text:
apers/zotero/storage/TNFJBEJW/410.html}
}

@incollection{osborne_fiction_2013,
  location =     {{Brooklyn, NY}},
  title =        {The {{Fiction}} of the {{Contemporary}}},
  isbn =         {978-1-78168-094-0},
  booktitle =    {Anywhere or Not at All : Philosophy of Contemporary Art},
  publisher =    {{Verso Books}},
  date =         2013,
  keywords =     {Art; Modern,Philosophy},
  author =       {Osborne, Peter},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/CRZ6UUP5/10322917.html}
}

@book{baddeley_essentials_2013,
  langid =       {english},
  title =        {Essentials of {{Human Memory}} ({{Classic Edition}})},
  isbn =         {978-1-135-06869-1},
  abstract =     {This Classic Edition of the best-selling textbook offers an
                  in-depth overview of approaches to the study of memory. With
                  empirical research from both the real world and the
                  neuropsychological clinic, the book explains the fundamental
                  workings of human memory in a clear and accessible style.~This
                  edition contains a new introduction and concluding chapter in
                  which the author reflects on how the book is organized, and
                  also on how the field of memory has developed since it was
                  first published. Essentials of Human Memory evolved from a
                  belief that, although the amount we know about memory has
                  increased enormously in recent years, it is still possible to
                  explain it in a way that would be fully understood by the
                  general reader. After a broad overview of approaches to the
                  study of memory, short-term and working memory are discussed,
                  followed by learning, the role of organizing in remembering
                  and factors influencing forgetting, including emotional
                  variables and claims for the role of repression in what has
                  become known as the false memory syndrome. The way in which
                  knowledge of the world is stored is discussed next, followed
                  by an account of the processes underlying retrieval, and their
                  application to the practical issues of eyewitness testimony.
                  The breakdown of memory in the amnesic syndrome is discussed
                  next, followed by discussion of the way in which memory
                  develops in children, and declines in the elderly. After a
                  section concerned with mnemonic techniques and memory
                  improvement, the book ends with an overview of recent
                  developments in the field of human memory. Written by the
                  leading expert in human memory, recently awarded the British
                  Psychological Society Research Board Lifetime Achievement
                  Award, Essentials of Human Memory will be of interest to
                  students of Cognitive Psychology, Neuropsychology, and anyone
                  with an interest in the workings of memory.},
  pagetotal =    436,
  publisher =    {{Psychology Press}},
  date =         {2013-07-31},
  keywords =     {Psychology / Cognitive Psychology & Cognition,Psychology /
                  Cognitive Psychology},
  author =       {Baddeley, Alan}
}

@inreference{_today_2016,
  langid = {british},
  title = {Today, n.},
  url = {http://www.oed.com.ezproxy.cul.columbia.edu/view/Entry/202816;jsessionid=CC222DDCD4B032C2081A8748FC44F25E},
  booktitle = {{{OED Online}}},
  publisher = {{Oxford University Press}},
  urldate = {2016-03-12},
  date = {2016},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/52DX2TC7/202816\;jsessionid=CC222DDCD4B032C2081A8748FC44F25E.html}
}

@inreference{_modern_2016,
  langid = {british},
  title = {Modern, Adj.},
  url = {http://www.oed.com.ezproxy.cul.columbia.edu/view/Entry/120618},
  booktitle = {{{OED Online}}},
  publisher = {{Oxford University Press}},
  urldate = {2016-03-12},
  date = {2016},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/EITUI2JK/120618.html}
}

@online{_w01-0515.pdf_????,
  title = {W01-0515.Pdf},
  url = {https://aclweb.org/anthology/W/W01/W01-0515.pdf},
  urldate = {2016-03-12},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/BRPPIWXB/W01-0515.html}
}

@inproceedings{lyon_detecting_2001,
  title =        {Detecting Short Passages of Similar Text in Large Document
                  Collections},
  url =          {http://homepages.stca.herts.ac.uk/~comrcml/plagiarism_01.pdf},
  booktitle =    {Proceedings of the 2001 {{Conference}} on {{Empirical
                  Methods}} in {{Natural Language Processing}}},
  urldate =      {2016-03-12},
  date =         2001,
  pages =        {118--125},
  author =       {Lyon, Caroline and Malcolm, James and Dickerson, Bob},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/BMZR23VP/Lyon et al. -
                  2001 - Detecting short passages of similar text in large .pdf}
}

@inproceedings{clough_meter:_2002,
  location =     {{Stroudsburg, PA, USA}},
  title =        {{{METER}}: {{MEasuring TExt Reuse}}},
  url =          {http://dx.doi.org/10.3115/1073083.1073110},
  doi =          {10.3115/1073083.1073110},
  shorttitle =   {{{METER}}},
  abstract =     {In this paper we present results from the METER (MEasuring
                  TExt Reuse) project whose aim is to explore issues pertaining
                  to text reuse and derivation, especially in the context of
                  newspapers using newswire sources. Although the reuse of text
                  by journalists has been studied in linguistics, we are not
                  aware of any investigation using existing computational
                  methods for this particular task. We investigate the
                  classification of newspaper articles according to their degree
                  of dependence upon, or derivation from, a newswire source
                  using a simple 3-level scheme designed by journalists. Three
                  approaches to measuring text similarity are considered: n-gram
                  overlap, Greedy String Tiling, and sentence alignment.
                  Measured against a manually annotated corpus of source and
                  derived news text, we show that a combined classifier with
                  features automatically selected performs best overall for the
                  ternary classification achieving an average F1-measure score
                  of 0.664 across all three categories.},
  booktitle =    {Proceedings of the 40th {{Annual Meeting}} on {{Association}}
                  for {{Computational Linguistics}}},
  series =       {{{ACL}} '02},
  publisher =    {{Association for Computational Linguistics}},
  urldate =      {2016-03-12},
  date =         2002,
  pages =        {152--159},
  author =       {Clough, Paul and Gaizauskas, Robert and Piao, Scott S. L. and
                  Wilks, Yorick},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/BU8B73G3/Clough et al.
                  - 2002 - METER MEasuring TExt
                  Reuse.pdf;/home/jon/Dokumentujo/Papers/zotero/storage/WAIV7XQZ/Clough
                  et al. - 2002 - METER MEasuring TExt Reuse.pdf},
  annotation =   {Parsed}
}

@article{thomasVirgilGeorgicsArt1986,
  eprinttype =   {jstor},
  eprint =       311468,
  title =        {Virgil's {{Georgics}} and the {{Art}} of {{Reference}}},
  volume =       90,
  issn =         {0073-0688},
  doi =          {10.2307/311468},
  journaltitle = {Harvard Studies in Classical Philology},
  shortjournal = {Harvard Studies in Classical Philology},
  date =         1986,
  pages =        {171-198},
  author =       {Thomas, Richard F.},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/AIP5GPVH/[Ian_E._Gordon]_Theories_of_visual_perception(z-lib.org).pdf;/home/jon/Dokumentujo/Papers/zotero/storage/H7S7KR9N/Thomas
                  - 1986 - Virgil's Georgics and the Art of Reference.pdf},
  annotation =   {Describes six different types of allusion.}
}

@article{takeda_discovering_2003,
  title =        {Discovering Instances of Poetic Allusion from Anthologies of
                  Classical {{Japanese}} Poems},
  volume =       292,
  issn =         {0304-3975},
  url =
                  {http://www.sciencedirect.com/science/article/pii/S0304397502001846},
  doi =          {10.1016/S0304-3975(02)00184-6},
  abstract =     {Waka is a form of traditional Japanese poetry with a 1300-year
                  history. In this paper, we attempt to semi-automatically
                  discover instances of poetic allusion, or more generally, to
                  find similar poems in anthologies of Waka poems. One
                  reasonable approach would be to arrange all possible pairs of
                  poems in two anthologies in decreasing order of similarity
                  values, and to scrutinize high-ranked pairs by human effort.
                  The means of defining similarity between Waka poems plays a
                  key role in this approach. In this paper, we generalize
                  existing (dis)similarity measures into a uniform framework,
                  called string resemblance systems, and using this framework,
                  we develop new similarity measures suitable for finding
                  similar poems. Using the measures, we report successful
                  results in finding instances of poetic allusion between two
                  anthologies Kokin-Shū and Shin-Kokin-Shū. Most interestingly,
                  we have found an instance of poetic allusion that has never
                  before been pointed out in the long history of Waka research.},
  number =       2,
  journaltitle = {Theoretical Computer Science},
  shortjournal = {Theoretical Computer Science},
  series =       {Theoretical {{Aspects}} of {{Discovery Science}}},
  urldate =      {2016-03-13},
  date =         {2003-01-27},
  pages =        {497-524},
  keywords =     {String similarity,Edit distance,String resemblance
                  systems,Optimal pattern discovery,Waka poetry,Honkadori,Poetic
                  allusion,Similar poems},
  author =       {Takeda, Masayuki and Fukuda, Tomoko and Nanri, Ichiro and
                  Yamasaki, Mayumi and Tamari, Koichi},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/SA7ERM5E/Takeda et al.
                  - 2003 - Discovering instances of poetic allusion from
                  anth.pdf;/home/jon/Dokumentujo/Papers/zotero/storage/UTWP7BNW/S0304397502001846.html}
}

@inproceedings{lee_computational_2007,
  title =        {A Computational Model of Text Reuse in Ancient Literary Texts},
  volume =       45,
  url =          {http://anthology.aclweb.org/P/P07/P07-1.pdf#page=510},
  booktitle =    {{{ANNUAL MEETING}}-{{ASSOCIATION FOR COMPUTATIONAL
                  LINGUISTICS}}},
  urldate =      {2016-03-13},
  date =         2007,
  pages =        472,
  author =       {Lee, John},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/EGFHHSZE/Lee - 2007 -
                  A computational model of text reuse in ancient
                  lit.pdf;/home/jon/Dokumentujo/Papers/zotero/storage/VCK324DH/Lee -
                  2007 - A computational model of text reuse in ancient lit.pdf}
}

@book{tearle_t.e._2013,
  location =     {{New York}},
  title =        {T.{{E}}. {{Hulme}} and {{Modernism}}},
  isbn =         {978-1-4411-5665-5},
  publisher =    {{Bloomsbury Academic}},
  date =         2013,
  keywords =     {Criticism and interpretation,Modernism (Literature),Great
                  Britain,Hulme; T. E. (Thomas Ernest); 1883-1917,Hulme; Thomas
                  E.; 1883-1917,Moderne},
  author =       {Tearle, Oliver},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/KPFGSFFM/10514187.html}
}

@article{spruit_measuring_2006,
  langid =       {english},
  title =        {Measuring {{Syntactic Variation}} in {{Dutch Dialects}}},
  volume =       21,
  issn =         {0268-1145, 1477-4615},
  url =
                  {http://llc.oxfordjournals.org.ezproxy.cul.columbia.edu/content/21/4/493},
  doi =          {10.1093/llc/fql043},
  abstract =     {This research applies dialectometric methods to purely
                  syntactic dialect data. It will be shown that there is
                  geographic cohesion in syntactic variation when viewed in the
                  aggregate. The amount of syntactic variation which can be
                  accounted for by geography will be determined. Dialectometric
                  techniques will be used to develop an additive measure of
                  syntactic differences. Multidimensional scaling will be
                  applied to visualise the geographic distribution of the Dutch
                  dialects with respect to syntactic variation in the aggregate.
                  The Dutch dialect map based on a syntactic measure will be
                  compared with a dialect map based on subjective judgements and
                  a dialect map based on pronunciation differences to put the
                  syntactic measurement results into perspective. An alternative
                  way to measure syntactic distance will be presented and will
                  provide indications for future research to more accurately
                  quantify syntactic variation.},
  number =       4,
  journaltitle = {Literary and Linguistic Computing},
  shortjournal = {Lit Linguist Computing},
  urldate =      {2016-03-13},
  date =         {2006-01-11},
  pages =        {493-506},
  author =       {Spruit, Marco René},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/2NTWG9WD/Spruit - 2006
                  - Measuring Syntactic Variation in Dutch
                  Dialects.pdf;/home/jon/Dokumentujo/Papers/zotero/storage/69E2FCD9/Spruit
                  - 2006 - Measuring Syntactic Variation in Dutch
                  Dialects.pdf;/home/jon/Dokumentujo/Papers/zotero/storage/MIAS5CJE/493.html;/home/jon/Dokumentujo/Papers/zotero/storage/ZQFCNUUS/493.html}
}

@inproceedings{bamann_logic_2008,
  title =        {The {{Logic}} and {{Discovery}} of {{Textual Allusion}}},
  url =          {http://www.perseus.tufts.edu/~ababeu/latech2008.pdf},
  booktitle =    {{{ACL Workshop LaTeCH}} 2008: {{Language Technology}} for
                  {{Cultural Heritage Data}}},
  urldate =      {2016-03-05},
  date =         2008,
  author =       {Bamann, David and Crane, Gregory},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/86NJZHDI/latech2008.pdf},
  annotation =   {Parsed}
}

