text:
Kenneth Biller

Kenneth Todd Biller (born December 23, 1964) is a television producer, writer, director and editor. He has worked on a number of American television shows including Beverly Hills, 90210, Star Trek: Voyager, Legend of the Seeker and Perception. During his time on Voyager, he rose from executive story editor during the first season up to executive producer in the final season, and was responsible for writing the episode which introduced the Borg into the show.

Early life
Biller attended Brown University in Providence, Rhode Island.

Career
Biller's television career began in 1992 when he joined the crew of Beverly Hills, 90210 as an executive story editor. He also wrote for The X Files in 1993.

In 1995, Biller joined the team at Star Trek: Voyager as an executive story editor. A year later, he became co-producer of the show and made producer a year after that. During the sixth season of the show he became co-executive producer, and was again promoted, this time to executive producer and showrunner for Voyager's seventh and final season. He received writing credits on several episodes of the show, and directed a number of episodes including "Revulsion" and "One". Biller wrote the episode "Unity" which featured the first appearance of the alien species the Borg in Voyager, who had previously appeared in Star Trek: The Next Generation, Deep Space Nine and the movie Star Trek: First Contact.

In 2008, he was linked with a series based on the Terry Goodkind fantasy novel series Wizard's First Rule. This became the series Legend of the Seeker, which was created by ABC Studios for broadcast syndication. Biller worked as one of several executive producers, including Sam Raimi. Biller has recently been writing for the TNT crime drama series Perception, including co-writing the pilot episode alongside fellow former Voyager writer Mike Sussman. Biller and Sussman collaborated on the creation of the series.

Personal life
Biller is married, has a daughter and son, and lives in Los Angeles, California.

title: Kenneth Biller


text:
Wikipedia:Help desk/Archives/2019 September 20

= September 20 =

Password
Suddenly my password is not acceptable. We'll leave that for now but...

The message from Wikipedia is choose a 'more unique password'. You cannot have more unique. Either it is or it isn't. Not an error that should be on Wikipedia.Cannonmc (talk) 02:53, 20 September 2019 (UTC)

 * Besides the obvious English error of "more unique" (they should have said "less common"), you have no idea whether your password is unique if you don't know my password (and every other password).

 * Per Password policy your password:

 * Must be at least 8 characters
 * Must not be in the 100,000 most popular passwords (as defined by the Password Blacklist library)
 * Must not be the same as the username

 * You can read the list of the 100,000 most popular passwords here: (looks like "123456" is now more popular than "password" or "qwerty").

 * Just use "Swordfish" (1171 on the list) as your password. They will never guess that one. --Guy Macon (talk) 04:08, 20 September 2019 (UTC)
 * The message is MediaWiki:Passwordinlargeblacklist. A similar message at MediaWiki:Passwordtoopopular said "more unique" earlier but was changed at T177018. "more unique" is a common term and there are different opinions about it. See e.g.  or many other discussions found with Google. Language changes and unique is often used to mean unusual. If the only correct meaning of a word was the original meaning or the logical meaning based on how the word was formed then a large part of English (and probably all human languages) would be wrong. PrimeHunter (talk) 10:59, 20 September 2019 (UTC)
 * Primehunter makes a very good point. This may very well be one of those words that is in the middle of changing meaning. Still, I do favor some amount of pushback when someone starts trying to change the meaning of a word. It hinders communication if the meanings change too often or too quickly. Yes, you can decide to use non-standard fleemishes and the reader can still gloork the meaning from the context, but there ix a limit; If too many ot the vleeps are changed, it becomes harder and qixer to fllf what the wethcz is blorping, and evenually izs is bkb longer possible to ghilred frok at wifx. Dnighth? Ngfipht yk ur!  Uvq the hhvd or hnnngh.  Blorgk?  Blorgk!  Blorgkity-blorgk!!!! --Guy Macon (talk) 13:11, 20 September 2019 (UTC)
 * Risk of confusion depends on context. It's hard to misunderstand "Please choose a more unique password". If it had said "Please choose a unique password" then users might think it had to be the only one, e.g. different from any alternative accounts. Unusual is mentioned as one of the meanings in the three online dictionaries I tried: wikt:unique, https://dictionary.cambridge.org/dictionary/english/unique, https://www.merriam-webster.com/dictionary/unique. See also https://www.merriam-webster.com/words-at-play/very-unique-and-absolute-adjectives. PrimeHunter (talk) 14:07, 20 September 2019 (UTC)
 * We could try "Yo bruv, your password is well minging, sort it!" instead. All words found in dictionaries, and used in a readily understandable way. DuncanHill (talk) 14:47, 20 September 2019 (UTC)

 * Well ... since "unique" means something different to different people, "unique" is no longer unique -- Oh! the irony. —2606:A000:1126:28D:304D:E8A1:FEED:60B5 (talk) 17:46, 20 September 2019 (UTC)
 * Obvious it should read "most uniquiest", so that even a quantum supercomputer won't be able to crack it, because the WP:CABAL demands it. Clarityfiend (talk) 18:58, 20 September 2019 (UTC)

A Glitch
Hello there,

I created this page https://en.wikipedia.org/wiki/Joseph_A._Ball_(mathematician). Everything was alright until I noticed just now that a photo of some other person appears when I search for this page on google. However, whenever I am actually on the wikipedia page of Joseph A Ball (mathematician) (i.e., the page sited above), the right photo of the person appears. Could you please look into the matter?

Thanks! Sincerely, Haripada Sau. — Preceding unsigned comment added by Haripadasau215 (talk • contribs) 04:10, 20 September 2019 (UTC)
 * Hello, Google draws information from many sources and often displays it in a way that implies it comes from Wikipedia. We have no control over what Google displays. There is a feedback link at the bottom of the panel in the search results. Thank you. Eagleash (talk) 04:17, 20 September 2019 (UTC)

Downton Abbey
In the    above  page  there  is  a  "Crawley  family  tree"  which  appears  to  be  from  another  "wiki"  page. The name  of the  second  wife  of  Baron  Merton  is  Baroness  Merton (formerly  Mrs Crawley nee  Isobel Turnbull.  Upon  Isobel's  second  marriage to  Lord   Merton  she  became  Lady  Merton/Baroness   Merton   -  NOT  Lady  Isobel  Grey  (she  is  not  the  daughter  of  an  earl).  The  references  cited  are  correct  but  the  titles  displayed  are  wrong.   I  have  corrected  this  information  on  the  wiki  page  but  it  is   not  showing.  Please  fix  up.  Thanks  Srbernadette (talk) 04:26, 20 September 2019 (UTC)
 * There no edits by you showing in the recent page history. Did you 'save' the page correctly? Eagleash (talk) 04:34, 20 September 2019 (UTC)
 * Found the  template  -  all  good  now  -  thanks
 * I created the family tree here on Wikipedia for our article. It is NOT from a fan page. challenged the template for verification and all names must have a reliable source. No, the character of Isobel is not Baroness Merton. She is simply the Lady Merton. It was the Downton Wiki that came up with that and is not in any part of the Downton Abbey series or the film. All of the series books (that mention this) and film companion book state clearly Lord and Lady Merton. I have reverted that...again as original research and fan cruft. Please see the Downton Abbey (film) talk page for the full explanation.--Mark Miller (talk) 04:07, 21 September 2019 (UTC)
 * Here is the page. It's a template; Template:Downton Abbey family tree.--Mark Miller (talk) 04:12, 21 September 2019 (UTC)

Spelling name error
In the entry for Performance Poetry Australia (Australian performance poetry) the name Grant Caldwell is wrongly listed as 'Grant Caldwll' i.e. "The 1980s saw a greater development in performed poetry, with more professional poets earning their living by poeting, Geoff Goodfellow joined Jenny Boult in South Australia, komninos, Myron Lysenko, Liz Hall, Billy Marshall Stoneking, Lauren Williams, Kerry Scuffins, Kerry Loughrey, Carmel Bird, in Melbourne, Grant Caldwll, Chris Mansell, Les Wicks and Steven Herrick in Sydney" Also is there any simple way I can add a complete item for Grant Caldwell on Wikipedia? — Preceding unsigned comment added by <IP_ADDRESS> (talk • contribs) 2019-09-20T08:27:22 (UTC)

 * Hello, IP user, and welcome to Wikipedia. For an uncontroversial correction like that, you can just go ahead and edit it: this is the encyclopaedia anyone can edit.
 * As for creating and article about Caldwell: anybody is welcome to add an article to the encyclopaedia, provided the subject is notable - which generally means that there is enough reliably published material about the subject, by people unconnected with the subject, to base an article on; but creating a new article is quite difficult, and I don't recommend if for new editors. I suggest you have a look at the "notability" page I linked to, and see if you can find enough published material about him to make an article possible (remember that nothing published by him, or by his associates, employers, or publishers, will count). If not, then it is not worth spending any more time on at present.
 * If you do find the material, you could make a request at requested articles (but the uptake is not good there); or you could try and interest somebody at WT:WikiProject Poetry or WT:WikiProject Australia in working with you. Or if you're feeling bold, you could read your first article, and try yourself (but if you're going to take that route, I advise you to create an account, and spend a few weeks improving existing articles first). --ColinFine (talk) 08:06, 20 September 2019 (UTC)
 * Hi IP user, I have taken the liberty of adding a wikilink to Australian performance poetry in your post and correcting the typo in the article. TSventon (talk) 09:30, 20 September 2019 (UTC)

Change Photo On Company Profile on Wiki
Dear all,

please advise how I can proceed with subject matter for Lebanese Air Transport.

With kind regards, — Preceding unsigned comment added by Nadine Bolbol (talk • contribs) 08:12, 20 September 2019 (UTC)
 * First, please read WP:PAID and WP:COI. Secondly, I have updated the logo for you - I assume this is what you wanted.  OxonAlex    - talk  09:07, 20 September 2019 (UTC)
 * The article is Lebanese Air Transport  OxonAlex    - talk  09:08, 20 September 2019 (UTC)

Change the date of birth-Eric Martin
The Eric Martin page on Wikipedia says that he was born in 10/10/1960 while actually he was born in 10/10/1956. I don´t see the "edit source" link for editing the section where this mistake is located. — Preceding unsigned comment added by Tagomauro (talk • contribs) 12:44, 20 September 2019 (UTC)

 * What is the published reliable source to confirm the 1956 date? --David Biddulph (talk) 12:58, 20 September 2019 (UTC)
 * Presumably this relates to Eric Martin (musician). His birth date is currently uncited as far as I can see, but I found this on allmusic confirming the date that's in the article. I don't know whether that counts as a WP:RS. AndrewWTaylor (talk) 13:16, 20 September 2019 (UTC)
 * The archived Geocities site also says 1960. This is not a reliable source either, but unless we get a better source, we can't make the change.   Dbfirs  14:53, 20 September 2019 (UTC)

I´ve seen his passport when he applied for a visa, but you can also check this website and you´ll see a bunch of names and d.o.b. Enter his name, Eric Lee Martin — Preceding unsigned comment added by Tagomauro (talk • contribs) 16:49, 20 September 2019 (UTC) http://migranteweb.mte.gov.br/migranteweb/publico/consultarProcessoInternet/consultarProcesso.seam# — Preceding unsigned comment added by Tagomauro (talk • contribs) 16:49, 20 September 2019 (UTC) then scroll down and click Imprimir Estrangeiro. Check the downloaded file — Preceding unsigned comment added by Tagomauro (talk • contribs) 16:51, 20 September 2019 (UTC)

How to separate column entries from column entries inside wikicode of a wikitable?
If it is impossible, please note so. For example, take these wikitables, I want them to be combined horizontally, but see the problem below.

