text:
xen
                  of the Sun” episode in Ulysses.pdf}
}

@article{mckenna_few_1996,
  title =        {‘{{A Few Simple Words}}’ of {{Interior Monologue}} in
                  {{Ulysses}}: {{Reconfiguring}} the {{Evidence}}},
  volume =       11,
  issn =         {0268-1145},
  url =
                  {https://academic-oup-com.ezproxy.cul.columbia.edu/dsh/article/11/2/55/1036286/A-Few-Simple-Words-of-Interior-Monologue-in},
  doi =          {10.1093/llc/11.2.55},
  shorttitle =   {‘{{A Few Simple Words}}’ of {{Interior Monologue}} in
                  {{Ulysses}}},
  number =       2,
  journaltitle = {Literary and Linguistic Computing},
  shortjournal = {Lit Linguist Computing},
  urldate =      {2017-05-20},
  date =         {1996-06-01},
  pages =        {55-66},
  author =       {McKenna, Wayne and Antonia, Alexis},
  file =         {/home/jon/Dokumentujo/Papers/Comp Style/Comp
                  Style/McKenna_Antonia_1996_‘A Few Simple Words’ of Interior
                  Monologue in Ulysses.pdf}
}

@article{burrows_not_1992,
  title =        {Not {{Unles You Ask Nicely}}: {{The Interpretative Nexus
                  Between Analysis}} and {{Information}}},
  volume =       7,
  issn =         {0268-1145},
  url =
                  {https://academic-oup-com.ezproxy.cul.columbia.edu/dsh/article-abstract/7/2/91/953663/Not-Unles-You-Ask-Nicely-The-Interpretative-Nexus},
  doi =          {10.1093/llc/7.2.91},
  shorttitle =   {Not {{Unles You Ask Nicely}}},
  number =       2,
  journaltitle = {Literary and Linguistic Computing},
  shortjournal = {Lit Linguist Computing},
  urldate =      {2017-05-20},
  date =         {1992-01-01},
  pages =        {91-109},
  author =       {Burrows, J. F.},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/B6WJHGAS/Not-Unles-You-Ask-Nicely-The-Interpretative-Nexus.html;/home/jon/Dokumentujo/Papers/zotero/storage/MSNGAS69/Not-Unles-You-Ask-Nicely-The-Interpretative-Nexus.html}
}

@book{AttributingAuthorship,
  title =        {Attributing {{Authorship}}},
  url =
                  {https://books-google-com.ezproxy.cul.columbia.edu/books/about/Attributing_Authorship.html?id=EBAUdyBN_6kC},
  abstract =     {Recent literary scholarship has seen a shift of interest away
                  from questions of attribution. Yet these questions remain
                  urgent and important for any historical study of writing, and
                  have been given a powerful new impetus by advances in
                  statistical studies of language and the coming on line of
                  large databases of texts in machine-searchable form. The
                  present book is the first comprehensive survey of the field
                  from a literary perspective to appear for forty years. It
                  covers both traditional and computer based approaches to
                  attribution, and evaluates each in respect of their
                  potentialities and limitations. It revisits a number of famous
                  controversies, including those concerning the authorship of
                  the Homeric poems, books from the Old and New Testaments, and
                  the plays of Shakespeare. Written with wit as well as
                  erudition Attributing Authorship will make this intriguing
                  field accessible for students and scholars alike.},
  urldate =      {2017-05-20}
}

@book{zyngier_directions_2008,
  langid =       {english},
  title =        {Directions in {{Empirical Literary Studies}}: {{In Honor}} of
                  {{Willie Van Peer}}},
  isbn =         {978-90-272-3337-0},
  shorttitle =   {Directions in {{Empirical Literary Studies}}},
  abstract =     {Directions in Empirical Literary Studies is on the cutting
                  edge of empirical studies and is a much needed volume. It both
                  widens the scope of empirical studies and looks at them from
                  an intercultural perspective by bringing together renowned
                  scholars from the fields of philosophy, sociology, psychology,
                  linguistics and literature, all focusing on how empirical
                  studies have impacted these different areas. Theoretical
                  issues are discussed and solid methods are presented. Some
                  chapters also show the relation between empirical studies and
                  new technology, examining developments in computer science and
                  corpus linguistics. This book takes a global perspective, with
                  contributors from many different countries, both senior and
                  junior researchers. Broad in scope and interdisciplinary in
                  nature, it contributes with the state-of-the-art developments
                  in the field.},
  pagetotal =    376,
  publisher =    {{John Benjamins Publishing}},
  date =         {2008-01-01},
  keywords =     {Literary Criticism / Books & Reading},
  author =       {Zyngier, Sonia},
  file =         {/home/jon/Dokumentujo/Papers/Comp Style/Comp
                  Style/Zyngier_2008_Directions in Empirical Literary
                  Studies.pdf}
}

@book{leed_computer_1966,
  langid =       {english},
  title =        {The Computer \& Literary Style: Introductory Essays and
                  Studies},
  shorttitle =   {The Computer \& Literary Style},
  pagetotal =    200,
  publisher =    {{Kent State University Press}},
  date =         1966,
  keywords =     {Criticism,Style; Literary,Electronic data processing},
  author =       {Leed, Jacob},
  file =         {/home/jon/Dokumentujo/Papers/Comp Style/Prehistory/Leed_1966_The
                  computer & literary style.pdf},
}

@book{argamon_structure_2010,
  langid =       {english},
  title =        {The {{Structure}} of {{Style}}: {{Algorithmic Approaches}} to
                  {{Understanding Manner}} and {{Meaning}}},
  isbn =         {978-3-642-12337-5},
  shorttitle =   {The {{Structure}} of {{Style}}},
  abstract =     {Style is a fundamental and ubiquitous aspect of the human
                  experience: Everyone instantly and constantly assesses people
                  and things according to their individual styles, academics
                  establish careers by researching musical, artistic, or
                  architectural styles, and entire industries maintain
                  themselves by continuously creating and marketing new styles.
                  Yet what exactly style is and how it works are elusive: We
                  certainly know it when we see it, but there is no shared and
                  clear understanding of the diverse phenomena that we call
                  style. The Structure of Style explores this issue from a
                  computational viewpoint, in terms of how information is
                  represented, organized, and transformed in the production and
                  perception of different styles. New computational techniques
                  are now making it possible to model the role of style in the
                  creation of and response to human artifacts—and therefore to
                  develop software systems that directly make use of style in
                  useful ways. Argamon, Burns, and Dubnov organize the research
                  they have collected in this book according to the three roles
                  that computation can play in stylistics. The first section of
                  the book, Production, provides conceptual foundations by
                  describing computer systems that create artifacts—musical
                  pieces, texts, artworks—in different styles. The second
                  section, Perception, explains methods for analyzing different
                  styles and gleaning useful information, viewing style as a
                  form of communication. The final section, Interaction, deals
                  with reciprocal interaction between style producers and
                  perceivers, in areas such as interactive media, improvised
                  musical accompaniment, and game playing. The Structure of
                  Style is written for researchers and practitioners in areas
                  including information retrieval, computer art and music,
                  digital humanities, computational linguistics, and artificial
                  intelligence, who can all benefit from this comprehensive
                  overview and in-depth description of current research in this
                  active interdisciplinary field.},
  pagetotal =    343,
  publisher =    {{Springer Science \& Business Media}},
  date =         {2010-09-13},
  keywords =     {Computers / Computer Vision & Pattern Recognition,Computers /
                  Intelligence (AI) & Semantics,Computers / Computer
                  Science,Computers / System Administration / Storage &
                  Retrieval,Art / General,Computers / Information
                  Technology,Computers / Optical Data Processing,History /
                  General},
  author =       {Argamon, Shlomo and Burns, Kevin and Dubnov, Shlomo},
  file =         {/home/jon/Dokumentujo/Papers/Comp Style/Comp Style/Argamon et
                  al_2010_The Structure of Style.pdf},
  annotation =   {THis is style very broadly understood}
}

@book{mcenery_computational_1992,
  langid =       {english},
  title =        {Computational {{Linguistics}}: {{A Handbook}} \& {{Toolbox}}
                  for {{Natural Language Processing}}},
  isbn =         {978-1-85058-247-2},
  shorttitle =   {Computational {{Linguistics}}},
  pagetotal =    276,
  publisher =    {{Sigma}},
  date =         1992,
  author =       {McEnery, A. M. and McEnery, Tony},
}

@book{jockers_text_2014,
  langid =       {english},
  title =        {Text {{Analysis}} with {{R}} for {{Students}} of
                  {{Literature}}},
  isbn =         {978-3-319-03164-4},
  abstract =     {Text Analysis with R for Students of Literature is written
                  with students and scholars of literature in mind but will be
                  applicable to other humanists and social scientists wishing to
                  extend their methodological tool kit to include quantitative
                  and computational approaches to the study of text. Computation
                  provides access to information in text that we simply cannot
                  gather using traditional qualitative methods of close reading
                  and human synthesis. Text Analysis with R for Students of
                  Literature provides a practical introduction to computational
                  text analysis using the open source programming language R. R
                  is extremely popular throughout the sciences and because of
                  its accessibility, R is now used increasingly in other
                  research areas. Readers begin working with text right away and
                  each chapter works through a new technique or process such
                  that readers gain a broad exposure to core R procedures and a
                  basic understanding of the possibilities of computational text
                  analysis at both the micro and macro scale. Each chapter
                  builds on the previous as readers move from small scale
                  “microanalysis” of single texts to large scale “macroanalysis”
                  of text corpora, and each chapter concludes with a set of
                  practice exercises that reinforce and expand upon the chapter
                  lessons. The book’s focus is on making the technical palatable
                  and making the technical useful and immediately gratifying.},
  pagetotal =    199,
  publisher =    {{Springer}},
  date =         {2014-06-10},
  keywords =     {Language Arts & Disciplines / Linguistics / General,Social
                  Science / Statistics,Computers / Mathematical & Statistical
                  Software,Mathematics / Probability & Statistics / Stochastic
                  Processes,Computers / Natural Language Processing,Social
                  Science / Research},
  author =       {Jockers, Matthew},
  file =         {/home/jon/Dokumentujo/Papers/Textbooks/Jockers_2014_Text Analysis
                  with R for Students of Literature.pdf},
}

@book{oakes_literary_2014,
  langid =       {english},
  title =        {Literary {{Detective Work}} on the {{Computer}}},
  isbn =         {978-90-272-7013-9},
  abstract =     {Computational linguistics can be used to uncover mysteries in
                  text which are not always obvious to visual inspection. For
                  example, the computer analysis of writing style can show who
                  might be the true author of a text in cases of disputed
                  authorship or suspected plagiarism. The theoretical background
                  to authorship attribution is presented in a step by step
                  manner, and comprehensive reviews of the field are given in
                  two specialist areas, the writings of William Shakespeare and
                  his contemporaries, and the various writing styles seen in
                  religious texts. The final chapter looks at the progress
                  computers have made in the decipherment of lost languages.
                  This book is written for students and researchers of general
                  linguistics, computational and corpus linguistics, and
                  computer forensics. It will inspire future researchers to
                  study these topics for themselves, and gives sufficient
                  details of the methods and resources to get them started.},
  pagetotal =    295,
  publisher =    {{John Benjamins Publishing Company}},
  date =         {2014-05-15},
  keywords =     {Language Arts & Disciplines / Linguistics / General,Computers
                  / Natural Language Processing},
  author =       {Oakes, Michael P.},
}

@book{hammond_literature_2016,
  langid =       {english},
  title =        {Literature in the {{Digital Age}}: {{An Introduction}}},
  isbn =         {978-1-316-48318-3},
  shorttitle =   {Literature in the {{Digital Age}}},
  abstract =     {Literature in a Digital Age: An Introduction guides readers
                  through the most salient theoretical, interpretive, and
                  creative possibilities opened up by the shift to digital
                  literary forms such as e-books, digital archives, and
                  electronic literature. While Digital Humanities (DH) has been
                  hailed as the 'next big thing' in literary studies, many
                  students and scholars remain perplexed as to what a DH
                  approach to literature entails, and skeptical observers
                  continue to see literature and the digital world as
                  fundamentally incompatible. In its argument that digital and
                  traditional scholarship should be placed in dialogue with each
                  other, this book contextualizes the advent of the digital in
                  literary theory, explores the new questions readers can ask of
                  texts when they become digitized, and investigates the
                  challenges that fresh forms of born-digital fiction pose to
                  existing models of literary analysis.},
  pagetotal =    255,
  publisher =    {{Cambridge University Press}},
  date =         {2016-03-03},
  keywords =     {Literary Criticism / General,Literary Criticism / Semiotics &
                  Theory,Literary Criticism / European / English; Irish;
                  Scottish; Welsh},
  author =       {Hammond, Adam},
}

@book{moretti_graphs_2005,
  langid =       {english},
  title =        {Graphs, {{Maps}}, {{Trees}}: {{Abstract Models}} for a
                  {{Literary History}}},
  isbn =         {978-1-84467-026-0},
  shorttitle =   {Graphs, {{Maps}}, {{Trees}}},
  abstract =     {Professor Franco Moretti argues heretically that literature
                  scholars should stop reading books and start counting,
                  graphing, and mapping them instead. He insists that such a
                  move could bring new luster to a tired field, one that in some
                  respects is among .the most backwards disciplines in the
                  academy.. Literary study, he argues, has been random and
                  unsystematic. For any given period scholars focus on a select
                  group of a mere few hundred texts: the canon. As a result,
                  they have allowed a narrow distorting slice of history to pass
                  for the total picture. Moretti offers bar charts, maps, and
                  time lines instead, developing the idea of .distant reading,.
                  set forth in his path-breaking essay .Conjectures on World
                  Literature,. into a full-blown experiment in literary
                  historiography, where the canon disappears into the larger
                  literary system. Charting entire genres.the epistolary, the
                  gothic, and the historical novel.as well as the literary
                  output of countries such as Japan, Italy, Spain, and Nigeria,
                  he shows how literary history looks significantly different
                  from what is commonly supposed and how the concept of
                  aesthetic form can be radically redefined.},
  pagetotal =    140,
  publisher =    {{Verso}},
  date =         2005,
  keywords =     {Literary Criticism / General},
  author =       {Moretti, Franco},
  file =         {/home/jon/Dokumentujo/Papers/Comp Style/Comp
                  Style/Moretti_2005_Graphs, Maps, Trees.pdf},
}

