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Adelaide Kane

Adelaide Victoria Kane (born 9 August 1990) is an Australian actress and model. She first gained recognition for her roles as Lolly Allen in the soap opera Neighbours and Tenaya 7 (later Tenaya 15) in the children's series Power Rangers RPM. She went on to star as Mary, Queen of Scots in the American CW period drama Reign. She also appeared as Cora Hale in the third season of the MTV series Teen Wolf and Drizella in the ABC series Once Upon a Time. She went on to star in the later seasons of the ABC medical drama series Grey's Anatomy.

Early life
Adelaide Victoria Kane was born on 9 August 1990 in Claremont, a suburb of Perth, Western Australia. Her Scottish father was originally from Glasgow, while her mother is an Australian of Scottish, Irish and French descent.

Kane's parents divorced when she was seven, and Adelaide and her brother were raised by their single mother. She grew up in Perth and attended St Hilda's Anglican School for Girls. When she joined the cast of Neighbours, she and her mother moved to Melbourne, while her brother and stepfather remained in Perth. She also lived for a short period in New Zealand, while shooting children's television series Power Rangers RPM.

In September 2009, at the age of 19, Kane moved to the United States to live in Los Angeles in order to pursue her acting career.

Career
Kane began performing at the age of three, starting with dance and then moving to singing and acting.

At the age of six, Kane started working professionally in some print ads, later moving on to TV spots and working in various children's TV shows.

In August 2006, Kane was picked to join the cast of Neighbours as Lolly Allen after she entered a competition run by Dolly magazine. She was given a three-month contract with the show. Her friends convinced her to enter the competition, but she did not think she was actually going to get the role. In December 2006, Kane announced that she would be leaving the show after her contract was not renewed. At the time of the announcement, Kane had not yet appeared as Lolly. In 2008, Kane was nominated for a Logie Award for Most Popular New Female Talent for her performance as Lolly.

From March to December 2009, Kane portrayed Tenaya 7 on Power Rangers RPM, part of the long-running Power Rangers franchise.

In April 2010, at the age of 19, Kane starred in the television film Secrets of the Mountain on NBC. In 2010, she also starred in the Hulu series Pretty Tough, composed of 20 episodes and based on the novel by the same name written by Li Tigelaar.

Also in 2010, Kane traveled to attend an audition for Cartoon Network's first live-action series Unnatural History, for the role of Maggie Winnock. She and Italia Ricci were the actresses selected for the casting; the role later went to Ricci.

In 2012, Kane portrayed Aubrey in the film Goats. On 28 November 2012 it was announced that Kane had joined the cast of Teen Wolf as Cora Hale.

In February 2013, Kane was cast as Mary, Queen of Scots in the CW period drama series Reign. The same year, she appeared in the successful thriller film The Purge.

In 2014, Kane appeared in the horror film The Devil's Hand as Ruth. She originally auditioned for Alycia Debnam-Carey's role, but producers thought she was not right for the part, so they offered her Ruth, who got more along with her personality. Kane starred in Scott Speer's short thriller film Realm in 2015.

In June 2016, Kane joined the cast of Dragons: Race to the Edge as the voice of Mala, Queen of the Defenders of the Wing.

In July 2017, Kane joined the hit ABC series Once Upon A Time in a recurring role for its reboot season seven. Kane was one of five actresses to join the series for its new season in starring and recurring roles, following the exits of six key cast members at the end of season six. She played one of the antagonists, Drizella, one of Cinderella's wicked stepsisters. Kane's final episode in Once Upon a Time was "Sisterhood".

In September 2019, Kane was announced as one of the cast members of Into the Dark's second Halloween installment, Uncanny Annie, which premiered on Hulu the following month. She did some coaching sessions to prepare and soften up for the role. Before she was cast for Uncanny Annie, Kane was supposed to appear in Into the Dark 's first installment The Body, but the character director Paul Davis wanted her for was cut right before the shooting draft was locked. In October 2019, Kane joined the cast of CBS's SEAL Team for its third season.

In March 2020, Kane joined the main cast of the sci-fi action film Cosmic Sin. The same month, Kane made a cameo in NBC's This Is Us' season four finale as Hailey Damon, Toby Damon and Kate Pearson's adopted daughter.

In the fall of 2022, Adelaide joined the cast of Grey’s Anatomy in season 19 as Dr. Jules Millin.

In 2023 she appeared in second season of Star Trek: Strange New Worlds in the episode "Tomorrow and Tomorrow and Tomorrow".

Personal life
Kane was in a relationship with Reign co-star Sean Teale between 2014 and 2016. In July 2019, Kane started a relationship with her Into the Dark co-star Jacques Colimon. The couple split sometime in 2020. In February 2021, Kane revealed she is bisexual. In April 2021, Kane started dating Dutch model Marthe Woertman. They reportedly split a year later as Kane brought her new girlfriend to the 95th Academy Awards afterparty.

Kane suffers from generalised anxiety disorder, and has spoken up multiple times about the importance to break the stigma surrounding mental illness. Kane also revealed that she has been diagnosed with ADHD.

title: Adelaide Kane


text:
Wikipedia:Articles for deletion/Lance Havildar Ram Kumar

The result was delete. Tone 21:04, 23 August 2020 (UTC)

Lance Havildar Ram Kumar

 * – ( View AfD View log  Stats )

Unable to find any in-depth reliable sources that show significant coverage. Subject is non-notable. Fails WP:GNG MaysinFourty (talk) 16:53, 16 August 2020 (UTC)
 * Note: This discussion has been included in the list of People-related deletion discussions. - hako9 (talk) 17:18, 16 August 2020 (UTC)
 * Note: This discussion has been included in the list of India-related deletion discussions. - hako9 (talk) 17:18, 16 August 2020 (UTC)
 * Note: This discussion has been included in the list of Military-related deletion discussions.  Megan Barris   (Lets talk📧)  17:51, 16 August 2020 (UTC)

 * Delete fails WP:SOLDIER and WP:GNG. Mztourist (talk) 03:26, 17 August 2020 (UTC)
 * Delete fails SOLDIER (third-level award), and GNG. Peacemaker67 (click to talk to me) 11:08, 17 August 2020 (UTC)

source: wikimedia

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/


text:
Sheshan Basilica

The Basilica of Holy Mary, the Help of Christians (Latin: Basilicæ de Nostra Domina Mariæ Auxiliatricis Christianorum) also known as the National Shrine of Our Mother of Sheshan is a Roman Catholic Marian shrine in Shanghai, China. Its name comes from the locality of Sheshan Hill in Songjiang District, to the west of Shanghai's metropolitan area. Pope Pius XII raised the Marian shrine to the status of Minor Basilica via his Pontifical decree Compertum Habemus on 12 September 1942. The shrine was previously romanized as Zosé Basilica (pronounced "Zoh-seh"), using the Shanghainese pronunciation of "佘山" (Sheshan). A venerated statue of the Blessed Virgin Mary under the title of Mary Help of Christians is enshrined within as the patroness of the basilica, along with the recently reconstructed icon of Our Mother of Sheshan, both venerated by Chinese Catholics.

History

The first church on Sheshan hill was built in 1863. During the Taiping Rebellion, Jesuit missionaries bought a plot of land on the southern slopes of the hill. A derelict Buddhist monastery had stood on the site. The remaining buildings were demolished, and a small building was constructed as living quarters for missionaries, and a small chapel. At the peak of the hill (where the Maitreya hall had stood), a small pavilion was built in which was placed a statue of the Madonna.

In June 1870, unrest in Tianjin led to the burning of churches there. The Shanghai Jesuits prayed at the statue of the Madonna and pledged to build a church to her honor in return for her protection. Subsequently, construction of a church designed by the French Jesuit brother Léon Mariot (馬历耀 Ma Liyao, 1830–1902) began in 1871. Wood was shipped in from Shanghai, and stone bought from Fujian. All material had to be ported to the peak by hand. The church was completed two years later. This first church was in the form of a cross, and incorporated features of both Chinese and Western architecture. A veranda was placed outside the door, with ten columns. Eight stone lions were placed before the church. In 1894, several ancillary buildings were added. These included the mid-level church, a shrine to the Sacred Heart, the Virgin Mary, and St. Joseph. Fourteen Stations of the Cross were constructed along the path to the church. In 1899–1901, the French Jesuits built an astronomical observatory on the top of the hill, which included a telescope bought by father Stanislas Chevalier (蔡尚質 Cai Shangzhi, 1852–1930) in France. In 1920, the existing church was found to be inadequate, and it lagged far behind other churches in Shanghai in terms of size and ornamentation. The Shanghai Jesuits asked the Belgian missionary-architect father Alphonse De Moerloose (和羹柏 He Gengbo, 1858–1932) to design the plans for a monumental new basilica. After the demolition of the old church in 1923, the new basilica on top of the hill was slowly built from 1924 to 1935, under the daily supervision of the Portuguese Jesuit missionary-architect father François-Xavier Diniz (葉肇昌 Ye Zhaochang, 1869–1943).

Pope Pius XI issued a decree Quod Te Delegimus on 20 January 1924, which appointed the Apostolic Delegate to China, Cardinal Celso Benigno Luigi Costantini to convoke the first national synod of Chinese bishops. On 14 June 1924, in the context of the Catholic Synod of Shanghai, he and twenty-five members of the synod climbed on Sheshan hill and solemnly consecrated China to the Virgin Mary under this Marian patronal title.

Pope Pius XII formally raised the Sheshan church to the rank of minor basilica via his pontifical decree Compertum Habemus (originally written on 24 July 1942) and was officially signed and notarized on 12 September 1942.

The former Archbishop of Nanjing, Cardinal Paul Yu Pin gave a canonical coronation towards the Marian image on 8 May 1946.

The foreigner Peter Harmsen ('Shanghai 1937 – Stalingrad on the Yangtse') gives an account of the battle around the basilica during the Chinese retreat from Shanghai. During the Cultural Revolution, Sheshan basilica was severely damaged. The stained-glass windows of the church, carvings along the Via Dolorosa, the statue atop the bell tower, and various other works of iconography were destroyed.