The problem is I want it to look like the following, but I want Persons 1-5, 6-10, etc. in the same area in the wikicode. Note that I have many more columns and rows in my real wikitable.

The above table is the only way I see how to make the table, but I want Persons 1-5, 6-10, 11-15, etc. grouped together, and not Persons {1,6,11,..}, {2,7,12,..} , etc. grouped in the wikicode, since filling each person's name only makes sense vertically for me. And also note that each person name is of variable length, so it is not as tidy as the above table to visually see Persons 1-5, 6-10, etc.

If it is impossible to separate Persons 1-5 from Persons 6-10, etc. in the wikicode, please post that as the answer. WinterSpw (talk) 18:23, 20 September 2019 (UTC)
 * I'm afraid I'm not following what you are asking. I'm not sure what you mean when you say "the same area of the wikicode." Can you put it in Excel the way you want it and upload a screenshot?  TimTempleton (talk)  (cont)  18:41, 20 September 2019 (UTC)
 * Theoretically you can nest one table inside another table using syntax with,  tags. See Help:Table. Ruslik_ Zero  18:43, 20 September 2019 (UTC)

 * I mean something like the following pseudocode (note it is pseudocode), to separate column entries from column entries:

 * WinterSpw (talk) 19:22, 20 September 2019 (UTC)

 * Like this, ?

 * (See the source for how I did it) --ColinFine (talk) 22:17, 20 September 2019 (UTC)

 * Ooh! This is a nice implementation, this might work. But it doesn't have the line dividers for each row, so I guess I'll think about my wikitable some more. WinterSpw (talk) 01:46, 21 September 2019 (UTC)

Adding photos
Hi, how do I add a photo to a current article. Thanks — Preceding unsigned comment added by RossInnes (talk • contribs) 20:11, 20 September 2019 (UTC)
 * Please see WP:UPLOAD for a guide to adding images. Please free to come back here if you encounter difficulty. Eagleash (talk) 21:19, 20 September 2019 (UTC)

source: wikimedia

license: Creative Commons - Attribution Share-Alike - https://creativecommons.org/licenses/by-sa/4.0/


text:
User:Eastlaw/Special Investigative Services

Special Investigative Services (SIS) is a department within the Correctional Services Branch in Federal Bureau of Prisons institutions that investigates suspected criminal activity or other activity contrary to prison discipline. This can include both prisoner activity and employee activity. SIS often relies upon confidential informants whose identity need not be revealed to the accused in Disciplinary Hearing Officer proceedings. SIS staff sometimes assist the Federal Bureau of Investigation in solving crimes that occur in federal prisons.


text:
Puzzles/Physics puzzles

 * Train on Circle
 * Flying around the World
 * Levitating Straws
 * Problems of the Eleatic School
 * A Boat, a Pool, and a Lead Ball

title: Puzzles/Physics puzzles


text:
Jiří Horáček

Prof. RNDr. Jiří Horáček, DrSc. (* February 2, 1945 in Nová Paka) is a Czech theoretical physicist, professor at Charles University in Prague, where he works at the Institute of Theoretical Physics, which is a part of the Faculty of Mathematics and Physics. He was the director of the Institute in 2003–2011. He works in the field of theoretical atomic and molecular physics with a special focus on numerical solutions to integral and differential equations of scattering theory and on numerical analytic continuation methods localizing the poles of scattering quantities related to resonances.

Life
Jiří Horáček spent his early life in Nová Paka. His mother Marta Horáčková (née Pátá) was a music teacher. In early youth he started playing violin. His teacher was a famous music virtuoso Josef Muzika. Although Jiří Horáček later pursued a different subject, violin has always been an important part of his life and he performs regularly with a music group Four and a Half or with friends. Every year he performs in Czech Christmas Mass.

In 1963 he started studying physics at Charles University in Prague. He graduated in theoretical physics, defending his diploma thesis on electron-atom collisions under the supervision of Jozef Kvasnica. After one year of compulsory military service in Czechoslovak People's Army he began his doctoral studies at the Department of Theoretical Physics, Faculty of Mathematics and Physics, Charles University in Prague. He defended his doctoral thesis in 1972 and his candidate thesis (the then equivalent of PhD) in 1975. It was during this time that he met his future wife, physician Eva Plchová, whom he married in 1974. They have two daughters Jitka (1975) and Olga (1978). After finishing his doctoral studies he got an assistant position at the Department. In 1979–1981 he completed a postdoc fellowship at Tohoku University in Sendai, Japan, working with Professor Tatuya Sasakawa on the theory of collisional processes in nuclear and atomic physics. During his stay in Japan Jiří Horáček also devoted a lot of time to karate; he has a black belt (1st dan) in Shotokan Karate-Do. After returning to Czechoslovakia he also practiced karate in the Slavoj Hloubětín sports club.

After the Velvet Revolution in 1989 opportunity opened up for him to travel as a visiting professor to the University of Southern California in Los Angeles and to the Technische Universität München. In 1997 Jiří Horáček was awarded a full professorship at Charles University in Prague. In 2003–2011 he was the head of the Institute of Theoretical Physics.

Scientific work
The main topic of Jiří Horáček's scientific work is the application of quantum scattering theory to nuclear, atomic, and molecular physics. His work mainly focused on the development of efficient methods facilitating numerical solutions of integral equations appearing in the scattering theory, particularly the Lippmann-Schwinger equation. His application of the method of continued fractions developed together with Tatuya Sasakawa during Jiří's fellowship at Tohoku University is still used in nuclear, atomic, and molecular physics. In 1991 he modified the method together with Lorenz S. Cederbaum and Hans-Dieter Meyer from Heidelberg University and they developed the Schwinger-Lanczos method, which Jiří applied to calculations of electron-molecule collisions and ion-atom collisions together with his students and with Professor Wolfgang Domcke from Technische Universität München. They calculated the scattering cross-sections for the processes of vibrational excitation, dissociative attachment, and associative detachment in slow electron collisions with various diatomic molecules. Additionally, Jiří Horáček developed methods of calculating scattering phase shifts, resonance parameters, low-energy expansions in the scattering theory, and solutions of the inverse scattering problem.

Awards
In 1986 he was awarded the Czech Literature Fund prize for his scientific work and in 2011 he won an honorary medal from the Faculty of Mathematics and Physics, Charles University in Prague for his long-standing scientific and pedagogical work.

Selected publications
Jiří Horáček authored almost 100 publications in the fields of theoretical physics and numerical mathematics, including:

He has also coauthored the book and two chapters in

Biography

 * Michael Třeštík, editor: Kdo je kdo v České republice na přelomu 20. století. AGENTURA KDO JE KDO, Praha 1998, str. 198.

title: Jiří Horáček


text:
User:CleanCode2020

Disclaimer: Disclosing here that my employer is Codacy. I'm not receiving direct contribution to create or edit the Wikipedia page, although, as the company didn't have one, I decided to create it, and at the end of the day, I do receive compensation for working at Codacy. This statement is to disclose this fully, and by no means will be a promotion of the company, but it is being created so that people can learn more about it and have a place within Wikipedia where it can help them also make informed decisions. It is meant to be informative and not biased, all the sources are online and checked, taken from neutral points of view with no affiliation to the company, none of the references are from Codacy.

title: User:CleanCode2020


text:
Wikipedia:Articles for deletion/List of LGBT-related films

The result was keep. There's a fair amount of agreement here that the title should be repurposed as some other type of navigation aid, but the page as is should be kept, if for no other reason than to maintain the attribution history. Any ideas for reworking the page can be worked out on the talk page. -- RoySmith (talk) 01:51, 2 October 2019 (UTC)

List of LGBT-related films

 * – ( View AfD View log  Stats )

List that has outlived its usefulness and been supplanted by other, more specific lists, for a subject that has become far too large to be maintainable in this one-stop format anymore. Just to be clear in case anybody misunderstands, I am not proposing that we do away with all lists of LGBT-related films; we already have many other more specific lists by year which should absolutely be kept, and I just don't think we need to keep a massive A-Z master list alongside them anymore. When this was first created in 2003, there were a lot fewer LGBT-related films to list at all -- the original version literally had only around 100 films in it total. But with the sheer explosion in the visibility and sourceability and mainstreaming of LGBT-themed films in the intervening 16 years, we now have over 3,000 articles about LGBT-related films before you even take into account the considerable number of LGBT-themed films that are currently still redlinks, and the literally unfathomable number of LGBT-themed films still to come in the future. So in 2012, we started a comprehensive set of LGBT-related films subgrouped by year of release, which is highly developed and very well-maintained -- and with those lists in place, the value in trying to maintain a comprehensive A-Z master list alongside them is significantly reduced. The sheer number of LGBT-related films that need to be listed now also poses a serious maintainability problem -- films frequently get added to the by-year lists without being added here, and the sheer number of films involved makes it virtually impossible to actually undertake any serious effort to get all the missing films added here anymore. And, by comparison, if a country has "List of [Country] films of [Year]" lists in place, then we just use "List of [Country] films" as an index of links to the year lists and not as a redundant master list of all the films that are already in the sublists -- and the sheer scope of this topic means we should treat it like a "country" in that sense. TLDR, I believe this "comprehensive" master list has outlived its usefulness. We should just delete it, move List of LGBT-related films by year overtop the redlink, and let the by-year lists stand on their own from now on instead of trying to compile a reduplicated master list alongside them. Bearcat (talk) 19:33, 24 September 2019 (UTC)
 * Note: This discussion has been included in the list of Film-related deletion discussions. Bearcat (talk) 19:33, 24 September 2019 (UTC)
 * Note: This discussion has been included in the list of Sexuality and gender-related deletion discussions. Bearcat (talk) 19:33, 24 September 2019 (UTC)

 * Delete and move other article over it per Bearcat. This article has outlived its usefulness. -Crossroads- (talk) 20:14, 24 September 2019 (UTC)
 * Do not delete because it has not been proven that the more specific lists have never used this main list as a basis. The attribution history should be preserved. Instead, move this list to Lists of LGBT-related films and put a template on the talk page indicating the singular-list history. Then list all the year-based lists and other kinds of lists, e.g., List of LGBT-related films by storyline and List of LGBT-related films directed by women. See WP:COPYWITHIN. Erik (talk | contrib) (ping me) 23:33, 24 September 2019 (UTC)
 * Note: This discussion has been included in the list of Lists-related deletion discussions. Gabe Iglesia (talk) 09:35, 25 September 2019 (UTC)

