text:
fl, Henry},
  annotation =   {[Edition statement:] The seventh edition :revised and
                  enlarged.; Dedication signed: Henry Cockerman.; Imperfect:
                  signature M8 lacking. Signatures M4-N4 from defective Harvard
                  Library copy spliced at end.; [Contents note]: The first part
                  of the English dictionary--The second part of the English
                  translator [a dictionary of synonyms]--The third part treating
                  of gods and goddesses, men and women, boyes and maids, gyants
                  and divels ...; Reproduction of the original in the British
                  Library.}
}

@inreference{_secure_2011,
  langid = {british},
  title = {Secure, Adj., Adv., and n.1},
  url = {http://www.oed.com/view/Entry/174647},
  booktitle = {{{OED Online}}},
  publisher = {{Oxford University Press}},
  urldate = {2016-04-26},
  date = {2011},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/SPS94UF2/174647.html}
}

@book{milton_poems_1968,
  location =     {{Harlow}},
  title =        {The Poems of {{John Milton}}},
  publisher =    {{Longmans}},
  date =         1968,
  author =       {Milton, John},
  editor =       {Carey, John and Fowler, Alaistair},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/D76VM3K5/266492.html}
}

@inreference{_abyss_2011,
  langid = {british},
  title = {Abyss, n.},
  url = {http://www.oed.com/view/Entry/860},
  booktitle = {{{OED Online}}},
  publisher = {{Oxford University Press}},
  urldate = {2016-04-26},
  date = {2011},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/WAX9VZT6/860.html}
}

@inreference{_humiliate_1899,
  langid = {british},
  title = {Humiliate, v.},
  url = {http://www.oed.com.ezproxy.cul.columbia.edu/view/Entry/89366#eid1136442},
  booktitle = {{{OED Online}}},
  publisher = {{Oxford University Press}},
  urldate = {2016-04-27},
  date = {1899},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/8EU3HJBZ/89366.html}
}

@inreference{_humble_1899,
  langid = {british},
  title = {Humble, Adj.},
  url = {http://www.oed.com.ezproxy.cul.columbia.edu/view/Entry/89298#eid1129027},
  booktitle = {{{OED Online}}},
  publisher = {{Oxford University Press}},
  urldate = {2016-04-27},
  date = {1899},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/ZZX3EHQ2/89298.html}
}

@incollection{thorpe_milton_1966,
  location =     {{New York}},
  title =        {Milton},
  booktitle =    {Milton Criticism; Selections from Four Centuries},
  publisher =    {{Octagon Books}},
  year =         {1966 [c1950]},
  keywords =     {Criticism and interpretation,Milton; John; 1608-1674},
  author =       {Johnson, Samuel},
  editor =       {Thorpe, James}
}

@book{foucault_history_1988,
  location =     {{New York}},
  title =        {The History of Sexuality},
  isbn =         {978-0-679-72469-8},
  publisher =    {{Vintage Books}},
  date =         {1988/1990},
  keywords =     {History,Sex customs},
  author =       {Foucault, Michel},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/S9QKTH9A/foucault.pdf;/home/jon/Dokumentujo/Papers/zotero/storage/DJPXAENM/catalog.html}
}

@online{partington_penguin_2005,
  title = {Penguin {{Classics Introduction}} to {{The New Machiavelli}}},
  url = {http://literature.proquest.com.ezproxy.cul.columbia.edu/searchFulltext.do?id=R4433724&divLevel=0&area=ref&DurUrl=Yes&forward=critref_ft},
  urldate = {2016-04-29},
  date = {2005},
  author = {Partington, John S.},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/FTQQAHDP/searchFulltext.html}
}

@online{_new_????,
  title = {The New {{Machiavelli}} ({{Book}}, 2005) [{{WorldCat}}.Org]},
  url = {http://www.worldcat.org/title/new-machiavelli/oclc/57638948&referer=brief_results},
  urldate = {2016-04-29},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/5SEEDG5V/57638948&referer=brief_results.html}
}

@book{wells_new_2005,
  langid =       {english},
  location =     {{London}},
  title =        {The New {{Machiavelli}}},
  isbn =         {978-0-14-143999-0},
  abstract =     {"A successful author and liberal MP with a loving and
                  benevolent wife, Richard Remington appears to be a man to
                  envy. But underneath his superficial contentment, he is far
                  from happy with either his marriage or the politics of his
                  party. The New Machiavelli describes the disarray into which
                  his life is thrown when he meets the young and beautiful
                  Isabel Rivers and becomes tormented by desire. At first, he
                  struggles to resist and remain focused upon his familiar
                  political, personal, and social life. But, as he soon learns,
                  it is harder than he could have imagined to turn his back on
                  love. Based on Wells's own experiences, this is a vivid and
                  unfailingly candid account of the damage wrought by a
                  scandalous society affair and the overwhelming power of
                  passion."--Back cover.},
  publisher =    {{Penguin}},
  date =         2005,
  author =       {Wells, H. G.},
  editor =       {James, Simon J}
}

@incollection{parrinder_biographical_2005,
  langid =       {english},
  location =     {{London}},
  title =        {Biographical {{Note}}},
  isbn =         {978-0-14-143999-0},
  abstract =     {"A successful author and liberal MP with a loving and
                  benevolent wife, Richard Remington appears to be a man to
                  envy. But underneath his superficial contentment, he is far
                  from happy with either his marriage or the politics of his
                  party. The New Machiavelli describes the disarray into which
                  his life is thrown when he meets the young and beautiful
                  Isabel Rivers and becomes tormented by desire. At first, he
                  struggles to resist and remain focused upon his familiar
                  political, personal, and social life. But, as he soon learns,
                  it is harder than he could have imagined to turn his back on
                  love. Based on Wells's own experiences, this is a vivid and
                  unfailingly candid account of the damage wrought by a
                  scandalous society affair and the overwhelming power of
                  passion."--Back cover.},
  booktitle =    {The New {{Machiavelli}}},
  publisher =    {{Penguin}},
  date =         2005,
  author =       {Parrinder, H. G}
}

@incollection{foot_introduction_2005,
  langid =       {english},
  location =     {{London}},
  title =        {Introduction},
  isbn =         {978-0-14-143999-0},
  abstract =     {"A successful author and liberal MP with a loving and
                  benevolent wife, Richard Remington appears to be a man to
                  envy. But underneath his superficial contentment, he is far
                  from happy with either his marriage or the politics of his
                  party. The New Machiavelli describes the disarray into which
                  his life is thrown when he meets the young and beautiful
                  Isabel Rivers and becomes tormented by desire. At first, he
                  struggles to resist and remain focused upon his familiar
                  political, personal, and social life. But, as he soon learns,
                  it is harder than he could have imagined to turn his back on
                  love. Based on Wells's own experiences, this is a vivid and
                  unfailingly candid account of the damage wrought by a
                  scandalous society affair and the overwhelming power of
                  passion."--Back cover.},
  booktitle =    {The New {{Machiavelli}}},
  publisher =    {{Penguin}},
  date =         2005,
  author =       {Foot, Michael}
}

@incollection{wells_general_1924,
  location =     {{New York}},
  title =        {A {{General Introduction}} to the {{Atlantic Edition}}},
  edition =      {The Atlantic Edition},
  volume =       1,
  booktitle =    {The {{Works}} of {{H}}.{{G}}. {{Wells}}},
  publisher =    {{Charles Scribner's Sons}},
  date =         1924,
  author =       {Wells, H.G.}
}

@incollection{wells_preface_1925,
  location =     {{New York}},
  title =        {Preface to {{Volume IX}}},
  edition =      {The Atlantic Edition},
  volume =       9,
  booktitle =    {The {{Works}} of {{H}}.{{G}}. {{Wells}}},
  publisher =    {{Charles Scribner's Sons}},
  date =         1925,
  author =       {Wells, H.G.}
}

@incollection{wells_preface_1925-1,
  location =     {{New York}},
  title =        {Preface to {{Volume XIII}}},
  edition =      {The Atlantic Edition},
  volume =       13,
  booktitle =    {The {{Works}} of {{H}}.{{G}}. {{Wells}}},
  publisher =    {{Charles Scribner's Sons}},
  date =         1925,
  author =       {Wells, H.G.}
}

@incollection{wells_preface_1925-2,
  location =     {{New York}},
  title =        {Preface to {{Volume XIV}}},
  edition =      {The Atlantic Edition},
  volume =       14,
  booktitle =    {The {{Works}} of {{H}}.{{G}}. {{Wells}}},
  publisher =    {{Charles Scribner's Sons}},
  date =         1925,
  author =       {Wells, H. G.}
}

@incollection{wells_preface_1926,
  location =     {{New York}},
  title =        {Preface to {{Volume XV}}},
  edition =      {The Atlantic Edition},
  volume =       15,
  booktitle =    {The {{Works}} of {{H}}.{{G}}. {{Wells}}},
  publisher =    {{Charles Scribner's Sons}},
  date =         1926,
  author =       {Wells, H. G.}
}

@book{hammond_h._1979,
  location =     {{London}},
  title =        {An {{H}}. {{G}}. {{Wells}} Companion : A Guide to the Novels,
                  Romances, and Short Stories},
  isbn =         {978-0-333-24698-6},
  shorttitle =   {An {{H}}. {{G}}. {{Wells}} Companion},
  publisher =    {{Macmillan}},
  date =         1979,
  keywords =     {Criticism and interpretation,Wells; H. G. (Herbert George);
                  1866-1946},
  author =       {Hammond, J. R. (John R. )},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/5T5778DS/catalog.html},
  annotation =   {Awesome. Very useful.}
}

@book{wells_passionate_1915,
  langid =       {english},
  location =     {{New York}},
  title =        {The {{Passionate Friends}}},
  pagetotal =    394,
  publisher =    {{A. L. Burt}},
  date =         1915,
  author =       {Wells, H. G.}
}

@book{wells_days_1906,
  langid =       {english},
  location =     {{New York}},
  title =        {In the {{Days}} of the {{Comet}}},
  pagetotal =    394,
  publisher =    {{Century}},
  date =         1906,
  author =       {Wells, H. G.}
}

@book{wells_anticipations_1901,
  langid =       {english},
  title =        {Anticipations of the {{Reaction}} of {{Mechanical}} and
                  {{Scientific Progress Upon Human Life}} and {{Thought}}},
  pagetotal =    362,
  publisher =    {{Harper \& brothers}},
  date =         1901,
  author =       {Wells, H. G.}
}

@book{wells_socialism_1908,
  langid =       {english},
  location =     {{Boston}},
  title =        {Socialism and the {{Family}}},
  pagetotal =    70,
  publisher =    {{Ball}},
  date =         1908,
  author =       {Wells, H. G.},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/VSUC3MCM/Socialism_and_the_Family.pdf},
  annotation =   {Awesome, very useful}
}

@article{wells_mr._1911,
  title =        {Mr. {{Asquith Will Die}}},
  volume =       1,
  url =
                  {http://www.modjourn.org/render.php?id=1300808610125002&view=mjp_object},
  number =       3,
  journaltitle = {The Freewoman},
  urldate =      {2016-04-30},
  date =         {1911-12-07},
  pages =        {47-47},
  author =       {Wells, H. G.},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/AKBSVWMM/asquith-7.pdf;/home/jon/Dokumentujo/Papers/zotero/storage/8XMBBB5G/render.html}
}

@collection{parrinder_h.g._1972,
  location = {{Boston}},
  title = {H.{{G}}. {{Wells}}: The {{Critical Heritage}}},
  publisher = {{Routledge \& Kegan Paul}},
  date = {1972},
  editor = {Parrinder, Patrick}
}

@book{glendinning_rebecca_1987,
  location =     {{London}},
  title =        {Rebecca {{West}}, a Life},
  isbn =         {978-0-297-79084-6},
  publisher =    {{Weidenfeld and Nicolson}},
  date =         1987,
  keywords =     {Authors; English,West; Rebecca; 1892-1983},
  author =       {Glendinning, Victoria},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/3XC4NPKX/catalog.html}
}

@book{baldick_oxford_2004,
  location =     {{New York}},
  title =        {The {{Oxford English}} Literary History. {{Vol}}. 10,
                  1910-1940 : The Modern Movement},
  shorttitle =   {The {{Oxford English}} Literary History. {{Vol}}. 10,
                  1910-1940},
  publisher =    {{Oxford University Press}},
  date =         2004,
  keywords =     {History and criticism,English literature},
  author =       {Baldick, Chris},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/6DPJT3ZJ/catalog.html}
}

