license: cc-by-4.0
task_categories:
- text-to-speech
- audio-classification
language:
- en
- de
- fr
- es
- it
- nl
- pl
- pt
tags:
- speech
- emotion
- voice
- trajectory
- tts
- moss
- webdataset
size_categories:
- 100K<n<1M
configs:
- config_name: default
data_files:
- split: train
path: traj-t80-*.parquet
LAION Emotional-Trajectory Speech — tier T≥0.80
319,765 crossfaded speech trajectories · 4,482 audio-hours · 1,598,825 source clips
A trajectory is a short sequence of 5 consecutive utterances by one speaker whose measured emotion or voice character moves monotonically from one end of the corpus distribution to the other. The clips are joined into one continuous audio file with equal-power crossfades, the joined audio is re-tokenized with MOSS-Audio- Tokenizer-v2, and every chain carries a two-level caption.
This is the T≥0.80 rung: every chain crosses at least 80 % of the corpus range on its named dimension while never stepping more than 25 % between adjacent clips.
Why a trajectory dataset
Most expressive-TTS corpora label a clip with one emotion. That teaches a model to hit a target but not to travel — to start guarded and end furious, to slide from amusement into contempt. These chains are examples of the travel itself, with the change measured rather than asserted.
The tier ladder — strictly nested
| tier | chains | hours | en % | de % | other % |
|---|---|---|---|---|---|
| T≥0.20 | 4,381,192 | 44,999 | 62.8 | 21.4 | 15.8 |
| T≥0.25 | 2,881,179 | 33,590 | 62.2 | 26.5 | 11.3 |
| T≥0.40 | 1,594,365 | 19,603 | 61.9 | 34.2 | 3.9 |
| T≥0.50 | 1,007,755 | 13,371 | 61.0 | 37.8 | 1.2 |
| T≥0.60 | 783,747 | 10,423 | 60.6 | 39.2 | 0.3 |
| T≥0.70 | 615,517 | 8,194 | 59.7 | 40.3 | 0.0 |
| T≥0.80 (this release) | 319,765 | 4,531 | 59.6 | 40.4 | 0.0 |
Higher T is a strict subset of every lower T (verified by set containment, all four rules × all seven rungs). So you can train on T≥0.20 and evaluate on T≥0.80 knowing the harder set is contained in the easier one, and a curriculum needs no re-download.
How a chain qualifies
Scores are mapped to a tie-aware mid-rank ECDF over all 132,833,726 annotated
utterances, so "moved 0.25" means "crossed 25 % of the whole corpus" identically on every
dimension. Writing u_e(i) for that percentile of dimension e at clip i, with
A = argmax_e u_e(first) and B = argmax_e u_e(last):
| rule | family | requires |
|---|---|---|
B1 |
emotion |
one-sided: |Δu_B| ≥ T, per-step ≤ C on axis B |
AB2 |
emotion_twosided |
both named axes move by ≥ T, per-step ≤ C on both |
PXR |
proxy_spearman |
as AB2, but an endpoint that cannot ramp certifies smoothness on a correlated proxy axis |
VN1 |
voicenet |
one of 57 VoiceNet voice descriptors sweeps by ≥ T |
C = 0.25 throughout. A chain may satisfy several rules; the rules column lists all of
them and the row appears once.
PXR caveat. Only the Spearman proxy family is present in the source chain table. A tail-lift proxy family exists upstream (it covers 1,553 of 1,560 ordered emotion pairs against Spearman's 1,475) but has no rows here, so every
PXRchain in this release is Spearman-derived and labelledproxy_map = "spearman".
The speaker filter — strict, and no voice conversion
Mined chains must satisfy both conditions on Orange/Speaker-wavLM cosines:
min_cos_consec >= 0.80 every adjacent pair
min_cos_anchor >= 0.80 every clip against the first
Neighbour-only similarity does not chain — A can resemble B and B resemble C while A and C are plainly different people — so the anchored condition is what catches drift, and requiring both is the strict reading. Chains with no measurement are dropped, not kept. No voice conversion is applied anywhere: a chain is one real speaker or it is not in the dataset.
vprof_vc chains are exempt from this filter and only from this filter: one voice
profile is one cloned voice by construction, so there is no identity to verify. They
carry cos_source = "vprof-cloned-voice".
Rendering
- Every clip levelled to exactly −20.0 dBFS RMS before joining. MOSS's own loudness normaliser targets −20 dBFS but clamps gain to ±3 dB, and 59 % of corpus clips hit that clamp; pre-scaling makes its gain zero, so the seam step is zero by construction.
