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Talk:John Wilkins Jr.

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title: Talk:John Wilkins Jr.


text:
M. Rameshwaran

Marudapandy Rameshwaran (born 26 December 1976) is a Sri Lankan politician, former provincial minister and Member of Parliament.

Rameshwaran was born on 26 December 1976. He was treasurer and deputy president of the Ceylon Workers' Congress. He was a member of the Central Provincial Council and held several provincial ministerial portfolios. He was arrested in December 2017 in connection with an assault on a National Union of Workers supporter at a funeral in Maskeliya and later released on bail.

Rameshwaran contested the 2020 parliamentary election as a Sri Lanka People's Freedom Alliance electoral alliance candidate in Nuwara Eliya District and was elected to the Parliament of Sri Lanka.

source: wikimedia

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: M. Rameshwaran


text:
User:TeamR.J/sandbox

Team R.J, all so known as R.J Conte. Team R.J's channel started in the year 2017. R.J's birth date is February twenty fifth two thousand and three.Team R.J is a random channel in which they upload from game lets plays to challenge. R.J is also known for his professional power lifting. His team is elite fitness. R.J holds the New York state dead lift record, the record is at 309lb. R.J is also known in his christian community, he helps out at renewal church. Along with his goals he is currently enrolled at A.O.I.T. Academy Of Information Technology. And he gave us a quote saying " You can do anything you put your mine to. " R.J's has no plan for his youtube channel, he said what happens happens.

title: User:TeamR.J/sandbox


text:
Indonesian/Tenses

Tenses
As we learned from Lesson 4, Indonesian has no tenses. In order to express idea in different time frame, we need to attach time signals, such as "yesterday", "tomorrow", "this morning", etc. These time signals are very easy to learn.

When you say a sentence without any time signal, we can never be sure what time frame it is assumed to be, if it is taken out of context. For example:

Saya makan apel.

The general translation would be in present tense: I eat apple. However, it depends on the speaker on what it means. It may also mean progressive tense. The speaker may be eating an apple as he/she speaks.

Also, you can incorporate as many time signals as you want to express more specific ideas, as long as the addition doesn't contradict the existing ones and follows the "general rule of thumb". This is especially useful since Indonesian has no notion of complex grammar such as future perfect.

Present Tense
To express habitual activity, we use present tense. In English, we use the form of infinitive + (-s/-es). In Indonesian, we use the time signal setiap X, where X can be subtituted with hari, pagi, siang, malam, minggu, etc to denote that the activity is recurrent.

 * Saya makan apel setiap pagi.
 * I eat [an] apple(s) every morning.

Remember that when you mention a noun, it is uncertain whether it is singular or plural, as discussed here. The assumption is always singular, but it can still mean plurals.

Here's a helpful word signals appropriate for present tenses:
 * Setiap hari = Everyday
 * Setiap kali = Every time
 * Setiap pagi = Every morning
 * Setiap siang = Every (around) noon
 * Setiap sore = Every afternoon (but before sunset)
 * Setiap malam = Every night
 * Setiap minggu = Every week
 * Setiap bulan = Every month
 * Setiap tahun = Every year

Note: The word setiap may be shortened as tiap. Both are acceptable in formal written/spoken Indonesian.

To indicate that the action is a habit, you can put the word biasa right before the verb:

 * Saya biasa makan apel. (I usually eat [an] apple(s)) [currently]

Progressive Tense
To express a currently ongoing activity, we use progressive tense. In English, we use the form of to be + infinitive + -ing. In Indonesian, we use the time signal sedang.

 * Saya sedang makan apel.
 * I am eat ing [an] apple(s).

The word other than sedang that can be used is lagi.

 * Saya lagi makan apel.
 * I am eat ing [an] apple(s).

Be careful with the word placement. The word "sedang" or "lagi" are used right before the verb in order to form progressive tense. Be extra careful in the word "lagi", because if the placement is wrong, then it will mean "again" instead of to mean a progressive tense.

 * Saya makan apel lagi .
 * I am eating [an] apple(s) again.

You can also attach time signals to further reinforce your idea; such as: "sekarang" = now.

Past Tense
Indonesian only has one notion of past tense, which is simple past. It has no notion of past progressive or past perfect tenses. (See below for further clarification)

As always, to form the tenses, we just need to attach time signals.

 * Saya makan apel tadi pagi.
 * I ate [an] apple(s) this morning.

To express undefinite past, Indonesian has these phrases:
 * Sudah or Telah → To express undefinite past (distant or recent)
 * Dulu → To express undefinite distant past
 * Tadi → To express undefinite recent past
 * Baru saja or Barusan → To express a very recent past (equivalent to "just now").

Both the words sudah and telah literally means already. It explains that the action has already happened. It is uncertain whether it's in the recent or distant past.

 * Saya telah makan apel.
 * I already ate [an] apple(s).

Note that due to English influence, sudah or telah are often used to express past perfect tenses due to the closeness of their meaning. See below for more.

When people are talking about distant past, the assumption is that the activity discussed is recurrent (unless the context dictates otherwise), especially if we attach habitual time signal. For example:

 * Saya dulu makan apel setiap pagi.
 * I used to eat [an] apple(s) every morning.

The notion of recent past is roughly limited to about last night. So, "tadi malam" means last night.

 * Saya makan apel tadi malam.
 * I ate [an] apple(s) last night.

Baru saja is roughly equivalent to "just now". However, it can also means within an hour or so.

 * Saya baru saja makan apel.
 * I ate [an] apple(s) just now.

To express definite past, we can use the phrase "lalu", which roughly means ago. For example:
 * Dua jam lalu = Two hours ago
 * Dua hari lalu = Two days ago
 * Dua minggu lalu = Two weeks ago
 * Dua bulan lalu = Two months ago
 * Dua tahun lalu = Two years ago

Note that sometimes the phrase "yang lalu" is used instead of "lalu". They are equivalent. Literally, the word lalu means pass and yang means that or which. So, "dua jam yang lalu" literally means "[at] two hours that pass".

Other words that may be useful to express ideas in the past:
 * Kemarin = Yesterday
 * Kemarin pagi = Yesterday morning

(and you can repeat this for siang, sore, and malam)
 * Kemarin lusa = The day before yesterday
 * Minggu lalu = Last week
 * Bulan lalu = Last month
 * Tahun lalu = Last year

Future Tense
The same goes with future tense: We need to attach time signals. For example:

 * Saya akan makan apel.
 * I will eat [an] apple(s).

To express undefinite future, Indonesian has these phrases:
 * Akan or Bakal → Undefinite future, either distant or recent
 * Kelak → Distant future
 * Nanti → Near future

Note that the word akan must be placed right before the verb, just like sedang. See the example above.

The difference between kelak and nanti is on the distance to the future they are. Their usage can be combined with the word akan.

 * Saya akan makan apel kelak.
 * Saya makan apel kelak.
 * Saya akan makan apel nanti.
 * Saya makan apel nanti.

The first two sentences are equivalent, as are the last two. The difference is that the first two implies more distant future than the last two. How distant? It depends on the context. The good rule of thumb is kelak usually refers to a time frame of months or years in the future, whereas nanti refers to a much shorter time in the future than that (i.e. days).

To specify definite future, the word akan can also be combined with other future time signals, such as besok ( = tomorrow).

 * Saya akan makan apel besok.
 * I will eat [an] apple(s) tomorrow.

The word kelak or nanti can be combined with future time signals too in order to specify a definite future:
 * Dua jam nanti = Two hours later
 * Dua hari nanti = Two days later
 * Dua minggu nanti = Two weeks later
 * Dua bulan nanti = Two months later
 * Dua tahun nanti = Two years later

Note that when specifying definite future, the word kelak and nanti is equivalent. So, "dua jam nanti" is equivalent as "dua jam kelak". Usually people still follow the "rule of thumb" above. So, "dua jam nanti" is used more often than "dua jam kelak"; and "dua tahun kelak" is used more often than "dua tahun nanti". However, people usually use "dua bulan nanti" and "dua bulan kelak" interchangeably. Example:
 * Saya makan apel dua jam nanti.
 * I will eat [an] apple(s) two hours later.

Note that the word akan can also be combined with kelak or nanti. But kelak and nanti cannot be used together. For example:

The two examples are equivalent. Another good time signal to use for future tense is "depan", which means next (in next week, etc.):
 * Saya akan makan apel dua jam nanti.
 * I will eat [an] apple(s) two hours later.
 * Saya akan makan apel dua jam kelak.
 * I will eat [an] apple(s) two hours later.
 * Minggu depan = next week
 * Bulan depan = next month
 * Tahun depan = next year

Tense Combinations
As stated above, Indonesian has no complex tenses such as future perfect (i.e. will have + infinitive). The way Indonesian gets around with it is to throw in the appropriate time signals. This practice is influenced by Romance languages and sounds inherently unnatural to Indonesian people. However, you may do that and people may still be able to understand it, may be just a bit strange.

Present Perfect
Due to English language influence, people began using the words sudah or telah to express present perfect. This is because Indonesian actually doesn't have present perfect. So:

 * Saya sudah makan apel.
 * I have eaten [an] apple(s).

It's a bit weird, but it works. So you can use it if you want to.

Future Perfect
We use the phrase "akan telah" or "akan sudah" to indicate future perfect.

 * Saya akan sudah makan apel besok.
 * I will have eaten [an] apple(s) tomorrow.

Conditional Perfect
Conditional perfect is expressed using "would have". Unfortunately, Indonesian has no way to express this. The usual translation is using "mungkin telah", but that would actually mean "may have". This is very awkward situation. It sounds very unnatural. The best way translating it is to translate the sentence in its entirety in a different way.

title: Indonesian/Tenses


text:
User:The bat thing678~enwiki

The bat thing678 01:25, 11 August 2006 (UTC)The_Bat_Thing678

About me: Well, I'm 13 years old, and i love comics. I also like starwars. Yeah, other than that there's not much left to say about me.

title: User:The bat thing678~enwiki


text:
XML - Managing Data Exchange/The many-to-many relationship

Introduction
In the previous chapters, you learned how to use XML to structure and format data based on one-to-one and one-to-many relationships. Because XML provides the means to model data using hierarchical parent-child relationships, the one-to-one and one-to-many relationships are relatively simple to represent in XML. However, this hierarchical parent-child structure is difficult to use to model the many-to-many relationship, a common relationship between entities in many situations.

