text:
sudden
                  searchlight,” H.D. writes in Tribute to Freud, her moving
                  memoir. Compelled by historical as well as personal crises,
                  H.D. underwent therapy with Freud during 1933–34, as the
                  streets of Vienna were littered with tokens dropped like
                  confetti on the city stating “Hitler gives work,” “Hitler
                  gives bread.” Having endured World War I, she was now
                  gathering her resources to face the cataclysm she knew was
                  approaching. The first part of the book, “Writing on the
                  Wall,” was composed some ten years after H.D.’s stay in
                  Vienna; the second part, “Advent,” is a journal she kept
                  during her analysis. Revealed here in the poet’s crystal
                  shard-like words and in Freud’s own letters (which comprise an
                  appendix) is a remarkably tender and human portrait of the
                  legendary Doctor in the twilight of his life. Time double
                  backs on itself, mingling past, present, and future in a
                  visionary weave of dream, memory, and reflections.},
  pagetotal =    225,
  publisher =    {{New Directions Publishing}},
  date =         {2012-06-12},
  keywords =     {Psychology / Movements / Psychoanalysis,Biography &
                  Autobiography / Personal Memoirs},
  author =       {Doolittle, Hilda},
  file =
                  {/home/jon/Elŝutoj/[Hilda_Doolittle]_Tribute_to_Freud(z-lib.org).epub},
}

@book{tiwariImagerySymbolismEliot2001,
  langid =       {english},
  title =        {Imagery and {{Symbolism}} in {{T}}. {{S}}. {{Eliot}}'s
                  {{Poetry}}},
  isbn =         {978-81-7156-999-1},
  abstract =     {Twentieth Century English Literature Was Shaped To A Great
                  Extent By The Genius Of T.S. Eliot. His Towering Personality
                  Illuminates The Major Genres Of English Literature. No Study
                  Of The Early Twentieth Century British Canonical Literature Is
                  Possible Without Encountering The Icon T.S. Eliot Poet,
                  Critic, Dramatist.Images And Symbols Have Been Always Employed
                  By Writers Of All Literatures Down The Ages. But, Movements
                  Like Imagism And Symbolism Gave An Entirely New Focus To
                  Images And Symbols. Archetypal Criticism Was A Parallel
                  Emergence. In An Age Torn By The Anxiety Of Two World Wars,
                  And Dissatisfied With Scientific And Materialistic Concept Of
                  Man, The Archetypal Approach Sought To Restore To Man The
                  Entire Humanity.The Present Volume Offers An Indepth Study Of
                  The Major Archetypes And How They Are Interwoven In The
                  Imagery And Symbolism In The Poetry Of T.S. Eliot. The
                  Complexities Of The Modern Age And Their Expression In Eliot S
                  Poetry Cannot Be Understood Without Archetypes, Myths And
                  Legends. This Domain Had Not Been Explored So Far. Hence, This
                  Volume Presents A Systematic Structuring And Evaluation Of
                  Archetypal Imagery And Symbolism In Eliot S Major Poems As
                  Well As Other Minor Poems. It Is Hoped That Teachers,
                  Researchers And Students Of Literature Will Find The Volume To
                  Be Of Considerable Interest And Use.},
  pagetotal =    240,
  publisher =    {{Atlantic Publishers \& Dist}},
  date =         {2001-12},
  author =       {Tiwari, Nidhi},
}

@book{lawrenceSelectedCriticalWritings1998,
  langid =       {english},
  title =        {Selected {{Critical Writings}}},
  isbn =         {978-0-19-282364-9},
  abstract =     {'A critic must be able to feel the impact of a work of art in
                  all its complexity and force. To do so, he must be a man of
                  force and complexity himself...''A critic must be emotionally
                  alive in every fibre, intellectually capable and skilful in
                  essential logic, and then morally very honest.'These comments
                  by D. H. Lawrence are as close a description as any of himself
                  as a critic. They come from his essay on fellow novelist John
                  Galsworthy, and there are many other pieces on novels and
                  novelists in this selection. But Lawrence's range of genres
                  extends to poetry and plays andpaintings, and his critical
                  writing encompasses an enormous variety of subjects, from
                  Aeschylus and the Apocalypse to symbolism and syphilis, for
                  his nterests are philosophical , psychological, religious,
                  moral, sociological, historical and cultural as well as
                  literary and artistic. This selectionis a treasure-trove of
                  `thought adventures' by one of literature's liveliest critical
                  spirits.},
  pagetotal =    404,
  publisher =    {{Oxford University Press}},
  date =         1998,
  author =       {Lawrence, David Herbert},
}

@article{heffernanEkphrasisRepresentation1991,
  title =        {Ekphrasis and {{Representation}}},
  volume =       22,
  issn =         {0028-6087},
  url =          {https://www.jstor.org/stable/469040},
  doi =          {10.2307/469040},
  number =       2,
  journaltitle = {New Literary History},
  urldate =      {2019-06-28},
  date =         1991,
  pages =        {297-316},
  author =       {Heffernan, James A. W.},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/CHMG2Y7B/Heffernan_1991_Ekphrasis
                  and Representation.pdf}
}

@book{spearmanNatureIntelligencePrinciples1923,
  langid =       {english},
  title =        {The {{Nature}} of "Intelligence" and the {{Principles}} of
                  {{Cognition}}},
  pagetotal =    378,
  publisher =    {{Macmillan}},
  date =         1923,
  author =       {Spearman, Charles},
}

@book{trotterCinemaModernism2007,
  location =     {{Malden, MA, USA}},
  title =        {Cinema and Modernism},
  isbn =         {978-1-4051-5982-1},
  publisher =    {{Blackwell Pub}},
  date =         2007,
  keywords =     {20th century,Modernism (Literature),History and
                  criticism,English literature,Motion pictures and literature},
  author =       {Trotter, David}
}

@book{richardaldingtonLiteraryStudiesReviews1924,
  langid =       {english},
  title =        {The {{Literary Studies And Reviews}}},
  url =          {http://archive.org/details/in.ernet.dli.2015.174149},
  abstract =     {Book Source: Digital Library of India Item 2015.174149
                  dc.contributor.author: Richard Aldington dc.contributor.other:
                  State Central Library,hyd. dc.date.accessioned:
                  2015-07-07T03:49:04Z dc.date.available: 2015-07-07T03:49:04Z
                  dc.date.digitalpublicationdate: 0000-00-00 dc.date.citation:
                  1924 dc.identifier.barcode: 2990110009865
                  dc.identifier.origpath: /data/upload/0009/870
                  dc.identifier.copyno: 1 dc.identifier.uri:
                  http://www.new.dli.ernet.in/handle/2015/174149
                  dc.description.scanningcentre: State Central Library,
                  Hyderabad dc.description.main: 1 dc.description.tagged: 0
                  dc.description.totalpages: 242 dc.format.mimetype:
                  application/pdf dc.language.iso: English
                  dc.publisher.digitalrepublisher: Bis/chief Librarian,scl,hyd.
                  dc.publisher: George Allenampunwin Ltd,london dc.rights:
                  Out\_of\_copyright dc.source.library: State Central
                  Library,hyd. dc.subject.classification: Literature dc.title:
                  The Literary Studies And Reviews},
  urldate =      {2019-06-29},
  date =         1924,
  keywords =     {State},
  author =       {{Richard Aldington}}
}

@article{frankEliotObjectiveCorrelative1972,
  title =        {T. {{S}}. {{Eliot}}'s {{Objective Correlative}} and the
                  {{Philosophy}} of {{F}}. {{H}}. {{Bradley}}},
  volume =       30,
  issn =         {0021-8529},
  url =          {https://www.jstor.org/stable/428736},
  doi =          {10.2307/428736},
  number =       3,
  journaltitle = {The Journal of Aesthetics and Art Criticism},
  urldate =      {2019-06-29},
  date =         1972,
  pages =        {311-317},
  author =       {Frank, Armin Paul}
}

@book{yeatsEssaysIntroductions1961,
  langid =       {english},
  title =        {Essays and {{Introductions}}},
  isbn =         {978-1-349-00618-2},
  pagetotal =    539,
  publisher =    {{Springer}},
  date =         {1961-06-01},
  keywords =     {Literary Criticism / General,Language Arts & Disciplines /
                  Linguistics / General,Literary Criticism / European / English;
                  Irish; Scottish; Welsh,Literary Criticism / Modern / 19th
                  Century},
  author =       {Yeats, W. B.},
  file =
                  {/home/jon/Elŝutoj/[W._B._Yeats_(auth.)]_Essays_and_Introductions(z-lib.org).pdf},
}

@book{taupinInfluenceFrenchSymbolism1985,
  langid =       {english},
  title =        {The Influence of {{French}} Symbolism on Modern {{American}}
                  Poetry},
  isbn =         {978-0-404-61579-6},
  pagetotal =    324,
  publisher =    {{AMS Press}},
  date =         1985,
  keywords =     {Literary Criticism / Poetry,Poetry / General,Poetry / American
                  / General,French poetry,American poetry,Imagist
                  poetry,American poetry - 20th century - History and
                  criticism,American poetry - French influences,American poetry
                  20th century History and criticism,American poetry French
                  influences,American poetry/ 20th century/ History and
                  criticism,French poetry - 19th century - History and
                  criticism,French poetry 19th century History and
                  criticism,Imagist poetry History and criticism,Imagist poetry;
                  American,Imagist poetry; American - History and
                  criticism,Symbolism (Literary movement),Symbolism (Literary
                  movement) - France,Symbolism (Literary movement) - United
                  States,Symbolism (Literary movement)/ France,Symbolism
                  (Literary movement)/ United States,Symbolism in literature},
  author =       {Taupin, René and Pratt, William},
}

@book{joyceCriticalWritings2018,
  langid =       {english},
  title =        {Critical {{Writings}}},
  isbn =         {978-0-486-83130-5},
  abstract =     {Although best known for his novels, James Joyce also wrote
                  extensively on the subjects of cultural history, literature,
                  politics, and censorship. This compilation highlights some of
                  the Irish author\&\#39;s best nonfiction, featuring newspaper
                  and magazine articles, essays, and transcriptions of lectures.
                  Many of these selections, which offer insights into the
                  development of Joyce\&\#39;s distinctive literary voice, are
                  studied in schools around the world. Writings on the culture
                  and heritage of Ireland include \"Today and Tomorrow in
                  Ireland,\" \"The Soul of Ireland,\"
                  \"Ireland: Island of Saints and Sages,\" and
                  \"The Irish Literary Renaissance.\" Critical
                  writings on literature reflect Joyce\&\#39;s influences from
                  \"Oscar Wilde: The Poet of \&\#39;Salomé\&\#39;\" to
                  \"Ibsen\&\#39;s New Drama\" and \"The Centenary
                  of Charles Dickens.\" Additional selections include
                  \"The Study of Languages,\" \"An Irish
                  Poet,\" \"The Shade of Parnell,\" \"On the
                  Moral Right of Authors,\" and other enlightening
                  articles.},
  pagetotal =    163,
  publisher =    {{Courier Dover Publications}},
  date =         {2018-06-13},
  keywords =     {Literary Collections / General},
  author =       {Joyce, James},
}

@book{gilliesHenriBergsonBritish1996,
  langid =       {english},
  title =        {Henri {{Bergson}} and {{British Modernism}}},
  isbn =         {978-0-7735-6613-2},
  abstract =     {Focusing on the work of T.E. Hulme, the Men of 1914, the
                  Bloomsbury Group, T.S. Eliot, and John Middleton Murry,
                  Gillies convincingly demonstrates that Bergson's theories
                  underlie the literary aesthetics of the period that forms the
                  intellectual basis of modern literature. She then turns her
                  critical eye to five major modernist writers - T.S. Eliot,
                  Virginia Woolf, James Joyce, Dorothy Richardson, and Joseph
                  Conrad - and provides insightful and detailed Bergsonian
                  readings of their major works.},
  pagetotal =    225,
  publisher =    {{McGill-Queen's Press - MQUP}},
  date =         {1996-09-18},
  keywords =     {Philosophy / Metaphysics},
  author =       {Gillies, Mary Ann},
}

@online{catullusValeriusCatullusCarmina,
  title = {C. {{Valerius Catullus}}, {{Carmina}}, {{Poem}} 64},
  url = {http://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.02.0003%3Apoem%3D64},
  journaltitle = {The Perseus Project},
  urldate = {2019-06-30},
  author = {Catullus},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/UCY62JUC/text.html}
}