@book{goodwin_reading_2011,
  langid =       {english},
  title =        {Reading {{Graphs}}, {{Maps}}, {{Trees}}: {{Responses}} to
                  {{Franco Moretti}}},
  isbn =         {978-1-60235-205-6},
  shorttitle =   {Reading {{Graphs}}, {{Maps}}, {{Trees}}},
  abstract =     {Franco Moretti's GRAPHS, MAPS, TREES: ABSTRACT MODELS FOR
                  LITERARY HISTORY is one of the most provocative recent works
                  of literary history. The present volume collects generalist
                  and specialist, academic and nonacademic responses by
                  statisticians, philosophers, historians, literary scholars and
                  others. And Moretti's responses to these responses. Originally
                  written as contributions to an online book event hosted at The
                  Valve (www.thevalve.org), and edited for this volume, these
                  essays explore, extend and criticize many aspects of Franco
                  Moretti's work. They will be of interest to anyone interested
                  in Moretti's brand of "distant reading"; or in the prospects
                  for quantitative approaches to literary style and genre; or
                  recent interdisciplinary work in the humanities generally.
                  CONTRIBUTORS: Bill Benzon, Tim Burke, Jenny Davidson, Ray
                  Davis, Jonathan Goodwin, Eric Hayot, John Holbo, Steven Berlin
                  Johnson, Matthew Kirschenbaum, Sean McCann, Franco Moretti,
                  Adam Roberts, Cosma Shalizi. ABOUT THE EDITORS: JONATHAN
                  GOODWIN is Assistant Professor of English at the University of
                  Louisiana at Lafayette. He works on modernist literature,
                  film, and narrative theory. JOHN HOLBO is an Associate
                  Professor of Philosophy at the National University of
                  Singapore and the author, with Belle Waring, of Reason and
                  Persuasion: Three Dialogues by Plato (Pearson 2009).},
  pagetotal =    142,
  publisher =    {{Parlor Press}},
  date =         2011,
  keywords =     {Literary Criticism / Semiotics & Theory,Philosophy /
                  Criticism},
  author =       {Goodwin, Jonathan and Holbo, John},
  file =         {/home/jon/Dokumentujo/Papers/Comp Style/Comp
                  Style/Goodwin_Holbo_2011_Reading Graphs, Maps, Trees.pdf},
}

@book{silge_text_2017,
  langid =       {english},
  title =        {Text {{Mining}} with {{R}}: {{A Tidy Approach}}},
  isbn =         {978-1-4919-8165-8},
  shorttitle =   {Text {{Mining}} with {{R}}},
  abstract =     {Tackle a variety of tasks in natural language processing by
                  learning how to use the R language and tidy data principles.
                  This practical guide provides examples and resources to help
                  you get up to speed with dplyr, broom, ggplot2, and other tidy
                  tools from the R ecosystem. You’ll discover how tidy data
                  principles can make text mining easier, more effective, and
                  consistent by employing tools already in wide use. Text Mining
                  with R shows you how to manipulate, summarize, and visualize
                  the characteristics of text, sentiment analysis, tf-idf, and
                  topic modeling. Along with tidy data methods, you’ll also
                  examine several beginning-to-end tidy text analyses on data
                  sources from Twitter to NASA datasets. These analyses bring
                  together multiple text mining approaches covered in the book.
                  Get real-world examples for implementing text mining using
                  tidy R package Understand natural language processing concepts
                  like sentiment analysis, tf-idf, and topic modeling Learn how
                  to analyze unstructured, text-heavy data using R language and
                  ecosystem},
  pagetotal =    150,
  publisher =    {{O'Reilly Media, Incorporated}},
  date =         {2017-05-25},
  keywords =     {Computers / Natural Language Processing,Computers / Databases
                  / Data Mining,Computers / Data Visualization},
  author =       {Silge, Julia and Robinson, David},
}

@book{kumar_mastering_2016,
  langid =       {english},
  title =        {Mastering {{Text Mining}} with {{R}}},
  isbn =         {978-1-78355-181-1},
  abstract =     {Master text-taming techniques and build effective
                  text-processing applications with R About This Book Develop
                  all the relevant skills for building text-mining apps with R
                  with this easy-to-follow guide Gain in-depth understanding of
                  the text mining process with lucid implementation in the R
                  language Example-rich guide that lets you gain high-quality
                  information from text data Who This Book Is For If you are an
                  R programmer, analyst, or data scientist who wants to gain
                  experience in performing text data mining and analytics with
                  R, then this book is for you. Exposure to working with
                  statistical methods and language processing would be helpful.
                  What You Will Learn Get acquainted with some of the highly
                  efficient R packages such as OpenNLP and RWeka to perform
                  various steps in the text mining process Access and manipulate
                  data from different sources such as JSON and HTTP Process text
                  using regular expressions Get to know the different approaches
                  of tagging texts, such as POS tagging, to get started with
                  text analysis Explore different dimensionality reduction
                  techniques, such as Principal Component Analysis (PCA), and
                  understand its implementation in R Discover the underlying
                  themes or topics that are present in an unstructured
                  collection of documents, using common topic models such as
                  Latent Dirichlet Allocation (LDA) Build a baseline sentence
                  completing application Perform entity extraction and named
                  entity recognition using R In Detail Text Mining (or text data
                  mining or text analytics) is the process of extracting useful
                  and high-quality information from text by devising patterns
                  and trends. R provides an extensive ecosystem to mine text
                  through its many frameworks and packages. Starting with basic
                  information about the statistics concepts used in text mining,
                  this book will teach you how to access, cleanse, and process
                  text using the R language and will equip you with the tools
                  and the associated knowledge about different tagging,
                  chunking, and entailment approaches and their usage in natural
                  language processing. Moving on, this book will teach you
                  different dimensionality reduction techniques and their
                  implementation in R. Next, we will cover pattern recognition
                  in text data utilizing classification mechanisms, perform
                  entity recognition, and develop an ontology learning
                  framework. By the end of the book, you will develop a
                  practical application from the concepts learned, and will
                  understand how text mining can be leveraged to analyze the
                  massively available data on social media. Style and approach
                  This book takes a hands-on, example-driven approach to the
                  text mining process with lucid implementation in R."},
  pagetotal =    258,
  publisher =    {{Packt Publishing, Limited}},
  date =         {2016-12-28},
  author =       {Kumar, Ashish and Paul, Avinash},
}

@book{miner_practical_2012,
  langid =       {english},
  title =        {Practical {{Text Mining}} and {{Statistical Analysis}} for
                  {{Non}}-Structured {{Text Data Applications}}},
  isbn =         {978-0-12-386979-1},
  abstract =     {Practical Text Mining and Statistical Analysis for
                  Non-structured Text Data Applications brings together all the
                  information, tools and methods a professional will need to
                  efficiently use text mining applications and statistical
                  analysis. Winner of a 2012 PROSE Award in Computing and
                  Information Sciences from the Association of American
                  Publishers, this book presents a comprehensive how-to
                  reference that shows the user how to conduct text mining and
                  statistically analyze results. In addition to providing an
                  in-depth examination of core text mining and link detection
                  tools, methods and operations, the book examines advanced
                  preprocessing techniques, knowledge representation
                  considerations, and visualization approaches. Finally, the
                  book explores current real-world, mission-critical
                  applications of text mining and link detection using real
                  world example tutorials in such varied fields as corporate,
                  finance, business intelligence, genomics research, and
                  counterterrorism activities. The world contains an
                  unimaginably vast amount of digital information which is
                  getting ever vaster ever more rapidly. This makes it possible
                  to do many things that previously could not be done: spot
                  business trends, prevent diseases, combat crime and so on.
                  Managed well, the textual data can be used to unlock new
                  sources of economic value, provide fresh insights into science
                  and hold governments to account. As the Internet expands and
                  our natural capacity to process the unstructured text that it
                  contains diminishes, the value of text mining for information
                  retrieval and search will increase dramatically. Extensive
                  case studies, most in a tutorial format, allow the reader to
                  'click through' the example using a software program, thus
                  learning to conduct text mining analyses in the most rapid
                  manner of learning possible Numerous examples, tutorials,
                  power points and datasets available via companion website on
                  Elsevierdirect.com Glossary of text mining terms provided in
                  the appendix},
  pagetotal =    1096,
  publisher =    {{Academic Press}},
  date =         2012,
  keywords =     {Mathematics / Probability & Statistics / General},
  author =       {Miner, Gary}
}

@book{mohanty_readings_2008,
  langid =       {english},
  title =        {Readings in Quantitative Linguistics},
  isbn =         {978-81-86323-33-5},
  abstract =     {Contributed articles presented at the "International Symposium
                  on Linguistics, Quantification, and Computation" from March 9
                  to 11, 2005 at Centre for Applied Linguistics and Translation
                  Studies, University of Hyderabad.},
  pagetotal =    208,
  publisher =    {{Indian Institute of Language Studies}},
  date =         2008,
  keywords =     {Linguistics,Computational Linguistics,Corpora
                  (Linguistics),Language Arts & Disciplines / Linguistics},
  author =       {Mohanty, Panchanan and Studies, University of Hyderabad Centre
                  for Applied Linguistics {and} Translation},
}

@book{burrows_computation_1987,
  langid =       {english},
  title =        {Computation into Criticism: A Study of {{Jane Austen}}'s
                  Novels and an Experiment in Method},
  isbn =         {978-0-19-812856-4},
  shorttitle =   {Computation into Criticism},
  abstract =     {Most readers and critics behave as though common prepositions,
                  conjunctions, personal pronouns, and articles--the parts of
                  speech which make up at least a third of fictional works in
                  English--do not really exist. But far from being a largely
                  inert linguistic mass which has a simple but uninteresting
                  function, these words and their frequency of use can tell us a
                  great deal about the characters who speak them. In Computation
                  into Criticism, he reveals that even in so early a novel as
                  Northanger Abbey the major characters differ very sharply in
                  the frequency with which each uses such words as "the," "of,"
                  "it," and "I." When, especially in the later novels, there is
                  evidence of consistent and meaningful change in even the
                  simplest idioms of the heroines, it becomes possible to study
                  character development in an even clearer light than before.
                  What emerges from this fascinating study is not a game with
                  numbers, but rather the groundwork for more authoritative
                  literary judgments.},
  pagetotal =    280,
  publisher =    {{Clarendon Press}},
  date =         1987,
  keywords =     {Language Arts & Disciplines / Linguistics /
                  General,Criticism,Literary Criticism / European / English;
                  Irish; Scottish; Welsh,Fiction,Austen; Jane -
                  Technique,Characters and characteristics in
                  literature,Criticism - Data processing,Criticism/ Data
                  processing,Fiction - Technique,Love stories; English - History
                  and criticism,Love stories; English/ History and
                  criticism,Love stories; English,Speech in literature},
  author =       {Burrows, John Frederick},
}

@article{hoover_frequent_2003,
  title =        {Frequent {{Collocations}} and {{Authorial Style}}},
  volume =       18,
  issn =         {0268-1145},
  url =
                  {https://academic.oup.com/dsh/article-abstract/18/3/261/961445/Frequent-Collocations-and-Authorial-Style},
  doi =          {10.1093/llc/18.3.261},
  number =       3,
  journaltitle = {Literary and Linguistic Computing},
  shortjournal = {Lit Linguist Computing},
  urldate =      {2017-05-20},
  date =         {2003-09-01},
  pages =        {261-286},
  author =       {Hoover, David L.},
  file =         {/home/jon/Dokumentujo/Papers/Comp Style/Comp
                  Style/Hoover_2003_Frequent Collocations and Authorial
                  Style.pdf}
}

@article{craig_contrast_1999,
  langid =       {english},
  title =        {Contrast and {{Change}} in the {{Idiolects}} of {{Ben Jonson
                  Characters}}},
  volume =       33,
  issn =         {0010-4817, 1572-8412},
  url =
                  {https://link-springer-com.ezproxy.cul.columbia.edu/article/10.1023/A:1002032032618},
  doi =          {10.1023/A:1002032032618},
  abstract =     {The paper presents the results of a series of Principal
                  Components Analyses of the frequencies of very common words in
                  the dialogue of characters in plays by Ben Jonson. The first
                  Principal Component in the data, the most important axis of
                  differentiation, proves in each case to be a spectrum from
                  elaborate, authoritative pronouncements to a dialogue style of
                  reaction and interchange. Reference to other quantitative
                  studies, literary and otherwise, suggests that a version of
                  this axis may often be among the most important in stylistic
                  difference generally. In Jonson it has a chronological aspect
                  -- there is a shift over his career from one end to the other
                  -- and there is often significant change within the idiolects
                  of his characters as well. Successive segments of Volpone and
                  Mosca's parts (they are protagonist and antagonist of Volpone,
                  perhaps Jonson's best-known comedy) change markedly along this
                  axis, beginning far apart but coming by the end of the play to
                  resemble each other very closely on this measure.},
  number =       3,
  journaltitle = {Computers and the Humanities},
  shortjournal = {Computers and the Humanities},
  urldate =      {2017-05-20},
  date =         {1999-05-01},
  pages =        {221-240},
  keywords =     {character},
  author =       {Craig, Hugh},
  file =         {/home/jon/Dokumentujo/Papers/Comp Style/Comp
                  Style/Craig_1999_Contrast and Change in the Idiolects of Ben
                  Jonson Characters.pdf}
}

@online{_ecml98.dvi_????,
  title = {Ecml98.Dvi - Joachims\_98a.Pdf},
  url = {https://www.cs.cornell.edu/people/tj/publications/joachims_98a.pdf},
  urldate = {2017-05-20},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/FXSC7AUE/joachims_98a.html}
}