In this chapter, we will explore the pros and cons of a few methods that are used to model a many-to-many relationship in XML; these methods offer compromises in overcoming the problems that arise when applying this relationship to XML. In particular, we will see examples of how to model the many-to-many relationship using two different methods, "Eliminate" and "ID/IDREF." Additionally, in the XML stylesheet, we will learn how to implement the key function to display the data that was modeled using the "ID/IDREF" method.

Problems: many-to-many relationship
In XML, the parent-child relationship is most commonly used to represent a relationship. This can easily be applied to a one-to-one or one-to-many relationship. A many-to-many relationship is not supported directly by XML; the parent-child relationship will not work as each element may only have a single parent element. There are couple of possible solutions to get around this.

Eliminate
Create XML documents that eliminate the need for a many-to-many relationship By limiting the extent of information that is conveyed, you can get around the need for a many-to-many relationship. Instead of trying to have one XML document encompass all of the information, separate the information where one document describes only one of the entities that participates in the many-to-many relationship. Using our tourGuide relationship for example, one way for us to accomplish this would be creating a separate XML document for each hotel. The relationship with amenity would ultimately then become a one-to-many. This method is more suitable for situations in which the scope of data exchange can be limited to subsets of data. However, using this method for more broadly scoped data exchange, you may repeat data several times, especially if there are many attributes. To avoid this redundancy, use the ID/IDREF method.

ID/IDREF
Represent the many-to-many relationship using unique identifiers Although not the most user-friendly way to handle this problem, one way of getting around the many-to-many relationship is by creating keys that would uniquely identify each entity. To do this, an element with ID or IDREF attributes-types must be specified within the XML schema. To use a data modeling analogy, ID is similar to the primary key, and IDREF is similar to the foreign key.

Many-to-many relationship data model
Exhibit 1: Data model for a m:m relationship

The relationship reads, a hotel can have many amenities, and an amenity can exist at many hotels.

As you will notice, in order to represent a many-to-many relationship, two entities were added. The middle entity is necessary for the data model to represent an associative entity that stores data about the relationship between hotel and amenity. Using our Tour Guide example, "Amenity" was added to represent a list of possible amenities that a hotel can possess.

The following examples illustrate methods to represent a many-to-many relationship in XML.

Eliminate: sample solution
In this example, the many-to-many relationship has been converted to a one-to-many relationship.

XML schema
Exhibit 2: XML schema for "Eliminate" method

XML document
Exhibit 3: XML document for "Eliminate" method

ID/IDREF: sample solution
To avoid redundancy, we create a separate element, "amenity," which is included at the top of the schema along with "hotel." Remember, the data types ID and IDREF are synonymous with the primary key and foreign key, respectively. For every foreign key (IDREF), there must be a matching primary key (ID). Note that the IDREF data type has to be an alphanumeric string.

The following example illustrates the ID/IDREF approach. Notice that the ID for the amenity pool is defined as "k1," and every hotel with a pool as an amenity references "k1," using IDREF. If the IDREF does not match any ID, then the document will not validate.

XML schema
Exhibit 4: XML schema for "ID/IDREF" method

XML document
Exhibit 5: XML document for "ID/IDREF" method

Key function: XML stylesheet
In order to set up an XML stylesheet using the ID/IDREF method for a many-to-many relationship, the key function should be used. In the stylesheet, the <xsl:key> element specifies the index, which is used to return a node-set from the XML document.

A key consists of the following:

1. the node that has the key 2. the name of the key 3. the value of a key

The following XML stylesheet illustrates how to use the key function to present content that is structured in a many-to-many relationship.

XML stylesheet
Exhibit 6: XML stylesheet for "ID/IDREF" method


text:
User:Borgatya/Gábor Prószéky

Gábor Prószéky (born 25 March 1954) is a Hungarian linguist, university (full) professor at the Pázmány Péter Catholic University, former CEO of MprphoLogic and director of Research Institute for Linguistics. His research focuses on computational linguistics, language technology and foundational problems of machine translation, applied linguistics and morphology. He works both in Hungary and around the world, and has published in English and Hungarian.

Biography and career
He was born on 25 March 1954 in Budapest, Hungary. He took B.Sc. degree in software engineering in 1979, MSc degree in mMthematics in 1981 and M.A. degree in General and Applied Linguistics in 1982 at the Eötvös Loránd University in Budapest.

From 1991 until 2017 he was the CEO of MprphoLogic, the Hungarian language technology company.

In 1995 he completed his PhD degree and he was awarded Doctor of Science (D.Sc.) degree in Linguistics in 2004.

In 2006 he habilitated and then he received the title of university (full) professor.

In 2006 he was appointed vice dean of the Faculty of Information Technology and Bionics, Pázmány Péter Catholic University for Research and Innovation where he has served until 2016.

From 2012 until 2017 he acted as the director of the Hungarian Language Technology Research Group, which was the joint research group between Hungarian Academy of Sciences (HAS) and Pázmány Péter Catholic University.

From 2017 he manages the Research Institute for Linguistics as its director.

He is a notable and respected scientist both in Hungary and around the world and developed significant research and professional relationships.

His working papers were issued in both national and international prestigious professional research scientific journals.

His main fields of interest are in the computational linguistics and language technology with special respect to the foundational problems of machine translation, applied linguistics and morphology.

Editorial board memberships

 * 1999− Fordítástudomány (Translation Studies) − member of the editorial board
 * 2000− Across Languages and Cultures − member of the advisory board
 * 2001− Magyar Orvosi Nyelv (Hungarian Medical Language) − member of the ed. board
 * 2004− Lexikográfiai Füzetek (Lexicographic Booklets) − member of the editorial board
 * 2012− Alkalmazott Nyelvtudomány (Applied Linguistics) – member of the editorial board
 * 2013− Jedlik Laboratories Research Reports – member of the editorial board

Carrier-related public activities

 * 1982− Association for Computational Linguistics
 * 1991−1996 Committee on Applied Linguistics, Hungarian Academy of Sciences
 * 1994− European Network of Language and Speech, Industrial Task Group
 * 1997− Association of IT Companies (IVSZ)
 * 1997− Working Committee on Applied Linguistics, Hungarian Academy of Sciences
 * 1998− European Association for Machine Translation
 * 1998− Association of Hungarian Applied Linguists − board member
 * 1999−2000 Association of IT Companies (IVSZ)− vice-president & president of SMEs
 * 2000−2008 Committee on Informatics, Hungarian Academy of Sciences
 * 2000− Committee on Lexicography, Hungarian Academy of Sciences
 * 2002− Committee on Linguistics, Hungarian Academy of Sciences
 * 2005−2012 Committee on Lexicography, Hungarian Academy of Sciences – president
 * 2006−2012 European Language Resource Association (board member until 2012)
 * 2014− Committee on Hungarian Medical Language
 * 2015− Committee on Hungaran Language, Hungarian Academy of Sceinces - president

Awards and honours

 * 2000 Széchenyi Prize
 * 1995 Kalmár Award of the John von Neumann Computer Society
 * 2002 IT Manager of the Year
 * 2005 Brassai Award
 * 2005 Award for the Hungarian IT
 * 2009 IT Lecturer of the Year
 * 2010 International Dennis Gabor Award

Books
===Papers ===
 * Prószéky Gábor: Számítógépes nyelvészet (Computational linguistics), SZAK Kiadó Kft., Budapest, 2015.
 * Siklósi Borbála, Novák Attila, Prószéky, Gábor 2016: Context-aware correction of spelling errors in Hungarian medical documents, COMPUTER SPEECH AND LANGUAGE 35: (jan 2016) pp. 219-233.
 * G Orosz, A Novák, G Prószéky 2014: Lessons Learned from Tagging Clinical Hungarian, INTERNATIONAL JOURNAL OF COMPUTATIONAL LINGUISTICS AND APPLICATIONS 5: (1) pp. 159-176.
 * Gábor Prószéky 2006: Translating While Parsing, In: Mickael Suominen, Antti Arppe, Anu Airola, Orvokki Heinämäki, Matti Miestamo, Urho Määttä, Jussi Niemi, Kari K Pitkänen, Kaius Sinnemäki (eds): A Man of Measure (Festschrift in Honour of Fred Karlsson on his 60th Birthday). Turku: The Linguistic Association of Finland, 2006. pp. 449-459. (Special Supplement to SKY Journal of Linguistics)Vol. 19
 * Gábor Prószéky, Attila Novák 2005: Computational Morphologies for Small Uralic Languages, In: Arppe Antti, Lauri Carlson, Krister Linden, Jussi Piitulainen, Mickael Suominen, Martti Vainio, Hanna Westerlund, Anssi Yli-Jyrä (eds): Inquiries into Word, Constraints and Contexts.(Festschrift in the Honour of Kimmo Koskenniemi on his 60th Birthday). Stanford (CA): CSLI Publications, 2005. pp. 150-157.

title: User:Borgatya/Gábor Prószéky


text:
Talk:David Murdoch

External links modified
Hello fellow Wikipedians,

I have just added archive links to 2 one external links on David Murdoch. Please take a moment to review my edit. If necessary, add after the link to keep me from modifying it. Alternatively, you can add to keep me off the page altogether. I made the following changes:
 * Added archive https://web.archive.org/20080422193537/http://www.curlingscoops.com:80/events/wmcc08.html to http://www.curlingscoops.com/events/wmcc08.html
 * Added archive https://web.archive.org/20140222164959/http://www.curlingscoops.com/stories/april1209b2.php to http://www.curlingscoops.com/stories/april1209b2.php

Cheers.—cyberbot II  Talk to my owner :Online 21:45, 10 January 2016 (UTC)

title: Talk:David Murdoch


text:
Dee Bradley Baker filmography

This is the filmography of American voice actor Dee Bradley Baker.