@book{howarthCambridgeIntroductionModernist2012,
  langid =       {english},
  title =        {The {{Cambridge Introduction}} to {{Modernist Poetry}}},
  isbn =         {978-0-521-14785-9},
  publisher =    {{Cambridge University Press}},
  date =         2012,
  author =       {Howarth, Peter},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/EFAPNJ25/Howarth_2012_The
                  Cambridge Introduction to Modernist Poetry.pdf}
}

@book{fordCriticalEssays2002,
  langid =       {english},
  location =     {{Manchester [U.K.]}},
  title =        {Critical Essays},
  isbn =         {978-1-85754-546-3},
  pagetotal =    329,
  series =       {Carcanet L\&l},
  publisher =    {{Carcanet}},
  date =         2002,
  keywords =     {20th century,Literature,History and criticism,English
                  literature,History and criticism Theory; etc},
  author =       {Ford, Ford Madox and Saunders, Max and Stang, Richard and
                  Ford, Ford Madox},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/PZA8AJGF/Ford et
                  al_2002_Critical essays.pdf}
}

@book{fordCriticalEssays2002a,
  langid =       {english},
  location =     {{Manchester [U.K.]}},
  title =        {Critical Essays},
  isbn =         {978-1-85754-546-3},
  pagetotal =    329,
  series =       {Carcanet L\&l},
  publisher =    {{Carcanet}},
  date =         2002,
  keywords =     {20th century,Literature,History and criticism,English
                  literature,History and criticism Theory; etc},
  author =       {Ford, Ford Madox and Saunders, Max and Stang, Richard and
                  Ford, Ford Madox},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/E3RPIZTP/Ford et al. -
                  2002 - Critical essays.pdf}
}

@book{cahooneModernismPostmodernismAnthology1996,
  title =        {From {{Modernism}} to {{Postmodernism}}: An {{Anthology}}},
  publisher =    {{Blackwell Pub}},
  date =         1996,
  author =       {Cahoone, Lawrence},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/33GM3EFF/Cahoone_1996_From
                  Modernism to Postmodernism.pdf}
}

@book{delamotheSnowStruggleModernity2008,
  langid =       {english},
  location =     {{Montreal}},
  title =        {C.{{P}}. {{Snow}} and the Struggle of Modernity},
  url =          {http://site.ebrary.com/id/10132331},
  publisher =    {{McGill-Queen's University Press}},
  urldate =      {2019-08-04},
  date =         2008,
  author =       {De la Mothe, John R},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/CSFZTBMI/De la Mothe -
                  2008 - C.P. Snow and the struggle of modernity.pdf},
  note =         {OCLC: 757050308}
}

@book{hassModernistWomenPoets,
  location =     {{Berkeley, CA}},
  title =        {Modernist {{Women Poets}}: An {{Anthology}}},
  publisher =    {{Counterpoint}},
  author =       {Hass, Robert and Ebenkamp, Paul},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/HTBTWK8T/Modernist-Women-Poets-an-anthology.epub}
}

@book{saussureFundamentajRegulojVortteorio2003,
  langid =       {esperanto},
  location =     {{Tyresö}},
  title =        {Fundamentaj reguloj de la vort-teorio en Esperanto},
  isbn =         {978-91-7303-191-2},
  publisher =    {{Inko}},
  date =         2003,
  author =       {de Saussure, René},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/U6BMM59L/Saussure -
                  2003 - Fundamentaj reguloj de la vort-teorio en Esperanto.pdf},
  note =         {OCLC: 186622521}
}

@book{saint-exuperyEtaPrinco2000,
  langid =       {esperanto},
  location =     {{Tyresö}},
  title =        {La eta princo},
  isbn =         {978-91-7303-056-4},
  publisher =    {{Inko}},
  date =         2000,
  author =       {de Saint-Exupéry, Antoine},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/PXBE7UBV/Saint-Exupéry
                  - 2000 - La eta princo.pdf},
  note =         {OCLC: 185393038}
}

@book{sinclairGnomauto2001,
  langid =       {esperanto},
  location =     {{Tyresö}},
  title =        {La gnomaŭto},
  isbn =         {978-91-7303-115-8},
  publisher =    {{Inko}},
  date =         2001,
  author =       {Sinclair, Upton},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/P36NQX2A/Sinclair -
                  2001 - La gnomaŭto.pdf},
  note =         {OCLC: 185399328}
}

@book{zamenhofEsperantaProverbaro2001,
  langid =       {esperanto},
  location =     {{Tyresö}},
  title =        {Esperanta proverbaro},
  isbn =         {978-91-7303-131-8},
  publisher =    {{Inko}},
  date =         2001,
  author =       {Zamenhof, Lazar Ludwik},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/RK4KMYYF/Zamenhof -
                  2001 - Esperanta proverbaro.pdf},
  note =         {OCLC: 186417904}
}

@book{hoogMalsanojEsperantoKiaismo2001,
  langid =       {esperanto},
  location =     {{Tyresö}},
  title =        {Du malsanoj en Esperanto Kia-ismo, tiom-kiom-ismo},
  isbn =         {978-91-7303-136-3},
  publisher =    {{Inko}},
  date =         2001,
  author =       {de Hoog, H. A.},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/F96AX6UP/Hoog - 2001 -
                  Du malsanoj en Esperanto Kia-ismo, tiom-kiom-ismo.pdf},
  note =         {OCLC: 186423284}
}

@misc{orwell1984,
  title =        1984,
  author =       {Orwell, George},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/7AN7S5SJ/eo - orwell,
                  george - 1984.pdf}
}

@misc{auldInfanaRaso,
  title =        {La {{Infana Raso}}},
  keywords =     {scannedMyself},
  author =       {Auld, William},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/UVHUNDGJ/auld-la-infana-raso.pdf}
}

@misc{pironGerdaMalaperis,
  title =        {Gerda {{Malaperis}}},
  author =       {Piron, Claude},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/TZ4JDDK3/Piron_Gerda
                  Malaperis.pdf}
}

@misc{KreduMinSinjorino,
  title =        {Kredu {{Min Sinjorino}}!},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/PSAQRDEG/Cezaro
                  Rosseti - Kredu Min Sinjorino! 1.pdf}
}

@book{wellsTempomasino2001,
  langid =       {esperanto},
  location =     {{Tyresö}},
  title =        {La tempo-maŝino},
  isbn =         {978-91-7303-077-9},
  publisher =    {{Inko}},
  date =         2001,
  author =       {Wells, G, H},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/87YI6W39/Wells - 2001
                  - La tempo-maŝino.pdf},
  note =         {OCLC: 186325767}
}

@book{beinInternaciaKrestomatio2002,
  langid =       {esperanto},
  location =     {{Tyresö}},
  title =        {Internacia krestomatio},
  isbn =         {978-91-7303-153-0},
  publisher =    {{Inko}},
  date =         2002,
  author =       {Bein, Kazimierz},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/BCYP6NYH/Bein - 2002 -
                  Internacia krestomatio.pdf},
  note =         {OCLC: 186472244}
}

@book{bronteJaneEyreUnua2001,
  langid =       {esperanto},
  location =     {{Tyresö}},
  title =        {Jane Eyre. Unua parto Unua parto},
  isbn =         {978-91-7303-116-5},
  publisher =    {{Inko}},
  date =         2001,
  author =       {Brontë, Charlotte},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/E2SXI7YK/Brontë - 2001
                  - Jane Eyre. Unua parto Unua parto.pdf},
  note =         {OCLC: 186330690}
}

@misc{MagiaSipoLibro,
  title =        {Magia {{Ŝipo}} - {{Libro}} de {{Ĉinaj Popolaj Rakontoj}}.Pdf},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/ILINEH4Q/Magia Ŝipo -
                  Libro de Ĉinaj Popolaj Rakontoj.pdf}
}

@misc{eichblattRootWordAnalysis,
  title =        {Root {{Word Analysis}} in {{Esperanto}}.Pdf},
  author =       {Eichblatt, Steve},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/4A747LKI/Root Word
                  Analysis in Esperanto.pdf}
}

@misc{auldEnkondukoOriginalanLiteraturon,
  title =        {Enkonduko En La {{Originalan Literaturon}} de {{Esperanto}}},
  author =       {Auld, William},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/IP4KWMA6/enkonduko.pdf}
}

@misc{auldVerecoDistroStilo,
  title =        {Vereco, {{Distro}}, {{Stilo}}: {{Romanoj}} En {{Esperanto}}},
  keywords =     {scannedMyself},
  author =       {Auld, William},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/W355SE9H/vereco.pdf}
}

@misc{lapennaEsperantoPerspektivoFaktoj,
  title =        {Esperanto En {{Perspektivo}}: {{Faktoj}} Kaj {{Analizoj}} Pri
                  La {{Internacia Lingvo}}},
  author =       {Lapenna, Ivo},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/WUPMXF5R/Esperanto-en-Perspektivo-Faktoj-kaj-analizoj-pri-la-Internacia-Lingvo.pdf}
}

@book{marcusTenthMuseWriting2010,
  langid =       {english},
  location =     {{Oxford}},
  title =        {The Tenth Muse: Writing about Cinema in the Modernist Period},
  isbn =         {978-0-19-959030-8 978-0-19-923027-3},
  shorttitle =   {The Tenth Muse},
  pagetotal =    562,
  publisher =    {{Oxford University Press}},
  date =         2010,
  keywords =     {Modernism (Aesthetics),Motion pictures and literature,Film
                  criticism},
  author =       {Marcus, Laura},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/MDLU8LJ7/Marcus - 2010
                  - The tenth muse writing about cinema in the modern.pdf}
}

@article{jamesMetamodernismNarrativesContinuity2014,
  langid =       {english},
  title =        {Metamodernism: {{Narratives}} of {{Continuity}} and
                  {{Revolution}}},
  volume =       129,
  issn =         {0030-8129},
  url =          {http://www.mlajournals.org/doi/abs/10.1632/pmla.2014.129.1.87},
  doi =          {10.1632/pmla.2014.129.1.87},
  shorttitle =   {Metamodernism},
  number =       1,
  journaltitle = {PMLA},
  urldate =      {2019-08-04},
  date =         {2014-01},
  pages =        {87-100},
  author =       {James, David and Seshagiri, Urmila},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/78XKU9X5/James and
                  Seshagiri - 2014 - Metamodernism Narratives of Continuity and
                  Revolu.pdf}
}

@article{haylesHumanMachineCultures2018,
  langid =       {english},
  title =        {Human and {{Machine Cultures}} of {{Reading}}: {{A
                  Cognitive}}-{{Assemblage Approach}}},
  volume =       133,
  issn =         {0030-8129},
  url =
                  {http://www.mlajournals.org/doi/abs/10.1632/pmla.2018.133.5.1225},
  doi =          {10.1632/pmla.2018.133.5.1225},
  shorttitle =   {Human and {{Machine Cultures}} of {{Reading}}},
  number =       5,
  journaltitle = {PMLA},
  urldate =      {2019-08-04},
  date =         {2018-10},
  pages =        {1225-1242},
  author =       {Hayles, N. Katherine},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/FAYAB38E/Hayles - 2018
                  - Human and Machine Cultures of Reading A Cognitive.pdf}
}

@article{MadwomanAttic,
  langid =       {english},
  title =        {The {{Madwoman}} in the {{Attic}}},
  pages =        768,
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/X8FEEUR6/The Madwoman
                  in the Attic.pdf}
}

@article{phelanDigitalUlyssesErrant,
  langid =       {english},
  title =        {A {{Digital Ulysses}} for the {{Errant Reader}}: {{Joycean
                  Encyclopedism}} and the {{Encyclopedic Web}}},
  pages =        42,
  author =       {Phelan, James Blackwell},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/WKFGIWRM/Phelan - A
                  Digital Ulysses for the Errant Reader Joycean E.pdf}
}

@book{westoverMarvirinstratoOriginalajNoveloj2009,
  langid =       {esperanto},
  location =     {{Lawrenceville, Ga}},
  title =        {Marvirinstrato originalaj noveloj},
  isbn =         {978-1-4392-3634-5},
  publisher =    {{Eldonejo Literaturo.net}},
  date =         2009,
  author =       {Westover, Tim},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/Q9LS3RM2/Westover -
                  2009 - Marvirinstrato originalaj noveloj.pdf},
  note =         {OCLC: 1050041538}
}