@article{joachims_text_1998,
  title =        {Text Categorization with Support Vector Machines: {{Learning}}
                  with Many Relevant Features},
  url =
                  {http://www.springerlink.com.ezproxy.cul.columbia.edu/index/drhq581108850171.pdf},
  shorttitle =   {Text Categorization with Support Vector Machines},
  journaltitle = {Machine learning: ECML-98},
  urldate =      {2017-05-20},
  date =         1998,
  pages =        {137--142},
  author =       {Joachims, Thorsten},
  file =         {/home/jon/Dokumentujo/Papers/Comp Style/Comp
                  Style/Joachims_1998_Text categorization with support vector
                  machines.pdf}
}

@article{_characterization_1991,
  title =        {Characterization in {{Dickens}}'s {{Christmas Books}}: {{A
                  Computer}}-{{Assisted Approach}} to {{Idiolects}}},
  volume =       34,
  url =
                  {http://ci.nii.ac.jp.ezproxy.cul.columbia.edu/naid/110000963278/},
  shorttitle =   {Characterization in {{Dickens}}'s {{Christmas Books}}},
  journaltitle = {熊本大学英語英文学},
  urldate =      {2017-05-20},
  date =         1991,
  pages =        {98--126},
  keywords =     {character},
  author =       {{田畑智司}},
  file =         {/home/jon/Dokumentujo/Papers/Comp Style/Comp Style/田畑智
                  司_1991_Characterization in Dickens's Christmas Books.pdf}
}

@article{DeForestDensityLatinateWords2001,
  title =        {The {{Density}} of {{Latinate Words}} in the {{Speeches}} of
                  {{Jane Austen}}'s {{Characters}}},
  volume =       16,
  issn =         {0268-1145},
  url =
                  {https://academic-oup-com.ezproxy.cul.columbia.edu/dsh/article/16/4/389/964739/The-Density-of-Latinate-Words-in-the-Speeches-of},
  doi =          {10.1093/llc/16.4.389},
  number =       4,
  journaltitle = {Literary and Linguistic Computing},
  shortjournal = {Lit Linguist Computing},
  urldate =      {2017-05-20},
  date =         {2001-11-01},
  pages =        {389-401},
  keywords =     {etymology,macroetym},
  author =       {DeForest, Mary and Johnson, Eric},
  file =         {/home/jon/Dokumentujo/Papers/Comp Style/Comp
                  Style/DeForest_Johnson_2001_The Density of Latinate Words in
                  the Speeches of Jane Austen's Characters.pdf}
}

@article{lancashire_empirically_1997,
  title =        {Empirically Determining {{Shakespeare}}'s Idiolect},
  volume =       25,
  url =
                  {https://books-google-com.ezproxy.cul.columbia.edu/books?hl=en&lr=&id=-iZhhxVqvqAC&oi=fnd&pg=PA171&dq=Empirically+Determining+Shakespeare%27s+Idiolect&ots=99JA7eT5Wh&sig=z5zpwQg_JwAwW9eQVmk3iHcz7Pw},
  journaltitle = {SHAKESPEARE STUDIES-COLUMBIA THEN ALBUQUERQUE-},
  urldate =      {2017-05-20},
  date =         1997,
  pages =        {171--185},
  keywords =     {Authorship,Poetics,LANGUAGE & languages in
                  literature,IDIOLECT,SHAKESPEARE; William; 1564-1616,FUNERALL
                  Elegye; A (Poem)},
  author =       {Lancashire, Ian},
  file =         {/home/jon/Dokumentujo/Papers/Comp Style/Comp
                  Style/Lancashire_1997_Empirically determining Shakespeare's
                  idiolect.pdf}
}

@article{milic_progress_1991,
  langid =       {english},
  title =        {Progress in Stylistics: {{Theory}}, Statistics, Computers},
  volume =       25,
  issn =         {0010-4817, 1572-8412},
  url =
                  {https://link-springer-com.ezproxy.cul.columbia.edu/article/10.1007/BF00141189},
  doi =          {10.1007/BF00141189},
  shorttitle =   {Progress in Stylistics},
  abstract =     {This paper attempts to assess the progress made in
                  computational stylistics dyring the course of the past
                  twenty-five years. First, we discuss some theoretical notions
                  of style, and then we sketch certain trends that emerge from
                  relevant articles appearing in a variety of publications
                  including conference proceedings and academic journals (other
                  than CHum). The conclusion is that progress has been mixed.},
  number =       6,
  journaltitle = {Computers and the Humanities},
  shortjournal = {Comput Hum},
  urldate =      {2017-05-20},
  date =         {1991-12-01},
  pages =        {393-400},
  author =       {Milic, Louis},
  file =         {/home/jon/Dokumentujo/Papers/Comp Style/Comp
                  Style/Milic_1991_Progress in stylistics.pdf}
}

@article{campbell_provenance_1997,
  langid =       {english},
  title =        {The {{Provenance}} of {{De Doctrina Christiana}}},
  volume =       31,
  issn =         {1094-348X},
  url =
                  {http://onlinelibrary.wiley.com.ezproxy.cul.columbia.edu/doi/10.1111/j.1094-348X.1997.tb00495.x/abstract},
  doi =          {10.1111/j.1094-348X.1997.tb00495.x},
  number =       3,
  journaltitle = {Milton Quarterly},
  urldate =      {2017-05-20},
  date =         {1997-10-01},
  pages =        {67-117},
  author =       {Campbell, Gordon and Corns, Thomas N. and Hale, John K. and
                  Holmes, David I. and Tweedie, Fiona J.},
  file =         {/home/jon/Dokumentujo/Papers/Comp Style/Comp Style/Campbell et
                  al_1997_The Provenance of De Doctrina Christiana.pdf}
}

@book{yule_statistical_1944,
  title =        {The {{Statistical Study}} of {{Literary Vocabulary}}},
  url =
                  {https://books-google-com.ezproxy.cul.columbia.edu/books/about/The_Statistical_Study_of_Literary_Vocabu.html?id=B9VkAwAAQBAJ},
  abstract =     {George Udny Yule (1871-1951) was a British statistician who
                  was influential in the development of modern statistics.
                  Originally published in 1944, this book was formed from Yule's
                  interest in the controversy surrounding the authorship of De
                  Imitatione Christi, a text generally attributed to Thomas ...
                  Kempis. The text presents a statistical analysis of the
                  vocabulary used in De Imitatione Christi, comparing it to
                  different works written by Thomas and works by other authors.
                  In so doing, it moves into the broader territory of purely
                  statistical questions regarding frequency distributions and
                  sample sizes. This book will be of value to anyone with an
                  interest in statistics and its relationship with literature.},
  publisher =    {{Cambridge UP}},
  urldate =      {2017-05-20},
  date =         1944,
  author =       {Yule, George Udny},
  annotation =   {Orig. published 1944; prehistory ~}
}

@book{clark_handbook_2013,
  langid =       {english},
  title =        {The {{Handbook}} of {{Computational Linguistics}} and
                  {{Natural Language Processing}}},
  isbn =         {978-1-118-44867-0},
  abstract =     {This comprehensive reference work provides an overview of the
                  concepts, methodologies, and applications in computational
                  linguistics and natural language processing (NLP). Features
                  contributions by the top researchers in the field, reflecting
                  the work that is driving the discipline forward Includes an
                  introduction to the major theoretical issues in these fields,
                  as well as the central engineering applications that the work
                  has produced Presents the major developments in an accessible
                  way, explaining the close connection between scientific
                  understanding of the computational properties of natural
                  language and the creation of effective language technologies
                  Serves as an invaluable state-of-the-art reference source for
                  computational linguists and software engineers developing NLP
                  applications in industrial research and development labs of
                  software companies},
  pagetotal =    869,
  publisher =    {{John Wiley \& Sons}},
  date =         {2013-04-24},
  keywords =     {Language Arts & Disciplines / Linguistics / General,Language
                  Arts & Disciplines / General},
  author =       {Clark, Alexander and Fox, Chris and Lappin, Shalom},
}

@book{mitkov_oxford_2005,
  langid =       {english},
  title =        {The {{Oxford Handbook}} of {{Computational Linguistics}}},
  isbn =         {978-0-19-927634-9},
  abstract =     {Thirty-eight chapters, comissioned from experts all over the
                  world, describe major concepts, methods, and applications in
                  computational linguistics. Part I, Linguistic Fundamentals,
                  provides an overview of the field suitable for senior
                  undergraduates and non-specialists from other fields of
                  linguistics and related disciplines. Part II describes current
                  tasks, techniques, and tools in Natural Language Processing
                  and aims to meet the needs of post-doctoral workers and others
                  embarking on computational language research. Part III surveys
                  current applications. This book is a state-of-the-art
                  reference to one of the most active and productive fields in
                  linguistics. It will be of interest and practical use to a
                  wide range of linguists, as well as to researchers in such
                  fields as informatics, artificial intelligence, language
                  engineering, and cognitive science.},
  pagetotal =    808,
  publisher =    {{OUP Oxford}},
  date =         {2005-01-13},
  keywords =     {Language Arts & Disciplines / Linguistics / General,Reference
                  / General,Computers / Intelligence (AI) & Semantics,Computers
                  / Natural Language Processing,Computers / Social Aspects /
                  Human-Computer Interaction},
  author =       {Mitkov, Ruslan},
}

@collection{stockwell_cambridge_2014,
  location = {{Cambridge}},
  title = {The {{Cambridge}} Handbook of Stylistics},
  isbn = {978-1-107-02887-6},
  abstract = {"The Cambridge Handbook of Stylistics Stylistics has become the most common name for a discipline which at various times has been termed 'literary linguistics', 'rhetoric', 'poetics', 'literary philology' and 'close textual reading'. This Handbook is the definitive account of the field, drawing on linguistics and related subject areas such as psychology, sociology, anthropology, educational pedagogy, computational methods, literary criticism and critical theory"--},
  pagetotal = {673},
  series = {Cambridge Handbooks in Language and Linguistics},
  publisher = {{Cambridge University Press}},
  date = {2014},
  keywords = {English language,Language Arts & Disciplines / Linguistics / General,Style,Rhetoric},
  editor = {Stockwell, Peter and Whiteley, Sara},
  annotation = {Machine generated contents note: 1. The handbook of stylistics: introduction Peter Stockwell and Sara Whiteley; Part I. The Discipline of Stylistics: 2. The theory and philosophy of stylistics Michael Toolan; 3. The stylistic tool-kit: methods and sub-disciplines Katie Wales; 4. Quantitative methods in literary linguistics Michael Stubbs; 5. Stylistics as rhetoric Craig Hamilton; 6. Stylistics as applied linguistics Ronald Carter; 7. Stylistics as literary criticism Geoff Hall; Part II. Literary Concepts and Stylistics: 8. Genre Beatrix Busse; 9. Intertextuality and allusion Patrick Colm Hogan; 10. Production and intentionality Violeta Sotirova; 11. Characterisation Dan McIntyre; 12. Voice Christiana Gregoriou; 13. Narration Jessica Mason; 14. Defamiliarisation Joanna Gavins; 15. Intensity and texture in imagery Barbara Dancygier; Part III. Techniques of Style: 16. Phonostylistics and the written text Manuel Jobert; 17. Grammatical configuration Michaela Mahlberg; 18. Semantic prosody Bill Louw and Marija Milojkovic; 19. Action and event Paul Simpson and Patricia Canning; 20. Pragmatics and inference Billy Clark; 21. Metaphor and style Gerard Steen; 22. Foregrounding, burying and plot construction Catherine Emmott and Marc Alexander; 23. Analysing dialogue Mick Short; 24. Atmosphere and tone Peter Stockwell; Part IV. The Contextual Experience of Style: 25. Iconicity Olga Fischer; 26. Ethics Sara Whiteley; 27. Fictionality and ontology Alison Gibbons; 28. Emotions, feelings, and stylistics David S. Miall; 29. Narrative structure Ruth Page; 30. Performance Tracy Cruickshank; 31. Interpretation Lesley Jeffries; 32. A portrait of historical stylistics Joe Bray; Part V. Extensions of Stylistics: 33. The analysis of the media Marina Lambrou and Alan Durant; 34. Advertising culture Rodney H. Jones; 35. Political style Jonathan Charteris-Black; 36. The stylistics of relationships Sara Mills; 37. Stylistics in translation Benedict Lin; 38. The stylistics of everyday talk David Peplow; 39. Coda: the practice of stylistics Peter Stockwell and Sara Whiteley}
}

@incollection{stubbs_quantitative_????,
  title =        {Quantitative Methods in Literary Linguistics},
  url =
                  {/core/books/cambridge-handbook-of-stylistics/FBA9CCB96C5CB5E565D017764EC2FF57},
  abstract =     {Cambridge Core - English Literature: General Interest - The
                  Cambridge Handbook of Stylistics - edited by Peter Stockwell},
  booktitle =    {The {{Cambridge}} Handbook of Stylistics},
  urldate =      {2017-05-20},
  keywords =     {English language,Language Arts & Disciplines / Linguistics /
                  General,Style,Rhetoric},
  author =       {Stubbs, Michael},
  file =         {/home/jon/Dokumentujo/Papers/Comp Style/Stylistics
                  General/Stubbs_2014_Quantitative methods in literary
                  linguistics.pdf},
  annotation =   {Overview of 2005 article, 2008 response, controversy}
}

@article{widdowson_novel_2008,
  title =        {The Novel Features of Text. {{Corpus}} Analysis and
                  Stylistics},
  url =
                  {http://booksandjournals.brillonline.com.ezproxy.cul.columbia.edu/content/books/b9789401205474s020},
  doi =          {10.1163/9789401205474_020},
  urldate =      {2017-05-20},
  date =         {2008-01-01},
  pages =        {293-304},
  author =       {Widdowson, Henry G.},
  file =         {/home/jon/Dokumentujo/Papers/Comp Style/Widdowson_2008_The novel
                  features of text.pdf},
  annotation =   {Response to stubbs 2005}
}

