text:
User:SwampMusicFan/sandbox

"Russell McLain (born March 30, 1985) is an American singer-songwriter, musician, and podcast host. His style is best described as 'Swamp Rock' a mixture of Swamp Pop, Southern Rock, Country, Blues, and R&B. In October 2016 Russell announced the that he would be releasing his first self-titled debut album and released his very first Single 'The Ballad Of Uncle JR' in the later part of 2016. Russell also is the host of The Russell McLain Show Podcast and has hosted guests such as Charlie Daniels, Roy Clark, Marty Raybon, Ronnie Mcdowell and many other American Music Icons."

Early Life
Russell McLain is the grandson of famed Louisiana Gospel & Bluegrass musician and Leader of The Driskill Mountain Boys Adophus Warren.

Russell was taught how to play guitar by his great uncle Jesse Jr. Baham II. Russell was raised in Loranger, Louisiana and was a big hit in Elementary School when he would impersonate Elvis Presley.

Musicial Career
Russell made his official debut on the Louisiana Live Entertainment scene in 2000 as his Grandpaw's guest at The Ol' South Jamboree. Just months later Russell officially joined local muscial group "The Fifth Wheel Band".

In 2003 Russell McLain joined Louisiana Recording Artist Russell Walker as rythem guitarist and background vocals.

After a off and on four year run with Russell Walker, in 2006 Mclain left the band and formed The Russell McLain Band.

The Russell McLain Band departed in 2012 and Russell took time off to focus on his podcast and rest. In 2015 Russell McLain returned to the music scene as a member of Contajus and in October 2016 Russell announced the launch of his first ever debut album.

Personal Life
Russell McLain has been married twice. In 2004 He married Leslie Russell, Russell and Leslie has one son together Brendon Donald McLain. They divorced in 2008.

Russell married Cristalle Brock in 2008 and had three children together. Reagan Dani McLain, Ryan Dalton McLain, and Reanna Dawn McLain. Cristalle and Russell divorced in 2012. That same year Russell and girlfriend Tonya Halford moved in together for about five years until Tonya called it quites earlier 2017. Russell now lives alone in Zachary Louisiana and is focusing on his children and music.

Singles
In October 2016 Russell McLain announced the launch of his Self Titled Debut Album.

title: User:SwampMusicFan/sandbox


text:
Wikipedia:Articles for deletion/Real Estate Impact Investing

The result was delete. Can be recreated as a redirect, though I'm not sure how useful it may be. As a side note, AFAIK capitalization doesn't matter as far as the search bar is concerned, though it could make a difference if there are two articles whose only difference in the title is capitalization. ansh 666 07:53, 26 September 2017 (UTC)

Real Estate Impact Investing

 * – ( View AfD View log  Stats )

Originally blanked and redirected to Impact investing, but that was reverted by the author, which makes PROD inappropriate, thus we are at AfD. There isn't really much content worth merging in this article, so I don't think that is the best outcome. In my mind this is between deletion and redirection, and leaning delete at this time because the All Caps Spelling makes it an unlikely search term, though I wouldn't oppose a redirect. TonyBallioni (talk) 19:57, 18 September 2017 (UTC)

 * Delete - Right now this is original research. Do any of these reference actually mention impact investing at all? Do they mention it as it relates to real estate? Are the multiple WP:EL violations reliable sources, and could they be turned into references for specific statements? The article would have to be rewritten from the ground up based on new sources. Moving this out of draft space was very premature. Grayfell (talk) 20:58, 18 September 2017 (UTC)
 * Note: This debate has been included in the list of Business-related deletion discussions. ʍaɦʋɛօtʍ (talk) 22:15, 18 September 2017 (UTC)

