TITLE: Why are the Dynkin diagrams E6, E7 and E8 always drawn the way they are drawn?
QUESTION [5 upvotes]: The Dynkin diagrams of type ADE are ubiquitous in mathematics as solutions of various classification problems. The diagram E6 is usually drawn by five dots in a row with a sixth dot above the third, see for example here. There would be many other ways to draw   the diagram E6, for example the sixth dot below the five dots, or just a capital 
E.
Is there a reason for drawing that diagram in that particular shape beside or is that just a confirmed habit?

REPLY [6 votes]: The question as stated is not really helpful, but it's worth pointing out that the ADE
and other graphs/diagrams evolved over a couple of decades in different countries.   The
graphs, which encode at first the Coxeter data for finite (or more general) reflection
groups, go back at least to Coxeter's 1934 paper.   In Witt's 1941 paper these now
familiar graphs reappear when the reflection groups are unified with the classification
of root systems for semisimple Lie algebras over $\mathbb{C}$.  Here the vertices correspond to simple roots, not just simple reflections, so the notation has to incorporate some length
information.  Dynkin's fundamental 1952 papers used the resulting "Dynkin diagrams" with
extra labels 0, 1, 2 at vertices to classify efficiently the nilpotent orbits.    Along the
way a number of different choices were made about adding edges and arrows or making some
vertices darker to distinguish lengths.    Bourbaki's 1968 treatise is by now the easiest
standard source to follow.
The graph itself is drawn in a typographically convenient way and can vary as Scott notes
(note especially Coxeter's type E pictures).    An even more arbitrary convention governs
the numbering of vertices or simple roots.   Here again the evolved version in Bourbaki is
well established, though some authors like Carter depart a bit from that numbering.    The
history of ideas is quite interesting, but at the end of the day a convention is just a
convention.