Datasets:
uid stringlengths 24 24 | family stringclasses 2
values | src int8 0 0 | voice_key stringclasses 500
values | lang stringclasses 2
values | text stringlengths 12 1.25k | text_bursts stringlengths 12 1.25k | caption_general stringclasses 820
values | caption_script stringclasses 1
value | caption_tpl_text stringclasses 1
value | caption_tpl stringlengths 69 204 | speaker_name stringclasses 500
values | spoken_dur_s float32 -1 33.2 | dur_s float32 1.28 34.8 | words_json stringlengths 2 7.56k | burst_starts listlengths 0 29 | burst_ends listlengths 0 29 | burst_labels listlengths 0 29 | in_extreme bool 1
class | frames int32 16 435 | codes unknown | rej_frames int32 16 435 | rej_codes unknown | ref_frames int32 25 312 | ref_codes unknown | has_ref bool 1
class | is_val bool 2
classes | cfg_free_text bool 1
class | cfg_neutral stringclasses 101
values | emo_strength float32 0 0.99 ⌀ |
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cfg90c3f79d19b1c0bed1ael | cfg_low | 0 | anime_000 | en | This program was a blast; the experience gave me such a rush of pure joy. (chuckle) It's a highlight I'll carry with me forever on my resume. | This program was a blast; the experience gave me such a rush of pure joy. (chuckle) It's a highlight I'll carry with me forever on my resume. | A voice slightly expressing disappointment, only a trace of it, kept almost out of the voice, the rest an ordinary plain read; reads as disappointment | cfg|emo|Disappointment|anime_000__E__Disappointment__D__en.c017|anime_000__E__Pleasure_Ecstasy__C__en.c014 | Emma | 4.7 | 4.72 | [{"w": "This", "s": 0.02, "e": 0.161}, {"w": "program", "s": 0.241, "e": 0.663}, {"w": "was", "s": 0.703, "e": 0.823}, {"w": "a", "s": 0.864, "e": 0.884}, {"w": "blast;", "s": 0.964, "e": 1.526}, {"w": "the", "s": 1.928, "e": 2.009}, {"w": "experience", "s": 2.049, "e": 2.732}, {"w": "gave", "s": 2.752, "e": 2.953}, {"... | [] | [] | [] | false | 59 | [
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cfg10754c75f15f32d64a5dh | cfg_high | 0 | anime_000 | en | It's just this throbbing, this awful ache because my nerves are being crushed in my spine. I don't know how to stop it; it feels like there is no way to ease this pain. | It's just this throbbing, this awful ache because my nerves are being crushed in my spine. I don't know how to stop it; it feels like there is no way to ease this pain. | A voice viscerally expressing distress, a distressed, anguished voice, tight with panic and pain, on the verge of breaking, in every breath; reads as distress | cfg|emo|Distress|anime_000__E__Helplessness__D__en.c025|anime_000__V__REGS__very_high__de.c032 | Emma | 7.639 | 8.08 | [{"w": "It's", "s": 0.321, "e": 0.441}, {"w": "just", "s": 0.501, "e": 0.722}, {"w": "this", "s": 0.742, "e": 0.902}, {"w": "throbbing,", "s": 1.002, "e": 1.484}, {"w": "this", "s": 1.504, "e": 1.644}, {"w": "awful", "s": 1.764, "e": 2.025}, {"w": "ache", "s": 2.125, "e": 2.306}, {"w": "because", "s": 2.346, "e": 2.586... | [] | [] | [] | false | 101 | [
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cfg95845546913ae19a7c65l | cfg_low | 0 | anime_000 | en | The Fair Wear Foundation Code says workers must have the freedom to choose their workplace. (trembling whimper) That choice absolutely has to be guaranteed. | (soft hum) The Fair Wear Foundation Code says workers must have the freedom to choose their workplace. (trembling whimper) That choice absolutely has to be guaranteed. | A voice slightly expressing numbness, only a trace of it, kept almost out of the voice, the rest an ordinary plain read; reads as emotional numbness | cfg|emo|Emotional_Numbness|anime_000__E__Emotional_Numbness__A__en.c004|anime_000__V__METL__extremely_low__en.c037 | Emma | 5.818 | 6.56 | [{"w": "The", "s": 0.742, "e": 0.843}, {"w": "Fair", "s": 0.923, "e": 1.143}, {"w": "Wear", "s": 1.204, "e": 1.364}, {"w": "Foundation", "s": 1.444, "e": 2.086}, {"w": "Code", "s": 2.167, "e": 2.468}, {"w": "says", "s": 2.488, "e": 2.668}, {"w": "workers", "s": 2.748, "e": 3.109}, {"w": "must", "s": 3.19, "e": 3.41}, {... | [
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cfgdf6ceae6ec17030e5902h | cfg_high | 0 | anime_000 | en | My heart was pounding like crazy, and I could feel this intense heat rising all through my skin. (snorting giggle) Something was definitely happening to me. | My heart was pounding like crazy, and I could feel this intense heat rising all through my skin. (snorting giggle) Something was definitely happening to me. | A voice intensely expressing fear, a terrified voice, trembling and breathless, shaking with fear, near screaming, in every breath; reads as fear | cfg|emo|Fear|anime_000__V__S_NARR__moderately_high__en.c009|anime_000__V__DFLU__moderately_low__en.c015 | Emma | 7.037 | 8.08 | [{"w": "My", "s": 0.802, "e": 0.902}, {"w": "heart", "s": 0.962, "e": 1.163}, {"w": "was", "s": 1.203, "e": 1.323}, {"w": "pounding", "s": 1.383, "e": 1.784}, {"w": "like", "s": 1.804, "e": 1.945}, {"w": "crazy,", "s": 1.965, "e": 2.326}, {"w": "and", "s": 2.386, "e": 2.466}, {"w": "I", "s": 2.526, "e": 2.546}, {"w": "... | [] | [] | [] | false | 101 | [
