"And he that was dead came forth."


(She read loudly, cold and trembling with ecstasy, as though she were seeing it before her eyes.)


"Bound hand and foot with graveclothes; and his face was bound about with a napkin. Jesus saith unto them, Loose him and let him go.


"Then many of the Jews which came to Mary and had seen the things which Jesus did believed on Him."


She could read no more, closed the book and got up from her chair quickly.


"That is all about the raising of Lazarus," she whispered severely and abruptly, and turning away she stood motionless, not daring to raise her eyes to him. She still trembled feverishly. The candle-end was flickering out in the battered candlestick, dimly lighting up in the poverty-stricken room the murderer and the harlot who had so strangely been reading together the eternal book. Five minutes or more passed.


"I came to speak of something," Raskolnikov said aloud, frowning. He got up and went to Sonia. She lifted her eyes to him in silence. His face was particularly stern and there was a sort of savage determination in it.


"I have abandoned my family to-day," he said, "my mother and sister. I am not going to see them. I've broken with them completely."


"What for?" asked Sonia amazed. Her recent meeting with his mother and sister had left a great impression which she could not analyse. She heard his news almost with horror.


"I have only you now," he added. "Let us go together.... I've come to you, we are both accursed, let us go our way together!"


His eyes glittered "as though he were mad," Sonia thought, in her turn.


"Go where?" she asked in alarm and she involuntarily stepped back.


"How do I know? I only know it's the same road, I know that and nothing more. It's the same goal!"


She looked at him and understood nothing. She knew only that he was terribly, infinitely unhappy.


"No one of them will understand, if you tell them, but I have understood. I need you, that is why I have come to you."


"I don't understand," whispered Sonia.


"You'll understand later. Haven't you done the same? You, too, have transgressed... have had the strength to transgress. You have laid hands on yourself, you have destroyed a life... your own (it's all the same!). You might have lived in spirit and understanding, but you'll end in the Hay Market.... But you won't be able to stand it, and if you remain alone you'll go out of your mind like me. You are like a mad creature already. So we must go together on the same road! Let us go!"


"What for? What's all this for?" said Sonia, strangely and violently agitated by his words.


"What for? Because you can't remain like this, that's why! You must look things straight in the face at last, and not weep like a child and cry that God won't allow it. What will happen, if you should really be taken to the hospital to-morrow? She is mad and in consumption, she'll soon die and the children? Do you mean to tell me Polenka won't come to grief? Haven't you seen children here at the street corners sent out by their mothers to beg? I've found out where those mothers live and in what surroundings. Children can't remain children there! At seven the child is vicious and a thief. Yet children, you know, are the image of Christ: 'theirs is the kingdom of Heaven.' He bade us honour and love them, they are the humanity of the future...."


"What's to be done, what's to be done?" repeated Sonia, weeping hysterically and wringing her hands.


"What's to be done? Break what must be broken, once for all, that's all, and take the suffering on oneself. What, you don't understand? You'll understand later.... Freedom and power, and above all, power! Over all trembling creation and all the ant-heap!... That's the goal, remember that! That's my farewell message. Perhaps it's the last time I shall speak to you. If I don't come to-morrow, you'll hear of it all, and then remember these words. And some day later on, in years to come, you'll understand perhaps what they meant. If I come to-morrow, I'll tell you who killed Lizaveta.... Good-bye."


Sonia started with terror.


"Why, do you know who killed her?" she asked, chilled with horror, looking wildly at him.


"I know and will tell... you, only you. I have chosen you out. I'm not coming to you to ask forgiveness, but simply to tell you. I chose you out long ago to hear this, when your father talked of you and when Lizaveta was alive, I thought of it. Good-bye, don't shake hands. To-morrow!"


He went out. Sonia gazed at him as at a madman. But she herself was like one insane and felt it. Her head was going round.


"Good heavens, how does he know who killed Lizaveta? What did those words mean? It's awful!" But at the same time the idea did not enter her head, not for a moment! "Oh, he must be terribly unhappy!... He has abandoned his mother and sister.... What for? What has happened? And what had he in his mind? What did he say to her? He had kissed her foot and said... said (yes, he had said it clearly) that he could not live without her.... Oh, merciful heavens!"


Sonia spent the whole night feverish and delirious. She jumped up from time to time, wept and wrung her hands, then sank again into feverish sleep and dreamt of Polenka, Katerina Ivanovna and Lizaveta, of reading the gospel and him... him with pale face, with burning eyes... kissing her feet, weeping.