@book{_language_2008,
  langid =       {english},
  title =        {Language, {{People}}, {{Numbers}}},
  isbn =         {978-94-012-0547-4},
  url =
                  {http://booksandjournals.brillonline.com/content/books/9789401205474},
  publisher =    {{Brill}},
  urldate =      {2017-05-20},
  date =         {2008-01-01},
  file =         {/home/jon/Dokumentujo/Papers/Comp Style/Stylistics
                  Controversy/2008_Language, People, Numbers.pdf},
  doi =          {10.1163/9789401205474},
  annotation =   {Collection, contains Stubbs, response, controversy}
}

@article{CookHocuspocusGod2008,
  title =        {Hocus Pocus or {{God}}'s Truth: The Dual Identity of {{Michael
                  Stubbs}}},
  url =
                  {http://booksandjournals.brillonline.com.ezproxy.cul.columbia.edu/content/books/b9789401205474s021},
  doi =          {10.1163/9789401205474_021},
  shorttitle =   {Hocus Pocus or {{God}}\'s Truth},
  urldate =      {2017-05-20},
  date =         {2008-01-01},
  pages =        {305-327},
  author =       {Cook, Guy},
  file =         {/home/jon/Dokumentujo/Papers/Comp Style/Stylistics
                  Controversy/Cook_2008_Hocus pocus or God&apos\;s truth.pdf},
  annotation =   {response to Widdowson and Stubbs}
}

@incollection{macintyre_characterisation_????,
  title =        {Characterisation},
  url =
                  {/core/books/cambridge-handbook-of-stylistics/characterisation/0BB31EB47E03A9B07B5FF8FCDB863E8A/core-reader},
  booktitle =    {The {{Cambridge}} Handbook of {{Stylistics}}},
  urldate =      {2017-05-20},
  author =       {MacIntyre, Dan},
  file =         {/home/jon/Dokumentujo/Papers/Comp Style/Stylistics
                  General/MacIntyre_Characterisation.pdf}
}

@incollection{busse_2014,
  title =        {Genre},
  booktitle =    {The {{Cambridge Handbook}} of {{Stylistics}}},
  series =       {Cambridge {{Handbooks}} in {{Language}} and {{Linguistics}}},
  publisher =    {{Cambridge University Press}},
  date =         2014,
  pages =        {103--116},
  author =       {Busse, Beatrix},
  editor =       {Stockwell, Peter and Whiteley, SaraEditors},
  file =         {/home/jon/Dokumentujo/Papers/Comp Style/Stylistics
                  General/Busse_2014_Genre.pdf},
  place =        {Cambridge},
  collection =   {Cambridge Handbooks in Language and Linguistics}
}

@incollection{dancygier_2014,
  title =        {Intensity and Texture in Imagery},
  booktitle =    {The {{Cambridge Handbook}} of {{Stylistics}}},
  series =       {Cambridge {{Handbooks}} in {{Language}} and {{Linguistics}}},
  publisher =    {{Cambridge University Press}},
  date =         2014,
  pages =        {212--228},
  author =       {Dancygier, Barbara},
  editor =       {Stockwell, Peter and Whiteley, SaraEditors},
  file =         {/home/jon/Dokumentujo/Papers/Comp Style/Stylistics
                  General/Dancygier_2014_Intensity and texture in imagery.pdf},
  place =        {Cambridge},
  collection =   {Cambridge Handbooks in Language and Linguistics}
}

@incollection{gavins_2014,
  title =        {Defamiliarisation},
  booktitle =    {The {{Cambridge Handbook}} of {{Stylistics}}},
  series =       {Cambridge {{Handbooks}} in {{Language}} and {{Linguistics}}},
  publisher =    {{Cambridge University Press}},
  date =         2014,
  pages =        {196--211},
  author =       {Gavins, Joanna},
  editor =       {Stockwell, Peter and Whiteley, SaraEditors},
  file =         {/home/jon/Dokumentujo/Papers/Comp Style/Stylistics
                  General/Gavins_2014_Defamiliarisation.pdf},
  place =        {Cambridge},
  collection =   {Cambridge Handbooks in Language and Linguistics}
}

@incollection{gregoriou_2014,
  title =        {Voice},
  booktitle =    {The {{Cambridge Handbook}} of {{Stylistics}}},
  series =       {Cambridge {{Handbooks}} in {{Language}} and {{Linguistics}}},
  publisher =    {{Cambridge University Press}},
  date =         2014,
  pages =        {165--178},
  author =       {Gregoriou, Christiana},
  editor =       {Stockwell, Peter and Whiteley, SaraEditors},
  file =         {/home/jon/Dokumentujo/Papers/Comp Style/Stylistics
                  General/Gregoriou_2014_Voice.pdf},
  place =        {Cambridge},
  collection =   {Cambridge Handbooks in Language and Linguistics}
}

@incollection{hogan_2014,
  title =        {Intertextuality and Allusion},
  booktitle =    {The {{Cambridge Handbook}} of {{Stylistics}}},
  series =       {Cambridge {{Handbooks}} in {{Language}} and {{Linguistics}}},
  publisher =    {{Cambridge University Press}},
  date =         2014,
  pages =        {117--131},
  author =       {Hogan, Patrick Colm},
  editor =       {Stockwell, Peter and Whiteley, SaraEditors},
  file =         {/home/jon/Dokumentujo/Papers/Comp Style/Stylistics
                  General/Hogan_2014_Intertextuality and allusion.pdf},
  place =        {Cambridge},
  collection =   {Cambridge Handbooks in Language and Linguistics}
}

@incollection{jobert_2014,
  title =        {Phonostylistics and the Written Text},
  booktitle =    {The {{Cambridge Handbook}} of {{Stylistics}}},
  series =       {Cambridge {{Handbooks}} in {{Language}} and {{Linguistics}}},
  publisher =    {{Cambridge University Press}},
  date =         2014,
  pages =        {231--248},
  author =       {Jobert, Manuel},
  editor =       {Stockwell, Peter and Whiteley, SaraEditors},
  file =         {/home/jon/Dokumentujo/Papers/Comp Style/Stylistics
                  General/Jobert_2014_Phonostylistics and the written text.pdf},
  place =        {Cambridge},
  collection =   {Cambridge Handbooks in Language and Linguistics}
}

@incollection{louw_milojkovic_2014,
  title =        {Semantic Prosody},
  booktitle =    {The {{Cambridge Handbook}} of {{Stylistics}}},
  series =       {Cambridge {{Handbooks}} in {{Language}} and {{Linguistics}}},
  publisher =    {{Cambridge University Press}},
  date =         2014,
  pages =        {263--280},
  author =       {Louw, Bill and Milojkovic, Marija},
  editor =       {Stockwell, Peter and Whiteley, SaraEditors},
  file =         {/home/jon/Dokumentujo/Papers/Comp Style/Stylistics
                  General/Louw_Milojkovic_2014_Semantic prosody.pdf},
  place =        {Cambridge},
  collection =   {Cambridge Handbooks in Language and Linguistics}
}

@incollection{mahlberg_2014,
  title =        {Grammatical Configuration},
  booktitle =    {The {{Cambridge Handbook}} of {{Stylistics}}},
  series =       {Cambridge {{Handbooks}} in {{Language}} and {{Linguistics}}},
  publisher =    {{Cambridge University Press}},
  date =         2014,
  pages =        {249--262},
  author =       {Mahlberg, Michaela},
  editor =       {Stockwell, Peter and Whiteley, SaraEditors},
  file =         {/home/jon/Dokumentujo/Papers/Comp Style/Stylistics
                  General/Mahlberg_2014_Grammatical configuration.pdf},
  place =        {Cambridge},
  collection =   {Cambridge Handbooks in Language and Linguistics}
}

@incollection{mason_2014,
  title =        {Narrative},
  booktitle =    {The {{Cambridge Handbook}} of {{Stylistics}}},
  series =       {Cambridge {{Handbooks}} in {{Language}} and {{Linguistics}}},
  publisher =    {{Cambridge University Press}},
  date =         2014,
  pages =        {179--195},
  author =       {Mason, Jessica},
  editor =       {Stockwell, Peter and Whiteley, SaraEditors},
  file =         {/home/jon/Dokumentujo/Papers/Comp Style/Stylistics
                  General/Mason_2014_Narrative.pdf},
  place =        {Cambridge},
  collection =   {Cambridge Handbooks in Language and Linguistics}
}

@incollection{mcintyre_2014,
  title =        {Characterisation},
  booktitle =    {The {{Cambridge Handbook}} of {{Stylistics}}},
  series =       {Cambridge {{Handbooks}} in {{Language}} and {{Linguistics}}},
  publisher =    {{Cambridge University Press}},
  date =         2014,
  pages =        {149--164},
  author =       {McIntyre, Dan},
  editor =       {Stockwell, Peter and Whiteley, SaraEditors},
  place =        {Cambridge},
  collection =   {Cambridge Handbooks in Language and Linguistics}
}

@incollection{simpson_canning_2014,
  title =        {Action and Event},
  booktitle =    {The {{Cambridge Handbook}} of {{Stylistics}}},
  series =       {Cambridge {{Handbooks}} in {{Language}} and {{Linguistics}}},
  publisher =    {{Cambridge University Press}},
  date =         2014,
  pages =        {281--299},
  author =       {Simpson, Paul and Canning, Patricia},
  editor =       {Stockwell, Peter and Whiteley, SaraEditors},
  file =         {/home/jon/Dokumentujo/Papers/Comp Style/Stylistics
                  General/Simpson_Canning_2014_Action and event.pdf},
  place =        {Cambridge},
  collection =   {Cambridge Handbooks in Language and Linguistics}
}

@incollection{sotirova_2014,
  title =        {Production and Intentionality},
  booktitle =    {The {{Cambridge Handbook}} of {{Stylistics}}},
  series =       {Cambridge {{Handbooks}} in {{Language}} and {{Linguistics}}},
  publisher =    {{Cambridge University Press}},
  date =         2014,
  pages =        {132--148},
  author =       {Sotirova, Violeta},
  editor =       {Stockwell, Peter and Whiteley, SaraEditors},
  file =         {/home/jon/Dokumentujo/Papers/Comp Style/Stylistics
                  General/Sotirova_2014_Production and intentionality.pdf},
  place =        {Cambridge},
  collection =   {Cambridge Handbooks in Language and Linguistics}
}

@article{adolphs_point_2002,
  title =        {Point of View and Semantic Prosodies in {{Virginia Woolf}}’s
                  {{To}} the {{Lighthouse}}},
  volume =       58,
  number =       7,
  journaltitle = {Poetica},
  date =         2002,
  pages =        20,
  author =       {Adolphs, Svenja and Carter, Ronald},
  file =         {/home/jon/Dokumentujo/Papers/Comp Style/Adolphs_Carter_2002_Point
                  of view and semantic prosodies in Virginia Woolf’s To the
                  Lighthouse.pdf},
  annotation =   {Requested from ILL}
}

@article{hunston_semantic_2007,
  title =        {Semantic Prosody Revisited},
  volume =       12,
  issn =         {1384-6655, 1569-9811},
  url =
                  {http://www.jbe-platform.com/content/journals/10.1075/ijcl.12.2.09hun},
  doi =          {10.1075/ijcl.12.2.09hun},
  abstract =     {This paper considers the contentious term ‘semantic prosody’
                  and discusses a number of aspects of the concept described by
                  the term. It is pointed out that although many writers use it
                  to refer to the implied attitudinal meaning of a word,
                  Sinclair uses the term to refer to the discourse function of a
                  unit of meaning. Problems of apparent counter-examples, when a
                  word or unit does not have the semantic prosody that is
                  typical of it, are discussed. The second point made is that
                  the phenomena described as ‘semantic prosody’ can be regarded
                  as observational data, but that they are often used to explain
                  subjective reactions to a given text or to predict such
                  reactions. The issues raised by these different uses are
                  discussed. Finally, the pitfalls of using concordance lines to
                  observe attitudinal language in highly opinionated texts are
                  discussed.},
  number =       2,
  journaltitle = {International Journal of Corpus Linguistics},
  urldate =      {2017-05-20},
  date =         {2007-01-01},
  pages =        {249-268},
  author =       {Hunston, Susan},
  file =         {/home/jon/Dokumentujo/Papers/Comp Style/Hunston_2007_Semantic
                  prosody revisited.pdf},
  annotation =   {iRequested from ILL}
}

@article{zhao_art_2012,
  langid =       {english},
  title =        {The {{Art}} of {{Balance}}: {{A Corpus}}-Assisted {{Stylistic
                  Analysis}} of {{Woolfian Parallelism}} in {{To}} the
                  {{Lighthouse}}},
  volume =       12,
  issn =         15787044,
  url =
                  {http://search.proquest.com.ezproxy.cul.columbia.edu/docview/1319250822/abstract/3C4E46C6441A4E4BPQ/1},
  shorttitle =   {The {{Art}} of {{Balance}}},
  abstract =     {This study has a two-fold objective: 1) to examine the density
                  and variety of parallelism in Virginia Woolf's landmark novel
                  To the Lighthouse through a sample-based comparison between
                  this novel and other representative modernist novels; 2) to
                  discuss the specific lexical and syntactic structures that
                  characterize Woolf's parallelism. The results are extracted
                  from a corpus-assisted reading and sampled textual analysis of
                  her work. It shows that Woolfian parallelism is defined by an
                  abundance of antithetical and synonymous lexical bundles,
                  juxtaposed propositional phrases, -ing participles and
                  appositional structures. Those structures constitute her
                  special sentential development which is marked by the rhetoric
                  of opposition, the rhetoric of simultaneity and progression,
                  and the rhetoric of specificity. It is concluded that in To
                  the Lighthouse, Woolf manipulates the above-mentioned
                  linguistic resources to strike an artistic balance between
                  poetry and prose, order and chaos, the physical reality and
                  the mental world, and finally achieves what she calls "a
                  feminine sentence". [PUBLICATION ABSTRACT]},
  number =       2,
  journaltitle = {International Journal of English Studies; Murcia},
  urldate =      {2017-05-20},
  date =         2012,
  pages =        {39-58},
  keywords =     {Linguistics,Literature,Literary
                  criticism,Language,Semantics,Consciousness,Novels},
  author =       {Zhao, Mingzhu},
  file =         {/home/jon/Dokumentujo/Papers/Comp Style/Zhao_2012_The Art of
                  Balance.pdf}
}