@book{WellsAnnVeronica2015,
  langid =       {english},
  location =     {{Peterborough, ON}},
  title =        {Ann {{Veronica}}},
  isbn =         {978-1-55481-230-1},
  url =
                  {https://play.google.com/books/reader?id=IUedCgAAQBAJ&printsec=frontcover&output=reader&hl=en},
  abstract =     {H.G. Wells’s 1909 novel centres on the coming of age of the
                  spirited Ann Veronica, who runs away from her sheltered
                  suburban home to live in London. There she mingles with
                  feminists, studies biology, learns jiu jitsu, and even
                  participates in a suffragette raid on the House of Commons
                  that lands her in jail. When originally published, the novel
                  was deemed “poisonous” for its bold treatment of an adulterous
                  romance that only lightly veiled Wells’s extramarital affairs.
                  While critics debate whether the shift to romance undermines
                  the novel’s feminist themes, readers continue to be engaged by
                  its vividly realized heroine and its rich portrayal of the
                  tumultuous social movements of Edwardian London. Historical
                  documents expand on the novel’s autobiographical dimension
                  with letters between Wells and Amber Reeves, the model for Ann
                  Veronica; also included are materials on the suffrage
                  movement, attempts to censor the novel, and the New Woman.},
  pagetotal =    376,
  publisher =    {{Broadview Press}},
  date =         {2015-12-01},
  keywords =     {Fiction / Literary},
  author =       {Wells, H. G.}
}

@online{_experiment_????,
  title = {Experiment in {{Autobiography}}, by {{H}}. {{G}}. {{Wells}}},
  url = {http://gutenberg.ca/ebooks/wellshg-autobiography/wellshg-autobiography-00-h-dir/wellshg-autobiography-00-h.html},
  urldate = {2016-05-01},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/78VIMHF3/wellshg-autobiography-00-h.html}
}

@book{wells_modern_1904,
  langid =       {english},
  title =        {A {{Modern Utopia}}},
  abstract =     {While walking in the Swiss Alps, two English travellers fall
                  into a space-warp, and suddenly find themselves in another
                  world. In many ways the same as our own - even down to the
                  characters that inhabit it - this new planet is still somehow
                  radically different, for the two walkers are now upon a
                  Utopian Earth controlled by a single World Government. Here,
                  as they soon learn, all share a common language, there is
                  sexual, economic and racial equality, and society is ruled by
                  socialist ideals enforced by an austere, voluntary elite: the
                  'Samurai'. But what will the Utopians make of these new
                  visitors from a less perfect world?},
  pagetotal =    434,
  publisher =    {{Penguin Books Limited}},
  date =         1904,
  keywords =     {Fiction / Classics,Fiction / Literary},
  author =       {Wells, H. G.}
}

@book{wells_modern_2005,
  langid =       {english},
  location =     {{London}},
  title =        {A Modern Utopia},
  isbn =         {978-0-14-144112-2},
  abstract =     {"While walking in the Swiss Alps, two English travellers fall
                  into a space-warp, and suddenly find themselves in another
                  world. In many ways the same as our own - even down to the
                  characters that inhabit it - this new planet is still somehow
                  radically different, for the two walkers are now upon a
                  Utopian Earth controlled by a single World Government. Here,
                  as they soon learn, all share a common language, there is
                  sexual, economic and racial equality, and society is ruled by
                  socialist ideals enforced by an austere, voluntary elite: the
                  'Samurai'. But what will the Utopians make of these new
                  visitors from a less perfect world?"--Back cover.},
  publisher =    {{Penguin Books}},
  date =         2005,
  author =       {Wells, H. G.},
  editor =       {Claeys, Gregory and Parrinder, Patrick and Wheen, Francis and
                  Sawyer, Andy}
}

@article{gribble_days_1906,
  entrysubtype = {newspaper},
  location =     {{London}},
  title =        {In the {{Days}} of the {{Comet}}},
  journaltitle = {The Times Literary Supplement},
  date =         {1906-09-14},
  pages =        314,
  author =       {Gribble, Francis Henry}
}

@incollection{lecia_between_2010,
  location =     {{Berkeley}},
  title =        {Between {{Humanism}} and {{Late Style}}},
  isbn =         {978-0-520-24546-4},
  booktitle =    {Edward {{Said}} : A Legacy of Emancipation and Representation},
  publisher =    {{University of California Press}},
  date =         2010,
  keywords =     {Postcolonialism,Said; Edward
                  W.,Orientalism,Imperialism,Arab-Israeli conflict},
  author =       {Lecia, Rosentha},
  editor =       {Iskandar, Adel},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/QH3ACITT/Edward_Said.pdf;/home/jon/Dokumentujo/Papers/zotero/storage/JJB948E8/7909595.html}
}

@book{said_late_2006,
  location =     {{New York}},
  title =        {On Late Style : Music and Literature against the Grain},
  isbn =         {978-0-375-42105-1},
  shorttitle =   {On Late Style},
  publisher =    {{Pantheon Books}},
  date =         2006,
  keywords =     {Arts; Modern,Philosophy,Creation (Literary; artistic;
                  etc.),Artists,Psychology},
  author =       {Said, Edward W.},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/879HBI7P/5611838.html}
}

@book{damAnthonyTrollopeLate2016,
  location =     {{Edinburgh}},
  title =        {Anthony {{Trollope}}'s Late Style : {{Victorian}} Liberalism
                  and Literary Form},
  isbn =         {978-0-7486-9955-1},
  shorttitle =   {Anthony {{Trollope}}'s Late Style},
  publisher =    {{Edinburgh University Press}},
  date =         2016,
  keywords =     {Criticism and interpretation,Trollope; Anthony;
                  1815-1882,Literary style,Liberalism in literature,Style;
                  Literary},
  author =       {van Dam, Frederik},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/3HKQ92JA/11848281.html}
}

@article{gourgouris_late_2005,
  eprinttype =   {jstor},
  eprint =       4047450,
  title =        {The {{Late Style}} of {{Edward Said}} / ﺃﺳﻠﻮﺏ ﺇﺩﻭﺍﺭﺩ ﺳﻌﻴﺪ ﻓﻲ
                  ﺍﻟﻤﺮﺣﻠﺔ ﺍﻷﺧﻴﺮﺓ},
  issn =         {1110-8673},
  abstract =     {Edward Said's interest in "late style"-a concept drawn from
                  Theodor Adorno's account of Beethoven's late music-was
                  explicitly channeled to a book project that was not, however,
                  completed in his lifetime. Yet, a careful reading of Said's
                  completed late work-the book on humanism and the political
                  journalism of his last two years-reveals an exercise in late
                  style as such: in other words, the work of an intransigent and
                  restless spirit, unsatisfied with the certainties pronounced
                  in his name, and focused on a mode of interrogation against
                  the grain of identity-what the author called the task of
                  secular criticism. /كان إهتمام إدوارد سعيد ﺑ"أسلوب المرحلة
                  الأخيرة" من حياة ﺍﻟﻤﻔﻜّﺮﻳﻦ - الذي ينطلق من عمل ثيودور أدورنو عن
                  الأسلوب الموسيقي في المرحلة الأخيرة عند بيتهوڨن - سيصب في كتاب
                  يعدّه ولكنه لم ينته منه قبل رحيله٠ ومع هذا فإن قراءة متمعنة
                  لكتابات سعيد في المرحلة الأخيرة - كتابه عن النزعة الإنسانية
                  ومقالاته الصحفية السياسية في العامين الأخيرين من حياته - تكشف
                  عن ممارسة لأسلوب هذه المرحلة كما تم توصيفها في كتابات المرحلة
                  الأخيرة: أعمال تتسم بثبات في الموقف وروح قلقة وعدم اقتناع بما
                  يُزعم باسمه ويسقط عليه وتساٶل مشكك في الهوية، مما اعتبره سعيد
                  من مسئولية النقد الدنيوي٠},
  number =       25,
  journaltitle = {Alif: Journal of Comparative Poetics},
  shortjournal = {Alif: Journal of Comparative Poetics},
  date =         2005,
  pages =        {37-45},
  author =       {Gourgouris, Stathis and ﺟﻮﺭﺟﻮﺭﻳﺲ, ﺳﺘﺎﺛﻴﺲ},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/R8Q8N6JW/4047450.pdf}
}

@book{kennelly_unfinished_1997,
  langid =       {english},
  title =        {Unfinished {{Business}}: {{Tracing Incompletion}} in {{Jean
                  Genet}}'s {{Posthumously Published Plays}}},
  isbn =         {978-90-420-0236-4},
  shorttitle =   {Unfinished {{Business}}},
  abstract =     {This is the first study systematically to appraise Splendid's,
                  «Elle», andLe Bagne, the three plays by Jean Genet published
                  after his death, both in the context of the dramatist's
                  dramatic canon and with respect to one another. After showing
                  that their unusual publishing history necessarily sets these
                  works apart fromHaute surveillance, Les Bonnes, Le Balcon, Les
                  Nègres, and Les Paravents, it argues that fromSplendid's to Le
                  Bagne, the question of incompletion is 'exteriorized' — moving
                  from a purely thematic to an increasingly formal context — and
                  that the status of each posthumously published work
                  differs:Splendid's is a 'completed' play, thematizing
                  incompletion; «Elle», with its seemingly incomplete form
                  having thematic currency, is a 'properly unfinished' play; and
                  as the intentionally 'fragmentary', purposefully suspended
                  'beginning' of a play,Le Bagne is shaped by incompletion.},
  pagetotal =    140,
  publisher =    {{Rodopi}},
  date =         {1997-01-01},
  keywords =     {Social Science / Popular Culture,Social Science / Sociology /
                  General},
  author =       {Kennelly, Brian Gordon}
}

@article{hooverCorpusStylisticsStylometry2007,
  eprinttype =   {jstor},
  eprint =       {10.5325/style.41.2.174},
  title =        {Corpus {{Stylistics}}, {{Stylometry}}, and the {{Styles}} of
                  {{Henry James}}},
  volume =       41,
  issn =         {0039-4238},
  abstract =     {Stylometry provides powerful techniques for examining
                  authorial style variation. This study uses several such
                  techniques to explore the traditional distinction between
                  James's early and late styles. They confirm this distinction,
                  identify an intermediate style, and facilitate an analysis of
                  the lexical character of James's style. Especially revealing
                  are techniques that identify words with extremely variable
                  frequencies across James's oeuvre–words that clearly
                  characterize the various period styles. Such words
                  disproportionately increase or decrease steadily throughout
                  James's remarkably unidirectional stylistic development.
                  Stylometric techniques constitute a promising avenue of
                  research that exploits the power of corpus analysis and
                  returns our attention to a manageable subset of an author's
                  vocabulary.},
  number =       2,
  journaltitle = {Style},
  shortjournal = {Style},
  date =         2007,
  pages =        {174-203},
  keywords =     {digital humanities,text analysis,Linguistics,Literature,Henry
                  James},
  author =       {Hoover, David L.},
  file =         {/home/jon/Dokumentujo/Papers/Henry James/Hoover_2007_Corpus
                  Stylistics, Stylometry, and the Styles of Henry
                  James.pdf;/home/jon/Dokumentujo/Papers/zotero/storage/45AEE6RN/Hoover
                  - 2007 - Corpus Stylistics, Stylometry, and the Styles of
                  H.pdf;/home/jon/Dokumentujo/Papers/zotero/storage/HIN8K84S/Hoover
                  - 2007 - Corpus Stylistics, Stylometry, and the Styles of
                  H.html}
}

@book{unknown_edward_????-1,
  location =     {{Berkeley}},
  title =        {Edward {{Said}} : A Legacy of Emancipation and Representation},
  isbn =         {978-0-520-24546-4},
  shorttitle =   {Edward {{Said}}},
  publisher =    {{University of California Press}},
  year =         {c2010},
  keywords =     {Postcolonialism,Said; Edward
                  W.,Orientalism,Imperialism,Arab-Israeli conflict},
  author =       {{unknown}}
}

@unpublished{said_edward_1989,
  title =        {Edward {{Said Papers}}},
  date =         1989,
  keywords =     {Said; Edward W.,Columbia University},
  author =       {Said, Edward W.},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/UMGQ8B9M/5483040.html},
  note =         {Columbia University Rare Books and Manuscripts Archive, Box
                  83, Folder 12.}
}

@incollection{birch_ward_2009,
  location =     {{Oxford}},
  title =        {Ward, {{Mary Augusta}}},
  url =
                  {http://www.oxfordreference.com/view/10.1093/acref/9780192806871.001.0001/acref-9780192806871-e-7931},
  abstract =     {commonly known as Mrs Humphry Ward (1851–1920), granddaughter
                  of Thomas *Arnold of Rugby, and daughter of the},
  booktitle =    {Oxford {{Companion}} to {{English Literature}}},
  publisher =    {{Oxford University Press}},
  urldate =      {2016-05-05},
  date =         2009,
  editor =       {Birch, Dinah},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/JHX8B3NK/acref-9780192806871-e-7931.html}
}