@book{kolkerVojagoEsperantolandoPerfektiga2002,
  langid =       {esperanto},
  location =     {{Rotterdam}},
  title =        {Vojago en esperanto-lando: perfektiga kurso de Esperanto},
  isbn =         {978-92-9017-078-5},
  shorttitle =   {Vojago en esperanto-lando},
  publisher =    {{Universala Esperanto-Asocio}},
  date =         2002,
  author =       {Kolker, B. G},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/78SNCZKK/Kolker - 2002
                  - Vojago en esperanto-lando perfektiga kurso de Esp.pdf},
  note =         {OCLC: 311168209}
}

@book{graffTheySaySay2018,
  langid =       {english},
  title =        {"{{They}} Say/{{I}} Say": The Moves That Matter in Academic
                  Writing : With Readings},
  isbn =         {978-0-393-63168-5},
  shorttitle =   {"{{They}} Say/{{I}} Say"},
  date =         2018,
  author =       {Graff, Gerald and Birkenstein, Cathy and Durst, Russel},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/RU3Y2AC8/Graff et al.
                  - 2018 - They sayI say the moves that matter in academi.pdf},
  note =         {OCLC: 1043728522}
}

@article{bleiProbabilisticTopicModels2012,
  langid =       {english},
  title =        {Probabilistic Topic Models},
  volume =       55,
  issn =         00010782,
  url =          {http://dl.acm.org/citation.cfm?doid=2133806.2133826},
  doi =          {10.1145/2133806.2133826},
  number =       4,
  journaltitle = {Communications of the ACM},
  urldate =      {2019-08-04},
  date =         {2012-04-01},
  pages =        77,
  author =       {Blei, David M.},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/754REA9U/Blei - 2012 -
                  Probabilistic topic models.pdf}
}

@collection{krausPoliticsMultilingualismEuropeanisation2018,
  langid = {esperanto},
  location = {{Amsterdam}},
  title = {The Politics of Multilingualism: Europeanisation, globalisation and linguistic governance},
  volume = {6},
  isbn = {978-90-272-0136-2 978-90-272-6361-2},
  url = {http://www.jbe-platform.com/content/books/9789027263612},
  shorttitle = {The Politics of Multilingualism},
  series = {Studies in World Language Problems},
  publisher = {{John Benjamins Publishing Company}},
  urldate = {2019-08-04},
  date = {2018-09-15},
  editor = {Kraus, Peter A. and Grin, François},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/KBWYSWIS/Kraus and Grin - 2018 - The Politics of Multilingualism Europeanisation, .pdf},
  doi = {10.1075/wlp.6}
}

@article{tonkinLanguagePlanningPlanned2015,
  langid =       {english},
  title =        {Language {{Planning}} and {{Planned Languages}}: {{How Can
                  Planned Languages Inform Language Planning}}?},
  volume =       13,
  issn =         {1334-4676, 1334-4684},
  url =          {http://indecs.eu/index.php?s=x&y=2015&p=193-199},
  doi =          {10.7906/indecs.13.2.1},
  shorttitle =   {Language {{Planning}} and {{Planned Languages}}},
  abstract =     {The field of language planning (LP) has largely ignored
                  planned languages. Of classic descriptions of LP processes,
                  only Tauli (preceded by Wüster) suggests that planned
                  languages (what Wüster calls Plansprache) might bear on LP
                  theory and practice. If LP aims “to modify the linguistic
                  behaviour of some community for some reason,” as Kaplan and
                  Baldauf put it, creating a language de novo is little
                  different. Language policy and planning are increasingly seen
                  as more local and less official, and occasionally more
                  international and cosmopolitan. Zamenhof’s work on Esperanto
                  provides extensive material, little studied, documenting the
                  formation of the language and linking it particularly to
                  issues of supranational LP. Defining LP decision-making,
                  Kaplan \& Baldauf begin with context and target population.
                  Zamenhof’s Esperanto came shortly before Ben-Yehuda’s revived
                  Hebrew. His target community was (mostly) the world’s educated
                  elite; Ben-Yehuda’s was worldwide Jewry. Both planners were
                  driven not by linguistic interest but by sociopolitical
                  ideology rooted in reaction to antiSemitism and imbued with
                  the idea of progress. Their territories had no boundaries, but
                  were not imaginary. Function mattered as much as form
                  (Haugen’s terms), status as much as corpus. For Zamenhof,
                  status planning involved emphasis on Esperanto’s ownership by
                  its community – a collective planning process embracing all
                  speakers (cf. Hebrew). Corpus planning included a standardized
                  European semantics, lexical selectivity based not simply on
                  standardization but on representation, and the development of
                  written, and literary, style. Esperanto was successful as
                  linguistic system and community language, less as generally
                  accepted lingua franca. Its terminology development and
                  language cultivation offers a model for language revival, but
                  Zamenhof’s somewhat limited analysis of language economy left
                  him unprepared to deal with language as power.},
  number =       2,
  journaltitle = {Interdisciplinary Description of Complex Systems},
  urldate =      {2019-08-04},
  date =         2015,
  pages =        {193-199},
  author =       {Tonkin, Humphrey},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/JJXZF6T9/Tonkin - 2015
                  - Language Planning and Planned Languages How Can P.pdf}
}

@article{wandelHowManyPeople2015,
  langid =       {english},
  title =        {How {{Many People Speak Esperanto}}? {{Esperanto}} on the
                  {{Web}}},
  volume =       13,
  issn =         {1334-4676, 1334-4684},
  url =          {http://indecs.eu/index.php?s=x&y=2015&p=318-321},
  doi =          {10.7906/indecs.13.2.9},
  shorttitle =   {How {{Many People Speak Esperanto}}?},
  abstract =     {We suggest an updated estimate of the number of Esperanto
                  speakers worldwide, based on the number of people in Facebook
                  who indicate that they speak the language. A simple
                  calculation accompanied by reasonable refinements leads to a
                  number of approximately two million Esperanto users within the
                  internet community alone, probably significantly more
                  worldwide.},
  number =       2,
  journaltitle = {Interdisciplinary Description of Complex Systems},
  urldate =      {2019-08-04},
  date =         2015,
  pages =        {318-321},
  author =       {Wandel, Amri},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/D6KHLYWF/Wandel - 2015
                  - How Many People Speak Esperanto Esperanto on the .pdf}
}

@article{chartersTeachingLearningEsperanto2015,
  langid =       {english},
  title =        {The {{Teaching}} and {{Learning}} of {{Esperanto}}},
  volume =       13,
  issn =         {1334-4676, 1334-4684},
  url =          {http://indecs.eu/index.php?s=x&y=2015&p=288-298},
  doi =          {10.7906/indecs.13.2.7},
  abstract =     {One of the first tasks faced by Zamenhof, the inventor of
                  Esperanto (1887), was establishing its status as a living
                  language, achieved in part by teaching the language to others,
                  in part by translation and literary creation, and in part by
                  forming a community of users. One of the earliest learners,
                  Leo Tolstoy, emphasized its ease of learning, and both the
                  early history of the language and contemporary experience show
                  that the receptive and productive skills entailed in learning
                  the language are unusually mutually reinforcing. In formal
                  language-learning situations, students are able to reach an
                  acceptable level of proficiency relatively quickly, allowing
                  them to put the language to practical use. They are also able
                  to learn on their own. Ease of learning builds confidence, so
                  that Esperanto constitutes a good introduction to language
                  study in general, even though the language is more complex
                  linguistically than it may appear at first sight. The language
                  also helps the learning of cultural sensitivity. In recent
                  years, electronic aids to teaching and learning have
                  proliferated and there are many resources available to the
                  teacher and learner.},
  number =       2,
  journaltitle = {Interdisciplinary Description of Complex Systems},
  urldate =      {2019-08-04},
  date =         2015,
  pages =        {288-298},
  author =       {Charters, Duncan},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/BG8RVFXJ/Charters -
                  2015 - The Teaching and Learning of Esperanto.pdf}
}

@article{clemenDevelopmentShakespeareImagery,
  langid =       {english},
  title =        {The {{Development}} of {{Shakespeare}}'s {{Imagery}}},
  pages =        251,
  author =       {Clemen, Wolfgang},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/YPUNLG3L/Clemen - The
                  Development of Shakespeare's Imagery.pdf}
}

@collection{denisImageryLanguageVisuospatial2001,
  langid = {english},
  location = {{Hove}},
  title = {Imagery, Language, and Visuo-Spatial Thinking},
  isbn = {978-1-84169-236-4},
  pagetotal = {196},
  series = {Current Issues in Thinking \& Reasoning},
  publisher = {{Psychology Press}},
  date = {2001},
  editor = {Denis, Michel},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/NJJ6I4HE/Denis - 2001 - Imagery, language, and visuo-spatial thinking.pdf},
  note = {OCLC: 247174041}
}

@collection{vecchiImagerySpatialCognition2006,
  langid = {english},
  location = {{Amsterdam ; Philadelphia, PA}},
  title = {Imagery and Spatial Cognition: Methods, Models, and Cognitive Assessment},
  isbn = {978-90-272-5202-9},
  shorttitle = {Imagery and Spatial Cognition},
  pagetotal = {435},
  number = {v. 66},
  series = {Advances in Consciousness Research},
  publisher = {{John Benjamins Pub}},
  date = {2006},
  keywords = {Imagery (Psychology),Mental representation,Space perception,Visual perception},
  editor = {Vecchi, Tomaso and Bottini, Gabriella},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/3SGYUBNM/Vecchi and Bottini - 2006 - Imagery and spatial cognition methods, models, an.pdf}
}

@book{thackerImagistPoets2011,
  langid =       {english},
  location =     {{Tavistock, Devon, U.K}},
  title =        {The Imagist Poets},
  isbn =         {978-0-7463-1002-1 978-0-7463-1062-5},
  pagetotal =    134,
  series =       {Writers and Their Work},
  publisher =    {{Northcote : British Council}},
  date =         2011,
  keywords =     {20th century,History and criticism,Imagist poetry,Poets;
                  English},
  author =       {Thacker, Andrew},
  editora =      {British Council},
  editoratype =  {collaborator},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/JVUNIXAQ/Thacker -
                  2011 - The imagist poets.pdf},
  note =         {OCLC: ocn711648019}
}

@article{baroniNounsAreVectors,
  langid =       {english},
  title =        {Nouns Are {{Vectors}}, {{Adjectives}} Are {{Matrices}}:
                  {{Representing Adjective}}-{{Noun Constructions}} in
                  {{Semantic Space}}},
  abstract =     {We propose an approach to adjective-noun composition (AN) for
                  corpus-based distributional semantics that, building on
                  insights from theoretical linguistics, represents nouns as
                  vectors and adjectives as data-induced (linear) functions
                  (encoded as matrices) over nominal vectors. Our model
                  signiﬁcantly outperforms the rivals on the task of
                  reconstructing AN vectors not seen in training. A small
                  post-hoc analysis further suggests that, when the
                  model-generated AN vector is not similar to the
                  corpus-observed AN vector, this is due to anomalies in the
                  latter. We show moreover that our approach provides two novel
                  ways to represent adjective meanings, alternative to its
                  representation via corpus-based co-occurrence vectors, both
                  outperforming the latter in an adjective clustering task.},
  pages =        11,
  author =       {Baroni, Marco and Zamparelli, Roberto},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/29DC7GQX/Baroni and
                  Zamparelli - Nouns are Vectors, Adjectives are Matrices
                  Repres.pdf}
}

@book{boultonAnatomyNovel2013,
  langid =       {english},
  location =     {{Place of publication not identified}},
  title =        {Anatomy of the Novel.},
  isbn =         {978-0-415-72232-2},
  publisher =    {{Routledge}},
  date =         2013,
  author =       {Boulton, Marjorie},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/UDJHT38X/Boulton -
                  2013 - Anatomy of the novel..pdf},
  note =         {OCLC: 923957876}
}

@collection{wilsonKatherineMansfieldLiterary2011,
  langid = {english},
  location = {{London ; New York}},
  title = {Katherine {{Mansfield}} and {{Literary Modernism}}},
  isbn = {978-1-4411-1130-2},
  pagetotal = {216},
  series = {Historicizing Modernism},
  publisher = {{Continuum}},
  date = {2011},
  keywords = {Criticism and interpretation,Modernism (Literature),Congresses,Mansfield; Katherine},
  editor = {Wilson, Janet and Reid, Susan and Kimber, Gerri},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/B2LFHX2C/Wilson et al_2011_Katherine Mansfield and Literary Modernism.pdf},
  note = {OCLC: ocn697459605}
}