@book{hori_investigating_2004,
  title =        {Investigating {{Dickens}}' {{Style}}: A {{Collocational
                  Analysis}}},
  url =
                  {https://books-google-com.ezproxy.cul.columbia.edu/books/about/Investigating_Dickens_Style.html?id=4Ok0DAAAQBAJ},
  abstract =     {This new, corpus-driven approach to the study of language and
                  style of literary texts makes use of the Dickens' 4.6
                  million-word corpus for a detailed examination of patterns of
                  lexical collocations. It offers new insights into Dickens'
                  linguistic innovation, together with a nuanced understanding
                  of his use of language to achieve stylistic ends. At the
                  centre of the study is a close analysis of the two narratives
                  in Bleak House , read as a focal point for consideration of
                  Dickens' stylistic development through his whole writing
                  life.},
  publisher =    {{Palgrave Macmillan}},
  urldate =      {2017-05-20},
  date =         2004,
  author =       {Hori, Masahiro},
  file =         {/home/jon/Dokumentujo/Papers/Comp Style/Investigating Dickens'
                  Style.pdf}
}

@book{InvestigatingDickensStyle,
  title =        {Investigating {{Dickens}}' {{Style}}},
  url =
                  {https://books-google-com.ezproxy.cul.columbia.edu/books/about/Investigating_Dickens_Style.html?id=4Ok0DAAAQBAJ},
  abstract =     {This new, corpus-driven approach to the study of language and
                  style of literary texts makes use of the Dickens' 4.6
                  million-word corpus for a detailed examination of patterns of
                  lexical collocations. It offers new insights into Dickens'
                  linguistic innovation, together with a nuanced understanding
                  of his use of language to achieve stylistic ends. At the
                  centre of the study is a close analysis of the two narratives
                  in Bleak House , read as a focal point for consideration of
                  Dickens' stylistic development through his whole writing
                  life.},
  urldate =      {2017-05-20}
}

@article{mahlberg_clusters_2007,
  title =        {Clusters, Key Clusters and Local Textual Functions in
                  {{Dickens}}},
  volume =       2,
  issn =         {1749-5032},
  url =
                  {http://www.euppublishing.com.ezproxy.cul.columbia.edu/doi/abs/10.3366/cor.2007.2.1.1},
  doi =          {10.3366/cor.2007.2.1.1},
  abstract =     {Abstract The paper argues that corpus linguistics can make
                  useful contributions to the descriptive inventory of literary
                  stylistics. The concept of local textual functions is employed
                  as a descriptive tool for the stylistic analysis of a corpus
                  of texts by Charles Dickens. It is suggested that clusters,
                  i.e. repeated sequences of words, can be interpreted as
                  pointers to local textual functions. The focus is on five-word
                  clusters and five functional groups are identified: Labels,
                  Speech clusters, As If clusters, Body Part clusters and Time
                  and Place clusters. The analysis draws on the identification
                  of key clusters comparing the Dickens corpus with a corpus of
                  nineteenth-century fiction, it identifies links to literary
                  criticism and it gives specific attention to the group of Body
                  Part clusters to illustrate the functional variation of
                  clusters.},
  number =       1,
  journaltitle = {Corpora},
  shortjournal = {Corpora},
  urldate =      {2017-05-20},
  date =         {2007-05-01},
  pages =        {1-31},
  author =       {Mahlberg, Michaela},
  file =         {/home/jon/Dokumentujo/Papers/Comp Style/Mahlberg_2007_Clusters,
                  key clusters and local textual functions in Dickens.pdf}
}

@article{williams_note_1940,
  eprinttype =   {jstor},
  eprint =       2332615,
  title =        {A {{Note}} on the {{Statistical Analysis}} of
                  {{Sentence}}-{{Length}} as a {{Criterion}} of {{Literary
                  Style}}},
  volume =       31,
  issn =         {0006-3444},
  doi =          {10.2307/2332615},
  number =       {3/4},
  journaltitle = {Biometrika},
  date =         1940,
  pages =        {356-361},
  author =       {Williams, C. B.},
  file =         {/home/jon/Dokumentujo/Papers/Comp Style/Comp Style/Williams_1940_A
                  Note on the Statistical Analysis of Sentence-Length as a
                  Criterion of.pdf}
}

@article{burrows_all_2007,
  title =        {All the {{Way Through}}: {{Testing}} for {{Authorship}} in
                  {{Different Frequency Strata}}},
  volume =       22,
  issn =         {0268-1145},
  url =
                  {https://academic-oup-com.ezproxy.cul.columbia.edu/dsh/article/22/1/27/1024545/All-the-Way-Through-Testing-for-Authorship-in},
  doi =          {10.1093/llc/fqi067},
  shorttitle =   {All the {{Way Through}}},
  number =       1,
  journaltitle = {Literary and Linguistic Computing},
  shortjournal = {Lit Linguist Computing},
  urldate =      {2017-05-20},
  date =         {2007-04-01},
  pages =        {27-47},
  author =       {Burrows, John},
  file =         {/home/jon/Dokumentujo/Papers/To Read/Burrows_2007_All the Way
                  Through.pdf}
}

@book{balossi_corpus_2014,
  langid =       {english},
  title =        {A {{Corpus Linguistic Approach}} to {{Literary Language}} and
                  {{Characterization}}: {{Virginia Woolf}}'s {{The Waves}}},
  isbn =         {978-90-272-7042-9},
  shorttitle =   {A {{Corpus Linguistic Approach}} to {{Literary Language}} and
                  {{Characterization}}},
  abstract =     {This book focusses on computer methodologies as a way of
                  investigating language and character in literary texts. Both
                  theoretical and practical, it surveys investigations into
                  characterization in literary linguistics and personality in
                  social psychology, before carrying out a computational
                  analysis of Virginia Woolfs experimental novel The Waves.
                  Frequencies of grammatical and semantic categories in the
                  language of the six speaking characters are analyzed using
                  Wmatrix software developed by UCREL at Lancaster University.
                  The quantitative analysis is supplemented by a qualitative
                  analysis into recurring patterns of metaphor. The author
                  concludes that these analyses successfully differentiate all
                  six characters, both synchronically and diachronically, and
                  claims that this methodology is also applicable to the study
                  of personality in non-literary language. The book, written in
                  a clear and accessible style, will be of interest to
                  post-graduate students and academics in linguistics,
                  stylistics, literary studies, psychology and also
                  computational approaches.},
  pagetotal =    300,
  publisher =    {{John Benjamins Publishing Company}},
  date =         {2014-05-15},
  keywords =     {Literary Criticism / General,Literary Criticism / European /
                  English; Irish; Scottish; Welsh},
  author =       {Balossi, Giuseppina},
  file =         {/home/jon/Dokumentujo/Papers/To Read/Balossi_2014_A Corpus
                  Linguistic Approach to Literary Language and
                  Characterization.pdf},
}

@book{simpson_stylistics:_2004,
  langid =       {english},
  title =        {Stylistics: {{A Resource Book}} for {{Students}}},
  isbn =         {978-0-415-28105-8},
  shorttitle =   {Stylistics},
  abstract =     {Assuming no prior knowledge, books in the Routledge English
                  Language Introductions series offer an accessible overview of
                  the subject, with activities, study questions, sample
                  analyses, commentaries and key readings – all in the same
                  volume. The innovative and flexible 'two-dimensional'
                  structure is built around four sections – introductions,
                  development, exploration and extension – which offer
                  self-contained stages for study. Each topic can also be read
                  across these sections, enabling the reader to build gradually
                  on the knowledge gained. Stylistics:* is a comprehensive
                  introduction to literary stylistics* covers the core areas,
                  including register, dialect, vocabulary, grammar, sound and
                  rhythm, speech and thought, narrative, dialogue, metaphor and
                  meaning* draws on a range of literary texts, from Ernest
                  Hemingway and D.H. Lawrence to Sylvia Plath, Roger McGough and
                  Irvine Welsh* provides classic readings by the key names in
                  the discipline, including Derek Attridge, Ronald Carter and
                  Walter Nash, Roger Fowler and Mick Short.The accompanying
                  webiste to this book can be found at
                  http://www.routledge.com/textbooks/0415281059},
  pagetotal =    268,
  publisher =    {{Psychology Press}},
  date =         2004,
  keywords =     {Literary Criticism / General,Language Arts & Disciplines /
                  Rhetoric,Language Arts & Disciplines / Composition & Creative
                  Writing},
  author =       {Simpson, Paul},
}

@inproceedings{kao_computational_2012,
  title =        {A Computational Analysis of Style, Affect, and Imagery in
                  Contemporary Poetry},
  url =          {http://www.aclweb.org/anthology/W12-25#page=18},
  booktitle =    {{{NAACL Workshop}} on {{Computational Linguistics}} for
                  {{Literature}}},
  urldate =      {2017-05-20},
  date =         2012,
  pages =        {8--17},
  author =       {Kao, Justine and Jurafsky, Dan},
  file =         {/home/jon/Dokumentujo/Papers/Comp Style/Kao_Jurafsky_2012_A
                  computational analysis of style, affect, and imagery in
                  contemporary poetry.pdf}
}

@inproceedings{brooke_unsupervised_2012,
  title =        {Unsupervised Stylistic Segmentation of Poetry with Change
                  Curves and Extrinsic Features},
  url =          {http://www.aclweb.org/anthology/W12-25#page=36},
  booktitle =    {Proceedings of the 1st {{NAACL}}-{{HLT Workshop}} on
                  {{Computational Linguistics}} for {{Literature}}.
                  {{Association}} for {{Computational Linguistics}},
                  {{Stroudsburg}}, {{PA}}, {{USA}}},
  urldate =      {2017-05-20},
  date =         2012,
  pages =        {26--35},
  author =       {Brooke, Julian and Hammond, Adam and Hirst, Graeme},
  file =         {/home/jon/Dokumentujo/Papers/Comp Style/Brooke et
                  al_2012_Unsupervised stylistic segmentation of poetry with
                  change curves and extrinsic.pdf}
}

@inproceedings{bendersky_dictionary_2012,
  title =        {A Dictionary of Wisdom and Wit: {{Learning}} to Extract
                  Quotable Phrases},
  url =          {http://www.academia.edu/download/30755752/W12-25.pdf#page=79},
  shorttitle =   {A Dictionary of Wisdom and Wit},
  booktitle =    {Proceedings of the {{NAACL}}-{{HLT}} 2012 {{Workshop}} on
                  {{Computational Linguistics}} for {{Literature}}},
  urldate =      {2017-05-20},
  date =         2012,
  pages =        {69--77},
  author =       {Bendersky, Michael and Smith, David A.},
  file =         {/home/jon/Dokumentujo/Papers/Comp Style/Bendersky_Smith_2012_A
                  dictionary of wisdom and wit.pdf}
}

@book{love_attributing_2002,
  langid =       {english},
  title =        {Attributing {{Authorship}}: {{An Introduction}}},
  isbn =         {978-0-521-78948-6},
  shorttitle =   {Attributing {{Authorship}}},
  abstract =     {Recent literary scholarship has seen a shift of interest away
                  from questions of attribution. Yet these questions remain
                  urgent and important for any historical study of writing, and
                  have been given a powerful new impetus by advances in
                  statistical studies of language and the coming on line of
                  large databases of texts in machine-searchable form. The
                  present book is the first comprehensive survey of the field
                  from a literary perspective to appear for forty years. It
                  covers both traditional and computer based approaches to
                  attribution, and evaluates each in respect of their
                  potentialities and limitations. It revisits a number of famous
                  controversies, including those concerning the authorship of
                  the Homeric poems, books from the Old and New Testaments, and
                  the plays of Shakespeare. Written with wit as well as
                  erudition Attributing Authorship will make this intriguing
                  field accessible for students and scholars alike.},
  pagetotal =    284,
  publisher =    {{Cambridge University Press}},
  date =         {2002-06-20},
  keywords =     {Literary Criticism / General,Literary Criticism / Semiotics &
                  Theory,Literary Criticism / American / General,Literary
                  Criticism / European / English; Irish; Scottish;
                  Welsh,Language Arts & Disciplines / Authorship},
  author =       {Love, Harold},
  file =         {/home/jon/Dokumentujo/Papers/Comp Style/Love_2002_Attributing
                  Authorship.pdf},
}

@article{foster_funeral_1996-1,
  eprinttype =   {jstor},
  eprint =       463152,
  title =        {A {{Funeral Elegy}}: {{W}}[Illiam] {{S}}[Hakespeare]'s
                  "{{Best}}-{{Speaking Witnesses}}"},
  volume =       111,
  issn =         {0030-8129},
  doi =          {10.2307/463152},
  shorttitle =   {A {{Funeral Elegy}}},
  abstract =     {A Funeral Elegy was written in February 1612 by "W. S.," a
                  poet of "name and credit" closely familiar with Shakespearean
                  texts. The pamphlet was registered by a stationer, Thomas
                  Thorp, whose livelihood depended chiefly on the
                  Shakespeare-Jonson theatrical circle and who had published
                  Shakespeare's Sonnets in 1609. Privately issued and surviving
                  in just two copies, A Funeral Elegy received scant notice
                  until 1989, when I first presented archival, statistical, and
                  literary evidence that WS could be William Shakespeare.
                  Focusing on intertextual evidence derived in part from new
                  electronic resources, this essay addresses a vexing conundrum:
                  the elegy is aesthetically disappointing and yet distinctively
                  Shakespearean-a paradox that raises larger questions about
                  attributional methodology and canonical theory. An emerging
                  scholarly consensus supports a Shakespearean attribution for
                  the elegy, though the poem challenges prevailing notions of
                  what it is that makes Shakespeare "Shakespeare."},
  number =       5,
  journaltitle = {PMLA},
  date =         1996,
  pages =        {1080-1105},
  author =       {Foster, Donald W.},
  file =         {/home/jon/Dokumentujo/Papers/Comp Style/Comp Style/Foster_1996_A
                  Funeral Elegy.pdf}
}