@thesis{barron-cedeno_mono-_2010,
  location = {{New York, NY, USA}},
  title = {On the {{Mono}}- and {{Cross}}-Language {{Detection}} of {{Text Reuse}} and {{Plagiarism}}},
  url = {http://doi.acm.org/10.1145/1835449.1835687},
  abstract = {Plagiarism, the unacknowledged reuse of text, has increased in recent years due to the large amount of texts readily available. For instance, recent studies claim that nowadays a high rate of student reports include plagiarism, making manual plagiarism detection practically infeasible. Automatic plagiarism detection tools assist experts to analyse documents for plagiarism. Nevertheless, the lack of standard collections with cases of plagiarism has prevented accurate comparing models, making differences hard to appreciate. Seminal efforts on the detection of text reuse [2] have fostered the composition of standard resources for the accurate evaluation and comparison of methods. The aim of this PhD thesis is to address three of the main problems in the development of better models for automatic plagiarism detection: (i) the adequate identification of good potential sources for a given suspicious text; (ii) the detection of plagiarism despite modifications, such as words substitution and paraphrasing (special stress is given to cross-language plagiarism); and (iii) the generation of standard collections of cases of plagiarism and text reuse in order to provide a framework for accurate comparison of models. Regarding difficulties (i) and (ii) , we have carried out preliminary experiments over the METER corpus [2]. Given a suspicious document dq and a collection of potential source documents D, the process is divided in two steps. First, a small subset of potential source documents D* in D is retrieved. The documents d in D* are the most related to dq and, therefore, the most likely to include the source of the plagiarised fragments in it. We performed this stage on the basis of the Kullback-Leibler distance, over a subsample of document's vocabularies. Afterwards, a detailed analysis is carried out comparing dq to every d in D* in order to identify potential cases of plagiarism and their source. This comparison was made on the basis of word n-grams, by considering n = \{2, 3\}. These n-gram levels are flexible enough to properly retrieve plagiarised fragments and their sources despite modifications [1]. The result is offered to the user to take the final decision. Further experiments were done in both stages in order to compare other similarity measures, such as the cosine measure, the Jaccard coefficient and diverse fingerprinting and probabilistic models. One of the main weaknesses of currently available models is that they are unable to detect cross-language plagiarism. Approaching the detection of this kind of plagiarism is of high relevance, as the most of the information published is written in English, and authors in other languages may find it attractive to make use of direct translations. Our experiments, carried out over parallel and a comparable corpora, show that models of "standard" cross-language information retrieval are not enough. In fact, if the analysed source and target languages are related in some way (common linguistic ancestors or technical vocabulary), a simple comparison based on character n-grams seems to be the option. However, in those cases where the relation between the implied languages is weaker, other models, such as those based on statistical machine translation, are necessary [3]. We plan to perform further experiments, mainly to approach the detection of cross-language plagiarism. In order to do that, we will use the corpora developed under the framework of the PAN competition on plagiarism detection (cf. PAN@CLEF: http://pan.webis.de). Models that consider cross-language thesauri and comparison of cognates will also be applied.},
  institution = {{ACM}},
  urldate = {2016-03-06},
  date = {2010},
  keywords = {cross-language plagiarism detection,plagiarism detection,text similarity},
  author = {Barrón-Cedeño, Alberto},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/CJ32J2ZV/tesisUPV3833.pdf},
  annotation = {Long PhD thesis. Mostly a survey. May have useful information.}
}

@collection{comentaleHulmeQuestionModernismc2006,
  location = {{Burlington, VT}},
  title = {T.{{E}}. {{Hulme}} and the Question of Modernism},
  publisher = {{Ashgate}},
  year = {c2006},
  keywords = {Modernism (Art),Modernism (Literature),Hulme; T. E. (Thomas Ernest); 1883-1917,Modernism (Aesthetics),Philosophy; Modern},
  editor = {Comentale, Edward P.},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/T7ZKN8NX/hulme-modernism.pdf;/home/jon/Dokumentujo/Papers/zotero/storage/8JTPG4NB/6979267.html}
}

@online{bommarito_fuzzy_????,
  title = {Fuzzy Match Sentences in {{Python}} | {{Bommarito Consulting}}, {{LLC}}},
  url = {http://bommaritollc.com/2014/06/12/fuzzy-match-sentences-python/},
  urldate = {2016-03-07},
  author = {Bommarito, Author: Michael},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/RRKV98CG/fuzzy-match-sentences-python.html;/home/jon/Dokumentujo/Papers/zotero/storage/VINEMQ99/fuzzy-match-sentences-python.html}
}

@inproceedings{chong_using_2010,
  title =        {Using Natural Language Processing for Automatic Detection of
                  Plagiarism},
  url =
                  {http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.458.9440&rep=rep1&type=pdf},
  booktitle =    {Proceedings of the 4th {{International Plagiarism Conference}}
                  ({{IPC}} 2010), {{Newcastle}}, {{UK}}},
  publisher =    {{Citeseer}},
  urldate =      {2016-03-07},
  date =         2010,
  author =       {Chong, Miranda and Specia, Lucia and Mitkov, Ruslan},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/7Z89JSQC/Chong et al.
                  - 2010 - Using natural language processing for automatic
                  de.pdf},
  annotation =   {Parsed. ~}
}

@inproceedings{seo_local_2008,
  location =     {{New York, NY, USA}},
  title =        {Local {{Text Reuse Detection}}},
  isbn =         {978-1-60558-164-4},
  url =          {http://doi.acm.org/10.1145/1390334.1390432},
  doi =          {10.1145/1390334.1390432},
  abstract =     {Text reuse occurs in many different types of documents and for
                  many different reasons. One form of reuse, duplicate or
                  near-duplicate documents, has been a focus of researchers
                  because of its importance in Web search. Local text reuse
                  occurs when sentences, facts or passages, rather than whole
                  documents, are reused and modified. Detecting this type of
                  reuse can be the basis of new tools for text analysis. In this
                  paper, we introduce a new approach to detecting local text
                  reuse and compare it to other approaches. This comparison
                  involves a study of the amount and type of reuse that occurs
                  in real documents, including TREC newswire and blog
                  collections.},
  booktitle =    {Proceedings of the 31st {{Annual International ACM SIGIR
                  Conference}} on {{Research}} and {{Development}} in
                  {{Information Retrieval}}},
  series =       {{{SIGIR}} '08},
  publisher =    {{ACM}},
  urldate =      {2016-03-06},
  date =         2008,
  pages =        {571--578},
  keywords =     {fingerprinting,information flow,text reuse},
  author =       {Seo, Jangwon and Croft, W. Bruce},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/I953J77R/Seo and Croft
                  - 2008 - Local Text Reuse Detection.pdf}
}

@online{_advanced_????,
  title = {Advanced Approximate Sentence Matching in {{Python}} | {{Bommarito Consulting}}, {{LLC}}},
  url = {http://bommaritollc.com/2014/06/30/advanced-approximate-sentence-matching-python/},
  urldate = {2016-03-07},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/JI2G56EI/advanced-approximate-sentence-matching-python.html}
}

@incollection{marcus_early_2004,
  langid =       {english},
  title =        {Early Twentieth-Century Science and Knowledge},
  isbn =         {978-0-521-82077-6},
  abstract =     {This new Cambridge History is the first major history of
                  twentieth-centuryEnglish literature to cover the full range of
                  writing in England, Scotland,Wales and Ireland. The volume
                  also explores the impact of writing from theformer colonies on
                  English literature of the period and analyses the waysin which
                  conventional literary genres were shaped and inflected by the
                  newcultural technologies of radio, cinema and television. This
                  newvolume is a major event for anyone concerned with
                  twentieth-centuryliterature, its cultural context and its
                  relation to the contemporary.},
  booktitle =    {The {{Cambridge History}} of {{Twentieth}}-{{Century English
                  Literature}}},
  publisher =    {{Cambridge University Press}},
  date =         2004,
  keywords =     {Literary Criticism / General,Literary Criticism / European /
                  English; Irish; Scottish; Welsh},
  author =       {Parrinder, Patrick},
  editor =       {Marcus, Laura and Nicholls, Peter},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/PT888S5T/cambridge-history-20th.pdf},
  annotation =   {parsed}
}

@article{bar_text_2012,
  title =        {Text {{Reuse Detection Using}} a {{Composition}} of {{Text
                  Similarity Measures}}},
  volume =       1,
  url =
                  {https://www.cdc.informatik.tu-darmstadt.de/fileadmin/user_upload/Group_UKP/publikationen/2012/COLING_2012_DaB_published.pdf},
  journaltitle = {Proceedings of COLING 2012},
  urldate =      {2016-03-13},
  date =         2012,
  pages =        {167-184},
  author =       {Bär, Daniel and Zesch, Torsten and Gurevych, Iryna},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/8ACFBH82/COLING_2012_DaB_published.pdf;/home/jon/Dokumentujo/Papers/zotero/storage/TNW7Q4SS/COLING_2012_DaB_published.html},
  annotation =   {Parsed}
}

@inproceedings{mihalcea_corpus-based_2006,
  title =        {Corpus-Based and Knowledge-Based Measures of Text Semantic
                  Similarity},
  volume =       6,
  url =          {http://www.aaai.org/Papers/AAAI/2006/AAAI06-123.pdf},
  booktitle =    {{{AAAI}}},
  urldate =      {2016-03-13},
  date =         2006,
  pages =        {775--780},
  author =       {Mihalcea, Rada and Corley, Courtney and Strapparava, Carlo},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/4ZR24K73/Mihalcea et
                  al. - 2006 - Corpus-based and knowledge-based measures of text
                  .pdf}
}

@inproceedings{gabrilovich_computing_2007,
  title =        {Computing Semantic Relatedness Using Wikipedia-Based Explicit
                  Semantic Analysis.},
  volume =       7,
  url =          {http://www.aaai.org/Papers/IJCAI/2007/IJCAI07-259.pdf},
  booktitle =    {{{IJCAI}}},
  urldate =      {2016-03-13},
  date =         2007,
  pages =        {1606--1611},
  author =       {Gabrilovich, Evgeniy and Markovitch, Shaul},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/VMACJQ54/Gabrilovich
                  and Markovitch - 2007 - Computing semantic relatedness using
                  wikipedia-bas.pdf}
}

@inproceedings{keselj_n-gram-based_2003,
  title =        {N-Gram-Based Author Profiles for Authorship Attribution},
  volume =       3,
  url =          {http://web.cs.dal.ca/~vlado/papers/pacling03.pdf},
  booktitle =    {Proceedings of the Conference Pacific Association for
                  Computational Linguistics, {{PACLING}}},
  urldate =      {2016-03-13},
  date =         2003,
  pages =        {255--264},
  author =       {Kešelj, Vlado and Peng, Fuchun and Cercone, Nick and Thomas,
                  Calvin},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/QXPH45SW/Kešelj et al.
                  - 2003 - N-gram-based author profiles for authorship
                  attrib.pdf}
}

@article{stamatatos_intrinsic_2009,
  title =        {Intrinsic Plagiarism Detection Using Character N-Gram
                  Profiles},
  volume =       2,
  url =          {http://ceur-ws.org/Vol-502/paper8.pdf},
  journaltitle = {threshold},
  urldate =      {2016-03-13},
  date =         2009,
  pages =        {1--500},
  author =       {Stamatatos, Efstathios},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/R7GU9S8T/Stamatatos -
                  2009 - Intrinsic plagiarism detection using character n-g.pdf}
}

