TITLE: 1/f "Pink Noise" for the Math-Disabled
QUESTION [6 upvotes]: I have very little skill when it comes to math beyond all the elementary level operations (addition, subtraction, multiplication, division, mean, mode, etc) and a vague grasp of statistics, what a graph is, and algebra.
I'm a writer at heart, and noticed a few discussions online about 1/f wave patterns or "pink noise." As much as I tried to comprehend the maths, the subject is over my head
What I want to do is structure the beats of my text to produce a more pleasant experience that helps hold reader attention using natural mathematical rhythms as a guidelines.
Would someone write up a set of steps, or pseudo-code explaining how the relations of intervals between points on a number line produce 1/f "pink noise"?

REPLY [2 votes]: Apologies for bumping the old thread, but...
I think what you're looking for is related to Zipf's Law (http://en.wikipedia.org/wiki/Zipf%27s_law). A special case of this is Benford's Law, which is what forensic accountants use to analyse record books for irregularities. The idea is that the most common numbers will appear in a 1/f frequency, i.e. Pink Noise.
1: .30
2: .18
3: .12
4: .10
5: .08
6: .07
7: .06
8: .05
9: .04
So for your purposes I would suggest writing a piece, like a chapter, and then analyzing your beats for pacing/length. The shortest segments (fast action) should account for about 30% of the whole, and the longest segments (deep dialog) about 4%...
Naturally if you want more or less granularity, you'll have to run the math on it to get the appropriate values, but this should give you a start.
Another thing to keep in mind, is that this is fractal. So your beats should follow this pattern, your word lengths, paragraph lengths, chapter lengths... The more scales you apply it to, the more you should see your work start to flow.
Hope this helps!