text:
print Author), Russian State Univ Humanities, Inst Philol \& Hist, Philol, Moscow, Russia.
   Troitsky, Y (Reprint Author), Russian State Univ Humanities, Inst Philol \& Hist, Dept Theory \& Hist Humanitarian Knowledge, Moscow, Russia.
   Troitsky, Yu., Russian State Univ Humanities, Inst Philol \& Hist, Philol, Moscow, Russia.
   Troitsky, Yu., Russian State Univ Humanities, Inst Philol \& Hist, Dept Theory \& Hist Humanitarian Knowledge, Moscow, Russia.}},
ISSN = {{2072-9316}},
Keywords = {{news discourse; metonymic modality; the context of understanding;
   scaling of news; meta-comment perspective}},
Research-Areas = {{Literature}},
Web-of-Science-Categories  = {{Literature}},
Author-Email = {{troitski@gmail.com}},
Cited-References = {{BYKOV D, 2017, SOBESEDNIK RU.
   BYKOV D, 2012, YOUTUBE KANAL RADIO.
   KEVORKOVA N, 2000, NEZAVISIMAYA GAZETA.}},
Number-of-Cited-References = {{3}},
Times-Cited = {{0}},
Usage-Count-Last-180-days = {{0}},
Usage-Count-Since-2013 = {{0}},
Journal-ISO = {{Novyi Filol. Vestn.}},
Doc-Delivery-Number = {{FU6OQ}},
Unique-ID = {{ISI:000423972300004}},
DA = {{2018-06-08}},
}

@article{ ISI:000424246200005,
Author = {Rolbiecki, Abigail J. and Washington, Karla and Bitsicas, Katina},
Title = {{Digital Storytelling: Families' Search for Meaning after Child Death}},
Journal = {{JOURNAL OF SOCIAL WORK IN END-OF-LIFE \& PALLIATIVE CARE}},
Year = {{2017}},
Volume = {{13}},
Number = {{4}},
Pages = {{239-250}},
Abstract = {{Bereaved families that collectively make meaning of their grief
   experiences often function better than those that do not, yet most
   social work bereavement interventions target individuals rather than
   family units. In this article, authors describe an innovative social
   work intervention that employs digital storytelling. This is a narrative
   technique that combines photography, music, and spoken word to help
   families bereaved by child death make meaning of their loss and envision
   a future without their deceased child.}},
Publisher = {{ROUTLEDGE JOURNALS, TAYLOR \& FRANCIS LTD}},
Address = {{2-4 PARK SQUARE, MILTON PARK, ABINGDON OX14 4RN, OXON, ENGLAND}},
Type = {{Article}},
Language = {{English}},
Affiliation = {{Rolbiecki, AJ (Reprint Author), Univ Missouri, Sch Med, MA306B, Columbia, MO 65211 USA.
   Rolbiecki, Abigail J.; Washington, Karla; Bitsicas, Katina, Univ Missouri, Sch Med, MA306B, Columbia, MO 65211 USA.}},
DOI = {{10.1080/15524256.2017.1387216}},
ISSN = {{1552-4256}},
EISSN = {{1552-4264}},
Keywords = {{Bereavement; child death; digital storytelling; family; meaning-making}},
Keywords-Plus = {{BEREAVEMENT; HEALTH; GRIEF; SENSE; INTERVENTION; EXPERIENCES; STORY;
   TOOL}},
Research-Areas = {{Social Work}},
Web-of-Science-Categories  = {{Social Work}},
Author-Email = {{rolbieckiaa@health.missouri.edu}},
Funding-Acknowledgement = {{Agency for Healthcare Research and Quality {[}R24HA022140]}},
Funding-Text = {{This project was supported by Grant R24HA022140 from the Agency for
   Healthcare Research and Quality. The content is solely the
   responsibility of the authors and does not necessarily represent the
   official views of the agency.}},
Cited-References = {{Akard TF, 2015, PEDIATR BLOOD CANCER, V62, P658, DOI 10.1002/pbc.25337.
   Akard TF, 2013, J PEDIATR ONCOL NURS, V30, P153, DOI 10.1177/1043454213487434.
   Barnato AE, 2017, CRIT CARE MED, V45, P35, DOI 10.1097/CCM.0000000000002009.
   Bosticco C, 2005, OMEGA-J DEATH DYING, V51, P1, DOI 10.2190/8TNX-LEBY-5EJY-B0H6.
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   De Vecchi N, 2016, INT J MENT HEALTH NU, V25, P183, DOI 10.1111/inm.12206.
   Endo K, 2015, PALLIATIVE MED, V29, P590, DOI 10.1177/0269216315576674.
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   Gillies J, 2006, J CONSTR PSYCHOL, V19, P31, DOI 10.1080/10720530500311182.
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   Keesee NJ, 2008, J CLIN PSYCHOL, V64, P1145, DOI 10.1002/jclp.20502.
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   Lichtenthal WG, 2013, DEATH STUD, V37, P311, DOI 10.1080/07481187.2012.673533.
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   Nadeau J. W., 2001, MEANING RECONSTRUCTI, P95.
   Neimeyer RA, 2006, DEATH STUD, V30, P715, DOI 10.1080/07481180600848322.
   Reiss D., 1981, FAMILYS CONSTRUCTION.
   Robin BR, 2008, THEOR PRACT, V47, P220, DOI 10.1080/00405840802153916.
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   Rose CB, 2016, PSYCHOANAL CULT SOC, V21, P386, DOI 10.1057/pcs.2015.56.
   Sadik A, 2008, ETR\&D-EDUC TECH RES, V56, P487, DOI 10.1007/s11423-008-9091-8.
   SEDNEY MA, 1994, J MARITAL FAM THER, V20, P287, DOI 10.1111/j.1752-0606.1994.tb00116.x.
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   Stenhouse R, 2013, J PSYCHIATR MENT HLT, V20, P134, DOI 10.1111/j.1365-2850.2012.01900.x.
   StoryCenter, 2017, STORYCENTER LIST DEE.
   Wang SY, 2010, INT J INF COMMUN TEC, V6, P76, DOI 10.4018/jicte.2010040107.
   Wexler L, 2013, HEALTH PROMOT PRACT, V14, P617, DOI 10.1177/1524839912462390.}},
Number-of-Cited-References = {{31}},
Times-Cited = {{0}},
Usage-Count-Last-180-days = {{0}},
Usage-Count-Since-2013 = {{0}},
Journal-ISO = {{J. Soc. Work End-Life Palliat. Care}},
Doc-Delivery-Number = {{FV0LC}},
Unique-ID = {{ISI:000424246200005}},
DA = {{2018-06-08}},
}

@article{ ISI:000423954500236,
Author = {Ozaee, Afsaneh and Sohrabi, Shahla},
Title = {{THE ROLE OF FINANCIAL TECHNOLOGY AND THEIR EFFECT ON BANKING}},
Journal = {{QUID-INVESTIGACION CIENCIA Y TECNOLOGIA}},
Year = {{2017}},
Number = {{1, SI}},
Pages = {{1819-1826}},
Abstract = {{One of the hottest trends among investors in 2016 is FinTech related
   ventures. Financial Technology (FinTech) is an industry where small to
   medium young companies utilize latest technologies to create innovative
   products in such a conservative sector as the financial industry. Since
   its rise in 2008, FinTech has been disrupting the banking industry,
   reshaping businesses, and transforming the way consumers manage and use
   money. FinTech is, in fact, a segment of the so-called digital
   disruption creating new financial models: the range of services offered
   by FinTech is already broad and includes payments, virtual currencies,
   wealth management, peer-to-peer ({''}P2P{''}) lending and crowd funding.
   It is a real financial revolution that sees an increasing number of
   startups disrupting the uncontested power of banks. Investment in
   FinTech skyrocketed from \$930 million in 2008 to \$12 billion in 2014;
   since then, the numbers have soared more and it is predicted to boost
   even further. While ease of use is considered as FinTech's main selling
   point, it's a lack of awareness of their existence that is the main
   impediment to its adoption - the majority of non-FinTech users claim
   they don't know such products exist. In addition to defining what
   FinTech is and what kind of services and products they provide, the
   reasons for their popularity and their relationship with banks are also
   presented in this article.}},
Publisher = {{INST UNIV SALAZAR \& HERRERA}},
Address = {{CRA 70 NO 52-49, MEDELLIN, ANTIOQUIA 00000, COLOMBIA}},
Type = {{Article}},
Language = {{English}},
Affiliation = {{Ozaee, A (Reprint Author), Islamic Azad Univ, Teheran Branch, Dept Management, Tehran, Iran.
   Ozaee, Afsaneh, Islamic Azad Univ, Teheran Branch, Dept Management, Tehran, Iran.
   Sohrabi, Shahla, Islamic Azad Univ, Shahr E Qodas Shahryar Branch, Dept Management, Tehran, Iran.}},
ISSN = {{1692-343X}},
EISSN = {{2462-9006}},
Keywords = {{FINTECH; Technology}},
Research-Areas = {{Science \& Technology - Other Topics}},
Web-of-Science-Categories  = {{Multidisciplinary Sciences}},
Author-Email = {{a.ozaee@yahoo.com
   modiran77@gmail.com}},
Cited-References = {{Danylo, 2016, FINTECH VS BANKS COO.
   Desai F., 2015, EVOLUTION FINTECH.
   Dubovoy I., 2015, BANKS VS FINTECH WIL.
   Martin A., 2016, FINTECH STARTUPS VS.
   Munch J., 2017, WHAT IS FINTECH WHY.
   Neuman J., 2015, WHAT IS FINTECH STOR.}},
Number-of-Cited-References = {{6}},
Times-Cited = {{0}},
Usage-Count-Last-180-days = {{14}},
Usage-Count-Since-2013 = {{14}},
Journal-ISO = {{QUID-Investig. Cienc. Tecnol.}},
Doc-Delivery-Number = {{FU6IG}},
Unique-ID = {{ISI:000423954500236}},
DA = {{2018-06-08}},
}