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cfgbd8cb1487d8b08f131e3h | cfg_high | 0 | anime_000 | en | It's just this throbbing, this awful ache because my nerves are being crushed in my spine. I don't know how to stop it; it feels like there is no way to ease this pain. | It's just this throbbing, this awful ache because my nerves are being crushed in my spine. I don't know how to stop it; it feels like there is no way to ease this pain. | A voice viscerally expressing helplessness, a powerless, defeated voice, pleading and helpless, out of options, impossible to hide; reads as helplessness | cfg|emo|Helplessness|anime_000__E__Helplessness__D__en.c025|anime_000__V__STRU__moderately_high__en.c034 | Emma | 7.639 | 8.08 | [{"w": "It's", "s": 0.321, "e": 0.441}, {"w": "just", "s": 0.501, "e": 0.722}, {"w": "this", "s": 0.742, "e": 0.902}, {"w": "throbbing,", "s": 1.002, "e": 1.484}, {"w": "this", "s": 1.504, "e": 1.644}, {"w": "awful", "s": 1.764, "e": 2.025}, {"w": "ache", "s": 2.125, "e": 2.306}, {"w": "because", "s": 2.346, "e": 2.586... | [] | [] | [] | false | 101 | [
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cfg4d515572023c7f355bbcl | cfg_low | 0 | anime_000 | de | Wenn der Rabe sein Gefieder in einem Traum verändert, signalisiert das wirklich einen Neuanfang. (soft hum) Dieses stille Bild deutet auf eine tiefgreifende Erneuerung hin. | Wenn der Rabe sein Gefieder in einem Traum verändert, signalisiert das wirklich einen Neuanfang. (soft hum) Dieses stille Bild deutet auf eine tiefgreifende Erneuerung hin. | A voice mildly expressing helplessness, just a hint of it and no more, the delivery otherwise unremarkable and level; reads as helplessness | cfg|emo|Helplessness|anime_000__X__pain_scream__de.c036|anime_000__V__S_CONV__moderately_low__de.c006 | Emma | 9.654 | 13.44 | [{"w": "Wenn", "s": 0.04, "e": 0.2}, {"w": "der", "s": 0.24, "e": 0.361}, {"w": "Rabe", "s": 0.441, "e": 0.721}, {"w": "sein", "s": 0.781, "e": 0.981}, {"w": "Gefieder", "s": 1.042, "e": 1.502}, {"w": "in", "s": 1.562, "e": 1.622}, {"w": "einem", "s": 1.723, "e": 1.923}, {"w": "Traum", "s": 2.003, "e": 2.303}, {"w": "v... | [] | [] | [] | false | 168 | [
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cfg6f40bc62b2d2e4a0134al | cfg_low | 0 | anime_000 | en | Did I truly grasp the finer points in my studies, or should I have pressed harder in the academies? I seek counsel on that matter, good sir or madam. | Did I truly grasp the finer points in my studies, or should I have pressed harder in the academies? I seek counsel on that matter, good sir or madam. | A voice a little expressing impatience, just a hint of it and no more, the delivery otherwise unremarkable and level; reads as impatience and irritability | cfg|emo|Impatience_and_Irritability|anime_000__V__S_MONO__extremely_low__de.c001|anime_000__C__seasoned-merchant__en.c041 | Emma | 5.34 | 5.36 | [{"w": "Did", "s": 0.02, "e": 0.141}, {"w": "I", "s": 0.221, "e": 0.241}, {"w": "truly", "s": 0.301, "e": 0.602}, {"w": "grasp", "s": 0.662, "e": 1.004}, {"w": "the", "s": 1.044, "e": 1.104}, {"w": "finer", "s": 1.164, "e": 1.445}, {"w": "points", "s": 1.506, "e": 1.827}, {"w": "in", "s": 1.867, "e": 1.947}, {"w": "my"... | [] | [] | [] | false | 67 | [
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cfg02ec8cc22aaf5ea88c18h | cfg_high | 0 | anime_000 | de | Wenn du vorher ein Backup hattest, bevor die Ransomware deinen Computer erreicht hat, lösche einfach die Punkt Pack Vierzehn Datei Virus. Dann kannst du diese Punkt Pack Vierzehn Datei Virus Dateien wieder entsperren. | Wenn du vorher ein Backup hattest, bevor die Ransomware deinen Computer erreicht hat, lösche einfach die Punkt Pack Vierzehn Datei Virus. Dann kannst du diese Punkt Pack Vierzehn Datei Virus Dateien wieder entsperren. | A voice powerfully expressing intoxication, a woozy, slurring voice, intoxicated and untethered, in an altered haze, impossible to hide; reads as intoxication altered states of consciousness | cfg|emo|Intoxication_Altered_States_of_Consciousness|anime_000__V__R_NASL__moderately_high__de.c040|anime_000__E__Emotional_Numbness__C__de.c027 | Emma | 10.006 | 30.799999 | [{"w": "Wenn", "s": 0.0, "e": 0.1}, {"w": "du", "s": 0.1, "e": 0.14}, {"w": "vorher", "s": 0.2, "e": 0.5}, {"w": "ein", "s": 0.52, "e": 0.6}, {"w": "Backup", "s": 0.66, "e": 0.981}, {"w": "hattest,", "s": 1.001, "e": 1.301}, {"w": "bevor", "s": 1.341, "e": 1.581}, {"w": "die", "s": 1.601, "e": 1.681}, {"w": "Ransomware... | [] | [] | [] | false | 385 | [
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cfg0d9bab2e55c28c1c1d1ah | cfg_high | 0 | anime_000 | en | The driver has to be so precise when turning, just pulling that fork guard against the fork, it makes my whole body tense up. I want to feel that lock, to sink into that pressure until I'm completely held. | The driver has to be so precise when turning, just pulling that fork guard against the fork, it makes my whole body tense up. I want to feel that lock, to sink into that pressure until I'm completely held. | A voice viscerally expressing malice, a menacing, malicious voice, cruel and threatening, savoring the harm, in every breath; reads as malevolence malice | cfg|emo|Malevolence_Malice|anime_000__E__Sexual_Lust__C__en.c046|anime_000__V__EMPH__very_high__en.c001 | Emma | 8.62 | 8.72 | [{"w": "The", "s": 0.04, "e": 0.1}, {"w": "driver", "s": 0.16, "e": 0.521}, {"w": "has", "s": 0.561, "e": 0.702}, {"w": "to", "s": 0.742, "e": 0.782}, {"w": "be", "s": 0.822, "e": 0.862}, {"w": "so", "s": 0.962, "e": 1.022}, {"w": "precise", "s": 1.123, "e": 1.523}, {"w": "when", "s": 1.564, "e": 1.664}, {"w": "turning... | [] | [] | [] | false | 109 | [