 * Keep Frankly I fail to see how deleting this is helpful. You can make this a list of lists as mentioned by Erik, same as what you see in Lists of films, subdividing it into different categories as mentioned, List of LGBT-related films by year, List of LGBT-related films by storyline and List of LGBT-related films directed by women, etc. Seems like it should simply be a move proposal instead of a AfD. Hzh (talk) 10:45, 29 September 2019 (UTC)
 * Repurposing this title as the move destination of one of the other lists is exactly what I proposed. The discussion is fundamentally about whether there's any value in maintaining a massive A-Z master list alongside the other lists anymore, so AFD is the appropriate venue for that discussion — but deletion of this list would not preclude reusing the title for a different purpose, because deletion never precludes redirection or repurposing of its title to cover something else. So the ability to repurpose the title into something else is not a reason why we would need to retain the content of this list in its existing form, which is what a keep result would mandate. Bearcat (talk) 16:03, 29 September 2019 (UTC)
 * Your proposal is to move List of LGBT-related films by year to this space, however, List of LGBT-related films by year (which has multiple lists) is not the same as List of LGBT-related films (single list), it is in fact more Lists of LGBT-related films. This is something that should simply be a move that can be proposed in its talk page, discuss, move then adjust the content. Much simpler and less likely to result in unnecessary mistakes.  Hzh (talk) 19:34, 29 September 2019 (UTC)
 * , the goal is to preserve the attribution history. I agree that we don't need a list, but I do not agree that we need to explicitly delete the list as it never existed. The history of this goes back to 2003. The list now persists in more specific forms, and it has not been proven that these forms have never relied on the original list. Erik (talk | contrib) (ping me) 13:42, 30 September 2019 (UTC)
 * The matter of whether the by-year lists ever relied on this list or not is completely impossible to prove or disprove in either direction — how, exactly, is anybody supposed to prove anything either way about whether the year lists were compiled by pulling films directly from this list, or from the same outside sources that were used to build this list? And secondly, as of the time that the year lists started getting spun out, the list was half as long or less as it is now — so by far the largest group of involved films were (a) added to both the year set and this list concurrently, (b) added to the year set first and then added here later, or (c) added to the year lists and never actually added here at all, and thus never relied on the existence of this list as their source. And even for the far smaller number of films that were already in this list before the by-year lists got spun out, the question of whether the by-year lists relied on external sources, or on this master list per se, is not my responsibility to prove. And precisely because external sources do exist for the classification, and we're supposed to be relying on those outside sources rather than self-citing ourselves in violation of WP:CIRCULAR, the question of whether the by-year lists relied on this list or on the external sources isn't even an important consideration at all. Bearcat (talk) 14:55, 30 September 2019 (UTC)
 * Like I said, I agree with converting this into a "lists" article. I don't understand why you want to delete the entire page history. Look at list of science fiction films. It redirects to lists of science fiction films, and we can see the oldest edits going back to 2001. That's what I favor. Not the outright deletion of the original topic editing, which was completely valid and likely spun off into the specific lists. Erik (talk | contrib) (ping me) 15:42, 30 September 2019 (UTC)
 * Here is an example of the need to preserve copyright. Editor began "splitting list" on July 31, 2007 with List of LGBT-related films and List of LGBT-related films by year. Later, in August 2012, editor  split that (and contributions in between) out into individual years here. The page history of the original list should be preserved. Erik (talk | contrib) (ping me) 16:24, 30 September 2019 (UTC)
 * Just a note that if you bold the word "delete", it would look like you are choosing to delete the article, which is in fact what's recorded in your AfD stats. Bold either keep or delete. Hzh (talk) 17:51, 30 September 2019 (UTC)
 * Thanks, I changed it from bold to underline. Erik (talk | contrib) (ping me) 18:11, 30 September 2019 (UTC)

 * Keep and consider repurposing into a navigation page. ミラP 19:57, 29 September 2019 (UTC)
 * Keep as per arguments re preserving attribution history above (as I happen to just so log into my account for the first time in a couple of years just as this kicks off...) Dev920, who misses Jeffpw. 23:36, 30 September 2019 (UTC)
 * Crazy timing! I almost didn't tag you. To be clear, are you in favor of converting this list into a list-of-lists article? Erik (talk | contrib) (ping me) 12:39, 1 October 2019 (UTC)
 * Keep and consider repurposing into a navigation page.4meter4 (talk) 19:39, 1 October 2019 (UTC)


text:
Template talk:Pagebreak

Before the template
Will the "page break" template work for image alignment, too? This is a test of the page break template.

The "page break" template follows this line.

After the template
The second codex image is after the template.

The second Plato image is after a

Print test
Print this page to test if the page break template creates a page break upon printing.

title: Template talk:Pagebreak


text:
Keepsakes (album)

Keepsakes - A Collection is an anthology by All About Eve released on 13 March 2006. It is available either as a double CD or as a limited edition double CD and DVD set (the DVD containing the band's videos and television performances).

Unlike Winter Words, this compilation had the support and involvement of the band. Lead singer Julianne Regan said of it "Compiling the album reminded me that we were actually a pretty good band about 70% of the time."

Track listing
First CD:
 * 1) Flowers in Our Hair (extended version)
 * 2) In the Clouds
 * 3) Calling Your Name
 * 4) Paradise (1989 remix)
 * 5) Martha's Harbour
 * 6) Every Angel (7" remix)
 * 7) What Kind of Fool (Autumn Rhapsody)
 * 8) Wild Flowers (1988 BBC session version)
 * 9) Candy Tree (Live at the Hammersmith Odeon 1988)
 * 10) Wild Hearted Woman (Live at the Hammersmith Odeon 1988)
 * 11) Our Summer (Live)
 * 12) In the Meadow (Live at the Hammersmith Odeon 1988)
 * 13) Gold and Silver
 * 14) Scarlet
 * 15) Road to Your Soul
 * 16) Drowning
 * 17) December
 * 18) What Kind of Fool 2006
 * 19) The Empty Dancehall - Revisited

Second CD:
 * 1) Farewell Mr Sorrow
 * 2) Strange Way
 * 3) Rhythm of Life
 * 4) Wishing the Hours Away
 * 5) The Dreamer (Tim Palmer Mix)
 * 6) Touched by Jesus
 * 7) Are You Lonely
 * 8) See Emily Play (Demo Version)
 * 9) Phased
 * 10) Freeze
 * 11) I Don't Know (Alternate Version)
 * 12) Some Finer Day
 * 13) Infrared
 * 14) Outshine the Sun
 * 15) Let Me Go Home
 * 16) Keepsakes
 * 17) Raindrops

DVD (only available on limited edition version):
 * 1) Flowers in Our Hair (video)
 * 2) In the Clouds (video)
 * 3) Wild Hearted Woman (video)
 * 4) Every Angel (video)
 * 5) Martha's Harbour (video)
 * 6) What Kind of Fool (video)
 * 7) Road to Your Soul (video)
 * 8) December (video)
 * 9) Scarlet (video)
 * 10) Farewell Mr Sorrow (video)
 * 11) Strange Way (video)
 * 12) The Dreamer (video)
 * 13) Phased (video)
 * 14) Some Finer Day (video)
 * 15) Let Me Go Home (video)
 * 16) Every Angel (performed for Going Live! in 1988)
 * 17) Martha's Harbour (performed (live) for Top of the Pops in 1988)
 * 18) What Kind of Fool (performed for Top of the Pops in 1988)
 * 19) Scarlet (performed for Daytime Live in 1990)
 * 20) More Than the Blues (performed for Daytime Live in 1990)
 * 21) Farewell Mr Sorrow (performed for Top of the Pops in 1991)

The DVD also features two Easter Eggs:
 * 1) Martha's Harbour (performed (mimed) for Top of the Pops in 1988 - the "infamous" version [see notes])
 * 2) What Kind of Fool (an alternate version of the video deemed suitable for children as it does not feature tarot cards)

title: Keepsakes (album)


text:
Berkeley open infrastructure for network computing (BOINC)

Berkeley Open Infrastructure for Network Computing

Open-source software for volunteer computing and desktop grid computing. The project aims to use the idle time on volunteers' computers (Windows, Mac, or Linux) as a resource to compute a variety of projects agreed to be beneficial to the community at large. Examples may be projects to control disease or various scientific research.

External link to BOINC homepage

 * BOINC


text:
Talk:General Relativity/Einstein's equation

Needs

 * The uses of this equation.
 * Better definition of terms

Use Einstein's field equation as a guide.

Relating the Einstein equation to Newtonian physics
I have not studied general relativity (but I am an engineer, so I have a reasonably good physics background) and a look at the Einstein equation baffles me. Would anybody be able to creating an example that shows how the Einstein equation simplies to something that would be taught in a sophmore physics class.

Mistake
R_ab under "Vacuum Field Equations" should be R_munu for consistent notation, right? I'm not confident enough to change this myself.


text:
Greek Language/Vowels

Greek vowels have similar pronunciations as those of Spanish. If you know Spanish, then you will have an easy time pronouncing these. Do not automatically apply standard English vowel pronunciations to Greek words! You will probably be pronouncing them wrong. Please refer to the page linked at the end of this article for sound clips of the correct prounciations.

You will probably have noticed that some of the letters are redundant; Greek has three letters representing the sound /i/ ('ee') and two representing the sound /o/ ('oo'). This is because in Classical Greek the different letters did actually have different sounds associated with them. However, over the centuries, the pronunciations shifted to what they are today.

title: Greek Language/Vowels


text:
Talk:Cristina Peri Rossi

Untitled
The use of the word "Latino" is inappropriate in the article’s context. What is the technical purpose of such criteria of classification? The author (Cristina Peri Rossi) is Uruguayan, and that is a distinctive biographical fact. The “Latino label” appears to be useful to a certain group of individuals (most of them from the US), whose main activity is to classify people into pseudo distinctive ethnic/racial/cultural categories.--<IP_ADDRESS> 19:33, 21 March 2006 (UTC)

External links modified
Hello fellow Wikipedians,

I have just modified 2 external links on Cristina Peri Rossi. Please take a moment to review my edit. If you have any questions, or need the bot to ignore the links, or the page altogether, please visit this simple FaQ for additional information. I made the following changes:
 * Added archive https://web.archive.org/web/20121015102530/http://www.cristinaperirossi.es/bio.htm to http://www.cristinaperirossi.es/bio.htm/
 * Added tag to http://www.diarioiberico.com/actualidad/peri-rossi-acusa-catalunya-r%E0dio-de-persecuci%F3n-ling%FC%EDstica-15666.html
 * Added archive https://web.archive.org/web/20101213001132/http://cristinaperirossi.org/ to http://www.cristinaperirossi.org/

Cheers.— InternetArchiveBot  (Report bug) 15:39, 14 August 2017 (UTC)

title: Talk:Cristina Peri Rossi


text:
Aiginio railway station

Aiginio railway station (Σιδηροδρομικός σταθμός Αιγίνιο) is a railway station in Korinos, Central Macedonia, Greece. Located in a residential area 1.3 km east of the centre of the town, it opened in 2000. It is served by regional trains between Thessaloniki, Kalambaka, Palaiofarsalos and by the Suburban services for Thessaloniki, Litochoro and Larissa.

History
The station opened in 2000, replacing an older station of the same name further down the same line. The following year, in 2001, the infrastructure element of OSE was created, known as GAIAOSE, it would henceforth be responsible for the maintenance of stations, bridges and other elements of the network, as well as the leasing and the sale of railway assists. In 2003, OSE launched "Proastiakos SA", as a subsidiary to serve the operation of the suburban network in the urban complex of Athens during the 2004 Olympic Games. In 2005, TrainOSE was created as a brand within OSE to concentrate on rail services and passenger interface. In 2008, all Proastiakos were transferred from OSE to TrainOSE. By 2014 however, the station buildings were rundown and unused. However, trains still called at the unstaffed halt.

