text:
@book{berlyneStudiesNewExperimental1974,
  location = {{Oxford, England}},
  title = {Studies in the New Experimental Aesthetics: {{Steps}} toward an Objective Psychology of Aesthetic Appreciation.},
  shorttitle = {Studies in the New Experimental Aesthetics},
  publisher = {{Hemisphere}},
  date = {1974},
  author = {Berlyne, Daniel E.},
  file = {D\:\\Sauve\\Zotero\\storage\\6RJ7WQBD\\1975-07344-000.html}
}

@book{berlyneAestheticsPsychobiology1971,
  location = {{New York}},
  title = {Aesthetics and {{Psychobiology}}},
  publisher = {{Appleton Century Crofts}},
  date = {1971},
  author = {Berlyne, Daniel E.}
}

@article{northSubjectiveComplexityFamiliarity1995,
  title = {Subjective Complexity, Familiarity, and Liking for Popular Music.},
  volume = {14},
  doi = {http://dx.doi.org/10.1037/h0094090},
  number = {1-2},
  journaltitle = {Psychomusicology: A Journal of Research in Music Cognition},
  date = {1995},
  pages = {77},
  author = {North, Adrian C. and Hargreaves, David J.},
  file = {D\:\\Sauve\\Zotero\\storage\\2AUAJV6G\\1997-07268-005.html}
}

@article{orrRelationshipComplexityLiking2005,
  title = {Relationship between Complexity and Liking as a Function of Expertise},
  volume = {22},
  number = {4},
  journaltitle = {Music Perception: An Interdisciplinary Journal},
  date = {2005},
  pages = {583--611},
  author = {Orr, Mark G. and Ohlsson, Stellan},
  file = {D\:\\Sauve\\Zotero\\storage\\VGX2X36C\\583.html}
}

@article{burkeMusicalPreferencesFunction1990,
  title = {Musical Preferences as a Function of Stimulus Complexity and Listeners' Sophistication},
  volume = {71},
  doi = {https://doi.org/10.2466/pms.1990.71.2.687},
  number = {2},
  journaltitle = {Perceptual and Motor Skills},
  date = {1990},
  pages = {687--690},
  author = {Burke, Michael J. and Gridley, Mark C.},
  file = {D\:\\Sauve\\Zotero\\storage\\JZBN9GCN\\pms.1990.71.2.html}
}

@article{gordonMusicalPreferencesFunction2013,
  title = {Musical Preferences as a Function of Stimulus Complexity of Piano Jazz},
  volume = {25},
  number = {1},
  journaltitle = {Creativity Research Journal},
  date = {2013},
  pages = {143--146},
  author = {Gordon, Josh and Gridley, Mark C.},
  file = {D\:\\Sauve\\Zotero\\storage\\SEBW5YS9\\Gordon and Gridley - 2013 - Musical preferences as a function of stimulus comp.pdf;D\:\\Sauve\\Zotero\\storage\\N3623R8U\\10400419.2013.html}
}

@inproceedings{eerolaExpectancybasedModelMelodic2000,
  title = {Expectancy-Based Model of Melodic Complexity},
  booktitle = {Proceedings of the {{Sixth International Conference}} on {{Music Perception}} and {{Cognition}}. {{Keele}}, {{Staffordshire}}, {{UK}}: {{Department}} of {{Psychology}}. {{CD}}-{{ROM}}},
  date = {2000},
  author = {Eerola, Tuomas and North, Adrian C.},
  file = {D\:\\Sauve\\Zotero\\storage\\KEWAN5AY\\Eerola and North - 2000 - Expectancy-based model of melodic complexity.pdf;D\:\\Sauve\\Zotero\\storage\\QIEWVAJQ\\Eerola and North - 2000 - Expectancy-based model of melodic complexity.pdf}
}

@article{beauvoisQuantifyingAestheticPreference2007,
  langid = {english},
  title = {Quantifying {{Aesthetic Preference And Perceived Complexity For Fractal Melodies}}},
  volume = {24},
  issn = {0730-7829, 1533-8312},
  url = {http://mp.ucpress.edu/content/24/3/247},
  doi = {10.1525/mp.2007.24.3.247},
  number = {3},
  journaltitle = {Music Perception: An Interdisciplinary Journal},
  urldate = {2018-08-11},
  date = {2007-02-01},
  pages = {247-264},
  author = {Beauvois, Michael W.},
  file = {D\:\\Sauve\\Zotero\\storage\\V7ALZPRY\\247.html}
}

@article{chenMovingTimeBrain2008,
  title = {Moving on Time: Brain Network for Auditory-Motor Synchronization Is Modulated by Rhythm Complexity and Musical Training},
  volume = {20},
  doi = {https://doi.org/10.1162/jocn.2008.20018},
  shorttitle = {Moving on Time},
  number = {2},
  journaltitle = {Journal of cognitive neuroscience},
  date = {2008},
  pages = {226--239},
  author = {Chen, Joyce L. and Penhune, Virginia B. and Zatorre, Robert J.},
  file = {D\:\\Sauve\\Zotero\\storage\\DHTUCUGY\\jocn.2008.html}
}

@article{largeTrackingSimpleComplex2002,
  title = {Tracking Simple and Complex Sequences},
  volume = {66},
  doi = {https://doi.org/10.1007/s004260100069},
  number = {1},
  journaltitle = {Psychological research},
  date = {2002},
  pages = {3--17},
  author = {Large, Edward W. and Fink, Philip and Kelso, Scott J.},
  file = {D\:\\Sauve\\Zotero\\storage\\GRFIBUWL\\Large et al. - 2002 - Tracking simple and complex sequences.pdf;D\:\\Sauve\\Zotero\\storage\\IMB57YDY\\s004260100069.html}
}

@article{birbaumerPerceptionMusicDimensional1996,
  title = {Perception of Music and Dimensional Complexity of Brain Activity},
  volume = {6},
  doi = {https://doi.org/10.1142/S0218127496000047},
  number = {02},
  journaltitle = {International Journal of Bifurcation and Chaos},
  date = {1996},
  pages = {267--278},
  author = {Birbaumer, Neil and Lutzenberger, W. and Rau, H. and Braun, C. and Mayer-Kress, G.},
  file = {D\:\\Sauve\\Zotero\\storage\\R6SSKE9Y\\Birbaumer et al. - 1996 - Perception of music and dimensional complexity of .pdf;D\:\\Sauve\\Zotero\\storage\\7CQRM5XM\\S0218127496000047.html}
}

@article{zatorreWhenBrainPlays2007,
  title = {When the Brain Plays Music: Auditory–Motor Interactions in Music Perception and Production},
  volume = {8},
  doi = {https://doi.org/10.1038/nrn2152},
  shorttitle = {When the Brain Plays Music},
  number = {7},
  journaltitle = {Nature reviews neuroscience},
  date = {2007},
  pages = {547},
  author = {Zatorre, Robert J. and Chen, Joyce L. and Penhune, Virginia B.},
  file = {D\:\\Sauve\\Zotero\\storage\\AIPJZRM3\\Zatorre et al. - 2007 - When the brain plays music auditory–motor interac.pdf;D\:\\Sauve\\Zotero\\storage\\I5UHQI9F\\nrn2152.html}
}

@article{mcadamsPerspectivesContributionTimbre1999,
  title = {Perspectives on the Contribution of Timbre to Musical Structure},
  volume = {23},
  number = {3},
  journaltitle = {Computer Music Journal},
  date = {1999},
  pages = {85--102},
  author = {McAdams, Stephen},
  file = {D\:\\Sauve\\Zotero\\storage\\PUHACG2A\\McAdams - 1999 - Perspectives on the contribution of timbre to musi.pdf;D\:\\Sauve\\Zotero\\storage\\B2TH9Y6A\\014892699559797.html}
}

@article{greyMultidimensionalPerceptualScaling1977,
  title = {Multidimensional Perceptual Scaling of Musical Timbres},
  volume = {61},
  number = {5},
  journaltitle = {the Journal of the Acoustical Society of America},
  date = {1977},
  pages = {1270--1277},
  author = {Grey, John M.},
  file = {D\:\\Sauve\\Zotero\\storage\\YT6ZY8JD\\Grey - 1977 - Multidimensional perceptual scaling of musical tim.pdf;D\:\\Sauve\\Zotero\\storage\\FVVISVEN\\1.html}
}

@article{wesselTimbreSpaceMusical1979,
  title = {Timbre Space as a Musical Control Structure},
  journaltitle = {Computer music journal},
  date = {1979},
  pages = {45--52},
  author = {Wessel, David L.},
  file = {D\:\\Sauve\\Zotero\\storage\\QHR3ZZHD\\Wessel - 1979 - Timbre space as a musical control structure.pdf;D\:\\Sauve\\Zotero\\storage\\F6VPXYM2\\3680283.html}
}

@article{aucouturierWayItSounds2005,
  title = {" {{The}} Way It Sounds": Timbre Models for Analysis and Retrieval of Music Signals},
  volume = {7},
  shorttitle = {" {{The}} Way It Sounds"},
  number = {6},
  journaltitle = {IEEE Transactions on Multimedia},
  date = {2005},
  pages = {1028--1035},
  author = {Aucouturier, J.-J. and Pachet, François and Sandler, Mark},
  file = {D\:\\Sauve\\Zotero\\storage\\QHT6IAU5\\Aucouturier et al. - 2005 -  The way it sounds timbre models for analysis a.pdf;D\:\\Sauve\\Zotero\\storage\\PQ6WVXGU\\1542080.html}
}

@article{deliegeGroupingConditionsListening1987,
  title = {Grouping Conditions in Listening to Music: {{An}} Approach to {{Lerdahl}} \& {{Jackendoff}}'s Grouping Preference Rules},
  volume = {4},
  shorttitle = {Grouping Conditions in Listening to Music},
  number = {4},
  journaltitle = {Music Perception: An Interdisciplinary Journal},
  date = {1987},
  pages = {325--359},
  author = {Deliege, Irene},
  file = {D\:\\Sauve\\Zotero\\storage\\I5WPQBZB\\325.html}
}

@article{agresHarmonicStructurePredicts2017,
  title = {Harmonic Structure Predicts the Enjoyment of Uplifting Trance Music},
  volume = {7},
  journaltitle = {Frontiers in psychology},
  date = {2017},
  pages = {1999},
  author = {Agres, Kat and Herremans, Dorien and Bigo, Louis and Conklin, Darrell},
  file = {D\:\\Sauve\\Zotero\\storage\\BGU353AV\\full.html;D\:\\Sauve\\Zotero\\storage\\W8CIR2QM\\full.html}
}

@inproceedings{agresEffectRepetitiveStructure2015,
  title = {The Effect of Repetitive Structure on Enjoyment and Altered States in Uplifting Trance Music},
  booktitle = {2nd {{International Conference}} on {{Music}} and {{Consciousness}} ({{MUSCON}} 2), {{Oxford}}},
  date = {2015},
  author = {Agres, Kat and Bigo, Louis and Herremans, Dorien and Conklin, Darrell},
  file = {D\:\\Sauve\\Zotero\\storage\\7AHTFGST\\Agres et al. - 2015 - The effect of repetitive structure on enjoyment an.pdf}
}

@article{levitinMemoryMusicalAttributes2002,
  title = {Memory for Musical Attributes},
  journaltitle = {Foundations of cognitive psychology: Core readings},
  date = {2002},
  pages = {295--310},
  author = {Levitin, Daniel J.},
  file = {D\:\\Sauve\\Zotero\\storage\\MTKBK3Q5\\Levitin - 2002 - Memory for musical attributes.pdf;D\:\\Sauve\\Zotero\\storage\\P9TFFI4P\\books.html}
}

@article{levitinAbsoluteMemoryMusical1994,
  title = {Absolute Memory for Musical Pitch: {{Evidence}} from the Production of Learned Melodies},
  volume = {56},
  shorttitle = {Absolute Memory for Musical Pitch},
  number = {4},
  journaltitle = {Attention, Perception, \& Psychophysics},
  date = {1994},
  pages = {414--423},
  author = {Levitin, Daniel J.},
  file = {D\:\\Sauve\\Zotero\\storage\\6HVSRCH3\\pitch.html}
}

@article{levitinMemoryMusicalTempo1996,
  title = {Memory for Musical Tempo: {{Additional}} Evidence That Auditory Memory Is Absolute},
  volume = {58},
  shorttitle = {Memory for Musical Tempo},
  number = {6},
  journaltitle = {Attention, Perception, \& Psychophysics},
  date = {1996},
  pages = {927--935},
  author = {Levitin, Daniel J. and Cook, Perry R.},
  file = {D\:\\Sauve\\Zotero\\storage\\V5U6XTJV\\tempo.html}
}

@article{makrisVISA3RefiningVoice2016,
  title = {{{VISA3}}: {{Refining}} the Voice Integration/Segregation Algorithm},
  url = {https://www.researchgate.net/profile/Ioannis_Karydis2/publication/307866735_VISA3_Refining_the_Voice_IntegrationSegregation_Algorithm/links/57cfeceb08ae582e0695cec7.pdf},
  shorttitle = {V {{ISA3}}},
  date = {2016},
  author = {Makris, Dimos and Karydis, Ioannis and Cambouropoulos, Emilios},
  file = {D\:\\Sauve\\Zotero\\storage\\44T9QJ2P\\Makris et al. - 2016 - V ISA3 REFINING THE VOICE INTEGRATIONSEGREGATION.pdf}
}