The former Bishop of Shanghai, Cardinal Ignatius Kung Pin-Mei was arrested and imprisoned for over 30 years in the 1950s. Consequently, the Chinese government transferred the control of the basilica to the Catholic Patriotic Association. Accordingly, the Chinese bishops not recognized by the Vatican and condemned by the papal encyclical Ad Apostolorum Principis.

After the end of the Cultural Revolution in 1976, the damage was gradually repaired. The statue was initially replaced with a simple iron cross, and a replacement statue was installed in 2000.

Pope Benedict XVI on 24 May 2008 announced that he had composed a special prayer for Our Lady of Sheshan.

Layout
The church occupies an area of 1 hectare and is about 70 feet (20 m) tall. It is a rectangular Latin cross in shape, and in classical basilica form. Entrances are placed in the north, west, and south. The main door is in the southwest. The nave is 55.81 m long, 24.68 m wide. The ceiling is 16.46 m high, and the church can seat 3000. The altar is placed at the eastern end, and is built of marble with gold trim and in-laid jade. The exterior is mainly granite, and part of the roof is covered in Chinese-style color-glazed tiles.

The bell tower stands on the south-east corner. It is 38 m tall. At the top of its bell tower stands a 4.8m bronze Madonna and Child statue ("Our Lady of Zosé").

Other features
The Stations of the Cross are situated at the end of each zig-zag path up the steep hill leading to the church. At the mid-level in an open square where there are two shrines, one in devotion to the Sacred Heart and the other to the Virgin Mary.

Nearby is the Sheshan Observatory (now Sheshan Station of the Shanghai Astronomical Observatory). It was originally built by the Jesuits.

Pilgrimage
In 1874, Pope Pius IX declared that pilgrims who went to Sheshan in May (traditionally a Marian month) would receive a plenary indulgence. As a result, pilgrims from all over China began to congregate at Sheshan in May, a practice that continues to this day.

Every May, the church becomes the destination for pilgrims who travel far and wide to make their annual pilgrimage at Sheshan, praying the Way of the Cross, the Rosary and attending Mass at this holy site. Traditionally, many of the Catholics in the area were fishermen, who would make the pilgrimage by boat. This tradition continues among local Catholics, with the result that the creeks around Sheshan are often crowded with boats in May.

title: Sheshan Basilica


text:
Ayudhapurusha

Ayudhapurusha is the anthropomorphic depiction of a divine weapon in Hindu art. Ayudhapurushas are sometimes considered as partial incarnates of their divine owners.

The sex of the personified weapon is determined by the gender of the weapon in the Sanskrit language. The suffix "purusha" (man) is added to masculine weapons and "devi" (goddess) to female ones. The weapons Shakti, Heti (a Hatchet-like weapon) and Gada (mace), especially Kaumodaki (the mace of Vishnu), Dhanus/Dhanushya ("bow") are women. Chakra, especially Vishnu's Sudarshana Chakra (discus of Vishnu), Shankha ("conch"), Padma (lotus), Ankusha (elephant goad), Pasha (noose), Trisula (trident), vajra (thunderbolt), Khadga (sword), Danda (a sceptre or club), Bana/Shara ("arrow") and Bhindi (sling) are depicted male.

While weapons are personified in ancient Hindu epics like the Ramayana and the Mahabharata, the ayudhapurushas were depicted in sculpture starting from the Gupta era. They might be depicted as humans with the weapons against them or holding the weapon or with the weapon on their head or emerging from it. The most popular ayudhapurushas are associated with the god Vishnu and appear in his iconography.

Textual references
The first instance where weapons are personified in Hindu scriptures is in the Hindu epic Ramayana. Two daughters of the Prajapati Daksha, Jaya and Suprabha, are married to the sage Krisasva. For the destruction of rakshasas, Jaya bore fifty sons - powerful divine weapons who could take any form. Suprabha gave birth to fifty invincible sons who were called Samharas ("destroyers"). These magical weapons were known as Shastra-devatas – the gods of weapons - and were given to king Kaushika, who later became the sage Vishvamitra. The weapons served him and later his pupil Rama, an avatar of Vishnu. The Mahabharata states that at the time of the chakra-mushala conflict, the weapons of Krishna – another avatar of Vishnu, and his brother, Balarama, appear in human form from the heavens to watch the battle. They include Krishna's Sudarshana Chakra and Kaumodaki, and Balarama's Samvartaka (plough) and Saumanda (pestle). The Duta-Vakya ("envoy's message") of the Sanskrit playwright Bhasa (c. 2nd century BCE – 2nd century CE) describes an episode from the Mahabharata when Krishna goes as an envoy to Kauravas' court to broker peace between them and their cousins the Pandavas, on behalf of the latter. However, when the Kauravas try to arrest Krishna, Krishna assumes his Vishvarupa (universal form) and summons his weapons, who appear as humans. The ayudhapurushas include the discus Sudarshana Chakra, the bow Sharanga, the mace Kaumodaki, the conch Panchajanya, and the sword Nandaka, elaborate descriptions of whom are found in the text. This is the only Sanskrit play that depicts the weapons on stage as humans. The Raghuvamsa of Kalidasa mentions about dwarf-like ayudhapurushas denoting Vishnu's chakra, lotus, sword, bow, and mace.

Textual descriptions

Treatises such as the Vishnudharmottara Purana and various Agamas describe the iconography of the ayudhapurushas. Shakti is depicted as a red-hued woman seated on a wolf. The Danda is a fearful black-complexioned man with wrathful red eyes. The Khadga is also a dark and angry man. Pasha is depicted as a male snake with seven hoods. Dhvaja ("banner") is a yellow-coloured strong man with his mouth wide open. The Trishula is a handsome black-complexioned man with lovely eyebrows. The Shankha is described as a white male with adorable eyes. The Bana (arrow) is a red-coloured man with beautiful eyes, however the Vaikhaashagama describes it to be a black-complexioned eunuch with three eyes, dressed in white clothes and riding on the wind. The Dhanus (bow) is a red lotus coloured female with a stringed bow on her head. The Vishnudharmottara Purana describes Chakra as man with a fat belly and round eyes, decorated with various ornaments and holding a chamara (chowry) and with Vishnu's left hand on his head. The slim-waisted woman Gada holds a chowry in her hands and is adored with ornaments, with Vishnu's right hand resting on her head.

While the Sudarshana Chakra is depicted as a subordinate figure with Vishnu, in many South Indian Vishnu temples, the Chakra as an ayudhapurusha is worshipped in its own shrine attached to the central temple. Here, the Chakra is regarded as an aspect of Vishnu and called Chakra-rupi Vishnu – Vishnu in the form of the Chakra. In the outline of the ordinary circular Chakra with a hexagram inscribed in it (shat-kona-chakra) – stands the personified Chakra in fierce form generally with eight arms. Often, Yoga-Narasimha, the lion-man ferocious aspect of Vishnu is depicted on the back of the Chakra sculpture. The Shilparatna describes that the fierce Chakra-rupi Vishnu should hold in his hands gada, chakra, a snake, a lotus, musala (a pestle), tramsha, pasha and ankusha. He is depicted as radiant as the sun and with protruding tusks from the sides of his mouth. Another description describes the Chakra as a sixteen-armed fierce form of Vishnu. He holds a chakra, shankha, bow, parashu, asi (sword), arrow, trishula, pasha, ankusha, agni (fire), khadga (sword), shield, hala (plough), musala, gada and kunta. Three-eyed and golden-coloured with protruding tusks, the Chakra stands in the shat-kona-chakra, with Narasimha on the reverse of the sculpture.

Sculptural depictions
An ayudhapurusha is generally depicted as a two-armed figure, prescribed to shown with a karanda mukuta (conical crown). An ayudhapurusha may be depicted as a dwarf, concurring with Kalidasa's description in the Raghuvamsa. Such icons are present in Rajgir, Mahabalipuram and Badami. They may be depicted as normal humans as in Udayagiri Caves and in the Sheshashayi Vishnu panel of the Gupta era (320–550 CE) Deogarh temple. At Deogarh, the Sudarshana Chakra is depicted against the Chakra/wheel and the Kaumodaki holding a gada. In another instance, the ayudhapurushas are depicted without their weapons, though C. Sivaramamurti opines that there is enough evidence to identify them as ayudhapurushas. The human Chakrapurusha depicted against the Chakra is seen on the chakra-vikrama coin of the Gupta ruler Chandragupta II where the Chakrapurusha – here denoting the wheel of sovereignty – is dedicated bestowing the three pellets of sovereignty to the king. The Gupta era and medieval sculptures often depict the ayudhapurushas in normal human proportions. Chola and Chalukya sculptors continued the trend, mostly focussing on the Sudarshana Chakra in a fierce multiple-armed human form. Sometimes, the ayudhapurusha is depicted emerging from the associated weapon.

In another variation, the ayushapurusha stands besides the deity with folded hands (in anjali mudra posture) with the weapon depicted on the head as part of the crown or the weapon mark on the forehead. The Sudarshana Chakra with the Chakra on his head in Deogarh and Chola era bronzes of Chakra and Gada in similar fashion are some illustrations.

In the last variation of the ayudhapurusha iconography, he/she holds the associated weapon. Common examples are the Sudarshana Chakra, the Shankha-purusha and Kaumodaki, mostly found in Uttar Pradesh and Bengal art. Sharanga with the bow in his hand and Nandaka with the sword as in Deogarh are other examples.

In some cases, the weapon may be depicted as in both anthropomorphic and their true form. While the central icon of Vishnu may hold the weapons, the ayudhapurushas of the same weapon may stand at the feet of the central icon.

title: Ayudhapurusha


text:
List of members of the United States House of Representatives in the 82nd Congress by seniority

This is a complete list of members of the United States House of Representatives during the 82nd United States Congress listed by seniority.

As an historical article, the districts and party affiliations listed reflect those during the 82nd Congress (January 3, 1951 – January 3, 1953). Current seats and party affiliations on the List of current members of the United States House of Representatives by seniority will be different for certain members.

Seniority depends on the date on which members were sworn into office. Since many members are sworn in on the same day, subsequent ranking is based on previous congressional service of the individual and then by alphabetical order by the last name of the congressman.

Committee chairmanship in the House is often associated with seniority. However, party leadership is typically not associated with seniority.