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cfgef0e53b3195534c5b622h | cfg_high | 0 | anime_000 | en | We are all so fragile, burdened by old mistakes and this precarious life. (fast breathing) It feels like we can never truly escape the weight of what we've done or where we stand. | (contented sigh) We are all so fragile, burdened by old mistakes and this precarious life. (fast breathing) It feels like we can never truly escape the weight of what we've done or where we stand. | A voice powerfully expressing sadness, a soft, grief-worn voice, heavy and slow, on the edge of tears, impossible to hide; reads as sadness | cfg|emo|Sadness|anime_000__E__Helplessness__C__en.c001|anime_000__E__Concentration__A__en.c000 | Emma | 7.677 | 9.04 | [{"w": "We", "s": 1.323, "e": 1.403}, {"w": "are", "s": 1.463, "e": 1.584}, {"w": "all", "s": 1.624, "e": 1.724}, {"w": "so", "s": 1.804, "e": 1.884}, {"w": "fragile,", "s": 2.004, "e": 2.445}, {"w": "burdened", "s": 2.485, "e": 2.826}, {"w": "by", "s": 2.846, "e": 2.967}, {"w": "old", "s": 3.027, "e": 3.147}, {"w": "m... | [
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0.2800000011920929
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cfg0147eaac5ef394719422l | cfg_low | 0 | anime_000 | de | Leider wird dieser spezielle Vergissmeinnicht ausgestorben; er ist so zerbrechlich, (soft whistle) anders als diese robusten Gartenarten oder die Sumpfvarietät. | Leider wird dieser spezielle Vergissmeinnicht ausgestorben; er ist so zerbrechlich, (soft whistle) anders als diese robusten Gartenarten oder die Sumpfvarietät. | A voice mildly expressing gratitude, only a trace of it, kept almost out of the voice, the rest an ordinary plain read; reads as thankfulness gratitude | cfg|emo|Thankfulness_Gratitude|anime_000__V__GEND__moderately_high__en.c003|anime_000__V__S_FORM__very_high__de.c007 | Emma | 4.138 | 4.56 | [{"w": "Leider", "s": 0.402, "e": 0.663}, {"w": "wird", "s": 0.683, "e": 0.824}, {"w": "dieser", "s": 0.844, "e": 1.065}, {"w": "spezielle", "s": 1.085, "e": 1.507}, {"w": "Vergissmeinnicht", "s": 1.547, "e": 2.21}, {"w": "ausgestorben;", "s": 2.27, "e": 2.511}, {"w": "er", "s": 2.511, "e": 2.551}, {"w": "ist", "s": 2.... | [] | [] | [] | false | 57 | [
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cfgb35096d9ebca1450cb42h | cfg_high | 0 | anime_000 | de | Schau dir die Fahrpläne auf Ferryhopper an und plane dein perfektes Insel-Hopping-Abenteuer. (shriek) Entdecke die atemberaubenden Kanarischen Inseln für einen unvergesslichen Trip. | (surprised gasp) Schau dir die Fahrpläne auf Ferryhopper an und plane dein perfektes Insel-Hopping-Abenteuer. (shriek) Entdecke die atemberaubenden Kanarischen Inseln für einen unvergesslichen Trip. | A voice; speech is very wide pitch range | cfg|vn|RANG|anime_000__V__BKGN__extremely_low__de.c006|anime_000__B__slurping_noises__en.c014 | Emma | 9.716 | 12.48 | [{"w": "Schau", "s": 2.724, "e": 2.925}, {"w": "dir", "s": 2.965, "e": 3.085}, {"w": "die", "s": 3.105, "e": 3.225}, {"w": "Fahrpläne", "s": 3.265, "e": 3.766}, {"w": "auf", "s": 3.826, "e": 3.906}, {"w": "Ferryhopper", "s": 3.946, "e": 4.487}, {"w": "an", "s": 4.547, "e": 4.647}, {"w": "und", "s": 5.048, "e": 5.148}, ... | [
0.03999999910593033
] | [
0.18000000715255737
] | [
"Surprised Gasp"
] | false | 156 | [
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cfg66f25ea1d55848a417a8l | cfg_low | 0 | anime_016 | en | I have been in love with her for so long. I finally need to tell her everything. | I have been in love with her for so long. (contented sigh) I finally need to tell her everything. | A voice; speech is very slurred | cfg|vn|CLRT|anime_016__V__BRGT__very_high__de.c000|anime_016__V__EMPH__very_high__en.c020 | James | 5.274 | 7.2 | [{"w": "I", "s": 1.284, "e": 1.304}, {"w": "have", "s": 1.364, "e": 1.484}, {"w": "been", "s": 1.564, "e": 1.705}, {"w": "in", "s": 1.725, "e": 1.805}, {"w": "love", "s": 1.865, "e": 2.046}, {"w": "with", "s": 2.086, "e": 2.206}, {"w": "her", "s": 2.246, "e": 2.347}, {"w": "for", "s": 2.407, "e": 2.527}, {"w": "so", "s... | [
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] | [
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] | [
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] | false | 90 | [
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LAION Voice Profiles — contrastive DPO pairs (CFG + phase 2)
Authors: Christoph Schuhmann and LAION.
842,935 preference pairs in four families, built from the same 500 synthetic voice profiles as
laion/laion-voice-profiles-sft
and laion/laion-voice-profiles-dpo.
These are the two pair families that the sister DPO set does not contain: they were built later,
for two measured defects of the models trained on it, and they are the complete remainder of the
project's preference material that is publishable under CC-BY-4.0.
| config | family | pairs | contrast | words in the prompt? |
|---|---|---|---|---|
cfg |
cfg_high |
237,209 | same voice, matched length, the top 1 % of that voice's own range on one measured dimension against the bottom 1 %; the instruction asks for the dimension high, the high clip is chosen | no — replaced by ... |
cfg |
cfg_low |
237,209 | the same 237,209 pairs with the roles flipped: the instruction asks for the dimension low, the low clip is chosen | no |
p2 |
p2_emox |
309,128 | same voice, matched length, intense on emotion A against intense on emotion B; the instruction names A | no |
p2 |
p2_len |
59,389 | the same clip at its true length against itself cut to 50–75 % or run on to 125–150 %, with the emotion named | yes — the full timed script |
Both sides of every pair ship as MOSS-Audio-Tokenizer-v2 codes (codes = chosen, rej_codes =
rejected), together with the reference clip the chosen take was generated against (ref_codes).
