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| 1 |
+
---
|
| 2 |
+
license: cc-by-4.0
|
| 3 |
+
task_categories: [text-to-speech, audio-classification]
|
| 4 |
+
language: [en, de, fr, es, it, nl, pl, pt]
|
| 5 |
+
tags: [speech, emotion, voice, trajectory, tts, moss, webdataset]
|
| 6 |
+
size_categories: [100K<n<1M]
|
| 7 |
+
---
|
| 8 |
+
|
| 9 |
+
# LAION Emotional-Trajectory Speech — tier T≥0.80
|
| 10 |
+
|
| 11 |
+
**319,765 crossfaded speech trajectories · 4,482 audio-hours · 1,598,825 source clips**
|
| 12 |
+
|
| 13 |
+
A *trajectory* is a short sequence of 5 consecutive utterances **by one
|
| 14 |
+
speaker** whose measured emotion or voice character moves monotonically from one end of
|
| 15 |
+
the corpus distribution to the other. The clips are joined into one continuous audio file
|
| 16 |
+
with equal-power crossfades, the joined audio is **re-tokenized** with MOSS-Audio-
|
| 17 |
+
Tokenizer-v2, and every chain carries a two-level caption.
|
| 18 |
+
|
| 19 |
+
This is the **T≥0.80** rung: every chain crosses at least **80 % of the corpus range**
|
| 20 |
+
on its named dimension while never stepping more than 25 % between adjacent clips.
|
| 21 |
+
|
| 22 |
+
## Why a trajectory dataset
|
| 23 |
+
|
| 24 |
+
Most expressive-TTS corpora label a clip with *one* emotion. That teaches a model to hit
|
| 25 |
+
a target but not to *travel* — to start guarded and end furious, to slide from amusement
|
| 26 |
+
into contempt. These chains are examples of the travel itself, with the change measured
|
| 27 |
+
rather than asserted.
|
| 28 |
+
|
| 29 |
+
## The tier ladder — strictly nested
|
| 30 |
+
|
| 31 |
+
| tier | chains | hours | en % | de % | other % |
|
| 32 |
+
|---|--:|--:|--:|--:|--:|
|
| 33 |
+
| T≥0.20 | 4,381,192 | 44,999 | 62.8 | 21.4 | 15.8 |
|
| 34 |
+
| T≥0.25 | 2,881,179 | 33,590 | 62.2 | 26.5 | 11.3 |
|
| 35 |
+
| T≥0.40 | 1,594,365 | 19,603 | 61.9 | 34.2 | 3.9 |
|
| 36 |
+
| T≥0.50 | 1,007,755 | 13,371 | 61.0 | 37.8 | 1.2 |
|
| 37 |
+
| T≥0.60 | 783,747 | 10,423 | 60.6 | 39.2 | 0.3 |
|
| 38 |
+
| T≥0.70 | 615,517 | 8,194 | 59.7 | 40.3 | 0.0 |
|
| 39 |
+
| T≥0.80 **(this release)** | 319,765 | 4,531 | 59.6 | 40.4 | 0.0 |
|
| 40 |
+
|
| 41 |
+
Higher T is a **strict subset** of every lower T (verified by set containment, all four
|
| 42 |
+
rules × all seven rungs). So you can train on T≥0.20 and evaluate on T≥0.80 knowing the
|
| 43 |
+
harder set is contained in the easier one, and a curriculum needs no re-download.
|
| 44 |
+
|
| 45 |
+
## How a chain qualifies
|
| 46 |
+
|
| 47 |
+
Scores are mapped to a **tie-aware mid-rank ECDF** over all 132,833,726 annotated
|
| 48 |
+
utterances, so "moved 0.25" means "crossed 25 % of the whole corpus" identically on every
|
| 49 |
+
dimension. Writing `u_e(i)` for that percentile of dimension `e` at clip `i`, with
|
| 50 |
+
`A = argmax_e u_e(first)` and `B = argmax_e u_e(last)`:
|
| 51 |
+
|
| 52 |
+
| rule | family | requires |
|
| 53 |
+
|---|---|---|
|
| 54 |
+
| `B1` | `emotion` | one-sided: `\|Δu_B\| ≥ T`, per-step ≤ C on axis B |
|
| 55 |
+
| `AB2` | `emotion_twosided` | both named axes move by ≥ T, per-step ≤ C on both |
|
| 56 |
+
| `PXR` | `proxy_spearman` | as AB2, but an endpoint that cannot ramp certifies smoothness on a correlated proxy axis |
|
| 57 |
+
| `VN1` | `voicenet` | one of 57 VoiceNet voice descriptors sweeps by ≥ T |
|
| 58 |
+
|
| 59 |
+
`C = 0.25` throughout. A chain may satisfy several rules; the `rules` column lists all of
|
| 60 |
+
them and the row appears **once**.
