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User:JayJ47/2015: The Year In Music

JayJ47's Music Charts (JMC) is a collection of music charts published weekly by JayJ47.

January
Weeks 1–5: January 3 – January 31, 2015
 * JayJ47's Music Charts is no longer published every week of the year. Since 2014, the first official chart of the new year has been issued in late January or early February.

February
Weeks 6: February 7, 2015
 * The chart's first issue for 2015 saw Calvin Harris and Ellie Goulding retain the number-one position with "Outside", which spends its fifth non-consecutive week at the top spot; the song also re-claims the pole position on the iTunes Airplay Chart but loses its hold over the Dance chart. Clean Bandit and Jess Glynne achieve their second consecutive #2 hit as "Real Love" surges seven positions to the runner-up spot whilst also topping the Hot Shots and Dance charts for the first time while G.R.L. spend a third consecutive week at #3 and twenty-first consecutive week in the top five overall with "Ugly Heart", which continues to lead the Pop/Rock singles chart.
 * The Veronicas rebound seven positions to a new peak of #4 with "You Ruin Me" which also climbs to a new high of #2 on the Pop/Rock singles chart; Ariana Grande and The Weeknd descend three places to #5 but remain at #1 on the R&B/Hip-Hop/Rap singles chart with "Love Me Harder"; Rita Ora recovers 12–7 with her former number-one hit, "I Will Never Let You Down", Charli XCX ascends eight positons to a new peak of #11 with "Break The Rules" which returns to its #4 peak on the iTunes Airplay Chart whilst also reaching new highs of #7 on the Pop/Rock singles chart and #9 on the Hot Shots and Dance charts respectively; Ed Sheeran also climbs six places to a new peak of #18 with "Thinking Out Loud" which also reaches new peaks of #9 and #14 on the Pop/Rock and Hot Shots charts respectively. New entries this week include Avicii's 2011 single, "Fade Into Darkness" (#24), "Sugar" by Maroon 5 (#21), "Love Me Like You Do" by Ellie Goulding (#15) and "Lighthouse" by G.R.L. (#8). On the albums chart, Calvin Harris returned to #2 with Motion while Maroon 5 rebounded twelve positions to a new peak of #10 with V, which becomes the group's fifth consecutive top ten album.

Weeks 7: February 14, 2015
 * Calvin Harris and Ellie Goulding spend a sixth non-consecutive week at the top spot with "Outside" which also re-claims the number-one position on the Dance chart; Ella Henderson scores her first charting single as "Empire" debuts at #2 on the mainstream, Hot Shots and Pop/Rock singles charts respectively and Charli XCX ascends eight positions to a new peak of #3 with "Break The Rules" which also leads the Pop/Rock singles chart for the first time. G.R.L.'s "Ugly Heart" spends its twenty-fourth consecutive week in the top five at #4 (it now only trails Maroon 5's "Moves Like Jagger" for the all-time record of twenty-eight consecutive weeks in the top five); Ellie Goulding equals her highest chart peak as a solo artist as "Love Me Like You Do" ascends eight positions to a new peak of #7 whilst also topping the Hot Shots and iTunes Airplay Charts for the first time; Maroon 5 rebound thirteen positions to a new peak of #9 with "Animals" which also reaches a new high of #6 on the Pop/Rock singles chart while Justice Crew recover seven positions to a new peak of #13 with "Rise & Fall". Other new entries this week include "Life of the Party" by Shawn Mendes (#25) and "Like I Can" by Sam Smith (#18). Smith also debuts at #19 on the albums chart with In The Lonely Hour, thanks largely to the top twenty debut of his latest single and the success of his previous single, "I'm Not The Only One" which reached the summit last year.

Weeks 8: February 21, 2015
 * Gwen Stefani scores her fourth number-one hit as "Baby Don't Lie" unexpectedly rebounds 6–1; the song also tops the Dance chart for the first time and leads the R&B/Hip-Hop/Rap singles chart once more. Calvin Harris and Ellie Goulding lose their leads on the mainstream and Dance charts as "Outside" descends to #2 on both charts but the song re-claims the number-one position on the iTunes airplay chart. Goulding achieves her first top three hit as a lead artist as "Love Me Like You Do" ascends 7–3 whilst topping the Pop/Rock singles chart for the first time and the Hot Shots singles chart for a second successive week. Fall Out Boy bullet seventeen positions to a new peak of #4 with "Centuries", giving the group their third top five hit; "Centuries" also reaches a new high of #3 on the Hot Shots chart and returns to #2 on the Pop/Rock singles chart; The Veronicas recover 15–5 with "You Ruin Me" which also returns to its #2 peak on the Pop/Rock chart; G.R.L.'s streak of twenty-four consecutive weeks in the top five comes to an end as "Ugly Heart" descends to its lowest position in twenty-three weeks, dropping 4–7; Samantha Jade's "Sweet Talk" rebounds fourteen positions back to its #10 peak; Meghan Trainor recovers 22–16 with "Lips Are Movin" and Maroon 5's "Sugar" returns to its highpoint of #21. The only new entry this week was "Can't Stop Dancin" by Becky G which enters the main chart, Hot Shots, Pop/Rock, R&B/Hip-Hop/Rap and airplay charts at #25, #24, #23, #10 and #2 respectively. On the albums chart, Calvin Harris's Motion re-claims the top spot, thus becoming his longest running chart topping album with four non-consecutive weeks at number-one.

Weeks 9: February 28, 2015
 * Gwen Stefani spends a second consecutive week at the top spot with "Baby Don't Lie" which also retains the #1 position on the R&B/Hip-Hop/Rap singles chart, Calvin Harris and Ellie Goulding remain stationed at #2 with "Outside" but re-claim the top spot on the Dance chart while Goulding holds at her #3 peak with "Love Me Like You Do" which simultaneously leads the Hot Shots, Pop/Rock and iTunes Airplay Charts respectively. Taylor Swift rebounds 14–4 with "Blank Space", Ella Henderson recovers 9–5 with "Empire", Lady Antebellum re-enter the top ten, rising 12–7 with "Bartender"; Samantha Jade climbs one place to a new peak of #9 with "Sweet Talk", G.R.L. rebound 19–12 with "Lighthouse" and Maroon 5 and Becky G both reach new peaks of #19 and #24 with their singles, "Sugar" and "Can't Stop Dancin". The only new entry this week was "Heartbeat Song" by Kelly Clarkson which debuted at #25. On the albums chart, Calvin Harris spent a second consecutive and fifth overall week at number-one with Motion.

March
Weeks 10: March 7, 2015
 * This week was one of the most competitive weeks in over a year, with the top four songs all in contention for the number-one spot. Ella Henderson scores her first number-one hit on the chart as "Empire" ascends 5–1, Ariana Grande and The Weeknd rebound 14–2 with their former chart leader, "Love Me Harder" which also re-claims the top spot of the R&B/Hip-Hop/Rap singles chart while Calvin Harris and Ellie Goulding descend 2–3 with "Outside" which continues to lead the Dance chart. Goulding drops 3–4 with "Love Me Like You Do" but continues to top the Hot Shots and Pop/Rock singles charts; Gwen Stefani swaps places with her successor as "Baby Don't Lie" drops 1–5, Lady Antebellum return to #6 with "Bartender" which also achieves a new certification of 6× Platinum; Maroon 5 rocket eleven positions to a new peak of #8 with "Sugar" which also reaches new peaks of #2 and #5 on the Hot Shots and Pock/Rock charts respectively; the group's previous single "Animal" meanwhile, recovers 21–10 and reaches new highs of #4 and #6 on the Pop/Rock and Hot Shots charts. Elsewhere in the chart, Sam Smith ascends seven positions to a new peak of #16 with "Like I Can" and Shawn Mendes re-enters the chart at a new peak of #24 with "Life of The Party". New entries this week include "One Last Time" by Ariana Grande (#25) which also debuts atop the iTunes Airplay Chart; "Up" by Olly Murs featuring Demi Lovato (#22) and "Linger" by Guy Sebastian featuring Lupe Fiasco (#21). On the albums chart, Ariana Grande returns to number-one with My Everything, aided heavily by the debut of her latest single and the resurgence of her fourth from the aforementioned album; Maroon 5 rebound six positions to a new peak of #8 with V thanks to the success of their latest singles, "Animals" and "Sugar" this week; Guy Sebastian debuts at #14 with Madness which becomes his third top twenty album and Sam Smith's In The Lonely Hour re-enters the chart at its #19 peak.

Weeks 11: March 14, 2015
 * Ariana Grande and The Weeknd re-claim the top spot with "Love Me Harder" which leads the R&B/Hip-Hop/Rap singles chart for an eleventh non-consecutive week, Calvin Harris and Ellie Goulding recover 3–2 with "Outside" which remains atop the Dance chart and Goulding returns to her #3 peak with "Love Me Like You Do". Charli XCX rebounds 9–4 with "Break The Rules" which re-claims the lead on the Pop/Rock singles chart whilst also topping the Hot Shots chart for the first time; Fall Out Boy recover 11–5 with "Centuries", Taylor Swift re-enters the top ten with "Shake It Off" (14–9) and Sam Smith, Olly Murs/Demi Lovato, Ariana Grande and Shawn Mendes all reach new peaks of #13, #20, #21 and #23 respectively with their singles, "Like I Can", "Up", "One Last Time" and "Life of the Party". Meanwhile, Nick Jonas makes chart history as "Jealous" becomes the first single to top a secondary chart (the iTunes Airplay Chart) without first appearing on the mainstream singles chart.

Weeks 12: March 21, 2015
 * Ariana Grande and The Weeknd spend a fifth non-consecutive week at the top spot with "Love Me Harder" which leads the R&B/Hip-Hop/Rap singles chart for a twelfth non-consecutive week whilst also topping the Dance chart for the first time; Ellie Goulding ascends to a new peak of #2 with "Love Me Like You Do" which re-claims the top spots of the Hot Shots and Pop/Rock singles charts and Sam Smith rockets ten positions to a new peak of #3 with "Like I Can" which also reaches a new high of #2 on the Hot Shots and Pop/Rock charts. Olly Murs and Demi Lovato ascend eleven positions to a new peak of #9 with "Up", giving the former his fourth top ten hit and the latter her second; Grande rises to a new peak of #13 with "One Last Time" and Shawn Mendes climbs to a new peak of #21 with "Life of the Party". New entries this week include "FourFiveSeconds" by Rihanna, Kanye West and Paul McCartney (#25) and "Jealous" by Nick Jonas. On the albums chart, Ariana Grande returns to #1 with My Everything which spends a seventh non-consecutive week at the top spot.

Weeks 13: March 28, 2015
 * Ellie Goulding scored her first number-one hit as a solo artist and her second consecutive chart topper overall as "Love Me Like You Do" finally ascended to the top spot; the song also leads the iTunes Airplay Chart this week; Ariana Grande and The Weeknd descend to #2 with "Love Me Harder" but continue to lead the R&B/Hip-Hop/Rap and Dance singles charts while Sam Smith spends a second consecutive week at his #3 peak with "Like I Can" which tops the Hot Shots and Pop/Rock singles charts for the first time. Gwen Stefani rebounds 8–4 with her former chart leader, "Baby Don't Lie", Taylor Swift continues her resurgence as "Shake It Off" rises 7–6, Ella Henderson recovers 16–7 with "Empire", Grande achieves her fifth consecutive top ten single from My Everything as "One Last Time" ascends five places to a new peak of #8 whilst also reaching new heights of #4, #6 and #7 on the Dance, Hot Shots and Pop/Rock singles charts respectively and Nick Jonas, Shawn Mendes and Guy Sebastian/Lupe Fiasco all reach new peaks of #13, #18 and #20 with their singles, "Jealous", "Life of the Party" and "Linger" respectively, giving the young Canadian his first top twenty hit. New entries this week include "Masterpiece" by Jessie J (#23) and "I Want You To Know" by Zedd featuring Selena Gomez (#14). On the albums chart, Ariana Grande spent an eighth non-consecutive week at number-one with My Everything while Jessie J's Sweet Talker debuted at #24.