@inproceedings{alexandrosVISAVoiceIntegration2007,
  title = {{{VISA}}: {{The}} Voice Integration/Segregation Algorithm},
  url = {http://www.ionio.gr/~karydis/my_papers/KNPC2007%20-%20VISA%20The%20voice%20integrationsegregation%20algorithm.pdf},
  shorttitle = {{{VISA}}},
  booktitle = {{{ISMIR}} 2007: {{Proceedings}} of the 8th {{International Conference}} on {{Music Information Retrieval}}:[{{September}} 23-27, 2007, {{Vienna}}, {{Austria}}]},
  publisher = {{Austrian Computer Society}},
  date = {2007},
  pages = {445},
  author = {Alexandros, Ioannis Karydis},
  file = {D\:\\Sauve\\Zotero\\storage\\REAJ58WU\\Alexandros - 2007 - VISA THE VOICE INTEGRATIONSEGREGATION ALGORITHM.pdf}
}

@article{palmerMentalRepresentationsMusical1990,
  title = {Mental Representations for Musical Meter},
  volume = {16},
  url = {http://www.brainmusic.org/EducationalActivities/Palmer_meter1990.pdf},
  number = {4},
  journaltitle = {Journal of Experimental Psychology: Human Perception and Performance},
  date = {1990},
  pages = {728--741},
  author = {Palmer, Caroline and Krumhansl, Carol L.},
  file = {D\:\\Sauve\\Zotero\\storage\\6MKMJHA5\\Palmer and Krumhansl - 1990 - Mental representations for musical meter.pdf}
}

@inproceedings{krumhanslKeyfindingMusicAlgorithm1986,
  location = {{Cambridge, MA}},
  title = {Key-Finding in Music: {{An}} Algorithm Based on Pattern Matching to Tonal Hierarchies.},
  eventtitle = {19th {{Annual Meeting}} of the {{Society}} of {{Mathematical Psychology}}},
  date = {1986},
  author = {Krumhansl, Carol L. and Schmuckler, M.}
}

@book{krumhanslCognitiveFoundationsMusical2001,
  title = {Cognitive Foundations of Musical Pitch},
  url = {https://books.google.co.uk/books?hl=en&lr=&id=J4dJCAAAQBAJ&oi=fnd&pg=PT11&dq=krumhansl+cognitive+foundations&ots=PF47VC1-Cj&sig=DjBgMy-284NnR8pLJ3cb6AHMuZI},
  publisher = {{Oxford University Press}},
  date = {2001},
  author = {Krumhansl, Carol L.},
  file = {D\:\\Sauve\\Zotero\\storage\\KAPB7KZN\\Krumhansl - 2001 - Cognitive foundations of musical pitch.pdf;D\:\\Sauve\\Zotero\\storage\\B5QNCXDE\\books.html}
}

@article{krumhanslTonalHierarchiesRare1990,
  title = {Tonal Hierarchies and Rare Intervals in Music Cognition},
  volume = {7},
  url = {http://mp.ucpress.edu/content/7/3/39.abstract},
  number = {3},
  journaltitle = {Music Perception: An Interdisciplinary Journal},
  date = {1990},
  pages = {309--324},
  author = {Krumhansl, Carol L.},
  file = {D\:\\Sauve\\Zotero\\storage\\I2HPKX4U\\39.html}
}

@article{khalfaEventrelatedSkinConductance2002,
  title = {Event-Related Skin Conductance Responses to Musical Emotions in Humans},
  volume = {328},
  url = {http://www.sciencedirect.com/science/article/pii/S0304394002004627},
  number = {2},
  journaltitle = {Neuroscience letters},
  date = {2002},
  pages = {145--149},
  author = {Khalfa, Stéphanie and Isabelle, Peretz and Jean-Pierre, Blondin and Manon, Robert},
  file = {D\:\\Sauve\\Zotero\\storage\\WX8M52BH\\Khalfa et al. - 2002 - Event-related skin conductance responses to musica.pdf;D\:\\Sauve\\Zotero\\storage\\4XRUAAXG\\S0304394002004627.html}
}

@article{marieEarlyDevelopmentPolyphonic2014,
  title = {Early Development of Polyphonic Sound Encoding and the High Voice Superiority Effect},
  volume = {57},
  url = {http://www.sciencedirect.com/science/article/pii/S002839321400075X},
  journaltitle = {Neuropsychologia},
  date = {2014},
  pages = {50--58},
  author = {Marie, Céline and Trainor, Laurel J.},
  file = {D\:\\Sauve\\Zotero\\storage\\FMN835G7\\Marie and Trainor - 2014 - Early development of polyphonic sound encoding and.pdf;D\:\\Sauve\\Zotero\\storage\\5DB3Q52S\\S002839321400075X.html}
}

@article{trainorExplainingHighVoice2014,
  title = {Explaining the High Voice Superiority Effect in Polyphonic Music: {{Evidence}} from Cortical Evoked Potentials and Peripheral Auditory Models},
  volume = {308},
  url = {http://www.sciencedirect.com/science/article/pii/S0378595513001858},
  shorttitle = {Explaining the High Voice Superiority Effect in Polyphonic Music},
  journaltitle = {Hearing Research},
  date = {2014},
  pages = {60--70},
  author = {Trainor, Laurel J. and Marie, Céline and Bruce, Ian C. and Bidelman, Gavin M.},
  file = {D\:\\Sauve\\Zotero\\storage\\68NF7F2A\\Trainor et al. - 2014 - Explaining the high voice superiority effect in po.pdf;D\:\\Sauve\\Zotero\\storage\\49QWA485\\S0378595513001858.html}
}

@article{marieDevelopmentSimultaneousPitch2012,
  title = {Development of Simultaneous Pitch Encoding: Infants Show a High Voice Superiority Effect},
  volume = {23},
  url = {https://academic.oup.com/cercor/article-abstract/23/3/660/316161},
  shorttitle = {Development of Simultaneous Pitch Encoding},
  number = {3},
  journaltitle = {Cerebral Cortex},
  date = {2012},
  pages = {660--669},
  author = {Marie, Celine and Trainor, Laurel J.},
  file = {D\:\\Sauve\\Zotero\\storage\\7PBQJUFS\\Development-of-Simultaneous-Pitch-Encoding-Infants.html;D\:\\Sauve\\Zotero\\storage\\QC22HTTV\\316161.html}
}

@inproceedings{gotoRealtimeMusicScene1999,
  title = {A Real-Time Music Scene Description System: {{Detecting}} Melody and Bass Lines in Audio Signals},
  url = {https://www.researchgate.net/profile/Satoru_Hayamizu/publication/2455822_A_Real-time_Music_Scene_Description_System_Detecting_Melody_and_Bass_Lines_in_Audio_Signals/links/540146ac0cf23d9765a49199.pdf},
  shorttitle = {A Real-Time Music Scene Description System},
  booktitle = {Working {{Notes}} of the {{IJCAI}}-99 {{Workshop}} on {{Computational Auditory Scene Analysis}}},
  date = {1999},
  pages = {31--40},
  author = {Goto, Masataka and Hayamizu, Satoru},
  file = {D\:\\Sauve\\Zotero\\storage\\8BGDEKK4\\Goto and Hayamizu - 1999 - A real-time music scene description system Detect.pdf}
}

@book{shiImageVideoCompression1999,
  title = {Image and Video Compression for Multimedia Engineering: {{Fundamentals}}, Algorithms, and Standards},
  url = {https://books.google.co.uk/books?hl=en&lr=&id=LEjJYki9U0wC&oi=fnd&pg=PA1&dq=shi+sun+predictive+coding&ots=KuPt0vWthJ&sig=VL1uxyoAxC-lBSOvzhuRxXH_TKs},
  shorttitle = {Image and Video Compression for Multimedia Engineering},
  publisher = {{CRC press}},
  date = {1999},
  author = {Shi, Yun Q. and Sun, Huifang},
  file = {D\:\\Sauve\\Zotero\\storage\\BK8KAHBX\\books.html}
}

@article{lakatosHapticFormPerception1999,
  title = {Haptic Form Perception: {{Relative}} Salience of Local and Global Features},
  volume = {61},
  url = {http://www.springerlink.com/index/V36JV880118651NK.pdf},
  shorttitle = {Haptic Form Perception},
  number = {5},
  journaltitle = {Attention, Perception, \& Psychophysics},
  date = {1999},
  pages = {895--908},
  author = {Lakatos, Stephen and Marks, Lawrence E.},
  file = {D\:\\Sauve\\Zotero\\storage\\AF69BJ8K\\Lakatos and Marks - 1999 - Haptic form perception Relative salience of local.pdf;D\:\\Sauve\\Zotero\\storage\\AEBBI95Q\\10.html}
}

@article{stroopStudiesInterferenceSerial1935,
  title = {Studies of Interference in Serial Verbal Reactions.},
  volume = {18},
  url = {http://psycnet.apa.org/journals/xge/18/6/643/},
  number = {6},
  journaltitle = {Journal of experimental psychology},
  date = {1935},
  pages = {643},
  author = {Stroop, J. Ridley},
  file = {D\:\\Sauve\\Zotero\\storage\\JDK2RQKF\\Stroop - 1935 - Studies of interference in serial verbal reactions.pdf;D\:\\Sauve\\Zotero\\storage\\BCMRC6VT\\1936-01863-001.html}
}

@article{zarconeSalienceAttentionSurprisalBased2016,
  langid = {english},
  title = {Salience and {{Attention}} in {{Surprisal}}-{{Based Accounts}} of {{Language Processing}}},
  volume = {7},
  issn = {1664-1078},
  url = {http://journal.frontiersin.org/article/10.3389/fpsyg.2016.00844/full},
  doi = {10.3389/fpsyg.2016.00844},
  abstract = {The notion of salience has been singled out as the explanatory factor for a diverse range of linguistic phenomena. In particular, perceptual salience (e.g. visual salience of objects in the world, acoustic prominence of linguistic sounds) and semantic-pragmatic salience (e.g. prominence of recently mentioned or topical referents) have been shown to influence language comprehension and production. A different line of research has sought to account for behavioral correlates of cognitive load during comprehension as well as for certain patterns in language usage using information-theoretic notions, such as surprisal. Surprisal and salience both affect language processing at different levels, but the relationship between the two has not been adequately elucidated, and the question of whether salience can be reduced to surprisal / predictability is still open. Our review identifies two main challenges in addressing this question: terminological inconsistency and lack of integration between high and low levels of representations in salience- based accounts and surprisal-based accounts. We capitalise upon work in visual cognition in order to orient ourselves in surveying the different facets of the notion of salience in linguistics and their relation with models of surprisal. We find that work on salience highlights aspects of linguistic communication that models of surprisal tend to overlook, namely the role of attention and relevance to current goals, and we argue that the Predictive Coding framework provides a unified view which can account for the role played by attention and predictability at different levels of processing and which can clarify the interplay between low and high levels of processes and between predictability-driven expectation and attention-driven focus.},
  journaltitle = {Frontiers in Psychology},
  shortjournal = {Front. Psychol.},
  urldate = {2017-08-28},
  date = {2016},
  keywords = {accessibility,Attention,goals,Language,Predictability,predictive coding,relevance,Salience,surprisal},
  author = {Zarcone, Alessandra and van Schijndel, Marten and Vogels, Jorrig and Demberg, Vera},
  options = {useprefix=true}
}

@article{zendelImpactMusicianshipCortical2015,
  title = {The Impact of Musicianship on the Cortical Mechanisms Related to Separating Speech from Background Noise},
  url = {https://www.mitpressjournals.org/doi/full/10.1162/jocn_a_00758},
  journaltitle = {Journal of cognitive neuroscience},
  date = {2015},
  author = {Zendel, Benjamin Rich and Tremblay, Charles-David and Belleville, Sylvie and Peretz, Isabelle},
  file = {D\:\\Sauve\\Zotero\\storage\\I4DP3DQ5\\Zendel et al. - 2015 - The impact of musicianship on the cortical mechani.pdf;D\:\\Sauve\\Zotero\\storage\\82JRJIUJ\\jocn_a_00758.html}
}

@article{zendelImpactAttentionalTraining2016,
  title = {The Impact of Attentional Training on Event-Related Potentials in Older Adults},
  volume = {47},
  url = {http://www.sciencedirect.com/science/article/pii/S0197458016301233},
  journaltitle = {Neurobiology of aging},
  date = {2016},
  pages = {10--22},
  author = {Zendel, Benjamin Rich and de Boysson, Chloé and Mellah, Samira and Démonet, Jean-François and Belleville, Sylvie},
  options = {useprefix=true},
  file = {D\:\\Sauve\\Zotero\\storage\\JTXQKEGE\\Zendel et al. - 2016 - The impact of attentional training on event-relate.pdf;D\:\\Sauve\\Zotero\\storage\\IH6MCUH4\\S0197458016301233.html}
}

@article{toiviainenSimilarityPerceptionListening2007,
  title = {Similarity Perception in Listening to Music},
  volume = {11},
  issue = {1\_suppl},
  journaltitle = {Musicae Scientiae},
  date = {2007},
  editor = {Toiviainen, Petri}
}

@article{parbery-clarkMusiciansHaveFinetuned2012,
  title = {Musicians Have Fine-Tuned Neural Distinction of Speech Syllables},
  volume = {219},
  url = {http://www.sciencedirect.com/science/article/pii/S0306452212005106},
  journaltitle = {Neuroscience},
  date = {2012},
  pages = {111--119},
  author = {Parbery-Clark, Alexandra and Tierney, Adam and Strait, Dana L. and Kraus, Nina},
  file = {D\:\\Sauve\\Zotero\\storage\\574IU9XU\\PMC3402586.html;D\:\\Sauve\\Zotero\\storage\\6DUSQQQN\\S0306452212005106.html}
}

@article{parbery-clarkContextdependentEncodingAuditory2011,
  title = {Context-Dependent Encoding in the Auditory Brainstem Subserves Enhanced Speech-in-Noise Perception in Musicians},
  volume = {49},
  url = {http://www.sciencedirect.com/science/article/pii/S0028393211003861},
  number = {12},
  journaltitle = {Neuropsychologia},
  date = {2011},
  pages = {3338--3345},
  author = {Parbery-Clark, Alexandra and Strait, Dana L. and Kraus, Nina},
  file = {D\:\\Sauve\\Zotero\\storage\\2IUJDUW5\\S0028393211003861.html;D\:\\Sauve\\Zotero\\storage\\QGCSBQCG\\PMC3445334.html}
}