On the other side of the door on the right, which divided Sonia's room from Madame Resslich's flat, was a room which had long stood empty. A card was fixed on the gate and a notice stuck in the windows over the canal advertising it to let. Sonia had long been accustomed to the room's being uninhabited. But all that time Mr. Svidrigaïlov had been standing, listening at the door of the empty room. When Raskolnikov went out he stood still, thought a moment, went on tiptoe to his own room which adjoined the empty one, brought a chair and noiselessly carried it to the door that led to Sonia's room. The conversation had struck him as interesting and remarkable, and he had greatly enjoyed it--so much so that he brought a chair that he might not in the future, to-morrow, for instance, have to endure the inconvenience of standing a whole hour, but might listen in comfort.


When next morning at eleven o'clock punctually Raskolnikov went into the department of the investigation of criminal causes and sent his name in to Porfiry Petrovitch, he was surprised at being kept waiting so long: it was at least ten minutes before he was summoned. He had expected that they would pounce upon him. But he stood in the waiting-room, and people, who apparently had nothing to do with him, were continually passing to and fro before him. In the next room which looked like an office, several clerks were sitting writing and obviously they had no notion who or what Raskolnikov might be. He looked uneasily and suspiciously about him to see whether there was not some guard, some mysterious watch being kept on him to prevent his escape. But there was nothing of the sort: he saw only the faces of clerks absorbed in petty details, then other people, no one seemed to have any concern with him. He might go where he liked for them. The conviction grew stronger in him that if that enigmatic man of yesterday, that phantom sprung out of the earth, had seen everything, they would not have let him stand and wait like that. And would they have waited till he elected to appear at eleven? Either the man had not yet given information, or... or simply he knew nothing, had seen nothing (and how could he have seen anything?) and so all that had happened to him the day before was again a phantom exaggerated by his sick and overstrained imagination. This conjecture had begun to grow strong the day before, in the midst of all his alarm and despair. Thinking it all over now and preparing for a fresh conflict, he was suddenly aware that he was trembling--and he felt a rush of indignation at the thought that he was trembling with fear at facing that hateful Porfiry Petrovitch. What he dreaded above all was meeting that man again; he hated him with an intense, unmitigated hatred and was afraid his hatred might betray him. His indignation was such that he ceased trembling at once; he made ready to go in with a cold and arrogant bearing and vowed to himself to keep as silent as possible, to watch and listen and for once at least to control his overstrained nerves. At that moment he was summoned to Porfiry Petrovitch.


He found Porfiry Petrovitch alone in his study. His study was a room neither large nor small, furnished with a large writing-table, that stood before a sofa, upholstered in checked material, a bureau, a bookcase in the corner and several chairs--all government furniture, of polished yellow wood. In the further wall there was a closed door, beyond it there were no doubt other rooms. On Raskolnikov's entrance Porfiry Petrovitch had at once closed the door by which he had come in and they remained alone. He met his visitor with an apparently genial and good-tempered air, and it was only after a few minutes that Raskolnikov saw signs of a certain awkwardness in him, as though he had been thrown out of his reckoning or caught in something very secret.


"Ah, my dear fellow! Here you are... in our domain"... began Porfiry, holding out both hands to him. "Come, sit down, old man... or perhaps you don't like to be called 'my dear fellow' and 'old man!'--tout court? Please don't think it too familiar.... Here, on the sofa."


Raskolnikov sat down, keeping his eyes fixed on him. "In our domain," the apologies for familiarity, the French phrase tout court, were all characteristic signs.


"He held out both hands to me, but he did not give me one--he drew it back in time," struck him suspiciously. Both were watching each other, but when their eyes met, quick as lightning they looked away.


"I brought you this paper... about the watch. Here it is. Is it all right or shall I copy it again?"


"What? A paper? Yes, yes, don't be uneasy, it's all right," Porfiry Petrovitch said as though in haste, and after he had said it he took the paper and looked at it. "Yes, it's all right. Nothing more is needed," he declared with the same rapidity and he laid the paper on the table.


A minute later when he was talking of something else he took it from the table and put it on his bureau.


"I believe you said yesterday you would like to question me... formally... about my acquaintance with the murdered woman?" Raskolnikov was beginning again. "Why did I put in 'I believe'" passed through his mind in a flash. "Why am I so uneasy at having put in that 'I believe'?" came in a second flash. And he suddenly felt that his uneasiness at the mere contact with Porfiry, at the first words, at the first looks, had grown in an instant to monstrous proportions, and that this was fearfully dangerous. His nerves were quivering, his emotion was increasing. "It's bad, it's bad! I shall say too much again."


