text:
http://search.proquest.com.ezproxy.cul.columbia.edu/docview/53890586},
  journaltitle = {Rackham Literary Studies},
  urldate =      {2015-11-09},
  date =         1977
}

@book{hickman_john_2012,
  langid =       {english},
  title =        {John {{Ashbery}} and {{English Poetry}}},
  isbn =         {978-0-7486-4922-8},
  abstract =     {A study of how we should read one of America's most important
                  poets. Ben Hickman argues that we must attend to Ashbery's
                  radical conception of reading if we are to understand the
                  originality of his writing. His study focuses on Ashbery's
                  reading of English poets, including Andrew Marvell, John
                  Donne, William Wordsworth, John Clare, T. S. Eliot and W. H.
                  Auden, and examines Ashbery's writing in terms of an
                  'aesthetic of inattention'. Hickman critiques the
                  Americanisation of Ashbery's work as well as common
                  assumptions about his Romanticism, his avant-garde Modernism
                  and his engagement with the historical present. He
                  demonstrates that Ashbery's generosity as a writer is closely
                  tied to his generosity, inattention and situatedness as a
                  reader.},
  pagetotal =    201,
  publisher =    {{Edinburgh University Press}},
  date =         {2012-03-07},
  keywords =     {Literary Criticism / General,Literary Criticism / American /
                  General},
  author =       {Hickman, Ben}
}

@book{ashbery_selected_2005,
  langid =       {english},
  title =        {Selected {{Prose}}},
  isbn =         {978-0-472-03139-9},
  abstract =     {"By the end of the book, Ashbery has laid out not only a
                  course in contemporary poetics but a portrait of the artist
                  teaching himself to become a thoroughly Modernist poet---in
                  small bites, easy to savor, easy to digest." ---Los Angeles
                  Times Book Review "This is a marvelous book by one of our
                  greatest poets. Reading John Ashbery's Selected Prose is like
                  listening to a brilliant talker who not only keeps us
                  entertained and laughing, but who also has wise things to say
                  about all sorts of interesting subjects." ---Charles Simic "At
                  last! Many of the fugitive pieces collected in this
                  volume---on Gertude Stein, on Frank O'Hara, on Marianne Moore
                  or Adrienne Rich---published as many of them were in
                  out-of-the way places, have already become collectors' items,
                  providing fascinating---and often startling--- assessments of
                  their subjects as well as new insight into Ashbery himself.
                  Now here they are between two covers, along with many hitherto
                  unknown pieces on subjects ranging from Michel Butor to Mary
                  Butts, Jane Freilicher to Mark Ford. For anyone who cares
                  about the contemporary poetry/art scene, this is an
                  indispensable collection." ---Marjorie Perloff, Stanford
                  University Selected Prose contains a broad selection of texts
                  by internationally acclaimed poet and critic John Ashbery.
                  This third collection of Ashbery's critical writings
                  dramatically expands the terrain covered by the first two,
                  Reported Sightings: Art Chronicles 1957-1987 and Other
                  Traditions (first presented as the Norton Lectures at
                  Harvard). These essays on writers, artists, filmmakers and the
                  life of a poet provide insight into Ashbery's evolution as one
                  of the major poets in English. Ashbery's criticism is as
                  essential to the cultural history of the twentieth century as
                  was that of T.S. Eliot and W.H. Auden. His unique sensibility
                  has had a profound impact on the literature and arts of our
                  time, and his influence is certain to be felt for decades to
                  come. Editor Eugene Richie's introduction provides a
                  meaningful context for fifty years' worth of critical and
                  creative prose by one of America's finest poets.},
  pagetotal =    340,
  publisher =    {{University of Michigan Press}},
  date =         2005,
  keywords =     {Literary Criticism / American / General},
  author =       {Ashbery, John and Richie, Eugene}
}

@article{salusinsky_imre_genesis_????,
  title =        {The {{Genesis}} of {{Ashbery}}'s '{{Europe}}'},
  url =
                  {http://libserv43.princeton.edu/ariel/docs/ARIEL_IYZM7O6_RECAP-026_20151111134106.PDF},
  journaltitle = {Notes on Modern American Literature},
  urldate =      {2015-11-11},
  author =       {{Salusinsky, Imre}},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/PANJ8ZKI/ARIEL_IYZM7O6_RECAP-026_20151111134106.pdf}
}

@book{kurnick_empty_2011,
  langid =       {english},
  title =        {Empty {{Houses}}: {{Theatrical Failure}} and the {{Novel}}},
  isbn =         {978-1-4008-4009-0},
  shorttitle =   {Empty {{Houses}}},
  abstract =     {According to the dominant tradition of literary criticism, the
                  novel is the form par excellence of the private individual.
                  Empty Houses challenges this consensus by reexamining the
                  genre's development from the mid-nineteenth to the
                  mid-twentieth century and exploring what has until now seemed
                  an anomaly--the frustrated theatrical ambitions of major
                  novelists. Offering new interpretations of the careers of
                  William Makepeace Thackeray, George Eliot, Henry James, James
                  Joyce, and James Baldwin--writers known for mapping
                  ever-narrower interior geographies--this book argues that the
                  genre's inward-looking tendency has been misunderstood.
                  Delving into the critical role of the theater in the origins
                  of the novel of interiority, David Kurnick reinterprets the
                  novel as a record of dissatisfaction with inwardness and an
                  injunction to rethink human identity in radically collective
                  and social terms. Exploring neglected texts in order to reread
                  canonical ones, Kurnick shows that the theatrical ambitions of
                  major novelists had crucial formal and ideological effects on
                  their masterworks. Investigating a key stretch of each of
                  these novelistic careers, he establishes the theatrical
                  genealogy of some of the signal techniques of narrative
                  interiority. In the process he illustrates how the novel is
                  marked by a hunger for palpable collectivity, and argues that
                  the genre's discontents have been a shaping force in its
                  evolution. A groundbreaking rereading of the novel, Empty
                  Houses provides new ways to consider the novelistic
                  imagination.},
  pagetotal =    268,
  publisher =    {{Princeton University Press}},
  date =         {2011-12-05},
  keywords =     {Literary Criticism / General,Literary Criticism / Drama},
  author =       {Kurnick, David}
}

@book{kucera_computational_1967,
  location =     {{Providence}},
  title =        {Computational Analysis of Present-Day {{American English}}},
  publisher =    {{Brown University Press}},
  date =         1967,
  keywords =     {English language,Word frequency,United States},
  author =       {Kučera, Henry and Francis, W. Nelson},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/ECBFRSI3/253633.html}
}

@book{leech_change_2009,
  langid =       {english},
  title =        {Change in {{Contemporary English}}: {{A Grammatical Study}}},
  isbn =         {978-0-521-86722-1},
  shorttitle =   {Change in {{Contemporary English}}},
  abstract =     {Based on the systematic analysis of large amounts of
                  computer-readable text, this book shows how the English
                  language has been changing in the recent past, often in
                  unexpected and previously undocumented ways. The study is
                  based on a group of matching corpora, known as the 'Brown
                  family' of corpora, supplemented by a range of other corpus
                  materials, both written and spoken, drawn mainly from the
                  later twentieth century. Among the matters receiving
                  particular attention are the influence of American English on
                  British English, the role of the press, the
                  'colloquialization' of written English, and a wide range of
                  grammatical topics, including the modal auxiliaries,
                  progressive, subjunctive, passive, genitive and relative
                  clauses. These subjects build an overall picture of how
                  English grammar is changing, and the linguistic and social
                  factors that are contributing to this process.},
  pagetotal =    371,
  publisher =    {{Cambridge University Press}},
  date =         {2009-10-22},
  keywords =     {Language Arts & Disciplines / Linguistics / General,Language
                  Arts & Disciplines / Linguistics / Historical &
                  Comparative,Language Arts & Disciplines / Linguistics /
                  Sociolinguistics,Language Arts & Disciplines / Linguistics /
                  Syntax,Language Arts & Disciplines / Vocabulary},
  author =       {Leech, Geoffrey}
}

@book{baugh_history_2010,
  langid =       {english},
  location =     {{Abingdon}},
  title =        {A {{History}} of the {{English}} Language},
  isbn =         {978-0-415-28098-3 978-0-415-28099-0},
  publisher =    {{Routledge}},
  date =         2010,
  author =       {Baugh, Albert Croll and Cable, Thomas}
}

@book{pyles_origins_2010,
  langid =       {english},
  location =     {{Boston, MA}},
  title =        {The Origins and Development of the {{English}} Language},
  isbn =         {978-1-4282-3145-0 978-1-4282-3147-4},
  publisher =    {{Wadsworth Cengage Learning}},
  date =         2010,
  author =       {Pyles, Thomas and Algeo, John}
}

@article{robinson_green_2009,
  eprinttype =   {jstor},
  eprint =       40339612,
  title =        {Green {{Seraglios}}: {{Tulips}}, {{Turbans}}, and the {{Global
                  Market}}},
  volume =       9,
  issn =         {1531-0485},
  shorttitle =   {Green {{Seraglios}}},
  abstract =     {This article reads seventeenth-century texts about the tulip
                  for what they have to say about an expanding global market and
                  the new forms of cultivation and cultural competency linked to
                  that market. A recent import from Turkey, even the tulip's
                  name identified it as a stranger: the word derives from—and in
                  early modern orthography is sometimes identical with—the word
                  "turban," entering European languages as a deformation of the
                  Persian root dulband. In herbals, manuals of garden design,
                  poems, and other texts, the cultivation of Turkish tulips in
                  England comes to embody the problem of the cultural effects of
                  an expanding market—its way of violating national, racial, and
                  religious boundaries; even its denaturalization of the claims
                  of the "native" and the "foreign" in the figure of the migrant
                  flower that accommodates itself to a new soil and a new
                  climate. With particular attention to Andrew MarveWs "The
                  Mower Against Gardens? as well as to the herbals of John
                  Gerard and John Parkinson, the article details how tulip
                  cultivation came to evoke, in a compressed way, a whole nexus
                  of issues centering on cultural identity in an increasingly
                  global economy.},
  number =       1,
  journaltitle = {Journal for Early Modern Cultural Studies},
  shortjournal = {Journal for Early Modern Cultural Studies},
  date =         2009,
  pages =        {93-122},
  author =       {Robinson, Benedict S.},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/R5X63BVA/Robinson -
                  2009 - Green Seraglios Tulips, Turbans, and the Global M.pdf}
}

@book{bush_genesis_1989,
  location =     {{Princeton, N.J.}},
  title =        {The Genesis of {{Ezra Pound}}'s {{Cantos}}},
  isbn =         {978-0-691-01455-5},
  publisher =    {{Princeton University Press}},
  year =         {1989, c1976},
  keywords =     {Pound; Ezra; 1885-1972},
  author =       {Bush, Ronald},
  annotation =   {Checked out from Butler}
}

@book{davenport_cities_????,
  location =     {{Ann Arbor, Mich}},
  title =        {Cities on Hills : A Study of {{I}}-{{XXX}} of {{Ezra Pound}}'s
                  Cantos},
  isbn =         {978-0-8357-1455-6},
  shorttitle =   {Cities on Hills},
  publisher =    {{UMI Research Press}},
  year =         {c1983},
  keywords =     {Pound; Ezra; 1885-1972},
  author =       {Davenport, Guy},
  annotation =   {Checked out from Butler}
}

@book{stoicheff_hall_????,
  location =     {{Ann Arbor}},
  title =        {The Hall of Mirrors : {{Drafts}} \& {{Fragments}} and the End
                  of {{Ezra Pound}}'s {{Cantos}}},
  isbn =         {978-0-472-10526-7},
  shorttitle =   {The Hall of Mirrors},
  publisher =    {{University of Michigan Press}},
  year =         {c1995},
  keywords =     {Pound; Ezra; 1885-1972},
  author =       {Stoicheff, Peter}
}

@book{froula_write_????,
  location =     {{New Haven}},
  title =        {To Write Paradise : Style and Error in {{Pound}}'s {{Cantos}}},
  isbn =         {978-0-300-02512-5},
  shorttitle =   {To Write Paradise},
  publisher =    {{Yale University Press}},
  year =         {c1984},
  keywords =     {Pound; Ezra; 1885-1972},
  author =       {Froula, Christine},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/NX4P3U8T/315205.html},
  annotation =   {Requested from Offsite}
}

@book{cookson_guide_2001,
  location =     {{London}},
  title =        {A Guide to the Cantos of {{Ezra Pound}}},
  isbn =         {978-0-85646-305-1},
  publisher =    {{Anvil Press Poetry}},
  date =         2001,
  keywords =     {Criticism and interpretation,Pound; Ezra; 1885-1972},
  author =       {Cookson, William},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/ZAMHG4EK/cookson.pdf;/home/jon/Dokumentujo/Papers/zotero/storage/ZSDH3UAE/3029811.html}
}