@article{parbery-clarkMusicianEnhancementSpeechinnoise2009,
  title = {Musician Enhancement for Speech-in-Noise},
  volume = {30},
  url = {http://journals.lww.com/ear-hearing/Abstract/2009/12000/Musician_Enhancement_for_Speech_In_Noise.2.aspx},
  number = {6},
  journaltitle = {Ear and hearing},
  date = {2009},
  pages = {653--661},
  author = {Parbery-Clark, Alexandra and Skoe, Erika and Lam, Carrie and Kraus, Nina},
  file = {D\:\\Sauve\\Zotero\\storage\\SIJW6KBP\\Parbery-Clark et al. - 2009 - Musician enhancement for speech-in-noise.pdf;D\:\\Sauve\\Zotero\\storage\\WEX5T4I2\\Musician_Enhancement_for_Speech_In_Noise.2.html}
}

@article{andersonReversalAgerelatedNeural2013,
  title = {Reversal of Age-Related Neural Timing Delays with Training},
  volume = {110},
  url = {http://www.pnas.org/content/110/11/4357.short},
  number = {11},
  journaltitle = {Proceedings of the National Academy of Sciences},
  date = {2013},
  pages = {4357--4362},
  author = {Anderson, Samira and White-Schwoch, Travis and Parbery-Clark, Alexandra and Kraus, Nina},
  file = {D\:\\Sauve\\Zotero\\storage\\3SAMTI5T\\4357.html;D\:\\Sauve\\Zotero\\storage\\5QUHI2DU\\4357.html}
}

@article{parbery-clarkMusicalExperienceAging2011,
  title = {Musical Experience and the Aging Auditory System: Implications for Cognitive Abilities and Hearing Speech in Noise},
  volume = {6},
  url = {http://journals.plos.org/plosone/article?id=10.1371/journal.pone.0018082},
  shorttitle = {Musical Experience and the Aging Auditory System},
  number = {5},
  journaltitle = {PloS one},
  date = {2011},
  pages = {e18082},
  author = {Parbery-Clark, Alexandra and Strait, Dana L. and Anderson, Samira and Hittner, Emily and Kraus, Nina},
  file = {D\:\\Sauve\\Zotero\\storage\\FV6WCQ2U\\article.html}
}

@article{bugosIndividualizedPianoInstruction2007,
  title = {Individualized Piano Instruction Enhances Executive Functioning and Working Memory in Older Adults},
  volume = {11},
  url = {http://www.tandfonline.com/doi/abs/10.1080/13607860601086504},
  number = {4},
  journaltitle = {Aging and Mental Health},
  date = {2007},
  pages = {464--471},
  author = {Bugos, Jennifer A. and Perlstein, William M. and McCrae, Christina S. and Brophy, Timothy S. and Bedenbaugh, P. H.},
  file = {D\:\\Sauve\\Zotero\\storage\\ZWTK8W72\\Bugos et al. - 2007 - Individualized piano instruction enhances executiv.pdf;D\:\\Sauve\\Zotero\\storage\\BKTEM74J\\13607860601086504.html}
}

@article{hirokawaEffectsMusicListening2004,
  title = {Effects of Music Listening and Relaxation Instructions on Arousal Changes and the Working Memory Task in Older Adults},
  volume = {41},
  url = {https://academic.oup.com/jmt/article-abstract/41/2/107/929502},
  number = {2},
  journaltitle = {Journal of Music Therapy},
  date = {2004},
  pages = {107--127},
  author = {Hirokawa, Eri},
  file = {D\:\\Sauve\\Zotero\\storage\\2URQVM7G\\929502.html;D\:\\Sauve\\Zotero\\storage\\NV69DLDX\\929502.html}
}

@article{demorest12QuantifyingCulture2016,
  title = {12 {{Quantifying Culture}}: {{The Cultural Distance Hypothesis}} of {{Melodic Expectancy}}},
  url = {https://books.google.co.uk/books?hl=en&lr=&id=rtbiCgAAQBAJ&oi=fnd&pg=PA183&ots=V0wZ98RKFi&sig=Oyq-VCWk9tqo3JfaKyBtwGa7T5k},
  shorttitle = {12 {{Quantifying Culture}}},
  journaltitle = {The Oxford Handbook of Cultural Neuroscience},
  date = {2016},
  pages = {183},
  author = {Demorest, Steven M. and Morrison, Steven J.},
  file = {D\:\\Sauve\\Zotero\\storage\\4WEE63IW\\Demorest and Morrison - 2016 - 12 Quantifying Culture The Cultural Distance Hypo.pdf;D\:\\Sauve\\Zotero\\storage\\ZF8XA23D\\books.html}
}

@article{deanAlgorithmicallygeneratedCorporaThat2016,
  title = {Algorithmically-Generated Corpora That Use Serial Compositional Principles Can Contribute to the Modeling of Sequential Pitch Structure in Non-Tonal Music},
  volume = {11},
  url = {http://search.proquest.com/openview/a11b3886d178da880d54f66d0fafda62/1?pq-origsite=gscholar&cbl=2030105},
  number = {1},
  journaltitle = {Empirical Musicology Review},
  date = {2016},
  pages = {27--46},
  author = {Dean, Roger},
  file = {D\:\\Sauve\\Zotero\\storage\\HMWX9G7A\\Dean - 2016 - Algorithmically-generated corpora that use serial .pdf;D\:\\Sauve\\Zotero\\storage\\S9XXI4I3\\1.html}
}

@article{thomassenSubjectivePerceptualOrganization2017,
  title = {Subjective Perceptual Organization of a Complex Auditory Scene},
  volume = {141},
  issn = {0001-4966},
  url = {http://asa.scitation.org/doi/full/10.1121/1.4973806},
  doi = {10.1121/1.4973806},
  abstract = {Empirical research on the sequential decomposition of an auditory scene primarily relies on interleaved sound mixtures of only two tone sequences (e.g., ABAB…). This oversimplifies the sound decomposition problem by limiting the number of putative perceptual organizations. The current study used a sound mixture composed of three different tones (ABCABC…) that could be perceptually organized in many different ways. Participants listened to these sequences and reported their subjective perception by continuously choosing one out of 12 visually presented perceptual organization alternatives. Different levels of frequency and spatial separation were implemented to check whether participants' perceptual reports would be systematic and plausible. As hypothesized, while perception switched back and forth in each condition between various perceptual alternatives (multistability), spatial as well as frequency separation generally raised the proportion of segregated and reduced the proportion of integrated alternatives. During segregated percepts, in contrast to the hypothesis, many participants had a tendency to perceive two streams in the foreground, rather than reporting alternatives with a clear foreground-background differentiation. Finally, participants perceived the organization with intermediate feature values (e.g., middle tones of the pattern) segregated in the foreground slightly less often than similar alternatives with outer feature values (e.g., higher tones).},
  number = {1},
  journaltitle = {The Journal of the Acoustical Society of America},
  shortjournal = {The Journal of the Acoustical Society of America},
  date = {2017-01-01},
  pages = {265-276},
  author = {Thomassen, Sabine and Bendixen, Alexandra},
  file = {D\:\\Sauve\\Zotero\\storage\\WD7FAJQG\\Thomassen and Bendixen - 2017 - Subjective perceptual organization of a complex au.pdf;D\:\\Sauve\\Zotero\\storage\\6F7V7VA4\\1.html}
}

@book{meyerStyleMusicTheory1989,
  title = {Style and Music: {{Theory}}, History, and Ideology},
  url = {https://books.google.co.uk/books?hl=en&lr=&id=X44_zSrh0nYC&oi=fnd&pg=PR9&dq=meyer+primary+secondary+musical+parameters&ots=OsESqVwavO&sig=X4sh2yejSQvrjNzgS08wT2rd8dk},
  shorttitle = {Style and Music},
  publisher = {{University of Chicago Press}},
  date = {1989},
  author = {Meyer, Leonard B.},
  file = {D\:\\Sauve\\Zotero\\storage\\Z9F87BXJ\\books.html}
}

@article{straitMusicalExperiencePromotes2009,
  langid = {english},
  title = {Musical {{Experience Promotes Subcortical Efficiency}} in {{Processing Emotional Vocal Sounds}}},
  volume = {1169},
  issn = {1749-6632},
  url = {http://onlinelibrary.wiley.com/doi/10.1111/j.1749-6632.2009.04864.x/abstract},
  doi = {10.1111/j.1749-6632.2009.04864.x},
  abstract = {To understand how musical experience influences subcortical processing of emotionally salient sounds, we recorded brain stem potentials to affective vocal sounds. Our results suggest that auditory expertise engenders subcortical auditory processing efficiency that is intricately connected with acoustic features important for the communication of emotion. This establishes a subcortical role in the auditory processing of emotional cues, providing the first biological evidence for musicians’ enhanced perception of vocally expressed emotion.},
  number = {1},
  journaltitle = {Annals of the New York Academy of Sciences},
  date = {2009-07-01},
  pages = {209-213},
  keywords = {auditory brain stem response,brain,emotion,Musicians,plasticity},
  author = {Strait, Dana L. and Kraus, Nina and Skoe, Erika and Ashley, Richard},
  file = {D\:\\Sauve\\Zotero\\storage\\R6C4HB7F\\abstract.html}
}

@article{straitMusicalExperienceNeural2009,
  langid = {english},
  title = {Musical Experience and Neural Efficiency – Effects of Training on Subcortical Processing of Vocal Expressions of Emotion},
  volume = {29},
  issn = {1460-9568},
  url = {http://onlinelibrary.wiley.com/doi/10.1111/j.1460-9568.2009.06617.x/abstract},
  doi = {10.1111/j.1460-9568.2009.06617.x},
  abstract = {Musicians exhibit enhanced perception of emotion in speech, although the biological foundations for this advantage remain unconfirmed. In order to gain a better understanding for the influences of musical experience on neural processing of emotionally salient sounds, we recorded brainstem potentials to affective human vocal sounds. Musicians showed enhanced time-domain response magnitude to the most spectrally complex portion of the stimulus and decreased magnitude to the more periodic, less complex portion. Enhanced phase-locking to stimulus periodicity was likewise seen in musicians’ responses to the complex portion. These results suggest that auditory expertise engenders both enhancement and efficiency of subcortical neural responses that are intricately connected with acoustic features important for the communication of emotional states. Our findings provide the first biological evidence for behavioral observations indicating that musical training enhances the perception of vocally expressed emotion in addition to establishing a subcortical role in the auditory processing of emotional cues.},
  number = {3},
  journaltitle = {European Journal of Neuroscience},
  date = {2009-02-01},
  pages = {661-668},
  keywords = {emotion,auditory brainstem response,auditory plasticity,Evoked Potentials,Training},
  author = {Strait, Dana L. and Kraus, Nina and Skoe, Erika and Ashley, Richard},
  file = {D\:\\Sauve\\Zotero\\storage\\TZCD4QPX\\abstract.html}
}

@article{furlNeuralPredictionHigherorder2011,
  title = {Neural Prediction of Higher-Order Auditory Sequence Statistics},
  volume = {54},
  issn = {1053-8119},
  url = {http://www.sciencedirect.com/science/article/pii/S1053811910013303},
  doi = {10.1016/j.neuroimage.2010.10.038},
  abstract = {During auditory perception, we are required to abstract information from complex temporal sequences such as those in music and speech. Here, we investigated how higher-order statistics modulate the neural responses to sound sequences, hypothesizing that these modulations are associated with higher levels of the peri-Sylvian auditory hierarchy. We devised second-order Markov sequences of pure tones with uniform first-order transition probabilities. Participants learned to discriminate these sequences from random ones. Magnetoencephalography was used to identify evoked fields in which second-order transition probabilities were encoded. We show that improbable tones evoked heightened neural responses after 200ms post-tone onset during exposure at the learning stage or around 150ms during the subsequent test stage, originating near the right temporoparietal junction. These signal changes reflected higher-order statistical learning, which can contribute to the perception of natural sounds with hierarchical structures. We propose that our results reflect hierarchical predictive representations, which can contribute to the experiences of speech and music.},
  number = {3},
  journaltitle = {NeuroImage},
  shortjournal = {NeuroImage},
  date = {2011-02-01},
  pages = {2267-2277},
  keywords = {predictive coding,Magnetoencephalography (MEG),statistical learning,Temporoparietal junction (TPJ)},
  author = {Furl, Nicholas and Kumar, Sukhbinder and Alter, Kai and Durrant, Simon and Shawe-Taylor, John and Griffiths, Timothy D.},
  file = {D\:\\Sauve\\Zotero\\storage\\XX5T8P24\\S1053811910013303.html}
}

@article{kumarPredictiveCodingPitch2011,
  title = {Predictive Coding and Pitch Processing in the Auditory Cortex},
  volume = {23},
  url = {http://www.mitpressjournals.org/doi/abs/10.1162/jocn_a_00021},
  number = {10},
  journaltitle = {Journal of Cognitive Neuroscience},
  date = {2011},
  pages = {3084--3094},
  author = {Kumar, Sukhbinder and Sedley, William and Nourski, Kirill V. and Kawasaki, Hiroto and Oya, Hiroyuki and Patterson, Roy D. and Howard III, Matthew A. and Friston, Karl J. and Griffiths, Timothy D.},
  file = {D\:\\Sauve\\Zotero\\storage\\JX5I2S65\\jocn_a_00021.html;D\:\\Sauve\\Zotero\\storage\\Z5NS9XV9\\PMC3821983.html}
}

