text:
Talk:Carl von Clausewitz

I wonder if we really need to leave the italian version of Muhm's paper in the 'offline sources': IMHO the english & online version would be enough... --CorentinB 22:59, 16 February 2007 (UTC)

Differences in the translations of On War
Given in this topic are two out of the vary many versions of On War in English, most of which take from one of the three major translations: (in chronological order) Col. JJ Graham, O. J. Matthijs Jolles and Howard and Paret.

Graham's translation was far closer to the original date of publishing of Vom Krieg than the latter two, with Jolles' translation being made during WWII and Paret and Howard undertaking theirs in the 1970s. It is the closest to the original, too, and this literal translation is actually a boost: you can tell from Graham more of what Clausewitz was thinking than you can with Howard and Paret. This can also be attributed to the chronology. Clausewitz.com considers Graham's translation to be 'long obsolete' - I disagree, and urge you not to take the advice of others too seriously (including mine!) and read the translations for yourselves.

Howard and Paret sparked a debate, still ongoing, with their translation. Rather than translating the famous line as 'war is the continuation of politics by other means', they changed 'poltics' to 'policy'. It is the opinion of Dr. Jan Willem Honig, an internationally recognised Clausewitz expert fluent in, among others, German and English, that this is just one of many examples of Howard and Paret taking Clausewitz out of context and being too free with their translation. This translation may be the 'standard translation' today, but exercise caution if you consider standard textbooks to be the benchmark!

--ChrisfowTalk to me! 21:23, 29 March 2007 (UTC)

title: Talk:Carl von Clausewitz


text:
Talk:Donald Abel

Family
Don Abel's son Mark was badly injured in a skiing accident when he was in high school. This caused him to be paralyzed from the waste down and he regained only partial use of his arms and hands. Mark worked hard to build a life and business for himself, but I don't have many of the details. If someone out there does, can you please add it? Also, I think it would be good to have more written about the Dundas Review paper him and his wife (I am pretty sure her name was Debbie) started after he left office.
 * This article is about Don Abel, not his family. Bearcat (talk) 08:50, 6 March 2009 (UTC)

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title: Talk:Donald Abel


text:
Talk:Radius (string instruments)

Still to add:

 * Some typical radii of both nuts and bridges.

 * Are violin and other orchestral string fingerboards cylindrical, or conical?

 * Mention should be made of the adjustable bridge saddles found on electric guitars.

And lots more I'm sure! Andrewa 20:04, 21 March 2006 (UTC)

Why not merge this into the fingerboard article? I don't see any reason why there should be seperate articles, and there's already some repeated information between the two. <IP_ADDRESS> 04:49, 1 July 2006 (UTC)

title: Talk:Radius (string instruments)


text:
User:Mbwinfield

Genealogy researcher Wikipedia content focused on colonial and US statehood New York family data

Wikipedia genealogy information, photos and geographic pictures of NY, CT, MA region and present-day United Kingdom

title: User:Mbwinfield


text:
Talk:Dondré Whitfield

T.
What does the T stand for in his middle name? Mike H. I did "That's hot" first! 03:52, 8 September 2007 (UTC)

Terrell Jman4200 (talk) 06:49, 18 July 2016 (UTC)

title: Talk:Dondré Whitfield


text:
Talk:Domenic Recchia

False information in post
The following statement is false: "In August 2014, it was reported that a Brooklyn non-profit, to which Recchia had been the predominant funder while on the city council, has been subpoenaed by the Attorney General for information relating to its finances.[15]"

This is false information-- no such subpoena has been issued by the Attorney General. This must be removed immediately.
 * The source appears to be this Staten Island Advance article, which is based on a report by Capital New York, a site that was acquired by Politico in 2013. I cannot access the "Capital Pro" content. I have therefore searched for other sources. I cannot find any. Since contentious material about living persons that is poorly sourced must be removed immediately, and the content is being disputed, I have removed the material. --<IP_ADDRESS> (talk) 13:31, 15 October 2014 (UTC)

External links modified
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title: Talk:Domenic Recchia


text:
1960 BRDC International Trophy

The 12th BRDC International Trophy was a motor race, run to Formula One rules, held on 14 May 1960 at the Silverstone Circuit, England. The race was run over 50 laps of the Silverstone Grand Prix circuit, and was won by British driver Innes Ireland in a Lotus 18. The race was marred by the death of experienced American driver Harry Schell in a violent accident during practice in wet conditions.

The field also included several Formula Two cars. They were the Coopers of Denis Hulme, Tony Marsh, John Campbell-Jones, Tim Parnell and Chris Bristow.

Other cars

 * Stirling Moss also practised in a different Cooper-Climax (car #20T) but it was damaged in an accident. He subsequently practised and raced Ken Gregory's car.
 * John Surtees also practised in a privately entered Formula Two Cooper-Climax (car #32) but did not race it. He may also have been entered for the race in a Vanwall, but this is not confirmed.

title: 1960 BRDC International Trophy


text:
Molla Mohammad

Molla Mohammad or Mulla Muhammad may refer to:

 * Molla Mohammad, Bushehr
 * Molla Mohammad, Razavi Khorasan

title: Molla Mohammad


text:
Wikipedia:Articles for deletion/Ai Uehara

The result was delete. Malcolmxl5 (talk) 15:12, 5 October 2017 (UTC)

Ai Uehara

 * – ( View AfD View log  Stats )

Not my field, but I doubt that any of these awards are notable.  DGG ( talk ) 21:20, 21 September 2017 (UTC)
 * Delete a non-notable actress.John Pack Lambert (talk) 21:38, 21 September 2017 (UTC)
 * Note: This debate has been included in the list of Women-related deletion discussions. Coolabahapple (talk) 08:17, 22 September 2017 (UTC)
 * Note: This debate has been included in the list of Actors and filmmakers-related deletion discussions. Coolabahapple (talk) 08:17, 22 September 2017 (UTC)
 * Note: This debate has been included in the list of Japan-related deletion discussions. Coolabahapple (talk) 08:17, 22 September 2017 (UTC)

 Relisted to generate a more thorough discussion and clearer consensus.
 * Comment Judging adult actresses is not my cup of tea, but this is one even I heard of, since she has been on regular TV and in the news. So in terms of WP:GNG, there is a lot to consider, all these being major media sources (not adult sites):, , , , , , , , , , , , , , , etc. I cannot judge the awards, but these sources say she was the best selling AV actress for a while with a big following even in China. Michitaro (talk) 11:32, 22 September 2017 (UTC)

Please add new comments below this notice. Thanks, North America1000 19:30, 28 September 2017 (UTC)
 * Delete: Nothing special here, GNG not met, notoriety is not necessarily notability.  Montanabw (talk) 06:01, 2 October 2017 (UTC)
 * Delete -- does not meet notability guidelines for actors / adult actors; the coverage offered above is insufficient for GNG. K.e.coffman (talk) 07:03, 3 October 2017 (UTC)


text:
Minerva Theatre, Sydney

The Minerva Theatre was a theatre located in Orwell Street in Kings Cross, Sydney. Originally a live venue, it was converted to the Metro Cinema in 1950, before returning to live shows in 1969. It ceased operating as a theatre in 1979. From 2019 onwards, there were community efforts to ensure the building would continue operating as a theatre. However, in 2023, the City of Sydney announced the building would be redeveloped as a hotel/nightclub.

History
In 1937, David N Martin, a theatrical publicity and advertising agent, formed a new theatre company named Minerva Centre Ltd to erect two live theatres on opposite sides of Macleay Street, Potts Point. An early design for the Orwell Street site by Bruce Dellit was rejected in favour of a more modest design by cinema specialists Crick & Furse, which opened on 18 May 1939 with a production of Robert Sherwood's Idiot's Delight. The site for the other proposed theatre site was acquired by the City of Sydney and is now the Fitzroy Gardens. The site in front of the Minerva facing Macleay Street was developed as the Minerva Cafe and Nightclub, with a vaulted roof.

In May 1941 it was leased by Whitehall Theatrical Productions, an independent production company. They remained in the venue for almost a decade, staging their last show there in April 1950.

Metro-Goldwyn-Mayer purchased the building in 1950 and converted to a movie theatre, renaming it the Metro Cinema. Harry M. Miller returned the venue to live theatre in 1969 with a production of the musical Hair.

In 1979 the building was converted to a market. It subsequently became offices for the Kennedy Miller film production company.

In 2019, Kennedy Miller sold the building to the Abacus Group, amidst hopes it might again become a live theatre.

Heritage listed by the City of Sydney including the interior, it was nominated by them to the NSW Heritage Register in 2019.

The Metro Minerva Theatre Action Group (MTAG) was formed in 2019 to lobby and campaign for the reinstatement of the Minerva to a fully functioning theatre

On 9th November 2023, the City of Sydney approved plans for the Metro-Minerva building to become a hotel/nightclub. The MTAG website was then updated with the below message:

"We are devastated at this news, and this heritage gem will be lost forever after this irrevocable alteration for a business plan that stacks up or has longevity... Thank you for your support over the years. Sadly, despite much pressure for local residents, due to a system stacked against us and the inertia of the NSW arts minister, we have lost."

Design
The Art Deco theatre was designed for comfort, with lounge seating and only 1000 seats. The stage had a proscenium design and there were two small side stages.

The City of Sydney heritage citation states that :

"The Metro Theatre, although altered, is an exceptional example and represents the apotheosis of the Art Deco Streamline Moderne style in New South Wales. The Metro Theatre has an expertly controlled geometric massing of the exterior form, exhibiting all the trademarks of the Streamline Moderne style. Strongly influenced by Expressionism, the tower is one of the most strikingly successful Streamline Moderne structures ever realised in New South Wales. Although altered internally, the shell of the auditorium remains. Strongly influenced by Expressionism, the auditorium is one of the most striking theatre interiors ever realised in New South Wales."

title: Minerva Theatre, Sydney


text:
User:Tasnim jahan jerin0.0

= 1 taka meal = 1 Taka meal (1 টাকায় আহার) is a fund in bangladesh which offers street children to have their meal by 1 penny. this is one of the most famous and successful project of bidyanondo foundation.