There is no audio in this repository; the waveforms of every source clip are in
laion/laion-voice-profiles-annotated
and the join is exact — see The join.
Read this first
- "CFG" is the project's name for the construction, not a guidance scale. Nothing here was
generated with classifier-free guidance and there is no numeric guidance weight anywhere in the
data. The name comes from the shape of the pair: two clips of one voice that differ only in how
strongly one dimension is expressed, put under one prompt that states the level, and emitted in
both directions — the same conditional/unconditional contrast that guidance exploits at
inference, moved into the preference data.
cfg_high/cfg_lowmean "the instruction asked for the dimension high / low", nothing else. uidis a pair id, not a corpus utterance id.cfg<pair_id><h|l>andp2<pair_id><e|c|x>. The source clips are named incfg/pairs_index.parquetandp2/pairs_index.parquet(and, forcfg, also in the row's owncaption_tpl), and those ids are byte-identical touidinlaion/laion-voice-profiles-annotated.- Every row is
src = 0, i.e. one of the 500 published synthetic voice profiles. No real recording, no podcast, no broadcast material contributes a clip, a transcript or a word timeline to this set. Checked on every row and every source-clip reference, as an allowlist. - The words are deliberately absent from three of the four families. A DPO pair shares one
prompt; when chosen and rejected are different recordings with different words, the words would
make the preference decidable from the transcript.
cfg_free_text = truetells the prompt renderer to print...for every speech chunk while keeping every pause, duration, burst and direction tag. Thetextcolumn is still shipped — it is the chosen clip's text, for lookup — but it must not go into the prompt of those rows. - These rows are the training-corpus format, not the sister set's 86-column format. They
are the exact files the two DPO runs below read, shipped unchanged (31 columns,
zstd, 128 shards byuidhash). The per-clip annotation stack (40 emotion heads, 57 VoiceNet dimensions, captions, speaker embedding) is not repeated here; it is one join away.
Files
| path | count | size | what |
|---|---|---|---|
cfg/shard-000.parquet … shard-127.parquet |
128 | 3,668,193,909 B | cfg_high + cfg_low, 474,418 rows, 31 columns |
p2/shard-000.parquet … shard-127.parquet |
128 | 2,822,830,198 B | p2_emox + p2_len, 368,517 rows, same 31 columns |
cfg/pairs_index.parquet |
1 | 8,533,671 B | 237,209 base pairs: pair_id, hi_uid, lo_uid, measured values, percentiles, frames |
p2/pairs_index.parquet |
1 | 9,697,805 B | 368,517 rows: pair_id, ch_uid, rj_uid, percentiles, frames, mode, cut_frames |
code/build_cfg.py, code/build_pairs2.py |
2 | — | the two builders, verbatim, with their design notes in the docstrings |
code/mix_cfg.py, code/mix_pairs2.py |
2 | — | how the families were concatenated onto the earlier corpora for training |
verify.json |
1 | — | the verification run reproduced at the end of this card |
Rows are bucketed by blake2b(uid) % 128, so every shard is a uniform random sample of its
config and the two families of a config are interleaved. Shard b of cfg/ and shard b of
p2/ are unrelated.
from datasets import load_dataset
cfg = load_dataset("laion/laion-voice-profiles-dpo-cfg", "cfg", split="train")
p2 = load_dataset("laion/laion-voice-profiles-dpo-cfg", "p2", split="train")
What the pairs are, and why
Everything the project's models had been trained on described an emotion; nothing ever made two clips compete on how strongly one dimension is expressed. Asked for the 0.90–0.98 percentile of a named emotion, the round-3 model landed at 0.34. The two builds here are the two attempts to put intensity itself into the preference signal. Quoted numbers below are from the project protocol (§16, §I.13 of the technical report) and were re-derived from the shipped files where possible.
cfg — direction contrast on one measured dimension, both ways
For one voice and one dimension, the clip pool is that voice's own training clips (1,199,355
clips over 500 voices in the pool: src = 0, not held out, with codes), ranked by the value the
annotation model measured on the finished audio — never by what the generating prompt asked
for and never by the clip's intended condition.
- dimensions: all 40 emotion heads and 15 VoiceNet ordinal ladders that describe how
something is spoken —
AROU BRGT CLRT DFLU FULL RANG RESP ROUG STNC TEMP TENS VALN VOLT VULN WARM. Identity, recording-quality and content heads (AGEV GEND RCQL BKGN ESTH EXPL) are excluded: they are not things a performer can be asked to do. - the two clips: top 1 % against bottom 1 % of that voice's distribution (floor of 24 clips per tail when 1 % is smaller). For emotion heads a separation of at least 0.25 corpus IQR is required; realised median corrected percentile of the high clip is 0.998, of the low clip 0.000, and the smallest high-minus-low gap in the set is 0.73. For VoiceNet ladders the two clips sit in different ladder buckets (high side mostly buckets 4–6, low side 0–1).
- same voice (
voice_key), so speaker identity cannot decide the preference; frames within 10 % (|f_hi − f_lo| ≤ 0.10 · min, true on 237,209 / 237,209), so length cannot decide it; no words, so the transcript cannot decide it. Language is not matched — 54.6 % of pairs are same-language; the row'slangis the chosen clip's. - nine base pairs per (voice, dimension) cell, 237,209 base pairs in all (173,116 on emotion heads, 64,093 on VoiceNet ladders), 408–495 per voice.
- both roles. Every base pair is emitted twice.
cfg_high(uidends inh): instruction asks for the dimension high,codesis the high clip,rej_codesthe low one.cfg_low(l): instruction asks for it low, roles swap. Each clip is therefore chosen in one row and rejected in another; a policy that simply prefers louder or denser audio scores 50 % on this set, and the only way to win is to condition on the instruction. The two families are balanced to the row.