|
| 61 |
+
|
| 62 |
+
> **PXR caveat.** Only the *Spearman* proxy family is present in the source chain table.
|
| 63 |
+
> A tail-lift proxy family exists upstream (it covers 1,553 of 1,560 ordered emotion pairs
|
| 64 |
+
> against Spearman's 1,475) but has no rows here, so every `PXR` chain in this release is
|
| 65 |
+
> Spearman-derived and labelled `proxy_map = "spearman"`.
|
| 66 |
+
|
| 67 |
+
## The speaker filter — strict, and no voice conversion
|
| 68 |
+
|
| 69 |
+
Mined chains must satisfy **both** conditions on `Orange/Speaker-wavLM` cosines:
|
| 70 |
+
|
| 71 |
+
```
|
| 72 |
+
min_cos_consec >= 0.80 every adjacent pair
|
| 73 |
+
min_cos_anchor >= 0.80 every clip against the first
|
| 74 |
+
```
|
| 75 |
+
|
| 76 |
+
Neighbour-only similarity does not chain — A can resemble B and B resemble C while A and
|
| 77 |
+
C are plainly different people — so the anchored condition is what catches drift, and
|
| 78 |
+
requiring both is the strict reading. **Chains with no measurement are dropped, not
|
| 79 |
+
kept.** No voice conversion is applied anywhere: a chain is one real speaker or it is not
|
| 80 |
+
in the dataset.
|
| 81 |
+
|
| 82 |
+
`vprof_vc` chains are exempt from this filter **and only from this filter**: one voice
|
| 83 |
+
profile is one cloned voice by construction, so there is no identity to verify. They
|
| 84 |
+
carry `cos_source = "vprof-cloned-voice"`.
|
| 85 |
+
|
| 86 |
+
## Rendering
|
| 87 |
+
|
| 88 |
+
* Every clip levelled to **exactly −20.0 dBFS RMS** before joining. MOSS's own loudness
|
| 89 |
+
normaliser targets −20 dBFS but clamps gain to ±3 dB, and 59 % of corpus clips hit that
|
| 90 |
+
clamp; pre-scaling makes its gain zero, so the seam step is zero *by construction*.
|
| 91 |
+
* **150 ms equal-power (cos/sin) crossfade** at every join, shortened to 100 ms on a hot
|
| 92 |
+
onset or tail, never more than 25 % of either segment. A linear crossfade sums to less
|
| 93 |
+
than unit energy at its midpoint and dips audibly.
|
| 94 |
+
* Peak guard applied **once** to the finished chain.
|
| 95 |
+
* 48 kHz mono, MP3 96 kbps CBR.
|
| 96 |
+
|
| 97 |
+
## Re-tokenization — and why it was necessary
|
| 98 |
+
|
| 99 |
+
The crossfaded concatenation is **new audio**. The constituent clips' existing MOSS codes
|
| 100 |
+
describe the clips, not the chain, and MOSS's codec blocks are causal — decoding clip B
|
| 101 |
+
with clip A in context changes B by about −7.5 dB relative error over its whole length.
|
| 102 |
+
So the chain is re-encoded from the rendered waveform:
|
| 103 |
+
|
| 104 |
+
`OpenMOSS-Team/MOSS-Audio-Tokenizer-v2`, **12 codebooks × 1024, 12.5 fps**. One frame is
|
| 105 |
+
12 tokens = 80 ms. (The codec ships 32 quantizers; the model consumes 12. 32 is depth,
|
| 106 |
+
not a block size.)
|
| 107 |
+
|
| 108 |
+
Stored as `uint16 [T, 12]` in `<chain>.moss.npy`, with `moss_frames == floor(dur_s ×
|
| 109 |
+
12.5)`.
|
| 110 |
+
|
| 111 |
+
## Captions — two levels, both shipped
|
| 112 |
+
|
| 113 |
+
### Inline, per segment
|
| 114 |
+
A screenplay: `(emotions · voice descriptors) the words spoken`, one line per clip.
|
| 115 |
+
Descriptors identical across the whole chain are hoisted out into
|
| 116 |
+
`constant_descriptors`, because a value that never changes says nothing about a
|
| 117 |
+
trajectory.
|
| 118 |
+
|
| 119 |
+
### General, for the whole concatenation
|
| 120 |
+
Derived by **scoring the rendered audio**, not the source clips. Two variants:
|
| 121 |
+
|
| 122 |
+
* **`caption_general_a`** — the top 3–5 VoiceNet dimensions, **no emotion terms at all**.