@book{ascariCinemaImaginationKatherine2014,
  langid =       {english},
  location =     {{London}},
  title =        {Cinema and the {{Imagination}} in {{Katherine Mansfield}}’s
                  {{Writing}}},
  isbn =         {978-1-349-48612-0 978-1-137-40036-9},
  url =          {http://link.springer.com/10.1057/9781137400369},
  publisher =    {{Palgrave Macmillan UK}},
  urldate =      {2019-08-04},
  date =         2014,
  author =       {Ascari, Maurizio},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/Y9RA5MGZ/Ascari - 2014
                  - Cinema and the Imagination in Katherine Mansfield’.pdf},
  doi =          {10.1057/9781137400369}
}

@book{CriticalWritingsKatherine2014,
  langid =       {english},
  location =     {{Place of publication not identified}},
  title =        {Critical Writings of Katherine Mansfield.},
  isbn =         {978-1-349-18621-1},
  publisher =    {{Palgrave Macmillan}},
  date =         2014,
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/32NN7MW4/2014 -
                  Critical writings of katherine mansfield..pdf},
  note =         {OCLC: 935189555}
}

@book{ascariCinemaImaginationKatherine2014a,
  langid =       {english},
  location =     {{London}},
  title =        {Cinema and the {{Imagination}} in {{Katherine Mansfield}}’s
                  {{Writing}}},
  isbn =         {978-1-349-48612-0 978-1-137-40036-9},
  url =          {http://link.springer.com/10.1057/9781137400369},
  publisher =    {{Palgrave Macmillan UK}},
  urldate =      {2019-08-04},
  date =         2014,
  author =       {Ascari, Maurizio},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/VI5HGJFM/Ascari - 2014
                  - Cinema and the Imagination in Katherine Mansfield’.pdf},
  doi =          {10.1057/9781137400369}
}

@article{wadeVisualPerceptionIntroduction,
  langid =       {english},
  title =        {Visual {{Perception}}: {{An Introduction}}, 2nd {{Edition}}},
  pages =        305,
  author =       {Wade, Nicholas J and Swanston, Michael T},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/STHGCHFH/Wade_Swanston_Visual
                  Perception.pdf}
}

@book{gordonTheoriesVisualPerception2004,
  langid =       {english},
  location =     {{Hove}},
  title =        {Theories of Visual Perception},
  edition =      {3. ed},
  isbn =         {978-1-84169-383-5 978-1-84169-384-2},
  pagetotal =    256,
  publisher =    {{Psychology Press}},
  date =         2004,
  author =       {Gordon, Ian E.},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/BGCMFKX6/Gordon - 2004
                  - Theories of visual perception.pdf},
  note =         {OCLC: 249489157}
}

@inproceedings{tekirogluSensiconAutomaticallyConstructed2014,
  location =     {{Doha, Qatar}},
  title =        {Sensicon: {{An Automatically Constructed Sensorial Lexicon}}},
  url =          {http://aclweb.org/anthology/D14-1160},
  doi =          {10.3115/v1/D14-1160},
  shorttitle =   {Sensicon},
  abstract =     {Connecting words with senses, namely, sight, hearing, taste,
                  smell and touch, to comprehend the sensorial information in
                  language is a straightforward task for humans by using
                  commonsense knowledge. With this in mind, a lexicon
                  associating words with senses would be crucial for the
                  computational tasks aiming at interpretation of language.
                  However, to the best of our knowledge, there is no systematic
                  attempt in the literature to build such a resource. In this
                  paper, we present a sensorial lexicon that associates English
                  words with senses. To obtain this resource, we apply a
                  computational method based on bootstrapping and corpus
                  statistics. The quality of the resulting lexicon is evaluated
                  with a gold standard created via crowdsourcing. The results
                  show that a simple classifier relying on the lexicon
                  outperforms two baselines on a sensory classification task,
                  both at word and sentence level, and confirm the soundness of
                  the proposed approach for the construction of the lexicon and
                  the usefulness of the resource for computational
                  applications.},
  eventtitle =   {Proceedings of the 2014 {{Conference}} on {{Empirical
                  Methods}} in {{Natural Language Processing}} ({{EMNLP}})},
  booktitle =    {Proceedings of the 2014 {{Conference}} on {{Empirical
                  Methods}} in {{Natural Language Processing}} ({{EMNLP}})},
  publisher =    {{Association for Computational Linguistics}},
  urldate =      {2019-08-23},
  date =         2014,
  pages =        {1511-1521},
  author =       {Tekiroglu, Serra Sinem and Özbal, Gözde and Strapparava,
                  Carlo},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/8IF55UUR/Tekiroglu et
                  al. - 2014 - Sensicon An Automatically Constructed Sensorial
                  L.pdf}
}

@inproceedings{tekirogluExploringSensorialFeatures2015,
  langid =       {english},
  location =     {{Denver, Colorado}},
  title =        {Exploring {{Sensorial Features}} for {{Metaphor
                  Identification}}},
  url =          {http://aclweb.org/anthology/W15-1404},
  doi =          {10.3115/v1/W15-1404},
  abstract =     {Language is the main communication device to represent the
                  environment and share a common understanding of the world that
                  we perceive through our sensory organs. Therefore, each
                  language might contain a great amount of sensorial elements to
                  express the perceptions both in literal and ﬁgurative usage.
                  To tackle the semantics of ﬁgurative language, several
                  conceptual properties such as concreteness or imegeability are
                  utilized. However, there is no attempt in the literature to
                  analyze and beneﬁt from the sensorial elements for ﬁgurative
                  language processing. In this paper, we investigate the impact
                  of sensorial features on metaphor identiﬁcation. We utilize an
                  existing lexicon associating English words to sensorial
                  modalities and propose a novel technique to automatically
                  discover these associations from a dependency-parsed corpus.
                  In our experiments, we measure the contribution of the
                  sensorial features to the metaphor identiﬁcation task with
                  respect to a state of the art model. The results demonstrate
                  that sensorial features yield better performance and show good
                  generalization properties.},
  eventtitle =   {Proceedings of the {{Third Workshop}} on {{Metaphor}} in
                  {{NLP}}},
  booktitle =    {Proceedings of the {{Third Workshop}} on {{Metaphor}} in
                  {{NLP}}},
  publisher =    {{Association for Computational Linguistics}},
  urldate =      {2019-08-23},
  date =         2015,
  pages =        {31-39},
  author =       {Tekiroglu, Serra Sinem and Özbal, Gözde and Strapparava,
                  Carlo},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/PPXG9PD4/Tekiroglu et
                  al. - 2015 - Exploring Sensorial Features for Metaphor
                  Identifi.pdf}
}

@book{kouwerColorsTheirCharacter2013,
  langid =       {english},
  title =        {Colors and {{Their Character}}: {{A Psychological Study}}},
  isbn =         {978-94-011-8906-4},
  shorttitle =   {Colors and {{Their Character}}},
  pagetotal =    197,
  publisher =    {{Springer Science \& Business Media}},
  date =         {2013-06-29},
  keywords =     {Psychology / General},
  author =       {Kouwer, Benjamin Jan},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/EUHA4DZ2/Kouwer_2013_Colors
                  and Their Character.pdf}
}

@book{birrenColorPsychologyColor1961,
  title =        {Color Psychology and Color Therapy;a Factual Study of the
                  Influence of Color on Human Life.},
  url =          {http://hdl.handle.net/2027/mdp.39015006307808},
  publisher =    {{New Hyde Park, N.Y.,}},
  origdate =     1961,
  author =       {Birren, Faber}
}

@article{benczikKelkajKomentojPri1999,
  langid =       {esperanto},
  title =        {Kelkaj komentoj pri La infana raso},
  url =
                  {https://search.proquest.com/docview/54537795?pq-origsite=summon&},
  journaltitle = {Lingva arto: Jubilea libro omaĝe al William Auld kaj Marjorie
                  Boulton},
  urldate =      {2019-09-23},
  date =         1999,
  editor =       {Benczik, Vilmos}
}

@article{FiftyYearsPublication2006,
  langid =       {english},
  title =        {Fifty {{Years}} since the {{Publication}} of {{La Infana
                  Raso}}},
  url =
                  {https://search.proquest.com/docview/53639720?pq-origsite=summon},
  journaltitle = {Update},
  urldate =      {2019-09-23},
  date =         2006
}

@book{yeatsVision1925,
  title =        {A Critical Edition of Yeats's A Vision (1925)},
  isbn =         {978-0-333-21299-8},
  pagetotal =    454,
  publisher =    {{Macmillan}},
  date =         1925,
  keywords =     {Literary Criticism / European / English; Irish; Scottish;
                  Welsh,Fiction / General,Body; Mind & Spirit / Occultism,Occult
                  sciences,Occultism,Occultism - Ireland,Yeats; W. B - Knowledge
                  - Occultism},
  author =       {Yeats, William Butler and Harper, George Mills and Hood,
                  Walter Kelly},
}

@book{semrauImageModernIst2015,
  location = {{Frankfurt am Main ; New York}},
  title = {Image in Modern(Ist) Verse},
  isbn = {978-3-631-65696-9},
  pagetotal = {170},
  number = {volume 9},
  series = {Gdańsk Transatlantic Studies in {{British}} and {{North American}} Culture},
  publisher = {{Peter Lang}},
  date = {2015},
  keywords = {Modernism (Literature),History and criticism,American literature,Appreciation,Imagist poetry; American,Imagist poetry; English,Poland},
  editor = {Semrau, Janusz and Wilczyński, Marek and Kopcewicz, Andrzej}
}

@online{ModernistReligiousImagination,
  title = {H.{{D}}. {{And Modernist Religious Imagination}} : {{Mysticism}} and {{Writing}}},
  url = {https://web-b-ebscohost-com.ezproxy.cul.columbia.edu/ehost/ebookviewer/ebook/ZTAyNXhuYV9fNjExMTM3X19BTg2?sid=8ff3995b-59b8-4c74-937b-4414d071084a@pdc-v-sessmgr06&vid=0&format=EB&rid=1},
  urldate = {2019-09-28},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/VIF2YWEK/ZTAyNXhuYV9fNjExMTM3X19BTg2.html}
}

@book{hegglundWorldViewsMetageographiesc2012,
  location =     {{New York}},
  title =        {World Views : Metageographies of Modernist Fiction},
  isbn =         {978-0-19-979610-6},
  shorttitle =   {World Views},
  publisher =    {{Oxford University Press}},
  year =         {c2012},
  keywords =     {20th century,Modernism (Literature),History and
                  criticism,English-speaking countries,English
                  fiction,Cartography in literature,Geocriticism,Geographical
                  perception in literature,Geography and literature,Geopolitics
                  in literature,Postcolonialism in literature,Space in
                  literature},
  author =       {Hegglund, Jon}
}

@online{wilsonVeilingUnveilingMansfield,
  title = {Veiling and {{Unveiling}}: {{Mansfield}}'s {{Modernist Aesthetics}} - {{ProQuest}}},
  url = {https://search-proquest-com.ezproxy.cul.columbia.edu/docview/1673466265?accountid=10226&pq-origsite=summon},
  urldate = {2019-09-29},
  author = {Wilson, Janet},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/XRQTCTE8/Veiling and Unveiling.pdf;/home/jon/Dokumentujo/Papers/zotero/storage/3H42RGJ5/1673466265.html}
}

@article{hagenCarPlaneTower2009,
  langid =       {english},
  title =        {A {{Car}}, a {{Plane}}, and a {{Tower}}: {{Interrogating
                  Public Images}} in {{Mrs}}. {{Dalloway}}},
  volume =       16,
  url =          {https://muse-jhu-edu.ezproxy.cul.columbia.edu/article/317307},
  doi =          {10.1353/mod.0.0119},
  shorttitle =   {A {{Car}}, a {{Plane}}, and a {{Tower}}},
  number =       3,
  journaltitle = {Modernism/modernity},
  urldate =      {2019-09-29},
  date =         {2009-10-03},
  pages =        {537-551},
  author =       {Hagen, Benjamin D.},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/ENN5RQ4X/Hagen_2009_A
                  Car, a Plane, and a Tower.pdf}
}