@article{ ISI:000419738000226,
Author = {Affinito, Laura and Conti, Giovanni Maria and Motta, Martina},
Title = {{New Vision On Knitwear Design. How the traditional craft methodologies
   are evolving into fashion international scenarios}},
Journal = {{DESIGN JOURNAL}},
Year = {{2017}},
Volume = {{20}},
Number = {{1}},
Pages = {{S2760-S2770}},
Note = {{12th International Conference of the European-Academy-of-Design (EAD),
   Sapienza Univ Rome, Fac Architecture, Rome, ITALY, APR 12-14, 2017}},
Organization = {{European Acad Design}},
Abstract = {{If for traditional fashion design as clothes making or as basics for the
   creation of fashion products the concept of good design is now acquired,
   knitwear is now facing its decisive change from hobby into project; the
   enhancement of craft (Micelli S. 2011) does not refer to any nostalgia
   for the past times, and even better in Italy it is a very fertile area
   to be innovated and experimented. The ability to innovate and promote
   new points of view in design processes does not arise only from a
   thorough understanding of specific areas, but also from a lifestyle open
   to diversity, that society has to accept and recognize (Micelli S.
   2011).
   Today, the ability of designers to explore contexts in an original way,
   proposing ideas and results that are not just technical solutions of
   established problems, sees in creativity and in fashion design education
   the ability to solve problems through materials and their constant
   innovation for clothes, to experiment or to look at old problems in a
   different way with the aim of going beyond the usual ``fashion{''} idea.
   This paper is written at the end of an educational experience in the
   Knit Design Lab at the School of Design of Politecnico di Milano, where
   Missoni, the most important Italian knitwear brand, together with
   Woolmark, the most influencing certification body at an international
   level for the promotion and enhancement of Merino wool, in collaboration
   with Knitlab, a digital platform for the learning of the traditional
   knitting techniques active in the School of Design at Politecnico di
   Milano, realized a project in which the knitting techniques have been
   the first tool for the creation, design and prototyping of a clothes
   collection for the spring-summer 2017, coherent with the brand identity
   of Missoni and with at least the 70\% of merino wool as a condition
   dictated by Woolmark.
   The aim of the paper is to highlight the moments of convergence and
   differentiation regarding the methodologies and the design process into
   the different areas of design.
   In this way today we can talk about knitwear design: a specific field of
   Made in Italy completely changing: to become project, knitwear must
   produce garments and collections enhancing traditional techniques while
   expressing the spirit of time and in which the manual technique becomes
   a research tool and method to deal with all the aspects in their
   influence on the industrial production chain.}},
Publisher = {{ROUTLEDGE JOURNALS, TAYLOR \& FRANCIS LTD}},
Address = {{2-4 PARK SQUARE, MILTON PARK, ABINGDON OX14 4RN, OXON, ENGLAND}},
Type = {{Article; Proceedings Paper}},
Language = {{English}},
Affiliation = {{Affinito, L (Reprint Author), Laura Affinito Studio, Milan, Italy.
   Affinito, Laura, Laura Affinito Studio, Milan, Italy.
   Conti, Giovanni Maria, Politecn Milan, Sch Design, Milan, Italy.
   Motta, Martina, Politecn Milan, Knitwear Design, Milan, Italy.}},
DOI = {{10.1080/14606925.2017.1352787}},
ISSN = {{1460-6925}},
EISSN = {{1756-3062}},
Keywords = {{Design Education; Methodology; Crafts; Knitwear; Traditional Knowledge;
   Innovation in Fashion Design}},
Research-Areas = {{Art}},
Web-of-Science-Categories  = {{Art}},
Author-Email = {{info@lauraaffinito.com
   giovanni.conti@polimi.it
   martina.motta@polimi.it}},
Cited-References = {{Abrahams D., 2008, DESIGN YOUR OWN KNIT.
   {[}Anonymous], 2009, KNITWEAR IN FASHION.
   {[}Anonymous], 2009, DRITTO ROVESCIO.
   {[}Anonymous], 2015, MISSONI ARTE COLORE.
   Brandt S., 2008, ULTIMATE KNITTING BI.
   Colombo P., 2013, ARTEFICI BELLEZZA ME.
   Colombo P., 2009, MESTIERI ARTE MADE I.
   Conti G., 2007, THESIS.
   Conti G.M., 2016, MAGLIERIA MADE ITALY.
   Conti G.M., 2013, DESIGN MAGLIERIA STR.
   Micelli S., 2011, FUTURO ARTIGIANO.
   Morin E., 2015, INSEGNARE VIVERE MAN.
   Morin E., 2000, TESTA BEN FATTA RIFO.
   Noe P., 2009, CATALOGUE EXHIBITION.
   Schon D., 1993, PROFESSIONISTA RIFLE.
   Turney J., 2009, CULTURE KNITTING.
   Vacca F., 2008, P CHANG CHANG DES VI.
   Vignelli M., 2010, VIGNELLI CANON.}},
Number-of-Cited-References = {{18}},
Times-Cited = {{0}},
Usage-Count-Last-180-days = {{3}},
Usage-Count-Since-2013 = {{3}},
Journal-ISO = {{Des. J.}},
Doc-Delivery-Number = {{FS4DP}},
Unique-ID = {{ISI:000419738000226}},
DA = {{2018-06-08}},
}

@article{ ISI:000419738000268,
Author = {Ameli, Najine},
Title = {{Libraries of Things as a new form of sharing. Pushing the Sharing
   Economy}},
Journal = {{DESIGN JOURNAL}},
Year = {{2017}},
Volume = {{20}},
Number = {{1}},
Pages = {{S3294-S3304}},
Note = {{12th International Conference of the European-Academy-of-Design (EAD),
   Sapienza Univ Rome, Fac Architecture, Rome, ITALY, APR 12-14, 2017}},
Organization = {{European Acad Design}},
Abstract = {{Although the willingness to share is huge, sharing is rarely applied in
   everyday life, because many current Sharing Economy offers are not
   practicable. This paper asks what contributions an innovative Sharing
   Service - a library not simply lending books but a wider range of items
   - can make to close the gap between willingness to share and practice.
   Most of these innovative libraries were founded in the last few years,
   but many still fail to overcome the identified gap. As global
   environmental problems demand a change of consumer behaviour to enable
   human actions within planetary boundaries, bridging the gap could have a
   huge impact. Libraries of Things could reduce the average resource and
   energy consumption of users, maintaining quality of life. This paper
   analyses existing Libraries of Things and Tool Libraries. The outcome is
   assessed against empirically proven user expectations to detect the
   discrepancies between supply and demand of current offers commonly
   available.}},
Publisher = {{ROUTLEDGE JOURNALS, TAYLOR \& FRANCIS LTD}},
Address = {{2-4 PARK SQUARE, MILTON PARK, ABINGDON OX14 4RN, OXON, ENGLAND}},
Type = {{Article; Proceedings Paper}},
Language = {{English}},
Affiliation = {{Ameli, N (Reprint Author), Bochum Univ Appl Sci, Teaching \& Res Lab Sustainable Dev, Bochum, Germany.
   Ameli, Najine, Bochum Univ Appl Sci, Teaching \& Res Lab Sustainable Dev, Bochum, Germany.}},
DOI = {{10.1080/14606925.2017.1352833}},
ISSN = {{1460-6925}},
EISSN = {{1756-3062}},
Keywords = {{Sharing Economy; Library of Things; Tool Library; Digital Transformation}},
Research-Areas = {{Art}},
Web-of-Science-Categories  = {{Art}},
Author-Email = {{Najine.Ameli@hs-bochum.de}},
Funding-Acknowledgement = {{North-Rhine Westphalian Ministry of Innovation, Science and Research
   (MIWF NRW) {[}322-8.03-110-116441]}},
Funding-Text = {{This work is funded by the North-Rhine Westphalian Ministry of
   Innovation, Science and Research (MIWF NRW) under research grant no.
   322-8.03-110-116441. Special thanks to Bettina Vollmerhausen from the
   Ottawa Tool Library who did the proof reading out of curiosity.}},
Cited-References = {{Berger T., 2016, OECD SOCIAL EMPLOYME, V193.
   Buchanan R., 1992, DESIGN ISSUES, V8, P5, DOI DOI 10.2307/1511637.
   Ceschin F, 2014, SUSTAINABLE PRODUCT.
   Chang Jae-Hee, 2016, ASEAN TRANSFORMATION.
   Cowen T., 2013, AVERAGE IS OVER.
   Federal Environmental Agency, 2015, NUTZ STAT BES NEUE A.
   Federal Ministry of Education and Research Germany {[}BMBF], 2016, ZUK TAUSCH TEIL SELB.
   Ford Martin, 2015, RISE OF THE ROBOTS.
   Frey Carl, 2013, FUTURE EMPLOYMENT.
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   Glockler P., 2015, WE FAILED WARUM VERL.
   INGDiba, 2015, EC RES MY CAR IS MY.
   Junginger Sabine, 2007, DESIGN ISSUES, V24.
   Manzini E, 2003, J CLEAN PROD, V11, P851, DOI 10.1016/S0959-6526(02)00153-1.
   Manzini Ezio, 2001, J DESIGN RES, V1.
   Nielsen, 2014, GLOB SHR COMM REP.
   Pelz N., 2012, NEIGHB WORKSH GREEN.
   Radka Rich, 2012, POINT VIEW PARTICIPA.
   Steffen W, 2015, SCIENCE, V347, DOI 10.1126/science.1259855.
   Stengel Oliver, 2017, DIGITALZEITALTER DIG.
   Sundararajan A., 2016, THE SHARING EC.
   Trentmann Frank, 2016, EMPIRE OF THINGS.
   UNEP, 2002, PRODUCT SERVICE SYST.
   Venter Oscar, 2016, NATURE COMMUNICATION, V7.
   Verbraucherzentrale {[}Consumer Association], 2015, SHAR EC SICHT VERBR.
   WBGU, 2016, HUM MOV REP GERM ADV.
   World Economic Forum, 2016, FUT JOBS.
   Wrap, 2010, SUMM REP ENV ASS CON.
   WWF, 2016, LIV PLAN REP 2016 RI.}},
Number-of-Cited-References = {{29}},
Times-Cited = {{0}},
Usage-Count-Last-180-days = {{3}},
Usage-Count-Since-2013 = {{3}},
Journal-ISO = {{Des. J.}},
Doc-Delivery-Number = {{FS4DP}},
Unique-ID = {{ISI:000419738000268}},
OA = {{gold\_or\_bronze}},
DA = {{2018-06-08}},
}