Facilities
When the station opened, it was equipped with a purpose-built booking hall and four platforms, with shelters. The platforms were (and still are) connected by subways. However, the station is not equipped with lifts. (As of 2020) The station is unstaffed, with buildings in a poor state of repair. The station is equipped with onsite parking.

Services
The station is on the main line of the Greek railway system that connects Athens in the south with Thessaloniki in the North (however, Intercity services do not call at the station), however slower Fast Trains do call at the station. The city is also connected directly with Larissa and Thessaloniki via the Proastiakos It is served by local stopping services to Thessaloniki, Kalambaka and Palaiofarsalos and by Proastiakos Thessaloniki to Larissa and Thessaloniki. There are around 22 services that call at the station daily.

title: Aiginio railway station


text:
User:Igreen5/sandbox

It's Always Sunny in Philadelphia

I decided to edit this article because I found it to be slightly inaccurate and since it is my favorite TV show so I found it my duty in order to correct it. As I was reading I found that the article inaccurately described one of my favorite characters on the show, Mac. They cited him as officially coming out of the closet in episode 6 when actually it occurred in the season finale. The other addition I made was adding a promotional picture from a later season in order to add another picture to the article.

title: User:Igreen5/sandbox


text:
1995 Girabola

The 1995 Girabola was the 17th season of top-tier football competition in Angola. Atlético Petróleos de Luanda were the defending champions.

The league comprised 14 teams, the bottom four of which were relegated.

Petro de Luanda were crowned champions, winning their 10th title, and third in a row, while FC de Cabinda, Sonangol do Namibe, Sporting de Luanda and Sporting do Lubango were relegated.

Serginho of Desportivo da EKA finished as the top scorer with 19 goals.

Changes from the 1994 season
Relegated: Inter da Huíla, Sagrada Esperança Promoted: Académica do Lobito, FC de Cabinda, Petro do Huambo, Sporting do Lubango

Top scorer

 * Francisco Leite Jorge Serginho

Champions
Squad: Amaral, Aurélio, Bodunha, Chico Dinis, Clarindo, Felito, Hélder, Kabongó, Libengué, Luís Bento, Marito, Nelo Bumba, Oliveira, Paulito, Paulo, Paulo Silva, Serginho, Willy, Zacarias, Zico Head coach: Osvaldo Saturnino Jesus

title: 1995 Girabola


text:
The Ogre (Idaho)

The Ogre is a summit in Idaho County, Idaho, in the United States. It forms part of the Seven Devils Mountains. With an elevation of 9222 ft, The Ogre is the 271st highest summit in the state of Idaho.

The Ogre was named from Nez Perce mythology.

title: The Ogre (Idaho)


text:
вѣра

Etymology
From.

Noun

 * 1) faith, belief

Etymology
From. Cognates include 🇨🇬 and 🇨🇬.

Noun

 * 1) faith, belief

title: вѣра


text:
User:Bunbunbunka130

Bunbunbunka130
I'm a Translation Studies MSc student at the University of Edinburgh.

My example citation
I read an interesting story on the BBC News site about Donald Trump and North Korea.

My example lists
Things I like:
 * watching theatres
 * playing videogames
 * hugging animals

title: User:Bunbunbunka130


text:
Young-Il Ahn

Young-Il Ahn (1934, Gaeseong, Korea-12 December 2020) was a Korean American artist living and working in Los Angeles, California. Considered a child prodigy in his native Korea, Young-Il Ahn relocated permanently to the United States in 1966. His painting style is mostly abstract, and tends to be inspired by his natural surroundings. In recent years, his work has been exhibited in retrospectives at LACMA and Long Beach Museum of Art.

Personal life and water series
Young-Il Ahn was born in 1934, in Gaeseong, Korea, and earned his BFA from Seoul National University in 1958. In 1983, Young-Il Ahn was temporarily lost at sea in dense fog while on a fishing boat off the coast of Santa Monica. The experience of seeing how the water looked when the fog lifted led him to develop his Water Series, a group of paintings he has been developing for more than 30 years based on trying to capture the sensation of light and shadow reflecting on the surface of the water. The Water series has been the subject of multiple articles and museum exhibitions examining Young-Il Ahn's work. The estate of Young-Il Ahn is represented by Harper's in New York.

Connection to Dansaekhwa
In 2015, author Yoon Jin Sup, an authority on the 20th-century Korean art movement Dansaekhwa curated Young-Il Ahn into the exhibition Dansaekhwa II: The Traces of Four Artists at the LA Art Show. In his writing for the exhibition, Yoon stated, "Young-Il Ahn’s canvases are comprisedof [sic] small, repeating square-shaped dabs of color. This repetitive feature of his work comes from the same artistic tradition of the first-generation Korean Dansaekhwa painters, including Kim Whan-ki (1913–1974), Park Seo-bo (born 1931), Lee Ufan (born 1936), Chung Sanghwa (born 1932), and Ha Chong-hyun (born 1935)."

Dansaekhwa originated in Korea in the 1970s. As a Korean born artist working in America since 1966, Young-Il Ahn developed his methods independently of Korean-based artists, and is considered unique amongst Dansaekhwa artists.

title: Young-Il Ahn


text:
Filmmaking Basics/Camera Lenses/Basic moods

{| cellspacing="0" cellpadding="0" style="margin:0em 0em 1em 0em; width:100%" Over-the-shoulder shots
 * style="width:100%; vertical-align:top; border:1px solid Gold; background-color:LightYellow;" |

Can you see a difference?

 * Below are all medium shots of the boy. The difference is the angle of view of the lens.  Can you feel any difference?

 * }

{| cellspacing="0" cellpadding="0" style="margin:0em 0em 1em 0em; width:100%" Over-the-shoulder shot
 * style="width:50%; vertical-align:top; border:1px solid Gold; background-color: LightYellow;" rowspan="1"|

A extreme wide-angle lens
This over-the-shoulder shot was filmed with an extreme wide-angle lens. This lens is a 14mm lens on a motion picture camera. On a 35mm still film camera, this lens would be a 24mm lens which is about as wide a still camera lens you can buy that is not spherical. It is very short lens but has a huge amount of glass.

This lens has a 77 field of view (measured horizontally.) (rough estimate)

This screen shot was created using the free demo version of FrameForge 3D Studio 2 which is a wonderful program for learning about the emotions created using different lenses.

 * style="padding:0em 0.5em 0em 0.5em;" |

Strongly Cold and Distant
 * style="width:50%; vertical-align:top; border:1px solid #abd5f5; background-color:#f1f5fc;" |

 * }

{| cellspacing="0" cellpadding="0" style="margin:0em 0em 1em 0em; width:100%" Over-the-shoulder shot
 * style="width:50%; vertical-align:top; border:1px solid Gold; background-color: LightYellow;" rowspan="1"|

A strong wide-angle lens
This over-the-shoulder shot was filmed with an extreme wide-angle lens. This lens is a 16mm lens on a motion picture camera. On a 35mm still film camera, this lens would be a 28mm lens which is about as wide a still camera lens you can buy that is not spherical. It is very short lens but with lots of glass.

This lens has a 68 field of view (measured horizontally.)

This screen shot was created using the free demo version of FrameForge 3D Studio 2 which is a wonderful program for learning about the emotions created using different lenses.

 * style="padding:0em 0.5em 0em 0.5em;" |

Strongly Cold and Distant
 * style="width:50%; vertical-align:top; border:1px solid #abd5f5; background-color:#f1f5fc;" |

 * }

{| cellspacing="0" cellpadding="0" style="margin:0em 0em 1em 0em; width:100%" Over-the-shoulder shot
 * style="width:50%; vertical-align:top; border:1px solid Gold; background-color: LightYellow;" rowspan="1"|

A moderate wide-angle lens
This over-the-shoulder shot was filmed with a moderate wide-angle lens. This lens is a 24mm lens on a motion picture camera. On a 35mm still film camera, this lens would be a 35mm lens which is the widest lens you get with a cheap camera.

This lens has a 55 field of view (measured horizontally.)

This screen shot was created using the free demo version of FrameForge 3D Studio 2 which is a wonderful program for learning about the emotions created using different lenses.

 * style="padding:0em 0.5em 0em 0.5em;" |

Strongly Cold and Distant
 * style="width:50%; vertical-align:top; border:1px solid #abd5f5; background-color:#f1f5fc;" |

 * }

{| cellspacing="0" cellpadding="0" style="margin:0em 0em 1em 0em; width:100%" Over-the-shoulder shot
 * style="width:50%; vertical-align:top; border:1px solid Gold; background-color: LightYellow;" rowspan="1"|

A neutral lens
This over-the-shoulder shot was filmed so it appears if viewed by the human eye. On a 35mm motion picture camera, this lens has a focal length of 33mm. The lens is a 48mm lense (in 35mm still equivalents) which has about a 45 degree view (horizontal).

All still film cameras come with a 50mm lens because this is the cheapest lens.

This screen shot was created using the free demo version of FrameForge 3D Studio 2 which is a wonderful program for learning about the emotions created using different lenses.

 * style="padding:0em 0.5em 0em 0.5em;" |

Boringly neutral
 * style="width:50%; vertical-align:top; border:1px solid #abd5f5; background-color:#f1f5fc;" |

 * }

{| cellspacing="0" cellpadding="0" style="margin:0em 0em 1em 0em; width:100%" Over-the-shoulder shot
 * style="width:50%; vertical-align:top; border:1px solid Gold; background-color: LightYellow;" rowspan="1"|

A simple telephoto lens
This over-the-shoulder shot was filmed with a mild telephoto lens. The lens is a 85mm lense (in 35mm still equivalents) which has about a ? degree view (horizontal).

This screen shot was created using the free demo version of FrameForge 3D Studio 2 which is a wonderful program for learning about the emotions created using different lenses.

 * style="padding:0em 0.5em 0em 0.5em;" |

Gentle and warm
 * style="width:50%; vertical-align:top; border:1px solid #abd5f5; background-color:#f1f5fc;" |

 * }

{| cellspacing="0" cellpadding="0" style="margin:0em 0em 1em 0em; width:100%" Over-the-shoulder shot
 * style="width:50%; vertical-align:top; border:1px solid Gold; background-color: LightYellow;" rowspan="1"|

A portrait telephoto lens
This over-the-shoulder shot was filmed with a mild telephoto lens. The lens is a 135mm lense (in 35mm still equivalents) which has about a ? degree view (horizontal).

This screen shot was created using the free demo version of FrameForge 3D Studio 2 which is a wonderful program for learning about the emotions created using different lenses.

 * style="padding:0em 0.5em 0em 0.5em;" |

Warm and close
 * style="width:50%; vertical-align:top; border:1px solid #abd5f5; background-color:#f1f5fc;" |

 * }

{| cellspacing="0" cellpadding="0" style="margin:0em 0em 1em 0em; width:100%" Over-the-shoulder shot
 * style="width:50%; vertical-align:top; border:1px solid Gold; background-color: LightYellow;" rowspan="1"|

A strong telephoto lens
This over-the-shoulder shot was filmed with a strong telephoto lens. The lens is a 200mm lens (in 35mm still equivalents) which has about a ? degree view (horizontal).

This screen shot was created using the free demo version of FrameForge 3D Studio 2 which is a wonderful program for learning about the emotions created using different lenses.