 * Delete term does not appear to be commonly used aside from a few firms that have tried to use it as their brand (e.g. while Google Scholar finds 5,140 results for "Impact Investing", it finds no results for "Real Estate Impact Investing"); article currently reads mostly like an advertisement. Antrocent (♫♬) 19:24, 25 September 2017 (UTC)
 * Redirect per Cheap though I agree that someone is unlikely to search in Wikipedia with the proper capitalisation. I suppose redirects are to cover the unlikely. L3X1 (distænt write)  @ 02:55, 26 September 2017 (UTC)

source: wikimedia

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/


text:
User:Mashangodeo

MASHANGODEO. BORN;20 july 1996. GROWTH; Masaki, Dar ES salaam. EDUCATION; He complete 'O' level.

title: User:Mashangodeo


text:
Wolfgang Wiehle

Wolfgang Wiehle (born 20 October 1964) is a German politician for the Alternative for Germany (AfD) and a member of the Bundestag.

Life and politics
Wiehle was born 1964 in the German city of Munich and studied from 1982 to 1990 at the Technical University of Munich. He is a qualified IT specialist. Wiehle is member of the populist right-wing AfD and after the 2017 German federal election, he became a member of the Bundestag. Wiehle denies the scientific consensus on climate change.

title: Wolfgang Wiehle


text:
Cookbook:Whole Wheat Bread (Vegan)

 * Vegan Cuisine

Ingredients

 * 1 cup warm water (105–115°F)
 * 2 tbsp (2 packages) of active dry yeast
 * 1 pinch unrefined sugar
 * 1 cup soy milk
 * ⅓ cup (packed) unrefined sugar
 * 3 tbsp vegan butter or margarine
 * 1 tbsp salt
 * 1½ cup walnuts (optional)
 * ¼ cup soft tofu (mashed), stirred until smooth
 * 2½ cups fine-milled or medium-milled whole-wheat flour
 * 3 cups + 14 tbsp unbleached all-purpose white flour

Procedure

 * 1) In a small bowl stir the yeast in ½ cup warm water, and add a pinch of unrefined sugar. Let the yeast activate for 10 minutes.
 * 2) To a large mixing bowl add the other ½ cup water, milk, unrefined sugar, melted vegan margarine, salt, tofu, and whole wheat flour. Stir with wooden spoon until creamy.
 * 3) Add the yeast mixture, which should be foamy by now, and the walnuts.
 * 4) Add in the unbleached wheat flour a little at a time. Stir until the dough is too thick for the spoon, then put the dough on a lightly-floured cutting board or counter top and mix by hand. When all the flour is added, knead dough for around 5–7 minutes.
 * 5) Cover dough with a towel and let rise for around 1–1.5 hours. Dough should double in size.
 * 6) Knock the dough down once then place 2 equal portions of the dough into 2 greased loaf pans. Let rise about 45 minutes.
 * 7) Brush tops of loaves with melted margarine (keeps them from drying out) and dust with cinnamon, uncooked oatmeal, or white flour (aesthetics).
 * 8) Bake in oven preheated to 375°F for around 35 minutes. When done, loaves will sound hollow when tapped.
 * 9) Let cool, then unmold.

Notes, tips, and variations

 * Egg replacement or 1 tbsp ground flax seed can replace the tofu.
 * If you want the loaves to look fancy, roll dough into 4 separate dough "snakes", then twist 2 of these together to make a nice looking intertwined loaf.

title: Cookbook:Whole Wheat Bread (Vegan)


text:
User:Fidocancan

maths teacher at secondary school

studied social anthropology a uni and most of my work involves improving social dynamics in classrooms

familiar with new learning technologies including bandler and grinder's neuro-linguistic programming goldratt's theory of constraints de bono's thinking hats, CORT thinking lessons, lateral thinking, etc gardner's multiple intelligences, Harvard's Project Zero

currently writing a book on education living in malta

i agree whole-heartedly with your experiential definition of learning my contribution to wikiversity: help make online learning a valuable use of children's time explain some simple math connect with internet developments elsewhere including eg youtube promote the necessity for valuable human interaction between students and teachers software suggestion: ideaweb... see discussion