|
| 123 |
+
Emotion comes solely from the inline tags.
|
| 124 |
+
* **`caption_general_b`** — the same, plus the top 2–3 emotions.
|
| 125 |
+
|
| 126 |
+
**The >30 s split.** The scorer pads/truncates every input to exactly 30 s, so scoring a
|
| 127 |
+
45 s chain would silently describe only its first 30 s. Chains longer than 30 s are split
|
| 128 |
+
at **segment boundaries** into ≤30 s parts, each part scored, and the parts combined by
|
| 129 |
+
duration weight (VoiceNet regressions and emotion scores averaged; ordinal buckets taken
|
| 130 |
+
from the longest part, so bucket and label stay consistent). `n_score_parts` records how
|
| 131 |
+
many. In this tier **96.7 %** of chains are split — the normal case, not an edge
|
| 132 |
+
case.
|
| 133 |
+
|
| 134 |
+
**The emotion gate** is a tie-aware mid-rank ECDF, top 10 % *for that emotion*, max 3
|
| 135 |
+
named. This matters: the 40 emotion heads sit on different scales, and `emo_Awe` is at or
|
| 136 |
+
below zero for ~92 % of clips, so its p90 *value* is −0.0 and a naive `score >= p90_value`
|
| 137 |
+
test would name Awe on about a third of all clips. The mid-rank ECDF maps that tie block
|
| 138 |
+
to 0.47 and it correctly fails the gate. When nothing clears, **the clause is simply
|
| 139 |
+
absent** — there is no "no dominant emotion" string. `emotion_clause_present` records it.
|
| 140 |
+
|
| 141 |
+
Every ranking breaks ties **explicitly on the dimension or emotion name**, so captions are
|
| 142 |
+
byte-identical across runs.
|
| 143 |
+
|
| 144 |
+
## ⚠ Burst annotations mean two different things — read this
|
| 145 |
+
|
| 146 |
+
A `(parenthetical)` inside the transcript is **not** one claim. Measured across the corpus:
|
| 147 |
+
|
| 148 |
+
| source | paren & `n_bursts`==0 | paren & `n_bursts`>0 |
|
| 149 |
+
|---|--:|--:|
|
| 150 |
+
| **`vprof_vc`** | **37.7 %** | 11.4 % |
|
| 151 |
+
| `emolia` | 0.0 % | 28.5 % |
|
| 152 |
+
| `podcast` | 0.0 % | 44.0 % |
|
| 153 |
+
| `kartoffelphon` | 0.0 % | 24.5 % |
|
| 154 |
+
| `eurospeech` | 1.5 % | 46.2 % |
|
| 155 |
+
| `mls` | 0.0 % | 0.4 % |
|
| 156 |
+
|
| 157 |
+
In the **mined** corpora a parenthetical always coincides with a detected burst — it is
|
| 158 |
+
detector output, an observed event. In **`vprof_vc`** roughly two-fifths of clips carry a
|
| 159 |
+
parenthetical the detector never confirmed: those are burst *directions from the synthesis
|
| 160 |
+
prompt*, not observations.
|
| 161 |
+
|
| 162 |
+
Because `vprof_vc` is **100.0 %** of this tier, most parentheses here are the
|
| 163 |
+
unconfirmed kind. So each segment carries the two claims **separately**:
|
| 164 |
+
|
| 165 |
+
* `burst_detected` — `n_bursts > 0`, a real detection
|
| 166 |
+
* `burst_scripted` — a parenthetical with `n_bursts == 0`, requested but unconfirmed
|
| 167 |
+
* `burst_note` — `"detected"` / `"scripted-unconfirmed"` / `"none"`
|
| 168 |
+
|
| 169 |
+
**Do not treat them as the same signal.**
|
| 170 |
+
|
| 171 |
+
## ⚠ Language: the chain label is the FIRST clip only
|
| 172 |
+
|
| 173 |
+
`lang_iso` on a chain is taken from its first clip. That is **not** the language of the
|
| 174 |
+
whole chain. Measured on this tier by two independent methods (per-clip `lang` from the
|
| 175 |
+
index, and stopword detection on the segment text):
|
| 176 |
+
|
| 177 |
+
| | share of chains |
|
| 178 |
+
|---|--:|
|
| 179 |
+
| single-language | **7.4 %** |
|
| 180 |
+
| **mixes two languages** (de+en) | **92.6 %** |
|
| 181 |
+
|
| 182 |
+
The cause is structural, not a bug: a `vprof_vc` chain is five takes **by one cloned
|
| 183 |
+
voice of five different texts**, and those texts are not all in one language. The voice
|
| 184 |
+
identity is constant; the language is not.