@article{ ISI:000419738000124,
Author = {Bernabei, Roberta},
Title = {{Wearable Words: A case study applying Jewellery theory and practice to
   the education of Fine Art, Textiles Innovation and Design, Graphic
   Communication and Illustration students.}},
Journal = {{DESIGN JOURNAL}},
Year = {{2017}},
Volume = {{20}},
Number = {{1}},
Pages = {{S1503-S1510}},
Note = {{12th International Conference of the European-Academy-of-Design (EAD),
   Sapienza Univ Rome, Fac Architecture, Rome, ITALY, APR 12-14, 2017}},
Organization = {{European Acad Design}},
Abstract = {{Wearable Words is a cross-disciplinary and multidisciplinary education
   adventure that investigates the human body through `wearable objects'.
   It transfers the teaching of jewellery studies to a group of learners
   from different disciplines including: Fine Art, Textiles and Graphic
   Communication and Illustration. It aims to determine whether the
   theoretical issues of jewellery and jewellery technologies can bring an
   innovative research method and new practical tools to students who are
   not familiar with the jewellery arena. In so doing, Wearable Words
   symbolises the non-verbal communications of body related objects.
   The paper examines the preliminary challenges, weaknesses and successes
   of the project, which was delivered to 19 second year BA students
   between February and June 2016 at Loughborough University. It analyses
   the extent to which a shift to the theoretical and practical approaches
   of jewellery design education enabled students of different disciplines
   to develop their research methodologies, design capabilities and making
   skills. The results are analysed through observational methods, open
   ended questions, and visual analysis.}},
Publisher = {{ROUTLEDGE JOURNALS, TAYLOR \& FRANCIS LTD}},
Address = {{2-4 PARK SQUARE, MILTON PARK, ABINGDON OX14 4RN, OXON, ENGLAND}},
Type = {{Article; Proceedings Paper}},
Language = {{English}},
Affiliation = {{Bernabei, R (Reprint Author), Loughborough Univ Technol, Loughborough, Leics, England.
   Bernabei, Roberta, Loughborough Univ Technol, Loughborough, Leics, England.}},
DOI = {{10.1080/14606925.2017.1352674}},
ISSN = {{1460-6925}},
EISSN = {{1756-3062}},
Keywords = {{Visual - digital research; Jewellery studies}},
Research-Areas = {{Art}},
Web-of-Science-Categories  = {{Art}},
Cited-References = {{DeLuca M., 2015, MEMORY BEAUTY EXHIBI.
   Design Council, 2010, MULT DES ED UK.
   Dormer P, 1997, THE CULTURE OF CRAFT.
   Jones C., 2009, ESSAI COLL DUPAGE AN, V7, P26.
   Muratovski G, 2016, RES DESIGNERS GUIDE.
   Newell W., 2013, ISSUES INTERDISCIPLI, V31, P22.
   Niedderer K., 2011, 1 CAMBR AC DES MAN C.
   Rose G., 2012, VISUAL METHODOLOGIES.
   Tovey M., 2015, DESIGN PEDAGOGY DEV.
   Williamson B., 2013, VISUAL CULTURE BRITA, V14, P356, DOI DOI 10.1080/14714787.2013.817845.}},
Number-of-Cited-References = {{10}},
Times-Cited = {{0}},
Usage-Count-Last-180-days = {{1}},
Usage-Count-Since-2013 = {{1}},
Journal-ISO = {{Des. J.}},
Doc-Delivery-Number = {{FS4DP}},
Unique-ID = {{ISI:000419738000124}},
OA = {{gold\_or\_bronze}},
DA = {{2018-06-08}},
}

@article{ ISI:000419738000289,
Author = {Cangiano, Serena and Romano, Zoe and Loglio, Matteo},
Title = {{The growth of digital social innovation in Europe. An Open Design
   approach to support innovation for the societal good}},
Journal = {{DESIGN JOURNAL}},
Year = {{2017}},
Volume = {{20}},
Number = {{1}},
Pages = {{S3546-S3559}},
Note = {{12th International Conference of the European-Academy-of-Design (EAD),
   Sapienza Univ Rome, Fac Architecture, Rome, ITALY, APR 12-14, 2017}},
Organization = {{European Acad Design}},
Abstract = {{Built upon the definition of social innovation, the umbrella expression
   ``digital social innovation{''} was introduced to describe a wide range
   of projects that use digital technologies, community engagement and
   collaboration, co-creation strategies and bottom-up approaches to solve
   societal needs, in opposition to the centralized proprietary solutions
   owned by a few companies. Assessing how digital social innovation
   projects can scale in order to have a better impact, is crucial to
   provide a concrete European model to innovation creation that considers
   values beyond economic factors. This paper presents the results of a
   one-year training program aimed at supporting the scalability of digital
   social innovation projects in order to have a better impact. In
   particular, it describes the application of an open design approach to
   the design of a P2P mentoring model, and a sustainability toolkit that
   faces the issue of generating capacity building in emerging community of
   tech social innovators.}},
Publisher = {{ROUTLEDGE JOURNALS, TAYLOR \& FRANCIS LTD}},
Address = {{2-4 PARK SQUARE, MILTON PARK, ABINGDON OX14 4RN, OXON, ENGLAND}},
Type = {{Article; Proceedings Paper}},
Language = {{English}},
Affiliation = {{Cangiano, S (Reprint Author), SUPSI Lab Visual Culture, Lugano, Switzerland.
   Cangiano, Serena, SUPSI Lab Visual Culture, Lugano, Switzerland.
   Romano, Zoe, WeMake Makerspace, Milan, Italy.}},
DOI = {{10.1080/14606925.2017.1352857}},
ISSN = {{1460-6925}},
EISSN = {{1756-3062}},
Keywords = {{digital social innovation; open design; toolkit; P2P mentoring}},
Research-Areas = {{Art}},
Web-of-Science-Categories  = {{Art}},
Author-Email = {{serena.cangiano@supsi.ch}},
Funding-Acknowledgement = {{DSI4EU project; European Union; Horizon Programme {[}688192]}},
Funding-Text = {{this paper was written thanks to the support of the DSI4EU project led
   by Nesta (UK) and delivered in partnership with the Waag Society (NL)
   and SUPSI (CH). The project is supported by the European Union and
   funded under the Horizon 2020 Programme, grant agreement n. 688192. We
   would like to thank Peter Baeck, Toby Baker, Amberley Barrington-Peek,
   Francesca Bria, Eddie Copeland, Gijs Boerwinkel, Frank Kresin, Job
   Spierings, Marleen Stikker, Matt Stokes, Daniel Pettifer and all
   participants of DSI4EU training programs.}},
Cited-References = {{Anderson C., 2012, MAKERS NEW IND REVOL.
   Bellini F., 2016, EXPLORING IMPACTS CO, P19.
   Bihanic D., 2015, EMPOWERING USERS DES.
   Bria F., 2015, GROWING DIGITAL SOCI.
   Brown T., 2010, DESIGN THINKING SOCI, P30.
   De Mul J, 2011, OPEN DESIGN NOW, P34.
   DSI4EU, 2016, SHAP FUT DIG SOC INN.
   IDEO, 2015, FIELD GUID HUM CTR D.
   Lemola T., 2008, ROLE INNOVATION POLI.
   Mulgan G., 2006, GLOBALIZATION, V1, P145.
   Nesta, 2015, DEV IMP YOU.
   OpenIDEO, 2014, OPENIDEO IMP BOOK.
   Osterwalder A., 2010, BUSINESS MODEL GENER.}},
Number-of-Cited-References = {{13}},
Times-Cited = {{0}},
Usage-Count-Last-180-days = {{1}},
Usage-Count-Since-2013 = {{1}},
Journal-ISO = {{Des. J.}},
Doc-Delivery-Number = {{FS4DP}},
Unique-ID = {{ISI:000419738000289}},
OA = {{gold\_or\_bronze}},
DA = {{2018-06-08}},
}

@article{ ISI:000419738000041,
Author = {de Francisco Vela, Santiago},
Title = {{Co-creating Finances. A new perspective on designing for the financial
   world.}},
Journal = {{DESIGN JOURNAL}},
Year = {{2017}},
Volume = {{20}},
Number = {{1}},
Pages = {{S444-S456}},
Note = {{12th International Conference of the European-Academy-of-Design (EAD),
   Sapienza Univ Rome, Fac Architecture, Rome, ITALY, APR 12-14, 2017}},
Organization = {{European Acad Design}},
Abstract = {{This paper presents a series of solutions and ideas to financial topics
   developed by design students. The projects are based on human-centered
   design methodologies and are part of a design course. The course
   explores participatory design tools to understand the financial topics
   and find opportunities for innovation. The topics are 4: Money as a
   technology, Emerging Financial Clusters, Personal Finances, and
   Financial Inclusion. The design process consists of an exploration the
   topics, executing participatory sessions, analyzing and communicating
   results, and presenting the proposals. Students developed 15 projects
   that can be classified in a 2x2 matrix (digital vs. analog and products
   vs. strategies). Among the projects, there is an app that allows friends
   to collect money for drinks and keep a drinking journal, a moody wallet
   that will persuade people to spend less, and a digital legacy to
   complement life insurances, and a tree-shaped piggy bank for children,
   among others.}},
Publisher = {{ROUTLEDGE JOURNALS, TAYLOR \& FRANCIS LTD}},
Address = {{2-4 PARK SQUARE, MILTON PARK, ABINGDON OX14 4RN, OXON, ENGLAND}},
Type = {{Article; Proceedings Paper}},
Language = {{English}},
Affiliation = {{Vela, SD (Reprint Author), Univ Los Andes, Fac Arquitectura \& Diseno, Dept Diseno, Bogota, Colombia.
   de Francisco Vela, Santiago, Univ Los Andes, Fac Arquitectura \& Diseno, Dept Diseno, Bogota, Colombia.}},
DOI = {{10.1080/14606925.2017.1352972}},
ISSN = {{1460-6925}},
EISSN = {{1756-3062}},
Keywords = {{Finnovation; Participatory Design; Contextmapping; Design thinking}},
Keywords-Plus = {{INNOVATION; INCOME}},
Research-Areas = {{Art}},
Web-of-Science-Categories  = {{Art}},
Author-Email = {{s.defrancisco@uniandes.edu.co}},
Cited-References = {{Ariely D., 2008, PREDICTABLY IRRATION, P20.
   Backlund P, 2007, SERIOUS GAMES OVERVI.
   Boer Laurens, 2012, P DES INT SYST C, P388, DOI DOI 10.1145/2317956.2318014.
   Budd JW, 2004, J ECON EDUC, V35, P35, DOI 10.3200/JECE.35.1.35-46.
   Buzan T., 1996, MIND MAP BOOK USE RA.
   Cheung F, 2015, PSYCHOL AGING, V30, P120, DOI 10.1037/a0038682.
   Dapp T. F, 2015, FINTECH RELOADED TRA.
   Dapp T. F., 2014, FINTECH DIGITAL R EV.
   De Francisco Vela S., 2014, P COL CAR 9 INT C DE.
   Desmet PM, 2013, INT J DES, V7.
   Dunn E., 2013, HAPPY MONEY SCI SMAR.
   FISKE AP, 1992, PSYCHOL REV, V99, P689, DOI 10.1037/0033-295X.99.4.689.
   Frame WS, 2004, J ECON LIT, V42, P116, DOI 10.1257/002205104773558065.
   Gaver B., 1999, INTERACTIONS, V6, P21, DOI DOI 10.1145/291224.291235.
   Hagerty MR, 2003, SOC INDIC RES, V64, P1, DOI 10.1023/A:1024790530822.
   Hausman DM, 2010, J POLIT PHILOS, V18, P123, DOI 10.1111/j.1467-9760.2009.00351.x.
   MERTON RC, 1995, J BANK FINANC, V19, P461, DOI 10.1016/0378-4266(94)00133-N.
   MILLER MH, 1986, J FINANC QUANT ANAL, V21, P459, DOI 10.2307/2330693.
   OECD/ INFE International Survey of Adult Financial Literacy Competencies, 2016, INFE INT SURV AD FIN.
   On The Money Networked Society-Ericsson, 2013, MON NETW SOC.
   Sanders Elizabeth B.-N, 2008, CoDesign, V4, P5, DOI 10.1080/15710880701875068.
   Sanders EBN, 2002, DESIGN AND THE SOCIAL SCIENCES: MAKING CONNECTIONS, P1.
   Sleeswijk Visser F., 2005, P 9 EUR C CREAT INN, P173.
   Stanca L., 2015, INT REV EC, V62, P91.
   Thaler R. H., IMPROVING DECISIONS.
   Thaler RH, 2004, J POLIT ECON, V112, pS164, DOI 10.1086/380085.
   Van der Lugt R., 2005, VISUAL COMMUNICATION.
   van Rijn H, 2011, CODESIGN, V7, P65, DOI 10.1080/15710882.2011.609889.
   Veenhoven R., 2013, EXPLORATION HAPPINES, P195.
   Visser F. S., 2005, CoDesign, V1, P119, DOI 10.1080/15710880500135987.}},
Number-of-Cited-References = {{30}},
Times-Cited = {{0}},
Usage-Count-Last-180-days = {{2}},
Usage-Count-Since-2013 = {{2}},
Journal-ISO = {{Des. J.}},
Doc-Delivery-Number = {{FS4DP}},
Unique-ID = {{ISI:000419738000041}},
DA = {{2018-06-08}},
}