Note: The "*" indicates that the representative/delegate may have served one or more non-consecutive terms while in the House of Representatives of the United States Congress.


text:
R-spondin 4

For chromosome 20, R-spondin 4 is a protein in humans that is encoded by the RSPO4 gene. This gene encodes a member of the R-spondin family of proteins that share a common domain organization consisting of a signal peptide, cysteine-rich/furin-like domain, thrombospondin domain and a C-terminal basic region. The encoded protein may be involved in activation of Wnt/beta-catenin signaling pathways. Mutations in this gene are associated with anonychia. Alternate splicing results in multiple transcript variants.[provided by RefSeq, Sep 2009].

title: R-spondin 4


text:
Kinderjazz

Kinderjazz is a 12 piece big band for young children. It was founded in 1997 by Christobel and David Llewellyn as a way to encourage children with live music. Christobel Llewellyn, sole producer and specialist in music education, has described Kinderjazz's mission as "marinating children in the sound of acoustic instruments playing a wide variety of rhythms, melody, harmony and solos to encourage their spontaneity, develop their creativity and nurture their growing brains in the process". It has performed mainly in New South Wales, specifically Sydney, and has sold out 30 concerts at the Sydney Opera House.

Kinderjazz has produced seven albums and was featured on Putumayo's Jazz Playground CD in 2010. The music and lyrics are written by David Llewellyn and have been arranged by a number of musicians, including Arthur Greenslade, Andrew Robertson, Andrew Heading and Bill Motzing. It currently consists of two singers, male and female, two alto saxophones, tenor saxophone, two trumpets, trombone, piano, double bass, drums and congas.

History
Christobel Llewellyn founded the band together with her partner David Llewellyn as a means for young children to learn about music and instruments used in a jazz orchestra. Originally, Kinderjazz started as a 10 piece but after a chance meeting at Billy Hyde's music store in Sydney with Latin Percussionist Aykho Akhrif, the band soon added an eleventh musician on Congas. Aykho has inspired many Latin charts for the band with five of these being named after him. The twelfth member was a second trumpet, Elizabeth Geyer who decided to go solo shortly after joining, making way for Tom McElvogue to replace her.

In 1999, the band was augmented to accommodate 21 musicians as a one off. For the later recordings a Baritone Saxophone was used to augment the sound.

After performing mainly in suburban clubs, local schools and Sydney Festivals, Kinderjazz was booked in 2008 by the Sydney Opera House to perform 30 concerts as part of the Baby Proms Programme. These concerts were so well attended the band reached a global following with families coming from America and Europe to see them live in concert.

Kinderjazz has several projects in the pipeline mainly aimed at television. Having now recorded 100 songs, their considerable experience is being filmed by Filigree Films as a full-length documentary.

Musical style and influences
Kinderjazz primarily plays a Big Band style, though they have performed and recorded the following styles:
 * Swing
 * Latin
 * Bebop
 * Blues
 * Boogie
 * Funk
 * Country and Western
 * Rock
 * Sixties

Kinderjazz's sound has been described as Duke Ellington meets Sesame Street.

Band members

 * Alto Saxophones: Glenn Henrich, Hylton Mowday, Vanessa Patterson
 * Congas: Aykho Akhrif
 * Double Bass: Brendan Clarke, Karl Dunnicliff, David Groves
 * Drums: Jamie Castrisos, Paul Derricott, Martin Highland, Chad Wackerman
 * Piano: Ray Alldridge, Kevin Hunt
 * Tenor Saxophone: Jason Morphett
 * Trumpets: Al Davey, Elizabeth Geyer, Mike Kenny, Tom McElvogue
 * Vocals: Jessica O’Donoghue, George Washingmachine

Sound engineer

 * Guy Dickerson

Guest members

 * Tuba: Brendon Lukin

Trombone septet

 * Nigel Crocker
 * James Greening
 * Ben Greenslade-Stanton
 * Andrew Heading
 * Lucian McGuinnes
 * Bob McIvor
 * Alex Silver

Discography
'Gazooba' included in Putumayo's Jazz Playgrounds CD (2010)
 * 1) Kinderjazz (1997)
 * 2) Latino Bambino (1998)
 * 3) Swing Right Through This Town (1999)
 * 4) Tu-Baba-Luma (2001)
 * 5) Gazooba (2004)
 * 6) The One For Me (2007)
 * 7) Teddy Bear's Picnic (2015)

Awards
Putumayo's Jazz Playground CD won Parent’s Choice GOLD Award for 2010.

Founder Christobel Llewellyn received Australian Citizen of the Year 2012 for services to children’s music education.

CMG Global Radio All Indie/All Genre's No. 1 in the Top 20 for 'Razzmatazz' 6 February 2016

title: Kinderjazz


text:
Stephen Wilson (historian)

Stephen Wilson (born 1941 ) is an English historian. He was Reader in European History at the University of East Anglia, Norwich. His 1995 book Feuding, Conflict and Banditry in Nineteenth-Century Corsica was awarded the Prix du Livre Corse in 1996.

Wilson earned his doctorate from the University of Cambridge in 1967 for his thesis The Historians of the Action Française". He authored articles in history, historiography and religion.

Books

 * (with B.C. Southam) The Magical Universe: Everyday Ritual and Magic in Pre-Modern Europe, First edition: Hambledon and London, 2000, ISBN<PHONE_NUMBER>
 * The Means Of Naming: A Social and Cultural History of Naming in Western Europe First edition: 1998, ISBN<PHONE_NUMBER> - The book gives a background of European naming, with major attention to pre-1500s period.
 * Feuding, Conflict and Banditry in Nineteenth-Century Corsica, Cambridge University Press, 2003, ISBN<PHONE_NUMBER>
 * (French language) Vendetta et banditisme en Corse au dix-neuvième siècle, 1995, 2002
 * Ideology and Experience: Antisemitism in France at the Time of the Dreyfus Affair, 2007, ISBN<PHONE_NUMBER> (first edition: 1982 by Rutherford, London and Toronto) —The 1982 book was influential for the recognition of the effect of the undercurrent of antisemitism in French society on the Dreyfus Affair among the historians.

title: Stephen Wilson (historian)


text:
Wikipedia:Articles for deletion/Red Shift (comics)

The result was redirect to Galactus. RL0919 (talk) 04:47, 28 September 2019 (UTC)

Red Shift (comics)

 * – ( View AfD View log  Stats )

Non-notable fictional character TTN (talk) 01:12, 21 September 2019 (UTC)
 * Note: This discussion has been included in the list of Fictional elements-related deletion discussions. TTN (talk) 01:12, 21 September 2019 (UTC)
 * Note: This discussion has been included in the list of Comics and animation-related deletion discussions. TTN (talk) 01:12, 21 September 2019 (UTC)

 * Keep or merge to Galactus. BOZ (talk) 05:28, 21 September 2019 (UTC)
 * Redirect to Galactus, where the character is already included. Minor character, with no reliable sources showing independent notability, but it would serve as a valid search term to be redirected the list of Heralds. Rorshacma (talk) 16:45, 21 September 2019 (UTC)
 * Redirect per Rorshacma. Argento Surfer (talk) 15:20, 23 September 2019 (UTC)


text:
Wikiversity talk:Chat/Meeting schedule

One approach to selecting topics for discussion is to start with topics that seem to be of most interest to Wikiversity participants. Pages that rank high at Articles with the most revisions, have had several different editors since August 15, and that rank high in page visits might be good choiced. --JWSchmidt 00:48, 23 September 2006 (UTC)

planning meetings?
"planning meetings" <-- this is almost anti-wiki : )Maybe the emphasis of these IRC discussions should be on identifying a "prototype collaboration" for each school. Find one project that has the best chance of attracting the most active participants. --JWSchmidt 09:28, 27 September 2006 (UTC)
 * Ya, I didn't know what to call them. I just feel that wikiversity should have more of a social learning side to it.  Right now it is focused on just one type of learning style, textual.  How about brainstorming or colaberation meeting?--Rayc 15:18, 27 September 2006 (UTC)

title: Wikiversity talk:Chat/Meeting schedule


text:
Techiman Senior High School

Techiman Senior High School is a second cycle co-education institution located in Techiman, Bono East Region of Ghana. It has its slogan to be SUPER TESS or Abusuafo.. It is a Grade B school.

Establishment
Former president of Ghana, Kwame Nkrumah established the school in November 1963 under the Ghana Education Trust with 71 students of which 53 were boys and 18 were girls.

Enrollment
As of 2013, the school had a student population of about 2,786 which consisted of 1671 boys and 1115 girls.

Notable alumni

 * Kwadwo Asare-Baffour Acheampong(KABA), Ghanaian journalist

Headmasters

 * Moses Kofi Boakye (2013-2016)
 * Jacob Afful (2016–present)

title: Techiman Senior High School


text:
User:BonsaiViking~enwikiversity

Hey all,

My name is Daniel Miller, undergraduate Computer Science major at the University of Nebraska at Omaha.

Current projects

 * Topic:Introduction to Programming

title: User:BonsaiViking~enwikiversity


text:
bentornato

Etymology
From, the second element being the past participle of. Compare also.

Adjective

 * 1) welcome back

Interjection

 * 1) welcome back!

Noun

 * 1) such greeting

title: bentornato


text:
Borovskoye, Altai Krai

Borovskoye (Боровское) is a rural locality (a selo) and the administrative center of Borovsky Selsoviet, Aleysky District, Altai Krai, Russia. The population was 992 as of 2013. There are 17 streets.

Geography
Borovskoye is located 50 km northwest of Aleysk (the district's administrative centre) by road. Kostin Log is the nearest rural locality.

title: Borovskoye, Altai Krai


text:
Japanese/Vocabulary/Colors

 * Note that the six basic colors, black, white, red, yellow, brown, and blue are in their noun forms. Adding -い(-i) to the end of these colors will make them adjectives, allowing them to be placed before a noun: 赤い red (adj.), 青い blue (adj.), 黄色い yellow (adj.), 茶色い brown (adj.), 白い white (adj.), 黒い black (adj.).