@online{_literarylabpamphlet10.pdf_????,
  title = {{{LiteraryLabPamphlet10}}.Pdf},
  url = {https://litlab.stanford.edu/LiteraryLabPamphlet10.pdf},
  urldate = {2017-05-21},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/3G82E634/LiteraryLabPamphlet10.html}
}

@misc{algee-hewitt_paragraphs:_2015,
  title =        {On {{Paragraphs}}: {{Scale}}, {{Themes}} and {{Narrative
                  Form}}},
  shorttitle =   {On {{Paragraphs}}},
  publisher =    {{Stanford Literary Lab}},
  date =         2015,
  author =       {Algee-Hewitt, Mark and Heuser, Ryan and Moretti, Franco},
  file =         {/home/jon/Dokumentujo/Papers/Comp Style/Comp Style/Algee-Hewitt et
                  al_2015_On Paragraphs.pdf}
}

@misc{algee-hewitt_between_2015-1,
  title =        {Between {{Canon}} and {{Corpus}}: {{Six Perspectives}} on
                  20th-{{Century Novels}}},
  shorttitle =   {Between {{Canon}} and {{Corpus}}},
  publisher =    {{Stanford Literary Lab}},
  date =         2015,
  author =       {Algee-Hewitt, Mark and McGurl, Mark},
  file =         {/home/jon/Dokumentujo/Papers/Comp Style/Comp
                  Style/Algee-Hewitt_McGurl_2015_Between Canon and Corpus.pdf}
}

@misc{katsma_loudness_2014,
  title =        {Loudness in the {{Novel}}},
  date =         2014,
  author =       {Katsma, Holst},
  file =         {/home/jon/Dokumentujo/Papers/Comp Style/Comp
                  Style/Katsma_2014_Loudness in the Novel.pdf}
}

@misc{moretti_operationalizing:_2013,
  title =        {Operationalizing’: Or, the {{Function}} of {{Measurement}} in
                  {{Modern Literary Theory}}},
  shorttitle =   {Operationalizing’},
  publisher =    {{Stanford Literary Lab}},
  date =         2013,
  author =       {Moretti, Franco},
  file =         {/home/jon/Dokumentujo/Papers/Comp Style/Comp
                  Style/Moretti_2013_Operationalizing’.pdf}
}

@misc{allison_style_2013,
  title =        {Style at the {{Scale}} of the {{Sentence}}},
  publisher =    {{Stanford Literary Lab}},
  date =         2013,
  author =       {Allison, Sarah Danielle and Gemma, Marissa and Heuser, Ryan
                  and Moretti, Franco and Tevel, Amir and Yamboliev, Irena},
  file =         {/home/jon/Dokumentujo/Papers/Comp Style/Comp Style/Allison et
                  al_2013_Style at the Scale of the Sentence.pdf}
}

@misc{finn_becoming_????,
  title =        {Becoming {{Yourself}}: {{David Foster Wallace}} and the
                  {{Afterlife}} of {{Reception}}},
  shorttitle =   {Becoming {{Yourself}}},
  author =       {Finn, Ed},
  file =         {/home/jon/Dokumentujo/Papers/Comp Style/Comp Style/Finn_Becoming
                  Yourself.pdf}
}

@misc{heuser_quantitative_2012,
  title =        {A Quantitative Literary History of 2,958 Nineteenth-Century
                  {{British}} Novels: {{The}} Semantic Cohort Method},
  shorttitle =   {A Quantitative Literary History of 2,958 Nineteenth-Century
                  {{British}} Novels},
  publisher =    {{Stanford Literary Lab}},
  date =         2012,
  author =       {Heuser, Ryan and Le-Khac, Long},
  file =         {/home/jon/Dokumentujo/Papers/Comp Style/Comp Style/Heuser_Le-Khac_2012_A quantitative literary history of 2,958 nineteenth-century British novels.pdf}
}

@book{craig_shakespeare_2009,
  title =        {Shakespeare, {{Computers}}, and the {{Mystery}} of
                  {{Authorship}}},
  url =
                  {/core/books/shakespeare-computers-and-the-mystery-of-authorship/89F8AEF655C5FFD3D73E500870C71972},
  abstract =     {Cambridge Core - Historical Linguistics - Shakespeare,
                  Computers, and the Mystery of Authorship - edited by Hugh
                  Craig},
  urldate =      {2017-05-21},
  date =         2009,
  author =       {Craig, Hugh},
  file =         {/home/jon/Dokumentujo/Papers/Comp Style/Comp
                  Style/Craig_2009_Shakespeare, Computers, and the Mystery of
                  Authorship.pdf}
}

@book{morrisson_public_2001,
  langid =       {english},
  title =        {The {{Public Face}} of {{Modernism}}: {{Little Magazines}},
                  {{Audiences}}, and {{Reception}}, 1905-1920},
  isbn =         {978-0-299-16924-4},
  shorttitle =   {The {{Public Face}} of {{Modernism}}},
  abstract =     {Between the 1890s and the 1920s, mass consumer culture and
                  modernism grew up together, by most accounts as mutual
                  antagonists. This provocative work of cultural history tells a
                  different story.~ By delving deeply into the publishing and
                  promotional practices of the modernists in Britain and
                  America, however, Mark Morrisson reveals that their
                  engagements with the commercial mass market were in fact
                  extensive and diverse. ~~~ The phenomenal successes of new
                  advertising agencies and mass market publishers did elicit
                  what Morrisson calls a "crisis of publicity" for some
                  modernists and for many concerned citizens in both countries.
                  But, as Morrisson demonstrates, the vast influence of these
                  industries on consumers also had a profound and largely
                  overlooked effect upon many modernist authors, artists, and
                  others. By exploring the publicity and audience reception of
                  several of the most important modernist magazines of the
                  period, The Public Face of Modernism shows how modernists, far
                  from lamenting the destruction of meaningful art and public
                  culture by the new mass market, actually displayed optimism
                  about the power of mass-market technologies and strategies to
                  transform and rejuvenate contemporary culture--and, above all,
                  to restore a public function to art. ~~~ This reconstruction
                  of the "public face of modernism" offers surprising new
                  perceptions about the class, gender, racial, and even
                  generational tensions within the public culture of the early
                  part of the century, and provides a rare insight into the
                  actual audiences for modernist magazines of the period.~
                  Moreover, in new readings of works by James Joyce, George
                  Bernard Shaw, Wyndham Lewis, Ford Madox Ford, T. S. Eliot,
                  William Carlos Williams, and many others, Morrisson shows that
                  these contexts also had an impact on the techniques and
                  concerns of the literature itself.},
  pagetotal =    300,
  publisher =    {{Univ of Wisconsin Press}},
  date =         2001,
  keywords =     {Literary Criticism / American / General,Literary Criticism /
                  European / English; Irish; Scottish; Welsh,Language Arts &
                  Disciplines / Publishing,Social Science / LGBT Studies /
                  Lesbian Studies,Social Science / Women's Studies},
  author =       {Morrisson, Mark S.},
}

@book{bulsonLittleMagazineWorld2016,
  langid =       {english},
  title =        {Little {{Magazine}}, {{World Form}}},
  isbn =         {978-0-231-54232-6},
  abstract =     {Little magazines made modernism. These unconventional,
                  noncommercial publications may have brought writers such as
                  James Joyce, T. S. Eliot, Ezra Pound, Marianne Moore, Mina
                  Loy, and Wallace Stevens to the world but, as Eric Bulson
                  shows in Little Magazine, World Form, their reach and
                  importance extended far beyond Europe and the United States.
                  By investigating the global and transnational itineraries of
                  the little-magazine form, Bulson uncovers a worldwide network
                  that influenced the development of literature and criticism in
                  Africa, the West Indies, the Pacific Rim, and South America.In
                  addition to identifying how these circulations and exchanges
                  worked, Bulson also addresses equally formative moments of
                  disconnection and immobility. British and American writers who
                  fled to Europe to escape Anglo-American provincialism,
                  refugees from fascism, wandering surrealists, and displaced
                  communists all contributed to the proliferation of print. Yet
                  the little magazine was equally crucial to literary production
                  and consumption in the postcolonial world, where it helped
                  connect newly independent African nations. Bulson concludes
                  with reflections on the digitization of these defunct little
                  magazines and what it means for our ongoing desire to
                  understand modernism’s global dimensions in the past and its
                  digital afterlife.},
  pagetotal =    429,
  publisher =    {{Columbia University Press}},
  date =         {2016-11-29},
  keywords =     {Literary Criticism / Books & Reading},
  author =       {Bulson, Eric},
}

@book{ardisModernismCulturalConflict2002,
  langid =       {english},
  title =        {Modernism and {{Cultural Conflict}}, 1880–1922},
  isbn =         {978-1-139-43604-5},
  abstract =     {In Modernism and Cultural Conflict, Ann Ardis questions
                  commonly held views of the radical nature of literary
                  modernism. She positions the coterie of writers centred around
                  Pound, Eliot and Joyce as one among a number of groups in
                  Britain intent on redefining the cultural work of literature
                  at the turn of the twentieth century. Ardis emphasizes the
                  ways in which modernists secured their cultural centrality,
                  she documents their support of mainstream attitudes toward
                  science, their retreat from a supposed valuing of scandalous
                  sexuality in the wake of Oscar Wilde's trials in 1895, and the
                  conservative cultural and sexual politics masked by their
                  radical formalist poetics. She recovers key instances of
                  opposition to modernist self-fashioning in British socialism
                  and feminism of the period. Ardis goes on to consider how
                  literary modernism's rise to aesthetic prominence paved the
                  way for the institutionalization of English studies through
                  the devaluation of other aesthetic practices.},
  pagetotal =    199,
  publisher =    {{Cambridge University Press}},
  date =         {2002-10-31},
  keywords =     {Literary Criticism / Semiotics & Theory,Literary Criticism /
                  European / English; Irish; Scottish; Welsh,Irish,Literary
                  Criticism / European / English,Scottish,Welsh},
  author =       {Ardis, Ann L.},
}

@book{scholesModernismMagazinesIntroduction2010,
  langid =       {english},
  title =        {Modernism in the {{Magazines}}: {{An Introduction}}},
  isbn =         {978-0-300-14204-4},
  shorttitle =   {Modernism in the {{Magazines}}},
  abstract =     {If modernism began in the magazines, as Robert Scholes and
                  Clifford Wulfman argue, then the study of modern culture
                  should begin with these publications. Scholes and Wulfman’s
                  radically inclusive approach not only considers the “little”
                  modernist magazines alongside the “big” or mass magazines
                  often dismissed as antithetical to modernism’s elite culture,
                  but also insists that scholars must investigate their contents
                  as a whole—from poetry to advertising—to appreciate their full
                  significance. The book’s appendix also reprints a previously
                  uncollected critique of popular British magazines from 1917
                  and 1918 by Ezra Pound.},
  pagetotal =    340,
  publisher =    {{Yale University Press}},
  date =         2010,
  keywords =     {Literary Criticism / Books & Reading},
  author =       {Scholes, Robert and Wulfman, Clifford},
}

@book{levensonGenealogyModernismStudy1986,
  langid =       {english},
  title =        {A {{Genealogy}} of {{Modernism}}: {{A Study}} of {{English
                  Literary Doctrine}} 1908-1922},
  isbn =         {978-0-521-33800-4},
  shorttitle =   {A {{Genealogy}} of {{Modernism}}},
  abstract =     {A Geneology of Modernism is a study of literary transition in
                  the first two decades of the twentieth-century, a period of
                  extraordinary ferment and great accomplishment, during which
                  the avant-garde gradually consolidated a secure place within
                  English culture. Michael Levenson analyses that complex
                  process by following the successive phases of a literary
                  movement - Impressionist, Imagist, Vorticist, Classicist - as
                  it attempted to formulate the principles on which a new
                  aesthetic might be founded. The emphasis here falls on the
                  ideology of modernism, but throughout the book the ideological
                  question is tied on the one hand to specific literary works
                  and on the other to general movements in philosophy and the
                  fine arts. The major figures under discussion, Joseph Conrad,
                  Ford Madox Ford, Ezra Pound, Wyndham Lewis, and T. S. Elliot,
                  are placed in relation to thinkers who have been largely
                  neglected in the history of modernism: Max Stirner, Wilhelm
                  Worringer, Pierre Lasserre, Allen Upward, and Hilaire Belloc.
                  Levenson thus situates the emergence of a modernist aesthetic
                  within the context of literary theory, literary practice, and
                  cultural history.},
  pagetotal =    272,
  publisher =    {{Cambridge University Press}},
  date =         {1986-06-27},
  keywords =     {Literary Criticism / General,Literary Criticism / Semiotics &
                  Theory,Literary Criticism / European / English; Irish;
                  Scottish; Welsh,Irish,Literary Criticism / European /
                  English,Scottish,Welsh},
  author =       {Levenson, Michael},
}

@online{_yellow_????-1,
  title = {The {{Yellow Nineties Online}} - {{Volumes}}},
  url = {http://www.1890s.ca/Volumes.aspx?p=The%20Yellow%20Book},
  urldate = {2017-05-21},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/IX269FJH/Volumes.html}
}

@online{denisoff_yellow_2017,
  title = {The {{Yellow Nineties Online}}},
  url = {http://www.1890s.ca/Volumes.aspx?p=The%20Yellow%20Book},
  urldate = {2017-05-21},
  date = {2017},
  author = {Denisoff, Dennis},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/9WZTCVEC/Volumes.html}
}

@book{williams_politics_1996,
  langid =       {english},
  title =        {The {{Politics}} of {{Modernism}}: {{Against}} the {{New
                  Conformists}}},
  isbn =         {978-1-85984-161-7},
  shorttitle =   {The {{Politics}} of {{Modernism}}},
  abstract =     {This is an exploration of the ambivalent relationship between
                  revolutionary politics and modernist or avant-garde art.
                  Williams clarifies many of the issues that have dogged recent
                  critical discussion: the term "modernism" itself; the
                  distinction between modernism and avant garde; and the
                  possibility of a cultural theory "beyond the modern" which
                  avoids the pitfalls of postmodernism.},
  pagetotal =    208,
  publisher =    {{Verso}},
  date =         1996,
  keywords =     {Philosophy / Political},
  author =       {Williams, Raymond},
}