April
Weeks 14: April 4, 2015
 * Ariana Grande and The Weeknd re-claim the top spot as "Love Me Harder" spends a sixth non-consecutive week at the top spot whilst also logging a fourteenth non-consecutive week atop the R&B/Hip-Hop/Rap singles chart; Ellie Goulding descends to #2 with "Love Me Like You Do" but leads the Pop/Rock and Dance singles charts while G.R.L. unexpectedly rebound 10–3 with "Ugly Heart". Olly Murs and Demi Lovato ascend eight positions to a new peak of #4 with "Up" which also reaches new highs of #1 and #2 on the Hot Shots and Pop/Rock singles charts respectively; Calvin Harris and Goulding spend an eighteenth consecutive week in the top five as "Outside" holds at #5; Harris' latest single, "Pray To God" which features Haim debuts at #6 whilst also opening at #2 on the Dance and iTunes Airplay Charts; Nick Jonas scores his first top ten hit as "Jealous" rises 13–10 while Zedd/Selena Gomez and Jessie J both reach new peaks of #13 and #19 with their singles, "I Want You To Know" and "Masterpiece". Other new entries include this week's airplay leader, "Trouble" by Iggy Azalea featuring Jennifer Hudson (#12) and "I Bet" by Ciara (#22). This marks the first chart entry for the former two artists whilst the latter achieves her first in six years. On the albums chart, Ariana Grande spends a ninth non-consecutive at the top spot with My Everything, the So Fresh Autumn 2015 compilation debuts at #10 and Jessie J achieves a new peak of #22 with Sweet Talker.

Weeks 15: April 11, 2015
 * Calvin Harris and Ellie Goulding return to #1 with "Outside" which spends its seventh non-consecutive week at number-one, Olly Murs and Demi Lovato ascend two places to a new peak of #2 with "Up" which also leads the Hot Shots, Pop/Rock and iTunes Airplay Charts this week and Goulding drops 2–3 with "Love Me Like You Do". Harris and Haim reach a new peak of #4 with "Pray To God" which also tops the Dance chart for the first time; Ariana Grande rebounds three positions to a new peak of #6 with "One Last Time" which also reaches new highs of #2, #3 and #4 on the Hot Shots, Dance and Pop/Rock charts respectively; Nick Jonas continues his ascent as "Jealous" achieves a new peak of #8 while also leading the R&B/Hip-Hop/Rap singles chart for the first time; Zedd and Selena Gomez rise 13–10 with "I Want You To Know", giving the former his fourth top ten hit (his third as a lead artist) and Rihanna, Kanye West and Paul McCartney rebound five positions to a new peak of #20 with "FourFiveSeconds". On the albums chart, Calvin Harris re-claims the top spot with Motion which spends its sixth non-consecutive week at number-one; the So Fresh Autumn 2015 compilation climbs two places to a new high of #8 and Meghan Trainor debuts at #20 with Title.

Weeks 16: April 18, 2015
 * Ellie Goulding returns to the top spot with "Love Me Like You Do" which spends its second non-consecutive week at number-one, Ariana Grande and The Weeknd recover 5–2 with "Love Me Harder" and Zedd and Selena Gomez ascend seven positions to a new peak of #3 with "I Want You To Know" which also leads the Hot Shots, Pop/Rock and Dance singles charts for the first time. Olly Murs and Demi Lovato recede 2–4 with "Up", Nick Jonas continues his ascendancy as "Jealous" bullets 8–5 whilst leading the R&B/Hip-Hop/Rap singles chart for a second successive week; Jessie J ascends six places to a new peak of #12 with "Masterpiece" which also reaches a new high of #5 on the Pop/Rock singles chart and Rihanna, Kanye West and Paul McCartney achieve a new peak of #16 with "FourFiveSeconds". New entries this week include "I Really Like You" by Carly Rae Jepsen (#24) and "I Love My Life" by Justice Crew (#13). On the albums chart, Justice Crew returned to their #2 peak with Live By The Words while Jessie J rose one place to a new peak of #21 with Sweet Talker.

Weeks 17: April 25, 2015
 * Ellie Goulding spends her third non-consecutive week at the top spot with "Love Me Like You Do" which also leads the Pop/Rock singles chart this week; Ariana Grande and The Weeknd hold at #2 with "Love Me Harder" which also logs its fourteenth non-consecutive week at #1 on the R&B/Hip-Hop/Rap singles chart and G.R.L. equal Avicii and Ricky Romero's shared record for the most consecutive weeks spent in the top ten as "Ugly Heart" recovers 6–3. Zedd and Selena Gomez descend 3–4 with "I Want You To Know" but continue to lead the Hot Shots and Dance charts as well as the iTunes Airplay Chart for the first time; Grande ascends two places to a new peak of #5 with "One Last Time", Jessie J reaches a new high of #10 with "Masterpiece" and Meghan Trainor climbs six positions to reach an unexpected new peak of #13 with "Lips Are Movin". New entries this week include "Style" by Taylor Swift which makes its long overdue debut at #25 and "Stuck on a Feeling" by Prince Royce featuring Snoop Dogg which opens at #20.

May
Weeks 18: May 2, 2015
 * Ellie Goulding spends a third consecutive and fourth overall week at number-one with "Love Me Like You Do", Gwen Stefani rebounds 6–2 with "Baby Don't Lie" which also re-claims the top spot on the R&B/Hip-Hop/Rap singles chart and Olly Murs and Demi Lovato recover 8–3 with "Up" which also leads the Pop/Rock singles chart once more. G.R.L. descend 3–4 with "Ugly Heart" but break the record for most consecutive weeks spent in the top ten; Ariana Grande spends a second consecutive week at #5 with "One Last Time" which also tops the Hot Shots and Dance charts for the first time; Carly Rae Jepsen re-enters the chart at a new high of #11 with "I Really Like You", Shawn Mendes ascends five positions to a new peak of #13 with "Life of the Party" which also reaches new highs of #5 and #9 on the Pop/Rock and Hot Shots charts respectively; Prince Royce and Snoop Dogg ascend to a new peak of #16, Ciara scores her first top twenty hit in six years as "I Bet" reaches a new peak of #15 and Taylor Swift rises eight places to a new peak of #17 with "Style". New entries this week include "Mirror Man" by Ella Henderson (#25), "Dear Future Husband" by Meghan Trainor (#23), "See You Again" by Wiz Khalifa featuring Charlie Puth (#18) and "Marvin Gaye" by Charlie Puth featuring Meghan Trainor (#6) which also leads the iTunes Airplay Chart this week. The latter two entries thus make Puth the first artist in the chart's history to have their first two singles debut in the same week. On the albums chart, Meghan Trainor achieved a new peak of #19 with Title while Jessie J reached a new high of #20 with Sweet Talker.

Weeks 19: May 9, 2015
 * Zedd and Selena Gomez achieve their first number-one hit on the chart as solo artists as "I Want You To Know" rockets 7–1 whilst also re-claiming the pole position on the Dance chart; Sam Smith rebounds ten positions to reach a new peak of #2 with "Like I Can" which leads the Hot Shots and Pop/Rock singles charts once more whilst also topping the R&B/Hip-Hop/Rap singles chart for the first time and Ellie Goulding descends 1–3 with "Love Me Like You Do". Ariana Grande rises one place to a new high of #4 with "One Last Time", Years & Years debut at #5 on the main chart and #2 on the Dance chart with "King", Ciara scores her first top ten hit in six years as "I Bet" reaches a new peak of #9, Wiz Khalifa achieves his first top ten hit on the chart as a solo artist after his collaboration with Charlie Puth ("See You Again") climbs eight places to a new peak of #10 whilst topping the iTunes Airplay Chart in the process; and Taylor Swift moves into the top fifteen with "Style" (17–15). Other new entries this week were "Big Girls Cry" by Sia (#25) who thereby makes her chart debut as a solo artist and "Ghost Town" by Madonna (#19). On the albums chart, Sam Smith reached a new peak of #15 with In The Lonely Hour.

Weeks 20: May 16, 2015
 * Olly Murs and Demi Lovato both score their second number-one hit on the chart as "Up" rebounds 8–1, Ellie Goulding recovers 3–2 with "Love Me Like You Do" which also returns to #1 on the Pop/Rock and iTunes Airplay Charts respectively, and Years & Years ascend two places to a new peak of #3 with "King" which also tops the Hot Shots and Dance charts for the first time. Wiz Khalifa and Charlie Puth continue their ascent as "See You Again" rises six places to a new peak of #4 whilst also leading the R&B/Hip-Hop/Rap singles chart for the first time; G.R.L. surpass Avicii and Nicky Romero's record for most weeks spent in the top ten as "Ugly Heart" logs its thirty-eighth non-consecutive week in the top ten by recovering 11–8; Maroon 5 re-enter the chart at #12 with "Sugar", Jess Glynne makes her chart debut as a solo artist at #13 with "Hold My Hand", Madonna rises one position to a new peak of #18 with "Ghost Town" and Sam Smith rounds out this week's chart by opening at #25 with "Lay Me Down". On the albums chart, Smith and Jessie J reach new peaks of #13 and #19 respectively with their albums, In The Lonely Hour and Sweet Talker.

Weeks 21: May 23, 2015
 * For the third consecutive week, a collaboration between a male and female duo tops the chart as Charlie Puth and Meghan Trainor both achieve their first number-one single with "Marvin Gaye" (9–1) which also reaches a new peak of #3 on the Pop/Rock and R&B/Hip-Hop/Rap singles charts respectively; Zedd and Selena Gomez recover 5–2 after losing the top spot the week before with "I Want You To Know" which also re-claims its lead on the Dance chart and Years & Years remain at their #3 high point with "King" which also recedes 1–2 on the Dance chart. Ariana Grande and The Weeknd reaffirm their chart longevity as "Love Me Harder" rebounds 20–4 whilst returning to the runner-up position on the R&B/Hip-Hop/Rap singles chart in the process; G.R.L. log a thirty-ninth non-consecutive week in the top ten as "Ugly Heart" rises 8–6, Gwen Stefani rebounds 14–7 with "Baby Don't Lie" which also returns to the top position on the R&B/Hip-Hop/Rap singles chart, Ellie Goulding is absent from the top five for the first time in thirteen weeks with "Love Me Like You Do" but her song continues to lead the Pop/Rock and iTunes Airplay Charts this week; Madonna ascends six places to a new peak of #12 with "Ghost Town" which also reaches new highs of #8 and #9 on the Pop/Rock and Hot Shots charts respectively; Justice Crew return to their #13 peak with "I Love My Life", Meghan Trainor scores her second top twenty hit as "Dear Future Husband" reaches a new peak of #18, Sia achieves her first top twenty hit as a solo artist as "Big Girls Cry" reaches a new high of #19 and Sam Smith rises three places to a new peak of #22 with "Lay Me Down". On the albums chart, Meghan Trainor returns to her #19 peak with Title.

