Yes
Glad to get high and see the slow-motion world
Just to reach and touch the half notes floating
World spinning, orbit quicker than 9/8th Dave Brubeck
We come now frantically searching for Thomas More, rainbow villages
Upon suddenly Charlie Mingus and Ahmed Abdul-Malik
To add base to a bottomless pit of insecurity
You may be plastic because you never meditate about the bottom of glasses,
The third side of your universe
Add on Alice Coltrane and her cosmic strains
# DOUBLE ENTENDRE ALERT 
 Relating to the previous line, which references two highly influential jazz double bassists, Gil Scott drops a mind-bending bomb of  double  the regular entendre. 
 Gil Scott plays with his words like a 5-year old plays with his  spaghetti , seeing the opportunity to match the two homophones  base  and  bass , playing out his purple-hazed (probably) fuelled Utopian fantasy, and also creating imagery that makes a statement about the fact that music can add  security  to a life of  insecurity , as many music-heads that have been through depression can testify to. 
 
 Remember kids, spaghetti is for  eating  and not playing with.
Plastic Pattern People