text:
@article{piper_novel_????,
  title =        {Novel {{Devotions}}: {{Conversional Reading}}, {{Computational
                  Modeling}}, and the {{Modern Novel}}},
  url =
                  {http://piperlab.mcgill.ca/pdfs/Piper_NovelConversions_Preprint.pdf},
  shorttitle =   {Novel {{Devotions}}},
  urldate =      {2015-06-01},
  keywords =     {digital humanities,text analysis},
  author =       {Piper, Andrew},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/QCW3CRED/Piper_NovelConversions_Preprint.pdf}
}

@online{charles_reid_using_????,
  title = {Using {{Python}} to {{Crack}} the {{Etymology}} of {{Dubliners}} - {{CMR Octopress}} @charlesreid1},
  url = {http://charlesreid1.github.io/blog/2015/01/17/using-python-to-crack-the-etymology-of-dubliners/},
  urldate = {2015-06-01},
  keywords = {python,Joyce,etymology},
  author = {{Charles Reid}},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/2AXHNUM3/using-python-to-crack-the-etymology-of-dubliners.html}
}

@book{gottschall_literature_2008,
  langid =       {english},
  title =        {Literature, {{Science}}, and a {{New Humanities}}},
  isbn =         {978-0-230-61559-5},
  abstract =     {Literary studies are at a tipping point. ." There is broad
                  agreement that the discipline is in "crisis" - that it is
                  aimless, that its intellectual energy is spent, that all of
                  the trends are bad, and that fundamental change will be
                  required to set things right. But there is little agreement on
                  what those changes should be, and no one can predict which way
                  things will ultimately tip. Literature, Science, and a New
                  Humanities represents a bold new response to the crisis in
                  academic literary studies. This book presents a total
                  challenge to dominant paradigms of literary analysis and
                  offers a sweeping critique of those paradigms, and sketches
                  outlines of a new paradigm inspired by scientific theories,
                  methods, and attitudes.},
  pagetotal =    234,
  publisher =    {{Palgrave Macmillan}},
  date =         {2008-09-30},
  keywords =     {Education / Teaching Methods & Materials / Reading &
                  Phonics,Literary Criticism / General,Literary Criticism /
                  Semiotics & Theory,Literary Criticism / Subjects & Themes /
                  General,Science / Research & Methodology},
  author =       {Gottschall, Jonathan}
}

@article{taboada_rhetorical_2006-1,
  title =        {Rhetorical {{Structure Theory}}: Looking Back and Moving
                  Ahead},
  volume =       8,
  doi =          {10.1177/1461445606061881},
  abstract =     {Rhetorical Structure Theory has enjoyed continuous attention
                  since its origins in the 1980s. It has been applied, compared
                  to other approaches, and also criticized in a number of areas
                  in discourse analysis, theoretical linguistics,
                  psycholinguistics, and computational linguistics. In this
                  article, we review some of the discussions about the theory
                  itself, especially addressing issues of the reliability of
                  analyses and psychological validity, together with a
                  discussion of the nature of text relations. We also propose
                  areas for further research. A follow-up article (Taboada and
                  Mann, forthcoming) will discuss applications of the theory in
                  various fields.},
  number =       3,
  journaltitle = {Discourse Studies},
  date =         2006,
  pages =        {423-459},
  keywords =     {rhetorical structure theory},
  author =       {Taboada, Maite and Mann, William},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/UN73IFDM/Taboada_Mann_RST_Part1.pdf}
}

@online{_blog_????,
  title = {Blog: {{Database}} of {{Fairy Tales}} in {{TV}}},
  url = {http://fairytales.byu.edu/},
  urldate = {2015-06-16},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/S8WBUVPW/fairytales.byu.edu.html}
}

@online{rudy_at_????,
  title = {At the {{Crossroads}} of {{Data}} and {{Wonder}}: {{Algorithmic Visualizations}} of {{Fairy}}-{{Tales}} on {{Television}}},
  url = {http://fttv.byu.edu/#home},
  urldate = {2015-06-16},
  author = {Rudy, Jill Terry},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/W5FMD7J4/fttv.byu.edu.html}
}

@online{ted_underwood_seven_????,
  title = {Seven Ways Humanists Are Using Computers to Understand Text.},
  url = {http://tedunderwood.com/2015/06/04/seven-ways-humanists-are-using-computers-to-understand-text/},
  abstract = {[This is an updated version of a blog post I wrote three years ago, which organized introductory resources for a workshop. Getting ready for another workshop this summer, I glanced back at the old ...},
  journaltitle = {The Stone and the Shell},
  urldate = {2015-06-06},
  keywords = {digital humanities,text analysis},
  author = {{Ted Underwood}},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/24DJPDDB/tedunderwood - Seven ways humanists are using computers to unders.html}
}

@book{jackson_determining_2014,
  langid =       {english},
  location =     {{Oxford}},
  title =        {Determining the {{Shakespeare}} Canon: {{Arden}} of
                  {{Faversham}} and a {{Lover}}'s {{Complaint}}},
  edition =      {1. ed},
  isbn =         {978-0-19-870441-6 978-0-19-870441-6},
  shorttitle =   {Determining the {{Shakespeare}} Canon},
  pagetotal =    272,
  publisher =    {{Oxford Univ. Press}},
  date =         2014,
  keywords =     {Autorschaft,Shakespeare,Shakespeare; William,Shakespeare;
                  William; 1564-1616 Arden of Faversham,Shakespeare; William;
                  1564-1616 Criticism and interpretation,Shakespeare; William;
                  1564-1616 Lover's complaint,The @tragedy of Mr. Arden of
                  Feversham},
  author =       {Jackson, MacDonald P.},
  editora =      {Shakespeare, William},
  editoratype =  {collaborator},
  annotation =   {Bibliography and index (S. [252] - 272)}
}

@online{dahn_development_2015,
  title = {Development of a ({{Semi}}-) {{Automatic Character Network Tool}}},
  url = {http://novel-tm.ca/?p=472},
  abstract = {This is the third post in the series of .txtLAB intern projects. It is authored by Tristan Dahn. The concept of social network analysis – initially rooted in classical sociology and more recently i...},
  journaltitle = {NovelTM},
  urldate = {2015-06-17},
  date = {2015-06-15},
  keywords = {Shakespeare},
  author = {Dahn, Tristan},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/AH3W3ZPV/Development of a (Semi-) Automatic Character Netwo.html}
}

@misc{allison_literary_????,
  title =        {Literary {{Lab Pamphlet}} 1: {{Quantitative Formalism}}: An
                  {{Experiment}}},
  author =       {Allison, S. and Jockers, Matthew and Moretti, Franco and
                  Heuser, Ryan},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/QF3NARA4/LiteraryLabPamphlet1.pdf}
}

@online{_hathitrust_????,
  title = {{{HathiTrust Resource Center Workset Browser}} // {{Days}} in the {{Life}} of a {{Librarian}} // {{Blog Network}} // {{University}} of {{Notre Dame}}},
  url = {http://blogs.nd.edu/emorgan/2015/05/htrc-workset-browser/},
  urldate = {2015-06-16},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/MVGKR2AE/htrc-workset-browser.html}
}

@misc{_mapping_????,
  title =        {Mapping {{Metaphor}} with the {{Historical Thesaurus}}},
  url =          {http://mappingmetaphor.arts.gla.ac.uk/},
  shorttitle =   {Mapping {{Metaphor}}},
  publisher =    {{University of Glasgow School of Critical Studies}},
  urldate =      {2015-06-30}
}

@book{nicholls_modernisms:_2008,
  langid =       {english},
  title =        {Modernisms: {{A Literary Guide}}, {{Second Edition}}},
  isbn =         {978-1-137-11492-1},
  shorttitle =   {Modernisms},
  abstract =     {Peter Nicholls provides original analytic accounts of the main
                  Modernist movements. Close readings of key texts monitor the
                  histories of Futurism, Expressionism, Cubism, Dadaism and
                  Surrealism. This expanded and updated new edition includes a
                  new chapter on African-American Modernisms.},
  pagetotal =    421,
  publisher =    {{Palgrave Macmillan}},
  date =         {2008-11-18},
  keywords =     {Literary Criticism / General,Literary Collections / General},
  author =       {Nicholls, Peter}
}

@book{childs_modernism_2008,
  location =     {{London ; New York}},
  title =        {Modernism},
  edition =      {2nd ed},
  isbn =         {0-415-41544-6 0-415-41546-2 0-203-93378-8 978-0-415-41544-6
                  978-0-415-41546-0 978-0-203-93378-7},
  abstract =     {This work provides an authoritative analysis of the most
                  important literary innovations of the last 100 years, which
                  explains the pan-European origins of the radical literary
                  changes which occurred in the novel, poetry and drama},
  pagetotal =    236,
  series =       {The New Critical Idiom},
  publisher =    {{Routledge}},
  date =         2008,
  keywords =     {19th century,20th century,Arts; Modern,Modernism (Art)},
  author =       {Childs, Peter},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/A32UFD6C/modernism.pdf},
  annotation =   {Introduction. Answering the question : what is modernism? --
                  Plunging in -- Words, words, words : modern, modernism,
                  modernity -- Periods, genres, models -- International
                  anglophone modernisms -- Interpreting and changing. Marx --
                  Darwin -- Freud -- Nietzsche -- Saussure -- Einstein --
                  Genres, art and film. Novel -- Short story -- Poetry -- Drama
                  --Art movements -- Film -- Texts, contexts, intertexts. 'The
                  struggle of becoming' : freedom and gender -- 'It seems to me
                  I am trying to tell you a dream ': epistemology and narration
                  -- 'These fragments I have shored against my ruins' : identity
                  and war -- 'Who's passing for who?' : sexual and racial
                  divisions -- 'History is a nightmare' : symbolism and
                  language}
}

@online{smith_john_????,
  title = {John {{B}}. {{Smith Archive}}},
  url = {https://era.library.ualberta.ca/public/view/item/uuid:7a385f26-6387-4f4e-9ba6-152044731c04/},
  urldate = {2015-06-17},
  keywords = {Joyce,Portrait},
  author = {Smith, John B.},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/ZPGGP59H/uuid7a385f26-6387-4f4e-9ba6-152044731c04.html}
}

@misc{cox_text_2015,
  title =        {Text and {{Data Mining}} and {{Fair Use}} in the {{United
                  States}}},
  url =          {http://www.arl.org/storage/documents/TDM-5JUNE2015.pdf},
  publisher =    {{Association of Research Libraries}},
  urldate =      {2015-07-14},
  date =         {2015-06-05},
  keywords =     {text analysis,copyright,data mining,fair use,text mining},
  author =       {Cox, Krista},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/4QSCZVWV/TDM-5JUNE2015.pdf}
}

@article{hoover_testing_2004,
  langid =       {english},
  title =        {Testing {{Burrows}}'s {{Delta}}},
  volume =       19,
  issn =         {0268-1145, 1477-4615},
  url =
                  {http://llc.oxfordjournals.org.ezproxy.cul.columbia.edu/content/19/4/453},
  doi =          {10.1093/llc/19.4.453},
  number =       4,
  journaltitle = {Literary and Linguistic Computing},
  shortjournal = {Lit Linguist Computing},
  urldate =      {2015-06-06},
  date =         {2004-01-11},
  pages =        {453-475},
  keywords =     {digital humanities,text analysis,Hoover class},
  author =       {Hoover, David L.},
}

@article{craig_bronte_2006,
  title =        {The {{Bronte Sisters}} and the {{Christian Remembrancer}} :
                  {{A Pilot Study}} in the {{Use}} of the "{{Burrows Method}}"
                  to {{Identify}} the {{Authorship}} of {{Unsigned Articles}} in
                  the {{Nineteenth}}-{{Century Periodical Press}}},
  volume =       39,
  issn =         {1712-526X},
  url =
                  {https://muse-jhu-edu.ezproxy.cul.columbia.edu/journals/victorian_periodicals_review/v039/39.1jordan.html},
  shorttitle =   {The {{Bronte Sisters}} and the {{Christian Remembrancer}}},
  number =       1,
  journaltitle = {Victorian Periodicals Review},
  urldate =      {2015-06-06},
  date =         2006,
  pages =        {21-45},
  keywords =     {digital humanities,text analysis,Hoover class},
  author =       {Craig, Hugh and Antonia, Alexis and Jordan, Ellen},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/IS7KKSR5/Craig et al.
                  - 2006 - The Bronte Sisters and the Christian Remembrancer
                  .pdf;/home/jon/Dokumentujo/Papers/zotero/storage/8X4QMQ5I/Craig et
                  al. - 2006 - The Bronte Sisters and the Christian Remembrancer
                  .html},
  note =         {{$<$}p{$>$}Volume 39, Number 1, Spring 2006{$<$}/p{$>$}}
}