|
| 185 |
+
|
| 186 |
+
So each chain carries the honest fields alongside the label:
|
| 187 |
+
|
| 188 |
+
* `langs` — sorted distinct languages actually present, e.g. `["de","en"]`
|
| 189 |
+
* `lang_mixed` — true when more than one
|
| 190 |
+
* `n_langs`
|
| 191 |
+
* per segment, `segments[i].lang`
|
| 192 |
+
|
| 193 |
+
**Filter on `langs` / `lang_mixed`, not on `lang_iso`**, unless you specifically want
|
| 194 |
+
"whatever the first clip was". The per-tier `en %` / `de %` tables above are computed on
|
| 195 |
+
the chain label and inherit exactly this caveat.
|
| 196 |
+
|
| 197 |
+
## Composition
|
| 198 |
+
| dataset | chains | licence |
|
| 199 |
+
|---|--:|---|
|
| 200 |
+
| `vprof_vc` | 319,650 | generated (see note) |
|
| 201 |
+
| `emolia` | 115 | CC-BY-4.0 |
|
| 202 |
+
|
| 203 |
+
This is the **CLEAN** release: `podcast` and `evasnippets` are removed for provenance, and `kartoffelphon` is held pending a licensing review.
|
| 204 |
+
|
| 205 |
+
## Files
|
| 206 |
+
|
| 207 |
+
```
|
| 208 |
+
traj-t80-NNNNN.tar WebDataset: <chain>.mp3, <chain>.json, <chain>.moss.npy
|
| 209 |
+
traj-t80-NNNNN.parquet one row per chain, all columns below
|
| 210 |
+
traj-t80-NNNNN.done per-shard verification counts
|
| 211 |
+
```
|
| 212 |
+
|
| 213 |
+
## Loading
|
| 214 |
+
|
| 215 |
+
```python
|
| 216 |
+
import glob, json, io, tarfile
|
| 217 |
+
import numpy as np, soundfile as sf, pyarrow.parquet as pq
|
| 218 |
+
|
| 219 |
+
# metadata for the whole tier
|
| 220 |
+
meta = pq.read_table(sorted(glob.glob("traj-t80-*.parquet"))).to_pandas()
|
| 221 |
+
print(len(meta), "chains")
|
| 222 |
+
|
| 223 |
+
# the nested ladder is a filter, not a re-download
|
| 224 |
+
hard = meta[meta.tier_max >= 0.80]
|
| 225 |
+
|
| 226 |
+
# one chain, audio + codes + captions
|
| 227 |
+
with tarfile.open("traj-t80-00000.tar") as tf:
|
| 228 |
+
names = [m.name for m in tf.getmembers() if m.name.endswith(".mp3")]
|
| 229 |
+
stem = names[0][:-4]
|
| 230 |
+
wav, sr = sf.read(io.BytesIO(tf.extractfile(stem + ".mp3").read()))
|
| 231 |
+
codes = np.load(io.BytesIO(tf.extractfile(stem + ".moss.npy").read()))
|
| 232 |
+
info = json.loads(tf.extractfile(stem + ".json").read())
|
| 233 |
+
|
| 234 |
+
print(codes.shape, sr) # (frames, 12) uint16, 48000
|
| 235 |
+
assert codes.shape[0] == int(len(wav)/sr*12.5)
|
| 236 |
+
print(info["caption_general_a"]) # voice only
|
| 237 |
+
print(info["caption_general_b"]) # voice + emotions
|
| 238 |
+
print(info["script"]) # inline screenplay
|
| 239 |
+
for s in info["segments"]:
|
| 240 |
+
print(s["start"], s["burst_note"], s["tag"], s["text"][:60])
|
| 241 |
+
```
|
| 242 |
+
|
| 243 |
+
## Two nesting selectors, both shipped
|
| 244 |
+
|
| 245 |
+
`tNN` columns (**the default**) select `qmax >= T` under each row's own rule. Nested by
|
| 246 |
+
construction for both arms.
|
| 247 |
+
|
| 248 |
+
`pcNN` columns select the packer's own per-cell population (`T == that tier's own T`).
|
| 249 |
+
For `vprof_vc` these were packed **independently per cell** with a fresh `used` mask, so
|
| 250 |
+
each packing had re-packing freedom a nested subset cannot have. That is why the per-cell
|
| 251 |
+
high-T counts look larger — they are **not subsets of anything**.