How the level is stated. For an emotion head the row carries the corpus's own caption form,
A voice <band phrase> expressing <emotion>, <prose>; reads as <emotion>, and emo_strength is set
so the prompt renderer picks the matching band:
| role | emo_strength |
band | band phrases | prose tail |
|---|---|---|---|---|
| high | 0.95 or 0.99, alternating by uid hash |
intense / extreme |
intensely, powerfully, viscerally / to the extreme, utterly, overwhelmingly | the corpus's expressed-side prose for that emotion |
| low | the low clip's own percentile, capped at 0.60 (0.00 on 162,160 of 173,116 rows) | faint |
mildly, slightly, faintly, a little | one of three generic "barely there" tails |
The high role alternates between intense and extreme on purpose: both words are true of a clip
at percentile 0.998, and a two-point contrast cannot calibrate between them. For a VoiceNet
ladder there is no emotion to name; caption_general is A voice; <clause> is <ladder tag> and
cfg_neutral carries the direction the renderer puts into the script — "<tag>, and hold it there; otherwise exactly as this voice normally speaks" — with emo_strength = null (128,186 rows).
p2 — the two phase-2 families
Built after the cfg run, for two defects it measured. The base pool and the matching rules are
the same as above; the selection constants are HI_PCT = 0.90, LO_PCT = 0.50, FRAME_TOL = 0.10, 8 emotion-contrastive and 6 length pairs per cell, seed 4711.
p2_emox — intense against intense, for selectivity. Per-emotion adapters trained on
intense-versus-mild contrasts raised their own emotion by +0.047 when asked for it — and by +0.033
when not. "A ratio of 1.4 : 1 is not control, it is tinting" (the builder's docstring). Every
earlier contrast pits an intense clip against a mild one, so a model can win by being generically
expressive. Here the chosen clip sits at percentile ≥ 0.90 on the head being asked for and has
that head as its own top emotion; the partner is ≤ 0.50 on that head and ≥ 0.90 on its own top
head. Both sides really are intense, on different emotions, same voice, frames within 10 % (true
on 309,128 / 309,128), words removed. Each base pair is emitted twice, the mirror naming the
partner's own top emotion with the roles swapped (154,564 base pairs, 19,884 (voice, emotion)
cells, all 40 heads). Realised: chosen-side percentile median 0.986 (min 0.900), rejected-side
median 0.215, median gap 0.76.
One honest detail about the mirror: the ≤ 0.50 bound was enforced on the original direction
only. In the mirror row the rejected clip is the original's chosen clip, whose percentile on the
partner's emotion was never constrained. Across all 309,128 rows the rejected side is ≤ 0.50 on the
named head on 247,324 (80.0 %), above 0.50 on 61,804, and ≥ 0.90 on 14,281 (4.6 %) — those last
are pairs where one clip is intense on both emotions — and on 3,372 rows (1.1 %) the rejected side
is actually higher on the named head than the chosen one (worst gap −0.095). p2/pairs_index.parquet carries ch_pct
and rj_pct per row, so you can filter on the gap you want.
p2_len — the right length, conditioned on the emotion. The sister set's truncation and
continuation families know nothing about emotion and teach "the right length is better" in the
abstract. Here the speaker, the text and the emotion stay fixed and only the length moves: chosen
is a clip whose top emotion is at percentile ≥ 0.90, rejected is the same clip cut to 50–75 %
of its frames (mode = cut, 29,564 rows; realised keep fraction 0.49–0.75, median 0.62) or run on
to 125–150 % by appending the opening frames of another clip of the same voice (mode = ext,
29,825 rows; realised 1.23–1.50, median 1.37; the donor is rj_uid, same language on 54 %).
Because the words are shared, the prompt carries the full timed script — the timing tags are
exactly what the rejected side violates. Clips shorter than 40 frames (3.2 s) were not used.
What they trained, and what happened
| adapter | corpus | pairs seen | reward | WER | emotion pct | quality | burst | burst hit rate |
|---|---|---|---|---|---|---|---|---|
| SFT-3 base, no adapter | — | — | 0.4584 | 0.0987 | 0.3494 | 0.9127 | 0.3564 | 0.666 |
| previous best DPO (sister families only) | 1,853,486 pairs | step 3216 | 0.4687 | 0.1094 | 0.3401 | 0.9211 | 0.3929 | 0.709 |
laion/moss-va-sft3-dpo-lora |
sister families + cfg (2,327,904; 20.4 % cfg) |
step 4912 | 0.4708 | 0.0950 | 0.3373 | 0.9235 | 0.4271 | 0.772 |
laion/moss-va-sft3-dpo-lora-p2 |
the above + p2 (2,696,421; 13.7 % p2) |
step 5022 | 0.4757 | 0.0977 | 0.3541 | 0.9208 | 0.4180 | 0.762 |
Both runs: LoRA rank 64 on
laion/moss-tts-local-transformer-4.55b-voice-acting-v2-sft3,
β 30, lr 1e-6, 256 pairs per step, 8 nodes, stopped by a 6-hour wall clock at roughly half an
epoch; 80-prompt standard evaluation, 320 clips per row.
Read plainly: the cfg families made the best general checkpoint the project had measured —
word error rate better than the supervised base, the highest quality and burst realisation — and
did not move the thing they were built for; emotion percentile fell. Preference accuracy on the
cfg rows went 0.56 → 0.98, so the model learned to recognise the level without gaining the
ability to reach it — the high side of a pair is only as intense as the corpus gets. The p2
families then produced the first preference-tuned model above the supervised baseline on emotion
percentile (0.3541 against 0.3494, requested band 0.90–0.98), with emotion-contrastive preference
accuracy 0.951 post-warmup, while p2_len saturated at accuracy 1.000 in the second half of the
run — that family is solved and could be dropped from a future mix. The remaining half epoch of
each run was never trained.