@article{allison_quantitative_2011,
  title =        {Quantitative {{Formalism}}: An {{Experiment}}},
  volume =       1,
  abstract =     {This paper is the report of a study conducted by five people
                  four at Stanford, and one at the University of Wisconsin which
                  tried to establish whether computer-generated algorithms could
                  recognize literary genres. You take , run it through a program
                  without any human input unsupervised, as the expression goes
                  and ... can the program figure out whether its a gothic novel
                  or a The answer is, fundamentally, Yes: but a Yes with so many
                  complications that it is necessary to look at the entire
                  process of our study. These are new methods we are using, and
                  with new methods the process is almost as important as the
                  results.},
  journaltitle = {Pamphlets of the Stanford Literary Lab},
  date =         2011,
  pages =        {1--5},
  author =       {Allison, Sarah and Heuser, Ryan and Jockers, Matthew and
                  Moretti, Franco and Witmore, Michael},
  file =         {/home/jon/Dokumentujo/Papers/James Joyce/Portrait of the Artist as
                  a Young Man/Allison et al_2011_Quantitative Formalism.pdf},
  annotation =   {MFW and PCA analyses of genre}
}

@incollection{attridge_suck_2000,
  location =     {{Cambridge, UK}},
  title =        {"{{Suck Was}} a {{Queer Word}}": {{Language}}, {{Sex}}, and
                  the {{Remainer}} in {{A Portrait}} of the {{Artist}} as a
                  {{Young Man}}},
  isbn =         {978-0-511-01716-2},
  booktitle =    {Joyce {{Effects}}},
  publisher =    {{Cambridge University Press,}},
  date =         2000,
  pages =        {59--77},
  keywords =     {Anglo-Saxon},
  author =       {Attridge, Derek},
  file =         {/home/jon/Dokumentujo/Papers/James Joyce/Portrait of the Artist as
                  a Young Man/Attridge_2000_Suck Was a Queer Word.pdf},
  annotation =   {Super relevant.}
}

@article{august_father_1967,
  eprinttype =   {jstor},
  eprint =       25486646,
  title =        {Father {{Arnall}}'s {{Use}} of {{Scripture}} in "{{A
                  Portrait}}"},
  volume =       4,
  number =       4,
  journaltitle = {James Joyce Quarterly},
  date =         1967,
  pages =        {275 -- 279},
  keywords =     {sermon},
  author =       {August, Eugene R.},
  file =         {/home/jon/Dokumentujo/Papers/James Joyce/Portrait of the Artist as
                  a Young Man/August_1967_Father Arnall's Use of Scripture in A
                  Portrait.pdf},
  annotation =   {Father Arnall makes a number of mistakes in his quoting of
                  scripture that ironically highlight his uncaring or
                  incompetent scholarship.}
}

@book{bolt_preface_1981,
  location =     {{London}},
  title =        {A {{Preface}} to {{James Joyce}}},
  edition =      {Second Edi},
  publisher =    {{Longman}},
  date =         1981,
  author =       {Bolt, Sidney},
  file =         {/home/jon/Dokumentujo/Papers/James Joyce/Portrait of the Artist as
                  a Young Man/Bolt_1981_A Preface to James Joyce.pdf},
  annotation =   {Very useful discussion of symbolism, language, structure,
                  color.}
}

@article{boyd_james_1960,
  eprinttype =   {jstor},
  eprint =       3040222,
  title =        {James {{Joyce}}'s {{Hell}}-{{Fire Sermons}}},
  volume =       75,
  number =       7,
  journaltitle = {Modern Language Notes},
  date =         1960,
  pages =        {561--571},
  keywords =     {sermon},
  author =       {Boyd, Elizabeth},
  file =         {/home/jon/Dokumentujo/Papers/James Joyce/Portrait of the Artist as
                  a Young Man/Boyd_1960_James Joyce's Hell-Fire Sermons.pdf},
  annotation =   {Comparison of Arnall's sermon and Pinamonti}
}

@incollection{brian_very_1998,
  location =     {{Lexington, KY}},
  title =        {"{{A Very Fine Piece}} of {{Writing}}": {{An Etymological}},
                  {{Dantean}}, and {{Gnostic Reading}} of {{Joyce}}'s "{{Ivy
                  Day}} in the {{Committee Room}}"},
  booktitle =    {{{ReJoycing}}: {{New Readings}} of {{Dubliners}}},
  publisher =    {{University Press of Kentucky}},
  date =         1998,
  pages =        {206--227},
  author =       {Brian, Michael},
  file =         {/home/jon/Dokumentujo/Papers/James Joyce/Portrait of the Artist as
                  a Young Man/Brian_1998_A Very Fine Piece of Writing.pdf}
}

@book{burgess_here_1987,
  location =     {{New York}},
  title =        {Here {{Comes Everybody}}},
  publisher =    {{Random House}},
  date =         1987,
  author =       {Burgess, Anthony},
  file =         {/home/jon/Dokumentujo/Papers/James Joyce/Portrait of the Artist as
                  a Young Man/Burgess_1987_Here Comes Everybody.pdf}
}

@book{burgess_joysprick:_1973,
  location =     {{New York}},
  title =        {Joysprick: {{An Introduction}} to the {{Language}} of {{James
                  Joyce}}},
  isbn =         {0-15-646561-2},
  publisher =    {{Harcourt Brace Jovanovich}},
  date =         1973,
  keywords =     {language},
  author =       {Burgess, Anthony},
  file =         {/home/jon/Dokumentujo/Papers/James Joyce/Portrait of the Artist as
                  a Young Man/Burgess_1973_Joysprick.pdf}
}

@article{cabrera_translators_2012,
  title =        {The {{Translator}}’s {{Net}}: {{The World}} as {{Word}} in {{A
                  Portrait}} of the {{Artist}} as a {{Young Man}}},
  volume =       2,
  number =       2,
  journaltitle = {Word and Text, A Journal of Literary Studies and Linguistics},
  date =         2012,
  pages =        {98--109},
  keywords =     {language,assured for a long,criticism,critics busy
                  for,ever-expanding world of joyce,james joyce,language has
                  doubtless kept,nearly a century,of the manifold and,on the
                  different fronts,politics,s immortality has been,s
                  self-declared obsession with,time now,translation,whereas the
                  writer},
  author =       {Cabrera, M. Teresa},
  file =         {/home/jon/Dokumentujo/Papers/James Joyce/Portrait of the Artist as
                  a Young Man/Cabrera_2012_The Translator’s Net.pdf}
}

@article{carriker_neologisms_1995,
  title =        {Neologisms and {{Hypograms}} in the {{Language}} of {{Stephen
                  Dedalus}}: {{A Riffaterrean Reading}} of {{Portrait}}},
  volume =       7,
  number =       2,
  journaltitle = {Notes on Modern Irish Literature},
  date =         1995,
  pages =        {10--15},
  author =       {Carriker, Kitti},
  file =         {/home/jon/Dokumentujo/Papers/James Joyce/Portrait of the Artist as
                  a Young Man/Carriker_1995_Neologisms and Hypograms in the
                  Language of Stephen Dedalus.pdf}
}

@incollection{church_portrait_1976,
  location =     {{Pittsburgh}},
  title =        {A {{Portrait}} and {{Giambattista Vico}}: {{A Source Study}}},
  booktitle =    {Approaches to {{Joyce}}'s {{Portrait}}: {{Ten Essays}}},
  publisher =    {{University of Pittsburgh Press}},
  date =         1976,
  pages =        {77--89},
  keywords =     {structure},
  author =       {Church, Margaret},
  file =         {/home/jon/Dokumentujo/Papers/James Joyce/Portrait of the Artist as
                  a Young Man/Church_1976_A Portrait and Giambattista Vico.pdf}
}

@article{connolly_kinesis_1966,
  title =        {Kinesis and {{Stasis}}: {{Structural Rhythm}} in {{Joyce}}'s
                  {{Portrait}}},
  volume =       3,
  number =       10,
  journaltitle = {University Review},
  date =         1966,
  pages =        {21--30},
  keywords =     {structure},
  author =       {Connolly, Thomas E},
  file =         {/home/jon/Dokumentujo/Papers/James Joyce/Portrait of the Artist as
                  a Young Man/Connolly_1966_Kinesis and Stasis.pdf}
}

@article{curran_bous_1969,
  eprinttype =   {jstor},
  eprint =
                  {25486759?Search=yes&resultItemClick=true&searchText=curran&searchText=joyce&searchText=bous&searchUri=/action/doBasicSearch?Query=curran+joyce+bous&prq=joyce+portmanteau&group=none&fc%3},
  title =        {"{{Bous Stephanoumenos}}": {{Joyce}}'s {{Sacred Cow}}},
  volume =       6,
  number =       2,
  journaltitle = {James Joyce Quarterly},
  date =         1969,
  pages =        {163--170},
  author =       {Curran, Stuart},
  file =         {/home/jon/Dokumentujo/Papers/James Joyce/Portrait of the Artist as
                  a Young Man/Curran_1969_Bous Stephanoumenos.pdf},
  annotation =   {Stephen as sacrifice and king.}
}

@book{deming_james_1970,
  location =     {{New York}},
  title =        {James {{Joyce}}, the {{Critical Heritage}}},
  pagetotal =    {81–91},
  publisher =    {{Barnes \& Noble}},
  date =         1970,
  author =       {Deming, Robert},
  file =         {/home/jon/Dokumentujo/Papers/James Joyce/Portrait of the Artist as
                  a Young Man/Deming_1970_James Joyce, the Critical
                  Heritage.pdf}
}

@incollection{eco_joyce_1992,
  location =     {{Philadelphia}},
  title =        {Joyce, {{Semiosis}} and {{Semiotics}}},
  booktitle =    {The {{Languages}} of {{Joyce}}},
  publisher =    {{John Benjamins Publishing Company}},
  date =         1992,
  pages =        {19--38},
  author =       {Eco, Umberto},
  editor =       {R.M Bollettieri Bosinelli, C Marengo Vaglio and Boheemen, Chr
                  Van},
  file =         {/home/jon/Dokumentujo/Papers/James Joyce/Portrait of the Artist as
                  a Young Man/Eco_1992_Joyce, Semiosis and Semiotics.pdf}
}

@article{eide_woman_1998,
  title =        {The {{Woman}} of the {{Ballyhoura Hills}}: {{James Joyce}} and
                  the {{Politics}} of {{Creativity}}},
  volume =       44,
  number =       4,
  journaltitle = {Twentieth Century Literature},
  date =         1998,
  pages =        {377--393},
  author =       {Eide, Marian},
  file =         {/home/jon/Dokumentujo/Papers/James Joyce/Portrait of the Artist as
                  a Young Man/Eide_1998_The Woman of the Ballyhoura Hills.pdf}
}

@incollection{ellmann_disremembering_1981,
  location =     {{London}},
  title =        {Disremembering {{Dedalus}}: '{{A Portrait}} of the {{Artist}}
                  as a {{Young Man}}'},
  booktitle =    {Untying the {{Text}}: A {{Post}}-{{Structuralist Reader}}},
  publisher =    {{Routledge}},
  date =         1981,
  author =       {Ellmann, Maud},
  editor =       {Young, Robert},
  file =         {/home/jon/Dokumentujo/Papers/James Joyce/Portrait of the Artist as
                  a Young Man/Ellmann_1981_Disremembering Dedalus.pdf}
}

@book{fargnoli_james_1995,
  location =     {{Oxford, UK}},
  title =        {James {{Joyce A}}-{{Z}}},
  publisher =    {{Oxford University Press}},
  date =         1995,
  author =       {Fargnoli, A Nicholas}
}

@article{feshbach_slow_1967,
  title =        {A {{Slow}} and {{Dark Birth}}: {{A Study}} of the
                  {{Organization}} of {{A Portrait}} of the {{Artist}} as a
                  {{Young Man}}},
  volume =       4,
  number =       4,
  journaltitle = {James Joyce Quarterly},
  date =         1967,
  pages =        {289--300},
  author =       {Feshbach, Sidney},
  file =         {/home/jon/Dokumentujo/Papers/James Joyce/Portrait of the Artist as
                  a Young Man/Feshbach_1967_A Slow and Dark Birth.pdf},
  annotation =   {Great. Structure}
}

@incollection{fortuna_art_1998,
  location =     {{New York}},
  title =        {The {{Art}} of {{The Labyrinth}}},
  booktitle =    {Critical {{Essays}} on {{James Joyce}}'s {{A Portrait}} of the
                  {{Artist}} as a {{Young Man}}},
  publisher =    {{G.K. Hall \& Co.}},
  date =         1998,
  author =       {Fortuna, Diane},
  file =         {/home/jon/Dokumentujo/Papers/James Joyce/Portrait of the Artist as
                  a Young Man/Fortuna_1998_The Art of The Labyrinth.pdf},
  annotation =   {On the labyrinthine cyclical structure of Portrait}
}

@book{gladstone_studies_1858,
  location =     {{Oxford}},
  title =        {Studies on {{Homer}} and the {{Homeric Age}}},
  url =          {http://books.google.com/books?id=6UgVAAAAQAAJ&pgis=1},
  publisher =    {{Oxford University Press}},
  date =         1858,
  author =       {Gladstone, William Ewart},
  file =         {/home/jon/Dokumentujo/Papers/James Joyce/Portrait of the Artist as
                  a Young Man/Gladstone_1858_Studies on Homer and the Homeric
                  Age.pdf}
}