Animated series
<!-- NEED BETTER SOURCE, BTVA DOES NOT CONFIRM Voiced in pilot episode in 2010 || sonic Underground - not listed in closing credits | 1999-09-20–2000 || Sonic Underground || Chomps the Dinosaur, Kar-lek Monster || "Friend of Foe?" (uncredited), "Dunes Day" (uncredited) ||
 * 2017-11-11 || The Loud House || Olmec || Ep. "Legends" ||
 * 2017-10-01 || Vampirina || Wolfie, Mr. Gore || ||
 * 2008-04-10 ||Foster's Home for Imaginary Friends||ChiChi and Squirrel ||  || BTVA DOES NOT CONFIRM THIS
 * 2008-06-19 || Chowder || Rat, Hat Customer, Customer #2 || Ep. "The Thousand Pound Cake/The Rat Sandwich" ||
 * 1998-10-18 || Zoomates || Zookeeper, Vendor, Guy #2 || Short film for Oh Yeah! Cartoons ||
 * 1997-11-21 || Rugrats || Mr. Turkey || Ep. "The Turkey Who Came to Dinner" ||
 * 2000-09-07–01 || Gotham Girls || Various characters || ||
 * 2001-06-08 || Time Squad || Local 2 || Ep. 1 ||
 * 2004-10-01 || Evil Con Carne || Alien, Condor, Native #2 || Ep. "No No Nanuk / Teenage Idol" ||
 * 2005-11-25–06 || The X's || Rex, others ||  ||
 * 2011-11-11 || New Teen Titans || Silkie || As part of DC Nation shorts BTVA does not have this credit
 * 2013-11-26 || Uncle Grandpa || Adam || Ep. "Brain Game"
 * 2005 || The Buzz on Maggie || Mort, Little Boy ||  ||
 * 2006-09-08–09 || The Replacements || Ace Palmero, Prince Cinnamon Boots, Herr Doofentänzer, Johnny Hitswell, Zephremiah and Silent Joe, Goober, others ||  ||
 * 2009-05-15–10 || The Secret Saturdays || Honey Island Swamp Monster, Georgia Pig Man, Xing Xing, Bunyips || Eps. "Ghost in the Machine", "War of the Cryptids" ||
 * 2009-05-27 || The Goode Family || Che, Dr. Albright, Gutterball ||  ||
 * 2008-11-01 || Making Fiends || Pony || Ep. "Pony" ||
 * 2009-2012 || Special Agent Oso || Turner || Episode: "The Manny with the Golden Bear"
 * 2019-09-09 || ''DuckTales || Bubba the Caveduck, Benjamin Frankloon || Ep. "Timephoon" ||
 * 2021-09-03 || Sharkdog || Sharkdog || ||
 * 2022-01-07 || Wolf boy || Conner || ||
 * 2021-09-03 || Sharkdog || Sharkdog || ||
 * 2022-01-07 || Wolf boy || Conner || ||
 * 2022-01-07 || Wolf boy || Conner || ||

--->
 * }

Other voice-over roles

 * California Screamin' (2003–2010) theme park attraction – Original host
 * Pirates of the Caribbean theme park attraction – Parrot
 * Star Tours: The Adventures Continue theme park attraction – Boba Fett
 * Video Games Live with the San Diego Symphony (San Diego Comic-Con 2008 performance only) – Performer
 * Shelf Life (2011–14) – Samurai Snake – web series by Yuri Lowenthal and Tara Platt
 * Special Relativity (2015) radio series – Prince of the Pigeon People, General Fith

Book citations

title: Dee Bradley Baker filmography


text:
General Chemistry/Physical Change

General Chemistry

Physical changes in chemistry include phase changes and anything else that changes the way that matter is arranged in space.

Examples of physical changes are:
 * breaking a stick
 * crushing ice
 * melting ice
 * stretching a rubber band
 * boiling water

Phase changes
The three basic phases of matter are solid, liquid, and gas. (Under certain unusual conditions matter can transform into a phase called plasma)

A phase change is a change from one phase to another. The most common example is liquid water freezing into ice or evaporating into a gas. Phase changes result in different properties for the substance changing phases but the chemical identity of the material does not change. In the case of water, its molecules are always composed of two hydrogen atoms bonded to one oxygen atom. However, in frozen water the molecules are frozen into place in relation to each other in a structure called a crystal; in liquid water the molecules flow relative to each other; and water molecules in the gas phase are flying freely in space and seldom even contact each other.

Phase changes are controlled by temperature and pressure. By lowering the temperature of a gas it can be condensed into a liquid and then even into a solid. Heating a solid melts it into a liquid and then, with further heat, into a gas.

title: General Chemistry/Physical Change


text:
Gugu Liberato

Antônio Augusto de Moraes Liberato (10 April 1959 – 21 November 2019), better known as Gugu Liberato or simply Gugu, was a Brazilian television presenter, entrepreneur, actor and singer. He is regarded as one of the most famous entertainers in the history of Brazilian television, standing next to names like Fausto Silva, Silvio Santos, Hebe Camargo and Xuxa Meneghel. His rise to fame began in 1982 when he began co-hosting the Saturday night show Viva a Noite.

Early life
Liberato was born in São Paulo, Brazil, the son of Portuguese immigrants. He used to write letters to Silvio Santos (who later hired him) suggesting ideas for programs. He started on television at age 14 as program production assistant on Domingo no Parque (Sunday at the Park), presented by Silvio Santos on SBT. He is regarded as one of the most famous entertainers in the history of Brazilian television, standing next to names like Fausto Silva, Silvio Santos, Hebe Camargo and Xuxa Meneghel.

Career
Liberato began studying dentistry at University of Marilia (Unimar) in Marilia, São Paulo, but dropped out when called by Silvio Santos, who invited him to take up a post in front of the cameras. One of his first programs in 1981 was the Sessão Premiada São Paulo – Rio's version was by Paul Barboza. In 1982, Santos asked Argentine director Nelly Raymond to create a program for Saturday night. Viva a Noite was created, which was initially divided into several parts, and also presented by Ademar Dutra, Mariette Detotto and Jair Ogun. Following some format changes, Gugu remained alone in the program, then directed by Homer Salles. While anchoring Viva a Noite, Gugu also directed Domingo no Parque for sometime and acted as the editor for the President's Week (Semana do Presidente) newsletter, which was aired in the commercial breaks between the Program Silvio Santos show.

After the success of the musical group Menudo, which was extensively promoted by Viva a Noite in 1984, Gugu launched Brazilian musical groups of the same style, such as Dominó and Polegar, becoming a successful businessman.

In August 1987, at the height of the success of Viva a noite, Gugu signed a contract with TV station Rede Globo. But on Saturday Carnival 1988, Santos went to meet the owner of Rede Globo, Roberto Marinho, personally, in order to release the presenter so he could stay on SBT. Santos was about to undergo a delicate surgery and made a millionaire proposal to Gugu, offering him much of the Sunday's programming schedule. As a comparison, Liberato's wages increased tenfold, besides earnings coming from advertising.

Liberato debuted on SBT on Sundays on 17 April 1988, hosting alone programs like Passa ou Repassa and Cidade Contra Cidade. Gugu also co-hosted Roletrando with Santos.

Rede Globo, however, had already created a program for Gugu, and the program was ready but without a host. Rede Globo hired hastily Fausto Silva, who ran the Saturday late night show Perdidos na Noite (Lost in the Night) at TV Bandeirantes. So the show Domingão do Faustão started, by chance, on Sunday afternoons at Rede Globo, filling a schedule previously occupied by American TV series.

Even though Gugu was responsible for part of the Sunday programming, he remained anchoring shows on Saturday night, especially musical programs like Sabadão Sertanejo. The greatest success, however, came with the show Domingo Legal, which competed with Domingão do Faustão, ironically a program created to be his. The competition in the late 1990s was for a long period favorable to Gugu, which ended the decade with peaks above 40 rating points.

Personal life and death
Liberato had a domestic partnership with physician Rose Miriam di Matteo, with whom he had three children.

On 20 November 2019, Liberato suffered an accident at his home in Windermere, Greater Orlando, while trying to change the filter on his home's air conditioner; he fell from the roof of his home and hit his head. He was admitted to Orlando Health and it was reported that his condition was critical. Rumors of his death were initially denied, but on 22 November, it was confirmed that Liberato had died.

Discography

 * 1983 - Gugu
 * 1984 - Gugu
 * 1985 - Gugu Liberato
 * 1986 - Gugu Liberato
 * 1989 - Gugu
 * 1989 - Viva a Noite
 * 1990 - Viva a Noite
 * 1991 - Gugu Liberato Apresenta: Bailão Sertanejo
 * 1992 - Gugu Liberato Apresenta: Bailão Sertanejo 2
 * 1994 - Gugu
 * 1996 - Parque do Gugu
 * 1998 - Gugu Cantando Com Você
 * 2002 - Gugu Para Crianças

title: Gugu Liberato


text:
Io Programming

Beginner's Guide to Io

 * 1) About Io and the book
 * 2) Getting Started
 * 3) Your First Program
 * 4) Basic Components of Io Programs
 * 5) Objects

Compression

 * LZO
 * Zlib

Encryption

 * Blowfish

Networking

 * Beanstalk
 * Socket

Server

 * Curses
 * Editline

Io Language Pages

 * /Io To-Do/ -- Stuff that needs to be done.
 * /Io Example Code/ -- Paste your example code here.
 * /Binding Io to C++/ -- Learn how to bind Io using C++.
 * /Io and CGI/ -- Accessing Io through CGI
 * /Io Style Guide/ -- How to write good Io code.
 * /Writing Addons/ -- How to write new Addons.
 * /Pitfalls/ -- Some subtle Io pitfalls.

About This Wiki
This work is disjointly licensed under the GNU FDL, the CC BY SA, and Io's license.

The authors of this tutorial are:
 * Daniel Ehrenberg (LittleDan)
 * Samuel A. Falvo II
 * Olle Jonsson (just a note on String concatenation)

And many others who wish to remain anonymous.

Hello world
When learning to program, the first thing usually learned is how to write a program that prints "Hello, world!" to the console. It gives programmers a feel of how simple programs are structured. Io has many ways to write things to the console, so at times it can be confusing about which one to use. The one that's most often used is the write function. Enter the Io's interactive interpreter (by typing  at the console) and type the following:

write("Hello, world!\n")

With the interactive interpreter, this should look like:

user@computer:~$ io Io> write("Hello, world!\n") Hello, world! ==> nil

Another way would be:

"Hello, world!\n" print

Some of this makes sense. It looks like  is telling Io to write something to the console, specifically the stuff after it. The stuff after it is in quotes so it's some text, and it's what's going to be printed. But why are those parentheses there, what's with that  at the end of it, and why was there an arrow with the quoted text after it?