@book{john_beginners_1995,
  location =     {{Salzburg, Austria}},
  title =        {A Beginner's Guide to the {{Cantos}} of {{Ezra Pound}}},
  isbn =         {978-3-7052-0405-8},
  publisher =    {{Institut für Anglistik und Amerikanistik}},
  date =         1995,
  keywords =     {Pound; Ezra; 1885-1972},
  author =       {John, Roland},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/DWJVT9EJ/john.pdf;/home/jon/Dokumentujo/Papers/zotero/storage/48DGQ4EN/1693850.html}
}

@online{furhman_mapping_????,
  title = {Mapping {{Indexicality}} in {{Walter Benjamin}}'s {{The Arcades Project}}},
  url = {http://emilyfuhrman.co/images/post-023_imgs/Y2015004_PAPER.pdf},
  urldate = {2016-01-18},
  author = {Furhman, Emily},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/I9UD7R2R/Mapping Indexicality in Walter Benjamin's The Arcades Project.pdf}
}

@book{kearns_guide_????,
  location =     {{New Brunswick, N.J.}},
  title =        {Guide to {{Ezra Pound}}'s {{Selected}} Cantos},
  isbn =         {978-0-8135-0886-3},
  publisher =    {{Rutgers University Press}},
  year =         {c1980},
  keywords =     {Pound; Ezra; 1885-1972},
  author =       {Kearns, George},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/AC69ZFWP/kearns.pdf;/home/jon/Dokumentujo/Papers/zotero/storage/MB87G55V/78107.html}
}

@book{terrell_companion_????,
  location =     {{Berkeley}},
  title =        {A Companion to the Cantos of {{Ezra Pound}}},
  isbn =         {978-0-520-03687-1},
  publisher =    {{University of California Press}},
  year =         {c1980-},
  keywords =     {Pound; Ezra; 1885-1972},
  author =       {Terrell, Carroll Franklin},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/KJVMAPR4/terrell.pdf;/home/jon/Dokumentujo/Papers/zotero/storage/AZNNZNAU/50490.html}
}

@book{edwards_annotated_1959,
  location =     {{Berkeley}},
  title =        {Annotated Index to {{The}} Cantos of {{Ezra Pound}} : Cantos
                  {{I}}-{{LXXXIV}}},
  shorttitle =   {Annotated Index to {{The}} Cantos of {{Ezra Pound}}},
  publisher =    {{University of California Press}},
  date =         1959,
  keywords =     {Pound; Ezra; 1885-1972},
  author =       {Edwards, John Hamilton},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/FJCIIWWF/9283465.html},
  annotation =   {Requested from Borrow Direct}
}

@collection{nadel_ezra_2010,
  location = {{New York}},
  title = {Ezra {{Pound}} in Context},
  isbn = {978-0-521-51507-8},
  publisher = {{Cambridge University Press}},
  date = {2010},
  keywords = {Criticism and interpretation,Pound; Ezra; 1885-1972},
  editor = {Nadel, Ira B.},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/5VCR8IQ5/context.pdf;/home/jon/Dokumentujo/Papers/zotero/storage/H7A8TVFS/8479519.html},
  annotation = {Scanned. Butler PS3531.O82 Z625 2010}
}

@article{scappettone_utopia_2007,
  eprinttype =   {jstor},
  eprint =       25501674,
  title =        {Utopia {{Interrupted}}: {{Archipelago}} as {{Sociolyric
                  Structure}} in "{{A Draft}} of {{XXX Cantos}}"},
  volume =       122,
  issn =         {0030-8129},
  shorttitle =   {Utopia {{Interrupted}}},
  abstract =     {This essay explores Venice's recurrence as an implicit
                  structure in Ezra Pound's "Cantos," arguing that the built
                  archipelago provides a model for the modernist text, created
                  through engagement with recalcitrant objective dynamics
                  opposed to their containment by an imperious subject-and
                  proffering the canalized republic as a counter to Pound's
                  eventual fascist city of man. The rigorous empiricism of
                  Ruskin's Venetian histories supplies a founding set of tropes
                  through which the fluid, fractured cityscape becomes a taunt
                  to find material ground for historical meaning. Pound, taking
                  up the multiple construction of Venice that haunted Ruskin,
                  locates in it a utopian-and site-oriented-poetic structure
                  valorizing the interstitial and thus the relational, the
                  differential. The Venetian complex that emerges intermittently
                  in "The Cantos" literalizes the unsettling of Pound's attempt
                  to monumentalize the body politic, remaining unassimilated-and
                  challenging to efforts to transfix any totality construed as
                  part of the project of modernity.},
  number =       1,
  journaltitle = {PMLA},
  shortjournal = {PMLA},
  date =         2007,
  pages =        {105-123},
  author =       {Scappettone, Jennifer},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/QWNDVAUD/Scappettone -
                  2007 - Utopia Interrupted Archipelago as Sociolyric Stru.pdf}
}

@article{kenner_self-similarity_1988,
  eprinttype =   {jstor},
  eprint =       2873191,
  title =        {Self-{{Similarity}}, {{Fractals}}, {{Cantos}}},
  volume =       55,
  issn =         {0013-8304},
  doi =          {10.2307/2873191},
  number =       3,
  journaltitle = {ELH},
  shortjournal = {ELH},
  date =         1988,
  pages =        {721-730},
  author =       {Kenner, Hugh},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/R7BQ5USX/Kenner - 1988
                  - Self-Similarity, Fractals, Cantos.pdf}
}

@article{adams_metrical_1988,
  eprinttype =   {jstor},
  eprint =       3831532,
  title =        {The {{Metrical Contract}} of "{{The Cantos}}"},
  volume =       15,
  issn =         {0022-281X},
  number =       1,
  journaltitle = {Journal of Modern Literature},
  shortjournal = {Journal of Modern Literature},
  date =         1988,
  pages =        {55-72},
  author =       {Adams, Stephen J.},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/E9EFH8FJ/Adams - 1988
                  - The Metrical Contract of The Cantos.pdf}
}

@article{foster_pounds_1966,
  eprinttype =   {jstor},
  eprint =       436049,
  title =        {Pound's {{Revision}} of {{Cantos I}}-{{III}}},
  volume =       63,
  issn =         {0026-8232},
  number =       3,
  journaltitle = {Modern Philology},
  shortjournal = {Modern Philology},
  date =         1966,
  pages =        {236-245},
  author =       {Foster, John L.},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/DSGTJRIA/Foster - 1966
                  - Pound's Revision of Cantos I-III.pdf}
}

@article{moramarco_concluding_1977,
  eprinttype =   {jstor},
  eprint =       2924984,
  title =        {Concluding an {{Epic}}: {{The Drafts}} and {{Fragments}} of
                  {{The Cantos}}},
  volume =       49,
  issn =         {0002-9831},
  doi =          {10.2307/2924984},
  shorttitle =   {Concluding an {{Epic}}},
  number =       3,
  journaltitle = {American Literature},
  shortjournal = {American Literature},
  date =         1977,
  pages =        {309-326},
  author =       {Moramarco, Fred},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/QBAJ33RH/Moramarco -
                  1977 - Concluding an Epic The Drafts and Fragments of Th.pdf},
  annotation =   {concerns later cantos; not relevant}
}

@article{masson__1986,
  eprinttype =   {jstor},
  eprint =       24271652,
  title =        {« {{LES CANTOS}} » {{DE POUND Un}} Chef-d'œuvre Médiocre},
  issn =         {0014-0759},
  issue =        {120 (11)},
  journaltitle = {Esprit (1940-)},
  shortjournal = {Esprit (1940-)},
  date =         1986,
  pages =        {93-99},
  author =       {Masson, Jean-Claude},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/SUGCMQFI/Masson - 1986
                  - « LES CANTOS » DE POUND Un chef-d'œuvre médiocre.pdf}
}

@article{sieburth_design_1985,
  eprinttype =   {jstor},
  eprint =       20156174,
  title =        {The {{Design}} of the "{{Cantos}}": {{An Introduction}}},
  volume =       15,
  issn =         {0021-065X},
  shorttitle =   {The {{Design}} of the "{{Cantos}}"},
  number =       2,
  journaltitle = {The Iowa Review},
  shortjournal = {The Iowa Review},
  date =         1985,
  pages =        {12-33},
  author =       {Sieburth, Richard},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/J4KXWJNE/Sieburth -
                  1985 - The Design of the Cantos An Introduction.pdf}
}

@article{fussell_dante_1970,
  eprinttype =   {jstor},
  eprint =       3830969,
  title =        {Dante and {{Pound}}'s "{{Cantos}}"},
  volume =       1,
  issn =         {0022-281X},
  number =       1,
  journaltitle = {Journal of Modern Literature},
  shortjournal = {Journal of Modern Literature},
  date =         1970,
  pages =        {75-87},
  author =       {Fussell, Edwin},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/CGB7N4I8/Fussell -
                  1970 - Dante and Pound's Cantos.pdf},
  annotation =   {discusses Dante in Cantos. Mostly relevant to 20-30.}
}

@article{slatin_history_1963,
  eprinttype =   {jstor},
  eprint =       2923422,
  title =        {A {{History}} of {{Pound}}'s {{Cantos I}}-{{XVI}}, 1915-1925},
  volume =       35,
  issn =         {0002-9831},
  doi =          {10.2307/2923422},
  number =       2,
  journaltitle = {American Literature},
  shortjournal = {American Literature},
  date =         1963,
  pages =        {183-195},
  author =       {Slatin, Myles},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/ZJCKGUHU/Slatin - 1963
                  - A History of Pound's Cantos I-XVI, 1915-1925.pdf},
  annotation =   {biography; not too relevant}
}

@article{cowan_classical_1960,
  eprinttype =   {jstor},
  eprint =       440955,
  title =        {The {{Classical Figure}} as {{Archetype}} in {{Pound}}'s
                  {{Cantos}}, {{I}}-{{XXX}}},
  volume =       6,
  issn =         {0041-462X},
  doi =          {10.2307/440955},
  number =       1,
  journaltitle = {Twentieth Century Literature},
  shortjournal = {Twentieth Century Literature},
  date =         1960,
  pages =        {25-32},
  author =       {Cowan, James C.},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/VXHK4SIU/Cowan - 1960
                  - The Classical Figure as Archetype in Pound's Canto.pdf}
}

@article{shen_fan_a_yijing_1994,
  langid =       {english},
  title =        {Yijing and {{Pound}}'s {{Cantos}} (1 \& 2)},
  volume =       23,
  issn =         {0090-5674},
  url =
                  {http://search.proquest.com.ezproxy.cul.columbia.edu/mlaib/docview/54744272/46FA346F7F814C67PQ/6},
  number =       {2-3},
  journaltitle = {Paideuma: A Journal Devoted to Ezra Pound Scholarship},
  urldate =      {2015-11-26},
  date =         1994,
  author =       {{Shen, Fan A}},
  annotation =   {Eh, not too relevant for now. Butler: PS3531.O82 Z83}
}

@article{rudolph_formulas_1991,
  title =        {Formulas for {{Paradise}} in {{Six Cantos}} of {{Ezra Pound}}},
  volume =       20,
  issn =         {0090-5674},
  number =       {1-2},
  journaltitle = {Paideuma: A Journal Devoted to Ezra Pound Scholarship},
  date =         {1991-01-01},
  pages =        129,
  author =       {Rudolph, Donna C.},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/N84RIMDZ/articles.html},
  annotation =   {Didn't look very relevant. Butler PS3531.O82 Z83 ~}
}

@article{korg_dialogic_1989,
  title =        {The {{Dialogic Nature}} of {{Collage}} in {{Pound}}'s
                  {{Cantos}}},
  volume =       22,
  issn =         {0027-1276},
  number =       2,
  journaltitle = {Mosaic: A Journal for the Interdisciplinary Study of
                  Literature},
  date =         1989,
  pages =        95,
  keywords =     {read},
  author =       {Korg, Jacob},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/VZQTRVXH/korg.pdf;/home/jon/Dokumentujo/Papers/zotero/storage/PXJT9TBG/articles.html},
  annotation =   {Parsed}
}

@article{LongLiteraryPatternRecognition2016,
  eprinttype =   {jstor},
  eprint =       {10.1086/684353},
  title =        {Literary {{Pattern Recognition}}: {{Modernism}} between
                  {{Close Reading}} and {{Machine Learning}}},
  volume =       42,
  issn =         {0093-1896},
  doi =          {10.1086/684353},
  shorttitle =   {Literary {{Pattern Recognition}}},
  number =       2,
  journaltitle = {Critical Inquiry},
  shortjournal = {Critical Inquiry},
  date =         2016,
  pages =        {235-267},
  author =       {Long, Hoyt and So, Richard Jean},
  file =         {/home/jon/Dokumentujo/Papers/Digital
                  Humanities/Long_So_2016_Literary Pattern Recognition2.pdf}
}