@article{blaney_introduction_2017,
  title =        {Introduction to the {{Principles}} of {{Linked Open Data}}},
  url =          {http://programminghistorian.org/lessons/intro-to-linked-data},
  journaltitle = {Programming Historian},
  urldate =      {2017-05-22},
  date =         {2017-05-07},
  author =       {Blaney, Jonathan}
}

@book{fischer-starcke_corpus_2010,
  langid =       {english},
  title =        {Corpus {{Linguistics}} in {{Literary Analysis}}: {{Jane
                  Austen}} and {{Her Contemporaries}}},
  isbn =         {978-1-84706-438-7},
  shorttitle =   {Corpus {{Linguistics}} in {{Literary Analysis}}},
  abstract =     {\>},
  pagetotal =    242,
  publisher =    {{A\&C Black}},
  date =         {2010-10-28},
  keywords =     {Language Arts & Disciplines / Linguistics / Semantics},
  author =       {Fischer-Starcke, Bettina},
}

@book{gries_quantitative_2009-1,
  langid =       {english},
  title =        {Quantitative {{Corpus Linguistics}} with {{R}}: {{A Practical
                  Introduction}}},
  isbn =         {978-1-135-89559-4},
  shorttitle =   {Quantitative {{Corpus Linguistics}} with {{R}}},
  abstract =     {The first textbook of its kind, Quantitative Corpus
                  Linguistics with R demonstrates how to use~the open source
                  programming language R for corpus linguistic analyses.
                  Computational and corpus linguists doing corpus work will find
                  that R provides an enormous range of functions that currently
                  require several programs to achieve~– searching and processing
                  corpora, arranging and outputting the results of corpus
                  searches, statistical evaluation, and graphing.},
  pagetotal =    255,
  publisher =    {{Routledge}},
  date =         {2009-03-04},
  keywords =     {Language Arts & Disciplines / Linguistics / General,Language
                  Arts & Disciplines / General,Foreign Language Study / English
                  as a Second Language,Education / Teaching Methods & Materials
                  / Arts & Humanities},
  author =       {Gries, Stefan Th},
}

@book{martin_bayesian_2016,
  langid =       {english},
  title =        {Bayesian {{Analysis}} with {{Python}}},
  isbn =         {978-1-78588-380-4},
  abstract =     {Unleash the power and flexibility of the Bayesian
                  frameworkAbout This Book- Simplify the Bayes process for
                  solving complex statistical problems using Python; - Tutorial
                  guide that will take the you through the journey of Bayesian
                  analysis with the help of sample problems and practice
                  exercises; - Learn how and when to use Bayesian analysis in
                  your applications with this guide.Who This Book Is
                  ForStudents, researchers and data scientists who wish to learn
                  Bayesian data analysis with Python and implement probabilistic
                  models in their day to day projects. Programming experience
                  with Python is essential. No previous statistical knowledge is
                  assumed.What You Will Learn- Understand the essentials
                  Bayesian concepts from a practical point of view- Learn how to
                  build probabilistic models using the Python library PyMC3-
                  Acquire the skills to sanity-check your models and modify them
                  if necessary- Add structure to your models and get the
                  advantages of hierarchical models- Find out how different
                  models can be used to answer different data analysis questions
                  - When in doubt, learn to choose between alternative models.-
                  Predict continuous target outcomes using regression analysis
                  or assign classes using logistic and softmax regression.-
                  Learn how to think probabilistically and unleash the power and
                  flexibility of the Bayesian frameworkIn DetailThe purpose of
                  this book is to teach the main concepts of Bayesian data
                  analysis. We will learn how to effectively use PyMC3, a Python
                  library for probabilistic programming, to perform Bayesian
                  parameter estimation, to check models and validate them. This
                  book begins presenting the key concepts of the Bayesian
                  framework and the main advantages of this approach from a
                  practical point of view. Moving on, we will explore the power
                  and flexibility of generalized linear models and how to adapt
                  them to a wide array of problems, including regression and
                  classification. We will also look into mixture models and
                  clustering data, and we will finish with advanced topics like
                  non-parametrics models and Gaussian processes. With the help
                  of Python and PyMC3 you will learn to implement, check and
                  expand Bayesian models to solve data analysis problems.Style
                  and approachBayes algorithms are widely used in statistics,
                  machine learning, artificial intelligence, and data mining.
                  This will be a practical guide allowing the readers to use
                  Bayesian methods for statistical modelling and analysis using
                  Python.},
  pagetotal =    282,
  publisher =    {{Packt Publishing, Limited}},
  date =         {2016-11-25},
  keywords =     {Computers / Data Processing},
  author =       {Martin, Osvaldo},
  file =         {/home/jon/Dokumentujo/Papers/Martin_2016_Bayesian Analysis with
                  Python.pdf},
}

@book{wells_time_2001,
  langid =       {english},
  title =        {The {{Time Machine}}: {{An Invention}}},
  isbn =         {978-1-4604-0421-8},
  shorttitle =   {The {{Time Machine}}},
  abstract =     {Wells was interested in the implications of evolutionary
                  theory on the future of human beings at the biological,
                  sociological, and cultural levels, and The Time Machine, short
                  and readable, draws on many of the social and scientific
                  debates of the time. The Broadview edition of this science
                  fiction classic includes extensive materials on Wells’s
                  scientific and political influences.},
  pagetotal =    303,
  publisher =    {{Broadview Press}},
  date =         {2001-02-12},
  keywords =     {Fiction / Literary,Fiction / Science Fiction / General},
  author =       {Wells, H. G.},
}

@online{owen_dulce_2017,
  langid = {english},
  title = {Dulce et {{Decorum Est}}},
  url = {https://www.poetryfoundation.org/poems-and-poets/poems/detail/46560},
  abstract = {Bent double, like old beggars under sacks,},
  type = {text/html},
  urldate = {2017-05-30},
  date = {2017-05-29},
  author = {Owen, Wilfred}
}

@online{owen_insensibility_2017,
  langid = {english},
  title = {Insensibility},
  url = {https://www.poetryfoundation.org/resources/learning/core-poems/detail/57258},
  journaltitle = {Poetry Foundation},
  type = {text/html},
  urldate = {2017-05-30},
  date = {2017-05-29},
  author = {Owen, Wilfred}
}

@online{owen_anthem_2017,
  langid = {english},
  title = {Anthem for {{Doomed Youth}}},
  url = {https://www.poetryfoundation.org/poems-and-poets/poems/detail/47393},
  abstract = {What passing-bells for these who die as cattle?},
  journaltitle = {Poetry Foundation},
  type = {text/html},
  urldate = {2017-05-30},
  date = {2017-05-29},
  author = {Owen, Wilfred}
}

@incollection{brookePoems2006,
  langid =       {english},
  title =        {Poems},
  isbn =         {978-0-14-192288-1},
  url =
                  {https://play.google.com/books/reader?printsec=frontcover&output=reader&id=qtE10n_IOncC&pg=GBS.PT2},
  abstract =     {This anthology reflects the diversity of voices it contains:
                  the poems are arranged thematically and the themes reflect the
                  different experiences of war not just for the soldiers but for
                  those left behind. This is what makes this volume more
                  accessible and satisfying than others. In addition to the
                  established canon there are poems rarely anthologised and a
                  selection of soldiers' songs to reflect the voices of the
                  soldiers themselves.},
  booktitle =    {The {{Penguin Book}} of {{First World War Poetry}}},
  publisher =    {{Penguin UK}},
  date =         {2006-10-26},
  keywords =     {Poetry / Anthologies (multiple authors),Poetry / Subjects &
                  Themes / General},
  author =       {Brooke, Rupert},
  editor =       {Walter, Matthew George},
}

@book{shukla_haskell_2014,
  langid =       {english},
  title =        {Haskell {{Data Analysis Cookbook}}},
  isbn =         {978-1-78328-634-8},
  abstract =     {Step-by-step recipes filled with practical code samples and
                  engaging examples demonstrate Haskell in practice, and then
                  the concepts behind the code. This book shows functional
                  developers and analysts how to leverage their existing
                  knowledge of Haskell specifically for high-quality data
                  analysis. A good understanding of data sets and functional
                  programming is assumed.},
  pagetotal =    665,
  publisher =    {{Packt Publishing Ltd}},
  date =         {2014-06-25},
  keywords =     {Computers / Mathematical & Statistical Software,Computers /
                  Data Processing,Computers / Programming / Open Source},
  author =       {Shukla, Nishant},
  file =         {/home/jon/Dokumentujo/Papers/Textbooks/Shukla_2014_Haskell Data
                  Analysis Cookbook.pdf},
}

@book{church_learning_2015,
  langid =       {english},
  title =        {Learning {{Haskell Data Analysis}}},
  isbn =         {978-1-78439-523-0},
  abstract =     {If you are a developer, analyst, or data scientist who wants
                  to learn data analysis methods using Haskell and its
                  libraries, then this book is for you. Prior experience with
                  Haskell and a basic knowledge of data science will be
                  beneficial.},
  pagetotal =    198,
  publisher =    {{Packt Publishing Ltd}},
  date =         {2015-05-28},
  keywords =     {Computers / Databases / Data Mining,Computers / Data
                  Visualization,Computers / Programming / General},
  author =       {Church, James},
  file =         {/home/jon/Dokumentujo/Papers/Textbooks/Church_2015_Learning
                  Haskell Data Analysis.pdf},
}

@book{allen_haskell_2016,
  langid =       {english},
  title =        {Haskell {{Programming}} from {{First Principles}}},
  isbn =         {978-1-945388-03-3},
  abstract =     {Haskell Programming makes Haskell as clear, painless, and
                  practical as it can be, whether you're a beginner or an
                  experienced hacker. Learning Haskell from the ground up is
                  easier and works better. With our exercise-driven approach,
                  you'll build on previous chapters such that by the time you
                  reach the notorious Monad, it'll seem trivial.},
  pagetotal =    1196,
  publisher =    {{Allen and Moronuki Publishing}},
  date =         {2016-07-01},
  author =       {Allen, Christopher and Moronuki, Julie},
  file =         {/home/jon/Dokumentujo/Papers/Textbooks/Allen_Moronuki_2016_Haskell
                  Programming from First Principles.pdf},
}

@incollection{dames_not_2010,
  location =     {{Ann Arbor}},
  title =        {On {{Not Close Reading}}},
  booktitle =    {The {{Feeling}} of {{Reading}}},
  publisher =    {{University of Michigan Press}},
  date =         2010,
  author =       {Dames, Nicholas},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/QSSIX38Z/Dames_2010_On
                  Not Close Reading.pdf}
}

@book{burton_shakespeares_1973,
  location =     {{Austin}},
  title =        {Shakespeare's Grammatical Style; a Computer-Assisted Analysis
                  of {{Richard II}} and {{Anthony}} and {{Cleopatra}}},
  isbn =         {978-0-292-77504-6},
  publisher =    {{University of Texas Press}},
  date =         1973,
  keywords =     {English language,Style,Language,Literary style,SHAKESPEARE;
                  William; 1564-1616,Data processing},
  author =       {Burton, Dolores}
}

@article{holmes_analysis_1985,
  eprinttype =   {jstor},
  eprint =       2981893,
  title =        {The {{Analysis}} of {{Literary Style}}--{{A Review}}},
  volume =       148,
  issn =         {0035-9238},
  doi =          {10.2307/2981893},
  abstract =     {This paper considers the problem of quantifying literary style
                  and looks at several variables which may be used as stylistic
                  "fingerprints" of a writer. Statistics plays an important role
                  in the sampling of texts, the building and fitting of models
                  to linguistic data and in the testing of hypotheses,
                  particularly in problems concerned with authorship
                  attribution. The increasing availability of computer
                  concordances of literary texts offers great possibilities to
                  the analyst.},
  number =       4,
  journaltitle = {Journal of the Royal Statistical Society. Series A (General)},
  date =         1985,
  pages =        {328-341},
  author =       {Holmes, D. I.},
  file =         {/home/jon/Dokumentujo/Papers/Comp Style/Prehistory/Holmes_1985_The
                  Analysis of Literary Style--A Review.pdf}
}

@article{mendenhall_characteristic_1887,
  eprinttype =   {jstor},
  eprint =       1764604,
  title =        {The {{Characteristic Curves}} of {{Composition}}},
  volume =       9,
  issn =         {0036-8075},
  number =       214,
  journaltitle = {Science},
  date =         1887,
  pages =        {237-249},
  author =       {Mendenhall, T. C.},
  file =         {/home/jon/Dokumentujo/Papers/Comp
                  Style/Prehistory/Mendenhall_1887_The Characteristic Curves of
                  Composition.pdf}
}

@article{yule_sentence-length_1939,
  eprinttype =   {jstor},
  eprint =       2332655,
  title =        {On {{Sentence}}-{{Length}} as a {{Statistical Characteristic}}
                  of {{Style}} in {{Prose}}: {{With Application}} to {{Two
                  Cases}} of {{Disputed Authorship}}},
  volume =       30,
  issn =         {0006-3444},
  doi =          {10.2307/2332655},
  shorttitle =   {On {{Sentence}}-{{Length}} as a {{Statistical Characteristic}}
                  of {{Style}} in {{Prose}}},
  number =       {3/4},
  journaltitle = {Biometrika},
  date =         1939,
  pages =        {363-390},
  author =       {Yule, G. Udny},
  file =         {/home/jon/Dokumentujo/Papers/Comp Style/Prehistory/Yule_1939_On
                  Sentence-Length as a Statistical Characteristic of Style in
                  Prose.pdf}
}

@book{morton_authorship_1965,
  title =        {The Authorship of the {{Pauline Epistles}}: A Scientific
                  Solution},
  shorttitle =   {The Authorship of the {{Pauline Epistles}}},
  publisher =    {{[Saskatoon, Sask.]: University of Saskatchewan}},
  date =         1965,
  author =       {Morton, Andrew Queen}
}

