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| title: "House Oversight: Estate Documents (Nov 12) (HOUSE_OVERSIGHT_019332)" | |
| source: "House Oversight: Estate Documents (Nov 12)" | |
| sourceUrl: "https://www.justice.gov/epstein" | |
| date: "2026-01-01" | |
| category: "House Oversight" | |
| eftaNumber: "HOUSE_OVERSIGHT_019332" | |
| ocrPages: 1 | |
| ocrChars: 2532 | |
| ocrElapsed: 0.0 | |
| parseTier: "external-legacy" | |
| engine: "engine undisclosed (ep-nov-12.greg.technology mirror)" | |
| externalSource: "greg-ep-nov-12" | |
| externalLicense: "not granted" | |
| externalCredit: "ep-nov-12.greg.technology" | |
| externalUrl: "https://ep-nov-12.greg.technology" | |
| hop heads; On Galway Kinnell's "The Grey Heron": E.O. Wilson, Robert Hass, Laura McPhee; | |
| On Gwendolyn Brooks's "To Prisoners": Anna Deveare Smith, Reginald Dwayne Betts, Li-Young | |
| Lee and a chorus of exonerees from the Innocence Project; On William Carlos Williams's "This Is | |
| Just To Say": Woody Allen, Jane Hirshfield, Rafael Campo and a chorus of couples young and old; | |
| On Langston Hughes's "Harlem": President Bill Clinton, Herbie Hancock, Sonia Sanchez and a | |
| chorus of children from Promise Academy; On Allen Ginsberg's Hymmnn from "Kaddish" and | |
| "Hum Bom": Bono, Juan Felipe Herrera and a chorus of clergy. | |
| The production of the following episodes will wrap early 2017: | |
| On Emily Dickinson's "I cannot dance opon my Toes": Cynthia Nixon, Yo Yo Ma, Marie Howe | |
| and Bill T. Jones; On Marianne Moore's "The Fish": Jorie Graham, Edward Norton, Conservation | |
| International scientists, and the passengers and crew of oceanographic vessel The Alucia; On | |
| Elizabeth Bishop's "One Art" or Edna St. Vincent Millay's "Four Sonnets." | |
| - | |
| Jeffrey, | |
| Just a quick note to thank you again for all the help you've given me. The generous contribution you | |
| made last year to Verse Video Education is now in use (we've hired our new editor!). Once he helps | |
| us to plow through the work of this year, we'll begin to look forward to crafting educational content on | |
| the literature of art, sport and play (these materials now including footage from recent shoots with | |
| Shaquille O'Neal, Yo Yo Ma, Cynthia Nixon, Bono and others). 100K makes so much possible. | |
| But, of course, you've also been a key preceptor as I've learned how --squirming all the way--the | |
| sausage really gets made in public television. I can't say l've been entirely successful in taming costs | |
| there, but l've been far better armed and more mindful of what they should be after the stern tutorial | |
| you administered. | |
| Whenever Templeton might be ready to evaluate another application, I'm ready for another proposal | |
| for them. I wonder if you might arrange a meeting for me with the famous Barnaby? I can't yet afford | |
| a grant writer, and so the time one of these suckers takes makes me think doing more advance | |
| reconnaissance is crucial. Would he meet with me? Kosher? I'd also love to meet with the Blacks as | |
| I get closer to making content on theatre. I hope that Debra is well. | |
| And heard there's another little Jeff in the caribbean... | |
| Best, | |
| Elisa New | |
| Powell M. Cabot Professor of American Literature | |
| Harvard University | |
| 148 Barker Center | |
| 12 Quincy Street | |
| Cambridge, MA | |
| 02138 | |
| HOUSE_OVERSIGHT_019332 | |