@article{alzahrani_understanding_2012,
  title =        {Understanding {{Plagiarism Linguistic Patterns}}, {{Textual
                  Features}}, and {{Detection Methods}}},
  volume =       42,
  issn =         {1094-6977},
  doi =          {10.1109/TSMCC.2011.2134847},
  abstract =     {Plagiarism can be of many different natures, ranging from
                  copying texts to adopting ideas, without giving credit to its
                  originator. This paper presents a new taxonomy of plagiarism
                  that highlights differences between literal plagiarism and
                  intelligent plagiarism, from the plagiarist's behavioral point
                  of view. The taxonomy supports deep understanding of different
                  linguistic patterns in committing plagiarism, for example,
                  changing texts into semantically equivalent but with different
                  words and organization, shortening texts with concept
                  generalization and specification, and adopting ideas and
                  important contributions of others. Different textual features
                  that characterize different plagiarism types are discussed.
                  Systematic frameworks and methods of monolingual, extrinsic,
                  intrinsic, and cross-lingual plagiarism detection are surveyed
                  and correlated with plagiarism types, which are listed in the
                  taxonomy. We conduct extensive study of state-of-the-art
                  techniques for plagiarism detection, including character
                  n-gram-based (CNG), vector-based (VEC), syntax-based (SYN),
                  semantic-based (SEM), fuzzy-based (FUZZY), structural-based
                  (STRUC), stylometric-based (STYLE), and cross-lingual
                  techniques (CROSS). Our study corroborates that existing
                  systems for plagiarism detection focus on copying text but
                  fail to detect intelligent plagiarism when ideas are presented
                  in different words.},
  number =       2,
  journaltitle = {IEEE Transactions on Systems, Man, and Cybernetics, Part C
                  (Applications and Reviews)},
  date =         {2012-03},
  pages =        {133-149},
  keywords =     {text analysis,Style,plagiarism detection,fuzzy set
                  theory,information
                  retrieval,CNG,CROSS,FUZZY,SEM,STRUC,SYN,VEC,character n-gram
                  based technique,cross-lingual plagiarism detection,extrinsic
                  plagiarism detection,fuzzy based technique,intelligent
                  plagiarism,intrinsic plagiarism detection,literal
                  plagiarism,monolingual plagiarism detection,plagiarism
                  linguistic pattern,semantic based technique,structural based
                  technique,stylometric based technique,syntax based
                  technique,vector based technique,Feature
                  extraction,Humans,Natural
                  languages,Plagiarism,Pragmatics,Taxonomy,Writing,Linguistic
                  patterns,textual features,Computational Linguistics},
  author =       {Alzahrani, S. M. and Salim, N. and Abraham, A.},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/JUGJ5GA3/Alzahrani et
                  al. - 2012 - Understanding Plagiarism Linguistic Patterns,
                  Text.pdf;/home/jon/Dokumentujo/Papers/zotero/storage/KTIQPMG9/abs_all.html}
}

@book{parker_works_1917,
  langid =       {english},
  title =        {The {{Works}} of {{Gilbert Parker}}},
  pagetotal =    408,
  publisher =    {{C. Scribner's Sons}},
  date =         1917,
  author =       {Parker, Gilbert},
  annotation =   {Forget what this was for, but probably parsed. ~}
}

@online{shakespeare_tragedy_2016,
  title = {The {{Tragedy}} of {{Hamlet}}, {{Prince}} of {{Denmark}}},
  url = {http://www.folgerdigitaltexts.org/html/Ham.html},
  journaltitle = {Folger Digital Texts},
  urldate = {2016-03-19},
  date = {2016},
  author = {Shakespeare, William},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/GUKDMU3U/Ham.html},
  annotation = {Just a reference

~}
}

@book{joyce_ulysses_2009,
  langid =       {english},
  location =     {{Mineola, NY}},
  title =        {Ulysses},
  isbn =         {978-0-486-47470-0},
  abstract =     {Originally reviled as obscure and obscene, Joyce's masterpiece
                  now stands as one of the great literary achievements of the
                  twentieth century. Loosely based on Homer's Odyssey, the novel
                  traces the paths of Leopold Bloom and other Dubliners through
                  an ordinary summer day and night in 1904 — a typical day,
                  transformed by Joyce's narrative powers into an epic
                  celebration of life.First editions of Ulysses rank among the
                  modern rare book trade's most valuable finds. This reprint of
                  the original edition is not only the least expensive version
                  available but also the truest to the author's vision. Many
                  experts have reinterpreted the novel's surviving drafts to
                  produce revised texts, but this edition remains the version
                  that Joyce himself reviewed and corrected prior to the initial
                  publication. A new Introduction by Joyce scholar Enda Duffy
                  offers an enlightening and enthusiastic welcome to a landmark
                  of modern literature.},
  pagetotal =    754,
  publisher =    {{Dover}},
  date =         {2009-11-18},
  keywords =     {Fiction / Classics,Literary Collections / European / English;
                  Irish; Scottish; Welsh},
  author =       {Joyce, James and Duffy, Enda},
  annotation =   {Parsed}
}

@book{gifford_ulysses_1989,
  langid =       {english},
  title =        {Ulysses {{Annotated}}: {{Notes}} for {{James Joyce}}'s
                  {{Ulysses}}},
  isbn =         {978-0-520-06745-5},
  shorttitle =   {Ulysses {{Annotated}}},
  abstract =     {Here substantially revised and expanded, Don Gifford's
                  annotations to Joyce's great modern classic comprise a
                  specialized encyclopedia that will inform any reading of
                  Ulysses. Annotations in this edition are keyed both to the
                  reading text of the new critical edition of Ulysses published
                  in 1984 and to the standard 1961 Random House edition and the
                  current Modern Library and Vintage texts. Gifford has
                  incorporated over 1,000 additions and corrections to the first
                  edition. The introduction and headnotes to sections provide
                  general geographical, biographical and historical background.
                  The annotations gloss place names, define slang terms, give
                  capsule histories of institutions and political and cultural
                  movements and figures, supply bits of local and Irish legend
                  and lore, explain religious nomenclature and practices, trace
                  literary allusions and references to other cultures. The
                  suggestive potential of minor details was enormously
                  fascinating to Joyce, and the precision of his use of detail
                  is a most important aspect of his literary method. The
                  annotations in this volume illuminate details which are not in
                  the public realm for most of us.},
  pagetotal =    700,
  publisher =    {{University of California Press}},
  date =         1989,
  keywords =     {Literary Criticism / European / English; Irish; Scottish;
                  Welsh},
  author =       {Gifford, Don and Seidman, Robert J.},
  annotation =   {Parsed}
}

@software{peters_difflib_2016,
  title = {Difflib},
  url = {https://docs.python.org/3.5/_sources/library/difflib.txt},
  version = {3.5},
  organization = {{Python Software Foundation}},
  urldate = {2016-03-19},
  date = {2016},
  author = {Peters, Tim},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/S8GVAWXX/difflib.txt}
}

@online{stowe_uncle_1853,
  title = {Uncle {{Tom}}'s {{Cabin}}},
  url = {http://www.gutenberg.org/files/203/203-h/203-h.htm},
  journaltitle = {Project Gutenberg},
  urldate = {2016-03-19},
  date = {1853},
  author = {Stowe, Harriet Beecher},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/UNAENB3M/reader.html},
  annotation = {Parsed

~}
}

@book{stowe_annotated_2007,
  langid =       {english},
  title =        {The {{Annotated Uncle Tom}}'s {{Cabin}}},
  isbn =         {978-0-393-05946-5},
  abstract =     {Declared worthless and dehumanizing by James Baldwin in 1949,
                  Uncle Tom's Cabin has lacked literary credibility for fifty
                  years. Now, in a ringing refutation of Baldwin, Henry Louis
                  Gates Jr. demonstrates the literary transcendence of Harriet
                  Beecher Stowe's masterpiece. Uncle Tom's Cabin, first
                  published in 1852, galvanized the American public as no other
                  work of fiction has ever done. The editors animate pre-Civil
                  War life with rich insights into the lives of slaves,
                  abolitionists, and the American reading public. Examining the
                  lingering effects of the novel, they provide new insights into
                  emerging race-relation, women's, gay, and gender issues. With
                  reproductions of rare prints, posters, and photographs, this
                  book is also one of the most thorough anthologies of Uncle Tom
                  images up to the present day.},
  pagetotal =    558,
  publisher =    {{W. W. Norton \& Company}},
  date =         2007,
  keywords =     {Fiction / Classics},
  author =       {Stowe, Harriet Beecher and Robbins, Hollis},
  annotation =   {Parsed ~}
}

@book{_king_1989,
  langid =       {english},
  title =        {The {{King James Version}} of the {{Bible}}},
  url =          {http://www.gutenberg.org/ebooks/10},
  urldate =      {2016-03-19},
  date =         {1989-08-01},
  keywords =     {Bible},
  annotation =   {LoC Class BS: Philosophy, Psychology, Religion: Christianity:
                  The Bible, Old and New Testament}
}

@book{bronte_tenant_1900,
  langid =       {english},
  title =        {The {{Tenant}} of {{Wildfell Hall}}},
  shorttitle =   {The {{Tenant}} of {{Wildfell Hall}} ...},
  pagetotal =    552,
  publisher =    {{Harper \& Bros.}},
  date =         1900,
  author =       {Brontë, Anne},
  annotation =   {Parsed ~}
}

@report{algee-hewitt_between_2015,
  title = {Between {{Canon}} and {{Corpus}}: {{Six Perspectives}} on 20th-{{Century Novels}}},
  url = {http://litlab.stanford.edu/LiteraryLabPamphlet8.pdf},
  institution = {{Stanford Literary Lab}},
  urldate = {2016-03-20},
  date = {2015-01},
  author = {Algee-Hewitt, Mark and McGurl, Mark},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/PMAU7FRE/LiteraryLabPamphlet8.pdf},
  annotation = {Parsed}
}

@online{piper_txtlab450._2016,
  title = {{{txtLAB450}}. {{A Multilingual Data Set}} of {{Novels}} for {{Teaching}} and {{Research}}},
  url = {http://txtlab.org/?p=601},
  abstract = {I am very pleased to be~able to share a collection of 450 novels that we have assembled that were published in~English, French, and German during the long nineteenth century (1770-1930). The novels…},
  journaltitle = {.txtLAB @ mcgill},
  urldate = {2016-03-20},
  date = {2016},
  author = {Piper, Andrew},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/CM58ZWF4/txtlab.org.html},
  annotation = {Parsed}
}

@online{child_philothea_2016,
  title = {Philothea: A {{Grecian}} Romance},
  url = {https://archive.org/stream/philotheagrecian00chil#page/22/mode/2up},
  journaltitle = {Internet Archive},
  urldate = {2016-03-21},
  date = {2016},
  author = {Child, Lydia},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/H3HX6TKZ/philotheagrecian00chil.html},
  annotation = {Parsed}
}

@article{moretti_graphs_2003,
  title =        {Graphs, Maps, Trees},
  issn =         {0028-6060},
  number =       24,
  journaltitle = {New Left Review},
  date =         {2003-11-01},
  pages =        67,
  author =       {Moretti, Franco},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/NAWNJZ7T/articles.html},
  annotation =   {Might refer to this.}
}

@book{martindale_clockwork_1990,
  location =     {{New York}},
  title =        {The Clockwork Muse : The Predictability of Artistic Change},
  isbn =         {978-0-465-01186-5},
  shorttitle =   {The Clockwork Muse},
  publisher =    {{BasicBooks}},
  date =         1990,
  keywords =     {Arts,Psychological aspects},
  author =       {Martindale, Colin},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/KN7GM54B/882066.html},
  annotation =   {Fascinating. Very impressive statistical study of culture.
                  Just a reference for now.}
}

@inreference{birch_kingsley_2009,
  location = {{Oxford, UK}},
  title = {Kingsley, {{Charles}}},
  url = {http://www.oxfordreference.com/view/10.1093/acref/9780192806871.001.0001/acref-9780192806871-e-4203},
  abstract = {(1819–75)Novelist and social reformer, born at Holme in Devon, where his father was curate‐in‐charge; educated at},
  booktitle = {The {{Oxford Companion}} to {{English Literature}}},
  publisher = {{Oxford University Press}},
  urldate = {2016-03-21},
  date = {2009},
  author = {Birch, Dinah},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/4CWFT4VG/acref-9780192806871-e-4203.html},
  annotation = {Parsed

~}
}

@incollection{parrinder_ann_1972,
  location =     {{Boston}},
  title =        {Ann {{Veronica}}},
  booktitle =    {H.{{G}}. {{Wells}}: {{The Critical Heritage}}},
  publisher =    {{Routledge \& Kegan Paul}},
  date =         1972,
  editor =       {Parrinder, Patrick},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/Q3UE3BZE/parrinder.pdf}
}

@incollection{stubbs_mr._1981,
  location =     {{London}},
  title =        {Mr. {{Wells}}'s {{Sexual Utopia}}},
  booktitle =    {Women and {{Fiction}}: {{Feminism}} and the {{Novel}}
                  1880-1920},
  publisher =    {{Methuen}},
  date =         1981,
  pages =        {179-194},
  author =       {Stubbs, Patricia},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/PCSZ2U2R/stubbs.pdf},
  annotation =   {Ugh makes me so angry}
}

@book{wells_h.g._1984,
  langid =       {english},
  title =        {H.{{G}}. {{Wells}} in {{Love}}: {{Postscript}} to an
                  {{Experiment}} in {{Autobiography}}},
  isbn =         {978-0-571-13329-1},
  shorttitle =   {H.{{G}}. {{Wells}} in {{Love}}},
  abstract =     {Written in the age of technological revolution, the novels
                  included in this edition combine the mundane with the
                  extraordinary to unnerving effect: the pre dictions of H G
                  Wells fiction have often already become our late twentieth-
                  century fact},
  pagetotal =    253,
  publisher =    {{Faber \& Faber}},
  date =         {1984-01},
  author =       {Wells, H. G.},
  editor =       {Wells, George Philip}
}