@article{clarkStandardizedAssessmentCognitive2006,
  title = {Standardized Assessment of Cognitive Functioning during Development and Aging Using an Automated Touchscreen Battery},
  volume = {21},
  issn = {0887-6177},
  url = {http://www.sciencedirect.com/science/article/pii/S0887617706000795},
  doi = {10.1016/j.acn.2006.06.005},
  abstract = {This study examined the effects of age, gender and education on subjects spanning nine decades on a new cognitive battery of 12 tests. One thousand and seven participants between 6 and 82 completed the battery under standardized conditions using an automated, computerized touchscreen. Sensitive indicators of change were obtained on measures of attention and working memory, learning and memory retrieval, and language, visuospatial function, sensori-motor and executive function. Improvement tended to occur through to the third and fourth decade of life, followed by gradual decrement and/or stabilized performance thereafter. Gender differences were obtained on measures of sustained attention, verbal learning and memory, visuospatial processing and dexterity. Years of education in adults was reflected in performance on measures of verbal function. Overall, the test battery provided sensitive indicators on a range of cognitive functions suitable for the assessment of abnormal cognition, the evaluation of treatment effects and for longitudinal case management.},
  number = {5},
  journaltitle = {Archives of Clinical Neuropsychology},
  shortjournal = {Archives of Clinical Neuropsychology},
  date = {2006-08-01},
  pages = {449-467},
  keywords = {Ageing,cognition,Development,Education,Gender,Neuropsychology},
  author = {Clark, C. Richard and Paul, Robert H. and Williams, Leanne M. and Arns, Martijn and Fallahpour, Kamran and Handmer, Carolyn and Gordon, Evian},
  file = {D\:\\Sauve\\Zotero\\storage\\RQM6I59N\\S0887617706000795.html}
}

@article{phillipsFrequencyTemporalResolution2000,
  title = {Frequency and Temporal Resolution in Elderly Listeners with Good and Poor Word Recognition},
  volume = {43},
  url = {http://jslhr.pubs.asha.org/article.aspx?articleid=1781405},
  number = {1},
  journaltitle = {Journal of Speech, Language, and Hearing Research},
  date = {2000},
  pages = {217--228},
  author = {Phillips, Susan L. and Gordon-Salant, Sandra and Fitzgibbons, Peter J. and Yeni-Komshian, Grace},
  file = {D\:\\Sauve\\Zotero\\storage\\7ECC2QZV\\Phillips et al. - 2000 - Frequency and temporal resolution in elderly liste.pdf;D\:\\Sauve\\Zotero\\storage\\WIIUCBN9\\article.html}
}

@article{simmons-sternMusicMemoryEnhancer2010,
  title = {Music as a {{Memory Enhancer}} in {{Patients}} with {{Alzheimer}}’s {{Disease}}},
  volume = {48},
  issn = {0028-3932},
  url = {http://www.ncbi.nlm.nih.gov/pmc/articles/PMC2914108/},
  doi = {10.1016/j.neuropsychologia.2010.04.033},
  abstract = {Musical mnemonics have a long and diverse history of popular use. In addition, music processing in general is often considered spared by the neurodegenerative effects of Alzheimer’s disease (AD). Research examining these two phenomena is limited, and no work to our knowledge has explored the effectiveness of musical mnemonics in AD. The present study sought to investigate the effect of music at encoding on the subsequent recognition of associated verbal information. Lyrics of unfamiliar children’s songs were presented bimodally at encoding, as visual stimuli accompanied by either a sung or a spoken recording. Patients with AD demonstrated better recognition accuracy for the sung lyrics than the spoken lyrics, while healthy older adults showed no significant difference between the two conditions. We propose two possible explanations for these findings: first, that the brain areas subserving music processing may be preferentially spared by AD, allowing a more holistic encoding that facilitates recognition, and second, that music heightens arousal in patients with AD, allowing better attention and improved memory.},
  number = {10},
  journaltitle = {Neuropsychologia},
  shortjournal = {Neuropsychologia},
  date = {2010-08},
  pages = {3164-3167},
  author = {Simmons-Stern, Nicholas R. and Budson, Andrew E. and Ally, Brandon A.},
  file = {D\:\\Sauve\\Zotero\\storage\\K82B57CD\\Simmons-Stern et al. - 2010 - Music as a Memory Enhancer in Patients with Alzhei.pdf},
  eprinttype = {pmid},
  eprint = {20452365},
  pmcid = {PMC2914108}
}

@article{verhaeghenAgingExecutiveControl2002,
  title = {Aging, Executive Control, and Attention: A Review of Meta-Analyses},
  volume = {26},
  url = {http://www.sciencedirect.com/science/article/pii/S0149763402000714},
  shorttitle = {Aging, Executive Control, and Attention},
  number = {7},
  journaltitle = {Neuroscience \& Biobehavioral Reviews},
  date = {2002},
  pages = {849--857},
  author = {Verhaeghen, Paul and Cerella, John},
  file = {D\:\\Sauve\\Zotero\\storage\\P83EVQ92\\Verhaeghen and Cerella - 2002 - Aging, executive control, and attention a review .pdf;D\:\\Sauve\\Zotero\\storage\\Z5VRMVEX\\S0149763402000714.html}
}

@article{classonWorkingMemoryCompensates2013,
  title = {Working Memory Compensates for Hearing Related Phonological Processing Deficit},
  volume = {46},
  url = {http://www.sciencedirect.com/science/article/pii/S0021992412001207},
  number = {1},
  journaltitle = {Journal of Communication Disorders},
  date = {2013},
  pages = {17--29},
  author = {Classon, Elisabet and Rudner, Mary and Rönnberg, Jerker},
  file = {D\:\\Sauve\\Zotero\\storage\\6EVNAEVW\\Classon et al. - 2013 - Working memory compensates for hearing related pho.pdf;D\:\\Sauve\\Zotero\\storage\\6PA6PQ8D\\S0021992412001207.html}
}

@article{ronnbergHearingLossNegatively2011,
  title = {Hearing Loss Is Negatively Related to Episodic and Semantic Long-Term Memory but Not to Short-Term Memory},
  volume = {54},
  url = {http://aja.pubs.asha.org/article.aspx?articleid=1784200},
  number = {2},
  journaltitle = {Journal of Speech, Language, and Hearing Research},
  date = {2011},
  pages = {705--726},
  author = {Ronnberg, Jerker and Danielsson, Henrik and Rudner, Mary and Arlinger, Stig and Sternang, Ola and Wahlin, Ake and Nilsson, Lars-Goran},
  file = {D\:\\Sauve\\Zotero\\storage\\42PR7G7G\\article.html}
}

@article{zacksAgingLongTermMemory2006,
  title = {Aging and {{Long}}-{{Term Memory}}: {{Deficits Are Not Inevitable}}},
  url = {https://books.google.co.uk/books?hl=en&lr=&id=nt6uqjnGW_8C&oi=fnd&pg=PA162&dq=aging+long+term+memory&ots=7CgMv4N4f7&sig=zfXrudU9pVwnHYWBVMR-IhI3uSo},
  shorttitle = {Aging and {{Long}}-{{Term Memory}}},
  journaltitle = {Lifespan cognition: Mechanisms of change},
  date = {2006},
  pages = {162},
  author = {Zacks, Rose T. and Hasher, Lynn},
  file = {D\:\\Sauve\\Zotero\\storage\\VXNPAZ9U\\Hasher - 2006 - Aging and Long-Term Memory Deficits Are Not Inevi.pdf;D\:\\Sauve\\Zotero\\storage\\SR3EGUB2\\books.html}
}

@article{arlingerEmergenceCognitiveHearing2009,
  title = {The Emergence of Cognitive Hearing Science},
  volume = {50},
  url = {http://onlinelibrary.wiley.com/doi/10.1111/j.1467-9450.2009.00753.x/full},
  number = {5},
  journaltitle = {Scandinavian journal of psychology},
  date = {2009},
  pages = {371--384},
  author = {Arlinger, Stig and Lunner, Thomas and Lyxell, Björn and Kathleen Pichora-Fuller, M.},
  file = {D\:\\Sauve\\Zotero\\storage\\AX5VXVBM\\Arlinger et al. - 2009 - The emergence of cognitive hearing science.pdf;D\:\\Sauve\\Zotero\\storage\\W45HGN7K\\full.html}
}

@article{jergerHearingImpairmentOlder1995,
  title = {Hearing Impairment in Older Adults: New Concepts},
  volume = {43},
  url = {http://onlinelibrary.wiley.com/doi/10.1111/j.1532-5415.1995.tb05539.x/full},
  shorttitle = {Hearing Impairment in Older Adults},
  number = {8},
  journaltitle = {Journal of the American Geriatrics Society},
  date = {1995},
  pages = {928--935},
  author = {Jerger, James and Chmiel, Rose and Wilson, Nancy and Luchi, Robert},
  file = {D\:\\Sauve\\Zotero\\storage\\WUIFNS8E\\full.html}
}

@article{wingfieldHearingLossOlder2005,
  title = {Hearing Loss in Older Adulthood: {{What}} It Is and How It Interacts with Cognitive Performance},
  volume = {14},
  url = {http://journals.sagepub.com/doi/abs/10.1111/j.0963-7214.2005.00356.x},
  shorttitle = {Hearing Loss in Older Adulthood},
  number = {3},
  journaltitle = {Current directions in psychological science},
  date = {2005},
  pages = {144--148},
  author = {Wingfield, Arthur and Tun, Patricia A. and McCoy, Sandra L.},
  file = {D\:\\Sauve\\Zotero\\storage\\SCHCQ755\\Wingfield et al. - 2005 - Hearing loss in older adulthood What it is and ho.pdf;D\:\\Sauve\\Zotero\\storage\\7BCT6UR8\\j.0963-7214.2005.00356.html}
}

@article{pichora-fullerEffectsAgeAuditory2006,
  title = {Effects of Age on Auditory and Cognitive Processing: Implications for Hearing Aid Fitting and Audiologic Rehabilitation},
  volume = {10},
  url = {http://journals.sagepub.com/doi/abs/10.1177/108471380601000103},
  shorttitle = {Effects of Age on Auditory and Cognitive Processing},
  number = {1},
  journaltitle = {Trends in amplification},
  date = {2006},
  pages = {29--59},
  author = {Pichora-Fuller, M. Kathleen and Singh, Gurjit},
  file = {D\:\\Sauve\\Zotero\\storage\\B9H26RX5\\PMC4111543.html;D\:\\Sauve\\Zotero\\storage\\H4V3VDZN\\108471380601000103.html}
}

@article{pichora-fullerHearingImpairmentCognitive2016,
  title = {Hearing Impairment and Cognitive Energy: {{The}} Framework for Understanding Effortful Listening ({{FUEL}})},
  volume = {37},
  url = {http://journals.lww.com/ear-hearing/Abstract/2016/07001/Hearing_Impairment_and_Cognitive_Energy___The.2.aspx},
  shorttitle = {Hearing Impairment and Cognitive Energy},
  journaltitle = {Ear and hearing},
  date = {2016},
  pages = {5S--27S},
  author = {Pichora-Fuller, M. Kathleen and Kramer, Sophia E. and Eckert, Mark A. and Edwards, Brent and Hornsby, Benjamin WY and Humes, Larry E. and Lemke, Ulrike and Lunner, Thomas and Matthen, Mohan and Mackersie, Carol L. and others},
  file = {D\:\\Sauve\\Zotero\\storage\\5WM4TM83\\Hearing_Impairment_and_Cognitive_Energy___The.2.html;D\:\\Sauve\\Zotero\\storage\\G2TTNS7H\\Hearing_Impairment_and_Cognitive_Energy___The.2.html}
}

@article{alainAgerelatedChangesProcessing1999,
  title = {Age-Related Changes in Processing Auditory Stimuli during Visual Attention: Evidence for Deficits in Inhibitory Control and Sensory Memory.},
  volume = {14},
  url = {http://psycnet.apa.org/journals/pag/14/3/507/},
  shorttitle = {Age-Related Changes in Processing Auditory Stimuli during Visual Attention},
  number = {3},
  journaltitle = {Psychology and aging},
  date = {1999},
  pages = {507},
  author = {Alain, Claude and Woods, David L.},
  file = {D\:\\Sauve\\Zotero\\storage\\KM48RVNN\\Alain and Woods - 1999 - Age-related changes in processing auditory stimuli.pdf;D\:\\Sauve\\Zotero\\storage\\4HCHK94R\\507.html}
}

@article{humesSpeechIdentificationDifficulties1991,
  title = {Speech Identification Difficulties of Hearing-Impaired Elderly Personsthe Contributions of Auditory Processing Deficits},
  volume = {34},
  url = {http://lshss.pubs.asha.org/article.aspx?articleid=1778998},
  number = {3},
  journaltitle = {Journal of Speech, Language, and Hearing Research},
  date = {1991},
  pages = {686--693},
  author = {Humes, Larry E. and Christopherson, Laurel},
  file = {D\:\\Sauve\\Zotero\\storage\\5FPZ2DFJ\\Humes and Christopherson - 1991 - Speech identification difficulties of hearing-impa.pdf;D\:\\Sauve\\Zotero\\storage\\2Z47XQMA\\article.html}
}

@article{fitzgibbonsAgingTemporalDiscrimination2001,
  title = {Aging and Temporal Discrimination in Auditory Sequences},
  volume = {109},
  url = {http://asa.scitation.org/doi/abs/10.1121/1.1371760},
  number = {6},
  journaltitle = {The Journal of the Acoustical Society of America},
  date = {2001},
  pages = {2955--2963},
  author = {Fitzgibbons, Peter J. and Gordon-Salant, Sandra},
  file = {D\:\\Sauve\\Zotero\\storage\\FS56P3AD\\Fitzgibbons and Gordon-Salant - 2001 - Aging and temporal discrimination in auditory sequ.pdf;D\:\\Sauve\\Zotero\\storage\\K3CDHD68\\1.html}
}