@incollection{bales_birth_2001,
  location =     {{Cambridge}},
  title =        {The Birth and Development of {{A}} La Recherche Du Temps
                  Perdu},
  isbn =         {978-0-511-99972-7},
  url =
                  {http://universitypublishingonline.org/ref/id/companions/CBO9780511999727A008},
  booktitle =    {The {{Cambridge Companion}} to {{Proust}}},
  publisher =    {{Cambridge University Press}},
  urldate =      {2016-05-05},
  date =         2001,
  pages =        {58-73},
  author =       {Schmid, Marion},
  editor =       {Bales, Richard},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/XF8XZBAR/CBO9780511999727A008.pdf}
}

@book{mullen_penguin_1996,
  location =     {{London, UK}},
  title =        {The Penguin Companion to {{Trollope}}},
  isbn =         {978-0-14-023558-6},
  publisher =    {{Penguin}},
  date =         1996,
  keywords =     {Trollope; Anthony; 1815-1882,Novelists; English},
  author =       {Mullen, Richard},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/Q9VQ78SS/catalog.html}
}

@book{smalley_trollope_1969,
  location =     {{New York}},
  title =        {Trollope: The Critical Heritage},
  shorttitle =   {Trollope},
  publisher =    {{Barnes \& Noble}},
  date =         1969,
  keywords =     {Trollope; Anthony; 1815-1882},
  author =       {Smalley, Donald Arthur},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/DKCXE6GH/catalog.html}
}

@book{tracy_trollopes_1978,
  location =     {{Berkeley}},
  title =        {Trollope's Later Novels},
  isbn =         {978-0-520-03407-5},
  publisher =    {{University of California Press}},
  date =         1978,
  keywords =     {Criticism and interpretation,Trollope; Anthony; 1815-1882},
  author =       {Tracy, Robert},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/ZC5VZK6P/catalog.html}
}

@book{kincaid_novels_1977,
  location =     {{Oxford}},
  title =        {The Novels of {{Anthony Trollope}}},
  isbn =         {978-0-19-812077-3},
  publisher =    {{Clarendon Press}},
  date =         1977,
  keywords =     {Criticism and interpretation,Trollope; Anthony; 1815-1882},
  author =       {Kincaid, James R. (James Russell)},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/Z3EDDVHB/catalog.html}
}

@incollection{stern_thomas_1989,
  location =     {{New York}},
  title =        {Thomas {{Mann}}},
  volume =       9,
  isbn =         {978-0-684-16594-3},
  booktitle =    {European Writers},
  publisher =    {{Scribner}},
  date =         1989,
  keywords =     {History and criticism,European literature},
  author =       {Stern, J. P.},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/ZXWWDXSD/catalog.html}
}

@book{watt_cambridge_2011,
  location =     {{Cambridge}},
  title =        {The {{Cambridge Introduction}} to {{Marcel Proust}}},
  isbn =         {978-0-521-51643-3},
  publisher =    {{Cambridge University Press}},
  date =         2011,
  keywords =     {Criticism and interpretation,Proust; Marcel;
                  1871-1922,LITERARY CRITICISM / European / General},
  author =       {Watt, Adam A. (Adam Andrew)},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/WK94MATB/catalog.html}
}

@incollection{adorno_late_2002,
  location =     {{Berkeley}},
  title =        {Late {{Style}} in {{Beethoven}}},
  booktitle =    {Essays on {{Music}}},
  publisher =    {{University of California Press}},
  date =         2002,
  pages =        {564-568},
  author =       {Adorno, Theodor},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/48RNF72B/Adorno_Late
                  Style.pdf}
}

@book{hepburn_art_1963,
  location =     {{Bloomington}},
  title =        {The Art of {{Arnold Bennett}}},
  publisher =    {{Indiana University Press}},
  date =         1963,
  keywords =     {Bennett; Arnold; 1867-1931},
  author =       {Hepburn, James G.},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/UU5TPVK2/catalog.html}
}

@online{_ward_????-1,
  title = {Ward, {{Mary Augusta}} - {{Oxford Reference}}},
  url = {http://www.oxfordreference.com/view/10.1093/acref/9780192806871.001.0001/acref-9780192806871-e-7931},
  abstract = {commonly known as Mrs Humphry Ward (1851–1920), granddaughter of Thomas *Arnold of Rugby, and daughter of the},
  urldate = {2016-05-06},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/QHM93C9I/acref-9780192806871-e-7931.html}
}

@article{burrows_englishing_2002-1,
  eprinttype =   {jstor},
  eprint =       {10.5325/style.36.4.677},
  title =        {The {{Englishing}} of {{Juvenal}}: {{Computational
                  Stylistics}} and {{Translated Texts}}},
  volume =       36,
  issn =         {0039-4238},
  shorttitle =   {The {{Englishing}} of {{Juvenal}}},
  abstract =     {Traditional and computational forms of stylistics have more in
                  common than is obvious at first sight. Both rely upon the
                  close analysis of texts, and both benefit from opportunities
                  for comparison. They also complement each other by virtue of
                  their differing strengths and limitations. The present article
                  compares fifteen English versions of Juvenal's Tenth Satire.
                  The analysis is directed at three main lines of investigation.
                  To what extent is it possible to identify the “stylistic
                  signature” of a translator, an authorial agent whose
                  contribution is clearly not that of an original author? What,
                  if any, common features run through these fifteen versions of
                  an original? And to what extent can computer-assisted
                  comparisons throw light on particular versions of a poem whose
                  English translators and imitators include John Dryden and
                  Samuel Johnson?},
  number =       4,
  journaltitle = {Style},
  shortjournal = {Style},
  date =         2002,
  pages =        {677-698},
  author =       {Burrows, John},
  file =         {/home/jon/Dokumentujo/Papers/Comp Style/Burrows_2002_The
                  Englishing of
                  Juvenal.pdf;/home/jon/Dokumentujo/Papers/zotero/storage/MDIMR89M/Burrows
                  - 2002 - The Englishing of Juvenal Computational
                  Stylistic.pdf}
}

@article{burrows_questions_2003,
  title =        {Questions of {{Authorship}}: {{Attribution}} and {{Beyond}}},
  volume =       37,
  issn =         {0010-4817},
  shorttitle =   {Questions of {{Authorship}}},
  number =       1,
  journaltitle = {Computers and the Humanities},
  date =         2003,
  pages =        5,
  author =       {Burrows, John},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/PWZ8TFZ4/articles.html}
}

@article{burrows_questions_2003-1,
  eprinttype =   {jstor},
  eprint =       30204877,
  title =        {Questions of {{Authorship}}: {{Attribution}} and {{Beyond}}:
                  {{A Lecture Delivered}} on the {{Occasion}} of the {{Roberto
                  Busa Award ACH}}-{{ALLC}} 2001, {{New York}}},
  volume =       37,
  issn =         {0010-4817},
  shorttitle =   {Questions of {{Authorship}}},
  number =       1,
  journaltitle = {Computers and the Humanities},
  shortjournal = {Computers and the Humanities},
  date =         2003,
  pages =        {5-32},
  author =       {Burrows, John},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/VTMDAEV8/Burrows -
                  2003 - Questions of Authorship Attribution and Beyond A.pdf}
}

@online{_modernist_????,
  title = {Modernist {{Frequencies}}: {{A Computational Stylistics}} Approach to {{National Modernisms}} | {{The Association}} for {{Computers}} and the {{Humanities}}},
  url = {http://ach.org/2013/12/30/modernist-frequencies-a-computational-stylistics-approach-to-national-modernisms/},
  urldate = {2016-07-12},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/D2FU5AMJ/modernist-frequencies-a-computational-stylistics-approach-to-national-modernisms.html}
}

@article{RybickiVivedifferenceTracing2015,
  langid =       {english},
  title =        {Vive La Différence: {{Tracing}} the ({{Authorial}}) {{Gender
                  Signal}} by {{Multivariate Analysis}} of {{Word Frequencies}}},
  issn =         {2055-7671, 2055-768X},
  url =
                  {http://dsh.oxfordjournals.org/content/early/2015/07/07/llc.fqv023},
  doi =          {10.1093/llc/fqv023},
  shorttitle =   {Vive La Différence},
  abstract =     {Multivariate analysis of word frequencies is used to identify
                  the gender of authors in a corpus of 18th- and early
                  19th-century English sentimentalist and Gothic fiction.
                  Results obtained with most frequent words are compared to
                  those produced with medium-frequency Burrows's Zeta words
                  characteristic for both genders. Gender-sensitive words from
                  two periods (18th/19th c. and 19th/20th c.) are compared in
                  terms of their usefulness for gender identification in
                  literary texts.},
  journaltitle = {Digital Scholarship in the Humanities},
  urldate =      {2016-07-12},
  date =         {2015-07-07},
  pages =        {fqv023},
  author =       {Rybicki, Jan},
  file =         {/home/jon/Dokumentujo/Papers/Digital Humanities/Rybicki_2015_Vive
                  la
                  différence.pdf;/home/jon/Dokumentujo/Papers/zotero/storage/WPGS26KJ/llc.html}
}

@online{schoch_stylometry_????,
  title = {Stylometry and Pastiche. {{A}} Case Study from {{French}} Crime Fiction},
  url = {http://dragonfly.hypotheses.org/745},
  abstract = {When I enthusiastically present literary scholars with the surprising accuracy stylometric methods display in many cases of authorship attribution (given appropriate conditions, such as sufficient material, a certain homogeneity in the genre of the texts, and state-of-the art distance measures), some come up with a clever question: What if one author parodies the style of another author? Will stylometric methods...},
  journaltitle = {The Dragonfly's Gaze},
  type = {Billet},
  urldate = {2016-07-12},
  author = {Schöch, Christof},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/8HJFJ8CC/745.html}
}

@book{eder_characters_2011,
  title =        {Characters in Fictional Worlds: {{Understanding}} Imaginary
                  Beings in Literature, Film, and Other Media},
  volume =       3,
  url =
                  {https://www.google.com/books?hl=en&lr=&id=lpD8kLoEbLkC&oi=fnd&pg=PR1&dq=fotis+fiction+characters&ots=ZqcUpV-8Ea&sig=FPCJgjMdLjebsejSU_TRXpJtcCI},
  shorttitle =   {Characters in Fictional Worlds},
  publisher =    {{Walter de Gruyter}},
  urldate =      {2016-07-13},
  date =         2011,
  author =       {Eder, Jens and Jannidis, Fotis and Schneider, Ralf},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/GGNWX7BE/books.html}
}

@article{van_hulle_periodizing_2016,
  eprinttype =   {jstor},
  eprint =       {10.5325/style.50.2.0172},
  title =        {Periodizing {{Samuel Beckett}}'s {{Works}}: {{A
                  Stylochronometric Approach}}},
  volume =       50,
  issn =         {0039-4238},
  doi =          {10.5325/style.50.2.0172},
  shorttitle =   {Periodizing {{Samuel Beckett}}'s {{Works}}},
  abstract =     {We report the first analysis of Samuel Beckett's prose
                  writings using stylometry, or the quantitative study of
                  writing style, focusing on grammatical function words, a
                  linguistic category that has seldom been studied before in
                  Beckett studies. To these function words, we apply methods
                  from computational stylometry and model the stylistic
                  evolution in Beckett's oeuvre. Our analyses reveal a number of
                  discoveries that shed new light on existing periodizations in
                  the secondary literature, which commonly distinguish an
                  “early,” “middle,” and “late” period in Beckett's oeuvre. We
                  analyze Beckett's prose writings in both English and French,
                  demonstrating notable symmetries and asymmetries between both
                  languages. The analyses nuance the traditional three-part
                  periodization as they show the possibility of stylistic
                  relapses (disturbing the linearity of most periodizations) as
                  well as different turning points depending on the language of
                  the corpus, suggesting that Beckett's English oeuvre is not
                  identical to his French oeuvre in terms of patterns of
                  stylistic development.},
  number =       2,
  journaltitle = {Style},
  shortjournal = {Style},
  date =         2016,
  pages =        {172-202},
  author =       {van Hulle, Dirk and Kestemont, Mike},
  options =      {useprefix=true},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/2B7TQXK4/van Hulle and
                  Kestemont - 2016 - Periodizing Samuel Beckett's Works A
                  Stylochronom.pdf}
}

@collection{driscoll_digital_2016,
  title = {Digital {{Scholarly Editing}}: {{Theories}} and {{Practices}}},
  isbn = {978-1-78374-238-7 978-1-78374-239-4 978-1-78374-240-0 978-1-78374-241-7 978-1-78374-242-4},
  url = {http://www.openbookpublishers.com/product/483},
  shorttitle = {Digital {{Scholarly Editing}}},
  publisher = {{Open Book Publishers}},
  urldate = {2016-08-25},
  date = {2016-08},
  editor = {Driscoll, Matthew James and Pierazzo, Elena}
}