@book{wells_experiment_2008,
  langid =       {english},
  title =        {Experiment in {{Autobiography}}: {{Discoveries}} and
                  {{Conclusions}} of a {{Very Ordinary Brain}} ({{Since}} 1866)},
  isbn =         {978-0-571-24730-1},
  shorttitle =   {Experiment in {{Autobiography}}},
  abstract =     {H. G. Wells's An Experiment in Autobiography, subtitled, with
                  typically Wellsian self-effacement, 'Discoveries and
                  Conclusions of a Very Ordinary Brain (Since 1866)', first
                  appeared in 1934, when Wells was sixty-eight years old, and is
                  presented in Faber Finds in two volumes (also in the Faber
                  Finds imprint is H. G. Wells in Love, which Wells drafted as
                  'Postscript to an Experiment in Autobiography' and can be read
                  as an accompaniment to these volumes). In these volumes, Wells
                  relates his early life, student days, struggles to make a
                  living, ascent to literary supremacy, and later career as
                  prophet of socialism. We follow him from the beginnings of his
                  thoughts to his crowning conclusion 'This particular brain ...
                  has arrived at the establishment of the Socialist World-State
                  as its directive purpose and has made that its religion and
                  end.' On reading this remarkable account, President Roosevelt
                  wrote to Wells to say: 'An Experiment in Autobiography was for
                  me an experiment in staying awake instead of putting the light
                  out. How do you manage to retain such vivid pictures of events
                  and such extraordinarily clear impressions and judgements?'
                  These are indeed the conclusions of an extraordinary brain and
                  a remarkable individual.},
  pagetotal =    432,
  publisher =    {{Faber \& Faber, Limited}},
  date =         {2008-11-27},
  author =       {Wells, H. G.}
}

@article{oliphant_anti-marriage_1896,
  langid =       {english},
  title =        {The {{Anti}}-{{Marriage League}}},
  volume =       159,
  issn =         {1747-3551},
  url =
                  {http://search.proquest.com.ezproxy.cul.columbia.edu/docview/1294651835?pq-origsite=summon&},
  number =       963,
  journaltitle = {Blackwood's Edinburgh Magazine},
  urldate =      {2016-04-04},
  date =         {1896-01-01},
  pages =        135,
  keywords =     {Humanities (General)},
  author =       {Oliphant},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/6NBWQUHA/anti-marriage-league.pdf},
  annotation =   {Talks about Hardy's Jude the Obscure. Read the first part.}
}

@article{patterson_saving_2011,
  title =        {Saving {{England}}: {{Ann Veronica}}, {{Sexual Morality}} and
                  {{National Regeneration}}},
  volume =       34,
  issn =         {0263-1776},
  shorttitle =   {Saving {{England}}},
  journaltitle = {Wellsian: The Journal of the H. G. Wells Society},
  date =         {2011-01-01},
  pages =        23,
  author =       {Patterson, Anthony},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/44G6AKZU/articles.html}
}

@incollection{glicksberg_h._1973,
  langid =       {english},
  title =        {H. {{G}}. {{Wells}} and the {{New Sexual Morality}}},
  isbn =         {978-94-011-6802-1 978-94-011-6800-7},
  url =          {http://link.springer.com/chapter/10.1007/978-94-011-6800-7_3},
  abstract =     {Early twentieth century fiction owes two of its main
                  directions to Wells’ activity as a pamphleteer and a
                  novelist—the incursion of the theme of sex, and the deliberate
                  extension of the whole field of action of the novel. In A
                  Modern Utopia in 1905 he discussed Free Love and
                  Contraception—then called Neo-Malthusianism…. His novel Ann
                  Veronica in 1909 caused a scandal…. The book was banned by the
                  libraries, and preached against by earnest clergymen, and so
                  advertised into notoriety and influence.1},
  booktitle =    {The {{Sexual Revolution}} in {{Modern English Literature}}},
  publisher =    {{Springer Netherlands}},
  urldate =      {2016-04-04},
  date =         1973,
  pages =        {33-42},
  keywords =     {Language and Literature,Comparative Literature,Germanic
                  Languages},
  author =       {Glicksberg, Charles I.},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/PKJA9RBK/Glicksberg -
                  1973 - H. G. Wells and the New Sexual
                  Morality.pdf;/home/jon/Dokumentujo/Papers/zotero/storage/U99JFU2A/978-94-011-9548-5_3.html},
  doi =          {10.1007/978-94-011-6800-7_3},
  annotation =   {Awesome. Mostly celebrates Wells.}
}

@book{west_young_1989,
  location =     {{Bloomington}},
  title =        {The Young {{Rebecca}} : Writings of {{Rebecca West}}, 1911-17},
  isbn =         {978-0-253-23101-7},
  shorttitle =   {The Young {{Rebecca}}},
  publisher =    {{Indiana University Press}},
  year =         {[1989], c1982},
  author =       {West, Rebecca},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/U6AIEUHN/874292.html},
  annotation =   {Get from Butler}
}

@book{berman_all_1983,
  langid =       {english},
  title =        {All That Is {{Solid Melts Into Air}}: {{The Experience}} of
                  {{Modernity}}},
  isbn =         {978-0-86091-785-4},
  shorttitle =   {All That Is {{Solid Melts Into Air}}},
  abstract =     {This book develops the idea that Modernity's defining
                  characteristic is that of continual reassertion of
                  ambivalence. In light of this argument the author revisits
                  writers such as Goethe, Marx and Dostoevsky adding new
                  dimensions to them all as well as to our understanding of
                  Modernity.},
  pagetotal =    390,
  publisher =    {{Verso}},
  date =         1983,
  author =       {Berman, Marshall},
  annotation =   {Very broad. Not much useful here. ~}
}

@book{eksteins_rites_2000,
  langid =       {english},
  title =        {Rites of {{Spring}}: {{The Great War}} and the {{Birth}} of
                  the {{Modern Age}}},
  isbn =         {978-0-395-93758-7},
  shorttitle =   {Rites of {{Spring}}},
  abstract =     {Dazzling in its originality, witty and perceptive in
                  unearthing patterns of behavior that history has erased, RITES
                  OF SPRING probes the origins, the impact, and the aftermath of
                  World War I -- from the premiere of Stravinsky's ballet The
                  Rite of Spring in 1913 to the death of Hitler in 1945. "The
                  Great War," as Modris Eksteins writes, "was the psychological
                  turning point . . . for modernism as a whole. The urge to
                  create and the urge to destroy had changed places." In this
                  "bold and fertile book" (Atlantic Monthly), Eksteins goes on
                  to chart the seismic shifts in human consciousness brought
                  about by this great cataclysm through the lives and words of
                  ordinary people, works of literature, and such events as
                  Lindbergh's transatlantic flight and the publication of the
                  first modern bestseller, ALL QUIET ON THE WESTERN FRONT. RITES
                  OF SPRING is a remarkable and rare work, a cultural history
                  that redefines the way we look at our past and toward our
                  future.},
  pagetotal =    420,
  publisher =    {{Houghton Mifflin Harcourt}},
  date =         2000,
  keywords =     {History / Modern / 20th Century,History / Military / World War
                  I},
  author =       {Eksteins, Modris},
  annotation =   {A lot about the war(s).}
}

@book{osborne_politics_2011,
  langid =       {english},
  title =        {The {{Politics}} of {{Time}}: {{Modernity}} and
                  {{Avant}}-Garde},
  isbn =         {978-1-84467-673-6},
  shorttitle =   {The {{Politics}} of {{Time}}},
  abstract =     {If Aristotle sought to understand time through change, might
                  we not reverse the procedure and seek to understand change
                  through time? Once we do this, argues Peter Osborne, it soon
                  becomes clear that ideas such as avant-garde, modern,
                  postmodern and tradition—which are usually only treated as
                  markets for empirically discrete periods, movements or
                  styles—are best understood as categories of historical
                  totalization. More specifically, Osborne claims, such ideas
                  involve distinct "temporalizations" of history, giving rise to
                  conflicting politics of time. His book begins with a
                  consideration of the main aspects of modernity and develops
                  though a series of critical engagements with the major
                  twentieth-century positions in the philosophy of history. He
                  concludes with a fascinating history of the avant-garde
                  intervention into the temporality of everyday life in
                  surrealism, the situationists and the work of Henri Lefebvre.},
  pagetotal =    272,
  publisher =    {{Verso}},
  date =         2011,
  keywords =     {Philosophy / General,Philosophy / Social},
  author =       {Osborne, Peter}
}

@online{_politics_????,
  title = {The {{Politics}} of {{Time}}: {{Modernity}} and {{Avant}}-Garde - {{Peter Osborne}} - {{Google Books}}},
  url = {https://books.google.com/books?id=5tBNRQAACAAJ&dq=osborne+politics+of+time&sitesec=reviews},
  urldate = {2016-04-08},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/NADGH8AZ/books.html}
}

@book{gentile_struggle_2003,
  langid =       {english},
  title =        {The {{Struggle}} for {{Modernity}}: {{Nationalism}},
                  {{Futurism}}, and {{Fascism}}},
  isbn =         {978-0-275-97692-7},
  shorttitle =   {The {{Struggle}} for {{Modernity}}},
  abstract =     {During the 20th century, Italy experienced some regrettable
                  political developments. It was the first European nation after
                  World War I in which a mass militia-party of revolutionary
                  nationalism achieved power and abolished parliamentary
                  democracy with the goal of building a totalitarian state. It
                  was also the first in Europe to institutionalize the
                  sacralization of politics and to celebrate officially the cult
                  of the leader as a demi-God. These achievements were not
                  accidents. Since the beginning of the 20th century, Italian
                  nationalist movements, from the national radicalism of La Voce
                  to futurist nationalism and fascism, fostered one of the
                  strongest waves of European right-wing radicalism.The
                  confrontation between nationalism and modernity is one of the
                  main keys to understanding to the permutations of Italian
                  radical nationalism from modernist avant-gardes up to the
                  fascist regime. This book analyzes the ideological
                  undercurrents and cultural myths that unite all these
                  movements. Looking at Italian nationalism from its
                  risorgimento roots to the neo-fascist heritage, Gentile
                  considers the relationship between myth and organization in
                  the making of the fascist state, the role of the party, the
                  liturgy of mass politics in Italy, the fascist organizations
                  abroad, and the attitude of fascist culture toward the United
                  States.},
  pagetotal =    232,
  publisher =    {{Greenwood Publishing Group}},
  date =         2003,
  keywords =     {History / Europe / Italy,History / Military / World War
                  II,Political Science / History & Theory,Political Science /
                  Political Ideologies / Nationalism & Patriotism},
  author =       {Gentile, Emilio}
}

@book{antliff_avant-garde_2007,
  langid =       {english},
  title =        {Avant-{{Garde Fascism}}: {{The Mobilization}} of {{Myth}},
                  {{Art}}, and {{Culture}} in {{France}}, 1909–1939},
  isbn =         {978-0-8223-9047-3},
  shorttitle =   {Avant-{{Garde Fascism}}},
  abstract =     {Investigating the central role that theories of the visual
                  arts and creativity played in the development of fascism in
                  France, Mark Antliff examines the aesthetic dimension of
                  fascist myth-making within the history of the avant-garde.
                  Between 1909 and 1939, a surprising array of modernists were
                  implicated in this project, including such well-known figures
                  as the symbolist painter Maurice Denis, the architects Le
                  Corbusier and Auguste Perret, the sculptors Charles Despiau
                  and Aristide Maillol, the “New Vision” photographer Germaine
                  Krull, and the fauve Maurice Vlaminck.Antliff considers three
                  French fascists: Georges Valois, Philippe Lamour, and Thierry
                  Maulnier, demonstrating how they appropriated the avant-garde
                  aesthetics of cubism, futurism, surrealism, and the so-called
                  Retour à l’Ordre (“Return to Order”), and, in one instance,
                  even defined the “dynamism” of fascist ideology in terms of
                  Soviet filmmaker Sergei Eisenstein’s theory of montage. For
                  these fascists, modern art was the mythic harbinger of a
                  regenerative revolution that would overthrow existing
                  governmental institutions, inaugurate an anticapitalist new
                  order, and awaken the creative and artistic potential of the
                  fascist “new man.”In formulating the nexus of fascist
                  ideology, aesthetics, and violence, Valois, Lamour, and
                  Maulnier drew primarily on the writings of the French
                  political theorist Georges Sorel, whose concept of
                  revolutionary myth proved central to fascist theories of
                  cultural and national regeneration in France. Antliff analyzes
                  the impact of Sorel’s theory of myth on Valois, Lamour, and
                  Maulnier. Valois created the first fascist movement in France;
                  Lamour, a follower of Valois, established the short-lived
                  Parti Fasciste Révolutionnaire in 1928 before founding two
                  fascist-oriented journals; Maulnier forged a theory of fascism
                  under the auspices of the journals Combat and Insurgé.},
  pagetotal =    373,
  publisher =    {{Duke University Press}},
  date =         {2007-08-13},
  keywords =     {Art / History / Modern (late 19th Century to 1945),History /
                  Europe / France},
  author =       {Antliff, Mark}
}