"Yes, yes, yes! There's no hurry, there's no hurry," muttered Porfiry Petrovitch, moving to and fro about the table without any apparent aim, as it were making dashes towards the window, the bureau and the table, at one moment avoiding Raskolnikov's suspicious glance, then again standing still and looking him straight in the face.


His fat round little figure looked very strange, like a ball rolling from one side to the other and rebounding back.


"We've plenty of time. Do you smoke? have you your own? Here, a cigarette!" he went on, offering his visitor a cigarette. "You know I am receiving you here, but my own quarters are through there, you know, my government quarters. But I am living outside for the time, I had to have some repairs done here. It's almost finished now.... Government quarters, you know, are a capital thing. Eh, what do you think?"


"Yes, a capital thing," answered Raskolnikov, looking at him almost ironically.


"A capital thing, a capital thing," repeated Porfiry Petrovitch, as though he had just thought of something quite different. "Yes, a capital thing," he almost shouted at last, suddenly staring at Raskolnikov and stopping short two steps from him.


This stupid repetition was too incongruous in its ineptitude with the serious, brooding and enigmatic glance he turned upon his visitor.


But this stirred Raskolnikov's spleen more than ever and he could not resist an ironical and rather incautious challenge.


"Tell me, please," he asked suddenly, looking almost insolently at him and taking a kind of pleasure in his own insolence. "I believe it's a sort of legal rule, a sort of legal tradition--for all investigating lawyers--to begin their attack from afar, with a trivial, or at least an irrelevant subject, so as to encourage, or rather, to divert the man they are cross-examining, to disarm his caution and then all at once to give him an unexpected knock-down blow with some fatal question. Isn't that so? It's a sacred tradition, mentioned, I fancy, in all the manuals of the art?"


"Yes, yes.... Why, do you imagine that was why I spoke about government quarters... eh?"


And as he said this Porfiry Petrovitch screwed up his eyes and winked; a good-humoured, crafty look passed over his face. The wrinkles on his forehead were smoothed out, his eyes contracted, his features broadened and he suddenly went off into a nervous prolonged laugh, shaking all over and looking Raskolnikov straight in the face. The latter forced himself to laugh, too, but when Porfiry, seeing that he was laughing, broke into such a guffaw that he turned almost crimson, Raskolnikov's repulsion overcame all precaution; he left off laughing, scowled and stared with hatred at Porfiry, keeping his eyes fixed on him while his intentionally prolonged laughter lasted. There was lack of precaution on both sides, however, for Porfiry Petrovitch seemed to be laughing in his visitor's face and to be very little disturbed at the annoyance with which the visitor received it. The latter fact was very significant in Raskolnikov's eyes: he saw that Porfiry Petrovitch had not been embarrassed just before either, but that he, Raskolnikov, had perhaps fallen into a trap; that there must be something, some motive here unknown to him; that, perhaps, everything was in readiness and in another moment would break upon him...


He went straight to the point at once, rose from his seat and took his cap.


"Porfiry Petrovitch," he began resolutely, though with considerable irritation, "yesterday you expressed a desire that I should come to you for some inquiries" (he laid special stress on the word "inquiries"). "I have come and if you have anything to ask me, ask it, and if not, allow me to withdraw. I have no time to spare.... I have to be at the funeral of that man who was run over, of whom you... know also," he added, feeling angry at once at having made this addition and more irritated at his anger. "I am sick of it all, do you hear? and have long been. It's partly what made me ill. In short," he shouted, feeling that the phrase about his illness was still more out of place, "in short, kindly examine me or let me go, at once. And if you must examine me, do so in the proper form! I will not allow you to do so otherwise, and so meanwhile, good-bye, as we have evidently nothing to keep us now."


"Good heavens! What do you mean? What shall I question you about?" cackled Porfiry Petrovitch with a change of tone, instantly leaving off laughing. "Please don't disturb yourself," he began fidgeting from place to place and fussily making Raskolnikov sit down. "There's no hurry, there's no hurry, it's all nonsense. Oh, no, I'm very glad you've come to see me at last... I look upon you simply as a visitor. And as for my confounded laughter, please excuse it, Rodion Romanovitch. Rodion Romanovitch? That is your name?... It's my nerves, you tickled me so with your witty observation; I assure you, sometimes I shake with laughter like an india-rubber ball for half an hour at a time.... I'm often afraid of an attack of paralysis. Do sit down. Please do, or I shall think you are angry..."