The prompt
The rows carry the ingredients of the prompt, not the rendered string, because the renderer is
stochastic (direction placement, timed/untimed script, burst dropout, reference-versus-name slot,
all drawn per step). The training code rendered every row into the base model's <user_inst>
template with prompt_lib2.render_prompt (format hash 073aeb09dc923376); the renderer itself
is part of the training stack and is not shipped here. What it does with the columns of this set:
caption_general→ theGENERAL:line (the level statement for emotion rows);text+words_json+burst_*+dur_s→ the timedSCRIPT:— segment durations, pauses, detected bursts with their lengths, and the delivery direction drawn fromemo_strength's band (orcfg_neutralfor VoiceNet rows);cfg_free_text = true→ every speech chunk of that script becomes...;frames→ the- Tokens:budget;lang→- Language:;ref_codes→ the<|audio|>reference slot, orSpeaker: <speaker_name>in name mode.
Two rows of this set, rendered by that code (reference-audio mode):
cfg_high, emotion head Intoxication, uid cfgd0ac06bc0eea0a5f4dcch:
<user_inst>
- Reference(s):
<|audio|>
- Instruction:
GENERAL: A voice utterly expressing intoxication, a woozy, slurring voice, intoxicated and untethered, in an altered haze, impossible to hide; reads as intoxication altered states of consciousness
SCRIPT:
(not holding it together at all, breath shallow and fast, the fear plain in the voice, unguarded; completely intoxicated) [4.3 seconds duration] ... [0.5 seconds pause] (keep it overwhelmingly intoxicated) [2.7 seconds duration] ...
- Tokens:
94
- Quality:
None
- Sound Event:
None
- Ambient Sound:
None
- Language:
English
- Text:
(not holding it together at all, breath shallow and fast, the fear plain in the voice, unguarded; completely intoxicated) [4.3 seconds duration] ... [0.5 seconds pause] (keep it overwhelmingly intoxicated) [2.7 seconds duration] ...
</user_inst>
cfg_low, VoiceNet ladder WARM (timbre), uid cfga19aa3876e64686f91c1l — no GENERAL: line,
the level sits in the script as cfg_neutral:
- Instruction:
SCRIPT:
[5.5 seconds pause] (slightly cool, and hold it there; otherwise exactly as this voice normally speaks) [1.4 seconds duration] ... [0.8 seconds pause] [3.2 seconds duration] ... [0.3 seconds pause]
- Tokens:
140
A p2_len row renders the same way with the words present in the script. The [n seconds duration] and [n seconds pause] tags come from words_json; the (burst, n seconds) tags from
burst_starts / burst_ends / burst_labels; the parenthesised directions are drawn from the
band and are not stored in the row.
Columns — the 31 columns of cfg/shard-* and p2/shard-*
| column | type | meaning |
|---|---|---|
uid |
string |
pair-row id. cfg + 20-hex pair_id + h/l (role), or p2 + 9-digit pair_id + e/c/x (emox / cut / ext). Unique across the whole set. |
family |
string |
cfg_high, cfg_low, p2_emox, p2_len |
src |
int8 |
source group of the training corpus; 0 on every row = synthetic voice profile |
voice_key |
string |
voice-profile id, one of the 500 (anime_000, emolia_c0123, mediathek_…, refvoice_…, k<n>_age<n>_bg<n>); both clips of the pair share it |
lang |
string |
en / de — of the chosen clip; the rejected clip of a cfg / p2_emox pair may be in the other language |
text |
string |
the chosen clip's generation text, verbatim (may contain the generator's own parenthesised burst directions). Not in the prompt when cfg_free_text is true. |
text_bursts |
string |
text with the detected vocal bursts inserted inline as (label); equals text when nothing was detected (73 % of cfg rows, 75 % of p2) |
caption_general |
string |
the level statement. Emotion rows: A voice <band> expressing <emotion>, <prose>; reads as <emotion>. VoiceNet rows: A voice; <clause> is <tag>. |
caption_script |
string |
always empty in this set |
caption_tpl_text |
string |
always empty in this set |
caption_tpl |
string |
provenance key. cfg: cfg|<emo|vn>|<dimension>|<hi_uid>|<lo_uid>. p2: p2|<emox|len>|<emox|cut|ext>|<dimension> |
speaker_name |
string |
the voice's assigned given name (the same mapping as names.csv in the sister set) |
spoken_dur_s |
float32 |
end of the last aligned word of the chosen clip, seconds |
dur_s |
float32 |
duration of the chosen clip, seconds (generator's pre-encode measurement; frames == round(dur_s · 12.5)) |
words_json |
string |
JSON list [{"w","s","e"}, …] — MMS_FA forced alignment of the chosen clip's text, seconds |
burst_starts / burst_ends |
list<float32> |
detected vocal-burst spans in the chosen clip, seconds |
burst_labels |
list<string> |
their class labels (Contented Sigh, Breathy Giggle, …) |
in_extreme |
bool |
legacy flag of the older corpus; always false here (emo_strength carries the band instead) |
frames |
int32 |
MOSS frames of the chosen clip |
codes |
binary |
chosen MOSS codes, little-endian uint16, frames × 12 values |
rej_frames |
int32 |
MOSS frames of the rejected side |
rej_codes |
binary |
rejected MOSS codes, same layout. cfg / p2_emox: the other clip; cut: a frame-aligned prefix of codes; ext: codes followed by cut_frames frames of the donor |
ref_frames |
int32 |
MOSS frames of the reference clip |
ref_codes |
binary |
the reference clip the chosen take was paired with in the training corpus — another take of the same voice; its uid is not carried in these rows |
has_ref |
bool |
always true here |
is_val |
bool |
blake2b(uid) % 1000 == 0 — the training runs' held-out rows (490 in cfg, 373 in p2); shipped, not excluded |
cfg_free_text |
bool |
render the script without words. True on every cfg row and every p2_emox row, false on p2_len |
cfg_neutral |
string |
VoiceNet rows only: the direction stating the ladder tag ("very tense, and hold it there; otherwise exactly as this voice normally speaks"); empty elsewhere |
emo_strength |
float32, nullable |
the emotion band the prompt states, as a percentile: 0.95 / 0.99 for the high or named side, ≤ 0.06 for cfg_low emotion rows, null on VoiceNet rows |
cfg/pairs_index.parquet — 237,209 rows, one per base pair