@article{tiffany_kitsching_2005,
  title =        {Kitsching {{The Cantos}}},
  volume =       12,
  issn =         {1080-6601},
  url =
                  {https://muse-jhu-edu.ezproxy.cul.columbia.edu/journals/modernism-modernity/v012/12.2tiffany.html},
  doi =          {10.1353/mod.2005.0071},
  abstract =     {Modernism/modernity 12.2 (2005) 329-337},
  number =       2,
  journaltitle = {Modernism/modernity},
  urldate =      {2015-11-26},
  date =         2005,
  pages =        {329-337},
  author =       {Tiffany, Daniel Newton},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/2JVJGZVC/Tiffany -
                  2005 - Kitsching The
                  Cantos.pdf;/home/jon/Dokumentujo/Papers/zotero/storage/K6GQABEU/12.2tiffany.html},
  note =         {{$<$}p{$>$}Volume 12, Number 2, April 2005{$<$}/p{$>$}},
  annotation =   {Parsed. Kitsch, fascism; not too relevant.}
}

@article{taylor_towards_1996,
  title =        {Towards a {{Textual Biography}} of {{The Cantos}}},
  journaltitle = {Modernist Writers and the Marketplace},
  date =         1996,
  pages =        {223--57},
  author =       {Taylor, Richard},
  annotation =   {Too textual. Butler PR478.M6 M636 1996}
}

@article{ahearn_early_1987,
  title =        {An {{Early Schema}} for {{The Cantos}}},
  volume =       16,
  issn =         {0090-5674},
  number =       {1-2},
  journaltitle = {Paideuma: A Journal Devoted to Ezra Pound Scholarship},
  date =         {1987-01-01},
  pages =        79,
  author =       {Ahearn, Barry},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/9MJJTKGK/ahearn.pdf;/home/jon/Dokumentujo/Papers/zotero/storage/F2N4A86A/articles.html},
  annotation =   {Parsed. Concerns P's notes on the back of a letter from
                  WIlliam Carlos Williams Butler PS3531.O82 Z83}
}

@collection{willison_modernist_1996,
  location = {{New York}},
  title = {Modernist Writers and the Marketplace},
  isbn = {978-0-312-12726-8},
  publisher = {{St. Martin's Press}},
  date = {1996},
  keywords = {History,Modernism (Literature),History and criticism,United States,English literature,American literature,Authorship,Authors and publishers,Literature publishing,Authors and readers,Books and reading,Authors,Economic aspects,Economic conditions,Great Britain},
  editor = {Willison, Ian and Gould, Warwick and Cherniak, Warren},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/3IHVZKNX/1790923.html},
  annotation = {Didn't look too relevant. Butler PR478.M6 M636 1996; see Ch. 10}
}

@article{grigson_geoffrey_methodism_1933,
  title =        {The {{Methodism}} of {{Ezra Pound}}},
  url =          {http://www.modernistmagazines.com/media/pdf/264.pdf},
  number =       5,
  urldate =      {2015-11-26},
  date =         {1933-10},
  pages =        {17-22},
  author =       {{Grigson, Geoffrey}},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/Z9WR5VM5/264.pdf},
  annotation =   {Quotes from Yeats's "Packet for Ezra Pound".}
}

@book{kennerPoundEra1971,
  location =     {{Berkeley}},
  title =        {The {{Pound}} Era},
  isbn =         {978-0-520-01860-0},
  publisher =    {{University of California Press}},
  date =         1971,
  keywords =     {Pound; Ezra; 1885-1972,Twentieth century,Ezra,1885-1972,Pound},
  author =       {Kenner, Hugh},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/AS9EHM8X/Kenner_1971_The
                  Pound
                  Era.pdf;/home/jon/Dokumentujo/Papers/zotero/storage/K8IV5G26/143639208-The-Pound-Era-Hugh-Kenner.pdf;/home/jon/Dokumentujo/Papers/zotero/storage/2UB5IT7T/208844.html}
}

@book{davie_ezra_1964,
  location =     {{New York}},
  title =        {Ezra {{Pound}}: Poet as Sculptor},
  shorttitle =   {Ezra {{Pound}}},
  publisher =    {{Oxford University Press}},
  date =         1964,
  keywords =     {Pound; Ezra; 1885-1972},
  author =       {Davie, Donald},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/2JE7U9J6/davie.pdf;/home/jon/Dokumentujo/Papers/zotero/storage/M9VZIJPP/437192.html},
  annotation =   {Scanned. Butler PS3531.O82 Z58 Terrell calls this a seminal
                  work, containing glosses.}
}

@book{hesse_new_1969,
  location =     {{Berkeley}},
  title =        {New Approaches to {{Ezra Pound}}; a Co-Ordinated Investigation
                  of {{Pound}}'s Poetry and Ideas},
  publisher =    {{University of California Press}},
  date =         1969,
  keywords =     {Pound; Ezra; 1885-1972},
  author =       {Hesse, Eva},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/8TKFWK93/353681.html},
  annotation =   {Terrell consider this a seminal work in Pound studies.}
}

@book{furia_pounds_1990,
  langid =       {english},
  title =        {Pound's {{Cantos Declassified}}},
  isbn =         {978-0-271-07182-4},
  abstract =     {By using his Cantos for storing, "making new," and
                  transmitting historical documents, Pound was returning the
                  epic to its ancient function as a tribal archive for the
                  "luminous details" of history that define a culture's past and
                  shape its future. So argues this book, which does not overlook
                  the poem's brilliant lyrical passages but for the first time
                  focuses on those vast stretches of Pound's epic composed not
                  of literary touchstones but of that most unpoetic of literary
                  forms, historical documents.Pound's task as epic poet was
                  complicated by the fact that the documents he wished to renew
                  and transmit to his culture were largely unknown, often
                  because in his mind they had been suppressed by a widespread
                  conspiracy throughout the ages which he termed the "historical
                  black-out." His Cantos therefore, he believed, must be a
                  counter-conspiracy to rescue vital documents from that
                  black-out, renew them, and then recirculate them to combat the
                  economic and political forces behind the black-out.Drawing on
                  recent research by numerous scholars, Furia traces the arcane
                  documents Pound unearthed from libraries around the world and
                  shows how he transmuted this documentary mass into poetry,
                  first by framing passages of prose to highlight their poetic
                  texture and then by weaving these shards and fragments into a
                  collage of intricate structure. Among the documents Furia
                  "declassifies" are Chinese edicts, Italian bank charters,
                  British factory commission reports, Byzantine guild
                  regulations, American Presidential papers, municipal records,
                  judicial writs, parliamentary statutes, legislative codes,
                  contracts, deeds, mandates, treaties, diary entries, and
                  correspondence by such diverse figures as Lorenzo de' Medici,
                  Martin Van Buren, Napoleon, Eleanor of Aquitaine, Mustapha
                  Kemal, and Kubla Khan.Pound's Cantos Declassified traces the
                  poet's struggle to shape the content of the epic poem that
                  absorbed most of his creative life.},
  pagetotal =    124,
  publisher =    {{Penn State Press}},
  date =         {1990-12-13},
  keywords =     {Literary Criticism / General,Literary Criticism / American /
                  General,Literary Criticism / Poetry,Poetry / General,Biography
                  & Autobiography / Literary},
  author =       {Furia, Philip},
  annotation =   {Scan \textasciitilde{}Ch1. Possibly very useful discussion of
                  Divus}
}

@online{luxton_allegro_2016,
  title = {L'{{Allegro}}},
  url = {https://www.dartmouth.edu/~milton/reading_room/l'allegro/text.shtml},
  journaltitle = {The John Milton Reading Room},
  urldate = {2016-02-17},
  date = {2016},
  author = {Luxton, Thomas},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/A6NKW7S8/text.html}
}

@book{divus_andreas_homeri_1540,
  title =        {Homeri {{Odyssea}}},
  url =
                  {http://bildsuche.digitale-sammlungen.de/index.html?c=viewer&bandnummer=bsb00013847&pimage=00025&v=pdf&nav=&l=en},
  urldate =      {2015-11-27},
  date =         1540,
  author =       {{Divus, Andreas}},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/6TUBICBB/divo.pdf},
  note =         {Digitised Book from the copyright-free holdings of the
                  Bavarian State Library Munich [Germany] 2007-2015}
}

@book{aragon_les_1965,
  location =     {{Paris}},
  title =        {Les Collages. {{Max Ernst}}, Peintre Des Illusions. {{La}}
                  Peinture Au Défi. {{John Heartfield}} et La Beauté
                  Révolutionnaire. {{Adolphe Hoffmeister}} et La Beauté
                  d'aujourd'hui. {{Le}} "Thème Secondaire." {{Collages}} Dans Le
                  Roman et Dans Le Film. {{Le}} Ciel Découpé},
  publisher =    {{Hermann}},
  date =         1965,
  keywords =     {Collage,Art; Modern},
  author =       {Aragon, 1897-1982},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/FKCM9F6Z/1732006.html},
  annotation =   {Requested from Avery offsite}
}

@collection{nadel_cambridge_1999,
  location = {{Cambridge}},
  title = {The {{Cambridge Companion}} to {{Ezra Pound}}},
  isbn = {978-0-511-99934-5},
  url = {http://universitypublishingonline.org/ref/id/companions/CBO9780511999345},
  publisher = {{Cambridge University Press}},
  urldate = {2015-11-28},
  date = {1999},
  editor = {Nadel, Ira B.}
}

@incollection{albright_daniel_early_2006,
  location =     {{Cambridge, UK}},
  title =        {Early {{Cantos I}}-{{XLI}}},
  isbn =         {978-0-511-99934-5},
  booktitle =    {The {{Cambridge Companion}} to {{Ezra Pound}}},
  publisher =    {{Cambridge University Press}},
  date =         2006,
  author =       {{Albright, Daniel}},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/G9JW27PB/CBO9780511999345A007.pdf}
}

@incollection{taylor_richard_texts_2006,
  location =     {{Cambridge, UK}},
  title =        {The {{Texts}} of {{The Cantos}}},
  url =
                  {http://universitypublishingonline.org.ezproxy.cul.columbia.edu/open_pdf/CBO9780511999345A011?pubCode=CUP&urlPrefix=cambridge&productCode=cco},
  booktitle =    {The {{Cambridge Companion}} to {{Ezra Pound}}},
  publisher =    {{Cambridge University Press}},
  urldate =      {2015-11-28},
  date =         2006,
  author =       {{Taylor, Richard}},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/ZSXQXHP8/CBO9780511999345A011.pdf}
}

@online{_arranging_????,
  title = {Arranging the Novels from the {{txtLAB}}},
  url = {http://bookworm.benschmidt.org//posts/2016-01-19-txtLAB450.html},
  urldate = {2016-01-23},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/5GE9XGFE/2016-01-19-txtLAB450.html;/home/jon/Dokumentujo/Papers/zotero/storage/899AX5IK/2016-01-19-txtLAB450.html}
}

@book{davidson_ezra_1995,
  location =     {{Atlanta, GA}},
  title =        {Ezra {{Pound}} and {{Roman}} Poetry : A Preliminary Survey},
  isbn =         {978-90-5183-874-9},
  shorttitle =   {Ezra {{Pound}} and {{Roman}} Poetry},
  publisher =    {{Rodopi}},
  date =         1995,
  keywords =     {History and criticism,Pound; Ezra; 1885-1972,Knowledge,Latin
                  poetry,Translations into English},
  author =       {Davidson, Peter},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/HXWUTN9W/davidson.pdf;/home/jon/Dokumentujo/Papers/zotero/storage/CW4PVVFJ/1690831.html}
}

@book{davis_fugue_1984,
  location =     {{Orono, Me}},
  title =        {Fugue and Fresco : Structures in {{Pound}}'s {{Cantos}}},
  isbn =         {978-0-915032-07-5},
  shorttitle =   {Fugue and Fresco},
  publisher =    {{National Poetry Foundation, University of Maine at Orono}},
  date =         1984,
  keywords =     {Pound; Ezra; 1885-1972,Technique,Fugue in literature},
  author =       {Davis, Kay},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/GTQGS8T2/davis.pdf;/home/jon/Dokumentujo/Papers/zotero/storage/ZFWR8MV8/355631.html}
}

@book{lindberg_reading_1987,
  location =     {{New York}},
  title =        {Reading {{Pound}} Reading : Modernism after {{Nietzsche}}},
  isbn =         {978-0-19-504165-1},
  shorttitle =   {Reading {{Pound}} Reading},
  publisher =    {{Oxford University Press}},
  date =         1987,
  keywords =     {Literature,History,Modernism (Literature),United States,Pound;
                  Ezra; 1885-1972,Knowledge,Nietzsche; Friedrich Wilhelm;
                  1844-1900,Influence,Criticism},
  author =       {Lindberg, Kathryne V.},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/NUQA379W/lindberg.pdf;/home/jon/Dokumentujo/Papers/zotero/storage/VZMQGBWI/557440.html}
}