The parentheses are telling  to use the thing within the parentheses, which is called an argument. is called a function (remember functions in math?). There might be multiple arguments within the parentheses separated by commas in a single function. The first and only argument for, namely  , is a string (because it's a string of letters).

The  at the end of the string is an escape sequence. You can tell that because it begins with a backslash. This particular escape sequence signals a newline, the equivalent of pressing enter. If you just pressed enter in the middle of the string (or at least this type of string -- we'll get to that later), it would confuse Io.

The thing where there's an arrow and then the string that was the argument of the  function is the value that   returned. Every function returns a value. With some functions, it makes sense to return something (such as a function to add two numbers), but with other functions, it just returns something simple done with the arguments. In this case,  returns the special value , indicating it has nothing to return.

Concatenate Strings
Use the double dot operator to concatenate strings. Or, you can use string interpolation, as shown below.

Let's say  is a   instance, and it has both a first name and a last name:

Io> olle ==> Object_0080B818 do(  appendProto(Object_00806B58)   lastname := "Jonsson"   title := "Developer"   firstname := "Olle" )

We want a method to show first and last name with a space in-between:

Io> olle fullname := method(firstname .. " " .. lastname) ==> method(firstname ..(" ") ..(lastname))

or, using string interpolation:

Io> olle fullname := method("#{firstname} #{lastname}" interpolate) ==> method("#{firstname} #{lastname}" interpolate)

Now, calling  will yield. Looking at the returned method object, we can see how the Io interpreter creates regular message calls (the parentheses) for the method.

So, this is the new  instance:

Io> olle ==> Object_0080B818 do(  appendProto(Object_00806B58)   fullname := Block_007B5030   lastname := "Jonsson"   title := "Developer"   firstname := "Olle" )

(Note: only this instance has the  method. You could add the   method to   instead, which would make it available to   via  's prototype,  . Also, the firstname and lastname and title could also be moved up to the Person. But this is the way pieces of example code are.)

Simple arithmetic
In Io, you can use arithmetic expressions and they will work correctly. Arithmetic in Io is just like functions, except it uses objects to help. Objects make it so that instead of typing something like +(1, 2), you can type 1+2. More about objects later. + is still a function, though, so it returns a value. This is very useful; it makes it so you can use Io as a simple calculator. Notes about what it's doing are put after two slashes (like this: //).

Io> 1+2 //addition ==> 3 Io> 4-5 //subtraction ==> -1 Io> 7*3 //multiplication ==> 21 Io> 3/6 //division ==> 0.50000 Io> 2**3 //exponents ==> 8 Io> 7%2 //remainder of 7/2 (technically, 7 mod 2) ==> 1

This follows normal order of operations (called precedence) and parentheses can be used. As you'd expect, you can use  on numbers, but the newline isn't included. You have to use multiple arguments with  to print multiple things and then it returns all of those things put together. So to print, you would write:

write((1/3)**2, "\n")

As you would expect, this prints 0.11111. It returns the string "0.11111\n" because with the  function, multiple arguments are converted to strings and joined together. Then that value is printed and returned.

Variables
A variable is basically a word that stands for a value. They are somewhat like variables in mathematics, except in mathematics, variables could only be numbers and they were one letter long. In programming, functions, objects, strings, and numbers are all types of variables, but we haven't defined any yet. Many variables, such as write, 3, and "Hello, world!" can already be used, but only some of them can be changed. You can make your own variables using = and :=. Below are some examples of making and using variables:

x := 3 line := "\n" write(x, line)

Can you tell what's happening? The variable x is being set to 3 and the variable line is being set to "\n", which is equivalent to a newline. Then, the contents x and line are being written to the console. Since x is 3 and line is a newline, this prints 3 and then goes to the next line on the console. The function returns "3\n".

In Io, there is a difference between creating and changing the value of variables. If a variable doesn't exist yet, you have to use :=, but if you've already given it an initial value using :=, you can use = for subsequent definitions. Here's an example:

x := 1 incrementor := 2 write("x is ", x, "\n") x = x + incrementor write("but when we added ", incrementor, " to it, it became ", x, "\n")

It may be confusing that sometimes we use := and other times we use =, but you'll get used to it. If you want to, you can always use :=, but when we get into objects later, it will become very inconvenient to keep using :=, so you should probably start using = whenever appropriate.

Programs
Until now, you've been simply been going to Io's interactive interpreter. This prevents you from making larger applications or writing things for others. If you want to write code to be reused, simply put it in a text file and run it with, where <filename> is the name of the file you use. Here's an example of using a file on Linux to store a program:

user@computer:~$ cat > incrementor.io x := 1 incrementor := 2 writeln("x is ", x) x = x + incrementor writeln("but when we added ", incrementor, " to it, it became ", x) user@computer:~$ io incrementor.io x is 1 but when we added 2 to it, it became 3 user@computer:~$

That was the last example we just did. If you noticed, I used a .io file extension. This is in no way mandated, it is merely a convention. Something happened differently this time then when we did it from a file, if you noticed. Unlike before, we didn't see what each function returned. Instead, we only saw what was explicitly output by.

If you're on Linux or a similar system (such as Unix, Mac OS X, or Cygwin), you can make it so that your file can be run simply by typing  (where yourProgram.io is the name of your program), without needing to precede it with. This can be accomplished by putting a line of code at the beginning of your program and then giving it executable permissions. On Linux, that code is:

 * 1) ! /usr/bin/env io

It may differ for other systems. To give it executable permissions, simply type the following:

chmod +x yourProgram.io

Again, this may be different on different systems. Once you do this, nothing will change about the actual execution of the code, but you can, for example, just double click on a source code file in a GUI and it will run.

Writing functions
As I said before, functions are just another type of variable, so you can create them using := and change them using =. Functions themselves are created with a function called. Here's an example of a function:

add := method(a, b, //function to add 2 numbers  a + b ) writeln(add(1, 2)) //writes 3 x := 1 writeln(add(3, x)) //writes 4 x = add(4, 5) //9 writeln(x) //writes 9 x = add(x, 1) //in effect increment x by 1 writeln(x) //writes 10

The function add takes two arguments, a and b, and then returns a + b. It would do exactly the same thing if, instead of a and b, we used the variable names 'this' and 'that', everywhere that a and b were used. In that case, the function would be written as:

add := method(this, that,  this + that )

What a function really does is take a list of arguments; then it assigns the arguments to local variables, which are specified when you make the function. Local variables stay in the function you're working in and you can't get to them outside of the function. In the most recent case, those local variables are 'this' and 'that', so the variable 'this' will take the first argument, and the variable 'that' will take the second argument. Then it executes the rest of the function and returns the result. The function can have multiple lines of code and the last line will be the value returned. Here's an example:

examineArgs := method(this, that,  writeln("This is ", this, ".")   writeln("That is ", that, ".") )

// usage: examineArgs(3, 5) /* writes: This is 3. That is 5. */

x := examineArgs("hi", "bye") /* writes: This is hi. That is bye. */

write(x) /* writes: That is bye. */

Why was x set to "That is bye.\n"? Because that's what examineArgs returned. It returned the value of the last line, the value of write("That is ", that, ".\n"). That was set to "bye", so it printed the string "That is bye.\n" and returned the same string.

If you want to return something before the function ends, you can use the return function. Unlike most functions, you don't need to put parentheses around the argument to call the return function. Here is an example of its usage:

returning := method(this, that,  writeln(this)   return this   writeln(that) ) x := returning(1, 2) //writes "1\n" write(x) //writes 1 with no newline

As you can see, the code after return isn't used at all. Right now, this doesn't seem very useful, but later, when we get into flow control, it will be used very often.

Conditionals
Conditionals in Io are made using the if function:

if(a == 1) then(  writeln("a is one") ) else(   writeln("a is not one") )

However, the preferred way to write this (without the need for then and else messages, so it is faster):

if(a == 1, writeln("a is one"), writeln("a is not one"))

title: Io Programming


text:
List of Serbian regions by GDP

This is a list of Serbian regions by GDP, GDP per capita and GVA.

In 2022, 1.00 Serbian dinar was approximately €0.0085.

Regions by GDP
Regions of Serbia by GDP in 2024 according to data by the Statistical Office of the Republic of Serbia.

Regions by GDP per capita
Regions of Serbia by GDP per capita in 2024 according to data by the Statistical Office of the Republic of Serbia.

Districts by GDP (PPS) per inhabitant
Districts of Serbia by GDP (PPS) per inhabitant in 2018 according to data by the Eurostat.

Districts by GVA and GVA per capita
Districts of Serbia by Gross value added (GDP + Subsidies on products - Taxes on products) and Gross value added per capita in 2018 according to data by the Statistical Office of the Republic of Serbia.

title: List of Serbian regions by GDP


text:
Talk:Dave Frishberg

Fair use rationale for Image:Dave Frishberg.jpg
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BetacommandBot 10:02, 27 October 2007 (UTC)