@article{hayman_portrait_1964,
  title =        {A {{Portrait}} of the {{Artist}} as a {{Young Man}} and
                  {{L}}'{{Éducation Sentimentale}}: The {{Structural
                  Affinities}}},
  volume =       19,
  journaltitle = {Orbis Litterarum},
  date =         1964,
  pages =        {161--75},
  author =       {Hayman, David},
  file =         {/home/jon/Dokumentujo/Papers/James Joyce/Portrait of the Artist as
                  a Young Man/Hayman_1964_A Portrait of the Artist as a Young
                  Man and L'Éducation Sentimentale.pdf},
  annotation =   {Great. Discussion of epiphany and anti-ephiphany structures.}
}

@article{hedberg_smugging._1972,
  title =        {Smugging. {{An Investigation}} of a {{Joycean Word}}},
  volume =       66,
  journaltitle = {Moderna Sprak},
  date =         1972,
  pages =        {19--25},
  author =       {Hedberg, Johannes},
  file =         {/home/jon/Dokumentujo/Papers/James Joyce/Portrait of the Artist as
                  a Young Man/Hedberg_1972_Smugging.pdf}
}

@incollection{howes_joyce_2006,
  location =     {{Cambridge, UK}},
  title =        {Joyce, {{Colonialism}}, and {{Nationalism}}},
  edition =      {Second Edi},
  isbn =         {978-0-521-51504-7},
  booktitle =    {The {{Cambridge}} Companion to {{James Joyce}}},
  publisher =    {{Cambridge University Press}},
  date =         2006,
  pages =        {254--2471},
  author =       {Howes, Marjorie},
  editor =       {Attridge, Derek},
  file =         {/home/jon/Dokumentujo/Papers/James Joyce/Portrait of the Artist as
                  a Young Man/Howes_2006_Joyce, Colonialism, and
                  Nationalism.pdf},
  annotation =   {Ivory}
}

@incollection{johnson_introduction_2000,
  title =        {Introduction},
  edition =      {Oxford Wor},
  booktitle =    {A {{Portrait}} of the {{Artist}} as a {{Young Man}}},
  publisher =    {{Oxford University Press}},
  date =         2000,
  pages =        {vii--xxxvii},
  author =       {Johnson, Jeri},
  annotation =   {Lots of notes here parsed}
}

@incollection{joyce_ibsens_2008,
  location =     {{Oxford, UK}},
  title =        {Ibsen's {{New Drama}}},
  booktitle =    {Occasional, {{Critical}}, and {{Political Writing}}},
  publisher =    {{Oxford University Press}},
  date =         2008,
  author =       {Joyce, James},
  file =         {/home/jon/Dokumentujo/Papers/James Joyce/Portrait of the Artist as
                  a Young Man/Joyce_2008_Ibsen's New Drama.pdf}
}

@book{joyce_portrait_2000,
  location =     {{Oxford, UK}},
  title =        {A {{Portrait}} of the {{Artist}} as a {{Young Man}}},
  publisher =    {{Oxford University Press}},
  date =         2000,
  author =       {Joyce, James},
  editor =       {Johnson, Jeri}
}

@incollection{joyce_ireland:_2008,
  location =     {{Oxford, UK}},
  title =        {Ireland: {{Island}} of {{Saints}} and {{Sages}}},
  booktitle =    {Occasional, {{Critical}}, and {{Political Writing}}},
  publisher =    {{Oxford University Press}},
  date =         2008,
  pages =        {108--126},
  author =       {Joyce, James},
  file =         {/home/jon/Dokumentujo/Papers/James Joyce/Portrait of the Artist as
                  a Young Man/Joyce_2008_Ireland.pdf},
  annotation =   {Useful discussion of Irish language}
}

@incollection{joyce_study_2008,
  location =     {{Oxford, UK}},
  title =        {The {{Study}} of {{Languages}}},
  isbn =         {0-19-955396-3},
  abstract =     {A unique anthology of Joyce's non-fictional writings, this
                  volume addresses diverse issues such as aesthetics, the
                  functions of the press, censorship, Irish cultural history,
                  English literature and Empire. The collection includes
                  newspaper articles, reviews, lectures and essays, and covers
                  40 years of Joyce's life. These pieces also clarify and
                  illuminate the transformations in Joyce's fiction, from
                  Dubliners and A Portrait of the Artist as a Young Man to the
                  first drafts of Ulysses. Gathering together more than fifty
                  essays, several of which have never been available in an
                  English edition, this is the most complete and the most
                  helpfully annotated collection. About the Series: For over 100
                  years Oxford World's Classics has made available the broadest
                  spectrum of literature from around the globe. Each affordable
                  volume reflects Oxford's commitment to scholarship, providing
                  the most accurate text plus a wealth of other valuable
                  features, including expert introductions by leading
                  authorities, voluminous notes to clarify the text, up-to-date
                  bibliographies for further study, and much more.},
  booktitle =    {Occasional, {{Critical}}, and {{Political Writing}}},
  publisher =    {{Oxford University Press}},
  date =         2008,
  author =       {Joyce, James},
  file =         {/home/jon/Dokumentujo/Papers/James Joyce/Portrait of the Artist as
                  a Young Man/Joyce_2008_The Study of Languages.pdf},
  annotation =   {Holy crap}
}

@book{joyce_stephen_1944,
  location =     {{New York}},
  title =        {Stephen {{Hero}}},
  publisher =    {{New Directions}},
  date =         1944,
  author =       {Joyce, James}
}

@article{kain_why_1973,
  title =        {Why {{Is}} 'the {{Best English}}' {{Spoken}} in {{Lower
                  Drumcondra}}? {{A Note}} on the {{Portrait}}},
  volume =       11,
  issn =         {0021-4183},
  url =
                  {http://content.ebscohost.com/ContentServer.asp?T=P&P=AN&K=1973107101&S=R&D=mzh&EbscoContent=dGJyMMvl7ESeprA4yNfsOLCmr0qeprNSr6+4TbWWxWXS&ContentCustomer=dGJyMPGvsEm1rLFNuePfgeyx44Dt6fIA$\\backslash$nhttp://www.redi-bw.de/db/ebsco.php/search.ebscohost.com/login.aspx},
  number =       1,
  journaltitle = {James Joyce Quarterly},
  date =         1973,
  pages =        {51--52},
  author =       {Kain, Richard M},
  file =         {/home/jon/Dokumentujo/Papers/James Joyce/Portrait of the Artist as
                  a Young Man/Kain_1973_Why Is 'the Best English' Spoken in
                  Lower Drumcondra.pdf},
  annotation =   {Not very convincing}
}

@incollection{kenner_uncle_1978,
  location =     {{Berkeley}},
  title =        {The {{Uncle Charles Principle}}},
  url =
                  {http://scholar.google.com/scholar?hl=en&q=uncle+charles+principle&btnG=&as_sdt=1%2C33&as_sdtp=#0},
  booktitle =    {Joyce's {{Voices}}},
  publisher =    {{University of California Press}},
  date =         1978,
  pages =        {15--38},
  author =       {Kenner, Hugh},
  file =         {/home/jon/Dokumentujo/Papers/James Joyce/Portrait of the Artist as
                  a Young Man/Kenner_1978_The Uncle Charles Principle.pdf},
  annotation =   {Definitions of Joyce's style}
}

@article{kenner_portrait_1948,
  title =        {The "{{Portrait}}" in {{Perspective}}},
  volume =       10,
  number =       3,
  journaltitle = {The Kenyon Review},
  date =         1948,
  pages =        {361--381},
  author =       {Kenner, Hugh},
  file =         {/home/jon/Dokumentujo/Papers/James Joyce/Portrait of the Artist as
                  a Young Man/Kenner_1948_The Portrait in Perspective.pdf},
  annotation =   {Half-read. Parse notes from Norton copy of this essay.}
}

@article{lalor_daintical_2006,
  title =        {"{{A Daintical Pair}} of {{Accomplisses}}": {{Joyce}} and
                  {{Dante}} in the {{Assault}} on {{Language}}},
  volume =       95,
  number =       379,
  journaltitle = {An Irish Quarterly Reivew},
  date =         2006,
  pages =        {313--323},
  author =       {Lalor, Doireann},
  file =         {/home/jon/Dokumentujo/Papers/James Joyce/Portrait of the Artist as
                  a Young Man/Lalor_2006_A Daintical Pair of Accomplisses.pdf},
  annotation =   {Neologisms}
}

@book{maccabe_james_1978,
  location =     {{London}},
  title =        {James {{Joyce}} and the {{Revolution}} of the {{Word}}},
  publisher =    {{Macmillan}},
  date =         1978,
  author =       {MacCabe, Colin},
  file =         {/home/jon/Dokumentujo/Papers/James Joyce/Portrait of the Artist as
                  a Young Man/MacCabe_1978_James Joyce and the Revolution of the
                  Word_2.pdf;/home/jon/Dokumentujo/Papers/James Joyce/Portrait of
                  the Artist as a Young Man/MacCabe_1978_James Joyce and the
                  Revolution of the Word.pdf}
}

@book{mahon_joyce:_2009,
  langid =       {english},
  location =     {{New York}},
  title =        {Joyce: A {{Guide}} for the {{Perplexed}}},
  isbn =         {978-1-4411-9309-4 1-4411-9309-X},
  url =          {http://public.eblib.com/choice/publicfullrecord.aspx?p=601853},
  publisher =    {{Continuum}},
  date =         2009,
  author =       {Mahon, Peter},
  file =         {/home/jon/Dokumentujo/Papers/James Joyce/Portrait of the Artist as
                  a Young Man/Mahon_2009_Joyce.pdf}
}

@thesis{mcquillan_vicos_1987,
  title = {Vico's {{Language Theory}} in {{James Joyce}}'s "{{Portrait}} of the {{Artist}} as a {{Young Man}}"},
  institution = {{University of Montana}},
  date = {1987},
  author = {Mcquillan, Sandra Bolles},
  file = {/home/jon/Dokumentujo/Papers/James Joyce/Portrait of the Artist as a Young Man/Mcquillan_1987_Vico's Language Theory in James Joyce's Portrait of the Artist as a Young Man.pdf},
  annotation = {MA Thesis; Vico}
}

@article{melchiori_language_1981,
  title =        {The {{Language}} of {{Politics}} and the {{Politics}} of
                  {{Language}}},
  number =       4,
  journaltitle = {James Joyce Broadsheet},
  date =         1981,
  pages =        1,
  author =       {Melchiori, Giorgio},
  file =         {/home/jon/Dokumentujo/Papers/James Joyce/Portrait of the Artist as
                  a Young Man/Melchiori_1981_The Language of Politics and the
                  Politics of Language.pdf}
}

@book{milesi_james_2003,
  location =     {{Cambridge, UK}},
  title =        {James {{Joyce}} and the {{Difference}} of {{Language}}},
  abstract =     {Ist nur ein Teil des Buches!},
  publisher =    {{Cambridge University Press}},
  date =         2003,
  author =       {Milesi, Laurent},
  file =         {/home/jon/Dokumentujo/Papers/James Joyce/Portrait of the Artist as
                  a Young Man/Milesi_2003_James Joyce and the Difference of
                  Language.pdf}
}

@incollection{mitchell_portrait_1976,
  location =     {{Pittsburgh}},
  title =        {A {{Portrait}} and the {{Bildungsroman Tradition}}},
  booktitle =    {Approaches to {{Joyce}}'s {{Portrait}}: {{Ten Essays}}},
  publisher =    {{University of Pittsburgh Press}},
  date =         1976,
  pages =        {61--76},
  author =       {Mitchell, Breon},
  editor =       {{Staley}},
  file =         {/home/jon/Dokumentujo/Papers/James Joyce/Portrait of the Artist as
                  a Young Man/Mitchell_1976_A Portrait and the Bildungsroman
                  Tradition.pdf},
  annotation =   {Growth of the artist is also a growth of the langauge}
}

@book{ohehir_gaelic_1967,
  location =     {{Berkeley}},
  title =        {A {{Gaelic Lexicon}} for {{Finnegans Wake}}, and {{Glossary}}
                  for {{Joyce}}'s {{Other Works}}},
  pagetotal =    {332–354},
  publisher =    {{University of California Press}},
  date =         1967,
  keywords =     {glossary},
  author =       {O'Hehir, Brendan},
  file =         {/home/jon/Dokumentujo/Papers/James Joyce/Portrait of the Artist as
                  a Young Man/O'Hehir_1967_A Gaelic Lexicon for Finnegans Wake,
                  and Glossary for Joyce's Other Works.pdf}
}