@incollection{makin_ideogrammatic_2006,
  location =     {{New York}},
  title =        {The {{Ideogrammatic Method}} in {{The Cantos}}},
  isbn =         {978-0-19-517528-8},
  booktitle =    {Ezra {{Pound}}'s {{Cantos}} : A Casebook},
  publisher =    {{Oxford University Press}},
  date =         2006,
  keywords =     {Pound; Ezra; 1885-1972},
  author =       {Girolamo Mancuso},
  editor =       {Makin, Peter},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/54NRS95H/casebook.pdf},
  annotation =   {Scanned. From Casebook (Makin)}
}

@incollection{makin_why_2006,
  location =     {{New York}},
  title =        {Why the {{Commedia Is Not}} the {{Model}} for {{The Cantos}}
                  and {{What Is}}},
  isbn =         {978-0-19-517528-8},
  booktitle =    {Ezra {{Pound}}'s {{Cantos}} : A Casebook},
  publisher =    {{Oxford University Press}},
  date =         2006,
  keywords =     {Pound; Ezra; 1885-1972},
  author =       {Dasenbrock, Reed Way},
  editor =       {Makin, Peter},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/ZF5CIN5A/casebook.pdf}
}

@incollection{hesse_lay_1969,
  location =     {{Berkeley}},
  title =        {Lay Me by {{Aurelie}}: {{An Examination}} of {{Pound}}’s
                  {{Use}} of {{Historical}} and {{Semi}}-{{Historical Sources}}},
  booktitle =    {New Approaches to {{Ezra Pound}}; a Co-Ordinated Investigation
                  of {{Pound}}'s Poetry and Ideas},
  publisher =    {{University of California Press}},
  date =         1969,
  keywords =     {Pound; Ezra; 1885-1972},
  author =       {Brooke-Rose, Christine},
  editor =       {Hesse, Eva},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/W98JKP82/brooke-rose.pdf}
}

@incollection{hesse_pound_1969-1,
  location =     {{Berkeley}},
  title =        {Pound and {{Browning}}},
  booktitle =    {New Approaches to {{Ezra Pound}}; a Co-Ordinated Investigation
                  of {{Pound}}'s Poetry and Ideas},
  publisher =    {{University of California Press}},
  date =         1969,
  keywords =     {Pound; Ezra; 1885-1972},
  editor =       {Hesse, Eva and de Nagy, N. Christoph},
  options =      {useprefix=true}
}

@book{hesse_pound_1969,
  location =     {{Berkeley}},
  title =        {Pound, {{Joyce}}, and {{Flaubert}}: {{The Odysseans}}},
  publisher =    {{University of California Press}},
  date =         1969,
  keywords =     {Pound; Ezra; 1885-1972},
  author =       {Read, Forrest},
  editor =       {Hesse, Eva},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/2SDWPE4P/read.pdf}
}

@book{mansfield_stories_1984,
  langid =       {english},
  location =     {{Auckland; Oxford}},
  title =        {The Stories of {{Katherine Mansfield}}},
  isbn =         {978-0-19-558113-3},
  publisher =    {{Oxford University Press}},
  date =         1984,
  author =       {Mansfield, Katherine},
  editor =       {Alpers, Antony}
}

@book{gifford_ulysses_1988,
  location =     {{Berkeley}},
  title =        {Ulysses Annotated : Notes for {{James Joyce}}'s {{Ulysses}}},
  isbn =         {978-0-520-05639-8},
  shorttitle =   {Ulysses Annotated},
  publisher =    {{University of California Press}},
  date =         1988,
  keywords =     {Joyce; James; 1882-1941},
  author =       {Gifford, Don},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/UBS3JVSR/catalog.html}
}

@article{halasz_dexter_1994,
  title =        {The {{Dexter Hypertext Reference Model}}},
  volume =       37,
  issn =         {0001-0782},
  url =          {http://doi.acm.org/10.1145/175235.175237},
  doi =          {10.1145/175235.175237},
  number =       2,
  journaltitle = {Commun. ACM},
  urldate =      {2015-12-16},
  date =         {1994-02},
  pages =        {30--39},
  keywords =     {composites,data and process model,hypermedia,hypertext,open
                  hypermedia},
  author =       {Halasz, Frank and Schwartz, Mayer},
  editor =       {Trigg, Randall H.}
}

@book{shakespeare_measure_2015,
  langid =       {english},
  title =        {Measure for {{Measure}}},
  isbn =         {978-1-5011-2658-1},
  abstract =     {Measure for Measure is among the most passionately discussed
                  of Shakespeare’s plays. In it, a duke temporarily removes
                  himself from governing his city-state, deputizing a member of
                  his administration, Angelo, to enforce the laws more
                  rigorously. Angelo chooses as his first victim Claudio,
                  condemning him to death because he impregnated Juliet before
                  their marriage. Claudio’s sister Isabella, who is entering a
                  convent, pleads for her brother’s life. Angelo attempts to
                  extort sex from her, but Isabella preserves her chastity. The
                  duke, in disguise, eavesdrops as she tells her brother about
                  Angelo’s behavior, then offers to ally himself with her
                  against Angelo. Modern responses to the play show how it can
                  be transformed by its reception in present culture to evoke
                  continuing fascination. To some, the duke (the government)
                  seems meddlesome; to others, he is properly imposing moral
                  standards. Angelo and Isabella’s encounter exemplifies sexual
                  harassment. Others see a woman’s right to control her body in
                  Isabella’s choice between her virginity and her brother’s
                  life. The authoritative edition of Measure for Measure from
                  The Folger Shakespeare Library, the trusted and widely used
                  Shakespeare series for students and general readers, includes:
                  -The exact text of the printed book for easy cross-reference
                  -Hundreds of hypertext links for instant navigation -Freshly
                  edited text based on the best early printed version of the
                  play -Full explanatory notes conveniently linked to the text
                  of the play -Scene-by-scene plot summaries -A key to the
                  play’s famous lines and phrases -An introduction to reading
                  Shakespeare’s language -An essay by a leading Shakespeare
                  scholar providing a modern perspective on the play -Fresh
                  images from the Folger Shakespeare Library’s vast holdings of
                  rare books -An annotated guide to further reading Essay by
                  Christy Desmet The Folger Shakespeare Library in Washington,
                  DC, is home to the world’s largest collection of Shakespeare’s
                  printed works, and a magnet for Shakespeare scholars from
                  around the globe. In addition to exhibitions open to the
                  public throughout the year, the Folger offers a full calendar
                  of performances and programs. For more information, visit
                  Folger.edu.},
  pagetotal =    331,
  publisher =    {{Simon and Schuster}},
  date =         {2015-08-18},
  keywords =     {Drama / General,Drama / Shakespeare,Drama / European /
                  English; Irish; Scottish; Welsh},
  author =       {Shakespeare, William},
  editor =       {Mowat, Barbara}
}

@book{hesiod_hesiod_1920,
  langid =       {english},
  title =        {Hesiod, the {{Homeric Hymns}}, and {{Homerica}}},
  pagetotal =    702,
  publisher =    {{W. Heinemann}},
  date =         1920,
  author =       {Hesiod},
  translator =   {Evelyn-White, Hugh}
}

@unpublished{browning_sordello_????,
  title =        {Sordello},
  url =          {https://en.wikisource.org/wiki/Sordello},
  urldate =      {2015-12-23},
  keywords =     {1840 works,PD-old},
  author =       {Browning, Robert},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/AIQ5NGQX/Sordello.html}
}

@online{_homer_????,
  title = {Homer, {{The Iliad}}, {{Scroll}} 3},
  url = {http://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0217%3Abook%3D3},
  urldate = {2015-12-23},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/WEDZ3UCD/text.html}
}

@online{luxton_reason_2016,
  title = {The {{Reason}} of {{Church Government}}: {{Book}} 1},
  url = {http://www.dartmouth.edu/~milton/reading_room/reason/book_1/text.shtml},
  urldate = {2016-02-18},
  date = {2016},
  author = {Luxton, Thomas},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/QQ9V4GQN/text.html}
}

@online{Algee-HewittCanonArchiveLargeScale2016,
  title = {Canon/{{Archive}}. {{Large}}-{{Scale Dynams}} in the {{Literary Field}}},
  url = {http://litlab.stanford.edu/LiteraryLabPamphlet11.pdf},
  urldate = {2016-01-23},
  date = {2016-01},
  author = {Algee-Hewitt, Mark},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/2VBBQR84/LiteraryLabPamphlet11.pdf}
}

@online{underwood_instability_2016,
  title = {The Instability of Gender},
  url = {http://tedunderwood.com/2016/01/09/the-instability-of-gender/},
  abstract = {How have the differences between descriptions of men and women in fiction changed over the last 200 years?},
  journaltitle = {The Stone and the Shell},
  urldate = {2016-01-23},
  date = {2016-01-09T20:15:42+00:00},
  author = {Underwood, Ted},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/KHX5AZJ8/the-instability-of-gender.html}
}

@book{lemon_blackwell_2012,
  langid =       {english},
  location =     {{Oxford}},
  title =        {The {{Blackwell}} Companion to the {{Bible}} in Literature},
  isbn =         {978-1-118-24115-8},
  url =
                  {https://www.overdrive.com/search?q=3EAE4385-7EC4-4A9A-90B6-29AEAB6F299F},
  publisher =    {{Wiley-Blackwell}},
  urldate =      {2016-02-06},
  date =         2012,
  author =       {Lemon, Rebecca},
  file =         {/home/jon/Dokumentujo/Columbia/MA
                  Essay/Readings/blackwell-bible-literature.pdf},
  annotation =   {Looks very useful}
}

@collection{jeffrey_dictionary_1992,
  location = {{Grand Rapids, Mich}},
  title = {A {{Dictionary}} of Biblical Tradition in {{English}} Literature},
  isbn = {978-0-8028-3634-2},
  pagetotal = {960},
  publisher = {{W.B. Eerdmans}},
  date = {1992},
  keywords = {English literature,Bible,In literature Dictionaries,Dictionaries,Religion and literature},
  editor = {Jeffrey, David L.},
  annotation = {Has a big bibliography, including one by author. Probably useful to scan. At Butler reference and reserve.}
}

@collection{miles_classical_1999,
  location = {{London ; New York}},
  title = {Classical Mythology in {{English}} Literature: A Critical Anthology},
  isbn = {978-0-415-14754-5 978-0-415-14755-2},
  shorttitle = {Classical Mythology in {{English}} Literature},
  pagetotal = {456},
  publisher = {{Routledge}},
  date = {1999},
  keywords = {English literature,Orpheus,Adonis,Mythology; Classical,Pygmalion (Greek mythology),Classical influences,Mythology; Classical; in literature},
  editor = {Miles, Geoffrey},
  annotation = {An anthology of literature containing classical allusions. Mostly poetry.}
}

@collection{woodard_cambridge_2007,
  location = {{Cambridge ; New York}},
  title = {The {{Cambridge}} Companion to {{Greek}} Mythology},
  isbn = {978-0-521-84520-5 978-0-521-60726-1},
  pagetotal = {536},
  publisher = {{Cambridge University Press}},
  date = {2007},
  keywords = {Mythology; Greek},
  editor = {Woodard, Roger D.}
}

@collection{hopkins_oxford_2012,
  location = {{Oxford ; New York}},
  title = {The {{Oxford}} History of Classical Reception in {{English}} Literature},
  isbn = {978-0-19-921981-0 978-0-19-959460-3},
  pagetotal = {3},
  publisher = {{Oxford University Press}},
  date = {2012},
  keywords = {English literature,American literature,Great Britain,Influence,Classical influences,Classical literature,Appreciation,English-speaking countries,Caribbean literature (English),Greece,In literature,Rome},
  editor = {Hopkins, David and Martindale, Charles and Vance, Norman},
  annotation = {v. 1. 800-1588 -- v. 2. 1558-1660 -- v. 3. 1660-1790 / edited by David Hopkins and Charles Martindale -- v. 4. 1790-1880 / edited by Norman Vance and Jennifer Wallace -- v. 5. After 1880}
}

@book{shea_james_2006,
  langid =       {english},
  title =        {James {{Joyce}} and the Mythology of Modernism},
  isbn =         {978-3-8382-5574-3},
  url =
                  {http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=761750},
  urldate =      {2016-02-06},
  date =         2006,
  author =       {Shea, Daniel M},
  annotation =   {Not at Butler}
}