@book{schork_greek_????,
  location =     {{Gainesville}},
  title =        {Greek and {{Hellenic}} Culture in {{Joyce}}},
  isbn =         {978-0-8130-1609-2},
  publisher =    {{University Press of Florida}},
  year =         {c1998},
  keywords =     {Knowledge,Joyce; James; 1882-1941,Appreciation,Greece,In
                  literature,English fiction,Greek literature,Philosophy;
                  Ancient; in literature,Mythology; Greek; in
                  literature,Hellenism in literature,Greek influences,Ireland},
  author =       {Schork, R. J.},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/RCTGJIIK/2170307.html},
  annotation =   {Not too many statistics but could be useful}
}

@book{norris_modernist_2008,
  langid =       {english},
  location =     {{Fergus, Ont.}},
  title =        {Modernist Myth Studies in {{H}}.{{D}}., {{D}}.{{H}}.
                  {{Lawrence}}, and {{Virginia Woolf}}},
  publisher =    {{Dreamridge Pub.}},
  date =         2008,
  author =       {Norris, Nanette},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/24XK7P2F/Norris.pdf},
  annotation =   {Very small press. Doesn't look great.}
}

@book{caird_language_1980,
  location =     {{London}},
  title =        {The Language and Imagery of the {{Bible}}},
  isbn =         {978-0-7156-1444-0},
  publisher =    {{Duckworth}},
  date =         1980,
  keywords =     {Bible,Language; style},
  author =       {Caird, G. B. (George Bradford)},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/82XCAQ5Z/73787.html},
  annotation =   {Available from Butler Norris quotes frequently from this.}
}

@book{abrams_glossary_2012,
  location =     {{Boston}},
  title =        {A {{Glossary}} of {{Literary Terms}}},
  publisher =    {{Wadsworth Cengage Learning}},
  date =         2012,
  author =       {Abrams, M.H.},
  file =         {/home/jon/Dokumentujo/Papers/Reference/Abrams_2012_A Glossary of
                  Literary Terms.pdf},
  annotation =   {Just a reference ~}
}

@book{bakhtinDialogicImaginationFour2010,
  langid =       {english},
  title =        {The {{Dialogic Imagination}}: {{Four Essays}}},
  isbn =         {978-0-292-78286-0},
  shorttitle =   {The {{Dialogic Imagination}}},
  abstract =     {These essays reveal Mikhail Bakhtin (1895-1975)—known in the
                  West largely through his studies of Rabelais and Dostoevsky—as
                  a philosopher of language, a cultural historian, and a major
                  theoretician of the novel. The Dialogic Imagination presents,
                  in superb English translation, four selections from Voprosy
                  literatury i estetiki (Problems of literature and esthetics),
                  published in Moscow in 1975. The volume also contains a
                  lengthy introduction to Bakhtin and his thought and a glossary
                  of terminology.Bakhtin uses the category \"novel\"
                  in a highly idiosyncratic way, claiming for it vastly larger
                  territory than has been traditionally accepted. For him, the
                  novel is not so much a genre as it is a force,
                  \"novelness,\" which he discusses in \"From the
                  Prehistory of Novelistic Discourse.\" Two essays,
                  \"Epic and Novel\" and \"Forms of Time and of
                  the Chronotope in the Novel,\" deal with literary history
                  in Bakhtin\&\#39;s own unorthodox way. In the final essay, he
                  discusses literature and language in general, which he sees as
                  stratified, constantly changing systems of subgenres,
                  dialects, and fragmented \"languages\" in battle
                  with one another.},
  pagetotal =    749,
  publisher =    {{University of Texas Press}},
  date =         {2010-03-01},
  keywords =     {Philosophy / General},
  author =       {Bakhtin, M. M.},
  annotation =   {Parsed ~}
}

@incollection{blanton_introduction_2012,
  location =     {{Oxford}},
  title =        {Introduction},
  booktitle =    {The {{Blackwell Companion}} to the {{Bible}} in {{English
                  Literature}}},
  publisher =    {{Wiley-Blackwell}},
  date =         2012,
  pages =        {603-616},
  author =       {Blanton, Ward},
  editor =       {Lemon, Rebecca and Mason, Emma and Roberts, Jonathan and
                  Rowland, Christopher}
}

@book{arnold_literature_1924,
  title =        {Literature {{And Dogma}}: {{An Essay}}},
  url =
                  {https://archive.org/stream/literatureanddog028325mbp#page/n12/mode/1up},
  publisher =    {{The Macmillan Company}},
  urldate =      {2016-04-10},
  date =         1924,
  author =       {Arnold, Matthew},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/269Q4IJV/literatureanddog028325mbp.html},
  annotation =   {Parsed ~}
}

@incollection{fiske_ritual_2013,
  location =     {{New York}},
  title =        {From {{Ritual}} to the {{Archaic}} in {{Modernism}}:
                  {{Frazer}}, {{Harrison}}, {{Freud}}, and the {{Persistence}}
                  of {{Myth}}},
  booktitle =    {A {{Handbook}} of {{Modernism Studies}}},
  publisher =    {{John Wiley \& Sons}},
  date =         2013,
  author =       {Fiske, Shanyn},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/6DF7AJWS/fiske.pdf},
  annotation =   {parsed ~}
}

@incollection{lewis_modernism_2011,
  langid =       {english},
  location =     {{Cambridge, UK}},
  title =        {Modernism and {{Religion}}},
  isbn =         {978-1-107-01063-5},
  abstract =     {This Companion has long been a standard introduction to the
                  field. Now fully updated and enhanced with four new chapters,
                  it addresses the key themes being researched, taught and
                  studied in modernism today. Its interdisciplinary approach is
                  central to its success as it brings together readings of the
                  many varieties of modernism. Chapters address the major
                  literary genres, the intellectual, religious and political
                  contexts, and parallel developments in film, painting and
                  music. The catastrophe of the First World War, the emergence
                  of feminism, the race for empire, the conflict among classes:
                  the essays show how these events and circumstances shaped
                  aesthetic and literary experiments. In doing so, they explain
                  clearly both the precise formal innovations in language,
                  image, scene and tone, and the broad historical conditions of
                  a movement that aspired to transform culture.},
  booktitle =    {The {{Cambridge Companion}} to {{Modernism}}},
  publisher =    {{Cambridge University Press}},
  date =         2011,
  keywords =     {Literary Criticism / General,Literary Criticism / European /
                  English; Irish; Scottish; Welsh,Language Arts & Disciplines /
                  Rhetoric},
  author =       {Lewis, Pericles},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/GNFWK57M/lewis-cambridge-companion.pdf}
}

@incollection{hobson_religion_2014,
  langid =       {english},
  title =        {Religion and {{Spirituality}}},
  isbn =         {978-1-316-12362-1},
  abstract =     {Modernism emerged alongside radical challenges to traditional
                  belief systems, the reorganization of public and private
                  spheres, new modes of visual display, and innovations in
                  recreation and entertainment. This interdisciplinary
                  collection focuses on the diverse inventions, products,
                  pastimes, and creative forms that responded to and inspired
                  American and European literature. This volume explores such
                  wide-ranging subjects as religion, dance, and publishing, thus
                  introducing readers to the diversity of modernist culture. The
                  Companion serves as a valuable resource for both those
                  undertaking the study of modernism for the first time and
                  those seeking to expand their knowledge of modernism's
                  cultural moment.},
  booktitle =    {The {{Cambridge Companion}} to {{Modernist Culture}}},
  publisher =    {{Cambridge University Press}},
  date =         {2014-10-27},
  pages =        {17-32},
  keywords =     {Literary Criticism / General,Literary Criticism / European /
                  English; Irish; Scottish; Welsh,Art / History / General},
  author =       {Hobson, Suzanne},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/FQ5FED2F/hobson-cambridge-culture.pdf}
}

@incollection{mcneille_modern_1984,
  title =        {Modern {{Fiction}}},
  volume =       4,
  booktitle =    {The {{Essays}} of {{Virginia Woolf}}},
  publisher =    {{The Hogarth Press}},
  date =         1984,
  editor =       {McNeille, Andrew},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/2XWRID3A/woolf-modern-fiction.pdf}
}

@book{pound_guide_1952,
  langid =       {english},
  title =        {Guide to {{Kulchur}}},
  isbn =         {978-0-8112-0156-8},
  abstract =     {First American edition published in 1938 under the title:
                  Culture.},
  pagetotal =    388,
  publisher =    {{New Directions Publishing}},
  date =         1952,
  keywords =     {Poetry / General,Literary Collections / Essays},
  author =       {Pound, Ezra}
}

@book{wellsOutlineHistory1920,
  location =     {{New York}},
  title =        {The {{Outline}} of {{History}}},
  publisher =    {{The Macmillan Company}},
  date =         1920,
  author =       {Wells, H.G.},
  file =
                  {/home/jon/Dokumentujo/Columbia/Wells/Outline+1.pdf;/home/jon/Dokumentujo/Columbia/Wells/Outline+2.pdf;/home/jon/Dokumentujo/Papers/Orals/Modernism/Wells_1921_The
                  Outline of History.pdf}
}

@book{chakrabarty_provincializing_????,
  title =        {Provincializing {{Europe}}: {{Postcolonial Thought}} and
                  {{Historical Difference}}},
  author =       {Chakrabarty, Dipesh},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/JQB32QPV/Chakrabarty_Provincializing_Europe.pdf}
}

@misc{williams_when_????,
  title =        {When {{Was Modernism}}?},
  author =       {Williams, Raymond}
}

@article{williams_when_1989,
  title =        {When Was Modernism?},
  volume =       175,
  url =
                  {http://ncadjarmstrong.com/core-year-1-media--film/williams_r_-_when_was_moder.pdf},
  number =       1,
  journaltitle = {New Left Review},
  urldate =      {2016-04-14},
  date =         1989,
  pages =        {48--53},
  author =       {Williams, Raymond},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/XSGAUC2N/williams.pdf},
  annotation =   {Mildly interesting}
}

@article{james_metamodernism_2014,
  title =        {Metamodernism: Narratives of Continuity and Revolution},
  volume =       129,
  url =          {http://www.mlajournals.org/doi/abs/10.1632/pmla.2014.129.1.87},
  shorttitle =   {Metamodernism},
  number =       1,
  journaltitle = {PMLA},
  urldate =      {2016-04-14},
  date =         2014,
  pages =        {87--100},
  author =       {James, David and Seshagiri, Urmila},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/XDNISUX7/Metamodernism
                  James Seshagiri.pdf},
  annotation =   {Parsed. Useful as pointer to other texts.}
}

@book{friedman_planetary_2015,
  location =     {{New York}},
  title =        {Planetary Modernisms : Provocations on Modernity across Time},
  isbn =         {978-0-231-17090-1},
  shorttitle =   {Planetary Modernisms},
  publisher =    {{Columbia University Press}},
  date =         2015,
  keywords =     {Modernism (Literature),Modernism (Aesthetics),Civilization;
                  Modern,Cosmopolitanism,Postcolonialism},
  author =       {Friedman, Susan Stanford},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/Q5EISSTP/11840821.html}
}

@incollection{rainey_ulysses_2005,
  langid =       {english},
  title =        {Ulysses, {{Order}}, and {{Myth}}},
  isbn =         {978-0-631-20448-0},
  abstract =     {"Modernism: An Anthology" is the most comprehensive anthology
                  of Anglo-American modernism ever to be published. The giants
                  of modernist literature - James Joyce, Gertrude Stein,
                  Virginia Woolf, T. S. Eliot, Ezra Pound, Wallace Stevens,
                  Marianne Moore, Samuel Beckett - are amply represented, along
                  with another 20 Anglo-American writers. In addition, the book
                  features a generous selection of texts by avant-garde thinkers
                  and writers from the Continent. These enable the reader to
                  trace modernism's interaction with the Futurists, the
                  Dadaists, the Surrealists, and the Frankfurt School. Supported
                  by helpful annotations and an extensive bibliography, this
                  "Anthology" allows readers to encounter anew the extraordinary
                  revolution in language that utterly transformed the aesthetics
                  of the modern world.},
  booktitle =    {Modernism: {{An Anthology}}},
  publisher =    {{John Wiley \& Sons}},
  date =         {2005-07-15},
  keywords =     {Literary Criticism / American / General,Language Arts &
                  Disciplines / Linguistics / General,Literary Criticism /
                  European / English; Irish; Scottish; Welsh,Literary Criticism
                  / Reference},
  author =       {Eliot, T.S.},
  editor =       {Rainey, Lawrence}
}