@book{ohehir_classical_1977,
  location =     {{Berkeley [u.a.]}},
  title =        {A {{Classical Lexicon}} for {{Finnegans Wake}}: A {{Glossary}}
                  of the {{Greek}} and {{Latin}} in the {{Major Works}} of
                  {{Joyce}} Incl. {{Finnegans Wake}}, the {{Poems}},
                  {{Dubliners}}, {{Stephen Hero}}, {{A Portrait}} of the
                  {{Artist}} as a {{Young Man}}},
  isbn =         {978-0-520-03082-4},
  publisher =    {{Univ. of California Press}},
  date =         1977,
  keywords =     {glossary,Joyce; James; 1882-1941,Language,Greek language,Latin
                  language},
  author =       {O'Hehir, Brendan},
  file =         {/home/jon/Dokumentujo/Papers/James Joyce/Portrait of the Artist as
                  a Young Man/O'Hehir_1977_A Classical Lexicon for Finnegans
                  Wake.pdf;/home/jon/Dokumentujo/Papers/zotero/storage/BVWCRR3R/53996.html}
}

@article{osteen_treasure-house_1995,
  title =        {The {{Treasure}}-{{House}} of {{Langauge}}: {{Managing
                  Symbolic Economies}} in {{Joyce}}'s {{Portrait}}},
  volume =       27,
  number =       2,
  journaltitle = {Studies in the Novel},
  date =         1995,
  pages =        {154--168},
  author =       {Osteen, Mark},
  file =         {/home/jon/Dokumentujo/Papers/James Joyce/Portrait of the Artist as
                  a Young Man/Osteen_1995_The Treasure-House of Langauge.pdf}
}

@article{prescott_james_1939,
  eprinttype =   {jstor},
  eprint =       458640,
  title =        {James {{Joyce}}: {{A Study}} in {{Words}}},
  volume =       54,
  number =       1,
  journaltitle = {Publications of the Modern Language Association},
  date =         1939,
  pages =        {304--315},
  author =       {Prescott, Joseph},
  file =         {/home/jon/Dokumentujo/Papers/James Joyce/Portrait of the Artist as
                  a Young Man/Prescott_1939_James
                  Joyce.pdf;/home/jon/Dokumentujo/Papers/Ulysses-Critical/Prescott_1939_James
                  Joyce.pdf}
}

@book{quigley_modernist_2015,
  location =     {{Cambridge, UK}},
  title =        {Modernist {{Fiction}} and Vagueness},
  publisher =    {{Cambridge University Press}},
  date =         2015,
  author =       {Quigley, Megan},
  file =         {/home/jon/Dokumentujo/Papers/James Joyce/Portrait of the Artist as
                  a Young Man/Quigley_2015_Modernist Fiction and vagueness.pdf},
  annotation =   {Joyce and Wittgenstein; vagueness; theories of language}
}

@article{reddick_importance_1969,
  title =        {The {{Importance}} of {{Tone}} in the {{Structural Rhythm}} of
                  {{Joyce}}'s {{Portrait}}},
  volume =       6,
  number =       3,
  journaltitle = {James Joyce Quarterly},
  date =         1969,
  pages =        {201--218},
  author =       {Reddick, Bryan},
  file =         {/home/jon/Dokumentujo/Papers/James Joyce/Portrait of the Artist as
                  a Young Man/Reddick_1969_The Importance of Tone in the
                  Structural Rhythm of Joyce's Portrait.pdf},
  annotation =   {Good stuff about structure}
}

@incollection{redford_role_1962,
  title =        {The {{Role}} of {{Structure}} in {{Joyce}}'s {{Portrait}}},
  booktitle =    {Joyce's {{Portrait}}: {{Criticisms}} and {{Critiques}}},
  publisher =    {{Appleton}},
  date =         1962,
  pages =        {102--115},
  author =       {Redford, Grant H},
  editor =       {Connolly, Thomas E},
  file =         {/home/jon/Dokumentujo/Papers/James Joyce/Portrait of the Artist as
                  a Young Man/Redford_1962_The Role of Structure in Joyce's
                  Portrait.pdf}
}

@incollection{riquelme_preposterous_1988,
  location =     {{New York}},
  title =        {The {{Preposterous Shape}} of {{Portraiture}}: {{A Portrait}}
                  of the {{Artist}} as a {{Young Man}}},
  booktitle =    {James {{Joyce}}'s {{A Portrait}} of the {{Artist}} as a
                  {{Young Man}}},
  publisher =    {{Chelsea House}},
  date =         1988,
  author =       {Riquelme, John Paul},
  editor =       {Bloom, Herald},
  file =         {/home/jon/Dokumentujo/Papers/James Joyce/Portrait of the Artist as
                  a Young Man/Riquelme_1988_The Preposterous Shape of
                  Portraiture.pdf},
  annotation =   {See also notes in Norton ed.}
}

@incollection{riquelme_stephen_2006,
  location =     {{Cambridge, UK}},
  title =        {Stephen {{Hero}} and {{A Portrait}} of the {{Artist}} as a
                  {{Young Man}}: {{Transforming}} the {{Nightmare}} of
                  {{History}}},
  edition =      {Second Edi},
  isbn =         {978-0-521-51504-7},
  abstract =     {gennemg\textbackslash{}aa r den romerske epik med fokus
                  p\textbackslash{}aa Vergil og Ovid},
  booktitle =    {The {{Cambridge Companion}} to {{James Joyce}}},
  publisher =    {{Cambridge University Press}},
  date =         2006,
  pages =        {103--121},
  author =       {Riquelme, John Paul},
  editor =       {Attridge, Derek},
  file =         {/home/jon/Dokumentujo/Papers/James Joyce/Portrait of the Artist as
                  a Young Man/Riquelme_2006_Stephen Hero and A Portrait of the
                  Artist as a Young Man.pdf},
  annotation =   {Revised version of previous paper?}
}

@incollection{riquelme_stephen_1990,
  title =        {Stephen {{Hero}}, {{Dubliners}}, and {{A Portrait}} of the
                  {{Artist}} as a {{Young Man}}: {{Styles}} of {{Realism}} and
                  {{Fantasy}}},
  booktitle =    {Cambridge {{Companion}} to {{James Joyce}}, {{The}}},
  date =         1990,
  pages =        {103--130},
  author =       {Riquelme, John Paul},
  file =         {/home/jon/Dokumentujo/Papers/James Joyce/Portrait of the Artist as
                  a Young Man/Riquelme_1990_Stephen Hero, Dubliners, and A
                  Portrait of the Artist as a Young Man.pdf}
}

@incollection{riquelme_parts_2007,
  location =     {{New York}},
  title =        {The {{Parts}} and the {{Structural Rhythm}} of {{A Portrait}}},
  booktitle =    {A {{Portrait}} of the {{Artist}} as a {{Young Man}}},
  publisher =    {{W. W. Norton \& Company}},
  date =         2007,
  pages =        {307--8},
  author =       {Riquelme, John Paul}
}

@article{robinson_stream_971,
  title =        {The {{Stream}} of {{Consciousness Technique}} and the
                  {{Structure}} of {{Joyce}}'s "{{Portrait}}"},
  volume =       9,
  number =       1,
  journaltitle = {James Joyce Quarterly},
  date =         0971,
  pages =        {63--84},
  author =       {Robinson, K.E.},
  file =         {/home/jon/Dokumentujo/Papers/James Joyce/Portrait of the Artist as
                  a Young Man/Robinson_971_The Stream of Consciousness Technique
                  and the Structure of Joyce's Portrait.pdf}
}

@article{rynell_etymology_1972,
  title =        {On the {{Etymology}} of {{James Joyce}}'s {{Smugging}}},
  volume =       66,
  journaltitle = {Moderna Sprak},
  date =         1972,
  pages =        {366--369},
  keywords =     {smugging},
  author =       {Rynell, Alarik},
  file =         {/home/jon/Dokumentujo/Papers/James Joyce/Portrait of the Artist as
                  a Young Man/Rynell_1972_On the Etymology of James Joyce's
                  Smugging.pdf},
  annotation =   {Phonesthemes}
}

@book{scholes_workshop_1965,
  location =     {{Evanston Ill.}},
  title =        {The {{Workshop}} of {{Daedalus}}: {{James Joyce}} and the
                  {{Raw Materials}} for {{A Portrait}} of the {{Artist}} as a
                  {{Young Man}}.},
  url =
                  {http://digital.library.wisc.edu/1711.dl/JoyceColl.ScholesWorkshop},
  publisher =    {{Northwestern University Press}},
  date =         1965,
  author =       {Scholes, Robert}
}

@book{schork_latin_1997,
  title =        {Latin and {{Roman Culture}} in {{Joyce}}},
  isbn =         {0-8130-1472-7},
  url =          {http://books.google.com/books?id=HWS8zlRxZ48C&pgis=1},
  abstract =     {"Exceptionally well written in a lively, often funny,
                  attention-arresting style. . . . A tour de force explanation
                  of the enormous body of secular classical allusion and
                  language in Joyce's work . . . [it] will become a staple of
                  Joyce reference and criticism."–Zack Bowen, University of
                  Miami "Fills a definite gap in our knowledge of Joyce . . .
                  covers all of Joyce's work, offers important insights into his
                  mind and his artistic methods. . . . One of the handful of
                  books which are absolutely necessary for anyone who wants to
                  know Joyce thoroughly."–Robert Adams Day, Queens College, City
                  University of New York Latin was James Joyce's first second
                  language and arguably the most significant linguistic stratum
                  in his work. This long-awaited book provides a comprehensive
                  review of the role of Latin in Joyce's life and the pervasive
                  contribution of Roman literature and culture to each of his
                  works. Topics include a demonstration of Joyce's fascination
                  with the intricacies of Latin grammar and syntax; a review of
                  the impact of Vergil, Cicero, Horace, and Ovid on his writing;
                  and a survey of allusions to Roman history from Aeneas to the
                  collapse of the Empire. Throughout, R. J. Schork makes
                  extensive use of Joyce's original composition in Latin, his
                  notebooks, and the Trieste and Paris libraries. A work that
                  Joyceans will read from cover to cover and then repeatedly
                  consult for explications of specific passages, this book
                  should also prove of interest to classical scholars curious to
                  see the master of modern literature abuse the subjunctive mood
                  or the ablative plural, play with the subjective and objective
                  genitive, rattle off rhymed parodies of classroom declensions,
                  and distort Horatian tag-lines–all to great comedic and
                  literary effect. R. J. Schork is professor emeritus of
                  classics at the University of Massachusetts, Boston, and
                  author of Sacred Song from the Byzantine Pulpit: Romanos the
                  Melodist (UPF, 1995).},
  pagetotal =    318,
  publisher =    {{University Press of Florida}},
  date =         1997,
  author =       {Schork, R. J.}
}

@incollection{senn_challenge_2003,
  location =     {{Oxford, UK}},
  title =        {The {{Challenge}}: “{{Ignotas Animum}}" ({{An
                  Old}}-{{Fashioned Close Guessing}} at a {{Borrowed
                  Structure}})},
  booktitle =    {James {{Joyce}}'s {{A Portrait}} of the {{Artist}} as a
                  {{Young Man}}: {{A Casebook}}},
  publisher =    {{Oxford University Press}},
  date =         2003,
  author =       {Senn, Fritz},
  editor =       {Wollaeger, Mark}
}

@article{senn_latin_1967,
  eprinttype =   {jstor},
  eprint =       25515747,
  title =        {Latin {{Me That}}},
  volume =       4,
  number =       3,
  journaltitle = {James Joyce Quarterly},
  date =         1967,
  pages =        {241--243},
  author =       {Senn, Fritz},
  file =         {/home/jon/Dokumentujo/Papers/James Joyce/Portrait of the Artist as
                  a Young Man/Senn_1967_Latin Me That.pdf}
}

@book{smithImageryMindStephen1980,
  location =     {{Lewisburg, PA}},
  title =        {Imagery and the {{Mind}} of {{Stephen Dedalus}} : A
                  {{Computer}}-{{Assisted Study}} of {{Joyce}}'s {{A Portrait}}
                  of the {{Artist}} as a {{Young Man}}},
  publisher =    {{Bucknell University Press}},
  date =         1980,
  author =       {Smith, John B.}
}

@incollection{smith_image_1973,
  title =        {Image and {{Imagery}} in {{Joyce}}'s {{Portrait}}: {{A
                  Computer}}-{{Assisted Analysis}}},
  booktitle =    {Directions in {{Literary Criticism}}: {{Contemporary
                  Approaches}} to {{Literature}}},
  date =         1973,
  pages =        {220--227},
  author =       {Smith, John B.},
  editor =       {Weintraub, Stanley and Young, Philip},
  file =         {/home/jon/Dokumentujo/Papers/James Joyce/Portrait of the Artist as
                  a Young Man/Smith_1973_Image and Imagery in Joyce's
                  Portrait.pdf}
}

@inproceedings{smith_computational_1971,
  title =        {A {{Computational Analysis}} of {{Imagery}} in {{James
                  Joyce}}'s {{A Portrait}} of the {{Artist}} as a {{Young Man}}},
  url =
                  {http://www.cs.unc.edu/Research/jbsArchive/docs/JoyceStudy-IFIP71/IFIP71Chapter.pdf},
  booktitle =    {Information {{Processing}} 71: {{Proceedings}} of {{IFIP
                  Congress}}, 1971},
  date =         1971,
  pages =        {46--49},
  author =       {Smith, John B.},
  file =         {/home/jon/Dokumentujo/Papers/James Joyce/Portrait of the Artist as
                  a Young Man/Smith_1971_A Computational Analysis of Imagery in
                  James Joyce's A Portrait of the Artist.pdf}
}