@book{hobson_angels_2011,
  langid =       {english},
  title =        {Angels of {{Modernism}}: {{Religion}}, {{Culture}},
                  {{Aesthetics}} 1910-1960},
  isbn =         {978-0-230-27539-3},
  shorttitle =   {Angels of {{Modernism}}},
  abstract =     {The angel can be viewed as a signal reference to modernist
                  attempts to accommodate religious languages to
                  self-consciously modern cultures. This book uses the angel to
                  explore the relations between modernist literature and early
                  twentieth-century debates over the secular and/or religious
                  character of the modern age.},
  pagetotal =    240,
  publisher =    {{Palgrave Macmillan UK}},
  date =         {2011-10-26},
  keywords =     {Literary Criticism / General,Literary Criticism / Semiotics &
                  Theory,Language Arts & Disciplines / Linguistics / Historical
                  & Comparative,Literary Criticism / Poetry,Literary Criticism /
                  European / English; Irish; Scottish; Welsh,Religion /
                  History,Fiction / General,Philosophy / Aesthetics,Social
                  Science / General,Social Science / Anthropology / Cultural},
  author =       {Hobson, S.}
}

@book{levenson_cambridge_2011,
  langid =       {english},
  title =        {The {{Cambridge Companion}} to {{Modernism}}},
  isbn =         {978-1-107-01063-5},
  abstract =     {This Companion has long been a standard introduction to the
                  field. Now fully updated and enhanced with four new chapters,
                  it addresses the key themes being researched, taught and
                  studied in modernism today. Its interdisciplinary approach is
                  central to its success as it brings together readings of the
                  many varieties of modernism. Chapters address the major
                  literary genres, the intellectual, religious and political
                  contexts, and parallel developments in film, painting and
                  music. The catastrophe of the First World War, the emergence
                  of feminism, the race for empire, the conflict among classes:
                  the essays show how these events and circumstances shaped
                  aesthetic and literary experiments. In doing so, they explain
                  clearly both the precise formal innovations in language,
                  image, scene and tone, and the broad historical conditions of
                  a movement that aspired to transform culture.},
  pagetotal =    343,
  publisher =    {{Cambridge University Press}},
  date =         {2011-09-15},
  keywords =     {Literary Criticism / General,Literary Criticism / European /
                  English; Irish; Scottish; Welsh,Language Arts & Disciplines /
                  Rhetoric},
  author =       {Levenson, Michael}
}

@book{marshik_cambridge_2014,
  langid =       {english},
  title =        {The {{Cambridge Companion}} to {{Modernist Culture}}},
  isbn =         {978-1-316-12362-1},
  abstract =     {Modernism emerged alongside radical challenges to traditional
                  belief systems, the reorganization of public and private
                  spheres, new modes of visual display, and innovations in
                  recreation and entertainment. This interdisciplinary
                  collection focuses on the diverse inventions, products,
                  pastimes, and creative forms that responded to and inspired
                  American and European literature. This volume explores such
                  wide-ranging subjects as religion, dance, and publishing, thus
                  introducing readers to the diversity of modernist culture. The
                  Companion serves as a valuable resource for both those
                  undertaking the study of modernism for the first time and
                  those seeking to expand their knowledge of modernism's
                  cultural moment.},
  pagetotal =    380,
  publisher =    {{Cambridge University Press}},
  date =         {2014-10-27},
  keywords =     {Literary Criticism / General,Literary Criticism / European /
                  English; Irish; Scottish; Welsh,Art / History / General},
  author =       {Marshik, Celia}
}

@book{bowler_reconciling_2014,
  langid =       {english},
  title =        {Reconciling {{Science}} and {{Religion}}: {{The Debate}} in
                  {{Early}}-{{Twentieth}}-{{Century Britain}}},
  isbn =         {978-0-226-06859-6},
  shorttitle =   {Reconciling {{Science}} and {{Religion}}},
  abstract =     {Although much has been written about the vigorous debates over
                  science and religion in the Victorian era, little attention
                  has been paid to their continuing importance in early
                  twentieth-century Britain. Reconciling Science and Religion
                  provides a comprehensive survey of the interplay between
                  British science and religion from the late nineteenth century
                  to World War II. Peter J. Bowler argues that unlike the United
                  States, where a strong fundamentalist opposition to
                  evolutionism developed in the 1920s (most famously expressed
                  in the Scopes "monkey trial" of 1925), in Britain there was a
                  concerted effort to reconcile science and religion.
                  Intellectually conservative scientists championed the
                  reconciliation and were supported by liberal theologians in
                  the Free Churches and the Church of England, especially the
                  Anglican "Modernists." Popular writers such as Julian Huxley
                  and George Bernard Shaw sought to create a non-Christian
                  religion similar in some respects to the Modernist position.
                  Younger scientists and secularists—including Rationalists such
                  as H. G. Wells and the Marxists—tended to oppose these
                  efforts, as did conservative Christians, who saw the liberal
                  position as a betrayal of the true spirit of their religion.
                  With the increased social tensions of the 1930s, as the
                  churches moved toward a neo-orthodoxy unfriendly to natural
                  theology and biologists adopted the "Modern Synthesis" of
                  genetics and evolutionary theory, the proposed reconciliation
                  fell apart. Because the tensions between science and
                  religion—and efforts at reconciling the two—are still very
                  much with us today, Bowler's book will be important for
                  everyone interested in these issues.},
  pagetotal =    494,
  publisher =    {{University of Chicago Press}},
  date =         {2014-04},
  keywords =     {Political Science / General,Religion / Philosophy,Science /
                  General,Science / Philosophy & Social Aspects},
  author =       {Bowler, Peter J.},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/FGKGJUDF/bowler.pdf},
  annotation =   {More about the broad science/religion conflict than anything
                  useful.}
}

@book{surette_birth_1994,
  langid =       {english},
  title =        {The {{Birth}} of {{Modernism}}: {{Ezra Pound}}, {{T}}.{{S}}.
                  {{Eliot}}, {{W}}.{{B}}. {{Yeats}}, and the {{Occult}}},
  isbn =         {978-0-7735-1243-6},
  shorttitle =   {The {{Birth}} of {{Modernism}}},
  abstract =     {In The Birth of Modernism Leon Surette offers a radical
                  revision of our understanding of high modernism. Acknowledging
                  that current post-modern and theoretical critiques have
                  provoked fresh examination of the high culture of the first
                  half of this century, Surette rejects their characterization
                  of modernism as positivistic and absolutist, despite the
                  statements in the 1920s of modernists such as Pound, Eliot,
                  and Joyce. He also rejects the diametrically opposed New
                  Critical view of modernism as sceptical and
                  relativistic.Through an explanation of both familiar and
                  little-known theoretical writings of the late nineteenth and
                  early twentieth century - the work of Friedrich Nietzsche
                  receives particular attention - Surette develops a portrait of
                  modernism that demonstrates its continuity with American
                  transcendentalism, French symbolisme, and English
                  aestheticism. His account is, in many ways, a revival of an
                  early view of modernism as the heir of symbolisme, but Surette
                  documents, for the first time, the origins of modernist
                  aesthetics in the occult. Yeats' occultism has long been
                  acknowledged, but this is the first study to show that Pound's
                  early intimacy with Yeats was based largely on a shared
                  interest in the occult sciences, and that Pound's epic of the
                  modern age, The Cantos, is a deeply occult work.To
                  substantiate these claims Surette formulates a theory of the
                  occult and analyses the occult speculations of several of
                  Pound's close associates during his London years, relating
                  these to the work of influential Continental occultists and
                  Wagnerians. The author also examines the place of myth and
                  mythopoeia in modernist literature. He scrutinizes the complex
                  provenance of the theories of myth, to which modernists and
                  their apologists appeal, and demonstrates that positive
                  anthropology, Nietzschean philology, Wagnerian opera,
                  symbolisme, and occultism all contribute to the theories
                  expressed by Pound and, to some extent, to Eliot's poetry.In
                  light of these discoveries Surette considers Pound's editing
                  of Eliot's The Waste Land and concludes that the work's early
                  reception as an expression of scepticism and relativism has
                  obscured aspects of the poem that are consistent with Eliot's
                  earlier and later piety. Pound's ruthless cutting of the
                  manuscript, Surette asserts, was not motivated primarily by
                  stylistic concerns, as has generally been contended in the
                  formalist arguments of the New Critics, but by thematic
                  considerations. It was precisely because Eliot knew Pound to
                  be well-informed about the occult that he asked far his
                  assistance with The Waste Land.},
  pagetotal =    340,
  publisher =    {{McGill-Queen's Press - MQUP}},
  date =         1994,
  keywords =     {Literary Criticism / General,Literary Criticism / European /
                  English; Irish; Scottish; Welsh},
  author =       {Surette, Leon},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/BR3PQF8N/surette.pdf},
  annotation =   {Looks interesting, but I probably won't touch on the Occult}
}

@book{bradshawCompanionModernistLiterature2008,
  langid =       {english},
  title =        {A {{Companion}} to {{Modernist Literature}} and {{Culture}}},
  isbn =         {978-1-4051-5467-3},
  abstract =     {The Companion combines a broad grounding in the essential
                  texts and contexts of the modernist movement with the unique
                  insights of scholars whose careers have been devoted to the
                  study of modernism. An essential resource for students and
                  teachers of modernist literature and culture Broad in scope
                  and comprehensive in coverage Includes more than 60
                  contributions from some of the most distinguished modernist
                  scholars on both sides of the Atlantic Brings together entries
                  on elements of modernist culture, contemporary intellectual
                  and aesthetic movements, and all the genres of modernist
                  writing and art Features 25 essays on the signal texts of
                  modernist literature, from James Joyce’s Ulysses to Zora Neal
                  Hurston’s Their Eyes Were Watching God Pays close attention to
                  both British and American modernism},
  pagetotal =    619,
  publisher =    {{John Wiley \& Sons}},
  date =         {2008-04-15},
  keywords =     {Language Arts & Disciplines / Linguistics / General,Literary
                  Criticism / European / English; Irish; Scottish; Welsh},
  author =       {Bradshaw, David and Dettmar, Kevin J. H.},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/YGTHNB3A/Bradshaw_Dettmar_2008_A
                  Companion to Modernist Literature and Culture.pdf}
}

@book{chadwick_secularization_1990,
  langid =       {english},
  title =        {The {{Secularization}} of the {{European Mind}} in the
                  {{Nineteenth Century}}},
  isbn =         {978-0-521-39829-9},
  abstract =     {The declining hold of the Church and its doctrines on European
                  society represents a major shift in Western life and thought.
                  Owen Chadwick's acclaimed lectures on the secularisation of
                  the European mind trace this movement in the nineteenth
                  century, identifying and exploring both the social and the
                  intellectual aspects of this momentous change. The rise of
                  technology, the growth of big cities and a cheap press take
                  their place alongside evolutionary science and Marxism in this
                  fascinating analysis of the erosion of the Church's power.
                  Woven into its brilliant discussion are brief but very
                  illuminating studies of familiar major thinkers, including
                  Marx, Darwin, Mill and Comte.},
  pagetotal =    298,
  publisher =    {{Cambridge University Press}},
  date =         {1990-09-13},
  keywords =     {History / Europe / General,History / Modern / General},
  author =       {Chadwick, Owen},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/W3IREJTH/chadwick.pdf}
}

@book{wright_d._2000,
  langid =       {english},
  title =        {D. {{H}}. {{Lawrence}} and the {{Bible}}},
  isbn =         {978-0-521-78189-3},
  abstract =     {Wright's study sheds light not only on his work but on the
                  Bible on the creative process itself.},
  pagetotal =    296,
  publisher =    {{Cambridge University Press}},
  date =         {2000-07-27},
  keywords =     {Literary Criticism / General,Literary Criticism / European /
                  English; Irish; Scottish; Welsh,Drama / European / English;
                  Irish; Scottish; Welsh},
  author =       {Wright, T. R.}
}

@book{wilson_gods_2000,
  langid =       {english},
  title =        {God's {{Funeral}}},
  isbn =         {978-0-349-11265-7},
  abstract =     {By the end of the nineteenth century, almost all the great
                  writers, artists and intellectuals had abandoned Christianity,
                  and many had abandoned belief in God altogether. A.N. Wilson
                  demonstrates through such diverse lives as those of Gibbon,
                  Kant, and Marx, the doubt about religion had many sources. By
                  1900 the Church was vastly rich and powerful, but was seen by
                  many as spiritually empty, however full its pews might be of a
                  Sunday. Echoes of the death of God could be heard everywhere;
                  in the revolutionary politics of Garibaldi and Lenin; in the
                  poetry of Tennyson, the plays of Shaw and the novels of Hardy;
                  in the philosophy of Hegel and in the work of Freud; in the
                  first stirrings of feminism. Wilson's fascinating and
                  challenging account shows how the decline of religious
                  certainty in Victorian times had its origins with the
                  eighteenth-century sceptics - but brought a devastating sense
                  of emotional loss which extends to our own times.},
  pagetotal =    528,
  publisher =    {{Abacus}},
  date =         2000,
  author =       {Wilson, A. N.},
  annotation =   {Looks OK. Mostly 19th century. riA lot about Hardy. Might be
                  written from a Christian perspective.}
}