Verbs
grammar rules:
 * adj → become ～ verb (～になる)
 * ～い → ～む (e.g. 悲しい → 悲しむ, 赤い → 赤む)

 * noun → take on ～ verb (～を帯びる)
 * ～ → ～ばむ (e.g. 汗 → 汗ばむ, 赤 → 赤ばむ)

 * verb → passive verb
 * ～ → (imperfective form of ～)る (e.g. 忘る → 忘れる)

title: Japanese/Vocabulary/Colors


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Template:Courts and tribunals established in year category header/doc

Creates a category of the form "Courts and tribunals established in YYYY", where YYYY is a 4-digit year

e.g.
 * Category:Courts and tribunals established in 1903
 * Category:Courts and tribunals established in 2005

Usage
No parameters needed


text:
Wikipedia:WikiProject Spam/Local/starelse.com

Links

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 * Link is not on the whitelist.
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Selected additions

 * Displayed 3 additions out of 3 total.	 For more info see WikiProject_Spam/LinkReports/starelse.com

Entry
Log entry for the MediaWiki:Spam-blacklist:

\bstarelse\.com\b           # ADMINNAME # see  [[Wikipedia:WikiProject_Spam/Local/starelse.com ]]

Discussion
See COIBot report for more details.

New data reported. --COIBot (talk) 06:24, 19 September 2017 (UTC) No links left in here mentioned edits. Marked stale. . --COIBot (talk) 12:01, 19 September 2017 (UTC)


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Wikipedia:Peer review/Guillermo Hernández-Cartaya/archive1

Guillermo Hernández-Cartaya
I've been working on this and World Finance Corporation pretty much alone, seeking to document this forgotten scandal. I'd like feedback. --maru (talk) contribs 23:32, 19 March 2006 (UTC)

 * The article should be categorized, like . It lacks sections, which should be created. --AndyZ 02:26, 20 March 2006 (UTC)

 * I've added the two appropriate categories, and split up into sections. --maru (talk) contribs 03:12, 20 March 2006 (UTC)


text:
Wikipedia:Articles for deletion/Kamran Tajali

The result was delete. Fenix down (talk) 17:32, 28 September 2019 (UTC)

Kamran Tajali

 * – ( View AfD View log  Stats )

Article deleted by PROD in 2010, and then recreated, deleted again, and recreated again a few days later. PROD reason: "Footballer who fails NFOOTY and GNG". I concur. – Muboshgu (talk) 17:49, 21 September 2019 (UTC)
 * Note: This discussion has been included in the list of Football-related deletion discussions. – Muboshgu (talk) 17:49, 21 September 2019 (UTC)
 * Note: This discussion has been included in the list of Iran-related deletion discussions. – Muboshgu (talk) 17:49, 21 September 2019 (UTC)
 * Note: This discussion has been included in the list of Sportspeople-related deletion discussions.  CAPTAIN RAJU (T) 18:33, 21 September 2019 (UTC)

 * Delete. Hold up, this guy hasn't played a single match as a pro? This is a clear failure of WP:NFOOTY, and I'm surprised the article has existed for nearly a decade in mainsapce. – Lord Bolingbroke (talk) 21:20, 21 September 2019 (UTC)
 * Note: This discussion has been included in WikiProject Football's list of association football-related deletions. CAPTAIN RAJU (T) 22:31, 21 September 2019 (UTC)

 * Delete - fails WP:GNG and WP:NFOOTBALL. Only spent one season with Persopolis (2010–2011) with no apperances, per this. GiantSnowman 13:43, 22 September 2019 (UTC)
 * Delete ,Per above, Not much coverage in reliable independent sources, not a professional player, not notable Alex-h (talk) 13:04, 24 September 2019 (UTC)


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Germain Glidden

Germain Green Glidden (December 5, 1913 – February 11, 1999) was an American national squash champion, painter, muralist, cartoonist and founder of the National Art Museum of Sport.

Life and career
Glidden was born in Binghamton, New York, raised in Englewood, New Jersey and attended both Phillips Exeter Academy and Harvard University. After graduating, he studied at Art Students League of New York and the Metropolitan Museum of Art and when World War II erupted, he joined U.S. Navy as a naval officer, stationed in Hawaii. Following the war, Glidden became a portrait artist. His works were and still are displayed at various national museums, including; the National Churchill Library and Center, the Fogg Museum and national halls of fame of baseball, basketball and tennis. The Portraits of Ronald Reagan and George H. W. Bush that he painted during his lifetime were later commissioned to be included into the National Art Museum of Sport, of which he was a founder.

During his years as a squash player, Glidden had won the Metropolitan Doubles in 1947 (with John J. Smith) as well as many national titles in intercollegiates (1935-1936), singles (1936-1938) doubles (1952) and veterans (1953 and 1955–1956), retiring undefeated. He died at the age of 85 in Norwalk Hospital, while residing in Silvermine, Connecticut and was buried at the Worthington Center Cemetery.

title: Germain Glidden


text:
Canton Main Street Historic District

The Canton Main Street Historic District is a national historic district located at Canton, Haywood County, North Carolina. It includes 34 contributing buildings and one other contributing structure and includes architecture by Benton & Benton. It includes Early Commercial architecture and Late 19th and 20th Century Revivals architecture. Located in the district is the separately listed Colonial Theater. Other notable buildings include the P L & S Building (1932), Champion Fibre Company Office Building (1918), Champion Bank and Trust (c. 1925), Imperial Hotel (c. 1885; additions 1916 and 1925), and the former United States Post Office (1939).

It was listed on the National Register of Historic Places in 2005.

title: Canton Main Street Historic District


text:
Derrick Kent

Rear-Admiral Derrick George Kent was a Royal Navy officer who became Flag Officer, Malta.

History
Kent joined the Royal Navy in 1940 and served in the Second World War becoming commanding officer of the submarine HMS Sea Nymph in April 1943, commanding officer of the submarine HMS H33 in September 1943 and commanding officer of the submarine HMS Spark in February 1944.

After the War he became deputy director of Under-surface Warfare at the Admiralty in July 1960, commander of the 22nd Escort Squadron and captain of HMS Plymouth in May 1963, Commodore, Clyde Submarine Base in August 1967. He went on to be Flag Officer, Malta, in June 1969, with the rank of rear-admiral on 7 July 1969.

title: Derrick Kent


text:
2012–13 PFC Botev Plovdiv season

The 2012–13 season is Botev Plovdiv's 1st season in A Group after their return to the top division of the Bulgarian football league system. This article shows player statistics and all matches (official and friendly) that the club will play during the 2012–13 season.

Squad stats
Appearances for competitive matches only

 * colspan="14"|Players sold or loaned out after the start of the season:
 * colspan="14"|Players sold or loaned out after the start of the season:

As of 25 May 2013
 * }

Summer transfers
In:

Out:

Winter transfers
In:

Out:

Bulgarian Cup
Botev won 9−1 on aggregate and qualified for the Third Round.

''Slavia won 4−0 on aggregate. Botev is eliminated.''

title: 2012–13 PFC Botev Plovdiv season


text:
Template:Waves/2-3DWavesTOC

Waves : 2 and 3 Dimension Waves 1 - 2 - 3 - 4 - 5 - 6 - 7 Problems
 * This template is part of the Waves book. This serves as a partial TOC for all pages in the section "2 and 3 Dimensional Waves". This template should appear at the top and bottom of every page in that section.

title: Template:Waves/2-3DWavesTOC


text:
Wikipedia:WikiProject Spam/LinkReports/gripconfirmation.com

Links

 * gripconfirmation.com resolves to [//<IP_ADDRESS> <IP_ADDRESS>]
 * Link is not on the blacklist.
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 * Link is not on the whitelist.
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 * Link is not on the whitelist.
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Additions

 * Displayed all 8 additions.


text:
Ian David Taylor

Ian David Taylor (born 18 April 1938) is a British field hockey player. He competed in the men's tournament at the 1960 Summer Olympics.

title: Ian David Taylor


text:
Edward P. Moxey

Edward Preston Moxey Jr. (October 2, 1881 – April 6, 1943 ) was an American accountant, and the first Professor of Accounting at the Wharton School of Finance and Commerce at the University of Pennsylvania. He is known for his early works on cost-keeping in factories, which describe the elementary principles of cost accounting.

Biography
Born in Philadelphia to Edward P. and Mary Ann, Moxey was named after his father. He was a banker, broker, businessman and accountant, had founded the Edward P. Moxey accountancy firm, and had published the 1881 book, entitled "Fluctuations of the New York stock market, 1870–1880." Moxey obtained his BS in economics in 1904, his MA in 1906, and his PhD at the University of Pennsylvania in 1909. Subsequently, he obtained his Certified Public Accountants license in 1913 for the state of Pennsylvania. After his graduation Moxey joined the accountancy firm Edward P. Moxey & Co, where he became a partner in 1911. After his father's death in 1915, he took over the prestigious accounting firm. The firm would eventually merge into Coopers & Lybrand in 1962. Moxey had started at the University of Pennsylvania as an Assistant Instructor in 1904, became an instructor in 1907, Assistant Professor in 1910, and Full Professor in 1915. At the Wharton School of Finance and Commerce he was the first to be appointed Professor of Accounting, and the first chairman of its Accounting department.

Moxey was co-founder of the National Association of Cost Accountants, board member and co-founder of its Philadelphia chapter and its president in 1929–31.

Moxey's son, Edward P. Moxey, III, graduated from Wharton in 1930 and followed his father's and grandfather's footsteps and became a third generation CPA. He worked for Philco-Ford Corporation, later Ford Aerospace, and taught at Temple University.

Accounting at the Wharton School
Moxey had joined the Wharton School faculty in the early 1900s. A 1904 article in the Bulletin of the American Institute of Banking reports, that under Moxey Jr., a class in bookkeeping was organized for those without previous experience. The class completed the first set of books in the elementary work, and at the beginning of the second half would take up first year accounting, to be prepared to take advanced accounting in the second year.

The teaching in accounting had been organized within the Wharton School since its initiation. Joseph Wharton had agreed upon this in its initial plan, which had stated that "one professor or instructor of accounting or bookkeeping [should] teach the simplest and most practical forms of bookkeeping for housekeepers, for private individuals, for commercial and banking firms, for manufacturing establishments, and for banks; also, the modes of keeping accounts by executors, trustees, and assignees, by the officials of towns and cities, as well as by the several departments of a State or National Government; also, the routine of business between a bank and a customer."

In his second year at the Wharton School (1905–06) Moxey taught three regular accounting courses, entitled "Elementary Accounting", "Accounting Systems", and "C.P.A. Problems."