@book{rabate_ghosts_1996,
  location =     {{Gainesville, FL}},
  title =        {The Ghosts of Modernity},
  isbn =         {978-0-8130-1440-1},
  publisher =    {{University Press of Florida}},
  date =         1996,
  keywords =     {Modernism (Literature),Criticism},
  author =       {Rabaté, Jean-Michel},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/9JP6PGUA/catalog.html},
  annotation =   {Think I already parsed this.}
}

@book{nietzsche_use_2010,
  langid =       {english},
  title =        {The {{Use}} and {{Abuse}} of {{History}}},
  isbn =         {978-1-61640-390-4},
  abstract =     {He's one of the most controversial thinkers of the 19th
                  century: Nietzsche and his works have been by turns vilified,
                  lauded, and subjected to numerous contradictory
                  interpretations, and yet he remains a figure of profound
                  important, and his works a necessary component of a
                  well-rounded education.In this 1873 essay, Nietzsche discusses
                  the inevitably subjective lenses through which we see,
                  explore, examine, and lend meaning to the events and
                  characters of the past. As we find ourselves plunged into
                  times that feel of urgent and "historic" significance,
                  Nietzsche's reflections and speculations are newly
                  provocative, whether we agree with them or not.German
                  psychologist and philosopher FRIEDRICH WILHELM NIETZSCHE
                  (1844-1900) was appointed special professor of classical
                  philology at the University of Basel at the precocious age of
                  24, but soon found himself dissatisfied with academic life and
                  created an alternative intellectual society for himself among
                  friends including composer Richard Wagner, historian Jakob
                  Burckhardt, and theologian Franz Overbeck. Among his
                  philosophical works are Thus Spoke Zarathustra, Beyond Good
                  and Evil, and Ecce Homo.},
  pagetotal =    82,
  publisher =    {{Cosimo, Inc.}},
  date =         {2010-01-01},
  keywords =     {Philosophy / General},
  author =       {Nietzsche, Friedrich Wilhelm}
}

@online{eliot_tradition_1921,
  title = {Tradition and the {{Individual Talent}}.},
  url = {http://www.bartleby.com/200/sw4.html},
  urldate = {2016-04-14},
  date = {1921},
  author = {Eliot, T.S.},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/A5VKFM73/sw4.html}
}

@online{_tradition_????-1,
  title = {Tradition and the {{Individual Talent}}. {{T}}.{{S}}. {{Eliot}}. 1921. {{The Sacred Wood}}; {{Essays}} on {{Poetry}} and {{Criticism}}},
  url = {http://www.bartleby.com/200/sw4.html},
  urldate = {2016-04-14},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/T24PKRKJ/sw4.html}
}

@book{schwarz_reading_2005,
  location =     {{Malden, MA}},
  title =        {Reading the Modern {{British}} and {{Irish}} Novel, 1890-1930},
  isbn =         {978-0-631-22621-5},
  publisher =    {{Blackwell Pub}},
  date =         2005,
  keywords =     {Modernism (Literature),History and criticism,Great
                  Britain,English fiction},
  author =       {Schwarz, Daniel R.},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/72BSQ7MM/schwartz-reading.pdf;/home/jon/Dokumentujo/Papers/zotero/storage/8NP8QS83/catalog.html}
}

@book{unknown_sexual_1994,
  location =     {{New York}},
  title =        {Sexual Knowledge, Sexual Science : The History of Attitudes to
                  Sexuality},
  isbn =         {978-0-521-44434-7},
  shorttitle =   {Sexual Knowledge, Sexual Science},
  publisher =    {{Cambridge University Press}},
  date =         1994,
  keywords =     {History,Sexology,Sex customs},
  author =       {{unknown}},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/UZE4P2BH/catalog.html},
  annotation =   {Not too relevant.}
}

@book{kermode_modern_1990,
  langid =       {english},
  title =        {Modern {{Essays}}},
  isbn =         {978-0-00-686206-2},
  abstract =     {A collection of some of the author's best short pieces in
                  which he considers poets and dancers, obscenity and modernity
                  and such diverse figures as J.D. Salinger and Muriel Spark,
                  D.H. Lawrence and Samuel Beckett.},
  pagetotal =    352,
  publisher =    {{Fontana Press}},
  date =         {1990-09-13},
  author =       {Kermode, Frank}
}

@book{unknown_theory_????,
  location =     {{Baltimore, Md}},
  title =        {Theory of the Novel : A Historical Approach},
  isbn =         {978-0-8018-6397-4},
  shorttitle =   {Theory of the Novel},
  publisher =    {{Johns Hopkins University Press}},
  year =         {c2000},
  keywords =     {History and criticism,Technique,Fiction},
  author =       {{unknown}},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/SFXUFEXG/3183422.html}
}

@book{unknown_literary_1996,
  location =     {{New York}},
  title =        {Literary Criticism and Myth},
  isbn =         {978-0-8153-2258-0},
  publisher =    {{Garland Pub}},
  date =         1996,
  keywords =     {Criticism,Myth in literature},
  author =       {{unknown}},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/9CWH6DX6/1975976.html},
  annotation =   {Critical anthology. Contained a few interesting looking
                  articles}
}

@book{marcus_cambridge_2004,
  langid =       {english},
  title =        {The {{Cambridge History}} of {{Twentieth}}-{{Century English
                  Literature}}},
  isbn =         {978-0-521-82077-6},
  abstract =     {This new Cambridge History is the first major history of
                  twentieth-centuryEnglish literature to cover the full range of
                  writing in England, Scotland,Wales and Ireland. The volume
                  also explores the impact of writing from theformer colonies on
                  English literature of the period and analyses the waysin which
                  conventional literary genres were shaped and inflected by the
                  newcultural technologies of radio, cinema and television. This
                  newvolume is a major event for anyone concerned with
                  twentieth-centuryliterature, its cultural context and its
                  relation to the contemporary.},
  pagetotal =    908,
  publisher =    {{Cambridge University Press}},
  date =         2004,
  keywords =     {Literary Criticism / General,History and criticism,English
                  literature,Great Britain,Literary Criticism / European /
                  English; Irish; Scottish; Welsh,Intellectual life},
  author =       {Marcus, Laura and Nicholls, Peter},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/ZJHQR6PH/[Laura_Marcus,_Peter_Nicholls]_The_Cambridge_Histo(BookZZ.org).pdf;/home/jon/Dokumentujo/Papers/zotero/storage/A994GV6Q/5301540.html}
}

@book{eliot_selected_2014,
  langid =       {english},
  title =        {Selected {{Essays}}},
  isbn =         {978-0-547-54379-6},
  abstract =     {An expanded edition of the most significant works of criticism
                  from a Nobel laureate and one of the greatest minds of the
                  modern era.},
  pagetotal =    425,
  publisher =    {{Houghton Mifflin Harcourt}},
  date =         {2014-03-04},
  keywords =     {Literary Criticism / General,Literary Collections / European /
                  Eastern},
  author =       {Eliot, T. S.}
}

@book{brown_sightings:_2008,
  langid =       {english},
  title =        {Sightings: {{Selected Literary Essays}}},
  isbn =         {978-3-03911-412-2},
  shorttitle =   {Sightings},
  abstract =     {Keith Brown’s literary essays, published at intervals over the
                  course of a long career, are marked by their engaging flair
                  and independence from intellectual fashion. They often explore
                  aspects of the interaction of craftsmanship and ideas that are
                  unnoticed or ignored in the mainstream of critical debate.
                  However, the full potential of his approach only emerges when
                  these essays are taken together. A notable concern of Brown’s
                  critical method is to uncover the latent organising principles
                  - naturally as various as the author’s intentions - that lie
                  beneath the surface of any worthwhile extended literary work.
                  His ‘sightings’ reveal the actual contours of literary
                  landscapes seen dimly before.},
  pagetotal =    274,
  publisher =    {{Peter Lang}},
  date =         2008,
  keywords =     {Literary Criticism / European / English; Irish; Scottish;
                  Welsh},
  author =       {Brown, Keith and Tonning, Erik},
  annotation =   {Parsed. Doesn't look great. Relevant essay on Google Books. ~}
}

@book{eliot_selected_1999,
  location =     {{London}},
  title =        {Selected {{Essays}}},
  publisher =    {{Faber and Faber}},
  date =         1999,
  author =       {Eliot, T.S.},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/T3HRGM5V/eliot-essays.pdf}
}

@book{hulme_speculations_1936,
  location =     {{London}},
  title =        {Speculations},
  url =          {https://archive.org/details/speculations031991mbp},
  abstract =     {Learn how to read poems and poetry with the Learning Lab's
                  annotated poems, discussion questions, poetics essays and
                  teaching resources. Find new children's authors. Take a
                  literature themed tour of Chicago or Washington DC.},
  publisher =    {{Kegal Paul, Trench, Trubner \& Co.}},
  urldate =      {2016-04-17},
  date =         1936,
  author =       {Hulme, T.E.},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/HVBKANTZ/hulme-speculations.pdf}
}

@online{hulme_romanticism_1911,
  title = {Romanticism and {{Classicism}}},
  url = {http://www.poetryfoundation.org/learning/essay/238694},
  journaltitle = {Poetry Foundation},
  urldate = {2016-04-17},
  date = {1911},
  author = {Hulme, T.E.},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/TJGB86J4/238694.html}
}

@book{hulme_speculations:_2000,
  langid =       {english},
  location =     {{London}},
  title =        {Speculations: {{Essays}} on {{Humanism}} and the
                  {{Philosophy}} of {{Art}}},
  isbn =         {978-0-415-22560-1},
  shorttitle =   {Speculations},
  abstract =     {First published in 2000. Routledge is an imprint of Taylor \&
                  Francis, an informa company.},
  pagetotal =    304,
  publisher =    {{Routledge}},
  date =         2000,
  keywords =     {Philosophy / General},
  author =       {Hulme, T.E.}
}

@incollection{hulme_romanticism_1924,
  location =     {{London}},
  title =        {Romanticism and {{Classicism}}},
  url =
                  {http://gateway.proquest.com/openurl?ctx_ver=Z39.88-2003&xri:pqil:res_ver=0.2&res_id=xri:lion&rft_id=xri:lion:ft:pr:Z000729375:0},
  booktitle =    {Speculations},
  publisher =    {{Kegal Paul, Trench, Trubner \& Co.}},
  urldate =      {2016-04-17},
  date =         1924,
  author =       {Hulme, T.E.},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/CF9NT6FC/searchFulltext.html}
}

@book{eliot_essays_2014,
  langid =       {english},
  location =     {{New York}},
  title =        {Essays {{Ancient}} and {{Modern}}},
  isbn =         {978-0-544-35853-9},
  abstract =     {A collection of essays grappling with some of the most
                  significant topics of our time, Essays Ancient and Modern
                  reveals Eliot’s thoughts on his literary contemporaries and
                  predecessors, the role of religion in a secular society, and
                  the continuing tradition of the classics in modern education.
                  Astute and erudite, here we see the inner thoughts of one of
                  our greatest minds, articulated in some of his most eloquent
                  and direct prose.},
  pagetotal =    217,
  publisher =    {{Houghton Mifflin Harcourt}},
  date =         {2014-02-11},
  keywords =     {Literary Collections / Essays},
  author =       {Eliot, T. S.}
}

@book{fraser_sir_1990,
  langid =       {english},
  title =        {Sir {{James Frazer And The Literary Imagination}}: {{Essays In
                  Affinity And Influence}}},
  isbn =         {978-1-349-20920-0},
  shorttitle =   {Sir {{James Frazer And The Literary Imagination}}},
  pagetotal =    339,
  publisher =    {{Springer}},
  date =         {1990-08-31},
  keywords =     {Literary Criticism / General,Social Science / Anthropology /
                  Cultural,History / Social History,Social Science /
                  Anthropology / Cultural & Social,Literary Criticism / Modern /
                  19th Century,Literary Criticism / Modern / 20th Century,Social
                  Science / Ethnic Studies / General},
  author =       {Fraser, Robert G. and Pert, Carol}
}

@book{mills_virginia_2014,
  langid =       {english},
  title =        {Virginia {{Woolf}}, {{Jane Ellen Harrison}}, and the Spirit of
                  Modernist Classicism},
  isbn =         {978-0-8142-1252-3},
  date =         2014,
  author =       {Mills, Jean},
  annotation =   {Looks great. Not quoting from this directly, but might refer
                  to it.}
}

@book{hayot_literary_2012,
  title =        {On {{Literary Worlds}}},
  isbn =         {978-0-19-992669-5},
  url =
                  {http://www.oxfordscholarship.com/view/10.1093/acprof:oso/9780199926695.001.0001/acprof-9780199926695},
  publisher =    {{Oxford University Press}},
  urldate =      {2016-04-17},
  date =         {2012-11-05},
  author =       {Hayot, Eric}
}