Weeks 22: May 30, 2015
 * Ellie Goulding re-claims the top spot as "Love Me Like You Do" rebounds 8–1, thereby securing its fifth non-consecutive week at number-one, Eurovision contestant Bojana Stamenov becomes the first Serbian artist to chart on JayJ47's Music Charts as her single "Beauty Never Lies" debuts at #2 whilst also topping the Hot Shots and iTunes Airplay Charts respectively and Calvin Harris and Goulding return to the top three with their former chart leader, "Outside" which rebounds 10–3 whilst re-claiming the number-one position on the Dance chart in the process. Olly Murs and Demi Lovato recover 5–4 with "Up" which also returns to #1 on the Pop/Rock singles chart, Gwen Stefani drops 7–8 with "Baby Don't Lie" but maintains her hold on the R&B/Hip-Hop/Rap singles chart; Ariana Grande recovers 16–10 with "One Last Time" and Meghan Trainor ascends two positions to a new peak of #16 with "Dear Future Husband". Other new entries this week include "Walk Along" by Trijntje Oosterhuis (#25), "Bad Blood" by Taylor Swift featuring Kendrick Lamar (#24) and "De la capăt (All Over Again)" by Voltaj (#18) who therefore become the second Romanian act to make an appearance on the chart after their Eurovision predecessors, Paula Seling and Ovi. While Eurovision winner, Måns Zelmerlöw fails to make the main chart this week, he does open at #5, #18 and #20 on the airplay, Pop/Rock and Hot Shots charts respectively with his live performance of "Heroes" at the 2015 Eurovision Song Contest in Vienna. On the albums chart, Ariana Grande rebounds 9–2 with My Everything, Taylor Swift re-enters the chart at a new peak of #7 with 1989, Justice Crew recover 11–9 with Live By The Words and Meghan Trainor achieves a new peak of #18 with Title.

June
Weeks 23: June 6, 2015
 * Ellie Goulding spends a sixth non-consecutive week at number-one with "Love Me Like You Do" which also re-claims the top spot on the Pop/Rock singles chart; Charlie Puth and Meghan Trainor recover 7–2 after losing the top spot last week with "Marvin Gaye" and Ciara unexpectedly rebounds sixteen positions to a new peak of #3 with "I Bet" which tops the R&B/Hip-Hop/Rap singles chart for the first time in the process. Nick Jonas rebounds eleven places to a new peak of #4 with "Jealous", Wiz Khalifa and Puth return to the top five as "See You Again" recovers 9–5, Trainor reaches a new peak of #14 with "Dear Future Husband" and Trijntje Oosterhuis ascends eight positions to a new peak of #17 with "Walk Along". New entries this week include "Heroes" by Eurovision winner Måns Zelmerlöw (#25), "Flashlight" by Jessie J (#22) and "Start Again" by Aussie newcomer, Conrad Sewell (#19). On the albums chart, the 2015 Eurovision compilation debuts at #3, the So Fresh Autumn 2015 compilation ascends to a new high of #7 and Meghan Trainor rises one place to a new peak of #17 with Title.

Weeks 24: June 13, 2015
 * Taylor Swift and Kendrick Lamar re-enter the chart at an unexpected new peak of #1 with "Bad Blood" which tops the R&B/Hip-Hop/Rap singles chart for the first time whilst also reaching a new high of #4 on the Pop/Rock singles chart. Zedd and Selena Gomez rebound 12–2 with their former chart leader, "I Want You To Know" and Ariana Grande ascends five positions to a new peak of #3 with "One Last Time" which also returns to #1 on the Hot Shots and Dance charts respectively. Grande and The Weeknd recover 9–4 with their six-week chart topper "Love Me Harder", Måns Zelmerlöw ascends nineteen positions to a new peak of #6 with "Heroes" which also reaches new peaks of #1, #2, #5 and #6 on the Airplay, Hot Shots, Pop/Rock and Dance charts respectively; Uzari and Maimuna become the first Belarusian artists to chart on JayJ47's Music Charts as "Time" debuts at #7 whilst also opening at #1 on the Pop/Rock singles chart and Conrad Sewell rises four places to a new peak of #15 with "Start Again" which also reaches new highs of #9 and #12 on the Pop/Rock and Hot Shots charts. Other new entries this week include "Another You" by Armin Van Buuren featuring Mr. Probz (#23), "Like I'm Gonna Lose You" by Meghan Trainor featuring John Legend (#20) and "Chains" by Nick Jonas (#16). On the albums chart, Ariana Grande returns to #1 with My Everything which spends its tenth non-consecutive week at the summit while Taylor Swift rebounds nine positions to a new peak of #6 with 1989. With Grande re-claiming the top spot on the albums chart, this marks the first time since April 11, 2015 where the chart has named a number-one album.

Weeks 25: June 20, 2015
 * Uzari and Maimuna break two records this week in that they become the first Belarusians and the first Eurovision entrants to top the chart as "Time" ascends 7–1 whilst simultaneously occupying the pole positions on the Pop/Rock and Dance charts respectively; Taylor Swift and Kendrick Lamar fall one place to #2 with "Bad Blood" and Nick Jonas recovers seven places to a new peak of #3 with "Jealous" which also leads the Hot Shots for the first time this week. Ciara rebounds eighteen positions back to #4 with "I Bet", Conrad Sewell earns his first top ten hit on the chart as "Start Again" rises 15–9, Meghan Trainor recovers eleven positions to a new peak of #13 with "Dear Future Husband" and Jessie J re-enters the chart at a new peak of #20 with "Flashlight". New entries this week include "Sparks" by Hilary Duff (#23) and "Black Magic" by Little Mix (#19) which also debuts at #1 on the iTunes Airplay Chart.

Weeks 26: June 27, 2015
 * Ariana Grande and The Weeknd unexpectedly rebound 12–1 with "Love Me Harder" which also logs its fifteenth non-consecutive week at number-one on the R&B/Hip-Hop/Rap singles chart; Uzari and Maimuna descend one place to #2 with "Time" and Hilary Duff scores her highest charting single since 2007's "Stranger" (No. 2) as "Sparks" skyrockets twenty positions to a new peak of #3 whilst also topping the Hot Shots and Dance charts for the first time and reaching a new high of #4 on the Pop/Rock singles chart. Grande recovers 11–4 with "One Last Time", Ellie Goulding moves up one place to #5 with "Love Me Like You Do", Calvin Harris and Goulding rebound twelve positions back to #6 with their former chart leader "Outside" which also re-claims the #1 spot on the iTunes Airplay Chart; Guy Sebastian debuts at #12 with Australia's first Eurovision entry in "Tonight Again"; Jessie J ascends four places to a new high of #16 with "Flashlight" and Armin Van Buuren/Mr. Probz recover four positions to a new peak of #21 with "Another You". On the albums chart, Ariana Grande returns to #1 with My Everything which spends its eleventh non-consecutive week at the top spot; the 2015 Eurovision compilation recovers 6–5, the So Fresh Winter 2015 compilation debuts at #10 and Hilary Duff opens at #13 with her latest album, Breathe In. Breathe Out.

Singles

 * Certifications are awarded to singles, first and foremost at JayJ47's Music Charts (JMC's) sole discretion. Generally speaking, a song must earn at least 500 points in order to receive a Gold certification and 1,000 points for a Platinum certification. However, a single is eligible for a Gold or Platinum certification if it has met the minimum threshold for that particular certification as explained in the table below. After attaining a Platinum certification, a single will be awarded a new certification each time it achieves an additional 500 points (e.g. 2× Platinum for achieving at least 1,500 points or 3× Platinum for achieving at least 2,000 points). After receiving a 5× Platinum certification, singles will be awarded a new certification each time they achieve an additional 600 points (e.g. 6× Platinum for achieving at least 3,600 points or 7× Platinum for achieving at least 4,200 points). When a single is certified 10× Platinum (6,000 points) or higher, it will be awarded a new certification every time it achieves an additional 1,000 points.

 * However, some singles may receive certain certifications even if they have not met the minimum threshold or earned the minimum amount of points required for those certifications. This usually occurs when JMC feels that such a certification is warranted for that particular single e.g. when a song has not performed well on JayJ47's Music Charts and thus has not earned many points but still deserves a certification.

Albums

 * Certifications are awarded to albums, first and foremost at JayJ47's Music Charts (JMC's) sole discretion. An album's certification is determined by the amount of points earned by its singles. All of the points earned by its singles are added together to give the album's total number of points, which in turn is used to determine its certification. As of July 20, 2013, an album must earn at least 1,000 points in order to receive a Gold certification and 2,000 points for a Platinum certification. All previous certifications awarded to albums released prior to this date were changed in accordance with these new rules. Generally speaking, an album must earn at least 1,000 points in order to receive a Gold certification and 2,000 points for a Platinum certification. However, an album is eligible for a Gold or Platinum certification if it has met the minimum threshold for that particular certification as explained in the table below. When an album is certified 3× Platinum (6,000 points) or higher, it will be awarded a new certification every time it achieves an additional 1,500 points i.e. 4× Platinum for achieving at least 7,500 points, 5× Platinum for achieving at least 9,000 points and so on.

Multi-Platinum Singles
Songs listed in the table below have achieved a certification of 3× Platinum or higher.

JayJ47's Top 50 of The Year
At the end of each calendar year, an annual list of singles is published by JayJ47's Music Charts to document the year in music. The year-end charts for 2015 were compiled from December 17, 2015 – January 1, 2016.

JayJ47's Music Awards
JayJ47's Music Awards honours the best in Music for the year 2015. The awards categories remained the same from the previous year although Australian Album of The Year was not awarded this year, while a new award entitled Comeback Artist of the Year was awarded for the first time.

Record of The Year
🇬🇧 Ellie Goulding – "Love Me Like You Do"
 * From the albums: Fifty Shades of Grey (2015) & Delirium (2015), Written by: Max Martin, Savan Kotecha, Ali Payami, Tove Nilsson & Ilya Salmanzadeh, Produced by: Max Martin.

 * 🇬🇧 Calvin Harris featuring Ellie Goulding – "Outside"
 * From the album: Motion (2014), Written by: Calvin Harris & Ellie Goulding, Produced by: Calvin Harris.

 * 🇺🇸 Ariana Grande and 🇨🇦 The Weeknd – "Love Me Harder"
 * From the album: My Everything (2014), Written by: Max Martin, Savan Kotecha, Peter Svensson, Ali Payami, Abel Tesfaye & Ahmad Balshe, Produced by: Peter Svensson & Ali Payami.

 * 🇬🇧 Olly Murs featuring 🇺🇸 Demi Lovato – "Up"
 * From the album: Never Been Better (2014), Written by: Wayne Hector, Mich Hansen, Daniel Davidsen, Peter Wallevik & Maegan Cottone, Produced by: Cutfather, Daniel Davidsen & Peter Wallevik.

Album of The Year
🇺🇸 Taylor Swift – 1989 (2014)
 * 🇺🇸 Ariana Grande – My Everything (2014)
 * 🇬🇧 Calvin Harris – Motion (2014)

Artist of The Year
🇺🇸 Taylor Swift
 * 🇺🇸 Ariana Grande
 * 🇬🇧 Ellie Goulding
 * 🇬🇧 Calvin Harris

People's Choice Awards
In 2014, JayJ47's Music Charts introduced four new peer-nominated/public voted categories: JMC's People's Choice Awards for Best Single, Best Album, Best Artist and Best Australian Release. This marked the first time in JMC history where public votes were used to determine the outcome of JayJ47's Music Awards. The nominees in each category were determined by a select group of members on australian-charts.com and public voting was conducted via the same website, with voting closing at 11:59pm on December 19, 2015.