- 150 ms equal-power (cos/sin) crossfade at every join, shortened to 100 ms on a hot onset or tail, never more than 25 % of either segment. A linear crossfade sums to less than unit energy at its midpoint and dips audibly.
- Peak guard applied once to the finished chain.
- 48 kHz mono, MP3 96 kbps CBR.
Re-tokenization — and why it was necessary
The crossfaded concatenation is new audio. The constituent clips' existing MOSS codes describe the clips, not the chain, and MOSS's codec blocks are causal — decoding clip B with clip A in context changes B by about −7.5 dB relative error over its whole length. So the chain is re-encoded from the rendered waveform:
OpenMOSS-Team/MOSS-Audio-Tokenizer-v2, 12 codebooks × 1024, 12.5 fps. One frame is
12 tokens = 80 ms. (The codec ships 32 quantizers; the model consumes 12. 32 is depth,
not a block size.)
Stored as uint16 [T, 12] in <chain>.moss.npy, with moss_frames == floor(dur_s × 12.5).
Captions — two levels, both shipped
Inline, per segment
A screenplay: (emotions · voice descriptors) the words spoken, one line per clip.
Descriptors identical across the whole chain are hoisted out into
constant_descriptors, because a value that never changes says nothing about a
trajectory.
General, for the whole concatenation
Derived by scoring the rendered audio, not the source clips. Two variants:
caption_general_a— the top 3–5 VoiceNet dimensions, no emotion terms at all. Emotion comes solely from the inline tags.caption_general_b— the same, plus the top 2–3 emotions.
The >30 s split. The scorer pads/truncates every input to exactly 30 s, so scoring a
45 s chain would silently describe only its first 30 s. Chains longer than 30 s are split
at segment boundaries into ≤30 s parts, each part scored, and the parts combined by
duration weight (VoiceNet regressions and emotion scores averaged; ordinal buckets taken
from the longest part, so bucket and label stay consistent). n_score_parts records how
many. In this tier 96.7 % of chains are split — the normal case, not an edge
case.
The emotion gate is a tie-aware mid-rank ECDF, top 10 % for that emotion, max 3
named. This matters: the 40 emotion heads sit on different scales, and emo_Awe is at or
below zero for ~92 % of clips, so its p90 value is −0.0 and a naive score >= p90_value
test would name Awe on about a third of all clips. The mid-rank ECDF maps that tie block
to 0.47 and it correctly fails the gate. When nothing clears, the clause is simply
absent — there is no "no dominant emotion" string. emotion_clause_present records it.
Every ranking breaks ties explicitly on the dimension or emotion name, so captions are byte-identical across runs.
⚠ Burst annotations mean two different things — read this
A (parenthetical) inside the transcript is not one claim. Measured across the corpus:
| source | paren & n_bursts==0 |
paren & n_bursts>0 |
|---|---|---|
vprof_vc |
37.7 % | 11.4 % |
emolia |
0.0 % | 28.5 % |
podcast |
0.0 % | 44.0 % |
kartoffelphon |
0.0 % | 24.5 % |
eurospeech |
1.5 % | 46.2 % |
mls |
0.0 % | 0.4 % |
In the mined corpora a parenthetical always coincides with a detected burst — it is
detector output, an observed event. In vprof_vc roughly two-fifths of clips carry a
parenthetical the detector never confirmed: those are burst directions from the synthesis
prompt, not observations.
Because vprof_vc is 100.0 % of this tier, most parentheses here are the
unconfirmed kind. So each segment carries the two claims separately:
burst_detected—n_bursts > 0, a real detectionburst_scripted— a parenthetical withn_bursts == 0, requested but unconfirmedburst_note—"detected"/"scripted-unconfirmed"/"none"
Do not treat them as the same signal.
⚠ Language: the chain label is the FIRST clip only
lang_iso on a chain is taken from its first clip. That is not the language of the
whole chain. Measured on this tier by two independent methods (per-clip lang from the
index, and stopword detection on the segment text):
| share of chains | |
|---|---|
| single-language | 7.4 % |
| mixes two languages (de+en) | 92.6 % |
The cause is structural, not a bug: a vprof_vc chain is five takes by one cloned
voice of five different texts, and those texts are not all in one language. The voice
identity is constant; the language is not.