Accounting Systems (1911)
In 1911 Moxey's first book Accounting Systems was published by the Alexander Hamilton Institute. This work was part of a twelve-volume series on Modem Business, and was written for a particular clientele. The series is designed for home study, partly as the basis for correspondence work, but more generally used as a comprehensive treatment of business organization and methods for persons studying by themselves without personal intercourse with an instructor.

In a 1912 review by Henry Rand Hatfield in Journal of Political Economy, Hatfield explained, that "for such it would seem an almost indispensable feature that there be furnished a convenient, yet fairly comprehensive, list of collateral references. Even in the college classroom, where text can readily be amplified by suggestions or criticisms of the instructor, the use of collateral references is well-nigh universal. Much more important is it that the isolated student should be encouraged to compare other, perhaps conflicting, views. Furthermore, the interested student constantly desires to branch out and make a more intensive study of some topic, touched upon in a general treatise but in such a work necessarily given but scant attention."

In the 1912 review Hatfield further explained, that the subject matter of the volumes is in general very well presented. Moxey, in the volume on accounting systems, presents in some considerable detail general systems of accounts adapted respectively to the needs of building and loan associations, life and fire insurance companies, department stores, gas companies, railroads, street railways, and municipalities. To these are added chapters on bank accounting by Howard Jefferson, on brewery accounting by Otto A. Grundmann, and on accounts of executors and administrators by Harold D. Greeley. Hatfield commented, that "if any criticism is to be made it might be that somewhat too much attention is given to details of forms, and too little emphasis is laid on the particular features which logically require differently ordered accounting systems."

And furthermore Hatfield (1912) noted, that "it seems almost gratuitous to print forms of a customer's check, a bank draft, and a deposit ticket. The purchase of supplies is not particularly different in a department store from that in a gas company, or a street railway, so there is some repetition in describing the handling of purchases in each of these institutions. Voucher payments and pay-rolls are not referred to in the discussion of department stores, but are described in connection with gas companies as if particularly connected with the latter industry. The chapter on municipal accounts is the least satisfactory; that on department stores is particularly clear and interesting."

Principles of Factory Cost Keeping (1913)
In the preface of the 1913 "Principles of Factory Cost Keeping", Moxey started to explain, that the literature in which an activity finds its expression depends upon the interest in, and the development of, that activity. It was according to Moxey therefore not surprising to find that there was comparatively little literature on accounting in his days. Charles Waldo Haskins had said: "'The literature of accounting is virtually in its infancy, awaiting the fostering care of cultured authorship.'"

Haskins' statement was particularly applicable to the subject of cost accounting. Although many valuable articles had been written on different phases of this subject, and while excellent books on costs had appeared from time to time, it was a notable fact that such articles and such books have been either of a highly technical character, or otherwise treating of special systems of costs as actually installed and used by certain manufacturing plants.

As a result of this, according to Moxey, in his day there existed in many minds the idea that the principles of cost accounting were more or less mysterious and vague, and that the subject is one for the expert, only to be understood after years of study and experience. This idea is due largely to the lack of a clear and simple presentation of the principles upon which cost accounting rests; and it is to supply this need that the present book has been prepared.

Moxey admitted that the use of diagrams in illustrating the principles of cost accounting is not new. They were used quite successfully in the early 1880s by Emile Garcke and John Manger Fells in their book "Factory Accounts"; but the idea had been further developed by Moxey, and had been made applicable to conditions of his day.

Moxey ended his preface by stating that "the book offered to those interested along cost accounting lines, with the hope that it may help to a clearer understanding of the true aims of this important branch of accounting science."

The purpose of cost keeping
Moxey (1913) explained that there are two reasons which warrant the keeping of cost records and which justify the consequent expense involved.
 * 1) Cost keeping furnishes the manufacturer with accurate and reliable information concerning the costs incurred in production, enabling him to fix prices and bid intelligently against others in the same field.
 * 2) Through his cost accounting department the manufacturer is enabled to detect, locate, and eliminate waste or leakage in materials, labor, and other expenses incident to production.

Analysis of General Ledger
A system of accounting, according to Moxey, should go beyond the elementary presentation of facts to furnish information sufficient and accurate enough for the requirements of modern business. Some classes of expense are not of a temporary nature. The use of certain articles in production such as machinery extends over a series of years. It is not right to charge the original cost of such purchases to profit and loss in the period in which they are made, for they will figure in the manufacture of hundreds of subsequent lots of goods. In his Principles of Factory Cost Keeping (1913) Moxey proposes a system, which is based on the following basic distinctions:
 * Temporary and Permanent Expenditures : For cost accounting purposes, therefore, a first distinction considering expenditures only for the present must be made between expenditures for assets of a more permanent type generally known as fixed assets, and comprehended in the term "Plant" and those of a more or less temporary character, known as "Profit and Loss" items, or those comprehended in the general class of "Nominal Accounts."
 * Classification of Merchandising Expenditures : Following this a more detailed classification becomes desirable. Taking a merchandising concern for the sake of illustration, we find that "Profit and Loss" expenditure is divided into two parts, the distinguishing feature being the difference between payments for that which is dealt in, classified under the heading "Merchandise", and payments for services and other items necessary to the proper conduct of the business, known as "General Expense."

A further subdivision of "General Expense" must then be made to show the items which make up its total amount. Two subheadings, known respectively as "Trading Expense" and "Administrative Expense", are usually employed. The former covers the detailed expense accounts which go to make up the cost of distributing the goods, including salesmen's salaries and expenses, rent of the store in the case of a merchandising house, costs of advertising and of the delivery service; while the latter includes those accounts which show the cost of managing the financial and business affairs of the concern, including all administrative salaries and general office expense, such as, for example, office supplies.

On the other hand, "Merchandise", being entirely too general in its character, is also subdivided. The first distinction is that made between purchases and sales. The sales may also be divided into classified sales accounts, while in the division of the purchases we find the first signs of detailed costs.

Relation Between Cost and General Books
In factory accounting more cost books are being used corresponding to the different divisions of the factory: There are the "Stores Ledger", the "Cost Ledger", and the "Stock Ledger." The relation of these cost books to the general commercial books is shown by the diagram.

In order to understand the diagram and illustrate the operation of the books, it can be presumed that a certain sum of money is disbursed for the purchase of materials, labor, and other supplies and services connected with the production of the goods. This, in the ordinary journal form, would be represented by an entry, whereby materials, labor, and/or indirect expense are directed to cash. By this entry the accounts costing the business value are debited, and the account which has produced value, viz., cash, is credited.

Now Moxey explained, that in his days in a small business this method of accomplishing the result might be satisfactory. In a large business, however, there are numerous transactions involving these accounts which occur every business day. If these were to be separately recorded in the journal, the work required and the expense involved would be out of all proportion to the results obtained. To avoid this labor, transactions of a similar nature, when there are many of them, are brought together in one subsidiary record, and the totals only are posted to the ledger. Thus there is usually a book devoted to the detailed recording of cash receipts and payments, while the general ledger cash account is concerned merely with the totals. Likewise the "Stores Ledger" contains a number of accounts usually kept upon cards for convenience in handling, or else in loose-leaf books whose totals appear in a general ledger "Stores" account. If, then, a certain amount of money should be paid out for the purchase of stores, the cash book entry expressing such transaction.

Both the stores item and the cash item find their way to the general ledger in totals. The stores item also appears in the stores ledger in detail, being taken from the original purchase invoices. When the stores purchased, after having been received and placed in the storeroom, are requisitioned and delivered to the producing departments, there must be a credit to the Stores account for the value of the quantity delivered, etc.

Progress of factory work as appears in the books
A special feature of the Principles of Factory Cost Keeping (1913) was an illustration and description of the progress of factory work as it appears in the books. It is illustrated in the accompanying diagram, which shows the operation of a factory cost system from the time payment of cash is made to begin production until the goods have been completed and are available for sale. At the bottom of the diagram Moxey noted, that the difference between the total Merchandise Orders appearing and the Debit side of the Trading Account and the Sales Invoices represents gross manufacturing profit.

Moxey further explained that the manufacturer, who has his factory cost system arranged on this general plan is in a position enabling him to adjust his selling prices so as to bring to him the largest amount of profit. He possesses a cost system organized along the same lines as his system of factory management; a system economical of operation, accurate in its results as to current operations, and one from which estimates or bids on future work can be accurately and quickly made. By a subdivision of his sales account into the different classes or grades of goods manufactured, and by carrying corresponding cost accounts, he can accurately determine the cost of producing each line of goods and the profit or loss on each grade sold.

And furthermore Moxey explained, that "the factors which enter into the manufacturing cost of any product can be grouped under the main headings of "Stores", "Direct Labor", and "Indirect Expenses." We are now in a position to take up each of these in the order given, and to show the method of determining the amount and value of each. At the same time, we shall see how to detect and prevent waste and leaks, which are important items to the manufacturer from the standpoint of profits. etc."

Accounting for Labour, Methods of Recording Time
The third chapter of the Principles of Factory Cost Keeping, is dedicated to "Accounting for Labour." The chief problem in the accounting for labor, according to Moxey, is the formulation of a system which will give an accurate record of the labor time consumed in production. Hereto different methods of recording time have been developed. Initially there were two systems. The weakness of both these systems lay in the fact that there was no check whatever on the time the men actually spent at work. A man might register for an absent comrade, or he might record his own arrival and then take his departure from the plant by climbing over the back fence, returning by the same route at noon in order to pass out through the gate. By this means he would receive credit for having worked a full half day, when as a matter of fact he had rendered no service whatever to his employer.
 * The methods of recording time that had started in many factories relied on a watchman or gatekeeper, stationed at the entrance to the factory, kept a record of the employees as they arrived in the morning and departed at night, each workman being known to him personally. Under this system, if an employee were late, even if only as much as a minute, he was docked a half hour's time. Any labor cost less than half an hour did not figure in production costs. The gatekeeper's record was amply sufficient for payroll purposes, as well as for the determination of costs of production in the aggregate.
 * Under another system of timekeeping each laborer was assigned a number. A series of brass checks, numbered to correspond to the workmen's numbers, were hung on a board at the gatekeeper's lodge or outside the watchman's office, and as the men entered in the morning each one would take his own check off its hook and drop it into a box kept for that purpose at the watchman's office. The board on which the checks were hung, being arranged on a pivot, was turned around when the beginning whistle blew so that the side containing the checks faced into the office. Any man who was late must then pass through the watchman's office before he would receive credit for having been at the plant. This scheme worked well as long as the watchman was careful not to let any man drop the check of a comrade at the time that he dropped his own.