1 taka meal

https://onetakameal.org/

http://www.globaltimes.cn/content/1019930.shtml

title: User:Tasnim jahan jerin0.0


text:
Wikipedia:Articles for deletion/Flyswatter (album) (3rd nomination)

The result was   Delete and salt. ItsZippy (talk • contributions) 12:41, 20 July 2012 (UTC)

Flyswatter (album)
AfDs for this article:
 * – ( View AfD View log  •  Stats )

Fails WP:NALBUMS, and WP:N more generally: Non-notable demo recording, albeit by a notable artist but no evidence that this early recording has received significant secondary source coverage to warrant an article. Previous versions of this article have been deleted 3 times (the 2 prior AfDs listed in the box above, as well as Articles for deletion/Flyswatter (Demo)), and this version isn't substantially different from the prior ones. IllaZilla (talk) 09:20, 12 July 2012 (UTC)
 * Note: This debate has been included in the list of Albums and songs-related deletion discussions.  • Gene93k (talk) 14:56, 12 July 2012 (UTC)

 * Delete and Salt - Per nom, it seems the article creators don't seem to understand that Notability is not inherited. Sergecross73   msg me   15:15, 12 July 2012 (UTC)
 * Delete. I too am unable to locate significant coverage for this demo; it does not appear to meet WP:GNG or WP:NALBUMS. It is already mentioned in the "Formation" section of the band's main article and that's probably sufficient.  Gongshow  Talk 04:21, 16 July 2012 (UTC)
 * Delete and Salt. Non notable and fails WP:ALBUMS. Should the creator want to try again if it achieves notability, they should take it to WP:REFUND. Trusilver  06:46, 20 July 2012 (UTC)


text:
Kenji Iijima

Kenji Iijima (born 2 January 1935) is a Japanese field hockey player. He competed in the men's tournament at the 1960 Summer Olympics.

title: Kenji Iijima


text:
User:Transliterati

Transliterati
I'm a Translation Studies MSc student at the University of Edinburgh.

My example citation
I watched a video about Catalan independence on the BBC News site.

My example lists
Things I like:
 * Literature
 * Translation

title: User:Transliterati


text:
User:Wvogeler

Welcome
As a new member of the Wikiversity community, I welcome you to my user page.

Having recently retired from teaching at a public university, I am pursuing academic research through Wikiversity and Academic Publishing Wiki.

For my first project, I have created a journal for amateur astronomers like myself. It is called Amateur Astronomy.

If you have similar interests, please visit the site and contribute. And enjoy your stay.

title: User:Wvogeler


text:
Portal:U.S. roads/Did you know/September 2019

 * ...there is a sign (pictured) at the terminus of U.S. Route 20 in Boston, Massachusetts listing the distance to Newport, Oregon?
 * ... that there is a 137 mile span in the Sierra Nevada mountains with no road crossings? Excluding non-through and seasonally closed roads, there is an over 200 mile gap with no highway crossings between Walker Pass along California State Route 178 and Carson Pass along California State Route 88?
 * ... that the name of the Saginaw Trail in Michigan comes from the Ojibwe word for "where the Sauk were"?
 * ... that after the September 11 attacks, a seldom-staffed temporary border patrol checkpoint was installed on Interstate 91 near White River Junction, Vermont, about 100 mi from the Canadian border?
 * ... that a section of U.S. Route 97 Alternate in central Washington state was rebuilt on higher ground in the 1950s to prevent inundation from a new hydroelectric dam?


text:
Kincaid House (Speedwell, Tennessee)

The Kincaid House is a historic house in Speedwell, Tennessee, U.S.. It was built circa 1840 by John Kincaid II for his brother, William Harrison Kincaid. In 1880, it was acquired by the Bryant family, who sold it to Bill Russell in 1898. It has been listed on the National Register of Historic Places since March 22, 1982.

title: Kincaid House (Speedwell, Tennessee)


text:
OC Photography Program/Fundamentals of Photographic Technique

Every type of art relies on practitioners' control their technique. A painter who doesn't know how to control the flow of paint cannot reliably produce predictable results; a musician who doesn't know how an instrument will respond can't produce music. Happy accidents can be great for learning and can sometimes result in interesting effects, but if not harnessed as part of a broader technique or strategy, they rarely result in meaningful work.

The same is true of photography: to be able to create engaging images, a photographer has to have a measure of control over his or her medium. The aim of this article is to set out the most fundamental aspects of photographic technique, in the broadest strokes that would make it possible for a photographer to make conscious, controlled choices, and without relying on automation to make them instead.

= Photographic materials = Photographers have used a variety of materials to make images, including plastic film, glass plates, collodion (essentially gun cotton dissolved in ether and alcohol), gelatin, albumen, starch, as well as a variety of compounds of silver, gold, platinum, palladium, chromium, mercury and gold. There is very little that someone hasn't tried using in photography. Of those that have produced workable results, the most popular are plastic base films with silver compounds dispersed in gelatin. However, even within this seemingly narrow category, the choices are very impressive.

Monochrome or color
One of the most fundamental choices a photographer has to make is whether the final image is to be monotone ("black and white") or color. Black and white photography was the standard in the first century after its invention, though even there "black" meant anything from true black to the polished silver of daguerreotypes, the sepia of salt prints, and pretty much every color one can imagine, thanks to chemical toning and hand coloring. Color photography, which really came into its own after the Second World War, uses a complex layering of silver gelatin emulsions, color filters and dyes to create a close approximation of the colors most people see in everyday life.

Positive or negative
Photographic materials produce either "positive" images that have a direct relationship to the intensity of light in the photographed scene, or "negatives", where that relationship is reversed. Most of the time, positives are used for viewing directly or mechanical reproduction, while negatives are used to make final, positive images by exposing other negative materials through them, therefore reversing the light-to-dark relationship once again.

Sensitivity
Photographic materials (for the sake of simplicity let's call it "film", since that is the most popular medium) come in various grades of sensitivity to light. Generally speaking, the "faster" the film, the more sensitive it is to light, but the larger grain it will exhibit. Slower films make smoother, finer-grained images, but sacrifice the ability to capture quick-moving scenes in dimmer light.

Size
Film comes in a number of standard sizes, of which 35mm daylight loading casettes are most common. Larger sizes include type 120 medium-format films and sheet films in sizes such as 4x5", 5x7" and 8x10". Even if this is the bulk of the market, only technical prowess (and unfortunately financial capacity) prevents a photographer from either adjusting these sizes or making his or her own materials.

Substrate
Finally, while films constitute the bulk of the photographic materials using for recording scenes, other media have been used, and continue to be used by some photographers. The most common alternative to film is photographic enlarging paper, but others include metal plates (tintypes, daguerreotypes), glass plates (dry plates, collodion wet plates). Photographic emulsions can also be applied to fabrics, and even everyday objects. That said, these types of experiments constitute a tiny fraction of the work being done with analog photography. = Camera controls = While photography doesn't have to involve the use of a camera (see Laszlo Moholy-Nagy's photograms for example), that is how most photographs are made. The ability to control what a camera does with light is essential for a photographer to make reliable decisions. Fortunately, outside the bells and whistles of automation, most cameras modulate the quantity and quality of light they admit using only a few basic controls:

Focus
Focusing means simply adjusting the distance between the film and lens to produce a sharp image of the object or objects being photographed. With most cameras, this is as far as one can go, though adjustable focal plane cameras, such as view and field cameras, can greatly expand the possibilities by altering the geometry of the camera itself.

Lens aperture, depth of field
"Aperture" refers to the size of the opening in the lens that allows light to enter the camera. The larger the opening, the more light enters, and the less time is required to obtain the desired exposure level. Aperture size also affects "depth of field", or the distance from the camera within which objects appear to be in focus. Shallower depth of field means that only some objects in a scene may be in sharp focus, while others will be rendered softly. Greater depth of field means that objects at various distances will be sharp.

Shutter speed
At the most fundamental level, a shutter is a device to open and close an opening on the camera, to let light fall on the film. Earliest "shutters", in days when typical exposures were counted in whole seconds and even minutes, were simply lens caps that were taken off and removed from the camera. Later these became dedicated timing mechanisms that were able to open and close at precise intervals. Typically, modern film cameras employ one of two types of shutters: focal plane or central. A focal plane shutter consists of two curtains that travel across the frame just in front of the film. Central shutters are most ofthen located within the lens, usually between groups of optical elements. Both have their advantages and disadvantages, but in general focal plane shutters can produce shorter exposures, while central ones are generally more flexible with flash photography.

Lens focal length
Simple lenses focus light rays at a fixed point in space. The distance at which this happens is called their focal length. For example, a typical 50mm lens will focus light from a source located "infinitely" far away 50 millimeters from its optical center, a 6 inch view camera lens will focus at 6 inches, and so on. A lens with a longer focus will produce a larger image than a short one. Assuming that both are used on the same size of film, the larger image will fill more of the frame, and therefore will appear "closer".

In general, lenses with a focus similar to the diagonal dimension of the frame for which they are used are considered "normal" - they produce images that correspond to renderings of reality in classic art, with relatively little apparent perspective distortion. Shorter focus lens are considered "wide angle", as the smaller images they make fit more of the scene into the frame than a "normal" lens. On the other end of the scale are long focus lenses, which make objects appear closer than normal. These are often referred to as telephoto lenses, though technically telephotos are lenses that have a shorter focal length on one side, to allow a lens to be physically shorter than its optical focal length. Not all long lenses are telephotos, even if most people refer to them that way.

Since the 1980s, zoom lenses have been gaining in popularity, and currently they make up the bulk of all camera lenses on the market. These allow photographers to change the focal length of the lens by altering the relationship between the components of the lens, whether by rotating or pulling a control ring, or by pressing a physical or screen button. The quality of these lenses is now generally seen as on par with simple "prime" lenses, though earlier ones were usually optically inferior.

= The process =

Measuring the light
Knowing how much light is in a scene is crucial to achieving predictable results in photography. In the earliest days of the medium, photographers relied on experience to determine the exposure needed to produce optimal results. Since then, technology for measuring light has evolved, and most cameras produced since the 1970s have had built-in light meters, often coupled with automatic exposure systems.

Setting the exposure
Photographic materials react to light predictably within a certain range of exposure to light. When "correctly" exposed, they record the greatest possible amount of detail in both light and shadow areas, and generally have the greatest range of tones between the two. However, for various reasons, including availability of light and artistic expression, photographers sometimes choose to allow more or less light than the "ideal" amount to fall on their photosensitive materials. Both will generally result in a compressed tonal range, meaning images that do not include the full range of values from black to white.

The ability to consciously adapt exposure to the intended effect is one of the most fundamental skills of a photographer. While light metering systems and camera automation continue to advance, a light meter has no way of knowing what a photographer wants the image to convey. A photograph intended to capture the maximum amount of technical detail may need a different level of exposure than one meant to convey the mood of a place, even in the same location and with the same amount of light present. It is all a question of intent, and until cameras can read photographers' minds, it is definitely useful to understand exposure thoroughly.