So each chain carries the honest fields alongside the label:
langs— sorted distinct languages actually present, e.g.["de","en"]lang_mixed— true when more than onen_langs- per segment,
segments[i].lang
Filter on langs / lang_mixed, not on lang_iso, unless you specifically want
"whatever the first clip was". The per-tier en % / de % tables above are computed on
the chain label and inherit exactly this caveat.
Composition
| dataset | chains | licence |
|---|---|---|
vprof_vc |
319,650 | generated (see note) |
emolia |
115 | CC-BY-4.0 |
This is the CLEAN release: podcast and evasnippets are removed for provenance, and kartoffelphon is held pending a licensing review.
Files, audio and formats
2,402 files at the repository root, in 800 numbered triples plus this card.
| path | count | what it is |
|---|---|---|
traj-t80-NNNNN.tar |
800 | the audio, plus the per-chain JSON and the MOSS tokens |
traj-t80-NNNNN.parquet |
800 | the metadata: one row per chain, 212 columns |
traj-t80-NNNNN.done |
800 | per-shard verification counts written after the shard was sealed |
NNNNN runs 00000..00799. Shard n of one kind always describes shard n of the other; the
last shard is short (165 chains, the rest hold 400) — 799 x 400 + 165 = 319,765.
Inside a tar — three members per chain, one stem
| member | format | detail |
|---|---|---|
<stem>.mp3 |
MPEG-1 Layer III, 48 kHz, 96 kbps CBR, mono | the crossfaded chain, read out of the shipped bytes |
<stem>.json |
JSON | chain_id, both general captions, script, segments, constant_descriptors, speaker_clause, tier_max, rules, dur_s, moss_frames, n_score_parts |
<stem>.moss.npy |
numpy uint16, shape [T, 12] |
MOSS-Audio-Tokenizer-v2 codes of the rendered chain, 12.5 fps, one frame = 12 tokens = 80 ms |
There is no .vclap.npy member here and no waveform format other than MP3.
The join — parquet row to tar member
shard is the tar basename without the .tar extension, and the member stem is chain_id
with | replaced by __:
tar_path = row["shard"] + ".tar" # "traj-t80-00000" -> traj-t80-00000.tar
member_stem = row["chain_id"].replace("|", "__") # "emolia|DE_x_W0,DE_x_W1,..." -> "emolia__DE_x_W0,DE_x_W1,..."
Verified on traj-t80-00000: the parquet's first three chain_id values map to the tar's first
three member groups, member for member.
Member names are long (a chain names all five of its source uids) and exceed the 100-byte POSIX
tar name field, so the tars use GNU long-name records. Every standard tar reader — Python's
tarfile, GNU tar, webdataset — handles this; a hand-rolled 512-byte header parser does not,
and will silently hand you truncated names.
Columns
212 columns per row. The full generated reference, with a one-line meaning for every column, is
in COLUMNS.md. The groups:
| group | columns | what it is |
|---|---|---|
| identity and provenance | 9 | chain_id, chain_key, shard, dataset, arm, uids, speaker, track, k |
| language | 4 | lang_iso (first clip only), langs, lang_mixed, n_langs |
| audio and rendering | 5 | dur_s, dur_s_soundfile, peak_clipped, lvl_spread_db, fades_ms |
| MOSS tokens | 3 | moss_frames, moss_n_vq, moss_frames_expected |
| text | 3 | script_text, segments (the per-clip records), constant_descriptors |
| captions | 9 | caption_general_a/_b and the parts they were built from |
| emotion | 40 | emo_*, Empathic-Insight intensities of the rendered chain |
| voice character | 114 | vn_<CODE>_reg + vn_<CODE>_bucket, 57 VoiceNet dimensions |
| quality | 6 | 4 qual_* heads, genuineness_0_6, blend_0_10 |
| vocal bursts | 2 | n_burst_detected, n_burst_scripted — two different claims, see below |
| trajectory qualification | 17 | tier_max, qmax, cmax, C, rules, dim_a/dim_b, the speaker cosines, the scoring-split fields |
The 40 emo_*, 114 vn_* and 4 qual_* columns describe the RENDERED CHAIN, scored on the
crossfaded audio, not averaged from the source clips. Per-clip values are inside segments.