 * style="padding:0em 0.5em 0em 0.5em;" |

Very close and in your face
 * style="width:50%; vertical-align:top; border:1px solid #abd5f5; background-color:#f1f5fc;" |

 * }

{| cellspacing="0" cellpadding="0" style="margin:0em 0em 1em 0em; width:100%" Over-the-shoulder shot
 * style="width:50%; vertical-align:top; border:1px solid Gold; background-color: LightYellow;" rowspan="1"|

A super strong telephoto lens
This over-the-shoulder shot was filmed with a super strong telephoto lens. The lens is a 300mm lense (in 35mm still equivalents) which has about a ? degree view (horizontal). .

This screen shot was created using the free demo version of FrameForge 3D Studio 2 which is a wonderful program for learning about the emotions created using different lenses.

 * style="padding:0em 0.5em 0em 0.5em;" |

Too close
 * style="width:50%; vertical-align:top; border:1px solid #abd5f5; background-color:#f1f5fc;" |

 * }

{| cellspacing="0" cellpadding="0" style="margin:0em 0em 1em 0em; width:100%"
Over-the-shoulder shot
 * style="width:50%; vertical-align:top; border:1px solid Gold; background-color: LightYellow;" rowspan="1"|

An extremely stong telephoto lens
This over-the-shoulder shot was filmed with a super strong telephoto lens. The lens is a 500mm lense (in 35mm still equivalents) which has about a ? degree view (horizontal).

This screen shot was created using the free demo version of FrameForge 3D Studio 2 which is a wonderful program for learning about the emotions created using different lenses.

 * style="padding:0em 0.5em 0em 0.5em;" |

The Lawrence of Arabia shot
 * style="width:50%; vertical-align:top; border:1px solid #abd5f5; background-color:#f1f5fc;" |

 * }

{| cellspacing="0" cellpadding="0" style="margin:0em 0em 1em 0em; width:100%"
Let's take a quick quiz
 * colspan="2" style="width:100%; vertical-align:top; border:1px solid Sienna; background-color:Cornsilk;" |

The next page

 * Before we go into lenses in depth, Click here take a yet another pop quiz.

 * }


text:
2012 Angelo State Rams football team

The 2012 Angelo State Rams football represented Angelo State University in the 2012 NCAA Division II football season as a member of the Lone Star Conference.

title: 2012 Angelo State Rams football team


text:
Talk:List of settlements in Cornwall by population

Gallery
The gallery was copied from List of places in Cornwall, see attribution there. Dysklyver 20:48, 11 October 2017 (UTC)

Population ranking section
The population ranking section seems to be based on two different sources for populations. The reference for 2001 (www.citypopulation.de) also gives figures for 2011 which contradict the figures for 2011 given in this article. The 2011 figures also seem to contradict those given by the official census reference (www.nomisweb.co.uk) whether you look at the populations of built up areas (Redruth and Camborne 42690, Falmouth 31988, St Austell 25447, Truro 23041, Newquay 20189 and Penzance 19872) or by civil parish (Falmouth 21,797, Penzance 21,045, Camborne 20,845, Newquay 20,342, St Austell 19,958 and Truro 18,766.

Given that the information given in this article differs greatly from the official census figures and the sources referenced in the article I think that this section should be removed until it can be rectified. Bodrugan (talk) 22:05, 11 December 2017 (UTC)


text:
Talk:Microeconomics/Supply Demand and Equilibrium

The last thought in this lecture - "Along with ---blah blah blah---normative..." is a bit odd. I would like to point out that a science ONLY discusses the actual workings of its field of study. The normative question of whether or not a market is the best possible social arrangement is NOT a part of the science of economics. Economics only seeks to explain the workings of a market economy. No natural science perceives its job as being two-fold in dimension - both positive AND normative! Why should economics - if it is a science in the tradition of the natural sciences (following the scientific method) - be subject to different rules regarding the scope of its study? Physics does not seek to understand the laws of nature and then attempt to discern whether or not these laws are the best possible arrangement. Likewise economics. It is not a normative field and does not have a normative component.


text:
-inn

Etymology
From.

Suffix

 * 1) marks definiteness of a noun; the

Etymology 1
From, from , from. Originally, this suffix was used to create adjectives that refer to materials, such as Old Norse, from and , from. Later, use of this suffix was extended to create adjectives from verbs, such as Old Norse, from.

Declension
Note that the positive degree strong masculine accusative singular is -inn, and not the would-be expected form *-nan.

Derived terms
When used, it often causes i-umlaut.

Etymology 2
From (cf.  and, ancestors of  and ), from , the ending of all past participles of strong verbs. The ending also results in a-mutation, except before a nasal consonant. It itself came from.

Declension
Note that the masculine accusative singular is -inn, and not the would-be expected form *-nan.

Etymology 3
Suffixed form of, , from.

Suffix

 * 1) the

Usage notes
The definite suffix is added to a noun to make it definite, but this is not nearly as common as, and is never done in the earliest texts, including most poetry, legal texts and runic inscriptions. There are four rules for how to apply the definite suffix to a given noun.
 * 1) There must be agreement between the suffix and the noun, in gender, case and number.
 * 2) The suffixed article will lose its -i- after the short closing vowels -a, -i, and -u. Note that, usually, contraction will happens also after a long closing vowel, but not if it leaves the word monosyllabic.
 * , from
 * , from
 * , from
 * , from
 * , from
 * 1) In the plural, the suffixed article will lose its -i- after -r.
 * , from
 * , from
 * , from
 * 1) In the dative plural, the suffixed article will lose its -i-, and the noun will lose its final -m.
 * , from
 * , from

title: -inn


text:
Talk:Gabi DeMartino

Starting Solo Career
DeMartino revealed in a video that she started working solo but still working with her sister on YouTube videos, and so far she released one EP and one Album. — Preceding unsigned comment added by Gabriella Grande (talk • contribs) 02:13, 18 August 2020 (UTC)

 * @Gabriella Grande: Based on what's at Draft:Gabi DeMartino, she is not yet notable as an independent artist and should not have a stand-alone article. If/when she does become notable on her own, we will need to move the complete history of the draft page here, not just copy the text. —C.Fred (talk) 02:25, 18 August 2020 (UTC)
 * @C.Fred, but i have a little question, the Little Mix members had articles even when they've never released at least a solo song, but Gabi did, i really need more explaining, thank you. Gabriella Grande (talk) 02:38, 18 August 2020 (UTC)
 * Jade Thirlwall meets WP:GNG and has won awards in her own right. Perrie Edwards is borderline. Jesy Nelson has won awards related to her documentary work. Leigh-Anne Pinnock meets GNG and has other claims of significance.
 * All of that is lacking in the DeMartino draft. —C.Fred (talk) 03:06, 18 August 2020 (UTC)
 * Alright Thanks! — Preceding unsigned comment added by Gabriella Grande (talk • contribs) 20:19, 19 August 2020 (UTC)

Gabi DeMartino
I think Gabi deserves her own page because she has started solo and is releasing music through a record label. She needs to be known more for her solo work instead of her work with her sister Gabi.X.Pretty.X.Little.X.Mind (talk) 00:55, 14 October 2020 (UTC)
 * She needs to be notable before she gets her own article. D🐶ggy54321 (let's chat!) 20:04, 19 October 2020 (UTC)

title: Talk:Gabi DeMartino


text:
Radhesh

Etymology
From a words radha (Lord Krishna's devotee) and eesh (God). Hindi grammar thus give the meaning as radha's god i.e. Krishna.

title: Radhesh


text:
1976 Kansas Jayhawks football team

The 1976 Kansas Jayhawks football team represented the University of Kansas in the Big Eight Conference during the 1976 NCAA Division I football season. In their second season under head coach Bud Moore, the Jayhawks compiled a 6–5 record (2–5 against conference opponents), finished in seventh place in the conference, and outscored their opponents by a combined total of 260 to 251. They played their home games at Memorial Stadium in Lawrence, Kansas.

The team's statistical leaders included Nolan Cromwell with 273 passing yards, Laverne Smith with 978 rushing yards, and Waddell Smith with 221 receiving yards. Cromwell and Chris Golub were the team captains.

title: 1976 Kansas Jayhawks football team


text:
1950 in Thailand

The year 1950 was the 169th year of the Rattanakosin Kingdom of Thailand. It was the 5th year in the reign of King Bhumibol Adulyadej (Rama IX), and is reckoned as year 2493 in the Buddhist Era.

Incumbents

 * King: Bhumibol Adulyadej
 * Regent: Rangsit Prayurasakdi, Phraya Manavaratsevi
 * Crown Prince: (vacant)
 * Prime Minister: Plaek Phibunsongkhram
 * Supreme Patriarch: Vajirananavongs

April

 * 28 April - His Majesty King Bhumibol Adulyadej married Mom Rajawongse Sirikit Kitiyakara in Lausanne.

May

 * 5 May - The Coronation of His Majesty the King of Thailand Bhumibol Adulyadej takes place at the Phaisan Thaksin Hall in Bangkok.

title: 1950 in Thailand


text:
Japanese Language/Numbers

Numbers and Characters
The Japanese number system developed away from the Indo-Arabic system, and thus had no place-holder in the form of a 0 to make it any more simple to a western mind. Things are counted without need of the zero due to the use of their words for factors of 10.

1		一：いち：ichi

2		二：に：ni

3		三：さん：san

4		四：よん／し：yon/shi

5		五：ご：go

6		六：ろく：roku

7		七：なな／しち：nana/shichi

8		八：はち：hachi

9		九：きゅう：kyuu

10		十：じゅう：juu

11		十一：じゅういち：juu-ichi

12		十二：じゅうに：juu-ni

21		廿一：にじゅういち：ni-juu-ichi

35		三十五：さんじゅうご：san-juu-go

78		七十八：ななじゅうはち：nana-juu-hachi

100		百：ひゃく：hyaku

1,000		千：せん：sen

10,000		一万：いちまん：ichi-man

100,000		十万：じゅうまん：juu-man

1,000,000　	百万：ひゃくまん：hyaku-man

10,000,000	千万：せんまん：sen-man

100,000,000 　  一億：いちおく：ichi-oku

The Japanese language also employs a system of "counters," which may pose a unique challenge for those unfamiliar with it. Unlike some languages, such as Cantonese, where counters are primarily used for specific groups of items, Japanese incorporates counters in a broader range of contexts.

The Universal Counter
A useful counter is in existence, though, and it can be used for pretty much everything except people and other living things. The downside to this "universal counter" is that it is irregular and must be memorized!

1：	一つ　hitotsu - ひとつ

2：	二つ　futatsu - ふたつ

3：	三つ　mittsu - みっつ

4：	四つ　yottsu - よっつ

5：	五つ　itsutsu - いつつ

6：	六つ　muttsu - むっつ

7：	七つ　nanatsu - ななつ

8：	八つ　yattsu - やっつ

9：	九つ　kokonotsu - ここのつ

10：	十　too - とお

People
People are semi-irregular counters. One person is hitori, two people are futari, then begins a more regular sequence: sannin (3), yonin (4), gonin (5), etc.