@book{knowles_oxford_1999,
  langid =       {english},
  title =        {The {{Oxford Dictionary}} of {{Quotations}}},
  isbn =         {978-0-19-860173-9},
  abstract =     {The Oxford Dictionary of Quotations has long been hailed as
                  the most literary quotation book available. Here readers will
                  find in one volume the wit and wisdom of humanity--the finest
                  lines to be found in Shakespeare, the Bible, Mark Twain,
                  Groucho Marx, and hundreds of other writers, philosophers,
                  political figures, and entertainers. This major new edition
                  offers the broadest and most up-to-date coverage of quotations
                  available today. Now with 20,000 quotations arranged by
                  author, this is Oxford's largest quotations dictionary ever.
                  Alongside superb coverage of quotations from traditional
                  sources, the Dictionary now boasts improved coverage of world
                  religions, classical Greek and Latin literature, proverbs, and
                  nursery rhymes. In addition, for the first time there are
                  special sections for Advertising Slogans, Epitaphs, Film
                  Lines, and Misquotations, which bring together topical and
                  related quotes. Moreover, the new Fifth Edition provides
                  enhanced accessibility with a new thematic index to help you
                  find the best quotes on a chosen subject, more in depth
                  details of the earliest traceable source, an extensive keyword
                  index, and biographical cross references, so you will easily
                  be able to find quotations for all occasions, and identify who
                  said what, where, and when. Ranging from profound, to cogent,
                  to witty, these quotations will add spice to your writing and
                  conversation. An ideal reference for any home or office
                  library, The Oxford Dictionary of Quotations, Fifth Edition is
                  a constant source of entertainment and inspiration for public
                  speakers, writers, or anyone else who enjoys a sparkling line
                  or a spirited reply.},
  pagetotal =    1160,
  publisher =    {{Oxford University Press}},
  date =         1999,
  keywords =     {Reference / Quotations},
  author =       {Knowles, Elizabeth M.}
}

@book{knowles_oxford_2006,
  langid =       {english},
  title =        {The {{Oxford Dictionary}} of {{Phrase}} and {{Fable}}},
  isbn =         {978-0-19-157856-4},
  abstract =     {Who? What? Where? Why? Enquire within for a wealth of
                  fascinating and authoritative information on the stories
                  behind words, names, and sayings. - ;What is a ham-and-egger?
                  What are Anglo-Saxon attitudes? Who or what is liable to jump
                  the shark? Who first tried to nail jelly to the wall? The
                  answers to these and many more questions are in this
                  fascinating book. Here in one volume you can track down the
                  stories behind the names and sayings you meet, whether in
                  classic literature or today's news. Drawing on Oxford's
                  unrivalled bank of reference and language online resources,
                  this dictionary covers classical and other mythologies,
                  history, religion, folk customs, superstitions, science and
                  technology, philosophy, and popular culture. Extensive cross
                  referencing makes it easy to trace specific information, while
                  every page points to further paths to explore. A fascinating
                  slice of cultural history, and a browser's delight from start
                  to finish. What is the fog of war? Who first wanted to spend
                  more time with one's family? When was the Dreamtime? How long
                  since the first cry of Women and children first? Where might
                  you find dark matter? Would you want the Midas touch? Should
                  you worry about grey goo? -},
  pagetotal =    1920,
  publisher =    {{Oxford University Press, UK}},
  date =         {2006-10-12},
  keywords =     {Reference / General},
  author =       {Knowles, Elizabeth}
}

@book{allen_intertextuality_2011,
  langid =       {english},
  title =        {Intertextuality},
  isbn =         {978-0-415-59693-0},
  abstract =     {Theories of intertextuality suggest that meaning in a text can
                  only ever be understood in relation to other texts; no work
                  stands alone but is interlinked with the tradition that came
                  before it and the context in which it is produced. This idea
                  of intertextuality is crucial to understanding literary
                  studies today.Graham Allen deftly introduces the topic and
                  relates its significance to key theories and movements in the
                  study of literature. The second edition of this important
                  guide to intertextuality:outlines the history and contemporary
                  use of the term incorporates a wealth of illuminating examples
                  from literature and cultureincludes a new, expanded conclusion
                  on the future of intertextualityexamines the politics and
                  aesthetics of the termrelates intertextuality to global
                  cultures and new media.Looking at intertextuality in relation
                  to structuralism, post-structuralism, deconstruction,
                  postcolonialism, Marxism, feminism and psychoanalytic theory,
                  this is a fascinating and useful guide for all students of
                  literature and culture.},
  pagetotal =    255,
  publisher =    {{Routledge}},
  date =         2011,
  keywords =     {Literary Criticism / General},
  author =       {Allen, Graham},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/WQZGVTFR/allen-intertextuality.pdf},
  annotation =   {Parsed}
}

@book{anderson_h.d._2013,
  langid =       {english},
  title =        {H.{{D}}. and {{Modernist Religious Imagination}}:
                  {{Mysticism}} and {{Writing}}},
  isbn =         {978-1-4411-3973-3},
  shorttitle =   {H.{{D}}. and {{Modernist Religious Imagination}}},
  abstract =     {Exploring the intersection of religious sensibility and
                  creativity in the poetry and prose of the American modernist
                  writer, H.D., this volume explores the nexus of the religious,
                  the visionary, the creative and the material. Drawing on
                  original archival research and analyses of newly published and
                  currently unpublished writings by H.D., Elizabeth Anderson
                  shows how the poet's work is informed by a range of religious
                  traditions, from the complexities and contradictions of
                  Moravian Christianity to a wide range of esoteric beliefs and
                  practices. H.D and Modernist Religious Imagination brings
                  H.D.'s texts into dialogue with the French theorist Hélène
                  Cixous, whose attention to writing, imagination and the sacred
                  has been a neglected, but rich, critical and theological
                  resource. In analysing the connection both writers craft
                  between the sacred, the material and the creative, this study
                  makes a thoroughly original contribution to the emerging
                  scholarly conversation on modernism and religion, and the
                  debate on the inter-relation of the spiritual and the material
                  within the interdisciplinary field of literature and
                  religion.},
  pagetotal =    202,
  publisher =    {{A\&C Black}},
  date =         {2013-08-01},
  keywords =     {Literary Criticism / General,Literary Criticism / Semiotics &
                  Theory},
  author =       {Anderson, Elizabeth},
  annotation =   {Low priority ~}
}

@book{vetter_modernist_2010,
  langid =       {english},
  title =        {Modernist {{Writings}} and {{Religio}}-Scientific
                  {{Discourse}}: {{H}}.{{D}}., {{Loy}}, and {{Toomer}}},
  isbn =         {978-0-230-10645-1},
  shorttitle =   {Modernist {{Writings}} and {{Religio}}-Scientific
                  {{Discourse}}},
  abstract =     {Modernist Writings and Religio-scientific Discourse explores
                  literary modernism through the lens of cultural history.
                  Focusing on the intersection of scientific and religious
                  discourse in the works of H.D., Mina Loy, and Jean Toomer,
                  Lara Vetter argues that a peculiarly modern spiritual
                  understanding of science appealed to modernist writers as a
                  way of negotiating the perceived threats to a radically
                  unstable body. Analyzing literary and extraliterary writing,
                  this study offers articulate conclusions on how these writers
                  came to construct their own worldviews in response to the
                  arts, science and religion of their time.},
  pagetotal =    236,
  publisher =    {{Palgrave Macmillan}},
  date =         {2010-04-27},
  keywords =     {Literary Criticism / General,Literary Criticism / Semiotics &
                  Theory,Language Arts & Disciplines / Linguistics / Historical
                  & Comparative,Literary Criticism / Poetry,Social Science /
                  General,Social Science / Anthropology / Cultural},
  author =       {Vetter, Lara}
}

@book{whalen_sacred_2007,
  langid =       {english},
  title =        {Sacred {{Spring}}: {{God}} and the {{Birth}} of {{Modernism}}
                  in {{Fin}} de {{Sicle Vienna}}},
  isbn =         {978-0-8028-3216-0},
  shorttitle =   {Sacred {{Spring}}},
  abstract =     {The culture of fin de sicle Vienna continues to fascinate and
                  has been examined at length. There are indeed massive studies
                  of Freud, Mahler, Loos, Klimt, and many other notables from
                  that era. But these studies often ignore the religious
                  dimension of Viennese modernist culture, implying -- if not
                  arguing outright -- that "modernism" and "religion" are
                  contrary, even hostile, categories. Taking a different tack,
                  Robert Weldon Whalen in Sacred Spring documents the important
                  thesis that Viennese modernism, far from being secular, was in
                  fact a deeply religious movement. In vivid language Whalen
                  examines this era of "being torn apart and rising again,"
                  describing those Viennese who were on the cutting edge of
                  modern art and thought. Though the book focuses on avant-garde
                  art, it also connects materials from journalism, popular
                  culture, and contemporary politics in fascinating ways.
                  Students of modernism, the arts, and European cultural history
                  will find that Sacred Spring offers an intriguing, compelling
                  perspective on their subjects. Featuring a beautifully written
                  narrative, the book will also appeal to readers interested in
                  the intersection of culture and faith, in the connection
                  between the arts and the sacred.},
  pagetotal =    350,
  publisher =    {{Wm. B. Eerdmans Publishing}},
  date =         {2007-03-19},
  keywords =     {History / Modern / General,History / Europe / Austria &
                  Hungary},
  author =       {Whalen, Robert Weldon},
  annotation =   {Meh}
}

@book{tonning_modernism_2014,
  langid =       {english},
  title =        {Modernism and {{Christianity}}},
  isbn =         {978-1-137-40056-7},
  abstract =     {Modernism and Christianity is about the formative and
                  continuing impact of Christianity upon the cultural movement
                  known as Modernism. It defends the view that any theoretical,
                  historical, or critical discussion of Modernism that neglects
                  or minimises that impact is inevitably flawed. The whole field
                  of Modernism Studies should thus be re-thought in accordance
                  with the insight that the role of Christianity is intrinsic to
                  any coherent account of Modernism. The book establishes
                  'Modernism and Christianity' as a distinct field of study, and
                  undertakes case studies of six authors in their historical
                  context: James Joyce, David Jones, T. S. Eliot, Ezra Pound, W.
                  H. Auden, and Samuel Beckett.},
  pagetotal =    199,
  publisher =    {{Palgrave Macmillan}},
  date =         {2014-01-17},
  keywords =     {Literary Criticism / General,History / Europe /
                  General,History / Social History,History / Modern / 20th
                  Century},
  author =       {Tonning, Erik},
  file =         {/home/jon/Dokumentujo/Columbia/MA Essay/tonning1.pdf},
  annotation =   {Checked out from Burke ~ ~}
}

@book{lewis_religious_2010,
  langid =       {english},
  title =        {Religious {{Experience}} and the {{Modernist Novel}}},
  isbn =         {978-1-139-48521-0},
  abstract =     {The modernist period witnessed attempts to explain religious
                  experience in non-religious terms. Such novelists as Henry
                  James, Marcel Proust, James Joyce, Virginia Woolf and Franz
                  Kafka found methods to describe through fiction the sorts of
                  experiences that had traditionally been the domain of
                  religious mystics and believers. In Religious Experience and
                  the Modernist Novel, Pericles Lewis considers the development
                  of modernism in the novel in relation to changing attitudes to
                  religion. Through comparisons of major novelists with
                  sociologists and psychologists from the same period, Lewis
                  identifies the unique ways that literature addressed the
                  changing spiritual situation of the early twentieth century.
                  He challenges accounts that assume secularisation as the main
                  narrative for understanding twentieth-century literature.
                  Lewis explores the experiments that modernists undertook in
                  order to invoke the sacred without directly naming it,
                  resulting in a compelling study for readers of
                  twentieth-century modernist literature.},
  pagetotal =    245,
  publisher =    {{Cambridge University Press}},
  date =         {2010-01-07},
  keywords =     {Literary Criticism / General,Literary Criticism / European /
                  English; Irish; Scottish; Welsh},
  author =       {Lewis, Pericles}
}

@book{rabate_handbook_2013,
  langid =       {english},
  title =        {A {{Handbook}} of {{Modernism Studies}}},
  isbn =         {978-1-118-48867-6},
  abstract =     {Featuring the latest research findings and exploring the
                  fascinating interplay of modernist authors and intellectual
                  luminaries, from Beckett and Kafka to Derrida and Adorno, this
                  bold new collection of essays gives students a deeper grasp of
                  key texts in modernist literature. Provides a wealth of fresh
                  perspectives on canonical modernist texts, featuring the
                  latest research data Adopts an original and creative thematic
                  approach to the subject, with concepts such as race, law,
                  gender, class, time, and ideology forming the structure of the
                  collection Explores current and ongoing debates on the links
                  between the aesthetics and praxis of authors and modernist
                  theoreticians Reveals the profound ways in which modernist
                  authors have influenced key thinkers, and vice versa},
  pagetotal =    517,
  publisher =    {{John Wiley \& Sons}},
  date =         {2013-02-26},
  keywords =     {Literary Criticism / American / General,Language Arts &
                  Disciplines / Linguistics / General},
  author =       {Rabaté, Jean-Michel}
}