Raskolnikov did not speak; he listened, watching him, still frowning angrily. He did sit down, but still held his cap.


"I must tell you one thing about myself, my dear Rodion Romanovitch," Porfiry Petrovitch continued, moving about the room and again avoiding his visitor's eyes. "You see, I'm a bachelor, a man of no consequence and not used to society; besides, I have nothing before me, I'm set, I'm running to seed and... and have you noticed, Rodion Romanovitch, that in our Petersburg circles, if two clever men meet who are not intimate, but respect each other, like you and me, it takes them half an hour before they can find a subject for conversation--they are dumb, they sit opposite each other and feel awkward. Everyone has subjects of conversation, ladies for instance... people in high society always have their subjects of conversation, c'est de rigueur, but people of the middle sort like us, thinking people that is, are always tongue-tied and awkward. What is the reason of it? Whether it is the lack of public interest, or whether it is we are so honest we don't want to deceive one another, I don't know. What do you think? Do put down your cap, it looks as if you were just going, it makes me uncomfortable... I am so delighted..."


Raskolnikov put down his cap and continued listening in silence with a serious frowning face to the vague and empty chatter of Porfiry Petrovitch. "Does he really want to distract my attention with his silly babble?"


"I can't offer you coffee here; but why not spend five minutes with a friend?" Porfiry pattered on, "and you know all these official duties... please don't mind my running up and down, excuse it, my dear fellow, I am very much afraid of offending you, but exercise is absolutely indispensable for me. I'm always sitting and so glad to be moving about for five minutes... I suffer from my sedentary life... I always intend to join a gymnasium; they say that officials of all ranks, even Privy Councillors, may be seen skipping gaily there; there you have it, modern science... yes, yes.... But as for my duties here, inquiries and all such formalities... you mentioned inquiries yourself just now... I assure you these interrogations are sometimes more embarrassing for the interrogator than for the interrogated.... You made the observation yourself just now very aptly and wittily." (Raskolnikov had made no observation of the kind.) "One gets into a muddle! A regular muddle! One keeps harping on the same note, like a drum! There is to be a reform and we shall be called by a different name, at least, he-he-he! And as for our legal tradition, as you so wittily called it, I thoroughly agree with you. Every prisoner on trial, even the rudest peasant, knows that they begin by disarming him with irrelevant questions (as you so happily put it) and then deal him a knock-down blow, he-he-he!--your felicitous comparison, he-he! So you really imagined that I meant by 'government quarters'... he-he! You are an ironical person. Come. I won't go on! Ah, by the way, yes! One word leads to another. You spoke of formality just now, apropos of the inquiry, you know. But what's the use of formality? In many cases it's nonsense. Sometimes one has a friendly chat and gets a good deal more out of it. One can always fall back on formality, allow me to assure you. And after all, what does it amount to? An examining lawyer cannot be bounded by formality at every step. The work of investigation is, so to speak, a free art in its own way, he-he-he!"


Porfiry Petrovitch took breath a moment. He had simply babbled on uttering empty phrases, letting slip a few enigmatic words and again reverting to incoherence. He was almost running about the room, moving his fat little legs quicker and quicker, looking at the ground, with his right hand behind his back, while with his left making gesticulations that were extraordinarily incongruous with his words. Raskolnikov suddenly noticed that as he ran about the room he seemed twice to stop for a moment near the door, as though he were listening.


"Is he expecting anything?"


"You are certainly quite right about it," Porfiry began gaily, looking with extraordinary simplicity at Raskolnikov (which startled him and instantly put him on his guard); "certainly quite right in laughing so wittily at our legal forms, he-he! Some of these elaborate psychological methods are exceedingly ridiculous and perhaps useless, if one adheres too closely to the forms. Yes... I am talking of forms again. Well, if I recognise, or more strictly speaking, if I suspect someone or other to be a criminal in any case entrusted to me... you're reading for the law, of course, Rodion Romanovitch?"


"Yes, I was..."


"Well, then it is a precedent for you for the future--though don't suppose I should venture to instruct you after the articles you publish about crime! No, I simply make bold to state it by way of fact, if I took this man or that for a criminal, why, I ask, should I worry him prematurely, even though I had evidence against him? In one case I may be bound, for instance, to arrest a man at once, but another may be in quite a different position, you know, so why shouldn't I let him walk about the town a bit? he-he-he! But I see you don't quite understand, so I'll give you a clearer example. If I put him in prison too soon, I may very likely give him, so to speak, moral support, he-he! You're laughing?"