Others
Other counters are rather regular and are simply applied as suffixes to the normal Chinese-descended numbers at the top of the page. These are:

ippon	roppon
 * Mai: (flat things) shirts, paper, monetary bills
 * Tou: (large animals) from St. Bernard up (cows, etc.)
 * Zen: pairs of chopsticks and ricebowls only
 * Satsu: books only
 * Dai: (machines) a blender, a T.V., a car
 * Wa: slightly irregular, for birds, bats and rabbits: 1wa, 2wa, sanba, 4wa, 5wa, roppa, 7wa, 8wa, 9wa, juppa
 * Hon: irregular, for long, slender objects such as pens, batons and swords:

nihon	nanahon

sanbon	hachihon

yohon	kyuhon

gohon	juppon
 * Hiki: (small animals) follows the same consonant-changing scheme as above, ippiki, nihiki, etc.

title: Japanese Language/Numbers


text:
User:Rugamba Raoul/sandbox

Raoul Rugamba is a Rwandan entrepreneur based and working from Rwanda, he was born in Bujumbura, Burundi, then moved to Rwanda in 1995, where he lives until today. "

Raoul, is a french name from German origins, meaning wolf counselor, and Rugamba his first name is a Rwandan name taking origin from "Urugamba" meaning battlefield, and "Rugamba" means a fighter.

Raoul Rugamba is known for his involvement in the creative industry space in Africa, and have been involved in the use of technology in schools, helping schools to teach and learn using technology.

Early life
Raoul Rugamba after moving to Rwanda, he was still young, and the country had just known the genocide, the genocide against Tutsi, he started primary school two years later, went to "Ecole la Colombière" and later on went to "Ecole primaire le Petit Prince"

After finishing his primary school, he had a passion of computers and electricity, and he went to attend the "Group Scolaire des Anciens de Don Bosco" where he finished a diploma in Electronic and Telecommunication.

That passion took him to university in 2008 where he did computer science, and has now a bachelor degree in computer science.

Raoul Rugamba is a passion of technology and education and that is what drives him in the creative industry and education sectors until today.

Career
Raoul Rugamba started his career in 2008 as a sound and lighting engineer for a production company in Rwanda called Positive Production.

In 2011, Raoul was embarked on a tour in Canada on a play called the “Monument” where he was a sound designer and actor in the play as a soldier.

Between 2008 and 2012, Raoul Rugamba had worked on more than 300 projects, where he installed event lighting and sound systems to events, concerts, meetings, parties, weddings, and conferences.

Between 2009 and 2014, Raoul Rugamba was working as an information technologist at the School of Public Health, a part of the National University of Rwanda back then, and he acquired extensive expertise on teaching and learning using technology in higher education where he was trained by the University of Tulane.

Later on in 2015, Raoul Rugamba started his journey as an entrepreneur where he founded Hobe Agency, a creative and communication agency, and he has since supported individuals and organization to organize, plan and run events in Rwanda, they supported companies to have the right technologies and tools that will help the organization work more efficiently, Hobe Agency has also supported schools and Universities in teaching and learning using technology, where he advised, supplied the required platforms and equipment to those institutions.

In 2018, Raoul Rugamba and his team at Hobe Agency started working on a new project called Africa in Colors, a project aiming at building a creative industry ecosystem in Africa, through this project, creative entrepreneurs will be able to build a common market, do business beyond their own countries, and they will be equipped by the right knowledge and skills in order to do business in the creative industry space on the continent. This project will improve lives of many creative entrepreneurs, will create jobs on the continent and will contribute to the economic growth of African countries.

Today, in 2020, Raoul Rugamba has worked on more than a thousand projects, events, educational, brand consultancies, and project management from around the world.

Personal life
Raoul Rugamba is passionate about education, technology and creativity.

Raoul has special interest and passion about the creative industry, more entertainment and loves spending time learning new skills and knowledge on how to develop this industry on the African continent.

Among his favorite hobbies are spending time with his friends, travelling and sharing experiences with his fellow entrepreneurs.

Part of his current challenges, is reading and writing more and speaking to various conferences about education and digital in the creative industry space.

title: User:Rugamba Raoul/sandbox


text:
Talk:Brussels II

Untitled
Right now there is a review of the existing Brussels IIa (EC2201/2003) regulation. But it seems to be very intransparent. See e.g this FOI request: Brussels IIa (EC2201/2003) review - 28 Reports from 'each and every' memberstate for overall study

Regulation repealed and replaced
This instrument was replaced by a newer generation of the regulation in 2019. The old version is not in force anymore. Shaio (talk) 10:12, 15 May 2023 (UTC)

title: Talk:Brussels II


text:
Perl Programming/Beginning exercises

These are a set of eight exercises that can be used to test your ability to write Perl programs. In some cases, these exercises might include material not covered from the textbook; in those cases, you may have to consult your platform documentation to identify a necessary function or otherwise implement one yourself.

 * ../Exercise 1/
 * ../Exercise 2/
 * ../Exercise 3/
 * ../Exercise 4/
 * ../Exercise 5/
 * ../Exercise 6/
 * ../Exercise 7/
 * ../Exercise 8/

title: Perl Programming/Beginning exercises


text:
Vibez (DaBaby song)

"Vibez" (stylized in all caps) is a song by American rapper DaBaby. It was released to US rhythmic contemporary radio through Interscope Records on March 31, 2020, as the third single from DaBaby's second studio album Kirk (2019). It peaked at number 21 on the US Billboard Hot 100.

Music video
The music video was released on October 1, 2019, and was directed by Reel Goats.

Reception
Michael Saponara of Billboard called the video "reckless".

Critical reception
Noah C of HotNewHipHop called the track "ebullient" and "ferocious". On a less positive note, Trent Clark of HipHopDX called the track a "reheated version of 'Suge'".

title: Vibez (DaBaby song)


text:
Portal:Practical Arts and Sciences/Practical Arts and Sciences news

Experts Discuss Turning DMZ into Ecotourism District Since 1953 the Korean Demilitarized Zone has been a "no man's land" between North and South Korea.


text:
Talk:virtual darkness

In discussions of the value of Darkness Therapy it is suggested that "virtual darkness" is much more easily tolerated than actual darkness in treating people with bipolar disorder. The long period in darkness may be made up of some few hours of virtal darkness follwed by a long period of actual darkness while sleeping. Rhansler

 * Academic definitions from a single article only are not likely to meet the criteria for inclusion. Wiktionary has a different function and different rules from Wikipedia's. Is the term "virtual darkness", in the sense you have defined it, in accepted use that can be verified with three cited quotations that make it clear that the sense given in the definition is the sense used in the article. Embedding a theory in the definition will necessarily make it much harder to find quotations that unambiguously confirm that the sense given is the sense meant. DCDuring 15:11, 5 November 2007 (UTC)

 * To verify the sense given, we need cited quotations from three separate, permanently recorded, published works that use the term in a way that is clearly the sense given in the definition. The longer and more theory-laden the definition, the harder it will be to find those works. Feel free to discuss this here or on my talk page or in the RfV discussion. I recommend that you ask your first questions on my talk page; then we could progress to here. The RfV discussion should be to the point, if possible, and in accordance with the RfV process. DCDuring 15:19, 5 November 2007 (UTC)

virtual darkness
Looks like rubbish to me. Also caps are bad and so is plural. SemperBlotto 16:42, 4 November 2007 (UTC)

 * I moved it to l.c. The definition given doesn't seem plausible as a definition. It looks like some speculation about the effect of low-light conditions on visual perception and the possible association with the commonly used (set?) phrase. There is something funny about the phrase "virtual darkness". Is it an idiom? DCDuring 17:04, 4 November 2007 (UTC)
 * Wouldn't it be possible (logically) to make a comparison of two forms of "virtual darkness", to compare "virtual darknesses"? Not that I wouldn't move heaven and earth to avoid such a locution. DCDuring 17:15, 4 November 2007 (UTC)

 * If we were to keep it, my definition would be something like "an extremely dim lighting condition" - just to show that it doesn't mean "virtual" as in virtual reality. SemperBlotto 23:16, 4 November 2007 (UTC)

 * I'm going to work with the guy who put the RfV'd sense here because there may be an actual perceptual psychology or psychotherapy sense that would meet CFI. I've only seen one reference so far. DCDuring 15:22, 5 November 2007 (UTC)

 * I have inserted a more inclusive technical sense, which needs more verification. There seems to be a lot of work in trying to come up with ways of generating the physiological effects of total darkness without requiring actual total darkness. I can use the cite provided for the original sense (now with RfV-sense, not RfV) for the broader sense. DCDuring 16:59, 5 November 2007 (UTC)

 * Cited. Challenged sense is heavily theory-laden and far too restrictive. There is a non-SoP sense that refers to simulated darkness in experiments or controlled conditions. This sense is derived from the ordinary SoP sense of darkness that is "virtual" and not "utter". I have cited (4 quotes) the more general definition. DCDuring 21:00, 21 November 2007 (UTC)

title: Talk:virtual darkness


text:
Algorithms/Print version

Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.2 or any later version published by the Free Software Foundation; with no Invariant Sections, no Front-Cover Texts, and no Back-Cover Texts. A copy of the license is included in the section entitled "GNU Free Documentation License".

= Contents = If you have saved this file to your computer, click on a link in the contents to go to that section. = Introduction =
 * Chapter 1: Introduction
 * Chapter 2: Mathematical Background
 * Chapter 3: Divide and Conquer
 * Chapter 4: Randomization
 * Chapter 5: Backtracking
 * Chapter 6: Dynamic Programming
 * Chapter 7: Greedy Algorithms
 * Chapter 8: Hill Climbing
 * Appendix A: Ada Implementation
 * GNU Free Documentation License

= Mathematical Background =

= Divide and Conquer =

= Randomization =

= Backtracking =

= Dynamic Programming =

= Greedy Algorithms =

= Hill Climbing =

= Ada Implementation =

= GNU Free Documentation License =

title: Algorithms/Print version


text:
Sumathi Best Television Lyrics Award

The Sumathi Best Teledrama Lyrics Award is presented annually in Sri Lanka by the Sumathi Group of Campany associated with many commercial brands for the best Sri Lankan lyrics of the year in television screen.

The award was first given in 1995. In 2009, the award was not given. Following is a list of the winners of this prestigious title since then.

title: Sumathi Best Television Lyrics Award


text:
Crescent (architecture)

A crescent is an architectural structure where a row of residences, typically terraced houses, are laid out in an arc to form a crescent shape. These are planned developments from end to end, some of which, such as the famous Royal Crescent in Bath and the Marino Crescent in Dublin date back to the 1700s.

Examples
The following are examples of architectural crescents:
 * Adelaide Crescent, Hove, England
 * Bofills båge, Stockholm, Sweden, by architect Ricardo Bofill
 * Buxton Crescent, Buxton, Derbyshire, England
 * The Crescent, Limerick, Ireland, double Georgian style crescent
 * The Crescent, Scarborough, North Yorkshire, England
 * Lansdown Crescent, Bath, England
 * Marino Crescent, Dublin, Ireland developed by Charles Ffolliott
 * Park Circus, Glasgow, Scotland
 * Park Crescent, Brighton, England
 * Park Town, Oxford, England
 * Plaça Manuel Malagrida, Olot, Catalonia, Spain
 * Royal Crescent, Brighton, England
 * Somerset Place, Bath, England
 * Royal Crescent, Bath, England
 * The Crescent, Wisbech, Isle of Ely, England
 * Wellington Crescent, Ramsgate, England
 * Tontine Crescent, Boston, Massachusetts, USA

title: Crescent (architecture)


text:
Wikipedia:WikiProject Spam/LinkReports/gloriahoteldubai.com

Links

 * gloriahoteldubai.com resolves to [//<IP_ADDRESS> <IP_ADDRESS>]
 * Link is not on the blacklist.
 * Link is not on the domainredlist.
 * Link is not on the Monitorlist.
 * None of the mentioned users is on the blacklist.
 * Link is not on the whitelist.
 * Link is not on the monitor list.
 * Link is not on the whitelist.
 * Link is not on the monitor list.