@book{josipovici_what_2010,
  location =     {{New Haven, US}},
  title =        {What {{Ever Happened}} to {{Modernism}}?},
  isbn =         {978-0-300-16582-1},
  url =
                  {http://site.ebrary.com/lib/alltitles/docDetail.action?docID=10579395},
  publisher =    {{Yale University Press}},
  urldate =      {2016-04-17},
  date =         2010,
  keywords =     {Modernism (Literature)},
  author =       {Josipovici, Gabriel},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/7INQU9NG/detail.html},
  annotation =   {Downloaded acsm.}
}

@article{levin_what_1960-2,
  eprinttype =   {jstor},
  eprint =       25086557,
  title =        {What {{Was Modernism}}?},
  volume =       1,
  issn =         {0025-4878},
  number =       4,
  journaltitle = {The Massachusetts Review},
  shortjournal = {The Massachusetts Review},
  date =         1960,
  pages =        {609-630},
  author =       {Levin, Harry},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/FBBRB9E2/Levin - 1960
                  - What Was Modernism.pdf}
}

@collection{bradbury_modernism_1991,
  location = {{New York}},
  title = {Modernism, 1890-1930},
  isbn = {978-0-14-013832-0},
  publisher = {{Penguin Books}},
  date = {1991},
  keywords = {Modernism (Literature),History and criticism,Literature; Modern,Modernisme (cultuur),Modernisme (Littérature)},
  editor = {Bradbury, Malcolm and McFarlane, James},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/KEI8RSP3/2186417.html}
}

@book{josipovici_what_2010-1,
  location =     {{New Haven [Conn.]}},
  title =        {What Ever Happened to Modernism?},
  isbn =         {978-0-300-16577-7},
  publisher =    {{Yale University Press}},
  date =         2010,
  keywords =     {Modernism (Literature)},
  author =       {Josipovici, Gabriel},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/3KRQFZKH/8095324.html}
}

@article{friedman_definitional_2001,
  title =        {Definitional Excursions: The Meanings of
                  Modern/Modernity/Modernism},
  volume =       8,
  url =
                  {http://muse.jhu.edu/journals/modernism-modernity/v008/8.3friedman.html},
  shorttitle =   {Definitional Excursions},
  number =       3,
  journaltitle = {Modernism/modernity},
  urldate =      {2016-04-18},
  date =         2001,
  pages =        {493--513},
  author =       {Friedman, Susan Stanford},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/97739I8R/23422.html}
}

@book{frazer_golden_1998,
  langid =       {english},
  title =        {The {{Golden Bough}}: {{A Study}} in {{Magic}} and
                  {{Religion}}},
  isbn =         {978-0-19-160560-4},
  shorttitle =   {The {{Golden Bough}}},
  abstract =     {A classic study of the beliefs and institutions of mankind,
                  and the progress through magic and religion to scientific
                  thought, The Golden Bough has a unique status in modern
                  anthropology and literature. First published in 1890, The
                  Golden Bough was eventually issued in a twelve-volume edition
                  (1906-15) which was abridged in 1922 by the author and his
                  wife. That abridgement has never been reconsidered for a
                  modern audience. In it some of the more controversial passages
                  were dropped, including Frazer's daring speculations on the
                  Crucifixion of Christ. For the first time this one-volume
                  edition restores Frazer's bolder theories and sets them within
                  the framework of a valuable introduction and notes. A seminal
                  work of modern anthropolgy, The Golden Bough also influenced
                  many twentieth-century writers, including D H Lawrence, T S
                  Eliot, and Wyndham Lewis. Its discussion of magical types, the
                  sacrificial killing of kings, the dying god, and the scapegoat
                  is given fresh pertinence in this new edition. ABOUT THE
                  SERIES: For over 100 years Oxford World's Classics has made
                  available the widest range of literature from around the
                  globe. Each affordable volume reflects Oxford's commitment to
                  scholarship, providing the most accurate text plus a wealth of
                  other valuable features, including expert introductions by
                  leading authorities, helpful notes to clarify the text,
                  up-to-date bibliographies for further study, and much more.},
  pagetotal =    1670,
  publisher =    {{OUP Oxford}},
  date =         {1998-07-16},
  keywords =     {Literary Criticism / General,Fiction / Classics,Social Science
                  / Anthropology / General,Religion / General},
  author =       {Frazer, James George}
}

@article{moretti_conjectures_2000,
  title =        {Conjectures on {{World Literature}}},
  number =       1,
  journaltitle = {New Left Review},
  date =         {2000-01},
  author =       {Moretti, Franco},
  file =         {/home/jon/Dokumentujo/Columbia/Late/Moretti_Conjectures on World
                  Literature.pdf}
}

@article{stollman_grind_1971,
  title =        {'{{To Grind}} in the {{Mill}}. . . .': {{Milton}}'s
                  {{Etymology}}, {{Exegesis}} and {{Euphemism}}},
  volume =       29,
  issn =         {0037-3028},
  shorttitle =   {'{{To Grind}} in the {{Mill}}. . . .'},
  journaltitle = {Seventeenth-Century News},
  date =         {1971-01-01},
  pages =        {68-69},
  author =       {Stollman, Samuel S.},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/NDIW9KAK/articles.html}
}

@book{woolfSelectedEssays2008,
  langid =       {english},
  title =        {Selected {{Essays}}},
  isbn =         {978-0-19-154981-6},
  abstract =     {'A good essay must draw its curtain round us, but it must be a
                  curtain that shuts us in, not out.' According to Virginia
                  Woolf, the goal of the essay 'is simply that it should give
                  pleasure...It should lay us under a spell with its first word,
                  and we should only wake, refreshed, with its last.' One of the
                  best practitioners of the art she analysed so rewardingly,
                  Woolf displayed her essay-writing skills across a wide range
                  of subjects, with all the craftsmanship, substance, and rich
                  allure of her novels. This selection brings together thirty of
                  her best essays, including the famous 'Mr Bennett and Mrs
                  Brown', a clarion call for modern fiction. She discusses the
                  arts of writing and of reading, and the particular role and
                  reputation of women writers. She writes movingly about her
                  father and the art of biography, and of the London scene in
                  the early decades of the twentieth century. Overall, these
                  pieces are as indispensable to an understanding of this great
                  writer as they are enchanting in their own right.},
  pagetotal =    286,
  publisher =    {{OUP Oxford}},
  date =         {2008-02-14},
  keywords =     {Literary Criticism / General,Literary Collections / Essays},
  author =       {Woolf, Virginia},
  file =         {/home/jon/Zotero/storage/X3F99I6A/Selected-essays.epub}
}

@article{steadman_miltons_1962-1,
  title =        {Milton's {{Haemony}}: {{Etymology}} and {{Allegory}}},
  volume =       77,
  issn =         {0030-8129},
  shorttitle =   {Milton's {{Haemony}}},
  number =       3,
  journaltitle = {PMLA: Publications of the Modern Language Association of
                  America},
  date =         1962,
  pages =        200,
  author =       {Steadman, John M.}
}

@book{crawforth_etymology_2013,
  location =     {{New York}},
  title =        {Etymology and the Invention of {{English}} in Early Modern
                  Literature},
  isbn =         {978-1-107-04176-9},
  publisher =    {{Cambridge University Press}},
  date =         2013,
  keywords =     {History and criticism,English language,English
                  literature,Poetics,Spenser; Edmund; 1552-1599,Donne; John;
                  1572-1631,Milton; John; 1608-1674,Jonson; Ben;
                  1573-1637,Etymology},
  author =       {Crawforth, Hannah Jane},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/C3RN9FWW/CBO9781107300750A012.pdf;/home/jon/Dokumentujo/Papers/zotero/storage/NQ5CCJ8W/catalog.html},
  annotation =   {Parsed. Awesome.}
}

@book{milton_manuscript_1931,
  location =     {{Oxford}},
  title =        {The Manuscript of {{Milton}}'s {{Paradise}} Lost, Book {{I}}},
  publisher =    {{Clarendon press}},
  date =         1931,
  keywords =     {English language,Milton; John;
                  1608-1674,Etymology,Manuscripts; English},
  author =       {Milton, John}
}

@thesis{crawforth_politics_2009,
  title = {The Politics and Poetics of Etymology in Early Modern Literature},
  institution = {{ProQuest Dissertations Publishing}},
  date = {2009-01-01},
  author = {Crawforth, Hannah Jane},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/4SHPZXTX/articles.html}
}

@book{loewenstein_milton_2003,
  title =        {Milton: {{Paradise Lost}}},
  isbn =         {978-0-511-16410-1},
  url =
                  {http://site.ebrary.com/lib/alltitles/docDetail.action?docID=10120432},
  series =       {Landmarks of {{World Literature}}},
  publisher =    {{Cambridge University Press}},
  urldate =      {2016-04-24},
  date =         2003,
  keywords =     {Milton; John; -- 1608-1674. -- Paradise lost.,Epic poetry;
                  English -- History and criticism.,Fall of man in literature.},
  author =       {Loewenstein, David},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/AG6464MU/detail.html}
}

@article{vine_etymology_2006,
  title =        {Etymology, Names and the Search for Origins: {{Deriving}} the
                  Past in Early Modern {{England}}},
  volume =       21,
  issn =         {0268-117X},
  shorttitle =   {Etymology, Names and the Search for Origins},
  number =       1,
  journaltitle = {SEVENTEENTH CENTURY},
  date =         2006,
  pages =        {1-21},
  author =       {Vine, A.},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/BUDCM4CF/vine.pdf;/home/jon/Dokumentujo/Papers/zotero/storage/VZPHF4VF/articles.html}
}

@book{porter_reading_1993,
  langid =       {english},
  title =        {Reading the {{Classics}} and {{Paradise Lost}}},
  isbn =         {978-0-8032-3706-3},
  abstract =     {Milton?s early commentators?Henry Todd, Thomas Newton, Joseph
                  Addison, and others?not only knew their classics well, they
                  took them seriously as models of literary excellence and
                  repositories of values. In the twentieth century, however, the
                  classics have become mere ?background.? As a consequence,
                  William M. Porter argues, not only is the foundational
                  dimension of Milton?s poetry now hardly visible, even to
                  scholars, but the potential of Milton?s poetry to revitalize
                  the reading of the classics has been diminished. In this
                  insightful study, Porter attempts once again to read both the
                  classics and Milton?s epic poem sensitively and intelligently.
                  He exposes the recklessly speculative and tendentious
                  character of much earlier work on Milton?s allusions, in which
                  allusions were promiscuously posited and in which Paradise
                  Lost was too often regarded naively as triumphing over the
                  classics. Porter demonstrates that Milton?s allusions, in
                  which allusions to the classics, while fewer than has been
                  supposed, are rich with wit, irony, and thought that can be
                  grasped only by a reader with a double perspective.},
  pagetotal =    234,
  publisher =    {{U of Nebraska Press}},
  date =         1993,
  keywords =     {Literary Criticism / General,Poetry / European / English;
                  Irish; Scottish; Welsh},
  author =       {Porter, William Malin}
}

@book{fish_surprised_1998,
  langid =       {english},
  title =        {Surprised by {{Sin}}: {{The Reader}} in {{Paradise Lost}}},
  isbn =         {978-0-674-85747-6},
  shorttitle =   {Surprised by {{Sin}}},
  abstract =     {In 1967 the world of Milton studies was divided into two armed
                  camps: one proclaiming (in the tradition of Blake and Shelley)
                  that Milton was of the devil's party with or without knowing
                  it, the other proclaiming (in the tradition of Addison and C.
                  S. Lewis) that the poet's sympathies are obviously with God
                  and the angels loyal to him. The achievement of Stanley Fish's
                  Surprised by Sin was to reconcile the two camps by subsuming
                  their claims in a single overarching thesis: Paradise Lost is
                  a poem about how its readers came to be the way they are--that
                  is, fallen--and the poem's lesson is proven on a reader's
                  impulse every time he or she finds a devilish action
                  attractive or a godly action dismaying. Fish's argument
                  reshaped the face of Milton studies; thirty years later the
                  issues raised in Surprised by Sin continue to set the agenda
                  and drive debate.},
  pagetotal =    440,
  publisher =    {{Harvard University Press}},
  date =         1998,
  keywords =     {Literary Criticism / Poetry,Poetry / European / English;
                  Irish; Scottish; Welsh},
  author =       {Fish, Stanley Eugene},
  annotation =   {Parsed.}
}