current contributions: http://en.wikiversity.org/wiki/One-hand_clapping

groups: http://en.wikiversity.org/wiki/School:Mathematics

title: User:Fidocancan


text:
Talk:Demis Roussos

"Mehbooba Mehbooba" and "Say You Love Me"
I removed the line <"Mehbooba Mehbooba" from film "sholay" was lifted from his song "Say you love me"> "Lifted" is a pretty strong word: Rap artists call it "sampling", in this case it's not even that. I listened to "Say you love me", and IMHO the similarity is vague at best: just the voice, and the way Roussos sings "ooooh". The other similarities are nothing more than both songs being written in the Qawwali tradition. The melodies are markedly different. And the beginning notes of Mehbooba, is completely original. The version I'm refering to is from Roussos' 1974 album "My Only Fascination". If there are any other versions bearing more similarity to "Mehbooba", please talk about it here. Keecheril 16:03, 18 February 2007 (UTC)

Fire and Ice
What about the 1971 album "Fire and Ice"? Is this the same as "On the Greek side of my mind"? -- <IP_ADDRESS> (talk) 08:33, 30 July 2010 (UTC)

Discography
This truly international artist with tens of hits in tens of countries deserves a traditional comprehensive Wikipedia discography page instead of the very unreliable listing we have now with no clear succession and no chart positions whatsoever. There is no indication of singles which is so strange as he has loads and loads of successful singles werldwayd (talk) 08:56, 25 June 2011 (UTC)

Poor quality article
Demis was a big superstar in continental Europe during his solo career up until 1978. The wiki article is very vague and limited in information precisely about his 1972-1977 period in which he was a major superstar in continental Europe. You literally could not move anywhere around Europe without hearing his music. Also recorded in Italian, Spanish and French and Greek — Preceding unsigned comment added by Nayumadehrafti (talk • contribs) 14:33, 3 December 2012 (UTC)
 * However, phrases like “His distinctive operatic vocal style helped propel the band to international notoriety” don’t help at all - it suggests a level of international recognition, but were the band truly “notorious”, and as a result of his voice (rather than any other group activity, appearance, performance style, etc.)…? Doesn’t sound encyclopaedic, and could do with expansion if true. Jock123 (talk) 10:13, 20 November 2014 (UTC)

No picture?
Can't be that hard. — Preceding unsigned comment added by <IP_ADDRESS> (talk) 12:20, 18 October 2013 (UTC)

Date for Picture
The date for the picture for 'Early musical Career' is missing. Does anybody know it?

Darcourse (talk) 06:42, 6 April 2017 (UTC)

Personal life
The personal life section contains the following sentence:

The fourth and last wife Roussos has become a Parisian Marie.

I really can't make anything out of this. Anyone who has an idea what it's supposed to mean?Tvx1 02:47, 11 April 2017 (UTC)

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New categories added
I have added new categories to page for german language singers and french language singers. Demis Roussos sings also in German and French. I know, that not so many, as in English, so You can remove those categories, if You want. I don't know, in which languages Demis Roussos also sings. Cassa342 (talk) 08:47, 24 July 2022 (UTC)

title: Talk:Demis Roussos


text:
Svetlana Parkhomenko

Svetlana Germanovna Parkhomenko (Светлана Германовна Пархоменко, née Cherneva, Чернева; born October 8, 1962) is a retired Soviet and Russian tennis player and tennis coach. She was the winner of the Soviet singles tennis championships in 1985 and nine times Soviet champion in women's doubles and mixed doubles. On the international level, she was the winner of the 1983 European amateur championships in women's and mixed doubles, bronze medalist of the 1983 Universiade in women's and mixed doubles, and winner of eight WTA Tour doubles tournaments.

Parkhomenko also was the recipient of 1988 WTA Sportsmanship Award.