@book{mitchellPictureTheoryEssays1995,
  langid =       {english},
  title =        {Picture {{Theory}}: {{Essays}} on {{Verbal}} and {{Visual
                  Representation}}},
  isbn =         {978-0-226-53232-5},
  shorttitle =   {Picture {{Theory}}},
  abstract =     {In "Iconology," W. J. T. Mitchell asked what images are, how
                  they differ from words, and why these questions have been such
                  a source of contention for centuries. In this companion volume
                  to "Iconology," he extends his investigation to pictures--the
                  concrete, representational objects in which images appear.
                  Although we have thousands of words about pictures, Mitchell
                  notes that we do not yet have a satisfactory theory of them.
                  What we have is a variety of disciplines--semiotics,
                  philosophical inquiries into representation, new departures in
                  art history, studies in mass media--that attempt to converge
                  on the problem of pictorial representation and visual culture.
                  Identifying the problems inherent in the attempt to master
                  visual representation with verbal discourse, Mitchell proposes
                  instead to "picture theory." He looks at the way pictures
                  function in theories about culture, consciousness, and
                  representation, and at theory itself as a form of picturing.
                  What precisely, he asks, are pictures (and theories about
                  pictures) doing "now," in the late twentieth century, when the
                  power of the visual is said to be greater than ever before,
                  and the "pictorial turn" supplants the "linguistic turn" in
                  the study of culture?Focusing on Spike Lee's "Do the Right
                  Thing," Oliver Stone's "JFK," and television coverage of the
                  Gulf War, he examines the capacity of visual images to awaken
                  or stifle public debate, collective emotion, and political
                  violence. An "applied iconology, " this book by one of
                  America's leading theorists of visual representation offers an
                  immensely rich and suggestive account of the interplay between
                  the visible and the readable across the culture, from
                  literature to visualart to the mass media.},
  pagetotal =    466,
  publisher =    {{University of Chicago Press}},
  date =         {1995-09},
  keywords =     {Art / General,Art / Criticism & Theory},
  author =       {Mitchell, W. J. T.}
}

@book{mitchellWhatPicturesWant2013,
  langid =       {english},
  title =        {What {{Do Pictures Want}}?: {{The Lives}} and {{Loves}} of
                  {{Images}}},
  isbn =         {978-0-226-24590-4},
  shorttitle =   {What {{Do Pictures Want}}?},
  abstract =     {Why do we have such extraordinarily powerful responses toward
                  the images and pictures we see in everyday life? Why do we
                  behave as if pictures were alive, possessing the power to
                  influence us, to demand things from us, to persuade us, seduce
                  us, or even lead us astray? According to W. J. T. Mitchell, we
                  need to reckon with images not just as inert objects that
                  convey meaning but as animated beings with desires, needs,
                  appetites, demands, and drives of their own. What Do Pictures
                  Want? explores this idea and highlights Mitchell's innovative
                  and profoundly influential thinking on picture theory and the
                  lives and loves of images. Ranging across the visual arts,
                  literature, and mass media, Mitchell applies
                  characteristically brilliant and wry analyses to Byzantine
                  icons and cyberpunk films, racial stereotypes and public
                  monuments, ancient idols and modern clones, offensive images
                  and found objects, American photography and aboriginal
                  painting. Opening new vistas in iconology and the emergent
                  field of visual culture, he also considers the importance of
                  Dolly the Sheep—who, as a clone, fulfills the ancient dream of
                  creating a living image—and the destruction of the World Trade
                  Center on 9/11, which, among other things, signifies a new and
                  virulent form of iconoclasm. What Do Pictures Want? offers an
                  immensely rich and suggestive account of the interplay between
                  the visible and the readable. A work by one of our leading
                  theorists of visual representation, it will be a touchstone
                  for art historians, literary critics, anthropologists, and
                  philosophers alike. “A treasury of episodes—generally
                  overlooked by art history and visual studies—that turn on
                  images that ‘walk by themselves’ and exert their own power
                  over the living.”—Norman Bryson, Artforum},
  pagetotal =    419,
  publisher =    {{University of Chicago Press}},
  date =         {2013-12-23},
  keywords =     {Literary Criticism / General,Art / General,Art / Criticism &
                  Theory},
  author =       {Mitchell, W. J. T.},
}

@book{mitchellIconologyImageText2013,
  langid =       {english},
  title =        {Iconology: {{Image}}, {{Text}}, {{Ideology}}},
  isbn =         {978-0-226-14805-2},
  shorttitle =   {Iconology},
  abstract =     {"[Mitchell] undertakes to explore the nature of images by
                  comparing them with words, or, more precisely, by looking at
                  them from the viewpoint of verbal language. . . . The most
                  lucid exposition of the subject I have ever read."—Rudolf
                  Arnheim, Times Literary Supplement},
  pagetotal =    237,
  publisher =    {{University of Chicago Press}},
  date =         {2013-05-03},
  keywords =     {Literary Criticism / Semiotics & Theory,Philosophy /
                  General,Art / General},
  author =       {Mitchell, W. J. T.},
}

@book{mitchellImageScienceIconology2018,
  langid =       {english},
  title =        {Image {{Science}}: {{Iconology}}, {{Visual Culture}}, and
                  {{Media Aesthetics}}},
  isbn =         {978-0-226-56584-2},
  shorttitle =   {Image {{Science}}},
  abstract =     {Almost thirty years ago, W. J. T. Mitchell’s Iconology helped
                  launch the interdisciplinary study of visual media, now a
                  central feature of the humanities. Along with his subsequent
                  Picture Theory and What Do Pictures Want?, Mitchell’s
                  now-classic work introduced such ideas as the pictorial turn,
                  the image/picture distinction, the metapicture, and the
                  biopicture. These key concepts imply an approach to images as
                  true objects of investigation—an “image science.” Continuing
                  with this influential line of thought, Image Science gathers
                  Mitchell’s most recent essays on media aesthetics, visual
                  culture, and artistic symbolism. The chapters delve into such
                  topics as the physics and biology of images, digital
                  photography and realism, architecture and new media, and the
                  occupation of space in contemporary popular uprisings. The
                  book looks both backward at the emergence of iconology as a
                  field and forward toward what might be possible if image
                  science can indeed approach pictures the same way that
                  empirical sciences approach natural phenomena. Essential for
                  those involved with any aspect of visual media, Image Science
                  is a brilliant call for a method of studying images that
                  overcomes the “two-culture split” between the natural and
                  human sciences.},
  pagetotal =    261,
  publisher =    {{University of Chicago Press}},
  date =         {2018-01-30},
  keywords =     {Literary Criticism / General,Art / General,Art / Criticism &
                  Theory},
  author =       {Mitchell, W. J. T.},
}

@article{vonhallbergLibertarianImagism1995,
  langid =       {english},
  title =        {Libertarian {{Imagism}}},
  volume =       2,
  url =          {https://muse-jhu-edu.ezproxy.cul.columbia.edu/article/23052},
  doi =          {10.1353/mod.1995.0037},
  number =       2,
  journaltitle = {Modernism/modernity},
  urldate =      {2019-09-29},
  date =         {1995-04-01},
  pages =        {63-79},
  author =       {Von Hallberg, Robert}
}

@article{raittRhetoricEfficiencyEarly2006,
  langid =       {english},
  title =        {The {{Rhetoric}} of {{Efficiency}} in {{Early Modernism}}},
  volume =       13,
  url =          {https://muse-jhu-edu.ezproxy.cul.columbia.edu/article/192021},
  doi =          {10.1353/mod.2006.0016},
  number =       1,
  journaltitle = {Modernism/modernity},
  urldate =      {2019-09-29},
  date =         {2006-01-09},
  pages =        {835-851},
  author =       {Raitt, Suzanne},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/DSKI9STQ/Raitt_2006_The
                  Rhetoric of Efficiency in Early Modernism.pdf}
}

@article{laityEliotSwinburneDecadent2004,
  langid =       {english},
  title =        {T. {{S}}. {{Eliot}} and {{A}}. {{C}}. {{Swinburne}}:
                  {{Decadent Bodies}}, {{Modern Visualities}}, and {{Changing
                  Modes}} of {{Perception}}},
  volume =       11,
  url =          {https://muse-jhu-edu.ezproxy.cul.columbia.edu/article/175921},
  doi =          {10.1353/mod.2004.0059},
  shorttitle =   {T. {{S}}. {{Eliot}} and {{A}}. {{C}}. {{Swinburne}}},
  number =       3,
  journaltitle = {Modernism/modernity},
  urldate =      {2019-09-29},
  date =         {2004-12-13},
  pages =        {425-448},
  author =       {Laity, Cassandra},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/KANLTPEN/Laity_2004_T.pdf}
}

@article{duplessisPropoundingModernistMaleness2002,
  langid =       {english},
  title =        {Propounding {{Modernist Maleness}}: {{How Pound Managed}} a
                  {{Muse}}},
  volume =       9,
  url =          {https://muse-jhu-edu.ezproxy.cul.columbia.edu/article/23502},
  doi =          {10.1353/mod.2002.0045},
  shorttitle =   {Propounding {{Modernist Maleness}}},
  number =       3,
  journaltitle = {Modernism/modernity},
  urldate =      {2019-09-29},
  date =         {2002-09-01},
  pages =        {389-405},
  author =       {DuPlessis, Rachel Blau},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/7KDW3L26/DuPlessis_2002_Propounding
                  Modernist Maleness.pdf}
}

@book{tiggesMomentsMomentAspects1999,
  langid =       {english},
  title =        {Moments of {{Moment}}: {{Aspects}} of the {{Literary
                  Epiphany}}},
  isbn =         {978-90-420-0626-3},
  shorttitle =   {Moments of {{Moment}}},
  abstract =     {... a sudden spiritual manifestation, whether in the vulgarity
                  of speech or of gesture or in a memorable phase in the mind
                  itself. Thus Stephen Dedalus in James Joyce's Stephen Hero:
                  defines the phenomenon that has ever since been known as the
                  literary epiphany. The essays gathered in this volume comprise
                  a wide survey of this phenomenon. With recurrent reference to
                  its most famous creators, notably William Wordsworth, who was
                  the first to consciously explore and delineate those momentous
                  spots in time in his Prelude, Walter Pater, James Joyce and
                  Virginia Woolf, this book intends to provide a broad and
                  unbiased exploration into the various types and categories of
                  the moment of moment that can be distinguished, ranging from
                  William Blake, Ann Radcliffe and Charles Maturin through the
                  nineteenth-century sonnet tradition and the naturalistic novel
                  to modernist and postmodernist exponents such as Ezra Pound
                  and Elizabeth Bowen, Philip larkin and Seamus Heaney, and
                  include contributions by acclaimed experts in the field such
                  as Martin Bidney, Robert Langbaum, Jay Losey, and Ashton
                  Nichols.},
  pagetotal =    500,
  publisher =    {{Rodopi}},
  date =         1999,
  keywords =     {Literary Criticism / General,epiphany},
  author =       {Tigges, Wim},
}

@book{morettiModernEpicWorldsystem1996,
  location =     {{New York}},
  title =        {Modern Epic : The World-System from {{Goethe}} to {{García
                  Márquez}}},
  isbn =         {978-1-85984-934-7},
  shorttitle =   {Modern Epic},
  publisher =    {{Verso}},
  date =         1996,
  keywords =     {19th century,20th century,History and criticism,Joyce; James;
                  1882-1941,Fiction,Epic literature,Goethe; Johann Wolfgang von;
                  1749-1832},
  author =       {Moretti, Franco}
}

@book{romagninoTheorieEcphrasisEntre2019,
  langid =       {french},
  title =        {Théorie(s) de l'ecphrasis entre Antiquité et première
                  modernité},
  isbn =         {978-2-406-08586-7},
  abstract =     {L'ouvrage entend éclairer les enjeux de l'ecphrasis telle
                  qu'elle était pratiquée sous l'Ancien Régime. Après avoir
                  repéré les traits constitutifs du discours descriptif dans la
                  réflexion rhétorique gréco-latine, l'étude en montre la
                  réception chez les théoriciens du XVIIe siècle.},
  pagetotal =    299,
  publisher =    {{Classiques Garnier}},
  date =         {2019-04},
  keywords =     {Language Arts & Disciplines / Linguistics / General},
  author =       {Romagnino, Roberto},
}

@book{smithLiteraryRealismEkphrastic2010,
  langid =       {english},
  title =        {Literary {{Realism}} and the {{Ekphrastic Tradition}}},
  isbn =         {978-0-271-03983-1},
  abstract =     {Literary Realism and the Ekphrastic Tradition examines
                  representative texts and the theories of realism upon which
                  they are based. It studies the foundations of these theories
                  in the philosophies of language contemporaneous with them.
                  Beginning with Adamicism, Mack Smith looks at the way
                  humanist, rationalist, empiricist, Kantian, positivist, and
                  poststructuralist theories of language are textually
                  dramatized. He considers the cultural and personal influences
                  that affect historical notions of realism and reality. He also
                  demonstrates the rhetorical basis of realism by considering a
                  mimetic device used by novelists in rendering a faithful
                  version of reality\&—ekphrasis, the narrative description
                  of a work of art. Smith seeks a middle ground between the
                  extremes of theory and interpretation, discourse and reality,
                  and textualism and history, thus making an important
                  contribution to the revaluation of literary studies.},
  pagetotal =    282,
  publisher =    {{Penn State Press}},
  date =         {2010-11-01},
  keywords =     {Literary Criticism / General,Literary Criticism / Semiotics &
                  Theory,Literary Criticism / Subjects & Themes / General},
  author =       {Smith, Mack},
}