Loading
import glob, json, io, tarfile
import numpy as np, soundfile as sf, pyarrow.parquet as pq
# metadata for the whole tier
meta = pq.read_table(sorted(glob.glob("traj-t80-*.parquet"))).to_pandas()
print(len(meta), "chains")
# the nested ladder is a filter, not a re-download
hard = meta[meta.tier_max >= 0.80]
# one chain, audio + codes + captions
with tarfile.open("traj-t80-00000.tar") as tf:
names = [m.name for m in tf.getmembers() if m.name.endswith(".mp3")]
stem = names[0][:-4]
wav, sr = sf.read(io.BytesIO(tf.extractfile(stem + ".mp3").read()))
codes = np.load(io.BytesIO(tf.extractfile(stem + ".moss.npy").read()))
info = json.loads(tf.extractfile(stem + ".json").read())
print(codes.shape, sr) # (frames, 12) uint16, 48000
assert codes.shape[0] == int(len(wav)/sr*12.5)
print(info["caption_general_a"]) # voice only
print(info["caption_general_b"]) # voice + emotions
print(info["script"]) # inline screenplay
for s in info["segments"]:
print(s["start"], s["burst_note"], s["tag"], s["text"][:60])
Selecting a tier
Every row of this release already satisfies tier_max >= 0.80 — that is what the tier is. Within
it, tier_max (equivalently qmax, equal to it on every row here) is the selector:
harder = meta[meta["tier_max"] >= 0.90]
A correction to earlier prose. Descriptions of this dataset have mentioned tNN and pcNN
selector columns. They are not in this release. Checked on the first, middle and last shard:
212 columns each, none of them tNN or pcNN. Those selectors belong to the upstream chain table
the tiers were packed from, where the distinction mattered — tNN nested by construction, pcNN
a per-cell packing that is not a subset of anything and must never be summed with or nested
inside tNN. Downstream of the packer only tier_max survives, and it is the nested one.
Source datasets and licences
| source | what it is | licence |
|---|---|---|
emolia |
YODAS-derived emotional speech | CC-BY-4.0 |
kartoffelphon |
German speech (~51 % librivox) | CC-BY-4.0 · held pending review |
mls |
Multilingual LibriSpeech | CC-BY-4.0 |
eurospeech |
European parliamentary speech | CC-BY-4.0 |
vprof_vc |
synthetic voice profiles, Chatterbox-VC + SIDON | see note below |
snippets |
short reference snippets | CC-BY-4.0 |
podcast and evasnippets are excluded from every public release — their per-item
provenance is unknown or unclear and they are not openly redistributable.
kartoffelphon is excluded from the CLEAN releases pending a licensing review, not for
any data defect: ~51 % is librivox (public domain), the remainder is podcast-provenance
material. Its coverage is excellent (100 % -id speaker embeddings, the best of any
source). Every tier records kartoffelphon_contribution so the effect of clearing it is
visible without a rebuild.
Annotations are CC-BY-4.0. The generated voice-profile audio derives in part from EmoLia.
Honest limitations
vprof_vctrajectories are constructed, not observed. Takes are independent renditions of different texts by one cloned voice; the ordering is imposed by the packer. They carry no speaker-identity risk and no natural time axis. At the top of the ladder they are almost the entire corpus.- Five emotions cannot be trajectory endpoints under the two-sided rules — Awe,
Distress, Sadness, Disappointment, Helplessness. Their raw scores are so zero-inflated
that the normalised value is effectively two-valued, so no per-step cap ≤0.25 can be
satisfied. This is arithmetic, not missing data.
PXRrecovers four of the five. - EmoLia identity uses a timbre embedding, not the verification model. Where
cos_source == "orange-tbr"the 0.80 threshold is applied toOrange/Speaker-wavLM-tbr; store-to-store the equivalent of-id >= 0.80is-tbr >= 0.788, so this is fractionally stricter, but it is a different space and its pass rate reads ~7 points optimistic. - The emotion scorer is weak in absolute terms — 8.0 % top-1 against the requested label on the voice profiles (chance 2.5 %). Selection is always on measured scores, never on a requested-emotion label.
- Emotion clauses are common at chain level. With 40 heads each gated at its own top decile, P(none clears) ≈ 0.9^40 ≈ 1.5 %, so ~98 % of chains name at least one emotion. That is the arithmetic of a 40-way gate, not evidence every chain is emotive.
- Language is
lang_iso_fixed, post-correction.other %is dominated by the multilingual sources.
Citation
@misc{laion_traj_t80,
title = {LAION Emotional-Trajectory Speech, tier T>=0.80},
author = {LAION},
year = {2026},
url = {https://huggingface.co/datasets/laion/laion-emotional-trajectory-t80}
}