@book{bell_literature_1997,
  location =     {{Cambridge}},
  title =        {Literature, {{Modernism}} and {{Myth}}: {{Belief}} and
                  Responsibility in the Twentieth Century},
  isbn =         {978-0-511-58173-1},
  url =          {http://ebooks.cambridge.org/ref/id/CBO9780511581731},
  shorttitle =   {Literature, {{Modernism}} and {{Myth}}},
  publisher =    {{Cambridge University Press}},
  urldate =      {2016-02-06},
  date =         1997,
  author =       {Bell, Michael},
  annotation =   {Checked out via Borrow Direct.}
}

@book{ruprecht_afterwords:_1996,
  langid =       {english},
  title =        {Afterwords: {{Hellenism}}, {{Modernism}}, and the {{Myth}} of
                  {{Decadence}}},
  isbn =         {978-0-7914-2934-1},
  shorttitle =   {Afterwords},
  abstract =     {This book about nostalgia raises the question of why it has
                  become such a dominant and influential posture in contemporary
                  philosophical and theological writing. The author notes the
                  presence of the word "after" in a great many contemporary
                  academic titles, and notes a spiritual sort of alienation that
                  many feel in the "modern age." Out of this scholarly
                  discontent emerges one of two related attempts: the attempt to
                  return to a premodern manner of thinking and being
                  (nostalgia); and the playful flight into some vaguely defined
                  "postmodernity" (utopia). In either case, the common
                  perception is that modernity is a problem, a problem to be
                  avoided or escaped.Bringing philosophical and theological
                  texts into conversation with one another, the book discovers a
                  startling similarity in the accounts of modernness offered in
                  these disparate idioms. Both are telling a story - a story
                  which, the author argues, is as seductive as it is misguided.},
  pagetotal =    282,
  publisher =    {{SUNY Press}},
  date =         {1996-07-03},
  keywords =     {History / Modern / General,Philosophy / General},
  author =       {Ruprecht, Louis A.},
  annotation =   {Someone's annoying dissertation. All over the place.}
}

@article{bucher-gillmayr_computer-aided_1996,
  title =        {A {{Computer}}-Aided {{Quest}} for {{Allusions}} to {{Biblical
                  Texts}} within {{Lyric Poetry}}},
  issn =         {0268-1145},
  doi =          {10.1093/llc/11.1.1},
  date =         1996,
  author =       {BUCHER-GILLMAYR, SUSANNE},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/AQI7TJXF/Bucher-Gillmayr
                  - 1996 - A Computer-aided Quest for Allusions to Biblical
                  T.pdf;/home/jon/Dokumentujo/Papers/zotero/storage/AZETDE7C/1.html;/home/jon/Dokumentujo/Papers/zotero/storage/NFG6CVZX/1.html;/home/jon/Dokumentujo/Papers/zotero/storage/UR57EA2E/31036083_A_Computer-aided_Quest_for_Allusions_to_Biblical_Texts_within_Lyric_Poetry.html},
  annotation =   {Parsed ~}
}

@incollection{bradshaw_religion_2005,
  langid =       {english},
  location =     {{Oxford, UK}},
  title =        {Religion},
  isbn =         {978-0-631-20435-0},
  url =          {http://doi.wiley.com/10.1111/b.9780631204350.2005.00004.x},
  booktitle =    {A {{Companion}} to {{Modernist Literature}} and {{Culture}}},
  publisher =    {{Blackwell Publishing Ltd}},
  urldate =      {2016-02-06},
  date =         2005,
  pages =        {19-28},
  editor =       {Bradshaw, David and Dettmar, Kevin J. H.},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/D4BW7IG2/bradshaw.pdf},
  annotation =   {Parsed}
}

@book{roiphe_uncommon_2007,
  location =     {{New York}},
  title =        {Uncommon Arrangements : Seven Portraits of Married Life in
                  {{London}} Literary Circles, 1910-1939},
  isbn =         {978-0-385-33937-7},
  shorttitle =   {Uncommon Arrangements},
  publisher =    {{Dial Press}},
  date =         2007,
  keywords =     {Authors; English,Women authors; English,Marriage,Man-woman
                  relationships,Relations with women,Relations with men},
  author =       {Roiphe, Katie},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/C3RHPCJV/6236811.html}
}

@book{ronning_hidden_????,
  location =     {{New York}},
  title =        {Hidden and Visible Suffrage : Emancipation and the
                  {{Edwardian}} Woman in {{Galsworthy}}, {{Wells}}, and
                  {{Forster}}},
  isbn =         {978-3-906750-07-1},
  shorttitle =   {Hidden and Visible Suffrage},
  publisher =    {{P. Lang}},
  year =         {c1995},
  keywords =     {Women and literature,History,History and criticism,Great
                  Britain,Galsworthy; John; 1867-1933,Wells; H. G. (Herbert
                  George); 1866-1946,Forster; E. M. (Edward Morgan);
                  1879-1970,Characters,Women,English fiction,Feminism and
                  literature,Women's rights,Women's rights in literature,Women
                  in literature,Suffrage,Male authors},
  author =       {Rønning, Anne Holden},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/9JIZZDCC/1639870.html}
}

@book{pease_modernism_2012,
  location =     {{New York}},
  title =        {Modernism, Feminism and the Culture of Boredom [Electronic
                  Resource]},
  isbn =         {978-1-107-02757-2},
  publisher =    {{Cambridge University Press}},
  date =         2012,
  keywords =     {Modernism (Literature),Literary Criticism / Women
                  Authors,Feminism and literature,Women in literature,Boredom in
                  literature},
  author =       {Pease, Allison},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/ASKE5EDA/9727688.html}
}

@article{priest_h.g._1984,
  entrysubtype = {magazine},
  langid =       {english},
  title =        {H.{{G}}. {{Wells}} and Women},
  volume =       108,
  issn =         {0028-6842},
  url =
                  {http://search.proquest.com.ezproxy.cul.columbia.edu/docview/1306973166/citation/DA11C838469E4568PQ/1},
  number =       2793,
  journaltitle = {New Statesman},
  urldate =      {2016-02-20},
  date =         {1984-09-28},
  pages =        28,
  keywords =     {Humanities (General),Political Science},
  author =       {Priest, Christopher},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/QZVA5V3I/Priest - 1984
                  - H.G. Wells and women.pdf}
}

@article{miller_re-reading_2010,
  title =        {Re-{{Reading H}}. {{G}}. {{Wells}}'s {{Social Agenda}} in
                  {{Ann Veronica}} through {{A}}. {{S}}. {{Byatt}}'s {{The
                  Children}}'s {{Book}}: {{Male Fantasy}} or {{Feminist
                  Revolutionary}}?},
  volume =       33,
  issn =         {0263-1776},
  shorttitle =   {Re-{{Reading H}}. {{G}}. {{Wells}}'s {{Social Agenda}} in
                  {{Ann Veronica}} through {{A}}. {{S}}. {{Byatt}}'s {{The
                  Children}}'s {{Book}}},
  journaltitle = {Wellsian: The Journal of the H. G. Wells Society},
  date =         {2010-01-01},
  pages =        72,
  author =       {Miller, Emma V.},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/9VJRDAWR/miller.pdf},
  annotation =   {Somewhat derivative. Parsed.}
}

@article{fulford_h.g._2011,
  entrysubtype = {magazine},
  langid =       {english},
  title =        {H.{{G}}. {{Wells}} and the {{Wages}} of {{Adultery}}},
  volume =       118,
  issn =         00336041,
  url =
                  {http://search.proquest.com.ezproxy.cul.columbia.edu/docview/882242099/abstract/1926C9D4D8E345AAPQ/1},
  abstract =     {The delicate and evocative word "passade" sprays a mist of
                  romance over what our blunter era calls a fling, a one-night
                  stand, a hook-up or, more often, an affair. "Passade" derives
                  from a fifteenth-century French term meaning "portion of a
                  game." At various times the same word has described a certain
                  move in fencing, an exercise in horsemanship, and a gift of
                  alms to a stranger. The fourth meaning cited in the OED, the
                  one that appears here and there in literature, is "a brief
                  romance." You can find it in Byron, Edith Wharton, and P.G.
                  Wodehouse. It was a key word in the vocabulary of H.G. Wells,
                  a prolific and grandly successful author in the first half of
                  the twentieth century, also renowned (in a somewhat less
                  public way) for his ambitious and spectacularly extensive sex
                  life. Her negative review of a Wells novel, Marriage, so
                  intrigued him that he invited her to lunch. Soon they were
                  lovers. In bed she called him "Iaguar," and he called her
                  "Panther." The intensity of their lovemaking was matched by
                  the ferocity of their arguments. Wells could be irascible, but
                  West was capable of monumental anger. She was easily hurt and
                  managed to be hurt many times by almost everyone she knew. A
                  London journalist, Charles Curran, diagnosed her as a case of
                  "psychological haemophilia." She bled profusely at the
                  slightest prick of criticism. "Like many people so afflicted,
                  she was wholly unaware that others could also bleed." Early in
                  the twentieth century there was no established social protocol
                  for "single mother." As a boy [Anthony West] lived with
                  [Rebecca West], but she had no idea how to talk to him about
                  their situation. Sometimes she asked that he treat her as his
                  aunt when others were around. Wells came to visit them but
                  never for long; he was to be called "Wellsie," not "Father."
                  Some friends and servants knew the truth; others didn't know
                  or were asked to hide their knowledge. Anthony found himself
                  conscripted to play a role in a drama where the script was
                  always changing. He was made to feel that he was an
                  inconvenience to his mother, and he resented the frequent
                  absences her working life required. In later years she claimed
                  that she had always been a good mother, but one of her
                  biographers remarked: "Rebecca eventually admitted that
                  sending Anthony away to school at the age of three was a
                  mistake." When he turned out to be a less than admirable
                  student she did not hide her dissatisfaction.},
  number =       2,
  journaltitle = {Queen's Quarterly},
  urldate =      {2016-02-20},
  date =         {2011-22},
  pages =        {167-176},
  keywords =     {Literary And Political Reviews,Humanities: Comprehensive
                  Works,Writers,Sexual behavior,Personal
                  relationships,Lifestyles,Adultery,Biographies,Social Sciences:
                  Comprehensive Works,Political Science--International
                  Relations,General Interest Periodicals--Canada},
  author =       {Fulford, Robert},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/I74468JG/Fulford -
                  2011 - H.G. WELLS and the Wages of Adultery.pdf},
  annotation =   {Fierce attack. Parsed.}
}

@online{freud_writing_????,
  title = {Writing: {{The Island}} of {{Dr Moreau}} - {{A Screenplay}} [{{Between Death}} and the {{Devil}}]},
  url = {http://www.everythingisundercontrol.org/nagtloper/write/moreauscript.php},
  journaltitle = {Between Death and the Devil},
  urldate = {2016-02-20},
  author = {Freud, Sigmund},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/8JABPPGE/the_island_of_dr_moreau.pdf;/home/jon/Dokumentujo/Papers/zotero/storage/9GBFF5QH/moreauscript.html}
}

@book{renzi_h._1992,
  location =     {{Metuchen, NJ}},
  title =        {H. {{G}}. {{Wells}} : Six Scientific Romances Adapted for
                  Film},
  isbn =         {978-0-8108-2549-9},
  shorttitle =   {H. {{G}}. {{Wells}}},
  publisher =    {{Scarecrow Press}},
  date =         1992,
  keywords =     {Wells; H. G. (Herbert George); 1866-1946,Science fiction;
                  English},
  author =       {Renzi, Thomas C.},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/P9QJSXA9/1159724.html}
}

@book{coren_invisible_1993,
  langid =       {english},
  title =        {The Invisible Man: The Life and Liberties of {{H}}.{{G}}.
                  {{Wells}}},
  isbn =         {978-0-7475-1158-8},
  url =
                  {http://search.proquest.com.ezproxy.cul.columbia.edu/docview/38684544?pq-origsite=summon&},
  shorttitle =   {The Invisible Man},
  pagetotal =    240,
  publisher =    {{Bloomsbury}},
  urldate =      {2016-02-20},
  date =         1993,
  keywords =     {Biographies,Herbert George Wells},
  author =       {Coren, Michael}
}