@article{lossInteriorExteriorImagery1980,
  title =        {Interior and {{Exterior Imagery}} in the {{Earlier Work}} of
                  {{Joyce}} and in {{Symbolist Art}}},
  volume =       8,
  issn =         {0022-281X},
  url =          {https://www.jstor.org/stable/3831312},
  number =       1,
  journaltitle = {Journal of Modern Literature},
  urldate =      {2019-09-29},
  date =         1980,
  pages =        {99-117},
  author =       {Loss, Archie K.},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/SY8IUCUG/Loss_1980_Interior
                  and Exterior Imagery in the Earlier Work of Joyce and in
                  Symbolist Art.pdf}
}

@book{fryeAnatomyCriticismFour2006,
  langid =       {english},
  title =        {Anatomy of {{Criticism}}: {{Four Essays}}},
  isbn =         {978-0-8020-9272-4},
  shorttitle =   {Anatomy of {{Criticism}}},
  abstract =     {This volume, the twenty-second in the acclaimed Collected
                  Works of Northrop Frye series, presents Frye's most
                  influential work, Anatomy of Criticism (1957). In four stylish
                  and sweeping essays, Frye attempts to formulate an overall
                  view of the scope, principles, and techniques of literary
                  criticism and the conventions of literature - its modes,
                  symbols, archetypes, and genres. He makes the case for
                  criticism as a legitimate and structured science, a science
                  that he would go on to wield with great influence over the
                  course of his distinguished career. Robert D. Denham's
                  introduction to this edition examines the book's genesis, its
                  initial reception, and its relation to Frye's other works,
                  particularly Fearful Symmetry (Volume 14 in the series). He
                  highlights the diagrammatic way of thinking that characterizes
                  Frye's brand of structuralism and explores the meaning of the
                  word 'anatomy.' Denham also provides context for the work,
                  considering the critical tradition out of which it emerged, as
                  well as how it relates to some of the movements that appeared
                  after the waning of structuralism. A key volume in the
                  Collected Works series, this annotated and expertly introduced
                  edition of Anatomy of Criticism will be sure to satisfy Frye's
                  many admirers.},
  pagetotal =    536,
  publisher =    {{University of Toronto Press}},
  date =         2006,
  keywords =     {Literary Criticism / General},
  author =       {Frye, Northrop},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/RDL74HLV/Frye_2006_Anatomy
                  of Criticism.pdf},
}

@book{olsonModernismOrdinaryElectronic2009,
  location =     {{New York}},
  title =        {Modernism and the Ordinary [Electronic Resource]},
  isbn =         {978-0-19-536812-3},
  url =
                  {https://www-oxfordscholarship-com.ezproxy.cul.columbia.edu/view/10.1093/acprof:oso/9780195368123.001.0001/acprof-9780195368123},
  publisher =    {{Oxford University Press}},
  date =         2009,
  keywords =     {19th century,20th century,Modernism (Literature),History and
                  criticism,Literature; Modern,Realism in literature},
  author =       {Olson, Liesl}
}

@article{poundSeeingEye1914,
  title =        {The {{Seeing Eye}}},
  volume =       4,
  url =
                  {http://modjourn.org/render.php?id=1201881782328125&view=mjp_object},
  number =       5,
  journaltitle = {Poetry},
  urldate =      {2019-09-29},
  date =         {1914-08},
  author =       {Pound, Ezra},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/GUWC2YMX/render.html}
}

@article{gangMindlessModernism2013,
  title =        {Mindless {{Modernism}}},
  volume =       46,
  issn =         {0029-5132},
  url =          {https://www.jstor.org/stable/43829939},
  number =       1,
  journaltitle = {NOVEL: A Forum on Fiction},
  urldate =      {2019-09-29},
  date =         2013,
  pages =        {116-132},
  author =       {Gang, Joshua},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/8ZZP2IWY/43829939.pdf}
}

@book{druckerTheorizingModernismVisual1994,
  location =     {{New York}},
  title =        {Theorizing Modernism : Visual Art and the Critical Tradition},
  isbn =         {978-0-231-08082-8},
  url =
                  {https://books.google.com/books?id=mCLucUi62BYC&printsec=frontcover&dq=theorizing+modernism+visual+art&hl=eo&sa=X&ved=0ahUKEwji9LSPnPfkAhUqnOAKHegwCpoQ6AEIJTAA#v=onepage&q=theorizing%20modernism%20visual%20art&f=false},
  shorttitle =   {Theorizing Modernism},
  publisher =    {{Columbia University Press}},
  date =         1994,
  keywords =     {19th century,20th century,Modernism (Art),Art; Modern},
  author =       {Drucker, Johanna}
}

@article{emeryMisfitJeanRhys2003,
  title =        {Misfit: {{Jean Rhys}} and the {{Visual Cultures}} of
                  {{Colonial Modernism}}},
  volume =       3,
  issn =         {1086-010X},
  url =          {https://www.jstor.org/stable/40986138},
  shorttitle =   {Misfit},
  number =       3,
  journaltitle = {Journal of Caribbean Literatures},
  urldate =      {2019-09-29},
  date =         2003,
  pages =        {xi-xxii},
  author =       {Emery, Mary Lou},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/9ZLPDBGU/40986138.pdf}
}

@article{walshElizabethBowenFuturist2017,
  title =        {Elizabeth {{Bowen}} and the {{Futurist Imagination}}},
  volume =       41,
  issn =         {0022-281X},
  url =          {https://www.jstor.org/stable/10.2979/jmodelite.41.1.03},
  abstract =     {Although Elizabeth Bowen always rejected Futurism's links to
                  fascism, Futurist aesthetics were an important influence on
                  her fiction. In her 1932 novel To the North, she lampooned and
                  condemned British fascism's borrowed Italian aesthetics, but
                  in 1935's The House in Paris, Bowen took up some of the
                  techniques of the Futurist painters, adapting them in order to
                  draw attention to the situation of fascism's potential
                  victims. What changed from one novel to the next was the tone
                  and urgency of her critique, and the focus of her Futurist
                  inquiry, which switched from Marinetti/Mussolini's “speed”
                  trajectory to the “noctambulist” temporal and spatial
                  experiments of Futurist painters.},
  number =       1,
  journaltitle = {Journal of Modern Literature},
  urldate =      {2019-09-29},
  date =         2017,
  pages =        {19-39},
  author =       {Walsh, Keri},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/MCZWZFMC/Walsh_2017_Elizabeth
                  Bowen and the Futurist Imagination.pdf}
}

@article{levittCezanneDiebenkornJoyce2002,
  title =        {Cézanne {{Is}} to {{Diebenkorn}} as {{Joyce Is}} to {{Joyce}}:
                  {{Realizing}} the {{Modernist Imagination}}},
  volume =       39,
  issn =         {0021-4183},
  url =          {https://www.jstor.org/stable/25477870},
  shorttitle =   {Cézanne {{Is}} to {{Diebenkorn}} as {{Joyce Is}} to {{Joyce}}},
  number =       2,
  journaltitle = {James Joyce Quarterly},
  urldate =      {2019-09-30},
  date =         2002,
  pages =        {289-312},
  author =       {Levitt, Morton P.},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/L454HUSE/25477870.pdf}
}

@article{wilsonVeilingUnveilingMansfield2014,
  title =        {Veiling and {{Unveiling}}: {{Mansfield}}'s {{Modernist
                  Aesthetics}}},
  issn =         {0112-1227},
  url =          {https://www.jstor.org/stable/43198611},
  shorttitle =   {Veiling and {{Unveiling}}},
  number =       32,
  journaltitle = {Journal of New Zealand Literature (JNZL)},
  urldate =      {2019-09-30},
  date =         2014,
  pages =        {203-225},
  author =       {Wilson, Janet},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/JHSBRILW/43198611.pdf}
}

@book{madsenVisualCultureModernism2011,
  langid =       {english},
  title =        {The {{Visual Culture}} of {{Modernism}}},
  isbn =         {978-3-8233-6673-7},
  pagetotal =    265,
  publisher =    {{Narr}},
  date =         2011,
  author =       {Madsen, Deborah L. and Klarer, Mario},
}

@article{brainPulseModernismExperimental2008,
  title =        {The Pulse of Modernism: Experimental Physiology and Aesthetic
                  Avant-Gardes circa 1900},
  volume =       39,
  issn =         {0039-3681},
  url =
                  {http://www.sciencedirect.com/science/article/pii/S0039368108000642},
  doi =          {10.1016/j.shpsa.2008.06.011},
  shorttitle =   {The Pulse of Modernism},
  abstract =     {When discussing the changing sense of reality around 1900 in
                  the cultural arts the lexicon of early modernism reigns
                  supreme. This essay contends that a critical condition for the
                  possibility of many of the turn of the century modernist
                  movements in the arts can be found in exchange of instruments,
                  concepts, and media of representation between the sciences and
                  the arts. One route of interaction came through physiological
                  aesthetics, the attempt to ‘elucidate physiologically the
                  nature of our Aesthetic feelings’ and explain how works of art
                  achieve their effects. Physiological aesthetics provided the
                  terms for new formalist languages of art and criticism, and in
                  some instances suggested optimistic, even utopian,
                  possibilities for art to remake human individuals and
                  societies.},
  number =       3,
  journaltitle = {Studies in History and Philosophy of Science Part A},
  shortjournal = {Studies in History and Philosophy of Science Part A},
  series =       {Science and the {{Changing Senses}} of {{Reality CIRCA}} 1900},
  urldate =      {2019-09-30},
  date =         {2008-09-01},
  pages =        {393-417},
  keywords =     {Aesthetics,Psychology,Modernism,Art
                  history,Evolution,Physiology},
  author =       {Brain, Robert Michael}
}

@article{fordModernistJournalsProject1913,
  title =        {Modernist {{Journals Project}}},
  volume =       6,
  url =
                  {http://modjourn.org/render.php?id=1303307334859501&view=mjp_object},
  number =       1,
  journaltitle = {The New Freewoman},
  urldate =      {2019-09-30},
  date =         {1913-09-01},
  pages =        {107-8},
  author =       {Ford, Madox Heuffer},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/GIPQREZ9/render.html}
}

@article{geigerImagismNewPoetry1956,
  title =        {Imagism; the {{New Poetry Forty Years Later}}},
  volume =       30,
  issn =         {0032-6682},
  url =          {https://www.jstor.org/stable/40625011},
  number =       2,
  journaltitle = {Prairie Schooner},
  urldate =      {2019-10-01},
  date =         1956,
  pages =        {139-147},
  author =       {GEIGER, DON},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/K9G52QUC/GEIGER_1956_Imagism\;
                  the New Poetry Forty Years Later.pdf}
}

@article{bellewMercyEditorialSelection2017,
  title =        {“{{At}} the {{Mercy}} of {{Editorial Selection}}”: {{Amy
                  Lowell}}, {{Ezra Pound}}, and the {{Imagist Anthologies}}},
  volume =       40,
  issn =         {0022-281X},
  url =          {https://www.jstor.org/stable/10.2979/jmodelite.40.2.02},
  doi =          {10.2979/jmodelite.40.2.02},
  shorttitle =   {“{{At}} the {{Mercy}} of {{Editorial Selection}}”},
  abstract =     {Even though at the height of her career she was a celebrated
                  poet and central authority in the field modern verse,
                  throughout much of the twentieth century Amy Lowell has been
                  known simply as the woman who stole control of the
                  quintessential school of modern poetry—Imagism —from the
                  movement's founder, Ezra Pound. Analyzing the exploding market
                  for and controversial role of poetry anthologies in the
                  modernist period, I show that the struggle between Pound and
                  Lowell was more than a simple personality conflict. It was
                  truly a battle over the central question of what modernism
                  ought to be: in Pound's estimation, a small and hierarchized
                  sliver of literary elite vying for central control over
                  literary production and its audience or, in Lowell's project,
                  a collective approach to literature in which authors work
                  collaboratively to generate widespread popularity for
                  modernist poetry.},
  number =       2,
  journaltitle = {Journal of Modern Literature},
  urldate =      {2019-10-01},
  date =         2017,
  pages =        {22-40},
  author =       {Bellew, Paul Bradley},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/DTPI4YTT/Bellew_2017_“At
                  the Mercy of Editorial Selection”.pdf}
}