@article{tehrani_oral_2016,
  langid =       {english},
  title =        {Oral Fairy Tale or Literary Fake? {{Investigating}} the
                  Origins of {{Little Red Riding Hood}} Using Phylogenetic
                  Network Analysis},
  volume =       31,
  issn =         {2055-7671, 2055-768X},
  url =
                  {http://dsh.oxfordjournals.org.ezproxy.cul.columbia.edu/content/31/3/611},
  doi =          {10.1093/llc/fqv016},
  shorttitle =   {Oral Fairy Tale or Literary Fake?},
  abstract =     {The evolution of fairy tales often involves complex
                  interactions between oral and literary traditions, which can
                  be difficult to tease apart when investigating their origins.
                  Here, we show how computer-assisted stemmatology can be
                  productively applied to this problem, focusing on a
                  long-standing controversy in fairy tale scholarship: did
                  Little Red Riding Hood originate as an oral tale that was
                  adapted by Perrault and the Brothers Grimm, or is the oral
                  tradition in fact derived from literary texts? We address this
                  question by analysing a sample of twenty-four literal and oral
                  versions of the fairy tale Little Red Riding Hood using
                  several methods of phylogenetic analysis, including maximum
                  parsimony and two network-based approaches (NeighbourNet and
                  TRex). While the results of these analyses are more compatible
                  with the oral origins hypothesis than the alternative literary
                  origins hypothesis, their interpretation is problematized by
                  the fact that none of them explicitly model lineal (i.e.
                  ancestor-descendent) relationships among taxa. We therefore
                  present a new likelihood-based method, PhyloDAG, which was
                  specifically developed to model lineal as well as collateral
                  and reticulate relationships. A comparison of different
                  structures derived from PhyloDAG provided a much clearer
                  result than the maximum parsimony, NeighbourNet or TRex
                  analyses, and strongly favoured the hypothesis that literary
                  versions of Little Red Riding Hood were originally based on
                  oral folktales, rather than vice versa.},
  number =       3,
  journaltitle = {Digital Scholarship in the Humanities},
  urldate =      {2016-08-27},
  date =         {2016-09-01},
  pages =        {611-636},
  author =       {Tehrani, Jamshid and Nguyen, Quan and Roos, Teemu},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/CQJMB37B/Tehrani et
                  al. - 2016 - Oral fairy tale or literary fake Investigating
                  th.pdf;/home/jon/Dokumentujo/Papers/zotero/storage/2QD4K79T/611.html}
}

@online{_sherlocknet:_????,
  title = {{{SherlockNet}}: Tagging and Captioning the {{British Library}}’s {{Flickr}} Images - {{Digital}} Scholarship Blog},
  url = {http://blogs.bl.uk/digital-scholarship/2016/08/sherlocknet-tagging-and-captioning-the-british-librarys-flickr-images.html?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+digital-scholarship+%28Digital+Scholarship%29},
  urldate = {2016-08-27},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/U9JED2BD/sherlocknet-tagging-and-captioning-the-british-librarys-flickr-images.html}
}

@article{spadini_digital_2016,
  langid =       {english},
  title =        {Digital {{Scholarly Editing}}. {{Theories}}, {{Models}} and
                  {{Methods}}. {{Elena Pierazzo}}.},
  volume =       31,
  issn =         {2055-7671, 2055-768X},
  url =
                  {http://dsh.oxfordjournals.org.ezproxy.cul.columbia.edu/content/31/3/513},
  doi =          {10.1093/llc/fqw033},
  abstract =     {Digital Scholarly Editing. Theories, Models and Methods. Elena
                  Pierazzo. Farnham, Surrey: Routledge, 2015. 242 pp. ISBN
                  978-1-4724-1211-9. £65 (hardback) Digital Scholarly Editing
                  (DSE) stands as a long-awaited and timely contribution to the
                  field. A valuable addition to an already vast canon on the
                  subject, it remains one of the rare instances of a systematic
                  investigation of a field which, while still undergoing a phase
                  of experimentation, has now reached a level of maturity that
                  begs for such a comprehensive analysis. By distancing itself
                  from historical and evaluative accounts as well as from a
                  ‘how-to’ guide to digital editing, the book advocates for a
                  ‘heightened awareness of medium as a methodological question’
                  in textual scholarship (Fraistat and Flanders, 2013, p. 1),
                  offering a detailed analysis of ‘the methodological
                  implications of the application of computational methods to
                  all stages of the editorial workflow’ (p. 1). This guiding
                  principle allows the author not only to deconstruct and
                  further challenge the persistent adherence to the ‘page
                  paradigm’ that brings digital editions to ‘only timidly
                  engag[e] with the medium’ (p. 2) but also to provide an
                  exemplary methodological analysis of DSE through modelling.
                  The first four chapters address theoretical aspects of DSE.
                  The book begins with a concise overview of traditional
                  editorial models. A number of emergent born-digital editorial
                  approaches, such as phylogenetic analysis, social editing,
                  crowdsourcing, and ergodic editions, are then discussed in
                  detail. Crowdsourcing activities, for instance, are classified
                  according to five parameters (context, participants, tasks,
                  quality control, and role in the project), while analysis of
                  the source-and-the-output model (paradigmatic editions) brings
                  the author to argue that encoding could blur the boundaries
                  between different types of editions (diplomatic, reading,
                  etc.). Established practices in the digital realm, such as the
                  side-by-side view discussed in the section devoted to
                  interactivity and gamification, are also challenged. The
                  chapter concludes with an examination of functional analyses
                  of DSEs. In the second chapter, the author applies …
                  anna-maria.sichani\{at\}huygens.knaw.nl},
  number =       3,
  journaltitle = {Digital Scholarship in the Humanities},
  urldate =      {2016-08-27},
  date =         {2016-09-01},
  pages =        {513-516},
  author =       {Spadini, Elena and Sichani, Anna-Maria},
  file =         {/home/jon/Dokumentujo/Papers/zotero/storage/X3HBPNIJ/Spadini and
                  Sichani - 2016 - Digital Scholarly Editing. Theories, Models
                  and
                  Me.pdf;/home/jon/Dokumentujo/Papers/zotero/storage/872QUCIU/513.html}
}

@online{jockers__????,
  title = {» {{More Syuzhet Validation Matthew L}}. {{Jockers}}},
  url = {http://www.matthewjockers.net/2016/08/11/more-syuzhet-validation/},
  urldate = {2016-08-27},
  author = {Jockers, Matthew},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/XDCFTMN9/more-syuzhet-validation.html}
}

@article{walzl_joyces_1973,
  eprinttype =   {jstor},
  eprint =       25487078,
  title =        {Joyce's "{{The Sisters}}": {{A Development}}},
  volume =       10,
  issn =         {0021-4183},
  shorttitle =   {Joyce's "{{The Sisters}}"},
  number =       4,
  journaltitle = {James Joyce Quarterly},
  shortjournal = {James Joyce Quarterly},
  date =         1973,
  pages =        {375-421},
  author =       {Walzl, Florence L.},
  file =         {/home/jon/Dokumentujo/Papers/James
                  Joyce/Dubliners/Walzl_1973_Joyce's The
                  Sisters.pdf;/home/jon/Dokumentujo/Papers/zotero/storage/47HPAGZZ/25487078.html}
}

@book{norris_suspicious_2010,
  langid =       {english},
  title =        {Suspicious {{Readings}} of {{Joyce}}'s "{{Dubliners}}"},
  isbn =         {978-0-8122-0298-4},
  abstract =     {Because the stories in James Joyce's Dubliners seem to
                  function as models of fiction, they are able to stand in for
                  fiction in general in their ability to make the operation of
                  texts explicit and visible. Joyce's stories do this by
                  provoking skepticism in the face of their storytelling. Their
                  narrative unreliabilities—produced by strange gaps, omitted
                  scenes, and misleading narrative prompts—arouse suspicion and
                  oblige the reader to distrust how and why the story is told.As
                  a result, one is prompted to look into what is concealed,
                  omitted, or left unspoken, a quest that often produces
                  interpretations in conflict with what the narrative surface
                  suggests about characters and events. Margot Norris's strategy
                  in her analysis of the stories in Dubliners is to refuse to
                  take the narrative voice for granted and to assume that every
                  authorial decision to include or exclude, or to represent in a
                  particular way, may be read as motivated. Suspicious Readings
                  of Joyce's Dubliners examines the text for counterindictions
                  and draws on the social context of the writing in order to
                  offer readings from diverse theoretical
                  perspectives.Suspicious Readings of Joyce's Dubliners devotes
                  a chapter to each of the fifteen stories in Dubliners and
                  shows how each confronts the reader with an interpretive
                  challenge and an intellectual adventure. Its readings of "An
                  Encounter," "Two Gallants," "A Painful Case," "A Mother," "The
                  Boarding House," and "Grace" reconceive the stories in wholly
                  novel ways—ways that reveal Joyce's writing to be even more
                  brilliant, more exciting, and more seriously attuned to moral
                  and political issues than we had thought.},
  pagetotal =    293,
  publisher =    {{University of Pennsylvania Press}},
  date =         {2010-11-24},
  keywords =     {Literary Criticism / General,Literary Criticism / European /
                  English; Irish; Scottish; Welsh,History / Europe / Ireland},
  author =       {Norris, Margot},
  file =         {/home/jon/Dokumentujo/Papers/James
                  Joyce/Dubliners/Norris_2010_Suspicious Readings of Joyce's
                  Dubliners.pdf},
}

@online{_chapter:_2014,
  title = {The {{Chapter}}: {{A History}}},
  url = {http://www.newyorker.com/books/page-turner/chapter-history},
  shorttitle = {The {{Chapter}}},
  abstract = {What does the chapter’s beginnings, in the Bibles of late antiquity and early medieval Europe, reveal about the way our books and stories are put together?},
  journaltitle = {The New Yorker},
  urldate = {2016-09-12},
  date = {2014-10-29T15:02:38-04:00},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/BF9PGXKG/chapter-history.html}
}

@online{_book_????,
  title = {Book {{Launch}}: {{Hermeneutica}}, {{Computer}}-{{Assisted Interpretation}} in the {{Humanities}} | {{Stéfan Sinclair}}},
  url = {http://stefansinclair.name/hermeneutica/},
  shorttitle = {Book {{Launch}}},
  abstract = {It's a pleasure to announce the availability of our new book Hermeneutica, Computer-Assisted Interpretation in the Humanities (co-authored with Geoffrey ...},
  urldate = {2016-09-14},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/N8ZXMVS2/hermeneutica.html;/home/jon/Dokumentujo/Papers/zotero/storage/PETZDDCT/hermeneutica.html}
}

@book{hildebrand_problem_1907,
  langid =       {english},
  title =        {The Problem of Form in Painting and Sculpture},
  url =          {http://archive.org/details/problemforminpa00ogdegoog},
  abstract =     {Book digitized by Google from the library of University of
                  Michigan and uploaded to the Internet Archive by user tpb.},
  pagetotal =    151,
  publisher =    {{New York [etc.] G. E. Stechert \& co.}},
  urldate =      {2016-09-21},
  date =         1907,
  keywords =     {Art},
  author =       {von Hildebrand, Adolf and Meyer, Max Friedrich and Ogden,
                  Robert Morris},
  editora =      {{University of Michigan}},
  editoratype =  {collaborator},
  file =         {/home/jon/Dokumentujo/Papers/Form/Hildebrand et al_1907_The
                  problem of form in painting and sculpture_3.pdf}
}

@book{herder_sculpture:_2002,
  location =     {{Chicago}},
  title =        {Sculpture: Some Observations on Shape and Form from
                  {{Pygmalion}}'s Creative Dream},
  shorttitle =   {Sculpture [Electronic Resource]},
  publisher =    {{University of Chicago Press}},
  date =         2002,
  keywords =     {Aesthetics,Philosophy,Art,Sculpture,Electronic books},
  author =       {Herder, Johann Gottfried},
  file =         {/home/jon/Dokumentujo/Papers/Form/Herder_2002_Sculpture
                  [electronic resource]_2.pdf}
}

@book{lessing_laocoon_1836,
  langid =       {english},
  title =        {Laocoon, {{Or The Limits}} of {{Poetry}} and {{Painting}}.},
  url =          {http://archive.org/details/laocoonorlimits00rossgoog},
  abstract =     {Book digitized by Google from the library of Oxford University
                  and uploaded to the Internet Archive by user tpb.},
  pagetotal =    417,
  publisher =    {{Printed at the University Press by E . Khull.}},
  urldate =      {2016-09-22},
  date =         1836,
  author =       {Lessing, Gotthold Ephraim},
  editora =      {{Oxford University}},
  editoratype =  {collaborator},
  file =         {/home/jon/Dokumentujo/Papers/Form/Gotthold Ephraim
                  Lessing_1836_Laocoon\; Or The Limits of Poetry and
                  Painting_2.pdf}
}