The following points system was used to determine the winners of each category:
 * 1) By default, each nominee receives 2 points.
 * 2) Each nominee receives 1 additional point for every individual vote they receive.
 * 3) The nominee with the highest number of points in each category is named the winner of that award.

Records, Significant Achievements and Notable Events
The following is a list of records broken, significant achievements made or notable events that occurred throughout the year.

 * 1) From February 20, 2015 onwards, the charts are compiled on Fridays and published the following day.
 * 2) On March 14, 2015, Nick Jonas became the first artist in the chart's history to reach number-one on a secondary chart without first having had a single chart on the mainstream singles chart. His single, "Jealous" topped the iTunes Airplay Chart.
 * 3) On April 11, 2015, new thresholds were introduced to ensure that singles in particular would be awarded more accurate certifications in the future. Singles and albums released before April 11, 2015 will have their certifications determined by the old certifications system. However, this did not apply to singles and albums that were currently in the chart.
 * 4) On May 2, 2015, a number of new records and/or feats were achieved. G.R.L. broke the record for most consecutive weeks spent in the top ten as "Ugly Heart" logged its thirty-seventh successive week in the top ten. The previous record of thirty-six consecutive weeks was held by Avicii and Nicky Romero's single, "I Could Be The One". G.R.L. also equalled Avicii and Romero's record for most weeks spent overall in the top ten and Maroon 5's record of most weeks spent in the top five overall. Charlie Puth meanwhile, became the first artist in JayJ47's Music Charts history to have their first two entries on the chart debut in the same week. His debut solo single, "Marvin Gaye" debuted at #6 whilst his collaboration with Wiz Khalifa, "See You Again" opened at #18.
 * 5) On May 16, 2015, G.R.L. broke Avicii and Nicky Romero's record for most weeks spent in the top ten as "Ugly Heart" rose 11–8, thereby recording its thirty-eighth non-consecutive week in the top ten.
 * 6) On May 23, 2015, G.R.L. extend their record for the most weeks spent in the top ten to thirty nine with "Ugly Heart".
 * 7) On May 30, 2015, Bojana Stamenov became the first Serbian recording artist to appear on JayJ47's Music Charts after her single, "Beauty Never Lies" debuted at #2 on the mainstream singles chart. The song also opened at #1 on the Hot Shots singles chart and the iTunes Airplay Chart, thus making Stamenov the first Serbian to top a secondary chart on JayJ47's Music Charts. Similarly, Voltaj became the second Romanian act and the first Romanian group to enter the chart after their single, "De la capăt (All Over Again)" debuted at #18.
 * 8) On June 13, 2015, Uzari and Maimuna became the first Belarusians to chart on JayJ47's Music Charts after their single, "Time" debuted at #7 on the mainstream singles chart and #1 on the Pop/Rock singles chart.
 * 9) On June 20, 2015, Uzari and Maimuna become the first Belarusians to reach #1 on JayJ47's Top 25 Countdown. As a result, their single, "Time" also becomes the first Eurovision entry to top the chart.

title: User:JayJ47/2015: The Year In Music


text:
User:Akillian90/Choose an Article

Article Selection
Please list articles that you're considering for your Wikipedia assignment below. Begin to critique these articles and find relevant sources.

Option 1

 * Article title
 * edith garrud

 * Article Evaluation
 * needs more info and citing

 * Sources

Option 2

 * Article title
 * Article Evaluation
 * Sources
 * Sources
 * Sources

Option 3

 * Article title
 * Article Evaluation
 * Sources
 * Sources
 * Sources

Option 4

 * Article title
 * Article Evaluation
 * Sources
 * Sources
 * Sources

Option 5

 * Article title
 * Article Evaluation
 * Sources
 * Sources
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source: wikimedia

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/

title: User:Akillian90/Choose an Article


text:
User:Ellahowlett

I am an older reader of Poetry who is new to Wikipedia. I have made minor amendments to some pages on simple matters of fact. Ella Howlett

title: User:Ellahowlett


text:
Wikipedia:Articles for deletion/Maze Clays(tm)

The result of the debate was delete. Mailer Diablo 03:44, 25 March 2006 (UTC)

Maze Clays(tm)
Delete nn sport, ad, vanity, prod removed by creator w/o explanation the.crazy.russian   (T)   (C)   (E)  01:25, 20 March 2006 (UTC)
 * Delete, per above; 9 google hits  Wh e  re  (talk)  Clarify T1-reduce wikiStrife 01:27, 20 March 2006 (UTC)
 * Delete per nom -- T B C [[Image:Confused-tpvgames.gif|18px|]] ???  ???   ??? 01:28, 20 March 2006 (UTC)
 * Speedy Delete as copyvio. It's basically a slightly edited copy of their website at . Fan1967 01:34, 20 March 2006 (UTC)
 * Well, it's not b/c they posted it themselves ;) the.crazy.russian   (T)   (C)   (E)  01:35, 20 March 2006 (UTC)
 * I am the creator of the page and I don't understand what is the problem with the page? — Preceding unsigned comment added by Cautaro (talk • contribs) 20:37, 19 March 2006
 * The problem is that it's an ad, not an encyclopedia entry. Wikipedia is not free adspace. Fan1967 01:40, 20 March 2006 (UTC)
 * I have nominated this page for deletion because I believe this sport does not meet the notability criteria required under WP:N and further because the purpose of the article is to promote the sport/organization. Your input is valued here - go ahead and read the policies, and then you can make a case for why this article should be retained in the encyclopedia. the.crazy.russian   (T)   (C)   (E)  01:41, 20 March 2006 (UTC)

 * Delete - per nom Nobunaga24 01:47, 20 March 2006 (UTC)
 * Response to deletion request. Maze Clays is a new shotgun discipline that was just recently launched. It is a unique and newsworthy topic, from the fact that it already has a following in the shooting ranges that it was introduced. We have had TV coverage that is about to air in the following weeks. The article is not an ad or vanity, it plainly states the creators of the discipline and the main characteristics. It does not go into the benefits of this game over the other existing shotgun sports. This topic is verifiable by visiting the official website.
 * Not a promotion - it simply states the components and rules of the game. Please explain what you mean your accusations in greater detail so that I may respond.
 * God forbid, no accusations. I have nothing against you, and your shouldn't try to convince me, rather everybody here. The problem with your page is that I believe it violate WP:N and is an ad. the.crazy.russian   (T)   (C)   (E)  01:59, 20 March 2006 (UTC)
 * Details** I understand that this is a debate. I would like to know specifically, what is it that you see in this article that would classify it as an ad? Second, I have explained the fact that it is notable, because it is unique, something new a novelty, which already has a following among the hundreds of shooters who have tried it out.

 * Basically, there are two points. (1) it looks like an ad for the website that licenses the game and sells the equipment. (2) It appears non-notable as, basically, it looks like practically nobody is doing this. The lack of Google hits makes this look like a start-up attempting to get some exposure. You claim there's a following, yet nobody seems to be talking about it. (By the way, sign your comments with ~ ) Fan1967 02:07, 20 March 2006 (UTC)

Second, just because you can't find hits on Google doesn't mean that it does not have a following. What corellation exists between shotgun shooters and computer users. What basis do you have to tell me that shotgun shooters automatically are big fans of computers? The purpose of the article is to inform shooters about the existance of a new shotgun sport. What is wrong with that. The article does not mention a sales pitch which you claim that it is. Cautaro
 * First of all the article does not talk about licensing or selling the equipment. It describe the Maze Clays discipline. The link to the website is put there for verifiability purposes.
 * Delete Notability is a guideline, not a grounds for deletion. Whether this is an ad or not is debatable (although the TM everywhere doesn't help matters). But pending some kind of third party verification this article should be deleted. Note also that Wikipedia is not for self-promotion - the creators of such a sport should not be the ones writing an article about that sport. Ziggurat 02:38, 20 March 2006 (UTC)
 * Everybody's on the internet these days. Every gun club has a website and, apparently, if any of them are running these games, they're not listing them. Read the policy: WP:V. You cannot provide any verification other than the vendor's website that shows there is a following. Fan1967 02:40, 20 March 2006 (UTC)

 * Delete; at the least, this is a WP:V problem, as the only sources I can find about this are the Maze Clays website. Admitted to being "recently launched" as well, so WP:CHILL applies. -- Kinu t /c  02:49, 20 March 2006 (UTC)
 * Club reference - one club that is running the game has a link on their site: Tom Lowe Shooting Grounds User:Cautaro
 * Sorry, one club out of thousands does not constitute a notable sport. Fan1967 02:59, 20 March 2006 (UTC)

This is a quote from the notable page: "The word notable is often used as a synonym of "unique" or "newsworthy."
 * Comment The author wrote the following on my page page:

To explain, Maze Clays is unique because it uses a new system of operating the shotgun sport. Besides that it has a new classification and no registered targets are are necessary, two new, unique things which don't currently exist.

Second, it is newsworthy. We have been filmed by the Comcast channnel CSS and will be airing in the following weeks. We are in talks with other media sources who are interested to feature Maze Clays.
 * The fact that you are the producer of this product means that the article may also violate WP:VANITY. Also, Maze Clays has not yet been aired on any major media sources; whether it will be in the future is irrelavent. Finally, the article does not assert the notability of its topic and we thus have no idea how many users the product has and if that number is significant. Perhaps later it would be a good article, but not now.  Wh e  re  (talk)  Clarify T1-reduce wikiStrife 03:00, 20 March 2006 (UTC)

 * First of all the article describes a shotgun discipline, which by definition cannot be sold. The equipment is described to provide a better understanding of the game. Second, what is wrong with having the information come directly from the authors of the creation. In this day in age, where the internet allows creators and users to come together, why would Wikipedia be a barrier to this type of communication?