In order to prevent such practices it was found necessary to employ departmental timekeepers, whose duty it was to make a tour of the plant to ascertain whether each man was at his appointed task. It was soon recognized that a knowledge of the exact time spent by each man on a piece of work handled by him was not only desirable but necessary, in order to determine accurately the labor cost of each unit of product. This was accomplished by the timekeeper getting from each workman a statement of the time spent on different pieces of work; and the results of these rough guesses were used to compile the labor cost of work in process. The employment of departmental timekeepers was an added expense to the operation of the plant.

The next development was to have the men themselves keep their record of time spent on each piece of work. The results were set forth on slips which were turned into the office, where the time as shown was posted to the accounts of the various orders to which it belonged. This, as can well be seen, was a loose system, for the reason that the workman's sense of time was frequently not well developed, and there was neither incentive nor necessity for accuracy. Since there was no definite check on the workman's movements, his record would often show that he "knocked off" at 12:30 P.M., when as a matter of fact he quit work at 12:20 P.M., and loitered around the toilet room or engaged in conversation with other workmen for the extra ten minutes which had been charged by him to the work just finished.

These difficulties have been largely overcome by the use of mechanical devices for the recording of time. One record is made of the total time on duty, which serves as the basis for the pay-roll, and a second record is kept of the time actually expended on work performed, which serves as the basis of the charges to manufacturing cost. The time on duty is obtained from a time card record, while the time on work in process appears on work tickets or job cards. The total time on duty should agree with, the total time expended on goods in process, plus any lost time. Expressed diagrammatically the relation of the time cards to the work tickets is shown in the diagram. The data from the time cards were transferred into the time book, and this data would eventually end up in the general ledger.

Reception
The US Federal Board for Vocational Education (1919) had described Moxey's "Principles of Factory Cost Keeping" (1919) as a "clear, simple treatment of the fundamental principles of cost accounting." In those days the field of cost accounting was largely controlled by scientific management consultants and managers, but Moxey was able to establish a firm national reputation as leader in the area. Understandably, in 1924 William Duncan Gordon and Jeremiah Lockwood dedicated their Modern Accounting Systems to Edward P. Moxey Jr.

In his 1972 article, Adolph Matz summarized that Moxey's elementary work on cost accounting was taught at the university, and in Evening School, and was part of the State's C.P.A. examination. His work was taught over four decades, but after World War II the "new trends in teaching accounting and the move away from the practical approach led in the early 1950s to the discontinuation of the course."

Moxey is nowadays also credited for advocating the practice of including imputed interest on the total capital invested (which didn't work out), and for advocating variance accounts. According to Segelod & Carlsson (2010), Moxey "offered a means to connect cost accounting and financial accounting even in times of price changes. Variance analysis became common in the United States in the early 1920s following the rapid development of standard costing between 1910 and 1920..., while the technique of connecting cost and financial accounting was... well elaborated in Anglo-Saxon countries around 1920."

Even more, according to Segelod & Carlsson (2011), the "scientific management and the introduction of variance accounts, developed by Moxey (1913), paved the way for the rapid development of standard costing in the US between 1910 and 1920."

Selected publications

 * Moxey, Edward Preston. Accounting Systems: A Description of Systems Appropriate to Different Kinds of Business. New York City, Alexander Hamilton Institute, 1911.
 * Grundman, Otto A., Howard McNayr Jefferson, Harold Dudley Greeley & Edward Preston Moxey. Practical accounting methods: a description of systems appropriate to various kinds of business. New York, Key publishing company, 1913.
 * Moxey, Edward Preston. Principles of factory cost keeping. Ronald Press Company, 1913; 1920.

Articles, a selection
 * Moxey, Edward Preston. "Bank Defalcations-Their Causes and Cures." Annals of the American Academy of Political and Social Science 25 (1905): 32–42.
 * Moxey Jr., Edward P. "Ethics of Accountancy", in: Annals of the American Academy of Political and Social Science. Vol. 101, The Ethics of the Professions and of Business (May, 1922), pp. 196–202

title: Edward P. Moxey


text:
Reading Kangaroos

The Reading Kangaroos is an Australian rules football club which plays in the English town of Reading. Formed by Australians living in the area, the club quickly grew with strong local interest, now attracting players from all over Berkshire. The club is sponsored by The Reading Walkabout.

History
The Reading Roos were formed for the 2003 British Australian Rules Football League season, playing in the newly formed BARFL Regional division. They played their first match against a selection from Oxford University at King's Meadow in Reading, and in the regular season, went on to make the grand final – although they were defeated by the Bristol Dockers.

The 2004 season saw the Roos win the grand final, thumping Bristol 28.20.188 to 1.6.12, with South Australian full forward Phil Barnard kicking a record 10.0 goals. The club also travelled to Aalborg in Denmark and won the Sheep Stations Cup against the North Copenhagen Barracudas.

In 2005, the Roos competed in both the BARFL Premiership and the BARFL Regional competitions, though they failed to make the grand final in either league. In the BARFL Premiership despite committed performances, the guys could not match the greater experience of the London sides and finished 5th, though they did record a memorable victory against a dominant Wandsworth Demons team, the first side outside of the top 3 ever to do so. The club did repeat their victory in the Sheep Stations Cup, this time held in Copenhagen, Denmark, defeating the Farum Young Guns.

In 2006, the club competed in the BARFL Regional division, again winning a grand final against the Nottingham Scorpions. The club also successfully defended the Sheep Stations Cup, held in Landskrona, Sweden, defeating the South Dublin Swans in an epic final.

In 2007-8, the club played in the London Conference. With a struggle to match both the experience of the opposition and the available numbers, the club were unable to contest finals and only managed infrequent wins.

In 2009, the club decided to drop down to the London social league, which includes Nottingham Scorpions and Manchester Mosquitos. Reading made it to the semi-finals for the first time in a London League, but unfortunately were defeated by old rivals Nottingham. They also hosted the Brit cup this year which is the EU only tournament, getting knocked out of the group stages, after two wins against Scotland and ARUK Central.

In 2010 through 2017, the club continued in the London 3rds (or social) league and with the recruitment of some promising younger locals, began to develop into more of a competitive team, winning a majority of matches and contesting with their more experienced London peers. The team reached finals every year except 2017, winning the Grand Final in 2012 (vs Wimbledon Hawks) and 13 (vs Ealing Emus).

These victories and the continuing social development were a clear indicator of the impact coach Travis White had made to the way the club played, trained and socialised, with growing numbers at club events and 2 flags, playing against teams with many more Australian players.

International tour matches
In early 2005, the Roos toured to Atlanta in the United States, defeating the home town Atlanta Kookaburras. In 2006 they competed in Perpignan against a French national selection, winning a tight match.

In 2004, 5 and 6, the club took a squad to Denmark and Sweden to compete in the annual, 9-a-side Sheep Station Cup, winning and retaining the trophy through these 3 years.

Player development
The Roos are lucky to count among their number several Australians who have played to a good standard in the Australian leagues. These experienced Aussies help bring through British talent quickly and have contributed greatly to the Roos counting several British Bulldog's squad members in their ranks.

2010 saw Adam Bennett and Gareth Blackstaffe-Turner selected for the first Team Europe, for their performances at the 2010 European Championships, held in Denmark and Sweden. Prior to the 2017 International Cup, Adam Bennett was the most capped Bulldog player and Andrew Whiteaker the top goal-scorer for the representative team.

The Roos have attracted players from a wide variety of backgrounds, including soccer, rugby (union and league), basketball, athletics, martial arts, Gaelic Football and, of course, native Aussie Rules. Playing in the Social/3rd level of London competition provides the ideal platform to both introduce new players, as well as experience a realistic challenging playing environment.

title: Reading Kangaroos


text:
huilebalk

Etymology
From.

Noun

 * 1) A crybaby, a child that weeps often and long
 * 2)  Any weepy person, regardless of age
 * 3) A type of round felt hat with a wide, soft rim and a low crown
 * 1) A type of round felt hat with a wide, soft rim and a low crown
 * 1) A type of round felt hat with a wide, soft rim and a low crown

title: huilebalk


text:
Talk:E-Residency of Estonia

February 2015
This article was created mostly on the basis of pre-existing Estonian article. Please help me find international (preferrably English) sources that would be more convenient for the readers, in place of (or at least in addition to) the sources in Estonian. At the moment, I just don't have time to do a more thorough research. Some sources, of course, cannot be replaced but I think it might be relevant to sum the issues raised in Estonian media about the project to show light on its possible further development - it is quite natural that e-residency has currently more in-depth coverage in Estonian press, but its international coverage is constantly improving. --Oop (talk) 19:25, 8 February 2015 (UTC)
 * Also, it might be wise to find additional suitable categories. --Oop (talk) 19:28, 8 February 2015 (UTC)
 * Yeah, those things are on my to-do list. CerealKillerYum (talk) 10:43, 13 July 2016 (UTC)

Backup of old copy
E-residency of Estonia (or virtual residency) is a status by which non-residents can gain a secure digital identity issued by Estonia, similar to those that are provided to permanent residents and citizens of Estonia by their ID card. This enables them to use the services provided by Estonian state agencies and private sector connected usually to the ID card. Estonia established e-residency on December 1, 2014. The first e-resident of Estonia was British journalist Edward Lucas from The Economist; the first one to gain e-residency through the usual process was Hamid Tahsildoost from United States.

As of the end of January 2015, e-residents are able to make digital signatures, encrypt documents, use Estonia's state portal eesti.ee, found enterprises in Estonia, provide reports to Estonian Tax and Customs Board and E-Business Register, fill Estonian tax declarations on the Internet, and use Estonian online banking systems. It is thought that e-residency might be most useful for the entrepreneurs, as it is customary in Estonia to provide services and paperwork online, registering a new enterprise can be done quickly online and there is no income tax for enterprises, as long as the profits are not distributed, see Taxation in Estonia

E-residency is not equivalent to citizenship or permanent residency. It does not give the right to participate in elections, or to enter Estonia or the European Union without a visa. It has also been stated that e-residency is a privilege, not a right; therefore, Estonia will screen the applicants and reserve the right to refuse an application.