@book{plato_phaedrus_2002,
  langid =       {english},
  title =        {Phaedrus},
  isbn =         {978-0-19-280277-4},
  abstract =     {Phaedrus is widely recognized as one of Plato's most profound
                  and beautiful works. It takes the form of a dialogue between
                  Socrates and Phaedrus and its ostensible subject is love,
                  especially homoerotic love. This new translation is
                  accompanied by an introduction and full notes that discuss the
                  structure of the dialogue and elucidate issues that might
                  puzzle the modern reader. - ;'Some of our greatest blessings
                  come from madness Phaedrus is widely recognized as one of
                  Plato's most profound and beautiful works. It takes the form
                  of a dialogue between Socrates and Phaedrus and its ostensible
                  subject is love, especially homoerotic love. Socrates reveals
                  it to be a kind of divine madness that can allow our souls to
                  grow wings and soar to their greatest heights. Then the
                  conversation changes direction and turns to a discussion of
                  rhetoric, which must be based on truth passionately sought,
                  thus allying it to philosophy. The dialogue closes by
                  denigrating the value of the written word in any context,
                  compared to the living teaching of a Socratic philosopher. The
                  shifts of topic and register have given rise to doubts about
                  the unity of the dialogue, doubts which are addressed in the
                  introduction to this volume. Full explanatory notes also
                  elucidate issues throughout the dialogue that might puzzle a
                  modern reader. -},
  pagetotal =    171,
  publisher =    {{Oxford University Press, UK}},
  date =         {2002-11-14},
  keywords =     {Philosophy / History & Surveys / Ancient & Classical},
  author =       {Plato and Waterfield, Robin},
  file =
                  {/home/jon/Dokumentujo/Papers/Form/Plato_Waterfield_2002_Phaedrus.pdf},
}

@book{plato_timaeus_2008,
  langid =       {english},
  title =        {Timaeus and {{Critias}}},
  isbn =         {978-0-19-153978-7},
  abstract =     {'The god wanted everything to be good, marred by as little
                  imperfection as possible.' Timaeus, one of Plato's
                  acknowledged masterpieces, is an attempt to construct the
                  universe and explain its contents by means of as few axioms as
                  possible. The result is a brilliant, bizarre, and surreal
                  cosmos - the product of the rational thinking of a creator god
                  and his astral assistants, and of purely mechanistic causes
                  based on the behaviour of the four elements. At times
                  dazzlingly clear, at times intriguingly opaque, this was
                  state-of-the-art science in the middle of the fourth century
                  BC. The world is presented as a battlefield of forces that are
                  unified only by the will of God, who had to do the best he
                  could with recalcitrant building materials. The unfinished
                  companion piece, Critias, is the foundational text for the
                  story of Atlantis. It tells how a model society became
                  corrupt, and how a lost race of Athenians defeated the
                  aggression of the invading Atlanteans. This new edition
                  combines the clearest translation yet of these crucial ancient
                  texts with an illuminating introduction and diagrams. ABOUT
                  THE SERIES: For over 100 years Oxford World's Classics has
                  made available the widest range of literature from around the
                  globe. Each affordable volume reflects Oxford's commitment to
                  scholarship, providing the most accurate text plus a wealth of
                  other valuable features, including expert introductions by
                  leading authorities, helpful notes to clarify the text,
                  up-to-date bibliographies for further study, and much more.},
  pagetotal =    235,
  publisher =    {{OUP Oxford}},
  date =         {2008-11-13},
  keywords =     {Science / Philosophy & Social Aspects,Philosophy / History &
                  Surveys / Ancient & Classical},
  author =       {Plato},
  file =         {/home/jon/Dokumentujo/Papers/Form/Plato_2008_Timaeus and
                  Critias.pdf},
}

@article{hegel_philosophy_1870,
  eprinttype =   {jstor},
  eprint =       25665723,
  title =        {The {{Philosophy}} of {{Plato}}},
  volume =       4,
  issn =         {0891-625X},
  number =       3,
  journaltitle = {The Journal of Speculative Philosophy},
  shortjournal = {The Journal of Speculative Philosophy},
  date =         1870,
  pages =        {225-268},
  author =       {Hegel, G. W. F.},
  file =         {/home/jon/Dokumentujo/Papers/Form/Hegel_1870_THE PHILOSOPHY OF
                  PLATO_2.pdf;/home/jon/Dokumentujo/Papers/Form/Hegel_1870_The
                  Philosophy of Plato.pdf}
}

@book{hegel_aesthetics:_1975,
  location =     {{Oxford}},
  title =        {Aesthetics {{Lectures}} on {{Fine Art}}},
  url =
                  {https://courseworks.columbia.edu/access/content/group/CLENG6537_001_2016_3/hegel-aesthetics-1.pdf},
  publisher =    {{Clarendon Press}},
  urldate =      {2016-10-01},
  date =         1975,
  author =       {Hegel, G.W.F},
  file =         {/home/jon/Dokumentujo/Papers/Form/Hegel_1975_Aesthetics.pdf}
}

@book{joyce_ulysses_1986,
  langid =       {english},
  location =     {{New York}},
  title =        {Ulysses},
  edition =      {1st edition},
  isbn =         {978-0-394-74312-7},
  abstract =     {Considered the greatest 20th century novel written in English,
                  in this edition Walter Gabler uncovers previously unseen text.
                  It is a disillusioned study of estrangement, paralysis and the
                  disintegration of society.},
  pagetotal =    680,
  publisher =    {{Vintage}},
  date =         {1986-05-12},
  author =       {Joyce, James},
  editor =       {Gabler, Hans Walter},
  file =         {/home/jon/Dokumentujo/Papers/James
                  Joyce/Ulysses/Joyce_Gabler_1986_Ulysses_2.pdf}
}

@online{sayers_minimal_2016,
  title = {Minimal {{Definitions}} · {{Minimal Computing}}},
  url = {http://go-dh.github.io/mincomp/thoughts/2016/10/02/minimal-definitions/},
  urldate = {2016-10-03},
  date = {2016},
  author = {Sayers, Jentery},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/GMUG4VUD/minimal-definitions.html}
}

@book{blamires_new_1996,
  langid =       {english},
  title =        {The {{New Bloomsday Book}}: {{A Guide Through Ulysses}}},
  isbn =         {978-0-415-13857-4},
  shorttitle =   {The {{New Bloomsday Book}}},
  abstract =     {An indispensable guide for anyone reading Joyce's masterpiece
                  for the first time, provding a crystal clear, page-by-page,
                  line-by-line running commentary on the plot of Ulysses.Since
                  1966 readers new to James Joyce have depended upon this
                  essential guide to Ulysses. Harry Blamires helps readers to
                  negotiate their way through this formidable, remarkable novel
                  and gain an understanding of it which, without help, it might
                  have taken several readings to achieve.The New Bloomsday Book
                  is a crystal clear, page-by-page, line-by-line running
                  commentary on the plot of Ulysses which illuminates symbolic
                  themes and structures along the way. It is a highly
                  accessible, indispensible guide for anyone reading Joyce's
                  masterpiece for the first time.To ensure that Blamires'
                  classic work will remain useful to new readers, this third
                  edition contains the page numbering and references to three
                  commonly read editions of Ulysses: the Oxford University Press
                  'World Classics' (1993), the Penguin 'Twentieth-Century
                  Classics' (1992), and the Gabler 'Corrected Text' (1986)
                  editions.},
  pagetotal =    280,
  publisher =    {{Psychology Press}},
  date =         1996,
  keywords =     {Literary Criticism / General,Literary Criticism / European /
                  English; Irish; Scottish; Welsh},
  author =       {Blamires, Harry},
  file =         {/home/jon/Dokumentujo/Papers/James Joyce/Ulysses/Blamires_1996_The
                  New Bloomsday Book.pdf},
}

@book{gifford_ulysses_2008,
  langid =       {english},
  title =        {Ulysses {{Annotated}}: {{Notes}} for {{James Joyce}}'s
                  {{Ulysses}}},
  isbn =         {978-0-520-25397-1},
  shorttitle =   {Ulysses {{Annotated}}},
  abstract =     {Don Gifford's annotations to Joyce's great modern classic
                  comprise a specialized encyclopedia that will inform any
                  reading of Ulysses. The suggestive potential of minor details
                  was enormously fascinating to Joyce, and the precision of his
                  use of detail is a most important aspect of his literary
                  method. The annotations in this volume illuminate details
                  which are not in the public realm for most of us. The
                  annotations gloss place names, define slang terms, give
                  capsule histories of institutions and political and cultural
                  movements and figures, supply bits of local and Irish legend
                  and lore, explain religious nomenclature and practices, trace
                  literary allusions and references to other cultures.
                  Annotations are keyed not only to the reading text of the
                  critical edition of Ulysses, but to the standard 1961 Random
                  House edition, and the current Modern Library and Vintage
                  texts.},
  pagetotal =    700,
  publisher =    {{University of California Press}},
  date =         {2008-01},
  keywords =     {Literary Criticism / European / English; Irish; Scottish;
                  Welsh,Reference / Dictionaries},
  author =       {Gifford, Don and Seidman, Robert J.},
  file =         {/home/jon/Dokumentujo/Papers/James
                  Joyce/Ulysses/Gifford_Seidman_2008_Ulysses Annotated_2.pdf},
}

@book{ellmann_james_1982,
  langid =       {english},
  title =        {James {{Joyce}}},
  isbn =         {978-0-19-500723-7},
  abstract =     {Upon its publication in 1959, this book was recognized as the
                  definitive study of Joyce's life. In honor of the James Joyce
                  Centenary in 1982, the author published a new edition,
                  thoroughly revised and expanded. Ellmann's original research
                  led him from Dublin to Joyce's haunts in Europe. In the
                  process he discovered many people who served as partial models
                  for Joyce's characters, networks of association in which they
                  were placed, and he shows how Joyce converted this raw
                  material into brilliant works of fiction. Ellmann gives a
                  fascinating account of the literary milieu in which Joyce
                  worked, and discusses his relationship with Yeats, Shaw,
                  Eliot, Hemingway, Proust, Pound, Larbaud, and Fitzgerald. His
                  dramatic portrait of Joyce as son, lover, husband. father, and
                  artist provides the key to understanding Joyce's revolutionary
                  writings. This new edition, for a new generation, Ellmann
                  feels "may help to assuage some of the curiosity that still
                  persists about this bizarre and wonderful creature who turned
                  literature and language on its end."--Publisher description.},
  pagetotal =    887,
  publisher =    {{Oxford University Press}},
  date =         1982,
  author =       {Ellmann, Richard},
  file =         {/home/jon/Dokumentujo/Papers/James Joyce/Ulysses/1982_James
                  Joyce.pdf},
}

@book{gifford_joyce_1981,
  langid =       {english},
  title =        {Joyce {{Annotated}}: {{Notes}} for {{Dubliners}} and {{A
                  Portrait}} of the {{Artist}} as a {{Young Man}}},
  isbn =         {978-0-520-90695-2},
  shorttitle =   {Joyce {{Annotated}}},
  abstract =     {In James Joyce's early work, as in Ulysses and Finnegans Wake,
                  meanings are often concealed in obscure allusions and details
                  of veiled suggestive power. Consistent recognition of these
                  hidden signififances in Dubliners and A Portrait of the Artist
                  as a Young Man would require an encyclopedic knowledge of life
                  in nineteenth- and twentieth-century Dublin such as few
                  readers possess. Now this substantially revised and expanded
                  edition of Don Gifford's Notes to Joyce: "Dubliners" and "A
                  Portrait of the Artist as a Young Man" puts the requisite
                  knowledge at the disposal of scholars, students, and general
                  readers.An ample introductory essay supplies the historical,
                  biographical, and geographical background for Dubliners and
                  Portrait. The annotations that follow gloss place names,
                  define slang terms, recount relevant gossip, give capsule
                  histories of institutions and political and cultural movements
                  and figures, supply bits of local and Irish legend and lore,
                  explain religious nomenclature and practices, and illuminate
                  cryptic allusions to literature, theology, philosophy, science
                  and the arts.Professor Gifford's labors in gathering these
                  data into a single volume have resulted in an invaluable
                  source-book for all students of Joyce's art.},
  pagetotal =    324,
  publisher =    {{University of California Press}},
  date =         {1981-12-07},
  keywords =     {Literary Criticism / European / English; Irish; Scottish;
                  Welsh},
  author =       {Gifford, Don},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/JJHVJNXE/gifford-dubliners-portrait.djvu},
}

@book{gilbert_james_1955,
  langid =       {english},
  title =        {James {{Joyce}}'s {{Ulysses}}},
  pagetotal =    452,
  date =         1955,
  author =       {Gilbert, Stuart},
  file =         {/home/jon/Dokumentujo/Papers/James
                  Joyce/Ulysses/Gilbert_1955_James Joyce's Ulysses.pdf},
}