 * Inclusion criteria: What would the article need in order to be included? User:Cautaro
 * First of all, the article insists on using the TM symbol every time the discipline is mentioned. In other words, no one can run these games without paying royalties to the owners of the trademark. Don't be disingenuous. By definition, that is selling. In addition, it seems there's specialized equipment for this sport that's also being sold. Second of all, You are under a delusion that appears to be quite common, you believe Wikipedia exists to help promote and publicize new things. It does not. Fan1967 03:21, 20 March 2006 (UTC)

 * Delete, per nom. It may be "unique and newsworthy", but as has already been said, the article should be written by someone with nothing to gain or lose by its inclusion, the (tm) should be ditched, and it needs indepedent, third party sources beyond a single hyperlink from a random gun club of questionable notability in itself, such as mentions (that are not advertisements) in magazines, newspapers, etc. Otherwise, it's just self-promotion. -Dawson 03:42, 20 March 2006 (UTC)
 * Delete per nom, except for the prod part. There is no requirement to explain a prod removal.  · rodii ·  04:45, 20 March 2006 (UTC)
 * I agree, I stated that there was no reason given not as a reason for deletion but for the sake of full information. the.crazy.russian   (T)   (C)   (E)  05:28, 20 March 2006 (UTC)
 * Delete per nom except prod. ¡Dustimagic!  ( T / C ) 04:52, 20 March 2006 (UTC)
 * Delete per others. If someone independent of the sport's inventors decide to write an article that doesn't read like ad copy, and if the sport has, by that point, achieved significant media coverage, it would be worth inclusion then. Right now it just seems like a vanity/advertising page to me. Hbackman 04:55, 20 March 2006 (UTC)
 * Delete per nom. --Khoikhoi 05:16, 20 March 2006 (UTC)
 * Delete per nom. Sandstein 06:15, 20 March 2006 (UTC)
 * Delete per nom --Icarus 08:05, 20 March 2006 (UTC)
 * DeleteTM. J I P  | Talk 09:16, 20 March 2006 (UTC)
 * Delete per nom. --Ter e nce Ong 10:55, 20 March 2006 (UTC)
 * Delete No verifiable claim to notability. And it does look like an ad™. Robin Johnson 10:59, 20 March 2006 (UTC)
 * Delete - the constant trademark symbol did it for me. Lankiveil 11:10, 20 March 2006 (UTC).
 * Delete, vanity, ad, unverifiable. Jud e (talk,contribs,email) 11:50, 20 March 2006 (UTC)
 * Please review - the page has been updated, by removing the (tm) marking and also any references that would seem like vanity or ad. Also I have requested that the page be moved to Maze Clays from Maze Clays(tm). Also the image has been changed, so that it does not reflect the equipment by itself (not an ad). Again, the purpose of the page is to inform the Wikipedia users and I believe the Wikipedia users have a lot more to gain from this information, than by deleting this page. Please provide feedback. Cautaro 17:35, 20 March 2006 (UTC)
 * Delete strictly on the basis of NN. Maybe Maze Clays will become the ne plus ultra of skeet/trap shooting in the ensuing years and it might qualify for a huge article in an encyclopedia (written by an unrelated 3rd party...)  But today it simply another corporate promo item, and has yet to establish its notability.  Wikipedia can't have an article on every new game/product/idea that's out there.  Slowmover 17:13, 20 March 2006 (UTC)
 * Delete per nomination.--Isotope23 17:52, 20 March 2006 (UTC)
 * Delete vanispamcruftisement Just zis Guy you know? 18:23, 20 March 2006 (UTC)
 * Delete non-notable. - M ask [[Image:Flag_of_Alaska.svg|20 px]] 18:57, 20 March 2006 (UTC)
 * Notable - I have stated earlier that according to Wikipedia in order for a site to be notable, it has to be unique or newsworthy. I believe that Maze Clays is both, and that is the reason for which I don't see the basis for not notable claim. Maze Clays is unique, because is different from all the existing shotgun sports and it is newsworthy because it has solid fundamentals that will change the shotgun shooting industry. Cautaro 02:18, 21 March 2006 (UTC)
 * If it is newsworthy, the the news has covered it. Point out solid newspaper or magazine references for this subject, and it'll be considered notable. If they are 'soon to be', then the article will be deleted, without prejudice, and you can recreate it once a newspaper prints something on the subject. - M ask [[Image:Flag_of_Alaska.svg|20 px]] 02:22, 21 March 2006 (UTC)
 * (edit conflict) You believing that this is unique and newsworthy is not enough. Uniqueness and newsworthiness have to be borne out by other sources than people directly related to an article's subject. Hbackman 02:28, 21 March 2006 (UTC)

 * Newsworthy - I have found a reference to Maze Clays on Lost Target which is a "A web-based news service for gun enthusiasts", under the News of Interest section. Cautaro 19:01, 21 March 2006 (UTC)
 * Comment: It looks like a single hyperlink to your website (added today even), not an independently written news/magazine article. -Dawson 19:14, 21 March 2006 (UTC)
 * Still trying, eh? lol - the.crazy.russian   (T)   (C)   (E)  19:22, 21 March 2006 (UTC)

 * Response - The website that posted this link considered it as being a newsworthy item in order for them to place it on the main page under the News of Interest section. Cautaro 15:25, 22 March 2006 (UTC)

Comment The losttargets.com site is listed as a partner of mazeclays. Should be looked at with a grain of sand. Also, the memberlist on the forums on mazeclays.com include two entries, one of which was automaticaly created by the BBS program. - M ask  18:03, 22 March 2006 (UTC)

 * Response The LostTarget.com site is news site for shotgun enthusiasts. The fact that it appears under the Partners page is just a gesture of appreciation for their support. Second, the forum at mazeclays.com is a new addition and the list of users does not reflect the number of members. The number of users is just how many people registered to use the forums without correlation to members. Cautaro 13:13, 24 March 2006 (UTC)
 * Delete, copyvio, vanity. --Soumyasch 13:16, 24 March 2006 (UTC)


text:
Didem Sarıca

Didem Sarıca, married Süer, (born March 4, 1977) is a former Turkish female professional basketball player.

title: Didem Sarıca


text:
Help:Bugs

Note: Please don't place actual bug reports here. All software issues and site configuration requests need to be posted at the Wikimedia BugZilla installation, which can be found at http://bugzilla.wikimedia.org.

Found a bug?
This web site is powered by the MediaWiki software, which is the same product that runs our sister projects, Wikipedia, Wikinews, etc. and the Wikimedia Commons. For precise details on what's in use, see the version information.

As with all software, it is quite possible that there are several undiscovered and/or unresolved issues in MediaWiki which might interrupt use of the site at a particular time. If you discover a bug, it's extremely helpful to report it on our bug tracker. Once a report has been filed, the development team can begin to track and address the issue.

Before reporting a bug

 * 1) Check that it's a bug. Make sure that the problem can be reproduced under the same conditions.
 * 2) Check that it's not a known issue. Search the bug tracker using the search tool to avoid posting duplicate bugs.
 * 3) Gather the required information. We'll need to know where the bug happened, what happened (and when it's not obvious, why this is the wrong behaviour) and how to reproduce the problem for ourselves. If the problem requires a particular platform and operating system to reproduce, include this in the report - and make sure you select it when entering the bug.

When reporting a bug
When reporting an issue, provide as much detail as possible, and keep it relevant to the problem. If more than one problem is encountered, and the two are not related, please open separate bug reports for each.

For advice on effectively communicating problems, the following resources might be useful:

 * BugZilla Bug-Writing Guidelines
 * "How to Ask Smart Questions"; a useful guide for communicating problems to technical people
 * "How to Report Bugs Effectively"; an excellent guide on what to include in a bug report

After reporting a bug
Once the bug has been filed, the core developers and other subscribers to the wikibugs-l mailing list will receive email summarising the bug, and several things could happen.

 * One or more fields might be changed to categorise the bug in a more effective manner
 * A developer might assign the bug to themselves
 * The bug might be resolved INVALID or WORKSFORME
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As the bug reporter, BugZilla will ensure that you are emailed whenever the bug status changes (the aforementioned mailing list also receives such messages) so that you can see what's happening to your bug.

A good percentage of bugs are addressed within a week, and it's not uncommon to spot a bug being corrected a short time after it is reported. More involved reports might be placed on the "back burner" to await further improvements.

title: Help:Bugs


text:
Improvisation

Overview
The Oxford Concise Dictionary of Music by Michael Kennedy (1996) defines Improvisation as a performance according to the inventive whim of the moment, i.e. without a written or printed score, and not from memory. It has been an important element in music throughout the centuries.

Improvisation is something quite interesting and fun to do. It is an amazing ability to be able to sit down at a piano, or whatever instrument, and just play to your heart's content.

However, this ability requires an understanding of music theory, so I suggest that you (the reader) go to the beginner section and read the section on introductory music theory. If you feel that you are comfortable with music theory, then please continue.

History
In classical music we have what is called a cadenza. A cadenza is an improvization, showing off the virtuosity of the soloist (whether it be a singer, pianist, violinist etc...), which is usually inserted into the final cadence of any section of a vocal aria or solo instrumental movement.

Improvisation Basics
Basic improvisation relies largely on the accompaning chords. Generally, to basically improvise is to take the notes of the chord being played and mix them up, add a rhythm, and turn them into a melody. Here's an example. Let's say we have a four bar chord progression. C|F|G|C In the first bar you can take the three notes of C, and mix them up. Let's say in this example you play one note per beat, with four beats per bar. It means that you could randomly use C,E or G in an order, which you would make up as you went. In the second bar you could mix up the notes F,A and C in any order, and in third bar using the notes G,B and D. Here is an improvisation. Try playing this on your instrument: C G E C|C F F A|G B D B|C E C C You can mix up the notes in any order to make an improvisation.

title: Improvisation


text:
Talk:Probability and statistics

Introductory comments about "Wikiversity"
Okay, I'm sure this page will qualify me as a bonafied freak, especially now that I've gone around and looked at the other "Wikiversity" pages and seen how skeletal they were. But you know what? I really hope the day comes that we turn Education into a free resources that can be given to the masses rather than savored by the privileged few. I now trying to learn Spanish and hopefully in another two years or so I can start translating materials into that language.

So I was pretty interested in "riffing" on the idea of what a real Wikiversity would entail. Right now the Wikibooks are not looking much different from the Wikipedia articles which are great for what they are but there's a huge difference between amassing a large body of information where people can find it and teaching which involves:

 * patiently leading the student down a certain thought process
 * creating assignments that drill, repeat, test
 * finding ways of "explaining" things to a person who doesn't initially understand

These are the sorts of things a textbook (or "schoolbook") should focus on, and that'll take some planning. And for a topic as involved in Statistics, you'll have to impart a good foundation in the early materials and keep pushing forward until the advanced stuff. So I created a roadmap for what I believe would take a person of minimal age 18 (maybe as early as 16 for an intrepid prodigy) and take him or her through four years of hard work to the other side.

I know the chances of this actually taking solid root are pretty minimal, but you never know, do you?

--Murraytodd 06:09, 16 Sep 2004 (UTC)

This looks promising
Just a note of encouragement, I'm looking forward to more updates and perhaps contributing something myself.

Why is this here
There appears to be another book about statistics.

http://en.wikibooks.org/wiki/Statistics

Why are there two places for statistics?

Any of you know anything about this related section
Take a look at http://en.wikiversity.org/wiki/Topic:Statistics

Is this section active? --Lucas Gallindo 02:10, 11 September 2006 (UTC)

PS.: Nice job. What is your background on the subject? --

Steve Harris 22:06, 26 September 2009 (UTC) This is my first time on "Wikiversity" - I hope someone can help me - I want to know how bookmakers such as William Hill, Ladbrokes and Paddy Power etc., make a "round book" in horseracing. For example today's race - the 16.15 at Ascot - 4 runners, their prices were: 8/13, 5/2, 15/2 and 18/1. I believe that by adding these 4 fractions together the total comes to 107.5% - in other words the bookmaker would make 7.50 profit for every £100 he took in bets - what I want to know is how does he adjust his "book" each time someone puts on a bet? If someone could help me I would be very grateful. Steve Harris 22:06, 26 September 2009 (UTC)

title: Talk:Probability and statistics


text:
Talk:Dave Bamber

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Cheers.— InternetArchiveBot  (Report bug) 08:36, 5 September 2017 (UTC)

title: Talk:Dave Bamber


text:
2017–18 West Virginia Mountaineers men's basketball team

The 2017–18 West Virginia Mountaineers men's basketball team represented West Virginia University during the 2017–18 NCAA Division I men's basketball season. The Mountaineers were coached by Bob Huggins, in his 11th season as WVU's head coach, and played their home games at the WVU Coliseum in Morgantown, West Virginia as members of the Big 12 Conference. They finished the season 26–11, 11–7 in Big 12 play to finish in a tie for second place. They defeated Baylor and Texas Tech to advance to the championship game of the Big 12 tournament where they lost to Kansas. They received an at-large bid to the NCAA tournament where they defeated Murray State and Marshall to advance to the Sweet Sixteen, where they lost to Villanova.