Traditional silver-gelatin emulsion film reacts to light by turning darker the more it is exposed. This relationship between exposure and the resulting tone depends on a lot of factors, including the sensitivity of the material and the development process, but in the broadest therms within a "normal" range is predictable and linear. This means that adding exposure will increase the density of the silver deposit on the film by a predictable amount. However, this is true within a certain range of light levels, called the film's exposure range or latitude. At very low light levels, the film will not react at all, while above it all the available silver compounds in the film will be converted to metallic silver and further exposure will not result in any further change. It is important for a practicing photographer to know these limits.

Conventionally, exposure is expressed in "stops". Each stop is equivalent to doubling the amount of light of the stop below it and halving that of the one above. Most cameras control the amount of light entering using an aperture, which controls the amount of light entering, and a shutter, which controls the amount of time for which the light is allowed to enter the camera. Each of these devices is calibrated in stops, to make it easy to adjust exposures quickly and efficiently.

Aperture stops are labeled with "f" numbers, where the "f" stands for the lens's focal length. This means that an f/2 aperture is half the size of the lens focal length, and f/4 means one fourth of "f". This makes it easy to compare apertures of lenses of different focal lengths. In modern cameras, the sequence of stops, with each halving the amount of light entering compared to the previous one, is f/1, f/1.4, f/2, f/2.8, f/4, f/5.6, f/8, f/11, f/16, and so on. Notice that the numbers themselves double every other one - that is because the amount of light is determined by the aperture's area, not its diameter. An aperture twice the diameter of another will have an area four times as big, and will therefore let in four times as much light.

Shutters, on the other hand, are usually labeled as the denominators of the fraction of a second for which they are open. So a shutter speed of 1/250 will be shown simply as "250" on an adjustment knob or display, while "30" typically means 1/30 of a second. In cameras where the shutter can be set for times above one second, the whole second times are typically a different color than the fractional ones to avoid confusion. The typical progression of shutter speeds on modern cameras is 1, 2, 4, 8, 15, 30, 60, 125, 250, 500, 1000 and so on, each being half the duration of the previous one.

With the total amount of light striking the film determined by both the aperture size and the shutter speed, exposures are typically given as a combination of the two numbers. For instance, on a sunny day in moderate lattitudes, an ISO 125 film might be exposed for 1/125s at an aperture of f/16. Since each stop on either device means a doubling or a halving of the exposure, the above combination is equivalent to an exposure of 1/250s at f/11, or 1/1000s at f/5.6. This allows a photographer to vary the final look of the image, while maintaining the same exposure. Faster shutter speeds will "freeze" motion better, while smaller apertures (i.e. ones with larger "f" numbers) will allow greater depth of field. It is also possible to change the exposure from the "correct" level indicated by the light meter. Underexposure, which in the example above might be 1/500s at f/16, will emphasize detail in the light areas of the image while compressing it in the shadows. Overexposure will do the opposite - dark shadows will have fuller detail than normal, while light areas might lose information.

Regardless of the particular intent of the image, it is worth remembering that while modern light meters and camera exposure systems are great at setting "correct" exposures, equipment manufacturers calibrate these for average conditions. Taking a picture in a coal mine or a sun-blasted snowy slope diverge from "typical" conditions significantly, and in order to achieve predictable results a knowledgeable photographer will adjust the exposure in each instance. In the examples above, since coal is black, it will fool the light meter into "thinking" that there is less light in the scene than there really is, resulting in overexosure. Muddy snow scenes are often the result of a photographer letting a camera do its own thing, where the large amount of light reflected from the snow tells the system that the scene is far more brightly lit than it is in reality. Again, there is no substitute for conscious choice.


text:
Hawaii Five-0 (2010 TV series) season 3

The third season of the CBS crime drama series Hawaii Five-0 premiered on September 24, 2012 and ended on May 20, 2013.

Cast and characters
Christine Lahti joined the cast in a recurring role as McGarrett's mother, Doris, who had been revealed to actually still be alive at the end of the previous season. "She's a wonderful addition to the 'H50' family and the fans will certainly enjoy what we have in store for her," said showrunner Peter Lenkov. "Let's just say that the apple doesn't fall far from the tree." Her role lead to a return of McGarrett's girlfriend Catherine, who "shamelessly flirted" with a federal agent to get information about her.

Ed Asner reprised his role as smuggler August March, a villain from the original series who become the first non-main character from it to have a rebooted version on the new series when McGarrett seeks March's help in apprehending some art thieves. In other casting developments, Lenkov revealed on his Twitter feed that Carlos Bernard had joined the show. He declined to identify which role Bernard would play, but did say that the producers hoped he would appear in "many eps". He appeared in two episodes portraying WITSEC Agent Channing. Ving Rhames was cast as a guest star and possibly more. One episode was slated to flash back to Danny's New Jersey police days when he had to deal with Rhames's character, leading to a possible recurring role in the present. However, the episode aired and Rhames did not appear.

Main cast

 * Alex O'Loughlin as Lieutenant Commander Steven "Steve" McGarrett, United States Navy Reserve
 * Scott Caan as Detective Sergeant Daniel "Danny" "Danno" Williams
 * Daniel Dae Kim as Detective Lieutenant Chin Ho Kelly
 * Grace Park as Officer Kono Kalakaua
 * Masi Oka as Dr. Max Bergman, Chief Medical Examiner
 * Michelle Borth as Lieutenant Catherine Rollins, United States Navy

Recurring

 * Reiko Aylesworth as Dr. Malia Waincroft
 * William Baldwin as Frank Delano
 * Dennis Chun as HPD Sergeant Duke Lukela
 * Mark Dacascos as Wo Fat
 * Ian Anthony Dale as Adam Noshimuri
 * Daniel Henney as Michael Noshimuri
 * Teilor Grubbs as Grace Williams
 * Richard T. Jones as Governor Sam Denning
 * Christine Lahti as Doris McGarrett
 * Will Yun Lee as Sang Min Sooh
 * Taryn Manning as Mary Ann McGarret
 * Taylor Wily as Kamekona Tupuola
 * Brian Yang as Che "Charlie" Fong
 * Terry O'Quinn as Commander Joe White, United States Navy
 * Justin Bruening as Lieutenant Commander William "Billy" Harrington
 * Autumn Reeser as Dr. Gabrielle Asano

Notable guest stars

 * Ed Asner as August March
 * Jimmy Buffett as Frank Bama
 * Treat Williams as Mick Logan
 * C. Thomas Howell as Martin Cordova
 * David Keith as Commanding Officer Wade Gutches
 * Lochlyn Munro as Jim Rogers
 * Sydney Tamiia Poitier as Grace
 * Terrence Howard as a gang member
 * T.I. as a gang member
 * Behati Prinsloo as herself
 * Alan Ritchson as Freddie Hart
 * Rumer Willis as Sabrina Lane
 * Vanessa Marcil as Olivia Victor
 * Tom Arnold as Ron Alberts
 * Jeff Fahey as Professor
 * Jason Scott Lee as Detective Kaleo
 * Craig T. Nelson as Tyler Cain
 * Daniel Baldwin as Paul Delano
 * George Takei as Uncle Choi
 * Peter Weller as Curt Stoner
 * Summer Glau as Maggie Hoapili
 * Aisha Tyler as Savannah Walker
 * William Sadler as John McGarrett
 * Janel Parrish as Rebecca Fine
 * Curtis Bush as Security Guard #3
 * Duane Chapman as Dog the Bounty Hunter
 * Carlos Bernard as WITSEC Agent Chris Channing

Production
On March 14, 2012, CBS renewed Hawaii-Five-0 for a third season. Filming began on July 9, 2012, with a traditional Hawaiian blessing. The season premiered on September 24, 2012. The season premiere aired one day earlier in Hawaii on Waikīkī Beach. In the UK the third season of Hawaii-Five-0 airs as part of Sky 1 Sundays at 9pm and is followed by crossover show NCIS: Los Angeles. Broadcast began on January 6, 2013 for both.

Online voting by viewers determined the ending of the January 14, 2013 episode "Kapu" ("Forbidden"), with two zones, Eastern and Central Time Zones, and Mountain and Pacific Time Zones, each getting their own result. Each alternate ending could be seen online after the episode aired.

The episode "Hookman" was inspired by the episode of the same title from the original series. Locations from the original episode were used in the new one. Peter Weller directed the episode and played the amputee, though Jason Kroger, a double amputee, stood in for Weller for closeups of his hands. The episode credits (although not the end titles) were done in the style of the original series, including having the episode title be shown on screen.

title: Hawaii Five-0 (2010 TV series) season 3


text:
Wikipedia:WikiProject Spam/LinkReports/<IP_ADDRESS>/dadu-online

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title: Wikipedia:WikiProject Spam/LinkReports/128.199.210.12/dadu-online


text:
The Endless Trench

The Endless Trench (La trinchera infinita) is a 2019 Spanish-French historical drama film directed by Jon Garaño, Aitor Arregi and Jose Mari Goenaga. It premiered at the 2019 San Sebastián International Film Festival, where it won the Silver Shell for Best Director and the Jury Prize for Best Screenplay. It was selected as the Spanish entry for the Best International Feature Film at the 93rd Academy Awards, but it was not nominated.

At the outbreak of the Spanish Civil War in 1936, young newlyweds Higinio and Rosa are worried about the risk of reprisal killings, as Higinio is a Republican. He hides in a hole underneath their house with his wife's help. Despite the constant threat of discovery, as the Falangists search for him, the couple's love helps them to remain resilient. Higinio becomes increasingly isolated in his hiding spot, where he stays until the 1969 amnesty. The story is told in chapter-like sections, each with titles alluding to the themes.

Plot
In 1936, at the start of the Spanish Civil War, a newly-married man who has criticized the Nationalist army and government fears that he will be the victim of reprisal killings and goes into hiding. As Falangists search for him, he hides under the floor of his house with the help of his wife. The first section, titled “campeada” ("to run”) depicts his first period where he is on the run from his pursuers.

The next section is titled “esconder” (“to hide”) shows his betrayal by his neighbor, and then his move to a trench dug under the kitchen. The next section is titled “detención” (“temporary loss of freedom”). During this section, the couple start to imagine that the Republicans will win the civil war, but this is only a fantasy.

The next section is titled Peligro (danger). As the political situation worsens, Higinio's wife is arrested, but she does not betray her husband's hiding place. The next section is titled Encerrar (shut down). It is about his isolation in his hiding spot. His wife gets pregnant with a child who might be theirs, or perhaps the child of a policeman who raped Rosa and then was killed by Higinio and Rosa. At times Rosa is gone from the house for a time when she goes elsewhere to give birth to the child. When two gay men start staying in the house, Higinio befriends them.