@book{joyce_little_2015,
  langid =       {english},
  title =        {The {{Little Review}} "{{Ulysses}}"},
  isbn =         {978-0-300-21349-2},
  abstract =     {James Joyce’s Ulysses first appeared in print in the pages of
                  an American avant-garde magazine, The Little Review, between
                  1918 and 1920. The novel many consider to be the most
                  important literary work of the twentieth century was, at the
                  time, deemed obscene and scandalous, resulting in the eventual
                  seizure of The Little Review and the placing of a legal ban on
                  Joyce’s masterwork that would not be lifted in the United
                  States until 1933. For the first time, The Little Review
                  “Ulysses” brings together the serial installments of Ulysses
                  to create a new edition of the novel, enabling teachers,
                  students, scholars, and general readers to see how one of the
                  previous century’s most daring and influential prose
                  narratives evolved, and how it was initially introduced to an
                  audience who recognized its radical potential to transform
                  Western literature. This unique and essential publication also
                  includes essays and illustrations designed to help readers
                  understand the rich contexts in which Ulysses first appeared
                  and trace the complex changes Joyce introduced after it was
                  banned.},
  pagetotal =    486,
  publisher =    {{Yale University Press}},
  date =         {2015-06-16},
  keywords =     {Literary Criticism / European / English; Irish; Scottish;
                  Welsh,Fiction / Literary},
  author =       {Joyce, James and Gaipa, Mark and Latham, Sean and Scholes,
                  Robert},
  file =         {/home/jon/Dokumentujo/Papers/James Joyce/Ulysses/Joyce et
                  al_2015_The Little Review Ulysses.pdf},
}

@book{fargnoli_critical_2014,
  langid =       {english},
  title =        {Critical {{Companion}} to {{James Joyce}}: {{A Literary
                  Reference}} to {{His Life}} and {{Work}}},
  isbn =         {978-1-4381-0848-3},
  shorttitle =   {Critical {{Companion}} to {{James Joyce}}},
  abstract =     {Examines the life and writings of James Joyce, including a
                  biographical sketch, detailed synopses of his works, social
                  and historical influences, and more.},
  pagetotal =    465,
  publisher =    {{Infobase Publishing}},
  date =         {2014-05-14},
  keywords =     {Literary Criticism / European / English; Irish; Scottish;
                  Welsh},
  author =       {Fargnoli, A. Nicholas and Fargnoli, Vice-President of the
                  James Joyce Society {and} Professor of Theology {and} English
                  A. Nicholas and Gillespie, Michael Patrick},
  file =         {/home/jon/Dokumentujo/Papers/James Joyce/Ulysses/Fargnoli et
                  al_2014_Critical Companion to James Joyce.pdf},
}

@book{bloom_james_2009,
  langid =       {english},
  title =        {James {{Joyce}}},
  isbn =         {978-1-4381-1929-8},
  abstract =     {James Joyce is one of the most revered and influential writers
                  of the 20th century. This Irishman transformed novelistic
                  conventions through experimentation in language and narrative
                  structure. "Ulysses," "A Portrait of the Artist as a Young
                  Man," and the stories that make up his collection "Dubliners"
                  are among the major works discussed in this new collection of
                  full-length critical essays. This latest addition to the
                  Blooms Modern Critical Views series also features a
                  chronology, notes on the contributor, a bibliography, and an
                  introductory essay by master scholar Harold Bloom.},
  pagetotal =    271,
  publisher =    {{Infobase Publishing}},
  date =         2009,
  author =       {Bloom, Harold},
  file =         {/home/jon/Dokumentujo/Papers/James Joyce/Ulysses/Bloom_2009_James
                  Joyce.pdf},
}

@article{lin_critical_2016,
  archivePrefix ={arXiv},
  eprinttype =   {arxiv},
  eprint =       {1606.06737},
  primaryClass = {cond-mat},
  title =        {Critical {{Behavior}} from {{Deep Dynamics}}: {{A Hidden
                  Dimension}} in {{Natural Language}}},
  url =          {http://arxiv.org/abs/1606.06737},
  shorttitle =   {Critical {{Behavior}} from {{Deep Dynamics}}},
  abstract =     {We show that in many data sequences - from texts in different
                  languages to melodies and genomes - the mutual information
                  between two symbols decays roughly like a power law with the
                  number of symbols in between the two. In contrast, we prove
                  that Markov/hidden Markov processes generically exhibit
                  exponential decay in their mutual information, which explains
                  why natural languages are poorly approximated by Markov
                  processes. We present a broad class of models that naturally
                  reproduce this critical behavior. They all involve deep
                  dynamics of a recursive nature, as can be approximately
                  implemented by tree-like or recurrent deep neural networks.
                  This model class captures the essence of probabilistic
                  context-free grammars as well as recursive self-reproduction
                  in physical phenomena such as turbulence and cosmological
                  inflation. We derive an analytic formula for the asymptotic
                  power law and elucidate our results in a statistical physics
                  context: 1-dimensional "shallow" models (such as Markov models
                  or regular grammars) will fail to model natural language,
                  because they cannot exhibit criticality, whereas "deep" models
                  with one or more "hidden" dimensions representing levels of
                  abstraction or scale can potentially succeed.},
  urldate =      {2016-10-08},
  date =         {2016-06-21},
  keywords =     {Condensed Matter - Disordered Systems and Neural
                  Networks,Computer Science - Computation and Language},
  author =       {Lin, Henry W. and Tegmark, Max},
  file =         {/home/jon/Dokumentujo/Papers/Digital
                  Humanities/Lin_Tegmark_2016_Critical Behavior from Deep
                  Dynamics.pdf;/home/jon/Dokumentujo/Papers/zotero/storage/FW3ZJQ2X/1606.html},
  annotation =   {Comment: Theorem generalized to hidden Markov Models;
                  connections added to linguistics literature on context-free
                  grammars. References added. 17 pages, 5 figs}
}

@incollection{eichenbaum_how_1995,
  location =     {{Princeton, N.J.}},
  title =        {How {{Gogol}}'s '{{Overcoat}}' {{Is Made}}},
  booktitle =    {Gogol from the {{Twentieth Century}}},
  publisher =    {{Princeton University Press}},
  date =         1995,
  author =       {Eichenbaum, Boris},
  file =         {/home/jon/Dokumentujo/Papers/Form/Eichenbaum_1995_How Gogol's
                  'Overcoat' Is Made.pdf}
}

@book{shklovsky_theory_1990,
  location =     {{Normal, IL}},
  title =        {Theory of {{Prose}}},
  publisher =    {{Dalkey Archive Press}},
  date =         1990,
  author =       {Shklovsky, Viktor},
  file =         {/home/jon/Dokumentujo/Papers/Form/Shklovsky_1990_Theory of
                  Prose.pdf}
}

@incollection{jakobson_linguistics_1960,
  title =        {Linguistics and {{Poetics}}},
  booktitle =    {Style in {{Language}}},
  publisher =    {{Technology Press of Massachusetts Institute of Technology}},
  date =         1960,
  author =       {Jakobson, Roman},
}

@book{_sex_????,
  title =        {Sex {{Museums}}},
  url =
                  {http://www.press.uchicago.edu/ucp/books/book/chicago/S/bo22053834.html},
  abstract =     {All museums are sex museums. In Sex Museums, Jennifer Tyburczy
                  takes a hard look at the formation of Western
                  sexuality—particularly how categories of sexual normalcy and
                  perversity are formed—and asks what role museums have played
                  in using display as a technique for disciplining sexuality.
                  Most museum exhibits, she argues, assume that white,
                  patriarchal heterosexuality and traditional structures of
                  intimacy, gender, and race represent national sexual culture
                  for their visitors. Sex Museums illuminates the history of
                  such heteronormativity at most museums and proposes
                  alternative approaches for the future of public display
                  projects, while also offering the reader curatorial
                  tactics—what she calls queer curatorship—for exhibiting
                  diverse sexualities in the twenty-first century. Tyburczy
                  shows museums to be sites of culture-war theatrics, where
                  dramatic civic struggles over how sex relates to public space,
                  genealogies of taste and beauty, and performances of sexual
                  identity are staged. Delving into the history of erotic
                  artifacts, she analyzes how museums have historically
                  approached the collection and display of the material culture
                  of sex, which poses complex moral, political, and logistical
                  dilemmas for the Western museum. Sex Museums unpacks the
                  history of the museum and its intersections with the history
                  of sexuality to argue that the Western museum context—from its
                  inception to the present—marks a pivotal site in the
                  construction of modern sexual subjectivity.},
  urldate =      {2016-10-14},
  file =
                  {/home/jon/Dokumentujo/Papers/zotero/storage/DRE2R3EG/bo22053834.html}
}

@article{overton_morality_1929,
  eprinttype =   {jstor},
  eprint =       803532,
  title =        {On {{Morality}} and {{Decency}} in {{Fiction}}},
  volume =       18,
  issn =         {0013-8274},
  doi =          {10.2307/803532},
  number =       1,
  journaltitle = {The English Journal},
  shortjournal = {The English Journal},
  date =         1929,
  pages =        {14-23},
  author =       {Overton, Grant},
  file =         {/home/jon/Dokumentujo/Papers/Ulysses-Critical/Overton_1929_On
                  Morality and Decency in Fiction.pdf}
}

@article{ua_matgamna_wanderings_1925,
  eprinttype =   {jstor},
  eprint =       20517569,
  title =        {Wanderings in {{America}}},
  volume =       53,
  issn =         {2009-2113},
  number =       619,
  journaltitle = {The Irish Monthly},
  shortjournal = {The Irish Monthly},
  date =         1925,
  pages =        {21-27},
  author =       {Ua Maṫġaṁna, Eoin},
  file =         {/home/jon/Dokumentujo/Papers/Ulysses-Critical/Ua
                  Maṫġaṁna_1925_Wanderings in America.pdf}
}

@article{guerard_chaos_1927,
  eprinttype =   {jstor},
  eprint =       43465624,
  title =        {{{CHAOS AS A LITERARY TECHNIQUE}}},
  volume =       13,
  issn =         {0038-4712},
  number =       1,
  journaltitle = {Southwest Review},
  shortjournal = {Southwest Review},
  date =         1927,
  pages =        {1-11},
  author =       {Guérard, Albert},
  file =         {/home/jon/Dokumentujo/Papers/Ulysses-Critical/Guérard_1927_CHAOS
                  AS A LITERARY TECHNIQUE.pdf}
}

@article{ford_poeta_1927,
  eprinttype =   {jstor},
  eprint =       20575948,
  title =        {Poeta {{Nascitur}}...},
  volume =       29,
  issn =         {0032-2032},
  number =       6,
  journaltitle = {Poetry},
  shortjournal = {Poetry},
  date =         1927,
  pages =        {326-333},
  author =       {Ford, Ford Madox},
  file =         {/home/jon/Dokumentujo/Papers/Ulysses-Critical/Ford_1927_Poeta
                  Nascitur.pdf}
}

@article{pelliot_monsieur_1929,
  eprinttype =   {jstor},
  eprint =       4526903,
  title =        {Monsieur {{E}}. von {{Zach}}},
  volume =       26,
  issn =         {0082-5433},
  number =       {4/5},
  journaltitle = {T'oung Pao},
  shortjournal = {T'oung Pao},
  date =         1929,
  pages =        {367-418},
  author =       {Pelliot, Paul},
  file =
                  {/home/jon/Dokumentujo/Papers/Ulysses-Critical/Pelliot_1929_Monsieur
                  E.pdf}
}

@article{farrar_race_1927,
  eprinttype =   {jstor},
  eprint =       803598,
  title =        {The {{Race}} for {{Immortality}}},
  volume =       16,
  issn =         {0013-8274},
  doi =          {10.2307/803598},
  number =       3,
  journaltitle = {The English Journal},
  shortjournal = {The English Journal},
  date =         1927,
  pages =        {171-179},
  author =       {Farrar, John},
  file =         {/home/jon/Dokumentujo/Papers/Ulysses-Critical/Farrar_1927_The Race
                  for Immortality.pdf}
}

@article{rickert_straws_1923,
  eprinttype =   {jstor},
  eprint =       801922,
  title =        {Some {{Straws}} in {{Contemporary Literature}}: {{Fiction}} in
                  {{England}} and {{America}}},
  volume =       12,
  issn =         {0013-8274},
  doi =          {10.2307/801922},
  shorttitle =   {Some {{Straws}} in {{Contemporary Literature}}},
  number =       8,
  journaltitle = {The English Journal},
  shortjournal = {The English Journal},
  date =         1923,
  pages =        {509-516},
  author =       {Rickert, Edith},
  file =         {/home/jon/Dokumentujo/Papers/Ulysses-Critical/Rickert_1923_Some
                  Straws in Contemporary Literature.pdf}
}