External links modified
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Cheers.— InternetArchiveBot  (Report bug) 11:24, 7 December 2016 (UTC)

title: Talk:Dave Frishberg


text:
User:Xsxex/draft03

Popular culture, notable artists, and other topics which reference punk

 * Alien Ant Farm, metal version of Michael Jackson, Dryden Mitchell sports a mohawk
 * Ash, ex-members of Buck/Cub??, listed on AMG as a "punk-pop" band (rather prominently, in fact)
 * Bad Religion, popular punk band, formed in 1980, has very typical punk rock structures, formulaic songs
 * Barcode, a divisive topic in the punk underground, zines and recordings are sometimes categorized based on whether or not they have barcodes. If a barcode is used on the packaging it will not be reviewed in MRR and other punk fanzines. A barcode represents buying into the system, participating in consumer culture, aesthetically the barcode has been incorporated into art and fashion, is an early example of abstract representational vectorism later coming to prominence in the 2000s, similar to marshal fields ad campaign, and similar to backgrounds on contemporary websites and television shows
 * Beastie Boys, 1979-now, hip hop rooted in hardcore punk, white/jewish/caucasian rap, outsiders in the hip hop scene, relation to other white hip hop artists, "The name "Beastie" originally stood for "Boys Entering Anarchistic States Towards Internal Excellence," and the initials B.B. intended to mimic Washington DC punk band Bad Brains," read bios on Michael Diamond, Adam Horovitz, Adam Yauch, check out Some Old Bullshit (1994) which is a collection of BB early EPs showcasing their early 80s hardcore/punk roots
 * Bj%C3%B6rk, was in a punk group early in her career, former all-girl punk rock band called Spit and Snot at age 14, verify
 * Blue Man Group, street art, recycled art, postmodern performance, popular brand, musical collaborations, punk play
 * Mykel Board, 1950-now, NY/CA, MRR columns, underground publishing, yippie movement, 1968 DNC,
 * The Bouncing Souls, popular punk rock band formed in 1987
 * Boy Kill Boy, album Civilian refered to as post punk/pop punk hybrid,
 * Brand New, guilt by association, got the pop punk sound
 * Breaking Benjamin, alternative, metal, fusion dudes
 * Buffy the Vampire Slayer (film) (1992), Buffyverse, Buffy the Vampire Slayer TV show (1997-2002?), girl power, blood/goth, teen drama, strongly cited by Fall Out Boy esp. in A Little Less Sixteen Candles, a Little More "Touch Me" music video
 * Al Burian, chicago, travels, band Milemarker, band Challenger, creater of Burn Collector zine, artist
 * Calvin and Hobbes, calvin ball is anarchy, calvin is punk, calvin is to bart simpson what fievel mousekevitz is to mickey mouse, created by bill watterson, fantasy worlds, (sub)urban exploration, dérive
 * Vanessa Carlton, aesthetic, piano prodigy, attitude, emo/punk aggressive vocals, indie aesthetic in music videos, photos
 * Jill Carroll, risked life to report in Iraq, has red dyed hair, was released by captives, photos here
 * Johnny Cash, punk inspiration, punk at heart
 * The Chipmunks, influential album "Chipmunk Punk" which is cited (maybe as a joke? by Kurt Cobain), creaters punk'd pop tunes by speeding up the voices, punk play
 * Cirque du Soleil, focus on humans, no animals, animal rights, costuming, punk play
 * Crimpshrine, association with Green Day and Pinhead Gunpowder
 * Dag Nasty, shared members with Descendents
 * Matt Davis, the millenial midwestern Jimi Hendrix, lead vox/guitar for Ten Grand, featured in Afro-punk, huge bear hugs
 * The Dead Kennedys, what else do i have to say?
 * Ani DiFranco, made her own record label, punk attitude, feminism, riot grrrl
 * The Donnas, all last name Donna referencing The Ramones, signed to Lookout! Records, riot grrrl/punk attitude, short songs
 * Hilary Duff, benji/joel? madden GC, pop punk influenced pop songs
 * Evanescence, metal/pop fusion, steampunk imagery
 * Everclear, nirvana associations, peroxide hair, aware of punk, definitely pop
 * Fashion, anything work on the body, the style a person associates themselves with, the aesthetic functions and meanings that are implicit in what is worn, the way clothing is worn, clothes, accessories, digital components, hair cut/style/color, even muscle building, body image, body modification, dreadlocks, scents, perfume, odor, hygiene, piercings, tattoos, implants, cosmetic surgery, self scarification (cutting), pain, BDSM, collars, leather, animal products, veg/veganism, what a person eats & how, bindings, religious clothing, hats, shoes, bags, high fashion, thrift stores
 * Fastbacks, influential indie band, need more research for this
 * Fanzines, see "zines" below
 * Fifteen, influential on The Broadways, utilized pop punk song structures, social issues
 * Fine Young Cannibals, the police contemporaries
 * Foo Fighters, former nirvana, attitude, punk stylish, no use for a name guitarist chris shiflett
 * The Fray, singer sports a fauxhawk
 * The Go-Go's, 80s band, started as "pop punk," are a prominent All-women band, related to Girl group but the women play all the instruments as well as sing,
 * Gorilla Biscuits, 1987-1991, 2006-now, NY, straight edge, clear vocals, thinking like Good Clean Fun, positive, hardcore/punk description of life lived, just having fun, reclaiming the show, we are the show, personal is political (but not capital p, political or polite) cited by Seven Days of Samsara, Modern Life Is War in punknews.org interview [], very influential
 * Matt Groening, 'underground' comic, "life in hell," created The Simpsons, satirical view of suburban domesticity, bart is punk, reviewed The Descendents in 1982 (see band press archives on wesbite), as a result, was aware of "pop punk," or "punk" as "pop art" in the early 80s
 * Guided by Voices, DIY art, highly prolific, influential indie band
 * Jimi Hendrix, pushed the limits of the electric guitar beyond all imaginable limits of the time
 * Hole, punk attitude, feminism, riot grrrl
 * Jessica Hopper, writes for Chicago Reader, third-wave feminism, wrote critique of emo music and is cited in article, connected to Kurt Cobain to be verified, hip hop, Liz Armstrong, used to run Hopper PR which promoted bands including Milemarker, wrote a zine called Hit It or Quit It, also writes for Punk Planet
 * Hüsker Dü, began as a hardcore group but later became more pop orientated, eventually becoming "alterative rock"
 * Michael Jackson, is a punk, leather, studs, punk play
 * JBTV, chicago area, hour long tv show interviewing bands and letting artists play the videos they want, artists become "VJ"s, features many local and national alternative rock and pop punk bands,
 * Josie and the Pussycats (comic), the TV show, the movie, features All-women band, and one of the members is African American/Black/(of color)/etc, pretty forward thinking for 1963/1958 when it was written
 * Bruce Kalberg, writer of 1982 Descendents article (by the way miss credited as "Bruce Kalber(o)," mentioned in Swans' "Seconds" interview with Michael Gura (by Michael Moynihan) (1996), was in art school, took out a full page ad in Slash, started NO Magazine (aka NOMAG) with Gira, drove with Gira to SanFran to print NOMAG, mostly gave them out for free
 * Karaoke, Japanese import, means "empty/void orchestra," implies "out of tune," public personifies celebrity, the art of performance, imitation, story-telling, culture sharing, humiliation, drama, punk rock karaoke, karaoke (chicago activist group)
 * L7, started as a pop punk group
 * Avril Lavigne, skater boi
 * LazyTown, Stephanie has punk/raver trappings, the show is about a villain "Robbie Rotten" who wants kids to stay inside an be lazy and eat candy and fatty food, the kids are inspired to DIY, activity, and having fun, and eating nutritious healthy food when ever the hero "Sportacus" is around, Rotten references "Johnny Rotten" while Sportacus reference Spartacus who sported mohawks, the show is seen through Stephanie's POV, and she is the only human, "non-puppet" besides Robbie and Sportacus, punk play
 * The Lemonheads, evan dando, pop starish, punk roots
 * Lindsay Lohan, punked out her image to keep in style
 * Lit, post-punk aesthetic
 * Mad Caddies, popular ska band, formed in 1995, mixes punk and ska
 * Madonna, is a punk, cone-lingerie, impersonates crucifixion, dance-punk, punk play
 * Marilyn Manson, pop metal fusion, bowling for columbine, punk play
 * Bam Margera, skater,Jackass, Viva La Bam, Radio Bam on Sirius Satellite Radio, performance, humiliation, pain, was on Punk'd
 * mc chris, track "pop punk is dead (skit)" on the album "Life's a Bitch and I'm Her Pimp"
 * MC Lars, track "Hot Topic Is Not Punk Rock" on the album "The Graduate" which features The Matches.
 * Malcolm McLaren, sex pistols svengali, new york dolls manager, helped create film the great rock n roll swindle, influenced by the early 74/75 NY punk/art, credited Richard Hell for influencing new aesthetic direction, bow wow wow, album Duck Rock fuses hip hop and punk, on which a song Buffalo Girls was later referenced by Eminem in the song Lose Yourself, Vivienne Westwood partner
 * Kembrew McLeod, wrote zines, book Freedom of Expression®, merges punk and hip hop, wrote the biography for The Queers, MTX and other pop punk groups on AMG, is a rockin' professor in the communications department at the university of iowa, collects pez dispencers and other pop culture fandom items, helped organize a zine conference, co-produced film Money for Nothing: Behind the Business of Pop Music and working on Copyright Criminals: This Is a Sampling Sport
 * Modern Life Is War, cites Gorllia Biscuits, The Ramones in song "DEADRAMONES",, punknews.org interview
 * Monty Are I, 1999?-now, RI, is "action rock" similar to "pop punk," hmmm, it sounds a little to close to "Wentzrock",
 * Alanis Morissette, punk attitude, feminism, sorta riot grrrl
 * The Mummies, punk garage rock, entertainment value, showmanship, show biz, horror imagery, mythology, rockabilly, pop subversion
 * Music Choice, provides music and artist info on cable tv stations, usually at the far end of the numbered channels, features 7 rock stations of which "Alternative" is the name of the one most relevant to pop punk/punk
 * Nirvana, defined grunge, popularized the underground, merged punk and metal and indie, cobain constantly referenced punk, championed the underdog, punk play
 * No Doubt, ska-punk roots, gwen stefani, punk play, fashion style
 * P!nk, punk attitude, fashion, feminism
 * Panic! at the Disco, 2005-now, NV, described as pop punk, toured with The Dresden Dolls, OK Go, and The Hush Sound
 * Papa Roach, alt/fusion, pop identity, industrial/hard rock/punk rock also nu metal and rapcore, similar to Incubus, sociopolitical stances, economics in Getting Away with murder
 * Professor Murder, reminds me of Royal Space Force, NY kids, its called "post pop punk" in a review, on Kanine Records,
 * Publishing, publish or perish, public display of writing art photo ideas, community space, the public space (which is a void, the public void), not "owned" by any one, is owned by everyone, is shared, this void is transmitted through (all forms of) media, Medium, (medium), the ectoplasm, think Ghostbusters, making one's ideas public, origin ownership versus shared communal use, digital age, age of information, communication, zines, newspapers, peer review journals, talking, radio, wesbites, podcasts, music, records, 8-track, board games, video games, movies, film, newscasts, talk radio, AM/FM, hamradio, the voice of G-d, praying, prayer, speaking, speech, toastmasters, toasts, songs, Lullaby, chants, verbal, non-verbal, body language, aesthetics?, translation, ASL, signals, signs, directions, lights, light
 * The Riverboat Gamblers, some songs on To The Confusion Of Our Enemies described as pop punk, example, "Biz Loves Sluts,"
 * John Robb, possibly interviewed Nirvana first?, is a pop punditis in the punk band Goldblade
 * Dennis Rodman, dated Madonna, numerous tattoos and piercings, dyed hair, punk basketball dude
 * Senses Fail, punk, emo, hardcore, the sound of pop punk
 * Seinfeld, a postmodern sit-com, about "nothing, used Green Day song Good Riddance "Time of Your Life," on the final episode
 * Ashlee Simpson, punk image, fashion sense, attitude
 * Bart Simpson, punk hair, skateboard, attitude "eat my shorts,"
 * Skateboarding, skate culture comes to prominence with the surge of hardcore and eventually, punk revival (as the critics call the mid 90s), and pop punk, skate culture also begins to merge with hip hop, skating as a popularization of situationist dérive, the reclamation of public space, skate videos contain many punk/pop punk/hardcore/hip hop/ and other styles of music, the surge in so-called "extreme" sports, "extreme" culture, and "extreme" marketing campaigns (see Extreme), DIY building skateramps, teaching yourself to skate, social skate scene, skate artists connect with fine art, skating as an artform, non-competitiveness, team building, also skating as a sport, athletics, competition, awards, ESPN, national coverage, world wide coverage, Danny Way jumping the great way of China, Evel Knievel, performance art, stunts, performance, technical tricks, skate clothing, transportation, back to the future, marty mcfly, rodney mullen, tony hawk, video games, interactive technology, human desire to fly, freedom, bird/eagle(like Hawk), transcend banal environments, reclaim the present, live the concrete
 * The Sounds, member in Cobra Starship, punk aesthetic
 * Spice Girls, british and international pop phenom, 50 million albums in 2.5 years, dyed hair, girl glam, girl power, McLaren attempted to capitalize on their success with the Jungk concept geared toward the asian market but this was a failed attempt, though this would later realized in Puffy AmiYumi, good example of a Girl group in contrast to a Boy band, popular during the era of Third-wave feminism, all took on the last name "Spice" possibly influenced by The Ramones who all changed their last names to "Ramone"
 * James Spooner, director/creater of the feature-length film, Afro-punk (2003)
 * Gwen Stefani, fashion, referenced Vivienne Westwood in Rich Girls
 * The Strokes, the return of richard hell, new wave, garage minimalism
 * Skye Sweetnam, diy aesthetics, fashion sense
 * Swans, 1982-1997, NY/CA, industrial/rock, played so loud audience members sometimes vomitted, lead Michael Gira was involved in the budding west coast punk/hardcore scene LA/SF
 * STOMP!, recycled art, music from trash, punk play
 * Mr. T, pre-punk mohawk
 * Tattoos, worn by punk artist since the beginning, along with piercings, body mods, and hair dye, and a variety of fashion styles.
 * Ted Leo and the Pharmacists, ex-Chisel members, signed to Lookout! Records
 * Terrorism, see other war techniques like Kamikaze and Blitzkrieg, in the 2000s has more threatening than internal subcultures such as "punk," terrorists are punk, the situationist engaged in terrorism, punk has roots in terrorist philosophy but has out grown the tactic, instead of causing violence, punk create the appearance of violence
 * They Might Be Giants, referenced the Ramones in their documentary, was influenced by the attitude, philosohpy, asthetics of punk, did the soundtrack for dunkin donuts commercials, wrote song The Replacements, cover Cub song New York City, keeps a low profile, punk play
 * This Is My Fist, ex-Ambition Mission, Mushuganas, awesome Bay-Area punk with that pop thing in it too,
 * U2, paid tribute to The Ramones, social awareness, rugged aesthetic
 * The Veronicas, punk-ska aesthetic, attitude, post riot-grrrl
 * Tom Waits, covered The Ramones, was a minor influence and participant in the original punk movement, staunchly independent, converses with Iggy Pop in the film Coffee and Cigarettes, appeared in the film Down by Law which later became the name of a punk band, this also happened with Rumble Fish which became the original name of the MN pop punk rock band which later changed their name to Rivethead
 * Warped Tour, a consistent traveling venue showcasing much music including "pop punk"
 * Bill Watterson, creater of calvin and hobbes, never sold out
 * Vivienne Westwood, punk fashion designer, Malcolm McLaren partner, fine art fashion, referenced in Gwen Stefani's Rich Girl, created I am not a terrorist, please don't arrest me t-shirts in 2005, twice received award for British Designer of the Year
 * Weird Al Yankovic, punked songs with parodies, social commentary, punks pop culture, is called weird al, punk play
 * Youth International Party, 60s counter-culture movement, see yippies
 * Pete Yorn, covered song by Buzzcocks
 * Zines, punk zines, fanzines, created by those within the punk scene, provides commentary on "the scene," sources of reference, preserve memories, art, music, stories, mythology of punk, and other topics cover in zines, typically small distribution, underground, outlet for creative energy, another access point second to the bands and songs themselves, became published on the web starting in the late 80s/early 90s and have evolved into blogs, websites, Ezines, and networking communities