Biography
In 1978, Svetlana won the singles and doubles title at European Junior Championships (she also won doubles titles in the next two years). In 1978, she also won the Soviet youth championships in singles, girls' and mixed doubles, and in 1980 in singles and girls' doubles. In 1980, she advanced with the Soviet girls team to the finals of Princess Sofia Cup.

Starting in 1981, Svetlana (from 1984 playing under her marriage name Parkhomenko) won the senior Soviet doubles championships eight times (twice in 1987). In addition, she became the singles champion in 1985 and mixed doubles champion in 1983. From 1981, she also played for the Soviet Union Federation Cup team. In total, between 1981 and 1988, she played 28 rubbers for the Soviet team, mostly in doubles with Larisa Savchenko.

In 1983, Cherneva won the European amateur championships in women's and mixed doubles and took bronze in the same disciplines at the 1983 Summer Universiade. From the same year, she started playing in international professional tennis tournaments. In 1984, she won her first ITF titles in San Antonio and Delray Beach, and at the Wimbledon Championships advanced with Savchenko to quarterfinals, after defeating third seed Kathy Horvath and Virginia Ruzici, as well as Chris Evert and Catherine Tanvier. In the next three years, Parkhomenko and Savchenko won seven Virginia Slims tournaments including four in 1987. They played three times in a row at the Virginia Slims Championships, and in March 1986 advanced there to semifinals. In 1987, they reached semifinals at Wimbledon, after defeating world's best pair, recent Grand Slam winners Martina Navratilova and Pam Shriver.

At the start of 1988 season, Parkhomenko was ranked as high as eighth in the WTA doubles rankings. But in 1988, Savchenko broke with her to play doubles with young Natasha Zvereva. Without Savchenko, Parkhomenko struggled to retain her best shape, playing with other partners. She won one WTA tournament with Natalia Bykova and twice reached finals with Leila Meskhi, and at the end of the season, she received the WTA Sportsmanship Award.

After having completely missed 1989 season, Parkhomenko returned to play at the end 1990. In 1991, she was awarded the title of Honoured Master of Sports. In 1992, she returned to the top 10 of the Russian tennis and remained there for two more years. In 1993, she played three ties for the Russia Fed Cup team, winning her doubles games against Ukrainians and Lithuanians. After finishing her playing career in 1995, she coaches at the Moscow CSKA tennis club.

title: Svetlana Parkhomenko


text:
Talk:Orange Grove, Texas

Owls and Naval Air Stations
Section 3, NALF Orange Grove, mostly contains information about Kingsville, Texas, not Orange Grove, Texas. The entire section can be found verbatim in several blogs around the internet, similarly without evidence of the original source. It is good to know that Naval Air Stations provide habitat for Burrowing Owl, but not much relevance to this page, other than there might be some Burrowing Owls at the Auxiliary Landing Field, which seems to be part of Orange City in name only ("located southwest of Orange Grove.") Wikiswizell (talk) 15:08, 26 November 2020 (UTC)

External links modified
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title: Talk:Orange Grove, Texas


text:
Wikibooks talk:Editing guideline

Initial text adapted from en:Wikipedia:Editing policy. --mav 07:35 2 Aug 2003 (UTC)

Comments? RobinH 10:23, 5 April 2006 (UTC)

snippet-01
re:So, whatever you do, try to preserve information. Reasons for removing bits of an module include:
 * List is missing the obvious: Factual error or error in context, A is 'wrong', and C goes with B, but B doesn't apply in the context so neither does C. (One hopes these sophmoric gaffs happen less here than at Wikipedia! ) FrankB-[[User talk:Fabartus]] 06:17, 6 May 2006 (UTC)