Users

 * Billinghurst
 * User is whitelisted: User is in trusted groups sysop, checkuser, reviewer on some wikis
 * Martin Urbanec
 * User is whitelisted: User is in trusted groups sysop, bureaucrat, checkuser on some wikis
 * Sakhalinio
 * User is whitelisted: User is in trusted groups sysop, rollbacker on some wikis
 * Sakhalinio
 * User is whitelisted: User is in trusted groups sysop, rollbacker on some wikis

Additions

 * Displayed all 6 additions.


text:
Silent Heart

Silent Heart (Stille hjerte, Quiet heart) is a 2014 Danish drama film directed by Bille August, and starring Ghita Nørby, Morten Grunwald, Paprika Steen, and Jens Albinus. The film was nominated for the 2015 Nordic Council Film Prize.

Plot
A family of three generations gather over a weekend to say goodbye to Esther who suffers from an incurable disease, amyotrophic lateral sclerosis, and with the help of her husband Poul has chosen to pursue euthanasia when the weekend is over. But as the end approaches, the mother's decision becomes more and more difficult to handle for the daughters Heidi and Sanne, and old conflicts come to the surface.

Cast

 * Ghita Nørby as Esther
 * Morten Grunwald as Poul
 * Paprika Steen as Heidi
 * Danica Curcic as Sanne
 * Jens Albinus as Michael
 * Pilou Asbæk as Dennis
 * as Lisbeth
 * Oskar Sælan Halskov as Jonathan

Themes
The topic of August's film is euthanasia. The film is a family drama about three generations coming together over a weekend to say goodbye to their wife, mother, mother in law, grandmother and friend.

Release
The film premièred 20 September 2014 at the San Sebastián International Film Festival where it received a 20 minutes standing ovation. It was released theatrically in Denmark 13 November 2014.

Reception
Film critic Morten Piil in  gave the film 5 out of 6 stars and wrote: "All in all, Silent Heart is Bille August's most complete film since The Best Intentions." Jonathan Holland for The Hollywood Reporter wrote positively from San Sebastián that "After the disappointing Night Train to Lisbon, Heart signals a return to form for the former Oscar-winner Bille August, who here explores with practised ease and an alertness the emotional truth of the dynamics of an ordinarily neurotic family in an extraordinary situation. Accessible without being easy, and played to perfection by a superbly directed cast, Heart looks set to beat at festivals and in the European arthouse."

Jay Weissberg for Variety on the other hand wrote that "Silent Heart is a standard-issue tearjerker about a dying matriarch gathering her family around on the weekend she plans to off herself. The only surprise is when the script goes from merely stereotyped to spectacularly silly with a late revelation that would feel idiotic even in a farfetched 1940s meller."

title: Silent Heart


text:
Julia Brendler

Julia Brendler (born 26 February 1975) is a German actress.

Biography
Born on 26 February 1975 in Schwedt (East Germany, now Brandenburg in Germany), she began acting at the age of 14 years. For the first role in Helmut Dzuibas' film Forbidden Love (1989) she received the Hessian film award. Then came Dagmar Hirtz' Irish drama film Moondance (1995) and the comedy horror film by Rainer Matsutani Over My Dead Body (1995). Next year, she starred with Johannes Brandrup in the production of Max Honert "Hamlet." The next attempt to appear in the English-language movie in the film "In the depths" was more or less successful. Now, Brandler plays roles in German cinema and television.

Filmography
===Films ===
 * 1989: Forbidden Love
 * 1992: Jana and Jan
 * 1993: Angel without Wings
 * 1994: Moondance
 * 1995: The Flight of the Albatros
 * 1995: Over My Dead Body
 * 1997: Sawdust Tales
 * 2000: Deeply
 * 2007: Wortbrot
 * 2009: Phantom Pain
 * 2012: Shifting the Blame
 * 2016: Welcome to Iceland

TV films and series

 * 1992: Born in 1999
 * 1994: Eurocops (TV series, episode Three Girls)
 * 1994: Die Kommissarin (television series, episode Jugendsünden)
 * 1994, 1998: Der Fahnder (televisial, various roles, 2 episodes)
 * 1994: Der König (TV series, episode first-class murder)
 * 1994: Ärzte (TV series) (TV series, 4 episodes)
 * 1995: Derrick (TV series, episode Mr. Widanje dreams badly)
 * 1996: The Three (TV Series, episode The Witness of the Prosecution)
 * 1996: At Your Own Risk (TV series) (television series, episode Bombengeschäfte)
 * 1996: Terre indigo (TV series, 8 episodes)
 * 1996: Deutschlandlied (TV-set)
 * 1996: 2½ minutes
 * 1997: Living in fear
 * 1997: Tatort - Der Tod spielt mit (TV series)
 * 1998: Journey to the night
 * 1998: Young Love - and no one is allowed to know
 * 1999: Heartless
 * 1999: Un prete tra noi (TV series, 2 episodes)
 * 1999: Die Verbrechen des Professor Capellari - On Your Own (TV Series)
 * 1999: Camino de Santiago (TV spin-off)
 * 2001: Das Traumschiff - Bermudas (TV series)
 * 2002: Der kleine Mönch (TV series, episode Blue Star)
 * 2002: The Rosary
 * 2002: Edel & Starck (TV series, episode murder is his hobby)
 * 2003: Der letzte Zeuge (TV series, episode The show goes on)
 * 2003: A banker to fall in love with
 * 2004: Der Ermittler (TV series, episode Ice Cold Murder)
 * 2005: The Pastor II - Heimweh to Hohenau
 * 2006: 30 Something (film)
 * 2006: Großstadtrevier (TV series, episode children's suite)
 * 2006: SOKO Wismar (TV series, episode follow-up bullying)
 * 2007: Deadline – Jede Sekunde zählt (TV series, episode tunnel view)
 * 2007: Tatort - The Trap
 * 2007: SOKO Rhein-Main (TV series, follow-up pals from Cameroon)
 * 2008, 2017: Leipzig Homicide (TV series, various roles, 2 episodes)
 * 2008: Im Namen des Gesetzes (television series, episode The Death Comes Twice)
 * 2009: Stauffenberg – Die wahre Geschichte
 * 2009, 2014: Cologne P.D. (TV series, various roles, 2 episodes)
 * 2009, 2015: Ein Fall für zwei (Television series, various roles, 2 episodes)
 * 2009: The type, 13 children & me
 * 2010: UFO
 * 2010: Katie Fforde - Feast of the Day (TV series)
 * 2010: All love
 * 2010: Der letzte Bulle (TV Series, Episode One Star Over Essen)
 * 2010: Use in Hamburg - Red as death (TV series)
 * 2011: Der Kriminalist (TV series, episode Dierhagen's legacy)
 * 2011: Nord Nord Mord (TV series)
 * 2011: Inclusion – together different
 * 2011–2012: KRIMI.DE (TV series, 2 episodes)
 * 2012: Some Like It Happy
 * 2012: A triplet rarely comes alone
 * 2012: Johanna and the Bush Pilot - The way to Africa
 * 2012: Johanna and the Bush Pilot - the legend of the cranes
 * 2012: Desired child
 * 2012, 2015: Stuttgart Homicide (TV series, various roles, 2 episodes)
 * 2013: Bankless!
 * 2014: Löwenzahn (TV series, episode Aftermath - The Great Lot)
 * 2014: Richard Jury Mysteries: The Man with a Load of Mischief (TV series episode)
 * 2014: Four triplets are one too much
 * 2014: A sure-fire plan
 * 2014: Separation in Italian
 * 2015: Ein starkes Team - Best friends (TV series)
 * 2015: Tatort - Borowski and the children of Gaarden
 * 2015: Last track Berlin (TV series, episode succession state property)
 * 2016: Marie Brand and the Shadows of the Past (TV series)
 * 2016: The prosecutor (television series, episode successor heirs and dying)
 * 2016: Heldt (TV series, episode Not to be pledged)
 * 2016: Dr. Klein (TV series, episode family problems)
 * 2017: Next to the track - Your will be done (TV series)
 * 2017: Tatort - Neighbors
 * 2017: Lotta & the seriousness of life
 * 2018: Einmal Sohn, immer Sohn
 * 2018: Our boys
 * 2019: Wilsberg: Minus 196°
 * 2020: Spring (TV Series)
 * 2020: The Chancellery
 * 2020: Die Chefin
 * 2021: SOKO Potsdam

Short films

 * 1999: Dolphins
 * 2000: Forgotten Knights
 * 2001: Imagine.
 * 2001: Worm gap
 * 2004: The anniversary
 * 2005: Hamlet
 * 2005: Blackout
 * 2006: Townscape
 * 2006: Memory Effect
 * 2008: Clarification of facts
 * 2009: Edgar
 * 2011: Edeltraud and Theodor
 * 2013: The Wizard
 * 2013: Loona Balloona

title: Julia Brendler


text:
Talk:Spotswood (film)

Fair use rationale for Image:Spotswood movieposter.jpg
Image:Spotswood movieposter.jpg is being used on this article. I notice the image page specifies that the image is being used under fair use but there is no explanation or rationale as to why its use in this Wikipedia article constitutes fair use. In addition to the boilerplate fair use template, you must also write out on the image description page a specific explanation or rationale for why using this image in each article is consistent with fair use.

If there is other other fair use media, consider checking that you have specified the fair use rationale on the other images used on this page. Note that any fair use images uploaded after 4 May, 2006, and lacking such an explanation will be deleted one week after they have been uploaded, as described on criteria for speedy deletion. If you have any questions please ask them at the Media copyright questions page. Thank you.BetacommandBot 08:02, 6 June 2007 (UTC)

This is not a "crime drama"...
Could this be dry ozzie wit cum vandalism? Correcting. Cypella (talk) 10:12, 1 December 2013 (UTC)

Box Office Statements
There could be a problem with box office returns when it is not qualified as to whose currency is being quoted and updated per inflation. Is the dollars and cents stated in the article Australian or US?A1Houseboy (talk) 22:47, 17 January 2014 (UTC)

category
On what basis is the deemed a comedy?2600:6C67:1C00:5F7E:51E1:B692:C2D9:D61E (talk) 04:29, 2 October 2023 (UTC)

title: Talk:Spotswood (film)


text:
Configuring and administering a network operating system

ICAS3120A

From the official document: "This unit defines the competency required to create the network configuration required by a client and to set up and use administrative tools to manage the network."

Basically, that means ... (translate above into plain english)

You can read more about this unit on the National Training Information Systems Official document for ICAS3120A.

This unit is part of the following qualifications:
 * Cert III Applications Qualification in Australia

Prerequisite units The following units are prerequisite for this competency:

 * ICAI3020A Install and optimise operating system software
 * ICAS3024A Provide basic system administration
 * ICAS3032A Provide network systems administration

How this unit will help you
After learning and applying the skills required by this unit you'll be able to demonstrate your skills in:

 * translate the above elements and performance criteria into plain english and summarise here...