| column | type | meaning |
|---|---|---|
pair_id |
string |
20 hex characters; the row uids are cfg{pair_id}h and cfg{pair_id}l |
voice_key |
string |
the voice |
dim |
string |
emotion head name or VoiceNet code |
kind |
string |
emo (173,116) or vn (64,093) |
hi_uid / lo_uid |
string |
the high and the low clip — uids of laion/laion-voice-profiles-annotated |
hi_val / lo_val |
float32 |
the measured value of dim on each clip (emotion intensity, or VoiceNet regression) |
hi_frames / lo_frames |
int32 |
their MOSS frames |
hi_pct / lo_pct |
float32 |
emo: tie-aware corpus ECDF percentile of the value; vn: the ladder bucket (0–6) as a float |
p2/pairs_index.parquet — 368,517 rows, one per shipped row
| column | type | meaning |
|---|---|---|
pair_id |
string |
9 digits; the row uid is p2{pair_id}{mode[0]} |
family |
string |
emox or len (the row's family is p2_ + this) |
voice_key, dim |
string |
the voice; the emotion head the instruction names |
ch_uid |
string |
the chosen clip — uid in laion/laion-voice-profiles-annotated |
rj_uid |
string |
emox: the rejected clip; cut: equal to ch_uid; ext: the donor whose opening frames are appended |
ch_pct / rj_pct |
float32 |
percentile of dim on the chosen / rejected clip (len: both the chosen clip's own top-head percentile) |
ch_frames / rj_frames |
int32 |
emox: frames of the two clips; cut: rj_frames is the kept prefix length; ext: rj_frames is the number of donor frames appended |
mode |
string |
emox / cut / ext |
cut_frames |
int32 |
cut: frames kept; ext: frames appended; emox: 0 |
The join
hi_uid, lo_uid, ch_uid, rj_uid are the uid column of
laion/laion-voice-profiles-annotated
(index/origin=original/, and the tar member stem under data/origin=original/), of the form
<voice>__<block>__<cell>__<lang>.cNNN — e.g. anime_000__E__Affection__D__de.c037. Verified
byte-for-byte on the released index (see below). From there you have the MP3, the 205-column
annotation, the speaker embedding, and — via the same uid — the rows of
laion/laion-voice-profiles-sft and -dpo.
import numpy as np, pyarrow.parquet as pq, pyarrow.dataset as ds
def codes(b, frames, n_vq=12):
return np.frombuffer(b, dtype="<u2").reshape(frames, n_vq)
row = pq.read_table("cfg/shard-000.parquet").slice(0, 1).to_pylist()[0]
chosen, rejected = codes(row["codes"], row["frames"]), codes(row["rej_codes"], row["rej_frames"])
# which clips are these? (cfg: also readable from caption_tpl.split("|")[3:5])
idx = pq.read_table("cfg/pairs_index.parquet").to_pandas().set_index("pair_id")
p = idx.loc[row["uid"][3:-1]]
chosen_uid, rejected_uid = (p.hi_uid, p.lo_uid) if row["uid"].endswith("h") else (p.lo_uid, p.hi_uid)
# the same for p2
row = pq.read_table("p2/shard-000.parquet").slice(0, 1).to_pylist()[0]
p = pq.read_table("p2/pairs_index.parquet").to_pandas().set_index("pair_id").loc[row["uid"][2:-1]]
chosen_uid, rejected_uid, mode = p.ch_uid, p.rj_uid, p.mode # rj_uid == ch_uid when mode == "cut"
# audio + full annotation, from the annotated corpus (local snapshot)
ann = ds.dataset("laion-voice-profiles-annotated/index", partitioning="hive", format="parquet")
a = ann.to_table(filter=ds.field("uid") == chosen_uid).to_pylist()[0]
# tar: data/origin=original/{a['shard']}.tar, members {chosen_uid}.mp3 / .json / .moss.npy / .vclap.npy
uid in the annotated corpus contains dots — do not split on the first one. Its
audio_key is not unique across runs; join on uid.
MOSS codes
codes, rej_codes, ref_codes are raw little-endian uint16, (frames, 12) after reshape:
12 codebooks × 1024 entries at 12.5 fps, one frame = 12 tokens = 80 ms. There is no 32-token
block and no interleaving; the 32 associated with this stack is the codec's num_quantizers, of
which the TTS model consumes the first 12. Every cut boundary is a whole frame. The p2 builder drops
rejected sides longer than 620 frames (49.6 s); the training corpus caps chosen takes the same way.
These codes are from the corrected tokenisation. The voice-profile corpus once carried codes
computed on a half-speed decode (a stereo-to-mono bug that doubled every duration and frame count
in the first annotation tree). The frame counts here were compared, clip by clip, with
moss_frames of the released annotated index for 1,322 clip references of voice anime_000
(its first three index parts): ratio 1.00 on every one, and dur_s likewise. Nothing in this set comes from the broken tree.
The material this is built from
500 synthetic voice profiles, each one reference speaker driven through a fixed matrix of 842
named acting conditions in English and German, keeping every candidate take. Generator
laion/moss-tts-local-transformer-4.55b-voice-acting-v2,
codec OpenMOSS-Team/MOSS-Audio-Tokenizer-v2,
run vprof_base. The full corpus with audio and the complete annotation stack is
laion/laion-voice-profiles-annotated; the per-voice LoRAs and reference clips are
laion/moss-voice-profile-loras-500.
The clip pool for both builds is the voice-profile part of the project's second training corpus
(src = 0, 1,199,355 clips) — the same top-3-per-cell takes that make up
laion/laion-voice-profiles-sft (1,200,531 rows), minus the corpus's 1-in-1000 held-out rows, joined
with the corrected re-annotation. The source clips span every block of the matrix — for
the cfg high side, 115,656 come from emotion cells, 88,904 from VoiceNet cells, 22,562 from edge
cases, 6,532 from character voices, 2,957 from isolated bursts, 380 sports and 218 explicit cells —
because the ranking is by the measured value, not by the cell.
The measured values that rank the clips are the 40 Empathic-Insight emotion intensities and the 57
VoiceNet regressions of the corrected re-annotation (laion/voiceclap-commercial →
laion/voicenet-dimension-predictors-commercial), with the percentiles taken from the project's
tie-aware ECDF over 132.8 M rows pooled across its corpora. The same caveat as on the sister cards
applies: these are model outputs, not human ratings, and the VoiceNet heads were trained on
Gemini perceptual estimates (mean r 0.79).