@article{fitzgibbonsAuditoryTemporalOrder1998,
  title = {Auditory Temporal Order Perception in Younger and Older Adults},
  volume = {41},
  url = {http://aja.pubs.asha.org/article.aspx?articleid=1780675},
  number = {5},
  journaltitle = {Journal of Speech, Language, and Hearing Research},
  date = {1998},
  pages = {1052--1060},
  author = {Fitzgibbons, Peter J. and Gordon-Salant, Sandra},
  file = {D\:\\Sauve\\Zotero\\storage\\Z7JW4DZM\\Fitzgibbons and Gordon-Salant - 1998 - Auditory temporal order perception in younger and .pdf;D\:\\Sauve\\Zotero\\storage\\U8GQEQIA\\article.html}
}

@article{gordon-salantProfileAuditoryTemporal1999,
  title = {Profile of Auditory Temporal Processing in Older Listeners},
  volume = {42},
  url = {http://cred.pubs.asha.org/article.aspx?articleid=1780884},
  number = {2},
  journaltitle = {Journal of Speech, Language, and Hearing Research},
  date = {1999},
  pages = {300--311},
  author = {Gordon-Salant, Sandra and Fitzgibbons, Peter J.},
  file = {D\:\\Sauve\\Zotero\\storage\\EQRRCVVQ\\Gordon-Salant and Fitzgibbons - 1999 - Profile of auditory temporal processing in older l.pdf;D\:\\Sauve\\Zotero\\storage\\K9IVGQ2I\\article.html}
}

@article{fitzgibbonsAuditoryTemporalProcessing1996,
  title = {Auditory Temporal Processing in Elderly Listeners},
  volume = {7},
  url = {https://pdfs.semanticscholar.org/7a35/b8ebed4b6c06bd0ffab563465c31d07be428.pdf},
  journaltitle = {JOURNAL-AMERICAN ACADEMY OF AUDIOLOGY},
  date = {1996},
  pages = {183--189},
  author = {Fitzgibbons, Peter J. and Gordon-Salant, Sandra and others},
  file = {D\:\\Sauve\\Zotero\\storage\\GZE2IPDG\\Fitzgibbons et al. - 1996 - Auditory temporal processing in elderly listeners.pdf}
}

@article{trainorAgingAuditoryTemporal1989,
  title = {Aging and Auditory Temporal Sequencing: {{Ordering}} the Elements of Repeating Tone Patterns},
  volume = {45},
  url = {http://www.springerlink.com/index/T4X8601138622720.pdf},
  shorttitle = {Aging and Auditory Temporal Sequencing},
  number = {5},
  journaltitle = {Attention, Perception, \& Psychophysics},
  date = {1989},
  pages = {417--426},
  author = {Trainor, Laurel J. and Trehub, Sandra E.},
  file = {D\:\\Sauve\\Zotero\\storage\\2JB7R993\\Trainor and Trehub - 1989 - Aging and auditory temporal sequencing Ordering t.pdf;D\:\\Sauve\\Zotero\\storage\\FUMSQ4KH\\10.html}
}

@article{alainAgingSegregationAuditory1996,
  title = {Aging and the Segregation of Auditory Stimulus Sequences},
  volume = {51},
  url = {https://academic.oup.com/psychsocgerontology/article-abstract/51B/2/P91/546629},
  number = {2},
  journaltitle = {The Journals of Gerontology Series B: Psychological Sciences and Social Sciences},
  date = {1996},
  pages = {P91--P93},
  author = {Alain, Claude and Ogawa, Keith H. and Woods, David L.},
  file = {D\:\\Sauve\\Zotero\\storage\\PD9KZ7US\\Alain et al. - 1996 - Aging and the segregation of auditory stimulus seq.pdf;D\:\\Sauve\\Zotero\\storage\\V2SQVP5A\\Alain et al. - 1996 - Aging and the segregation of auditory stimulus seq.pdf;D\:\\Sauve\\Zotero\\storage\\A3D2KUT9\\Aging-and-the-Segregation-of-Auditory-Stimulus.html;D\:\\Sauve\\Zotero\\storage\\FNVYY6PU\\546629.html}
}

@article{debruinLastDanceMe2005,
  title = {Save the Last Dance for Me: {{Unwanted}} Serial Position Effects in Jury Evaluations},
  volume = {118},
  url = {http://www.sciencedirect.com/science/article/pii/S0001691804000885},
  shorttitle = {Save the Last Dance for Me},
  number = {3},
  journaltitle = {Acta psychologica},
  date = {2005},
  pages = {245--260},
  author = {de Bruin, Wändi Bruine},
  options = {useprefix=true},
  file = {D\:\\Sauve\\Zotero\\storage\\MDSB8HQZ\\de Bruin - 2005 - Save the last dance for me Unwanted serial positi.pdf;D\:\\Sauve\\Zotero\\storage\\C58CCHPG\\S0001691804000885.html}
}

@article{ginsburghExpertOpinionCompensation2003,
  eprinttype = {jstor},
  eprint = {3132175},
  title = {Expert Opinion and Compensation: {{Evidence}} from a Musical Competition},
  volume = {93},
  shorttitle = {Expert Opinion and Compensation},
  number = {1},
  journaltitle = {The American Economic Review},
  date = {2003},
  pages = {289--296},
  author = {Ginsburgh, Victor A. and Van Ours, Jan C.},
  file = {D\:\\Sauve\\Zotero\\storage\\R9AS6E8R\\3132175.html}
}

@article{thorngateWhyBestPerson1987,
  title = {Why the Best Person Rarely Wins: {{Some}} Embarrassing Facts about Contests},
  volume = {18},
  url = {http://journals.sagepub.com/doi/pdf/10.1177/104687818701800301},
  shorttitle = {Why the Best Person Rarely Wins},
  number = {3},
  journaltitle = {Simulation \& Games},
  date = {1987},
  pages = {299--320},
  author = {Thorngate, Warren and Carroll, Barbara},
  file = {D\:\\Sauve\\Zotero\\storage\\P7NXWFGJ\\104687818701800301.html}
}

@article{tsaySightSoundJudgment2013,
  title = {Sight over Sound in the Judgment of Music Performance},
  volume = {110},
  url = {http://www.pnas.org/content/early/2013/08/16/1221454110.full.pdf+htmlIt&},
  number = {36},
  journaltitle = {Proceedings of the National Academy of Sciences},
  date = {2013},
  pages = {14580--14585},
  author = {Tsay, Chia-Jung},
  file = {D\:\\Sauve\\Zotero\\storage\\E6UI3WKB\\14580.html}
}

@article{conklinDiscoveryDistinctivePatterns2010,
  title = {Discovery of Distinctive Patterns in Music},
  volume = {14},
  url = {http://content.iospress.com/articles/intelligent-data-analysis/ida00438},
  number = {5},
  journaltitle = {Intelligent Data Analysis},
  date = {2010},
  pages = {547--554},
  author = {Conklin, Darrell},
  file = {D\:\\Sauve\\Zotero\\storage\\65CI5629\\Conklin - 2010 - Discovery of distinctive patterns in music.pdf;D\:\\Sauve\\Zotero\\storage\\G84P8AXD\\ida00438.html}
}

@inproceedings{conklinDiscoveryContrapuntalPatterns2010,
  title = {Discovery of {{Contrapuntal Patterns}}.},
  volume = {2010},
  url = {http://www.ehu.eus/cs-ikerbasque/conklin/papers/ismir2010-36.pdf},
  booktitle = {{{ISMIR}}},
  date = {2010},
  pages = {11th},
  author = {Conklin, Darrell and Bergeron, Mathieu},
  file = {D\:\\Sauve\\Zotero\\storage\\MP7ZDM3Q\\Conklin and Bergeron - 2010 - Discovery of Contrapuntal Patterns..pdf}
}

@article{robertsHowPersuasiveGood2000,
  title = {How Persuasive Is a Good Fit? {{A}} Comment on Theory Testing.},
  volume = {107},
  url = {http://psycnet.apa.org/psycinfo/2000-15248-005},
  shorttitle = {How Persuasive Is a Good Fit?},
  number = {2},
  journaltitle = {Psychological review},
  date = {2000},
  pages = {358},
  author = {Roberts, Seth and Pashler, Harold},
  file = {D\:\\Sauve\\Zotero\\storage\\BMKT8WQF\\2000-15248-005.html}
}

@book{friedmanElementsStatisticalLearning2001,
  title = {The Elements of Statistical Learning},
  volume = {1},
  url = {http://statweb.stanford.edu/~tibs/book/preface.ps},
  publisher = {{Springer series in statistics New York}},
  date = {2001},
  author = {Friedman, Jerome and Hastie, Trevor and Tibshirani, Robert}
}

@article{gigerenzerReasoningFastFrugal1996,
  title = {Reasoning the Fast and Frugal Way: Models of Bounded Rationality.},
  volume = {103},
  url = {http://psycnet.apa.org/journals/rev/103/4/650/},
  shorttitle = {Reasoning the Fast and Frugal Way},
  number = {4},
  journaltitle = {Psychological review},
  date = {1996},
  pages = {650},
  author = {Gigerenzer, Gerd and Goldstein, Daniel G.},
  file = {D\:\\Sauve\\Zotero\\storage\\2WF9F52R\\Gigerenzer and Goldstein - 1996 - Reasoning the fast and frugal way models of bound.pdf;D\:\\Sauve\\Zotero\\storage\\HRDZXA7S\\650.html}
}

@incollection{gigerenzerBettingOneGood1999,
  title = {Betting on One Good Reason: {{The}} Take the Best Heuristic},
  url = {http://pubman.mpdl.mpg.de/pubman/item/escidoc:2102907/component/escidoc:2102906/GG_Betting_1999.pdf},
  shorttitle = {Betting on One Good Reason},
  booktitle = {Simple Heuristics That Make Us Smart},
  publisher = {{Oxford University Press}},
  date = {1999},
  pages = {75--95},
  author = {Gigerenzer, Gerd and Goldstein, Daniel G.},
  file = {D\:\\Sauve\\Zotero\\storage\\PCKCQ5IF\\Gigerenzer and Goldstein - 1999 - Betting on one good reason The take the best heur.pdf}
}

@article{czerlinskiHowGoodAre1999,
  title = {How Good Are Simple Heuristics?},
  url = {http://psycnet.apa.org/psycinfo/1999-04366-005},
  date = {1999},
  author = {Czerlinski, Jean and Gigerenzer, Gerd and Goldstein, Daniel G.},
  file = {D\:\\Sauve\\Zotero\\storage\\C3AH8MD3\\1999-04366-005.html}
}

@article{hutchinsonSimpleHeuristicsRules2005,
  title = {Simple Heuristics and Rules of Thumb: {{Where}} Psychologists and Behavioural Biologists Might Meet},
  volume = {69},
  url = {http://www.sciencedirect.com/science/article/pii/S0376635705000495},
  shorttitle = {Simple Heuristics and Rules of Thumb},
  number = {2},
  journaltitle = {Behavioural processes},
  date = {2005},
  pages = {97--124},
  author = {Hutchinson, John MC and Gigerenzer, Gerd},
  file = {D\:\\Sauve\\Zotero\\storage\\2ZSZVAE5\\Hutchinson and Gigerenzer - 2005 - Simple heuristics and rules of thumb Where psycho.pdf;D\:\\Sauve\\Zotero\\storage\\B7SH2JFH\\S0376635705000495.html}
}

@article{pearceMusicPerceptionHistorical2017,
  title = {Music Perception in Historical Audiences: Towards Predictive Models of Music Perception in Historical Audiences.},
  volume = {8},
  url = {http://dro.dur.ac.uk/21547/1/21547.pdf},
  shorttitle = {Music Perception in Historical Audiences},
  number = {1-2},
  journaltitle = {Journal of interdisciplinary music studies.},
  date = {2017},
  pages = {91--120},
  author = {Pearce, Marcus T. and Eerola, Tuomas},
  file = {D\:\\Sauve\\Zotero\\storage\\D5RJE34G\\Pearce and Eerola - 2017 - Music perception in historical audiences towards .pdf}
}

@article{globersonBrainResponsesRegular2017,
  title = {Brain Responses to Regular and Octave-Scrambled Melodies: {{A}} Case of Predictive-Coding?},
  volume = {43},
  url = {http://psycnet.apa.org/journals/xhp/43/3/487/},
  shorttitle = {Brain Responses to Regular and Octave-Scrambled Melodies},
  number = {3},
  journaltitle = {Journal of Experimental Psychology: Human Perception and Performance},
  date = {2017},
  pages = {487},
  author = {Globerson, Eitan and Granot, Roni and Tal, Idan and Harpaz, Yuval and Zeev-Wolf, Maor and Golstein, Abraham},
  file = {D\:\\Sauve\\Zotero\\storage\\38GQF8JF\\487.html}
}

@article{agresInformationTheoreticPropertiesAuditory2017,
  title = {Information-{{Theoretic Properties}} of {{Auditory Sequences Dynamically Influence Expectation}} and {{Memory}}},
  volume = {42},
  url = {http://onlinelibrary.wiley.com/doi/10.1111/cogs.12477/full},
  doi = {https://doi.org/10.1111/cogs.12477},
  number = {1},
  journaltitle = {Cognitive science},
  date = {2017},
  pages = {43-76},
  author = {Agres, Kat and Abdallah, Samer and Pearce, Marcus},
  file = {D\:\\Sauve\\Zotero\\storage\\AQU3MFPJ\\Agres et al. - 2018 - Information-Theoretic Properties of Auditory Seque.pdf;D\:\\Sauve\\Zotero\\storage\\4UVZNXWP\\full.html;D\:\\Sauve\\Zotero\\storage\\W24MCBEK\\cogs.html}
}