@article{davidson_whats_1928,
  eprinttype =   {jstor},
  eprint =       803867,
  title =        {"{{What}}'s in a {{Name}}?"},
  volume =       17,
  issn =         {0013-8274},
  doi =          {10.2307/803867},
  shorttitle =   {"{{What}}'s in a {{Name}}?},
  number =       3,
  journaltitle = {The English Journal},
  shortjournal = {The English Journal},
  date =         1928,
  pages =        {197-201},
  author =       {Davidson, Levette J.},
  file =         {/home/jon/Dokumentujo/Papers/Ulysses-Critical/Davidson_1928_What's
                  in a Name.pdf}
}

@article{stockley_passing_1921,
  eprinttype =   {jstor},
  eprint =       20505662,
  title =        {Passing {{Stress}} or {{Accent}} in {{English}}. {{II}}},
  volume =       49,
  issn =         {2009-2113},
  number =       574,
  journaltitle = {The Irish Monthly},
  shortjournal = {The Irish Monthly},
  date =         1921,
  pages =        {145-150},
  author =       {Stockley, W. F.},
  file =
                  {/home/jon/Dokumentujo/Papers/Ulysses-Critical/Stockley_1921_Passing
                  Stress or Accent in English.pdf}
}

@article{monroe_poets_1926,
  eprinttype =   {jstor},
  eprint =       20575718,
  title =        {Poets as {{Prosers}}},
  volume =       28,
  issn =         {0032-2032},
  number =       6,
  journaltitle = {Poetry},
  shortjournal = {Poetry},
  date =         1926,
  pages =        {328-338},
  author =       {Monroe, Harriet},
  file =         {/home/jon/Dokumentujo/Papers/Ulysses-Critical/Monroe_1926_Poets as
                  Prosers.pdf}
}

@article{beach_new_1923,
  eprinttype =   {jstor},
  eprint =       25113089,
  title =        {New {{Intentions}} in the {{Novel}}},
  volume =       218,
  issn =         {0029-2397},
  number =       813,
  journaltitle = {The North American Review},
  shortjournal = {The North American Review},
  date =         1923,
  pages =        {233-245},
  author =       {Beach, Joseph Warren},
  file =         {/home/jon/Dokumentujo/Papers/Ulysses-Critical/Beach_1923_New
                  Intentions in the Novel.pdf}
}

@article{dunn_brendan_1921-2,
  eprinttype =   {jstor},
  eprint =       25011716,
  title =        {The {{Brendan Problem}}},
  volume =       6,
  issn =         {0008-8080},
  number =       4,
  journaltitle = {The Catholic Historical Review},
  shortjournal = {The Catholic Historical Review},
  date =         1921,
  pages =        {395-477},
  author =       {Dunn, Joseph},
  file =         {/home/jon/Dokumentujo/Papers/Ulysses-Critical/Dunn_1921_The
                  Brendan Problem.pdf}
}

@article{monroe_editor_1923-1,
  eprinttype =   {jstor},
  eprint =       20574300,
  title =        {The {{Editor}} in {{France}}},
  volume =       23,
  issn =         {0032-2032},
  number =       2,
  journaltitle = {Poetry},
  shortjournal = {Poetry},
  date =         1923,
  pages =        {90-96},
  author =       {Monroe, Harriet},
  file =         {/home/jon/Dokumentujo/Papers/Ulysses-Critical/Monroe_1923_The
                  Editor in France_2.pdf}
}

@article{eaton_now_1936-1,
  eprinttype =   {jstor},
  eprint =       804976,
  title =        {"{{Now Give Me}} a {{Book}} to {{Read}}": {{The Public Library
                  Reports}} on {{Book Reports}}},
  volume =       25,
  issn =         {0013-8274},
  doi =          {10.2307/804976},
  shorttitle =   {"{{Now Give Me}} a {{Book}} to {{Read}}"},
  number =       8,
  journaltitle = {The English Journal},
  shortjournal = {The English Journal},
  date =         1936,
  pages =        {653-658},
  author =       {Eaton, Casindania P.},
  file =         {/home/jon/Dokumentujo/Papers/Ulysses-Critical/Eaton_1936_Now Give
                  Me a Book to Read.pdf}
}

@article{hartley_sacred_1931-1,
  eprinttype =   {jstor},
  eprint =       27534611,
  title =        {The {{Sacred River}}: {{Stream}} of {{Consciousness}}: {{The
                  Evolution}} of a {{Method}}},
  volume =       39,
  issn =         {0037-3052},
  shorttitle =   {The {{Sacred River}}},
  number =       1,
  journaltitle = {The Sewanee Review},
  shortjournal = {The Sewanee Review},
  date =         1931,
  pages =        {80-89},
  author =       {Hartley, L. C.},
  file =         {/home/jon/Dokumentujo/Papers/Ulysses-Critical/Hartley_1931_The
                  Sacred River.pdf}
}

@article{ehrlich_kaleidoskopische_1934,
  eprinttype =   {jstor},
  eprint =       30168934,
  title =        {Der Kaleidoskopische {{Stil}} von {{Döblins}} "{{Berlin
                  Alexanderplatz}}"},
  volume =       26,
  issn =         {1948-0911},
  number =       8,
  journaltitle = {Monatshefte für Deutschen Unterricht},
  shortjournal = {Monatshefte für Deutschen Unterricht},
  date =         1934,
  pages =        {245-253},
  author =       {Ehrlich, Godfrey},
  file =         {/home/jon/Dokumentujo/Papers/Ulysses-Critical/Ehrlich_1934_Der
                  kaleidoskopische Stil von Döblins Berlin Alexanderplatz.pdf}
}

@article{pound_past_1933,
  eprinttype =   {jstor},
  eprint =       804663,
  title =        {Past {{History}}},
  volume =       22,
  issn =         {0013-8274},
  doi =          {10.2307/804663},
  number =       5,
  journaltitle = {The English Journal},
  shortjournal = {The English Journal},
  date =         1933,
  pages =        {349-358},
  author =       {Pound, Ezra}
}

@article{nye_archeology_1933,
  eprinttype =   {jstor},
  eprint =       41203992,
  title =        {Archeology and the {{Present}}},
  volume =       2,
  issn =         {0003-0937},
  number =       4,
  journaltitle = {The American Scholar},
  shortjournal = {The American Scholar},
  date =         1933,
  pages =        {445-453},
  author =       {NYE, IRENE},
  file =         {/home/jon/Dokumentujo/Papers/Ulysses-Critical/NYE_1933_Archeology
                  and the Present.pdf}
}

@article{fitts_sonnets_1939,
  eprinttype =   {jstor},
  eprint =       27535555,
  title =        {The {{Sonnets}} of {{Merrill Moore}}},
  volume =       47,
  issn =         {0037-3052},
  number =       2,
  journaltitle = {The Sewanee Review},
  shortjournal = {The Sewanee Review},
  date =         1939,
  pages =        {268-293},
  author =       {Fitts, Dudley},
  file =         {/home/jon/Dokumentujo/Papers/Ulysses-Critical/Fitts_1939_The
                  Sonnets of Merrill Moore.pdf}
}

@article{orszagh_english_1936,
  eprinttype =   {jstor},
  eprint =       43783604,
  title =        {English {{Studies}} and the {{Department}} of {{English}}},
  volume =       1,
  issn =         {0570-0973},
  journaltitle = {Angol Filológiai Tanulmányok / Hungarian Studies in English},
  shortjournal = {Angol Filológiai Tanulmányok / Hungarian Studies in English},
  date =         1936,
  pages =        {122-128},
  author =       {Országh, Ladislas},
  file =         {/home/jon/Dokumentujo/Papers/Ulysses-Critical/Országh_1936_English
                  Studies and the Department of English.pdf}
}

@article{lind_crisis_1939,
  eprinttype =   {jstor},
  eprint =       27535571,
  title =        {The {{Crisis}} in {{Literature}}: {{III Literature}} and
                  {{Social Consciousness}}},
  volume =       47,
  issn =         {0037-3052},
  shorttitle =   {The {{Crisis}} in {{Literature}}},
  number =       3,
  journaltitle = {The Sewanee Review},
  shortjournal = {The Sewanee Review},
  date =         1939,
  pages =        {345-364},
  author =       {Lind, L. Robert}
}

@article{schwartz_ezra_1938,
  eprinttype =   {jstor},
  eprint =       20581273,
  title =        {Ezra {{Pound}}'s {{Very Useful Labors}}},
  volume =       51,
  issn =         {0032-2032},
  number =       6,
  journaltitle = {Poetry},
  shortjournal = {Poetry},
  date =         1938,
  pages =        {324-339},
  author =       {Schwartz, Delmore},
  file =         {/home/jon/Dokumentujo/Papers/Ulysses-Critical/Schwartz_1938_Ezra
                  Pound's Very Useful Labors.pdf}
}

@article{langdon_midwestern_1930,
  eprinttype =   {jstor},
  eprint =       40622134,
  title =        {Midwestern {{Writers}}: {{GLENWAY WESCOTT}}},
  volume =       4,
  issn =         {0032-6682},
  shorttitle =   {Midwestern {{Writers}}},
  number =       2,
  journaltitle = {Prairie Schooner},
  shortjournal = {Prairie Schooner},
  date =         1930,
  pages =        {117-123},
  author =       {LANGDON, MABEL},
  file =
                  {/home/jon/Dokumentujo/Papers/Ulysses-Critical/LANGDON_1930_Midwestern
                  Writers.pdf}
}

@article{schlauch_language_1939,
  eprinttype =   {jstor},
  eprint =       40399594,
  title =        {The {{Language}} of {{James Joyce}}},
  volume =       3,
  issn =         {0036-8237},
  number =       4,
  journaltitle = {Science \& Society},
  shortjournal = {Science \& Society},
  date =         1939,
  pages =        {482-497},
  author =       {Schlauch, Margaret},
  file =         {/home/jon/Dokumentujo/Papers/Ulysses-Critical/Schlauch_1939_The
                  Language of James Joyce.pdf}
}

@article{weber_poetry_1930,
  eprinttype =   {jstor},
  eprint =       20577651,
  title =        {Poetry on the {{Radio}}},
  volume =       36,
  issn =         {0032-2032},
  number =       4,
  journaltitle = {Poetry},
  shortjournal = {Poetry},
  date =         1930,
  pages =        {227-230},
  author =       {v. Weber, Roland and Beinhacker, Ada P.},
  file =
                  {/home/jon/Dokumentujo/Papers/Ulysses-Critical/Weber_Beinhacker_1930_Poetry
                  on the Radio.pdf}
}

@article{kain_american_1938,
  eprinttype =   {jstor},
  eprint =       41204331,
  title =        {The {{American Novel}}—1936 {{Models}}},
  volume =       7,
  issn =         {0003-0937},
  number =       1,
  journaltitle = {The American Scholar},
  shortjournal = {The American Scholar},
  date =         1938,
  pages =        {121-124},
  author =       {Kain, Richard M.},
  file =         {/home/jon/Dokumentujo/Papers/Ulysses-Critical/Kain_1938_The
                  American Novel—1936 Models.pdf}
}

@article{z._american_1937,
  eprinttype =   {jstor},
  eprint =       20581040,
  title =        {An {{American Critic}}},
  volume =       50,
  issn =         {0032-2032},
  number =       6,
  journaltitle = {Poetry},
  shortjournal = {Poetry},
  date =         1937,
  pages =        {330-336},
  author =       {Z., M. D.},
  file =         {/home/jon/Dokumentujo/Papers/Ulysses-Critical/Z._1937_An American
                  Critic.pdf}
}

@article{zabel_paul_1934,
  eprinttype =   {jstor},
  eprint =       20579720,
  title =        {Paul {{Valéry}}},
  volume =       45,
  issn =         {0032-2032},
  number =       2,
  journaltitle = {Poetry},
  shortjournal = {Poetry},
  date =         1934,
  pages =        {90-99},
  author =       {Zabel, Morton Dauwen},
  file =         {/home/jon/Dokumentujo/Papers/Ulysses-Critical/Zabel_1934_Paul
                  Valéry.pdf}
}

@article{jones_psychoanalysis_1934,
  eprinttype =   {jstor},
  eprint =       804093,
  title =        {Psychoanalysis and {{Creative Literature}}},
  volume =       23,
  issn =         {0013-8274},
  doi =          {10.2307/804093},
  number =       6,
  journaltitle = {The English Journal},
  shortjournal = {The English Journal},
  date =         1934,
  pages =        {443-452},
  author =       {Jones, Llewellyn},
  file =
                  {/home/jon/Dokumentujo/Papers/Ulysses-Critical/Jones_1934_Psychoanalysis
                  and Creative Literature.pdf}
}

@article{pound_small_1930,
  eprinttype =   {jstor},
  eprint =       803043,
  title =        {Small {{Magazines}}},
  volume =       19,
  issn =         {0013-8274},
  doi =          {10.2307/803043},
  number =       9,
  journaltitle = {The English Journal},
  shortjournal = {The English Journal},
  date =         1930,
  pages =        {689-704},
  author =       {Pound, Ezra},
  file =         {/home/jon/Dokumentujo/Papers/Ulysses-Critical/Pound_1930_Small
                  Magazines.pdf}
}