E-residents gain a digital ID card issued by the Estonian Police and Border Guard Board. Application is made online, but issuance of the card requires that the applicant visit an office of the Police and Border Guard Board in Estonia or an Estonian embassy or consulate where they can be identified physically. As the digital ID card is not an accepted travel document, it does not have the owner's photo on it.

The project of e-residency is led by Taavi Kotka, the vice chancellor of communications and state information systems in the Ministry of Economic Affairs and Communications. Although the idea of issuing ID cards to non-residents has been discussed at least from 2007 or 2008 and proposed again in 2012 by Estonian cybersecurity expert Anto Veldre, the concrete proposal ("10 million e-residents by 2025") was presented by Taavi Kotka, Ruth Annus, and Siim Sikkut on an idea contest by Estonian Development Foundation in 2014. The project was initiated with the prize money from the contest. It is developed by a state-owned foundation, Enterprise Estonia.

The leader of the project, Taavi Kotka has stated that while the further goal of the project would be to gain millions of e-residents, its practical purpose would be to increase the number of active enterprises in Estonia. For that, it will be important that private sector would develop concrete services on the legal and technical platform provided by e-residency, while the state would continue developing the legal framework according to the needs of the enterprises. It has also been discussed in Estonian media that e-residency could be used to spread knowledge about Estonian culture online to develop cultural export. By January 18, 2015, there were applications from 225 countries, most of them from Finland (224), Russia (109), Latvia (38), the United States (34) and Great Britain (22).

In general e-residency project has gained positive reviews in the media, being recognized for its innovativeness and potential. Estonia's former Minister of Finance Jürgen Ligi has noted that it is yet unclear how e-residency would bring capital to Estonia. It has also been warned by the legal experts that e-residency might create some risk of double taxation, as this is a completely new legal status that has not been considered in the framework of existing international agreements to avoid double taxation.

There has been international interest in different countries, with the issue being covered by media in the United States (The Atlantic, The Wall Street Journal, Ars Technica ), United Kingdom (The Guardian,  Wired UK ), Finland (Helsinki Times ), Australia (ABC ), Italy (Wired.it ) etc. In neighbouring Finland, it has elicited some fear that e-residency might give Finnish enterprises an urge to move to Estonia.

CerealKillerYum (talk) 18:14, 13 July 2016 (UTC)

Language of business for e-residents of Estonia
The article would be improved if it answered some questions about doing business in Estonia, since that is the explicitly stated objective of the e-Residency program.

What is the language of business for e-residents who might choose to start up an entrepreneurial enterprise in Estonia? Other questions come to mind as well, but until one knows if one must know (or pay for translation services into) Estonian, or which subset of global languages might be useful, it seems the article leaves much outside of a full encyclopedic treatment of the subject. Cheers. N2e (talk) 01:57, 22 August 2016 (UTC)

Anything similar in ANY other country in the world?
So for example if I want to use health care system in Singapore, how can i get blood test results online? <IP_ADDRESS> (talk) 09:13, 4 August 2017 (UTC)

E-residency and GDPR?
Are there any sources that cover whether e-residents are covered by European privacy law? It seems like national governments have a lot of discretion in how they implement and enforce the General Data Protection Regulation (GDPR), and the Personal Data Protection Act only mentions "natural persons". -- https://www.riigiteataja.ee/en/eli/523012019001/consolide DMarti (talk) 17:49, 15 June 2023 (UTC)

title: Talk:E-Residency of Estonia


text:
Wikiversity translations/Recruiting translators

Recruiting translators.

Recruiting methods

 * Wikiversity translations
 * Learning projects portal.
 * Browse
 * Community Portal
 * School:Foreign Language Learning
 * Multilingual Studies (See the outline at multilingual worksheet)
 * Topic:Translation
 * Beta Wikiversity

English Wikipedia

 * Language portal
 * Wikiversity

Opening Languages

 * Khmer - Cambodian


text:
Talk:David Ross (baseball)

Recommend Page Protection
I recommend that this page be Temporarily Protected as the Edit Vandals seem to be out trolling tonight.--Subman758 (talk) 02:23, 3 November 2016 (UTC)

Last MLB Appearance
Welcome to Wikipedia, and thank you for your contributions. Although everyone is welcome to contribute constructively to the encyclopedia, please note that there is a Manual of Style that should be followed to maintain a consistent, encyclopedic appearance. Deviating from this style disturbs uniformity among articles and may cause readability or accessibility problems. Please take a look at the welcome page to learn more about contributing to this encyclopedia. Specifically, "Last MLB appearance" reflects the use of last regular season game played over last postseason game played (if applicable)
 * Can someone ELI5 why the Postseason isn't included in "Last MLB appearance?"

External links modified
Hello fellow Wikipedians,

I have just modified one external link on David Ross (baseball). Please take a moment to review my edit. If you have any questions, or need the bot to ignore the links, or the page altogether, please visit this simple FaQ for additional information. I made the following changes:
 * Added archive https://web.archive.org/web/20170427125450/http://www.nbcchicago.com/news/local/david-ross-struggling-in-role-as-bryzzo-intern-in-new-clip-420107404.html to http://www.nbcchicago.com/news/local/david-ross-struggling-in-role-as-bryzzo-intern-in-new-clip-420107404.html

Last MLB Appearance
Just wondering why on the. Ross appeared to play in Game 7 of the 2016 WS. Does postseason not count as a MLB appearance? Regardless, an edit summary may help explain your rational and assist other editors, like myself.  - Skipple  ☎  02:54, 9 January 2024 (UTC)
 * This has been gone over numerous times. Final appearance is for regular season only.-- Yankees10 02:57, 9 January 2024 (UTC)
 * I'm sure it has, but I was not aware of it, nor was the IP editor. Thanks for the info.  - Skipple   ☎  02:59, 9 January 2024 (UTC)

title: Talk:David Ross (baseball)


text:
Talk:Dave Warner (musician)

External links modified
Hello fellow Wikipedians,

I have just modified 1 one external link on Dave Warner. Please take a moment to review my edit. If you have any questions, or need the bot to ignore the links, or the page altogether, please visit this simple FaQ for additional information. I made the following changes:
 * Added archive https://web.archive.org/web/20070928070829/http://www.apra.com.au/cms/worksearch/worksearch.srvlt?action=workSearch to http://www.apra.com.au/cms/worksearch/worksearch.srvlt?action=workSearch

Cheers.—cyberbot II  Talk to my owner :Online 23:53, 1 July 2016 (UTC)

External links modified
Hello fellow Wikipedians,

I have just modified one external link on Dave Warner (musician). Please take a moment to review my edit. If you have any questions, or need the bot to ignore the links, or the page altogether, please visit this simple FaQ for additional information. I made the following changes:
 * Added archive https://archive.is/20130415155224/http://oldaquinians.org/eminent/dave-warner-class-of-1970 to http://oldaquinians.org/eminent/dave-warner-class-of-1970

Cheers.— InternetArchiveBot  (Report bug) 23:10, 15 January 2018 (UTC)

title: Talk:Dave Warner (musician)


text:
Talk:Ricardo Hinojosa

Bot-created subpage
A temporary subpage at User:Polbot/fjc/Ricardo H. Hinojosa was automatically created by a perl script, based on this article at the Biographical Directory of Federal Judges. The subpage should either be merged into this article, or moved and disambiguated. Polbot (talk) 23:59, 4 March 2009 (UTC)

title: Talk:Ricardo Hinojosa


text:
Novomikhaylovka, Barnaul, Altai Krai

Novomikhaylovka (Новомихайловка) is a rural locality (a settlement) in Barnaul, Altai Krai, Russia. The population was 1,304 as of 2013. There are 21 streets.

Geography
Novomikhaylovka is located 22 km west of Barnaul by road. Aviator is the nearest rural locality.

title: Novomikhaylovka, Barnaul, Altai Krai


text:
Talk:David B. Sentelle

It says that one of his clerks, Judge Beth Robinson, is the first openly gay appellate judge, but Judge Patrick Bumatay is openly gay and an appellate judge and was appointed three years before her.

title: Talk:David B. Sentelle


text:
Josee, the Tiger and the Fish (2020 film)

Josee, the Tiger and the Fish (ジョゼと虎と魚たち) is a 2020 Japanese animated romantic comedy drama film, based on the short story of the same name by Seiko Tanabe. The film stars the voices of Taishi Nakagawa and Kaya Kiyohara.

It is directed by Kotaro Tamura from a screenplay by Sayaka Kuwamura, with original character designs by Nao Emoto (who also created a tie-in manga), animation character designs by Haruko Iizuka (who also served as chief supervising animator), and animation production by Bones.

The film opened in 9th place at the Japanese box office in its initial week of release, and received highly positive reviews from critics.

Plot
The anime is set in Osaka. Tsuneo Suzukawa is a 22-year-old university student studying marine biology. He works part-time at a diving shop, where he bonds with coworkers Mai and Hayato. On his way home after a lecture, he saves a paraplegic young woman named Kumiko Yamamura, who insists on being called "Josee". After being invited over for dinner as a token of gratitude, Tsuneo receives a job offer from Josee's grandmother, Chizu, to become a caretaker for Josee.

At first, Josee is hostile toward Tsuneo, calling him an intruder. She orders him to do unreasonable things such as kneeling for a long time. Deflated by the job, Tsuneo decides to quit the caretaker job. Nevertheless, just before he resigns, he finds that Josee has gone missing. When Tsuneo finally finds Josee, he figures out that she wants to see the sea. Therefore, he takes her to the sea, and they have a wonderful time together.

After this incident, Josee and Tsuneo travel to many places together. On a trip to a library, Josee tries to read books to children, which bores them. However, her drawing appeals to them. She then slowly comes to the realization that she wants to become an illustrator.

Unfortunately, Josee's grandmother dies not long after this. Being left with little money to live on, Josee gives up on her dream and becomes an office worker. Meanwhile, Tsuneo receives a scholarship from a university in Mexico, and will leave in a few months. Notwithstanding his bright future, he is still very worried of Josee's situation. Worried about Tsuneo, Mai, Tsuneo's co-worker at the diving shop, tells Josee to set Tsuneo free.