@article{clarkManyFacesPrecision2013,
  langid = {english},
  title = {The Many Faces of Precision ({{Replies}} to Commentaries on “{{Whatever}} next? {{Neural}} Prediction, Situated Agents, and the Future of Cognitive Science”)},
  volume = {4},
  issn = {1664-1078},
  url = {http://journal.frontiersin.org/article/10.3389/fpsyg.2013.00270/full},
  doi = {10.3389/fpsyg.2013.00270},
  shorttitle = {The Many Faces of Precision ({{Replies}} to Commentaries on “{{Whatever}} Next?},
  abstract = {An appreciation of the many roles of ‘precision-weighting’ (upping the gain on select populations of prediction error units) opens the door to better accounts of planning and ‘offline simulation’, makes suggestive contact with large bodies of work on embodied and situated cognition, and offers new perspectives on the ‘active brain’. Combined with the complex affordances of language and culture, and operating against the essential backdrop of a variety of more biologically basic ploys and stratagems, the result is a maximally context-sensitive, restless, constantly self-reconfiguring architecture.},
  journaltitle = {Frontiers in Psychology},
  shortjournal = {Front. Psychol.},
  urldate = {2017-06-28},
  date = {2013},
  keywords = {predictive coding,embodiment,hierarchy,Precision,Prediction},
  author = {Clark, Andy}
}

@article{volkMusicSimilarityConcepts2016,
  title = {Music {{Similarity}}: {{Concepts}}, {{Cognition}} and {{Computation}}},
  volume = {45},
  issn = {0929-8215},
  url = {http://www.tandfonline.com/doi/full/10.1080/09298215.2016.1232412},
  doi = {10.1080/09298215.2016.1232412},
  shorttitle = {Music {{Similarity}}},
  number = {3},
  journaltitle = {Journal of New Music Research},
  shortjournal = {Journal of New Music Research},
  date = {2016-07-02},
  pages = {207-209},
  author = {Volk, Anja and Chew, Elaine and Hellmuth Margulis, Elizabeth and Anagnostopoulou, Christina},
  file = {D\:\\Sauve\\Zotero\\storage\\26IKV7GB\\09298215.2016.html}
}

@article{vareseLiberationSound1966,
  eprinttype = {jstor},
  eprint = {832385},
  title = {The Liberation of Sound},
  volume = {5},
  number = {1},
  journaltitle = {Perspectives of new music},
  date = {1966},
  pages = {11--19},
  author = {Varèse, Edgard and Wen-Chung, Chou},
  file = {D\:\\Sauve\\Zotero\\storage\\3ZT4T8PF\\Varèse and Wen-Chung - 1966 - The liberation of sound.pdf;D\:\\Sauve\\Zotero\\storage\\IEBEC3AE\\832385.html}
}

@article{cavnarNgrambasedTextCategorization1994,
  title = {N-Gram-Based Text Categorization},
  volume = {48113},
  url = {http://www.academia.edu/download/6397498/10.1.1.21.3248.pdf},
  number = {2},
  journaltitle = {Ann Arbor MI},
  date = {1994},
  pages = {161--175},
  author = {Cavnar, William B. and Trenkle, John M. and others}
}

@article{zivCompressionIndividualSequences1978,
  title = {Compression of Individual Sequences via Variable-Rate Coding},
  volume = {24},
  url = {http://ieeexplore.ieee.org/abstract/document/1055934/},
  number = {5},
  journaltitle = {IEEE transactions on Information Theory},
  date = {1978},
  pages = {530--536},
  author = {Ziv, Jacob and Lempel, Abraham},
  file = {D\:\\Sauve\\Zotero\\storage\\N66I6DQT\\Ziv and Lempel - 1978 - Compression of individual sequences via variable-r.pdf;D\:\\Sauve\\Zotero\\storage\\Q3KZX9JR\\1055934.html}
}

@article{glasbergDerivationAuditoryFilter1990,
  title = {Derivation of Auditory Filter Shapes from Notched-Noise Data},
  volume = {47},
  url = {http://www.sciencedirect.com/science/article/pii/037859559090170T},
  number = {1},
  journaltitle = {Hearing research},
  date = {1990},
  pages = {103--138},
  author = {Glasberg, Brian R. and Moore, Brian CJ},
  file = {D\:\\Sauve\\Zotero\\storage\\2V24P5WG\\037859559090170T.html}
}

@book{temperleyMelismaMusicAnalyzer2001,
  title = {The {{Melisma Music Analyzer}}},
  date = {2001},
  author = {Temperley, D. and Sleator, Daniel}
}

@article{leopoldMultistablePhenomenaChanging1999,
  title = {Multistable Phenomena: Changing Views in Perception},
  volume = {3},
  url = {http://www.sciencedirect.com/science/article/pii/S1364661399013327},
  shorttitle = {Multistable Phenomena},
  number = {7},
  journaltitle = {Trends in cognitive sciences},
  date = {1999},
  pages = {254--264},
  author = {Leopold, David A. and Logothetis, Nikos K.},
  file = {D\:\\Sauve\\Zotero\\storage\\G49HSIN6\\Leopold and Logothetis - 1999 - Multistable phenomena changing views in perceptio.pdf;D\:\\Sauve\\Zotero\\storage\\SX969DDM\\S1364661399013327.html}
}

@article{wrightAuditoryStreamSegregation1987,
  title = {Auditory Stream Segregation and the Control of Dissonance in Polyphonic Music},
  volume = {2},
  doi = {10.1080/07494468708567054},
  abstract = {Explores ways that concepts from the psychoacoustic theory of auditory stream segregation (A. S. Bregman and J. Campbell; see record [rid]1971-30024-001[/rid]) can contribute to the understanding of the patterns of polyphonic music. These concepts include (1) the internal perceptual representation vs the external stimulus field and (2) the notions of tonal chimera and the emergence of perceptual qualities. Ways that the auditory stream-forming process can influence perception of the linear and harmonic dimensions of polyphonic music are discussed, focusing on how contrapuntal patterns can be manipulated to control perception of harmonic dissonance. This approach raises new questions about the psychoacoustic definition of dissonance, demystifies some established principles of music theory, and provides new ways to explain contrapuntal phenomena. (PsycINFO Database Record (c) 2012 APA, all rights reserved)},
  number = {1},
  journaltitle = {Contemporary Music Review},
  shortjournal = {Contemporary Music Review},
  date = {1987},
  pages = {63-92},
  keywords = {Auditory Perception,Music,Theories,theory of auditory stream segregation & comprehension of patterns of polyphonic music},
  author = {Wright, James K. and Bregman, Albert S.}
}

@article{bregmanEffectContinuityAuditory1973,
  title = {The Effect of Continuity on Auditory Stream Segregation},
  volume = {13},
  issn = {0031-5117},
  doi = {10.3758/BF03214144},
  abstract = {Presented a rapid, repeating cycle of alternating high and low tones to 51 graduate and undergraduate students under 3 conditions. In the "discrete" condition, transitions between tones were abrupt; in the "ramped" condition, successive tones were connected by frequency glides. In the "semiramped" condition, there were partial glides in frequency (as in speech). Discrete sequences were most likely to split perceptually into high and low streams, making order discriminations difficult. The ramped condition was least likely to split, and order perception was easiest. Results for the semiramped condition were intermediate. The discussion relates these findings to the acoustic properties of speech and to the process of auditory stream formation. (PsycINFO Database Record (c) 2012 APA, all rights reserved)},
  number = {2},
  journaltitle = {Perception \& Psychophysics},
  shortjournal = {Perception \& Psychophysics},
  date = {1973-04},
  pages = {308-312},
  keywords = {Auditory Perception,auditory stream segregation,college & graduate students,continuity in tonal transitions,implications for acoustic speech properties,Pitch (Frequency),Speech Characteristics},
  author = {Bregman, Albert S. and Dannenbring, Gary L.}
}

@article{bregmanAuditoryStreamingCompetition1978,
  title = {Auditory Streaming: {{Competition}} among Alternative Organizations},
  volume = {23},
  issn = {0031-5117},
  doi = {10.3758/BF03204141},
  shorttitle = {Auditory Streaming},
  abstract = {It has been proposed that auditory stream splitting in rapid tone sequences may occur whenever a tone falls outside some critical region surrounding its predecessor and some tracking mechanism cannot shift its frequency setting fast enough. If true, a certain pair of tones would split apart or not, depending on their separation in time and frequency. Adult Ss listened to a rapid repeating 4-tone cycle and made 3 types of judgments: (a) discriminating the order of 2 of the tones, (b) saying whether 2 of the tones could be heard as a separate pair, and (c) judging the rhythmic pattern. Results indicate that tone splitting depends on the context of other tones and that alternative groupings compete for tonal elements. It is proposed that stream formation is a pattern-factoring mechanism, sensitive to pattern properties. (PsycINFO Database Record (c) 2012 APA, all rights reserved)},
  number = {5},
  journaltitle = {Perception \& Psychophysics},
  shortjournal = {Perception \& Psychophysics},
  date = {1978-05},
  pages = {391-398},
  keywords = {Pitch (Frequency),Auditory Discrimination,Auditory Stimulation,auditory streaming,Contextual Associations,repeating 4-tone cycle & frequencies of 2 context tones},
  author = {Bregman, Albert S.}
}

@article{rogersCumulationTendencySegregate1998,
  title = {Cumulation of the Tendency to Segregate Auditory Streams: {{Resetting}} by Changes in Location and Loudness},
  volume = {60},
  issn = {0031-5117},
  doi = {10.3758/BF03206171},
  shorttitle = {Cumulation of the Tendency to Segregate Auditory Streams},
  abstract = {In four experiments, the accumulation, over time, of a tendency to hear separate high and low streams in a sequence of high (H) and low (L) tones, presented in a galloping rhythm (HLH–HLH–…), was studied. Each trial was composed of two parts, an induction sequence, then a test sequence, with no break between them. The test sequence was always heard at the far left. When the induction sequence and the test sequence were identical, the presence of the induction sequence increased the tendency for the test sequence to split into two streams. However, when the sequences differed in location (cued by differences in interaural timing or intensity over headphones and by loudspeaker placement in a free field) or when they differed in loudness, the accumulation of the segregative tendency was reset, and the test sequence sounded more integrated. When the induction sequence changed in location or loudness in gradual steps toward the value of the test sequence, resetting was much less. It appears that the accumulation of information about streams in different frequency regions is sensitive to sudden changes in parameters, even when they affect the frequency regions equally. This prevents the system from accumulating data across unrelated events. (PsycINFO Database Record (c) 2012 APA, all rights reserved)},
  number = {7},
  journaltitle = {Perception \& Psychophysics},
  shortjournal = {Perception \& Psychophysics},
  date = {1998-10},
  pages = {1216-1227},
  keywords = {Auditory Stimulation,accumulation of tendency to hear separate high & low streams in sequence of high vs low tones,adults,Auditory Localization,Stimulus Frequency,Stimulus Parameters},
  author = {Rogers, Wendy L. and Bregman, Albert S.}
}

@article{bregmanAuditoryGroupingBased1990,
  title = {Auditory Grouping Based on Fundamental Frequency and Formant Peak Frequency},
  volume = {44},
  issn = {0008-4255},
  url = {http://search.ebscohost.com/login.aspx?direct=true&db=pdh&AN=1991-06393-001&site=ehost-live},
  doi = {10.1037/h0084255},
  abstract = {Studied the perceptual grouping of a 4-tone cycle as a function of differences in fundamental frequencies and the freqencies of spectral peaks. Each tone had a single formant and at least 13 harmonics. In Exp 1, the formant was created by filtering a flat spectrum and in Exp 2 by adding harmonics. Fundamental frequency was found to be capable of controlling grouping even when the spectra spanned exactly the same frequency range. Formant peak separation became more effective as the sharpness increased. The effect of each type of acoustic difference depended on the task. Ss could group the tones by either sort of difference but were also capable of resisting the disruptive effect of the other one. This supports the presence of a schema-based process of perceptual grouping and the relative weakness of primitive segregation. (French abstract) (PsycINFO Database Record (c) 2013 APA, all rights reserved)},
  number = {3},
  journaltitle = {Canadian Journal of Psychology/Revue canadienne de psychologie},
  shortjournal = {Canadian Journal of Psychology/Revue canadienne de psychologie},
  urldate = {2015-06-16},
  date = {1990-09},
  pages = {400-413},
  keywords = {Auditory Perception,Pitch (Frequency),college students,fundamental frequencies & frequencies of spectral peaks & perceptual grouping of 4 tone cycle},
  author = {Bregman, Albert S. and Liao, Christine and Levitan, Robert},
  file = {D\:\\Sauve\\Zotero\\storage\\A2SC6AJD\\Bregman et al. - 1990 - Auditory grouping based on fundamental frequency a.pdf}
}

@article{bregmanEffectsTimeIntervals2000,
  title = {Effects of Time Intervals and Tone Durations on Auditory Stream Segregation},
  volume = {62},
  issn = {0031-5117},
  doi = {10.3758/BF03212114},
  abstract = {Explored the role of the interstimulus interval (ISI) involving overlapping high and low tones. A total of 48 adult, student listeners rated the difficulty of hearing a single coherent stream in a sequence of high (H) and low (L) tones that alternated in a repetitive galloping pattern (HLH-HLH-HLH…) in 2 experiments. These listeners could hear the gallop when the sequence was perceived as a single stream, but when it segregated into 2 substreams, they heard H-H-… in 1 stream and L-L-… in the other. The onset-to-onset time of the tones, their duration, the ISI between tones of the same frequency, and the frequency separation between H and L tones were varied. Ss' ratings on a 7-point scale showed that the well-known effect of speed's increasing stream segregation is primarily due to its effect on the ISI between tones in the same frequency region. This has implications for several theories of streaming. (PsycINFO Database Record (c) 2012 APA, all rights reserved)},
  number = {3},
  journaltitle = {Perception \& Psychophysics},
  shortjournal = {Perception \& Psychophysics},
  date = {2000-04},
  pages = {626-636},
  keywords = {Auditory Perception,auditory stream segregation,Pitch (Frequency),Auditory Discrimination,Stimulus Frequency,college students,Interstimulus Interval,interstimulus intervals & tone durations},
  author = {Bregman, Albert S. and Ahad, Pierre A. and Crum, Poppy A. C. and O'Reilly, Julie}
}