Hard Source References

 * Creem, "Will Success Spoil The Frut?", Dave Marsh, May, 1971, Vol. 3, No. 2,, evidently the first use of "punk" used to describe rock/music in regards to ? & the Mysterians
 * Washington Post, Punks and Posers in China, Maureen Fan, August 9, 2006; Page A01,, Chinese punk rock scene, homosexuality, bands; P.K. 14, Misando, Demerit, Cui Jian (father of Crnr, song A Piece of Red Cloth), label; Scream Records, cited; The Clash, Bob Dylan, Woodie Guthrie, Sex Pistols, The Pogues, Madness

References with unknown publisher sourced from credible website

 * Swans interview 1996, with Michael Gira, mentions Bruce Kalberg,, where was this published?

Website only resources

 * Punknews.org, link
 * Punkrock.org, link
 * Punk77.co.uk, link, specializes in '77 UK original punk rock, bashes on Crass, incredible detail, amazing archive of materials
 * Punkmagazine.com, link, John Holstrom, the original "punk" zine/fanzine is coming back?, looks current 2006
 * Absolutepunk.net, link

Timeline of bands (copied from Grunge music
This is an exmpale. This was copied over from Grunge music. Plan to restructure it for "pop punk." In the meantime, just ignore it, or try to figure it out/work on it? Xsxex 20:48, 9 August 2006 (UTC)

 * Note: Bands in green are defunct. Bands in orange are still active as of 2006 (with grey representing likely future continuation).

title: User:Xsxex/draft03


text:
मानस

Etymology 1
, likely from a derivative of.

Etymology 2
.

Adjective

 * 1) mental
 * 2) spiritual

Etymology
.

Adjective

 * 1) belonging to the mind or spirit, mental, spiritual
 * 2) expressed only in the mind, performed in thought i.e. silent, tacit (as a hymn or prayer)
 * 3) conceived or present in the mind, conceivable, imaginable

Noun

 * 1) the mental powers, mind, spirit
 * 2)  tacit or implied consent
 * 3) a sacred lake on the mountain Kailāsa
 * 4) a kind of salt

Noun

 * 1) a form of Vishnu
 * 2)  name of a serpent-demon
 * 3)  a particular class of deceased ancestors

title: मानस


text:
Minnesota State Highway 219

Minnesota State Highway 219 (MN 219) is a 15.331 mi highway in northwest Minnesota, which runs from its intersection with State Highway 1 near Goodridge and continues north to its northern terminus at its intersection with State Highway 89 near Grygla.

MN 219 passes through the communities of Goodridge Township, Goodridge, Moylan Township, and Eckvoll Township.

Route description
Highway 219 serves as a north–south connector route between State Highway 1 and State Highway 89, as well as serves the city of Goodridge. Highway 89 continues north to the city of Roseau.

Agassiz National Wildlife Refuge is located west of the junction of Highway 219 and County State-Aid Highway 7 in Marshall County. The nearby refuge surrounds Mud Lake on County State-Aid Highway 7.

The route is legally defined as Route 219 in the Minnesota Statutes.

History
Highway 219 was authorized on July 1, 1949.

The short section between Highway 1 and Goodridge was paved in 1950. The remainder of the route was paved in 1954 or 1955.

title: Minnesota State Highway 219


text:
User:Jason Michael Smithson~enwikibooks

One more thing to work on: Environmental Awareness in the 21st Century

Good example of forward, up, and back: US_Constitution_and_Government

title: User:Jason Michael Smithson~enwikibooks


text:
Talk:Le QuecumBar

Contested deletion
This article should not be speedily deleted for lack of asserted importance because it is an established institution and music venue (since 2003) and has played an integral role in the European and global communities of Gypsy Jazz, Gypsy Swing and Jazz Manouche and the continuation of the genres. It also plays a key part in the legacy of Django Reinhardt. In addition, it has been an important institution to the gypsy community and their culture which has been typically excluded and marginalized. It has been crucial to redefining their identity and cultural impact. Maxhorberry (talk) 22:09, 8 February 2015 (UTC)MaxHorberry
 * Or, in Wikipedia parlance, did anyone try a Google News search on the subject per WP:BEFORE? Speedy declined. - fancy helping out on this one? Ritchie333 (talk)  (cont)  17:43, 9 February 2015 (UTC)

Johnny Depp
The Yorkshire Evening Post says, verbatim "He ... has just performed live on August 28 and 29 at the world-famous London venue Le Quecumbar, where Johnny Depp visited before his character played Gipsy guitar music in the film, Chocolat." But how did Johnny Depp manage to do this if the venue didn't open until over two years after that film was released? Ritchie333 (talk) (cont)  17:58, 9 February 2015 (UTC)

title: Talk:Le QuecumBar


text:
User:Linkinstreet

There's no right or wrong sides during a war. But history, will only remember the winner. But then again, they will also judge him.

title: User:Linkinstreet


text:
Forbes' Quarry

Forbes' Quarry is located on the northern face of the Rock of Gibraltar within the Upper Rock Nature Reserve in the British Overseas Territory of Gibraltar. The area was quarried during the 19th century to supply stone for reinforcing the fortress' military installations. In the course of the quarrying, a limestone cave was found. The second ever Neanderthal discovery was made within this cave when Cpt. Edmund Flint found the skull of an adult female Neanderthal in 1848.