@article{ ISI:000419738000220,
Author = {Di Roma, Annalisa},
Title = {{Footwear Design. The paradox of ``tailored shoe{''} in the contemporary
   digital manufacturing systems}},
Journal = {{DESIGN JOURNAL}},
Year = {{2017}},
Volume = {{20}},
Number = {{1}},
Pages = {{S2689-S2699}},
Note = {{12th International Conference of the European-Academy-of-Design (EAD),
   Sapienza Univ Rome, Fac Architecture, Rome, ITALY, APR 12-14, 2017}},
Organization = {{European Acad Design}},
Abstract = {{This paper aims to describe the scenario of the contemporary footwear
   sector, giving a perspective to the product design methodological
   approaches in the context of the so called 4.0 Industry standards. To do
   this the text proposes the description of practical experimentations
   carried out focusing on cad-cam design and cnc production methods. The
   digital design and manufacturing processes (from the 3d scanning of the
   foot to the shoe last definition, from the style concept to the virtual
   parametric prototype of the shoes, from the definition of all the
   components to the final production) address from the one hand the
   advanced production methods supported by the enabling technology, from
   the other hand the renew of the traditional hand made production for the
   small and custom made series. Tradition and innovation aims to enable
   new cultural approaches to the made in Italy standards and new
   competitiveness keys for the footwear industry.}},
Publisher = {{ROUTLEDGE JOURNALS, TAYLOR \& FRANCIS LTD}},
Address = {{2-4 PARK SQUARE, MILTON PARK, ABINGDON OX14 4RN, OXON, ENGLAND}},
Type = {{Article; Proceedings Paper}},
Language = {{English}},
Affiliation = {{Di Roma, A (Reprint Author), Polytech Bari, Dicar Dept, Bari, Italy.
   Di Roma, Annalisa, Polytech Bari, Dicar Dept, Bari, Italy.}},
DOI = {{10.1080/14606925.2017.1352780}},
ISSN = {{1460-6925}},
EISSN = {{1756-3062}},
Keywords = {{Digital design and manufacturing; Digital craft; Manufacturing for
   custom made parts}},
Research-Areas = {{Art}},
Web-of-Science-Categories  = {{Art}},
Author-Email = {{annalisa.diroma@poliba.it}},
Cited-References = {{Adan P., 2014, CAMPER IMPRONTA SUCC.
   Addington M., 2005, SMART MAT NEW TECHNO.
   Anderson C., 2012, MAKERS NEW IND REVOL.
   Baldini M., 2005, SEMIOTICA DELLA MODA, P29.
   Bertola P., 2004, DESIGN MULTIVERSO AP.
   Bertola P., 2007, MODA DESIGN TRASFERI.
   Bianchino G., 1987, DISEGNO MODA ITALIAN, P62.
   Boldrini M., 2012, ABOLIRE PROPRIETA IN.
   Costa P., 2016, MAT DESIGN J SYNAPSE, V2, P20.
   Cross N., 2016, DESIGNERLY WAYS KNOW, P121.
   Di Roma A., 2016, FOOTWEAR DESIGN TRA, P35.
   DiRoma A., MAT DESIGN J SYNAPSE, V2, P58.
   Langella C., 2007, HYBRID DESIGN.
   Mangiarotti R., 2005, DISEGNATO ITALIA DES, P138.
   Menichinelli M., 2016, FAB LAB MAKER LAB PR.
   Micelli S., 2011, FUTURO ARTIGIANO.
   Milone C., 2015, PELLE CALZATURE FUTU.
   Morano A., 2005, SHOE DESIGN COMPETIT.
   Tedeschi A, 2014, AAD ALGORITHMS AIDED.
   Trabucco F., 2005, DISEGNATO ITALIA DES, P16.
   Trabucco F., 2015, DESIGN.}},
Number-of-Cited-References = {{21}},
Times-Cited = {{0}},
Usage-Count-Last-180-days = {{2}},
Usage-Count-Since-2013 = {{2}},
Journal-ISO = {{Des. J.}},
Doc-Delivery-Number = {{FS4DP}},
Unique-ID = {{ISI:000419738000220}},
OA = {{gold\_or\_bronze}},
DA = {{2018-06-08}},
}

@article{ ISI:000419738000257,
Author = {Di Roma, Annalisa and Minenna, Vincenzo and Scarcelli, Alessandra},
Title = {{Fab Labs. New hubs for socialization and innovation}},
Journal = {{DESIGN JOURNAL}},
Year = {{2017}},
Volume = {{20}},
Number = {{1}},
Pages = {{S3152-S3161}},
Note = {{12th International Conference of the European-Academy-of-Design (EAD),
   Sapienza Univ Rome, Fac Architecture, Rome, ITALY, APR 12-14, 2017}},
Organization = {{European Acad Design}},
Abstract = {{The present paper(1) focuses on the cultural value of making,
   identifying the methods for sharing the knowledge and the technical
   skills, particularly, in the context of digital design and fabrication.
   Starting from the renewed interest in manufacturing processes directly
   linked to creativity, sustainability, mass customization, practical
   innovation and experimentation, enhanced by the so called makers'
   revolution and by the new arts and crafts movements, the paper explores
   the on going transformations in the manufacturing places focusing on the
   Fab Lab sites as new hubs for sharing knowledge and skills.
   The dissertation is supported by a practical experimentation, carried
   out by the authors, based on a co-design workshop and a proactive
   interdisciplinary activity addressed to identify the processes of social
   innovation involving both expert and not expert designers in the context
   of digital design and fabrication processes.
   As a result Bright Light, a small lamp, has been produced in order to
   finalize the co-design processes with a smart artefact.}},
Publisher = {{ROUTLEDGE JOURNALS, TAYLOR \& FRANCIS LTD}},
Address = {{2-4 PARK SQUARE, MILTON PARK, ABINGDON OX14 4RN, OXON, ENGLAND}},
Type = {{Article; Proceedings Paper}},
Language = {{English}},
Affiliation = {{Di Roma, A; Minenna, V; Scarcelli, A (Reprint Author), Polytech Bari, Ind Design, Bari, Italy.
   Di Roma, Annalisa; Minenna, Vincenzo; Scarcelli, Alessandra, Polytech Bari, Ind Design, Bari, Italy.}},
DOI = {{10.1080/14606925.2017.1352821}},
ISSN = {{1460-6925}},
EISSN = {{1756-3062}},
Keywords = {{Social design and Innovation; Digital design and fabrication; Makers
   movements; Arts and Crafts movements}},
Research-Areas = {{Art}},
Web-of-Science-Categories  = {{Art}},
Author-Email = {{annalisa.diroma@poliba.it
   vincenzo.minenna@poliba.it
   alessandra.scarcelli@poliba.it}},
Cited-References = {{Anderson C., 2012, MAKERS NEW IND REVOL.
   Boldrini M., 2012, ABOLIRE PROPRIETA IN.
   Branzi A., 2015, DESIGN DESIGN INTERN, P14.
   De Fusco R., 2012, FILOSOFIA DEL DESIGN.
   Gauntlett D., 2013, SOC MAKERS CREATIVIT.
   Hauser A., 1956, SOZIALGESCHICHTE KUN.
   Manzini E., 2015, DESIGN EVERYBODY DES.
   Menichinelli M., 2016, FAB LAB MAKER LAB PR.
   Micelli S., 2011, FUTURO ARTIGIANO.
   Micelli S., 2016, FARE INNOVARE NUOVO.
   Sennett Richard, 2008, CRAFTSMAN.
   Sennett Richard, 2012, TOGETHER RITUALS PLE.
   Vitta M., 2001, PROGETTO BELLEZZA DE.}},
Number-of-Cited-References = {{13}},
Times-Cited = {{0}},
Usage-Count-Last-180-days = {{3}},
Usage-Count-Since-2013 = {{3}},
Journal-ISO = {{Des. J.}},
Doc-Delivery-Number = {{FS4DP}},
Unique-ID = {{ISI:000419738000257}},
DA = {{2018-06-08}},
}