@article{wright_bohemia_1933,
  eprinttype =   {jstor},
  eprint =       27534882,
  title =        {The {{Bohemia}} of the {{Heart}}: {{Some Memories}} of the
                  {{Lost Generation}} of the {{Twenties}}},
  volume =       41,
  issn =         {0037-3052},
  shorttitle =   {The {{Bohemia}} of the {{Heart}}},
  number =       2,
  journaltitle = {The Sewanee Review},
  shortjournal = {The Sewanee Review},
  date =         1933,
  pages =        {200-211},
  author =       {Wright, Cuthbert},
  file =         {/home/jon/Dokumentujo/Papers/Ulysses-Critical/Wright_1933_The
                  Bohemia of the Heart.pdf}
}

@article{bishop_sorrows_1939,
  eprinttype =   {jstor},
  eprint =       4332037,
  title =        {The {{Sorrows}} of {{Thomas Wolfe}}},
  volume =       1,
  issn =         {0163-075X},
  number =       1,
  journaltitle = {The Kenyon Review},
  shortjournal = {The Kenyon Review},
  date =         1939,
  pages =        {7-17},
  author =       {Bishop, John Peale},
  file =         {/home/jon/Dokumentujo/Papers/Ulysses-Critical/Bishop_1939_The
                  Sorrows of Thomas Wolfe.pdf}
}

@article{smith_extensive_1930,
  eprinttype =   {jstor},
  eprint =       803731,
  title =        {Extensive {{Reading}} in {{Junior High School}}: {{A Survey}}
                  of {{Teacher Preparation}}},
  volume =       19,
  issn =         {0013-8274},
  doi =          {10.2307/803731},
  shorttitle =   {Extensive {{Reading}} in {{Junior High School}}},
  number =       6,
  journaltitle = {The English Journal},
  shortjournal = {The English Journal},
  date =         1930,
  pages =        {449-462},
  author =       {Smith, Dora V.},
  file =         {/home/jon/Dokumentujo/Papers/Ulysses-Critical/Smith_1930_Extensive
                  Reading in Junior High School.pdf}
}

@article{hicks_literature_1939,
  eprinttype =   {jstor},
  eprint =       806311,
  title =        {Literature and the {{War}}},
  volume =       28,
  issn =         {0013-8274},
  doi =          {10.2307/806311},
  number =       10,
  journaltitle = {The English Journal},
  shortjournal = {The English Journal},
  date =         1939,
  pages =        {785-793},
  author =       {Hicks, Granville},
  file =
                  {/home/jon/Dokumentujo/Papers/Ulysses-Critical/Hicks_1939_Literature
                  and the War.pdf}
}

@article{muller_impressionism_1938,
  eprinttype =   {jstor},
  eprint =       41204360,
  title =        {Impressionism in {{Fiction}}: {{Prism}} vs. {{Mirror}}},
  volume =       7,
  issn =         {0003-0937},
  shorttitle =   {Impressionism in {{Fiction}}},
  number =       3,
  journaltitle = {The American Scholar},
  shortjournal = {The American Scholar},
  date =         1938,
  pages =        {355-367},
  author =       {MULLER, HERBERT},
  file =         {/home/jon/Dokumentujo/Papers/Form/MULLER_1938_Impressionism in
                  Fiction.pdf}
}

@article{gold_education_1933,
  eprinttype =   {jstor},
  eprint =       804561,
  title =        {The {{Education}} of {{John Dos Passos}}},
  volume =       22,
  issn =         {0013-8274},
  doi =          {10.2307/804561},
  number =       2,
  journaltitle = {The English Journal},
  shortjournal = {The English Journal},
  date =         1933,
  pages =        {87-97},
  author =       {Gold, Michael},
  file =         {/home/jon/Dokumentujo/Papers/Form/Gold_1933_The Education of John
                  Dos Passos.pdf}
}

@article{wade_novelist_1937,
  eprinttype =   {jstor},
  eprint =       25114941,
  title =        {Novelist of {{America}}: {{John Dos Passos}}},
  volume =       244,
  issn =         {0029-2397},
  shorttitle =   {Novelist of {{America}}},
  number =       2,
  journaltitle = {The North American Review},
  shortjournal = {The North American Review},
  date =         1937,
  pages =        {349-367},
  author =       {Wade, Mason},
  file =         {/home/jon/Dokumentujo/Papers/Form/Wade_1937_Novelist of
                  America.pdf}
}

@article{wenger_introduction_1935,
  eprinttype =   {jstor},
  eprint =       458163,
  title =        {An {{Introduction}} to the {{Æsthetics}} of {{Literary
                  Portraiture}}},
  volume =       50,
  issn =         {0030-8129},
  doi =          {10.2307/458163},
  number =       2,
  journaltitle = {PMLA},
  shortjournal = {PMLA},
  date =         1935,
  pages =        {615-629},
  author =       {Wenger, Christian N.},
  file =         {/home/jon/Dokumentujo/Papers/Form/Wenger_1935_An Introduction to
                  the Æsthetics of Literary Portraiture.pdf}
}

@book{lubbock_craft_1921,
  location =     {{New York}},
  title =        {The {{Craft}} of {{Fiction}}},
  publisher =    {{Charles Scribner's Sons}},
  date =         1921,
  author =       {Lubbock, Percy},
  file =         {/home/jon/Dokumentujo/Papers/Form/Lubbock_1921_The Craft of
                  Fiction.pdf}
}

@online{dhuy_scientists_2016,
  title = {Scientists {{Trace Society}}'s {{Myths}} to {{Primordial Origins}}},
  url = {https://www.scientificamerican.com/article/scientists-trace-society-s-myths-to-primordial-origins/},
  abstract = {Analyzing how stories change in the retelling down through the generations sheds light on the history of human migration going as far back as the Paleolithic period\ },
  journaltitle = {Scientific American},
  urldate = {2016-10-17},
  date = {2016-09-26},
  author = {d' Huy, Julien},
  options = {useprefix=true},
  file = {/home/jon/Dokumentujo/Papers/zotero/storage/2Z24MW9J/scientists-trace-society-s-myths-to-primordial-origins.html}
}

@book{manning_foundations_1999,
  langid =       {english},
  title =        {Foundations of {{Statistical Natural Language Processing}}},
  isbn =         {978-0-262-13360-9},
  abstract =     {Statistical approaches to processing natural language text
                  have become dominant in recent years. This foundational text
                  is the first comprehensive introduction to statistical natural
                  language processing (NLP) to appear. The book contains all the
                  theory and algorithms needed for building NLP tools. It
                  provides broad but rigorous coverage of mathematical and
                  linguistic foundations, as well as detailed discussion of
                  statistical methods, allowing students and researchers to
                  construct their own implementations. The book covers
                  collocation finding, word sense disambiguation, probabilistic
                  parsing, information retrieval, and other applications.},
  pagetotal =    722,
  publisher =    {{MIT Press}},
  date =         1999,
  keywords =     {Language Arts & Disciplines / Linguistics / General},
  author =       {Manning, Christopher D. and Schütze, Hinrich},
  file =         {/home/jon/Dokumentujo/Papers/Graphical
                  Models/Manning_Schütze_1999_Foundations of Statistical Natural
                  Language Processing.pdf},
}

@article{neal_probabilistic_1993,
  title =        {Probabilistic Inference Using {{Markov}} Chain {{Monte Carlo}}
                  Methods},
  url =
                  {https://www.cs.princeton.edu/courses/archive/fall07/cos597C/readings/Neal1993.pdf},
  urldate =      {2016-10-18},
  date =         1993,
  author =       {Neal, Radford M.},
  file =         {/home/jon/Dokumentujo/Papers/Graphical
                  Models/Neal_1993_Probabilistic inference using Markov chain
                  Monte Carlo methods.pdf}
}

@article{bishop_model-based_2013,
  title =        {Model-Based Machine Learning},
  volume =       371,
  url =
                  {http://rsta.royalsocietypublishing.org/content/371/1984/20120222.short},
  number =       1984,
  journaltitle = {Philosophical Transactions of the Royal Society of London A:
                  Mathematical, Physical and Engineering Sciences},
  urldate =      {2016-10-18},
  date =         2013,
  pages =        20120222,
  author =       {Bishop, Christopher M.},
  file =         {/home/jon/Dokumentujo/Papers/Graphical
                  Models/Bishop_2013_Model-based machine learning.pdf}
}

@article{freedman_issues_1995,
  title =        {Some Issues in the Foundation of Statistics},
  volume =       1,
  url =          {http://link.springer.com/article/10.1007/BF00208723},
  number =       1,
  journaltitle = {Foundations of Science},
  urldate =      {2016-10-18},
  date =         1995,
  pages =        {19--39},
  author =       {Freedman, David},
  file =         {/home/jon/Dokumentujo/Papers/Graphical Models/Freedman_1995_Some
                  issues in the foundation of statistics.pdf}
}

@report{resnik_gibbs_2010,
  title = {Gibbs Sampling for the Uninitiated},
  url = {http://oai.dtic.mil/oai/oai?verb=getRecord&metadataPrefix=html&identifier=ADA523027},
  institution = {{DTIC Document}},
  urldate = {2016-10-18},
  date = {2010},
  author = {Resnik, Philip and Hardisty, Eric},
  file = {/home/jon/Dokumentujo/Papers/Graphical Models/Resnik_Hardisty_2010_Gibbs sampling for the uninitiated.pdf}
}

@book{mackay_information_2003,
  title =        {Information Theory, Inference and Learning Algorithms},
  url =
                  {https://books.google.com/books?hl=en&lr=&id=AKuMj4PN_EMC&oi=fnd&pg=PR7&dq=Information+Theory,+Inference,+and+Learning+Algorithms&ots=ELool76CCh&sig=QIjSVr926QdA6MhZgixI1sgcvIw},
  publisher =    {{Cambridge university press}},
  urldate =      {2016-10-18},
  date =         2003,
  author =       {MacKay, David JC},
  file =         {/home/jon/Dokumentujo/Papers/Graphical
                  Models/MacKay_2003_Information theory, inference and learning
                  algorithms_2.pdf}
}

@article{ghahramani_probabilistic_2015,
  title =        {Probabilistic Machine Learning and Artificial Intelligence},
  volume =       521,
  url =
                  {http://www.nature.com/nature/journal/v521/n7553/abs/nature14541.html},
  number =       7553,
  journaltitle = {Nature},
  urldate =      {2016-10-18},
  date =         2015,
  pages =        {452--459},
  author =       {Ghahramani, Zoubin},
  file =         {/home/jon/Dokumentujo/Papers/Graphical
                  Models/Ghahramani_2015_Probabilistic machine learning and
                  artificial intelligence.pdf}
}

@article{blei_build_2014,
  title =        {Build, Compute, Critique, Repeat: {{Data}} Analysis with
                  Latent Variable Models},
  volume =       1,
  url =
                  {http://www.annualreviews.org/doi/abs/10.1146/annurev-statistics-022513-115657},
  shorttitle =   {Build, Compute, Critique, Repeat},
  journaltitle = {Annual Review of Statistics and Its Application},
  urldate =      {2016-10-18},
  date =         2014,
  pages =        {203--232},
  author =       {Blei, David M.},
  file =         {/home/jon/Dokumentujo/Papers/Graphical Models/Blei_2014_Build,
                  compute, critique,
                  repeat.pdf;/home/jon/Dokumentujo/Papers/zotero/storage/QUBFQ4UK/Blei
                  - 2014 - Build, Compute, Critique, Repeat Data Analysis
                  wi.pdf}
}

@inproceedings{mimno_bayesian_2011,
  title =        {Bayesian Checking for Topic Models},
  url =          {http://dl.acm.org/citation.cfm?id=2145459},
  booktitle =    {Proceedings of the {{Conference}} on {{Empirical Methods}} in
                  {{Natural Language Processing}}},
  publisher =    {{Association for Computational Linguistics}},
  urldate =      {2016-10-21},
  date =         2011,
  pages =        {227--237},
  author =       {Mimno, David and Blei, David},
  file =         {/home/jon/Dokumentujo/Papers/To Read/Mimno_Blei_2011_Bayesian
                  checking for topic
                  models.pdf;/home/jon/Dokumentujo/Papers/zotero/storage/MEVHHFCK/citation.html}
}

@book{propp_morphology_1968,
  location =     {{Austin}},
  title =        {Morphology of the {{Folktale}}},
  publisher =    {{University of Texas Press}},
  date =         1968,
  author =       {Propp, Vladimir},
  file =         {/home/jon/Dokumentujo/Papers/Form/Propp_1968_Morphology of the
                  Folktale.pdf}
}

@incollection{gombrich_formula_1960,
  location =     {{New York}},
  title =        {Formula and {{Experience}}},
  booktitle =

license_type: permissive

branch_name: refs/heads/master

gha_language: TeX

extension: bib