Out of the tomb, we bring Badroulbadour,
Within our bellies, we her chariot.
Here is an eye. And here are, one by one,
The lashes of that eye and its white lid.
Here is the cheek on which that lid declined,
“The worms” begin to consume Badroulbadour’s corpse. They are “her chariot” perhaps to convey her to the next life, be it heaven or hell. 
 Badroulbadour  was a Far Eastern princess, who married  Aladdin , as told the Arabic folk tale collection, “ One Thousand and One Nights .” (She is better known as ‘Jasmine’, from Disney’s “Aladdin.”) Badroulbadour translates from Arabic to “full moon of full moons.” 
 That the idealized, romantic story of Aladdin and Badroulbadour should be examined in this fashion—we watch as Baldroulbadour’s corpse is consumed by worms—conveys a striking contrast between life and the bleak realities of death. Like “ Nothing Gold Can Stay ,” a less macabre treatment of the same subject, it reminds us that everything decays. (Thanks to  Robert Frost  for such a convenient reference) 

The Worms at Heavens Gate