Etymology
Forbes' Quarry borrows its name from an 18th-century military installation located directly above the cave and known as Forbes' Battery.

Neanderthal discovery
An ancient skull (specimen name Gibraltar 1) was found within Forbes' Quarry by Captain Edmund Flint of the Royal Navy in 1848. Being the secretary of the Gibraltar Museum Society (formerly the Gibraltar Scientific Society), he presented his find to the society on 3 March 1848. This was only the second Neanderthal fossil ever found. The skull had unusual features, but its significance as a representative of an extinct human species was not realised until 1864, eight years after the 1856 discovery of the more extensive assemblage of Neanderthal remains in the Neander Valley of Germany that eventually became the type specimen and source of the name of the species Homo neanderthalensis. The Forbes' Quarry skull attracted the attention of prominent scientists in Great Britain when it was presented at a meeting of the British Association for the Advancement of Science in September 1864. Charles Darwin had long been curious about the skull, but was too ill to attend the meeting, so geologist Charles Lyell and anthropologist Hugh Falconer arranged to bring the skull to his residence so he could examine it. In a letter, Darwin described the skull as "wonderful".

The skull found at Forbes' Quarry has been determined to be that of an adult female. She was probably over age 40 at the time of her death, as indicated by extensive wear on the teeth, as well as a bony growth inside the forehead that is also observed in modern humans, in whom it occurs after menopause.

The original find was done in a time when palaeontological dating was still in its infancy, and no stratigraphic information was supplied with the skull, making dating at best guesswork. Another specimen from a different locale on Gibraltar (Gibraltar 2) has however been dated to between 30 and 50 thousand years ago. This is the site of the most recent evidence of the Neanderthals of Gibraltar, which are claimed to have been present here until as recently as 28,000 years ago. But this is controversial (see the discussion in the article "Neanderthal").

Quarrying
The area was quarried for stone during the 19th century to supply much-needed material to reinforce and rebuild many of the fortress' fortifications. This activity removed much of the vegetated slope at the cavern's base. The cave in which the Neanderthal skull had been deposited was almost totally destroyed, leaving very little evidence for future research.

title: Forbes' Quarry


text:
Talk:Florine Stettheimer/GA1

GA Review
The edit link for this section can be used to add comments to the review.''

Reviewer: Caeciliusinhorto (talk · contribs) 13:04, 21 September 2019 (UTC)

An interesting article, but not up to GA standard, I am afraid. The major concern is verifiability.

 * There are claims throughout which are uncited and really should be cited, including one entirely uncited paragraph.
 * "She also continued to take private art lessons in alternative media such as casein."
 * "Within a year, she developed her own, uniquely feminine style, rejecting Matisse's thick impasto, as well as the abstract modernism and the baroque masculine regionalism of her contemporaries."
 * "The greatest influence on Stettheimer's unique painting style was the theatrical productions of Russian Serge Diaghilev's newly formed Ballets Russes in Paris around 1912"
 * There are occasions where the apparent citation does not support the claim made:
 * "first openly feminist nude"
 * "A number of the special cocktails and dishes (such as feather soup) that were served at the Stettheimer salons became featured in popular Broadway shows"
 * "Stettheimer painted herself and friends of various religions (including Jews and Catholics) enjoying a day at Lake Placid, a site renowned for being segregated for only Protestants."
 * "Stettheimer painted herself asleep, dreaming of the dancer Nijinsky"

All of the examples given are just examples: these problems exist elsewhere in the text. Other issues I have spotted include neutrality problems (describing Stettheimer's poetry as "brilliantly satiric" in WP's voice, for instance), and at least one instance of extremely close paraphrasing. (Compare "During her twenties and thirties, she engaged in flirtations and romantic relationships, and her paintings, diaries, and poems reveal her admiration for the male anatomy. However, they also demonstrate that she adamantly opposed the idea of marriage, believing like many feminists that it constricted women's freedom and interfered with creativity." and "During her twenties and thirties, she engaged in flirtations and romantic relationships, and her paintings, diaries, and poems reveal her enduring admiration for the male anatomy. However, they also demonstrate that from early in her life she adamantly opposed the idea of marriage, believing like many feminists of her time that it constricted women’s freedom and interfered with creativity.")

Finally, there are several prose issues, including unencyclopedic tone ("Stettheimer submitted/was invited to exhibit paintings") and confusing prose structure ("By the early 1890s, Rosetta's eldest two children, Stella and Walter, who were much older than the other three, married and left Carrie, the next eldest, Florine, and Ettie the youngest, to form a close bond with their mother that lasted until her death in 1935.")

I think the article still needs enough work that a seven-day hold period won't be enough; I am going to fail the nomination now. Sort out the sourcing, make sure there's no close paraphrasing issues, and tighten up the prose, and you will be in a position to sail through GA review. Caeciliusinhorto (talk) 13:04, 21 September 2019 (UTC)
 * , thank you for your helpful comments. Making the necessary changes will indeed take me more than a week. Your review is more than fair and much appreciated. Thanks, Vexations (talk) 23:27, 22 September 2019 (UTC)

title: Talk:Florine Stettheimer/GA1


text:
Talk:Sylvia Townsend Warner

possible plagiarism
Hmm, I don't think this is allowed, so I'd like to mention here that the summary on this page seems to be plagerized directly from http://www.townsendwarner.com/biography.htm —Preceding unsigned comment added by Cariel (talk • contribs) 01:20, 20 March 2006

 * I did some minor rewriting for style. Will work on this more over near future. There's precious little detail right now. --lquilter 14:39, 4 September 2007 (UTC)

Need list of works
This entry would be improved by a list of Warner's published works. She had seven novels, ten volumes of short stories published during her lifetime. None is listed here. —Preceding unsigned comment added by Noreen O'Connor (talk • contribs) 06:25, 1 October 2006
 * Agreed. I began the list. Will complete & then break down by novels/short stories. --lquilter 14:39, 4 September 2007 (UTC)

Her writing
It is a pity that none of her writing seems available to read online. Perhaps a copywright-holder could encourage sales by releasing a sample. <IP_ADDRESS> (talk) 00:02, 14 January 2010 (UTC)

title: Talk:Sylvia Townsend Warner


text:
tramp stamp

Noun

 * 1)  A tattoo on a woman's lower back.
 * 2) * 2006 May 31, “SyVyN11” (author), “Re: Rihanna's tiny Oz tattoo”, and, Usenet
 * I was hoping for a tramp stamp!
 * 1)  A hickey on a woman.
 * 1)  A hickey on a woman.
 * 1)  A hickey on a woman.
 * 1)  A hickey on a woman.
 * 1)  A hickey on a woman.

Translations

 * Danish: amagernummerplade, røvgevir, lændetatovering
 * Dutch:, reetgewei
 * Finnish: lutkaleima
 * German:

title: tramp stamp


text:
Wikipedia:Articles for deletion/Operational headquarters of the European Union

The result was keep.  Sandstein  06:33, 28 September 2019 (UTC)

Operational headquarters of the European Union

 * – ( View AfD View log  Stats )

unnecessary parial duplicate of Common Security and Defence Policy  DGG ( talk ) 17:38, 20 September 2019 (UTC)
 * Note: This discussion has been included in the list of Military-related deletion discussions. Shellwood (talk) 20:08, 20 September 2019 (UTC)
 * Note: This discussion has been included in the list of Europe-related deletion discussions. Djm-leighpark (talk) 15:01, 22 September 2019 (UTC)

 * Keep This is not correct, as the content isn't in the CSDP article. Moreover, the article has a clear purpose; to outline the EU's list of options for choosing operational headquarters in each mission. - Ssolbergj (talk) 09:33, 21 September 2019 (UTC)
 * Keep Forks are addressed by merger, not deletion.  The Common Security and Defence Policy page doesn't seem to say much about operational headquarters and this page has plenty of content.  Not seeing a problem requiring any action. Andrew D. (talk) 09:19, 22 September 2019 (UTC)
 * As far as I can tell has not be new page curated reviewed which is a significant milestone and content was recently previously present in source the article as recently 20th September 2019:  and that should probably be the comparison point. Djm-leighpark (talk) 11:28, 22 September 2019 (UTC)
 * Ssolbergj is the main contributor for both pages. If they feel a split is appropriate then we should just let them get on with it. Andrew D. (talk) 15:19, 22 September 2019 (UTC)

 * Comment: My understanding of the background is as follows: Operational headquarters of the European Union was a Splitting by from the Common Security and Defence Policy article.  The Operational headquarters of the European Union was PRODed my myself (and content restored Common Security and Defence Policy) to for non-attribution and dePRODed by Ssolbergj on the basis of I wrote more or less 100% of the content in the first place, so this is not a valid reason for deleting the article..  That claim may be sufficiently true, or perhaps it might not, but quite honestly too much pain for me to check, but regardless I chose to add the attribution for the copy to the talk pages as that covers the problem.  The nom. (an admin and therefore with page curation rights?) has claimed the split was unnecessary.  dislosure: I've had interactions with Ssolbergj recently. Djm-leighpark (talk) 11:28, 22 September 2019 (UTC)
 * Keep: Weak draftify (and restore content to Common Security and Defence Policy): There may well be an article here but in its current state is a hard read (at least to me). Article claims to be amount Military but then does Civilian.  Headquarters seems to be used in both a singular and plural context.  I'm not sure all relevant claims are cited, and some may be significant.  But I am not particularly strong and confident in my critique here.  Thankyou.Djm-leighpark (talk) 11:51, 22 September 2019 (UTC)
 * Comment The article does not "claim to be about military"; it clearly differentiates between what OHQ is used for military and civilian missions, in separate sections. Some, but not all, EU military missions are referred to as operations. All EU missions, both civilian and military, have OHQs. In any case, the article Structure of the Common Security and Defence Policy is this article's 'parent'. - Ssolbergj (talk) 12:53, 22 September 2019 (UTC)
 * The military in the hatnote (oldid=917156975 & earlier) This article is about the list of operational headquarters (OHQ) that may be selected for the planning and conduct of individual European Union military missions ... perhaps gives me the impression about military; but perhaps it is just me who reads it that way.Djm-leighpark (talk) 14:31, 22 September 2019 (UTC)
 * Re: changing my !vote: I see improvement since the point at which I said draftify and sufficient to move my earlier !vote. I might have a couple of points and concerns with the current version but not relevant to AfD.  Article might have benefited from a Template:Under construction up to this point but that could have caused a WP:NPP to flick it into draft anyway so pays money takes choice.  Nom. originally tried to WP:PROD but couldn't as I have previously so had no choice but to go to AfD.  I'd also comment if an article is prod'ed it is often better to try to improve it rather that immediately de-prodding which leaves it vulnerable to AfD.Djm-leighpark (talk) 19:50, 22 September 2019 (UTC)