Previous season
The Mountaineers finished the 2016–17 season 28–9, 12–6 in Big 12 play to finish in second place in conference. They defeated Texas and Kansas State to advance to the championship game of the Big 12 tournament where they lost to Iowa State. They received an at-large bid to the NCAA tournament where they defeated Bucknell and Notre Dame before losing in the Sweet Sixteen to Gonzaga.

Schedule and results
!colspan=9 style=| Exhibition

!colspan=9 style=| Regular season

!colspan=9 style=|Big 12 Tournament

!colspan=9 style=| NCAA tournament


text:
Talk:Palmer, Texas

Untitled
Need an article on Palmer High School Chris 23:49, 10 August 2006 (UTC)

title: Talk:Palmer, Texas


text:
J Awards of 2010

The J Award of 2010 is the sixth annual J Awards, established by the Australian Broadcasting Corporation's youth-focused radio station Triple J. The announcement comes at the culmination of Ausmusic Month (November). For the third year, three awards were presented; Australian Album of the Year, Australian Music Video of the Year and Unearthed Artist of the Year. The announcement occurred on 30 November 2010.

Who's eligible?
Any Australian album released independently or through a record company, or sent to Triple J in consideration for airplay, is eligible for the J Award. The 2010 nominations for Australian Album of the Year and Australian Music Video of the Year were selected from releases received by Triple J between November 2009 and October 2010. For Unearthed Artist of the Year it was open to any artist from the Unearthed (talent contest), who has had a groundbreaking and impactful 12 months from November 2009 and October 2010.

Australian Album of the Year
Dom Alessio on Innerspeaker said "Who needs drug trips when you've got Tame Impala? This album envelopes you with its dense guitars, rolling drums and swirling, psychedelic melodies. The attention to detail that Kevin & Co have on their debut is incredible. It's no surprise this album is getting rave reviews around the world."

title: J Awards of 2010


text:
Tony Stewart (American football)

Tony Alexander Stewart (born August 9, 1979) is a former American football tight end. He is the founder and executive director of the non-profit Beyond the Locker, which helps youth and athletes. He also works as a lead consultant to the National Football League (NFL) in the player engagement department.

Stewart was the inaugural recipient of the Maxwell Award.

Early life
Stewart played high school football at Allentown Central Catholic High School in Allentown, Pennsylvania, where he earned first team All-American honors and played in the East Penn Conference, one of the premier high school football leagues in the nation. Stewart also played high school baseball and basketball at Allentown Central Catholic.

He received 30 scholarship offers after his junior season. His top choices were the University of Miami, University of Michigan, and Penn State University. In addition to football scholarship offers, Boston University offered him a scholarship to play college basketball.

College career
Stewart accepted a football scholarship from Penn State, where he was a two-year starter, He finished his college career with 59 receptions for 861 yards and three touchdowns. As a senior, he became the first tight end since 1979 to lead Penn State in receiving (38-451, 2 touchdowns). His 38 catches as a senior set a Penn State season record for a tight end. He earned honorable mention All-America honors from Football News as a senior, and earned a bid to the 2001 Hula Bowl. He was also named second team All Big-Ten.

He graduated with a Bachelor of Science in recreation and parks management from Penn State in 2003.

Philadelphia Eagles
Drafted in 2001 by the Philadelphia Eagles in the 5th round (147th overall), Stewart made his NFL debut in the Eagles' game against the Kansas City Chiefs on November 29, 2001, making 2 catches, including a 1-yard touchdown reception from Eagles' quarterback Donovan McNabb. With this touchdown, Stewart became the first Eagle since Charlie Garner in 1994 to score a touchdown in his first game. He finished his rookie season with 5 catches for 52 yards.

2002 season
In 2002, he began the preseason with the Philadelphia Eagles, but was placed on the inactive list for the Eagles' season opener against the Tennessee Titans. He was subsequently assigned to the practice squad and signed with the Cincinnati Bengals on November 23, 2002. He made his 2002 playing debut with the Bengals on December 15, 2002 versus the Jacksonville Jaguars.

2003 to 2005 seasons
Stewart went on to have career highs in receptions (21) and yards (212) during the 2003 season. He played 16 games for the Bengals in 2004, making 10 catches and a touchdown. He also made his mark as a mainstay on special teams, racking up seven tackles and a forced fumble that year. Stewart saw significant playing time on offense and special teams in 2005. A back injury later that season broke his streak of 40 consecutive games played for the Bengals.

2006 season
Stewart signed a one-year contract extension with the Bengals during the 2006 offseason.

2007 to 2010 seasons
On March 9, 2007, Stewart signed a two-year contract with the Oakland Raiders. He played in 32 games and made 11 receptions for 81 yards in 2 seasons with the Raiders. He became a free agent at the conclusion of the 2008 season, but re-signed with the team on March 4, 2009. On August 30, 2010 Stewart was released by the Raiders.

Personal life
Stewart lived in Germany until age 3 while his father, Malcolm, served in the U.S. Army. His mother, Gisela, is a native German and raised Stewart to be bilingual in English and German. He lives in San Ramon, California in the off-season with his wife and children.

A nomination by Stewart led to his third-grade teacher winning the National Football League's 2004 Teacher of the Year award. Wanda Benkovic of Holy Spirit School in Allentown, Pennsylvania won the award and received $5,000 plus a trip to the Pro Bowl in Hawaii. The school received $10,000 from the NFL. Stewart credited Benkovic with helping him weather a difficult transition in 1987, as he switched from public to parochial school. "She made me feel like number one in a class of 21," Stewart said.

When Bay Area charity Hope 4 the Heart's warehouse was damaged in a 2008 fire, Stewart hosted a raffle fundraiser in Hayward, California to collect toys to replace those lost. The organization distributes toys to underprivileged children during the holidays.

In 2003, Stewart met Tony Stewart, the NASCAR driver of the same name. They were featured in pre-race ceremonies. Stewart was also grand marshal and gave the command to start the race. Stewart was a member of the Bengals at the time.

In June 2009, Stewart took part in the 2009 NFL/NFLPA "Broadcast Boot Camp," a program designed by the NFL Broadcasting Department and their broadcast partners to prepare players for possible post-playing careers in broadcasting.

In 2012, Stewart collaborated with Hopkins Junior High in Fremont, California to be in an assembly called "Beyond the Locker" and "I Got Skills" training drills.

title: Tony Stewart (American football)


text:
Talk:David H. DePatie

External links modified
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Cheers.— InternetArchiveBot  (Report bug) 00:18, 6 September 2017 (UTC)

title: Talk:David H. DePatie


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Ljubomir Vračarević

Ljubomir Vračarević (Serbian Cyrillic: Љубомир Врачаревић; 6 May 1947 – 18 November 2013), was a Serbian martial artist and founder of Real Aikido.

Biography
Ljubomir Vračarević studied aikido since 1971. During his first visit in Japan he was practicing in Hombu Dojo with Kisshomaru Ueshiba, the son of the founder of Aikido, Morihei Ueshiba.

During his second stay in Tokyo in 1993 at Yoshinkan, the school of Gozo Shioda, he met with Shioda, who rarely received visitors because of his age.

So far in his bodyguard instruction career, Vračarević held more than 150 seminars worldwide. Clubs of Real Aikido were host to more than 120,000 students.

His special area of teaching was the Real Aikido school for kids. He worked with kids aged 5 to 12 through a program called “With play to Master”, which is adjusted to children's physical and mental needs. Real Aikido is included in Serbian elementary school curriculum from 2005 as elective subject.

Vračarević was the author of 12 books and videos dealing with Real Aikido and self-defense. The books are written in Serbian, while some of them were translated to Russian or English. These include: “Defense From Knife”, “Aikido-Judo”, “Defense Without Fear” (self-defense for women), “I Was Training The Bodyguards”, ”Real Aikido”, “From Beginner to Master”, “Licence for Trainer”, and “Knife, Gun, Stick Techniques”.

Vračarević was an honour member of MAA, an international association of combat skills with headquarters in Germany, technical director of Real Aikido at Odbrana worldwide organization and the founder and president of World Centre of Real Aikido and European Martial Arts Hall of Fame.

Vračarević was an instructor in IBSSA, the International Bodyguard & Security Association. He was also a college professor for sport trainers in Belgrade.

In August 2002 the United States Martial Arts Association elected Vracarevic to its Hall of Fame and awarded him the title Grandmaster, black belt 10th dan, Sōke. This award is not recognized by any of the mainstream aikido organizations such as Aikikai and Yoshinkan.

He appeared as actor with small roles in movies Kako je propao rokenrol where he played ninja instructor and Šejtanov ratnik (Devil's warrior) in which he appeared as himself.

title: Ljubomir Vračarević


text:
File talk:Early photgraph of CambridgeBayWeather.jpg

Sorry about the revert, clicked on it by mistake Skew-t

Sorry about what happened here! I had seen (del) before and I wasn't sure what it did. When I decided to press it, I happened to be on your image page at the time. I thought nothing had happened, as I saw a message saying only administrators could do that action. I had no idea I had caused that damage; apologies to yourself and anyone who looked at your user page before you put it right. Lewis Potter talk · contribs 20:26, 12 March 2007 (UTC)

 * Nice picture --Miwanya 09:48, 1 May 2007 (UTC)


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Wikiversity talk:Productive forking and tailoring is encouraged

A couple of thoughts come to mind: first, is there a time window we are considering before materials are merged or removed?(saw that as one of the statements in the doc.) Second, should we promote a modularized or "object based" development? Such an approach would allow for a module to be used in other courses... reducing development time and better utilization of resources. For example a module in statistics could be used in management, accounting, and economics. What do you think? --Mfinney 14:46, 25 February 2006 (UTC)
 * Personally I think it will be impractical to restrict individuals in how they choose to structure their contributions. If after creating 200 daily lesson plans and FDL'ing in preparation for a high school class, the author and students cannot find them because they have been modulized for general use and relocated, we will pickup a reputation for a useless chaotic environment.  Hence the idea that anyone who sees potential as you state above is encouraged to fork or copy the original lesson plan with proper attribution credit and then modularize appropriately (tailor) and link in from the multiple classes.  Now we have the originals and the new version.  Both can be linked to from appropriate locations.  This type of thing will result in stray files but that can be managed effectively with the tools provided by the wikimedia software. Mirwin 19:18, 21 August 2006 (UTC)

Votes

 * Messedrocker 05:59, 18 August 2006 (UTC)
 * digital_metalk 01:08, 19 August 2006 (UTC)
 * -- sebmol ? 12:09, 20 August 2006 (UTC) Doesn't need to be a policy.
 * Mirwin 19:21, 21 August 2006 (UTC) Call it what then? Put under possible work methods?