@article{rogersExperimentalEvaluationThree1993,
  title = {An Experimental Evaluation of Three Theories of Auditory Stream Segregation},
  volume = {53},
  issn = {0031-5117},
  doi = {10.3758/BF03211728},
  abstract = {In 2-part trials, 21 adults and 16 university students heard an induction sequence, whose effects on an immediately subsequent test sequence were measured. The rhythm and total duration of induction sequence tones were varied in 2 experiments. The similarity between induction and test sequences aided segregation, but rhythmic predictability and longer tone durations did not. Frequency alternation during the induction sequence was not necessary to induce segregation in the test sequence. In a 3rd experiment, peripheral processes inadequately accounted for the segregation effects found. Data suggest that, once a distinct percept emerges from an auditory scene, properties derived from the percept are fed back to control the ongoing analysis of that auditory scene. A neural adaptation to stimuli with constant properties may form part of this analysis. (PsycINFO Database Record (c) 2012 APA, all rights reserved)},
  number = {2},
  journaltitle = {Perception \& Psychophysics},
  shortjournal = {Perception \& Psychophysics},
  date = {1993-02},
  pages = {179-189},
  keywords = {auditory stream segregation,Pitch (Frequency),Pitch Discrimination,tone frequency alternation},
  author = {Rogers, Wendy L. and Bregman, Albert S.}
}

@article{kellerMusicalMeterAttention2005,
  eprinttype = {jstor},
  eprint = {10.1525/mp.2005.22.4.629},
  title = {Musical {{Meter}} in {{Attention}} to {{Multipart Rhythm}}},
  volume = {22},
  issn = {0730-7829},
  doi = {10.1525/mp.2005.22.4.629},
  abstract = {Performing in musical ensembles can be viewed as a dual task that requires simultaneous attention to a high priority �target� auditory pattern (e.g., a performer�s own part) and either (a) another part in the ensemble or (b) the aggregate texture that results when all parts are integrated. The current study tested the hypothesis that metric frameworks (rhythmic schemas) promote the efficient allocation of attentional resources in such multipart musical contexts. Experiment 1 employed a recognition memory paradigm to investigate the effects of attending to metrical versus nonmetrical target patterns upon the perception of aggregate patterns in which they were embedded. Experiment 2 required metrical and nonmetrical target patterns to be reproduced while memorizing different, concurrently presented metrical patterns that were also subsequently reproduced. Both experiments included conditions in which the different patterns within the multipart structure were matched or mismatched in terms of best-fitting meter. Results indicate that dual-task performance was best in matched-metrical conditions, intermediate in mismatched-metrical conditions, and worst in nonmetrical conditions. This suggests that metric frameworks may facilitate complex musical interactions by enabling efficient allocation of attentional resources.},
  number = {4},
  journaltitle = {Music Perception: An Interdisciplinary Journal},
  shortjournal = {Music Perception: An Interdisciplinary Journal},
  date = {2005-06-01},
  pages = {629-661},
  author = {Keller, Peter E. and Burnham, Denis K.},
  file = {D\:\\Sauve\\Zotero\\storage\\PZZK368A\\Keller and Burnham - 2005 - Musical Meter in Attention to Multipart Rhythm.pdf}
}

@article{vurmaProductionPerceptionMusical2006,
  eprinttype = {jstor},
  eprint = {10.1525/mp.2006.23.4.331},
  title = {Production and {{Perception}} of {{Musical Intervals}}},
  volume = {23},
  issn = {0730-7829},
  doi = {10.1525/mp.2006.23.4.331},
  abstract = {This Article Reports Two Experiments. In the first experiment, 13 professional singers performed a vocal exercise consisting of three ascending and descending melodic intervals: minor second, tritone, and perfect fifth. Seconds were sung more narrowly but fifths more widely in both directions, as compared to their equally tempered counterparts. In the second experiment, intonation accuracy in performances recorded from the first experiment was evaluated in a listening test. Tritones and fifths were more frequently classified as out of tune than seconds. Good correspondence was found between interval tuning and the listeners responses. The performers themselves evaluated their performance almost randomly in the immediate post-performance situation but acted comparably to the independent group after listening to their own recording. The data suggest that melodic intervals may be, on an average, 20 to 25 cents out of tune and still be estimated as correctly tuned by expert listeners.},
  number = {4},
  journaltitle = {Music Perception: An Interdisciplinary Journal},
  shortjournal = {Music Perception: An Interdisciplinary Journal},
  date = {2006-04-01},
  pages = {331-344},
  keywords = {melody},
  author = {Vurma, Allan and Ross, Jaan},
  file = {D\:\\Sauve\\Zotero\\storage\\IW4SWP4D\\Vurma and Ross - 2006 - Production and Perception of Musical Intervals.pdf}
}

@article{honingComputationalModelingMusic2006,
  eprinttype = {jstor},
  eprint = {10.1525/mp.2006.23.5.365},
  title = {Computational {{Modeling}} of {{Music Cognition}}: {{A Case Study}} on {{Model Selection}}},
  volume = {23},
  issn = {0730-7829},
  doi = {10.1525/mp.2006.23.5.365},
  shorttitle = {Computational {{Modeling}} of {{Music Cognition}}},
  abstract = {While the most common way of evaluating a computational model is to see whether it shows a good fit with the empirical data, recent literature on theory testing and model selection criticizes the assumption that this is actually strong evidence for the validity of a model. This article presents a case study from music cognition (modeling the ritardandi in music performance) and compares two families of computational models (kinematic and perceptual) using three different model selection criteria: goodness-of-fit, model simplicity, and the degree of surprise in the predictions. In the light of what counts as strong evidence for a model’s validity—namely that it makes limited range, nonsmooth, and relatively surprising predictions—the perception-based model is preferred over the kinematic model.},
  number = {5},
  journaltitle = {Music Perception: An Interdisciplinary Journal},
  shortjournal = {Music Perception: An Interdisciplinary Journal},
  date = {2006-06-01},
  pages = {365-376},
  author = {Honing, Henkjan},
  file = {D\:\\Sauve\\Zotero\\storage\\PP46J7TD\\Honing - 2006 - Computational Modeling of Music Cognition A Case .pdf}
}

@article{rammsayerTemporalInformationProcessing2006,
  eprinttype = {jstor},
  eprint = {10.1525/mp.2006.24.1.37},
  title = {Temporal {{Information Processing}} in {{Musicians}} and {{Nonmusicians}}},
  volume = {24},
  issn = {0730-7829},
  doi = {10.1525/mp.2006.24.1.37},
  abstract = {The present study was designed to examine the general notion that temporal information processing is more accurate in musicians than in nonmusicians. For this purpose, 36 academically trained musicians and 36 nonmusicians performed seven different auditory temporal tasks. Superior temporal acuity for musicians compared to nonmusicians was shown for auditory fusion, rhythm perception, and three temporal discrimination tasks. The two groups did not differ, however, in terms of their performance on two tasks of temporal generalization. Musicians’superior performance appeared to be limited to aspects of timing which are considered to be automatically and immediately derived from online perceptual processing of temporal information. Unlike immediate online processing of temporal information, temporal generalizations, which involve a reference memory of sorts, seemed not to be influenced by extensive music training.},
  number = {1},
  journaltitle = {Music Perception: An Interdisciplinary Journal},
  shortjournal = {Music Perception: An Interdisciplinary Journal},
  date = {2006-09-01},
  pages = {37-48},
  author = {Rammsayer, Thomas and Altenmüller, Eckart},
  file = {D\:\\Sauve\\Zotero\\storage\\TTX2EHDZ\\Rammsayer and Altenmüller - 2006 - Temporal Information Processing in Musicians and N.pdf}
}

@article{neuhausProcessingRhythmicMelodic2006,
  eprinttype = {jstor},
  eprint = {10.1525/mp.2006.24.2.209},
  title = {Processing of {{Rhythmic}} and {{Melodic Gestalts}}—{{An ERP Study}}},
  volume = {24},
  issn = {0730-7829},
  doi = {10.1525/mp.2006.24.2.209},
  abstract = {In two experiments with event-related potentials (ERPs), we investigated the formation of auditory Gestalts. For this purpose, we used tone sequences of different structure. In the first experiment, we contrasted a rhythmic section to a section with random time values, each embedded in rhythmically irregular context. In the second experiment, melodies were contrasted to randomized sequences. Nonmusicians either had to detect the rhythmic pattern or to memorize short tone excerpts. Random versions in both experiments evoked a significant increase in the amplitude of P1 and P2. Randomized rhythm sections also evoked a late sustained negative potential. The enlarged P1 and P2 for random sequences might reflect stronger integration effort, as the predictability of tone progression was low. Thus, already at the early stage of encoding, sequence processing might be top-down-driven. The late negativity for rhythmically random sections is possibly task-related, reflecting expectancy violation in terms of regularity, since a metrical grid of beats could not be established. The memorizing of tone excerpts did not evoke a late neural correlate. (169)},
  number = {2},
  journaltitle = {Music Perception: An Interdisciplinary Journal},
  shortjournal = {Music Perception: An Interdisciplinary Journal},
  date = {2006-12-01},
  pages = {209-222},
  keywords = {melody,ERP,rhythm},
  author = {Neuhaus, Christiane and Knösche, Thomas R.},
  file = {D\:\\Sauve\\Zotero\\storage\\9R592BKF\\Neuhaus and Knösche - 2006 - Processing of Rhythmic and Melodic Gestalts—An ERP.pdf}
}

@article{eckIdentifyingMetricalTemporal2006,
  eprinttype = {jstor},
  eprint = {10.1525/mp.2006.24.2.167},
  title = {Identifying {{Metrical}} and {{Temporal Structure With}} an {{Autocorrelation Phase Matrix}}},
  volume = {24},
  issn = {0730-7829},
  doi = {10.1525/mp.2006.24.2.167},
  abstract = {This article introduces a new method for detecting long-timescale structure in music. We describe a way to compute autocorrelation such that the distribution of energy in phase space is preserved in a matrix. The resulting Autocorrelation Phase Matrix (APM) is useful for several tasks involving metrical structure. In this article we describe the details of calculating the APM. We then show how phase-related regularities from music are stored in the APM and present two ways to recover these regularities. The simpler approach uses variance or entropy calculated on the distribution of information in the APM. The more complex approach explicitly searches through the phase and lag space of the APM to predict meter and tempo in parallel. We compare these approaches against standard autocorrelation for the task of tempo prediction on a relatively large database of annotated digital audio files. We demonstrate that better tempo prediction is achieved by exploiting the phase-related information in the APM.We argue that the APM is an effective data structure for tempo prediction and related applications, such as real-time beat induction and music analysis.},
  number = {2},
  journaltitle = {Music Perception: An Interdisciplinary Journal},
  shortjournal = {Music Perception: An Interdisciplinary Journal},
  date = {2006-12-01},
  pages = {167-176},
  keywords = {rhythm,model},
  author = {Eck, Douglas},
  file = {D\:\\Sauve\\Zotero\\storage\\VB8PW8D6\\Eck - 2006 - Identifying Metrical and Temporal Structure With a.pdf}
}

@article{bisphamRhythmMusicWhat2006,
  eprinttype = {jstor},
  eprint = {10.1525/mp.2006.24.2.125},
  title = {Rhythm in {{Music}}: {{What}} Is It? {{Who}} Has It? {{And Why}}?},
  volume = {24},
  issn = {0730-7829},
  doi = {10.1525/mp.2006.24.2.125},
  shorttitle = {Rhythm in {{Music}}},
  abstract = {This article explores human rhythmic abilities and behaviors within a framework of evolutionary theory highlighting the need for research in this area to be grounded upon solid psychologically valid definitions of rhythm. A wide-ranging cross-species comparison of rhythmic or quasi-rhythmic behaviors is presented with a view to exploring possible homologies and homoplasies to rhythm in human music. Sustained musical pulse and period correction mechanisms are put forward as human-specific and music-specific traits. Finally hypotheses as to why these abilities may have been selected for—and uniquely selected for—in the course of human evolution are explored.},
  number = {2},
  journaltitle = {Music Perception: An Interdisciplinary Journal},
  shortjournal = {Music Perception: An Interdisciplinary Journal},
  date = {2006-12-01},
  pages = {125-134},
  keywords = {rhythm},
  author = {Bispham, John},
  file = {D\:\\Sauve\\Zotero\\storage\\RUTQUMVM\\Bispham - 2006 - Rhythm in Music What is it Who has it And Why.pdf}
}

@article{reppTappingVerySlow2007,
  eprinttype = {jstor},
  eprint = {10.1525/mp.2007.24.4.367},
  title = {Tapping to a {{Very Slow Beat}}: {{A Comparison}} of {{Musicians}} and {{Nonmusicians}}},
  volume = {24},
  issn = {0730-7829},
  doi = {10.1525/mp.2007.24.4.367},
  shorttitle = {Tapping to a {{Very Slow Beat}}},
  abstract = {WHEN NONMUSICIANS TAP with isochronous auditory tone sequences, the taps typically precede the tone onsets. However, when the tone inter-onset interval (IOI) is increased beyond 2 s, an increasing proportion of taps follows the tone onsets by 150 ms or more. Such responses indicate reactions rather than anticipations, and they have been interpreted as reflecting a rate limit of synchronization related to a temporal limit of auditory working memory. In the present study, musicians and nonmusicians were asked to synchronize their taps with sequences whose IOIs ranged from 1000 to 3500 ms. Nonmusicians showed much larger anticipation errors and higher variability but actually fewer reactive responses than musicians. No clear landmarks of a rate limit for synchronization were observed.},
  number = {4},
  journaltitle = {Music Perception: An Interdisciplinary Journal},
  shortjournal = {Music Perception: An Interdisciplinary Journal},
  date = {2007-04-01},
  pages = {367-376},
  keywords = {rhythm,musical training},
  author = {Repp, Bruno H. and Doggett, Rebecca},
  file = {D\:\\Sauve\\Zotero\\storage\\5PEHMP9F\\Repp and Doggett - 2007 - Tapping to a Very Slow Beat A Comparison of Music.pdf}
}