@book{thornton_antimodernism_1994,
  location =     {{Syracuse, NY}},
  title =        {The {{Antimodernism}} of {{Joyce}}'s {{Portrait}} of the
                  {{Artist}} as a {{Young Man}}},
  isbn =         {0-14-243734-4},
  publisher =    {{Syracuse University Press}},
  date =         1994,
  author =       {Thornton, Weldon},
  file =         {/home/jon/Dokumentujo/Papers/James Joyce/Portrait of the Artist as
                  a Young Man/Thornton_1994_The Antimodernism of Joyce's
                  Portrait of the Artist as a Young Man.pdf}
}

@article{thrane_joyces_1960,
  eprinttype =   {jstor},
  eprint =       435138,
  title =        {Joyce's {{Sermon}} on {{Hell}}: {{Its Source}} and {{Its
                  Backgrounds}}},
  volume =       57,
  number =       3,
  journaltitle = {Modern Philology},
  date =         1960,
  pages =        {172--198},
  author =       {Thrane, James R.},
  file =         {/home/jon/Dokumentujo/Papers/James Joyce/Portrait of the Artist as
                  a Young Man/Thrane_1960_Joyce's Sermon on Hell.pdf}
}

@incollection{tindall_literary_1968,
  location =     {{New York}},
  title =        {The {{Literary Symbol}}},
  booktitle =    {A {{Portrait}} of the {{Artist}} as a {{Young Man}}: {{Text}},
                  {{Criticism}}, and {{Notes}}},
  publisher =    {{Viking Press}},
  date =         1968,
  pages =        {378--87},
  author =       {Tindall, William York}
}

@book{van_ghent_english_1953,
  title =        {The {{English Novel}}, {{Form}} and {{Function}}},
  date =         1953,
  author =       {Van Ghent, Dorothy},
  file =         {/home/jon/Dokumentujo/Papers/James Joyce/Portrait of the Artist as
                  a Young Man/Van Ghent_1953_The English Novel, Form and
                  Function.pdf}
}

@book{wales_language_1992,
  location =     {{New York}},
  title =        {The {{Language}} of {{James Joyce}}},
  isbn =         {978-0-312-06237-8},
  publisher =    {{St. Martin's Press}},
  date =         1992,
  author =       {Wales, Katie},
  file =         {/home/jon/Dokumentujo/Papers/James Joyce/Portrait of the Artist as
                  a Young Man/Wales_1992_The Language of James
                  Joyce_2.pdf;/home/jon/Dokumentujo/Papers/James Joyce/Portrait of
                  the Artist as a Young Man/Wales_1992_The Language of James
                  Joyce.pdf}
}

@book{wall_anglo-irish_1986,
  location =     {{Syracuse, NY}},
  title =        {An {{Anglo}}-{{Irish Dialect Glossary}} for {{Joyce}}'s
                  {{Works}}},
  pagetotal =    {33–36},
  publisher =    {{Syracuse University Press}},
  date =         1986,
  keywords =     {glossary},
  author =       {Wall, Richard},
  file =         {/home/jon/Dokumentujo/Papers/James Joyce/Portrait of the Artist as
                  a Young Man/Wall_1986_An Anglo-Irish Dialect Glossary for
                  Joyce's Works.pdf}
}

@article{whittaker_joyce_1987,
  title =        {Joyce and {{Skeat}}},
  volume =       24,
  number =       2,
  journaltitle = {James Joyce Quarterly},
  date =         1987,
  pages =        {177--192},
  author =       {Whittaker, Stephen},
  file =         {/home/jon/Dokumentujo/Papers/James Joyce/Portrait of the Artist as
                  a Young Man/Whittaker_1987_Joyce and Skeat.pdf}
}

@unpublished{rachel_levanger_set_2015,
  venue =        {{321 Gallery}},
  title =        {Set {{Theory}} for the {{Summer Reading Group}}},
  url =
                  {https://mail-attachment.googleusercontent.com/attachment/u/0/?ui=2&ik=1c166539ce&attid=0.1&th=14dc41f1ffa7728f&view=att&disp=safe&realattid=f_iajpic450&zw&saduie=AG9B_P_6UivjXhcqbZMXeJoy2Sr3&sadet=1433621427859&sadat=ANGjdJ-yJz4pDB5A9ky5NO2b3qO-zlrwPe-wbsiTyhL6i65pHPcZJF3vkKvB9Zs&sads=BQyXNjMARV_QZ6dtf1gqy6yUHJs},
  abstract =     {Set theory is awesome!!1!},
  urldate =      {2015-06-06},
  date =         {2015-06-04},
  author =       {{Rachel Levanger}},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/5VGGGB53/0.pdf}
}

@book{jackson_defining_2003,
  langid =       {english},
  title =        {Defining {{Shakespeare}}: {{Pericles}} as {{Test Case}}},
  isbn =         {978-0-19-926050-8},
  shorttitle =   {Defining {{Shakespeare}}},
  abstract =     {That very great play, Pericles', as T. S. Eliot called it,
                  poses formidable problems of text and authorship. The first of
                  the Late Romances, it was ascribed to Shakespeare when printed
                  in a quarto of 1609, but was not included in the First Folio
                  (1623) collection of his plays. This book examines rival
                  theories about the quarto's origins and offers compelling
                  evidence that Pericles is the product of collaboration between
                  Shakespeare and the minor dramatist George Wilkins, who was
                  responsible for the first two acts and for portions of the
                  'brothel scenes' in Act 4. Pericles serves as a test case for
                  methodologies that seek to define the limits of the
                  Shakespeare canon and to rdentify co-authors. A wide range of
                  metrical, lexical, and other data is analysed. Computerized
                  'stylometric' texts are explained and their findings assessed.
                  A concluding chapter introduces a new technique that has the
                  potential to answer many of the remaining questions of
                  attribution associated with Shakespeare and his
                  contemporaries.},
  pagetotal =    276,
  publisher =    {{Oxford University Press}},
  date =         2003,
  keywords =     {Autorschaft,Literary Criticism / Ancient &
                  Classical,Shakespeare,Shakespeare; William Pericles Criticism
                  and interpretation,Wilkins; George,Wilkins; George Criticism
                  and interpretation},
  author =       {Jackson, MacDonald Pairman},
  annotation =   {Literaturangaben}
}

@article{gamerman_data_????,
  entrysubtype = {newspaper},
  title =        {Data {{Miners Dig}} for {{Answers About Harper Lee}}, {{Truman
                  Capote}} and ‘{{Go Set}} a {{Watchman}}’},
  url =
                  {http://blogs.wsj.com/speakeasy/2015/07/15/go-set-a-watchman-harper-lee-truman-capote/},
  urldate =      {2015-07-16},
  author =       {Gamerman, Ellen}
}

@online{douglas_duhaime_clustering_????,
  title = {Clustering {{Semantic Vectors}} with {{Python}}},
  url = {http://douglasduhaime.com/blog/clustering-semantic-vectors-with-python},
  urldate = {2015-09-13},
  keywords = {text analysis,python},
  author = {{Douglas Duhaime}},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/P7QZ6FJ5/clustering-semantic-vectors-with-python.html}
}

@book{grimm_original_2014,
  eprinttype =   {jstor},
  eprint =       {10.2307/j.ctt6wq18v},
  langid =       {english},
  location =     {{Princeton}},
  title =        {The {{Original Folk}} and {{Fairy Tales}} of the {{Brothers
                  Grimm}}},
  isbn =         {978-1-4008-5189-8},
  publisher =    {{Princeton University Press}},
  date =         2014,
  author =       {Grimm, Jacob and Grimm, Wilhelm and Dezsö, Andrea},
  translator =   {Zipes, Jack},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/ZMCMZ6DW/grimm-princeton.pdf}
}

@article{taddy_document_2015,
  title =        {Document {{Classification}} by {{Inversion}} of {{Distributed
                  Language Representations}}},
  url =          {http://arxiv.org/abs/1504.07295},
  urldate =      {2015-08-19},
  date =         {2015-04-27},
  author =       {Taddy, Matt},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/WNBK3DWF/Taddy - 2015
                  - Document Classification by Inversion of
                  Distribute.pdf;/home/jon/Dokumentujo/Papers/zotero/storage/ZSUDN3FR/Taddy
                  - 2015 - Document Classification by Inversion of
                  Distribute.html}
}

@book{russell_mining_2014,
  langid =       {english},
  location =     {{Beijing}},
  title =        {Mining the Social Web: [Data Mining {{Facebook}}, {{Twitter}},
                  {{Linkedin}}, {{Google}}+, {{GitHub}}, and More]},
  edition =      {2. ed},
  isbn =         {978-1-4493-6761-9 978-1-4493-6822-7},
  shorttitle =   {Mining the Social Web},
  pagetotal =    421,
  publisher =    {{O'Reilly}},
  date =         2014,
  author =       {Russell, Matthew A.},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/C5KFSEAA/Mining the
                  Social Web.pdf}
}

@online{_multi-clustering_????,
  title = {Multi-Clustering {{Datasets}}},
  url = {http://www.hlt.utdallas.edu/~sajib/multi-clusterings.html},
  urldate = {2015-09-01},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/SEXXIRBP/multi-clusterings.html}
}

@article{petre_what_2015,
  langid =       {english},
  title =        {What Grammar Reveals about Sex and Death: Interdisciplinary
                  Applications of Corpus-Based Linguistics},
  volume =       30,
  issn =         {2055-7671, 2055-768X},
  url =          {http://dsh.oxfordjournals.org/lookup/doi/10.1093/llc/fqu011},
  doi =          {10.1093/llc/fqu011},
  shorttitle =   {What Grammar Reveals about Sex and Death},
  number =       3,
  journaltitle = {Digital Scholarship in the Humanities},
  urldate =      {2015-09-01},
  date =         {2015-09},
  pages =        {371-387},
  author =       {Petré, Peter}
}

@misc{grimmer_justin_measuring_2014,
  title =        {Measuring {{Representational Style}} in the {{House}}: {{The
                  Tea Party}}, {{Obama}} and {{Legislators}}' {{Changing
                  Expressed Priorities}}},
  abstract =     {Legislators use public communication to define the type of
                  representation they provide constituents. This chapter
                  characterizes how legislators define the type of
                  representation they provide to constituents and shows how this
                  definition of representation changes in response to shifts in
                  electoral pressure and changes in party control of Congress.
                  To demonstrate this change, I use a large collection of every
                  House press release from 2005 to 2010 and a statistical topic
                  model that measures legislators' expressed priorities|their
                  attention to salient topics. To increase substantive inter-
                  pretability and address questions about the number of topics
                  to include in the model, the model estimates a hierarchy of
                  topics. A set of granular issue specific topics are nested in
                  a set of coarse topics that capture broad differences in the
                  content of press releases. Using estimates of legislators'
                  attention to both types of topics, I show that, like senators,
                  House members' expressed priorities lie on a credit
                  claiming/position taking spectrum. And where House members
                  fall on this spectrum depends not only on who they represent,
                  but also responds to broad political changes. After the 2008
                  election, representatives' shift their expressed
                  priorities|Republicans abandon credit claiming and articulate
                  criticism towards Obama, while Democrats embrace credit
                  claiming and defend the federal stimulus. Yet, even after
                  responding to the changing conditions, legislators largely
                  maintain the same broad style. The results in this chapter
                  demonstrate the strategic ways legislators change how they
                  communicate with constituents and demonstrates the utility of
                  computational tools for studying representation.},
  date =         {2014-10-30},
  author =       {{Grimmer, Justin}},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/IK8SK8ZC/house.pdf}
}

@online{liu_alan_dh_????,
  title = {{{DH Resources}} for {{Project Building}}: {{Data Collections}} and {{Datasets}}},
  url = {http://dhresourcesforprojectbuilding.pbworks.com/w/page/69244469/Data%20Collections%20and%20Datasets#demo-corpora},
  urldate = {2015-09-01},
  author = {{Liu, Alan}}
}

@book{smith_john_imagery_1980,
  location =     {{London}},
  title =        {Imagery and the {{Mind}} of {{Stephen Dedalus}}: {{A
                  Computer}}-{{Assisted Study}} of {{Joyce}}'s {{A Portrait}} of
                  the {{Artist}} as a {{Young Man}}},
  publisher =    {{Bucknell University Press}},
  date =         1980,
  author =       {{Smith, John}},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/PPT6VZEF/smith3.pdf}
}

@online{shaffer_open-source_2013,
  langid = {english},
  title = {Open-Source {{Scholarship}}},
  url = {http://www.hybridpedagogy.com/journal/open-source-scholarship/},
  journaltitle = {Hybrid Pedagogy},
  urldate = {2015-09-01},
  date = {2013-05-23},
  author = {Shaffer, Kris},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/NESSRSSV/open-source-scholarship.html}
}