@article{skaffPoundImagismSurreal1985a,
  title =        {Pound's {{Imagism}} and the {{Surreal}}},
  volume =       12,
  issn =         {0022-281X},
  url =          {https://www.jstor.org/stable/3831319},
  number =       2,
  journaltitle = {Journal of Modern Literature},
  urldate =      {2019-10-01},
  date =         1985,
  pages =        {185-210},
  author =       {Skaff, William},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/ZSMPV8G8/Skaff_1985_Pound's
                  Imagism and the Surreal.pdf}
}

@article{brinkmanMakingModernPoetry2009,
  title =        {Making {{Modern}} "{{Poetry}}": {{Format}}, {{Genre}} and the
                  {{Invention}} of {{Imagism}}(e)},
  volume =       32,
  issn =         {0022-281X},
  url =          {https://www.jstor.org/stable/25511802},
  shorttitle =   {Making {{Modern}} "{{Poetry}}"},
  abstract =     {Although much attention has recently been given to modern
                  little magazines, critics largely have failed to consider how
                  the bibliographical elements of these magazines were
                  instrumental in their production and dissemination of poetic
                  modernism. Focusing on "Poetry": A Magazine of Verse, this
                  article argues for the importance of these elements, showing
                  how format leads to form. It contends that "Poetry" extended
                  the poetic presentation already at work in middlebrow mass
                  circulation magazines, turning the poem into an aesthetic
                  object for contemplation isolated on the page and framed by a
                  border of white space. Subsequently this promoted a
                  consolidation of genre and an opening up of form that pitted
                  "poetry" against popular "verse." Finally, this article shows
                  that these formal and generic innovations uniquely positioned
                  "Poetry" to showcase Imagism(e) and offers a re-reading of one
                  of its most lasting examples, Pound's "In a Station of the
                  Metro."},
  number =       2,
  journaltitle = {Journal of Modern Literature},
  urldate =      {2019-10-01},
  date =         2009,
  pages =        {20-40},
  author =       {Brinkman, Bartholomew},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/JE3GXAVQ/Brinkman_2009_Making
                  Modern Poetry.pdf}
}

@article{boonScreenplayImagismModern2008,
  title =        {The {{Screenplay}}, {{Imagism}}, and {{Modern Aesthetics}}},
  volume =       36,
  issn =         {0090-4260},
  url =          {https://www.jstor.org/stable/43797491},
  number =       4,
  journaltitle = {Literature/Film Quarterly},
  urldate =      {2019-10-01},
  date =         2008,
  pages =        {259-271},
  author =       {Boon, Kevin Alexander},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/QYZFTZIZ/Boon_2008_The
                  Screenplay, Imagism, and Modern Aesthetics.pdf}
}

@online{ScreenplayImagismModern,
  title = {The {{Screenplay}}, {{Imagism}}, and {{Modern Aesthetics}} on {{JSTOR}}},
  url = {https://www.jstor.org/stable/43797491?Search=yes&resultItemClick=true&searchText=imagism&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3Dimagism%26amp%3Bacc%3Don%26amp%3Bwc%3Don%26amp%3Bfc%3Doff%26amp%3Bgroup%3Dnone&ab_segments=0%2Fbasic_SYC-4631%2Fcontrol&refreqid=search%3Acc86780dcc80700b76f9cfd7b1ff4a0e&seq=1#metadata_info_tab_contents},
  urldate = {2019-10-01},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/ZFUE9VVV/43797491.html}
}

@article{fletcherIMAGISMNOTESDOCUMENTS1947,
  title =        {{{IMAGISM}}—{{SOME NOTES AND DOCUMENTS}}},
  issn =         {2158-7957},
  url =          {https://www.jstor.org/stable/20775458},
  issue =        {[26]},
  journaltitle = {Studies in English},
  urldate =      {2019-10-01},
  date =         1947,
  pages =        {184-208},
  author =       {Fletcher, Edward G.},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/LVWD7LEC/20775458.pdf}
}

@article{firchowEzraPoundImagism1981,
  title =        {Ezra {{Pound}}'s {{Imagism}} and the {{Tradition}}},
  volume =       18,
  issn =         {0010-4132},
  url =          {https://www.jstor.org/stable/40246277},
  number =       3,
  journaltitle = {Comparative Literature Studies},
  urldate =      {2019-10-01},
  date =         1981,
  pages =        {379-385},
  author =       {Firchow, P. E.},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/YK6737J7/40246277.pdf}
}

@article{hamiltonCognitiveRhetoricImagism2004a,
  title =        {Toward a {{Cognitive Rhetoric}} of {{Imagism}}},
  volume =       38,
  issn =         {0039-4238},
  url =          {https://www.jstor.org/stable/10.5325/style.38.4.468},
  abstract =     {In this article, I reveal how concepts like fictive motion,
                  image schemas, and analogical reference relate to the
                  cognitive rhetoric of Imagism. I focus especially on the
                  figurative language of Imagist poetry by analyzing similes,
                  metaphors, and analogies in Imagist poems. I discuss the
                  evolution of Imagist style before discussing figures in
                  specific poems. I draw on findings from cognitive linguistics,
                  psycholinguistics, and pragmatics to suggest what a fully
                  developed cognitive rhetoric of Imagism could entail.},
  number =       4,
  journaltitle = {Style},
  urldate =      {2019-10-01},
  date =         2004,
  pages =        {468-490},
  author =       {Hamilton, Craig A.},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/PPVZ3DBI/Hamilton_2004_Toward
                  a Cognitive Rhetoric of Imagism.pdf}
}

@article{sundstromImagismPhenomenalThought2011,
  title =        {On {{Imagism}} about {{Phenomenal Thought}}},
  volume =       120,
  issn =         {0031-8108},
  url =          {https://www.jstor.org/stable/41301963},
  number =       1,
  journaltitle = {The Philosophical Review},
  urldate =      {2019-10-01},
  date =         2011,
  pages =        {43-95},
  author =       {Sundström, Pär},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/L5DPER8I/Sundström_2011_On
                  Imagism about Phenomenal Thought.pdf}
}

@article{gibsonCONTRADICTORYIMAGESCONFLICTING2011a,
  title =        {Contradictory Images: The Conflicting Influences of Henri
                  Bergson and William James on T. E. Hulme, and the Consequences
                  for Imagism},
  volume =       62,
  issn =         {0034-6551},
  url =          {https://www.jstor.org/stable/23016466},
  shorttitle =   {Contradictory Images},
  number =       254,
  journaltitle = {The Review of English Studies},
  urldate =      {2019-10-02},
  date =         2011,
  pages =        {275-295},
  author =       {GIBSON, MATTHEW},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/MLLJQPVW/GIBSON_2011_CONTRADICTORY
                  IMAGES.pdf}
}

@article{martinSourcesImagistAesthetic1970,
  title =        {The {{Sources}} of the {{Imagist Aesthetic}}},
  volume =       85,
  issn =         {0030-8129},
  url =          {https://www.jstor.org/stable/1261393},
  doi =          {10.2307/1261393},
  abstract =     {Earlier writers have erroneously assumed that Symbolism
                  exercised a significant influence on the Imagist aesthetic.
                  Hulme and Pound derived their conceptions of the image from
                  the writings of French psychologists and philosophers. In the
                  empiricist-associationist psychological tradition (represented
                  in the writings of Taine and Théodule Ribot), "l'image"
                  corresponds to David Hume's "impression": it is the mental
                  representation of sensory experience, the virtues of which are
                  clarity, precision, and complexity (as opposed to the
                  vagueness and simplicity of ideas). Hulme read works by Taine
                  and Ribot, and his "Notes on Language and Style" embodies
                  their theory of the image. Pound's conception of the image is
                  similar to that contained in Ribot's "Essai sur l'imagination
                  créatrice". After 1908, Hulme adopted Bergson's organicist
                  theory of the image; for Bergson, "l'image" was the linguistic
                  embodiment of intuition. Imagism was not the culmination of
                  the Romanticist aesthetic, as some critics have argued; it was
                  the first attempt to transcend the subject-object dichotomy of
                  nineteenth-century poetic theory.},
  number =       2,
  journaltitle = {PMLA},
  urldate =      {2019-10-02},
  date =         1970,
  pages =        {196-204},
  author =       {Martin, Wallace}
}

@article{martinSourcesImagistAesthetic1970a,
  title =        {The {{Sources}} of the {{Imagist Aesthetic}}},
  volume =       85,
  issn =         {0030-8129},
  url =          {https://www.jstor.org/stable/1261393},
  doi =          {10.2307/1261393},
  abstract =     {Earlier writers have erroneously assumed that Symbolism
                  exercised a significant influence on the Imagist aesthetic.
                  Hulme and Pound derived their conceptions of the image from
                  the writings of French psychologists and philosophers. In the
                  empiricist-associationist psychological tradition (represented
                  in the writings of Taine and Théodule Ribot), "l'image"
                  corresponds to David Hume's "impression": it is the mental
                  representation of sensory experience, the virtues of which are
                  clarity, precision, and complexity (as opposed to the
                  vagueness and simplicity of ideas). Hulme read works by Taine
                  and Ribot, and his "Notes on Language and Style" embodies
                  their theory of the image. Pound's conception of the image is
                  similar to that contained in Ribot's "Essai sur l'imagination
                  créatrice". After 1908, Hulme adopted Bergson's organicist
                  theory of the image; for Bergson, "l'image" was the linguistic
                  embodiment of intuition. Imagism was not the culmination of
                  the Romanticist aesthetic, as some critics have argued; it was
                  the first attempt to transcend the subject-object dichotomy of
                  nineteenth-century poetic theory.},
  number =       2,
  journaltitle = {PMLA},
  urldate =      {2019-10-02},
  date =         1970,
  pages =        {196-204},
  author =       {Martin, Wallace},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/QEW7XJN4/1261393.pdf}
}

@article{cianciFUTURISMENGLISHAVANTGARDE1981,
  title =        {{{FUTURISM AND THE ENGLISH AVANT}}-{{GARDE}}: {{THE EARLY
                  POUND BETWEEN IMAGISM AND VORTICISM}}},
  volume =       6,
  issn =         {0171-5410},
  url =          {https://www.jstor.org/stable/43023218},
  shorttitle =   {{{FUTURISM AND THE ENGLISH AVANT}}-{{GARDE}}},
  abstract =     {Pound's conversion from Imagism to Vorticism in 1913-1914 has
                  been generally considered a turning-point in his career, and
                  recent studies have stressed the importance of Vorticism for a
                  true understanding of the Cantos. Pound's criticism of the
                  "static image" has been rightly emphasized. However, Futurism
                  which publicized the concept and practice of dynamism has been
                  ignored or quickly passed over as a revolutionary movement
                  which made an impact on Pound. Even recently literary
                  historiography has surprisingly accepted Pound's and Wyndham
                  Lewis's antifuturistic statements without questioning them.
                  Yet there is ample evidence that Marinetti's manifestos and
                  his London performances were crucial in Pound's militant
                  transformation. This essay, after briefly describing the
                  Futurists' sensational impression on London, and following
                  their echoes inside the English avant-garde (see sections I,
                  II and III), traces the presence of Futurist tenets in Pound's
                  pamphleteerings of 1913 and 1914 and in his "Contemporania"
                  poems. It comments on the Futurist-inspired concept of
                  Vorticism (see section IV) and on the historical reasons which
                  brought about a local avant-garde caught between revolution
                  and reaction (see section V and VI). One should no longer see
                  Futurism through the distorted lens of Vorticism. Though by no
                  means the only influence on Pound in 1913-1914, Futurism
                  appears to have been momentous in his development.},
  number =       1,
  journaltitle = {AAA: Arbeiten aus Anglistik und Amerikanistik},
  urldate =      {2019-10-02},
  date =         1981,
  pages =        {3-39},
  author =       {Cianci, Giovanni},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/X37CEQW4/Cianci_1981_FUTURISM
                  AND THE ENGLISH AVANT-GARDE.pdf}
}