@book{herman_destabilizing_2008,
  langid =       {english},
  title =        {Destabilizing {{Milton}}: "{{Paradise Lost}}" and the
                  {{Poetics}} of {{Incertitude}}},
  isbn =         {978-0-230-60242-7},
  shorttitle =   {Destabilizing {{Milton}}},
  abstract =     {Destabilizing Milton challenges the widely accepted view of
                  Milton as a poet of absolute, unquestioning certainty. In
                  Paradise Lost , Milton confronts the failure of the Revolution
                  by creating a poem that refuses to grant the reader any
                  interpretive stability or certainty. Doubts can no longer be
                  contained and concepts once marked by a 'fundamental
                  immobility' now seem unstable at best. Paradise Regained and
                  Samson Agonistes equally reflect Milton's deep ambivalences
                  after the collapse of the Republic. Far from confirming his
                  earlier ideals, in his later poetry, Milton subjects his
                  culture's most cherished beliefs, such as the goodness of God,
                  to withering scrutiny, while refusing the comfort of orthodox
                  answers.},
  pagetotal =    230,
  publisher =    {{Palgrave Macmillan US}},
  date =         {2008-04-14},
  keywords =     {Literary Criticism / General,Language Arts & Disciplines /
                  Linguistics / General,Literary Criticism / European / English;
                  Irish; Scottish; Welsh},
  author =       {Herman, Peter}
}

@incollection{hulme_langauge_1967,
  location =     {{New York}},
  title =        {Langauge and {{Style}} in {{Milton}}},
  booktitle =    {On the {{Language}} of {{Paradise Lost}}},
  publisher =    {{Frederick Unger}},
  date =         1967,
  author =       {Hulme, Hilda M.},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/6ZVSKPW4/articles.html},
  annotation =   {Parsed. ~}
}

@book{durocher_milton_1985,
  location =     {{Ithaca}},
  title =        {Milton and {{Ovid}}},
  isbn =         {978-0-8014-1812-9},
  publisher =    {{Cornell University Press}},
  date =         1985,
  keywords =     {Influence,Milton; John; 1608-1674,Ovid; 43 B.C.-17 A.D. or 18
                  A.D.,Metamorphosis in literature},
  author =       {DuRocher, Richard J.},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/JJS8K65N/catalog.html}
}

@book{harding_milton_1946,
  location =     {{Urbana}},
  title =        {Milton and the Renaissance {{Ovid}}},
  publisher =    {{University of Illinois Press}},
  date =         1946,
  keywords =     {Literature,Knowledge,Influence,Comparative Literature,Milton;
                  John; 1608-1674,Ovid; 43 B.C.-17 A.D. or 18 A.D.,English
                  poetry,Latin and English,English and Latin,Roman influences},
  author =       {Harding, Davis P. (Davis Philoon)}
}

@book{kilgour_milton_2012,
  location =     {{New York}},
  title =        {Milton and the {{Metamorphosis}} of {{Ovid}} [Electronic
                  Resource]},
  isbn =         {978-0-19-958943-2},
  publisher =    {{Oxford University Press}},
  date =         2012,
  keywords =     {Literature,Knowledge,Influence,Milton; John; 1608-1674,Ovid;
                  43 B.C.-17 A.D. or 18 A.D.},
  author =       {Kilgour, Maggie}
}

@book{corns_miltons_1990,
  location =     {{Cambridge, Mass., USA}},
  title =        {Milton's Language},
  isbn =         {978-0-631-15145-6},
  publisher =    {{B. Blackwell}},
  date =         1990,
  keywords =     {English language,Language,Milton; John; 1608-1674,Grammar},
  author =       {Corns, Thomas N.},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/3E7X2QS2/corn.pdf;/home/jon/Dokumentujo/Papers/zotero/storage/G8C7DGG7/catalog.html},
  annotation =   {Requested scan from NYPL. Scan this, p83-end of chapter.~
                  Amazing DH-style analysis of PL. Word frequencies, T/T ratios,
                  everything. Has an index of words discussed that could be very
                  useful.}
}

@book{broadbent_paradise_1972,
  langid =       {english},
  title =        {Paradise {{Lost}}: {{Introduction}}},
  isbn =         {978-0-521-09639-3},
  shorttitle =   {Paradise {{Lost}}},
  abstract =     {In this, the first introductory volume of the Cambridge Milton
                  for Schools and Colleges, Professor Broadbent, the general
                  editor of the series, presents background and introductory
                  material essential to students for a proper understanding of
                  Paradise Lost. Chapters on mythology, the epic, the writing,
                  publication and subsequent editing of PL and on Milton's
                  ideology and world-view, provide the background to the poem as
                  a whole. The second half of the book engages with the poetry
                  at a more detailed level and examines themes, structures,
                  allusion, language, syntax, rhetoric, similes, rhythm and
                  style, always showing the reader how he can best understand
                  and appreciate Milton's usage. Extensive quotation from PL and
                  other works by Milton and others helps to make all clear.},
  pagetotal =    196,
  publisher =    {{CUP Archive}},
  date =         {1972-03-09},
  keywords =     {Literary Criticism / General,Literary Criticism / European /
                  English; Irish; Scottish; Welsh},
  author =       {Broadbent, John},
  annotation =   {Recommended by Corns as a good stylistic intro. Get page 112}
}

@book{hale_miltons_1997,
  langid =       {english},
  title =        {Milton's {{Languages}}: {{The Impact}} of {{Multilingualism}}
                  on {{Style}}},
  isbn =         {978-0-521-58353-4},
  shorttitle =   {Milton's {{Languages}}},
  abstract =     {Milton's poetry is one of the glories of the English language,
                  and yet it owes everything to Milton's widespread knowledge of
                  other languages: he knew ten, wrote in four, and translated
                  from five. In Milton's Languages, John K. Hale first examines
                  Milton's language-related arts in verse-composition,
                  translations, annotations of Greek poets, Latin prose and
                  political polemic, giving all relevant texts in the original
                  and in translation. Hale then traces the impact of Milton's
                  multilingualism on his major English poems. Many vexed
                  questions of Milton studies are illuminated by this approach,
                  including his sense of vocation, his attitude to print and
                  publicity, the supposed blemish of Latinism in his poetry, and
                  his response to his literary predecessors. Throughout this
                  full-length study of Milton's use of languages, Hale argues
                  convincingly that it is only by understanding Milton's choice
                  among languages that we can grasp where Milton's own unique
                  English originated.},
  pagetotal =    263,
  publisher =    {{Cambridge University Press}},
  date =         {1997-08-28},
  keywords =     {Literary Criticism / General,Literary Criticism /
                  Poetry,Literary Criticism / European / English; Irish;
                  Scottish; Welsh},
  author =       {Hale, John K.},
  annotation =   {Yes yes yes. This is the book.}
}

@book{patterson_miltons_2009,
  location =     {{Oxford}},
  title =        {Milton's Words},
  isbn =         {978-0-19-957346-2},
  pagetotal =    212,
  publisher =    {{Oxford University Press}},
  date =         2009,
  keywords =     {Technique,Language,Milton; John},
  author =       {Patterson, Annabel M.},
  file =         {/home/jon/Dokumentujo/Columbia/Milton/patterson.pdf},
  annotation =   {Looks great. Scanned ~}
}

@collection{miner_paradise_2004,
  location = {{Lewisburg, PA}},
  title = {Paradise Lost, 1668-1968 : Three Centuries of Commentary},
  isbn = {978-0-8387-5577-8},
  shorttitle = {Paradise Lost, 1668-1968},
  publisher = {{Bucknell University Press}},
  date = {2004},
  keywords = {History and criticism,In literature,Milton; John; 1608-1674,Adam (Biblical figure),Eve (Biblical figure),Religious poetry; English,Epic poetry; English,Fall of man in literature},
  editor = {Miner, Earl and Moeck, William and Jablonski, Steven},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/V7FXWAMD/catalog.html},
  annotation = {Awesome book-by-book collection of lots of different writers.}
}

@book{milton_riverside_1998,
  langid =       {english},
  title =        {The {{Riverside Milton}}},
  isbn =         {978-0-395-80999-0},
  abstract =     {The first one-volume anthology of John Milton's complete
                  poetry and selected prose to be published in over 30 years,
                  The Riverside Milton reflects the highest quality and most
                  current scholarship. As editor of The Milton Quarterly for 30
                  years, Roy Flannagan is uniquely qualified to survey Milton's
                  work. Pedagogy includes a comprehensive index designed to help
                  students from undergraduate to graduate levels conceive paper
                  topics; factual introductions; extensive annotations with
                  references; margin definitions; and a chronology.},
  pagetotal =    1264,
  publisher =    {{Houghton Mifflin}},
  date =         1998,
  keywords =     {Literary Criticism / Poetry,Literary Collections / Essays},
  author =       {Milton, John}
}

@book{paterson_complete_1744,
  langid =       {english},
  title =        {A {{Complete Commentary}}, with {{Etymological}},
                  {{Explanatory}}, {{Critical}} and {{Classical Notes}} on
                  {{Milton}}'s {{Paradise Lost}}},
  pagetotal =    530,
  publisher =    {{R. Walker}},
  date =         1744,
  author =       {Paterson, James},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/H642AMWH/patterson.pdf},
  annotation =   {OMG Wow}
}

@book{hume_annotations_1695,
  location =     {{London}},
  title =        {Annotations on {{Milton}}'s {{Paradise}} Lost Wherein the
                  Texts of Sacred Writ, Relating to the Poem, Are Quoted, the
                  Parallel Places and Imitations of the Most Excellent {{Homer}}
                  and {{Virgil}}, Cited and Compared, ...},
  series =       {Early {{English Books}}, 1641-1700 / 358:10},
  publisher =    {{Jacob Tonson}},
  date =         1695,
  keywords =     {Milton,John,1608-1674.},
  author =       {Hume, Patrick},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/5T2MHIWV/hume.html},
  annotation =   {Written by Patrick Hume. Cf. Halkett \& Laing (2nd ed.).;
                  Reproduction of original in Bodleian Library.}
}

@article{leavis_miltons_1933,
  title =        {Milton's {{Verse}}},
  journaltitle = {Scrutiny},
  date =         {1933-09},
  pages =        {123-136},
  author =       {Leavis, F.R.},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/UNRAU2BJ/leavis.pdf}
}

@article{eliot_note_1936,
  langid =       {english},
  title =        {A {{Note}} on the {{Verse}} of {{John Milton}}},
  volume =       21,
  url =
                  {http://search.proquest.com.ezproxy.cul.columbia.edu/docview/1301098974?pq-origsite=summon},
  journaltitle = {Essays and Studies},
  urldate =      {2016-04-25},
  date =         {1936-01-01},
  pages =        32,
  author =       {Eliot, T. S.},
  annotation =   {Parsed.}
}

@book{milton_fuller_1935,
  location =     {{New York}},
  title =        {A Fuller Institution of the {{Art}} of {{Logic}}, Arranged
                  after the Method of {{Peter Ramus}}},
  volume =       11,
  series =       {The Works of {{John Milton}}},
  publisher =    {{Columbia University Press}},
  date =         1935,
  author =       {Milton, John},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/5T7937J5/392048.html},
  annotation =   {Parsed.}
}

@inreference{_babel_2011,
  langid = {british},
  title = {Babel, n.},
  url = {http://www.oed.com/view/Entry/14210},
  booktitle = {{{OED Online}}},
  publisher = {{Oxford University Press}},
  urldate = {2016-04-25},
  date = {2011},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/S27RPWVU/14210.html}
}

@book{ricks_miltons_1963,
  location =     {{Oxford}},
  title =        {Milton's Grand Style},
  publisher =    {{Clarendon Press}},
  date =         1963,
  keywords =     {Milton; John; 1608-1674},
  author =       {Ricks, Christopher},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/8K94UPQI/catalog.html}
}

@incollection{thorpe_spectator_1966,
  location =     {{New York}},
  title =        {Spectator {{Papers}}},
  booktitle =    {Milton Criticism; Selections from Four Centuries},
  publisher =    {{Octagon Books}},
  date =         1966,
  keywords =     {Criticism and interpretation,Milton; John; 1608-1674},
  author =       {Addison, Joseph},
  editor =       {Thorpe, James},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/ZP5A5UT4/catalog.html}
}

@book{cockeram_english_1642,
  title =        {The {{English}} Dictionarie, or, {{An}} Interpreter of Hard
                  {{English}} Words Enabling as Well Ladies and Gentlewomen,
                  Young Schollers, Clerkes, Merchants, as Also Strangers of Any
                  Nation, to the Understanding of the More Difficult Authors
                  Already Printed in Our Language : And the More Speedie
                  Attaining of an Elegant Perfection of the {{English}} Tongue
                  Both in Reading, Speaking, and Writing / by {{H}}.{{C}}.},
  shorttitle =   {The {{English}} Dictionarie, or, {{An}} Interpreter of Hard
                  {{English}} Words Enabling as Well Ladies and Gentlewomen,
                  Young Schollers, Clerkes, Merchants, as Also Strangers of Any
                  Nation, to the Understanding of the More Difficult Authors
                  Already Printed in Our Language},
  series =       {Early {{English Books}}, 1641-1700 / 1457:22},
  publisher =    {{London : Printed by G.M. for T.W. and are to be sold by
                  Andrew Crooke ..., 1642.}},
  date =         1642,
  keywords =     {English language -- Dictionaries -- Early works to
                  1700.,English language -- Synonyms and antonyms -- Early works
                  to 1800.},
  author =       {Cockeram,