|
| 252 |
+
|
| 253 |
+
> **`pcNN` must never be summed with, differenced against, or nested inside `tNN`.** They
|
| 254 |
+
> are two different selections of the same underlying chains, not two parts of one.
|
| 255 |
+
|
| 256 |
+
## Source datasets and licences
|
| 257 |
+
|
| 258 |
+
| source | what it is | licence |
|
| 259 |
+
|---|---|---|
|
| 260 |
+
| `emolia` | YODAS-derived emotional speech | CC-BY-4.0 |
|
| 261 |
+
| `kartoffelphon` | German speech (~51 % librivox) | CC-BY-4.0 · **held pending review** |
|
| 262 |
+
| `mls` | Multilingual LibriSpeech | CC-BY-4.0 |
|
| 263 |
+
| `eurospeech` | European parliamentary speech | CC-BY-4.0 |
|
| 264 |
+
| `vprof_vc` | synthetic voice profiles, Chatterbox-VC + SIDON | see note below |
|
| 265 |
+
| `snippets` | short reference snippets | CC-BY-4.0 |
|
| 266 |
+
|
| 267 |
+
`podcast` and `evasnippets` are **excluded from every public release** — their per-item
|
| 268 |
+
provenance is unknown or unclear and they are not openly redistributable.
|
| 269 |
+
|
| 270 |
+
`kartoffelphon` is excluded from the CLEAN releases **pending a licensing review, not for
|
| 271 |
+
any data defect**: ~51 % is librivox (public domain), the remainder is podcast-provenance
|
| 272 |
+
material. Its coverage is excellent (100 % `-id` speaker embeddings, the best of any
|
| 273 |
+
source). Every tier records `kartoffelphon_contribution` so the effect of clearing it is
|
| 274 |
+
visible without a rebuild.
|
| 275 |
+
|
| 276 |
+
Annotations are CC-BY-4.0. The generated voice-profile audio derives in part from EmoLia.
|
| 277 |
+
|
| 278 |
+
## Honest limitations
|
| 279 |
+
|
| 280 |
+
* **`vprof_vc` trajectories are constructed, not observed.** Takes are independent
|
| 281 |
+
renditions of *different texts* by one cloned voice; the ordering is imposed by the
|
| 282 |
+
packer. They carry no speaker-identity risk and no natural time axis. At the top of the
|
| 283 |
+
ladder they are almost the entire corpus.
|
| 284 |
+
* **Five emotions cannot be trajectory endpoints under the two-sided rules** — Awe,
|
| 285 |
+
Distress, Sadness, Disappointment, Helplessness. Their raw scores are so zero-inflated
|
| 286 |
+
that the normalised value is effectively two-valued, so no per-step cap ≤0.25 can be
|
| 287 |
+
satisfied. This is arithmetic, not missing data. `PXR` recovers four of the five.
|
| 288 |
+
* **EmoLia identity uses a timbre embedding**, not the verification model. Where
|
| 289 |
+
`cos_source == "orange-tbr"` the 0.80 threshold is applied to
|
| 290 |
+
`Orange/Speaker-wavLM-tbr`; store-to-store the equivalent of `-id >= 0.80` is
|
| 291 |
+
`-tbr >= 0.788`, so this is fractionally *stricter*, but it is a different space and its
|
| 292 |
+
pass rate reads ~7 points optimistic.
|
| 293 |
+
* **The emotion scorer is weak in absolute terms** — 8.0 % top-1 against the requested
|
| 294 |
+
label on the voice profiles (chance 2.5 %). Selection is always on measured scores,
|
| 295 |
+
never on a requested-emotion label.
|
| 296 |
+
* **Emotion clauses are common at chain level.** With 40 heads each gated at its own top
|
| 297 |
+
decile, P(none clears) ≈ 0.9^40 ≈ 1.5 %, so ~98 % of chains name at least one emotion.
|
| 298 |
+
That is the arithmetic of a 40-way gate, not evidence every chain is emotive.
|
| 299 |
+
* Language is `lang_iso_fixed`, post-correction. `other %` is dominated by the
|
| 300 |
+
multilingual sources.
|
| 301 |
+
|
| 302 |
+
## Citation
|
| 303 |
+
|
| 304 |
+
```bibtex
|
| 305 |
+
@misc{laion_traj_t80,
|
| 306 |
+
title = {LAION Emotional-Trajectory Speech, tier T>=0.80},
|
| 307 |
+
author = {LAION},
|
| 308 |
+
year = {2026},
|
| 309 |
+
url = {https://huggingface.co/datasets/laion/laion-emotional-trajectory-t80}
|
| 310 |
+
}
|
| 311 |
+
```
|