@online{shaffer_push_2013,
  langid = {english},
  title = {Push, {{Pull}}, {{Fork}}: {{GitHub}} for {{Academics}}},
  url = {http://www.hybridpedagogy.com/journal/push-pull-fork-github-for-academics/},
  shorttitle = {Push, {{Pull}}, {{Fork}}},
  journaltitle = {Hybrid Pedagogy},
  urldate = {2015-09-01},
  date = {2013-05-26},
  author = {Shaffer, Kris},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/944NS783/push-pull-fork-github-for-academics.html}
}

@online{_digital_????-1,
  title = {Digital {{Pedagogy}} in the {{Humanities}}: {{Concepts}}, {{Models}}, and {{Experiments}}},
  url = {https://github.com/mlaa/digitalpedagogy},
  journaltitle = {GitHub},
  urldate = {2015-09-01},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/CHC92WCS/digitalpedagogy.html}
}

@book{_digital_????,
  title =        {Digital {{Pedagogy}} in the {{Humanities}} | {{MLA Commons}}},
  url =          {https://digitalpedagogy.commons.mla.org/description/},
  abstract =     {Concepts, Models, and Experiments},
  publisher =    {{Modern Language Association}},
  urldate =      {2015-09-01},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/WBJSI6T3/description.html}
}

@online{tedunderwood_dataset_????,
  title = {A Dataset for Distant-Reading Literature in {{English}}, 1700-1922.},
  url = {http://tedunderwood.com/2015/08/07/a-dataset-for-distant-reading-literature-in-english-1700-1922/},
  abstract = {Literary critics have been having a speculative conversation about close and distant reading. It might be premature to call it a debate. A "debate" is normally a situation where people are free to ...},
  journaltitle = {The Stone and the Shell},
  urldate = {2015-09-01},
  author = {{tedunderwood}},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/ENWP59PG/a-dataset-for-distant-reading-literature-in-english-1700-1922.html}
}

@online{_ecco-tcp_????,
  title = {{{ECCO}}-{{TCP}}: {{Eighteenth Century Collectons Online}} - {{Text Creation Partnership}}},
  url = {http://www.textcreationpartnership.org/tcp-ecco/},
  shorttitle = {{{ECCO}}-{{TCP}}},
  urldate = {2015-09-01},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/ETWEI8DT/tcp-ecco.html}
}

@online{takehana_can_2015,
  langid = {english},
  title = {Can {{You Murder}} a {{Novel}}? {{Part}} 2},
  url = {http://www.hybridpedagogy.com/journal/can-you-murder-a-novel-part-2/},
  shorttitle = {Can {{You Murder}} a {{Novel}}?},
  journaltitle = {Hybrid Pedagogy},
  urldate = {2015-09-01},
  date = {2015-08-09},
  author = {Takehana, Elise and Jena, Johnathan and Ramsden, Matt and Rocci, Natasha},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/QF69R6U8/can-you-murder-a-novel-part-2.html}
}

@online{_about_????,
  title = {About · {{Minimal Computing}}},
  url = {http://go-dh.github.io/mincomp/about/},
  urldate = {2015-09-01},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/RKTPRT8N/about.html}
}

@article{smith_john_b._computers_????,
  title =        {Computers and {{Literary Theory}}},
  volume =       9,
  number =       3,
  journaltitle = {Association for Literary and Linguistic Computing Bulletin},
  pages =        {1-5},
  author =       {{Smith, John B.}},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/RC496KT9/ComputerLiteraryTheoryChapter.pdf}
}

@article{smith_john_b._rhythms_1973,
  title =        {Rhythms in {{Speech}}: {{The Formulaic Structure}} of {{Four
                  Fundamentalist Sermons}}},
  volume =       4,
  url =
                  {http://www.cs.unc.edu/Research/jbsArchive/docs/RhythmsInSpeech/FolksermonsRythmsInSpeech.pdf},
  number =       {3/4},
  journaltitle = {Computer Studies in the Humanities and Verbal Behavior},
  urldate =      {2015-09-01},
  date =         1973,
  pages =        {166-173},
  author =       {{Smith, John B.} and {Rosenberg, Bruce A.}},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/C4NKXWJW/FolksermonsRythmsInSpeech.pdf}
}

@online{_literature_????,
  title = {Literature Is Not {{Data}}: {{Against Digital Humanities}} - {{The Los}}...},
  url = {https://lareviewofbooks.org/essay/literature-is-not-data-against-digital-humanities/},
  shorttitle = {Literature Is Not {{Data}}},
  abstract = {'Big data is coming for your books.'},
  journaltitle = {The Los Angeles Review of Books},
  urldate = {2015-09-01},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/N626PX8W/literature-is-not-data-against-digital-humanities.html}
}

@online{selisker_scott_defense_????,
  title = {In {{Defense}} of {{Data}}: {{Responses}} to {{Stephen Marche}}'s "{{Literature}} Is...},
  url = {https://lareviewofbooks.org/essay/in-defense-of-data-responses-to-stephen-marches-literature-is-not-data/},
  shorttitle = {In {{Defense}} of {{Data}}},
  abstract = {Two rebuttals to 'Literature is not Data: Against Digital Humanities'},
  journaltitle = {The Los Angeles Review of Books},
  urldate = {2015-09-01},
  author = {{Selisker, Scott}},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/D732MN4H/in-defense-of-data-responses-to-stephen-marches-literature-is-not-data.html}
}

@online{blei_david_foundations_????,
  title = {Foundations of {{Graphical Models}}: {{Introductory Lecture}}},
  url = {http://www.cs.columbia.edu/~blei/fogm/lectures/introduction.pdf},
  urldate = {2015-09-01},
  author = {{Blei, David}},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/DVWMZJAM/introduction.pdf}
}

@book{unknown_critical_1996,
  location =     {{Westport, Conn}},
  title =        {The Critical Response to {{Katherine Mansfield}}},
  isbn =         {978-0-313-29064-0},
  publisher =    {{Greenwood Press}},
  date =         1996,
  keywords =     {Mansfield; Katherine; 1888-1923,Criticism and
                  interpretation,Women and literature,History,New
                  Zealand,England},
  author =       {{unknown}},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/F4FGW5RB/1736191.html}
}

@article{day_politics_2011,
  langid =       {english},
  title =        {The {{Politics}} of {{Voice}} in {{Katherine Mansfield}}'s
                  '{{The Garden Party}}'},
  volume =       60,
  issn =         {0013-8215, 1756-1124},
  url =
                  {http://english.oxfordjournals.org/cgi/doi/10.1093/english/efq033},
  doi =          {10.1093/english/efq033},
  number =       229,
  journaltitle = {English},
  urldate =      {2015-10-23},
  date =         {2011-06-01},
  pages =        {128-141},
  author =       {Day, Thomas},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/GJPRWAKG/English-2011-Day-128-41.pdf},
  annotation =   {parsed}
}

@article{shaup_consuming_2015,
  langid =       {english},
  title =        {Consuming {{Beauty}}: {{Aesthetic Experience}} in {{Katherine
                  Mansfield}}'s "{{The Garden Party}}"},
  volume =       51,
  issn =         00311294,
  url =          {http://search.proquest.com/docview/1708146300/abstract},
  shorttitle =   {Consuming {{Beauty}}},
  abstract =     {Katherine Mansfield's "The Garden Party" exposes the economic
                  disparities within the white colonial community of New Zealand
                  in the early twentieth century. While the wealthy Sheridan
                  family enjoys a garden that produces "literally hundreds" of
                  roses on "green bushes bowed down as though they had been
                  visited by archangels," the gardens within the working class
                  neighborhood adjacent to the Sheridan house contain "nothing
                  but cabbage stalks, sick hens and tomato cans. Laura Sheridan,
                  the protagonist of "The Garden Party," crosses the "the broad
                  road" separating the classes in order to deliver a basket of
                  party leftovers to the family of a deceased workman, a carter
                  named Scott. In "The Garden Party," aestheticism plays a role
                  not only in the way Mansfield describes the mood and setting
                  or in the way Mansfield uses flowers symbolically, but
                  aestheticism becomes part of a conflict within the protagonist
                  herself. The story concerns the intersection of class politics
                  and aestheticism.},
  number =       3,
  journaltitle = {Papers on Language and Literature},
  urldate =      {2015-10-23},
  date =         {2015-22},
  pages =        {221-243,310},
  keywords =     {Linguistics,Literature,Families & family
                  life,Aesthetics,Materialism,Social classes,Consumerism},
  author =       {Shaup, Karen L.},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/V5XVF7IH/Shaup - 2015
                  - Consuming Beauty Aesthetic Experience in Katherin.pdf}
}

@article{zapf_time_1985,
  langid =       {english},
  title =        {Time and {{Space}} in {{Katherine Mansfield}}'s {{The Garden
                  Party}}},
  volume =       40,
  issn =         {1600-0730},
  url =
                  {http://onlinelibrary.wiley.com/doi/10.1111/j.1600-0730.1985.tb00823.x/abstract},
  doi =          {10.1111/j.1600-0730.1985.tb00823.x},
  abstract =     {In spite of the general tribute to the artistic achievement of
                  “The Garden Party,” the question of its structural unity has
                  been one of the recurring themes in Mansfield criticism. The
                  present article approaches this question by means of an
                  analysis of two important elements of the story's narrative
                  composition: time and space. The analysis suggests that the
                  story's unity is of a dialectic nature. On a temporal level,
                  it falls into two major phases, the time before and after the
                  party, while the party itself is virtually insignificant.
                  Whereas the first phase, which relates the preparations for
                  the party, shows a hectically accelerated time-pace,
                  resembling the time-lapse camera in film; the second phase,
                  which relates Laura's encounter with death, shows a
                  deceleration of the narrative pace, resembling the slow-motion
                  camera. With these two phases, two different kinds of
                  movements in space are correlated. The activities in the
                  Sheridans' house convey an impression of chaotic
                  disconnectedness, of a confusing simultaneity of different
                  aims and directions, while the story gains a clear aim and
                  direction in space in the second phase with Laura's visit to
                  the dead workman's house, linking the two opposing worlds in
                  her ‘transcendent’ experience.},
  number =       1,
  journaltitle = {Orbis Litterarum},
  urldate =      {2015-10-23},
  date =         {1985-03-01},
  pages =        {44-54},
  author =       {Zapf, Hubert},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/9F4IVQMN/Zapf - 1985 -
                  Time and Space in Katherine Mansfield's The
                  Garden.pdf;/home/jon/Dokumentujo/Papers/zotero/storage/XVNZC2HX/abstract.html}
}

@article{turco_edition_2014,
  langid =       {english},
  title =        {Edition {{Visualization Technology}}: {{A Simple Tool}} to
                  {{Visualize TEI}}-Based {{Digital Editions}}},
  issn =         {2162-5603},
  url =          {http://jtei.revues.org/1077},
  doi =          {10.4000/jtei.1077},
  shorttitle =   {Edition {{Visualization Technology}}},
  abstract =     {The TEI schemas and guidelines have made it possible for many
                  scholars and researchers to encode texts of any kind for
                  (almost) all kinds of purposes, but this excellent standard is
                  matched by an astounding diversity of publishing tools, which
                  is particularly true when it comes to image-based digital
                  editions. The different needs of scholars, coupled with the
                  constant search for an effective price/result ratio and the
                  local availability of technical skills, have led to a
                  remarkable fragmentation: publishing solutions range from
                  simple HTML pages produced using the TEI stylesheets (or the
                  TEI Boilerplate software) to very complex frameworks based on
                  CMS and SQL search engines. Researchers of the Digital
                  Vercelli Book project started looking into a simple,
                  user-friendly solution and eventually decided to build their
                  own: EVT (Edition Visualization Technology) has been under
                  development since about 2010 and has turned into a flexible
                  tool that can be used to create a web-based digital edition
                  starting from transcription files encoded in TEI XML. This
                  paper describes why this tool was created, how it works, and
                  developments planned for the future.},
  issue =        {Issue 8 - PREVIEW},
  journaltitle = {Journal of the Text Encoding Initiative},
  urldate =      {2015-10-23},
  date =         {2014-12-28},
  author =       {Turco, Roberto Rosselli Del and Buomprisco, Giancarlo and
                  Pietro, Chiara Di and Kenny, Julia and Masotti, Raffaele and
                  Pugliese, Jacopo},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/Z5V7RAQG/Turco et al.
                  - 2014 - Edition Visualization Technology A Simple Tool
                  to.pdf;/home/jon/Dokumentujo/Papers/zotero/storage/GMI826D3/1077.html}
}

@book{makin_ezra_2006,
  location = {{New York}},
  title = {Ezra {{Pound}}'s {{Cantos}} : A Casebook},
  isbn = {978-0-19-517528-8},
  shorttitle = {Ezra {{Pound}}'s {{Cantos}}},
  publisher = {{Oxford University Press}},
  date = {2006},
  keywords = {Pound; Ezra; 1885-1972},
  editor = {Makin, Peter},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/6RR9KEJA/catalog.html},
  annotation = {Butler PS3531.O82 C28517 2006}
}