snippet-02
''If, in your considered judgment, a page simply needs to be rewritten or changed substantially, go ahead and do that. But preserve any old contents you think might have some discussion value on the talk page, along with a comment about why you made the change. Even if you delete something that's just plain wrong, odds are that it got there because someone believed it was true, so preserve a comment that it is in fact wrong to inform later editors.''
 * I'd suggest exporting only the parts most likely to be duplicated as an error to the talk, with comments, before altering content. It's easy to do from within the edit window by backspacing, cutting, moving to the talk, pasting with comment. Even easier with two browser windows open, or two tabs. One useful 'safeguard' is to edit in one type browser and browse, check, monitor, extract, compare in the other. For the latter use, one of the Tabbed browsers is best. Firefox and Netscape both fail to search into the edit window, whereas IE6 does, so that is the better browser for copyedits, spelling and minor grammer corrections.
 * Since the talks can get lengthy with too much, and all content is preserved in history pages, so a paragraph on what is wrong, and a paragraph why is probably the only need 98% of the time. The histories solve the odd 2% where large recoveries are in order. The exception might be when someone attempts a drastic refactoring, but cutting that into a 'temp page' (Sandbox) rather than the talk, with a link to it in the talk (one of those 'organized common resources' mentioned in the below— information is a resource!) page.

 * Using the top of talk pages as a Organized Project page is a good idea. By that I mean place project resources, including ToDo lists, lists of who is taking on what sub-part, perhaps an outline, etc. RobinH asked me for comments herein, but I don't know enough specifics of how you all work together to get specific myself. But taking the Heading with a Roster, ToDo's, and some resources as an example, the top section would be a general precise on the aims of that module, followed by the roster which should probably include when someone generally works, Third I'd place resources such as links to other modules, categories (if you use them here) and links to outside references, etc. each to their own sub-section. Fourth, the ToDo list, which people would strike out as items get finished with signature (I like to use #, and ## items in such— helps in planning and organization, as the numbers can be referred to in talk sections following obviating confusion (of terms or task).
 * As this list or any talk section gets long, it can be archived to 'clean' the page into the archive page which matches title sections, thus archiving old business and old discussions et. al by archiving just part of a section or many sections is quite easy to do. Such tidiness also helps in keeping the obfusticating clutter away from ongoing business, it's most important feature.

 * Do retain a conclusion of a long discussion linking to the archived long parts, so others can get involved later or get back up to speed after a time away, as may pertain.
 * While this 'exercise in verbosity' is not 'On Policy' per se, it goes a long way to keeping collaboration with others ameniable and pleasant, so it might be considered as a 'potential guideline' as to how to keep talks fresh enough for everyone to keep up with developments. In this model, the old goes, and the fresh and useful stays that way without fighting clutter.

 * Last, but not least, some numbering scheme ought to prefix all sections below the fixed sections (i.e. all are categorized as 'temporary topics' even though most of each are eventually separated and archived.) The section ordinal number prefix serves notice when something no longer appears in the ordinal list of sections as it contains only expired discussions, and pertinent information is retained. FrankB-[[User talk:Fabartus]] 07:21, 6 May 2006 (UTC)

policy?
This isn't really a policy... Kellen T 16:55, 12 May 2006 (UTC)

 * It is a guideline. I dont know why it has been classified as a policy. RobinH 09:26, 13 May 2006 (UTC)

Move to "Guidelines"
Moved 13th May 2006 RobinH 09:47, 13 May 2006 (UTC)

Firefox
This guideline mentions "... Firefox and Netscape both fail to search into the edit window ...", which is incorrect. I'm using Firefox now, and it seems to search and find text in the edit window (textarea) just fine. How do I fix this without getting sidetracked into yet another overly detailed "Software A vs Software B" flamefest? --DavidCary (talk) 17:14, 9 March 2009 (UTC)

 * Fixed. I also found a lack of any consensus to make this a guideline in the first place, so I've switched it back to a proposal for now. --dark lama  21:53, 10 March 2009 (UTC)

title: Wikibooks talk:Editing guideline


text:
Torsten

Etymology
, the root of English, from +.