Ideas for learning the required skills
...

Ideas for demonstrating this unit
The best way to demonstrate these skills is ...

Grading
If you are demonstrating this unit as part of a formal course, you might find that the unit is graded (meaning you can not only demonstrate your competence, but can also gain a credit or distinction). Your facilitator may already have set criteria that your college uses. If not, here are some ideas for possible credit/distinction activities that you can discuss with your facilitator:


text:
How They Had Fun: Culture and Context in the United States, 1900-1960

 * Part of the School of History.

Introduction
If the thought of history has ever been daunting to you before, or if you've ever looked at history as a series of names and dates, it is time to review your preconceptions. This course aims to be informative, intriguing, and most of all - accessible.

Be prepared to have your preconceptions of the past blown away! In this course (currently under development) we'll dive into the popular culture of the first half of the 20th century and have a look at how they did it up back in the day. We'll merge modern with old. No Model Ts for us - we'll use the internet as the main vehicle to transport us from the dawn of the 20th century to the conclusion of the 1950s. Along the way we'll pick up information on the films, music, and fashion that captured the hearts of the masses in each decade. We'll also see how these popular ideas and items were created and produced within the context of their times.

Think the Roaring Twenties were all Charleston dancing and wild parties? Believe the 1950s were overflowing with conformity and repression? These stereotypes have origins in reality, but be prepared to see the years through an entirely different lens. It's all a part of the time travel journey.

Syllabus, Or: How to climb the mountain of knowledge
It is up to you how much you wish to delve into the decades. Attack all the topics in a straight shot, or sample the decades as appetizers to be savored – it’s up to you. Tackling a decade a week would be a good strategy. If you plan on going the distance and time traveling from 1900 to 1960 I would recommend going in order. History is a progression with interconnected events. It makes much more sense when taken in the order it originally occurred in. At the end there are some questions for reflection on themes in the course. You’ve gotten through a lot by that point – take the time to look back over the empire of knowledge you’ve built, and admire it for a moment. Those last questions are meant to help you do just that.

The first section is intended as a compliment to the course to help you get the most out of it. For those who have taken a history course in the past it may be familiar - feel free to skip ahead (although the second part on culture may still be useful). For those who are new to history as a field of study, or need a quick refresher, it is here for your reference:
 * What you should know about history
 * What are primary and secondary sources
 * How to give credit where it is due (citing sources)
 * If plagiarism were alcohol, we'd be teetotalers: Don't be a criminal - the world wants to be witness to the birth of your prose, not to your copy and paste skills.
 * What you should know about culture
 * Some theories in culture
 * Culture as a relatively new topic in history

Breaking it down by decade, the course's meat and potatoes:
 * General reading (and how to acquire it all)
 * 1900: Progress and Teddy Bears
 * 1910: Out of Isolation and onto the Dance Floor
 * 1920: Consumption and Conservatism
 * 1930: Depression and Cultural Riches
 * 1940:
 * 1950:

Course themes and some questions to ponder:
 * will follow the addition of the course's details

Note: ''The details are currently being hammered out and a more thorough outline to give a better idea of the course is just around the corner. If you have an interest in the past and information to contribute, join the ride and show us how they had fun and why it matters!''


text:
KKNT

KKNT (960 AM, "960 The Patriot") is a radio station broadcasting a conservative talk radio format in Phoenix, Arizona, United States. The station is owned by Salem Communications Holding Corporation, a subsidiary of the Salem Media Group. Studios are located at 24th Street and Camelback in Phoenix; the transmitter is on the city's northern edge.

Established in 1947 as KOOL, the station became a force in Phoenix radio nearly immediately after Gene Autry purchased the outlet within a year of its operation. The station was a CBS affiliate for decades and spawned a successful television station, KOOL-TV (now KSAZ-TV), and an FM radio station, KOOL-FM. Autry and his business partner, Tom Chauncey, sold KOOL AM in 1978, and it struggled as KARZ for four years before Chauncey repurchased it. After several sales, Salem acquired the frequency in 1996 and instituted the present conservative talk format in 1999.

KOOL
In 1945, Maricopa Broadcasters, Inc., a group of Arizona residents, incorporated and filed an application with the Federal Communications Commission (FCC) to build a new radio station on 960 kHz in Phoenix. The application was placed into comparative hearing with a bid from a company known as Radio Phoenix, but that firm withdrew its application, clearing the way for a construction permit to be granted on December 17, 1946.

In early 1947, construction and hiring proceeded apace for the new station, to be known as KOOL. A four-tower array was built for the 5,000-watt directional station on part of the Clyde Pierce ranch in midtown Phoenix, while studios were set up in the Hotel Adams and Carl D. Haymond of Tacoma, Washington, the principal backer in the station, led hiring. KOOL began broadcasting on June 22, 1947, as an affiliate of the Mutual Broadcasting System and Don Lee Network; it also represented Mutual programs in the state and set up the "Radio Network of Arizona", which signed fledgling Tucson station KCNA as its first affiliate.

Four months after starting, a major star acquired the station: Gene Autry, who disposed of a minority interest in KPHO (1230 AM) to purchase KOOL. (Both stations were located in the Hotel Adams at the same time.) In Tucson, Autry and Charles Garland, who had been KPHO's general manager, owned station KOPO. The acquisition of the station, for just under $250,000, approved on April 8, 1948. Garland had already begun a revamp of KOOL's programming.

Autry was long associated with CBS and co-owned Columbia Records; however, CBS programs aired in Phoenix over KOY (550 AM). This changed at the start of 1950, when Autry secured CBS affiliation for KOOL over protests from KOY.

Under Autry, KOOL became one of the most important radio stations in the state. It spawned television station KOOL-TV in 1953 and KOOL-FM 94.5 in 1960. Tom Chauncey, who had assisted in launching the TV station, became an investor in the radio station as well when Garland sold his interest in 1954; that year, the station moved in with KOOL-TV at its studios at 5th Street and Adams. When KOY was sold to Edens Broadcasting in 1968, several top executives defected to KOOL. The call sign gave rise to the greeting telephone callers received when they called the KOOL stations: "It's KOOL in Phoenix", ironic for a city known for its hot weather.

KARZ
In 1978, KOOL AM was sold to Stauffer Communications of Topeka, Kansas, with the FM and television stations remaining under the ownership of Gene Autry and Tom Chauncey. After approval was given, the AM station changed its call sign to KARZ on May 1, 1979, but though the station moved to new studios at 22nd Street and Camelback Road, there were no changes in personnel or programming. The Arizona Republic editorial board marked the end of an era and noted the station's public service record under more than 30 years of Autry–Chauncey ownership.

The station continued its adult contemporary format under Stauffer for two years, but amidst continually falling ratings and a struggle to define itself, KARZ flipped to country at the end of February 1981, joining four other local stations in that format and branding as "K-960". Where KOOL had been one of the top five stations in the market in 1975, it had tumbled to near the bottom of an expanding Phoenix radio marketplace by 1982.

Return to KOOL
Chauncey sold KOOL-TV to Gulf United Corporation in late 1982 and immediately repurchased KARZ from Stauffer for $2 million after the struggling station reportedly had been for sale for months. In February 1983, Chauncey closed on the purchase and restored the KOOL call letters to 960 AM, and after considering a news/talk format in competition with KTAR, the station readopted much of the adult contemporary sound and CBS programming it had aired prior to the sale to Stauffer.

In 1986, Chauncey sold KOOL-AM-FM to Adams Communications for $15 million. The deal tied with one for KLZI (99.9 FM) for the same price, announced the same day, as the largest radio station sale in Phoenix history. At the start of 1987, KOOL dropped the adult contemporary format and changed to 1950s/1960s oldies, a slightly older set of music than KOOL-FM was playing at the time, on January 7, 1987. In late 1995, KOOL began simulcasting KOOL-FM, getting rid of its "older-leaning oldies".

Salem ownership
Rapid consolidation in Phoenix radio would split the former KOOL AM from its FM counterpart in 1996. Par Broadcasting acquired the KOOL stations and immediately sold both to Colfax Communications of Minneapolis; After acquiring several other Phoenix stations, Colfax spun KOOL AM out to Salem Communications for $1 million.

On October 4, KOOL yielded to KPXQ "Q96", a Christian radio station. As part of its opening stunting, the relaunched station simulcast various Salem outlets from around the United States. After the new year, KPXQ added a local drive-time talk show and aimed to target a younger audience in head-to-head competition with secular talk stations.

Salem acquired the 1360 AM frequency in 1999 as a result of further cluster realignment and consolidation in Phoenix. KPXQ moved to that frequency in 1999, making way for a conservative talk station, KCTK "Compelling Talk". The call letters were changed on September 1, 2002, to the current KKNT. At the same time, the station relaunched as KKNT "News/Talk 960", retaining its lineup of national hosts syndicated by Salem.

Programming
KKNT's weekday lineup primarily consists of nationally syndicated conservative talk shows, many of them from the Salem Radio Network with hosts such as Mike Gallagher, Charlie Kirk, Dennis Prager, and Sebastian Gorka, as well as Mark Levin from Westwood One. In afternoon drive, the station airs the local The Seth Leibsohn Show. Weekends include programs on money, health, finances, the outdoors, firearms, and brokered programming.

One prior local program from KKNT was a weekly talk show featuring Chris Simcox, founder of the Minuteman Civil Defense Corps, which had debuted in 2006.

title: KKNT


text:
Khar, Bajaur

Khar (ښار, X̌ār), also spelled Khaar, is the headquarters of Bajaur District in Khyber Pakhtunkhwa, Pakistan. Khar was one of the largest towns in the Federally Administered Tribal Areas (merged into Khyber Pakhtunkhwa in 2018). It lies near the border with Afghanistan. The headquarters of the Bajaur Scouts are located in the town. A civil colony is located in the town and this place is the court of Bajaur.

History
On 30 October 2006, the Chenagai airstrike happened near Khar. Helicopter gunships fired missiles and destroyed an al-Qaeda-linked training facility and killed 80 local students in a northwestern tribal area near the Afghan border, in a madrassa.

On 30 January 2010, a young male suicide bomber wearing a burqa killed 16 people and himself at a security checkpoint at a bazaar.

On 25 December 2010, at least 40 people were killed and at least 50 others were injured in the early morning when an islamic extremist threw two hand grenades and detonated her explosive vest at a World Food Programme (WFP) distribution centre.

On 30 July 2023, an Islamic State – Khorasan Province suicide bomber killed over 60 people during the gathering of Jamiat Ulema-e-Islam-Fazl, an Islamist political party.

Population
The population of Khar was 130,267 in 2017.

title: Khar, Bajaur


text:
2017–18 UAE President's Cup

The 2017–18 UAE President's Cup was the 42nd edition of the UAE President's Cup. The competition started on 22 September 2017 and concluded on 3 May 2018. Al Ain defeated Al Wasl 2–1 in the finals to win their seventh title.

Al-Wahda were the defending champions, winning the tournament in 2016–17 season, they were knocked out in semi-finals, after losing 5–4 on penalties to Al Wasl.

Preliminary Group B

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Bracket
As per UAE Football Association matches database:

title: 2017–18 UAE President's Cup