@article{ ISI:000419738000255,
Author = {Fasoli, Alessandra and Tassinari, Silvio},
Title = {{Engaged by Design: The Role of Emerging Collaborative Infrastructures
   for Social Development. Roma Makers as A Case Study}},
Journal = {{DESIGN JOURNAL}},
Year = {{2017}},
Volume = {{20}},
Number = {{1}},
Pages = {{S3121-S3133}},
Note = {{12th International Conference of the European-Academy-of-Design (EAD),
   Sapienza Univ Rome, Fac Architecture, Rome, ITALY, APR 12-14, 2017}},
Organization = {{European Acad Design}},
Abstract = {{We are living in a moment of radical change. The environmental and
   economic crisis have been undermining the strength of democratic
   societies, causing, mainly in western communities, a widespread sense of
   alienation and insecurity. By the way, new social structures are
   emerging from bottom-up initiatives, as a response to the lack of good
   political practices. These actions often reveal themselves as strong
   creative think tanks; they play a key role in the decision-making
   process concerning commons and contribute to the definition of the
   community identity, by acting as connectors between both social and
   environmental factors. Founded in 2012 by a group of young people from
   different backgrounds, Roma Makers has been the first fab lab in Rome,
   Italy, and in the last four years, it has grown in terms of network and
   community. Started from scratch, with limited economic resources and
   during a peak of the Italian economic and political crisis, Roma Makers
   has been able to build a bridge between citizens and authorities, using
   the global innovation network as a mean to join different urban
   realities. With the direction of four public labs widespread among the
   Lazio Region, several mini-labs in public schools, the collaboration
   with trade associations, universities and high educational centers,
   together with the organisation of several technological events, Roma
   Makers has built an active infrastructure of knowledge focused on the
   empowerment of citizens in technological innovation and digital
   manufacturing. The infrastructure operates at different levels of
   society and creates a connection between professionals, students,
   hobbyists, urban associations, companies and institutions so that they
   can meet and share projects and ideas. This new layer of knowledge is
   expanding from a very local scale (the neighbourhood of Garbatella in
   Rome) to the Lazio Region area, and it allows local economies to be
   developed by giving access to innovative and advanced manufacturing
   machines and processes. In this system, a new role of design is emerging
   and changing the linear relationship client/designer/user with
   collaborative networks that generate an open knowledge repository, in
   which everyone is included and can contribute by finding the most
   suitable field to share one's skills. The knowledge ecosystem fosters
   the encounter between local know-how and innovation, creating new
   markets and encouraging new economies. In 2015 Roma Makers has expanded
   by becoming an incubator for two start-ups that connect the
   infrastructure with two important economic sectors: design firms and
   arts, introducing digital manufacturing tools and networked design into
   the industry process. This scenario leads to a new concept of
   participatory design as a tool for an active engagement of individuals
   in the development of their communities. The current paper will analyse
   how the new collaborative design and production processes emerging from
   the Roma Makers Infrastructure is contributing to building a sustainable
   and inclusive social ecosystem. The research will highlight the peculiar
   urban context in which it develops and focuses on how a self-generating
   network of knowledge based on a peer-to-peer system can be a key agent
   to enhance civic engagement for urban development.}},
Publisher = {{ROUTLEDGE JOURNALS, TAYLOR \& FRANCIS LTD}},
Address = {{2-4 PARK SQUARE, MILTON PARK, ABINGDON OX14 4RN, OXON, ENGLAND}},
Type = {{Article; Proceedings Paper}},
Language = {{English}},
Affiliation = {{Fasoli, A; Tassinari, S (Reprint Author), Roma Makers, Rome, Italy.
   Fasoli, Alessandra; Tassinari, Silvio, Roma Makers, Rome, Italy.}},
DOI = {{10.1080/14606925.2017.1352819}},
ISSN = {{1460-6925}},
EISSN = {{1756-3062}},
Keywords = {{Emerging processes; Community development; Peer-to-peer systems;
   Technological innovation; Civic engagement}},
Research-Areas = {{Art}},
Web-of-Science-Categories  = {{Art}},
Author-Email = {{fasolialessandra@gmail.com
   silviotassinari@gmail.com}},
Funding-Acknowledgement = {{core of Roma Makers}},
Funding-Text = {{This paper is the result of the work combined of the core community that
   everyday gives all its efforts to make Fab Lab Roma grow. A special
   thank goes to Stefano Capezzone, for helping and fostering the research,
   and to the core of Roma Makers for sharing their experience and giving
   us information and support.}},
Cited-References = {{{[}Anonymous], 2016, WHAT IS MAK MOV DEF.
   {[}Anonymous], 2017, RET MAN DIG EM ROM.
   Dellot B., 2015, OURS MASTER MAKERSPA.
   Menichinelli M., 2016, FAB LAB MAKER LAB PR.
   The Economist, 2016, ECONOMIST.
   Von Hippel E., 2005, DEMOCRATIZING INNOVA.}},
Number-of-Cited-References = {{6}},
Times-Cited = {{0}},
Usage-Count-Last-180-days = {{3}},
Usage-Count-Since-2013 = {{3}},
Journal-ISO = {{Des. J.}},
Doc-Delivery-Number = {{FS4DP}},
Unique-ID = {{ISI:000419738000255}},
DA = {{2018-06-08}},
}

@article{ ISI:000419738000367,
Author = {Ferrara, Luigi and Dadashi, Nastaran and Giusti, Robert},
Title = {{Scalable Interactive Modular Systems (SIMS): sustainability for digital
   interfaces}},
Journal = {{DESIGN JOURNAL}},
Year = {{2017}},
Volume = {{20}},
Number = {{1}},
Pages = {{S4487-S4496}},
Note = {{12th International Conference of the European-Academy-of-Design (EAD),
   Sapienza Univ Rome, Fac Architecture, Rome, ITALY, APR 12-14, 2017}},
Organization = {{European Acad Design}},
Abstract = {{Design and sustainability have long been reviewed and explored by
   designers, creators and policy makers. Despite the acknowledgement of
   the importance and need for sustainable design, little is known
   regarding the process that leads to one. It is important to recognise
   that sustainability is a system property and thus a systems perspective
   (including both micro and macro level changes) is necessary to fully
   appreciate and guide sustainable and innovative designs. SYSTEMATEKS
   (SIMS) is a forward thinking design concept/process that can inform
   sustainable and regenerative designs. The present paper demonstrates an
   application of SIMS (Scalable, Interactive, Modular (able) systems) for
   designing a digital interface that allows for visualizing key
   infrastructure information (i.e. Information regarding municipality and
   key economic factors associated with it). The findings demonstrate a
   successful application of SIMS process to guide and inform a truly
   flexible and resilience digital interface that is modular and scalable.}},
Publisher = {{ROUTLEDGE JOURNALS, TAYLOR \& FRANCIS LTD}},
Address = {{2-4 PARK SQUARE, MILTON PARK, ABINGDON OX14 4RN, OXON, ENGLAND}},
Type = {{Article; Proceedings Paper}},
Language = {{English}},
Affiliation = {{Dadashi, N (Reprint Author), George Brown Coll, Ctr Art Design \& Informat Technol, Toronto, ON, Canada.
   Ferrara, Luigi; Dadashi, Nastaran; Giusti, Robert, George Brown Coll, Ctr Art Design \& Informat Technol, Toronto, ON, Canada.}},
DOI = {{10.1080/14606925.2017.1352945}},
ISSN = {{1460-6925}},
EISSN = {{1756-3062}},
Keywords = {{Sustainability; Interactive Design; Modularisation; Digital interface;
   Design process}},
Research-Areas = {{Art}},
Web-of-Science-Categories  = {{Art}},
Author-Email = {{nastaran.dadashi@georgebrown.ca}},
Cited-References = {{Bhamra T., 2007, DESIGN SUSTAINABILIT.
   Birkeland J, 2002, DESIGN SUSTAINABILIT.
   Crul MRM, 2006, DESIGN SUSTAINABILIT.
   Dias B. D., 2015, EUROPEAN SCI J.
   Elkington J., 1998, CANNIBALS FORKS TRIP.
   Ferrara L., 2016, CROSS CULTURAL DESIG, V9741.
   Ferrara L., 2015, P 9 INT C DES PRINC.
   Gagnon B, 2009, ENVIRON ENG SCI, V26, P1459, DOI 10.1089/ees.2008.0345.
   Gaziulusoy AI, 2015, J CLEAN PROD, V107, P366, DOI 10.1016/j.jclepro.2015.01.012.
   Jegou F., 2008, COLLABORATIVE SERVIC.
   Max-Neef M. A., 1992, OUTSIDE LOOKING EXPE.
   Sangiorgi D, 2011, INT J DES, V5, P29.
   Tosi F, 2012, WORK, V41, P3878, DOI 10.3233/WOR-2012-0055-3878.}},
Number-of-Cited-References = {{13}},
Times-Cited = {{0}},
Usage-Count-Last-180-days = {{0}},
Usage-Count-Since-2013 = {{0}},
Journal-ISO = {{Des. J.}},
Doc-Delivery-Number = {{FS4DP}},
Unique-ID = {{ISI:000419738000367}},
OA = {{gold\_or\_bronze}},
DA = {{2018-06-08}},
}