The next section is called Apartado (remote). Higinio starts to feel very isolated and detached from outside world, which he can only see in glimpses through the curtains or from muffled sounds. He tries to follow the news on the radio and TV to learn more. In the Cambiar (change) and Franco (frank) sections, Higino goes through a major change. With the birth of their son Jaime (who Rosa identifies to the neighbors as her nephew), Higinio starts to reconsider whether he should remain in hiding. His wife tells him the family has been needing his help.

In the next section, his wife and son start to question why he remains in hiding, arguing that no one is still looking for him. In the neighborhood, it is becoming well known that he is living under the house. However, he has become habituated to his isolation, and it is hard for him to leave his hole.

The next chapter is titled Desenterrar. Higinio realizes that it is probably safe to come out of hiding. When, in 1969, the Franco government announces an amnesty, and pardons him for his political offenses, he still cannot leave the trench. After 33 years, his isolation has become his normal life.

The final chapter, Salir (go out), begins when his wife, Rosa, threatens to leave him, realizing that Higinio is too trapped in fear. Finally, he manages to leave the hole, as many other "topos" ("moles") show themselves again.

Release
The film had its world premiere on September 22, 2019 at the 2019 San Sebastián International Film Festival.

The film was released in cinemas in Spain on October 31, 2019.

Critical response
The Endless Trench has an approval rating of 92% on review aggregator website Rotten Tomatoes, based on 25 reviews, and an average rating of 7.8/10. The website's critical consensus states: "A relentless thrill ride, The Endless Trench is an effective story of alienation and paranoia expertly directed by Jon Garaño and Altor Arregi". Metacritic assigned the film a weighted average score of 73 out of 100, based on 4 critics, indicating "generally favorable reviews".

Awards and nominations

 * align = "center" rowspan = "27" | 2020 || rowspan = "3" | 25th Forqué Awards || colspan = "2" | Best Film || Won || rowspan = "3" |
 * Best Actress || Belén Cuesta || Nominated
 * Best Actor || Antonio de la Torre (actor)|Antonio de la Torre || Nominated
 * rowspan = "6" | 7th Feroz Awards || colspan = "2" | Best Drama Film || Nominated || rowspan = "6" |
 * Best Director || Aitor Arregi, Jon Garaño, Jose Mari Goenaga || Nominated
 * Best Screenplay || Luiso Berdejo, Jose Mari Goenaga || Nominated
 * Best Actress (film) || Belén Cuesta || Won
 * Best Actor (film) || Antonio de la Torre || Nominated
 * Best Original Score || Pascal Gaigne || Nominated
 * rowspan = "15" | 34th Goya Awards || colspan = "2" | Best Film || Nominated || rowspan = "15" |
 * Best Director || Aitor Arregi, Jon Garaño, José Mari Goenaga || Nominated
 * Best Actor || Antonio de la Torre || Nominated
 * Best Actress || Belén Cuesta || Won
 * Best New Actor || Vicente Vergara || Nominated
 * Best Original Screenplay || José Mari Goenaga, Luiso Berdejo || Nominated
 * Best Cinematography || Javi Agirre Erauso || Nominated
 * Best Editing || Laurent Dufreche, Raúl López || Nominated
 * Best Art Direction || Pepe Domínguez || Nominated
 * Best Production Supervision || Ander Sistiaga || Nominated
 * Best Sound || Iñaki Díez, Alazne Ameztoy, Xanti Salvador, Nacho Royo-Villanova || Won
 * Best Special Effects || Jon Serrano, David Heras || Nominated
 * Best Costume Design || Lourdes Fuentes, Saioa Lara || Nominated
 * Best Makeup and Hairstyles || Yolanda Piña, Félix Terrero, Nacho Díaz || Nominated
 * Best Original Score || Pascal Gaigne || Nominated
 * rowspan = "3" | 29th Actors and Actresses Union Awards || Best Film Actor in a Leading Role || Antonio de la Torre || Nominated || rowspan = "3" |
 * Best Film Actress in a Leading Role || Belén Cuesta || Won
 * Best Film Actor in a Minor Role || Emilio Palacios || Nominated
 * }
 * Best Original Screenplay || José Mari Goenaga, Luiso Berdejo || Nominated
 * Best Cinematography || Javi Agirre Erauso || Nominated
 * Best Editing || Laurent Dufreche, Raúl López || Nominated
 * Best Art Direction || Pepe Domínguez || Nominated
 * Best Production Supervision || Ander Sistiaga || Nominated
 * Best Sound || Iñaki Díez, Alazne Ameztoy, Xanti Salvador, Nacho Royo-Villanova || Won
 * Best Special Effects || Jon Serrano, David Heras || Nominated
 * Best Costume Design || Lourdes Fuentes, Saioa Lara || Nominated
 * Best Makeup and Hairstyles || Yolanda Piña, Félix Terrero, Nacho Díaz || Nominated
 * Best Original Score || Pascal Gaigne || Nominated
 * rowspan = "3" | 29th Actors and Actresses Union Awards || Best Film Actor in a Leading Role || Antonio de la Torre || Nominated || rowspan = "3" |
 * Best Film Actress in a Leading Role || Belén Cuesta || Won
 * Best Film Actor in a Minor Role || Emilio Palacios || Nominated
 * }
 * Best Costume Design || Lourdes Fuentes, Saioa Lara || Nominated
 * Best Makeup and Hairstyles || Yolanda Piña, Félix Terrero, Nacho Díaz || Nominated
 * Best Original Score || Pascal Gaigne || Nominated
 * rowspan = "3" | 29th Actors and Actresses Union Awards || Best Film Actor in a Leading Role || Antonio de la Torre || Nominated || rowspan = "3" |
 * Best Film Actress in a Leading Role || Belén Cuesta || Won
 * Best Film Actor in a Minor Role || Emilio Palacios || Nominated
 * }
 * rowspan = "3" | 29th Actors and Actresses Union Awards || Best Film Actor in a Leading Role || Antonio de la Torre || Nominated || rowspan = "3" |
 * Best Film Actress in a Leading Role || Belén Cuesta || Won
 * Best Film Actor in a Minor Role || Emilio Palacios || Nominated
 * }
 * Best Film Actor in a Minor Role || Emilio Palacios || Nominated
 * }

title: The Endless Trench


text:
Bobby Dunn

Robert P. Dunn (August 28, 1890 – March 24, 1937) was a comic actor who was one of the original Keystone Cops in Hoffmeyer's Legacy.

Early years
Dunn was born in Milwaukee, Wisconsin, to Richard P. and Melissa Dunn, and attended St. Johns Military Academy. He was a world-champion high-diver with Dr. Carver's diving horses.

Career
Dunn started his film career at Keystone Studios with Mack Sennett and worked as a comedian and stuntman for a variety of other film studios as well. He lost many of his teeth and suffered other injuries performing stunts as well, including the loss of one of his eyes when he fell into a barrel of water and his eye was irreparably damaged by a floating matchstick. The glass eye he wore after that accident gave him a somewhat "cross-eyed" appearance, although that effect "served only to empower his comedic career." Later, during the 1920s and 1930s, he performed as a supporting player for many of the film industry's leading comedians, such as Harold Lloyd, W. C. Fields, Charley Chase, the Marx Brothers, and Laurel and Hardy.

Death
Dunn died of a heart attack on March 24, 1937, in Hollywood, California, at the age of 46. His grave site is at Hollywood Forever Cemetery in Los Angeles.