@article{breunigFlintImagismMaitre1952,
  title =        {F. {{S}}. {{Flint}}, {{Imagism}}'s "{{Maître D}}'école"},
  volume =       4,
  issn =         {0010-4124},
  url =          {https://www.jstor.org/stable/1768401},
  doi =          {10.2307/1768401},
  number =       2,
  journaltitle = {Comparative Literature},
  urldate =      {2019-10-02},
  date =         1952,
  pages =        {118-136},
  author =       {Breunig, Le Roy C.},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/87T72DQ7/1768401.pdf}
}

@article{barnsleyMaryBarnardNorth2009,
  title =        {Mary {{Barnard}}'s "{{North Window}}": {{Imagism}} and the
                  {{Pacific Northwest}}},
  volume =       44,
  issn =         {0043-3462},
  url =          {https://www.jstor.org/stable/43022744},
  shorttitle =   {Mary {{Barnard}}'s "{{North Window}}"},
  number =       3,
  journaltitle = {Western American Literature},
  urldate =      {2019-10-02},
  date =         2009,
  pages =        {250-274},
  author =       {Barnsley, Sarah},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/U4U3BIBJ/43022744.pdf}
}

@article{sagiv-feldmanBilingualismPoeticModernism1981,
  title =        {Bilingualism and {{Poetic Modernism}}: {{The Yiddish Sources}}
                  of the {{Hebrew Imagism}} of {{Gabriel Preil}}},
  volume =       6,
  issn =         {0364-0094},
  url =          {https://www.jstor.org/stable/1486374},
  shorttitle =   {Bilingualism and {{Poetic Modernism}}},
  abstract =     {The emergence of Gabriel Preil's Hebrew Modernism in the New
                  York of the thirties was totally unexpected. His Imagistic
                  free verse seemed a bold departure from the romantic norms of
                  American Hebrew verse, and even from those dominating the
                  "Modernistic" mainstream in Eretz Israel. Since this deviation
                  has since become the governing norm of Israeli "young" poetry
                  (the "State generation" of the fifties and sixties), Preil's
                  innovations and their sources have often been dwelt upon by
                  reviewers and critics. As critical consensus has it, his
                  Modernistic tendencies were inspired, naturally enough, by
                  American Modern verse, particularly of the Imagistic variety.
                  That Preil actually had had recourse to another Modernistic
                  source, one closer to home--American Yiddish verse--was
                  altogether overlooked or ignored. The present study proceeds
                  from the assumption that locating Preil's Yiddish models could
                  shed some light on the sources of his new Hebrew style. It
                  suggests that a correlation may exist between his stylistic
                  breakthrough and his active literary bilingualism.
                  Consequently, his Yiddish connections, poetical as well as
                  personal, are explored and their impact is placed in the
                  perspective of the problematic evolution of Modernistic style
                  in Hebrew letters.},
  journaltitle = {AJS Review},
  urldate =      {2019-10-02},
  date =         1981,
  pages =        {137-160},
  author =       {Sagiv-Feldman, Yael},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/B9Y8YHEZ/1486374.pdf}
}

@article{hakutaniEzraPoundYone1992,
  title =        {Ezra {{Pound}}, {{Yone Noguchi}}, and {{Imagism}}},
  volume =       90,
  issn =         {0026-8232},
  url =          {https://www.jstor.org/stable/438081},
  number =       1,
  journaltitle = {Modern Philology},
  urldate =      {2019-10-02},
  date =         1992,
  pages =        {46-69},
  author =       {Hakutani, Yoshinobu},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/EADMYYUS/438081.pdf}
}

@book{raineyInstitutionsModernismLiterary1998,
  langid =       {english},
  title =        {Institutions of {{Modernism}}: {{Literary Elites}} and
                  {{Public Culture}}},
  isbn =         {978-0-300-07050-7},
  shorttitle =   {Institutions of {{Modernism}}},
  abstract =     {This book provides a radical and revisionary account of
                  modernism, its many contradictions, and its troubled place in
                  our public culture. Lawrence Rainey, widely known for his
                  contributions to the debates on modernism, looks beyond the
                  well-examined themes and innovative forms of the movement,
                  asking instead where modernism was produced and how it was
                  transmitted to particular audiences. Delving into previously
                  unexamined primary materials, the author tells new and
                  startling stories about five major modernist figures - James
                  Joyce, T. S. Eliot, Ezra Pound, H.D., and F. T. Marinetti -
                  whose individual tales offer fresh perspectives on the larger
                  story of modernism itself. The book ranges in time from the
                  formation of Imagism in 1912 to the slow dissolution of
                  modernism during the late 1930s.},
  pagetotal =    252,
  publisher =    {{Yale University Press}},
  date =         1998,
  keywords =     {Literary Criticism / American / General,Literary Criticism /
                  Poetry},
  author =       {Rainey, Lawrence S. and Rainey, Professor Lawrence},
}

@article{wagnerSunAlsoRises1972,
  title =        {"{{The Sun Also Rises}}": {{One Debt}} to {{Imagism}}},
  volume =       2,
  issn =         {0022-2925},
  url =          {https://www.jstor.org/stable/30225275},
  shorttitle =   {"{{The Sun Also Rises}}"},
  number =       2,
  journaltitle = {The Journal of Narrative Technique},
  urldate =      {2019-10-02},
  date =         1972,
  pages =        {88-98},
  author =       {Wagner, Linda W.},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/U9H9YIYR/30225275.pdf}
}

@article{sunerWhatLiteraryImage2019,
  title =        {What {{Is}} the {{Literary Image}} in 2019? {{A Reevaluation}}
                  of {{Mitchell}}'s {{Encyclopedia Entry}}},
  volume =       53,
  issn =         {0039-4238},
  url =          {https://www.jstor.org/stable/10.5325/style.53.1.0059},
  shorttitle =   {What {{Is}} the {{Literary Image}} in 2019?},
  abstract =     {ABSTRACT: This article attempts to reinstate the inherent
                  rigor of “image” as a literary term by addressing the
                  theoretical issues related to the image that W. J. T. Mitchell
                  discusses in his encyclopedia entry and his articles on the
                  concept. The image is usually considered an overly
                  psychological concept that lacks the rigor of rhetorical
                  devices such as metaphor. This article clarifies the
                  relationship between the image and metaphor by arguing that,
                  while an image may not be immediately considered a metaphor, a
                  metaphor may be thought of as a composite and relational
                  proposition-image. It underscores the futility of insisting on
                  the concrete sensual (or visual) aspect of the image, arguing
                  that, before any sensual attribution, the image must primarily
                  be thought of as a reference or picture, which may at times be
                  obscure, indefinite, or even empty. It also raises some
                  objections to the conceptualization of the mental picture as
                  private by arguing that the word on which the mental image is
                  based cannot be less private or “mental.”},
  number =       1,
  journaltitle = {Style},
  urldate =      {2019-10-03},
  date =         2019,
  pages =        {59-78},
  author =       {Süner, Ahmet},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/QNRT7K8Q/Süner_2019_What
                  Is the Literary Image in 2019.pdf}
}

@article{pearsonHeterogeneityMentalRepresentation2015,
  title =        {The Heterogeneity of Mental Representation: {{Ending}} the
                  Imagery Debate},
  volume =       112,
  issn =         {0027-8424},
  url =          {https://www.jstor.org/stable/26464860},
  shorttitle =   {The Heterogeneity of Mental Representation},
  abstract =     {The possible ways that information can be represented mentally
                  have been discussed often over the past thousand years.
                  However, this issue could not be addressed rigorously until
                  late in the 20th century. Initial empirical findings spurred a
                  debate about the heterogeneity of mental representation: Is
                  all information stored in propositional, language-like,
                  symbolic internal representations, or can humans use at least
                  two different types of representations (and possibly many
                  more)? Here, in historical context, we describe recent
                  evidence that humans do not always rely on propositional
                  internal representations but, instead, can also rely on at
                  least one other format: depictive representation. We propose
                  that the debate should now move on to characterizing all of
                  the different forms of human mental representation.},
  number =       33,
  journaltitle = {Proceedings of the National Academy of Sciences of the United
                  States of America},
  urldate =      {2019-10-03},
  date =         2015,
  pages =        {10089-10092},
  author =       {Pearson, Joel and Kosslyn, Stephen M.},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/HUUQ6ATJ/Pearson_Kosslyn_2015_The
                  heterogeneity of mental representation.pdf}
}

@book{HandbookModernismStudies2013,
  title =        {A {{Handbook}} of {{Modernism Studies}}},
  edition =      1,
  url =          {http://onlinelibrary.wiley.com/doi/10.1002/9781118488638},
  publisher =    {{John Wiley \& Sons, Ltd}},
  urldate =      {2019-10-04},
  date =         2013,
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/YZCLDGZH/2013_A
                  Handbook of Modernism Studies.pdf},
  doi =          {10.1002/9781118488638}
}

@incollection{nichollsHardSoftModernism2013,
  title =        {Hard and {{Soft Modernism}}},
  booktitle =    {A {{Handbook}} of {{Modernism Studies}}},
  publisher =    {{Wiley-Blackwell}},
  date =         2013,
  author =       {Nicholls, Peter}
}

@book{pastoureauGreenHistoryColor2014,
  langid =       {english},
  title =        {Green: {{The History}} of a {{Color}}},
  isbn =         {978-0-691-15936-2},
  shorttitle =   {Green},
  abstract =     {In this beautiful and richly illustrated book, the acclaimed
                  author of Blue and Black presents a fascinating and revealing
                  history of the color green in European societies from
                  prehistoric times to today. Examining the evolving place of
                  green in art, clothes, literature, religion, science, and
                  everyday life, Michel Pastoureau traces how culture has
                  profoundly changed the perception and meaning of the color
                  over millennia—and how we misread cultural, social, and art
                  history when we assume that colors have always signified what
                  they do today.Filled with entertaining and enlightening
                  anecdotes, Green shows that the color has been ambivalent: a
                  symbol of life, luck, and hope, but also disorder, greed,
                  poison, and the devil. Chemically unstable, green pigments
                  were long difficult to produce and even harder to fix. Not
                  surprisingly, the color has been associated with all that is
                  changeable and fleeting: childhood, love, and money. Only in
                  the Romantic period did green definitively become the color of
                  nature. Pastoureau also explains why the color was connected
                  with the Roman emperor Nero, how it became the color of Islam,
                  why Goethe believed it was the color of the middle class, why
                  some nineteenth-century scholars speculated that the ancient
                  Greeks couldn’t see green, and how the color was denigrated by
                  Kandinsky and the Bauhaus. More broadly, Green demonstrates
                  that the history of the color is, to a large degree, one of
                  dramatic reversal: long absent, ignored, or rejected, green
                  today has become a ubiquitous and soothing presence as the
                  symbol of environmental causes and the mission to save the
                  planet.With its striking design and compelling text, Green
                  will delight anyone who is interested in history, culture,
                  art, fashion, or media.},
  pagetotal =    240,
  publisher =    {{Princeton University Press}},
  date =         {2014-08-24},
  keywords =     {Philosophy / Aesthetics,Art / History / General,Art /
                  General,Art / Criticism & Theory,Psychology / Mental
                  Health,SOCIAL SCIENCE / Folklore & Mythology},
  author =       {Pastoureau, Michel},
}

@book{mavorBlueMythologiesReflections2019,
  langid =       {english},
  title =        {Blue {{Mythologies}}: {{Reflections}} on a {{Colour}}},
  isbn =         {978-1-78914-050-7},
  shorttitle =   {Blue {{Mythologies}}},
  abstract =     {The sea, the sky, the veins of your hands, the earth when
                  photographed from space--blue sometimes seems to overwhelm all
                  the other shades of our world in its all-encompassing
                  presence. The blues of Blue Mythologies include those present
                  in the world's religions, eggs, science, slavery, gender, sex,
                  art, the literary past, and contemporary film. Carol Mavor's
                  engaging and elegiac readings in this beautifully illustrated
                  book take the reader from the blue of a newborn baby's eyes to
                  Giotto's frescoes at Padua, and from the films of Derek Jarman
                  and Krzysztof Kiéslowski to the islands of Venice and Aran. In
                  each example Mavor unpicks meaning both above and below the
                  surface of culture. In an echo of Roland Barthes's essays in
                  Mythologies, blue is unleashed as our most familiar and most
                  paradoxical color. At once historical, sociological, literary,
                  and visual, Blue Mythologies gives us a fresh and
                  contemplative look into the traditions, tales, and
                  connotations of those somethings blue.},
  pagetotal =    208,
  publisher =    {{Reaktion Books, Limited}},
  date =         {2019-06-10},
  author =       {Mavor, Carol},
}

@book