@article{ ISI:000419738000267,
Author = {Frangos, Maria and Garvey, Thomas and Knezevic, Irena},
Title = {{Infrastructuring Place. Citizen-led Placemaking and the Commons}},
Journal = {{DESIGN JOURNAL}},
Year = {{2017}},
Volume = {{20}},
Number = {{1}},
Pages = {{S3279-S3293}},
Note = {{12th International Conference of the European-Academy-of-Design (EAD),
   Sapienza Univ Rome, Fac Architecture, Rome, ITALY, APR 12-14, 2017}},
Organization = {{European Acad Design}},
Abstract = {{A proliferation of participatory spatial practices is emerging in
   cities, as citizens seek alternative forms of urban governance and land
   use. Characterised by peer-to-peer production and mediated through the
   use of digital technologies, these practices are part of a larger
   narrative about the commons, the ways in which citizens participate in
   them, and the ways in which knowledge is produced and shared. This
   case-study uses participatory mapping, group interviews and document
   analysis to explore how participants in two urban gardening projects
   make place, and probes whether their practices offer new understandings
   of community-led placemaking. Results emphasise the important role
   citizens play in creating, designing and maintaining the commons and
   demonstrate the ways in which individuals and community groups working
   outside of a professional urban design context expand placemaking into a
   vehicle for social change.}},
Publisher = {{ROUTLEDGE JOURNALS, TAYLOR \& FRANCIS LTD}},
Address = {{2-4 PARK SQUARE, MILTON PARK, ABINGDON OX14 4RN, OXON, ENGLAND}},
Type = {{Article; Proceedings Paper}},
Language = {{English}},
Affiliation = {{Frangos, M (Reprint Author), Carleton Univ, Ottawa, ON, Canada.
   Frangos, Maria, Carleton Univ, Ottawa, ON, Canada.
   Garvey, Thomas, Carleton Univ, Sch Ind Design, Ottawa, ON, Canada.
   Knezevic, Irena, Carleton Univ, Sch Journalism \& Commun, Ottawa, ON, Canada.}},
DOI = {{10.1080/14606925.2017.1352832}},
ISSN = {{1460-6925}},
EISSN = {{1756-3062}},
Keywords = {{Placemaking; participatory urbanism; commons-based peer production;
   infrastructuring; urban gardening}},
Keywords-Plus = {{PARTICIPATORY DESIGN; SOCIAL INNOVATION}},
Research-Areas = {{Art}},
Web-of-Science-Categories  = {{Art}},
Author-Email = {{mariafrangos@gmail.com}},
Funding-Acknowledgement = {{Social Sciences and Humanities Research Council (SSHRC), Canada}},
Funding-Text = {{We would like to thank the Social Sciences and Humanities Research
   Council (SSHRC), Canada, for funding this research.}},
Cited-References = {{Bauwens M, 2009, CAPITAL CLASS, V33, P121, DOI {[}DOI 10.1177/030981680909700107, DOI 10.1177/030981680909700107X].
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Number-of-Cited-References = {{47}},
Times-Cited = {{0}},
Usage-Count-Last-180-days = {{0}},
Usage-Count-Since-2013 = {{0}},
Journal-ISO = {{Des. J.}},
Doc-Delivery-Number = {{FS4DP}},
Unique-ID = {{ISI:000419738000267}},
DA = {{2018-06-08}},
}

@article{ ISI:000419738000343,
Author = {Gagliardi, Mario},
Title = {{Analysing the Digital Transformations, Territories, Frames and Uses}},
Journal = {{DESIGN JOURNAL}},
Year = {{2017}},
Volume = {{20}},
Number = {{1}},
Pages = {{S4197-S4212}},
Note = {{12th International Conference of the European-Academy-of-Design (EAD),
   Sapienza Univ Rome, Fac Architecture, Rome, ITALY, APR 12-14, 2017}},
Organization = {{European Acad Design}},
Abstract = {{While digital space is explained in itself by computer science,
   important questions for the humanities - such as how the Digital affects
   human behaviour, or how it impacts society and economy - are outside its
   scope. Different disciplines have provided answers, but there has been
   no integrated concept bridging these insights. This paper proposes a
   concept to explain the Digital by integrating insights from computer
   science, media studies, sociology and philosophy. The resulting
   framework suggests that the Digital consists of characteristic dynamics,
   spaces and mechanisms. After explaining the concept of Digital Machine,
   an ontological framework consisting of four main fields of analysis -
   Transformation, Territory, Frame and Use - is proposed. With
   Transformations and Territories, the processes of the Digital and its
   wider socio-political and economic dimensions are analysed. Within
   Frames, human action and interpretation happen. In the Uses of the
   Digital, consumption has become a form of production, and User's uses
   can be analysed in the differential between the intents of a Digital
   Machine and the interpretations of its users. To conclude, Anders'
   concept of Promethean slope is taken to explain the increasing problems
   of humans to distinguish the actions of algorithms from human action,
   and future implications of the evolution of the Digital are discussed.
   Finally, routes for digital innovation and recommendations for design
   practice are proposed.}},
Publisher = {{ROUTLEDGE JOURNALS, TAYLOR \& FRANCIS LTD}},
Address = {{2-4 PARK SQUARE, MILTON PARK, ABINGDON OX14 4RN, OXON, ENGLAND}},
Type = {{Article; Proceedings Paper}},
Language = {{English}},
DOI = {{10.1080/14606925.2017.1352919}},
ISSN = {{1460-6925}},
EISSN = {{1756-3062}},
Keywords = {{Digital; Society; Analysis; Design}},
Research-Areas = {{Art}},
Web-of-Science-Categories  = {{Art}},
Author-Email = {{digital@mgstrategy.com}},
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Number-of-Cited-References = {{51}},
Times-Cited = {{0}},
Usage-Count-Last-180-days = {{0}},
Usage-Count-Since-2013 = {{0}},
Journal-ISO = {{Des. J.}},
Doc-Delivery-Number = {{FS4DP}},
Unique-ID = {{ISI:000419738000343}},
OA = {{gold\_or\_bronze}},
DA = {{2018-06-08}},
}

@article{ ISI:000419738000322,
Author = {Iaconesi, Salvatore},
Title = {{Interface and Data Biopolitics in the Age of Hyperconnectivity.
   Implications for Design}},
Journal = {{DESIGN JOURNAL}},
Year = {{2017}},
Volume = {{20}},
Number = {{1}},
Pages = {{S3935-S3944}},
Note = {{12th International Conference of the European-Academy-of-Design (EAD),
   Sapienza Univ Rome, Fac Architecture, Rome, ITALY, APR 12-14, 2017}},
Organization = {{European Acad Design}},
Abstract = {{This article describes their biopolitical implications for design from
   psychological, cultural, legal, functional and aesthetic/perceptive
   ways, in the framework of Hyperconnectivity: the condition according to
   which person-to-person, person-to-machine and machine-to-machine
   communication progressively shift to networked and digital means.
   A definition is given for the terms of ``interface biopolitics{''} and
   ``data biopolitics{''}, as well as evidence supporting these definitions
   and a description of the technological, theoretical and practice-based
   innovations bringing them into meaningful existence.
   Interfaces, algorithms, artificial intelligences of various types, the
   tendency in quantified self and the concept of ``information bubbles{''}
   will be examined in terms of interface and data biopolitics, from the
   point of view of design, and for their implications in terms of
   freedoms, transparency, justice and accessibility to human rights.
   A working hypothesis is described for technologically relevant design
   practices and education processes, in order to confront with these
   issues in critical, ethical and inclusive ways.}},
Publisher = {{ROUTLEDGE JOURNALS, TAYLOR \& FRANCIS LTD}},
Address = {{2-4 PARK SQUARE, MILTON PARK, ABINGDON OX14 4RN, OXON, ENGLAND}},
Type = {{Article; Proceedings Paper}},
Language = {{English}},
Affiliation = {{Iaconesi, S (Reprint Author), ISIA Design Florence, Near Future Design, Florence, Italy.
   Iaconesi, Salvatore, ISIA Design Florence, Near Future Design, Florence, Italy.}},
DOI = {{10.1080/14606925.2017.1352896}},
ISSN = {{1460-6925}},
EISSN = {{1756-3062}},
Keywords = {{Hyperconnectivity; Algorithms; Biopolitics; Ethics; Data}},
Research-Areas = {{Art}},
Web-of-Science-Categories  = {{Art}},
Author-Email = {{salvatore.iaconesi@artisopensource.net}},
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Number-of-Cited-References = {{37}},
Times-Cited = {{0}},
Usage-Count-Last-180-days = {{0}},
Usage-Count-Since-2013 = {{0}},
Journal-ISO = {{Des. J.}},
Doc-Delivery-Number = {{FS4DP}},
Unique-ID = {{ISI:000419738000322}},
DA = {{2018-06-08}},
}

@article{ ISI:000419738000221,
Author = {Knight, John},
Title = {{Go with the Flow: Accelerated digital design in the age of Post-agility}},
Journal = {{DESIGN JOURNAL}},
Year = {{2017}},
Volume = {{20}},
Number = {{1}},
Pages = {{S2700-S2715}},
Note = {{12th International Conference of the European-Academy-of-Design (EAD),
   Sapienza Univ Rome, Fac Architecture, Rome, ITALY, APR 12-14, 2017}},
Organization = {{European Acad Design}},
Abstract = {{This paper describes a progressive shift in agile. This change is
   characterised by greater team autonomy, hybridised practices and strong
   orientation to design thinking (Cross, 1982) and flow (Csikszentmihalyi,
   1997). This conclusion is substantiated through research, a
   comprehensive literature review and theory building (Knight, 2013). The
   supporting data, elicited from a representative cohort (n=308) helps
   develop a theoretical model of agile. The model frames the shift in
   practice as an evolution toward `post-agility' (Baskerville, et al
   2011). In this future state, agile orthodoxy has been replaced by
   `co-design thinking' through a new integrated `flow methodology'. There
   are many implications for the next phase of design. Firstly, agility
   must be core curricula in design education. Secondly, design methods
   that can work with a broader set of data to support autonomous teams are
   needed. Lastly, the speed of change necessitates stronger connections
   between practice, theory and the broader context of design knowledge.}},
Publisher = {{ROUTLEDGE JOURNALS, TAYLOR \& FRANCIS LTD}},
Address = {{2-4 PARK SQUARE, MILTON PARK, ABINGDON OX14 4RN, OXON, ENGLAND}},
Type = {{Article; Proceedings Paper}},
Language = {{English}},
Affiliation = {{Knight, J (Reprint Author), Aalto Univ, Sch Arts Design \& Architecture, Espoo, Finland.
   Knight, John, Aalto Univ, Sch Arts Design \& Architecture, Espoo, Finland.}},
DOI = {{10.1080/14606925.2017.1352781}},
ISSN = {{1460-6925}},
EISSN = {{1756-3062}},
Keywords = {{Agile Development; Digital Design; Design Thinking}},
Keywords-Plus = {{USER-CENTERED DESIGN; SOFTWARE-DEVELOPMENT; DEVELOPMENT TEAMS; WORK;
   METHODOLOGIES; PERSPECTIVES; INNOVATION; USABILITY; PROJECTS; SUCCESS}},
Research-Areas = {{Art}},
Web-of-Science-Categories  = {{Art}},
Author-Email = {{john.knight@aalto.fi}},
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Number-of-Cited-References = {{120}},
Times-Cited = {{0}},
Usage-Count-Last-180-days = {{0}},
Usage-Count-Since-2013 = {{0}},
Journal-ISO = {{Des. J.}},
Doc-Delivery-Number = {{FS4DP}},
Unique-ID = {{ISI:000419738000221}},
OA = {{gold\_or\_bronze}},
DA = {{2018-06-08}},
}