Selected filmography

 * Hoffmeyer's Legacy (1912, Short) - Keystone Kop (uncredited)
 * In and Out (1914, Short)
 * A Hash House Fraud (1915, Short)
 * Hogan, the Porter (1915, Short) - Desk Clerk
 * Hogan's Mussy Job (1915, Short) - Apartment House Manager
 * Fatty's New Role (1915, Short) - Grocer (uncredited)
 * Hogan's Romance Upset (1915, Short) - Weary Willie
 * Hogan's Aristocratic Dream (1915, Short) - Hogan's Valet
 * Hogan Out West (1915, Short) - Hogan's Rival
 * A Versatile Villain (1915, Short)
 * The Little Teacher (1915, Short) - 3rd Unruly Student
 * Those Bitter Sweets (1915, Short)
 * Fatty's Tintype Tangle (1915, Short) - Laughing Man (uncredited)
 * A Game Old Knight (1915, Short)
 * Fickle Fatty's Fall (1915, Short) - Man in Shower
 * Hogan's Wild Oats (1915, Short) - Theatre Patron (uncredited)
 * His Auto Ruination (1916, Short) - The Janitor
 * His Pride and Shame (1916, Short) - Red Dugan
 * By Stork Delivery (1916, Short) - The Janitor
 * His Last Laugh (1916, Short) - The Holdup Man
 * His Bread and Butter (1916, Short) - The Head Waiter
 * Bath Tub Perils (1916, Short) - Bathing Suited Guest in Room (uncredited)
 * Bubbles of Trouble (1916, Short) - The True Love's Pal
 * The Winning Punch (1916, Short) - Slim's Rival
 * His Busted Trust (1916, Short) - The Sculptor
 * Villa of the Movies (1917, Short) - The Landlord
 * Secrets of a Beauty Parlor (1917, Short)
 * A Maiden's Trust (1917, Short) - Minor Role (uncredited)
 * Two Crooks (1917, Short) - 2nd Crook
 * Are Waitresses Safe? (1917, Short) - Party Guest (uncredited)
 * Hero for a Minute (1917, Short) - Kid Cameraflage
 * Barbarous Plots (1918, Short)
 * A Flyer in Folly (1918, Short) - Jasper Junk
 * A High Diver's Last Kiss (1918, Short)
 * East Lynne with Variations (1919, Short) - Minor Role (uncredited)
 * Lions and Ladies (1919, Short)
 * Yankee Doodle in Berlin (1919) - Minor Role (uncredited)
 * His Naughty Wife (1919, Short)
 * Skirts (1921)
 * His Fiery Beat (1921, Short)
 * Be Reasonable (1921, Short) - The Girl's Father
 * Oh, Mabel Behave (1922) - Inn Patron (uncredited)
 * Fresh Paint (1922, Short)
 * Hands Up (1922, Short)
 * All Wrong (1922, Short) - The Boob
 * Give Me Air (1922, Short)
 * The Fast Mailman (1922)
 * Our Alley (1923)
 * Ain't Love Awful? (1923, Short)
 * Hot Foot (1923, Short)
 * Oh! Shoot (1923, Short)
 * No Danger (1923, Short)
 * My Error (1923, Short)
 * All Is Lost (1923, Short)
 * The Rivals (1923, Short) - Bobby
 * Why Wait? (1924, Short)
 * This Way Out (1924, Short)
 * Easy Work (1924, Short)
 * Easy Money (1924, Short)
 * A Fake Alarm (1924, Short)
 * Unmounted Policemen (1924, Short)
 * Keep Healthy (1924, Short)
 * Ship Ahoy! (1924, Short)
 * Green Grocers (1924, Short)
 * Politics (1924, Short)
 * Flapper Fever (1924, Short)
 * My Little Brother (1924, Short)
 * Case Dismissed (1924, Short)
 * Miners Over 21 (1924, Short)
 * The Cry Baby (1924, Short)
 * I'm Cured (1924, Short)
 * Hello, 'Frisco (1924, Short) - Bobby
 * The Plumber's Helper (1924, Short)
 * The General Store (1924, Short)
 * Tee for Two (1925, Short) - Subway Guard
 * Whispering Whiskers (1926, Short) - Minor Role (uncredited)
 * The Thrill Hunter (1926) - Ferdie
 * Wandering Willies (1926, Short) - Waiter
 * Alice Be Good (1926, Short) - Flirty Dancer
 * When the Wife's Away (1926)
 * Masked Mamas (1926, Short) - Guest in Lobby / Drunk on Street (uncredited)
 * The Divorce Dodger (1926, Short) - Apartment Tenant
 * A Dozen Socks (1927, Short) - Trainer
 * Why Girls Love Sailors (1927, Short) - Bemused Sailor (uncredited)
 * Love in a Police Station (1927, Short) - Cop
 * The Upland Rider (1928) - Shorty
 * Speedy (1928) - Tough (uncredited)
 * The Barker (1928) - Hamburger Concessionaire (uncredited)
 * The Power of the Press (1928) - Taxicab Driver (uncredited)
 * Taxi Spooks (1929, Short)
 * The Royal Rider (1929) - Wild West Show Member
 * An Oklahoma Cowboy (1929)
 * Captain Cowboy (1929)
 * The Wagon Master (1929) - Buckeye Pete
 * Riders of the Storm (1929)
 * Bacon Grabbers (1929, Short)
 * Oh, Yeah! (1929) - Railroad Man at Bonfire (uncredited)
 * The Racketeer (1929) - The Rat
 * The Trespasser (1929) - Milkman (uncredited)
 * Code of the West (1929) - Shorty Gordon
 * Neath Western Skies (1929) - Percival Givens
 * The Parting of the Trails (1930) - 'Restless' Roberts
 * Parade of the West (1930) - Shorty
 * Loose Ankles (1930) - Butler (uncredited)
 * Call of the Desert (1930) - Hardrock
 * The Fighting Legion (1930) - Waiter (uncredited)
 * Le joueur de golf (1930) - (uncredited)
 * Half-Pint Polly (1930, Short) - Spud
 * The Canyon of Missing Men (1930) - Gimpy Lamb
 * America or Bust (1930, Short)
 * Canyon Hawks (1930) - Shorty
 * Trails of Danger (1930) - Deputy Shorty
 * The Lottery Bride (1930) - Miner (uncredited)
 * Phantom of the Desert (1930) - Short Cowhand (uncredited)
 * Breed of the West (1930) - Shorty
 * Reducing (1931) - Train Station Extra (uncredited)
 * Hell's Valley (1931) - Shorty, Texas Ranger
 * Sweepstakes (1931) - Bidder at Horse Auction (uncredited)
 * Pardon Us (1931) - Insurgent Convict (uncredited)
 * Monkey Business (1931) - Gangster (uncredited)
 * Side Show (1931) - Little Man (uncredited)
 * The Phantom (1931) - Shorty - the Chauffeur
 * Bad Company (1931) - Hood Shot on Balcony (uncredited)
 * Half Holiday (1931, Short) - Ice Cream Man (uncredited)
 * The Last Ride (1931) - Dink
 * Taxi! (1932) - Cab Driver at Meeting (uncredited)
 * Lady! Please! (1932, Short) - Janitor (uncredited)
 * The Flirty Sleepwalker (1932, Short) - Caddy Master
 * Million Dollar Legs (1932) - Klopstokian Athlete (uncredited)
 * Honeymoon Beach (1932, Short) - Billy's Butler
 * The Dentist (1932, Short) - Dentist's Caddy (uncredited)
 * Hypnotized (1932) - Sailor (uncredited)
 * Terror Aboard (1933) - Cross-eyed Sailor
 * Me and My Pal (1933, Short) - Telegram Messenger (uncredited)
 * Don't Bet on Love (1933) - Cross-Eyed Bettor (uncredited)
 * The Bowery (1933) - Cockeyed Violinist (uncredited)
 * Son of a Sailor (1933) - Sailor (uncredited)
 * You Can't Buy Everything (1934) - News Vendor (uncredited)
 * Wheels of Destiny (1934) - Wagon Driver (uncredited)
 * Twisted Rails (1934) - Bolivar's Henchman (uncredited)
 * Broadway Bill (1934) - (uncredited)
 * Tit for Tat (1935, Short) - Customer (uncredited)
 * One More Spring (1935) - Bum (uncredited)
 * One Run Elmer (1935, Short) - Pitcher (uncredited)
 * George White's 1935 Scandals (1935) - Cross-Eyed Man (uncredited)
 * The Roaring West (1935) - Freighter (uncredited)
 * Bonnie Scotland (1935) - Native Henchman / Man Dispensing Flyers (uncredited)
 * Redheads on Parade (1935) - Grip (uncredited)
 * Here Comes Cookie (1935) - Old Crony (uncredited)
 * The Bohemian Girl (1936) - Cockeyed Bartender (uncredited)
 * The Lucky Corner (1936, Short) - 'Poisoned' customer
 * Mr. Deeds Goes to Town (1936) - Minor Role (uncredited)
 * Arbor Day (1936, Short) - Crowd Extra
 * Neighborhood House (1936) - Irate Moviegoer (uncredited)
 * Our Relations (1936) - Messenger Boy (uncredited)
 * Way Out West (1937) - Barfly (uncredited)
 * Slave Ship (1937) - Crew Member (uncredited)
 * Religious Racketeers (1938) - Holy Man (uncredited) (final film role)

title: Bobby Dunn


text:
Percey

Percey is a commune in the Yonne department in Bourgogne-Franche-Comté in north-central France.

It lies on the Canal de Bourgogne, with the Route départementale (D945), named locally «Rue Nationale» running through it, between Saint-Florentin and Tonnerre.

Percey is the main village of the commune of Percey. Other villages are: Les Milleries and La Sogne.

The Château de Percey and the farm, church and old coach-house still exist.

ADSL is available there (as of 2012 2Mbs maximum), and the Chateau hosts a free wireless hotspot, as does the town hall (since 2008).

title: Percey


text:
Cryptography/Diffie-Hellman

Diffie-Hellman, named for creators Whitfield Diffie and Martin Hellman, was the first (publicly known, at least) public key algorithm and was published in 1976. Its security relies on the discrete logarithm problem, which is still thought to be difficult.

Diffie-Hellman is generally used to generate a unique key by two (or more) parties with which they may then encrypt and exchange another key. This is similar to the use of the ../RSA/ algorithm within PGP.

Alice and Bob select a large prime number n, which will be the modulus. They then select another number c that is primitive mod n, which will be the base. These two numbers may be broadcast far and wide. At this point Bob and Alice both select large, random integers (a and b, respectively) in secret, and exchange the result of the exponentiation:

Alice performs $$A=c^a mod\ n$$ and sends A to Bob in the clear.

Bob then performs $$B=c^b mod\ n$$ and sends B to Alice in the clear.

At which point Alice knows a and B, so she computes:

$$K_2=B^a\ mod\ n$$

while Bob, knowing A and b, computes:

$$K_1=A^b\ mod\ n$$

and,

$$K_1\ =\ K_2$$

This is simply based on the commutative property of multiple exponents

$$(x^y)^z\ =\ (x^z)^y$$.

An eavesdropper can get A and B, but cannot easily calculate the key.

title: Cryptography/Diffie-Hellman


text:
tilapäinen

Etymology
🇰🇲. First attested in.

Adjective

 * 1) temporary, provisional limited in time
 * 2) occasional, casual limited to certain occasion
 * 3) makeshift made to work or suffice; improvised; substituted.

title: tilapäinen


text:
Wikipedia:Articles for deletion/Gender Alliance

The result was delete. – Joe (talk) 19:17, 7 October 2019 (UTC)

Gender Alliance

 * – ( View AfD View log  Stats )

References do not meet WP:ORGCRIT and subject fails WP:NCORP. CNMall41 (talk) 03:21, 23 September 2019 (UTC)
 * Note: This discussion has been included in the list of Organizations-related deletion discussions. Shellwood (talk) 06:58, 23 September 2019 (UTC)
 * Note: This discussion has been included in the list of India-related deletion discussions. Shellwood (talk) 06:58, 23 September 2019 (UTC)
 * Note: This discussion has been included in the list of Sexuality and gender-related deletion discussions. Coolabahapple (talk) 12:01, 26 September 2019 (UTC)

 Relisted to generate a more thorough discussion and clearer consensus.
 * Delete - The references fail WP:ORGCRIT in one way or another. Either the sources are primary, not independent of the subject, or there isn't significant coverage. — Kstone999 (talk) 14:18, 26 September 2019 (UTC)

Please add new comments below this notice. Thanks, Yunshui 雲 水 10:32, 30 September 2019 (UTC)

 * Delete unable to find multiple reliable sources where significant coverage exists. Accesscrawl (talk) 12:45, 30 September 2019 (UTC)


text:
Talk:Harrogate Grammar School

Added verifiable info on bullying at the school. This is now disproportionately large on the page; the solution is to add to the rest of the article.

It is also not a Grammar School, in spite of the name, so I've removed it from that category.

Bullying? This information is 7 years old now. Neither the then headteacher, nor the then chair of governors nor any students of that time are now at the school. Why is this deemed relevant? The information is also supplied by the mother of the boy concerned. This seems like a "campaign" rather than an attempt to inform about the current state of the school.