Josee then calls Tsuneo to visit the sea together to farewell. Nonetheless, Josee is trapped in the middle of a road. To save her, Tsuneo rushes to her, ending up being hit by a car.

Tsuneo is then found to suffer from a bone fracture in his feet and is told he may not walk again like he did before, let alone go diving. Devastated by the news, Tsuneo gives up on his rehabilitation and his dream of seeing clarion angelfish in Mexico. Mai then finds Josee, telling her about Tsuneo's situation and asks her to prove her feelings for Tsuneo.

Josee then creates an illustrated book indirectly featuring Tsuneo's and her story, with the main character representing Tsuneo successfully achieving his dream. She then asks Hayato, another co-worker in the diving shop, to bring Tsuneo to the library where Josee reads the book to children. Touched by the story, Tsuneo regains his spirit and dream, and actively rehabilitates.

On the day Tsuneo is discharged from the hospital, Josee has again gone missing. Worried, Tsuneo visits many places and eventually starts running despite his injury. After a long search, he finds Josee at the zoo facing the tiger and the road, which intimidated her before, by herself and succeeds. As they meet, Tsuneo and Josee confess their love to each other and kiss.

Tsuneo heads to Mexico to study. During Tsuneo's spring break, Josee meets Tsuneo again under a cherry blossom tree in full bloom.

Production
The anime adaptation of the short story was announced on December 3, 2019, when Kadokawa Corporation approached the director Kotaro Tamura and laid out a set of books to choose from. They wanted to adapt a piece of classic Japanese literature; Josee was chosen in this meeting and the movie entered production. Tamura decided that he wanted the film to have a happy ending, in contrast to other darker films that focused on disability. He stated that "We wanted to have a very uplifting and positive message" The director noted that Josee's condition was inherited from birth, and that she didn't get it during her life. Rather than having the character develop from outside sources, they would instead have her change internally, like a normal character.

Production of this anime film officially started on December 3, 2019, and the website, poster and main staffs were released. On January 3, 2020, they announced that this film would be shown the summer of that year. On March 3, 2020, movie scenes and Josee and Tsuneo's character illustrations got released. However, due to the COVID-19 pandemic, the film's show date was delayed. On August 13, 2020, it was officially announced that the new release date is December 25, 2020.

Music
Evan Call composed the film's music. He also composed the opening theme Take Me Far Away which was performed by Ai Ichikawa. Eve performed the film's insert song Shinkai and ending theme Ao no Waltz.

Release
The film premiered at the 25th Busan International Film Festival on October 30, 2020, as the festival's closing film. It was later released theatrically in Japan on December 25, 2020, after being delayed from a mid-2020 release due to the COVID-19 pandemic.

Funimation acquired the film for release in North American theaters in July 2021 (Canada and the United States), with both the original Japanese and an English dub for the 2021 Toronto International Film Festival premiere. Anime Limited has acquired the film for release in the British Isles (the United Kingdom and Ireland), while Madman Entertainment has acquired the film for Oceania, and screened it in Australia and New Zealand on May 13, 2021, and June 10, 2021. The film screened in competition at the Annecy International Animation Film Festival taking place from June 14 to 19, 2021.


text:
Shadows on the Ground

Shadows on the Ground is the sixth solo studio album by Kieran Kane. The album was Kane's fourth solo album for Dead Reckoning Records, the label which he founded in 1994 along with fellow musicians Kevin Welch, Mike Henderson, Tammy Rogers, and Harry Stinson. This album was recorded live at Moraine Studio in Nashville, TN on July 5 & 6, 2002 (except for track 11 - recorded on 2-7-2001). Charlene Blevins of Paste magazine writes, "With Shadows on the Ground, Kane doesn’t exactly come full circle so much as he colors in the sphere of his career with a harmonious rainbow."

Musicians

 * Kieran Kane: Guitar, Mandolin, Vocals
 * Mike Henderson: Harmonica, Mandolin, National Steel Guitar)
 * Sean Locke: Guitar, Vocals
 * Tammy Rogers: Fiddle, Mandolin, Vocals
 * Harry Stinson: Autoharp, Drums, Vocals, Pans, Pots
 * Glenn Worf: Bass
 * Fats Kaplin: Fiddle, Bajo Sexto, Button Accordion
 * Kevin Welch: Guitar
 * Claudia Scott: Vocals

Production

 * Kieran Kane: Producer, Cover Painting
 * Philip Scoggins: Assistant Engineer
 * Tracy Wallner: Art Direction
 * John Hadley: Photography
 * Kevin Rafferty: Photography
 * Mils Logan: Recorder, Engineer

All track information and credits were taken from the CD liner notes.

title: Shadows on the Ground


text:
Wikiversity:Assume good faith

To assume good faith is a fundamental principle on Wikiversity. As we allow anyone to edit, it follows that we assume that most people who work on the project are trying to help it, not hurt it. If this weren't true, a project like Wikiversity would be doomed from the beginning. This principle is also called the principle of first trust.

When you can reasonably assume that a mistake someone made was a well-intentioned attempt to further the goals of the project, correct it without criticizing. When you disagree with someone, remember that they probably believe that they are helping the project. Consider using talk pages to explain yourself, and give others the opportunity to do the same. This can avoid misunderstandings and prevent problems from escalating.

Newcomers unaware of Wikiversity's unique culture and the mechanics of Wikiversity editing often make mistakes or fail to respect community norms. It is not uncommon for a newcomer to believe that an unfamiliar policy should be changed to match their experience elsewhere. Similarly, many newcomers bring with them experience or expertise for which they expect immediate respect. Behaviors arising from these perspectives are not malicious.

Obviously, editors can't be expected to assume good faith if, despite the best possible interpretation of another's actions, it is clear that these actions are contrary to the project's goals. Actions inconsistent with good faith contributions to the project's goals include vandalism, sockpuppetry, and other clear instances of intentional deceit.

Assuming good faith also does not mean that no action by editors should be criticized, but instead that criticism should not be attributed to malice unless there is specific evidence of malice. Accusing the other side in a conflict of not assuming good faith, without showing reasonable supporting evidence, is another form of failing to assume good faith.

Essays

 * Wikipedia:Assume the assumption of good faith
 * Wikipedia:No angry mastodons
 * Wikipedia:On assuming good faith
 * Wikipedia:Assume bad faith
 * Wikipedia policy should follow the spirit of ahimsa (from meta)
 * Forgive and forget - essay at Wikipedia

Articles

 * Ethic of reciprocity
 * Hanlon's razor
 * Reciprocal altruism

ar:ويكي الجامعة:أفترض حسن النية es:Wikiversidad:Presume buena fe it:Wikiversità:Presumi la buona fede ja:Wikiversity:善意にとる

title: Wikiversity:Assume good faith


text:
Wikipedia:Sockpuppet investigations/Yeungkahchun/Archive

Suspected sockpuppets

User:Swordshieldstan appears to be a sockpuppet used by user:yeungkahchun for editing on political pages. User:Swordshieldstan has on multiple occasions made reversions in instances where User:yeungkahchun has been involved in edit wars with other editors on political articles. Two blatant examples are as follows: User:yeungkahchun had been warned here User_talk:Yeungkahchun earlier this month about removing information about third party candidates from the 2020 United States Presidential Election Page. Today, user:yeungkahchun removed a snippet of information about candidate Jo Jorgensen from the page in this diff here [] and then immediately afterwords user:Swordshieldstan made an larger edit here [] removing information from the lead of the article about third party candidates that user:yeungkahchun had previously been warned not to remove before gaining consensus. This edit was soon reverted by another user here [] after which user:yeungkahchun began making various changes to the article again here [].

Further evidence can be seen in a series of edits made to the Jill Biden article in April, 2020. On April 17, 2020 user:yeungkahchun made an edit to the Jill Biden page adding the "title" parameter to the infobox as shown here []. This edit was challenged and reverted by user:Muboshgu here []. An edit war then promptly ensued with an IP restoring user:yeungkahchun's edits here [], which were again reverted by user:Muboshgu here []. User:Swordshieldstan's account was then created [] and literally one minute after account creation, made an edit here [] to the Jill Biden article to restore user:yeungkahchun's edits that had been reverted. Shortly afterwords, user:yeungkahchun then edited the same article again here []. Given that user:Swordshieldstan's account was literally created in the midst of an edit war started by user:yeungkahchun, and user:Swordshieldstan's first edit was to restore a reverted edit that user:yeungkahchun had made, it seems obvious they are sockpuppets.

Further corroborating evidence can be seen in the edit history's of the accounts. User:Swordshieldstan's edit history [] shows only a handful of edits to three topics, American politics, Hong Kong, and Pokemon. Each of these three topic areas are areas that user:yeungkahchun primarily focuses his edits on as can be see in his edit history here []. XavierGreen (talk) 00:58, 14 August 2020 (UTC)

Comments by other users

Clerk, CheckUser, and/or patrolling admin comments

 * ✅. . : both accounts indefinitely because of the apparent deception. Closing. Mz7 (talk) 04:07, 16 August 2020 (UTC)
 * tag master -- RoySmith (talk) 11:52, 16 August 2020 (UTC)


text:
Talk:Mongol incursions in the Holy Roman Empire

"Estimated at about"
The word "about" clarifies the nature of the estimate. The cited source says "estimated that before the battle at Legnica there were about 8 000 fighting men". Yes, "estimated at 8,000 strong" is technically correct, but to my mind it suggests the greater exactitude of the study of modern warfare. So what is "the problem" with it? Srnec (talk) 19:59, 12 April 2024 (UTC)
 * Hi Srnec, the problem with it is that it is not accordant with WP:TERSE. Words such as about, around, approximately, roughly, are superfluous when ‘estimate’ is used. An 'estimate' implies that the actual quantity may be higher or lower than that given. The addition of ‘about’ adds nothing to the sentence meaning or comprehension and doesn’t change the logical concept. You will find on this page that constructs using 'estimated at' are addressed in one of the rulesets (search for ‘estimated’) configured for AutoWikiBrowser. Note that poor source grammar doesn’t have to be replicated in Wikipedia (unless quoted). Neils51 (talk) 11:26, 13 April 2024 (UTC)