@book{eastman_ezra_????,
  location =     {{Orono, Me}},
  title =        {Ezra {{Pound}}'s {{Cantos}} : The Story of the Text,
                  1948-1975},
  isbn =         {978-0-915032-02-0},
  shorttitle =   {Ezra {{Pound}}'s {{Cantos}}},
  publisher =    {{National Poetry Foundation, University of Maine}},
  year =         {c1979},
  keywords =     {Pound; Ezra; 1885-1972,Criticism; Textual},
  author =       {Eastman, Barbara C.},
  annotation =   {Post 1948 might~ not be relevant}
}

@book{dunbar_radical_1997,
  location =     {{New York}},
  title =        {Radical {{Mansfield}} : Double Discourse in {{Katherine
                  Mansfield}} Short Stories},
  isbn =         {978-0-312-17467-5},
  shorttitle =   {Radical {{Mansfield}}},
  publisher =    {{St. Martin's Press}},
  date =         1997,
  keywords =     {Mansfield; Katherine; 1888-1923,Criticism and
                  interpretation,History,New Zealand,Psychology and
                  literature,Psychological fiction,Modernism
                  (Literature),Radicalism in literature,History and criticism},
  author =       {Dunbar, Pamela},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/S2MMQRGT/2098087.html}
}

@book{pound_early_2005,
  langid =       {english},
  title =        {Early {{Writings}} ({{Pound}}, {{Ezra}}): {{Poems}} and
                  {{Prose}}},
  isbn =         {978-1-101-00734-1},
  shorttitle =   {Early {{Writings}} ({{Pound}}, {{Ezra}})},
  abstract =     {Ezra Pound makes his Penguin Classics debut with this unique
                  selection of his early poems and prose, edited with an
                  introductory essay and notes by Pound expert Ira Nadel. The
                  poetry includes such early masterpieces as “The Seafarer,”
                  “Homage to Sextus Propertius,” “Hugh Selwyn Mauberley,” and
                  the first eight of Pound’s incomparable “Cantos.” The prose
                  includes a series of articles and critical pieces, with essays
                  on Imagism, Vorticism, Joyce, and the well-known “Chinese
                  Written Character as a Medium for Poetry.”First time in
                  Penguin ClassicsIncludes generous selections of Pound's
                  poetry, as well as an assortment of prose},
  pagetotal =    346,
  publisher =    {{Penguin}},
  date =         {2005-06-28},
  keywords =     {Fiction / Classics,Fiction / Anthologies (multiple authors)},
  author =       {Pound, Ezra}
}

@article{davis_unity_1964,
  langid =       {english},
  title =        {The {{Unity}} of "{{The Garden Party}}"},
  volume =       2,
  issn =         {0039-3789},
  url =
                  {http://search.proquest.com.ezproxy.cul.columbia.edu/docview/1297934319/citation},
  number =       1,
  journaltitle = {Studies in Short Fiction},
  urldate =      {2015-10-25},
  date =         {1964-23},
  pages =        {61--65},
  keywords =     {Literature},
  author =       {Davis, Robert M.},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/CJUENJ48/Davis - 1964
                  - The Unity of The Garden Party.pdf},
  annotation =   {parsed}
}

@article{garver_political_2001,
  title =        {The {{Political Katherine Mansfield}}},
  volume =       8,
  issn =         {1080-6601},
  url =
                  {https://muse-jhu-edu.ezproxy.cul.columbia.edu/journals/modernism-modernity/v008/8.2garver.html},
  doi =          {10.1353/mod.2001.0022},
  number =       2,
  journaltitle = {Modernism/modernity},
  urldate =      {2015-10-25},
  date =         2001,
  pages =        {225-243},
  author =       {Garver, Lee},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/SB36E52I/Garver - 2001
                  - The Political Katherine
                  Mansfield.pdf;/home/jon/Dokumentujo/Papers/zotero/storage/ICT964FA/8.2garver.html},
  note =         {{$<$}p{$>$}Volume 8, Number 2, April 2001{$<$}/p{$>$}},
  annotation =   {Doesn't discuss the Garden Party except in a Footnote}
}

@article{iversen_reading_1968,
  langid =       {english},
  title =        {A {{Reading}} of {{Katherine Mansfield}}'s “{{The Garden
                  Party}}”},
  volume =       23,
  issn =         {1600-0730},
  url =
                  {http://onlinelibrary.wiley.com.ezproxy.cul.columbia.edu/doi/10.1111/j.1600-0730.1968.tb01837.x/abstract},
  doi =          {10.1111/j.1600-0730.1968.tb01837.x},
  number =       1,
  journaltitle = {Orbis Litterarum},
  urldate =      {2015-10-30},
  date =         {1968-03-01},
  pages =        {5-34},
  author =       {Iversen, Anders},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/P2GI5DS7/Iversen -
                  1968 - A Reading of Katherine Mansfield's “The Garden
                  Par.pdf;/home/jon/Dokumentujo/Papers/zotero/storage/VIZNMGIS/abstract.html},
  annotation =   {parsed}
}

@online{_green_????,
  title = {The {{Green Baize Door}}: {{Dividing Line Between Servant}} and {{Master}} | {{Jane Austen}}'s {{World}}},
  url = {https://janeaustensworld.wordpress.com/2012/01/27/the-green-baize-door-dividing-line-between-servant-and-master/},
  urldate = {2015-12-07},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/SPNBDQIP/the-green-baize-door-dividing-line-between-servant-and-master.html}
}

@book{daly_katherine_1994,
  langid =       {english},
  location =     {{New York; Toronto; New York}},
  title =        {Katherine {{Mansfield}}},
  isbn =         {978-0-8057-7056-8},
  abstract =     {In this new edition of Katherine Mansfield, Saralyn Daly
                  offers a timely and discerning assessment of one of the
                  century's most gifted writers of the short story. Out of
                  fashion with critics when the first edition was published in
                  1965, Mansfield has since come to be viewed as a major
                  influence on modernist and contemporary fiction. This revived
                  interest shows itself in various forms; a crop of critical
                  studies, mostly from scholars in her native New Zealand;
                  feminist interpretations of her work; and scholarly editions
                  of her poetry, critical writing, and letters, augmented by a
                  collection of letters between the author and her husband,
                  editor and critic John Middleton Murry. All of these new
                  sources, as well as Daly's close study of early drafts of
                  Mansfield's major stories, inform this book. Mansfield, who
                  died from tuberculosis in 1923 at age 34, wrote often of the
                  inadequacies of personal relationships. She sometimes used her
                  stories to express her feelings to her husband, but his
                  letters exhibit his failure to decode her messages; Mansfield
                  eventually stopped writing her stories "to" or about Murry.
                  This decision, recorded in one of her notebooks, freed her to
                  create her finest work during the last years of her life,
                  beginning with the stories "At the Bay," "The Garden Party,"
                  and "The Doll's House" and culminating in "The Daughters of
                  the Late Colonel" and "The Fly." Mansfield introduced most of
                  her character types - abused children, innocent young women
                  and isolated older women, exploited wives, and overbearing
                  husbands - in her earliest short story collection, In a German
                  Pensione. From the very first she wrote from what she knew;
                  her New Zealand youth, the artistic bohemian world of London,
                  the Continental world in which she convalesced. This choice of
                  subject matter has led biographers to assume her fiction is a
                  direct account of what they perceive to be an unhappy life -
                  an impression that is false, Daly writes, and that was
                  initiated largely by Murry, also Mansfield's literary
                  executor. Mansfield used her memories to compose fiction, but
                  her stories are not literal transcriptions of her experience.
                  In theme, style, and form Mansfield persistently developed her
                  craft. Daly describes the long, painstaking progress that
                  would establish her leadership in short story structure. While
                  Mansfield's stories reflect the spiritual and artistic malaise
                  of her age, they also represent acts of protest and social
                  criticism. Daly's study gives the reader access to a body of
                  work that for this very dissonance remains a cornerstone of
                  the modernist tradition in fiction.},
  publisher =    {{Twayne Publishers ; Maxwell Macmillan Canada ; Maxwell
                  Macmillan International}},
  date =         1994,
  author =       {Daly, Saralyn R}
}

@article{severn_linguistic_2009,
  langid =       {english},
  title =        {Linguistic {{Structure}} and {{Rhetorical Resolution}} in
                  {{Katherine Mansfield}} "{{The Garden Party}}"},
  issn =         {0294-04442},
  url =          {http://jsse.revues.org/951},
  abstract =     {Cet essai explore jusqu'à quel point les structures
                  linguistiques contenues dans “The Garden Party” de Katherine
                  Mansfield constituent des marqueurs de l'identité de classe.
                  Tant le narrateur que les personnages de la classe supérieure
                  utilisent des modèles de discours reposant sur le démenti et
                  la négativité. À travers l'usage répété de questions polies,
                  les personnages établissent une hiérarchie d'attentes limitant
                  le choix et empêchant le défi. L'affirmation et l'assertion
                  sont rares; le démenti et la répression sont la règle.
                  Inversement, les membres des classes inférieures embrassent
                  l'affirmation et agissent. Ces résultats suggèrent que le
                  silence de Laura à la conclusion du texte doit être lu comme
                  un acte de résistance, un refus de continuer à suivre ces
                  formalités qui ont modelé sa vie et sa conscience jusqu'à ce
                  moment. Le texte ne prescrit pas la route qu'elle devra suivre
                  dans l'avenir, mais il décrit clairement où elle s'est
                  trouvée. Cette interprétation contredit la croyance largement
                  répandue que “The Garden Party” ne forme pas une position
                  rhétorique claire à l'égard des enjeux d'interaction entre
                  classes qui y sont soulevés.},
  number =       52,
  journaltitle = {Journal of the Short Story in English. Les Cahiers de la
                  nouvelle},
  urldate =      {2015-10-26},
  date =         {2009-06-01},
  author =       {Severn, Stephen E.},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/NMKUP3TN/Severn - 2009
                  - Linguistic Structure and Rhetorical Resolution in
                  .pdf;/home/jon/Dokumentujo/Papers/zotero/storage/53TRBGPA/951.html}
}

@book{pound_variorum_1991,
  location =     {{Bayreuth, Germany}},
  title =        {Variorum Edition of 'three Cantos' by {{Ezra Pound}} : A
                  Prototype},
  isbn =         {978-3-9802212-3-8},
  shorttitle =   {Variorum Edition of 'three Cantos' by {{Ezra Pound}}},
  publisher =    {{Boomerang Press-Norbert Aas}},
  date =         1991,
  keywords =     {Pound; Ezra; 1885-1972,Criticism; Textual},
  author =       {Pound, Ezra},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/WB67WBNJ/1095224.html},
  annotation =   {Impressive but I don't really know how to use this. ~
                  Requested from Offsite ~}
}

@article{atkinson_mrs._2006,
  title =        {Mrs. Sheridan's Masterstroke: Liminality in Katherine
                  Mansfield's “The Garden-Party”},
  volume =       87,
  issn =         {0013-838X},
  url =          {http://dx.doi.org/10.1080/00138380500490629},
  doi =          {10.1080/00138380500490629},
  shorttitle =   {Mrs. Sheridan's Masterstroke},
  number =       1,
  journaltitle = {English Studies},
  urldate =      {2015-10-26},
  date =         {2006-02-01},
  pages =        {53-61},
  author =       {Atkinson, Professor William},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/8GZ65HZX/Atkinson -
                  2006 - Mrs. Sheridan's masterstroke Liminality in
                  Kather.pdf;/home/jon/Dokumentujo/Papers/zotero/storage/AH7FV9MF/00138380500490629.html}
}

@book{milton_john_2008,
  title =        {John {{Milton}}: The {{Major Works}}},
  isbn =         {978-0-19-953918-5},
  shorttitle =   {John {{Milton}}},
  pagetotal =    966,
  series =       {Oxford {{World}}'s {{Classics}}},
  publisher =    {{Oxford University Press}},
  date =         2008,
  author =       {Milton, John},
  editor =       {Orgel, Stephen and Goldberg, Jonathan},
  annotation =   {First published: 1991; first published, with revisions, as an
                  Oxford world's classics paperback: 2003; reissued 2008}
}

@inreference{_measure_2001,
  langid = {british},
  title = {Measure, v.},
  url = {http://www.oed.com.ezproxy.cul.columbia.edu/view/Entry/115507},
  booktitle = {{{OED Online}}},
  publisher = {{Oxford University Press}},
  urldate = {2016-02-16},
  date = {2001-03},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/62884SXA/115507.html}
}

@article{darrohn_blown_1998,
  langid =       {english},
  title =        {"{{Blown}} to Bits!": {{Katherine Mansfield}}'s "{{The
                  Garden}}-{{Party}}" and the {{Great War}}},
  volume =       44,
  issn =         00267724,
  url =
                  {http://search.proquest.com.ezproxy.cul.columbia.edu/docview/208049677},
  shorttitle =   {"{{Blown}} to Bits!"},
  abstract =     {Darrohn discusses what is distinctive about the dead men in
                  Katherine Mansfield's short story "The Garden-Party,"
                  especially in light of the context of the Great War.},
  number =       3,
  journaltitle = {Modern Fiction Studies},
  urldate =      {2015-10-26},
  date =         {1998-23},
  pages =        {513-539},
  keywords =     {Literature,Short stories,Literary criticism,World War
                  I,Bibliographies,Literary And Political Reviews,Humanities:
                  Comprehensive Works},
  author =       {Darrohn, Christine},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/J6T6D9IS/fulltext.html}
}