 * Even if the bullying information were irrelevant now (and I don't necessarily agree that it is -- people tend to appoint/attract like-minded successors, so possible implications about the culture of the school may still be relevant), the compensation incident was national news and is a significant, verifiable part of the school's history. I agree the content needs to be informative, and not a "campaign".  I hope you agree that the current (partially reverted) text gives a balanced account of both sides. <IP_ADDRESS> 22:24, 18 September 2006 (UTC)
 * I should add -- I've reverted the link to www.bullying.co.uk, because its creation was a direct result of John's experiences at the school (whether or not one accepts his allegations). Therefore, John's site is actually part of the history of the school and the incident, and not merely a source of opinion about it. <IP_ADDRESS> 22:32, 18 September 2006 (UTC)
 * Restoring "bullying" info again; had been removed again, with the comment "rv unencyclopedic material and link-spamming (Bullying Online has its own article anyway)". See above for explanation of why it is encyclopaedic.

I've trimmed the restored text, but retained the most significant details. There is no need to make the external link here, as the Bullying Online article is already linked, and in turn provides the external link. This in no way compromises the site's status as a byproduct of the school's history (though I consider the above claim to be slightly overblown). Guy Hatton 08:18, 23 September 2006 (UTC)
 * Thanks, that's a good improvement. <IP_ADDRESS> 20:16, 23 September 2006 (UTC)
 * Thanks, I'm glad you approve; I realised after the event that I was probably too hasty in deleting the entire section as the previous editor had. I think that what we have now acknowledges a significant event in the school's history without causing undue imbalance in the article as a whole. Guy Hatton 22:41, 23 September 2006 (UTC)
 * By the way, I like the Bullying Online article. I know that broadly speaking, Wikipedia discourages origination or editing of articles by people who have a direct interest in the subject, but this strikes me as a very well written, well-sourced article, very responsibly handled. Guy Hatton 22:50, 23 September 2006 (UTC)

New head?
I'm a pupil at HGS, and Dr. Limbert has resigned to move on to a new school (I think it was either effective August or the new school year), with the deputy (Mr. Trevor Burton I believe) standing in until the new calendar year, when Mr. Richard Sheriff (I kid you not) will be moving from Temple Moor in Leeds to take his place. Shouldn't this be reflected in the page? (sorry, I couldn't get any reference for this, but I believe it was in local newspapers around the end of last school year) --<IP_ADDRESS> 14:43, 1 September 2006 (UTC) ^ EDIT: oops, I forgot to log in. That was me. --RKingdom 14:53, 1 September 2006 (UTC)

External links modified
Hello fellow Wikipedians,

I have just added archive links to 1 one external link on Harrogate Grammar School. Please take a moment to review my edit. If necessary, add after the link to keep me from modifying it. Alternatively, you can add to keep me off the page altogether. I made the following changes:
 * Added archive http://web.archive.org/web/20090913153403/http://www.ofsted.gov.uk:80/portal/site/Internet/menuitem.7c7b38b14d870c7bb1890a01637046a0/?event=getReport&urn=121685&inspectionNumber=314083&providerCategoryID=8192&fileName=%5C%5Cschool%5C%5C121%5C%5Cs5rti_121685_20071029.xml to http://www.ofsted.gov.uk/portal/site/Internet/menuitem.7c7b38b14d870c7bb1890a01637046a0/?event=getReport&urn=121685&inspectionNumber=314083&providerCategoryID=8192&fileName=\\school\\121\\s5rti_121685_20071029.xml

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External links modified
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 * Added archive https://web.archive.org/web/20070930200856/http://www.ibo.org/school/002217/ to http://www.ibo.org/school/002217/
 * Added archive https://web.archive.org/web/20070202210445/http://www.58squadron.org.uk/index.php?p=5 to http://www.58squadron.org.uk/index.php?p=5
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Cheers.— InternetArchiveBot  (Report bug) 15:16, 30 October 2017 (UTC)

title: Talk:Harrogate Grammar School


text:
metabonome

Etymology
From, as in.

Noun

 * 1)  The complete set of metabolically regulated elements in cells.

title: metabonome


text:
skeptisch

Etymology
From, with instead of ;. probably via, with instead of.

Adjective

 * 1) skeptical, sceptical

title: skeptisch


text:
Ada Programming/Attributes/'Size

Description
R'Size is a representation attribute used to get the number of bits of an object or type:
 * When applied to an object, 'Size yields the actual number of bits allocated to store the object.
 * When applied to a subtype, 'Size yields the smallest n such that all values fit in the range 0 .. 2n-1 for only positive values, else -2n-1 .. 2n-1-1.

The 'Size attribute may also be used in an attribute definition clause to set the size for a first subtype. In special cases, it is even possible to force a biased representation by using a smaller value than the n above.

Examples
This subtype allows a biased representation with only three bits because it comprises only eight values:

T  1000 .. 1007;   T'Size  3;

Without the size clause, T'Size would return 10 because 210-1 = 1023.

; Attributes_Size T_IO Ada.Text_IO; I_IO   Ada.Text_IO.Integer_IO (Integer); A_Boolean : Boolean := True; T_IO.Put ("Size of Boolean type  = "); I_IO.Put (Boolean'Size); T_IO.New_Line; T_IO.Put ("Size of Boolean Object = "); I_IO.Put (A_Boolean'Size); T_IO.New_Line; Attributes_Size;

The output with GNAT 10.2.0 will be:

Size of Boolean type  =           1 Size of Boolean Object =          8

Try it yourself and see how your compiler does.

The value of Size can also be specified using an attribute definition clause. For example, the following declarations specify a C99 compatible bool:

Bool  Boolean; Bool'Size .int'Size;

Wikibook

 * Ada Programming
 * Ada Programming/Attributes
 * Ada Programming/Attributes/'Component Size
 * Ada Programming/Attributes/'Max Size In Storage Elements
 * Ada Programming/Attributes/'Value Size (implementation defined)
 * Ada Programming/Attributes/'Object Size (implementation defined)

Ada 2012 Reference Manual

|Size Size

title: Ada Programming/Attributes/'Size


text:
Talk:Sanitation barrier

= What's the point of this article?=

I don't see the point of this article. The term "sanitation barrier" is rarely used and if anything could simply be part of the article on sanitation. Or do you have plans to build it up with content that is different to the content of existing pages about sanitation? We do use the term "barrier" (e.g. in the F-Diagram) - barrier to transmission of diseases, but not sanitation barrier. EvM-Susana (talk) 07:31, 17 March 2015 (UTC)

 * have now moved the content to the sanitation article and placed a redirect.EvM-Susana (talk) 20:50, 22 April 2015 (UTC)

title: Talk:Sanitation barrier


text:
Wikipedia talk:WikiProject Editor Retention/Pact

Please feel free to express your opinions freely. No offense will be taken. If members think this is a good start, even if it needs many changes, then in the spirit of the document itself, I would suggest that someone start a vote on the talk page of the project itself to adopt this as the official Pact of the project, and let it run for 7 days. If a consensus is against this, then it should be moved to the archive and another idea brought forward. Dennis Brown - 2¢    ©  13:42, 12 July 2012 (UTC)

Restriction on considered input?
I'm a bit concerned that the proposed process of determining a consensus seems to be limiting consideration to the input from members only. (There's even a proposed process for declaring that someone's input is no longer desired, which boils down to a way for a WikiProject to declare the equivalent of a topic ban.) I'm not sure it is necessary to limit the building of consensus in this way. isaacl (talk) 14:54, 12 July 2012 (UTC)
 * That might need to be clarified. If a discussion is about "rules" within this project, or to vote for a Primus, then it should be limited to members only, otherwise, it should be open to anyone, I agree with that point.  Let me tweak that a bit. Dennis Brown -  2¢    ©  15:01, 12 July 2012 (UTC)
 * I feel that any WikiProject should be able to declare a topic ban from the project pages. I'm not sure what I think about the numbered !votes.  I understand the purpose (to keep an influx of editors from wrecking a proposal they don't fully understand) but it just seems a bit iffy to me. (Dennis' clarification after the edit conflict seems enough to appease my concerns)  Ryan Vesey  Review me!  15:02, 12 July 2012 (UTC)
 * I clarified that. Only voting on the Project itself, and Primus, etc. is restricted.  Anyone, member or not, can vote on any other topic ie: "should WP:BLOCK be changed to say $x?"  I want maximum participation, but internal affairs should be internal and not influenced by drive by voting. Dennis Brown -  2¢    ©  15:05, 12 July 2012 (UTC)
 * This is a minor editorial point, but in the interest of being straightforward, particularly in a guiding document, I'd like to clear it up: when you wrote "!vote", is this just a way of saying, "this really shouldn't be a vote, but is a vote", or "this may look like a vote, but is really a discussion with a straw poll element?" I suggest that more precise terms should be used, as "!vote" assumes a certain subculture to understand, and is a bit of an affectation. isaacl (talk) 15:17, 12 July 2012 (UTC)
 * While I understand the motivation to try to avoid derailment of discussion by disruptive editors, I'm not sure it is within the scope of a WikiProject to set a topic ban without a broader community discussion. If the only consequence of being barred from membership, however, is an inability to select a primus or set the (hopefully low number of) rules for running the project, then I think there shouldn't be an issue. isaacl (talk) 15:10, 12 July 2012 (UTC)
 * That was the goal, to use the least amount of limits to protect the project. It probably can be worded better as well.  I wrote this entire Pact before finishing my second cup of coffee this morning, after laying awake all night thinking about it.  It is likely a little rough around the edges, but I think the overall spirit is in the right direction.  Dennis Brown -  2¢    ©  15:29, 12 July 2012 (UTC)