@article{ ISI:000419738000223,
Author = {Laudante, Elena},
Title = {{Industry 4.0, Innovation and Design. A new approach for ergonomic
   analysis in manufacturing system}},
Journal = {{DESIGN JOURNAL}},
Year = {{2017}},
Volume = {{20}},
Number = {{1}},
Pages = {{S2724-S2734}},
Note = {{12th International Conference of the European-Academy-of-Design (EAD),
   Sapienza Univ Rome, Fac Architecture, Rome, ITALY, APR 12-14, 2017}},
Organization = {{European Acad Design}},
Abstract = {{The contribution proposes the individuation of innovative methods for
   the design of systems-products in production through the use of virtual
   reality, from the interaction between the discipline of design and the
   technology in the manufacturing systems in constant evolving.
   Industry 4.0 represents the transformation through digital information
   systems that generate a productive and socio-economic change and the
   level necessary to address the major contemporary competitive
   challenges.
   The new production paradigm a new level of human-machine interaction.
   The role of the person changes and takes on greater importance in the
   digitized factory through the contribution of Ergonomics, highlighting
   the centrality of design by the virtual ergonomics that allows the
   preliminary verification of the issues related to the postures of the
   operator of production during the working activities increasing the
   well-being.
   Virtual technologies and discipline of design anticipate new design
   experiences and multiple scenarios for the configuration of new products
   and services.}},
Publisher = {{ROUTLEDGE JOURNALS, TAYLOR \& FRANCIS LTD}},
Address = {{2-4 PARK SQUARE, MILTON PARK, ABINGDON OX14 4RN, OXON, ENGLAND}},
Type = {{Article; Proceedings Paper}},
Language = {{English}},
DOI = {{10.1080/14606925.2017.1352784}},
ISSN = {{1460-6925}},
EISSN = {{1756-3062}},
Keywords = {{industry 4.0; design; innovation; process; ergonomics; virtual reality}},
Research-Areas = {{Art}},
Web-of-Science-Categories  = {{Art}},
Author-Email = {{elena.laudante@unicampania.it}},
Cited-References = {{Andreoni G., 2012, FATTORE UOMO NEL DES.
   Attaianese E., 2008, MANUALE RACCOMANDAZI.
   Bandini Buti L., 2008, ERGONOMIA OLISTICA F.
   Baracco A., 2006, MANUALE ERGONOMIA IN.
   Butera F., 2014, FUTURO PROFESSIONALE.
   Caputo F., 2007, REALTA VIRTUALE NELL.
   Casoni G., 2011, LUOGHI INNOVAZIONE C.
   Ceccarelli N., 2002, PROGETTARE NELLERA D.
   European Schoolnet DigitalEurope, 2014, MAN COMP INF.
   Istituto di Ricerche Economiche e Sociali-IRES, 2012, IMPR SETT AUT EUR SI.
   Lupacchini A., 2008, ERGONOMIA E DESIGN.
   Magone A., 2016, IND 4 0 UOMINI MACCH.
   Mantovani G., 2002, ERGONOMIA LAVORO SIC.
   Morganti F., 2006, CONOSCENZA COMUNICAZ.
   Muschiato S., 2010, ERGONOMIA SENSORIALI.
   Poggiani A., 2014, TRASFORMAZIONE DIGIT.
   Poli G., 2014, SMART FACTORY NUOVA.
   Rampino L., 2012, DARE FORMA SENSO PRO.
   Roland Berger Strategy Consultants, 2015, IND 4 0 NAV DIG MAN.
   Rubmann M., 2015, IND 4 0 FUTURE PRODU.
   Tosi F., 2005, ERGONOMIA PROGETTO P.
   VDMA European Office, 2016, IND 4 0 MAST TRANS 1.
   Verganti R., 2009, DESIGN DRIVEN INNOVA.
   Viale R., 2008, CULTURA INNOVAZIONE.
   Vittoria E., 1999, QUADERNI ITACA NUMER, V3.}},
Number-of-Cited-References = {{25}},
Times-Cited = {{0}},
Usage-Count-Last-180-days = {{3}},
Usage-Count-Since-2013 = {{3}},
Journal-ISO = {{Des. J.}},
Doc-Delivery-Number = {{FS4DP}},
Unique-ID = {{ISI:000419738000223}},
OA = {{gold\_or\_bronze}},
DA = {{2018-06-08}},
}

@article{ ISI:000419738000051,
Author = {Malakuczi, Viktor},
Title = {{Raising new opportunities for the Next Economy by exploring variable
   user needs for Computational Co-Design}},
Journal = {{DESIGN JOURNAL}},
Year = {{2017}},
Volume = {{20}},
Number = {{1}},
Pages = {{S581-S588}},
Note = {{12th International Conference of the European-Academy-of-Design (EAD),
   Sapienza Univ Rome, Fac Architecture, Rome, ITALY, APR 12-14, 2017}},
Organization = {{European Acad Design}},
Abstract = {{Digital Fabrication promises to revolutionize manufacturing, bringing
   both economic, social and environmental benefits. Combined with
   Computational Co-Design it can raise the creative potential of both
   designers and users. However, today the productive use of Digital
   Fabrication and Computational Design requires significant effort and
   specialised know-how, so valorising these practices calls for the
   identification of the application fields that benefit the most from
   them. This paper presents a tool for helping the discovery of design
   opportunities across comprehensive, ramified lists of product
   categories, where designers can identify possible points of
   intervention. The web-based tool allows the rapid evaluation of numerous
   product categories according to an extendable set of factors and
   inspiring questions related to the necessity of personalization, aiming
   to stimulate designers to consider unexpected frontiers of innovation.
   Beyond the scope of the research project, this tool has the potential to
   assist designers in finding applications also for other emerging
   technologies in a structured and scalable way.}},
Publisher = {{ROUTLEDGE JOURNALS, TAYLOR \& FRANCIS LTD}},
Address = {{2-4 PARK SQUARE, MILTON PARK, ABINGDON OX14 4RN, OXON, ENGLAND}},
Type = {{Article; Proceedings Paper}},
Language = {{English}},
Affiliation = {{Malakuczi, V (Reprint Author), Sapienza Univ Rome, Rome, Italy.
   Malakuczi, Viktor, Sapienza Univ Rome, Rome, Italy.}},
DOI = {{10.1080/14606925.2017.1353005}},
ISSN = {{1460-6925}},
EISSN = {{1756-3062}},
Keywords = {{technology transfer; ideation; methodology; matrix; software tool}},
Research-Areas = {{Art}},
Web-of-Science-Categories  = {{Art}},
Author-Email = {{viktor.malakuczi@gmail.com}},
Cited-References = {{Cruickshank L., 2016, OPEN DESIGN INNOVATI.
   De Mul J., 2011, OPEN DESIGN NOW.
   Eppinger SD, 2012, ENG SYST, P1.
   Holman W., 2015, PLACES J         NOV.
   Keinonen T., 2006, PRODUCT CONCEPT DESI, P45.
   Lipson H., 2013, FABRICATED NEW WORLD.
   Osterwalder A., 2004, VALUE PROPOSITION DE, P88.
   Pine B., 1993, MASS CUSTOMIZATION N.
   Pugh S, 1991, TOTAL DESIGN INTEGRA.
   Salvador F, 2009, MIT SLOAN MANAGE REV, V50, P71.}},
Number-of-Cited-References = {{10}},
Times-Cited = {{0}},
Usage-Count-Last-180-days = {{0}},
Usage-Count-Since-2013 = {{0}},
Journal-ISO = {{Des. J.}},
Doc-Delivery-Number = {{FS4DP}},
Unique-ID = {{ISI:000419738000051}},
OA = {{gold\_or\_bronze}},
DA = {{2018-06-08}},
}

@article{ ISI:000419738000072,
Author = {Nae, Hye-Jin},
Title = {{An Interdisciplinary Design Education Framework}},
Journal = {{DESIGN JOURNAL}},
Year = {{2017}},
Volume = {{20}},
Number = {{1}},
Pages = {{S835-S847}},
Note = {{12th International Conference of the European-Academy-of-Design (EAD),
   Sapienza Univ Rome, Fac Architecture, Rome, ITALY, APR 12-14, 2017}},
Organization = {{European Acad Design}},
Abstract = {{Over the last decade many educational programs have integrated
   methodologies of design thinking across a variety of curriculums. This
   has cast a welcome light on creative processes and facilitated
   innovative solutions. Faculty and students in the sciences, humanities,
   business and technology now have resources to explore new possibilities
   and solutions that match their technologic capabilities. However, this
   framework for creative problem solving falls short in teaching core
   design and aesthetic principles. The challenge for educators becomes how
   to build shared learning environments between design and external
   domains. As an assistant professor in the New Media Design program at
   Rochester Institute of Technology (RIT), I have applied core design
   curriculum in an interdisciplinary program across design, development
   and digital humanities to begin this shared design education. This paper
   explores how an undergraduate design curriculum can be leveraged across
   technology and liberal arts fields to provide actionable skills, design
   vocabulary and aesthetic appreciation to the design thinking and
   practice.}},
Publisher = {{ROUTLEDGE JOURNALS, TAYLOR \& FRANCIS LTD}},
Address = {{2-4 PARK SQUARE, MILTON PARK, ABINGDON OX14 4RN, OXON, ENGLAND}},
Type = {{Article; Proceedings Paper}},
Language = {{English}},
Affiliation = {{Nae, HJ (Reprint Author), Rochester Inst Technol, New Media Design, Sch Design, Coll Imaging Arts \& Sci, Rochester, NY 14623 USA.
   Nae, Hye-Jin, Rochester Inst Technol, New Media Design, Sch Design, Coll Imaging Arts \& Sci, Rochester, NY 14623 USA.}},
DOI = {{10.1080/14606925.2017.1353030}},
ISSN = {{1460-6925}},
EISSN = {{1756-3062}},
Keywords = {{Interdisciplinary; Pedagogy; Design Education; Shared Learning;
   Undergraduate Design Curriculum}},
Research-Areas = {{Art}},
Web-of-Science-Categories  = {{Art}},
Author-Email = {{hxnfaa@rit.edu}},
Cited-References = {{Gerson P., 2007, INT C ENG PROD DES E, P4.
   Kestin J., 2011, STUMBLING LADDER AD.
   Lou Y., 2014, ARTS RES INNOVATION, P123, DOI {[}10.1007/978-3-319-09909-5\_7, DOI 10.1007/978-3-319-09909-5\_7].
   Maeda J., 2016, DESIGN TECH REPORT 2.
   McMains A., 2011, WHY AVERAGE BARISTA.
   Pine J. B., 1999, EXPERIENCE EC.
   Rae J., 2016, 2015 DESIGN VALUE IN.
   Rhodes M., 2016, J MAEDA WHAT REALLY.
   Simmons M., 2015, WHAT ARE BEST KEPT S.}},
Number-of-Cited-References = {{9}},
Times-Cited = {{0}},
Usage-Count-Last-180-days = {{1}},
Usage-Count-Since-2013 = {{1}},
Journal-ISO = {{Des. J.}},
Doc-Delivery-Number = {{FS4DP}},
Unique-ID = {{ISI:000419738000072}},
OA = {{gold\_or\_bronze}},
DA = {{2018-06-08}},
}