Comments

 * Wikipedia already does this with U.S. government and 1911 Britannica publications. Messedrocker 05:59, 18 August 2006 (UTC)
 * What are the last two paragraphs about? Do we need those? Awolf002 00:23, 19 August 2006 (UTC)
 * Last two paragraphs were quick attempt to define when it is ok to simply delete a forked version created by someone else who is not using it or responding. Essentially never modded significantly and then abandoned by its user for some reason.  Personally at other wikis I have never had a problem with a few duplicate files but I know others do .... and then it occurred to me we might be talking about hundreds, thousands, millions of 101 lab exercises or other handouts.  I could live without them depending on how other cleanup procedures evolve. Mirwin 07:19, 19 August 2006 (UTC)
 * This could definitely be worked into a workable policy (akin to "being bold"), but I won't vote on what's there just yet. I don't agree with specifying materials as "active" or "idle" - I, personally, can't see this as practical, or beneficial. Cormaggio 08:30, 19 August 2006 (UTC)
 * I think we can address the "millions of 101 exercises" when we actually have them. Right now, deleting something the "looks old" is just not making sense. Awolf002 15:39, 19 August 2006 (UTC)

GFDL requirements
Please note that the requirement to provide a back-link to the copied page is a requirement of the GFDL. This policy needs to be clearer that this isn't simply an administrative convenience that can be ignored. It's a fundamental requirement of the project's copyright licence. Uncle G 00:06, 30 December 2008 (UTC)
 * Thanks for pointing this out. Feel free to edit the page appropriately.  I'm assuming that's true even of pages on the same project?  The Jade Knight (d'viser) 22:20, 30 December 2008 (UTC)
 * Yes. Although some argue that each project as a whole comprises a single document, that is not a practical interpretation of the GFDL, especially for those who want to mirror items individually.  The practical, and also common, interpretation is that each page is a single document, and the edit history is its list of authors, titles, and history for the purpose of the GFDL.  Therefore, copying and pasting a page to a new page is making a copy, under the GFDL, and subject to all of the requirements thereof, including preserving a link to the "network location" of the source, and retaining (or at least linking to) the prior authorship, title, and history. Uncle G 10:20, 11 January 2009 (UTC)


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Turkey at the 2017 World Games

Turkey competed at the 2017 World Games held in Wroclaw, Poland.

Karate
Uğur Aktaş won the bronze medal in the men's kumite 84 kg event.

Serap Özçelik won the bronze medal in the women's kumite 50 kg event.

Muay Thai
Ali Dogan won the gold medal in the men's 81 kg event.

Meltem Baş won the bronze medal in the women's 54 kg event.

title: Turkey at the 2017 World Games


text:
Hussain Fazal

Hussain Fazal (born 21 October 1906, date of death unknown) was an Afghan field hockey player, who competed at the 1936 Summer Olympic Games and played in both games.

title: Hussain Fazal


text:
Talk:O'Donnell, Texas

A Commons file used on this page or its Wikidata item has been nominated for deletion
The following Wikimedia Commons file used on this page or its Wikidata item has been nominated for deletion: Participate in the deletion discussion at the. —Community Tech bot (talk) 07:22, 25 February 2022 (UTC)
 * O'Donnell, TX, historical marker IMG 1504.JPG

title: Talk:O'Donnell, Texas


text:
Talk:Instrumental hip hop

Categorising instrumental hip hop albums
I've created a category for instrumental hip hop albums, so if you see an suitable article not categorised, could you please add "Category:Instrumental hip hop albums"?

Cheers. Powelldinho 20:16, 19 January 2007 (UTC)

title: Talk:Instrumental hip hop


text:
Talk:Enigmosaurus

Spelling
Shouldn't Enigmosaurus be spelled Enigmasaurus? Crimsonraptor (talk) 22:10, 2 September 2010 (UTC)
 * Just noticed this is one of the only dinosaur articles without any citations at all. What's up with that? For all we know, it could be called Enigmasaurus. FunkMonk (talk) 22:17, 2 September 2010 (UTC)
 * It's a gender agreement thing, I think. It would be either Enigmasaura or Enigmosaurus. Abyssal (talk) 02:21, 3 September 2010 (UTC)
 * You're right, there aren't any citations or references anywhere. Keeping that in mind, a search found these sites here and here. The latter has no more information than the Wikipedia article does, but at least it gives us a source for it. The former gives a little extra on why the pelvis was so peculiar. Crimsonraptor (talk) 14:23, 9 September 2010 (UTC)

 * Gender agreement is only between the generic name and the specific name. The connecting vowel in Greek words is normally "o", irrespective of gender (and besides, ainigma is not an adjective but a neuter substantive and saura is not the feminine of sauros). According to the describers the name was derived from Greek αἴνιγμα but this should have resulted in an "Enigmatosaurus". The name is thus actually derived from the related form αἰνιγμός, which also means "riddle" :o).--MWAK (talk) 08:19, 5 October 2011 (UTC)
 * I suppose that could be the case, thanks for the clarification :)
 * Alternatively, it could just be a misspelled name that took precedence, like what happened with Ambystoma/Amblystoma. Crimsonraptor • (Contact me) Dumpster dive if you must 22:56, 9 October 2011 (UTC)
 * Or just a mis-spelled name period. Nothing against those in the ICZN (see also Futalognkosaurus, Richardoestesia, Caudipteridae, etc.) It's on the author to spell/form the name correctly. If they don't, there's no corrective process--we're stuck with it (except, as noted, in cases of gender agreement between genus and species. Sinornithosaurus haoiana  is incorrect for example, and as soon as somebody mentions this and spells it as s. haoianus in print, the name will have been corrected officially). MMartyniuk (talk) 12:44, 10 October 2011 (UTC)

title: Talk:Enigmosaurus


text:
Template talk:Stub

Why are we using the word "module" instead of "page" in the template? Is "module" genuinely better than the more familiar "page" and universally correct everywhere that the template "stub" will be used? A consideration. Thanks :-) --Rogerhc 01:00, 23 September 2006 (UTC)

Suggestions

 * Rather than including the page name how about "This module is a stub ..." - avoids the problem of long page names in the box. Ktucker 22:48, 25 December 2008 (UTC)

title: Template talk:Stub


text:
Sätra SK

Sätra SK is a sports club in Sätra, Sweden, established in October 1967 as Sätrahöjdens SK before changing name some months later. 10 years after establishment, it had become a bandy and soccer-club only, since the early 1980s club's main focus is women's and girls' soccer.

The women's soccer team, which was started in 1969, played three seasons in the Swedish top division between 1978–1980.

title: Sätra SK


text:
Building A Cigar Box Guitar

From the Wikipedia Article:

The cigar box guitar is a primitive chordophone whose resonator is a discarded cigar box. Because the instrument is homemade, there is no standard for dimensions, string types or construction techniques. Many early cigar box guitars consisted only of one or two strings that were attached to the ends of a broomstick that was inserted into the cigar box. Other cigar box guitars were more complex, with the builder attempting to simulate a real stringed instrument, such as a guitar, banjo, or fiddle.

Currently, there is a resurgence in this humble instrument and musicians are creating many new designs. Some are adding additional strings and necks while others are incorporating active electronics that make them playable through guitar amplifiers. These musicians gather daily in the Cigar Box Guitar Forum [1] to discuss new construction techniques, playing styles and more. There are also several cigar box guitar festivals being organized throughout the United States.

If a cigar box is not available, other substitutes have been suggested. Notably, an unused pizza box.

Project Outline
This project is designed to help those in need or want to build a homemade guitar out of a couple of spare parts found inexpensively. For the average price of about $15 (not including necessary tools), you can craft and complete a working instrument, electrified or acoustic, to add a unique flair to performance or casual play.

Materials Needed

 * Wooden Cigar Box (the larger, the better)
 * 3 foot long 1x2 (Poplar wood is most affordable for its durability)
 * Elmer's Wood Glue, or other company's wood glues, or Gorilla glue
 * Tuning Machines Elderly Music (wide selection)
 * 1/2 pint sealant/stain
 * Sponge Paint Brush (1/2" to 1" works well)
 * Sandpaper (220 grain)
 * Drill w/ multiple sized bits
 * Hacksaw/Coping Saw
 * 1/2" Woodfile

Getting Started
There are as many ways to construct a Cigar Box Guitar (or CBG) as there are people on this earth, what I am outlining for you is my own method of construction I have come up with through trial and error. To keep things simple, I am going to stick with the most basic techniques.

Make sure you have a couple of hours to dedicated to the initial steps of construction, as these require the most care. Give yourself plenty of working space, and depending on where you are working, be prepared to clean up a lot of sawdust and wood scrap. Make sure to envision what you want your CBG to look like before you jump in and start making cuts in your wood. This can be a slow learning process, so just be patient and sooner than you may think, you'll have your very own hand-built CBG to show off and play.

title: Building A Cigar Box Guitar


text:
Template:Did you know nominations/Amy Clay

Amy Clay

 * ... that 2012 Australian Olympic quadruple sculls rower Amy Clay started rowing in 1997 while living in Portland, Oregon?
 * Reviewed: 1912 Summer Olympics

Created/expanded by LauraHale (talk). Self nom at 05:09, 10 July 2012 (UTC)

 * Symbol question.svg Everything fine with length, date, citations etc, but isn't the hook a bit dull? I've added a bit of text to the article so how about something like

 * alt 1 ...Pippa Savage was replaced by Amy Clay in the 2012 Australian Olympic quadruple sculls crew because of "incompatibility issues" with her three team-mates? - Ba se me nt 12  (T.C) 15:08, 10 July 2012 (UTC)
 * That ALT1 hook is interesting, but it looks like it might present a bit of a BLP issue, regarding Pippa Savage... The fact that Clay is from the United States (didn't just live there) seems to me like a good potential hook.
 * Looking at the article, I had some concerns about tying down facts. The article says she was born in Orange County, California, based on the "Fast Facts" box in this source, but the text of that same source page gives her birthplace as Myrtle Beach, which is in South Carolina. Both the article and the source say she attended "Montesory School" in Myrtle Beach, but dollars-to-donuts that is just a misspelling of "Montessori". Any chance of resolving those inconsistencies? --Orlady (talk) 18:02, 10 July 2012 (UTC)
 * I think I have resolved these concerns by removing the information about her primary school schooling. I've replaced this with a source from where she rowed on the university level and some information on when and where she took up the sport, and her move to Australia.  I thought about the Pippa thing but given the big news about this in Australia, I thought it might head into BLP areas unless referenced obliquely. Hence, the DYK hook related to where she came from.  It could now be changed to say she didn't take up the sport until she attended university. --LauraHale (talk) 00:00, 11 July 2012 (UTC)
 * The issue of her place of birth remains; the source it is referenced to contradicts itself by giving it as both Orange County, Florida (in the fast facts box on LHS) and as Myrtle Beach (in the interesting facts section). Another source needs to be found or the birthplace should be removed from the article. If we can confirm a US birth how about

 * alt 2 ... that rower Amy Clay was born and schooled in the United States but will compete in the quadruple sculls for Australia at the 2012 Summer Olympics?  -  Ba se me nt 12  (T.C) 00:23, 11 July 2012 (UTC)

 * I'm good with alt2. :) --LauraHale (talk) 00:30, 11 July 2012 (UTC)
 * Removed birthdate and location. Article still checks out as long enough. --LauraHale (talk) 02:42, 11 July 2012 (UTC)
 * Symbol question.svg Um, now the article doesn't say anything about where she was born, but the hook says she was born in the United States. If the hook names the birth location, it needs to be in the article.
 * I have re-inserted the fact that Amy went to school in Myrtle Beach, as all sources that mention her early school agree on Myrtle Beach.
 * There are a number of errors that I think are attributable to Australians being understandably confused about U.S. geography (for example, one place described her high school as being in "Myrtle Beach Sth, Carolina", and another said Lewis & Clark College is in Sydney -- those are obviously errors). Every source that I've seen that mentions her birth place puts it somewhere in the U.S. (including "Orange County, United States of America", "Myrtle Beach in the United States", "North Carolina", and "Chapel Hill, United States"), so it's clear she was born somewhere in the United States. --Orlady (talk) 04:40, 11 July 2012 (UTC)
 * Erk. I put that she was born in the United States into the article text.  Does that fix it? --LauraHale (talk) 05:18, 11 July 2012 (UTC)
 * Symbol confirmed.svg I'm happy for this to go forward with alt 2 - Ba se me nt 12  (T.C) 13:12, 11 July 2012 (UTC)
 * Symbol confirmed.svg Me, too. --Orlady (talk) 14:39, 11 July 2012 (UTC)

authors: ಮಲ್ನಾಡಾಚ್ ಕೊಂಕ್ಣೊ


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User:Stainedglasscurtain/sandbox

Jane Bordeaux is an Israeli indie, country, and folk band founded in 2012. The three members of the band are Doron Talmon, Matti Gilad, and Amir Zeevi.