Primus
This strikes me as being the only real sticking point. I think looking at the coordinator structure at WP:MILHIST, and maybe using its terminology, might be helpful, as that is the basic structure followed by the few other WikiProjects that have such officials and it might be the sort of name most easily recognized and understood here on that basis. John Carter (talk) 21:09, 12 July 2012 (UTC)
 * Maybe "Facilitator" would be a good term? Pesky  (talk ) 05:32, 13 July 2012 (UTC)
 * Change it then, I like that. The key is to make sure the title is one of equality, not of domain. Oh, and I'm one to always use something different for a name.  What we are trying to do IS different.  Dennis Brown -  2¢    ©  16:21, 13 July 2012 (UTC)
 * Maybe we should try to define the function a little more carefully. The actual title is of secondary importance. I would like to know, for example, on what basis "a neutral voice" will be assumed. And is it necessarily the case that there will be disputes? I would hope not. Let's see what others think about this. --Ipigott (talk) 19:52, 13 July 2012 (UTC)
 * I think that is supposed to refer to the idea that these individuals are assumed to be neutral in terms of their relationships with individual editors who the group might be seeking to retain. Presumably, if there are elections, and that is one of the criteria for election, neutrality will be one of the considerations, and, on that basis, they will be assumed to be neutral by virtue of having been selected. They might be, effectively, the "go-to" people in general in a specific area. And, yeah, I do think that it is almost assured that there will be disputes. Some cases which come to mind might involve long-term civil POV pushers who may or may not have substantial support from others, like on religion, political, or pseudoscience content. We do have some editors around here who know how to game the system, and I think we've already had at least a few individuals who have "retired" in the hopes of making some sort of tactical advantage in some content. Such cases, honestly, are possibly/probably one of the biggest difficulties this sort of group might face. But maybe clarifying the language, saying something to the effect that while these individuals elected will make every effort to retain good, qualified, and competent editors, they shall not be so biased in the favor of those editors as to put the best interests of those editors before the best interests of the encyclopedia itself. John Carter (talk) 20:24, 13 July 2012 (UTC)
 * I was thinking of a facilitator or wossname or whatever as being really one who just keeps the gears greased up, applies oil and water as applicable, tightens up wheel nuts and so on within the project itself. More maintenance work than spokesperson work; no reason why the two functions couldn't be combined, though.  But not me, please!  I have enough to do already, and I'm a bit commitment-averse ;P  Pesky  (talk ) 03:14, 17 July 2012 (UTC)
 * [insert bad joke about women being afraid of commitment here]. For the most part, I would agree with you, that the primary responsibility of such a job would be, basically, grunt-worker-in-chief. I guess I was thinking in what I said above that such a person might also perhaps be one of the most informed based on that grunt work, so, for instance, he might look at the talk page and see a comment which relates to something he knows a certain editor is interested in and knowledgable about, and contact that editor about the matter, asking if s/he might want to involve themselves. So, yeah, not so much "spokesperson," but maybe more of a informal referral service, in conjunction with the grunt work? John Carter (talk) 19:52, 17 July 2012 (UTC)
 * My first choice for title was actually "Grunt", so it seems you and I really are on the same page here. Dennis Brown -  2¢    ©  20:03, 17 July 2012 (UTC)
 * Maybe, at least in offices, the closest equivalent might be the "secretary". They tend to be on or near the bottom rung of the ladder sometimes, but if they're any good at their job they also can be the person whose work is such that the organization would fall apart without them. That also, in some ways, describes the grunt worker we've been talking about. John Carter (talk) 21:13, 17 July 2012 (UTC)
 * I always encourage others to be bold and fix the shortcomings in my work. Go for it, work it in, and feel free to modify any part that you think would draw a stronger consensus on the issue.  I certainly don't have all the answers, I'm just usually the first to step up and start with something.  I was hoping others would modify and fine tune (or clearly reject) my starting idea.  Dennis Brown -  2¢    ©  21:30, 17 July 2012 (UTC)

hmm
I'm sorry Dennis but this seems a bit unnecessary to me. We're trying to avoid bureaucracy and the appearance of cliques right? Well this is the opposite. The leadership, teams and primus are all very Esperana - and therefore likely to cause trouble (and put ppl off). The voting and participation while a good idea actually isn't that different from policy (except for this: "Members who join after polling has begun can offer opinions but are not granted a numerical vote" which aint gonna fly). Project co-ordinators or I'd prefer your suggestion, "Janitors", is ok as long as we do it right (ie like John suggested the WP:MILHIST model)-- Cailil  talk 13:21, 14 July 2012 (UTC)
 * I've made a suggestion for the project front page here. I think we should follow 1 rule of thumb in everything we do - keep it simple - what we've got here is overly complex-- Cailil  talk 13:25, 14 July 2012 (UTC)
 * Front page looks good to me. Having a few ideas/rough guidelines for general use would be a good idea, but yeah I think keeping it as simple as possible is probably easiest. And, nothing against the Pact here, some might consider it almost something like a Masonic oath or the Mayflower Compact. Yes, we should be serious about this, but maybe that level of seriousness might itself give some editors a wrong impression of the group taking itself too seriously and/or giving it an almost religious or political importance, which might well turn off some people. John Carter (talk) 14:34, 14 July 2012 (UTC)

 * I think it helps to have a few people who will step up to the plate, offer direction and assist others, but I don't want the "power" to control the direction of any group or subgroup. I don't jr. admins, I want people who others can say "ask $x, he will know".  I had approached Dr. Blofeld for example, as I think he is the right kind of person for the job.  This is why I want a few people, not just one.  And I'm not interested in the job for myself, but for content creators who know the issues even better than I do.  And I don't want it to be a situation with nothing but admins taking lead roles either.  I don't have the answer, and the response has been luke warm, which is fine. It was just the first idea.  But we need a little structure or it is just anarchy.  Not rules per se, just structure.  I think John has the right idea, which was my concept, the "first among equals" like many of the Lodges use as "leadership".  But throw ideas out there.  There is nothing I would love better than a better idea that excited everyone, and I never think mine are the best, I just throw them out to get the process moving.  Dennis Brown -  2¢    ©  20:00, 17 July 2012 (UTC)


text:
Wikipedia:Articles for deletion/Lois Leveen

The result was keep. Tone 07:38, 26 August 2020 (UTC)

Lois Leveen

 * – ( View AfD View log  Stats )

The subject of this article fails WP:GNG and WP:NBIO. The article was created by an WP:SPA account and was full of primary sources and promotional content. After cleaning up the article and doing a WP:BEFORE search, I was unable to find sufficient indications that this person is notable. Normal Op (talk) 05:45, 19 August 2020 (UTC)
 * Note: This discussion has been included in the list of Oregon-related deletion discussions. Normal Op (talk) 05:45, 19 August 2020 (UTC)
 * Note: This discussion has been included in the list of Women-related deletion discussions. AleatoryPonderings (talk) 05:55, 19 August 2020 (UTC)
 * Note: This discussion has been included in the list of Literature-related deletion discussions. AleatoryPonderings (talk) 05:55, 19 August 2020 (UTC)

 * Comment. Haven't done a super thorough search yet, but I did find in the The Atlanta Journal-Constitution. Most of the other hits seem to be pieces she's contributed to The Atlantic and Los Angeles Review of Books. AleatoryPonderings (talk) 06:08, 19 August 2020 (UTC)
 * Keep. The coverage here isn't super heavy as it would be for other authors, but I found enough to establish notability via reviews and coverage for her books. There's a lot of primary sources out there so it made it hard to find the non-primary stuff, but there's just enough out there to where I would say she'd pass. (I did add some interviews to the article, mostly so that if/when I create articles for the books or if someone wants to flesh out the article, they have some sourcing available.) ReaderofthePack (formerly Tokyogirl79)  (｡◕‿◕｡)  07:42, 19 August 2020 (UTC)
 * Also, fair warning to the nominator and all - it looks like Leveen was the focus of some minor controversy due to her protesting a screening of Kindergarten Cop. I didn't mention any of that in the article because as of right now it's something that would be just WP:RECENTISM until it can be shown that it would be of any lasting importance. Since it resulted in a flurry of news posts that quickly died down, I'd wager that it's not really something that would warrant mention. My reason for mentioning it is controversy of any level tends to bring in SPAs and trolls, so fair warning. ReaderofthePack (formerly Tokyogirl79)  (｡◕‿◕｡)  07:47, 19 August 2020 (UTC)
 * Yes, I was alerted to that on the Talk page. I also made a post on the Talk page describing my recent work on the article. Normal Op (talk) 08:01, 19 August 2020 (UTC)

 * Keep. Author of multiple notable (i.e. widely reviewed) books, so she passes WP:AUTHOR#3. pburka (talk) 15:43, 19 August 2020 (UTC)
 * Keep Clearly meets both GNG and AUTHOR and just a reminder to the Nom that it is often considered bad form to heavily edit an article just before nominating it (just over an hour between your pruning and nomination). I got called out for it once when I first got into AFD. The version that you pruned had 40+ sources and the version you left had only 5. If you consider the article should be deleted and can't be saved just nominate it as is and give your analysis of the sources. You removed 80% of the content before nominating, I don't know if this is considered WP:GAMING the system or if there is a specific policy or guideline that forbids this but it seems rather unfair to those coming to !vote because they have to look back through the history to find the original sources. --Dom from Paris (talk) 14:04, 20 August 2020 (UTC)
 * Comment: I didn't come to the conclusion of "non-notable" until I had finished worked on the article and realized nothing was left. I had not decided that beforehand or would have saved myself the work and gone straight for AfD, but I had to weed through the chaff first. If I had an opinion about the article beforehand and then trimmed the article, you could (correctly) accuse me of gaming. Normal Op (talk) 19:29, 20 August 2020 (UTC)
 * In all fairness, the sourcing wasn't entirely easy to find. There's a huge amount of primary and SPS sourcing, enough that it took me a good while to find everything that I did. I can see where it would be easy to miss it upon an initial search. ReaderofthePack (formerly Tokyogirl79)  (｡◕‿◕｡)  03:29, 21 August 2020 (UTC)
 * @Normal Op, I think removing 80% of the content and nearly 90% of the sources is a little more than simple weeding and I stand by my comment that it is often seen as bad form to do that before nominating. Probably best to have reverted to the original version once you had decided that the person wasn't notable and given your arguments as to why the sources do not show notability rather than removing them and saying that they should be discounted as being primary source. I was in the same case as you so of course I AGF for what you did but I was told that my actions could be seen as gaming the AFD procedure. It takes quite a deal of effort to give a detailed analysis of 40 sources in an AFD nomination but IMHO it's better than just deleting them and giving a blanket dismissal as primary sources. Dom from Paris (talk) 09:27, 21 August 2020 (UTC)
 * I understand your viewpoint, however it has been my experience that too many "drive-by AfD commenters" just glance at an article, see a bunch of citations in the References section and vote 'Keep' which leads to incorrect 'Keep' decisions. Anyone who is more thorough than a 'drive-by voter' is welcome, and able, to see the version before I did the work. I stand by my edits as appropriate, and I spent over two hours working on this article before I came to my conclusion. That is such a bizarre suggestion that I should undo my own work. I see that others who perhaps know of Leveen's work are working on the article. Don't worry, I'm not going to be butthurt if my decision was wrong and the article is 'kept', and especially not upset if the article gets improved in the process. Happy editing. Normal Op (talk) 20:39, 21 August 2020 (UTC)
 * Instead of assuming that people who disagree with you are "drive-by voters" and that articles you nominate are "incorrectly kept," you should consider that these editors might be acting in good faith and legitimately disagree with your interpretation of our guidelines. Editing the article to encourage the "correct" outcome is inappropriate. pburka (talk) 20:54, 22 August 2020 (UTC)
 * Sure, ignore the part where I had no opinion about the article before I started working on it and didn't even think about AfD until after I'd worked on it for two hours (as evidenced by the edit history). No, it's far more likely that I must have conspired to AfD an article because I obviously hate all dilettante wiki editors and need repeated aggressive schooling on wiki policy. . Normal Op (talk) 21:49, 22 August 2020 (UTC)
 * I'm sure that when you nominated it you were convinced that it wasn't a notable subject and nominated in good faith but by removing the sources to stop the "drive-by voters" from thinking they are RS is not ideal. What is better is a detailed nomination where you analyse the sources so that you can then ask "drive by voters" to say why they disagree with you. When you removed them you must have had an opinion so you only have to put that opinion in the nomination. You should assume good faith and that the !voters actually have looked at the sources and that their opinion is expressed following this hence the usefulness of your own detailed analysis. Also better to avoid facepalms in an AFD. Dom from Paris (talk) 10:37, 23 August 2020 (UTC)