@article{ ISI:000419738000231,
Author = {Pekkala, Janne and Ylirisku, Salu},
Title = {{The Role of Design Concepts in the Development of Digitalized Industrial
   Services}},
Journal = {{DESIGN JOURNAL}},
Year = {{2017}},
Volume = {{20}},
Number = {{1}},
Pages = {{S2813-S2822}},
Note = {{12th International Conference of the European-Academy-of-Design (EAD),
   Sapienza Univ Rome, Fac Architecture, Rome, ITALY, APR 12-14, 2017}},
Organization = {{European Acad Design}},
Abstract = {{B-to-B industrial manufacturing organisations are moving the focus from
   designing products to services. This transition challenges the
   management of innovating, which is increasingly collaborative and
   networked. Organisations need to be able to tackle the related
   uncertainty in order to prepare, secure, and plan their use of
   resources. Design concepts are known to have various beneficial roles in
   product and service development in various development contexts. In this
   article we study how design concepts were utilised within, and between,
   three development projects in a Finnish company in the context of B-to-B
   industrial manufacturing. Eight roles for design concepts are identified
   in the 11-month study, and these are presented as stories concretising
   how design concepts functioned. Design concepts were utilised in 1)
   anticipating future, 2) implementing design, 3) training, 4) engaging in
   dialogue, 5) setting goals, 6) establishing vocabulary in organisation,
   7) planning and securing resources, and 8) linking projects.}},
Publisher = {{ROUTLEDGE JOURNALS, TAYLOR \& FRANCIS LTD}},
Address = {{2-4 PARK SQUARE, MILTON PARK, ABINGDON OX14 4RN, OXON, ENGLAND}},
Type = {{Article; Proceedings Paper}},
Language = {{English}},
Affiliation = {{Pekkala, J (Reprint Author), Univ Appl Sci, Design Ctr Muova Vaasa, Vaasa, Finland.
   Pekkala, J (Reprint Author), Aalto Univ, Sch Arts Design \& Architecture, Espoo, Finland.
   Pekkala, Janne, Univ Appl Sci, Design Ctr Muova Vaasa, Vaasa, Finland.
   Pekkala, Janne, Aalto Univ, Sch Arts Design \& Architecture, Espoo, Finland.
   Ylirisku, Salu, Univ Southern Denmark, Dept Design \& Commun, Odense, Denmark.}},
DOI = {{10.1080/14606925.2017.1352792}},
ISSN = {{1460-6925}},
EISSN = {{1756-3062}},
Keywords = {{Design concept; concept design; industrial service design}},
Keywords-Plus = {{FUZZY FRONT-END; PRODUCT DEVELOPMENT}},
Research-Areas = {{Art}},
Web-of-Science-Categories  = {{Art}},
Author-Email = {{janne.pekkala@muova.fi}},
Funding-Acknowledgement = {{Tekes, the Finnish Funding Agency for Innovation}},
Funding-Text = {{This study was supported by Tekes, the Finnish Funding Agency for
   Innovation. BMC opened their business for the research and made this
   study possible. This article was improved with input from Sanna
   Peltonen, Miia Lammi, Oscar Person, Seungho Lee, Pia Tamminen, Pekka
   Murto and Paulo Nicoletti Dziobczenski.}},
Cited-References = {{Clark G., 2000, NEW SERVICE DESIGN, P71.
   Coffey A., 1996, MAKING SENSE QUALITA.
   COOPER RG, 1990, BUS HORIZONS, V33, P44, DOI 10.1016/0007-6813(90)90040-I.
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   Gebauer H., 2008, MANAG SERV QUAL, V18, P387, DOI DOI 10.1108/09604520810885626.
   Goldstein SM, 2002, J OPER MANAG, V20, P121, DOI 10.1016/S0272-6963(01)00090-0.
   Keinonen T., 2006, PRODUCT CONCEPT DESI, P2.
   Khurana A, 1997, SLOAN MANAGE REV, V38, P103.
   Khurana A, 1998, J PROD INNOVAT MANAG, V15, P57, DOI 10.1111/1540-5885.1510057.
   Kim J, 2002, R\&D MANAGE, V32, P269, DOI 10.1111/1467-9310.00259.
   Koskinen I., 2011, DESIGN RES PRACTICE.
   Murphy SA, 1997, R\&D MANAGE, V27, P5, DOI 10.1111/1467-9310.00038.
   Papastathopoulou P, 2012, J PROD INNOVAT MANAG, V29, P705, DOI 10.1111/j.1540-5885.2012.00944.x.
   Saldana J., 2015, CODING MANUAL QUALIT.
   Seidel VP, 2007, J PROD INNOVAT MANAG, V24, P522, DOI 10.1111/j.1540-5885.2007.00269.x.
   Ulrich K. T., 2003, PRODUCT DESIGN DEV.
   Ylirisku S., 2013, THESIS.}},
Number-of-Cited-References = {{18}},
Times-Cited = {{0}},
Usage-Count-Last-180-days = {{0}},
Usage-Count-Since-2013 = {{0}},
Journal-ISO = {{Des. J.}},
Doc-Delivery-Number = {{FS4DP}},
Unique-ID = {{ISI:000419738000231}},
OA = {{gold\_or\_bronze}},
DA = {{2018-06-08}},
}

@article{ ISI:000419738000224,
Author = {Petrelli, Daniela},
Title = {{Industry 4.0: Is It Time for Interaction Design Craftsmanship?}},
Journal = {{DESIGN JOURNAL}},
Year = {{2017}},
Volume = {{20}},
Number = {{1}},
Pages = {{S2735-S2745}},
Note = {{12th International Conference of the European-Academy-of-Design (EAD),
   Sapienza Univ Rome, Fac Architecture, Rome, ITALY, APR 12-14, 2017}},
Organization = {{European Acad Design}},
Abstract = {{The technological innovation of Industry4.0 opens up new possibilities
   for bespoke and unique designs all rooted in the same technology and
   supported by the same services. Taken together, Cyber-Physical Systems,
   Cloud Computing and Internet of Things offer a neutral platform for the
   creation of hybrid digital physical objects. The economy of scale is
   reached by sharing the same technology across different projects and
   potentially very different domains. This vision is illustrated by the
   work done in the meSch project and its platform for the production of
   novel interactive experiences in museums. Six installations designed by
   recombining the same electronic components and the same services are
   used as a case study. They show how the meSch platform is aligned with
   Industry4.0 principles of enabling dynamic composition, supporting
   distributed production, and monitoring use for service improvement. As a
   platform it supports single-piece production and empowers designers to
   create bespoke solutions with the same technological core.}},
Publisher = {{ROUTLEDGE JOURNALS, TAYLOR \& FRANCIS LTD}},
Address = {{2-4 PARK SQUARE, MILTON PARK, ABINGDON OX14 4RN, OXON, ENGLAND}},
Type = {{Article; Proceedings Paper}},
Language = {{English}},
Affiliation = {{Petrelli, D (Reprint Author), Sheffield Hallam Univ, Art \& Design Res Ctr, Sheffield, S Yorkshire, England.
   Petrelli, Daniela, Sheffield Hallam Univ, Art \& Design Res Ctr, Sheffield, S Yorkshire, England.}},
DOI = {{10.1080/14606925.2017.1352785}},
ISSN = {{1460-6925}},
EISSN = {{1756-3062}},
Keywords = {{Interaction Design; Internet of Things; Cloud Computing; Museums;
   Personalisation}},
Research-Areas = {{Art}},
Web-of-Science-Categories  = {{Art}},
Author-Email = {{d.petrelli@shu.ac.uk}},
Funding-Acknowledgement = {{EU {[}600851]; Sheffield Hallam University (UK); University of
   Strathclyde (UK); University of Limerick (IR); Fondazione Bruno Kessler
   (IT); eCTRL (IT); Museo Storico Italiano della Guerra (IT); WAAG Society
   (NL); DEN (NL); MUSEON (NL); University of Amsterdam (NL); University
   Carlos 3 Madrid (ES); University of Stuttgart (DE)}},
Funding-Text = {{the meSch project receives funds from the EU under the grant agreement
   600851. The meSch project partners include: Sheffield Hallam University
   (coordinator, UK), University of Strathclyde (UK), University of
   Limerick (IR), Fondazione Bruno Kessler (IT), eCTRL (IT), Museo Storico
   Italiano della Guerra (IT), WAAG Society (NL), DEN (NL), MUSEON (NL),
   University of Amsterdam (NL), University Carlos 3 Madrid (ES),
   University of Stuttgart (DE). The author gratefully acknowledges the
   effort of each member of the meSch team in ideas, design, and
   implementations.}},
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Number-of-Cited-References = {{23}},
Times-Cited = {{0}},
Usage-Count-Last-180-days = {{6}},
Usage-Count-Since-2013 = {{6}},
Journal-ISO = {{Des. J.}},
Doc-Delivery-Number = {{FS4DP}},
Unique-ID = {{ISI:000419738000224}},
OA = {{green\_published}},
DA = {{2

license: MIT

license_type: permissive

branch_name: refs/heads/master

extension: bib