 * Keep Different content here than elsewhere, If you wanted to discuss a merge, then use the talk page and do it properly.   D r e a m Focus  18:14, 23 September 2019 (UTC)
 * @: Can I ask who you mean by you? Is that me on the posting immediately above ... or is you referring to any reader of this page?  In either case I see this as a bold split without discussion which I believe has not been page curated especially at the point the AfD was raised.  But in all events the article has been somewhat developed since nomination and I am to a degree curious if the nom. feels the reasoning of the nomination still holds?  Thankyou.  Djm-leighpark (talk) 18:38, 23 September 2019 (UTC)
 * @" DGG nominated the article with "unnecessary parial duplicate of Common Security and Defence Policy" so I speaking to him.  D r e a m Focus  19:22, 23 September 2019 (UTC)

 * Keep. Passes WP:GNG. This is not the place for a merger discussion.4meter4 (talk) 01:50, 28 September 2019 (UTC)


text:
Fire and emergency management/Department Message Board

''Here you can post questions, discussions, comments, or initiate debate. Please remember to post your name for replies.''

What are your thoughts on the Open Source Project concept? What do you see as the strengths or weaknesses?

 * I see nothing but pluses because fire safety should be everyone's concern not just those that want to make a buck, quick or not.

If you would like to see something added, please post here

 * How is the Australian fire service funded? - Australia has over 16 different fire services (Metro and country in all 8 states and territories), which range from government funded, partially funded and completely fundraising funded... Which Service / Australian State do you want to know about?
 * This is a very cool site but this note asserts ownership and is antithetical to the Wiki process because it implies a limited ability of the viewer to contribute. I suggest that you reframe your work here to make this a true Wiki - encouraging visitors to contribute bold edits.
 * (conflict) I don't know about the other wp projects, but the english wikipedia absolutely has a 'requests' page for missing articles. Just because someone recognizes that information is missing form an article does not necessarily mean they have the knowledge to add it themselves; chances are, they noticed it was missing because they were looking for it. There's nothing about this section that implies any sort of ownership or violates wiki philosophy in anyway. This is a forum to bring attention to those who feel like putting the time in to editing the articles in question. If you disagree, take it up with me on the english wp. Also, please sign your posts. - Shaggorama 02:57, 7 January 2009 (UTC)
 * Is it likely that the folks from IFSTA might consider posting some of their manuals here?

I have a question on references, "Seeing is believing" for most people, but at Wikipedia, I understand, YouTube references, such as "Earth Guard Technologies" running time 8:08 showing Dry ice fire fighting with both a gun mounted on a vehicle and with two helicopter air drops on fire and "Oil Spill Freeze Salvage" running time 8:37 in which spilled oil (or presumably an oil spill fire?) is herded by bubble stream, induced, surface currents and formed into a concentration whirlpool, Both videos can not be used to prove up the concept of dry ice fire fighting or oil solidifying, but both seem to be historically significant.

I have asked William Anderson of the Earth Guard Technologies to provide written newspaper or journal articles as he has developed this art and science and should be historically referenced in Wikipedia main articles. I have an L.A. Times reference for Dry ice fire fighting and property protection, "Could a Freeze Gun Put Flames on Ice" by Zanto Peabody Los Angeles Times local section 9/03/2002 and "Zapping Oil Spills with Dry Ice and Ingenuity" by Gordon Dillow Los Angeles Times, South Bay section page 1 2/24/1994 in which two types of dry ice pellet dispersal guns i.e. Dry ice fire extinguishers are described as putting out a fire and solidifying oil.

I have a new invention as described in a Provisional U.S. Patent in 2014 for a new process of casting water ice walls that freeze from the inside out and from the bottom up in 5 seconds or less of movement stops which has, as yet no written newspaper references or YouTube posting to date, but should be demonstrated to three newspaper reporters and viseotaped and uploaded to YouTube, hopefully this June or July with the cooperation of a local, county, stated or federal fire department.

Timothy Beck of TorranceTimothy Beck of Torrance (discuss • contribs) 05:28, 1 June 2016 (UTC)


text:
Talk:David Levy (chess player)

WikiProject class rating
This article was automatically assessed because at least one WikiProject had rated the article as stub, and the rating on other projects was brought up to Stub class. BetacommandBot 07:57, 10 November 2007 (UTC)

Title?
As Levy is less well known as a chess player than as an AI researcher / pundit, I'd suggest a change of title. David Levy (AI researcher)? <IP_ADDRESS> (talk) 14:15, 15 December 2007 (UTC)

 * Is that really true? He authored a number of chess books in the 1970s. At least early on, his main AI notabiliy was with respect to chess (chess computers and his famous bet). So I think "David Levy (chess player)" is appropriate. Peter Ballard (talk) 01:05, 16 December 2007 (UTC)

 * I don't see anything wrong with naming him as a Chess Player, after all his work in AI seems to have derived from that. —Preceding unsigned comment added by ZincBelief (talk • contribs) 13:42, 18 December 2007 (UTC)

sentences/paragraphs
The article has too many one sentence paragraphs.

It needs to be rewritten. Bubba73 (talk), 07:56, 1 January 2008 (UTC)

Do-Much-More
His Chatbot "Do-Much-More" won the Loebner Prize in 2009--<IP_ADDRESS> (talk) 07:44, 14 December 2009 (UTC) http://aidreams.co.uk/forum/index.php?page=Do-Much-More_Chatbot_Wins_2009_Loebner_Prize http://www.worldsbestchatbot.com/Do_Much_More

External links modified
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 * Added archive https://web.archive.org/web/20070812122749/http://www.chiark.greenend.org.uk/pipermail/ukcrypto/1999-March.txt to http://www.chiark.greenend.org.uk/pipermail/ukcrypto/1999-March.txt

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Move discussion in progress
There is a move discussion in progress on Talk:David Pritchard (chess player) which affects this page. Please participate on that page and not in this talk page section. Thank you. —RMCD bot 20:48, 17 November 2019 (UTC)

English or Scottish?
As a player, Levy has since 1968 played for Scotland. Is there some reason why he is described as English in this article? Bruce leverett (talk) 04:25, 21 August 2023 (UTC)

title: Talk:David Levy (chess player)


text:
Valentine Telegdi

Valentine Louis Telegdi (Hungarian: Telegdi Bálint; 11 January 1922 – April 8, 2006) was a Hungarian-American physicist. He was the Enrico Fermi Distinguished Service Professor of Physics at the University of Chicago before he moved to ETH Zürich.

After retiring from ETH he divided his time between CERN and the California Institute of Technology. Telegdi chaired CERN's scientific policy committee from 1981 to 1983.

According to György Marx he was one of The Martians.

Awards and honours
In 1991 he shared the Wolf Prize in Physics with Maurice Goldhaber. He was elected a Foreign Member of the Royal Society (ForMemRS) in 2003.

title: Valentine Telegdi


text:
Wikiversity talk:Welcome, newcomers

On Welcome, newcomers: Over-reaching Principles
Currently there are four: Civility,Learning, Contributing, Neutral point of view Before them should be Honesty/Integrity: We must not intentionally deceive. Mistakes appear, and we do not know everything. And We must acknowledge so. That is how a school works.--Hillgentleman 08:40, 23 October 2006 (UTC)
 * And also indepentent thinking?--Hillgentleman 18:04, 9 November 2006 (UTC).Ok

Newcomers Talk Page
The Wikiversity Newcomers page is in active development and editing. Your comments and contributions are very welcome. This page is for discussion of what should/should not be on the live Newcomers page.

Post your recommendations and comments here. Much thanks. morley 21:00, 23 October 2006 (UTC)

Search preferences...
Not sure where it should be done, but newcomers should know about setting the search preferences to include the Topic: and School: namespaces, since I'm pretty sure the default setting is main namespace only.--SB_Johnny | talk 21:25, 25 October 2006 (UTC)

 * Maybe the default should be changed to include "Topic" and "School"? The Jade Knight 23:10, 25 October 2006 (UTC)

 * That would be good, too :).--SB_Johnny | talk 23:39, 25 October 2006 (UTC)

 * Maybe we can plan a big celebration for when Wikiversity finally has more main namespace articles than content development projects in the "Topic" and "School" namespaces. --JWSchmidt 01:45, 26 October 2006 (UTC)

 * Eventually people will run out of new schools to create. =þ  The Jade Knight 01:55, 26 October 2006 (UTC)

above the table of contents
The current section above the table of contents seems to shunt visitors who are new to wiki off to Wikipedia. Will they ever return? Maybe we need to develop a page such as Introduction to Wiki so that we can keep new visitors at Wikiversity. --JWSchmidt 17:42, 4 November 2006 (UTC)

Differences
Can any one tell that is there any guideline-article here related to the differece between Wikipedia and Wikiversity. If not it's better to add a guideline as Difference between Wikipedia and Wikiversity. - Vaikunda Raja 21:14, 25 November 2006 (UTC)

Russian Wikiversity
I have came here by link from Russian Wikipedia, but Wikiversity is in English. Will Wikiversity speak Russian?
 * You might be interested at betawikiversity, see here.
 * As I see it was once rejected, see Requests_for_new_languages/Wikiversity_Russian, but perhaps a new request was transmitted ? Better ask there, since:
 * To have a new Wikiversity site, you need ten active participants for the project. Then you can request (at meta) for a new language domain to be set up. Meanwhile, please add your project's main page to Template:Main page.
 * see Main Page
 * Erkan Yilmaz ( Wikiversity:Chat, wiki blog ) 10:52, 13 January 2008 (UTC)

title: Wikiversity talk:Welcome, newcomers