@collection{wilson_katherine_2013,
  title = {Katherine {{Mansfield}} and the ({{Post}})Colonial},
  isbn = {978-0-7486-6909-7},
  url = {http://edinburgh.universitypressscholarship.com/view/10.3366/edinburgh/9780748669097.001.0001/upso-9780748669097},
  publisher = {{Edinburgh University Press}},
  urldate = {2015-10-26},
  date = {2013-10-30},
  editor = {Wilson, Janet and Kimber, Gerri and da Sousa Correa, Delia},
  options = {useprefix=true},
}

@article{sorkin_katherine_1978,
  title =        {Katherine {{Mansfield}}'s "{{The Garden Party}}": {{Style}}
                  and {{Social Occasion}}},
  volume =       24,
  issn =         {0026-7724},
  url =
                  {http://search.proquest.com.ezproxy.cul.columbia.edu/mlaib/docview/1301327127/citation/2DA6E2404BEC4A02PQ/20},
  shorttitle =   {Katherine {{Mansfield}}'s "{{The Garden Party}}"},
  number =       3,
  journaltitle = {Modern Fiction Studies},
  urldate =      {2015-10-26},
  date =         {1978-23},
  pages =        {439--455},
  keywords =     {Literature},
  author =       {Sorkin, Adam J.},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/W54DW2R3/Sorkin - 1978
                  - Katherine Mansfield's The Garden Party Style an.pdf}
}

@article{taylor_crashing_1958,
  title =        {Crashing the {{Garden Party}}},
  volume =       4,
  issn =         {0026-7724},
  url =
                  {http://search.proquest.com.ezproxy.cul.columbia.edu/mlaib/docview/1301328982/citation/2DA6E2404BEC4A02PQ/35},
  number =       4,
  journaltitle = {Modern Fiction Studies},
  urldate =      {2015-10-26},
  date =         {1958-24},
  pages =        {361--364},
  keywords =     {Literature},
  author =       {Taylor, Donald S. and Weiss, Daniel A.},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/75U9XQ2N/Taylor and
                  Weiss - 1958 - Crashing the Garden Party.pdf},
  annotation =   {parsed}
}

@collection{rainey_poem_????,
  location = {{Ann Arbor}},
  title = {A Poem Containing History : Textual Studies in {{The}} Cantos},
  isbn = {978-0-472-10232-7},
  shorttitle = {A Poem Containing History},
  publisher = {{University of Michigan Press}},
  year = {c1997},
  keywords = {Pound; Ezra; 1885-1972,Criticism; Textual},
  editor = {Rainey, Lawrence S.},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/GEQMGWHB/poem-containing-history.pdf;/home/jon/Dokumentujo/Papers/zotero/storage/IHWJHS3M/1956129.html},
  annotation = {Parsed. Too Textual

Scanned. Butler: PS3531.O82 C2873 1996}
}

@article{kleine_garden_1963,
  title =        {"{{The Garden Party}}": {{A Portrait}} of the {{Artist}}},
  volume =       5,
  issn =         {0011-1589},
  url =
                  {http://search.proquest.com.ezproxy.cul.columbia.edu/mlaib/docview/1311722310/citation/2DA6E2404BEC4A02PQ/33},
  shorttitle =   {"{{The Garden Party}}"},
  number =       4,
  journaltitle = {Criticism : a Quarterly for Literature and the Arts},
  urldate =      {2015-10-26},
  date =         {1963-23},
  pages =        {360--371},
  keywords =     {Literature},
  author =       {Kleine, Don W.},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/FM7SS7TE/Kleine - 1963
                  - The Garden Party A Portrait of the Artist.pdf}
}

@article{walker_unresolved_1957,
  title =        {The {{Unresolved Conflict}} in "{{The Garden Party}}"},
  volume =       3,
  issn =         {0026-7724},
  url =
                  {http://search.proquest.com.ezproxy.cul.columbia.edu/mlaib/docview/1301316101/citation/2DA6E2404BEC4A02PQ/36},
  number =       4,
  journaltitle = {Modern Fiction Studies},
  urldate =      {2015-10-26},
  date =         {1957-24},
  pages =        {354--358},
  keywords =     {Literature},
  author =       {Walker, Warren},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/9H686UM2/Walker - 1957
                  - The Unresolved Conflict in The Garden Party.pdf},
  annotation =   {parsed}
}

@article{robinson_mansfields_1966,
  langid =       {english},
  title =        {Mansfield's the {{Garden Party}}},
  volume =       24,
  issn =         {0014-4940},
  url =
                  {http://search.proquest.com.ezproxy.cul.columbia.edu/literature/docview/1290248083/citation/35894AB19B834679PQ/6},
  number =       8,
  journaltitle = {Explicator},
  urldate =      {2015-10-26},
  date =         {1966-04-01},
  keywords =     {Literature},
  author =       {Robinson, Fred C.},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/SXXVIZS7/Robinson -
                  1966 - Mansfield's the Garden Party.pdf}
}

@book{childs_modernist_????,
  location =     {{London}},
  title =        {Modernist Form : {{Pound}}'s Style in the Early {{Cantos}}},
  isbn =         {978-0-941664-15-8},
  shorttitle =   {Modernist Form},
  publisher =    {{Associated University Press}},
  year =         {c1986},
  keywords =     {Modernism (Literature),Pound; Ezra; 1885-1972,Style},
  author =       {Childs, John Steven},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/H38VNWRX/514564.html}
}

@collection{greenblatt_norton_2006,
  location = {{New York}},
  title = {The {{Norton}} Anthology of {{English}} Literature. {{The}} Major Authors},
  edition = {8th},
  publisher = {{Norton}},
  date = {2006},
  keywords = {English literature},
  editor = {Greenblatt, Stephen},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/29BJEJ8V/1948316.html}
}

@article{reid_s/z_2001,
  title =        {S/{{Z Revisited}}},
  volume =       14,
  issn =         {1080-6636},
  url =
                  {https://muse-jhu-edu.ezproxy.cul.columbia.edu/journals/yale_journal_of_criticism/v014/14.2reid.html},
  doi =          {10.1353/yale.2001.0033},
  number =       2,
  journaltitle = {The Yale Journal of Criticism},
  urldate =      {2015-11-08},
  date =         2001,
  pages =        {447-452},
  author =       {Reid, Martine},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/JI8GHS3H/Reid - 2001 -
                  SZ
                  Revisited.pdf;/home/jon/Dokumentujo/Papers/zotero/storage/JE2SGBJP/14.2reid.html},
  note =         {{$<$}p{$>$}Volume 14, Number 2, Fall 2001{$<$}/p{$>$}}
}

@book{barthes_roland_s/z_1974,
  location =     {{New York}},
  title =        {S/{{Z}}},
  publisher =    {{Hill and Wang}},
  date =         1974,
  author =       {{Barthes, Roland}},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/J63UWNDK/Barthes_Roland_S-Z_2002.pdf}
}

@article{nownes_garden_1993,
  title =        {‘The Garden Party”;: Responding to Katherine Mansfield's
                  Invitation},
  volume =       33,
  url =          {http://www.tandfonline.com/doi/pdf/10.1080/17449859308589206},
  shorttitle =   {‘The Garden Party”;},
  number =       2,
  journaltitle = {Journal of Postcolonial Writing},
  urldate =      {2015-12-16},
  date =         1993,
  pages =        {49--57},
  author =       {Nownes, Nicholas L.},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/5X3TJ2NJ/17449859308589206.html}
}

@book{magalaner_fiction_1971,
  langid =       {english},
  title =        {The Fiction of {{Katherine Mansfield}}},
  isbn =         {978-0-8093-0478-3},
  abstract =     {A foremost practitioner of English short-story writing, the
                  wife of John Middleton Murry, and a gifted writer of rare
                  psychological insight, Katherine Mansfield achieved literary
                  distinction which still inspires critical interest nearly
                  fifty years after her death in 1923at the age of thirty-five.
                  The continuing vitality of her writing and the depth of her
                  insight into the human condition is here brilliantly assessed
                  by Marvin Magalaner.},
  pagetotal =    168,
  publisher =    {{Southern Illinois University Press}},
  date =         {1971-03-01},
  keywords =     {Women and literature,Literary Criticism / Australian &
                  Oceanian,Literary Criticism / Women Authors},
  author =       {Magalaner, Marvin}
}

@article{marty_roland_2005,
  langid =       {french},
  title =        {Roland Barthes et le discours clinique : lecture de S/Z},
  volume =       {no 15},
  issn =         {1287-258X},
  url =          {http://www.cairn.info/resume.php?ID_ARTICLE=ESS_015_0083},
  shorttitle =   {Roland Barthes et le discours clinique},
  number =       2,
  journaltitle = {Essaim},
  urldate =      {2015-11-08},
  date =         {2005-10-01},
  pages =        {83-100},
  author =       {Marty, Éric},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/GI6T66ZD/Marty - 2005
                  - Roland Barthes et le discours clinique lecture
                  d.pdf;/home/jon/Dokumentujo/Papers/zotero/storage/8RWAAP3H/article.html}
}

@incollection{smith_deleuze_2012,
  location =     {{Cambridge}},
  title =        {Deleuze and Structuralism},
  isbn =         {978-0-511-75365-7},
  url =
                  {http://universitypublishingonline.org/ref/id/companions/CCO9780511753657A014},
  booktitle =    {The {{Cambridge Companion}} to {{Deleuze}}},
  publisher =    {{Cambridge University Press}},
  urldate =      {2015-11-08},
  date =         2012,
  pages =        {126-150},
  author =       {Dosse, François},
  editor =       {Smith, Daniel and Somers-Hall, Henry},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/G2Q64PZ8/CCO9780511753657A014.pdf}
}

@article{rosenthal_deciphering_1975,
  eprinttype =   {jstor},
  eprint =       375059,
  title =        {Deciphering {{S}}/{{Z}}},
  volume =       37,
  issn =         {0010-0994},
  doi =          {10.2307/375059},
  number =       2,
  journaltitle = {College English},
  shortjournal = {College English},
  date =         1975,
  pages =        {125-144},
  author =       {Rosenthal, Peggy},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/78HTSED4/Rosenthal -
                  1975 - Deciphering SZ.pdf}
}

@incollection{guattari_machine_1984,
  langid =       {Translation of: part of Psychanalyse et transversalité, and
                  part of La révolution moléculaire.},
  location =     {{Harmondsworth, Middlesex, England; New York, N.Y., U.S.A.}},
  title =        {Machine and Structure},
  isbn =         {978-0-14-055160-0},
  booktitle =    {Molecular revolution: psychiatry and politics},
  publisher =    {{Penguin}},
  date =         1984,
  author =       {Guattari, Félix},
  annotation =   {Requested from NYPL}
}

@article{herschberg-pierrot_barthes_2002,
  title =        {Barthes and {{Doxa}}},
  volume =       23,
  issn =         {1527-5507},
  url =
                  {https://muse-jhu-edu.ezproxy.cul.columbia.edu/journals/poetics_today/v023/23.3pierrot.html},
  number =       3,
  journaltitle = {Poetics Today},
  urldate =      {2015-11-09},
  date =         2002,
  pages =        {427-442},
  author =       {Herschberg-Pierrot, Anne},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/J8XZBDV2/Herschberg-Pierrot
                  - 2002 - Barthes and
                  Doxa.pdf;/home/jon/Dokumentujo/Papers/zotero/storage/PT94EVWV/23.3pierrot.html},
  note =         {{$<$}p{$>$}Volume 23, Number 3, Fall 2002{$<$}/p{$>$}}
}

@online{_structuralism_????,
  title = {Structuralism | {{The Johns Hopkins Guide}} to {{Literary Theory}} and {{Criticism}}},
  url = {http://litguide.press.jhu.edu.ezproxy.cul.columbia.edu/cgi-bin/view.cgi?eid=247&query=structuralism},
  urldate = {2015-11-09},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/Q86KQGGK/view.html}
}

@book{berman_new_????,
  location =     {{Urbana}},
  title =        {From the New Criticism to Deconstruction : The Reception of
                  Structuralism and Post-Structuralism},
  isbn =         {978-0-252-01508-3},
  shorttitle =   {From the New Criticism to Deconstruction},
  publisher =    {{University of Illinois Press}},
  year =         {c1988},
  keywords =     {Structuralism (Literary analysis),Deconstruction},
  author =       {Berman, Art},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/RSVDVG7C/659968.html}
}

@article{_methode_1977,
  langid =       {french},
  title =        {La Methode 'S/Z' appliquee a Proust},
  issn =         {0360-7887},
  url =
                  {