Raskolnikov had no idea of laughing. He was sitting with compressed lips, his feverish eyes fixed on Porfiry Petrovitch's.


"Yet that is the case, with some types especially, for men are so different. You say 'evidence'. Well, there may be evidence. But evidence, you know, can generally be taken two ways. I am an examining lawyer and a weak man, I confess it. I should like to make a proof, so to say, mathematically clear. I should like to make a chain of evidence such as twice two are four, it ought to be a direct, irrefutable proof! And if I shut him up too soon--even though I might be convinced he was the man, I should very likely be depriving myself of the means of getting further evidence against him. And how? By giving him, so to speak, a definite position, I shall put him out of suspense and set his mind at rest, so that he will retreat into his shell. They say that at Sevastopol, soon after Alma, the clever people were in a terrible fright that the enemy would attack openly and take Sevastopol at once. But when they saw that the enemy preferred a regular siege, they were delighted, I am told and reassured, for the thing would drag on for two months at least. You're laughing, you don't believe me again? Of course, you're right, too. You're right, you're right. These are special cases, I admit. But you must observe this, my dear Rodion Romanovitch, the general case, the case for which all legal forms and rules are intended, for which they are calculated and laid down in books, does not exist at all, for the reason that every case, every crime, for instance, so soon as it actually occurs, at once becomes a thoroughly special case and sometimes a case unlike any that's gone before. Very comic cases of that sort sometimes occur. If I leave one man quite alone, if I don't touch him and don't worry him, but let him know or at least suspect every moment that I know all about it and am watching him day and night, and if he is in continual suspicion and terror, he'll be bound to lose his head. He'll come of himself, or maybe do something which will make it as plain as twice two are four--it's delightful. It may be so with a simple peasant, but with one of our sort, an intelligent man cultivated on a certain side, it's a dead certainty. For, my dear fellow, it's a very important matter to know on what side a man is cultivated. And then there are nerves, there are nerves, you have overlooked them! Why, they are all sick, nervous and irritable!... And then how they all suffer from spleen! That I assure you is a regular gold-mine for us. And it's no anxiety to me, his running about the town free! Let him, let him walk about for a bit! I know well enough that I've caught him and that he won't escape me. Where could he escape to, he-he? Abroad, perhaps? A Pole will escape abroad, but not here, especially as I am watching and have taken measures. Will he escape into the depths of the country perhaps? But you know, peasants live there, real rude Russian peasants. A modern cultivated man would prefer prison to living with such strangers as our peasants. He-he! But that's all nonsense, and on the surface. It's not merely that he has nowhere to run to, he is psychologically unable to escape me, he-he! What an expression! Through a law of nature he can't escape me if he had anywhere to go. Have you seen a butterfly round a candle? That's how he will keep circling and circling round me. Freedom will lose its attractions. He'll begin to brood, he'll weave a tangle round himself, he'll worry himself to death! What's more, he will provide me with a mathematical proof--if I only give him long enough interval.... And he'll keep circling round me, getting nearer and nearer and then--flop! He'll fly straight into my mouth and I'll swallow him, and that will be very amusing, he-he-he! You don't believe me?"


Raskolnikov made no reply; he sat pale and motionless, still gazing with the same intensity into Porfiry's face.


"It's a lesson," he thought, turning cold. "This is beyond the cat playing with a mouse, like yesterday. He can't be showing off his power with no motive... prompting me; he is far too clever for that... he must have another object. What is it? It's all nonsense, my friend, you are pretending, to scare me! You've no proofs and the man I saw had no real existence. You simply want to make me lose my head, to work me up beforehand and so to crush me. But you are wrong, you won't do it! But why give me such a hint? Is he reckoning on my shattered nerves? No, my friend, you are wrong, you won't do it even though you have some trap for me... let us see what you have in store for me."


And he braced himself to face a terrible and unknown ordeal. At times he longed to fall on Porfiry and strangle him. This anger was what he dreaded from the beginning. He felt that his parched lips were flecked with foam, his heart was throbbing. But he was still determined not to speak till the right moment. He realised that this was the best policy in his position, because instead of saying too much he would be irritating his enemy by his silence and provoking him into speaking too freely. Anyhow, this was what he hoped for.