@book{MostellerInferenceDisputedAuthorship2007,
  langid =       {english},
  title =        {Inference and {{Disputed Authorship}}: {{The Federalist}}},
  isbn =         {978-1-57586-552-2},
  shorttitle =   {Inference and {{Disputed Authorship}}},
  abstract =     {The 1964 publication of Inference and Disputed Authorship made
                  the cover of Time magazine and the attention of academics and
                  the public alike for its use of statistical methodology to
                  solve one of American history’s most notorious questions: the
                  disputed authorship of the Federalist Papers. ~ Back in print
                  for a new generation of readers, this classic volume applies
                  mathematics, including the once-controversial Bayesian
                  analysis, into the heart of a literary and historical problem
                  by studying frequently used words in the texts. The reissue of
                  this landmark book will be welcomed by anyone interested in
                  the juncture of history, political science, and authorship.},
  pagetotal =    362,
  publisher =    {{Center for the Study of Language and Information}},
  date =         2007,
  keywords =     {Language Arts & Disciplines / Linguistics / General},
  author =       {Mosteller, Frederick and Wallace, David L.},
  file =         {/home/jon/Dokumentujo/Papers/Comp
                  Style/Prehistory/Mosteller_Wallace_2007_Inference and Disputed
                  Authorship.pdf},
}

@book{international_business_machines_corp._proceedings_1965,
  location =     {{White Plains, N.Y.}},
  title =        {Proceedings of the {{Literary Data Processing Conference}}},
  publisher =    {{International Business Machines Corp., Data Processing
                  Division}},
  date =         1965,
  keywords =     {Computational Linguistics,Data processing,Philology},
  author =       {International Business Machines Corp.}
}

@article{luhn_statistical_1957,
  title =        {A {{Statistical Approach}} to {{Mechanized Encoding}} and
                  {{Searching}} of {{Literary Information}}},
  volume =       1,
  issn =         {0018-8646},
  doi =          {10.1147/rd.14.0309},
  abstract =     {Written communication of ideas is carried out on the basis of
                  statistical probability in that a writer chooses that level of
                  subject specificity and that combination of words which he
                  feels will convey the most meaning. Since this process varies
                  among individuals and since similar ideas are therefore
                  relayed at different levels of specificity and by means of
                  different words, the problem of literature searching by
                  machines still presents major difficulties. A statistical
                  approach to this problem will be outlined and the various
                  steps of a system based on this approach will be described.
                  Steps include the statistical analysis of a collection of
                  documents in a field of interest, the establishment of a set
                  of “notions” and the vocabulary by which they are expressed,
                  the compilation of a thesaurus-type dictionary and index, the
                  automatic encoding of documents by machine with the aid of
                  such a dictionary, the encoding of topological notations (such
                  as branched structures), the recording of the coded
                  information, the establishment of a searching pattern for
                  finding pertinent information, and the programming of
                  appropriate machines to carry out a search.},
  number =       4,
  journaltitle = {IBM Journal of Research and Development},
  date =         {1957-10},
  pages =        {309-317},
  author =       {Luhn, H. P.},
  file =         {/home/jon/Dokumentujo/Papers/Comp Style/Luhn_1957_A Statistical
                  Approach to Mechanized Encoding and Searching of Literary.pdf}
}

@article{mendenhall_mechanical_1903,
  langid =       {english},
  title =        {A {{Mechanical Solution}} of a {{Literary Problem}}},
  volume =       4,
  url =
                  {http://search.proquest.com.ezproxy.cul.columbia.edu/docview/1309397837?pq-origsite=summon},
  number =       5,
  journaltitle = {Book-Lover; San Francisco, etc.},
  urldate =      {2017-06-05},
  date =         {1903-11-01},
  pages =        408,
  keywords =     {Literature,Library/Information Science},
  author =       {Mendenhall, T. C.}
}

@article{mendenhall_mechanical_1901,
  title =        {A {{Mechanical Solution}} of a {{Literary Problem}}},
  volume =       60,
  url =
                  {https://en.wikisource.org/wiki/Popular_Science_Monthly/Volume_60/December_1901/A_Mechanical_Solution_of_a_Literary_Problem},
  journaltitle = {Popular Science Monthly},
  date =         {1901-12},
  author =       {Mendenhall, T.C.},
  file =         {/home/jon/Dokumentujo/Papers/Comp
                  Style/Prehistory/Mendenhall_1901_A Mechanical Solution of a
                  Literary Problem.pdf}
}

@article{williams_statistics_1952,
  title =        {Statistics as an Aid to Literary Studies},
  volume =       24,
  journaltitle = {Science News},
  date =         1952,
  pages =        {99--106},
  author =       {Williams, C. B.}
}

@article{fucks_mathematical_1952,
  eprinttype =   {jstor},
  eprint =       2332470,
  title =        {On {{Mathematical Analysis}} of {{Style}}},
  volume =       39,
  issn =         {0006-3444},
  doi =          {10.2307/2332470},
  number =       {1/2},
  journaltitle = {Biometrika},
  date =         1952,
  pages =        {122-129},
  author =       {Fucks, Wilhelm},
  file =         {/home/jon/Dokumentujo/Papers/Comp Style/Prehistory/Fucks_1952_On
                  Mathematical Analysis of Style.pdf}
}

@book{kenny_computation_2013,
  langid =       {english},
  title =        {The {{Computation}} of {{Style}}: {{An Introduction}} to
                  {{Statistics}} for {{Students}} of {{Literature}} and
                  {{Humanities}}},
  isbn =         {978-1-4832-8567-2},
  shorttitle =   {The {{Computation}} of {{Style}}},
  abstract =     {Each year more and more scholars are becoming aware of the
                  importance of the statistical study of literary texts. The
                  present book is the first elementary introduction in English
                  for those wishing to use statistical techniques in the study
                  of literature. Unlike other introductions to statistics, it
                  specifically emphasizes those techniques most useful in
                  literary contexts and gives examples of their application from
                  literary and linguistic material. The text is aimed at those
                  with the minimum of mathematical background and gives
                  exercises for the student and relevant statistical tables.},
  pagetotal =    187,
  publisher =    {{Elsevier}},
  date =         {2013-10-22},
  keywords =     {Fiction / Literary,Mathematics / Probability & Statistics /
                  General},
  author =       {Kenny, Anthony},
  file =         {/home/jon/Dokumentujo/Papers/Comp Style/Prehistory/Kenny_2013_The
                  Computation of Style.pdf},
}

@book{zipf_selected_1932,
  location =     {{Cambridge, Mass}},
  title =        {Selected Studies of the Principle of Relative Frequency in
                  Language},
  publisher =    {{Harvard}},
  date =         1932,
  keywords =     {Latin language,Semantics,Language and languages,Glossaries;
                  vocabularies; etc,Comparative linguistics,Chinese
                  language,Phonology,Plautus; Titus
                  Maccius,Dialects,China,Beijing},
  author =       {Zipf, George Kingsley},
  file =         {/home/jon/Dokumentujo/Papers/Comp
                  Style/Prehistory/Zipf_1932_Selected studies of the principle
                  of relative frequency in language.pdf}
}

@article{holmes_evolution_1998,
  title =        {The {{Evolution}} of {{Stylometry}} in {{Humanities
                  Scholarship}}},
  volume =       13,
  issn =         {0268-1145},
  url =
                  {https://academic-oup-com.ezproxy.cul.columbia.edu/dsh/article/13/3/111/933269/The-Evolution-of-Stylometry-in-Humanities},
  doi =          {10.1093/llc/13.3.111},
  number =       3,
  journaltitle = {Literary and Linguistic Computing},
  shortjournal = {Lit Linguist Computing},
  urldate =      {2017-06-06},
  date =         {1998-09-01},
  pages =        {111-117},
  author =       {Holmes, David I.},
  file =         {/home/jon/Dokumentujo/Papers/Comp Style/Prehistory/Holmes_1998_The
                  Evolution of Stylometry in Humanities Scholarship.pdf}
}

@online{_evolution_????,
  title = {Evolution of {{Stylometry}} in {{Humanities Scholarship}} | {{Digital Scholarship}} in the {{Humanities}} | {{Oxford Academic}}},
  url = {https://academic-oup-com.ezproxy.cul.columbia.edu/dsh/article/13/3/111/933269/The-Evolution-of-Stylometry-in-Humanities},
  urldate = {2017-06-06},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/GAQAIFZ3/The-Evolution-of-Stylometry-in-Humanities.html}
}

@online{tedunderwood_finding_2017,
  title = {Finding the Great Divide},
  url = {https://tedunderwood.com/2017/05/27/finding-the-great-divide/},
  abstract = {To trace the emergence of a “great divide” between elite and mass culture, you need evidence about both sales and prestige.},
  journaltitle = {The Stone and the Shell},
  urldate = {2017-06-07},
  date = {2017-05-27T17:31:49+00:00},
  author = {{tedunderwood}}
}

@collection{biber_cambridge_2015,
  location = {{Cambridge}},
  title = {The {{Cambridge}} Handbook of {{English}} Corpus Linguistics},
  isbn = {978-1-107-03738-0},
  abstract = {"The Cambridge Handbook of English Corpus Linguistics (CHECL) surveys the breadth of corpus-based linguistic research on English, including chapters on collocations, phraseology, grammatical variation, historical change, and the description of registers and dialects. The most innovative aspects of the CHECL are its emphasis on critical discussion, its explicit evaluation of the state of the art in each sub-discipline, and the inclusion of empirical case studies. While each chapter includes a broad survey of previous research, the primary focus is on a detailed description of the most important corpus-based studies in this area, with discussion of what those studies found, and why they are important. Each chapter also includes a critical discussion of the corpus-based methods employed for research in this area, as well as an explicit summary of new findings and discoveries"--},
  pagetotal = {623},
  series = {Cambridge Handbooks in Language and Linguistics},
  publisher = {{Cambridge University Press}},
  date = {2015},
  keywords = {Language Arts & Disciplines / Linguistics / General,Computational Linguistics,Corpora (Linguistics),Linguistic analysis (Linguistics)},
  editor = {Biber, Douglas and Reppen, Randi},
  file = {/home/jon/Dokumentujo/Papers/Comp Style/Biber_Reppen_2015_The Cambridge handbook of English corpus linguistics.pdf}
}

@article{AndersonLittleReview1914b,
  title =        {The {{Little Review}}},
  journaltitle = {The Little Review},
  date =         {1914/1929},
  editor =       {Anderson, Margaret}
}

@book{brookerOxfordCriticalCultural2009,
  location =     {{Oxford ; New York}},
  title =        {The {{Oxford}} Critical and Cultural History of Modernist
                  Magazines},
  edition =      {1st ed},
  isbn =         {978-0-19-921115-9 978-0-19-954581-0 978-0-19-968130-3
                  978-0-19-968131-0},
  abstract =     {A study of the role of 'little magazines' and their
                  contribution to the making of artistic modernism. A major
                  scholarly achievement of immense value to teachers,
                  researchers and students interested in the material culture of
                  the first half of the 20th century and the relation of the
                  arts to social modernity},
  publisher =    {{Oxford University Press}},
  date =         2009,
  keywords =     {19th century,20th century,History,Little magazines,Literature
                  and society},
  editor =       {Brooker, Peter and Thacker, Andrew},
  file =         {/home/jon/Dokumentujo/Papers/Orals/Modernism/Little
                  magazines/Brooker_Thacker_2009_The Oxford critical and
                  cultural history of modernist
                  magazines.pdf;/home/jon/Dokumentujo/Papers/Orals/Modernism/Little
                  magazines/Brooker_Thacker_2009_The Oxford critical and
                  cultural history of modernist magazines.pdf},
  note =         {OCLC: 428818638}
}

@book{harding_ford_2010,
  langid =       {english},
  title =        {Ford {{Madox Ford}}, {{Modernist Magazines}} and {{Editing}}},
  pagetotal =    284,
  publisher =    {{Editions Rodopi}},
  date =         2010,
  author =       {Harding, Edited by Jason},
  file =         {/home/jon/Dokumentujo/Papers/Orals/Modernism/Little
                  magazines/Harding_2010_Ford Madox Ford, Modernist Magazines
                  and Editing.pdf},
}

@book{synge_playboy_1911,
  langid =       {english},
  title =        {The {{Playboy}} of the {{Western World}}: {{A Comedy}} in
                  {{Three Acts}}},
  shorttitle =   {The {{Playboy}} of the {{Western World}}},
  pagetotal =    124,
  publisher =    {{J. W. Luce}},
  date =         1911,
  author =       {Synge, John Millington},
  file =         {/home/jon/Dokumentujo/Papers/Orals/Modernism/Little
                  magazines/Synge_1911_The Playboy of the Western World.pdf},
}

@book{auden_selected_1979,
  location =     {{New York}},
  title =        {Selected Poems},
  isbn =         {978-0-394-72506-2},
  publisher =    {{Vintage Books}},
  date =         1979,
  author =       {Auden, W. H. (Wystan Hugh)},
  file =         {/home/jon/Dokumentujo/Papers/Orals/Modernism/Auden_1979_Selected
                  poems.pdf}
}

@book{barnes_nightwood_2006,
  langid =       {english},
  title =        {Nightwood ({{New Edition}})},
  isbn =         {978-0-8112-2143-6},
  url =
                  {https://play.google.com/books/reader?printsec=frontcover&output=reader&id=zxswDAAAAEAJ&pg=GBS.PA1},
  abstract =     {The fiery and enigmatic masterpiece—one of the greatest novels
                  of the Modernist era. Nightwood, Djuna Barnes' strange and
                  sinuous tour de force, "belongs to that small class of books
                  that somehow reflect a time or an epoch" (Times Literary
                  Supplement). That time is the period between the two World
                  Wars, and Barnes' novel unfolds in the decadent shadows of
                  Europe's great cities, Paris, Berlin, and Vienna—a world in
                  which

license_type: permissive

branch_name: refs/heads/master

gha_language: TeX

extension: bib