Limitations, honestly
- No human has listened to any pair in a controlled study. "High" and "low" are model measurements on model output.
- The high side is only as intense as the corpus gets. These pairs teach the direction of a
dimension within a voice's own range; they cannot teach a level the generator never produced.
That is exactly the result the
cfgrun showed. - Language is not matched within a
cfg/p2_emoxpair (54.6 % / 59.1 % same-language). The prompt states the chosen clip's language and the words are absent, so the mismatch is not visible in the prompt — but the rejected side may be a German clip against an English prompt. - The
p2_emoxmirror rows are looser than the original direction (20.0 % of rows with the rejected side above 0.50 on the named head; 4.6 % at or above 0.90). Filter onrj_pctif you want the strict version. p2_lennegatives are constructed, not observed, and theextsplice has no crossfade. Its preference accuracy saturated at 1.000 during training; it carries little signal for a model that already handles timing tags.- The rendered prompts are not shipped, only their ingredients; reproducing them exactly needs the project's renderer. The example strings above are what the trainer saw.
- Speaker identity is weak against the nominal reference, everywhere, as inherited from the
generation run (per-voice mean
spk_sim0.18–0.69 in the sister set). Same voice within a pair is guaranteed byvoice_key, not by a similarity threshold.
What is, and is not, in the sister sets
| repository | families | relation to this set |
|---|---|---|
laion/laion-voice-profiles-dpo |
emotion, truncation, continuation — 3,451,531 pairs |
the vp_* families of the training corpora; none of the four families here |
laion/tts-realspeech-dpo-en-de |
too_short, too_long on real speech — 3,959,192 pairs |
the rs_* families; real recordings, disjoint by construction (src ≠ 0) |
| this set | cfg_high, cfg_low, p2_emox, p2_len — 842,935 pairs |
the remainder |
The training corpora were nested unions: dpo_corpus2 (1,853,486, sister families) ⊂
dpo_corpus_cfg (+ cfg, 2,327,904) ⊂ dpo_corpus_p2 (+ p2, 2,696,421). code/mix_cfg.py and
code/mix_pairs2.py are the two concatenations. Overlap was checked, not assumed:
every uid,
chosen_uid, rejected_uid, ref_uid and donor_uid of all 1,922 parquet files of both sister sets
(7,410,723 rows) was read, and none of the 237,209 cfg base pairs and none of the 154,564
p2_emox base pairs is a (chosen, rejected) tuple of the sister emotion family (1,064,594
tuples), in either order. What is shared is the pool: all 332,576 / 342,284 source clips appear
in the sister set as a chosen take, because both are built from the same top-3 selection, and every
p2_len chosen clip also has a truncation and a continuation negative there — cut at a sentence
boundary in the 30–85 % window rather than at 50–75 % of the frames, so the pairs differ. No row of
this set is a copy of a row there.
Verification run on the shipped files
| check | result |
|---|---|
| rows shipped | cfg 474,418 (cfg_high 237,209 · cfg_low 237,209) · p2 368,517 (p2_emox 309,128 · p2_len 59,389) — counted with pyarrow over all 256 shards |
| languages (of the chosen clip) | cfg en 227,068 / de 247,350 · p2 en 179,649 / de 188,868 |
uid unique across each config |
474,418 / 474,418 · 368,517 / 368,517 |
src == 0 |
474,418 / 474,418 · 368,517 / 368,517 |
voice_key is one of the 500 published profiles |
474,418 / 474,418 · 368,517 / 368,517 (500 voices in each config) |
every source-clip reference is <voice>__<block>__<cell>__<lang>.cNNN with voice in the 500 |
1,423,254 / 1,423,254 (cfg, index + caption_tpl) · 737,034 / 737,034 (p2); 0 matches to any real-speech or broadcast uid pattern |
every row has an entry in its pairs_index.parquet |
474,418 / 474,418 · 368,517 / 368,517 |
sample join, 200 rows per family: role, voice_key, frames, rej_frames agree with the index |
200 / 200 on cfg_high, cfg_low, p2_emox; 82 / 82 on p2_len |
code buffer length == frames × 12 × 2 for codes, rej_codes, ref_codes |
682 / 682 sampled rows |
| all codes in 0..1023 | 682 / 682 |
abs(frames − round(dur_s × 12.5)) ≤ 1 |
682 / 682 |
cut: rej_codes is a frame-aligned prefix of codes |
41 / 41 sampled |
ext: rej_codes begins with all of codes |
41 / 41 sampled |
| frame tolerance ` | f_hi − f_lo |
frames and dur_s against the released annotated index (moss_frames, dur_s) |
1,322 / 1,322 clip references at ratio 1.00 — the corrected tokenisation |
has_ref |
true on every row |
in_extreme, caption_script, caption_tpl_text |
always false / empty / empty, all rows |
overlap with laion/laion-voice-profiles-dpo and laion/tts-realspeech-dpo-en-de |
7,410,723 sister rows read; 0 identical pairs; 0 / 800 sampled row uids present there |
files on the Hub vs. local, HfApi.repo_info(files_metadata=True) |
258 / 258 files, size and LFS sha256 identical, 6,509,255,583 bytes |
Each check re-derives a property from a quantity other than the one the writer used — frames
against dur_s, code length against the declared frame count, the row's frames against the pair
index, the pair index against the released annotated index — rather than re-running the builders.
Licence and attribution
CC-BY-4.0. Credit Christoph Schuhmann and LAION, and the upstream sources listed in
laion/laion-voice-profiles-annotated. Every clip referenced here is model output from one of the
500 synthetic profiles; no take is a recording of a person, and no clip, transcript or timeline from
the project's real-speech or broadcast corpora is included.
@misc{schuhmann2026voiceprofilesdpocfg,
title = {LAION Voice Profiles -- contrastive DPO pairs (CFG + phase 2)},
author = {Schuhmann, Christoph and LAION},
year = {2026},
url = {https://huggingface.co/datasets/laion/laion-voice-profiles-dpo-cfg}
}
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