@article{lewis_intimate_1994,
  eprinttype =   {jstor},
  eprint =       4289273,
  title =        {Intimate {{Relations}} between {{Men}} and {{Women}}: {{The
                  Case}} of {{H}}. {{G}}. {{Wells}} and {{Amber Pember Reeves}}},
  issn =         {0309-2984},
  shorttitle =   {Intimate {{Relations}} between {{Men}} and {{Women}}},
  number =       37,
  journaltitle = {History Workshop},
  shortjournal = {History Workshop},
  date =         1994,
  pages =        {76-98},
  author =       {Lewis, Jane},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/C77KUNRB/Lewis - 1994
                  - Intimate Relations between Men and Women The Case.pdf},
  annotation =   {Parsed. Great.}
}

@article{stetz_island_2003,
  eprinttype =   {jstor},
  eprint =       23414946,
  title =        {The {{Island}} of {{Dr}}. {{Frankenheimer}}: {{Castaway}} in
                  the {{Marketplace}}},
  volume =       25,
  issn =         {0888-5753},
  shorttitle =   {The {{Island}} of {{Dr}}. {{Frankenheimer}}},
  number =       3,
  journaltitle = {Studies in Popular Culture},
  shortjournal = {Studies in Popular Culture},
  date =         2003,
  pages =        {77-90},
  author =       {Stetz, Margaret},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/6PJQRQDI/Stetz - 2003
                  - The Island of Dr. Frankenheimer Castaway in the M.pdf}
}

@article{harrington_its_1996,
  entrysubtype = {newspaper},
  langid =       {english},
  location =     {{Washington, D.C., United States}},
  title =        {It's {{All}} in the {{Genes}}: {{Brando}}'s {{Mad}}
                  '{{Moreau}}'},
  issn =         01908286,
  url =
                  {http://search.proquest.com.ezproxy.cul.columbia.edu/docview/1034077574/abstract/DCD02E19FBDC4B47PQ/1},
  shorttitle =   {It's {{All}} in the {{Genes}}},
  abstract =     {One hundred years after the initial publication of H.G.
                  Wells's characteristically prescient work of fiction, "The
                  Island of Dr. Moreau" yields its third film adaptation: a
                  big-budget, big-name version directed by John Frankenheimer
                  and starring Marlon Brando as the mad doctor.},
  journaltitle = {The Washington Post},
  journalsubtitle ={Style},
  urldate =      {2016-02-22},
  date =         {1996-08-23},
  pages =        {D1-D2},
  keywords =     {General Interest Periodicals--United States},
  author =       {Harrington, Richard},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/DUC64FQW/Writer - 1996
                  - It's All in the Genes Brando's Mad 'Moreau'.pdf}
}

@article{movshovitz_dr._1996,
  entrysubtype = {newspaper},
  langid =       {english},
  location =     {{Denver, Colo., United States}},
  title =        {"{{Dr}}. {{Moreau}}' Timely Tale {{But}} Cheap Laughs, a
                  Bizarre {{Brando}} Contaminate Plot},
  url =
                  {http://search.proquest.com.ezproxy.cul.columbia.edu/docview/291411500/abstract/D97AEA64E7834F14PQ/1},
  shorttitle =   {"{{Dr}}. {{Moreau}}' Timely Tale {{But}} Cheap Laughs, a
                  Bizarre {{Brando}} Contaminate Plot},
  abstract =     {A lot of how you think about John Frankenheimer's "The Island
                  of Dr. Moreau" depends on whether you figure he and Marlon
                  Brando are kidding around. The picture has Brando, as Moreau,
                  dolled up in gauzy full-body sundresses and hoods beneath
                  exaggerated lacy hats and veils (Brando also did drag in "The
                  Missouri Breaks" years ago). To accessorize his filmy attire,
                  Brando affects a squeaky, lispy British accent. If he and
                  Frankenheimer are serious about this stuff - I particularly
                  like the galvanized bucket/hat atop Moreau's head - the film
                  stands in grave trouble. If they're playing with the old H.G.
                  Wells story, there may be some method to this over-the-top
                  affair. The Wells novel has been filmed before, as "The Island
                  of Lost Souls" in 1933 and as "The Island of Dr. Moreau" in
                  1977. In all three versions, a great scientist gone bad tries
                  to create an improved humanity through genetic experiments
                  mixing human and animal material.},
  journaltitle = {Denver Post},
  journalsubtitle ={Weekend},
  urldate =      {2016-02-22},
  date =         {1996-08-23},
  pages =        {F.03},
  keywords =     {General Interest Periodicals--United States},
  author =       {Movshovitz, Howie},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/9PD8365J/1.html}
}

@incollection{atwood_introduction_2006,
  location =     {{New York}},
  title =        {Introduction},
  booktitle =    {The {{Island}} of {{Dr}}. {{Moreau}}},
  publisher =    {{Penguin}},
  date =         2006,
  editora =      {Atwood, Margaret},
  editoratype =  {collaborator}
}

@book{wells_island_2005,
  langid =       {english},
  location =     {{London}},
  title =        {The Island of {{Doctor Moreau}}},
  isbn =         {978-0-14-144102-3},
  pagetotal =    139,
  series =       {Penguin Classics},
  publisher =    {{Penguin}},
  date =         2005,
  keywords =     {Animal experimentation Fiction,Science fiction},
  author =       {Wells, H. G. and Parrinder, Patrick and Atwood, Margaret},
  annotation =   {Originally published: 1896 Formerly CIP}
}

@online{freud_uncanny_1919,
  title = {The {{Uncanny}}},
  url = {http://www-rohan.sdsu.edu/~amtower/uncanny.html},
  urldate = {2016-02-22},
  date = {1919},
  author = {Freud, Sigmund},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/WZFCQHNT/uncanny.html}
}

@incollection{murray_wells_1990,
  location =     {{New York}},
  title =        {Wells and {{Women}}},
  booktitle =    {H.{{G}}. {{Wells}}},
  publisher =    {{Continuum}},
  date =         1990,
  author =       {Murray, Brian},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/8HRP28G5/murray.pdf},
  annotation =   {Parsed}
}

@movie{frankenheimer_island_1996,
  title = {The Island of {{Dr}}. {{Moreau}}},
  date = {1996},
  director = {Frankenheimer, John}
}

@incollection{lewis_religion_2005,
  title =        {Religion},
  url =
                  {http://www.blackwellreference.com/subscriber/uid=887/tocnode?id=g9780631204350_chunk_g97806312043504},
  booktitle =    {A {{Companion}} to {{Modernist Literature}} and {{Culture}}},
  publisher =    {{Blackwell Publishing Ltd}},
  urldate =      {2016-02-29},
  date =         2005,
  author =       {Lewis, Pericles},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/SVPW3R4G/tocnode.html}
}

@book{purdy_biblical_????,
  location =     {{Cranbury, NJ}},
  title =        {Biblical Echo and Allusion in the Poetry of {{W}}.{{B}}.
                  {{Yeats}} : Poetics and the Art of {{God}}},
  isbn =         {978-0-8387-5254-8},
  shorttitle =   {Biblical Echo and Allusion in the Poetry of {{W}}.{{B}}.
                  {{Yeats}}},
  publisher =    {{Associated University Presses}},
  year =         {c1994},
  keywords =     {Bible,In literature,Yeats; W. B. (William Butler);
                  1865-1939,Religion,Christianity in literature,God in
                  literature,Poetics},
  author =       {Purdy, Dwight H. (Dwight Hilliard)},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/T4FXXPFQ/1421850.html}
}

@book{bailey_samuel_2014,
  location =     {{New York}},
  title =        {Samuel {{Beckett}} and {{The Bible}}},
  isbn =         {978-1-78093-688-8},
  publisher =    {{Bloomsbury Academic}},
  date =         2014,
  keywords =     {Literary Criticism / General,Criticism and
                  interpretation,Bible,In literature,Literary Criticism /
                  European / English; Irish; Scottish; Welsh,Beckett; Samuel;
                  1906-1989,Bible and literature},
  author =       {Bailey, Iain},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/QM38S8FV/10645657.html}
}

@book{frye_great_1983,
  location =     {{San Diego}},
  title =        {The Great Code : The {{Bible}} and Literature},
  isbn =         {978-0-15-636480-5},
  shorttitle =   {The Great Code},
  publisher =    {{Harcourt Brace Jovanovich}},
  year =         {1983, c1982},
  keywords =     {Bible and literature},
  author =       {Frye, Northrop},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/M8QFIZP5/1856504.html},
  annotation =   {Checked out. Too chatty, not much substance}
}

@book{jones_bible_2016,
  location =     {{New York}},
  title =        {The {{Bible}} and Literature : The Basics},
  isbn =         {978-0-415-73884-2},
  shorttitle =   {The {{Bible}} and Literature},
  publisher =    {{Routledge}},
  date =         2016,
  keywords =     {English literature,Bible and literature,Bible as
                  literature,European literature},
  author =       {Jones, Norman W.},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/N8AX3ETR/11706017.html},
  annotation =   {Parsed ~}
}

@collection{walsh_borges_2015,
  location = {{Sheffield}},
  title = {Borges and the {{Bible}}},
  isbn = {978-1-909697-77-5},
  publisher = {{Sheffield Phoenix Press}},
  date = {2015},
  keywords = {Knowledge,Bible and literature,Borges; Jorge Luis; 1899-1986},
  editor = {Walsh, Richard and Twomey, Jay},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/ANH5FVIS/11503716.html}
}

@book{swindell_reworking_2010,
  location =     {{Sheffield, England}},
  title =        {Reworking the {{Bible}} : The Literary Reception-History of
                  Fourteen Biblical Stories},
  isbn =         {978-1-907534-01-0},
  shorttitle =   {Reworking the {{Bible}}},
  publisher =    {{Sheffield Phoenix Press}},
  date =         2010,
  keywords =     {Bible,Bible and literature,Criticism; Narrative,Bible stories},
  author =       {Swindell, Anthony C.},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/ACSG9C7N/8041901.html},
  annotation =   {Probably useful, but I most likely won't be going into this
                  much detail}
}

@book{unknown_biblical_????,
  location =     {{Chico, Calif}},
  title =        {Biblical Patterns in Modern Literature},
  isbn =         {978-0-89130-814-0},
  publisher =    {{Scholars Press}},
  year =         {c1984},
  keywords =     {History and criticism,Bible and literature,Literature; Modern},
  author =       {{unknown}},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/BB5IS7SS/593376.html;/home/jon/Dokumentujo/Papers/zotero/storage/EK3V9B3M/593376.html},
  annotation =   {Not very useful except for a chapter on Henry James, Portrait
                  of a Lady and Wings of the Dove}
}

@article{rubin_one_1996,
  title =        {One Hundred Years of Forgetting: {{A}} Quantitative
                  Description of Retention.},
  volume =       103,
  url =
                  {https://www.google.com/search?q=Rubin+DC%2C+Wenzel+AE+%281996%29+One+hundred+years+of+forgetting%3A+A+quantitative+description+of+retention.+Psychological+Review+103%3A+734%E2%80%93760.&ie=utf-8&oe=utf-8},
  number =       4,
  journaltitle = {Psychological Review},
  urldate =      {2016-03-11},
  date =         1996,
  pages =        {734-760},
  author =       {Rubin, David C. and Wenzel, Amy E.},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/B495SUN2/100YearsOfForgetting.pdf;/home/jon/Dokumentujo/Papers/zotero/storage/KWF8FV8K/search.html}
}

@book{ebbinghaus_memory_1913,
  langid =       {english},
  title =        {Memory: {{A Contribution}} to {{Experimental Psychology}}},
  shorttitle =   {Memory},
  pagetotal =    64,
  publisher =    {{Teachers College, Columbia University}},
  date =         1913,
  author =       {Ebbinghaus, Hermann}
}

@article{jameson_postmodernism_1984,
  title =        {Postmodernism, or {{The Cultural Logic}} of {{Late
                  Capitalism}}},
  issn =         {0028-6060},
  number =       146,
  journaltitle = {New Left Review},
  shortjournal = {NLR},
  year =         {July-August 1984},
  pages =        {53-92},
  author =       {Jameson, Fredric},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/9VV6W6VD/fredric-jameson-postmodernism-or-the-cultural-logic-of-late-capitalism.html}
}

@article{hungerford_period_2008,
  langid =       {english},
  title =        {On the {{Period Formerly Known}} as {{Contemporary}}},
  volume =       20,
  issn =         {0896-7148, 1468-4365},
  url =
                  {http://alh.oxfordjournals.org.ezproxy.cul.columbia.edu/content/20/1-2/410},
  doi =          {10.1093/alh/ajm044},
  number =       {1-2},
  journaltitle = {American Literary History},
  shortjournal = {Am Lit Hist},
  urldate =      {2016-03-12},
  date =         {2008-03-20},
  pages =        {410-419},
  author =       {Hungerford, Amy},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/NJC4ARZT/Hungerford -
                  2008 - On the Period Formerly Known as
                  Contemporary.pdf;/home/jon/Dokumentujo/P

license_type: permissive

branch_name: refs/heads/master

gha_language: TeX

extension: bib