 * Keep. There is obviously more work to be done to improve this article.  But it is do-able! TeriEmbrey (talk) 21:13, 20 August 2020 (UTC)
 * Note: This discussion has been included in the list of Authors-related deletion discussions. Coolabahapple (talk) 01:57, 21 August 2020 (UTC)

 * Keep as passing the WP:GNG. Needs obvious work but it has passed the basic threshold. Archrogue (talk) 18:08, 23 August 2020 (UTC)


text:
User:Ansley sawe

INTENNCE Biography

INTENNCE. Ansley Tennyson Sawe. better known as Intennce. born 17, November 1981 born in the city of montego bay Jamaican artiste, editor, record producer, song writer, photographer, videographer, Rapper, actor, entrepreneur. went to St James high school last year I have done the movie beautiful Jamaica and it was a amazing success now have been doing alot of work working on my next movie sunset killers, been doing alot of work in the studio like the hit single GOOD BODY doing well on the media platforms I just put out the single on the memories riddim gmercyless production in Zimbabwe working on alot of projects in Zimbabwe, England the U.S and Jamaica, in the future you all can expect a lot from Intennce and my Team have done lots for work with artiste like Tony Meldoy,  Jgo d Styla, okonko ,  Ashely b,  sexy champs,  doing some good video for the market place am not just a artiste I see my self as a  industry looking out for not just my self but for all young talented people that want to see there dreams come to life. For the record I never look for this  talent it choose me and am here  to give all the artiste actors etc.What  I never  have in the future I see S. M. E, Sawe multimedia enterprize making a great impact on the industry and the world.

title: User:Ansley sawe


text:
ElkY

Bertrand Grospellier (born 8 February 1981 in Melun ), also known as ElkY, is a French poker player and former StarCraft: Brood War and Warcraft III esports player. He has won a World Poker Tour (WPT), a World Series of Poker (WSOP) bracelet and a European Poker Tour (EPT) title, giving him the Triple Crown. He is a partypoker Pro and he currently resides in Prague, Czech Republic. ElkY is ranked #77 on the Global Poker Index (info from 8 July 2014). In November 2015 ElkY returned to the esports scene by joining Team Liquid as a Hearthstone player.

StarCraft and WarCraft III
ElkY was one of the top ranked StarCraft players in the world, having placed second in the World Cyber Games in 2001 and continuing his career in South Korea in the years subsequent including a fourth-place finish in an Ongamenet Starleague. By 2002, he picked up the newly released WarCraft III: Reign of Chaos and garnered success by finishing second in the televised Ongamenet WarCraft Retail League before retiring.

Accomplishments

 * 3rd - StarCraft: Brood War, KBK Jeju, 2001 (Seoul, South Korea)
 * 2nd - StarCraft: Brood War, World Cyber Games 2001 (Seoul, South Korea)
 * 4th - StarCraft: Brood War, World Cyber Games 2002 (Daejeon, South Korea)
 * 4th - StarCraft: Brood War, SKY 2 Ongamenet Starleague, 2002 (Seoul, South Korea)
 * 2nd - WarCraft III: Reign of Chaos, Ongamenet WarCraft Retail League, 2002 (Seoul, South Korea)
 * 1st - StarCraft: Brood War, Euro Cyber Games 2003 (Paris, France)
 * Round 8 - StarCraft: Brood War, World Cyber Games 2003 (Seoul, South Korea)
 * Round 16 - StarCraft: Brood War, World Cyber Games 2004 (San Francisco, California, United States)

Poker career
He has turned his attention to professional poker the last few years. ElkY was a member of Team PokerStars. He was the first person ever to reach "Supernova" and "Supernova Elite" statuses on PokerStars - having earned 100,000 and 1,000,000 player points in 2 weeks, and $4 1/2$ months, respectively.

Accomplishments
He set the Guinness World Record for most Single Table Sit & Goes played in one hour for a total of 62 at a $6.50 buy in with a profit of $23.60. As usually playing a high number of simultaneous tournaments he has transferred well to the single live event.

European Poker Tour
On Saturday, 20 January 2007, he finished second in the Copenhagen event on the European Poker Tour for 309,000 Euros. In January 2008, ElkY finished in 1st place winning $2,000,000 at the European Poker Tour's (EPT) PokerStars Caribbean Poker Adventure. A year later, while being knocked out of the main event of the PokerStars Caribbean Poker Adventure on day 1, ElkY went on to take home the EPT5 $25,000 buy-in "High Roller" side event for $433,500.

World Poker Tour
In October 2008, ElkY added to his tournament haul by winning the World Poker Tour's Festa al Lago tournament, claiming a $1.4 million first prize. The win marked ElkY's first-ever cash on the WPT. He also became just the third person, along with Roland De Wolfe and Gavin Griffin, to win a title on both the WPT and EPT. As a result of his success on the seventh season of the World Poker Tour, ElkY was awarded the distinction of "WPT Player of the Year.

World Championship of Online Poker
ElkY was disqualified from event 29 in the 2008 World Championship of Online Poker (WCOOP) for agreeing to go all-in blind with another player. This violated the tournament rule which states "Poker is an individual (not a team) game. Any action or chat intended to help another player is unethical and is prohibited." His winnings were forfeited and other places were moved up in the standings to replace his finish. Two other players (Annette_15 and charder30) had also violated the same rule earlier.

On 18 September 2009, ElkY won his first WCOOP bracelet in event 38. He added a second bracelet only three days later in Event 43 by besting a field of 9,220 entrants. His winnings for both events totaled nearly $500,000.

Spring Championship of Online Poker Titles

World Series of Poker
ElkY won his first WSOP bracelet in the '2011 Seven Card Stud Championship', overcoming a field of 126 to collect $331,639 in prize money. This win made ElkY only the fourth player to win a WPT, EPT and WSOP title.

ElkY won his second bracelet in the 2019 WSOPE winning the $550 Colossus No limit holdem event.

An "E" following a year denotes bracelet(s) won at the World Series of Poker Europe

Career earnings
As of February 2018, his total live tournament winnings exceed $13,500,000.

Charity
Today, ElkY is a member of the "Champions for Peace" club, a group of 54 famous elite athletes committed to serving peace in the world through sport, created by Peace and Sport, a Monaco-based international organization.

Hearthstone
In November 2015, Elky returned to the esports scene by joining Team Liquid as a Hearthstone player.

title: ElkY


text:
Talk:Dirk Richter

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title: Talk:Dirk Richter


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Harmon, North Dakota

Harmon is a census-designated place (CDP) and unincorporated community in Morton County, North Dakota, United States near North Dakota Highway 1806. It is ten miles north of Mandan and is within Mandan Public Schools district. The nearby eponymous Harmon Lake Recreation Area also uses a Mandan address.

The town was 'sited' on July 23, 1913, by Willis T. McConnell and named for two bachelor brothers, George and H.H. Harmon. The town went into decline during the Depression in the 1930s and virtually disappeared. The original cemetery is still in use. On January 15, 1951, two Northern Pacific freight trains collided outside of town. The town has repopulated in the 20th century.

Harmon's population was 259 as of the 2020 census, the year in which it became a CDP.

title: Harmon, North Dakota


text:
Jan Born

Jan Born (born March 30, 1958, in Celle, Germany) is a neuroscientist who researches the role of sleep in memory consolidation, problem solving, and brain plasticity. He is Head of the Institute of Medical Psychology and the Behavioral Neurobiology department at the University of Tübingen.

Born serves as the Deputy Editor of SLEEP, the Section Editor of Neurobiology of Learning and Memory, and the Associate Editor of the Journal of Sleep Research.

In 1988 Born received the Marius Tausk-Award from the German Society for Endocrinology. In 2010 he received the Leibniz Award of the Deutsche Forschungsgemeinschaft. In 2017, he received the Oswald-Külpe Award, with the award citation emphasizing that in his "very innovative studies, he was able to prove that it is not REM sleep, but deep sleep that is crucial for the transmission of information to the long-term memory of the brain and thus for memory formation."

Born is a member of the Academy of Sciences Leopoldina.

Biography
Born studied psychology, mathematics, and medicine at the University of Tübingen and the University of Ulm from 1976 to 1980. He was a research fellow from 1980 to 1981 in the Department of Biological Psychology at the State University of New York at Stony Brook. He attended the University of Tübingen, where he obtained his Ph.D. in psychology in 1985. As a graduate student, Born investigated the use of potential-related events in studying brain function in humans. After completing his doctorate, Born completed his habilitation in psychology at the University of Ulm (1985-1989). Born was professor of physiological psychology at the Otto-Friedrich-University Bamberg (1989–1998) and professor of neuroendocrinology at the University of Lübeck (1999–2010) before joining the faculty of the University of Tübingen as chair of medical psychology in 2010.

Born's work has been supported by Deutsche Forschungsgemeinschaft and by the Federal Ministry of Education and Research.

Research
Born researches and publishes in the field of memory formation during sleep. He was one of the first researchers to show that sleep was causally related to memory. He showed that procedural memories are not consolidated by REM sleep, as has been previously assumed. Instead, he showed that procedural memories are improved when REM sleep is pharmacologically suppressed.

Born found that slow-wave sleep reactivates recently encoded memories while REM sleep stabilizes them. As well, his research demonstrated that slow-wave sleep actually consolidates immunological memories (it helps the immune system to identify antigens) as well as psychological memories. He also found that sleep especially assists in consolidating memories that involve a promise of reward.

His other work focuses on the metabolic and behavioral control of body weight.

title: Jan Born


text:
Talk:Charlotte Duplessis-Mornay

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title: Talk:Charlotte Duplessis-Mornay