Etymology
From, from , the root of 🇨🇬, from +.

Etymology
, the root of English, from + , the elements having transitioned to the modern Swedish forms,  and.

title: Torsten


text:
Talk:David Schwarz (footballer)

Image copyright problem with Image:MelbourneDesign.png
The image Image:MelbourneDesign.png is used in this article under a claim of fair use, but it does not have an adequate explanation for why it meets the requirements for such images when used here. In particular, for each page the image is used on, it must have an explanation linking to that page which explains why it needs to be used on that page. Please check

 * That this article is linked to from the image description page.

This is an automated notice by FairuseBot. For assistance on the image use policy, see Media copyright questions. --04:52, 20 September 2008 (UTC)

title: Talk:David Schwarz (footballer)


text:
Aspasia Cruvellier Mirault

Aspasia Cruvellier Mirault (c. 1800 – 1857) was an American entrepreneur and landowner. She managed to acquire land in the city of Savannah in Georgia, despite the prohibition against landowning in Antebellum Savannah for non-white people.

Biography
Aspasia Cruvellier Mirault born a free person of color in the French colony of Saint Domingue. She was the daughter (or younger sister) of Hagar Cruvellier (fl. 1823) and the sister of Francis, Peter and Justine Cruvellier. She emigrated with her family to Savannah as a child. From 1812, she lived in Savannah, Georgia, where her family established a successful tailor shop.

She initially worked in the family tailor workshop with her family as a seamstress. In 1825, she opened a bakery and pastry shop with her sister Justine. She became a very successful businesswoman. She married Samuel Mirault, with whom she had the daughters Louisa and Letitia. She was widowed in 1829 or 1831. By that time, she owned her own pastry shop. Like her mother and her sister, she used slave labour in her business: in 1839, she paid taxes for five female slaves.

In 1842, she became a landowner when she bought a lot of land in the city of Savannah, auctioned by the city authorities. In 1818, non-white people were forbidden by law to buy land in the city of Savannah. However, it was common for wealthy Afro Americans in Savannah to get around the law by using a white representative to buy the land for them. Aspasia Cruvellier Mirault used the services of George Cally, who bought the land in his own name using her money. Formally, Cally was the owner of the land, but in reality, Cally and Cruvellier Mirault had an agreement in which the land was to be owned by her in all but name, and it appears that Cally respected the agreement. Cruvellier Mirault had a house built on her land which she used to expand her business and provide her family - children and grandchildren - with larger living space.

Personal life
Mirault was Catholic.

title: Aspasia Cruvellier Mirault


text:
Lost Souvenirs

Lost Souvenirs (French: Souvenirs perdus) is a 1950 French drama film directed by Christian-Jaque and starring Bernard Blier, Pierre Brasseur and Suzy Delair. It was shot at the Billancourt Studios in Paris and on location around the city. The film's sets were designed by the art director Robert Gys. It was distributed by Cocinor in France, attracting more than two million spectators at the box office.

Synopsis
The film consists of four individual episodes, each revolving around a separate object that acts as the catalyst of their plots.

Main cast

 * Bernard Blier as L'agent de police Raoul (segment "Le violon")
 * Pierre Brasseur as Philippe (segment "Une statuette d'Osiris")
 * Suzy Delair as Suzy Henebey (episode "Une couronne mortuaire")
 * Danièle Delorme as Danièle (segment "Une cravate de fourrure")
 * Edwige Feuillère as Florence (segment "Une statuette d'Osiris")
 * Yves Montand as Raoul, un chanteur des rues (segment "Le violon")
 * François Périer as Jean-Pierre Delagrange (episode "Une couronne mortuaire")
 * Gérard Philipe as Gérard de Narçay (segment "Une cravate de fourrure")
 * Armand Bernard as Armand, le majordome de Jean-Pierre (episode "Une couronne mortuaire")
 * Léonce Corne as Le vendeur de billets de loterie (segment "Le violon")
 * Gilberte Géniat as Solange, l'épicière (segment "Le violon")
 * Yolande Laffon as Mme Delagrange (episode "Une couronne mortuaire")
 * Daniel Lecourtois as Le directeur de l'hôtel
 * Jacques Tarride as Le scrétaire
 * Christian Simon as Le petit Raoul
 * Jean Davy as Le speaker