@article{lerdahlModelingTonalTension2007,
  eprinttype = {jstor},
  eprint = {10.1525/mp.2007.24.4.329},
  title = {Modeling {{Tonal Tension}}},
  volume = {24},
  issn = {0730-7829},
  doi = {10.1525/mp.2007.24.4.329},
  abstract = {THIS STUDY PRESENTS AND TESTS a theory of tonal tension (Lerdahl, 2001). The model has four components: prolongational structure, a pitch-space model, a surfacetension model, and an attraction model. These components combine to predict the rise and fall in tension in the course of listening to a tonal passage or piece. We first apply the theory to predict tension patterns in Classical diatonic music and then extend the theory to chromatic tonal music. In the experimental tasks, listeners record their experience of tension for the excerpts. Comparisons between predictions and data point to alternative analyses within the constraints of the theory. We conclude with a discussion of the underlying perceptual and cognitive principles engaged by the theory's components.},
  number = {4},
  journaltitle = {Music Perception: An Interdisciplinary Journal},
  shortjournal = {Music Perception: An Interdisciplinary Journal},
  date = {2007-04-01},
  pages = {329-366},
  keywords = {model,harmony},
  author = {Lerdahl, Fred and Krumhansl, Carol L.},
  file = {D\:\\Sauve\\Zotero\\storage\\CS8R6AFK\\Lerdahl and Krumhansl - 2007 - Modeling Tonal Tension.pdf}
}

@article{temperleyPitchClassDistributionIdentification2008,
  eprinttype = {jstor},
  eprint = {10.1525/mp.2008.25.3.193},
  title = {Pitch-{{Class Distribution}} and the {{Identification}} of {{Key}}},
  volume = {25},
  issn = {0730-7829},
  doi = {10.1525/mp.2008.25.3.193},
  abstract = {THIS STUDY EXAMINES THE DISTRIBUTIONAL VIEW OF key-finding, which holds that listeners identify key by monitoring the distribution of pitch-classes in a piece and comparing this to an ideal distribution for each key. In our experiment, participants judged the key of melodies generated randomly from pitch-class distributions characteristic of tonal music. Slightly more than half of listeners' judgments matched the generating keys, on both the untimed and the timed conditions. While this performance is much better than chance, it also indicates that the distributional view is far from a complete explanation of human key identification. No difference was found between participants with regard to absolute pitch ability, either in the speed or accuracy of their key judgments. Several key-finding models were tested on the melodies to see which yielded the best match to participants' responses.},
  number = {3},
  journaltitle = {Music Perception: An Interdisciplinary Journal},
  shortjournal = {Music Perception: An Interdisciplinary Journal},
  date = {2008-02-01},
  pages = {193-212},
  author = {Temperley, David and Marvin, Elizabeth West},
  file = {D\:\\Sauve\\Zotero\\storage\\M8SRAQJF\\Temperley and Marvin - 2008 - Pitch-Class Distribution and the Identification of.pdf}
}

@article{bharuchaExpectationImplicitProcess2008,
  eprinttype = {jstor},
  eprint = {10.1525/mp.2008.25.5.477a},
  title = {Expectation as an {{Implicit Process}}},
  volume = {25},
  issn = {0730-7829},
  doi = {10.1525/mp.2008.25.5.477a},
  number = {5},
  journaltitle = {Music Perception: An Interdisciplinary Journal},
  shortjournal = {Music Perception: An Interdisciplinary Journal},
  date = {2008-06-01},
  pages = {477-478},
  keywords = {expectation},
  author = {Bharucha, Jamshed J.},
  file = {D\:\\Sauve\\Zotero\\storage\\G274Z9F2\\Bharucha - 2008 - Expectation as an Implicit Process.pdf}
}

@article{habibWhatMusicTraining2009,
  eprinttype = {jstor},
  eprint = {10.1525/mp.2009.26.3.279},
  title = {What Do {{Music Training}} and {{Musical Experience Teach Us About Brain Plasticity}}?},
  volume = {26},
  issn = {0730-7829},
  doi = {10.1525/mp.2009.26.3.279},
  abstract = {THIS ARTICLE SUMMARIZES THE MAIN EVIDENCE TO date regarding links between the brain and music. Musical expertise, often linked to early and intensive learning, is associated with neuroanatomical distinctive features that have been demonstrated through modern neuroimaging techniques, especially magnetic resonance imaging (MRI). These distinctive features are present in several brain regions, all more or less involved either in gestural motor skill (therefore probably related to the use of an instrument) or auditory perception. There also is growing evidence that learning music has more general effects on brain plasticity. One important notion, related to this topic, is that of a probable "sensitive period," around 7 years of age, beyond which music-induced structural changes and learning effects are less pronounced. These data are discussed in the perspective of using music training for remediation in children with specific language and reading disorders.},
  number = {3},
  journaltitle = {Music Perception: An Interdisciplinary Journal},
  shortjournal = {Music Perception: An Interdisciplinary Journal},
  date = {2009-02-01},
  pages = {279-285},
  keywords = {musical training},
  author = {Habib, Michel and Besson, Mireille},
  file = {D\:\\Sauve\\Zotero\\storage\\2TCSQ9TM\\Habib and Besson - 2009 - What do Music Training and Musical Experience Teac.pdf}
}

@article{rauscherMusicInstructionIts2011,
  eprinttype = {jstor},
  eprint = {10.1525/mp.2011.29.2.215},
  title = {Music {{Instruction}} and Its {{Diverse Extra}}-{{Musical Benefits}}},
  volume = {29},
  issn = {0730-7829},
  doi = {10.1525/mp.2011.29.2.215},
  abstract = {this article provides an overview of our research, including studies yet unpublished, on the effects of music on cognition. Music instruction can enhance children's spatial-temporal reasoning, numerical reasoning, and phonemic awareness. Longitudinal studies of middle-income and economically disadvantaged preschoolers reveal that children who receive music instruction prior to age 7 show improved performance on spatial-temporal and numerical reasoning tasks compared to children in control groups—effects that persist for two years after the intervention ends. Three additional studies suggest that teacher gender may influence these transfer effects in children. Our studies also show improved perceptual discrimination as a function of music training: adult string players have lower than average pitch discrimination thresholds, whereas adult percussionists have lower than average temporal discrimination thresholds. These effects are strongest for musicians who begin their training before age 7. Related to these improvements in perceptual discrimination, children provided with violin instruction perform better than controls on tasks measuring phonemic awareness, a skill that correlates strongly with pitch discrimination and is related to reading acquisition.},
  number = {2},
  journaltitle = {Music Perception: An Interdisciplinary Journal},
  shortjournal = {Music Perception: An Interdisciplinary Journal},
  date = {2011-12-01},
  pages = {215-226},
  keywords = {musical training},
  author = {Rauscher, Frances H. and Hinton, Sean C.},
  file = {D\:\\Sauve\\Zotero\\storage\\S3MISAKC\\Rauscher and Hinton - 2011 - Music Instruction and its Diverse Extra-Musical Be.pdf}
}

@article{schellenbergMusicLessonsEmotional2011,
  eprinttype = {jstor},
  eprint = {10.1525/mp.2011.29.2.185},
  title = {Music {{Lessons}}, {{Emotional Intelligence}}, and {{IQ}}},
  volume = {29},
  issn = {0730-7829},
  doi = {10.1525/mp.2011.29.2.185},
  abstract = {musically trained and untrained participants were administered tests of emotional intelligence and IQ. As in previous research, trained participants scored higher than untrained participants on the IQ Composite score and on its Verbal and Nonverbal subtests. The advantage for the trained group on the Composite score and on the Nonverbal subtest was evident even when gender, parents' education, family income, and first language were held constant. The groups performed similarly, however, on the test of emotional intelligence, and scores on the IQ test were only weakly correlated with scores on the emotional intelligence test. The results imply that (1) associations between music lessons and nonmusical abilities are limited to intellectual abilities, and/or (2) associations between music lessons and emotional intelligence are not evident on visual- and/or text-based tests of emotional intelligence such as the one used here.},
  number = {2},
  journaltitle = {Music Perception: An Interdisciplinary Journal},
  shortjournal = {Music Perception: An Interdisciplinary Journal},
  date = {2011-12-01},
  pages = {185-194},
  keywords = {musical training},
  author = {Schellenberg, E. Glenn},
  file = {D\:\\Sauve\\Zotero\\storage\\5N65HIUQ\\Schellenberg - 2011 - Music Lessons, Emotional Intelligence, and IQ.pdf}
}

@article{patstonEffectBackgroundMusic2011,
  eprinttype = {jstor},
  eprint = {10.1525/mp.2011.29.2.173},
  title = {The {{Effect}} of {{Background Music}} on {{Cognitive Performance}} in {{Musicians}} and {{Nonmusicians}}},
  volume = {29},
  issn = {0730-7829},
  doi = {10.1525/mp.2011.29.2.173},
  abstract = {there is debate about the extent of overlap between music and language processing in the brain and whether these processes are functionally independent in expert musicians. A language comprehension task and a visuospatial search task were administered to 36 expert musicians and 36 matched nonmusicians in conditions of silence and piano music played correctly and incorrectly. Musicians performed more poorly on the language comprehension task in the presence of background music compared to silence, but there was no effect of background music on the musicians' performance on the visuospatial task. In contrast, the performance of nonmusicians was not affected by music on either task. The findings challenge the view that music and language are functionally independent in expert musicians, and instead suggest that when musicians process music they recruit a network that overlaps with the network used in language processing. Additionally, musicians outperformed nonmusicians on both tasks, reflecting either a general cognitive advantage in musicians or enhancement of more specific cognitive abilities such as processing speed or executive functioning.},
  number = {2},
  journaltitle = {Music Perception: An Interdisciplinary Journal},
  shortjournal = {Music Perception: An Interdisciplinary Journal},
  date = {2011-12-01},
  pages = {173-183},
  keywords = {musical training},
  author = {Patston, Lucy L. M. and Tippett, Lynette J.},
  file = {D\:\\Sauve\\Zotero\\storage\\SMMNF9C9\\Patston and Tippett - 2011 - The Effect of Background Music on Cognitive Perfor.pdf}
}

@article{corrigallAssociationsLengthMusic2011,
  eprinttype = {jstor},
  eprint = {10.1525/mp.2011.29.2.147},
  title = {Associations {{Between Length}} of {{Music Training}} and {{Reading Skills}} in {{Children}}},
  volume = {29},
  issn = {0730-7829},
  doi = {10.1525/mp.2011.29.2.147},
  abstract = {previous research has found that music training in childhood is associated with word decoding, a fundamental reading skill related to the ability to pronounce individual words. These findings have typically been explained by a near transfer mechanism because music lessons train auditory abilities associated with those needed for decoding words. Nevertheless, few studies have examined whether music training is associated with higher-level reading abilities such as reading comprehension, which would suggest far transfer. We tested whether the length of time children took music lessons was associated with word decoding and reading comprehension skills in 6- to 9-year-old normal-achieving readers. Our results revealed that length of music training was not associated with word decoding skills; however, length of music training predicted reading comprehension performance even after controlling for age, socioeconomic status, auditory perception, full-scale IQ, the number of hours that children spent reading per week, and word decoding skills. We suggest that if near transfer occurs, it is likely strongest in beginning readers or those experiencing reading difficulty. The strong association in our data—between length of music training and reading comprehension—is consistent with mechanisms involving far transfer.},
  number = {2},
  journaltitle = {Music Perception: An Interdisciplinary Journal},
  shortjournal = {Music Perception: An Interdisciplinary Journal},
  date = {2011-12-01},
  pages = {147-155},
  keywords = {musical training},
  author = {Corrigall, Kathleen A. and Trainor, Laurel J.},
  file = {D\:\\Sauve\\Zotero\\storage\\9MMDX2WU\\Corrigall and Trainor - 2011 - Associations Between Length of Music Training and .pdf}
}

@article{morenoEffectMusicTraining2011,
  eprinttype = {jstor},
  eprint = {10.1525/mp.2011.29.2.165},
  title = {Effect of {{Music Training}} on {{Promoting Preliteracy Skills}}: {{Preliminary Causal Evidence}}},
  volume = {29},
  issn = {0730-7829},
  doi = {10.1525/mp.2011.29.2.165},
  shorttitle = {Effect of {{Music Training}} on {{Promoting Preliteracy Skills}}},
  abstract = {the present study investigated whether music training fosters children's preliteracy skills. Sixty children were randomly assigned to participate in a 20-day training program in either music or visual art. Before and after training, children's phonological awareness and their ability to map visual symbols onto words (i.e., visual-auditory learning) were assessed. Equivalent improvement after training was observed for both groups on the phonological awareness measure, but the children with music training improved significantly more than the art-trained children on the visual-auditory learning measure. Music training appears to benefit certain skills necessary for reading.},
  number = {2},
  journaltitle = {Music Perception: An Interdisciplinary Journal},
  shortjournal = {Music Perception: An Interdisciplinary Journal},
  date = {201

repository: sarahsauve/Entropy-Learning-Atonal

license_type: permissive

repo_name: sarahsauve/Entropy-Learning-Atonal

branch_name: refs/heads/master

extension: bib