Table of Contents [ Hide ] 1 Biography 2 band members 3 Discography 4 External links 5 Footnotes Biography [ Edit source code | Edit ] The band started out with four friends, including Talmon and Gilad, who met at the Rimon School of Music, and were initially characterized by a country-style rockist style. The origin of the name "Jane Bordeaux" is the combination of the two names of the horses by soloist Doron Talmon. At one point the other two members of the band left, and just then Ze'evi returned from music studies in New York and joined the duo. After joining the band, the band began to play only in acoustic form in their performances, due to technical constraints. They kept this format because they said, "Suddenly it sounded right, the texts came out better and the arrangements still sounded full" and helped them maintain mobility, abandoning the rock style and focusing on Folk Country style.

On August 20, 2014, the band's first single, Einav, was released. Two months later, on October 4, the debut album peas of the band, "Jane Bordeaux", which was funded through project site Hdstart. [1] On November 20 of that year, the second single from the album was released, "How You Can not". The second single led to the band's breakthrough, after it became a hit radio. At the end of 2015, data were published according to which the band was the most heard in Galgalatz in the past year. [2]

On August 26, 2016, they received a gold album during a performance at the Zappa club in Tel Aviv.

title: User:Stainedglasscurtain/sandbox


text:
Ninho

William Nzobazola better known by his stage name Ninho (born 2 April 1996) is a French rapper and singer.

Early life
William Nzobazola grew up in Nemours, in Seine-et-Marne. His parents are Congolese. His father was Congolese singer Serge Kiambukuta. Ninho started rapping at the age of 12. He has credited American artists T.I., Gucci Mane, and Young Thug as early influences on his hip hop career.

Career
From 2013 to 2016, Ninho released three mixtapes: Ils sont pas au courant Vol. 1 (2013), En attendant I.S.P.A.C 2 (Ils sont pas au courant 2, 2014) and I.S.P.A.C 2 (2016). On 26 October 2016, he released M.I.L.S (Maintenant ils le savent) which is certified platinum, selling over 100,000 copies in France and reaching the #11 spot on the SNEP chart. Ninho then released five studio albums: Comme prévu (2017), M.I.L.S 2.0 (2018), Destin (2019), M.I.L.S 3.0 (2020), Jefe (2021), NI (2023). In February 2023, Ninho counted exactly 150 gold singles, 82 platinum singles, and 45 diamond singles.

Singles
*Did not appear in the official Belgian Ultratop 50 charts, but rather in the bubbling under Ultratip charts.

Featured in
*Did not appear in the official Belgian Ultratop 50 charts, but rather in the bubbling under Ultratip charts.

Other charting songs
grand bain*Did not appear in the official Belgian Ultratop 50 charts, but rather in the bubbling under Ultratip charts.

title: Ninho


text:
User:Abdallah albeltagy/Books/Pesticides

Chemistry, Toxicity and Appication

 * Chapter (1) : Introduction
 * Chapter (2) :Pesticide groups
 * Pest (organism)
 * Herbicide
 * Insecticide
 * Insect repellent
 * Insect growth regulator
 * Fungicide
 * Nematicide
 * Molluscicide
 * Rodenticide
 * Bactericide
 * Piscicide
 * Avicide

 * Chapter (3) : Insecticides Chemistry
 * Nicotine

 * Chlorenatedhydrocarbons
 * Organochloride
 * DDT
 * Heptachlor
 * Chlordane
 * Endrin
 * Aldrin
 * Dieldrin

 * Organophouspherous
 * Organophosphate
 * Parathion
 * Endosulfan
 * Malathion
 * Chlorpyrifos
 * Dichlorvos
 * Fenitrothion
 * Azinphos-methyl

 * Carbamates
 * Carbamate
 * Carbaryl
 * Oxamyl
 * Aldicarb
 * Carbofuran

 * Pyrethroides
 * Pyrethrum
 * Pyrethrin
 * Pyrethroid
 * Permethrin
 * Cypermethrin
 * Bifenthrin

 * Insect growth regulators
 * Chapter (4) : Insecticides Toxicity
 * Acetylcholinesterase
 * Pesticide poisoning

 * Chapter (5) : Insecticide applications
 * Pesticide
 * Stockholm Convention on Persistent Organic Pollutants
 * Mode of action
 * Mechanism of action
 * Health effects of pesticides
 * Environmental impact of pesticides
 * Silent Spring
 * Rachel Carson
 * United States Environmental Protection Agency
 * Pesticide residue
 * Occupational exposure limit
 * Risk assessment
 * Pesticide resistance
 * Persistent organic pollutant
 * Larvicide
 * Pesticide application


text:
Ines Rieder

Ines Rieder (3 May 1954 – 24 December 2015) was an Austrian author, political scientist and journalist.

Life
Rieder was born in Vienna, Austria, the daughter of Hilda and Walter Rieder. She studied political science and ethnology at the University of Vienna. Her later career would see her travel to California, Brazil and throughout Europe.

From 1976 to 1984 she worked as a journalist and translator in Berkeley, California. She also found work in San Francisco with a media and translation collective. There she helped to produce Newsfront International, and Connexions, an international feminist quarterly. From 1984 to 1986 she was journalist and interpreter in São Paulo, Brazil.

Rieder was editor-at-large for Cleis Press in San Francisco from 1987 to 1994. One of the notable books that she edited in her time there was Aids: The Women (1988), the first book to document the work of women in the early years of the Aids crisis and the solidarity between the lesbian and gay communities in this period. The book was published in the US, Europe and China. In 1994 she published ''"Wer mit wem?" Berühmte Frauen, ihre Freundinnen, Liebhaberinnen und Lebensgefährtinnen (in translation: Who with whom? Famous women, their friends, lovers and partners''), the first of her several studies of the lives of lesbians.

In 2000, Rieder and Diana Voigt completed the biography of Margarethe Trautenegg-Csonka (1900-1999), Sigmund Freud's lesbian patient, who they codenamed as "Sidonie C.", after interviewing her at length towards the end of her life. It was published in four languages and reissued in 2012. Rieder contributed to many anthologies and researched the lives of lesbians in Vienna during and after the second world war. In 2001 she was co-editor of a catalogue for an exhibition project called The Different View, about lesbian and gay life in Austria, and in 2005 was co-curator of (in translation) Secret Life: About gay men and lesbians in 20th-century Vienna.

Rieder joined the women's movement in Brazil, worked on rainwater-harvesting projects and was a proactive supporter of Women on Waves, an international organisation using a Dutch ship to provide abortion and contraception services in countries where these are difficult to obtain or illegal. Most recently she was supporting work with refugees from Syria in Vienna, especially those from the LGBT communities.

Publications

 * "Wer mit wem?" Hundert Jahre lesbische Liebe. Berühmte Frauen, ihre Freundinnen, Liebhaberinnen und Lebensgefährtinnen. Wiener Frauenverlag, Wien 1994 Vienna, 1994 ISBN 3-423-36054-2.
 * with Diana Voigt: Heimliches Begehren: Die Geschichte der Sidonie C. 2000. (Biography of Sigmund Freud's lesbian Patient Margarethe Trautenegg-Csonka, republished in 2012 under the title Die Geschichte der Sidonie C., Sigmund Freud's berühmte Patientin)
 * with Wolfgang Förster and Tobis G. Natter: The Other Look, Queer Lives in Austria. 2001.
 * with Andreas Brunner, Nadja Schefzig, Hannes Sulzenbacher und Niko Wahl: Geheimsache: Leben. Schwule und Lesben im Wien des 20. Jahrhunderts. Ausstellungskatalog. 2005.
 * Mopsa Sternheim – Ein Leben am Abgrund. Zaglossus, Austria 2015, ISBN 978-3-902902-25-2.

title: Ines Rieder


text:
Talk:Pecan Gap, Texas

External links modified
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title: Talk:Pecan Gap, Texas


text:
Talk:The Eight Hundred

Controversy
The introduction twice mentions a controversy, but nowhere is the controversy explained. Kdammers (talk) 04:52, 15 September 2020 (UTC)
 * I spotted that too. Emir of Wikipedia (talk) 20:20, 30 September 2020 (UTC)

Question
No reference to Zack Snyder's '300' ? 2001:9E8:600A:1700:4D64:92AB:8148:8690 (talk) 18:24, 9 February 2021 (UTC)

title: Talk:The Eight Hundred


text:
Evacuation immediate

Evacuation immediate (SAME code: EVI) is a warning issued through the Emergency Alert System (EAS) in the United States to notify the public of a mandatory evacuation due to a wildfire, approaching hurricane, or an imminent explosion due to a gas leak. It is typically issued by a local or state authority and is relayed by the National Weather Service. The warning can replace a Civil Emergency Message, Fire Warning, or other warnings when required.

Weather radio receivers, EAS Equipment boxes, and TV scrolls will display EVI alerts as immediate evacuation, and any text-to-speech voices from the EAS boxes will read the alert as "immediate evacuation" rather than "evacuation immediate".

Example of a NWS issued evacuation immediate
MIC133-211815-

BULLETIN - EAS ACTIVATION REQUESTED EVACUATION IMMEDIATE EMERGENCY MANAGEMENT RELAYED BY NATIONAL WEATHER SERVICE GRAND RAPIDS MI 1001 AM EST WED NOV 21 2012

THE FOLLOWING MESSAGE IS TRANSMITTED AT THE REQUEST OF OSCEOLA COUNTY EMERGENCY MANAGEMENT.

EVART FIRE DEPARTMENT IS DIRECTING CITIZENS AND RESIDENTS IN THE AREA OF U.S. 10 AND 60TH AVENUE TO AVOID TRAVEL ALONG U.S. 10 NEAR THE AREA...AND FOR RESIDENTS WITHIN 1/2 MILE OF 60TH AVENUE AND U.S. 10 TO LEAVE THEIR HOMES AS A RESULT OF A FUEL TRUCK ACCIDENT.

A TEMPORARY RECEPTION CENTER HAS BEEN ESTABLISHED AT THE EVART HOUSING COMMISSION LOCATED AT 601 WEST 1ST STREET IN THE CITY OF EVART. STAY TUNED TO MEDIA SOURCES SUCH AS LOCAL TELEVISION...RADIO...AND NOAA WEATHER RADIO FOR FURTHER INSTRUCTIONS AND ISSUANCE OF AN ALL CLEAR MESSAGE. FURTHER INFORMATION CAN BE OBTAINED BY DIALING 2 1 1.

$$

title: Evacuation immediate