title: Lost Souvenirs


text:
Mari Black

Mari Black is an American multistyle violinist, fiddler, and composer from Boston, Massachusetts. She has won national and international accolades in many styles of music, including being named the 2014 Glenfiddich Fiddle Champion of Scotland, 2013 & 2015 U.S. National Scottish Fiddle Champion, 2012 & 2014 Maritime Fiddle Festival Champion, 2011 Canadian Open Novelty Fiddle Champion, 2011 1st Prize Winner of the American Protege International Piano and Strings Competition, and more. Mari has performed and taught around the United States, Scotland, Brazil, Canada, China, Korea, Zimbabwe, Hungary, Poland, the Czech Republic, Italy, and France. She plays many different styles of music including Irish, Scottish, Canadian, and American fiddling, Argentine Tango, jazz, klezmer, Western Classical music, and folk.

Black received a Master of Music degree and Artist Diploma in Violin Performance from the Yale School of Music, and a Doctorate degree in Education from Columbia University’s Teachers College, where she was the Geffen Fellow in Interdisciplinary Arts and Creativity.

Notable awards

 * 2022 Dan R. MacDonald Fiddle Prize, Scottish Performing Arts Classic
 * 2021 Freshgrass Fiddle Awards, finalist
 * 2019 & 2021 U.S. Grand Master Fiddle Championships, top 10
 * 2017 MASC International Songwriting Competition, Gold Medal, Instrumental category
 * 2015 & 2013 U.S. National Scottish Fiddle Champion
 * 2014 & 2012 Maritime Fiddle Champion
 * 2014 Glenfiddich Fiddle Champion of Scotland
 * 2011 Canadian Open Novelty Fiddle Champion
 * 2011 American Protege International Strings and Piano Competition, 1st prize
 * 2008 Columbia University Teachers College, Geffen Fellowship in Interdisciplinary Arts and Creativity
 * 2007 & 2005 American String Teachers' Association Alternative Styles Award winner

Discography

 * Unscripted (2020, with Cory Pesaturo)
 * Flight (2014)

title: Mari Black


text:
widow's mite

Etymology

From the Bible account of the poor widow’s donation of two mites (or leptons, small coins of low value) to the temple contribution box, which Jesus Christ praised as more than the gifts presented by wealthy people, for “[a]ll these people gave their gifts out of their wealth; but she out of her poverty put in all she had to live on”: Luke 21:1–4 (); see also Mark 12:38–44.

Noun

 * 1)  A very small gift or donation which, however, represents a great sacrifice on the part of the giver.
 * 2)  The lepton coin.
 * 1)  The lepton coin.
 * 1)  The lepton coin.
 * 1)  The lepton coin.
 * 1)  The lepton coin.
 * 1)  The lepton coin.
 * 1)  The lepton coin.

Translations

 * Finnish: lesken ropo
 * French: denier de la veuve
 * German:
 * Hungarian: szegény özvegy(asszony) két fillérje
 * Irish: cianóg na baintrí
 * Polish:
 * Russian:
 * Serbo-Croatian:
 * Cyrillic: цр̏кавица
 * Roman:

title: widow's mite


text:
donare

Etymology
From.

Verb

 * 1)  to give as a gift
 * 2)  to donate
 * 3)  to make a donation
 * 4)  to give
 * 5)  to add, to give (a certain quality to something)
 * 6)  to suit, to flatter

Etymology
From.

Noun

 * 1) donation

Noun

 * 1)  worker

title: donare